1 00:00:01,402 --> 00:00:02,636 - PREVIOUSLY ON WHITE COLLAR... 2 00:00:02,670 --> 00:00:04,572 AND THE BURKES ARE GOING TO WASHINGTON. 3 00:00:04,605 --> 00:00:05,873 - I HAVE SOME NEWS OF MY OWN. 4 00:00:05,906 --> 00:00:07,575 I REACHED OUT TO THE NATIONAL GALLERY. 5 00:00:07,608 --> 00:00:10,244 THEY JUST CALLED ME AND OFFERED ME A POSITION. 6 00:00:10,278 --> 00:00:11,979 - NO MORE HANDLERS, NO MORE CASES, 7 00:00:12,012 --> 00:00:13,181 NO MORE ANKLET. 8 00:00:13,214 --> 00:00:14,882 I'VE TALKED TO A LAWYER. 9 00:00:14,915 --> 00:00:16,684 A RECOMMENDATION FROM YOU IS CRITICAL. 10 00:00:16,717 --> 00:00:18,486 THE MOSCONI CODEX. 11 00:00:18,519 --> 00:00:20,588 IF THIS BOOK IS A PUZZLE, MAYBE THESE ARE THE PIECES. 12 00:00:20,621 --> 00:00:22,756 TAKE A LOOK AT THE PAGES. RAIN MAN IT. 13 00:00:22,790 --> 00:00:24,925 - I GOT IT. - THIS IS THE IDOL OF SITA. 14 00:00:24,958 --> 00:00:26,860 - THE IDOL HAD EYES MADE OUT OF RARE DIAMONDS. 15 00:00:26,894 --> 00:00:29,063 THE HOPE DIAMOND. WE'RE LOOKING FOR ITS TWIN. 16 00:00:29,097 --> 00:00:31,165 - MOSCONI SYMBOLS AREN'T A MESSAGE. 17 00:00:31,199 --> 00:00:32,933 THEY'RE NUMBERS. 18 00:00:32,966 --> 00:00:34,735 - REAL NAME IS RACHEL TURNER. 19 00:00:34,768 --> 00:00:36,737 SHE IS THE PRIME SUSPECT IN THE MURDERS 20 00:00:36,770 --> 00:00:38,906 OF CURTIS HAGEN AND AGENT DAVID SIEGEL. 21 00:00:38,939 --> 00:00:41,609 NEAL, SHE'S IN LOVE WITH YOU. 22 00:00:41,642 --> 00:00:44,112 YOU ARE UNDER ARREST FOR MURDER. 23 00:00:44,145 --> 00:00:46,247 - I'M IMPRESSED, NEAL. THAT WAS WELL PLAYED. 24 00:00:46,280 --> 00:00:49,383 - WHAT'S THE THREAT? - I'LL SEE YOU SOON. 25 00:00:49,417 --> 00:00:51,752 - THIS IS AGENT BURKE. - PETER, WHAT IS IT? 26 00:00:51,785 --> 00:00:53,621 - REBECCA ESCAPED. 27 00:00:53,654 --> 00:00:56,056 - WE HAVE AN INMATE LOOSE. REPEAT, INMATE LOOSE. 28 00:00:56,090 --> 00:00:58,759 - PRISONER RK4431 IS NO LONGER IN HER CELL. 29 00:00:58,792 --> 00:01:00,761 - THE METROPOLITAN CORRECTIONS CENTER IS REPORTING 30 00:01:00,794 --> 00:01:02,963 AN ARMED AND DANGEROUS ESCAPEE IN THE VICINITY. 31 00:01:02,996 --> 00:01:07,801 - NAME: RACHEL TURNER, A.K.A. REBECCA LOWE. 32 00:01:07,835 --> 00:01:10,304 [radio chatter fades] 33 00:01:10,338 --> 00:01:12,373 - IS THIS SOME KIND OF MESSAGE? 34 00:01:12,406 --> 00:01:13,774 "ANYTHING YOU CAN DO, I CAN DO TOO"? 35 00:01:13,807 --> 00:01:14,942 - I DOUBT IT. 36 00:01:14,975 --> 00:01:16,477 - SHE WALKED RIGHT OUT THE DOOR 37 00:01:16,510 --> 00:01:18,879 IN UNIFORM, SAME WAY YOU DID ONCE. 38 00:01:18,912 --> 00:01:20,914 - HEY, I DIDN'T HAVE TO HURT ANYONE TO BREAK OUT OF PRISON. 39 00:01:20,948 --> 00:01:22,483 - THE C.O.'S IN PRETTY ROUGH SHAPE, 40 00:01:22,516 --> 00:01:24,585 BUT SHE'LL SURVIVE. - WHEN DID THIS HAPPEN? 41 00:01:24,618 --> 00:01:26,720 - WHEN SHE WAS ESCORTED TO THE YARD 42 00:01:26,754 --> 00:01:29,123 FOR HER HOUR OF EXERCISE YESTERDAY. 43 00:01:29,157 --> 00:01:30,624 SHE USED A STETHOSCOPE 44 00:01:30,658 --> 00:01:32,826 SHE CRIBBED FROM THE INFIRMARY TO STRANGLE HER. 45 00:01:32,860 --> 00:01:35,496 ANOTHER 30 SECONDS, SHE'D HAVE BEEN DEAD. 46 00:01:35,529 --> 00:01:37,598 REBECCA'S FORMER LAW ENFORCEMENT. 47 00:01:37,631 --> 00:01:39,900 SHE'S GOT THE SKILL SET OF A TRAINED AGENT. 48 00:01:39,933 --> 00:01:41,769 - WITH THE INSTINCTS OF A CRIMINAL. 49 00:01:41,802 --> 00:01:43,804 - THIS IS WHAT WE DO, NEAL, YOU AND ME. 50 00:01:43,837 --> 00:01:45,306 LET'S TRACK THIS. 51 00:01:45,339 --> 00:01:47,608 HER FIRST STEP ON THE RUN, WHAT WOULD IT BE? 52 00:01:47,641 --> 00:01:49,510 - ON THE RUN, THE FIRST THING SHE'D DO 53 00:01:49,543 --> 00:01:51,078 IS CHANGE HER APPEARANCE-- QUICK HAIR CUT, 54 00:01:51,111 --> 00:01:52,980 DECENT DYE JOB. 55 00:01:53,013 --> 00:01:56,049 SHE'D WANT TO BE INVISIBLE. 56 00:01:58,719 --> 00:01:59,987 - SHE'D ALSO NEED TO BE MOBILE. 57 00:02:00,020 --> 00:02:02,190 SHE'D GET A CAR. 58 00:02:02,223 --> 00:02:03,791 BUT SOMETHING THAT DOESN'T STICK OUT, 59 00:02:03,824 --> 00:02:08,296 SOMETHING-- SOMETHING NON-DESCRIPT. 60 00:02:08,329 --> 00:02:10,331 SHE'D ALSO NEED NEW CREDENTIALS. 61 00:02:10,364 --> 00:02:11,665 WHO WOULD SHE GO TO HERE IN NEW YORK? 62 00:02:11,699 --> 00:02:13,301 - SHE DOESN'T NEED TO GO TO ANYONE. 63 00:02:13,334 --> 00:02:15,803 SHE'S A PROFESSIONAL, AND EVERY PROFESSIONAL 64 00:02:15,836 --> 00:02:17,004 HAS A GO BAG. - WE ALREADY HAVE HERS. 65 00:02:17,037 --> 00:02:19,039 - WELL, I UNDERESTIMATED HER. 66 00:02:19,072 --> 00:02:21,542 ANYONE THIS GOOD WOULD HAVE SEVERAL READY AND WAITING. 67 00:02:21,575 --> 00:02:24,278 - DRIVER'S LICENSE, PASSPORT, CURRENCY-- 68 00:02:24,312 --> 00:02:26,380 SHE'LL HAVE EVERYTHING SHE NEEDS. 69 00:02:26,414 --> 00:02:28,849 - BUT IF I'M HER, I'M NOT LEAVING THIS CITY 70 00:02:28,882 --> 00:02:31,619 WITHOUT THE ONE THING I WANT. - THE DIAMOND. 71 00:02:31,652 --> 00:02:34,222 - YEAH, SHE KILLED SIEGEL, USED AND MURDERED HAGEN, 72 00:02:34,255 --> 00:02:36,890 MANIPULATED ME AND EVERYONE IN MY LIFE TO GET TO IT. 73 00:02:36,924 --> 00:02:38,792 YOU DON'T GO THROUGH ALL THAT FOR NOTHING. 74 00:02:38,826 --> 00:02:40,228 [cell phone rings] 75 00:02:43,931 --> 00:02:47,134 HEY, JUNE. 76 00:02:47,167 --> 00:02:48,902 WE'LL BE RIGHT THERE. 77 00:02:54,408 --> 00:02:56,143 - OH, THANK GOODNESS, THANK GOODNESS. 78 00:02:56,176 --> 00:02:57,811 I TRIED TO CALL 911. 79 00:02:57,845 --> 00:03:00,248 - WHICH, AS WE ALL KNOW, IS A JOKE. 80 00:03:00,281 --> 00:03:01,949 TRULY, THERE'S NO NEED. 81 00:03:05,453 --> 00:03:07,488 WHAT'S WITH ALL THE EXTRA WING-TIPS? 82 00:03:07,521 --> 00:03:09,022 - YOU SAID REBECCA WAS HERE. 83 00:03:09,056 --> 00:03:10,090 - WHAT HAPPENED? - I WAS ASLEEP, 84 00:03:10,123 --> 00:03:11,925 BUT I HEARD A NOISE. 85 00:03:11,959 --> 00:03:13,193 - SHE MUST HAVE COME IN THROUGH THE BALCONY. 86 00:03:13,227 --> 00:03:14,428 I DIDN'T SEE HER. 87 00:03:14,462 --> 00:03:16,163 I WAS LEAVING YOU A VOICE MESSAGE 88 00:03:16,196 --> 00:03:19,333 WHEN--I DON'T KNOW. 89 00:03:19,367 --> 00:03:20,934 SHE KNOCKED ME OUT. 90 00:03:20,968 --> 00:03:22,336 - THE LEAST I CAN DO IS MAKE YOU SOME TEA. 91 00:03:22,370 --> 00:03:26,774 - SOMETHING A LITTLE STRONGER. 92 00:03:26,807 --> 00:03:30,278 - WING-TIPS, WOULD YOU LIKE SOME COFFEE? 93 00:03:30,311 --> 00:03:32,446 - YEAH, GIVE US A MOMENT. 94 00:03:32,480 --> 00:03:34,482 THANK YOU, JUNE. - OF COURSE. 95 00:03:37,551 --> 00:03:39,119 - WHAT'S GOING ON WITH YOUR ARM? 96 00:03:39,152 --> 00:03:41,389 - IT'S BEEN SORE SINCE I WOKE UP. 97 00:03:45,393 --> 00:03:46,594 IT'S A NEEDLE MARK. 98 00:03:46,627 --> 00:03:47,861 - SHE INJECTED YOU WITH SOMETHING? 99 00:03:47,895 --> 00:03:49,196 - IT COULD BE SODIUM PENTOTHAL. 100 00:03:49,229 --> 00:03:50,564 - TRUTH SERUM? 101 00:03:50,598 --> 00:03:52,433 - I COULD BE UNDER ITS INFLUENCE RIGHT NOW. 102 00:03:52,466 --> 00:03:54,034 - BREAK ANY LAWS RECENTLY? 103 00:03:54,067 --> 00:03:55,569 - ABSOLUTELY NONE. 104 00:03:55,603 --> 00:03:57,305 - DEFINITELY NOT TRUTH SERUM. 105 00:03:57,338 --> 00:03:59,072 - WHAT IF I TOLD HER ABOUT MY BREAKTHROUGH? 106 00:03:59,106 --> 00:04:00,408 SHE COULD HAVE TAKEN THE NEXT STEP. 107 00:04:00,441 --> 00:04:01,875 SHE MIGHT HAVE THE DIAMOND. 108 00:04:01,909 --> 00:04:04,645 [cell phone rings] 109 00:04:18,158 --> 00:04:19,460 - RACHEL. 110 00:04:19,493 --> 00:04:21,128 OR SHOULD I STILL CALL YOU REBECCA? 111 00:04:21,161 --> 00:04:22,563 - DON'T BOTHER TRYING TO KEEP ME ON THE LINE. 112 00:04:22,596 --> 00:04:24,231 THIS IS A SIMPLE TRADE. 113 00:04:24,264 --> 00:04:25,599 - I'M NOT MAKING ANY DEALS WITH YOU. 114 00:04:25,633 --> 00:04:29,002 - THE DIAMOND FOR YOUR FRIEND'S LIFE. 115 00:04:29,036 --> 00:04:30,170 - WHAT? - I GAVE HIM A LETHAL DOSE 116 00:04:30,203 --> 00:04:31,605 OF A HIGHLY TOXIC POISON. 117 00:04:31,639 --> 00:04:33,474 VERY SOON, HE'LL START SHOWING SIGNS. 118 00:04:33,507 --> 00:04:34,575 FIVE TO SIX HOURS FROM NOW, 119 00:04:34,608 --> 00:04:37,010 HE'LL BE DEAD. - YOU'RE LYING. 120 00:04:37,044 --> 00:04:39,112 - YOU CAN TAKE HIM TO THE HOSPITAL IF YOU LIKE. 121 00:04:39,146 --> 00:04:41,014 BY THE TIME THE DOCTORS ARE FINISHED RUNNING THEIR TESTS, 122 00:04:41,048 --> 00:04:43,651 HE'LL BE LONG GONE. GET ME WHAT I WANT. 123 00:04:43,684 --> 00:04:45,919 - SO NOW YOU CAN'T EVEN DO YOUR OWN DIRTY WORK? 124 00:04:45,953 --> 00:04:47,355 - I'VE GOT A FEW PEOPLE LOOKING FOR ME. 125 00:04:47,388 --> 00:04:49,122 BETTER YOU FIND THE DIAMOND. 126 00:04:49,156 --> 00:04:50,991 I'LL GIVE YOU THE ANTIDOTE IN EXCHANGE. 127 00:04:51,024 --> 00:04:53,994 LEAVE A MESSAGE ON THIS LINE ONCE YOU HAVE IT. 128 00:04:54,027 --> 00:04:57,598 OH, AND, NEAL, 129 00:04:57,631 --> 00:05:01,068 IT'S NICE TO HEAR YOUR VOICE AGAIN. 130 00:05:04,137 --> 00:05:07,140 [rock music] 131 00:05:07,174 --> 00:05:15,148 * 132 00:05:22,556 --> 00:05:23,624 - PRESBYTERIAN ISN'T FAR. 133 00:05:23,657 --> 00:05:25,292 IF WE GO NOW-- - NO DEATH CENTERS. 134 00:05:25,325 --> 00:05:27,027 - IT'S A HOSPITAL. 135 00:05:27,060 --> 00:05:29,196 - OH, THEY'LL HAVE A BAR-CODED TRAMP STAMP ON ME 136 00:05:29,229 --> 00:05:30,798 BEFORE THE FIRST I.V. DRIP. 137 00:05:30,831 --> 00:05:32,666 - MOZ, WILL YOU PLEASE BE REASONABLE? 138 00:05:32,700 --> 00:05:34,201 - WHY ARE WE WASTING OUR TIME ARGUING? 139 00:05:34,234 --> 00:05:37,137 WE ARE ON THE VERGE OF DISCOVERING THE TWIN 140 00:05:37,170 --> 00:05:38,539 OF THE HOPE DIAMOND. 141 00:05:38,572 --> 00:05:40,408 - YOUR LIFE IS ON THE LINE. 142 00:05:40,441 --> 00:05:42,175 - REBECCA'S PROBABLY BLUFFING. 143 00:05:42,209 --> 00:05:46,980 I FEEL... ABSOLUTELY...OKAY. 144 00:05:47,014 --> 00:05:48,315 - LOOK, WE CAN FIND THE ANTIDOTE. 145 00:05:48,348 --> 00:05:49,650 I'M TAKING YOU TO A HOSPITAL RIGHT NOW. 146 00:05:49,683 --> 00:05:51,519 - THE DIAMOND IS THE ANTIDOTE, 147 00:05:51,552 --> 00:05:53,854 AND YOU NEED MY HELP TO FIND IT. 148 00:05:53,887 --> 00:05:56,690 WHO KNOWS MORE ABOUT MASONIC LORE THAN YOURS TRULY? 149 00:05:56,724 --> 00:05:59,593 - ALL RIGHT, FILL ME IN. NEAL SAID YOU HAD 150 00:05:59,627 --> 00:06:01,161 SOME KIND OF BREAKTHROUGH WITH SYMBOLS? 151 00:06:01,194 --> 00:06:02,763 - YEAH. - SLOW DOWN. 152 00:06:02,796 --> 00:06:04,665 - WE'VE BEEN LOOKING AT THEM AS LETTERS, 153 00:06:04,698 --> 00:06:06,767 WHEN WE SHOULD BE LOOKING AT THEM AS NUMBERS. 154 00:06:06,800 --> 00:06:09,937 - NUMBERS FROM WHERE? - AN OLD HINDU NUMERICAL SYSTEM, 155 00:06:09,970 --> 00:06:11,672 PROBABLY MOSCONI'S INSPIRATION, 156 00:06:11,705 --> 00:06:13,607 GIVEN THE ORIGIN OF THE DIAMOND. 157 00:06:13,641 --> 00:06:15,375 - BUT DO WE HAVE ANY IDEA WHAT THEY MEAN? 158 00:06:15,409 --> 00:06:17,411 - I'M WORKING ON IT, BUT IT'S TOUGH. 159 00:06:17,445 --> 00:06:19,880 THESE LAST TWO, I DON'T KNOW WHAT THEY ARE. 160 00:06:19,913 --> 00:06:21,415 THEY'RE THE ONLY ONES THAT DON'T CORRESPOND. 161 00:06:21,449 --> 00:06:24,518 - THEY'RE COORDINATES. 162 00:06:24,552 --> 00:06:26,253 YOU HAVE 14 NUMBERS. 163 00:06:26,286 --> 00:06:28,221 SEVEN AND SEVEN IN A PARTICULAR ORDER. 164 00:06:28,255 --> 00:06:30,858 - LATITUDE AND LONGITUDE. - COULD BE. 165 00:06:30,891 --> 00:06:33,393 - AND THESE TWO SYMBOLS YOU CAN'T DECODE-- 166 00:06:33,427 --> 00:06:35,863 PROBABLY CARDINAL DIRECTIONS. 167 00:06:35,896 --> 00:06:38,799 I THINK MOSCONI WAS TELLING US WHERE HE HID THAT DIAMOND. 168 00:06:38,832 --> 00:06:42,970 - PUNCHING IN THE NUMBERS NOW STARTING WITH NORTH BY EAST. 169 00:06:44,738 --> 00:06:46,707 KYRGYZSTAN. - DOUBTFUL THE DIAMOND 170 00:06:46,740 --> 00:06:49,577 IS IN MY LEAST FAVORITE PARLIAMENTARY REPUBLIC. 171 00:06:49,610 --> 00:06:51,479 OH, THEY STILL HAVE A PRACTICE THERE 172 00:06:51,512 --> 00:06:54,214 CALLED MARRIAGE BY CAPTURE. 173 00:06:54,247 --> 00:06:55,415 - SOUNDS FAMILIAR. - KEEP WORKING. 174 00:06:55,449 --> 00:06:57,084 - TRYING SOUTH BY WEST, 175 00:06:57,117 --> 00:06:59,286 WHICH LEADS US TO SOMEWHERE IN CHILE. 176 00:06:59,319 --> 00:07:01,421 MOSCONI NEVER HAD ANY KIND OF HISTORY THERE. 177 00:07:01,455 --> 00:07:03,323 - TRY NORTH AND WEST. 178 00:07:06,860 --> 00:07:11,665 - IT'S A STONE FORT... IN QUEENS. 179 00:07:11,699 --> 00:07:14,267 - STONE. PROBABLY MADE BY MASONS. 180 00:07:14,301 --> 00:07:15,903 - [typing] 181 00:07:15,936 --> 00:07:19,640 FORT TOTTEN WAS BUILT IN 1862 FOR THE CIVIL WAR. 182 00:07:19,673 --> 00:07:22,275 - SO IT EXISTED WHEN MOSCONI WAS IN NEW YORK CITY. 183 00:07:22,309 --> 00:07:24,912 - IF I HAVE A PRICELESS DIAMOND THAT NEEDS SAFEKEEPING, 184 00:07:24,945 --> 00:07:27,515 WHAT BETTER PLACE THAN A U.S. MILITARY INSTALLATION? 185 00:07:27,548 --> 00:07:29,650 - I'LL LET THE FBI KNOW WE'RE CHECKING IT OUT OURSELVES. 186 00:07:29,683 --> 00:07:32,486 LET'S GO. 187 00:07:32,520 --> 00:07:35,523 - OKAY. 188 00:07:38,626 --> 00:07:40,460 HEY, THAT WAS PETER. 189 00:07:40,494 --> 00:07:42,362 THERE'S A PROBLEM WITH CAFFREY'S PAL. 190 00:07:42,395 --> 00:07:43,997 IT'S SERIOUS. 191 00:07:44,031 --> 00:07:46,366 - SOMETHING'S HAPPENED TO MOZZIE? 192 00:07:46,399 --> 00:07:47,334 - HE WAS POISONED BY REBECCA LOWE. 193 00:07:47,367 --> 00:07:49,136 HE'S OKAY FOR NOW, 194 00:07:49,169 --> 00:07:52,005 BUT APPARENTLY HE ONLY HAS A FEW HOURS LEFT. 195 00:07:54,174 --> 00:07:56,610 YOU OKAY? - DO THEY KNOW WHAT IT IS? 196 00:07:56,644 --> 00:07:58,178 - NO. NOT A CLUE. IT'S A MYSTERY. 197 00:07:58,211 --> 00:07:59,212 AND I GUESS THEY DON'T HAVE ENOUGH TIME 198 00:07:59,246 --> 00:08:01,048 TO WAIT FOR THE BLOOD TEST. 199 00:08:01,081 --> 00:08:05,452 - LET ME CHECK ALL RECENT NYPD INCIDENT REPORTS 200 00:08:05,485 --> 00:08:07,054 FOR ANY THEFTS AT A DOCTOR'S OFFICE, PHARMACY, 201 00:08:07,087 --> 00:08:08,989 OR LAB SINCE REBECCA'S ESCAPE. 202 00:08:09,022 --> 00:08:10,223 SHE HAD TO GET THE TOXINS FROM SOMEWHERE. 203 00:08:10,257 --> 00:08:11,659 - ALL RIGHT. HERE WE GO. 204 00:08:11,692 --> 00:08:13,661 A FEW RESIDENTIAL B&Es. 205 00:08:13,694 --> 00:08:15,829 CONVENIENCE STORE ROBBERY IN WILLIAMSBURG. 206 00:08:15,863 --> 00:08:17,731 MUGGING IN MIDTOWN. - THAT'S INTERESTING. 207 00:08:17,765 --> 00:08:21,501 - WHAT? HANAWALT PHARMACEUTICALS? 208 00:08:21,535 --> 00:08:23,170 LOOKS LIKE SOME KIND OF GREENHOUSE. 209 00:08:23,203 --> 00:08:24,471 - YEAH, A LOT OF PRESCRIPTION MEDS 210 00:08:24,504 --> 00:08:25,906 START OUT AS POISONOUS PLANTS. 211 00:08:25,939 --> 00:08:27,741 - ROBBERY HAPPENED AFTER THE MAIN LAB CLOSED. 212 00:08:27,775 --> 00:08:29,677 - YEAH, THIS COULD BE IT. AND, ACCORDING TO THIS, 213 00:08:29,710 --> 00:08:31,244 NYPD'S CURRENTLY ON THE SCENE, WHICH IS WHERE I SHOULD BE. 214 00:08:31,278 --> 00:08:32,580 YOU WANT TO COME WITH? 215 00:08:32,613 --> 00:08:33,581 - HEY, IF YOU NEED ME, YOU GOT ME. 216 00:08:49,863 --> 00:08:51,832 - PETER BURKE, FBI. 217 00:08:51,865 --> 00:08:53,533 THIS IS MY ASSOCIATE, NEAL CAFFREY. 218 00:08:53,567 --> 00:08:55,235 THIS IS MY--MOZZIE. 219 00:08:55,268 --> 00:08:56,737 - AGENT BURKE, RIGHT, YOUR OFFICES CALLED, 220 00:08:56,770 --> 00:08:58,238 SAID YOU WERE ON THE WAY. 221 00:08:58,271 --> 00:09:00,440 I'M HOPPER. ALAN HOPPER. 222 00:09:00,473 --> 00:09:02,676 RANGER HOPPER, ACTUALLY. WHAT'S ALL THIS ABOUT? 223 00:09:02,710 --> 00:09:04,077 - WE BELIEVE THERE'S A VITAL PIECE 224 00:09:04,111 --> 00:09:05,913 OF INFORMATION INSIDE THAT COULD LEAD US 225 00:09:05,946 --> 00:09:07,748 TO THE CAPTURE OF A KNOWN FUGITIVE. 226 00:09:07,781 --> 00:09:09,617 WE'RE IN A BIT OF A HURRY. - COPY THAT. 227 00:09:09,650 --> 00:09:13,420 LET'S TAKE A BAD GUY OFF THE STREETS. 228 00:09:15,756 --> 00:09:17,791 STRUCTURE'S NAMED AFTER JOSEPH TOTTEN, 229 00:09:17,825 --> 00:09:19,426 U.S. ARMY OFFICER AND ENGINEER 230 00:09:19,459 --> 00:09:21,795 KNOWN AS THE FATHER OF BRICK FORTIFICATION. 231 00:09:21,829 --> 00:09:23,631 - FOUNDATION'S MOSTLY GRANITE. 232 00:09:23,664 --> 00:09:25,866 - WELL, HE HAD TO MAKE SOME MODIFICATIONS 233 00:09:25,899 --> 00:09:27,467 WHEN THE RIFLED-BORED CANNON ARRIVED. 234 00:09:27,500 --> 00:09:29,870 - UH-HUH. 235 00:09:29,903 --> 00:09:31,371 WELL, I THINK WE CAN TAKE IT FROM HERE. 236 00:09:31,404 --> 00:09:32,773 I REALLY APPRECIATE YOUR COOPERATION. 237 00:09:32,806 --> 00:09:35,676 - ANYTHING I CAN DO TO HELP. 238 00:09:37,945 --> 00:09:40,247 - YOU KNOW, IF YOU COULD COORDINATE WITH MY OFFICES 239 00:09:40,280 --> 00:09:41,615 AND KEEP ME APPRISED 240 00:09:41,649 --> 00:09:43,216 OF ANY DEVELOPMENTS, THAT'D BE GREAT. 241 00:09:43,250 --> 00:09:46,654 - I'LL GET ON THE HORN RIGHT NOW, CHIEF. 242 00:09:46,687 --> 00:09:48,889 - NICE. LET'S START LOOKING. 243 00:09:48,922 --> 00:09:52,392 MOSCONI MUST HAVE LEFT SOME KIND OF TRAIL. 244 00:09:52,425 --> 00:09:55,996 - [labored breathing] 245 00:10:00,868 --> 00:10:03,236 - THERE ARE A MILLION DIFFERENT HIDING SPOTS IN THIS PLACE. 246 00:10:03,270 --> 00:10:05,005 WE NEED SOME DIRECTION. - YEAH. 247 00:10:05,038 --> 00:10:07,274 I DON'T SEE ANY DISTINCTIVE MARKINGS OR CLUES. 248 00:10:07,307 --> 00:10:09,609 - KEEP LOOKING. WE'VE COME TOO FAR. 249 00:10:09,643 --> 00:10:11,912 "DEATH IS NOTHING, BUT TO LIVE DEFEATED 250 00:10:11,945 --> 00:10:14,314 AND INGLORIOUS IS TO DIE DAILY." 251 00:10:14,347 --> 00:10:15,749 - NAPOLEON? 252 00:10:15,783 --> 00:10:18,618 - AN UNWAVERING MAN, HE WOULD STOP AT NOTHING 253 00:10:18,652 --> 00:10:20,854 TO FIND THE HOPE DIAMOND'S TWIN ROCK. 254 00:10:20,888 --> 00:10:22,656 NEITHER WILL WE. 255 00:10:22,690 --> 00:10:24,291 - ARE YOU OKAY? 256 00:10:24,324 --> 00:10:25,926 - YEAH, PERFECTLY FINE. 257 00:10:25,959 --> 00:10:28,328 IT'S JUST A LITTLE HOT OUT HERE. 258 00:10:28,361 --> 00:10:31,331 MY PULSE IS UP A LITTLE. 259 00:10:31,364 --> 00:10:35,002 IT'S PROBABLY JUST THE HEAT, THOUGH. 260 00:10:38,338 --> 00:10:40,473 - WE MAY HAVE TO DRAG HIM TO A HOSPITAL, 261 00:10:40,507 --> 00:10:42,309 KICKING AND SCREAMING IF NEED BE. 262 00:10:42,342 --> 00:10:44,511 - HE SAYS HE'S FEELING FINE. 263 00:10:44,544 --> 00:10:47,681 - MOZ INSISTED ON COMING. THAT'S HIS CHOICE. 264 00:10:47,715 --> 00:10:49,783 BUT UNDERSTAND, I LOOK AT HIM AS MORE THAN A RESOURCE. 265 00:10:49,817 --> 00:10:51,685 - RESOURCE? YOU THINK I'M USING HIM? 266 00:10:51,719 --> 00:10:52,953 - YEAH, I THINK YOU'LL DO WHATEVER IT TAKES 267 00:10:52,986 --> 00:10:55,488 TO CATCH REBECCA. - 33. 268 00:10:55,522 --> 00:10:57,290 - WHAT'S 33? 269 00:10:57,324 --> 00:10:59,326 - 33 STEPS. 270 00:10:59,359 --> 00:11:02,662 THE WINDING STAIRCASE, PETER. 271 00:11:02,696 --> 00:11:05,198 - DID YOU JUST CALL HIM PETER? 272 00:11:05,232 --> 00:11:06,666 - WHO, THE SUIT? 273 00:11:06,700 --> 00:11:08,035 - OKAY, MAYBE HE'S WORSE THAN I THOUGHT. 274 00:11:08,068 --> 00:11:09,803 - LOOK, YOUR SYMPTOMS ARE MANIFESTING. 275 00:11:09,837 --> 00:11:11,872 - WHAT'S MANIFESTING ARE THE ANSWERS. 276 00:11:11,905 --> 00:11:15,042 TO THE MASONS, THE WINDING STAIRCASE 277 00:11:15,075 --> 00:11:16,710 WAS CONSIDERED A THEOLOGICAL LADDER. 278 00:11:16,744 --> 00:11:18,311 - LADDER? 279 00:11:18,345 --> 00:11:19,913 - YEAH, REPRESENTING AN ASCENT 280 00:11:19,947 --> 00:11:21,681 FROM A LOWER SPHERE OF CONSCIOUSNESS 281 00:11:21,715 --> 00:11:22,883 TO A HIGHER ONE. 282 00:11:22,916 --> 00:11:26,353 WE NEED TO CLIMB! 283 00:11:26,386 --> 00:11:29,122 - MOZ, HOLD ON TO THE RAIL. 284 00:11:32,359 --> 00:11:33,827 - 26, 27, 28, 29... 285 00:11:33,861 --> 00:11:36,930 30... 286 00:11:36,964 --> 00:11:38,866 I DON'T SEE ANYTHING. 287 00:11:38,899 --> 00:11:40,567 BUT I'M CERTAIN THAT MOSCONI WANTED US TO NOTICE. 288 00:11:40,600 --> 00:11:42,035 - NOTICE WHAT? - I DON'T KNOW! 289 00:11:42,069 --> 00:11:44,504 - OKAY, OKAY, STAY CALM. - STAY CALM? 290 00:11:44,537 --> 00:11:46,774 I'M HOURS AWAY FROM PALMING ST. PETER A 20 291 00:11:46,807 --> 00:11:47,875 TO GET PAST THE GATE. 292 00:11:47,908 --> 00:11:50,911 CALM IS NOT AN OPTION. 293 00:11:56,984 --> 00:11:58,685 FREEMASONS MAY CONTROL THE WORLD, 294 00:11:58,718 --> 00:11:59,953 BUT NOT MY FATE. 295 00:11:59,987 --> 00:12:02,089 THEY HAVE THEIR HAND EVERYWHERE-- 296 00:12:02,122 --> 00:12:04,557 THE ALL-SEEING EYE OF THE $1 BILL, 297 00:12:04,591 --> 00:12:06,359 THE WASHINGTON MONUMENT, 298 00:12:06,393 --> 00:12:08,862 MJ'S DANGEROUS ALBUM COVER. 299 00:12:08,896 --> 00:12:11,464 WE'RE HERE. THE 33RD DEGREE. 300 00:12:11,498 --> 00:12:12,933 THE MAGIC NUMBER. 301 00:12:12,966 --> 00:12:15,468 THE HIGHEST LEVEL OF UNDERSTANDING. 302 00:12:15,502 --> 00:12:19,406 SO WHY CAN'T I SEE? - MOZ! 303 00:12:19,439 --> 00:12:21,308 HEY. 304 00:12:21,341 --> 00:12:26,479 - OH. NOW I SEE. 305 00:12:26,513 --> 00:12:30,583 - HEY. MOZ. 306 00:12:39,526 --> 00:12:40,894 - WHATEVER IT IS HAS BEEN IN HIS SYSTEM 307 00:12:40,928 --> 00:12:42,662 FOR ABOUT FOUR HOURS NOW. 308 00:12:42,695 --> 00:12:44,597 - THE DOCTORS WILL RUN TESTS AS SOON AS WE GET HIM TO THE ICU. 309 00:12:44,631 --> 00:12:48,401 - HE DOESN'T HAVE TIME FOR TESTS. 310 00:12:48,435 --> 00:12:50,603 - GO TO THE HEXAGON. 311 00:12:50,637 --> 00:12:54,341 FIND MY ANTIDOTE. 312 00:12:55,775 --> 00:12:57,845 - I CALLED ELIZABETH. 313 00:12:57,878 --> 00:12:59,479 SHE'S GONNA BE AT THE HOSPITAL WITH YOU. 314 00:12:59,512 --> 00:13:01,915 YOU'RE NOT GONNA BE ALONE. UNDERSTAND? 315 00:13:01,949 --> 00:13:04,952 - WE HAVE TO MOVE HIM NOW. 316 00:13:12,725 --> 00:13:15,028 [siren wails] 317 00:13:17,197 --> 00:13:19,933 - WHEN HE FELL, HE SAW SOMETHING. 318 00:13:19,967 --> 00:13:21,969 - YEAH, HE SAID, "NOW I SEE." 319 00:13:22,002 --> 00:13:24,671 - HE WAS LOOKING AT THE CEILING. 320 00:13:27,740 --> 00:13:29,142 - THIS IS THE HEXAGON HE SAW. 321 00:13:29,176 --> 00:13:30,844 - IT'S MADE OF BRICK, NOT GRANITE. 322 00:13:30,878 --> 00:13:32,612 - YEAH, AND IT'S UNLIKE THE REST OF THE FORT. 323 00:13:32,645 --> 00:13:34,848 - DOES A HEXAGON MEAN ANYTHING TO THE MASONS? 324 00:13:34,882 --> 00:13:36,783 - NOT THAT I REMEMBER. 325 00:13:36,816 --> 00:13:38,351 THEY WERE MASTERS OF GEOMETRY, 326 00:13:38,385 --> 00:13:41,989 BUT THE SHAPE THEY WERE OBSESSED WITH WAS THE TRIANGLE. 327 00:13:42,022 --> 00:13:43,991 - SIX TRIANGLES FORM A HEXAGON. 328 00:13:44,024 --> 00:13:45,692 - YEAH, IF WE LOOK AT THIS AS SIX TRIANGLES, 329 00:13:45,725 --> 00:13:47,227 THEY ALL MEET AT THE SAME POINT. 330 00:13:47,260 --> 00:13:49,162 - MOZ SAID THIS WAS ALL ABOUT ASCENSION-- 331 00:13:49,196 --> 00:13:51,498 THE 33RD DEGREE, THE HIGHEST LEVEL OF ENLIGHTENMENT. 332 00:13:51,531 --> 00:13:52,966 - YOU THINK WE NEED TO GO HIGHER? 333 00:13:53,000 --> 00:13:55,402 - YEAH, I THINK WE NEED TO GET UP ON THE ROOF. 334 00:13:58,205 --> 00:14:00,874 - SHE'S PLAYING WITH US. SHE KNEW WE'D TRACK HER HERE. 335 00:14:00,908 --> 00:14:02,309 - IT COULD TAKE DAYS TO TEST HIM FOR ALL OF THESE. 336 00:14:02,342 --> 00:14:03,643 - AND BY THEN, WHATEVER IT IS WILL BE LISTED 337 00:14:03,676 --> 00:14:05,145 AS THE CAUSE OF DEATH. 338 00:14:05,178 --> 00:14:06,914 - BEAUTIFUL AND CLEVER ENOUGH TO CON CAFFREY. 339 00:14:06,947 --> 00:14:08,748 HELL, EVEN I COULD HAVE FALLEN FOR THIS PSYCHOPATH. 340 00:14:08,781 --> 00:14:13,020 - YEAH, ME TOO. 341 00:14:13,053 --> 00:14:14,654 RIGHT THERE. I THINK I SAW SOMETHING. 342 00:14:14,687 --> 00:14:16,423 YOU SEE HOW SHE MOVED OUT OF CAMERA RANGE 343 00:14:16,456 --> 00:14:18,091 AND STEPPED BACK IN? 344 00:14:18,125 --> 00:14:21,561 - LET'S SEE WHAT'S BACK THERE. - ALL RIGHT. 345 00:14:21,594 --> 00:14:23,063 - ALL RIGHT, I'M PRETTY SURE 346 00:14:23,096 --> 00:14:24,497 THIS IS DIRECTLY ABOVE WHERE WE WERE. 347 00:14:24,531 --> 00:14:25,999 - IT'S AN OLD FLAGPOLE BASE. 348 00:14:26,033 --> 00:14:28,335 - ANY IDEA WHAT IT COULD MEAN? 349 00:14:28,368 --> 00:14:29,836 - BACK WHEN THIS FORT WAS OPERATIONAL, 350 00:14:29,869 --> 00:14:31,071 THEY USED WIND FLAGS TO DISCERN 351 00:14:31,104 --> 00:14:32,739 HOW BEST TO FIRE A CANNON. 352 00:14:32,772 --> 00:14:34,374 - HOW DO YOU KNOW THAT? 353 00:14:34,407 --> 00:14:37,210 - WE USED WIND FLAGS FOR FIREARM TRAINING AT QUANTICO. 354 00:14:37,244 --> 00:14:39,079 ESSENTIALLY, THIS IS A COMPASS 355 00:14:39,112 --> 00:14:41,748 CENTERED AROUND 360 DEGREES. 356 00:14:41,781 --> 00:14:43,917 - HEY, IT'S ALL ABOUT DEGREES. 33 TO ACHIEVE ENLIGHTENMENT. 357 00:14:43,951 --> 00:14:45,718 - WHAT ARE YOU GETTING AT? 358 00:14:45,752 --> 00:14:47,187 - I THINK WE NEED TO LOOK 33 DEGREES 359 00:14:47,220 --> 00:14:49,756 FROM THIS POSITION. - ALL RIGHT. 360 00:14:49,789 --> 00:14:51,858 IF TRUE NORTH IS 0 DEGREES, 361 00:14:51,891 --> 00:14:56,896 THEN 33 DEGREES POINTS TO THERE, THAT BUILDING. 362 00:14:56,930 --> 00:14:58,765 NOTICE ANYTHING ABOUT IT? 363 00:14:58,798 --> 00:15:01,001 - YEAH, IT'S BRICK, AND IT'S ANOTHER TRIANGLE. 364 00:15:03,670 --> 00:15:06,139 - THIS WAS A GUNPOWDER ROOM. 365 00:15:06,173 --> 00:15:07,941 - YEAH, PROBABLY THE MOST GUARDED PLACE 366 00:15:07,975 --> 00:15:09,142 IN THE ENTIRE FORT AT THE TIME. 367 00:15:09,176 --> 00:15:12,579 - MM-HMM. 368 00:15:29,296 --> 00:15:31,764 WHAT DO YOU HAVE? - [knocking] 369 00:15:31,798 --> 00:15:36,069 THIS PART OF THE WALL ISN'T BRICK. 370 00:15:36,103 --> 00:15:38,905 IT'S CLAY. - LOOKS LIKE BRICK, THOUGH. 371 00:15:38,938 --> 00:15:40,840 IT'S PRETTY HARDENED. 372 00:15:40,873 --> 00:15:45,412 - SOME ALKALINE TEXTURES CAN THICKEN OVER TIME. 373 00:15:45,445 --> 00:15:46,946 ESPECIALLY WHEN THEY'RE COATED IN OIL. 374 00:15:46,980 --> 00:15:49,116 - OIL, AS IN OIL PAINTS? 375 00:15:49,149 --> 00:15:51,618 - MOSCONI WAS A GREAT ARTIST. 376 00:15:51,651 --> 00:15:53,120 I THINK HE PAINTED OVER THE CLAY 377 00:15:53,153 --> 00:15:54,954 SO NO ONE WOULD NOTICE THIS SPOT ON A FIRST 378 00:15:54,988 --> 00:15:56,523 OR EVEN A SECOND GLANCE. 379 00:15:56,556 --> 00:15:58,125 THIS IS A FAUX PAINTING. 380 00:15:58,158 --> 00:15:59,826 [knocks] 381 00:15:59,859 --> 00:16:02,629 THERE'S SOMETHING BEHIND THIS WALL. 382 00:16:02,662 --> 00:16:05,665 - STILL HAVE YOUR LOCKPICK SET? - ALWAYS. 383 00:16:26,186 --> 00:16:28,888 - CARE TO DO THE HONORS? 384 00:16:56,583 --> 00:16:58,685 WE FOUND IT. 385 00:16:58,718 --> 00:17:01,054 - I DON'T KNOW ABOUT YOU, 386 00:17:01,088 --> 00:17:04,691 BUT I'M FEELING PRETTY ENLIGHTENED RIGHT NOW. 387 00:17:04,724 --> 00:17:06,459 [chuckles] 388 00:17:15,068 --> 00:17:16,903 - IT'S THE MONA LISA OF GEMS. 389 00:17:16,936 --> 00:17:19,539 EVERY MUSEUM AND COLLECTOR IN THE WORLD WILL WANT IT. 390 00:17:19,572 --> 00:17:20,740 - HOW MUCH IS IT WORTH? - [exhales] 391 00:17:20,773 --> 00:17:22,609 60 MILLION. 392 00:17:22,642 --> 00:17:27,614 OR THE LIFE OF A PARANOID BALD MAN. 393 00:17:27,647 --> 00:17:29,749 IT'S VOICE MAIL. 394 00:17:29,782 --> 00:17:31,918 REBECCA, I FOUND IT. 395 00:17:31,951 --> 00:17:33,820 I'M HOLDING IT IN MY HAND RIGHT NOW. 396 00:17:37,157 --> 00:17:40,593 [cell phone rings] 397 00:17:42,329 --> 00:17:44,131 REBECCA? 398 00:17:44,164 --> 00:17:46,032 - I KNEW YOU'D FIND IT. 399 00:17:46,065 --> 00:17:47,567 - WHERE DO WE MAKE THE EXCHANGE? 400 00:17:47,600 --> 00:17:49,102 - THE DRINKING FOUNTAIN AT THE NORTHEAST CORNER 401 00:17:49,136 --> 00:17:51,371 OF WASHINGTON SQUARE PARK. ONE HOUR. 402 00:17:51,404 --> 00:17:53,740 I GET THE STONE, YOU GET THE ANTIDOTE, 403 00:17:53,773 --> 00:17:56,109 AND MOZZIE WILL LIVE TO PONTIFICATE ANOTHER DAY. 404 00:17:56,143 --> 00:17:57,444 - ALL RIGHT, I'M LEAVING NOW. 405 00:17:57,477 --> 00:17:59,912 - AND, NEAL, IF THERE'S ANY TRICKS-- 406 00:17:59,946 --> 00:18:02,882 IF I SPOT ONE FBI AGENT, AND YOU KNOW I WILL-- 407 00:18:02,915 --> 00:18:08,255 I DISAPPEAR, AND YOUR FRIEND WILL HAVE A SLOW, PAINFUL DEATH. 408 00:18:08,288 --> 00:18:10,657 CAN'T WAIT TO SEE YOU. 409 00:18:12,592 --> 00:18:14,561 - WHAT ARE YOU DOING? - GETTING BACKUP UNITS READY. 410 00:18:14,594 --> 00:18:17,830 - WE CAN'T TAKE THAT RISK. IT'S A SIMPLE EXCHANGE. 411 00:18:17,864 --> 00:18:19,632 WE GIVE HER THE DIAMOND, SHE GIVES US THE ANTIDOTE. 412 00:18:19,666 --> 00:18:21,401 - WHAT MAKES YOU THINK SHE'LL KEEP HER PROMISE? 413 00:18:21,434 --> 00:18:23,303 - BECAUSE SHE WON'T DO ANYTHING TO HURT ME. 414 00:18:23,336 --> 00:18:25,405 THAT INCLUDES LETTING MOZ DIE. 415 00:18:25,438 --> 00:18:27,474 - AS LONG AS WE HAVE THE DIAMOND, WE HAVE CONTROL. 416 00:18:27,507 --> 00:18:28,808 WITH CRIMINALS, CONTROL IS EVERYTHING. 417 00:18:28,841 --> 00:18:29,942 - I KNOW THE BUYER SHE'LL CONTACT. 418 00:18:29,976 --> 00:18:31,611 I CAN FIND HER. 419 00:18:31,644 --> 00:18:33,146 - YOU'RE AN EXPERT AT BEING A CRIMINAL, 420 00:18:33,180 --> 00:18:34,947 AND I'M AN EXPERT AT CATCHING THEM. 421 00:18:34,981 --> 00:18:36,349 WE CAN SAVE MOZZIE 422 00:18:36,383 --> 00:18:39,852 AND PUT HER BACK WHERE SHE BELONGS. 423 00:18:39,886 --> 00:18:42,955 THIS IS AGENT PETER BURKE. I'M CALLING IN A TACTICAL ALERT. 424 00:18:42,989 --> 00:18:44,657 ESCAPED PRISONER REBECCA LOWE WILL BE 425 00:18:44,691 --> 00:18:47,160 AT WASHINGTON SQUARE PARK IN ONE HOUR. 426 00:18:47,194 --> 00:18:49,996 SET UP AN INVISIBLE PERIMETER TWO BLOCKS FROM THE PARK. 427 00:18:50,029 --> 00:18:51,964 I WANT SPOTTERS ON EVERY ROOF. 428 00:18:51,998 --> 00:18:55,335 - WAIT. - BUT NO ONE ENTERS THE PARK. 429 00:18:55,368 --> 00:18:56,869 NO ONE. YOU GOT THAT? 430 00:18:56,903 --> 00:18:59,306 - IT'S TOO EASY. - TELL THEM I'M ON MY WAY. 431 00:18:59,339 --> 00:19:01,708 - REBECCA'S SMARTER THAN THIS. 432 00:19:01,741 --> 00:19:04,010 SHE HAS TO HAVE ANOTHER PLAN. 433 00:19:04,043 --> 00:19:06,313 - RIGHT AGAIN, NEAL. 434 00:19:06,346 --> 00:19:10,717 HANDS WHERE I CAN SEE 'EM, AGENT BURKE. 435 00:19:12,419 --> 00:19:14,887 YOU TOO, NEAL. HANDS UP. 436 00:19:20,393 --> 00:19:23,563 MOVE IT, BURKE. KEEP GOING. 437 00:19:26,899 --> 00:19:28,201 CAUGHT YOU WITH YOUR GUARD DOWN. 438 00:19:28,235 --> 00:19:29,302 - NOT THE FIRST TIME. 439 00:19:29,336 --> 00:19:31,204 NICE HAIRCUT, BY THE WAY. 440 00:19:31,238 --> 00:19:32,472 - AH, IT'S THE REAL ME. 441 00:19:32,505 --> 00:19:34,341 GIVE ME YOUR GUN, AGENT BURKE. 442 00:19:34,374 --> 00:19:35,842 SLOWLY. 443 00:19:35,875 --> 00:19:39,346 - OKAY, NO PROBLEM. 444 00:19:39,379 --> 00:19:41,414 - YOU CAN ALWAYS COUNT ON LOVE TO CLOUD YOUR CRITICAL THINKING. 445 00:19:41,448 --> 00:19:43,383 FIRST WITH ME, THEN WITH MOZZIE. 446 00:19:43,416 --> 00:19:45,051 - I DOUBT YOU COULD RELATE. 447 00:19:45,084 --> 00:19:46,953 - YOU'D BE SURPRISED. 448 00:19:49,121 --> 00:19:51,791 - PETER, DON'T. 449 00:19:53,226 --> 00:19:55,328 - PLAY NICE, AGENT BURKE. 450 00:19:55,362 --> 00:19:59,098 KILLING FEDS DOES NOT KEEP ME UP AT NIGHT. 451 00:19:59,131 --> 00:20:02,034 - JUST GIVE IT TO HER. 452 00:20:02,068 --> 00:20:03,270 - IT'S SWEET HOW MUCH NEAL CARES 453 00:20:03,303 --> 00:20:04,971 ABOUT THE MAN WHO SHACKLED HIM. 454 00:20:11,378 --> 00:20:14,080 NOW YOUR PHONES, BOTH OF THEM. 455 00:20:19,819 --> 00:20:24,591 NOW, ARE WE CARRYING BACKUP, AGENT BURKE? 456 00:20:30,162 --> 00:20:31,664 SHOW ME THE DIAMOND. 457 00:20:37,169 --> 00:20:39,339 SPECTACULAR. 458 00:20:45,578 --> 00:20:48,080 - I HELD UP MY END OF THE BARGAIN. 459 00:20:48,114 --> 00:20:50,483 NOW TELL ME THE ANTIDOTE. - I WILL. I PROMISE. 460 00:20:50,517 --> 00:20:52,719 AS SOON AS I'M SAFELY OUT OF THE CITY. 461 00:20:52,752 --> 00:20:54,921 - THAT WASN'T THE DEAL. - IT IS NOW. 462 00:21:01,961 --> 00:21:03,996 - LET'S GO. 463 00:21:06,165 --> 00:21:09,235 IN YOU GO, BURKE. 464 00:21:09,268 --> 00:21:11,438 AH, ONE LAST THING. 465 00:21:15,608 --> 00:21:16,909 - NOW I KNOW WHAT PEOPLE MEAN WHEN THEY SAY 466 00:21:16,943 --> 00:21:18,110 THEIR SKIN IS CRAWLING. 467 00:21:18,144 --> 00:21:19,812 - [chuckles] 468 00:21:19,846 --> 00:21:24,317 NEVER BOTHERED YOU BEFORE. 469 00:21:24,351 --> 00:21:26,353 YOU'RE THE BOY SCOUT OF CON MEN. 470 00:21:26,386 --> 00:21:28,521 ALWAYS PREPARED. 471 00:21:28,555 --> 00:21:30,523 GO. GET IN. 472 00:21:33,460 --> 00:21:36,329 - WE CAN'T STOP YOU NOW. JUST TELL US THE ANTIDOTE. 473 00:21:36,363 --> 00:21:38,831 - ONE MISTAKE I'LL NEVER MAKE AGAIN IS UNDERESTIMATING YOU. 474 00:21:42,168 --> 00:21:43,603 BYE, NEAL. 475 00:21:43,636 --> 00:21:46,906 COULD HAVE HAD A HELL OF A TIME. 476 00:21:55,582 --> 00:21:58,017 - RICINUS COMMUNIS --RICIN IS PRODUCED FROM ITS BEANS. 477 00:21:58,050 --> 00:21:59,652 VERY DEADLY. 478 00:21:59,686 --> 00:22:00,520 - BASED ON THE FOOTPRINTS, IT LOOKS LIKE SHE SPENT 479 00:22:00,553 --> 00:22:02,121 SOME TIME WITH THIS PLANT. 480 00:22:02,154 --> 00:22:03,656 - THIS COULD BE IT, UNLESS SHE THINKS 481 00:22:03,690 --> 00:22:05,157 WE'RE DUMB ENOUGH TO FOLLOW THEM HERE. 482 00:22:05,191 --> 00:22:06,459 - YEAH, THAT'S WHAT'S BOTHERING ME. 483 00:22:06,493 --> 00:22:07,394 A LOT OF FOOTPRINTS AROUND THIS ONE. 484 00:22:07,427 --> 00:22:09,195 - YEAH, BUT NONE OVER THERE. 485 00:22:09,228 --> 00:22:11,531 AND IT LOOKS LIKE THE DIRT WAS BRUSHED OVER. 486 00:22:11,564 --> 00:22:13,299 - ATROPOS BELLADONNA. 487 00:22:13,332 --> 00:22:15,001 COMMONLY KNOWN AS DEADLY NIGHTSHADE. 488 00:22:15,034 --> 00:22:16,869 - SO IT'S DEFINITELY POISONOUS? 489 00:22:16,903 --> 00:22:19,138 - AS LITTLE AS TWO BERRIES OR ONE LEAF CAN KILL A GROWN MAN. 490 00:22:19,171 --> 00:22:21,974 - REBECCA WAS TRAINED BY MI5, BUT WE LEARNED 491 00:22:22,008 --> 00:22:23,676 FROM SOMEONE FAR SNEAKIER. - CAFFREY. 492 00:22:23,710 --> 00:22:25,412 - IT'S A MISDIRECT. - SHE WAS TRYING TO LEAD US 493 00:22:25,445 --> 00:22:29,181 TOWARDS THOSE PLANTS AND AWAY FROM THIS ONE. 494 00:22:29,215 --> 00:22:31,918 - [speaking French] 495 00:22:36,756 --> 00:22:38,425 - THINGS ARE GETTING REALLY BAD. 496 00:22:38,458 --> 00:22:40,493 HE THINKS HE'S SOMEONE NAMED MARQUIS DE GROUCHY, 497 00:22:40,527 --> 00:22:41,561 AND HE'S TALKING TO NAPOLEON. 498 00:22:41,594 --> 00:22:43,262 - ACTUALLY, THAT'S THE NAME 499 00:22:43,295 --> 00:22:44,897 OF NAPOLEON'S TOP GENERAL AT WATERLOO. 500 00:22:44,931 --> 00:22:47,400 - WE THINK SHE GAVE MOZZIE ATROPOS BELLADONNA. 501 00:22:47,434 --> 00:22:48,868 - TELL THE DOCTOR TO GIVE HIM A DRUG 502 00:22:48,901 --> 00:22:51,237 CALLED PHYSOSTIGMINE. - PHYSOSTIGMINE? 503 00:22:51,270 --> 00:22:53,973 - [speaking French] 504 00:22:58,210 --> 00:23:01,581 - ARE YOU POSITIVE? - NO, BUT IT'S OUR BEST SHOT. 505 00:23:01,614 --> 00:23:04,684 - THEY SAID TO GIVE HIM A DRUG, PHYSOSTIGMINE, NOW, RIGHT NOW. 506 00:23:04,717 --> 00:23:06,352 - THAT'S FOR BELLADONNA POISONING. 507 00:23:06,385 --> 00:23:07,386 WE HAVEN'T GOT THE RESULTS FROM THE TEST BACK YET. 508 00:23:07,420 --> 00:23:09,088 - DOCTOR, PLEASE. 509 00:23:09,121 --> 00:23:11,257 - THE SIDE EFFECTS COULD BE SERIOUS--SEIZURES, 510 00:23:11,290 --> 00:23:12,892 IRREGULAR HEART RHYTHMS, EVEN EPILEPSY. 511 00:23:12,925 --> 00:23:14,026 I'M NOT GIVING IT UNTIL THE TESTS COME BACK. 512 00:23:14,060 --> 00:23:15,728 - IT MIGHT BE TOO LATE. 513 00:23:15,762 --> 00:23:17,063 - I'LL TELL THEM TO RUSH THE TESTS ON BELLADONNA. 514 00:23:17,096 --> 00:23:18,798 - HE COULD BE DEAD BY THEN! 515 00:23:18,831 --> 00:23:21,701 GIVE IT TO HIM! GIVE IT TO HIM NOW! 516 00:23:21,734 --> 00:23:23,703 - PREPARE 50 MILLIGRAMS OF PHYSOSTIGMINE, 517 00:23:23,736 --> 00:23:25,438 BUT HAVE INJECTIONS OF LORAZEPAM 518 00:23:25,472 --> 00:23:26,739 AND EPINEPHRINE STANDING BY 519 00:23:26,773 --> 00:23:29,141 IN CASE HE HAS A BAD REACTION. 520 00:23:32,178 --> 00:23:36,082 - MERCI. 521 00:23:36,115 --> 00:23:38,084 - I'VE SEEN YOU SLIP OUT OF HANDCUFFS 522 00:23:38,117 --> 00:23:39,418 IN LESS THAN A MINUTE WITH NOTHING. 523 00:23:39,452 --> 00:23:41,287 - RIGHT. WHEN THEY'RE ON MY WRISTS. 524 00:23:41,320 --> 00:23:42,722 THERE'S AN OLD ESCAPE ARTIST TRICK 525 00:23:42,755 --> 00:23:44,457 I USE WHEN THEY'RE BEING PUT ON. 526 00:23:44,491 --> 00:23:46,092 - PUMP THE VEINS AND MUSCLES IN YOUR WRISTS AND HANDS, 527 00:23:46,125 --> 00:23:47,760 SO WHEN YOU RELAX THEM, 528 00:23:47,794 --> 00:23:49,629 THEY'RE SMALLER AND YOU CAN SLIDE OFF THE CUFFS. 529 00:23:49,662 --> 00:23:51,130 - I'VE GIVEN YOU WAY TOO MUCH INSIGHT INTO MY WORLD. 530 00:23:51,163 --> 00:23:52,732 - I THOUGHT YOU WERE LEAVING THAT WORLD. 531 00:23:52,765 --> 00:23:55,301 - WELL, NOT TETHERED TO AN ANKLET. 532 00:23:55,334 --> 00:23:56,569 - THAT'S ALL YOU'VE GOT? AN OLD TRICK? 533 00:23:56,603 --> 00:23:58,605 - UNLESS YOU GOT A PAPER CLIP. 534 00:23:58,638 --> 00:24:00,473 - STEP ASIDE, HOUDINI. I'LL GET US OUT OF HERE. 535 00:24:02,642 --> 00:24:05,645 - OH, IF I KNEW YOU WERE LOOKING FOR A MORE ELEGANT OPTION. 536 00:24:05,678 --> 00:24:07,480 - IT'LL WORK. NOW KICK. 537 00:24:07,514 --> 00:24:10,316 - [tuts] ON THREE, ALL RIGHT? 538 00:24:10,349 --> 00:24:11,484 A LITTLE TEAMWORK. - YEAH. 539 00:24:11,518 --> 00:24:13,319 - ONE... both: TWO...THREE. 540 00:24:13,352 --> 00:24:16,022 [pounding] 541 00:24:16,055 --> 00:24:17,456 - [grunts] 542 00:24:17,490 --> 00:24:18,925 [helicopter blades whirring] - YOU HEAR THAT? 543 00:24:18,958 --> 00:24:20,192 - IT'S THE SMARTEST WAY OFF THIS ISLAND. 544 00:24:20,226 --> 00:24:22,895 - YEAH, WHICH IS USUALLY HER WAY. 545 00:24:28,668 --> 00:24:30,770 - AGENT BURKE! - ALL RIGHT. 546 00:24:30,803 --> 00:24:34,306 YOU WERE RIGHT. - AGENT BURKE! 547 00:24:34,340 --> 00:24:37,343 AGENT BURKE? 548 00:24:37,376 --> 00:24:39,211 AGENT BURKE, YOUR WIFE CALLED. 549 00:24:39,245 --> 00:24:41,347 - IS IT MOZZIE? - YES, SIR. 550 00:24:41,380 --> 00:24:43,516 I WAS TO REPORT TO YOU THAT HE'S BEEN GIVEN AN ANTIDOTE. 551 00:24:43,550 --> 00:24:45,384 HE'S RESPONDING TO TREATMENT. 552 00:24:45,417 --> 00:24:47,954 - [laughs] GIVE ME YOUR PHONE NOW. 553 00:24:47,987 --> 00:24:49,822 - THERE'S NO RECEPTION DOWN HERE, SIR. 554 00:24:49,856 --> 00:24:51,390 WE'LL NEED TO GO OUT FRONT. - I'M GOING AFTER REBECCA. 555 00:24:51,423 --> 00:24:52,358 - WAIT FOR ME. I'M CALLING FOR BACKUP. 556 00:24:52,391 --> 00:24:53,660 - THERE'S NO TIME. 557 00:24:53,693 --> 00:24:56,362 - WHAT CAN YOU DO TO STOP HER? 558 00:24:56,395 --> 00:24:59,566 - GIVE HER A REASON TO STAY. 559 00:25:01,367 --> 00:25:04,103 [helicopter blades whirring] 560 00:25:05,371 --> 00:25:07,807 - REBECCA! 561 00:25:07,840 --> 00:25:12,679 - DON'T COME ANY CLOSER. I WON'T GRAZE YOU THIS TIME. 562 00:25:12,712 --> 00:25:15,147 - CAN THAT HELICOPTER TAKE BOTH OF US? 563 00:25:15,181 --> 00:25:18,651 THAT DIAMOND COULD BUY US A NICE CASTLE IN CROATIA. 564 00:25:18,685 --> 00:25:21,220 WE COULD LIVE LIKE ROYALTY. 565 00:25:21,253 --> 00:25:23,489 - SOUNDS PERFECT. 566 00:25:23,522 --> 00:25:26,993 - THE FBI'S NOT LISTENING. IT'S JUST YOU AND ME. 567 00:25:27,026 --> 00:25:31,197 AND THAT HELICOPTER CAN TAKE US ANYWHERE WE WANT TO GO. 568 00:25:31,230 --> 00:25:32,565 [gunshot] - HOW MANY TIMES 569 00:25:32,599 --> 00:25:34,266 DO YOU THINK I'M GONNA FALL FOR THAT? 570 00:25:34,300 --> 00:25:38,370 YOU DON'T WANT ME. YOU'VE MADE THAT VERY CLEAR. 571 00:25:38,404 --> 00:25:42,508 - I THINK YOU'LL STAY ANYWAY. [gunshot] 572 00:25:42,541 --> 00:25:44,543 - WHY WOULD I STAY? 573 00:25:44,577 --> 00:25:48,280 - 'CAUSE YOU WON'T LEAVE WITHOUT THE DIAMOND. 574 00:25:48,314 --> 00:25:50,983 - WHAT ARE YOU TALKING ABOUT? 575 00:26:00,827 --> 00:26:03,262 - CHECK YOUR POCKET. 576 00:26:03,295 --> 00:26:05,798 CHECK IT. 577 00:26:11,904 --> 00:26:14,540 AH, NOTHING SAYS "I LOVE YOU" 578 00:26:14,573 --> 00:26:19,111 LIKE A BRICK. 579 00:26:19,145 --> 00:26:20,546 - YOU. 580 00:26:20,579 --> 00:26:22,248 YOU SON OF A BITCH. 581 00:26:22,281 --> 00:26:23,449 - HEY, JUST A LITTLE SLEIGHT OF HAND. 582 00:26:23,482 --> 00:26:24,884 NO BIG DEAL. 583 00:26:24,917 --> 00:26:27,754 MAYBE YOUR CRITICAL THINKING GOT CLOUDED. 584 00:26:27,787 --> 00:26:30,256 - I LOVE HOW GOOD YOU ARE. 585 00:26:30,289 --> 00:26:32,959 - I HATE HOW GOOD YOU ARE. - GIVE ME THE DIAMOND. 586 00:26:32,992 --> 00:26:36,228 - I CAN'T. - NEAL, DON'T MAKE ME KILL YOU. 587 00:26:36,262 --> 00:26:39,766 I'LL JUST TAKE IT OFF YOUR BEAUTIFUL, DEAD BODY. 588 00:26:39,799 --> 00:26:41,868 - I DON'T HAVE IT ANYMORE. 589 00:26:43,636 --> 00:26:46,673 - WHERE IS IT? 590 00:26:46,706 --> 00:26:48,574 - LOCAL LAW ENFORCEMENT AND EVERY FBI AGENT 591 00:26:48,607 --> 00:26:50,076 IN NEW YORK ARE ON THEIR WAY. 592 00:26:50,109 --> 00:26:52,879 - YES, SIR. I'LL COORDINATE EVERYTHING. 593 00:27:05,491 --> 00:27:07,326 - YOU JUST KILLED YOUR BEST FRIEND. 594 00:27:07,359 --> 00:27:09,428 - NO, MOZZIE'S RECOVERING AS WE SPEAK. 595 00:27:09,461 --> 00:27:12,765 LOOKS LIKE HE'S OUT OF THE WOODS. 596 00:27:12,799 --> 00:27:15,768 OH, AND YOU'RE IN THE WEEDS. 597 00:27:15,802 --> 00:27:18,270 - WHERE ARE YOU GOING? 598 00:27:18,304 --> 00:27:20,272 - HE'S GONE, AND HE'S NOT COMING BACK. 599 00:27:20,306 --> 00:27:22,108 HE MUST HAVE HEARD IT OVER THE RADIO. 600 00:27:22,141 --> 00:27:23,876 EVERY LAW ENFORCEMENT OFFICER IN NEW YORK 601 00:27:23,910 --> 00:27:27,046 IS HEADED HERE RIGHT NOW. 602 00:27:34,086 --> 00:27:37,556 - THEN I'LL JUST TRADE YOU FOR THE DIAMOND. 603 00:27:37,589 --> 00:27:39,325 YOU'RE GOING TO GET ME OUT OF HERE, 604 00:27:39,358 --> 00:27:42,561 ONE WAY OR ANOTHER. 605 00:27:42,594 --> 00:27:45,664 - REBECCA, YOU HAVE TO KNOW WHEN IT'S OVER. 606 00:27:48,835 --> 00:27:52,071 SOMETIMES, YOU HAVE TO STOP RUNNING. 607 00:28:11,791 --> 00:28:14,560 [sirens approaching] 608 00:28:38,584 --> 00:28:40,086 [splash] 609 00:29:07,646 --> 00:29:09,982 IT'S BEAUTIFUL HERE. 610 00:29:38,110 --> 00:29:40,612 - WELL, THE LEAF OF ONE PLANT STRIKES ME DOWN, 611 00:29:40,646 --> 00:29:43,816 THE FRUIT OF ANOTHER RESTORES ME--THE CIRCLE OF LIFE. 612 00:29:43,850 --> 00:29:45,184 - DO YOU REALLY THINK YOU SHOULD BE DRINKING 613 00:29:45,217 --> 00:29:46,785 THIS SOON AFTER WATERLOO, GROUCHY? 614 00:29:46,819 --> 00:29:48,654 - DOCTOR'S ORDERS. 615 00:29:48,687 --> 00:29:52,658 I WAS INSTRUCTED TO DRINK A LOT OF LIQUIDS. 616 00:29:52,691 --> 00:29:55,694 SO WHERE IS THIS GEM I ALMOST CASHED IN ALL MY CHIPS 617 00:29:55,727 --> 00:29:57,463 TO GET? 618 00:29:57,496 --> 00:29:58,998 - [gasps] 619 00:29:59,031 --> 00:30:00,799 IS THAT REAL? 620 00:30:00,833 --> 00:30:02,701 - THEY DIDN'T MAKE FAKES THAT GOOD IN 1886. 621 00:30:02,734 --> 00:30:06,305 - CAN I HOLD IT? 622 00:30:10,843 --> 00:30:13,445 YOU KNOW, AFTER HE HAD THE HOPE DIAMOND CUT, 623 00:30:13,479 --> 00:30:16,983 LOUIS XIV WOULD WEAR IT ON HIS PINKIE. 624 00:30:18,550 --> 00:30:20,887 HE HAD GROTESQUELY LARGE FINGERS. 625 00:30:20,920 --> 00:30:25,691 SO IS THIS DIAMOND OUR PATH TO EASY STREET? 626 00:30:25,724 --> 00:30:28,560 - YEAH, WHO ACTUALLY, YOU KNOW, OWNS THAT? 627 00:30:28,594 --> 00:30:30,296 - IT'S MY DUTY AS A FEDERAL OFFICER 628 00:30:30,329 --> 00:30:32,464 TO TURN IT OVER TO THE STATE DEPARTMENT. 629 00:30:32,498 --> 00:30:34,700 GLAD YOU'RE FEELING BETTER, MOZ. YOU READY? 630 00:30:34,733 --> 00:30:36,702 - YEAH. 631 00:30:40,873 --> 00:30:43,742 - THAT DIAMOND IS NOT MEANT TO BE UNDER BULLETPROOF GLASS 632 00:30:43,775 --> 00:30:46,979 WITH A BUNCH OF TOURISTS IN BERMUDA SHORTS GAWKING AT IT. 633 00:30:47,013 --> 00:30:49,848 - BETTER THAN BEING LOST BEHIND A BRICK WALL. 634 00:30:49,882 --> 00:30:51,650 SEE YA. 635 00:30:51,683 --> 00:30:52,885 - SEE YA. 636 00:30:52,919 --> 00:30:54,653 - HEY, THANKS FOR GOING 637 00:30:54,686 --> 00:30:57,756 ALL TERMS OF ENDEARMENT ON THE DOCTOR FOR ME. 638 00:30:57,789 --> 00:31:01,060 - IT WAS FUN. 639 00:31:01,093 --> 00:31:03,996 [door shuts] 640 00:31:04,030 --> 00:31:05,932 - OKAY, THAT DIAMOND IS OURS, NEAL. 641 00:31:05,965 --> 00:31:07,366 WE ARE GONNA GET IT BACK. 642 00:31:07,399 --> 00:31:08,767 - YOU WANT TO ROB THE STATE DEPARTMENT? 643 00:31:08,800 --> 00:31:10,502 - WELL, IT HASN'T GOTTEN THERE YET. 644 00:31:10,536 --> 00:31:12,738 IT'S OUR MEAL TICKET. 645 00:31:12,771 --> 00:31:14,440 IT'S SUPPOSED TO SET US UP FOR LIFE, 646 00:31:14,473 --> 00:31:16,943 IN A PERVERSELY LEGITIMATE FASHION. 647 00:31:16,976 --> 00:31:20,712 - THERE IS NO REASON TO GO AFTER IT ILLEGITIMATELY. 648 00:31:20,746 --> 00:31:22,181 COME ON, MOZ. 649 00:31:22,214 --> 00:31:23,749 IT WAS NEVER ABOUT THE MONEY. 650 00:31:23,782 --> 00:31:25,952 - OF COURSE NOT, BUT WE COULD-- 651 00:31:25,985 --> 00:31:27,786 - YOU THINK, IF IT GOES MISSING, PETER WON'T KNOW 652 00:31:27,819 --> 00:31:30,089 THE FIRST PLACE TO LOOK? 653 00:31:30,122 --> 00:31:34,560 MY FREEDOM IS WORTH MORE THAN ANYTHING THAT DIAMOND COULD BUY. 654 00:31:34,593 --> 00:31:36,195 - SURE IT IS. 655 00:31:36,228 --> 00:31:39,498 EXCEPT YOUR FREEDOM STILL ELUDES YOU. 656 00:31:55,781 --> 00:31:58,584 [upbeat music] 657 00:31:58,617 --> 00:32:06,592 * 658 00:32:52,471 --> 00:32:54,973 - AM I IN TROUBLE? - NOPE. NO TROUBLE. 659 00:32:57,843 --> 00:32:59,778 - DID REBECCA ESCAPE AGAIN? - OH, SHE'S NOT GOING ANYWHERE. 660 00:32:59,811 --> 00:33:01,547 EVER. 661 00:33:01,580 --> 00:33:03,349 - THEN WHAT? 662 00:33:03,382 --> 00:33:05,651 DID I GET A NEW HANDLER? WHO'S THE LUCKY AGENT? 663 00:33:05,684 --> 00:33:08,820 - NO ONE. 664 00:33:08,854 --> 00:33:11,823 - WELL, IT CERTAINLY ISN'T YOU. 665 00:33:11,857 --> 00:33:13,192 YOU STILL LOOK LIKE YOU'RE GOING SOMEWHERE. 666 00:33:13,225 --> 00:33:16,128 - I MADE A CALL TO BRUCE IN WASHINGTON. 667 00:33:16,162 --> 00:33:19,931 I FILLED HIM IN ON YOUR CAPTURE OF REBECCA LOWE. 668 00:33:22,868 --> 00:33:24,936 I TOLD HIM YOU DESERVE YOUR FREEDOM. 669 00:33:29,208 --> 00:33:30,676 - PETER... 670 00:33:30,709 --> 00:33:32,311 - HE AGREED. 671 00:33:32,344 --> 00:33:34,913 HE'S MEETING WITH THE FBI DIRECTOR 672 00:33:34,946 --> 00:33:36,082 TO PUT YOUR RELEASE IN MOTION. 673 00:33:36,115 --> 00:33:38,384 ONCE HE SIGNS OFF, 674 00:33:38,417 --> 00:33:40,852 IT SHOULD ONLY TAKE A CALL TO THE ATTORNEY GENERAL 675 00:33:40,886 --> 00:33:43,589 TO GET IT DONE. 676 00:33:43,622 --> 00:33:45,157 - WHEN? 677 00:33:45,191 --> 00:33:46,992 - SHOULDN'T BE MORE THAN A COUPLE OF DAYS. 678 00:33:47,025 --> 00:33:50,062 BUT THERE IS ONE CONDITION. 679 00:33:50,096 --> 00:33:51,830 - WHAT? 680 00:33:51,863 --> 00:33:54,233 - YOU VISIT EL AND ME IN WASHINGTON A LOT. 681 00:33:54,266 --> 00:33:56,602 - I WILL BE THE HOUSE GUEST 682 00:33:56,635 --> 00:33:58,437 THAT NEVER LEAVES. 683 00:33:58,470 --> 00:34:00,239 - AND IF YOU DON'T KEEP YOUR PROMISE, 684 00:34:00,272 --> 00:34:03,209 IF I FIND OUT YOU'VE PULLED EVEN ONE CAPER, 685 00:34:03,242 --> 00:34:04,943 I'M GONNA LEAVE MY CUSHY DESK JOB 686 00:34:04,976 --> 00:34:07,079 AND HUNT YOU DOWN. 687 00:34:07,113 --> 00:34:09,081 - JUST LIKE OLD TIMES. 688 00:34:09,115 --> 00:34:11,883 - WITH THE SAME OUTCOME. 689 00:34:21,660 --> 00:34:25,097 [both chuckle] 690 00:34:25,131 --> 00:34:27,266 - ALL RIGHT. - YEAH. 691 00:34:27,299 --> 00:34:29,635 - I'LL SEE YOU IN D.C. - YOU GOT IT. 692 00:34:58,197 --> 00:35:00,266 - NOT GETTING THE DIAMOND CHANGES EVERYTHING. 693 00:35:00,299 --> 00:35:02,301 - WELL, FINDING IT HELPED BUY MY FREEDOM, 694 00:35:02,334 --> 00:35:03,269 AND THAT IS EVERYTHING. 695 00:35:03,302 --> 00:35:05,070 - EXCEPT YOU'LL BE BROKE, 696 00:35:05,103 --> 00:35:07,573 WITHOUT EVEN A GOVERNMENT CHECK TO PAY YOUR RENT. 697 00:35:07,606 --> 00:35:08,940 - YOU DON'T KNOW HOW GOOD THAT SOUNDS. 698 00:35:08,974 --> 00:35:10,576 - NO WORRIES. 699 00:35:10,609 --> 00:35:12,844 THERE'S A LOT OF TOP FEEDERS JUST OUT OF RANGE 700 00:35:12,878 --> 00:35:15,647 JUST WAITING TO BE SCALED. 701 00:35:15,681 --> 00:35:17,983 - I'M DONE, MOZ. 702 00:35:18,016 --> 00:35:21,853 I'M GIVING UP THE LIFE. 703 00:35:21,887 --> 00:35:23,455 - OH, COME ON. - I'M SERIOUS. 704 00:35:23,489 --> 00:35:27,025 NO MORE JOBS. NO MORE FISH METAPHORS. 705 00:35:27,058 --> 00:35:29,828 - NEAL, IF YOU'RE NOT A CRIMINAL, 706 00:35:29,861 --> 00:35:32,364 THEN WHAT ARE YOU? 707 00:35:32,398 --> 00:35:35,434 - THAT'S WHAT I WANT TO FIND OUT. 708 00:35:35,467 --> 00:35:37,836 YOU KNOW, IT'S BEEN FIVE YEARS SINCE I'VE SEEN PARIS, 709 00:35:37,869 --> 00:35:40,539 BANGKOK, ISTANBUL. 710 00:35:40,572 --> 00:35:43,141 WHEN MY ANKLET'S OFF, WE CAN GO. 711 00:35:43,175 --> 00:35:46,812 - FINE, AND, WHILE WE'RE THERE, IF A WHALE SWIMS BY, 712 00:35:46,845 --> 00:35:48,113 WE CAN THROW A HARPOON. 713 00:35:48,146 --> 00:35:49,881 A WHALE IS NOT A FISH, 714 00:35:49,915 --> 00:35:52,451 SO THAT METAPHOR IS ACCEPTABLE. 715 00:35:52,484 --> 00:35:55,287 MONET KEPT PAINTING EVEN WHEN HE WAS TOO BLIND 716 00:35:55,321 --> 00:35:56,855 TO FIND HIS EASEL. 717 00:35:56,888 --> 00:35:58,357 MICK JAGGER WILL KEEP TOURING 718 00:35:58,390 --> 00:36:00,025 UNTIL HE DROPS DEAD ON STAGE. 719 00:36:00,058 --> 00:36:02,994 YOU HAVE TO CONTINUE DOING WHAT YOU'RE GREAT AT. 720 00:36:03,028 --> 00:36:05,130 - ONE OF THE MANY DIFFERENCES BETWEEN MICK JAGGER AND I 721 00:36:05,163 --> 00:36:08,066 IS THAT I FACE PRISON AGAIN IF I KEEP GOING. 722 00:36:08,099 --> 00:36:10,202 - THAT DIAMOND WAS SUPPOSED TO BE OUR RETIREMENT. 723 00:36:10,236 --> 00:36:12,238 THE SUIT TOOK THAT AWAY. 724 00:36:12,271 --> 00:36:13,839 HE'S HELPING YOU GET YOUR FREEDOM, 725 00:36:13,872 --> 00:36:18,244 BUT WITH A FUTURE LACKING IN THE FINER THINGS. 726 00:36:18,277 --> 00:36:23,014 FOR YOU, THAT'S LIKE CUTTING OFF YOUR OXYGEN. 727 00:36:29,388 --> 00:36:32,157 - PARIS WITHOUT MONEY. 728 00:36:32,190 --> 00:36:35,361 - IS NOT THE CITY OF LIGHTS. 729 00:36:59,418 --> 00:37:01,219 [tape peeling] 730 00:37:01,253 --> 00:37:02,288 - HEY, HONEY, WHAT TIME IS THE MOVING VAN 731 00:37:02,321 --> 00:37:04,290 COMING TOMORROW? - 8:00. 732 00:37:04,323 --> 00:37:06,458 - OOH, THINK WE'LL BE READY? 733 00:37:06,492 --> 00:37:08,193 - WELL, THAT'S THE THING ABOUT DEADLINES-- 734 00:37:08,226 --> 00:37:09,861 WE HAVE TO BE. 735 00:37:09,895 --> 00:37:11,530 UGH, I'M GONNA TACKLE UPSTAIRS. [cell phone rings] 736 00:37:11,563 --> 00:37:15,301 NO EXCUSES FOR NOT JOINING ME. 737 00:37:15,334 --> 00:37:17,903 - THIS IS PETER BURKE. 738 00:37:17,936 --> 00:37:19,605 OH, HEY, BRUCE. 739 00:37:22,841 --> 00:37:24,976 - PERFECT WEATHER FOR SHORTS. 740 00:37:25,010 --> 00:37:26,412 WHEN I LOSE MY ANKLET, I'M GONNA GO OUT 741 00:37:26,445 --> 00:37:28,280 AND BUY A HUNDRED PAIRS. 742 00:37:28,314 --> 00:37:31,049 - GLAD YOU COULD COME BY. 743 00:37:31,082 --> 00:37:33,218 - WHY THE SERIOUS FACE? - SIT DOWN. 744 00:37:33,251 --> 00:37:35,821 - OH, OKAY, I GET IT. 745 00:37:35,854 --> 00:37:37,656 YOU PRETEND TO LOOK ALL SERIOUS, 746 00:37:37,689 --> 00:37:39,157 THEN TELL ME HOW THE FBI DIRECTOR 747 00:37:39,190 --> 00:37:40,826 AND THE ATTORNEY GENERAL DISCUSSED MY CASE, 748 00:37:40,859 --> 00:37:45,096 AND IT WASN'T AS OPEN AND SHUT AS THEY THOUGHT. 749 00:37:45,130 --> 00:37:49,401 - IT SHOULD HAVE BEEN. 750 00:37:49,435 --> 00:37:52,137 - YOU'VE NEVER BEEN ONE FOR THE MISDIRECT. 751 00:37:52,170 --> 00:37:55,273 - THE ATTORNEY GENERAL WAS NEVER CALLED. 752 00:37:55,307 --> 00:37:58,477 THE FBI DIRECTOR REVIEWED YOUR RECORD. 753 00:37:58,510 --> 00:38:01,780 HE TOLD BRUCE YOU BLEW ANY CHANCE OF AN EARLY RELEASE 754 00:38:01,813 --> 00:38:05,250 BECAUSE OF YOUR ESCAPE INTO CAPE VERDE LAST YEAR. 755 00:38:05,283 --> 00:38:07,586 - WHAT, AND EVERYTHING I'VE DONE SINCE DOESN'T MATTER? 756 00:38:07,619 --> 00:38:10,356 - IT LIKELY MATTERED A LOT. 757 00:38:10,389 --> 00:38:12,791 WE HAVE THE HIGHEST ARREST RECORD IN THE BUREAU. 758 00:38:12,824 --> 00:38:15,026 - YEAH. - BRUCE THINKS THE REAL REASON 759 00:38:15,060 --> 00:38:18,263 HE WON'T RELEASE YOU IS BECAUSE YOU'RE SUCH A BIG ASSET. 760 00:38:18,296 --> 00:38:19,998 THE BUREAU DOESN'T WANT TO LOSE YOU. 761 00:38:23,234 --> 00:38:26,505 - I SCREWED MYSELF. 762 00:38:26,538 --> 00:38:28,006 - IF YOU WEREN'T GOOD, 763 00:38:28,039 --> 00:38:29,375 THEY WOULD HAVE REVOKED YOUR DEAL 764 00:38:29,408 --> 00:38:30,476 AND SENT YOU BACK TO PRISON. 765 00:38:30,509 --> 00:38:32,378 - SO THE GAME WAS RIGGED. 766 00:38:32,411 --> 00:38:35,146 - NO, THIS ISN'T A GAME. 767 00:38:35,180 --> 00:38:38,149 - EVERYTHING IS. 768 00:38:40,552 --> 00:38:44,055 - DON'T DO ANYTHING CRAZY, NEAL. 769 00:38:44,089 --> 00:38:46,825 THIS ISN'T OVER. 770 00:38:54,265 --> 00:38:58,236 - YOU OKAY? 771 00:38:58,269 --> 00:38:59,571 - HOW DISAPPOINTED WOULD YOU BE 772 00:38:59,605 --> 00:39:02,574 IF WE DIDN'T MOVE TO WASHINGTON? 773 00:39:04,376 --> 00:39:07,045 - WHAT'S WRONG? 774 00:39:07,078 --> 00:39:09,214 - MY REQUEST TO RELEASE NEAL WAS DENIED. 775 00:39:09,247 --> 00:39:12,384 THEY WANT HIM TO SERVE HIS SENTENCE AT WHITE COLLAR. 776 00:39:12,418 --> 00:39:14,152 - [sighs] THAT'S NOT FAIR. 777 00:39:14,185 --> 00:39:15,521 HE EARNED IT. 778 00:39:15,554 --> 00:39:19,591 - EXACTLY HOW I FEEL. 779 00:39:19,625 --> 00:39:25,263 - AND NOW YOU DON'T WANT TO GO TO D.C. 780 00:39:25,296 --> 00:39:28,166 - IT'S ALL BUREAUCRACY, EL. 781 00:39:28,199 --> 00:39:29,668 I MEAN, GUYS SITTING BEHIND DESKS, 782 00:39:29,701 --> 00:39:31,770 MAKING DECISIONS ABOUT OTHER PEOPLE'S LIVES 783 00:39:31,803 --> 00:39:33,371 WITHOUT BEING A PART OF THOSE LIVES 784 00:39:33,405 --> 00:39:36,374 ON A DAILY BASIS. 785 00:39:37,609 --> 00:39:40,612 IT'S NOT ME. 786 00:39:44,382 --> 00:39:46,952 - WELL, HON, IF-- 787 00:39:46,985 --> 00:39:48,420 IF THIS IS WHAT YOU FEEL LIKE YOU NEED TO DO, 788 00:39:48,454 --> 00:39:51,289 THEN OF COURSE I'M OKAY. 789 00:39:54,893 --> 00:39:59,064 MAYBE I'LL JUST-- I'LL COMMUTE BACK AND FORTH. 790 00:39:59,097 --> 00:40:01,099 WE COULD TALK EVERY NIGHT, 791 00:40:01,132 --> 00:40:05,303 AND IT COULD BE FUN TO CATCH UP ON WEEKENDS. 792 00:40:11,342 --> 00:40:14,446 - IF THAT'S WHAT YOU FEEL YOU NEED TO DO. 793 00:40:14,480 --> 00:40:17,716 - BABE, IT'S THE NATIONAL GALLERY. 794 00:40:17,749 --> 00:40:22,554 I MEAN, THIS IS A ONCE-IN-A-LIFETIME OPPORTUNITY. 795 00:40:22,588 --> 00:40:24,155 YOU WOULDN'T EXPECT ME NOT TO TAKE THE JOB 796 00:40:24,189 --> 00:40:27,659 JUST BECAUSE YOU CHANGED YOUR MIND. 797 00:40:27,693 --> 00:40:30,629 - I WOULDN'T. NO. 798 00:40:34,700 --> 00:40:37,068 - SO THE MORAL OF THIS STORY-- THE SUIT CAN'T BE TRUSTED. 799 00:40:37,102 --> 00:40:38,804 - IT WASN'T PETER. 800 00:40:38,837 --> 00:40:40,906 - THAT YOU KNOW OF, BUT, REALLY, WHAT'S THE DIFFERENCE? 801 00:40:40,939 --> 00:40:43,675 SUITS BY ANY OTHER NAME ARE STILL THE ENEMY. 802 00:40:43,709 --> 00:40:45,511 - THE QUESTION IS, WHAT NOW? 803 00:40:45,544 --> 00:40:48,413 - I CRACKED YOUR OLD ANKLET. I CAN CRACK THIS ONE. 804 00:40:48,446 --> 00:40:51,216 BUT THE REAL QUESTION REMAINS, DO YOU WANT ME TO? 805 00:40:53,451 --> 00:40:55,521 - I WANT MY FREEDOM. 806 00:40:55,554 --> 00:40:59,257 ANY WAY I CAN GET IT. 807 00:40:59,290 --> 00:41:02,460 - GIVE ME A WEEK, AND WE'LL BE BACK IN BUSINESS. 808 00:41:02,494 --> 00:41:03,461 - TRY TO MAKE IT SOONER. 809 00:41:03,495 --> 00:41:06,164 - RESTOCK YOUR LIQUOR CABINET. 810 00:41:30,556 --> 00:41:33,124 - HEY. 811 00:41:33,158 --> 00:41:37,362 WHY ARE YOU FOLLOWING ME? 812 00:41:37,395 --> 00:41:40,632 WHO ARE YOU? 813 00:41:40,666 --> 00:41:43,501 - I'M ABOUT TO BECOME THE LAST PERSON ON EARTH 814 00:41:43,535 --> 00:41:47,038 WHO KNOWS WHERE YOU ARE.