1 00:00:01,535 --> 00:00:02,970 - PREVIOUSLY ON WHITE COLLAR... 2 00:00:03,003 --> 00:00:05,539 THEY WANT ME IN D.C.? - THE JOB'S YOURS. 3 00:00:05,573 --> 00:00:07,541 - I CAN'T LEAVE UNTIL I KNOW THE WHOLE TRUTH, 4 00:00:07,575 --> 00:00:09,210 UNTIL I REALLY KNOW 5 00:00:09,243 --> 00:00:12,313 WHAT HAPPENED TO DAVID SIEGEL THAT DAY. 6 00:00:12,346 --> 00:00:13,914 - I'D LIKE TO REQUEST A BOOK FOR STUDY. 7 00:00:13,947 --> 00:00:16,817 - MOSCONI CLAIMED THAT THE GREATEST WEALTH IN THE WORLD 8 00:00:16,850 --> 00:00:18,219 WAS WITHIN ITS PAGES. 9 00:00:18,252 --> 00:00:19,853 - YOU'RE GONNA STEAL IT FOR ME. 10 00:00:19,887 --> 00:00:21,589 - THERE'S SOMETHING YOU SHOULD KNOW ABOUT ME. 11 00:00:21,622 --> 00:00:24,825 I'M NOT AN FBI AGENT. I'M A CRIMINAL INFORMANT. 12 00:00:24,858 --> 00:00:27,228 ALL THE PAGES HELD HIDDEN SYMBOLS, 13 00:00:27,261 --> 00:00:28,696 CULMINATING WITH A PICTURE OF AN IDOL. 14 00:00:28,729 --> 00:00:30,398 - THIS IS THE IDOL OF SITA. 15 00:00:30,431 --> 00:00:32,366 - THE IDOL HAD EYES MADE OUT OF RARE DIAMONDS. 16 00:00:32,400 --> 00:00:34,702 THE HOPE DIAMOND-- WE'RE LOOKING FOR ITS TWIN. 17 00:00:34,735 --> 00:00:37,605 - IT'S A FORGERY. IT'S A GOOD ONE. 18 00:00:37,638 --> 00:00:40,608 - THE INITIALS C.H.-- CURTIS HAGEN. 19 00:00:40,641 --> 00:00:43,677 WE'RE GOING AFTER THE DUTCHMAN AGAIN. 20 00:00:43,711 --> 00:00:45,279 HAGEN. 21 00:00:45,313 --> 00:00:47,047 - I FOUND THIS IN HAGEN'S WALLET. 22 00:00:47,081 --> 00:00:48,949 HAGEN WAS WATCHING SOMEONE ALL DAY AND TAKING NOTES. 23 00:00:48,982 --> 00:00:51,051 IT COULD BE WHOEVER SHOT HIM. 24 00:00:51,085 --> 00:00:53,921 - THAT'S THE SAME BLOCK WHERE WE FOUND SIEGEL'S BODY. 25 00:00:53,954 --> 00:00:56,090 NEAL, WHO'S LISTED IN APARTMENT 3? 26 00:00:56,124 --> 00:00:59,393 - WAIT. ELECTRONIC TRIP WIRE. 27 00:00:59,427 --> 00:01:03,564 - SOMEONE HAS BEEN STUDYING YOU. - NOT JUST ME. 28 00:01:03,597 --> 00:01:05,733 THIS IS EVERYONE WHO'S IN MY DIVISION. 29 00:01:05,766 --> 00:01:07,901 WHOEVER MURDERED SIEGEL ALSO FRAMED HAGEN. 30 00:01:07,935 --> 00:01:09,570 - PROBABLY KILLED HIM AS WELL. 31 00:01:09,603 --> 00:01:11,639 THIS IS REBECCA'S APARTMENT. 32 00:01:11,672 --> 00:01:13,841 WHO IS SHE, NEAL? 33 00:01:16,810 --> 00:01:19,780 LET ME GUESS-- SHE NEVER INVITED YOU OVER. 34 00:01:19,813 --> 00:01:21,382 - IT'S OUTSIDE MY RADIUS. 35 00:01:21,415 --> 00:01:24,152 - I BET THAT'S WHY SHE CHOSE IT. WHO IS THIS WOMAN? 36 00:01:26,954 --> 00:01:28,456 - I HAVE NO IDEA. 37 00:01:28,489 --> 00:01:30,658 - WE HAVE TO LEAVE, RIGHT NOW. 38 00:01:30,691 --> 00:01:33,761 SHE DOESN'T KNOW WE WERE HERE, AND WE NEED TO KEEP IT THAT WAY. 39 00:01:33,794 --> 00:01:35,763 - I'M STAYING HERE. 40 00:01:35,796 --> 00:01:37,631 - AND THEN WHAT, YOU'LL CONFRONT HER, 41 00:01:37,665 --> 00:01:39,800 CONVINCE HER TO TELL YOU EVERYTHING? 42 00:01:39,833 --> 00:01:40,668 - YOU COULD BRING HER IN, QUESTION HER. 43 00:01:40,701 --> 00:01:42,503 - ON WHAT GROUNDS? 44 00:01:42,536 --> 00:01:44,672 I DON'T HAVE A WARRANT OR HARD EVIDENCE. 45 00:01:44,705 --> 00:01:46,240 WE DON'T KNOW WHAT WE'RE DEALING WITH HERE. 46 00:01:46,274 --> 00:01:50,110 WE LEAVE, REGROUP, AND FIGURE OUT WHAT TO DO. 47 00:01:51,712 --> 00:01:53,647 SIEGEL DIED SIX BLOCKS FROM HERE. 48 00:01:53,681 --> 00:01:55,249 SOMEHOW, HE MUST HAVE BEEN ONTO REBECCA. 49 00:01:55,283 --> 00:01:57,685 TALK, NOW. - I TOLD YOU-- 50 00:01:57,718 --> 00:01:59,587 HAGEN WAS THREATENING HER. 51 00:01:59,620 --> 00:02:01,021 AT LEAST I THOUGHT HE WAS. 52 00:02:01,054 --> 00:02:02,856 - INSTEAD, HE WAS WORKING WITH HER. 53 00:02:02,890 --> 00:02:05,025 - SIEGEL MUST HAVE FOUND OUT ABOUT IT AND FOLLOWED HER HERE. 54 00:02:05,058 --> 00:02:07,995 - SHE SEES SIEGEL, REALIZES HER COVER'S BLOWN, 55 00:02:08,028 --> 00:02:10,698 SHOOTS HIM ON THE WAY BACK TO HIS CAR. 56 00:02:10,731 --> 00:02:12,366 - SHE KILLED HIM. 57 00:02:12,400 --> 00:02:17,305 - NEAL, WE WILL NOT LET HER GET AWAY WITH THIS, 58 00:02:17,338 --> 00:02:19,607 BUT YOU NEED TO TELL ME EVERYTHING. 59 00:02:19,640 --> 00:02:21,909 I MEAN EVERYTHING. 60 00:02:27,415 --> 00:02:29,317 - HAGEN WAS LOOKING FOR A LOST TREASURE 61 00:02:29,350 --> 00:02:31,319 THAT MOSCONI HID A HUNDRED YEARS AGO. 62 00:02:31,352 --> 00:02:33,621 - THE SAME MOSCONI FROM THE GERSHON EXHIBIT? 63 00:02:33,654 --> 00:02:35,356 - WHERE I MET REBECCA. 64 00:02:35,389 --> 00:02:39,627 I APPROACHED HER FOR INFORMATION ON MOSCONI... 65 00:02:39,660 --> 00:02:42,062 EXACTLY LIKE HAGEN WANTED ME TO. 66 00:02:42,095 --> 00:02:43,964 THEY PLAYED ME FROM THE START. 67 00:02:43,997 --> 00:02:46,500 - WHAT'S SO VALUABLE THAT THEY WENT THROUGH ALL THIS? 68 00:02:46,534 --> 00:02:50,238 - THE LOST TWIN TO THE HOPE DIAMOND. 69 00:02:55,909 --> 00:02:57,378 - THE MOTION DETECTOR AT THE DOOR 70 00:02:57,411 --> 00:02:59,146 IS AN ELECTRONIC TRIP WIRE. 71 00:02:59,179 --> 00:03:01,148 IT'S A CUSTOM JOB, FROM ALL APPEARANCES. 72 00:03:01,181 --> 00:03:03,651 - THE WINDOWS ARE WIRED TOO. IT'S PROFESSIONAL WORK. 73 00:03:03,684 --> 00:03:06,554 - WE DON'T KNOW MUCH ABOUT THIS WOMAN, REBECCA LOWE, 74 00:03:06,587 --> 00:03:09,089 BUT AS OF NOW, SHE'S THE PRIME SUSPECT 75 00:03:09,122 --> 00:03:12,360 IN THE MURDERS OF CURTIS HAGEN AND AGENT DAVID SIEGEL. 76 00:03:15,128 --> 00:03:17,097 NEAL, YOU WANT TO GIVE US A MINUTE? 77 00:03:17,130 --> 00:03:18,832 - I'M FINE. - COME ON, CAFFREY, 78 00:03:18,866 --> 00:03:22,202 GRAB A CUP OF COFFEE WITH ME. 79 00:03:22,236 --> 00:03:24,572 - SHE WAS MY GIRLFRIEND, ALL RIGHT? 80 00:03:24,605 --> 00:03:26,774 PETER, I APPRECIATE YOU TRYING TO PROTECT ME, 81 00:03:26,807 --> 00:03:29,009 BUT I CAN HANDLE THIS. 82 00:03:29,042 --> 00:03:30,578 - I KNOW WHAT YOU'RE THINKING, 83 00:03:30,611 --> 00:03:32,380 AND I WANT YOU TO STAY AWAY FROM THIS. 84 00:03:32,413 --> 00:03:34,915 - YOU SAID IT YOURSELF-- SHE CAN'T KNOW WE WERE THERE. 85 00:03:34,948 --> 00:03:36,584 IF I DON'T ACT LIKE EVERYTHING'S NORMAL, 86 00:03:36,617 --> 00:03:38,586 SHE'LL GET SUSPICIOUS. 87 00:03:38,619 --> 00:03:41,422 - [sighs] 88 00:03:41,455 --> 00:03:43,957 OKAY, BUT WE USE IT TO OUR ADVANTAGE. 89 00:03:43,991 --> 00:03:45,726 WHILE YOU'RE KEEPING HER OCCUPIED, 90 00:03:45,759 --> 00:03:47,127 WE'LL SEARCH HER HOME. 91 00:03:50,964 --> 00:03:53,801 - SHE WAS SO SWEET AND THOUGHTFUL... 92 00:03:53,834 --> 00:03:56,370 SO NORMAL. 93 00:03:56,404 --> 00:03:58,205 WE WERE SUPPOSED TO GO SHOPPING NEXT WEEK. 94 00:03:58,238 --> 00:04:00,408 - WELL, IT'S SAFE TO SAY THAT'S CANCELED. 95 00:04:00,441 --> 00:04:02,943 - I KIND OF FEEL DUPED, AND I BARELY KNOW HER. 96 00:04:02,976 --> 00:04:05,946 I CAN ONLY IMAGINE WHAT NEAL MUST BE FEELING. 97 00:04:05,979 --> 00:04:09,417 - I'M JUST WORRIED WHETHER HE CAN KEEP UP APPEARANCES. 98 00:04:09,450 --> 00:04:12,453 - DON'T YOU FEEL BAD FOR HIM? 99 00:04:12,486 --> 00:04:14,788 - I DO, BUT... 100 00:04:14,822 --> 00:04:19,059 HE LIED TO HER ABOUT WHO HE WAS TOO. 101 00:04:19,092 --> 00:04:21,962 - YOU KNOW, HON, YOU SHOULD BE A LITTLE MORE UNDERSTANDING. 102 00:04:21,995 --> 00:04:25,065 - YOU KNOW, WHAT I UNDERSTAND IS THAT A LIFE OF LIES 103 00:04:25,098 --> 00:04:28,769 CATCHES UP TO YOU, AND IT DID FOR NEAL. 104 00:04:36,009 --> 00:04:37,611 - HEY, FIND ANYTHING? 105 00:04:37,645 --> 00:04:40,748 - OH, A DUSTY EARRING BEHIND YOUR DRESSER, 106 00:04:40,781 --> 00:04:43,851 PREDATING REBECCA, BUT NO BUGS. 107 00:04:43,884 --> 00:04:46,153 CUBIC ZIRCONIA-- 108 00:04:46,186 --> 00:04:48,956 COULD EXPLAIN THE LACK OF FOLLOW-UP. 109 00:04:52,960 --> 00:04:54,962 AS OSCAR WILDE SAID, 110 00:04:54,995 --> 00:04:57,498 "A WOMAN'S FACE IS HER WORK OF FICTION." 111 00:04:57,531 --> 00:05:00,468 - WELL, EVERYTHING ABOUT HER WAS FICTION, MOZ. 112 00:05:00,501 --> 00:05:02,336 - IF IT'S ANY CONSOLATION, 113 00:05:02,370 --> 00:05:04,104 I DIDN'T SEE IT COMING, AND I VETTED HER. 114 00:05:04,137 --> 00:05:06,940 - THAT WORKED OUT WELL. 115 00:05:06,974 --> 00:05:09,943 - SHE HAD US ALL FOOLED, AND THAT'S NOT EASY TO DO. 116 00:05:09,977 --> 00:05:13,981 - THE TRUTH IS... 117 00:05:14,014 --> 00:05:18,952 I WAS EXCITED ABOUT SOMEONE FOR THE FIRST TIME IN A WHILE. 118 00:05:18,986 --> 00:05:21,455 - I KNOW YOU CARED ABOUT HER. 119 00:05:21,489 --> 00:05:23,891 - I CARED ABOUT THE PERSON SHE PRETENDED TO BE. 120 00:05:23,924 --> 00:05:27,127 - IF ONLY IT WERE THAT EASY. - IT HAS TO BE. 121 00:05:27,160 --> 00:05:28,629 WE'RE HAVING LUNCH TOMORROW 122 00:05:28,662 --> 00:05:30,531 WHILE THE FBI RAIDS HER APARTMENT. 123 00:05:30,564 --> 00:05:33,467 - IF REBECCA KILLED HAGEN, THERE'S A CHANCE-- 124 00:05:33,501 --> 00:05:36,937 - THAT SHE HAS THE BLACKMAIL VIDEO, YEAH. 125 00:05:41,041 --> 00:05:44,011 [knock at door] 126 00:05:48,081 --> 00:05:50,984 REBECCA. 127 00:05:51,018 --> 00:05:52,753 THIS IS UNEXPECTED. 128 00:05:52,786 --> 00:05:54,855 - I COULDN'T WAIT UNTIL LUNCH. 129 00:05:56,790 --> 00:05:59,393 HOPE YOU DON'T MIND. 130 00:06:01,629 --> 00:06:04,532 - WHY WOULD I? 131 00:06:04,565 --> 00:06:07,568 [rock music] 132 00:06:07,601 --> 00:06:15,375 * 133 00:06:30,057 --> 00:06:31,625 - WHAT'S THE SURPRISE? 134 00:06:34,061 --> 00:06:36,063 - FOR MY HERO. 135 00:06:36,096 --> 00:06:37,865 NOTHING SAYS "THANKS FOR SAVING MY LIFE" 136 00:06:37,898 --> 00:06:41,802 LIKE VANILLA BOMBOLINI. 137 00:06:41,835 --> 00:06:42,803 YOU OKAY? 138 00:06:42,836 --> 00:06:45,606 - NO, I'M NOT. 139 00:06:48,676 --> 00:06:50,711 I SHOULDN'T HAVE LEFT YOU ALONE YESTERDAY, 140 00:06:50,744 --> 00:06:53,046 AFTER EVERYTHING YOU WENT THROUGH. 141 00:06:53,080 --> 00:06:55,248 - IT'S OKAY. REALLY, I... 142 00:06:55,282 --> 00:06:57,050 I NEEDED SOME TIME ALONE. 143 00:06:57,084 --> 00:07:00,253 - I SHOULD HAVE BEEN THERE. 144 00:07:04,492 --> 00:07:07,628 BUT NO TIME LIKE THE PRESENT TO MAKE UP FOR IT. 145 00:07:07,661 --> 00:07:11,264 - WHAT ARE YOU DOING? - CALLING THE FBI... 146 00:07:11,298 --> 00:07:13,634 TO LET 'EM KNOW I'LL BE LATE. 147 00:07:13,667 --> 00:07:16,003 - MORNING. [cell phone ringing] 148 00:07:16,036 --> 00:07:18,839 HANG ON, HANG ON, HANG ON. 149 00:07:18,872 --> 00:07:20,440 OH. 150 00:07:22,876 --> 00:07:25,312 NEAL, TALK TO ME. - MORNING, PETER. 151 00:07:25,345 --> 00:07:27,247 - WHAT'S WRONG? - LISTEN... 152 00:07:27,280 --> 00:07:29,617 I'M GONNA BE A LITTLE LATE. REBECCA'S NOT FEELING WELL. 153 00:07:29,650 --> 00:07:30,918 I'M GONNA MAKE HER SOME CHICKEN SOUP. 154 00:07:30,951 --> 00:07:32,085 - SHE'S THERE NOW? 155 00:07:32,119 --> 00:07:34,354 - OKAY, YOU CAUGHT ME. 156 00:07:34,387 --> 00:07:35,823 I ORDERED IT FROM 2ND AVENUE DELI. 157 00:07:35,856 --> 00:07:37,157 [laughs] 158 00:07:37,190 --> 00:07:39,927 - ARE YOU OKAY? 159 00:07:39,960 --> 00:07:41,662 - OH, PETER SAYS HI. FEEL BETTER. 160 00:07:41,695 --> 00:07:45,365 - UH, TELL HIM I SAY HI. - REBECCA SAYS HI. 161 00:07:45,398 --> 00:07:48,268 - WE'LL HEAD TO HER PLACE NOW. 162 00:07:48,301 --> 00:07:50,638 - I SEE I'VE COME DOWN WITH SOMETHING. 163 00:07:50,671 --> 00:07:52,272 - IT'LL BUY US A LITTLE TIME TOGETHER. 164 00:07:52,305 --> 00:07:55,442 - YOU ARE AN AWFULLY GOOD LIAR, MR. CAFFREY. 165 00:07:55,475 --> 00:07:56,844 - [chuckles] - SHOULD I BE WORRIED? 166 00:07:56,877 --> 00:07:59,212 - OH. 167 00:07:59,246 --> 00:08:03,651 NO MORE LIES. I PROMISE. 168 00:08:03,684 --> 00:08:05,218 WITH THAT IN MIND, 169 00:08:05,252 --> 00:08:07,655 THERE'S SOMETHING YOU SHOULD KNOW. 170 00:08:07,688 --> 00:08:09,156 - WHAT'S THAT? 171 00:08:09,189 --> 00:08:13,060 - CURTIS HAGEN, THE MAN WHO KIDNAPPED YOU-- 172 00:08:13,093 --> 00:08:16,129 HE'S DEAD. - WHAT HAPPENED? 173 00:08:16,163 --> 00:08:17,865 - HE WAS SHOT BY A SNIPER, KILLED INSTANTLY. 174 00:08:17,898 --> 00:08:20,000 - OH. 175 00:08:20,033 --> 00:08:21,068 THAT'S HORRIBLE. 176 00:08:21,101 --> 00:08:23,036 - HE DID KIDNAP YOU. 177 00:08:23,070 --> 00:08:26,073 - STILL, NO ONE DESERVES THAT. 178 00:08:26,106 --> 00:08:27,675 ANY IDEA WHO SHOT HIM? 179 00:08:29,577 --> 00:08:32,546 - I WAS HOPING YOU COULD TELL ME. 180 00:08:32,580 --> 00:08:36,049 DID YOU SEE WHO WAS HOLDING YOU? THEY MIGHT HAVE BEEN INVOLVED. 181 00:08:36,083 --> 00:08:39,152 - NO. 182 00:08:39,186 --> 00:08:40,854 HE ONLY SPOKE ONCE OR TWICE, 183 00:08:40,888 --> 00:08:43,924 HIS VOICE WAS MUFFLED, HE WORE A MASK. 184 00:08:43,957 --> 00:08:46,426 I'M SORRY. 185 00:08:49,963 --> 00:08:51,098 WHAT? 186 00:08:51,131 --> 00:08:53,934 - JUST ADMIRING YOU. 187 00:08:53,967 --> 00:08:56,570 IT'S IMPRESSIVE HOW WELL YOU'VE HANDLED EVERYTHING. 188 00:09:06,379 --> 00:09:09,282 - PETER, DO YOU WANT US TO SCAN ALL THE RARE-BOOK RESEARCH? 189 00:09:09,316 --> 00:09:10,751 I MEAN, SHE'S GOT DRAWERS OF IT. 190 00:09:10,784 --> 00:09:12,986 - YEAH, PHOTOCOPY AND REPLACE EVERYTHING. 191 00:09:14,922 --> 00:09:17,791 - SHE HAS AN ENTIRE FOLDER ON NEAL'S CHILDHOOD. 192 00:09:17,825 --> 00:09:20,594 I MEAN, WE DON'T EVEN HAVE THAT KIND OF INTEL ON HIM. 193 00:09:20,628 --> 00:09:22,730 - MAKE AN EXTRA COPY. - YEAH. 194 00:09:25,332 --> 00:09:27,200 - I KNOW YOU HAD TO DESTROY THE CODEX, 195 00:09:27,234 --> 00:09:29,970 BUT YESTERDAY YOU SAID THERE WAS STILL A WAY. 196 00:09:30,003 --> 00:09:32,239 WHAT DID YOU MEAN BY THAT? 197 00:09:32,272 --> 00:09:33,941 - [scoffs] I SHOULDN'T HAVE SAID ANYTHING. 198 00:09:33,974 --> 00:09:35,809 I... 199 00:09:35,843 --> 00:09:38,979 I CAN'T INVOLVE YOU IN IT ANYMORE. 200 00:09:39,012 --> 00:09:43,050 - NEAL, THIS ALL LEADS TO THE TWIN OF THE HOPE DIAMOND. 201 00:09:43,083 --> 00:09:45,719 WE CAN'T STOP NOW. WE'RE SO CLOSE TO FINDING IT. 202 00:09:45,753 --> 00:09:47,487 - YOU WERE KIDNAPPED BECAUSE OF THE CODEX. 203 00:09:47,520 --> 00:09:50,824 I CAN'T LET THAT HAPPEN AGAIN. 204 00:09:50,858 --> 00:09:53,160 - THIS CAN'T BE HALFWAY. 205 00:09:53,193 --> 00:09:55,829 WE CAN'T BE HALFWAY. 206 00:09:55,863 --> 00:09:57,130 IF I'M GONNA BE IN YOUR LIFE, 207 00:09:57,164 --> 00:09:58,766 IT HAS TO INCLUDE THIS PART OF IT. 208 00:09:58,799 --> 00:10:00,500 - WELL, THEN MAYBE IT'S TIME I STEP 209 00:10:00,533 --> 00:10:02,435 AWAY FROM THAT PART OF MY LIFE. 210 00:10:02,469 --> 00:10:05,172 - [laughs] - WHAT? 211 00:10:05,205 --> 00:10:09,476 - COME ON, YOU DON'T ACTUALLY THINK YOU COULD DO THAT. 212 00:10:09,509 --> 00:10:11,779 - IF IT CAME TO THAT... 213 00:10:11,812 --> 00:10:13,914 TO US... 214 00:10:13,947 --> 00:10:16,516 YEAH, I COULD. 215 00:10:18,485 --> 00:10:20,287 - I GOT TO SAY--IT'S KIND OF WEIRD SEEING MY LIFE 216 00:10:20,320 --> 00:10:21,354 SUMMED UP IN A FILE. 217 00:10:21,388 --> 00:10:23,323 AND, DAMN, SHE IS THOROUGH. 218 00:10:23,356 --> 00:10:26,126 - ANYTHING YOU WANT TO ADMIT TO BEFORE IT GOES INTO EVIDENCE? 219 00:10:26,159 --> 00:10:27,527 - THERE'S NOTHING ILLEGAL ABOUT HAVING 220 00:10:27,560 --> 00:10:30,363 THREE DIFFERENT PROFILES ON OKCUPID, ALL RIGHT? 221 00:10:37,137 --> 00:10:39,306 - THIS HAS GONE TOO FAR. - WHAT'D YOU FIND? 222 00:10:39,339 --> 00:10:42,843 - I'VE GOT TO GET MY WIFE OUT OF THE CITY. 223 00:10:44,812 --> 00:10:46,646 [beep] 224 00:10:50,083 --> 00:10:53,153 [cell phone chirping] 225 00:10:58,525 --> 00:11:00,393 - [sighs] I HAVE TO GO. 226 00:11:00,427 --> 00:11:02,562 - WHAT'S WRONG? 227 00:11:02,595 --> 00:11:04,497 - I FORGOT A DOCTOR'S APPOINTMENT. 228 00:11:04,531 --> 00:11:07,667 I'M SORRY. - WAIT. 229 00:11:07,701 --> 00:11:09,202 WE NEED TO FINISH TALKING ABOUT THIS. 230 00:11:09,236 --> 00:11:12,305 - OH, WE WILL. UM, DINNER? TOMORROW? 231 00:11:12,339 --> 00:11:15,675 - REBECCA-- - YEAH? 232 00:11:17,711 --> 00:11:20,914 - I THINK I'M FALLING IN LOVE WITH YOU. 233 00:11:20,948 --> 00:11:23,250 - [chuckles] 234 00:11:23,283 --> 00:11:26,887 NEAL, I-I-I DON'T KNOW WHAT TO SAY. 235 00:11:26,920 --> 00:11:29,489 - YOU DON'T--YOU DON'T HAVE TO SAY ANYTHING. 236 00:11:29,522 --> 00:11:32,259 I JUST-- I NEEDED YOU TO KNOW. 237 00:11:38,565 --> 00:11:41,101 - [chuckles] DINNER... 238 00:11:41,134 --> 00:11:42,736 - [sighs] - TOMORROW. 239 00:11:42,770 --> 00:11:46,539 - YEAH, I'LL SEE YOU THEN. - BYE. 240 00:11:46,573 --> 00:11:48,041 - YOU SURE YOU DON'T WANT TO STAY? 241 00:11:48,075 --> 00:11:50,878 - I CAN'T. [both laughing] 242 00:11:57,250 --> 00:12:00,287 - THAT ONE GOES ON THE TOP FILE. [cell phone rings] 243 00:12:00,320 --> 00:12:01,789 HOW MUCH TIME DO WE HAVE? 244 00:12:01,822 --> 00:12:03,523 - NOT MUCH. SHE'S ON HER WAY THERE NOW. 245 00:12:03,556 --> 00:12:05,292 I STALLED HER AS LONG AS I COULD. 246 00:12:05,325 --> 00:12:08,061 - SOMEONE TRIPPED THE SENSOR. MEET ME BACK AT THE OFFICE. 247 00:12:08,095 --> 00:12:11,564 - ALMOST DONE--TEN MORE MINUTES. - MAKE IT FIVE. 248 00:12:11,598 --> 00:12:14,367 BE RIGHT BACK. - WHERE YOU GOING? 249 00:12:14,401 --> 00:12:16,369 - I SAW A CHINESE PLACE DOWN THE STREET. 250 00:12:16,403 --> 00:12:19,139 GONNA CHECK OUT THEIR MENU. 251 00:12:59,512 --> 00:13:01,648 [cell phone chirping] 252 00:13:21,401 --> 00:13:23,303 - GOOD. YOU'RE HERE. 253 00:13:23,336 --> 00:13:25,272 - YOU GUYS WERE ABLE TO SET EVERYTHING UP ON TIME? 254 00:13:25,305 --> 00:13:27,274 - YEP, WE HAVE FULL VIDEO AND AUDIO OF HER APARTMENT. 255 00:13:27,307 --> 00:13:29,176 - JUST IN TIME TO WATCH HER PACK. 256 00:13:29,209 --> 00:13:32,012 - YOU THINK SHE'S ONTO US? - NO, MY MENU TRICK WORKED. 257 00:13:32,045 --> 00:13:33,947 SHE HASN'T LOOKED FOR BUGS OR CAMERAS, 258 00:13:33,981 --> 00:13:36,516 SO I DON'T THINK SHE KNOWS WE WERE THERE. 259 00:13:36,549 --> 00:13:40,220 SHE'S CALLING SOMEONE. 260 00:13:40,253 --> 00:13:43,056 [cell phone ringing] 261 00:13:45,692 --> 00:13:48,128 LET IT GO TO VOICE MAIL. JONES, TURN UP THE VOLUME. 262 00:13:48,161 --> 00:13:49,729 - PETER-- 263 00:13:49,762 --> 00:13:52,032 - WE'RE GONNA HEAR IT EVENTUALLY. 264 00:13:52,065 --> 00:13:54,401 - HEY, NEAL, IT'S ME. 265 00:13:54,434 --> 00:13:56,236 UM, LOOK, I'VE BEEN THINKING 266 00:13:56,269 --> 00:13:59,239 A LOT ABOUT WHAT WE TALKED ABOUT EARLIER, 267 00:13:59,272 --> 00:14:03,276 WHAT YOU SAID TO ME, AND, UM... 268 00:14:05,278 --> 00:14:08,515 I LOVE YOU TOO. [chuckles] 269 00:14:08,548 --> 00:14:11,318 I CAN'T BELIEVE I JUST SAID THAT INTO YOUR VOICE MAIL. 270 00:14:11,351 --> 00:14:13,153 I-- [chuckles] 271 00:14:13,186 --> 00:14:15,522 I GUESS I JUST COULDN'T WAIT TO TELL YOU. 272 00:14:17,457 --> 00:14:20,193 OKAY, I'M GONNA HANG UP BEFORE I EMBARRASS MYSELF WORSE, 273 00:14:20,227 --> 00:14:22,930 BUT, UM, I'LL SEE YOU TOMORROW. 274 00:14:28,768 --> 00:14:30,570 - SO YOU TOLD HER YOU LOVED HER? 275 00:14:30,603 --> 00:14:33,673 - I HAD TO BUY YOU GUYS SOME TIME. 276 00:14:33,706 --> 00:14:35,708 THE QUESTION IS, WHAT ANGLE IS SHE PLAYING? 277 00:14:35,742 --> 00:14:38,445 - THAT'S WHY SHE WAS PACKING. 278 00:14:38,478 --> 00:14:39,947 - YOU THINK SHE'S MOVING ON TO HER NEXT TARGET? 279 00:14:39,980 --> 00:14:42,382 - I THINK YOU'RE THE ONLY TARGET SHE CARES ABOUT. 280 00:14:42,415 --> 00:14:44,952 - YEAH, SHE'S PACKING UP EVERYTHING 281 00:14:44,985 --> 00:14:46,719 FROM BEFORE SHE BECAME REBECCA. 282 00:14:46,753 --> 00:14:50,723 - BECAUSE SHE WANTS TO STAY AS REBECCA. 283 00:14:50,757 --> 00:14:53,726 NEAL, I THINK SHE MEANT WHAT SHE SAID. 284 00:14:53,760 --> 00:14:56,229 SHE'S IN LOVE WITH YOU. 285 00:15:17,985 --> 00:15:21,454 - SHE PROFILED MY EXES TO HANDCRAFT A PERSONA 286 00:15:21,488 --> 00:15:23,490 I WOULD FALL FOR... 287 00:15:23,523 --> 00:15:25,325 BUILDING THE PERFECT GIRLFRIEND. 288 00:15:25,358 --> 00:15:27,660 - I THINK SHE BUILT IT A LITTLE TOO WELL-- 289 00:15:27,694 --> 00:15:30,097 FELL FOR HER OWN CON. 290 00:15:30,130 --> 00:15:32,165 - YOU REALLY THINK SHE WOULD HAVE THROWN IT ALL AWAY 291 00:15:32,199 --> 00:15:33,466 AND SETTLED DOWN WITH ME? 292 00:15:33,500 --> 00:15:35,502 - IT EXPLAINS WHY HAGEN TURNED ON HER. 293 00:15:35,535 --> 00:15:36,970 HE LOST CONTROL. 294 00:15:37,004 --> 00:15:39,306 AND IT ALSO EXPLAINS WHY SHE TURNED ON HIM. 295 00:15:39,339 --> 00:15:42,809 - MAYBE SHE GOT A READ ON ME AND DECIDED TO PLAY ALONG. 296 00:15:42,842 --> 00:15:44,844 - OKAY, LET'S ASSUME YOU'RE RIGHT. 297 00:15:44,877 --> 00:15:48,115 WHAT REASON WOULD SHE HAVE FOR TELLING YOU SHE LOVES YOU? 298 00:15:48,148 --> 00:15:50,750 - KEEP ME AROUND, HELP WITH THE DIAMOND. 299 00:15:50,783 --> 00:15:53,820 - IT'S A POSSIBILITY, AND IN THAT CASE, 300 00:15:53,853 --> 00:15:56,323 SHE STILL HAS NO IDEA WE'RE ONTO HER. 301 00:15:56,356 --> 00:15:58,525 OR I'M RIGHT, AND SHE MEANS IT, 302 00:15:58,558 --> 00:16:01,828 AND WE CAN USE IT AGAINST HER. 303 00:16:01,861 --> 00:16:03,763 YOU KNOW, YOUR RELATIONSHIPS 304 00:16:03,796 --> 00:16:07,134 AREN'T THE ONLY ONES THAT ARE UNDER HER MICROSCOPE. 305 00:16:07,167 --> 00:16:09,036 - YOU HAVE TO GET ELIZABETH OUT OF TOWN. 306 00:16:09,069 --> 00:16:11,538 - ALREADY DID--SENT HER TO BRUCE'S IN WASHINGTON 307 00:16:11,571 --> 00:16:14,141 UNTIL IT'S SETTLED. 308 00:16:14,174 --> 00:16:17,477 SO LET'S SETTLE IT. - WHAT ARE YOU THINKING? 309 00:16:17,510 --> 00:16:19,679 - IF SHE'S FALLEN FOR YOU OR NOT, SHE NEEDS YOU. 310 00:16:19,712 --> 00:16:21,348 WE KNOW THAT MUCH. 311 00:16:21,381 --> 00:16:23,383 SO LET'S SEE WHAT SHE DOES 312 00:16:23,416 --> 00:16:25,352 WHEN WE THREATEN TO TAKE YOU AWAY. 313 00:16:28,221 --> 00:16:30,190 THANKS FOR COMING IN ON SUCH SHORT NOTICE. 314 00:16:30,223 --> 00:16:32,459 I, UH--I HOPE WE DIDN'T MESS UP YOUR DAY. 315 00:16:32,492 --> 00:16:34,527 - THERE'S NOT MUCH TO MESS WITH. I STILL DON'T HAVE A JOB. 316 00:16:34,561 --> 00:16:38,798 - OH, WELL, I BET YOU'RE WONDERING WHY YOU'RE HERE. 317 00:16:38,831 --> 00:16:40,800 - I'M ASSUMING IT HAS SOMETHING TO DO 318 00:16:40,833 --> 00:16:42,802 WITH THE GERSHON MUSEUM ROBBERY. 319 00:16:42,835 --> 00:16:44,204 IS THERE NEW INFORMATION? 320 00:16:44,237 --> 00:16:46,373 - THIS ISN'T ABOUT THE MUSEUM. 321 00:16:46,406 --> 00:16:48,841 - OH. NOW I'M WONDERING WHY I'M HERE. 322 00:16:48,875 --> 00:16:51,744 - IT'S ABOUT NEAL CAFFREY. 323 00:16:51,778 --> 00:16:54,081 - WHAT ABOUT HIM? - WE HAVE REASON TO BELIEVE 324 00:16:54,114 --> 00:16:57,217 THAT HE'S BEEN ENGAGED IN ILLEGAL ACTIVITIES 325 00:16:57,250 --> 00:16:59,519 BEHIND OUR BACK FOR SOME TIME NOW. 326 00:16:59,552 --> 00:17:02,289 - WHAT KIND OF ILLEGAL ACTIVITIES? 327 00:17:08,027 --> 00:17:10,697 - DOES THIS MAN LOOK FAMILIAR TO YOU? 328 00:17:10,730 --> 00:17:12,932 - N-NO, WHO IS HE? 329 00:17:12,965 --> 00:17:14,867 - HIS NAME IS CURTIS HAGEN. 330 00:17:14,901 --> 00:17:16,403 HAS NEAL EVER MENTIONED THAT NAME? 331 00:17:16,436 --> 00:17:19,739 - I DON'T BELIEVE SO. WHY? 332 00:17:19,772 --> 00:17:21,941 - HE WAS MURDERED YESTERDAY. 333 00:17:21,974 --> 00:17:24,644 NEAL CAFFREY IS OUR PRIME SUSPECT. 334 00:17:27,647 --> 00:17:30,750 - YOU SEE WHAT SHE JUST DID? - PRETENDED NOT TO KNOW HAGEN? 335 00:17:30,783 --> 00:17:32,719 - HER FAKE CONCERN 336 00:17:32,752 --> 00:17:34,921 TO THE NEWS THAT I'M A MURDER SUSPECT. 337 00:17:34,954 --> 00:17:37,124 - NAH, LOOKED LIKE REAL CONCERN TO ME. 338 00:17:37,157 --> 00:17:39,859 - IT WAS REAL, BUT IT WASN'T FOR ME. 339 00:17:39,892 --> 00:17:42,429 IT'S ALMOST IMPOSSIBLE NOT TO REACT 340 00:17:42,462 --> 00:17:44,697 TO UNPREDICTABLE NEWS IN SOME WAY. 341 00:17:44,731 --> 00:17:47,634 A GOOD CON KNOWS HOW TO TURN THOSE TELLS INTO AN ADVANTAGE. 342 00:17:47,667 --> 00:17:49,402 YOU PLAY POKER? 343 00:17:49,436 --> 00:17:52,139 - AH, I HOST THE OCCASIONAL FRIDAY NIGHT GAME. 344 00:17:52,172 --> 00:17:55,142 YOU'LL NEVER BE INVITED-- NO OFFENSE. 345 00:17:55,175 --> 00:17:58,745 - IN POKER, IT'S TOO OBVIOUS TO ACT CALM WHEN YOU'RE NERVOUS, 346 00:17:58,778 --> 00:18:00,447 BUT WHEN YOU SEE THAT FOURTH ACE DROP... 347 00:18:00,480 --> 00:18:02,382 - THE BLOOD PRESSURE SPIKES. - YEAH. 348 00:18:02,415 --> 00:18:03,916 A GOOD PLAYER KNOWS YOU CAN'T CONTROL THAT, 349 00:18:03,950 --> 00:18:06,486 BUT YOU CAN HIDE ITS MEANING. 350 00:18:06,519 --> 00:18:08,755 SHE'S HIDING HER OWN CONCERN OF GETTING CAUGHT 351 00:18:08,788 --> 00:18:10,590 BY ACTING CONCERNED ABOUT ME. 352 00:18:10,623 --> 00:18:12,759 - OR MAYBE YOU WANT HER TO BE LYING. 353 00:18:15,928 --> 00:18:17,864 I MEAN, IT WOULD BE EASIER, WOULDN'T IT? 354 00:18:22,101 --> 00:18:23,970 - NEAL ISN'T HERE TODAY, IS HE? 355 00:18:24,003 --> 00:18:27,474 - NO, WE ASSIGNED HIM TO ANOTHER CASE ACROSS TOWN 356 00:18:27,507 --> 00:18:28,908 SO THAT WE HAVE THE OPPORTUNITY 357 00:18:28,941 --> 00:18:31,077 TO INTERVIEW HIS KNOWN ACQUAINTANCES. 358 00:18:31,110 --> 00:18:34,681 - I'M--I'M SORRY, THIS IS JUST A LOT TO PROCESS. 359 00:18:34,714 --> 00:18:37,284 I KNOW NEAL. HE'S NOT A MURDERER. 360 00:18:37,317 --> 00:18:40,520 - NO, NO, HE WOULDN'T GET HIS OWN HANDS DIRTY, 361 00:18:40,553 --> 00:18:44,191 BUT HE'S NOT ABOVE HIRING OTHERS. 362 00:18:44,224 --> 00:18:46,693 THERE'S A LOT YOU DON'T KNOW ABOUT NEAL CAFFREY. 363 00:18:46,726 --> 00:18:49,028 - [sighs] 364 00:18:49,061 --> 00:18:53,300 HE'S TOLD ME ABOUT HIS CRIMINAL PAST, 365 00:18:53,333 --> 00:18:57,770 BUT HE SAYS THAT'S ALL BEHIND HIM NOW. 366 00:18:57,804 --> 00:18:59,539 - HE SAYS THAT A LOT. 367 00:19:02,309 --> 00:19:03,976 NEAL HAD A HISTORY WITH THIS MAN. 368 00:19:04,010 --> 00:19:06,779 HE ALSO HAD A STRONG MOTIVE TO WANT HIM DEAD. 369 00:19:06,813 --> 00:19:09,516 - WHICH IS? 370 00:19:09,549 --> 00:19:13,019 - I'M AFRAID I CAN'T SAY. 371 00:19:13,052 --> 00:19:16,155 - SO WHAT AM I SUPPOSED TO DO? 372 00:19:16,189 --> 00:19:19,158 - IF I WERE YOU, I'D KEEP MY DISTANCE. 373 00:19:24,931 --> 00:19:27,033 I THINK THAT WENT WELL. 374 00:19:27,066 --> 00:19:28,701 - SHE SHOULD CONSIDER A SECOND CAREER ON BROADWAY. 375 00:19:28,735 --> 00:19:30,737 - YEAH, SO SHOULD YOU, PETER. 376 00:19:30,770 --> 00:19:33,072 - I THINK I SOLD A COMPLETE DISTRUST OF NEAL PRETTY WELL. 377 00:19:33,105 --> 00:19:35,041 - ALL RIGHT, WE SHOWED OUR HAND. 378 00:19:35,074 --> 00:19:36,809 THERE'S NO WAY SHE'S STICKING AROUND 379 00:19:36,843 --> 00:19:38,878 AFTER THE FBI CALLS HER IN ABOUT A MURDER SHE COMMITTED. 380 00:19:38,911 --> 00:19:40,413 SHE'S GONNA RUN. 381 00:19:40,447 --> 00:19:42,349 - UNLESS SHE HAS A REASON TO STAY. 382 00:19:42,382 --> 00:19:45,518 [cell phone beeps] 383 00:19:45,552 --> 00:19:49,989 - IT'S HER. MADISON SQUARE PARK, ONE HOUR. 384 00:19:50,022 --> 00:19:53,025 - I'LL ASSEMBLE THE TEAM. 385 00:20:04,804 --> 00:20:09,208 - ALL AGENTS MAINTAIN POSITION UNTIL MY WORD. 386 00:20:09,242 --> 00:20:13,380 REBECCA'S IN THE PARK NOW-- SEND IN CAFFREY. 387 00:20:13,413 --> 00:20:16,215 - HEY. I GOT HERE AS FAST AS I COULD. 388 00:20:18,951 --> 00:20:21,554 YOU OKAY? - WALK WITH ME. 389 00:20:23,990 --> 00:20:26,125 - HOW'S THE AUDIO? - FIVE BY FIVE... 390 00:20:26,158 --> 00:20:29,596 AS LONG AS NEAL KEEPS THE PEN POINTED IN THE RIGHT DIRECTION. 391 00:20:29,629 --> 00:20:33,132 - REBECCA, WHAT'S GOING ON? YOU'RE STARTING TO WORRY ME. 392 00:20:33,165 --> 00:20:35,134 - I WAS CALLED INTO THE FBI THIS MORNING. 393 00:20:35,167 --> 00:20:36,803 - WHAT? - THEY WERE ASKING ABOUT HAGEN. 394 00:20:36,836 --> 00:20:38,471 NEAL, I HAD TO WARN YOU. 395 00:20:38,505 --> 00:20:40,039 THEY THINK YOU HIRED SOMEONE TO KILL HIM. 396 00:20:40,072 --> 00:20:43,376 - ME? THAT'S INSANE. THAT-- 397 00:20:43,410 --> 00:20:46,212 I DIDN'T DO IT. YOU HAVE TO BELIEVE ME. 398 00:20:46,245 --> 00:20:49,316 - WHAT ARE YOU GONNA DO? - I HAVE TO RUN. 399 00:20:49,349 --> 00:20:51,718 - HE'S GOOD. - TWO CAN PLAY AT THAT GAME. 400 00:20:51,751 --> 00:20:54,287 - RUN? NEAL, THERE HAS TO BE ANOTHER WAY. 401 00:20:54,321 --> 00:20:55,555 - THE FEDS COULD HAVE FOLLOWED YOU HERE, ALL RIGHT? 402 00:20:55,588 --> 00:20:57,256 - THEY DIDN'T. I MADE SURE OF IT. 403 00:20:57,290 --> 00:20:58,591 - YOU WOULDN'T KNOW IT IF THEY-- - TRUST ME, I WOULD. 404 00:20:58,625 --> 00:21:01,260 - I CAN'T TRUST ANYONE RIGHT NOW. 405 00:21:01,294 --> 00:21:05,332 LOOK, I HATE TO SAY IT, BUT THIS IS GOOD-BYE. 406 00:21:09,769 --> 00:21:12,772 - I CAN GO WITH YOU. 407 00:21:12,805 --> 00:21:14,741 - LIVING ON THE RUN ISN'T A LIFE FOR SOMEONE LIKE YOU. 408 00:21:14,774 --> 00:21:18,177 YOU'RE NOT THAT KIND OF GIRL. 409 00:21:18,210 --> 00:21:21,348 - MAYBE I'M NOT THE GIRL YOU THINK I AM. 410 00:21:21,381 --> 00:21:24,016 NEAL, THERE'S SOMETHING THAT I HAVE TO TELL YOU... 411 00:21:24,050 --> 00:21:26,553 ABOUT WHO I REALLY AM. 412 00:21:34,994 --> 00:21:37,129 - SOMETHING'S WRONG. 413 00:21:37,163 --> 00:21:38,831 - LET'S SEE IF CAFFREY CAN SAVE IT. 414 00:21:38,865 --> 00:21:42,101 - THAT'S WHAT ALL THIS IS ABOUT, ISN'T IT? 415 00:21:42,134 --> 00:21:45,137 I HAVE TO HAND IT TO YOU-- ALMOST WORKED. 416 00:21:45,171 --> 00:21:47,039 - WHAT ARE YOU TALKING ABOUT? 417 00:21:47,073 --> 00:21:49,041 - LETTING ME MAKE THE DECISION TO COME CLEAN TO YOU-- 418 00:21:49,075 --> 00:21:51,177 THAT WAS VERY CLEVER. 419 00:21:51,210 --> 00:21:54,013 - REBECCA, YOU'RE NOT MAKING ANY SENSE RIGHT NOW. WHAT-- 420 00:21:54,046 --> 00:21:55,648 - I DIDN'T SEE THE FEDS EARLIER. I MUST BE SLIPPING. 421 00:21:55,682 --> 00:21:57,384 - IF THERE ARE FEDS HERE, THEY'RE HERE FOR ME. 422 00:21:57,417 --> 00:21:59,686 THEY THINK I'M THE ONE WHO KILLED HAGEN, COME ON. 423 00:21:59,719 --> 00:22:03,690 - THERE'S NO MORE POINT IN LYING, NEAL. 424 00:22:03,723 --> 00:22:05,625 - WE'VE BEEN MADE. WE GOT TO GRAB HER. 425 00:22:05,658 --> 00:22:06,993 - BUT WE DON'T HAVE ANYTHING ON HER. 426 00:22:07,026 --> 00:22:08,861 - IF WE DON'T GO, SHE'S GONNA RUN. 427 00:22:08,895 --> 00:22:10,697 - YOU'RE RIGHT. 428 00:22:10,730 --> 00:22:13,199 - ON MY SIGNAL. 429 00:22:13,232 --> 00:22:14,801 - LET'S START TELLING THE TRUTH. 430 00:22:14,834 --> 00:22:16,869 DID YOU KILL SIEGEL? - WHERE'S MY DIAMOND? 431 00:22:16,903 --> 00:22:18,638 - TELL ME IF YOU KILLED SIEGEL, I'LL GIVE YOU THE LOCATION. 432 00:22:18,671 --> 00:22:20,507 - WE'RE DONE PLAYING GAMES, NEAL. 433 00:22:20,540 --> 00:22:22,308 I WAS GONNA GIVE EVERYTHING UP FOR YOU. 434 00:22:22,341 --> 00:22:24,210 I DON'T KNOW WHAT I WAS THINKING. 435 00:22:24,243 --> 00:22:27,547 - JONES, CUT HER OFF. MOVE IN NOW. MOVE IN. 436 00:22:29,849 --> 00:22:30,950 - COME HERE! 437 00:22:34,621 --> 00:22:35,988 - GO! GO! I GOT HIM. 438 00:22:36,022 --> 00:22:38,791 - ALL AGENTS HEAD TOWARDS NORTH EXIT! 439 00:22:43,095 --> 00:22:45,765 SUSPECT HEADED WEST ON FIFTH! 440 00:22:50,603 --> 00:22:51,971 - HI. - HEY. 441 00:22:56,943 --> 00:22:58,210 [tires screech] 442 00:22:58,244 --> 00:22:59,412 - ALL UNITS, SUBJECT HEADING SOUTH 443 00:22:59,446 --> 00:23:02,849 ON FIFTH AVENUE IN TAXI NUMBER 86Z5. 444 00:23:02,882 --> 00:23:04,951 [sighs] 445 00:23:12,058 --> 00:23:13,593 - WE'VE COORDINATED WITH NYPD AND STATE POLICE. 446 00:23:13,626 --> 00:23:16,295 ALL EYES ARE ON TRAIN STATIONS, BUSES, AIRPORTS. 447 00:23:16,328 --> 00:23:17,964 THERE IS NO WAY SHE'S LEAVING THIS ISLAND. 448 00:23:17,997 --> 00:23:19,899 - WE NEED TO GO BACK TO HER APARTMENT. 449 00:23:19,932 --> 00:23:21,734 - WE MADE COPIES OF EVERYTHING THERE. 450 00:23:21,768 --> 00:23:23,436 - BUT WE ONLY HAD TIME FOR A QUICK SEARCH. 451 00:23:23,470 --> 00:23:25,271 - WE LOOKED IN THE BAG SHE DROPPED. 452 00:23:25,304 --> 00:23:27,106 NOTHING IN IT BUT A BURNER PHONE AND SOME CASH. 453 00:23:27,139 --> 00:23:29,408 - WHERE ARE WE ON THE CAB? - WE GOT THE LICENSE NUMBER, 454 00:23:29,442 --> 00:23:31,944 BUT IT WAS ALREADY FOUND. DITCHED ON 13TH AND BROADWAY. 455 00:23:31,978 --> 00:23:34,914 - CHECK ALL TRAFFIC CAMS AND SURVEILLANCE WITHIN A HALF MILE. 456 00:23:34,947 --> 00:23:37,984 - ALREADY ON IT. 457 00:23:38,017 --> 00:23:40,386 - NOW THAT OUR COVER IS BLOWN, LET'S TEAR HER APARTMENT APART. 458 00:23:40,419 --> 00:23:42,221 - MAYBE WE CAN FIND SOMETHING THAT TELLS US 459 00:23:42,254 --> 00:23:44,423 WHO WE'RE DEALING WITH. - EXCELLENT. 460 00:23:46,826 --> 00:23:48,394 PULL UP ALL THE FLOORBOARDS 461 00:23:48,427 --> 00:23:50,296 AND CHECK FOR ANY HOLLOW SPOTS ON THE CEILING. 462 00:23:50,329 --> 00:23:51,831 - MAKE SURE YOU TAKE THE BACK OFF, 463 00:23:51,864 --> 00:23:54,166 CHECK BETWEEN THE CARDBOARD BACKING AND THE PICTURE. 464 00:23:54,200 --> 00:23:56,569 - TALKED TO THE LANDLORD. 465 00:23:56,603 --> 00:23:58,905 SAID SHE WAS A LONER-- NEVER HAD ANYONE OVER. 466 00:23:58,938 --> 00:24:00,139 - ANY REFERENCES? 467 00:24:00,172 --> 00:24:01,741 - HE DIDN'T BOTHER TO CHECK. 468 00:24:01,774 --> 00:24:03,109 SHE PAID SIX MONTHS CASH UP FRONT. 469 00:24:03,142 --> 00:24:05,778 - SIX MONTHS. 470 00:24:05,812 --> 00:24:08,515 SHE EVEN KNEW HOW LONG IT WOULD TAKE. 471 00:24:17,456 --> 00:24:19,959 YOU THINK I DESERVE THIS, DON'T YOU? 472 00:24:19,992 --> 00:24:20,993 - NO ONE DESERVES THIS. 473 00:24:21,027 --> 00:24:22,629 - I ALWAYS PRIDED MYSELF 474 00:24:22,662 --> 00:24:25,164 ON BEING ONE STEP AHEAD OF EVERYONE. 475 00:24:25,197 --> 00:24:27,967 ALWAYS THE CON MAN, NEVER THE CON. 476 00:24:28,000 --> 00:24:30,970 LOOK HOW FAR IT'S GOTTEN ME. 477 00:24:31,003 --> 00:24:33,305 - MAYBE THERE'S A LESSON TO BE LEARNED IN THAT. 478 00:24:37,977 --> 00:24:40,046 [gunshot] - AH! 479 00:24:40,079 --> 00:24:41,981 - SHOT FIRED! EVERYBODY DOWN! 480 00:24:42,014 --> 00:24:44,984 [siren wails] 481 00:24:45,017 --> 00:24:47,353 - PETER? - YEAH? 482 00:24:47,386 --> 00:24:49,656 - WE SCOURED THE AREA-- SO FAR, NO SIGN OF HER, 483 00:24:49,689 --> 00:24:51,357 BUT WE'VE GOT UNITS CANVASSING THE NEIGHBORHOOD. 484 00:24:51,390 --> 00:24:52,892 - WHAT ABOUT WHERE THE SHOT CAME FROM? 485 00:24:52,925 --> 00:24:54,861 - IT LOOKS LIKE A ROOFTOP FROM ACROSS THE WAY. 486 00:24:54,894 --> 00:24:58,798 SHE DIDN'T LEAVE ANYTHING BEHIND. 487 00:24:58,831 --> 00:25:01,901 HOW IS HE? 488 00:25:01,934 --> 00:25:05,171 - HE'S ALL RIGHT. KEEP LOOKING. 489 00:25:05,204 --> 00:25:08,575 WELL? - I'M FINE. 490 00:25:08,608 --> 00:25:12,211 THIS IS UNNECESSARY. - JUST SIT STILL. 491 00:25:12,244 --> 00:25:14,046 - SHE RUINED MY JACKET. 492 00:25:14,080 --> 00:25:15,748 - YEAH, AND WE'RE GONNA MAKE HER PAY FOR THAT, 493 00:25:15,782 --> 00:25:18,484 BUT YOU'RE GOING HOME. - I TOLD YOU, I'M FINE. 494 00:25:18,517 --> 00:25:20,920 - SHE SHOT YOU. - SHE SHOT AT ME. 495 00:25:20,953 --> 00:25:22,822 SHE HIT HAGEN SQUARE IN THE HEART. 496 00:25:22,855 --> 00:25:24,423 SHE DOESN'T MISS. 497 00:25:24,456 --> 00:25:26,358 IF SHE WANTED TO KILL ME, I'D BE DEAD. 498 00:25:26,392 --> 00:25:30,429 - FINE. IT WAS A WARNING SHOT, AND I'M TAKING THE WARNING. 499 00:25:30,462 --> 00:25:31,998 - WHY TAKE THE SHOT IN THAT MOMENT? 500 00:25:32,031 --> 00:25:34,166 - MAYBE YOU LOOKED ESPECIALLY SMUG. 501 00:25:34,200 --> 00:25:35,768 - OR MAYBE WE WERE CLOSE TO SOMETHING 502 00:25:35,802 --> 00:25:37,737 SHE DIDN'T WANT US TO FIND. 503 00:25:41,741 --> 00:25:45,778 - YOU HAD JUST FINISHED SEARCHING THIS AREA. 504 00:25:45,812 --> 00:25:47,279 - ABOUT TO TURN... 505 00:25:50,382 --> 00:25:53,352 THE RADIATOR ISN'T AN IDEAL PLACE TO HIDE SOMETHING. 506 00:25:53,385 --> 00:25:55,788 ONCE THE WINTER COMES, EVERYTHING INSIDE IT 507 00:25:55,822 --> 00:25:57,523 WOULD BE DESTROYED. 508 00:25:57,556 --> 00:25:59,258 - BUT SHE ONLY PAID FOR SIX MONTHS. 509 00:25:59,291 --> 00:26:01,560 - SHE WASN'T PLANNING ON SEEING THE WINTER. 510 00:26:08,100 --> 00:26:09,902 [knocking] 511 00:26:09,936 --> 00:26:12,104 [hollow knock] 512 00:26:20,346 --> 00:26:22,014 [object rattles] 513 00:26:29,288 --> 00:26:32,424 - THERE'S A SEAM HERE. 514 00:26:37,296 --> 00:26:38,998 - IT'S HER GO-BAG. 515 00:26:43,803 --> 00:26:45,337 WITH THIS, SHE COULD GO ANYWHERE. 516 00:26:45,371 --> 00:26:48,174 - WITHOUT IT, SHE'S STUCK. 517 00:26:48,207 --> 00:26:51,510 WE'VE GOT HER TRAPPED. 518 00:26:55,214 --> 00:26:57,850 JONES IS RUNNING EVERY ALIAS WE HAVE ON HER 519 00:26:57,884 --> 00:26:59,151 THROUGH THE SYSTEM. 520 00:26:59,185 --> 00:27:00,519 I'M HOPEFUL SOMETHING WILL PING, 521 00:27:00,552 --> 00:27:01,954 GIVE US SOME CLUES TO WHO SHE IS. 522 00:27:01,988 --> 00:27:03,622 - YOU DON'T SEEM VERY OPTIMISTIC. 523 00:27:03,656 --> 00:27:05,925 WE STILL CAN'T PROVE SHE TOOK A SHOT AT YOU, 524 00:27:05,958 --> 00:27:08,127 AND WE DIDN'T GET A CONFESSION AT THE PARK. 525 00:27:08,160 --> 00:27:09,796 THE MOST WE CAN GET ON HER IS STALKING 526 00:27:09,829 --> 00:27:11,698 AND POSSESSION OF FAKE I.D.s. 527 00:27:11,731 --> 00:27:14,466 - WE NEED MORE PROOF THAN SIEGEL'S COOPER 3 CONNECTION. 528 00:27:14,500 --> 00:27:17,770 - THAT'S TRUE. 529 00:27:17,804 --> 00:27:19,471 HE WAS STANDING OUTSIDE HER BUILDING. 530 00:27:19,505 --> 00:27:22,474 THEN HE WALKED TO HIS CAR, 531 00:27:22,508 --> 00:27:25,144 WHERE SHE GOT A JUMP ON HIM. 532 00:27:25,177 --> 00:27:27,980 - YEAH, SHE TOSSED SIEGEL'S GUN AND BADGE IN THE TRASH, 533 00:27:28,014 --> 00:27:30,282 BUT SHE WOULDN'T BE SO CARELESS WITH HER OWN GUN. 534 00:27:30,316 --> 00:27:31,884 - WHAT'S THE BEST WAY TO GET RID OF IT? 535 00:27:31,918 --> 00:27:33,652 - DROP THE GUN IN THE RIVER. 536 00:27:33,686 --> 00:27:35,287 BUT IT'D TAKE 30 MINUTES TO GET THERE BY FOOT. 537 00:27:35,321 --> 00:27:36,622 THAT'S TOO FAR TO CARRY A WEAPON 538 00:27:36,655 --> 00:27:38,490 THAT COULD GET HER LIFE BEHIND BARS. 539 00:27:38,524 --> 00:27:41,393 - MM, SHE WOULDN'T HAVE HAILED A CAB--TOO CLOSE TO THE SCENE. 540 00:27:41,427 --> 00:27:44,330 ON THE VIDEO, SHE WAS HEADED NORTH. 541 00:27:44,363 --> 00:27:47,233 - TOWARDS HER HOME. 542 00:27:47,266 --> 00:27:49,668 DID YOU FIND ANY EQUIPMENT THAT COULD HAVE MELTED THE GUN DOWN? 543 00:27:49,702 --> 00:27:52,304 - UNLESS YOU COUNT HER HOT PLATE, NO. 544 00:27:52,338 --> 00:27:54,073 - ALL RIGHT. 545 00:27:54,106 --> 00:27:55,507 SO EITHER SHE DITCHED THE GUN 546 00:27:55,541 --> 00:27:57,209 IN THE SEWER GRATE AND KEPT MOVING... 547 00:27:57,243 --> 00:27:58,745 - WE CHECKED ALL OF THEM. 548 00:27:58,778 --> 00:28:00,412 - OR SHE WENT HOME, WAITED FOR THE HEAT TO DIE DOWN, 549 00:28:00,446 --> 00:28:02,414 THEN DISPOSED OF IT. 550 00:28:02,448 --> 00:28:04,016 - EH, IT COULD BE ANYWHERE. 551 00:28:06,252 --> 00:28:07,887 - WHAT? 552 00:28:07,920 --> 00:28:10,089 - IT WAS RAINING THE DAY SIEGEL DIED, RIGHT? 553 00:28:10,122 --> 00:28:13,025 - RIGHT. 554 00:28:14,961 --> 00:28:16,662 - WHAT? 555 00:28:16,695 --> 00:28:19,298 WHAT IF SHE HID IT SOMEWHERE WHERE IT WOULD NEVER BE FOUND? 556 00:28:23,235 --> 00:28:25,604 THIS IS DAPPLED. 557 00:28:25,637 --> 00:28:27,840 THE DAY THIS WAS SET, IT WAS RAINING. 558 00:28:27,874 --> 00:28:30,276 - SHE COULD'VE TOSSED THE GUN IN HERE, SMOOTHED IT OVER, 559 00:28:30,309 --> 00:28:32,111 AND NO ONE WOULD EVER KNOW. 560 00:28:32,144 --> 00:28:34,213 - CONSTRUCTION SHOULD HAVE BEEN DONE MONTHS AGO. 561 00:28:34,246 --> 00:28:35,748 I NEVER WOULD HAVE THOUGHT OF IT. 562 00:28:35,782 --> 00:28:39,218 THANK GOD FOR BUREAUCRACY. - MM. 563 00:28:39,251 --> 00:28:40,219 [drilling] 564 00:28:42,554 --> 00:28:43,923 - X-RAYS SHOWED SOMETHING METAL, 565 00:28:43,956 --> 00:28:46,192 BUT WITH ALL THAT REBAR IN THERE, 566 00:28:46,225 --> 00:28:49,228 IT'S HARD TO TELL WHAT IT IS. - LET'S HOPE YOU'RE RIGHT. 567 00:28:49,261 --> 00:28:51,831 OTHERWISE, THE CITY'S GONNA BE PRETTY PISSED AT YOU. 568 00:29:18,257 --> 00:29:21,293 - THE BALLISTICS WERE A MATCH, 569 00:29:21,327 --> 00:29:25,097 AND WE FOUND A FINGERPRINT ON ONE OF THE BULLETS INSIDE. 570 00:29:25,131 --> 00:29:27,633 IT MATCHED REBECCA'S. 571 00:29:27,666 --> 00:29:29,735 - NOW WE JUST HAVE TO FIND HER. 572 00:29:29,768 --> 00:29:33,772 - WELL, WE'RE ONE STEP CLOSER. ONE OF HER PASSPORTS PINGED. 573 00:29:33,806 --> 00:29:38,410 - WITH WHO? - MI-5. I SENT YOU THE FILE. 574 00:29:38,444 --> 00:29:41,447 - MI-5 IS SERIOUS BUSINESS. HOW'D SHE GET ON THEIR RADAR? 575 00:29:41,480 --> 00:29:44,283 - SHE WAS ONE OF THEIR AGENTS. 576 00:29:44,316 --> 00:29:46,452 HER REAL NAME IS RACHEL TURNER. 577 00:29:46,485 --> 00:29:49,288 HER FATHER WAS AMERICAN-- COLONEL IN THE U.S. ARMY. 578 00:29:49,321 --> 00:29:50,589 HER MOTHER WAS BRITISH. 579 00:29:50,622 --> 00:29:53,159 - SHE MOVED AROUND HER WHOLE LIFE, 580 00:29:53,192 --> 00:29:54,961 CONSTANTLY UPROOTED, STARTING OVER, 581 00:29:54,994 --> 00:29:56,662 NEVER LEARNED TO FORM ATTACHMENTS, 582 00:29:56,695 --> 00:30:00,132 BUT GOT VERY GOOD AT FAKING THEM. 583 00:30:00,166 --> 00:30:01,600 - SHE WAS A PERFECT SHOT, 584 00:30:01,633 --> 00:30:03,769 GREAT AT DEVELOPING UNDERGROUND CONTACTS. 585 00:30:03,802 --> 00:30:05,437 TURNS OUT SHE USED THOSE CONTACTS 586 00:30:05,471 --> 00:30:07,206 TO SELL CONFIDENTIAL INFORMATION. 587 00:30:07,239 --> 00:30:08,440 - THAT'S WHEN SHE WENT UNDERGROUND. 588 00:30:08,474 --> 00:30:10,342 - EVERY TIME THEY GET CLOSE TO HER, 589 00:30:10,376 --> 00:30:12,344 SHE REINVENTS HERSELF AND DISAPPEARS. 590 00:30:12,378 --> 00:30:14,180 - NOT THIS TIME. 591 00:30:19,351 --> 00:30:21,153 - YOU WERE RIGHT. 592 00:30:21,187 --> 00:30:25,657 - I'M NOT SURE ABOUT WHAT, BUT I LIKE TO HEAR THAT. 593 00:30:25,691 --> 00:30:27,626 - REBECCA FELL IN LOVE WITH ME. 594 00:30:27,659 --> 00:30:29,161 - YEAH. 595 00:30:29,195 --> 00:30:30,897 - IT SHOULD BE COMFORTING. 596 00:30:30,930 --> 00:30:35,167 IT MEANS WHAT WE HAD WAS SOMEHOW STILL REAL. 597 00:30:35,201 --> 00:30:36,368 - BUT IT'S NOT. 598 00:30:36,402 --> 00:30:40,406 - I WANTED IT TO BE. 599 00:30:40,439 --> 00:30:42,008 AND SHE'S A MURDERER. 600 00:30:45,777 --> 00:30:50,382 - YOU DIDN'T KNOW WHO SHE REALLY WAS. 601 00:30:50,416 --> 00:30:53,552 - IF I'M THE ONLY THING SHE'S STAYING FOR, 602 00:30:53,585 --> 00:30:55,554 LET'S USE IT. 603 00:30:55,587 --> 00:30:58,257 - NO. I'M NOT USING YOU AS BAIT. 604 00:30:58,290 --> 00:30:59,591 - YOU ALREADY DID. 605 00:30:59,625 --> 00:31:01,260 - WHEN SHE DIDN'T KNOW THE TRUTH. 606 00:31:01,293 --> 00:31:03,762 NOW SHE DOES, AND NEED I REMIND YOU, SHE SHOT AT YOU. 607 00:31:03,795 --> 00:31:07,433 - I'M STILL HERE. - LET'S KEEP IT THAT WAY. 608 00:31:07,466 --> 00:31:09,001 GO HOME, NEAL. 609 00:31:09,035 --> 00:31:12,071 I'LL CALL YOU IF I HEAR ANYTHING. 610 00:31:34,626 --> 00:31:36,428 [line rings] - HEY, THIS IS REBECCA. 611 00:31:36,462 --> 00:31:37,696 SORRY I MISSED YOUR CALL. 612 00:31:37,729 --> 00:31:40,266 LEAVE A MESSAGE. [beep] 613 00:31:40,299 --> 00:31:43,135 - I KNOW YOU HAVE HAGEN'S BLACKMAIL ON ME, 614 00:31:43,169 --> 00:31:45,404 AND I HAVE SOMETHING YOU WANT-- 615 00:31:45,437 --> 00:31:48,140 THE LOCATION OF THE DIAMOND. 616 00:31:48,174 --> 00:31:49,741 LET'S TALK. 617 00:31:56,148 --> 00:31:57,783 THIS IS RIDICULOUS. 618 00:31:57,816 --> 00:32:00,619 - INDIAN FOOD IS TRADITIONALLY ENJOYED ON THE FLOOR. 619 00:32:00,652 --> 00:32:02,888 - I'M NOT GONNA HIDE IN MY OWN HOME. 620 00:32:02,921 --> 00:32:05,591 - YOU HAVE AN EX WITH A SNIPER RIFLE, NEAL. 621 00:32:05,624 --> 00:32:08,560 BARE MINIMUM--WE HAVE TO STAY LOW AND AVOID WINDOWS, 622 00:32:08,594 --> 00:32:13,165 WHICH IS NO EASY TASK WITH THIS OPEN-CONCEPT DESIGN. 623 00:32:13,199 --> 00:32:14,633 - I OFFERED HER A TRADE-- 624 00:32:14,666 --> 00:32:16,335 THE LOCATION OF THE DIAMOND 625 00:32:16,368 --> 00:32:17,936 IN EXCHANGE FOR HAGEN'S BLACKMAIL VIDEO. 626 00:32:17,970 --> 00:32:19,805 - WE DON'T HAVE THE LOCATION, NEAL. 627 00:32:19,838 --> 00:32:23,009 WHAT WE HAVE IS A NEARLY INDECIPHERABLE EQUATION 628 00:32:23,042 --> 00:32:24,810 LOCKED UP IN THE STEEL TRAP OF MY MIND. 629 00:32:24,843 --> 00:32:26,945 - BUT SHE DOESN'T KNOW THAT. 630 00:32:26,979 --> 00:32:28,914 - HAND ME THE GOBI. I'M STRESS-EATING. 631 00:32:28,947 --> 00:32:30,749 - IT WAS THE ONLY WAY TO DRAW HER OUT. 632 00:32:30,782 --> 00:32:33,285 - SO BEST-CASE SCENARIO-- 633 00:32:33,319 --> 00:32:36,188 YOU MEET WITH HER, SHE BRINGS THE VIDEO. 634 00:32:36,222 --> 00:32:39,992 THE FEDS SHOW UP, ARREST HER, AND FIND THE VIDEO. 635 00:32:40,026 --> 00:32:42,528 - ALL THE BLACKMAIL HAGEN HAS ON ME IS EXPOSED, 636 00:32:42,561 --> 00:32:43,829 AND I GO BACK TO JAIL. 637 00:32:43,862 --> 00:32:45,831 - THAT'S THE BEST-CASE SCENARIO. 638 00:32:45,864 --> 00:32:48,600 - WORST-CASE--SHE DISCOVERS I DON'T KNOW THE LOCATION, 639 00:32:48,634 --> 00:32:50,469 REALIZES I'M TRYING TO PULL ONE OVER ON HER... 640 00:32:50,502 --> 00:32:53,839 - AND I FIND MYSELF RECITING PROUST OVER YOUR GRAVE. 641 00:32:53,872 --> 00:32:56,308 - LOOKS LIKE I NEED TO FIND A THIRD SCENARIO. 642 00:32:56,342 --> 00:32:57,209 - YEAH. 643 00:32:57,243 --> 00:33:00,046 [cell phone beeps] 644 00:33:09,255 --> 00:33:13,159 SHOULD I BE BRUSHING UP ON MY PROUST? 645 00:33:22,668 --> 00:33:24,903 - NO FBI OUTSIDE? 646 00:33:24,936 --> 00:33:25,904 - YOU KNOW I DON'T WANT THE BUREAU 647 00:33:25,937 --> 00:33:27,573 TO GET AHOLD OF THAT VIDEO. 648 00:33:27,606 --> 00:33:28,740 - REGARDLESS, AS LONG AS YOU'RE ON THAT ANKLET, 649 00:33:28,774 --> 00:33:30,476 I'D RATHER NOT LINGER. 650 00:33:30,509 --> 00:33:34,346 WHERE'S MY DIAMOND? - LOCATION'S IN HERE. 651 00:33:34,380 --> 00:33:37,216 YOUR TURN. 652 00:33:38,717 --> 00:33:41,220 - GIVING UP MILLIONS AND MILLIONS OF DOLLARS 653 00:33:41,253 --> 00:33:43,489 FOR THIS ONE LITTLE VIDEO. 654 00:33:43,522 --> 00:33:46,758 YOU MUST REALLY WANT IT. 655 00:33:46,792 --> 00:33:51,097 - LOOKS LIKE WE BOTH GOT WHAT WE WANTED. 656 00:33:51,130 --> 00:33:54,333 COME WITH ME. LET'S GET THE DIAMOND TOGETHER. 657 00:33:54,366 --> 00:33:56,535 - WHY WOULD I DO THAT? 658 00:33:56,568 --> 00:33:57,903 - BECAUSE YOU WANT TO BE WITH ME, 659 00:33:57,936 --> 00:33:59,605 AND YOU KNOW I WANT THE SAME THING. 660 00:33:59,638 --> 00:34:02,040 - I KNOW YOU WANT THAT DIAMOND. 661 00:34:02,074 --> 00:34:05,244 - IT STOPPED BEING JUST ABOUT THE DIAMOND A LONG TIME AGO. 662 00:34:05,277 --> 00:34:07,713 WE CAN HAVE EVERYTHING WE WANT. 663 00:34:07,746 --> 00:34:09,881 THERE'S NOTHING IN OUR WAY ANYMORE. 664 00:34:09,915 --> 00:34:13,152 - EXCEPT THAT I CAN'T POSSIBLY BELIEVE YOU. 665 00:34:15,554 --> 00:34:18,624 - TAKE IT. 666 00:34:18,657 --> 00:34:21,760 I DON'T CARE ANYMORE. 667 00:34:21,793 --> 00:34:24,330 JUST COME WITH ME. 668 00:34:40,446 --> 00:34:42,414 THE FBI IS ON THE WAY. 669 00:34:44,783 --> 00:34:47,553 - YOU CALLED THE FEDS? 670 00:34:47,586 --> 00:34:50,756 - YOU KILLED MY NEW HANDLER. 671 00:34:50,789 --> 00:34:51,890 - DON'T MAKE ME DO THIS, NEAL. 672 00:34:51,923 --> 00:34:54,593 - TOO LATE. 673 00:34:54,626 --> 00:34:55,927 IT'S OVER. 674 00:35:01,967 --> 00:35:03,569 - YOU'RE AN IDIOT. 675 00:35:03,602 --> 00:35:05,637 WE COULD HAVE HAD EVERYTHING. 676 00:35:05,671 --> 00:35:07,939 - IT WOULDN'T HAVE BEEN REAL. - YOU'RE A CON MAN. 677 00:35:07,973 --> 00:35:09,975 YOU COULD HAVE CONVINCED YOURSELF, 678 00:35:10,008 --> 00:35:12,178 BUT INSTEAD, YOU CHOOSE TO STAY SHACKLED. 679 00:35:12,211 --> 00:35:14,780 - AND YET, STILL FREER THAN YOU. - [laughs] 680 00:35:14,813 --> 00:35:17,015 - YOU'RE ALWAYS RUNNING FROM ONE IDENTITY TO THE NEXT 681 00:35:17,048 --> 00:35:18,417 BECAUSE YOU CAN'T FACE THE TRUTH. 682 00:35:18,450 --> 00:35:19,751 - WHAT'S THAT? 683 00:35:19,785 --> 00:35:21,620 - THAT YOU HATE WHO YOU REALLY ARE. 684 00:35:21,653 --> 00:35:23,689 AND I CAN SEE WHY. 685 00:35:25,457 --> 00:35:27,025 - YOU KNOW ME SO WELL, 686 00:35:27,058 --> 00:35:30,362 YOU KNOW I NEVER TURN UP WITHOUT A WAY OUT. 687 00:35:30,396 --> 00:35:33,265 - ACTUALLY, THERE ARE THREE WAYS OUT-- 688 00:35:33,299 --> 00:35:35,967 THROUGH THE SOUTH WINDOW OR ONE OF TWO DOORS. 689 00:35:36,001 --> 00:35:38,770 - YOU'VE ALWAYS UNDERESTIMATED ME. 690 00:35:38,804 --> 00:35:40,506 THERE'S A FOURTH WAY. 691 00:35:40,539 --> 00:35:41,340 - [grunts] 692 00:35:49,981 --> 00:35:52,718 - [grunts] 693 00:35:52,751 --> 00:35:54,486 - HOLD IT RIGHT THERE! 694 00:35:54,520 --> 00:35:58,457 - FBI! STOP RIGHT THERE! STOP RIGHT THERE! 695 00:35:58,490 --> 00:36:00,692 PUT YOUR WEAPON ON THE GROUND. 696 00:36:00,726 --> 00:36:03,229 NOW! 697 00:36:13,505 --> 00:36:16,308 - OH, LOOK... 698 00:36:16,342 --> 00:36:20,045 SOMEBODY ALREADY BEAT ME TO IT. 699 00:36:20,078 --> 00:36:22,248 - NOW YOU KNOW WHY I DIDN'T MENTION THE FOURTH WAY. 700 00:36:22,281 --> 00:36:26,752 - RACHEL TURNER, YOU ARE UNDER ARREST FOR MURDER. 701 00:36:33,692 --> 00:36:35,894 I GAVE YOU STRICT INSTRUCTIONS NOT TO BAIT HER. 702 00:36:35,927 --> 00:36:38,730 - IT WORKED, DIDN'T IT? 703 00:36:40,065 --> 00:36:41,867 [sighs] 704 00:36:41,900 --> 00:36:43,835 - HOW'D YOU KNOW SHE WASN'T GONNA SHOOT YOU? 705 00:36:43,869 --> 00:36:46,905 - [scoffs] 706 00:37:06,492 --> 00:37:08,527 - RACHEL TURNER HAS BEEN OFFICIALLY CHARGED 707 00:37:08,560 --> 00:37:11,530 WITH THE MURDER OF AGENT DAVID SIEGEL. 708 00:37:11,563 --> 00:37:13,565 - I GUESS THAT'S WHAT THEY CALL CLOSURE. 709 00:37:13,599 --> 00:37:15,901 - LOOK AT IT THIS WAY-- 710 00:37:15,934 --> 00:37:17,436 THE NEXT LUCKY WOMAN WHO COMES ALONG 711 00:37:17,469 --> 00:37:18,804 IS GONNA SEEM LIKE A MILLION BUCKS. 712 00:37:18,837 --> 00:37:20,739 - EITHER THAT, OR EVERY RELATIONSHIP AFTER THIS 713 00:37:20,772 --> 00:37:22,541 IS GONNA SEEM REALLY BORING. 714 00:37:22,574 --> 00:37:24,142 - WELL, THERE'S A LOT OF ROOM BETWEEN REALLY BORING 715 00:37:24,175 --> 00:37:27,446 AND SOMEONE TAKING A SHOT AT YOU. 716 00:37:29,748 --> 00:37:32,318 IT TAKES A DAMN GOOD AGENT TO HELP SOLVE HIS OWN MURDER. 717 00:37:37,456 --> 00:37:39,425 SOMETHING ELSE I SHOULD TELL YOU. 718 00:37:39,458 --> 00:37:42,060 - I'M NOT SURE I'M UP FOR ANOTHER SURPRISE RIGHT NOW. 719 00:37:42,093 --> 00:37:44,496 - I DON'T THINK THIS WILL COME AS A HUGE SHOCK TO YOU. 720 00:37:46,765 --> 00:37:48,233 - YOU'RE GOING TO WASHINGTON. 721 00:37:48,266 --> 00:37:51,102 - THEY WANT ME AS A SECTION CHIEF IN D.C. 722 00:37:51,136 --> 00:37:54,773 - WELL, IT'S BEEN A LONG TIME COMING. 723 00:37:54,806 --> 00:37:57,609 YOU DESERVE IT. - OH. 724 00:37:57,643 --> 00:37:59,778 UH, THE JOB STARTS IN TWO WEEKS. 725 00:37:59,811 --> 00:38:01,447 - TWO WEEKS? WOW. - YEAH. 726 00:38:01,480 --> 00:38:05,116 HARD TO IMAGINE NOT WORKING HERE ANYMORE. 727 00:38:05,150 --> 00:38:06,685 - YEAH. POOR JONES. WHAT'S HE GONNA DO? 728 00:38:06,718 --> 00:38:10,522 - WELL, I'M HOPEFUL THAT HE WILL KEEP YOU OUT OF TROUBLE. 729 00:38:12,123 --> 00:38:13,959 - IN LIGHT OF RECENT EVENTS, 730 00:38:13,992 --> 00:38:16,695 I'M NOT SURE THAT'S THE BEST IDEA. 731 00:38:16,728 --> 00:38:19,665 - YOU HELPED BRING IN SIEGEL'S KILLER. 732 00:38:19,698 --> 00:38:24,035 THAT'S THE ONLY THING YOU SHOULD FEEL RESPONSIBLE FOR. 733 00:38:24,069 --> 00:38:28,840 IF ANYONE SEES IT DIFFERENTLY, THEY SHOULD COME TALK TO ME. 734 00:38:36,147 --> 00:38:38,650 - SHE GOT WHAT SHE DESERVED. YOU, MY FRIEND, DID NOT. 735 00:38:38,684 --> 00:38:40,986 - NOT YET... 736 00:38:41,019 --> 00:38:43,789 BUT THE GAME'S NOT OVER. 737 00:38:43,822 --> 00:38:45,624 - YOU WANT TO GO AFTER THE DIAMOND? 738 00:38:45,657 --> 00:38:47,325 - WELL, LOOK ON THE BRIGHT SIDE. 739 00:38:47,359 --> 00:38:49,227 NOW WE DON'T HAVE TO SPLIT IT THREE WAYS. 740 00:38:49,260 --> 00:38:52,163 - ARE YOU SURE YOU'RE READY? - THERE'S NO REASON TO WAIT. 741 00:38:52,197 --> 00:38:55,133 PETER'S ON HIS WAY TO D.C. REBECCA'S BEHIND BARS. 742 00:38:55,166 --> 00:38:56,968 - WOW. IT TOOK ME LONGER 743 00:38:57,002 --> 00:38:59,337 TO GET OVER MY FAVORITE BARISTA MOVING TO BROOKLYN. 744 00:38:59,371 --> 00:39:01,239 - I'M GUESSING MILLIONS OF DOLLARS IN TREASURE 745 00:39:01,272 --> 00:39:02,874 WOULD HAVE HELPED SPEED UP YOUR RECOVERY. 746 00:39:02,908 --> 00:39:04,009 - CONSIDERABLY. 747 00:39:04,042 --> 00:39:06,545 - SO WE HAVE AN EQUATION TO SOLVE. 748 00:39:15,086 --> 00:39:16,888 MOZ? 749 00:39:16,922 --> 00:39:18,990 [whistles] 750 00:39:19,024 --> 00:39:21,927 - I MUST SUMMON THE EQUATION FROM THE DEPTHS OF MY MIND. 751 00:39:21,960 --> 00:39:24,763 I REQUIRE TOTAL SILENCE AND A SPRIG OF ROSEMARY. 752 00:39:24,796 --> 00:39:27,699 - ROSEMARY? - IT STIMULATES THE BRAIN. 753 00:39:27,733 --> 00:39:29,100 - WELL, I DON'T HAVE ANY ROSEMARY. 754 00:39:29,134 --> 00:39:32,438 - THEN TOTAL SILENCE WILL DO. 755 00:39:37,909 --> 00:39:41,179 - I REALLY APPRECIATE THE OPPORTUNITY, BRUCE. 756 00:39:41,212 --> 00:39:44,550 YEAH, YOU BET. OH, I CAN'T WAIT TO GET STARTED. 757 00:39:44,583 --> 00:39:47,553 BRUCE, I HAVE TO RUN. EL JUST GOT HOME. 758 00:39:47,586 --> 00:39:49,054 I APPRECIATE YOU KEEPING AN EYE ON HER. 759 00:39:49,087 --> 00:39:52,390 THANKS, BYE. - HI. 760 00:39:52,424 --> 00:39:54,760 - HEY. - MM, SO GOOD TO BE HOME. 761 00:39:54,793 --> 00:39:57,128 - MM, GOOD TO HAVE YOU HOME. 762 00:39:57,162 --> 00:40:00,265 both: MM. - MWAH, REALLY GOOD. 763 00:40:00,298 --> 00:40:02,701 - HOW'S NEAL DOING? - PRETTY SHOOK UP. 764 00:40:02,734 --> 00:40:05,070 - DID HE LEARN SOMETHING FROM IT? 765 00:40:05,103 --> 00:40:09,207 - WELL, I'M AFRAID TO SAY IT, HON, BUT MAYBE. 766 00:40:09,240 --> 00:40:14,079 - WELL, FOR THE BETTER? - WE'LL SEE. 767 00:40:14,112 --> 00:40:15,914 - ARE WE CELEBRATING? 768 00:40:15,947 --> 00:40:19,150 - SIEGEL'S CASE IS CLOSED. 769 00:40:19,184 --> 00:40:22,153 REBECCA IS BEHIND BARS, 770 00:40:22,187 --> 00:40:24,923 AND THE BURKES ARE GOING TO WASHINGTON. 771 00:40:24,956 --> 00:40:26,324 - [gasps] [cork pops] 772 00:40:26,357 --> 00:40:29,495 IS IT OFFICIAL? - IT IS. I JUST SPOKE TO BRUCE. 773 00:40:29,528 --> 00:40:32,664 - OH! [squeals] MM, I'M SO PROUD OF YOU. 774 00:40:32,698 --> 00:40:34,633 WELL, THIS IS ACTUALLY PERFECT TIMING, 775 00:40:34,666 --> 00:40:37,168 'CAUSE, UM, I HAVE SOME NEWS OF MY OWN. 776 00:40:37,202 --> 00:40:39,137 WHEN WE FIRST STARTED TALKING ABOUT WASHINGTON, 777 00:40:39,170 --> 00:40:41,640 I REACHED OUT TO THE NATIONAL GALLERY. 778 00:40:41,673 --> 00:40:43,809 THEY JUST CALLED ME AND OFFERED ME A POSITION. 779 00:40:43,842 --> 00:40:45,276 - WHAT? FANTASTIC. 780 00:40:45,310 --> 00:40:46,812 I CAN'T BELIEVE YOU DIDN'T TELL ME. 781 00:40:46,845 --> 00:40:48,346 - WELL, I DIDN'T WANT TO GET MY HOPES UP. 782 00:40:48,379 --> 00:40:50,782 YOU KNOW, I THOUGHT IT WAS A LONG SHOT. 783 00:40:50,816 --> 00:40:53,118 - TO US... - YEAH. 784 00:40:53,151 --> 00:40:55,120 - AND TO OUR NEW LIFE. 785 00:40:55,153 --> 00:40:57,122 - WE'RE REALLY DOING THIS, AREN'T WE? 786 00:40:57,155 --> 00:41:00,692 - YEAH, I THINK WE ARE. 787 00:41:00,726 --> 00:41:03,361 - WOW. - YOU OKAY? 788 00:41:03,394 --> 00:41:05,664 - YEAH, IT'S JUST, UH-- 789 00:41:05,697 --> 00:41:08,033 IT'S FINALLY HITTING ME, YOU KNOW. 790 00:41:08,066 --> 00:41:09,668 WE'RE GONNA BE PACKING UP THIS WHOLE HOUSE 791 00:41:09,701 --> 00:41:11,803 AND WALKING OUT THAT FRONT DOOR. 792 00:41:13,839 --> 00:41:15,707 - YEAH. 793 00:41:15,741 --> 00:41:19,010 IT'S GONNA BE TOUGH TO LEAVE. - YEAH. 794 00:41:19,044 --> 00:41:22,848 - BUT THEN AGAIN, THERE WILL BE A NEW DOOR WE CAN GO THROUGH... 795 00:41:22,881 --> 00:41:24,883 AT THE NATIONAL GALLERY. 796 00:41:24,916 --> 00:41:28,153 - AND THE FBI HEADQUARTERS. [both chuckle] 797 00:41:30,756 --> 00:41:33,091 - TO NEW DOORS. 798 00:41:36,061 --> 00:41:39,097 [cell phone ringing] 799 00:41:43,368 --> 00:41:46,037 - HELLO? - DO YOU ACCEPT A COLLECT CALL 800 00:41:46,071 --> 00:41:48,339 FROM THE METROPOLITAN CORRECTIONAL FACILITY? 801 00:41:48,373 --> 00:41:52,377 INMATE... - RACHEL TURNER. 802 00:41:52,410 --> 00:41:54,145 - DO YOU ACCEPT A COLLECT CALL 803 00:41:54,179 --> 00:41:56,715 FROM THE METROPOLITAN CORRECTIONAL FACILITY? 804 00:41:56,748 --> 00:41:58,650 INMATE... - RACHEL TURNER. 805 00:41:58,684 --> 00:42:00,919 - YES. 806 00:42:00,952 --> 00:42:04,255 - I'M IMPRESSED, NEAL. THAT WAS WELL PLAYED. 807 00:42:04,289 --> 00:42:07,425 - WHAT'S THE THREAT? YOU KEPT A BACKUP OF THE VIDEO? 808 00:42:07,458 --> 00:42:10,095 - NO, I DIDN'T. 809 00:42:10,128 --> 00:42:13,865 THERE'S NO THREAT, JUST A PROMISE. 810 00:42:13,899 --> 00:42:16,702 I'LL SEE YOU SOON. 811 00:42:53,972 --> 00:42:56,107 [dog barks]