1 00:00:02,403 --> 00:00:03,371 - PREVIOUSLY ON WHITE COLLAR... 2 00:00:03,404 --> 00:00:04,905 DAVID SIEGEL. 3 00:00:04,938 --> 00:00:06,707 CAUSE OF DEATH WAS A GUNSHOT WOUND TO THE STERNUM. 4 00:00:06,740 --> 00:00:08,309 - WHAT DO YOU WANT? 5 00:00:08,342 --> 00:00:09,677 - YOU'RE GONNA HELP SET ME FREE. 6 00:00:09,710 --> 00:00:11,312 - THE MOSCONI CODEX. 7 00:00:11,345 --> 00:00:13,381 YOU WANT ME TO RISK JAIL FOR A LITTLE LIGHT READING? 8 00:00:13,414 --> 00:00:14,748 IF THIS BOOK IS A PUZZLE, 9 00:00:14,782 --> 00:00:16,350 MAYBE THESE ARE THE PIECES. 10 00:00:16,384 --> 00:00:18,886 - I KNOW THAT THE CODEX LEADS TO THE WINDOW. 11 00:00:18,919 --> 00:00:21,055 ISN'T IT LUCKY THAT YOU WERE PLANNING TO STEAL IT FOR ME? 12 00:00:21,089 --> 00:00:24,225 - THE DECODER LENS. IT DOESN'T WORK ON OURS. 13 00:00:24,258 --> 00:00:26,360 - BECAUSE IT'S A COPY. SO WHAT'S THE PLAN? 14 00:00:26,394 --> 00:00:28,562 - LEVERAGE THE DECODER FOR THE EVIDENCE TAPE. 15 00:00:28,596 --> 00:00:30,731 - THEN YOU'LL BE FREE. - DEPENDS ON PETER. 16 00:00:30,764 --> 00:00:32,433 - YOU ROBBED A VAULT UNDER MY WATCH. 17 00:00:32,466 --> 00:00:34,068 - I CAN EXPLAIN. 18 00:00:34,102 --> 00:00:35,603 - DON'T YOU DARE TRY TO JUSTIFY IT. 19 00:00:35,636 --> 00:00:36,870 - I DID IT FOR YOU! 20 00:00:36,904 --> 00:00:38,539 - WHY SHOULD WE LOSE EVERYTHING? 21 00:00:38,572 --> 00:00:41,142 - WHAT DOES IT SAY ABOUT ME IF I LET THIS GO? 22 00:00:57,091 --> 00:00:59,727 NEAL, YOU ROBBED A VAULT UNDER MY WATCH. 23 00:00:59,760 --> 00:01:01,262 - I CAN EXPLAIN. - DON'T. 24 00:01:01,295 --> 00:01:04,198 DON'T YOU DARE TRY TO JUSTIFY WHAT YOU DID! 25 00:01:04,232 --> 00:01:07,768 I PUT MYSELF OUT ON THE LINE FOR YOU ALL THE TIME! 26 00:01:07,801 --> 00:01:10,070 I NEARLY LOST EVERYTHING-- - I DID IT FOR YOU! 27 00:01:10,104 --> 00:01:12,406 MAKE SURE DAWSON WOULD AUTHENTICATE THE CONFESSION. 28 00:01:12,440 --> 00:01:14,375 I TOOK A BRIBE. I DID THE RIGHT THING. 29 00:01:14,408 --> 00:01:15,909 - NONE OF THIS IS RIGHT. 30 00:01:15,943 --> 00:01:18,212 WHAT DOES IT SAY ABOUT ME IF I LET THIS GO? 31 00:01:18,246 --> 00:01:19,747 - THAT'S NOT JUSTICE. YOU'RE--YOU'RE INNOCENT. 32 00:01:19,780 --> 00:01:21,815 - I DID THE RIGHT THING. - WHY SHOULD WE LOSE EVERYTHING? 33 00:01:21,849 --> 00:01:23,384 - NONE OF THIS IS RIGHT. THINGS ARE GONNA CHANGE. 34 00:01:23,417 --> 00:01:24,818 I'VE BEEN PROMOTED. - I TURNED THEM IN. 35 00:01:24,852 --> 00:01:29,523 [overlapping voices] 36 00:01:31,925 --> 00:01:36,630 [overlapping voices continue] 37 00:01:36,664 --> 00:01:39,567 [voices stop] 38 00:01:39,600 --> 00:01:42,470 [phone ringing] 39 00:01:42,503 --> 00:01:47,308 - [panting] 40 00:01:47,341 --> 00:01:50,578 THIS IS BURKE. - I CATCH YOU AT A BAD TIME? 41 00:01:50,611 --> 00:01:52,513 - BRUCE, HEY, SORRY. 42 00:01:52,546 --> 00:01:54,948 I WAS ON A RUN. - YOU CAN RELAX. 43 00:01:54,982 --> 00:01:59,287 SECTION CHIEFS DON'T GO THROUGH STANDARD PHYSICAL EVALS. 44 00:01:59,320 --> 00:02:01,589 - SECTION CHIEF. 45 00:02:01,622 --> 00:02:03,123 THEY WANT ME IN D.C.? 46 00:02:03,157 --> 00:02:04,925 - THERE WAS AN OPENING AT HQ. 47 00:02:04,958 --> 00:02:06,260 THE HIGHER-UPS TOOK SOME CONVINCING, 48 00:02:06,294 --> 00:02:07,361 BUT I WAS ABLE TO PUSH YOU FOR IT. 49 00:02:07,395 --> 00:02:10,164 JOB'S YOURS. - [sighs] 50 00:02:10,198 --> 00:02:11,332 - YOU NEED TO CATCH YOUR BREATH? 51 00:02:11,365 --> 00:02:13,867 - NO, I-- 52 00:02:13,901 --> 00:02:15,035 YOU KNOW, I GOTTA BE HONEST, IT'S-- 53 00:02:15,068 --> 00:02:16,437 THIS IS NOT THE BEST TIME. 54 00:02:16,470 --> 00:02:18,972 I HAVE CASE FILES AND PENDING CASE FILES. 55 00:02:19,006 --> 00:02:20,208 IT'S JUST-- - YEAH. 56 00:02:20,241 --> 00:02:22,109 THERE WILL ALWAYS BE CASES PENDING. 57 00:02:22,142 --> 00:02:23,477 I TRUST YOU TRAINED THE PEOPLE UNDER YOU 58 00:02:23,511 --> 00:02:24,945 WELL ENOUGH TO HANDLE THEM. 59 00:02:24,978 --> 00:02:26,380 - WHEN WOULD I HAVE TO BE IN D.C.? 60 00:02:26,414 --> 00:02:28,816 - TWO WEEKS. - THAT'S AWFULLY SOON. 61 00:02:28,849 --> 00:02:32,586 - PETER, ARE YOU READY TO LEAVE WHITE COLLAR OR NOT? 62 00:02:44,832 --> 00:02:46,066 - [knocks on door] 63 00:02:46,099 --> 00:02:48,001 - NEW CASE? - OH. 64 00:02:48,035 --> 00:02:50,671 POTENTIAL ART FORGERY AT THE SULLIVAN AUCTION HOUSE. 65 00:02:50,704 --> 00:02:51,739 FIGURED IT'D BE THE PERFECT ASSIGNMENT 66 00:02:51,772 --> 00:02:54,842 FOR YOU AND CAFFREY. 67 00:02:54,875 --> 00:02:58,579 - YOU AND I CAN TAKE CARE OF IT. 68 00:03:01,615 --> 00:03:03,684 - CAN WE TALK? 69 00:03:03,717 --> 00:03:05,152 - WHAT'S ON YOUR MIND? 70 00:03:05,185 --> 00:03:07,087 - WELL, I WAS GONNA ASK YOU THE SAME THING. 71 00:03:07,120 --> 00:03:08,756 - I'M FINE. - YEAH, SURE, YOU'RE FINE, 72 00:03:08,789 --> 00:03:10,758 UNTIL I MENTION CAFFREY'S NAME. 73 00:03:10,791 --> 00:03:13,026 THEN, YOU LOOK LIKE YOU WANNA PUNCH A HOLE THROUGH THE WALL. 74 00:03:13,060 --> 00:03:13,994 - IT'S NOT THAT OBVIOUS, IS IT? 75 00:03:14,027 --> 00:03:16,897 - NOT TO ANYONE ELSE HERE, 76 00:03:16,930 --> 00:03:18,732 BUT I'VE KNOWN THE BOTH OF YOU LONG ENOUGH 77 00:03:18,766 --> 00:03:22,370 TO TELL WHEN SOMETHING'S UP. 78 00:03:22,403 --> 00:03:23,537 LOOK, I DON'T KNOW WHAT HAPPENED, 79 00:03:23,571 --> 00:03:25,105 AND I'M NOT GONNA ASK, 80 00:03:25,138 --> 00:03:28,876 BUT I JUST THINK IT'S TIME TO END THE CYCLE. 81 00:03:28,909 --> 00:03:30,511 - CYCLE? - YEAH. 82 00:03:30,544 --> 00:03:32,413 YOU KNOW, THE ONE WHERE NEAL DOES SOMETHING WRONG, 83 00:03:32,446 --> 00:03:33,947 FINDS A WAY TO JUSTIFY IT, 84 00:03:33,981 --> 00:03:35,749 AND PUTS YOU IN THE HOT SEAT AS A RESULT. 85 00:03:35,783 --> 00:03:38,552 - [laughs] SO IT IS THAT OBVIOUS. 86 00:03:38,586 --> 00:03:39,887 - WELL, PETER, YOU HAVE AN OPPORTUNITY 87 00:03:39,920 --> 00:03:42,122 FEW AGENTS IN THIS BUREAU EVER SEE, 88 00:03:42,155 --> 00:03:43,957 AND YOU SHOULD HAVE MOVED ON TO IT BY NOW. 89 00:03:43,991 --> 00:03:47,428 I MEAN, YOU'VE LET ONE CI HOLD YOU BACK LONG ENOUGH. 90 00:03:49,497 --> 00:03:50,898 - I HAVE A FEW LOOSE ENDS HERE 91 00:03:50,931 --> 00:03:52,266 THAT NEED TYING UP. 92 00:03:52,300 --> 00:03:53,901 - I'M ALL FOR TYING UP LOOSE ENDS, 93 00:03:53,934 --> 00:03:57,638 AS LONG AS THEY AREN'T CAFFREY. 94 00:03:57,671 --> 00:04:00,374 AND PETER, YOU-- 95 00:04:00,408 --> 00:04:03,076 YOU ALWAYS TAKE RESPONSIBILITY FOR HIM, 96 00:04:03,110 --> 00:04:04,378 BUT MAYBE IT'S TIME HE STARTS 97 00:04:04,412 --> 00:04:05,913 TAKING RESPONSIBILITY FOR HIMSELF. 98 00:04:05,946 --> 00:04:08,916 THAT'S ALL I WANNA SAY. 99 00:04:15,489 --> 00:04:18,125 - SO HOW LONG WILL THE SUIT BOX YOU OUT? 100 00:04:18,158 --> 00:04:20,461 - OH, HE'LL CALL ME WHEN HE NEEDS ME. 101 00:04:20,494 --> 00:04:22,663 - HIS WORDS? - MORE OR LESS. 102 00:04:22,696 --> 00:04:25,132 - I'M GUESSING MORE, BUT YOU'RE NOT WEARING 103 00:04:25,165 --> 00:04:26,467 HANDCUFFS AND AN ORANGE ONESIE. 104 00:04:26,500 --> 00:04:28,135 THAT MEANS SOMETHING. 105 00:04:28,168 --> 00:04:30,471 - THAT MEANS HE DOESN'T WANNA GO BACK TO PRISON. 106 00:04:30,504 --> 00:04:31,805 - YET HE BLAMES YOU FOR HIS FREEDOM. 107 00:04:31,839 --> 00:04:33,073 - HE CAN'T SEE PAST THE FACT 108 00:04:33,106 --> 00:04:34,508 THAT THE LAW WAS BROKEN. 109 00:04:34,542 --> 00:04:35,909 - [laughs] 110 00:04:35,943 --> 00:04:37,745 IRONY HAS SELDOM BEEN MORE PERVERSE. 111 00:04:37,778 --> 00:04:40,080 - MM. 112 00:04:40,113 --> 00:04:41,148 WELL, THIS ALL STARTED WITH HAGEN. 113 00:04:41,181 --> 00:04:43,016 TODAY, IT ENDS WITH HIM. 114 00:04:43,050 --> 00:04:45,252 HE WANTS THE WINDOW, I WANT THE BLACKMAIL HE'S GOT ON ME, 115 00:04:45,285 --> 00:04:47,621 AND I DON'T PLAN TO WALK AWAY WITH NOTHING. 116 00:04:47,655 --> 00:04:49,122 - YEAH, NEITHER DOES HE. 117 00:04:49,156 --> 00:04:51,892 - SO IT'S TIME TO MAKE A TRADE. 118 00:05:02,870 --> 00:05:06,340 - WHERE IS IT? - IN A SAFE PLACE. 119 00:05:06,374 --> 00:05:07,708 BUT YOU'RE NOT GETTING THE WINDOW, 120 00:05:07,741 --> 00:05:09,477 NOT TODAY. 121 00:05:09,510 --> 00:05:10,844 - THAT WASN'T WHAT WE AGREED. 122 00:05:10,878 --> 00:05:11,945 - I'M RENEGOTIATING. 123 00:05:11,979 --> 00:05:13,847 NEW DEAL IN PLAY. 124 00:05:13,881 --> 00:05:15,549 YOU GET THE WINDOW, I GET THE VIDEO OF ME 125 00:05:15,583 --> 00:05:18,318 STEALING THOSE GOLD COINS. 126 00:05:18,352 --> 00:05:19,052 - I THOUGHT YOU MIGHT BE INCLINED 127 00:05:19,086 --> 00:05:21,188 TO TRY SOMETHING LIKE THIS, 128 00:05:21,221 --> 00:05:24,124 SO I BROUGHT ALONG A LITTLE INCENTIVE 129 00:05:24,157 --> 00:05:27,160 FOR YOU TO CONSIDER. 130 00:05:35,235 --> 00:05:38,005 ARE YOU CONSIDERING, NEAL? 131 00:05:38,038 --> 00:05:40,741 - WHERE IS SHE? 132 00:05:40,774 --> 00:05:43,043 - IF YOU EVER WANT TO SEE HER AGAIN, 133 00:05:43,076 --> 00:05:45,078 YOU WILL LET GO OF ME. 134 00:05:45,112 --> 00:05:47,147 - IF YOU HURT HER, I SWEAR-- - WHAT? 135 00:05:47,180 --> 00:05:49,082 - SHE IS INNOCENT IN ALL OF THIS. 136 00:05:49,116 --> 00:05:50,217 - I DISAGREE, SHE'S IN YOUR LIFE, 137 00:05:50,250 --> 00:05:51,819 AND THAT MAKES HER FAIR GAME. 138 00:05:51,852 --> 00:05:53,020 - NO, THIS IS BETWEEN YOU AND ME. 139 00:05:53,053 --> 00:05:54,722 REBECCA WAS NEVER A PART OF OUR DEAL. 140 00:05:54,755 --> 00:05:56,990 - WELL, SHE IS NOW, AND I HAVE HER. 141 00:05:57,024 --> 00:05:59,693 DON'T PRESUME TO KNOW WHAT I'M CAPABLE OF. 142 00:06:01,962 --> 00:06:05,232 THIS ADDRESS. 143 00:06:05,265 --> 00:06:07,034 YOU HAVE 30 MINUTES TO DELIVER THE WINDOW. 144 00:06:07,067 --> 00:06:09,202 IF YOU CONTACT THE FBI, SHE'S DEAD. 145 00:06:09,236 --> 00:06:11,905 YOU TRY ANYTHING CLEVER, SHE'S DEAD. 146 00:06:11,939 --> 00:06:13,206 OH, AND IF YOU FORGET TO BRING 147 00:06:13,240 --> 00:06:16,076 THE LITTLE BALD FRIEND OF YOURS ALONG, 148 00:06:16,109 --> 00:06:19,112 WELL, YOU GET THE PICTURE. 149 00:06:19,146 --> 00:06:21,549 - LOOK I-I NEED MORE THAN 30 MINUTES. 150 00:06:21,582 --> 00:06:25,719 - THAT'S ALL YOU HAVE. THAT'S MAYBE ALL SHE HAS. 151 00:06:38,599 --> 00:06:41,602 [rock music] 152 00:06:41,635 --> 00:06:49,610 * 153 00:07:02,322 --> 00:07:04,892 - ANYTHING? - STILL NO AUDIO. 154 00:07:04,925 --> 00:07:06,960 AND NO INDICATION OF WHERE SHE IS. 155 00:07:06,994 --> 00:07:09,497 THE VISUAL'S TOO TIGHT. - WHAT ABOUT A TRACE? 156 00:07:09,530 --> 00:07:11,164 - ACCORDING TO MY SOFTWARE, THIS IMAGE 157 00:07:11,198 --> 00:07:13,100 IS BEING TRANSMITTED FROM A CELL TOWER 158 00:07:13,133 --> 00:07:14,668 HALFWAY AROUND THE WORLD. 159 00:07:14,702 --> 00:07:16,504 - HAGEN COVERED HIS TRACKS. 160 00:07:16,537 --> 00:07:18,472 - YEAH, HE'S BOUNCING THE SIGNAL AROUND LIKE A BEACH BALL. 161 00:07:18,506 --> 00:07:20,273 HOW ARE WE FOR TIME? - 11 MINUTES. 162 00:07:20,307 --> 00:07:21,775 WHAT ABOUT THE ADDRESS HE GAVE US? 163 00:07:21,809 --> 00:07:23,310 - IT'S AN EMPTY TRAIN STATION. 164 00:07:23,343 --> 00:07:25,679 BEEN CLOSED FOR YEARS. THIS COULD BE A TRAP. 165 00:07:25,713 --> 00:07:27,648 - I DON'T CARE, I'M GETTING HER BACK NO MATTER WHAT. 166 00:07:27,681 --> 00:07:29,282 - I THOUGHT YOU MIGHT SAY THAT. 167 00:07:29,316 --> 00:07:33,921 FORTUNATELY, I'M ALWAYS PREPARED. 168 00:07:33,954 --> 00:07:35,523 - A LISTENING DEVICE. 169 00:07:35,556 --> 00:07:38,191 - A TRANSMITTER WITH GPS TRACKING. 170 00:07:38,225 --> 00:07:40,027 THIS EARWIG ACTS AS A RECEIVER. 171 00:07:40,060 --> 00:07:41,962 - IF I PLANT IT ON HAGEN, HE COULD LEAD US TO REBECCA. 172 00:07:41,995 --> 00:07:44,131 - IT'S A BIG IF, BUT IT'S AN OPTION. 173 00:07:44,164 --> 00:07:45,833 - [sighs] MAYBE OUR ONLY ONE. 174 00:07:45,866 --> 00:07:48,035 - [sighs] NEAL, IT'S NOT THE ONLY ONE. 175 00:07:48,068 --> 00:07:50,037 - NO. 176 00:07:50,070 --> 00:07:52,105 NO, IT'S TOO RISKY, ALL RIGHT? - HE COULD HELP US. 177 00:07:52,139 --> 00:07:53,841 - AFTER EVERYTHING PETER AND I JUST WENT THROUGH, 178 00:07:53,874 --> 00:07:55,943 THERE'S NO TELLING WHAT HE'LL DO. 179 00:07:55,976 --> 00:07:57,344 I'M ON MY OWN. 180 00:07:57,377 --> 00:08:01,314 - NO. WE'RE ON OUR OWN. 181 00:08:01,348 --> 00:08:05,719 TEN MINUTES AND COUNTING. LET'S GO. 182 00:08:13,360 --> 00:08:14,695 - HEY. - HEY, HONEY. 183 00:08:14,728 --> 00:08:15,963 - YOU OKAY? - BETTER NOW. 184 00:08:15,996 --> 00:08:19,199 - MM. MM. 185 00:08:19,232 --> 00:08:20,367 YOU KNOW, I COULD'VE MET YOU AT THE OFFICE. 186 00:08:20,400 --> 00:08:22,803 - NO, IT'S NICER HERE. - YEAH. 187 00:08:22,836 --> 00:08:24,171 HM. HM. 188 00:08:24,204 --> 00:08:26,740 - BRUCE CALLED. 189 00:08:26,774 --> 00:08:28,208 I START THE SECTION CHIEF JOB 190 00:08:28,241 --> 00:08:31,044 IN WASHINGTON IN TWO WEEKS. 191 00:08:31,078 --> 00:08:32,980 - TWO WEEKS? - YUP. 192 00:08:33,013 --> 00:08:34,982 - WOW. OKAY. 193 00:08:35,015 --> 00:08:37,017 TWO WEEKS. [laughs] 194 00:08:37,050 --> 00:08:39,519 OKAY, I'VE--I'VE PLANNED PARTIES WITH LESS PREPARATION. 195 00:08:39,553 --> 00:08:41,221 I CAN DO THIS, WE'VE GOTTA PUT THE HOUSE 196 00:08:41,254 --> 00:08:42,856 ON THE MARKET, AND PACK EVERYTHING UP. 197 00:08:42,890 --> 00:08:44,257 AND WE HAVEN'T EVEN DECIDED ON A NEIGHBORHOOD. 198 00:08:44,291 --> 00:08:46,259 - IT DOESN'T FEEL RIGHT. 199 00:08:46,293 --> 00:08:47,995 - HONEY, WE-- WE'VE HAD THIS DISCUSSION. 200 00:08:48,028 --> 00:08:49,329 - I KNOW, BUT YOU'RE THE ONLY PERSON 201 00:08:49,362 --> 00:08:50,764 I CAN TALK TO ABOUT THIS. 202 00:08:50,798 --> 00:08:52,332 - AND I WILL ALWAYS LISTEN, 203 00:08:52,365 --> 00:08:53,834 BUT YOU WERE INNOCENT. 204 00:08:53,867 --> 00:08:57,370 YOU DESERVE TO BE FREE. 205 00:08:57,404 --> 00:09:00,540 - I'VE MADE MY PEACE WITH WHAT NEAL DID, 206 00:09:00,574 --> 00:09:04,011 BUT I'M NOT SURE IF I'VE MADE PEACE WITH MYSELF. 207 00:09:04,044 --> 00:09:05,412 - FOR WHAT? 208 00:09:05,445 --> 00:09:08,782 - FOR ACCEPTING IT. THE TIMING OF THIS-- 209 00:09:08,816 --> 00:09:10,918 - IS A SIGN FOR YOU TO MOVE ON. 210 00:09:10,951 --> 00:09:13,420 - [sighs] 211 00:09:13,453 --> 00:09:15,789 HONEY, THERE'S SOMETHING ELSE. 212 00:09:18,826 --> 00:09:20,293 - SO THAT'S WHAT THIS IS ABOUT. 213 00:09:20,327 --> 00:09:23,563 - I CAN'T LEAVE UNTIL I KNOW THE WHOLE TRUTH, 214 00:09:23,597 --> 00:09:25,265 UNTIL I REALLY KNOW WHAT HAPPENED 215 00:09:25,298 --> 00:09:28,435 TO DAVID SIEGEL THAT DAY. 216 00:09:30,470 --> 00:09:32,372 - WORK? - YEAH. 217 00:09:32,405 --> 00:09:34,207 POSSIBLE FORGERY AT AN AUCTION HOUSE. 218 00:09:34,241 --> 00:09:37,277 I'M INTERVIEWING THE MANAGER IN 15. 219 00:09:37,310 --> 00:09:39,246 - SHOULD I DARE TO ASK? - NO. 220 00:09:39,279 --> 00:09:41,314 NEAL'S NOT WORKING WITH ME ON THIS. 221 00:09:41,348 --> 00:09:44,151 WHAT? 222 00:09:44,184 --> 00:09:46,219 - YOU SAID YOU MADE YOUR PEACE WITH WHAT HE DID. 223 00:09:46,253 --> 00:09:48,155 - THAT'S RIGHT. 224 00:09:48,188 --> 00:09:51,925 - HAVE YOU ACTUALLY MADE YOUR PEACE WITH HIM? 225 00:09:51,959 --> 00:09:53,326 - WHEN IT COMES TO WORK, 226 00:09:53,360 --> 00:09:57,064 I CAN'T LET EMOTIONS CLOUD MY JUDGMENT. 227 00:09:57,097 --> 00:10:01,334 - I THINK YOU ALREADY HAVE. 228 00:10:24,157 --> 00:10:27,127 - WE'RE HERE. 229 00:10:29,162 --> 00:10:30,831 I BROUGHT YOU THE GLASS. IT'S YOURS. 230 00:10:30,864 --> 00:10:33,166 NOW TELL ME WHERE REBECCA IS. 231 00:10:33,200 --> 00:10:34,334 - THIS IS A VERY SMALL WINDOW. 232 00:10:34,367 --> 00:10:36,636 - THE PANE ACTS AS A FILTER. 233 00:10:36,670 --> 00:10:38,638 MY GUESS, YOU HOLD IT OVER THE ORIGINAL CODEX, 234 00:10:38,672 --> 00:10:40,540 AND YOU'LL SEE THE HIDDEN MESSAGE MOSCONI PLACED IN IT. 235 00:10:40,573 --> 00:10:43,777 NOW LET HER GO. 236 00:10:43,811 --> 00:10:46,013 - YOU'RE A LITTLE TALLER THAN I PICTURED. 237 00:10:46,046 --> 00:10:48,548 - A LITTLE HACKIER THAN I PICTURED. 238 00:10:48,581 --> 00:10:51,551 - LET'S SEE MS. LOWE THEN, SHALL WE? 239 00:11:01,428 --> 00:11:03,130 - NO. 240 00:11:03,163 --> 00:11:06,299 I CAME THROUGH ON MY END. - YES, YOU DID. 241 00:11:06,333 --> 00:11:09,036 BUT NOW, I'M RENEGOTIATING. 242 00:11:16,009 --> 00:11:20,480 THE ORIGINAL CHAPTER 13. 243 00:11:20,513 --> 00:11:21,982 THERE IS A MESSAGE HERE. 244 00:11:22,015 --> 00:11:25,585 - AND YOU WANT US TO STAY AND FIGURE IT OUT. 245 00:11:25,618 --> 00:11:27,654 - HE'S SMART, AND YOU'RE SLIPPERY, 246 00:11:27,687 --> 00:11:29,556 SO BETTER I KEEP AN EYE ON YOU BOTH. 247 00:11:29,589 --> 00:11:31,091 - HOW DO I KNOW SHE STAYS SAFE? 248 00:11:31,124 --> 00:11:34,094 - FUNNY, ISN'T IT? DON'T NEED A GUN. 249 00:11:34,127 --> 00:11:36,029 DON'T EVEN NEED BLACKMAIL ANYMORE. 250 00:11:36,063 --> 00:11:40,433 JUST ONE STRIKING IMAGE. 251 00:11:40,467 --> 00:11:42,069 - LOOK. 252 00:11:42,102 --> 00:11:43,503 IF YOU WANT US TO SOLVE THIS PUZZLE, 253 00:11:43,536 --> 00:11:45,238 YOU HAVE TO TELL US EVERYTHING, 254 00:11:45,272 --> 00:11:48,241 CHAPTER 13, THE STAINED GLASS, THE MASONS. 255 00:11:48,275 --> 00:11:50,911 FIRST, WHERE DOES THIS ALL BEGIN? 256 00:11:50,944 --> 00:11:53,713 - THIS ALL BEGAN WITH ANOTHER STRIKING IMAGE. 257 00:11:58,051 --> 00:12:01,354 THIS ONE. 258 00:12:01,388 --> 00:12:03,190 - THIS IS A MOSCONI. 259 00:12:03,223 --> 00:12:05,926 - I WAS RESTORING THE MURAL SEVERAL YEARS AGO 260 00:12:05,959 --> 00:12:07,460 WHEN I NOTICED SOMETHING. 261 00:12:07,494 --> 00:12:09,296 - EACH SHADE OF LIGHT IS DIFFERENT. 262 00:12:09,329 --> 00:12:12,265 CAMBRIDGE, COBALT, INDIGO, TEAL. 263 00:12:12,299 --> 00:12:14,734 13 DISTINCT HUES OF BLUE. 264 00:12:14,768 --> 00:12:17,470 - LEGEND HAS IT THAT THE MASONS ENTRUSTED MOSCONI 265 00:12:17,504 --> 00:12:19,639 WITH SOMETHING OF GREAT VALUE. 266 00:12:19,672 --> 00:12:21,141 HE ENSURED ITS SAFETY BY HIDING IT 267 00:12:21,174 --> 00:12:22,976 SHORTLY BEFORE HE LEFT THIS COUNTRY, 268 00:12:23,010 --> 00:12:24,978 BUT NOT WITHOUT LEAVING A TRAIL. 269 00:12:25,012 --> 00:12:26,579 THOSE HUES THAT YOU IDENTIFIED 270 00:12:26,613 --> 00:12:29,549 ARE THE BEGINNING OF THAT TRAIL. 271 00:12:29,582 --> 00:12:32,419 13 IS A SACRED NUMBER FOR THE MASONS. 272 00:12:32,452 --> 00:12:36,223 HE NEVER REFERENCED IT IN ANY OTHER WORK BUT ONE. 273 00:12:36,256 --> 00:12:38,325 - THE CODEX. 274 00:12:38,358 --> 00:12:39,559 CHAPTER 13. 275 00:12:39,592 --> 00:12:42,262 - SO, UH, WHAT'S THE POT OF GOLD? 276 00:12:42,295 --> 00:12:43,596 - YOU WOULDN'T BELIEVE ME IF I TOLD YOU. 277 00:12:43,630 --> 00:12:46,533 [cell phone chimes] 278 00:12:49,202 --> 00:12:50,838 - IT'S PETER. WE'VE GOT A CASE. 279 00:12:50,871 --> 00:12:53,807 - AGENT BURKE CAN WAIT. - I DON'T THINK YOU GET IT. 280 00:12:53,841 --> 00:12:55,675 IF I DON'T SHOW UP, PETER GETS SUSPICIOUS. 281 00:12:55,708 --> 00:12:57,510 IF HE GETS SUSPICIOUS, HE CHECKS MY ANKLET, 282 00:12:57,544 --> 00:12:59,847 WHICH LEADS HIM RIGHT HERE. 283 00:12:59,880 --> 00:13:03,250 - FINE, BUT YOUR FRIEND STAYS. ANY-- 284 00:13:03,283 --> 00:13:05,919 - I WANNA TALK TO HER BEFORE I LEAVE. 285 00:13:05,953 --> 00:13:08,956 I'LL STAND RIGHT HERE UNTIL YOU HAND ME THE PHONE. 286 00:13:18,165 --> 00:13:22,535 REBECCA, IT'S ME. IT'S NEAL. 287 00:13:25,138 --> 00:13:27,674 I CAN'T HEAR HER. - SHE CAN HEAR YOU. 288 00:13:27,707 --> 00:13:30,210 AND THAT'S GOOD ENOUGH. - LISTEN TO ME. 289 00:13:30,243 --> 00:13:32,045 I'M COMING FOR YOU. IT'S GONNA BE OKAY. 290 00:13:32,079 --> 00:13:34,181 I'M GONNA GET YOU OUT OF THERE. JUST-- 291 00:13:34,214 --> 00:13:36,549 - BAD FORM TO KEEP A LADY WAITING. 292 00:13:36,583 --> 00:13:39,286 HURRY ALONG TO AGENT BURKE. 293 00:13:39,319 --> 00:13:41,621 - I'LL HAVE THIS ALL FIGURED OUT BEFORE YOU GET BACK. 294 00:13:41,654 --> 00:13:46,226 JUST GO. 295 00:13:46,259 --> 00:13:51,064 - IF ANYTHING HAPPENS TO HER OR HIM, 296 00:13:51,098 --> 00:13:54,868 YOU'LL SEE WHAT I'M CAPABLE OF. 297 00:14:04,711 --> 00:14:07,380 - TELL ME WHAT YOU SEE. 298 00:14:07,414 --> 00:14:09,482 - A LOT OF PEOPLE, 299 00:14:09,516 --> 00:14:12,419 BUT I'M SURE WE'LL FIND WALDO IN THERE SOMEWHERE. 300 00:14:12,452 --> 00:14:13,921 - I'M NOT IN THE MOOD FOR LEVITY. 301 00:14:13,954 --> 00:14:15,688 - WELL THEN, LET'S NOT WASTE ANY TIME. 302 00:14:15,722 --> 00:14:17,857 - YOU HAVE SOMEPLACE ELSE TO BE? 303 00:14:17,891 --> 00:14:19,826 - YOU RANG, I CAME. IS THERE A PROBLEM? 304 00:14:19,859 --> 00:14:22,062 - YOUR TONE, FOR STARTERS. - INSUBORDINATE? 305 00:14:22,095 --> 00:14:23,596 - EDGY. WHAT'S GOING ON? 306 00:14:23,630 --> 00:14:25,365 - OF COURSE I'M EDGY. 307 00:14:25,398 --> 00:14:26,733 YOU'RE UPSET WITH ME, AND I HAVE NO IDEA 308 00:14:26,766 --> 00:14:29,102 WHAT I CAN DO OR SAY TO MAKE IT RIGHT. 309 00:14:29,136 --> 00:14:31,038 - JUST DO YOUR JOB. 310 00:14:31,071 --> 00:14:32,372 MR. RAWLING, YOU'RE THE HOUSE MANAGER? 311 00:14:32,405 --> 00:14:33,706 - YOU MUST BE AGENT BURKE. 312 00:14:33,740 --> 00:14:35,575 - THIS IS MY COLLEAGUE NEAL CAFFREY. 313 00:14:35,608 --> 00:14:37,777 - HOW ARE YOU? - IS THIS THE PIECE IN QUESTION? 314 00:14:37,810 --> 00:14:40,880 - A VISION OF THE LAST JUDGMENT BY WILLIAM BLAKE, 315 00:14:40,914 --> 00:14:42,916 THOUGHT TO HAVE BEEN LOST FOR OVER 200 YEARS. 316 00:14:42,950 --> 00:14:44,417 - HOW DID IT COME TO YOUR AUCTION HOUSE? 317 00:14:44,451 --> 00:14:46,286 - ANONYMOUS SELLER. - HUH. 318 00:14:46,319 --> 00:14:48,355 I'D HAVE CALLED US AS WELL. 319 00:14:48,388 --> 00:14:49,689 - OF COURSE, GENTLEMEN, I DO HAVE 320 00:14:49,722 --> 00:14:50,757 THE INFORMATION FOR THE SELLER, 321 00:14:50,790 --> 00:14:52,625 BUT I CAN'T PROVIDE IT 322 00:14:52,659 --> 00:14:55,095 UNTIL THE PAINTING HAS BEEN PROVEN INAUTHENTIC. 323 00:14:55,128 --> 00:14:56,463 - YOU DON'T WANNA UPSET THE VENDOR 324 00:14:56,496 --> 00:14:58,731 AND RISK YOUR COMMISSION. UNDERSTANDABLE. 325 00:14:58,765 --> 00:15:00,200 - NEAL? 326 00:15:00,233 --> 00:15:03,070 - OKAY. LET'S SEE WHAT WE SEE. 327 00:15:17,150 --> 00:15:18,785 - TRACING SHEETS WON'T HELP. 328 00:15:18,818 --> 00:15:20,453 ANYTHING PLACED BETWEEN THE PAGE 329 00:15:20,487 --> 00:15:23,723 AND THE GLASS DISTORTS THE CONCEALED IMAGE. 330 00:15:23,756 --> 00:15:25,392 - TELL ME SOMETHING USEFUL. 331 00:15:25,425 --> 00:15:27,160 - OKAY. 332 00:15:27,194 --> 00:15:29,162 UM, THERE'S A CERTAIN TIGER FISH 333 00:15:29,196 --> 00:15:32,599 THAT'S BEEN KNOWN TO EAT CROCODILES. 334 00:15:32,632 --> 00:15:34,467 - YOU ARE AN ODD LITTLE CREATURE. 335 00:15:34,501 --> 00:15:36,403 - YEAH, AND YOU'RE A STOCK THUG. 336 00:15:36,436 --> 00:15:38,171 YOU CAN'T EVEN DO YOUR OWN DIRTY WORK. 337 00:15:38,205 --> 00:15:40,940 YOUR OBVIOUS WEAKNESS IS YOUR HUBRIS. 338 00:15:40,974 --> 00:15:42,609 - YOU SPEAK WITH SUCH AUTHORITY. 339 00:15:42,642 --> 00:15:44,277 - I'VE DEALT WITH GUYS LIKE YOU BEFORE. 340 00:15:44,311 --> 00:15:45,578 - THEN YOU KNOW WE HAVE BIG TEETH 341 00:15:45,612 --> 00:15:48,448 AND VERY LITTLE PATIENCE. 342 00:15:48,481 --> 00:15:52,252 STAY FOCUSED. 343 00:15:52,285 --> 00:15:54,954 - THERE'S A HIDDEN IMAGE ON EACH PAGE. 344 00:15:54,988 --> 00:15:59,359 IT LOOKS LIKE IT'S FROM SOME ANCIENT LANGUAGE. 345 00:15:59,392 --> 00:16:02,029 - TRACE THE IMAGES. 346 00:16:02,062 --> 00:16:04,831 - PAINT DIRECTLY ON MOSCONI'S PAGES? 347 00:16:04,864 --> 00:16:05,865 - WE NEED TO LINE THEM UP 348 00:16:05,898 --> 00:16:07,434 SO WE CAN SEE THE BIGGER PICTURE. 349 00:16:07,467 --> 00:16:09,636 - YOU'LL DESTROY THE ORIGINAL CHAPTER 13. 350 00:16:09,669 --> 00:16:10,770 - IS IT SO DIFFICULT FOR YOU 351 00:16:10,803 --> 00:16:12,672 TO TAKE A LEAP OF FAITH? 352 00:16:12,705 --> 00:16:14,207 - I RESERVE MY LEAPS OF FAITH 353 00:16:14,241 --> 00:16:17,077 FOR SPACE EXPLORATION AND THE CHUPACABRA. 354 00:16:21,381 --> 00:16:24,351 I THOUGHT YOU WERE THE ARTIST. 355 00:16:24,384 --> 00:16:27,320 - SHOW ME WHAT YOU CAN DO. 356 00:16:27,354 --> 00:16:30,357 - OIL AND TEMPERA PAINTS ARE AGED PERFECTLY, 357 00:16:30,390 --> 00:16:32,492 MIXED WITH JUST THE RIGHT AMOUNT OF CHALK. 358 00:16:32,525 --> 00:16:34,794 IF IT'S A FORGERY, IT'S A GOOD ONE. 359 00:16:34,827 --> 00:16:37,497 MONOTYPE PROCESSING. 360 00:16:37,530 --> 00:16:41,634 INITIALLY INKED ON A NON-ABSORBANT-- 361 00:16:41,668 --> 00:16:44,604 - WHAT IS IT? 362 00:16:51,378 --> 00:16:54,647 THE INITIALS "C-H." 363 00:16:54,681 --> 00:16:57,484 CURTIS HAGEN. 364 00:16:57,517 --> 00:17:01,221 WE'RE GOING AFTER THE DUTCHMAN AGAIN. 365 00:17:13,032 --> 00:17:14,934 - I WANT EVERYTHING THAT YOU CAN DIG UP 366 00:17:14,967 --> 00:17:17,036 ON HAGEN SINCE HIS RELEASE: 367 00:17:17,070 --> 00:17:18,871 WHERE HE'S STAYING, WHO HE'S ASSOCIATED WITH, 368 00:17:18,905 --> 00:17:20,340 WHAT HE IS HAVING FOR DINNER. 369 00:17:20,373 --> 00:17:21,908 I MEAN EVERYTHING. 370 00:17:21,941 --> 00:17:25,278 YEAH, ON MY WAY. 371 00:17:25,312 --> 00:17:26,946 I DIDN'T THINK HAGEN WOULD SLIP UP SO SOON, 372 00:17:26,979 --> 00:17:28,515 BUT I GUESS HE DID. 373 00:17:28,548 --> 00:17:30,049 - YEAH, BUT WHY USE THE SAME M.O. 374 00:17:30,083 --> 00:17:31,618 THAT LANDED HIM IN PRISON IN THE FIRST PLACE? 375 00:17:31,651 --> 00:17:33,553 - IT COULD BE SOMETHING HE PULLED OUT OF STORAGE 376 00:17:33,586 --> 00:17:36,856 FOR A QUICK PAYDAY. 377 00:17:36,889 --> 00:17:39,259 - THE INFORMATION ON THE SELLER. - THANK YOU. 378 00:17:39,292 --> 00:17:41,094 "DOUGLAS NEMON." 379 00:17:41,128 --> 00:17:42,962 OBVIOUSLY, AN ALIAS HAGEN'S USING. 380 00:17:42,995 --> 00:17:45,932 NO KNOWN RESIDENCE, BUT WE HAVE A P.O. BOX 381 00:17:45,965 --> 00:17:47,534 AND WE HAVE A TELEPHONE NUMBER. 382 00:17:47,567 --> 00:17:48,635 DO YOU HAVE ANY BUYERS LINED UP? 383 00:17:48,668 --> 00:17:50,237 - SEVERAL. - GOOD. 384 00:17:50,270 --> 00:17:51,938 THE FBI IS ABOUT TO BECOME ONE OF THEM. 385 00:17:51,971 --> 00:17:53,706 - YOU HAVE A PLAN? 386 00:17:53,740 --> 00:17:55,575 - WE CLEAR THE ART AS AUTHENTIC, 387 00:17:55,608 --> 00:17:57,444 LET THE SALE OF THE PIECE GO THROUGH, 388 00:17:57,477 --> 00:17:59,979 AND TRACK THE MONEY BACK TO HAGEN. 389 00:18:00,012 --> 00:18:01,781 - COULD WORK. 390 00:18:01,814 --> 00:18:03,650 - MR. RAWLING, GRAB WHATEVER YOU NEED. 391 00:18:03,683 --> 00:18:05,152 YOU'RE GONNA COME BACK TO THE BUREAU WITH ME 392 00:18:05,185 --> 00:18:10,056 SO WE CAN PUT THIS TRANSACTION IN MOTION. 393 00:18:10,089 --> 00:18:13,160 - [sighs] ALL RIGHT, WE FINISHED HERE? 394 00:18:13,193 --> 00:18:15,495 - WHEN I SAY WE ARE. - LOOK, I DID MY PART. 395 00:18:15,528 --> 00:18:16,963 - WHY DON'T YOU WANNA SEE THIS THROUGH? 396 00:18:16,996 --> 00:18:18,831 - HONESTLY? 397 00:18:18,865 --> 00:18:20,467 I DON'T LIKE YOU LOOKING AT ME AS SOME KIND OF LIABILITY. 398 00:18:20,500 --> 00:18:21,934 ALL I DID WAS HELP YOU. 399 00:18:21,968 --> 00:18:24,237 - AT A COST I'M NOT COMFORTABLE WITH. 400 00:18:24,271 --> 00:18:25,738 - WELL, MORE COMFORTABLE THAN A PRISON CELL. 401 00:18:25,772 --> 00:18:27,907 - WATCH IT. - I DID WHAT YOU COULDN'T. 402 00:18:27,940 --> 00:18:30,410 - WHAT? - YOU HEARD ME. 403 00:18:30,443 --> 00:18:33,079 - YOU TOOK A SYSTEM I BELIEVE IN AND CORRUPTED IT. 404 00:18:33,112 --> 00:18:35,081 - BECAUSE THAT SYSTEM DIDN'T BELIEVE IN YOU. 405 00:18:35,114 --> 00:18:37,484 - DON'T SAY ANOTHER WORD. NOW, WE ARE FINISHED HERE. 406 00:18:37,517 --> 00:18:39,018 GO HOME. 407 00:18:39,051 --> 00:18:41,854 MR. RAWLING, YOU READY? - YOU BET. 408 00:18:41,888 --> 00:18:44,857 LET'S GO. 409 00:18:59,739 --> 00:19:01,374 - NICE CIGARS. 410 00:19:01,408 --> 00:19:02,875 YOU KNOW, IT'S BAD LUCK TO CELEBRATE 411 00:19:02,909 --> 00:19:04,611 BEFORE A JOB IS FINISHED. 412 00:19:04,644 --> 00:19:07,847 - YOU LIKE THIS? NICARAGUAN IMPERIALES. 413 00:19:07,880 --> 00:19:09,382 GREAT WITH SCOTCH. 414 00:19:09,416 --> 00:19:11,284 - WHEN THIS IS OVER, 415 00:19:11,318 --> 00:19:13,686 YOU LIGHT UP A STOGIE AND RELEASE REBECCA? 416 00:19:13,720 --> 00:19:15,021 JUST LIKE THAT? 417 00:19:15,054 --> 00:19:18,525 - I SAID I WOULD. - AND NEAL? 418 00:19:18,558 --> 00:19:20,960 - HE SERVED HIS PURPOSE. 419 00:19:20,993 --> 00:19:22,895 - "A WISE MAN DOES NOT WASTE 420 00:19:22,929 --> 00:19:26,132 SO GOOD A COMMODITY AS LYING FOR NAUGHT." 421 00:19:26,165 --> 00:19:27,867 - I'M FLATTERED YOU THINK ME WISE. 422 00:19:27,900 --> 00:19:30,169 - I WAS REFERRING TO NEAL. 423 00:19:30,203 --> 00:19:32,539 WHEN THIS IS OVER, HE'S GONNA MAKE YOU PAY, 424 00:19:32,572 --> 00:19:34,173 AND YOU WON'T EVEN KNOW IT'S HAPPENING. 425 00:19:34,207 --> 00:19:36,909 - I'M NOT THAT EASILY FOOLED. - [laughs] 426 00:19:36,943 --> 00:19:39,712 I KNOW MORE ABOUT YOU THAN YOU THINK. 427 00:19:39,746 --> 00:19:42,649 - WELL, I KNOW A LITTLE ABOUT YOU TOO. 428 00:19:42,682 --> 00:19:43,583 - [laughs] ABOUT ME? 429 00:19:43,616 --> 00:19:45,385 YEAH, GOOD LUCK. 430 00:19:45,418 --> 00:19:47,987 - I THINK THEODORE WINTERS WOULD NEED THE LUCK. 431 00:19:48,020 --> 00:19:51,023 DON'T YOU? 432 00:19:54,561 --> 00:19:57,364 I KNOW YOUR NAME. DO YOU KNOW MINE? 433 00:19:59,899 --> 00:20:02,034 - MOZ, YOU ALL RIGHT? 434 00:20:02,068 --> 00:20:03,603 - YEAH, I'M OKAY FOR NOW. 435 00:20:03,636 --> 00:20:06,873 SO IS REBECCA. 436 00:20:06,906 --> 00:20:08,074 - WHAT WAS THE PRESSING MATTER? 437 00:20:08,107 --> 00:20:09,776 - YOU'RE GETTING WHAT YOU WANT. 438 00:20:09,809 --> 00:20:11,678 HOW MUCH LONGER DO YOU NEED TO KEEP HER? 439 00:20:11,711 --> 00:20:13,880 - YOU DIDN'T ANSWER MY QUESTION. 440 00:20:13,913 --> 00:20:16,215 - IT'S A FORGERY INVESTIGATION. 441 00:20:16,249 --> 00:20:17,517 SECOND-RATE HACK TRYING TO SELL 442 00:20:17,550 --> 00:20:18,685 A VERMEER KNOCK-OFF TO THE MET. 443 00:20:18,718 --> 00:20:20,787 AMATEUR HOUR. 444 00:20:20,820 --> 00:20:23,022 LET ME TALK TO REBECCA. 445 00:20:23,055 --> 00:20:24,591 I SWEAR, I DIDN'T SAY ANYTHING TO PETER. 446 00:20:24,624 --> 00:20:26,593 NOW, LET ME TALK TO HER. [cell phone ringing] 447 00:20:26,626 --> 00:20:30,463 - EXCUSE ME. 448 00:20:30,497 --> 00:20:33,800 BY ALL MEANS, CARRY ON. 449 00:20:33,833 --> 00:20:36,769 HELLO? YES. OF COURSE. 450 00:20:36,803 --> 00:20:39,071 - ALL RIGHT. KEEP WORKING ON THE PAGES. 451 00:20:39,105 --> 00:20:41,140 PRETEND YOU'RE EXPLAINING THE PROCESS TO ME. 452 00:20:41,173 --> 00:20:43,109 - WAS IT REALLY A FORGERY CASE? 453 00:20:43,142 --> 00:20:46,813 - YEAH, EXCEPT THE ARTIST WAS HAGEN. 454 00:20:46,846 --> 00:20:48,147 - WHAT? - HE PUT A PIECE ON THE MARKET. 455 00:20:48,180 --> 00:20:50,650 THEY FOUND HIS SIGNATURE HIDDEN IN IT. 456 00:20:50,683 --> 00:20:52,619 - WHY RISK SELLING A FAKE NOW? 457 00:20:52,652 --> 00:20:54,754 - I DON'T KNOW, PROBABLY TO RAISE CAPITAL. 458 00:20:54,787 --> 00:20:56,889 HE CAN'T FUND A TREASURE HUNT ON UNEMPLOYMENT. 459 00:20:56,923 --> 00:20:58,558 - SOMETHING ISN'T RIGHT. 460 00:20:58,591 --> 00:21:00,327 - YEAH, STARTING WITH THE TIMING. 461 00:21:00,360 --> 00:21:02,962 AND THE SIGNATURE? HE'S SMARTER THAN THAT. 462 00:21:02,995 --> 00:21:05,765 - MAYBE THIS IS ALL PART OF HIS PLAN. 463 00:21:05,798 --> 00:21:07,600 - I HAVE NO IDEA, 464 00:21:07,634 --> 00:21:09,669 BUT HE CAN'T KNOW THE FBI IS AFTER HIM. 465 00:21:09,702 --> 00:21:11,270 - YEAH, HE'LL THINK YOU SOLD HIM OUT. 466 00:21:11,304 --> 00:21:12,972 - AND THAT'S NOT GOOD FOR REBECCA. 467 00:21:13,005 --> 00:21:14,574 - WELL, YOU'LL NEED EARS AND EYES 468 00:21:14,607 --> 00:21:15,942 ON THE SUIT'S INVESTIGATION. 469 00:21:15,975 --> 00:21:17,610 - ALL TAKEN CARE OF. 470 00:21:17,644 --> 00:21:21,814 YOU STILL HAVE THAT EARWIG? 471 00:21:29,021 --> 00:21:31,157 - THAT'S A FAST TURNAROUND. 472 00:21:31,190 --> 00:21:34,160 - WE'VE HAD SOME VERY ENTHUSIASTIC BIDDERS. 473 00:21:34,193 --> 00:21:35,528 - WHAT WAS THE GOING PRICE? 474 00:21:35,562 --> 00:21:37,464 - 950,000. 475 00:21:37,497 --> 00:21:38,998 - THAT'S GOOD. 476 00:21:39,031 --> 00:21:41,334 I ASSUME YOU STILL HAVE MY ACCOUNT NUMBER. 477 00:21:41,368 --> 00:21:42,769 - ONCE WE FINALIZE THE PAPERWORK, 478 00:21:42,802 --> 00:21:44,537 THE MONEY WILL BE TRANSFERRED TO YOU. 479 00:21:44,571 --> 00:21:47,340 - THANK YOU VERY MUCH. 480 00:21:47,374 --> 00:21:48,641 - GOT NOTHING ON THE CELL TRACE. 481 00:21:48,675 --> 00:21:49,876 - WELL, WE STILL HAVE THE ACCOUNT. 482 00:21:49,909 --> 00:21:51,277 LET'S HAVE SOMEONE FROM TECH 483 00:21:51,310 --> 00:21:53,946 READY TO ENGINEER A FALSE TRANSACTION. 484 00:21:53,980 --> 00:21:55,448 MR. RAWLING, WE'RE GONNA NEED YOU 485 00:21:55,482 --> 00:21:56,949 TO GIVE A STATEMENT TO ONE OF OUR AGENTS. 486 00:21:56,983 --> 00:21:58,651 IT MAY TAKE SOME TIME. 487 00:21:58,685 --> 00:22:01,388 IF YOU WOULD. 488 00:22:05,558 --> 00:22:07,560 - HOW MANY MORE PAGES? 489 00:22:07,594 --> 00:22:09,829 - TWO. 490 00:22:09,862 --> 00:22:11,197 NOW ONE. 491 00:22:11,230 --> 00:22:13,366 - NEAL, IF YOU'D BE SO KIND 492 00:22:13,400 --> 00:22:15,968 AS TO APPLY THE FINISHING TOUCH. 493 00:22:16,002 --> 00:22:18,137 - WHY? - CEREMONY. 494 00:22:18,170 --> 00:22:21,841 AND BECAUSE I SAID SO. 495 00:22:31,283 --> 00:22:32,919 - HAGEN MAY HAVE HIS BASES COVERED 496 00:22:32,952 --> 00:22:34,654 WHEN IT COMES TO THE PHONE, 497 00:22:34,687 --> 00:22:36,923 BUT WE'LL SEE HOW GOOD HE REALLY IS IN A MINUTE. 498 00:22:36,956 --> 00:22:40,259 - IF THIS DOESN'T WORK? - IT'LL WORK. 499 00:22:40,292 --> 00:22:42,028 - WE MIGHT NEED CAFFREY AFTER ALL. 500 00:22:42,061 --> 00:22:43,362 I MEAN, WE MAY HAVE THE TECH, 501 00:22:43,396 --> 00:22:44,697 BUT HE KNOWS HOW SOMEONE LIKE HAGEN THINKS, 502 00:22:44,731 --> 00:22:46,165 WHAT HIS NEXT MOVE COULD BE. 503 00:22:46,198 --> 00:22:48,234 - I WON'T LET HAGEN MAKE ANOTHER MOVE. 504 00:22:48,267 --> 00:22:50,169 JONES, I THOUGHT ABOUT WHAT YOU SAID, 505 00:22:50,202 --> 00:22:53,205 ABOUT HOW NEAL NEEDS TO TAKE RESPONSIBILITY FOR HIMSELF. 506 00:22:53,239 --> 00:22:55,742 - YEAH. - YOU'RE RIGHT. 507 00:22:55,775 --> 00:22:57,209 I NEED TO KEEP A DISTANCE. 508 00:22:57,243 --> 00:22:58,878 - SO WHY DID YOU TAKE NEAL 509 00:22:58,911 --> 00:23:00,580 TO THE AUCTION HOUSE IN THE FIRST PLACE? 510 00:23:00,613 --> 00:23:04,451 - THAT WAS A MISTAKE. 511 00:23:04,484 --> 00:23:06,018 - LISTEN, I WANTED TO ASK YOU EARLIER. 512 00:23:06,052 --> 00:23:08,788 WHAT HAPPENS TO NEAL WHEN YOU LEAVE? 513 00:23:08,821 --> 00:23:12,124 - HE'S THE NEXT ASAC'S PROBLEM. 514 00:23:12,158 --> 00:23:14,393 - YOU KNOW, BECAUSE I COULD-- - JONES. 515 00:23:14,427 --> 00:23:17,029 DON'T VOLUNTEER TO TAKE HIM ON. 516 00:23:17,063 --> 00:23:20,399 TRUST ME. YOU'LL REGRET IT. 517 00:23:20,433 --> 00:23:24,070 COME ON. LET'S SEE IF OUR SETUP'S READY. 518 00:23:24,103 --> 00:23:25,638 - SOMETHING WRONG? 519 00:23:25,672 --> 00:23:29,942 - ALMOST FINISHED. 520 00:23:29,976 --> 00:23:32,979 IT'S DONE. 521 00:23:37,016 --> 00:23:38,551 - THIS ISN'T LIKE THE OTHER ONES. 522 00:23:38,585 --> 00:23:42,421 - SO I'M GUESSING THAT'S THE POT OF GOLD? 523 00:23:42,455 --> 00:23:45,291 - LET'S SEE HOW WE GET THERE. 524 00:23:52,699 --> 00:23:54,767 - I'VE NEVER SEEN THIS LANGUAGE BEFORE. 525 00:23:54,801 --> 00:23:56,402 - NEITHER HAVE I. 526 00:23:56,435 --> 00:23:58,170 THAT'S WHY YOUR NEXT TASK IS GOING TO BE 527 00:23:58,204 --> 00:24:00,573 TO TRANSLATE IT FOR ME. 528 00:24:00,607 --> 00:24:02,975 - THAT COULD TAKE DAYS, WEEKS, MAYBE. 529 00:24:03,009 --> 00:24:04,744 REBECCA DOESN'T HAVE THAT TIME. 530 00:24:04,777 --> 00:24:07,046 - BETTER GET A MOVE ON. 531 00:24:12,151 --> 00:24:14,253 - WE'RE NOT DOING THIS. 532 00:24:14,286 --> 00:24:16,856 - YOU HAVE ANY IDEAS? 533 00:24:16,889 --> 00:24:20,192 - GOT SOMETHING. - HANG ON. 534 00:24:20,226 --> 00:24:22,962 - THIS IS A REAL TIME LINK TO THE IP ACTIVITY 535 00:24:22,995 --> 00:24:26,098 ON HAGEN'S ACCOUNT, COURTESY OF OUR FRIENDS DOWNSTAIRS. 536 00:24:26,132 --> 00:24:28,668 MONEY FOR THE FORGERY WAS TRANSFERRED TWO MINUTES AGO. 537 00:24:28,701 --> 00:24:30,269 - STRONG SIGNAL THIS TIME. 538 00:24:30,302 --> 00:24:31,370 DOESN'T LOOK LIKE THERE'S ANY RE-ROUTING. 539 00:24:31,403 --> 00:24:32,872 - I KNEW HE WOULDN'T WANNA WAIT. 540 00:24:32,905 --> 00:24:34,607 - HE HAD TO CHECK ON HIS MONEY. 541 00:24:34,641 --> 00:24:36,175 - THERE'S ONLY ONE COMPUTER LOGGING IN 542 00:24:36,208 --> 00:24:37,343 TO THAT ACCOUNT AT THE MOMENT, 543 00:24:37,376 --> 00:24:38,945 AND IT'S RIGHT HERE IN NEW YORK. 544 00:24:38,978 --> 00:24:40,312 - WE GOT HIM. DOWNTOWN BROOKLYN. 545 00:24:40,346 --> 00:24:43,115 - ASSEMBLE A TEAM AND MOVE OUT. 546 00:24:43,149 --> 00:24:44,316 - THE FBI'S ON THE WAY. 547 00:24:44,350 --> 00:24:46,218 - NEVER MY FAVORITE WORDS. 548 00:24:46,252 --> 00:24:48,655 - IF THEY GRAB HAGEN, I MAY NEVER SEE HER AGAIN, MOZ. 549 00:24:48,688 --> 00:24:51,658 - THERE'S GOTTA BE A PLAY HERE. 550 00:25:00,366 --> 00:25:02,501 - I THINK I JUST FOUND IT. 551 00:25:02,535 --> 00:25:04,070 ALL RIGHT, TAKE A LOOK AT THE PAGES, 552 00:25:04,103 --> 00:25:05,237 A GOOD LOOK. 553 00:25:05,271 --> 00:25:09,041 RAIN MAN IT. 554 00:25:14,380 --> 00:25:15,414 - I GOT IT. - YOU GOT IT? 555 00:25:15,447 --> 00:25:18,551 - YEAH. - GOOD. 556 00:25:22,955 --> 00:25:24,223 - WHAT ARE YOU DOING? 557 00:25:24,256 --> 00:25:28,160 - TAKE ONE MORE STEP AND I DROP IT. 558 00:25:28,194 --> 00:25:29,762 - YOU'RE BLUFFING. 559 00:25:29,796 --> 00:25:31,731 YOU DROP THAT LIGHT, AND SHE'S AS GOOD AS GONE. 560 00:25:31,764 --> 00:25:33,399 - YEAH, SO IS THE CODEX. 561 00:25:33,432 --> 00:25:35,167 IT'S YOUR CHOICE: YOU RELEASE REBECCA 562 00:25:35,201 --> 00:25:38,137 OR WATCH EVERYTHING YOU WORKED FOR GO UP IN SMOKE. 563 00:25:40,773 --> 00:25:42,609 WHAT'S IT GONNA BE? 564 00:25:49,882 --> 00:25:51,083 - WE NEED TO TALK ABOUT THIS. 565 00:25:51,117 --> 00:25:52,418 - YOU HAVE FIVE SECONDS TO DECIDE 566 00:25:52,451 --> 00:25:54,020 HOW IMPORTANT THIS MESSAGE IS. 567 00:25:54,053 --> 00:25:55,254 - WE MAY HAVE FORGOTTEN TO MENTION 568 00:25:55,287 --> 00:25:58,057 THAT THE FBI IS EN ROUTE. 569 00:25:58,090 --> 00:26:00,059 - YOU ARE-- - A PARTICULAR KIND OF BASTARD? 570 00:26:00,092 --> 00:26:03,129 YEAH, I HEARD THAT ONE BEFORE. THREE SECONDS. 571 00:26:03,162 --> 00:26:04,096 TWO SECONDS. - STOP. 572 00:26:04,130 --> 00:26:07,366 - ONE! 573 00:26:07,399 --> 00:26:09,101 CALL WHOEVER YOU NEED TO CALL, AND MAKE IT FAST. 574 00:26:09,135 --> 00:26:11,604 I WANT HER OUT OF THERE. 575 00:26:15,174 --> 00:26:18,077 - LET HER GO. 576 00:26:24,183 --> 00:26:26,052 - PUT HER ON THE LINE. 577 00:26:26,085 --> 00:26:29,055 - GIVE HER THE PHONE. 578 00:26:29,088 --> 00:26:30,657 - REBECCA? - I'M HERE, NEAL. 579 00:26:30,690 --> 00:26:32,558 - ALL RIGHT, LISTEN TO ME. WHEREVER YOU ARE, YOU RUN. 580 00:26:32,591 --> 00:26:34,226 GET TO A POPULATED AREA. YOU UNDERSTAND? 581 00:26:34,260 --> 00:26:35,995 - I'M--I'M GOING. 582 00:26:36,028 --> 00:26:37,429 - JUST KEEP MOVING AND STAY ON THE LINE, OKAY? 583 00:26:37,463 --> 00:26:41,300 - OKAY. - ALL RIGHT. 584 00:26:43,302 --> 00:26:47,239 - SATISFIED? 585 00:26:47,273 --> 00:26:50,009 - NOT QUITE. 586 00:26:50,042 --> 00:26:54,080 HERE'S A STRIKING IMAGE FOR YOU. 587 00:26:54,113 --> 00:26:57,784 BACK EXIT. 588 00:27:00,052 --> 00:27:02,121 - WE CAN CUT OVER TO SIX, HIT THE BRIDGE. 589 00:27:02,154 --> 00:27:03,322 THIS TIME OF DAY, WE CAN BE THERE 590 00:27:03,355 --> 00:27:05,024 10, 15 MINUTES TOPS. 591 00:27:05,057 --> 00:27:06,793 - NYPD CAN GET THERE FASTER. 592 00:27:06,826 --> 00:27:08,961 - ALREADY COORDINATED. WE'LL HAVE THEIR EYES. 593 00:27:08,995 --> 00:27:11,097 BUT THE ARREST BELONGS TO US. 594 00:27:11,130 --> 00:27:12,331 I'M NOT LETTING HAGEN GET AWAY 595 00:27:12,364 --> 00:27:14,133 WITH ANOTHER TECHNICALITY. 596 00:27:14,166 --> 00:27:15,968 - SO I'M ASSUMING YOU DON'T WANNA TELL CAFFREY. 597 00:27:16,002 --> 00:27:17,837 - HE'LL KNOW WHEN HE NEEDS TO KNOW. 598 00:27:17,870 --> 00:27:19,338 IN THE MEANTIME, HAVE SOMEONE FROM THE BUREAU 599 00:27:19,371 --> 00:27:20,973 PULL HIS TRACKING DATA. 600 00:27:21,007 --> 00:27:22,809 - WHY? YOU THINK HE'S UP TO SOMETHING? 601 00:27:22,842 --> 00:27:27,313 - TOLD HIM TO GO HOME. WANNA MAKE SURE HE DID. 602 00:27:27,346 --> 00:27:29,648 - REBECCA, WHERE ARE YOU? 603 00:27:29,682 --> 00:27:31,951 - I THINK I'M SOMEWHERE IN BROOKLYN. 604 00:27:31,984 --> 00:27:33,519 - NEAL, WE HAVE TO GO NOW. 605 00:27:33,552 --> 00:27:35,722 - ALL RIGHT, HOLD ON. YOU HAVE IT, RIGHT? 606 00:27:35,755 --> 00:27:37,323 - EVERY SYMBOL SAFELY STORED HERE. 607 00:27:37,356 --> 00:27:39,158 I AM THE CODEX NOW. 608 00:27:39,191 --> 00:27:40,392 - I NEED YOU TO GET A SAFE HOUSE READY. 609 00:27:40,426 --> 00:27:41,694 WE NEED A SECURE PLACE TO HOLE UP 610 00:27:41,728 --> 00:27:43,129 IN CASE HAGEN COMES AFTER US. 611 00:27:43,162 --> 00:27:45,331 - AND YOU? - JUST CALL ME WHEN YOU'RE DONE. 612 00:27:45,364 --> 00:27:46,198 ALL RIGHT, I'M STILL HERE. 613 00:27:46,232 --> 00:27:48,300 I'M STILL WITH YOU. 614 00:27:48,334 --> 00:27:50,469 IS ANYONE FOLLOWING YOU? 615 00:27:50,502 --> 00:27:52,972 - I'M NOT SURE. MAYBE. I DON'T KNOW. 616 00:27:53,005 --> 00:27:55,341 - I'M NOT HANGING UP UNTIL I KNOW YOU'RE SAFE. 617 00:27:55,374 --> 00:27:57,376 - I'LL ONLY FEEL SAFE WHEN I'M WITH YOU. 618 00:27:57,409 --> 00:27:58,911 - ALL RIGHT, WHAT ARE YOUR CROSS STREETS? 619 00:27:58,945 --> 00:28:02,581 WHAT DO YOU SEE? - UH, KENT AND FLUSHING? 620 00:28:02,614 --> 00:28:04,316 NEAL, I'M SCARED. 621 00:28:04,350 --> 00:28:05,251 - I'M ON TAYLOR RIGHT NEAR THE PARK. 622 00:28:05,284 --> 00:28:07,419 I'M COMING TO YOU. 623 00:28:07,453 --> 00:28:09,388 - I'M PASSING HALL STREET. 624 00:28:09,421 --> 00:28:11,590 - DO YOU SEE ANYONE BEHIND YOU? 625 00:28:11,623 --> 00:28:14,526 - LOTS OF PEOPLE. I-I DON'T KNOW. 626 00:28:14,560 --> 00:28:18,731 - ALL RIGHT, I'M ALMOST AT FLUSHING. 627 00:28:18,765 --> 00:28:20,332 ALL RIGHT, I'M TURNING TOWARD YOU NOW. 628 00:28:20,366 --> 00:28:22,201 - I'M STILL HERE. 629 00:28:22,234 --> 00:28:23,770 - I'M STILL HERE TOO. 630 00:28:45,557 --> 00:28:47,393 - THANK GOD. - IT'S OKAY. 631 00:28:47,426 --> 00:28:49,061 IT'S OKAY. I'M STILL HERE. 632 00:28:49,095 --> 00:28:50,362 YOU OKAY? - YEAH. 633 00:28:50,396 --> 00:28:52,064 - YOU SURE? - YEAH. 634 00:28:52,098 --> 00:28:54,801 - [sighs] 635 00:29:03,642 --> 00:29:05,077 - AGENT BURKE, IS YOUR TEAM READY? 636 00:29:05,111 --> 00:29:06,412 - YES, SIR. - I'LL TAKE POINT. 637 00:29:06,445 --> 00:29:07,980 LET'S MOVE IN. 638 00:29:08,014 --> 00:29:10,783 - THAT'S A GO. 639 00:29:36,475 --> 00:29:38,644 - FBI. 640 00:29:38,677 --> 00:29:41,647 HANDS WHERE I CAN SEE THEM. 641 00:29:41,680 --> 00:29:44,083 - AGENT BURKE. 642 00:29:44,116 --> 00:29:48,787 WE HAVE SO MUCH TO DISCUSS. 643 00:29:56,829 --> 00:29:57,529 - ARE YOU SURE IT'S SAFE TO BE HERE? 644 00:29:57,563 --> 00:29:59,298 - IT'S ONLY TEMPORARY. 645 00:29:59,331 --> 00:30:00,867 MOZ IS GONNA FIND A SAFE PLACE FOR YOU TO STAY 646 00:30:00,900 --> 00:30:03,169 UNTIL THIS WHOLE THING BLOWS OVER. 647 00:30:03,202 --> 00:30:05,804 REBECCA, IT'S TIME TO END THIS. 648 00:30:05,838 --> 00:30:07,306 - WHAT? YOU MEAN TELL THE FBI? - YEAH. 649 00:30:07,339 --> 00:30:09,308 - NO. NO WAY. 650 00:30:09,341 --> 00:30:11,543 YOU'LL GET INTO TROUBLE. - [sighs] 651 00:30:11,577 --> 00:30:14,313 - LOOK, WE STARTED THIS TOGETHER. 652 00:30:14,346 --> 00:30:15,681 - AND NOW YOU WANNA FINISH IT? 653 00:30:15,714 --> 00:30:18,617 - TELL ME WHAT YOU FOUND. - [sighs] 654 00:30:18,650 --> 00:30:21,153 WELL, ALL THE PAGES HELD HIDDEN SYMBOLS, 655 00:30:21,187 --> 00:30:24,556 SYMBOLS THAT ADDED UP TO SOME KIND OF MESSAGE 656 00:30:24,590 --> 00:30:26,192 CULMINATING WITH A PICTURE OF AN IDOL. 657 00:30:26,225 --> 00:30:28,294 - DESCRIBE THE IDOL. 658 00:30:28,327 --> 00:30:30,696 - IT WAS HINDU, FEMALE. 659 00:30:30,729 --> 00:30:35,001 - DID SHE HAVE A CROWN? - YEAH. 660 00:30:35,034 --> 00:30:39,171 WHAT ARE YOU THINKIN'? 661 00:30:44,210 --> 00:30:46,478 - IS THIS WHAT YOU SAW? - YES. 662 00:30:46,512 --> 00:30:49,181 - THIS IS THE IDOL OF SITA, DEITY OF WEALTH. 663 00:30:49,215 --> 00:30:50,983 IT WAS CREATED CENTURIES AGO. - I'VE HEARD ABOUT IT. 664 00:30:51,017 --> 00:30:53,019 THE IDOL HAD EYES MADE OUT OF RARE DIAMONDS. 665 00:30:53,052 --> 00:30:55,321 - BUT OVER THE YEARS, THE IDOL VANISHED. 666 00:30:55,354 --> 00:30:57,323 - AND ONLY ONE OF THE DIAMONDS WAS EVER RECOVERED. 667 00:30:57,356 --> 00:31:01,227 - A STONE WHICH IS NOW SITTING IN THE SMITHSONIAN. 668 00:31:01,260 --> 00:31:03,195 - THE HOPE DIAMOND. 669 00:31:03,229 --> 00:31:04,863 [sighs] 670 00:31:04,897 --> 00:31:06,865 WE'RE LOOKING FOR ITS TWIN. 671 00:31:06,899 --> 00:31:08,534 - THE OTHER EYE, THE OTHER DIAMOND, 672 00:31:08,567 --> 00:31:10,069 IT COULD BE RIGHT HERE IN NEW YORK. 673 00:31:10,102 --> 00:31:11,770 - YEAH, HAGEN SAID THE MASONS ENTRUSTED MOSCONI 674 00:31:11,803 --> 00:31:13,872 WITH SOMETHING OF GREAT VALUE. 675 00:31:13,906 --> 00:31:15,607 - THERE'S A LOT OF GAP YEARS IN THE HISTORY OF THE IDOL. 676 00:31:15,641 --> 00:31:18,177 - SO IT'S POSSIBLE THE MASONS HAD IT AT SOME POINT. 677 00:31:18,210 --> 00:31:19,445 THAT DIAMOND IS A GOOD REASON 678 00:31:19,478 --> 00:31:20,746 FOR HAGEN TO GO TO ALL THIS TROUBLE. 679 00:31:20,779 --> 00:31:21,948 - IT'S A GOOD REASON FOR YOU 680 00:31:21,981 --> 00:31:23,515 TO DECODE THOSE SYMBOLS YOU FOUND. 681 00:31:23,549 --> 00:31:26,718 WHERE ARE THE PAGES? 682 00:31:26,752 --> 00:31:28,520 - THE CODEX IS GONE. 683 00:31:28,554 --> 00:31:30,589 TO SAVE YOU, I HAD TO DESTROY IT. 684 00:31:30,622 --> 00:31:33,259 THERE'S STILL A WAY WE-- 685 00:31:33,292 --> 00:31:35,294 [sighs] 686 00:31:35,327 --> 00:31:38,297 YOU HAVE A SAFE HOUSE? - WHAT I HAVE IS BAD NEWS. 687 00:31:38,330 --> 00:31:41,400 THE FBI'S GOT CURTIS HAGEN IN CUSTODY. 688 00:31:41,433 --> 00:31:44,136 - HOW DO YOU KNOW? - I HEARD IT THROUGH THE EARWIG. 689 00:31:44,170 --> 00:31:45,737 - IF HE TELLS PETER THERE'S FOOTAGE OF ME 690 00:31:45,771 --> 00:31:47,606 TAKING THOSE COINS, IT SETS OFF A CHAIN REACTION 691 00:31:47,639 --> 00:31:48,807 THAT LANDS US ALL BEHIND BARS. 692 00:31:48,840 --> 00:31:50,576 - WHAT ARE YOU GONNA DO? 693 00:31:50,609 --> 00:31:52,578 - ANYTHING I CAN TO MAKE SURE THAT DOESN'T HAPPEN. 694 00:31:52,611 --> 00:31:54,213 - WHAT IS IT? 695 00:31:54,246 --> 00:31:57,649 - I HAVE TO LEAVE. 696 00:31:57,683 --> 00:32:00,752 I'LL BE BACK. I PROMISE. 697 00:32:00,786 --> 00:32:03,655 - BE CAREFUL. 698 00:32:07,359 --> 00:32:10,929 - RECOGNIZE THIS? 699 00:32:10,963 --> 00:32:12,931 - WILLIAM BLAKE, IF I'M NOT MISTAKEN. 700 00:32:12,965 --> 00:32:15,401 - JUDGMENT DAY. PRETTY FITTING. 701 00:32:15,434 --> 00:32:18,570 - MORE LIKE RUSH-TO-JUDGMENT DAY. 702 00:32:18,604 --> 00:32:20,939 - THE PAINTING'S A FAKE. 703 00:32:20,973 --> 00:32:23,575 - YOU'VE NO PROOF THAT IT'S MINE. 704 00:32:23,609 --> 00:32:27,146 - I WOULDN'T BE SO SURE. 705 00:32:32,518 --> 00:32:36,122 - WHY WOULD I DO SOMETHING THAT BOLD? 706 00:32:36,155 --> 00:32:38,790 - WELL, I THINK THAT YOU GOT OUT OF PRISON, 707 00:32:38,824 --> 00:32:40,259 HAD THAT PIECE READY TO GO, 708 00:32:40,292 --> 00:32:42,761 AND DECIDED TO MAKE SOME QUICK CASH. 709 00:32:42,794 --> 00:32:44,630 - WHAT, RIDE OFF INTO THE SUNSET? 710 00:32:44,663 --> 00:32:47,633 IS THAT IT? - YOU TELL ME. 711 00:32:47,666 --> 00:32:49,868 - IT'S TOO RUDIMENTARY. 712 00:32:49,901 --> 00:32:51,470 - CRIMINALS AREN'T THAT COMPLICATED, 713 00:32:51,503 --> 00:32:53,705 AND IF I REMEMBER CORRECTLY, 714 00:32:53,739 --> 00:32:56,308 I CAUGHT YOU THE FIRST TIME BECAUSE OF YOUR EGO. 715 00:32:56,342 --> 00:32:58,044 - MAYBE PRISON HUMBLED ME. 716 00:32:58,077 --> 00:33:02,414 - I DOUBT IT. PEOPLE LIKE YOU DON'T CHANGE. 717 00:33:07,553 --> 00:33:08,854 - HEARD WE GOT HAGEN. 718 00:33:08,887 --> 00:33:11,957 - STAY AT YOUR DESK. 719 00:33:11,990 --> 00:33:15,394 - I DIDN'T SIGN THIS PAINTING. 720 00:33:15,427 --> 00:33:17,329 - YOU SAYING YOU WERE FRAMED? 721 00:33:17,363 --> 00:33:18,897 - SAY THAT WAS THE CASE. 722 00:33:18,930 --> 00:33:22,534 NOW, WE HAVE TO THINK, WHO DID IT? 723 00:33:22,568 --> 00:33:23,569 HAD TO BE SOMEONE WHO KNEW ME, 724 00:33:23,602 --> 00:33:24,803 HAD TO BE SOMEONE WHO KNEW 725 00:33:24,836 --> 00:33:27,673 THAT I USED TO SIGN MY WORK. 726 00:33:27,706 --> 00:33:29,341 - THAT'D BE ANYONE IN THIS DIVISION. 727 00:33:29,375 --> 00:33:30,742 - AH. 728 00:33:30,776 --> 00:33:32,978 SOMEONE IN THIS DIVISION 729 00:33:33,011 --> 00:33:36,215 WHO HAS AN AFFINITY FOR ART FORGERY. 730 00:33:36,248 --> 00:33:37,649 - NEAL? 731 00:33:37,683 --> 00:33:40,519 YOU'RE LYING. 732 00:33:40,552 --> 00:33:43,422 - [laughs] 733 00:33:43,455 --> 00:33:45,491 WHAT IF I MADE YOU AN OFFER? 734 00:33:45,524 --> 00:33:47,359 - I'LL TAKE A CONFESSION. 735 00:33:47,393 --> 00:33:49,395 - I'VE SOMETHING TO SHOW YOU, 736 00:33:49,428 --> 00:33:51,730 YOUR EYES ONLY, MY PLACE. 737 00:33:51,763 --> 00:33:52,998 - THIS CONVERSATION'S OVER. 738 00:33:53,031 --> 00:33:54,566 - YOU CAN BRING ALL THE PEOPLE YOU WANT, 739 00:33:54,600 --> 00:33:56,402 ALL THE BACKUP YOU NEED, 740 00:33:56,435 --> 00:33:59,905 BUT YOU'RE GONNA WANT TO KEEP THIS STRICTLY BETWEEN US. 741 00:33:59,938 --> 00:34:03,242 - PETER. A MOMENT? 742 00:34:06,112 --> 00:34:07,713 I CHECKED CAFFREY'S TRACKING DATA. 743 00:34:07,746 --> 00:34:09,081 YOU'RE NOT GONNA LIKE IT, 744 00:34:09,115 --> 00:34:10,849 ESPECIALLY WHEN YOU LOOK AT THE TIME STAMP. 745 00:34:10,882 --> 00:34:13,252 - WHAT IS IT? 746 00:34:13,285 --> 00:34:16,255 - HE WAS WITH HAGEN ALL AFTERNOON. 747 00:34:18,590 --> 00:34:22,694 - [sighs] 748 00:34:22,728 --> 00:34:23,862 - PETER-- - SAVE IT. 749 00:34:23,895 --> 00:34:27,466 WE'RE ALL TAKIN' A RIDE. 750 00:34:44,850 --> 00:34:47,619 - THIS IS AS FAR AS THEY GO. 751 00:34:47,653 --> 00:34:50,322 - IT'S OKAY. I GOT IT FROM HERE. 752 00:34:50,356 --> 00:34:52,224 THIS BETTER BE WORTH MY TIME. 753 00:34:52,258 --> 00:34:54,393 - IT'S WORTH MORE THAN THAT. - REALLY? WHAT'S THAT? 754 00:34:54,426 --> 00:34:56,995 - FREEDOM, AGENT BURKE. - ALL RIGHT, STOP. 755 00:34:57,028 --> 00:34:59,131 LOOK, THIS COULD BE A SETUP. WE DON'T KNOW WHAT'S IN THERE. 756 00:34:59,165 --> 00:35:03,135 - I DO, EVIDENCE. - HOW CAN YOU BE SURE? 757 00:35:03,169 --> 00:35:04,936 - I LOVE WATCHING THE TWO OF YOU DANCE. 758 00:35:04,970 --> 00:35:07,639 A BIT CATHARTIC, REALLY. - SHUT UP. 759 00:35:07,673 --> 00:35:09,641 EITHER WAY, YOU'RE GOING TO PRISON AGAIN. 760 00:35:09,675 --> 00:35:12,578 - I DOUBT THAT. - KEEP DREAMING. 761 00:35:12,611 --> 00:35:14,680 - I HAVE BEEN DREAMING, OF PAYBACK, 762 00:35:14,713 --> 00:35:17,283 FOR THE TWO OF YOU TAKING AWAY YEARS OF MY LIFE. 763 00:35:17,316 --> 00:35:18,850 - YOU DID THAT TO YOURSELF. 764 00:35:18,884 --> 00:35:21,320 - NOW, I'M DOING IT TO YOU. 765 00:35:21,353 --> 00:35:22,988 BEG. - WHAT? 766 00:35:23,021 --> 00:35:24,990 - BEG ME FOR YOUR FREEDOM. 767 00:35:25,023 --> 00:35:26,525 - SHOTS FIRED! 768 00:35:26,558 --> 00:35:27,826 - EVERYBODY GET DOWN! GET DOWN! 769 00:35:27,859 --> 00:35:30,329 ALL AGENTS, SUBJECT DOWN! 770 00:35:30,362 --> 00:35:31,963 CALL MEDICS AND SWAT! 771 00:35:31,997 --> 00:35:34,833 CLOSE OFF IMMEDIATE AREA NOW! 772 00:35:34,866 --> 00:35:37,836 HAGEN. 773 00:35:37,869 --> 00:35:40,872 HAGEN. 774 00:35:54,753 --> 00:35:56,622 - YOU WERE AT THAT BUILDING WITH HIM. 775 00:35:56,655 --> 00:35:58,023 THINK I WOULDN'T CHECK YOUR ANKLET? 776 00:35:58,056 --> 00:36:02,494 - [sighs] - WHAT WERE YOU DOING, NEAL? 777 00:36:02,528 --> 00:36:04,730 - I WAS WORKING WITH HAGEN. 778 00:36:04,763 --> 00:36:06,732 PETER, LISTEN TO ME. HE WAS THREATENING REBECCA. 779 00:36:06,765 --> 00:36:09,067 I DIDN'T HAVE A CHOICE. - THEN YOU SHOULD'VE TOLD ME. 780 00:36:09,100 --> 00:36:10,969 - I COULDN'T TAKE THAT RISK. 781 00:36:11,002 --> 00:36:12,471 - WHAT SORT OF WORK WAS IT? 782 00:36:12,504 --> 00:36:14,573 - SOME KIND OF PUZZLE HE WANTED ME TO SOLVE. 783 00:36:14,606 --> 00:36:16,375 LOOK, I'LL EXPLAIN EVERYTHING LATER. 784 00:36:16,408 --> 00:36:19,411 WHAT'S IMPORTANT IS THAT REBECCA IS SAFE NOW. 785 00:36:19,445 --> 00:36:22,314 - WHY DID HAGEN BRING ME HERE? 786 00:36:22,348 --> 00:36:24,350 - LIKE I SAID, IT COULD'VE BEEN A SETUP. 787 00:36:24,383 --> 00:36:26,184 - "BEG ME FOR YOUR FREEDOM?" WHAT DID THAT MEAN? 788 00:36:26,218 --> 00:36:27,419 - LOOK, THAT COULD MEAN ANYTHING. 789 00:36:27,453 --> 00:36:28,987 HE COULD'VE BEEN SETTING ME UP. 790 00:36:29,020 --> 00:36:31,823 I MEAN, YOU HEARD HIM. HE WANTED REVENGE. 791 00:36:31,857 --> 00:36:34,025 - WHO DID THIS? AND I SWEAR, IF YOU HOLD BACK-- 792 00:36:34,059 --> 00:36:38,764 - I HAVE NO IDEA WHO WOULD'VE TAKEN HIM OUT. 793 00:36:38,797 --> 00:36:40,499 - HAGEN'S PLACE HAS BEEN TOSSED. 794 00:36:40,532 --> 00:36:41,767 SOMEONE DID A PRETTY THOROUGH SWEEP 795 00:36:41,800 --> 00:36:43,669 OF THE APARTMENT, AND RECENTLY. 796 00:36:43,702 --> 00:36:45,571 - HAVE THE TEAM GO THROUGH IT WITH A FINE-TOOTH COMB. 797 00:36:45,604 --> 00:36:48,039 - ALL RIGHT. 798 00:36:48,073 --> 00:36:50,075 - CAN I SEE THAT? 799 00:36:50,108 --> 00:36:51,577 - NO, PERSONAL EFFECTS THAT WERE ON THE VICTIM 800 00:36:51,610 --> 00:36:53,845 AT THE TIME OF THE SHOOTING. 801 00:36:53,879 --> 00:36:55,080 - MY HANDLER'S RIGHT OVER THERE. I'M NOT GONNA TRY ANYTHING. 802 00:36:55,113 --> 00:36:57,383 PLEASE. 803 00:36:58,817 --> 00:37:00,952 THANKS. 804 00:37:00,986 --> 00:37:03,989 [sighs] 805 00:37:08,794 --> 00:37:11,930 I'LL BE RIGHT BACK. 806 00:37:11,963 --> 00:37:14,032 - CALL THE BUILDING MANAGER. CHECK HAGEN'S MAIL. 807 00:37:14,065 --> 00:37:15,801 I WANT SOMETHING. 808 00:37:15,834 --> 00:37:17,369 - YOU GOT IT. 809 00:37:17,403 --> 00:37:18,704 - DON'T THINK I'M FINISHED WITH YOU. 810 00:37:18,737 --> 00:37:22,608 - I FOUND THIS IN HAGEN'S WALLET. 811 00:37:22,641 --> 00:37:25,911 - "BLUE GROUND CAFE." IT'S A COFFEE SHOP. 812 00:37:25,944 --> 00:37:31,116 "8154 LINDEN AVENUE." 813 00:37:31,149 --> 00:37:33,785 THAT'S THE SAME BLOCK WHERE WE FOUND SIEGEL'S BODY. 814 00:37:33,819 --> 00:37:38,557 - UH-HUH. CHECK OUT THE BACK. 815 00:37:38,590 --> 00:37:42,127 HAGEN WAS WATCHING SOMEONE ALL DAY AND TAKING NOTES. 816 00:37:42,160 --> 00:37:45,864 - COULD BE ANYBODY. - COULD BE WHOEVER SHOT HIM. 817 00:37:53,305 --> 00:37:56,808 - BARISTA REMEMBERED HAGEN. - NOT MUCH ELSE. 818 00:37:56,842 --> 00:37:58,610 ALL RIGHT, HAGEN SAT RIGHT HERE ALL DAY. 819 00:37:58,644 --> 00:38:02,814 - HE WAS LOOKING AT SOMETHING. 820 00:38:02,848 --> 00:38:05,517 - THAT BUILDING ACROSS THE STREET? 821 00:38:05,551 --> 00:38:07,419 - PEOPLE MOVING IN AND OUT. 822 00:38:07,453 --> 00:38:10,188 GOOD VANTAGE POINT IF YOU'RE WATCHING SOMEONE. 823 00:38:12,223 --> 00:38:13,692 NOTING WHEN THEY ENTER... 824 00:38:13,725 --> 00:38:16,628 - AND WHEN THEY EXIT. 825 00:38:20,866 --> 00:38:23,001 - I'LL NEED TO CONTACT THE SUPER 826 00:38:23,034 --> 00:38:26,171 TO GET A LIST OF ALL RESIDENTS IN THE PAST SIX MONTHS. 827 00:38:26,204 --> 00:38:28,574 - OR JUST CHECK THE DIRECTORY. 828 00:38:40,819 --> 00:38:45,023 - NEAL, WHO'S LISTED IN APARTMENT THREE? 829 00:38:45,056 --> 00:38:48,360 - NO ONE. IT'S BLANK. 830 00:38:48,394 --> 00:38:54,299 - THAT MIGHT EXPLAIN THE QUESTION MARK. 831 00:38:54,332 --> 00:38:56,402 - SIEGEL WAS HERE, AND SO WAS HAGEN. 832 00:38:56,435 --> 00:38:58,970 - THEY WERE LOOKING INTO THE SAME PERSON. 833 00:38:59,004 --> 00:39:01,573 LET'S SEE WHO LIVES IN NUMBER THREE. 834 00:39:05,844 --> 00:39:07,846 - I DON'T THINK ANYONE'S HOME. 835 00:39:07,879 --> 00:39:10,849 WAIT. 836 00:39:22,060 --> 00:39:24,696 ELECTRONIC TRIP WIRE. 837 00:39:24,730 --> 00:39:27,733 CAREFUL. 838 00:39:47,052 --> 00:39:50,722 - WHAT IS ALL THIS? 839 00:40:04,169 --> 00:40:07,806 NEAL, THIS IS PROFESSIONAL RECONNAISSANCE WORK. 840 00:40:17,148 --> 00:40:19,250 - THIS IS ALL MY MOVEMENTS OVER THE PAST YEAR, 841 00:40:19,284 --> 00:40:22,053 PERFECTLY CATALOGUED. 842 00:40:22,087 --> 00:40:24,823 - A MAP OF YOUR RADIUS. 843 00:40:27,025 --> 00:40:29,761 SOMEONE HAS BEEN STUDYING YOU. 844 00:40:33,832 --> 00:40:37,335 - NOT JUST ME. 845 00:40:47,345 --> 00:40:50,916 - THIS IS EVERYONE WHO'S IN MY DIVISION. 846 00:40:50,949 --> 00:40:53,284 THE ENTIRE TEAM. 847 00:41:08,900 --> 00:41:11,302 NEAL? 848 00:41:15,907 --> 00:41:18,844 - WHOEVER MURDERED SIEGEL ALSO FRAMED HAGEN. 849 00:41:18,877 --> 00:41:21,346 - PROBABLY KILLED HIM AS WELL. 850 00:41:21,379 --> 00:41:25,383 - THIS WAS PRACTICE. 851 00:42:23,742 --> 00:42:27,045 - THIS IS REBECCA'S APARTMENT. 852 00:42:27,078 --> 00:42:30,248 WHO IS SHE, NEAL? 853 00:42:30,281 --> 00:42:32,751 NEAL? 854 00:42:32,784 --> 00:42:33,785 NEAL?