1 00:00:01,602 --> 00:00:03,837 - PREVIOUSLY ON WHITE COLLAR... 2 00:00:03,871 --> 00:00:04,805 THE BURKES ARE GOING TO WASHINGTON. 3 00:00:04,838 --> 00:00:06,540 - [gasps] [cork pops] 4 00:00:06,574 --> 00:00:07,741 - GOOD! HERE IT COMES! - [breathing heavily] 5 00:00:07,775 --> 00:00:09,377 [baby cries] 6 00:00:09,410 --> 00:00:10,578 - THE MOSCONI CODEX... 7 00:00:10,611 --> 00:00:11,879 IF THIS BOOK IS A PUZZLE, 8 00:00:11,912 --> 00:00:12,913 MAYBE THESE ARE THE PIECES. 9 00:00:12,946 --> 00:00:14,515 TAKE A LOOK AT THE PAGES. 10 00:00:14,548 --> 00:00:15,716 - RAIN MAN IT. - I GOT IT. 11 00:00:15,749 --> 00:00:17,585 - THIS IS THE IDOL OF SITA. 12 00:00:17,618 --> 00:00:19,520 - THE IDOL HAD EYES MADE OUT OF RARE DIAMONDS. 13 00:00:19,553 --> 00:00:21,822 THE HOPE DIAMOND-- WE'RE LOOKING FOR ITS TWIN. 14 00:00:21,855 --> 00:00:25,259 - THIS IS REBECCA'S APARTMENT. WHO IS SHE, NEAL? 15 00:00:25,293 --> 00:00:27,328 HER REAL NAME IS RACHEL TURNER. 16 00:00:27,361 --> 00:00:29,363 MI-5-- SHE WAS ONE OF THEIR AGENTS. 17 00:00:29,397 --> 00:00:30,931 THE PRIME SUSPECT IN THE MURDERS 18 00:00:30,964 --> 00:00:33,101 OF CURTIS HAGEN AND AGENT DAVID SIEGEL. 19 00:00:33,134 --> 00:00:35,103 - WE HAVE FULL VIDEO OF HER APARTMENT. 20 00:00:35,136 --> 00:00:39,373 - NEAL, SHE'S IN LOVE WITH YOU. 21 00:00:39,407 --> 00:00:41,709 - YOU ARE UNDER ARREST FOR MURDER. 22 00:00:41,742 --> 00:00:44,112 - DO YOU ACCEPT A COLLECT CALL FROM INMATE... 23 00:00:44,145 --> 00:00:46,214 - RACHEL TURNER. I'LL SEE YOU SOON. 24 00:00:50,151 --> 00:00:52,720 - YOU KNOW D.C. WAS BUILT ON A SWAMP, RIGHT? 25 00:00:52,753 --> 00:00:54,588 - TOTAL MYTH-- IT WAS ALL WETLANDS. 26 00:00:54,622 --> 00:00:57,258 - THAT'S A DISTINCTION WITHOUT A DIFFERENCE. 27 00:00:57,291 --> 00:00:59,627 PACK A MOSQUITO NET. - I'M FROM UPSTATE. 28 00:00:59,660 --> 00:01:01,395 OUR MOSQUITOES RESEMBLE SMALL BUZZARDS. 29 00:01:01,429 --> 00:01:02,796 I'LL BE FINE. 30 00:01:02,830 --> 00:01:04,598 - THAT EXPERIENCE WITH BLOODSUCKERS 31 00:01:04,632 --> 00:01:06,634 WILL COME IN HANDY WHEN YOU START RUBBING ELBOWS 32 00:01:06,667 --> 00:01:08,102 WITH CONGRESSMEN. 33 00:01:08,136 --> 00:01:09,637 - WELL, THANKFULLY, POLITICS IS ONLY PART 34 00:01:09,670 --> 00:01:11,905 OF MY NEW JOB. 35 00:01:11,939 --> 00:01:13,807 GOSH, YOU KNOW, THESE LAST FEW MONTHS 36 00:01:13,841 --> 00:01:15,543 HAVE BEEN... - "INSANE" WILL DO. 37 00:01:15,576 --> 00:01:16,944 - YEAH. 38 00:01:16,977 --> 00:01:18,879 - LOOK, REBECCA DECEIVED US ALL. 39 00:01:18,912 --> 00:01:20,648 ARE YOU HOLDING UP OKAY? 40 00:01:20,681 --> 00:01:22,716 - REBECCA'S BEHIND ME. 41 00:01:22,750 --> 00:01:25,319 RIGHT NOW I'D RATHER FOCUS ON WHAT MY FUTURE LOOKS LIKE. 42 00:01:25,353 --> 00:01:27,087 - GOOD, WHICH IS WHY I'VE BEEN GIVING 43 00:01:27,121 --> 00:01:29,590 A LOT OF THOUGHT AS TO WHO YOUR NEXT HANDLER WILL BE. 44 00:01:29,623 --> 00:01:31,892 - THAT'S NOT THE FUTURE I HAVE IN MIND. 45 00:01:31,925 --> 00:01:34,562 THE PROMOTION AT D.C.-- YOUR CASE HISTORY 46 00:01:34,595 --> 00:01:36,597 WAS A HUGE FACTOR IN THAT DECISION, RIGHT? 47 00:01:36,630 --> 00:01:38,132 - THAT'S RIGHT. 48 00:01:38,166 --> 00:01:39,600 IT WAS BASED IN PART ON MY SUCCESSES 49 00:01:39,633 --> 00:01:41,735 AS A FIELD AGENT. - OUR SUCCESSES. 50 00:01:41,769 --> 00:01:43,504 NO MORE HANDLERS, 51 00:01:43,537 --> 00:01:44,972 NO MORE CASES, NO MORE ANKLET. 52 00:01:45,005 --> 00:01:46,807 - NEAL, WHAT ARE YOU SAYING? 53 00:01:46,840 --> 00:01:49,677 - I'M SAYING I WANT MY SENTENCE TO BE DROPPED. 54 00:01:49,710 --> 00:01:51,579 I'VE TALKED TO A LAWYER. 55 00:01:51,612 --> 00:01:54,448 A RECOMMENDATION FROM YOU IS CRITICAL. 56 00:02:03,524 --> 00:02:05,659 - NEAL, YOU HAVE TIME TO SERVE. 57 00:02:05,693 --> 00:02:08,329 BEING ASAC DOESN'T MEAN I GIVE YOU SPECIAL TREATMENT. 58 00:02:08,362 --> 00:02:09,997 - IT HAS NOTHING TO DO WITH RANK. 59 00:02:10,030 --> 00:02:12,200 IT'S BECAUSE YOU'RE MY SUPERVISING OFFICER. 60 00:02:12,233 --> 00:02:14,368 I'M ASKING YOU TO DO WHAT'S RIGHT. 61 00:02:14,402 --> 00:02:15,869 - OH, I HAVE SPENT A LOT OF MY TIME WITH YOU 62 00:02:15,903 --> 00:02:18,172 THINKING ABOUT WHAT'S RIGHT. 63 00:02:18,206 --> 00:02:21,709 AND WHAT I'VE LEARNED IS THAT THERE'S NEVER A SIMPLE ANSWER. 64 00:02:21,742 --> 00:02:24,445 - HEY, I JUST GOT OFF THE PHONE WITH THE PROSECUTOR'S OFFICE. 65 00:02:24,478 --> 00:02:26,480 YOU KNOW THE PRINT ON THE BULLET INSIDE REBECCA'S GUN? 66 00:02:26,514 --> 00:02:27,848 - THEY'RE MOVING TO INDICT? 67 00:02:27,881 --> 00:02:30,484 - YEAH, FIRST THING TOMORROW MORNING. 68 00:02:30,518 --> 00:02:32,486 - [sighs] IT'S OVER, NEAL. 69 00:02:32,520 --> 00:02:34,922 - YEAH, IT'S OVER. 70 00:02:36,690 --> 00:02:37,858 - LISTEN, THEY WANT THE EVIDENCE BOXED UP 71 00:02:37,891 --> 00:02:39,560 AND SHIPPED IMMEDIATELY. 72 00:02:39,593 --> 00:02:41,495 YOU WANT ME TO ROUND UP A COUPLE OF PROBIES? 73 00:02:41,529 --> 00:02:44,865 - YOU KNOW, ON MY VERY FIRST CASE, 74 00:02:44,898 --> 00:02:47,801 HUGHES HAD ME BAG AND TAG ALL THE EVIDENCE MYSELF. 75 00:02:47,835 --> 00:02:50,538 IT'S ONLY FITTING THAT I DO IT ON MY LAST CASE. 76 00:02:50,571 --> 00:02:54,208 COME ON, NEAL, LET'S BOX IT ALL UP. 77 00:02:56,710 --> 00:02:57,878 - ALL OF IT? 78 00:02:57,911 --> 00:03:01,349 - ALL OF IT. 79 00:03:25,906 --> 00:03:27,441 READY, NEAL? - YES. 80 00:03:43,591 --> 00:03:46,260 [sighs] 81 00:03:49,797 --> 00:03:51,565 BEERS AT WORK? - YEAH. 82 00:03:51,599 --> 00:03:53,734 I KNOW YOU'RE A STICKLER FOR RULES, 83 00:03:53,767 --> 00:03:55,936 BUT IF WAS EVER THERE WAS A TIME TO BREAK ONE, IT'S NOW. 84 00:03:55,969 --> 00:03:58,772 BESIDES, WE ARE OFFICIALLY OFF THE CLOCK. 85 00:04:00,741 --> 00:04:03,477 [cell phone vibrating] MM. 86 00:04:03,511 --> 00:04:05,446 THAT YOURS? 87 00:04:05,479 --> 00:04:07,881 - NO, I THOUGHT IT WAS YOURS. - NO. 88 00:04:07,915 --> 00:04:11,151 [vibrating continues] 89 00:04:28,769 --> 00:04:30,904 IT'S ONE OF REBECCA'S BURNER PHONES. 90 00:04:30,938 --> 00:04:32,906 - HER VOICE-MAIL ACCESS WILL BE PASSWORD PROTECTED. 91 00:04:32,940 --> 00:04:35,776 - THE TECH GUYS UNLOCKED ALL HER PHONES. 92 00:04:35,809 --> 00:04:37,010 IT SHOULD BE AS SIMPLE AS... 93 00:04:37,044 --> 00:04:38,779 - REBECCA LOWE, I GOT THIS NUMBER 94 00:04:38,812 --> 00:04:40,414 FROM ONE OF YOUR ASSOCIATES. 95 00:04:40,448 --> 00:04:42,950 I'M IN NEED OF YOUR... SERVICES IMMEDIATELY. 96 00:04:42,983 --> 00:04:44,785 CALL ME BACK. 97 00:04:44,818 --> 00:04:47,187 - WE NEED TO SEE WHERE THIS LEADS. 98 00:04:47,220 --> 00:04:49,757 IF REBECCA'S OTHER CLIENTS ARE ANYTHING LIKE HAGEN... 99 00:04:49,790 --> 00:04:51,592 - SOMEONE COULD END UP DEAD. 100 00:04:51,625 --> 00:04:54,294 - THE CALLER GOT HER NAME AND NUMBER SECONDHAND. 101 00:04:54,328 --> 00:04:56,630 WE COULD SEND SOMEONE UNDERCOVER TO MEET HIM. 102 00:04:56,664 --> 00:04:58,932 - IF HE KNOWS WHAT SHE LOOKS LIKE, HE'LL BOLT. 103 00:04:58,966 --> 00:05:01,101 BUT IF HE DOESN'T... - WE HAVE A CASE. 104 00:05:01,134 --> 00:05:02,936 NOW, NORMALLY, I'D SEND YOU IN UNDERCOVER 105 00:05:02,970 --> 00:05:05,105 FOR SOMETHING LIKE THIS. - THIS ISN'T SOME LIKE IT HOT. 106 00:05:05,138 --> 00:05:07,307 YOU HAVE SOMEONE GOOD IN MIND? 107 00:05:07,341 --> 00:05:08,942 - YEAH, ONE OF THE BEST AGENTS I KNOW-- 108 00:05:08,976 --> 00:05:11,845 SMART, RELENTLESS, TOUGH. 109 00:05:11,879 --> 00:05:13,781 - ABLE TO LEAP TALL BUILDINGS IN A SINGLE BOUND? 110 00:05:13,814 --> 00:05:15,616 - WOULDN'T BE SURPRISED. 111 00:05:15,649 --> 00:05:18,118 [knock at door] 112 00:05:18,151 --> 00:05:20,654 - HEY, BOSS. 113 00:05:20,688 --> 00:05:22,790 LET'S GET TO WORK. 114 00:05:22,823 --> 00:05:25,526 [baby coos] 115 00:05:27,561 --> 00:05:30,564 [rock music] 116 00:05:30,598 --> 00:05:38,338 * 117 00:05:48,749 --> 00:05:50,317 - SO LET ME GET THIS STRAIGHT. 118 00:05:50,350 --> 00:05:52,753 AFTER WE FIND OUT THE CLIENT'S IDENTITY, 119 00:05:52,786 --> 00:05:55,322 I HAVE TO IMPERSONATE REBECCA, WHO'S REALLY RACHEL, 120 00:05:55,355 --> 00:05:57,190 HOPING HE DOESN'T KNOW THAT SHE ISN'T A BIRACIAL WOMAN 121 00:05:57,224 --> 00:05:58,926 WHO HAS TO PUMP EVERY THREE HOURS? 122 00:05:58,959 --> 00:06:00,761 - PUMP? - I'M A FANTASTIC MULTITASKER. 123 00:06:00,794 --> 00:06:02,763 I'LL DO IT ON THE FLY. 124 00:06:02,796 --> 00:06:04,998 THEN I DETERMINE WHAT THE JOB IS, PRETEND TO CARRY IT OUT, 125 00:06:05,032 --> 00:06:07,868 AND DELIVER EVIDENCE OF COMPLETION TO OUR MYSTERY MAN, 126 00:06:07,901 --> 00:06:09,903 WHICH, GIVEN REBECCA'S HISTORY, MIGHT INCLUDE MURDER. 127 00:06:09,937 --> 00:06:11,939 - YEAH. 128 00:06:11,972 --> 00:06:15,075 LOOK, DIANA, TRUTH IS, WHO KNOWS IF WE EVEN HAVE A CASE? 129 00:06:15,108 --> 00:06:17,678 YOU KNOW, I JUST WANTED TO BRING YOU UP TO SPEED. 130 00:06:17,711 --> 00:06:20,047 TONS OF UNKNOWNS, AND I'M NOT SURE IF WE'LL PURSUE IT. 131 00:06:20,080 --> 00:06:21,849 - PETER, I'M IN. 132 00:06:21,882 --> 00:06:24,284 A BAD GUY WANTS TO HIRE A BAD GIRL 133 00:06:24,317 --> 00:06:25,919 TO DO SOME REALLY BAD STUFF. 134 00:06:25,953 --> 00:06:27,220 I'M THE BEST PERSON IN THE DIVISION 135 00:06:27,254 --> 00:06:28,956 TO KEEP THAT FROM HAPPENING. 136 00:06:28,989 --> 00:06:30,123 YOU KNOW THAT. - I DO. 137 00:06:30,157 --> 00:06:31,625 - GOOD. 138 00:06:31,659 --> 00:06:34,628 NOW, I GOT TO GO CHANGE, AND SO DOES HE. 139 00:06:36,897 --> 00:06:38,599 YOU KNOW YOUR WAY AROUND A DIRTY DIAPER, RIGHT? 140 00:06:55,683 --> 00:06:57,284 - NEAL, THE DAMN CODEX-- 141 00:06:57,317 --> 00:06:59,086 YOU HAVE ANY IDEA WHAT HAPPENS 142 00:06:59,119 --> 00:07:01,154 WHEN YOU COMMIT SOMETHING LIKE THAT TO MEMORY? 143 00:07:01,188 --> 00:07:02,656 - IT HAUNTS YOU. 144 00:07:02,690 --> 00:07:03,957 - EXACTLY! 145 00:07:03,991 --> 00:07:05,425 TRY TO SLEEP-- CODEX. 146 00:07:05,459 --> 00:07:07,160 SIT DOWN TO A DELICIOUS BOWL OF MUESLI-- 147 00:07:07,194 --> 00:07:09,229 CODEX. 148 00:07:09,262 --> 00:07:12,099 ALL THESE SIGNS AND SYMBOLS FLOATING AROUND IN MY HEAD, 149 00:07:12,132 --> 00:07:15,669 COMBINING, SEPARATING, RECOMBINING, MOCKING ME. 150 00:07:15,703 --> 00:07:17,938 - RELAX. NOW THAT REBECCA IS GONE, 151 00:07:17,971 --> 00:07:20,674 WE CAN TAKE A BREATH AND GO AT THIS THE RIGHT WAY. 152 00:07:20,708 --> 00:07:22,175 THINK ABOUT IT. 153 00:07:22,209 --> 00:07:24,177 NOBODY IS LOOKING FOR THE DIAMOND EXCEPT US. 154 00:07:24,211 --> 00:07:25,913 - YOU'RE RIGHT. 155 00:07:25,946 --> 00:07:28,081 THIS COULD BE IT. 156 00:07:28,115 --> 00:07:31,418 EVERYTHING WE'VE ALWAYS DREAMED ABOUT--IT'S WITHIN REACH. 157 00:07:31,451 --> 00:07:33,020 WITH THE MONEY FROM THE DIAMOND, 158 00:07:33,053 --> 00:07:35,355 WE COULD BUILD A SMALL CONSORTIUM, 159 00:07:35,388 --> 00:07:39,459 A NETWORK OF ASSOCIATES, PROPERLY FINANCED CONS. 160 00:07:39,493 --> 00:07:41,862 MAYBE EVEN A FEW SMALL DRONES. 161 00:07:41,895 --> 00:07:43,964 - DRONES? AH, I SEE YOU'VE REALLY THOUGHT THIS THROUGH. 162 00:07:43,997 --> 00:07:44,932 - IT'S PERFECT. 163 00:07:44,965 --> 00:07:47,267 AN ILLEGITIMATE EMPIRE 164 00:07:47,300 --> 00:07:49,970 PAID FOR WITH THE LEGITIMATE PROCEEDS 165 00:07:50,003 --> 00:07:51,371 FROM THE DIAMOND. 166 00:07:51,404 --> 00:07:53,941 NEAL, IT'S OUR COTILLION. 167 00:07:53,974 --> 00:07:57,678 [cell phone chimes] 168 00:07:57,711 --> 00:08:01,181 - OH, THAT'S PETER. I GOT TO RUN. 169 00:08:01,214 --> 00:08:02,983 WE'RE TRACKING SOMEONE WHO CONTACTED REBECCA 170 00:08:03,016 --> 00:08:04,952 ABOUT DOING A JOB. 171 00:08:04,985 --> 00:08:08,121 DIANA'S COMING OFF MATERNITY LEAVE TO GO UNDERCOVER. 172 00:08:08,155 --> 00:08:10,023 - WHAT WILL SHE DO WITH TEDDY? 173 00:08:10,057 --> 00:08:11,825 - YOU MEAN THEO? 174 00:08:11,859 --> 00:08:14,394 WELL, LIKE MOST WOMEN FROM GLORIA STEINEM ON, 175 00:08:14,427 --> 00:08:16,463 SHE'LL PROBABLY HIRE A BABYSITTER. 176 00:08:16,496 --> 00:08:19,132 - I'VE NEVER EVEN MET MY NAMESAKE, 177 00:08:19,166 --> 00:08:23,370 YET SOME STRANGER IS GONNA MOLD HIS YOUNG, PLIABLE MIND? 178 00:08:23,403 --> 00:08:25,405 I DELIVERED THAT CHILD, NEAL. 179 00:08:25,438 --> 00:08:28,041 - HOW ABOUT WE CHANNEL THAT RIGHTEOUS INDIGNATION 180 00:08:28,075 --> 00:08:30,410 INTO FINDING THE DIAMOND? 181 00:08:44,357 --> 00:08:45,893 - WELCOME BACK, AGENT BERRIGAN. 182 00:08:45,926 --> 00:08:48,261 - THANK YOU, AGENT JONES. 183 00:08:48,295 --> 00:08:51,498 NOW... 184 00:08:51,531 --> 00:08:53,366 WHAT DO WE KNOW ABOUT THIS GUY? - NOTHING. 185 00:08:53,400 --> 00:08:56,169 WE'VE GOT A SHORT VOICE MAIL AND A PHONE. 186 00:08:56,203 --> 00:08:58,038 - YEAH, NO I.D., NO LOCATION. 187 00:08:58,071 --> 00:09:00,874 - WHOEVER HE IS, IF HE DOESN'T HEAR BACK FROM REBECCA LOWE, 188 00:09:00,908 --> 00:09:02,576 HE'LL FIND SOMEONE ELSE FOR THE JOB. 189 00:09:02,610 --> 00:09:04,344 WE CAN'T LET THAT HAPPEN. - I AGREE. 190 00:09:04,377 --> 00:09:06,279 IF THIS IS ALL WE'VE GOT, LET'S USE IT. 191 00:09:06,313 --> 00:09:10,017 [dialing] 192 00:09:10,050 --> 00:09:12,953 [line trilling] 193 00:09:14,822 --> 00:09:17,190 - I WAS HOPING YOU'D CALL SOONER. 194 00:09:17,224 --> 00:09:18,759 - I CALL WHEN I CALL. 195 00:09:18,792 --> 00:09:20,060 WHAT'S THE ASSIGNMENT? 196 00:09:20,093 --> 00:09:21,528 - ALL PERTINENT INFORMATION 197 00:09:21,561 --> 00:09:22,963 WILL BE LEFT AT A DROP SITE THIS AFTERNOON. 198 00:09:22,996 --> 00:09:26,466 - NEGATIVE. 199 00:09:26,499 --> 00:09:28,802 - I WAS GIVEN TO UNDERSTAND THIS IS HOW YOU DID THINGS. 200 00:09:28,836 --> 00:09:30,137 - THEN YOU UNDERSTOOD WRONG. 201 00:09:30,170 --> 00:09:32,072 WE MEET IN PERSON IN PUBLIC. 202 00:09:32,105 --> 00:09:33,273 THOSE ARE MY RULES. 203 00:09:33,306 --> 00:09:35,876 IF YOU DON'T LIKE THEM, TOO BAD. 204 00:09:35,909 --> 00:09:37,911 - FINE. 205 00:09:37,945 --> 00:09:40,447 CRAWFORD PLAZA, TOMORROW AT NOON. 206 00:09:40,480 --> 00:09:42,883 MY ASSOCIATE BRIEFED ME ON YOUR SIGNAL. 207 00:09:42,916 --> 00:09:44,051 I'LL BE LOOKING FOR IT. 208 00:09:44,084 --> 00:09:45,786 [phone clicks] 209 00:09:48,689 --> 00:09:53,226 - ANY BRIGHT IDEAS ON WHAT REBECCA'S SIGNAL COULD BE? 210 00:09:53,260 --> 00:09:56,463 - THERE'S ONE WAY TO FIND OUT. 211 00:10:15,716 --> 00:10:19,987 - SHE MAY NOT HAVE MUCH TO SAY, NEAL, NOT TO ME. 212 00:10:20,020 --> 00:10:22,122 - WELL, I'M SURE YOU HAVE WAYS OF GETTING HER TO TALK. 213 00:10:22,155 --> 00:10:23,824 ARE YOU IN CONTACT WITH THE VAN? 214 00:10:23,857 --> 00:10:25,158 - UP AND RUNNING. 215 00:10:25,192 --> 00:10:28,528 I'LL TRY TO MAKE IT FAST. 216 00:10:46,914 --> 00:10:48,481 - AGENT BURKE... 217 00:10:48,515 --> 00:10:50,851 I NEVER THOUGHT I'D ACTUALLY LOOK FORWARD 218 00:10:50,884 --> 00:10:53,453 TO A TRIP TO THE FBI. 219 00:10:53,486 --> 00:10:56,056 DIDN'T FEEL LIKE COMING DOWN TO THE CORRECTION CENTER? 220 00:10:56,089 --> 00:10:57,624 DON'T LIKE SEEING WHAT HAPPENS 221 00:10:57,657 --> 00:10:59,126 TO THE STUFF YOU FLUSH DOWN THE DRAIN? 222 00:10:59,159 --> 00:11:00,828 - I LIKE TO CONTROL MY ENVIRONMENT, 223 00:11:00,861 --> 00:11:04,564 WHICH MAKES TWO OF US. 224 00:11:04,597 --> 00:11:06,633 - I COULD HAVE KILLED YOU, YOU KNOW. 225 00:11:06,666 --> 00:11:10,003 I HAD YOU IN MY SIGHTS SEVERAL TIMES. 226 00:11:10,037 --> 00:11:11,905 BUT I NEVER WOULD HAVE DONE THAT TO NEAL. 227 00:11:11,939 --> 00:11:13,340 IT WOULD HAVE TORN HIM UP. 228 00:11:16,109 --> 00:11:17,310 WHY AM I HERE? 229 00:11:17,344 --> 00:11:19,646 - TO STRIKE A DEAL. 230 00:11:19,679 --> 00:11:22,249 - DON'T SUPPOSE YOU COULD HELP ME WITH THESE. 231 00:11:22,282 --> 00:11:24,985 - YOUR CELL RIGHT NOW-- I HEAR IT'S PRETTY GRIM. 232 00:11:25,018 --> 00:11:26,519 I CAN TALK TO THE WARDEN 233 00:11:26,553 --> 00:11:28,155 ABOUT GETTING YOU SOME SOUTHERN EXPOSURE. 234 00:11:28,188 --> 00:11:30,423 - NOT INTERESTED. 235 00:11:30,457 --> 00:11:32,860 - AN EXTRA HOUR OR TWO IN THE YARD EVERY DAY? 236 00:11:32,893 --> 00:11:36,429 - YOU KNOW I ONLY WANT ONE THING. 237 00:11:36,463 --> 00:11:40,400 BUT WHAT IS IT THAT YOU WANT? 238 00:11:40,433 --> 00:11:42,335 - I WANT TO KNOW THE SIGNAL YOU USE 239 00:11:42,369 --> 00:11:44,404 WHEN FIRST MAKING CONTACT WITH A CLIENT. 240 00:11:44,437 --> 00:11:46,439 - HMM. JUST TO QUENCH YOUR CURIOSITY? 241 00:11:46,473 --> 00:11:48,175 SOMETHING TO PUT IN THE SCRAPBOOK? 242 00:11:48,208 --> 00:11:51,344 OR DID I GET A JOB? 243 00:11:51,378 --> 00:11:53,180 HMM. 244 00:11:53,213 --> 00:11:54,514 IT'S GOOD TO FEEL WANTED. 245 00:11:54,547 --> 00:11:56,383 - YOUR SIGNAL-- WHAT IS IT? 246 00:11:56,416 --> 00:11:58,518 - I'M NOT TELLING YOU. 247 00:11:58,551 --> 00:12:01,388 BUT I WILL TELL NEAL, AFTER I'VE HAD A CHANCE 248 00:12:01,421 --> 00:12:03,957 TO TALK TO HIM ABOUT A FEW THINGS. 249 00:12:03,991 --> 00:12:06,593 - [sighs] 250 00:12:06,626 --> 00:12:08,762 NO CAN DO. 251 00:12:08,796 --> 00:12:12,299 I'M SURE GLAD I DIDN'T WASTE A DRIVE DOWN TO THE MCC. 252 00:12:12,332 --> 00:12:15,035 ENJOY YOUR VIEW OF CIVILIZATION WHILE YOU CAN. 253 00:12:15,068 --> 00:12:18,471 - OKAY. 254 00:12:18,505 --> 00:12:21,041 OKAY, I WILL TELL YOU. 255 00:12:21,074 --> 00:12:23,476 BUT THEN I WANT TO SEE HIM. 256 00:12:23,510 --> 00:12:26,446 THOSE ARE MY TERMS. 257 00:12:26,479 --> 00:12:28,982 - HOW'S THAT SOUND, NEAL? 258 00:12:32,352 --> 00:12:33,320 [knocks twice] 259 00:12:36,189 --> 00:12:37,524 LOOKS LIKE WE HAVE A DEAL. 260 00:12:41,194 --> 00:12:44,464 - THE SIGNAL IS A WATCH, WORN ON THE LEFT HAND, 261 00:12:44,497 --> 00:12:46,333 BANDED UPSIDE DOWN. 262 00:12:46,366 --> 00:12:48,501 - WHAT TIME? 263 00:12:48,535 --> 00:12:51,939 - IT SHOULD BE SET TO 10:20. 264 00:12:51,972 --> 00:12:53,907 HAPPY? 265 00:12:53,941 --> 00:12:57,477 - THAT YOU'LL SOON BE SERVING TWO CONSECUTIVE LIFE SENTENCES? 266 00:12:57,510 --> 00:13:01,248 YEAH, I'M ECSTATIC. 267 00:13:01,281 --> 00:13:05,252 - I GAVE YOU WHAT YOU WANTED. 268 00:13:05,285 --> 00:13:06,653 NOW IT'S MY TURN. 269 00:13:23,570 --> 00:13:25,105 - YOU'RE NOT GOING IN UNTIL WE KNOW THE SIGNAL WORKS. 270 00:13:25,138 --> 00:13:27,207 AND IF IT DOES... 271 00:13:27,240 --> 00:13:31,044 JUST IN CASE I NEED TO BE IN CONTACT WITH YOU. 272 00:13:31,078 --> 00:13:32,212 YOU SURE YOU'RE UP FOR THIS? 273 00:13:32,245 --> 00:13:33,613 - I WISH I COULD SAY 274 00:13:33,646 --> 00:13:35,615 ABSENCE MADE THE HEART GROW FONDER. 275 00:13:35,648 --> 00:13:38,351 - JONES, HOW WE LOOKING? 276 00:13:38,385 --> 00:13:40,453 - WE'VE GOT EYES AND EARS ON DIANA. 277 00:13:40,487 --> 00:13:43,056 DIANA, YOU WITH US? - COPY THAT. 278 00:13:50,497 --> 00:13:52,866 - AH, IT LOOKS LIKE SOMEBODY'S APPROACHING--HERE WE GO. 279 00:13:58,571 --> 00:14:00,573 - LOVELY DAY. 280 00:14:06,513 --> 00:14:08,215 I LIKE YOUR WATCH. 281 00:14:08,248 --> 00:14:11,251 - YOU WANT SOMETHING TAKEN CARE OF? 282 00:14:11,284 --> 00:14:13,253 YOU TELL ME WHAT YOU WANT ME TO DO. 283 00:14:13,286 --> 00:14:14,321 I DO IT, YOU PAY. 284 00:14:14,354 --> 00:14:16,489 THAT'S THE DEAL. 285 00:14:16,523 --> 00:14:19,159 - I DON'T DISCUSS THE JOB TILL WE'RE SAFELY INDOORS. 286 00:14:19,192 --> 00:14:21,128 GIVEN MY LINE OF WORK, YOU CAN'T BE TOO CAREFUL. 287 00:14:34,807 --> 00:14:36,409 - PETER, WE'VE GOT A HITCH. 288 00:14:36,443 --> 00:14:38,378 DIANA'S FOLLOWING OUR SUSPECT. 289 00:14:38,411 --> 00:14:39,980 NO CLUE WHERE THEY'RE HEADED. - DID YOU I.D. HIM YET? 290 00:14:44,617 --> 00:14:46,619 - YEAH. CONRAD WORTH. 291 00:14:46,653 --> 00:14:50,090 HE WAS A SUSPECT IN AN S.E.C. INVESTIGATION A FEW MONTHS BACK. 292 00:14:50,123 --> 00:14:52,025 NEVER DID PIN ANYTHING ON HIM, 293 00:14:52,059 --> 00:14:53,760 BUT HE'S LOOKING REALLY SHADY RIGHT ABOUT NOW. 294 00:14:53,793 --> 00:14:57,130 PETER, I DON'T LIKE THIS. 295 00:14:57,164 --> 00:14:58,398 - SOMEONE BACKING HER UP? 296 00:14:58,431 --> 00:15:01,301 - YEP, I AM. 297 00:15:01,334 --> 00:15:04,637 - DIANA CALLED AN AUDIBLE. SHE'S FOLLOWING THE SUSPECT. 298 00:15:04,671 --> 00:15:07,907 MAKE IT QUICK IN THERE. 299 00:15:21,254 --> 00:15:24,391 - NEAL... 300 00:15:24,424 --> 00:15:27,360 I HATE FOR YOU TO SEE ME LIKE THIS. 301 00:15:30,663 --> 00:15:35,102 DO YOU REMEMBER WHAT MY LAST WORDS TO YOU WERE? 302 00:15:35,135 --> 00:15:37,304 - "I'LL SEE YOU SOON." - [chuckles] 303 00:15:37,337 --> 00:15:39,106 HERE YOU ARE. 304 00:15:39,139 --> 00:15:41,174 IT'S LIKE SOMETHING OUT OF A NOVEL. 305 00:15:41,208 --> 00:15:43,443 - YEAH, THE KIND YOU BUY IN AN AIRPORT 306 00:15:43,476 --> 00:15:45,445 AND THEN LEAVE IN YOUR SEAT-BACK POCKET. 307 00:15:45,478 --> 00:15:49,282 - COME ON, I'M STILL ME. 308 00:15:49,316 --> 00:15:51,251 I'M STILL REBECCA. 309 00:15:51,284 --> 00:15:52,585 DON'T YOU SEE THAT? 310 00:15:52,619 --> 00:15:54,321 - WHEN I FIRST MET YOU, 311 00:15:54,354 --> 00:15:57,590 WHAT I SAW WAS THE INNOCENCE OF KATE, 312 00:15:57,624 --> 00:15:59,859 THE WIT OF SARA, THE ALLURE OF ALEX. 313 00:15:59,892 --> 00:16:02,929 - EXACTLY. I'M THE PERFECT WOMAN FOR YOU. 314 00:16:02,962 --> 00:16:05,432 - NO, YOU MADE YOURSELF INTO THAT, 315 00:16:05,465 --> 00:16:07,167 INTO SOMETHING YOU'RE NOT 316 00:16:07,200 --> 00:16:09,802 'CAUSE THAT'S THE JOB YOU WERE HIRED TO DO. 317 00:16:09,836 --> 00:16:13,373 WHAT YOU ARE IS A MURDERER. 318 00:16:13,406 --> 00:16:16,643 - YOU CAN'T SEPARATE THE WOMAN YOU FELL IN LOVE WITH 319 00:16:16,676 --> 00:16:18,678 FROM ANY OF MY IDENTITIES. 320 00:16:18,711 --> 00:16:22,182 IT TURNED REAL. 321 00:16:22,215 --> 00:16:24,517 YOU SAW THE TRUE ME. 322 00:16:24,551 --> 00:16:27,187 AND I KNOW YOU. 323 00:16:27,220 --> 00:16:29,689 I CAN TELL YOU STILL HAVE FEELINGS FOR ME. 324 00:16:32,325 --> 00:16:34,861 - REBECCA, RACHEL, 325 00:16:34,894 --> 00:16:36,663 AND WHATEVER NAME YOU DECIDE TO CALL YOURSELF 326 00:16:36,696 --> 00:16:39,399 IN THE CAFETERIA LINE... 327 00:16:39,432 --> 00:16:40,667 IT'S OVER. 328 00:16:43,336 --> 00:16:45,805 - SEE, I CAN SEE WHAT YOU'RE DOING. 329 00:16:45,838 --> 00:16:47,874 THAT SLICK FACADE-- 330 00:16:47,907 --> 00:16:50,743 IT MEANS YOU FEEL THREATENED. 331 00:16:50,777 --> 00:16:54,347 NEAL, I CAN SEE RIGHT THROUGH ALL YOUR LIES. 332 00:16:59,952 --> 00:17:02,222 - I ADMIRE THE MINIMALIST TOUCH. 333 00:17:02,255 --> 00:17:03,890 - WE JUST MOVED IN. 334 00:17:03,923 --> 00:17:06,559 MY PARTNERS AND I-- WE COME AND GO AS WE PLEASE. 335 00:17:06,593 --> 00:17:11,298 AND BESIDES, THIS DAY AND AGE... WHAT MORE DO YOU NEED? 336 00:17:16,736 --> 00:17:18,838 - IT'S LOVELY. 337 00:17:18,871 --> 00:17:20,573 NOW, CAN WE CAN GET DOWN TO SPECIFICS? 338 00:17:20,607 --> 00:17:21,841 - IT'S FUNNY. 339 00:17:21,874 --> 00:17:23,376 WITH ALL I'VE HEARD ABOUT YOU, 340 00:17:23,410 --> 00:17:26,045 I WAS EXPECTING SOMEONE DIFFERENT. 341 00:17:29,382 --> 00:17:32,585 PLEASE, SIT DOWN. 342 00:17:32,619 --> 00:17:33,886 - TALK TO ME, JONES. 343 00:17:45,765 --> 00:17:47,567 - I'VE GOT EYES ON DIANA. 344 00:17:47,600 --> 00:17:50,036 THEY'RE ON HIS TERRACE. 345 00:17:50,069 --> 00:17:54,374 FIRST SIGN OF TROUBLE, I'M IN. 346 00:17:54,407 --> 00:17:56,876 - YOU'RE NOT THE ONLY JOB ON MY HORIZON. 347 00:17:56,909 --> 00:18:01,781 PLEASE TELL ME I'M NOT WASTING MY TIME. 348 00:18:01,814 --> 00:18:04,617 - WHEN I FIRST HEARD ABOUT YOU, IT WAS ONLY IN WHISPERS. 349 00:18:04,651 --> 00:18:06,719 YOUR EXPLOITS ARE THE STUFF OF LEGEND. 350 00:18:06,753 --> 00:18:08,655 THERE WAS ONE STORY. 351 00:18:08,688 --> 00:18:10,557 YOU COULDN'T FORGET IT IF YOU'VE YOU HEARD IT. 352 00:18:10,590 --> 00:18:12,892 SOME FRIENDS OF MINE, THEY SAW IT WITH THEIR OWN EYES. 353 00:18:12,925 --> 00:18:16,929 CARACAS, MAY 2009... 354 00:18:16,963 --> 00:18:18,665 REMIND ME-- 355 00:18:18,698 --> 00:18:20,767 HOW DID THAT GO DOWN? 356 00:18:20,800 --> 00:18:22,902 - ENOUGH WITH THE CLOSURE, NEAL. 357 00:18:22,935 --> 00:18:25,138 I NEED YOU TO ASK ABOUT... 358 00:18:27,774 --> 00:18:30,777 - CARACAS, MAY 2009... 359 00:18:30,810 --> 00:18:32,445 I WANT TO KNOW WHAT HAPPENED. 360 00:18:32,479 --> 00:18:34,681 - NEAL, ARE YOU HELPING AGENT BURKE 361 00:18:34,714 --> 00:18:37,584 MAKE SURE SOME BUMBLING AGENT IS SAFELY VETTED? 362 00:18:37,617 --> 00:18:40,320 THAT'S SO BENEATH YOU. COME ON. 363 00:18:42,522 --> 00:18:44,357 - THEN I GUESS WE'RE OUT OF THINGS TO TALK ABOUT. 364 00:18:44,391 --> 00:18:45,958 - ALL RIGHT. 365 00:18:45,992 --> 00:18:47,527 YOU WANT TO KNOW SOME THINGS? 366 00:18:47,560 --> 00:18:49,996 I GOT SOME QUESTIONS TOO. 367 00:18:50,029 --> 00:18:52,632 ONE FOR ONE, WE ANSWER EACH OTHER TRUTHFULLY. 368 00:18:52,665 --> 00:18:54,634 - OKAY. - BUT IF YOU LIE TO ME, 369 00:18:54,667 --> 00:18:56,002 I LIE TO YOU. 370 00:18:56,035 --> 00:18:59,105 AND BESIDES, LOVERS ARE EXPERTS 371 00:18:59,138 --> 00:19:02,609 AT SNIFFING OUT ONE ANOTHER'S DECEPTIONS. 372 00:19:02,642 --> 00:19:04,977 - YOU KNOW, WHAT YOU'RE ASKING ME TO ADMIT TO 373 00:19:05,011 --> 00:19:06,879 COULD GET ME THROWN IN JAIL. 374 00:19:06,913 --> 00:19:08,481 ARE YOU WEARING A WIRE? 375 00:19:08,515 --> 00:19:09,849 - PLEASE. 376 00:19:09,882 --> 00:19:11,651 - THEN LET ME BE BLUNT. 377 00:19:11,684 --> 00:19:14,387 I DON'T DISCUSS PAST JOBS. 378 00:19:14,421 --> 00:19:16,122 - WELL, LET ME BE BLUNT. 379 00:19:16,155 --> 00:19:18,391 I'M NOT SURE YOU ARE WHO YOU SAY YOU ARE, 380 00:19:18,425 --> 00:19:21,694 SO TELL ME WHAT I NEED TO KNOW. 381 00:19:21,728 --> 00:19:24,030 - THE STORY, NEAL-- 382 00:19:24,063 --> 00:19:25,898 WE'RE RUNNING OUT OF TIME. 383 00:19:25,932 --> 00:19:28,000 - HOW ABOUT I GO FIRST? 384 00:19:28,034 --> 00:19:31,538 SOMETHING LIGHT TO WARM US UP? 385 00:19:31,571 --> 00:19:33,840 DO YOU THINK YOU'RE SMARTER 386 00:19:33,873 --> 00:19:35,642 THAN YOUR OLD FRIEND PETER BURKE? 387 00:19:35,675 --> 00:19:37,310 - YES. 388 00:19:37,344 --> 00:19:39,145 AND PETER THINKS HE'S SMARTER THAN ME. 389 00:19:39,178 --> 00:19:40,547 - WELL, YOU CAN'T BOTH BE RIGHT. 390 00:19:40,580 --> 00:19:42,415 - WHICH HAS RESULTED IN YEARS OF DEBATE. 391 00:19:42,449 --> 00:19:43,883 NOW, ONE FOR ONE, TRUTH FOR TRUTH. 392 00:19:43,916 --> 00:19:45,184 TELL ME WHAT HAPPENED IN CARACAS. 393 00:19:49,789 --> 00:19:52,892 - MAY 21, 2009. 394 00:19:52,925 --> 00:19:56,596 AN OPERA AT THE TEATRO TERESA CARRENO, 395 00:19:56,629 --> 00:19:58,598 TIGHT SECURITY-- 396 00:19:58,631 --> 00:20:00,500 I SNUCK IN, REMOVED A WIRE 397 00:20:00,533 --> 00:20:02,869 FROM THE ORCHESTRA'S PIANO, AND SLIPPED IT... 398 00:20:02,902 --> 00:20:07,006 - OVER THE LEAD ACTOR'S NECK AS THE FIRST ACT WAS ENDING. 399 00:20:07,039 --> 00:20:08,941 HE OWED A VERY LARGE DEBT TO THE CITY'S MAYOR 400 00:20:08,975 --> 00:20:10,510 AND REFUSED TO PAY, 401 00:20:10,543 --> 00:20:12,178 SO I LEFT HIS BODY ONSTAGE 402 00:20:12,211 --> 00:20:13,880 AND LEFT HIS HEAD ON THE MAYOR'S DOORSTEP. 403 00:20:13,913 --> 00:20:15,715 THAT'S THE SHORT VERSION. 404 00:20:15,748 --> 00:20:17,617 I LEFT OUT THE '54 GULLWING 405 00:20:17,650 --> 00:20:19,552 AND THE BRIDGE JUMP OVER THE GUAIRE. 406 00:20:21,921 --> 00:20:23,723 - IT'S... 407 00:20:23,756 --> 00:20:26,393 NICE TO FINALLY HEAR IT FROM THE SOURCE. 408 00:20:28,328 --> 00:20:31,564 THIS IS THE ADDRESS OF AN R&D FACILITY IN MIDTOWN. 409 00:20:31,598 --> 00:20:34,267 I NEED WHAT'S IN VAULT 23, COMPARTMENT 3. 410 00:20:34,301 --> 00:20:36,936 THE HAUL IS TINY, BUT ITS IMPORTANCE TO ME IS NOT. 411 00:20:36,969 --> 00:20:38,638 - AND WHAT IS IT? 412 00:20:38,671 --> 00:20:40,307 - IT'S A THUMB DRIVE. 413 00:20:40,340 --> 00:20:42,709 I NEED IT FRIDAY MORNING, 9:00 A.M., PERIOD. 414 00:20:42,742 --> 00:20:46,045 - I EXPECT MY COMPENSATION UPON DELIVERY. 415 00:20:46,078 --> 00:20:47,714 - SEE, THIS R&D FACILITY-- 416 00:20:47,747 --> 00:20:49,148 IT'S NOT LIKE SLIPPING INTO AN OPERA HOUSE. 417 00:20:49,181 --> 00:20:51,718 IT'S INCREDIBLY SECURE. 418 00:20:51,751 --> 00:20:54,754 I MEAN, MAYBE WE SHOULD BRING ALONG SOME--I DON'T KNOW-- 419 00:20:54,787 --> 00:20:56,623 MUSCLE IN CASE YOU GET INTO TROUBLE. 420 00:20:56,656 --> 00:20:58,325 [groans] 421 00:20:58,358 --> 00:21:00,660 - ONE THING I FORGOT TO TELL YOU ABOUT CARACAS. 422 00:21:00,693 --> 00:21:03,730 SOMEONE GOT IN MY WAY AS I WAS LEAVING THE OPERA HOUSE. 423 00:21:03,763 --> 00:21:06,599 SO I SNAPPED THE TENDON IN HIS MIDDLE FINGER. 424 00:21:06,633 --> 00:21:09,268 TENDONS ARE ELASTIC, LIKE RUBBER BANDS. 425 00:21:09,302 --> 00:21:11,170 I LATER HEARD HIS DOCTOR HAD TO FISH 426 00:21:11,203 --> 00:21:13,673 FOR THE SEVERED END DEEP INSIDE HIS ELBOW. 427 00:21:13,706 --> 00:21:16,976 THAT ENOUGH MUSCLE FOR YOU? 428 00:21:17,009 --> 00:21:19,679 YOU'LL HAVE THE DRIVE BY FRIDAY MORNING. 429 00:21:23,950 --> 00:21:26,018 - NOT A BAD STORY, HUH? 430 00:21:26,052 --> 00:21:28,621 WHAT'S YOUR PROFESSIONAL OPINION, ONE THIEF TO ANOTHER? 431 00:21:30,222 --> 00:21:32,592 - YOU'RE NOT A THIEF. 432 00:21:32,625 --> 00:21:35,762 - ADMIT IT-- YOU STILL LOVE ME. 433 00:21:35,795 --> 00:21:37,664 - I WOULDN'T CALL WHAT WE HAD LOVE. 434 00:21:37,697 --> 00:21:38,931 - I DISAGREE. 435 00:21:38,965 --> 00:21:41,834 NEAL... 436 00:21:41,868 --> 00:21:44,103 YOU AND I BELONG TOGETHER. 437 00:21:44,136 --> 00:21:45,872 - UH-HUH. 438 00:21:45,905 --> 00:21:47,874 AND HOW WOULD THAT WORK EXACTLY-- 439 00:21:47,907 --> 00:21:49,776 CONJUGAL VISITS EVERY THIRD THURSDAY? 440 00:21:49,809 --> 00:21:51,143 - [chuckles] 441 00:21:51,177 --> 00:21:53,646 CIRCUMSTANCES CHANGE. 442 00:21:53,680 --> 00:21:55,815 COME ON, FOUR YEARS AGO, WOULD YOU HAVE GUESSED 443 00:21:55,848 --> 00:21:57,550 THAT YOU'D BE A SNITCH 444 00:21:57,584 --> 00:22:01,020 FOR THE VERY PEOPLE THAT WERE HUNTING YOU DOWN? 445 00:22:03,222 --> 00:22:06,659 - THAT'S IT, NEAL. WE'RE DONE. 446 00:22:08,828 --> 00:22:11,831 - SO YOU GOING AFTER THE DIAMOND? 447 00:22:11,864 --> 00:22:13,165 - WHO SAYS I DON'T ALREADY HAVE IT? 448 00:22:13,199 --> 00:22:15,301 - I DO. 449 00:22:15,334 --> 00:22:18,104 THAT LITTLE THING YOU JUST DID WITH YOUR EYEBROW--IT'S A TELL. 450 00:22:21,741 --> 00:22:24,243 - MAYBE I'M WORKING ON IT. 451 00:22:24,276 --> 00:22:26,879 OR MAYBE THE DIAMOND DOESN'T EVEN EXIST. 452 00:22:26,913 --> 00:22:30,016 - OH, IT EXISTS... 453 00:22:30,049 --> 00:22:33,085 AND YOU'RE GETTING CLOSE. 454 00:22:33,119 --> 00:22:34,887 WHAT ARE YOU GONNA DO 455 00:22:34,921 --> 00:22:36,889 IF YOU FIND IT WITH THAT THING ON YOUR ANKLE? 456 00:22:36,923 --> 00:22:40,026 WHAT THEN? 457 00:22:40,059 --> 00:22:43,996 - I DON'T KNOW. 458 00:22:44,030 --> 00:22:46,566 BUT I DO KNOW THAT WHATEVER HAPPENS NEXT 459 00:22:46,599 --> 00:22:50,570 SURE AS HELL DOESN'T INCLUDE YOU. 460 00:22:50,603 --> 00:22:52,772 GOOD-BYE, REBECCA. 461 00:23:14,627 --> 00:23:17,029 - I THINK YOU INVENTED A NEW SPORT IN THERE. 462 00:23:17,063 --> 00:23:19,966 - PSYCHOLOGICAL JUDO. 463 00:23:19,999 --> 00:23:22,201 - WELL, THEY SAY THROWING SALT ON THE WOUND 464 00:23:22,234 --> 00:23:24,070 IS THE QUICKEST WAY TO HEAL. 465 00:23:24,103 --> 00:23:25,805 - I DON'T THINK THEY SAY THAT. - YOU SURE? 466 00:23:25,838 --> 00:23:27,206 - YEAH, THEY SAY SOMETHING ABOUT TIME. 467 00:23:27,239 --> 00:23:29,942 - WELL, TIME TO MOVE ON. 468 00:23:29,976 --> 00:23:31,544 - I PLAN TO... 469 00:23:31,578 --> 00:23:34,747 WHILE SHE SPENDS THE REST OF HER LIFE IN A CELL. 470 00:23:34,781 --> 00:23:37,784 HEY, ABOUT ME SAYING THAT I'M SMARTER THAN YOU IN THERE... 471 00:23:37,817 --> 00:23:39,552 - OH, I KNOW YOU THINK YOU ARE. 472 00:23:39,586 --> 00:23:41,954 THAT'S WHY I ALWAYS CATCH YOU. - [chuckles] 473 00:23:41,988 --> 00:23:43,422 - GOOD WORK. 474 00:23:43,456 --> 00:23:44,991 THE CARACAS STORY DID THE TRICK. 475 00:23:45,024 --> 00:23:47,960 - DIANA GOT THE ASSIGNMENT? - AND THEN SOME. 476 00:23:50,162 --> 00:23:51,197 - CAFFREY. 477 00:23:54,467 --> 00:23:57,937 LOOKS LIKE WORTH IS TARGETING THE OFFICES OF DCFI. 478 00:23:57,970 --> 00:24:00,239 IT'S A HEDGE FUND RUN BY IAN DYBEK. 479 00:24:00,272 --> 00:24:01,808 - IVY LEAGUE, UPPER WEST SIDER, 480 00:24:01,841 --> 00:24:03,510 GOLFS AT CLUBS THAT DON'T ALLOW WOMEN. 481 00:24:03,543 --> 00:24:05,411 DYBEK AND WORTH MANAGED THE FUND TOGETHER. 482 00:24:05,444 --> 00:24:07,346 - HMM. UNTIL THEY WERE INVESTIGATED 483 00:24:07,379 --> 00:24:08,981 ON SUSPICION OF MARKET MANIPULATION. 484 00:24:09,015 --> 00:24:10,850 - YEAH, A BUNCH OF STRANGE ACTIVITY 485 00:24:10,883 --> 00:24:13,486 FROM THE COMPANY'S SERVER CAUGHT THE ATTENTION OF THE S.E.C. 486 00:24:13,520 --> 00:24:15,788 IT TURNS OUT WORTH RAN THE HIGH-FREQUENCY TRADING DIVISION. 487 00:24:15,822 --> 00:24:17,289 - THE S.E.C. SHOOK HIM DOWN 488 00:24:17,323 --> 00:24:18,825 BUT DIDN'T GET ENOUGH TO PRESS CHARGES. 489 00:24:18,858 --> 00:24:20,993 - BUT DYBEK FIRED HIM ANYWAY. 490 00:24:21,027 --> 00:24:23,095 I THINK HE NEEDED A SACRIFICIAL LAMB. 491 00:24:23,129 --> 00:24:25,498 - I LET IAN DYBEK KNOW 492 00:24:25,532 --> 00:24:28,200 THAT THERE'S A SECURITY THREAT ON HIS FACILITY. 493 00:24:28,234 --> 00:24:30,002 - HE WANT PROTECTION? - NO, HE THANKED ME 494 00:24:30,036 --> 00:24:33,472 THEN PROCEEDED TO BOLT OUT OF THE BUILDING. 495 00:24:33,506 --> 00:24:37,043 IT LOOKS LIKE HE TUCKED SOMETHING SMALL IN HIS POCKET. 496 00:24:37,076 --> 00:24:39,846 - LOOKS LIKE A THUMB DRIVE. WHERE WAS HE HEADED? 497 00:24:39,879 --> 00:24:41,681 - HOME. I BET HE HAD A REASON. 498 00:24:41,714 --> 00:24:45,151 - LIKE HIDING THE DRIVE FROM THE FBI. 499 00:24:45,184 --> 00:24:48,454 - FIRMS LIKE DCFI PAY A FORTUNE FOR THEIR TRADING ALGORITHMS. 500 00:24:48,487 --> 00:24:50,289 YEAH, A MILLISECOND MEANS THE DIFFERENCE 501 00:24:50,322 --> 00:24:52,792 BETWEEN GAINING AND LOSING MILLIONS. 502 00:24:52,825 --> 00:24:54,360 - IF THERE'S AN ALGORITHM ON THAT DRIVE, 503 00:24:54,393 --> 00:24:56,162 IT MAKES SENSE THAT WORTH WOULD WANT TO STEAL IT. 504 00:24:56,195 --> 00:24:57,530 - BUT NOT WHY DYBEK HID IT. 505 00:24:57,564 --> 00:25:01,167 IT'S NOT ILLEGAL TO USE AN ALGORITHM. 506 00:25:01,200 --> 00:25:03,302 - UNLESS IT IS. 507 00:25:03,335 --> 00:25:05,672 - THE SCENE TODAY AS THE MARKET PLUMMETED 1,000 POINTS-- 508 00:25:05,705 --> 00:25:07,239 - THAT'S A 1,000-POINT DEAD DROP, 509 00:25:07,273 --> 00:25:09,408 ALL BECAUSE ONE FUND MOVED A LARGE AMOUNT OF STOCK 510 00:25:09,441 --> 00:25:12,178 WHEN THE MARKET WAS VULNERABLE. - INDEED, THE BROADER MARKET-- 511 00:25:12,211 --> 00:25:15,514 - IT STARTED A CHAIN REACTION BY HIGH-FREQUENCY TRADING SERVERS, 512 00:25:15,548 --> 00:25:17,984 WHICH CAUSED THE MARKET TO CRASH IN SECONDS. 513 00:25:18,017 --> 00:25:20,687 - LIKE HIGH-STAKES JENGA. - YEP, BUT IT'S MORE LIKE, UM... 514 00:25:20,720 --> 00:25:22,589 LIKE THROWING A BANANA PEEL. 515 00:25:22,622 --> 00:25:24,691 - YOU'RE SAYING THAT WHAT TIPPED OFF THE S.E.C. 516 00:25:24,724 --> 00:25:27,259 MIGHT HAVE BEEN WORTH AND DYBEK TESTING THEIR ALGORITHM 517 00:25:27,293 --> 00:25:29,428 TO SEE HOW MANY ONES AND ZEROES THEY COULD MAKE SLIP AND FALL. 518 00:25:29,461 --> 00:25:31,063 - THERE ARE BILLIONS TO BE MADE. 519 00:25:31,097 --> 00:25:33,600 SELL SHORT BEFORE THE MARKET DIVES. 520 00:25:33,633 --> 00:25:35,367 BE FIRST IN LINE WHEN IT BOUNCES BACK UP. 521 00:25:35,401 --> 00:25:38,337 - THE PERFECT CRIME, EXECUTED BY COMPUTERS. 522 00:25:38,370 --> 00:25:40,539 - AND WORTH KNOWS IF HE STEALS THE ALGORITHM, 523 00:25:40,573 --> 00:25:43,776 DYBEK CAN'T REPORT THE THEFT WITHOUT IMPLICATING HIMSELF. 524 00:25:43,810 --> 00:25:45,244 - IF WE'RE RIGHT, 525 00:25:45,277 --> 00:25:47,279 THE ONLY WAY TO STOP IT IS TO GET THAT DRIVE. 526 00:25:47,313 --> 00:25:49,081 - WE'LL NEED A WARRANT. - THAT TAKES TIME. 527 00:25:49,115 --> 00:25:51,183 WORTH WANTS THE DRIVE BY FRIDAY. 528 00:25:51,217 --> 00:25:53,185 WHAT HAPPENS FRIDAY? - UH... 529 00:25:53,219 --> 00:25:55,354 THE NEW WOODY ALLEN COMES OUT. 530 00:25:55,387 --> 00:25:57,523 - SO DOES THE JOBS REPORT. 531 00:25:57,556 --> 00:25:59,358 THAT MEANS THE MARKET IS PRIMED TO BE VOLATILE. 532 00:25:59,391 --> 00:26:01,060 - JONES, REACH OUT TO FRIENDLY JUDGES FOR THAT WARRANT. 533 00:26:01,093 --> 00:26:02,629 - YEP. - I'VE GOT A BRIEFING 534 00:26:02,662 --> 00:26:04,897 WITH THE CYBER DIVISION FIRST THING. 535 00:26:04,931 --> 00:26:07,566 SO, DIANA, BE READY TO MOVE ON DYBEK. 536 00:26:07,600 --> 00:26:09,301 TAKE NEAL. - I HAVE ONE CHILD. 537 00:26:09,335 --> 00:26:10,903 ANOTHER WON'T BE A PROBLEM. 538 00:26:10,937 --> 00:26:12,471 - FIRST DAY BACK, FEELS LIKE OLD TIMES. 539 00:26:12,504 --> 00:26:15,174 - PLAY NICE, YOU TWO. PLAY NICE. 540 00:26:20,813 --> 00:26:22,081 - DO YOU REMEMBER WHEN WE FIRST MOVED IN? 541 00:26:22,114 --> 00:26:23,482 - MM-HMM. 542 00:26:23,515 --> 00:26:26,819 WE ATE OFF A CRATE FOR THREE MONTHS. 543 00:26:26,853 --> 00:26:29,121 LET'S NOT BUY A TABLE FOR THE GEORGETOWN HOUSE. 544 00:26:29,155 --> 00:26:31,991 SAVE SOME MONEY. 545 00:26:32,024 --> 00:26:34,894 YOU OKAY? 546 00:26:34,927 --> 00:26:36,595 - YEAH. 547 00:26:36,629 --> 00:26:38,097 YEAH, WE JUST HAVE A LOT OF MEMORIES HERE. 548 00:26:38,130 --> 00:26:39,799 - MM-HMM. 549 00:26:39,832 --> 00:26:42,468 - [sighs] - WE'LL MAKE SOME NEW ONES. 550 00:26:42,501 --> 00:26:45,137 - I KNOW. 551 00:26:45,171 --> 00:26:46,773 [clears throat] 552 00:26:46,806 --> 00:26:49,308 - DOES THAT HAVE SOMETHING TO DO WITH OPENING A CAN? 553 00:26:49,341 --> 00:26:51,177 - MM, NO, I THINK IT HAS SOMETHING TO DO 554 00:26:51,210 --> 00:26:53,245 WITH PITTING A MANGO. 555 00:26:53,279 --> 00:26:54,914 NEVER USED IT. 556 00:26:54,947 --> 00:26:56,515 [chuckles] DO YOU THINK NEAL WOULD WANT IT? 557 00:26:56,548 --> 00:26:58,484 - I DON'T KNOW, 558 00:26:58,517 --> 00:27:02,254 BUT I DO KNOW THAT HE DOESN'T WANT A HANDLER ANYMORE. 559 00:27:02,288 --> 00:27:06,292 NEAL ASKED ME TO RECOMMEND THAT HIS SENTENCE BE TERMINATED. 560 00:27:06,325 --> 00:27:07,326 - REALLY? - YEAH. 561 00:27:07,359 --> 00:27:08,427 - NEAL? - YEAH. 562 00:27:08,460 --> 00:27:09,495 - OFF ANKLET? 563 00:27:09,528 --> 00:27:11,263 - FREE TO ROAM THE WORLD. 564 00:27:11,297 --> 00:27:13,432 IMAGINE THE TROUBLE HE'D FIND. - HMM. 565 00:27:13,465 --> 00:27:15,301 OR NOT. 566 00:27:15,334 --> 00:27:18,504 I DON'T KNOW. MAYBE NEAL'S CHANGED. 567 00:27:18,537 --> 00:27:21,307 WE HAVE BEEN KNOWN TO BE A POSITIVE INFLUENCE BEFORE. 568 00:27:21,340 --> 00:27:24,343 - YEAH, BUT REBECCA NOT ONLY CONNED HIM. 569 00:27:24,376 --> 00:27:27,046 SHE BROKE HIS HEART. 570 00:27:27,079 --> 00:27:29,015 WHAT NEAL NEEDS RIGHT NOW ARE RULES, 571 00:27:29,048 --> 00:27:31,317 STRUCTURE. 572 00:27:31,350 --> 00:27:33,352 - OR WHAT HE NEEDS IS TO FIGURE OUT 573 00:27:33,385 --> 00:27:35,021 WHAT HE WANTS IN HIS LIFE. 574 00:27:35,054 --> 00:27:36,288 I DON'T KNOW. 575 00:27:36,322 --> 00:27:39,558 MAYBE THIS WAS A WAKE-UP CALL FOR NEAL. 576 00:27:52,371 --> 00:27:54,373 - PETER NEVER MAKES ME WORK THIS EARLY. 577 00:27:54,406 --> 00:27:55,808 - I'VE BEEN AWAKE SINCE 5:00. 578 00:27:55,842 --> 00:27:57,209 SLEEP MEANS NOTHING TO A HUNGRY BABY. 579 00:27:57,243 --> 00:27:58,377 DRINK YOUR COFFEE. 580 00:27:58,410 --> 00:27:59,511 - WHERE ARE WE GOING? 581 00:27:59,545 --> 00:28:01,413 - I'M UNDERCOVER AS REBECCA LOWE, 582 00:28:01,447 --> 00:28:03,249 AND MY ASSIGNMENT'S TO STEAL THAT FLASH DRIVE. 583 00:28:03,282 --> 00:28:04,250 YOU'RE GONNA HELP ME. 584 00:28:04,283 --> 00:28:06,018 - DIANA. 585 00:28:06,052 --> 00:28:07,519 - CAFFREY. 586 00:28:07,553 --> 00:28:08,988 WE'RE HERE. 587 00:28:09,021 --> 00:28:10,322 CONGRATS ON SURVIVING 588 00:28:10,356 --> 00:28:11,824 THE MOST EPIC BREAK-UP EVER. 589 00:28:11,858 --> 00:28:14,526 - OH, THANK YOU FOR NOT ASKING HOW I AM. 590 00:28:14,560 --> 00:28:16,662 - TWO THINGS WE HAVE IN COMMON-- HATING THAT QUESTION... 591 00:28:16,695 --> 00:28:18,931 - AND BEING FINE GOING IT ALONE. 592 00:28:18,965 --> 00:28:21,167 LISTEN, AS YOUR C.I.... 593 00:28:21,200 --> 00:28:23,335 - YOU'RE NOT MY C.I. - YOU'RE HANDLING ME. 594 00:28:23,369 --> 00:28:25,271 - UGH, THAT SOUNDS ALL KINDS OF WRONG. 595 00:28:25,304 --> 00:28:26,572 - WELL, SO DOES THIS PLAN. 596 00:28:26,605 --> 00:28:28,540 PETER WANTS TO GO IN WITH A WARRANT. 597 00:28:28,574 --> 00:28:30,743 - BEST CASE, HE GETS ONE. WORST CASE, HE DOESN'T. 598 00:28:30,777 --> 00:28:33,179 - IN WHICH CASE, WE'LL HAVE THE DRIVE IN HAND. 599 00:28:33,212 --> 00:28:35,948 MOTHERHOOD'S MADE YOU KIND OF BADASS. 600 00:28:35,982 --> 00:28:38,184 - I WAS ALWAYS A BADASS. 601 00:28:38,217 --> 00:28:40,519 - THERE'S DYBEK. 602 00:28:40,552 --> 00:28:42,388 THAT MUST BE HIS WIFE, IRIS. 603 00:28:42,421 --> 00:28:44,957 - THEY PRACTICALLY ARE EACH OTHER. 604 00:28:44,991 --> 00:28:46,058 [cell phone rings] 605 00:28:46,092 --> 00:28:47,559 KAREN? 606 00:28:47,593 --> 00:28:49,962 WHOA, WHOA, WHOA. SLOW DOWN. 607 00:28:49,996 --> 00:28:52,932 IS THEO ALL RIGHT? WHAT? 608 00:28:52,965 --> 00:28:55,367 - WHAT'S GOING ON? - OKAY, OKAY. 609 00:28:55,401 --> 00:28:58,938 STAY CALM. 610 00:28:58,971 --> 00:29:03,409 - GO HOME. I'LL TAKE IT FROM HERE. 611 00:29:03,442 --> 00:29:05,144 COME ON, I GOT THIS. 612 00:29:05,177 --> 00:29:06,846 - DO IT. 613 00:29:37,543 --> 00:29:40,412 KAREN, I'M HOME. [arguing in background] 614 00:29:40,446 --> 00:29:43,782 YOU! - SHH! 615 00:29:43,816 --> 00:29:45,451 - HE SAID THERE WAS A GAS LEAK. 616 00:29:45,484 --> 00:29:48,821 - A RUSE THAT KAREN ACCEPTED WITHOUT QUESTION. 617 00:29:48,855 --> 00:29:50,689 - YOU'RE WEARING A GAS-COMPANY UNIFORM. 618 00:29:50,722 --> 00:29:52,358 - HE SHOWED ME CREDENTIALS. 619 00:29:52,391 --> 00:29:54,460 - WHICH IS MORE THAN I CAN SAY FOR YOU, KAREN-- 620 00:29:54,493 --> 00:29:56,863 IF KAREN IS YOUR REAL NAME. - DO YOU HEAR THIS? 621 00:29:56,896 --> 00:29:59,531 HE KEEPS SAYING MY NAME OVER AND OVER AGAIN. 622 00:29:59,565 --> 00:30:01,433 KAREN, KAREN, KAREN. 623 00:30:01,467 --> 00:30:03,102 HE REFUSES TO LEAVE. 624 00:30:03,135 --> 00:30:04,770 AND HE INSULTED MY BABY FOOD. 625 00:30:04,803 --> 00:30:06,939 - PEAS ARE PATENTLY UNINSPIRED. 626 00:30:06,973 --> 00:30:10,709 ARE YOU AWARE THAT SHE IS A FERBERIZER? 627 00:30:10,742 --> 00:30:13,345 - FERBERIZER? - THAT'S IT--I QUIT. 628 00:30:13,379 --> 00:30:15,347 I CAN'T TAKE THIS. - SHH! 629 00:30:15,381 --> 00:30:17,483 - NO, KAREN. NO, NO. PLEASE, I'M BEGGING YOU. 630 00:30:17,516 --> 00:30:19,818 - I'M SORRY, DIANA. - [sighs] 631 00:30:21,420 --> 00:30:22,889 DO YOU HAVE ANY IDEA 632 00:30:22,922 --> 00:30:24,223 HOW LONG IT TOOK ME TO FIND THAT NANNY? 633 00:30:24,256 --> 00:30:26,192 - OH, PLEASE. 634 00:30:26,225 --> 00:30:28,394 SHE WAS ONE STEP AWAY FROM LOUIS WAIN CAT DRAWINGS. 635 00:30:28,427 --> 00:30:30,529 - MOZZIE, HOW CAN YOU DO THIS TO ME? 636 00:30:30,562 --> 00:30:31,730 - THE REAL QUESTION IS, 637 00:30:31,763 --> 00:30:33,065 HOW COULD YOU LET THIS BABY 638 00:30:33,099 --> 00:30:35,801 SIT IN A WOOD-PANELED NURSERY? 639 00:30:35,834 --> 00:30:37,669 A BLACK AND WHITE CHEVRON PATTERN 640 00:30:37,703 --> 00:30:40,706 WOULD BE MUCH MORE STIMULATING TO HIS BURGEONING NEURONS. 641 00:30:40,739 --> 00:30:43,342 - HERE'S THE PART WHERE I ARREST YOU FOR HOME INVASION. 642 00:30:43,375 --> 00:30:44,543 - THAT HURTS. 643 00:30:44,576 --> 00:30:46,312 YOU KNOW, IT'S NOT TOO LATE 644 00:30:46,345 --> 00:30:49,215 TO BUILD A SMALL GEODESIC DOME IN HERE. 645 00:30:49,248 --> 00:30:51,017 IT WILL REALLY AID IN HIS SPATIAL SKILLS. 646 00:30:51,050 --> 00:30:52,885 - WHEN WOULD I BUILD A DOME? 647 00:30:52,919 --> 00:30:55,587 I'M A WORKING MOTHER WITH NO CHILD CARE NOW, THANKS TO YOU. 648 00:30:55,621 --> 00:30:57,589 [baby coos] 649 00:30:57,623 --> 00:30:59,091 HE LIKES YOU. 650 00:30:59,125 --> 00:31:01,193 - OF COURSE HE DOES. 651 00:31:01,227 --> 00:31:03,095 I LITERALLY PULLED HIM WITH THESE-- 652 00:31:03,129 --> 00:31:05,597 - WE DO NOT NEED TO RELIVE THAT. 653 00:31:05,631 --> 00:31:08,600 ALL RIGHT, HE'S YOURS... FOR THE DAY. 654 00:31:08,634 --> 00:31:11,703 IF HE GETS FUSSY, THAT MOBILE MY MOTHER BOUGHT HIM 655 00:31:11,737 --> 00:31:13,105 CALMS HIM DOWN. - NAP TIME? 656 00:31:13,139 --> 00:31:16,075 - EVERY THREE HOURS. - OKAY, TEDDY. 657 00:31:16,108 --> 00:31:17,743 - IT'S THEO. 658 00:31:17,776 --> 00:31:19,778 [baby coos] - BUH BUH BUH! 659 00:31:25,451 --> 00:31:26,618 [click, beep beep] 660 00:31:42,801 --> 00:31:45,104 [door opens] 661 00:31:45,137 --> 00:31:46,973 - IAN! 662 00:31:57,516 --> 00:32:00,319 LOVE BUN? 663 00:32:02,254 --> 00:32:06,258 BUNNY, WHERE ARE YOU? 664 00:32:06,292 --> 00:32:08,460 WHOO. 665 00:32:08,494 --> 00:32:10,662 I'M WEARING YOUR FAVORITE OUTFIT. 666 00:32:27,779 --> 00:32:31,850 IAN, MY LOVE BUNNY... 667 00:32:31,883 --> 00:32:34,353 I'M COMING. 668 00:32:34,386 --> 00:32:36,688 BUNNY? 669 00:32:36,722 --> 00:32:37,656 [screams] - WHOA! 670 00:32:37,689 --> 00:32:39,291 HO! - AAH! 671 00:32:39,325 --> 00:32:40,993 - OH, GOD. 672 00:32:47,633 --> 00:32:49,435 - [screams] - HEY! 673 00:32:49,468 --> 00:32:52,038 - I AM NOT AFRAID TO USE THIS. - I DID NOT MEAN TO SCARE YOU. 674 00:32:52,071 --> 00:32:53,705 WOW. I THINK I KNOW WHAT HAPPENED. 675 00:32:53,739 --> 00:32:55,207 I THINK WE WERE DOUBLE-BOOKED. - WHAT? 676 00:32:55,241 --> 00:32:57,043 - I'M HERE FOR IRIS. 677 00:32:57,076 --> 00:32:59,678 YOU KNOW, WE SPEND TIME TOGETHER WHILE HER HUSBAND'S AT WORK. 678 00:32:59,711 --> 00:33:01,213 - OH! 679 00:33:01,247 --> 00:33:03,849 OH! YOU MEAN IRIS HAS A...? 680 00:33:03,882 --> 00:33:05,884 - MISTER, ALTHOUGH THAT IS A VERY COARSE WORD 681 00:33:05,917 --> 00:33:08,187 TO DESCRIBE WHAT SHE AND I HAVE. 682 00:33:08,220 --> 00:33:09,288 - OH, I KNOW, RIGHT? 683 00:33:09,321 --> 00:33:10,289 - RIGHT. 684 00:33:10,322 --> 00:33:11,557 - WOW. 685 00:33:11,590 --> 00:33:13,892 - FLUFFER-NUTTER? 686 00:33:13,925 --> 00:33:16,828 - ALL RIGHT, JUST HOLD HIM OFF UNTIL I CAN GET OUT OF HERE. 687 00:33:16,862 --> 00:33:18,897 I'LL CALL IRIS AND SUGGEST A HOTEL. 688 00:33:18,930 --> 00:33:20,232 YOUR SECRET'S SAFE WITH ME. 689 00:33:20,266 --> 00:33:22,334 - WE BOTH HAVE SO MUCH IN COMMON, 690 00:33:22,368 --> 00:33:24,503 BEYOND LOOKING GREAT IN SILK. - THANK YOU. 691 00:33:28,674 --> 00:33:32,844 - FLUFFER-NUTTER? 692 00:33:32,878 --> 00:33:35,314 - IAN? BUNNY? 693 00:33:35,347 --> 00:33:36,915 IAN, HI. 694 00:33:36,948 --> 00:33:38,350 - I GOT A MEETING IN TEN MINUTES. 695 00:33:38,384 --> 00:33:40,319 - OH, BUT I WANT A CHA-- I WANT A CHANGE OF PACE. 696 00:33:40,352 --> 00:33:41,687 I WANT A CHANGE OF SCENERY. 697 00:33:41,720 --> 00:33:44,390 ON THE COUCH, PLEASE? PLEASE? 698 00:33:44,423 --> 00:33:47,259 OH, I JUST WANT YOU. I WANT YOU SO BAD--RIGHT NOW! 699 00:33:47,293 --> 00:33:49,928 OH! 700 00:33:49,961 --> 00:33:51,563 [giggles] 701 00:33:51,597 --> 00:33:52,764 OH, EYES ON ME. 702 00:33:52,798 --> 00:33:56,568 DO NOT LOOK AWAY. 703 00:33:56,602 --> 00:33:58,570 OH. 704 00:34:03,742 --> 00:34:05,911 - NEAL BROKE INTO DYBEK'S RESIDENCE, 705 00:34:05,944 --> 00:34:07,746 CRACKED HIS SAFE, AND STOLE THIS, 706 00:34:07,779 --> 00:34:09,281 WITH NO PROOF THAT THE MAN IS ANYTHING 707 00:34:09,315 --> 00:34:10,582 BUT THE TARGET OF A HEIST, 708 00:34:10,616 --> 00:34:12,118 AND YOU SANCTIONED IT. - CORRECT. 709 00:34:12,151 --> 00:34:14,686 - I TOLD YOU TO WAIT UNTIL WE HAVE A WARRANT. 710 00:34:14,720 --> 00:34:16,054 - DID YOU GET ONE? 711 00:34:16,088 --> 00:34:17,356 - NOT YET, BUT THAT DOESN'T MEAN-- 712 00:34:17,389 --> 00:34:19,024 - BY TOMORROW MORNING? 713 00:34:19,057 --> 00:34:20,792 LOOK, IF THE ALGORITHM'S ON THAT DRIVE, 714 00:34:20,826 --> 00:34:22,428 I COULDN'T RISK DYBEK USING IT. 715 00:34:22,461 --> 00:34:24,230 YOU PUT ME IN CHARGE. I MADE A CALL. 716 00:34:24,263 --> 00:34:25,631 YOU'VE LET NEAL CROSS LINES FOR YEARS. 717 00:34:25,664 --> 00:34:27,633 - DIANA, TRUST ME. 718 00:34:27,666 --> 00:34:28,900 DO AS I SAY. 719 00:34:28,934 --> 00:34:30,536 - ACTIONS MAKE US WHO WE ARE. 720 00:34:30,569 --> 00:34:33,805 I STAND BY MINE. 721 00:34:33,839 --> 00:34:35,774 - [knocks on wall] GUYS... 722 00:34:35,807 --> 00:34:38,277 I CONFIRMED WHAT'S ON THE DRIVE. 723 00:34:41,580 --> 00:34:43,615 - HMM. 724 00:34:43,649 --> 00:34:45,884 NOW WE KNOW WHAT AN ALGORITHM LOOKS LIKE. 725 00:34:45,917 --> 00:34:47,886 - RIGHT. JUST A COMPLICATED SERIES OF COMMANDS 726 00:34:47,919 --> 00:34:50,556 TO BUY AND SELL, BUT WHEN I APPLIED IT 727 00:34:50,589 --> 00:34:53,125 TO A SIMULATION OF THE MAJOR STOCK MARKET INDEXES, 728 00:34:53,159 --> 00:34:54,493 THE MARKET GOES INTO A NOSEDIVE. 729 00:34:54,526 --> 00:34:57,429 - [whistles] 730 00:34:57,463 --> 00:34:58,797 IRREVERSIBLE, 731 00:34:58,830 --> 00:35:00,999 WITH CATASTROPHIC CONSEQUENCES. 732 00:35:01,032 --> 00:35:03,602 - IN EIGHT HOURS, OUR ECONOMY WOULD'VE BEEN IN CHAOS. 733 00:35:03,635 --> 00:35:05,971 - AND WORTH WOULD'VE BEEN RICHER THAN SCROOGE MCDUCK. 734 00:35:06,004 --> 00:35:08,006 - WALL STREET'S A GAME. 735 00:35:08,039 --> 00:35:09,975 HE'S GOT ALL THE PIECES IN PLACE-- 736 00:35:10,008 --> 00:35:13,345 THE ALGORITHM, THE CAPITAL, AND THE JOBS REPORT. 737 00:35:13,379 --> 00:35:14,913 - AND HE WON'T STOP TILL HE PULLS IT OFF. 738 00:35:14,946 --> 00:35:16,315 - THEN I SAY WE LET HIM WIN. 739 00:35:16,348 --> 00:35:18,484 IF IT'S A GAME, WE CAN ALL PLAY. 740 00:35:18,517 --> 00:35:21,019 - HE JUST WON'T KNOW IT. - EXACTLY. 741 00:35:21,052 --> 00:35:22,521 JONES, CONTACT THE TECH TEAM. 742 00:35:22,554 --> 00:35:24,956 WE'VE GOT UNTIL THE MARKET OPENS. 743 00:35:31,397 --> 00:35:32,964 - TEST. - YEP, YOU'RE LIVE. 744 00:35:32,998 --> 00:35:35,367 YOU GOT ME? - YEAH. 745 00:35:35,401 --> 00:35:36,968 SO THAT'S IDENTICAL TO THE ONE IN DYBEK'S SAFE? 746 00:35:37,002 --> 00:35:38,870 - ON THE OUTSIDE. 747 00:35:38,904 --> 00:35:41,640 ON THE INSIDE, IT'S A HIGH-BANDWIDTH WI-FI RECEIVER. 748 00:35:41,673 --> 00:35:44,142 ONCE WORTH PLUGS IT IN, WE'LL CONTROL HIS COMPUTER. 749 00:35:44,176 --> 00:35:46,144 HE'LL APPLY THE ALGORITHM, AND IF IT WORKS... 750 00:35:46,178 --> 00:35:47,546 - HE'LL BE FOOLED INTO THINKING THE MARKET'S TANKING. 751 00:35:47,579 --> 00:35:49,615 - BINGO. 752 00:35:49,648 --> 00:35:50,716 - AND WHEN HE USES HIS FIRM'S CLIENTS' MONEY 753 00:35:50,749 --> 00:35:52,684 TO MAKE HIS TRADES, 754 00:35:52,718 --> 00:35:55,721 WE GOT HIM ON WIRE FRAUD, CONSPIRACY, MONEY LAUNDERING... 755 00:35:55,754 --> 00:35:57,689 - INTENTION TO DISRUPT THE U.S. ECONOMY. 756 00:35:57,723 --> 00:35:59,691 - AND HIRING AN INTERNATIONAL THIEF/ASSASSIN 757 00:35:59,725 --> 00:36:01,527 TO DO HIS BIDDING. 758 00:36:03,829 --> 00:36:06,898 - AH, BRING IT TO ME. 759 00:36:06,932 --> 00:36:09,535 - YOU GET THE DRIVE WHEN I GET MY MONEY. 760 00:36:09,568 --> 00:36:11,637 - AND YOU'LL RECEIVE PAYMENT 761 00:36:11,670 --> 00:36:14,840 WHEN I KNOW THAT THOSE AREN'T IAN'S SNAPSHOTS FROM AUGUSTA. 762 00:36:22,948 --> 00:36:24,383 - WE'RE IN? 763 00:36:24,416 --> 00:36:25,851 - WE'RE IN. 764 00:36:28,520 --> 00:36:31,390 - THERE SHE IS. 765 00:36:31,423 --> 00:36:34,760 AND... 766 00:36:34,793 --> 00:36:37,529 THERE SHE GOES. 767 00:36:37,563 --> 00:36:39,765 - IS THAT WHAT'S SUPPOSED TO HAPPEN? 768 00:36:39,798 --> 00:36:42,868 - IT'S A LITTLE DIFFICULT TO EXPLAIN TO SOMEONE LIKE YOU. 769 00:36:42,901 --> 00:36:44,936 [cell phone chimes] 770 00:36:47,806 --> 00:36:50,208 I COULD EXPLAIN IT TO YOU. 771 00:36:50,242 --> 00:36:52,844 - KEEP IT SIMPLE SO I UNDERSTAND. 772 00:36:52,878 --> 00:36:56,615 - I JUST MADE A KILLING. 773 00:36:56,648 --> 00:36:57,883 YOUR TURN. 774 00:36:57,916 --> 00:36:59,751 EXPLAIN THAT. 775 00:37:07,459 --> 00:37:09,127 - OR I COULD TELL YOU 776 00:37:09,160 --> 00:37:11,129 WHAT HAPPENED TO THE LAST GUY WHO POINTED A GUN AT ME. 777 00:37:11,162 --> 00:37:13,131 - HER COVER'S BLOWN. - LET'S MOVE. 778 00:37:13,164 --> 00:37:14,866 - WHO THE HELL ARE YOU? 779 00:37:14,900 --> 00:37:17,436 - I'M REBECCA LOWE. 780 00:37:17,469 --> 00:37:18,970 WHO REFERRED ME? 781 00:37:19,004 --> 00:37:21,807 - AN ASSOCIATE FROM ZURICH. - I'M NOT A FED. 782 00:37:21,840 --> 00:37:24,042 - YEAH, THAT'S NOT A BET THAT I CARE TO HEDGE. 783 00:37:24,075 --> 00:37:25,611 - DO YOU REALLY THINK THE GOVERNMENT 784 00:37:25,644 --> 00:37:27,613 WOULD LET MILLIONS OF PEOPLE LOSE BILLIONS OF DOLLARS 785 00:37:27,646 --> 00:37:28,914 TO STING ONE MAN? 786 00:37:28,947 --> 00:37:30,582 YOU'RE NOT THAT SPECIAL. 787 00:37:30,616 --> 00:37:32,651 NOW GIVE ME MY MONEY. WE'RE DONE. 788 00:37:43,862 --> 00:37:46,465 HAVE YOU EVER HELD A GUN BEFORE? 789 00:37:46,498 --> 00:37:48,066 - FBI. 790 00:37:48,099 --> 00:37:50,836 YOU'RE UNDER ARREST. 791 00:37:50,869 --> 00:37:52,103 - HANDS BEHIND YOUR BACK. 792 00:37:52,137 --> 00:37:53,439 NOW! 793 00:37:57,976 --> 00:38:01,480 YOU OKAY? 794 00:38:01,513 --> 00:38:03,148 OF COURSE YOU ARE. 795 00:38:03,181 --> 00:38:04,950 LET'S GO. 796 00:38:07,185 --> 00:38:08,987 - WHO THE HELL SENT THAT TEXT? 797 00:38:16,895 --> 00:38:18,497 - WHAT DO WE HAVE? 798 00:38:18,530 --> 00:38:20,866 - TRACING THE SIM CARD FROM WORTH'S PHONE NOW. 799 00:38:20,899 --> 00:38:23,469 - PETER, YOU WON'T BELIEVE WHERE THAT TEXT MESSAGE CAME FROM. 800 00:38:23,502 --> 00:38:24,936 - WHERE? 801 00:38:24,970 --> 00:38:26,772 - THE METROPOLITAN CORRECTIONS CENTER. 802 00:38:26,805 --> 00:38:28,674 - REBECCA. 803 00:38:37,983 --> 00:38:39,017 - WARDEN MAXWELL, 804 00:38:39,050 --> 00:38:40,118 HOW THE HELL DID SHE GAIN ACCESS 805 00:38:40,151 --> 00:38:42,020 TO A CELL PHONE? 806 00:38:42,053 --> 00:38:43,889 ONE OF MY BEST AGENTS WAS PUT IN HARM'S WAY. 807 00:38:43,922 --> 00:38:46,658 YOU AND ME--WE'RE GONNA GET TO THE BOTTOM OF THIS. 808 00:38:46,692 --> 00:38:48,627 - PETER, CELL PHONES ARE CURRENCY IN PRISON. 809 00:38:48,660 --> 00:38:50,028 IT HAPPENS. 810 00:38:50,061 --> 00:38:52,030 - NOT WITH COP KILLERS IT DOESN'T. 811 00:38:52,063 --> 00:38:54,132 IF ANYTHING HAD-- - WELL, IT DIDN'T. 812 00:38:54,165 --> 00:38:55,867 WE'RE NOT GOING THERE. 813 00:39:00,406 --> 00:39:01,873 - WHAT DO YOU SAY WE BOTH GO HOME? 814 00:39:07,178 --> 00:39:11,583 - SEE, THEY WANT YOU TO THINK THE APOLLO LANDED ON THE MOON. 815 00:39:11,617 --> 00:39:13,419 WHAT THEY DON'T WANT YOU TO KNOW 816 00:39:13,452 --> 00:39:17,923 IS THAT THE "SPACESHIP" LANDED IN OUR OWN BACKYARD SIX TIMES. 817 00:39:17,956 --> 00:39:20,091 [baby fussing] 818 00:39:22,928 --> 00:39:25,096 COME ON... 819 00:39:25,130 --> 00:39:27,766 WHAT'S MORE INTERESTING THAN A GOOD LUNAR CON? 820 00:39:27,799 --> 00:39:29,935 [sighs] 821 00:39:33,805 --> 00:39:36,274 [baby coos] 822 00:39:40,646 --> 00:39:45,183 KID...YOU'RE KIDDING ME! 823 00:39:45,216 --> 00:39:47,586 OF COURSE. 824 00:39:47,619 --> 00:39:51,423 EVERY SYMBOL COULD REPRESENT A NUMBER. 825 00:39:51,457 --> 00:39:54,726 MOSCONI'S SYMBOLS AREN'T A MESSAGE. 826 00:39:54,760 --> 00:39:57,262 THEY'RE NUMBERS. 827 00:39:57,295 --> 00:40:00,065 NUMBERS WE UNDERSTAND. 828 00:40:00,098 --> 00:40:02,367 NUMBERS WE CAN WORK WITH. 829 00:40:02,400 --> 00:40:04,770 DON'T LET ANYONE TELL YOU YOU'LL NEVER USE MATH. 830 00:40:04,803 --> 00:40:06,237 - WOW. 831 00:40:06,271 --> 00:40:08,640 YOU'RE REALLY GOOD WITH BABIES. 832 00:40:08,674 --> 00:40:11,610 - OH, HAIRLINE. 833 00:40:11,643 --> 00:40:13,679 AND YOUR TIMING IS IMPECCABLE. 834 00:40:15,113 --> 00:40:16,615 - HI. 835 00:40:18,750 --> 00:40:20,318 - WE HAVE DYBEK IN CUSTODY. 836 00:40:20,351 --> 00:40:24,089 AND JUST LIKE ANY CRIMINAL, HE LAWYERED UP. 837 00:40:24,122 --> 00:40:26,792 - I WOULDN'T EXPECT ANY LESS. 838 00:40:31,262 --> 00:40:33,331 - ALL THESE TIMES, I NOT ONLY ALLOWED 839 00:40:33,364 --> 00:40:35,834 BUT ENCOURAGED YOU TO BREAK THE RULES-- 840 00:40:35,867 --> 00:40:37,168 HELL, THE LAW. 841 00:40:37,202 --> 00:40:39,004 - IT WAS NEVER LOST ON ME 842 00:40:39,037 --> 00:40:41,507 THAT THE ACTIONS I TOOK WERE SANCTIONED BY THE FBI. 843 00:40:41,540 --> 00:40:44,109 - I WAS FOCUSED ON CLOSING CASES. 844 00:40:44,142 --> 00:40:46,011 AND I LET YOU SCRATCH AN ITCH. 845 00:40:46,044 --> 00:40:48,179 - I HAVE A GREAT DERMATOLOGIST. 846 00:40:48,213 --> 00:40:50,782 - ACTIONS DEFINE US. 847 00:40:50,816 --> 00:40:54,085 I MADE SURE YOURS DID. 848 00:40:54,119 --> 00:40:57,756 GOT ONE QUESTION FOR YOU, JUST ONE. 849 00:40:57,789 --> 00:40:59,591 - SHOOT. 850 00:40:59,625 --> 00:41:03,328 - DO YOU THINK YOU CAN GO STRAIGHT? 851 00:41:04,863 --> 00:41:07,332 - YES. 852 00:41:07,365 --> 00:41:09,501 PETER, I'VE NEVER LIED TO YOU. 853 00:41:09,535 --> 00:41:12,437 - NEAL, YOU'VE DOUBLE-TALKED, OMITTED, AND BENT THE TRUTH. 854 00:41:12,470 --> 00:41:15,874 - ONE WORD. NO LOOPHOLES. 855 00:41:15,907 --> 00:41:17,809 YES. 856 00:41:17,843 --> 00:41:19,110 - [sighs] 857 00:41:19,144 --> 00:41:20,879 I WANT TO BELIEVE IT. 858 00:41:20,912 --> 00:41:25,150 BUT AFTER ALL YOU'VE DONE, I'M NOT SURE I CAN. 859 00:41:25,183 --> 00:41:28,887 - IF YOU CAN'T... 860 00:41:28,920 --> 00:41:30,989 I'LL HAVE TO DO IT ON MY OWN. 861 00:41:31,022 --> 00:41:33,324 [telephone rings] 862 00:41:33,358 --> 00:41:38,964 [telephones ringing] 863 00:41:38,997 --> 00:41:41,099 - I'LL GET IT. - FBI. 864 00:41:42,868 --> 00:41:44,836 [cell phone vibrating] 865 00:41:44,870 --> 00:41:48,006 - THIS IS AGENT BURKE. 866 00:41:49,841 --> 00:41:51,209 HOW? 867 00:41:51,242 --> 00:41:53,144 - WHAT? 868 00:41:53,178 --> 00:41:54,746 PETER, WHAT IS IT? 869 00:41:54,780 --> 00:41:56,882 - REBECCA ESCAPED. 870 00:41:56,915 --> 00:41:59,417 - NEAL? 871 00:41:59,450 --> 00:42:01,186 NEAL? 872 00:42:01,219 --> 00:42:03,889 SERIOUSLY? 873 00:42:03,922 --> 00:42:06,391 [line trilling] 874 00:42:06,424 --> 00:42:07,859 - THIS IS NEAL. LEAVE A MESSAGE. 875 00:42:07,893 --> 00:42:09,561 - NEAL, WHERE ARE YOU? 876 00:42:09,595 --> 00:42:11,897 IT'S 4:00 A.M. I'VE BEEN CALLING ALL NIGHT. 877 00:42:11,930 --> 00:42:14,032 I HAVE GLORIOUS NEWS. 878 00:42:14,065 --> 00:42:16,568 THANKS TO BABY TEDDY-- I'LL EXPLAIN LATER-- 879 00:42:16,602 --> 00:42:20,071 WE KNOW THAT MOSCONI'S LAST CLUES WERE NUMBERS-- 880 00:42:20,105 --> 00:42:22,173 NUMBERS THAT, BY THE TIME YOU GET HOME, 881 00:42:22,207 --> 00:42:24,910 WILL LEAD US TO THE DIAMOND.