1 00:00:02,370 --> 00:00:03,304 - PREVIOUSLY ON WHITE COLLAR... 2 00:00:03,337 --> 00:00:04,738 - THIS IS A GOOD OFFICE. 3 00:00:04,772 --> 00:00:06,240 THE ONE NEXT DOOR HAS A MUCH NICER VIEW. 4 00:00:06,274 --> 00:00:07,708 - THEY WANT ME TO RUN WHITE COLLAR DIVISION? 5 00:00:07,741 --> 00:00:09,810 - CONSIDER IT A STEPPING STONE TO D.C. 6 00:00:09,843 --> 00:00:10,811 - WHAT'S THE GOLD FOR, HAGEN? 7 00:00:10,844 --> 00:00:12,580 - WHY DOES THAT MATTER TO YOU? 8 00:00:12,613 --> 00:00:13,747 - BECAUSE I CAN TELL WHEN I'VE STEPPED INTO A TRAP. 9 00:00:13,781 --> 00:00:15,249 - YOU'RE GONNA HELP SET ME FREE. 10 00:00:15,283 --> 00:00:17,551 - MY NEW HANDLER, IS HE IN THERE? 11 00:00:17,585 --> 00:00:19,820 - SPECIAL AGENT DAVID SIEGEL. 12 00:00:19,853 --> 00:00:21,522 - NEAL CAFFREY IS A CONFIDENCE MAN. 13 00:00:21,555 --> 00:00:24,925 HE PREYS ON TRUST, DESIRE, AND IMPRESSIONABILITY. 14 00:00:24,958 --> 00:00:25,993 - I'M NO LAP DOG, SIR. 15 00:00:26,026 --> 00:00:27,495 - SURE AS HELL FOOLED ME. 16 00:00:27,528 --> 00:00:28,929 - WELL, I HOPE I FOOLED HIM TOO. 17 00:00:28,962 --> 00:00:29,997 - YOU WERE PLAYING HIM. - I WAS HANDLING HIM. 18 00:00:30,030 --> 00:00:31,732 - CURTIS HAGEN IS BACK. 19 00:00:31,765 --> 00:00:34,001 I GUESS AN APPELLATE COURT GRANTED HIM A NEW TRIAL. 20 00:00:34,034 --> 00:00:34,835 - YOU THINK HE HAS A CHANCE? 21 00:00:34,868 --> 00:00:36,404 - NO. 22 00:00:36,437 --> 00:00:37,838 ALL THE PROOF OF HIS GUILT IS UPSTAIRS. 23 00:00:37,871 --> 00:00:39,673 - HEY, YOU PAID THE PIPER. 24 00:00:39,707 --> 00:00:40,941 THAT'S THE END, ISN'T IT? 25 00:00:40,974 --> 00:00:42,576 - IT'S JUST THE BEGINNING. 26 00:00:51,219 --> 00:00:53,421 - HERE YOU GO, SIR. - THANK YOU. 27 00:00:53,454 --> 00:00:55,489 - I'M DISAPPOINTED IN YOU, CAFFREY. 28 00:00:57,825 --> 00:01:00,428 - YOU'RE NOT A COFFEE FAN? 29 00:01:00,461 --> 00:01:01,595 YOU'RE NEVER GONNA FIT IN IN THIS CITY. 30 00:01:01,629 --> 00:01:03,264 - NAH. 31 00:01:03,297 --> 00:01:04,732 I SAW BY YOUR ANKLET YOU WERE OUT FRONT 32 00:01:04,765 --> 00:01:06,234 OF MIDTOWN MUTUAL HERE. 33 00:01:06,267 --> 00:01:08,369 I WAS WONDERING IF I WAS GONNA SEE YOU AT WORK. 34 00:01:08,402 --> 00:01:10,638 - I'M REFORMED, AGENT SIEGEL. - UH-HUH. 35 00:01:10,671 --> 00:01:12,473 - JUST A MAN TRYING TO GET HIS FIX ON THE WAY TO THE OFFICE. 36 00:01:12,506 --> 00:01:13,874 YOU'RE GONNA WASTE A LOT OF TIME 37 00:01:13,907 --> 00:01:14,808 KEEPING AN EYE THIS CLOSE ON ME. 38 00:01:14,842 --> 00:01:16,444 - I DON'T PLAN TO. 39 00:01:16,477 --> 00:01:17,478 I WAS LOOKING FOR YOU 'CAUSE I NEED YOUR HELP. 40 00:01:17,511 --> 00:01:19,780 - WHY? WHAT'S THE CASE? 41 00:01:19,813 --> 00:01:21,249 - I'M LOOKING FOR AN APARTMENT. 42 00:01:21,282 --> 00:01:22,783 - WELL, APARTMENT HUNTING ISN'T 43 00:01:22,816 --> 00:01:23,817 EXACTLY MY AREA OF EXPERTISE. 44 00:01:23,851 --> 00:01:25,653 - BUT NEW YORK IS. 45 00:01:25,686 --> 00:01:27,054 I FIGURE IF ANYBODY KNOWS AN AREA TO MOVE TO, 46 00:01:27,087 --> 00:01:28,889 IT'D BE YOU. - OH. 47 00:01:28,922 --> 00:01:30,624 WHERE YOU LIVE IN THE CITY REFLECTS WHO YOU ARE. 48 00:01:30,658 --> 00:01:33,427 SO WHO IS AGENT DAVID SIEGEL? 49 00:01:33,461 --> 00:01:34,462 - RECENTLY DIVORCED. 50 00:01:34,495 --> 00:01:35,729 - [clears throat] 51 00:01:35,763 --> 00:01:36,964 - FIGURED YOU ALREADY KNOW THAT 52 00:01:36,997 --> 00:01:38,566 FROM SOME KIND OF TELL I HAVE, OR-- 53 00:01:38,599 --> 00:01:39,500 - PHANTOM RING. 54 00:01:39,533 --> 00:01:40,901 YOU START TO PLAY WITH IT, 55 00:01:40,934 --> 00:01:42,436 THEN REALIZE IT'S NOT THERE ANYMORE. 56 00:01:42,470 --> 00:01:43,771 - AH. - YEP, JUST LIKE THAT. 57 00:01:43,804 --> 00:01:46,073 - [laughs] THAT I DO. 58 00:01:46,106 --> 00:01:48,609 SO I'M A-- I'M A MAN STARTING OVER. 59 00:01:48,642 --> 00:01:50,010 WHAT BETTER PLACE THAN NEW YORK, RIGHT? 60 00:01:50,043 --> 00:01:52,780 - ALL RIGHT. 61 00:01:52,813 --> 00:01:55,115 HOW DO YOU FEEL ABOUT IRONIC EYEWEAR? 62 00:01:55,149 --> 00:01:56,750 - SAD FOR HUMANITY. 63 00:01:56,784 --> 00:01:59,119 - THAT RULES OUT WILLIAMSBURG AND GREENPOINT. 64 00:01:59,153 --> 00:02:01,121 GENTRIFYING AREAS WITH A LITTLE DANGER? 65 00:02:01,155 --> 00:02:03,191 - I PREFER MY DANGER TO BE WORK-RELATED. 66 00:02:03,224 --> 00:02:04,858 - NO BUSHWICK THEN. WHAT'S YOUR PRICE RANGE? 67 00:02:04,892 --> 00:02:06,126 - PRICE DOESN'T MATTER. 68 00:02:06,160 --> 00:02:07,828 - [chuckles] IT DOES IN NEW YORK. 69 00:02:07,861 --> 00:02:09,630 UNLESS YOU'RE SECRETLY RICH. 70 00:02:11,532 --> 00:02:12,533 YOU'RE SECRETLY RICH. 71 00:02:12,566 --> 00:02:14,034 - SURPRISED NEAL CAFFREY. 72 00:02:14,067 --> 00:02:15,469 I GUESS I'M DOING SOMETHING RIGHT HERE. 73 00:02:15,503 --> 00:02:17,538 - IT'S EASY THEN. GREENWICH VILLAGE. 74 00:02:17,571 --> 00:02:19,006 PLENTY OF CULTURE, CENTRAL LOCATION. 75 00:02:19,039 --> 00:02:20,841 AND AS A NATIVE OF CHICAGO, 76 00:02:20,874 --> 00:02:22,876 YOU WILL APPRECIATE THE BEST PIZZA IN NEW YORK. 77 00:02:22,910 --> 00:02:24,478 - I'LL CHECK IT OUT. 78 00:02:24,512 --> 00:02:26,547 WHY'D YOU CHOOSE WHERE YOU LIVE? 79 00:02:26,580 --> 00:02:28,048 - IT'S IN MY RADIUS. 80 00:02:28,081 --> 00:02:30,851 - RIGHT, RIGHT. YEAH, RADIUS. 81 00:02:36,156 --> 00:02:37,825 - ARE WE TALKING HILTON RICH? 82 00:02:37,858 --> 00:02:39,159 HEARST? 83 00:02:39,193 --> 00:02:40,828 DO YOU OWN YOUR OWN YACHT? 84 00:02:40,861 --> 00:02:42,296 - NOT IN THE OFFICE, CAFFREY. 85 00:02:42,330 --> 00:02:42,996 I DON'T WANT ANYONE TO KNOW ABOUT IT. 86 00:02:43,030 --> 00:02:44,898 IS THAT CLEAR? 87 00:02:44,932 --> 00:02:46,334 - ALL RIGHT, YOU WANT TO GIVE A CON MAN A SECRET? 88 00:02:46,367 --> 00:02:47,935 YOU LIVE A DANGEROUS LIFE, AGENT SIEGEL. 89 00:02:50,037 --> 00:02:51,872 GOD, THE FINGER POINT AGAIN. 90 00:02:51,905 --> 00:02:53,741 I'LL GET TO WORK. 91 00:02:53,774 --> 00:02:55,008 - [whistles] 92 00:02:56,109 --> 00:02:59,980 - I GUESS THAT ONE'S FOR ME. 93 00:03:00,013 --> 00:03:00,981 - HER NAME WAS STEPHANIE. 94 00:03:01,014 --> 00:03:03,584 - WHAT, YOUR EX-WIFE? 95 00:03:03,617 --> 00:03:05,553 - MY YACHT. 96 00:03:05,586 --> 00:03:07,087 - I KNEW IT. - ALL RIGHT. 97 00:03:07,120 --> 00:03:09,690 SHH. - I KNEW IT. 98 00:03:09,723 --> 00:03:11,325 YOU'VE GROWN POWER-HUNGRY 99 00:03:11,359 --> 00:03:13,093 WITH THE POINTY FINGERS, YOU KNOW THAT, RIGHT? 100 00:03:13,126 --> 00:03:14,161 AND PLEASE TELL ME YOU DON'T DO IT 101 00:03:14,194 --> 00:03:16,029 TO ELIZABETH. - [sighs] 102 00:03:16,063 --> 00:03:18,899 CURTIS HAGEN WAS GRANTED EARLY RELEASE FROM PRISON TODAY. 103 00:03:18,932 --> 00:03:20,167 - [sighs] 104 00:03:20,200 --> 00:03:21,835 AND LIKE HIS NAMESAKE, THE DUTCHMAN 105 00:03:21,869 --> 00:03:23,871 WILL PROBABLY DISAPPEAR INTO THE NIGHT AGAIN. 106 00:03:23,904 --> 00:03:25,706 HOW'D HE GET OFF? 107 00:03:25,739 --> 00:03:27,941 - SOME EVIDENCE WAS DAMAGED IN THE WAREHOUSE. 108 00:03:27,975 --> 00:03:30,611 HIS LAWYER SAW AN OPENING AND TOOK IT. 109 00:03:32,246 --> 00:03:34,114 TAKES ME BACK. - HMM. 110 00:03:34,147 --> 00:03:36,284 - LOOK HOW FAR WE'VE COME SINCE THAT CASE. 111 00:03:36,317 --> 00:03:39,086 - YOU'VE COME. - EXCUSE ME? 112 00:03:39,119 --> 00:03:40,621 - WELL, YOU'RE IN HUGHES'S OFFICE 113 00:03:40,654 --> 00:03:42,222 WITH A WELL-DESERVED PROMOTION. 114 00:03:42,256 --> 00:03:43,624 I'M STILL ON AN ANKLET, JUST WITH SOMEBODY NEW 115 00:03:43,657 --> 00:03:45,125 HOLDING THE LEASH. 116 00:03:45,158 --> 00:03:48,128 - YOU'VE GONE FROM AN INCARCERATED CON MAN 117 00:03:48,161 --> 00:03:50,264 TO AN INVALUABLE PART OF THIS FBI TEAM. 118 00:03:50,298 --> 00:03:52,032 THAT IS NOTHING TO SNIFF AT. 119 00:03:52,065 --> 00:03:55,703 - HAGEN'S FREE. I'M NOT. 120 00:03:55,736 --> 00:03:58,606 - YOU'RE RIGHT. HE'S FREE...FOR NOW. 121 00:03:58,639 --> 00:04:01,409 HE'S A CAREER CRIMINAL. HE'LL MAKE A MISTAKE. 122 00:04:01,442 --> 00:04:03,377 AND WHEN HE DOES, WE'LL CATCH HIM. 123 00:04:03,411 --> 00:04:06,647 OR AT LEAST YOU AND SIEGEL WILL. 124 00:04:06,680 --> 00:04:08,382 - WE'LL KEEP AN EYE OUT. 125 00:04:08,416 --> 00:04:10,918 - GOOD. 126 00:04:15,923 --> 00:04:18,792 - SEE YOU LATER, PETER. - SEE YOU. 127 00:04:36,444 --> 00:04:39,279 - INTERESTING CHOICE FOR A MEETING PLACE. 128 00:04:39,313 --> 00:04:40,948 ARE YOU DECIDING ON YOUR NEXT FORGERY? 129 00:04:40,981 --> 00:04:43,951 - I LEFT THAT BEHIND ME, MR. CAFFREY. 130 00:04:43,984 --> 00:04:45,786 - HMM. 131 00:04:45,819 --> 00:04:48,922 - PRISON CHANGED ME, AS I'M SURE IT DID YOU. 132 00:04:48,956 --> 00:04:52,460 - IT DIDN'T, ACTUALLY. 133 00:04:52,493 --> 00:04:55,295 - NO, APPARENTLY NOT. WHAT A PITY. 134 00:04:55,329 --> 00:04:58,599 - I DID WHAT YOU ASKED. HAGEN, YOU'RE FREE. 135 00:04:58,632 --> 00:05:01,168 - YOU DID. IT WAS A LOVELY START. 136 00:05:01,201 --> 00:05:03,103 - NO. I'M DONE. 137 00:05:03,136 --> 00:05:05,606 IT'S OVER. 138 00:05:05,639 --> 00:05:07,975 - I'M THE ONE WHO DECIDES WHEN IT'S OVER, NOT YOU. 139 00:05:08,008 --> 00:05:09,343 - IS THAT ALL YOU CALLED ME HERE FOR? 140 00:05:09,377 --> 00:05:11,144 TO THREATEN ME? 141 00:05:11,178 --> 00:05:13,280 - NOT AT ALL. 142 00:05:13,313 --> 00:05:16,850 THERE'S SOMETHING HERE I WANT TO STEAL. 143 00:05:16,884 --> 00:05:19,019 - AND HERE I THOUGHT PRISON CHANGED YOU. 144 00:05:19,052 --> 00:05:20,388 - IT DID. 145 00:05:20,421 --> 00:05:22,055 NO MORE FORGERY, 146 00:05:22,089 --> 00:05:23,957 NO MORE GETTING MY HANDS DIRTY. 147 00:05:23,991 --> 00:05:26,660 YOU SEE, YOU'RE GONNA STEAL IT FOR ME. 148 00:05:29,563 --> 00:05:32,566 [rock music] 149 00:05:32,600 --> 00:05:40,574 * 150 00:05:51,585 --> 00:05:55,389 - [laughs] 151 00:05:55,423 --> 00:05:56,890 - SO YOU FIND ME AMUSING? 152 00:05:56,924 --> 00:05:58,325 - WELL, YOU REALIZE YOU'VE SHOT YOURSELF 153 00:05:58,358 --> 00:06:00,494 IN THE FOOT, RIGHT? 154 00:06:00,528 --> 00:06:04,432 I'M ON AN ANKLET, WHICH MEANS THE FBI KNOWS I'VE BEEN HERE. 155 00:06:04,465 --> 00:06:07,234 SO IF I BOOST THIS PAINTING, THEY'LL KNOW IT WAS ME. 156 00:06:07,267 --> 00:06:09,036 THEN I'LL BE BACK IN JAIL AND NO GOOD TO YOU. 157 00:06:09,069 --> 00:06:10,771 - OH. 158 00:06:10,804 --> 00:06:12,740 WELL, I SUPPOSE YOU'RE GOING TO HAVE 159 00:06:12,773 --> 00:06:16,009 TO BE EXTRA CLEVER THEN, AREN'T YOU? 160 00:06:16,043 --> 00:06:18,111 AT WHICH, SO FAR, YOU'RE FAILING. 161 00:06:18,145 --> 00:06:21,048 I DON'T WANT THIS PAINTING. 162 00:06:21,081 --> 00:06:23,283 - THIS KAREN KATES IS THE MOST VALUABLE PIECE 163 00:06:23,316 --> 00:06:24,384 IN THE MUSEUM. 164 00:06:24,418 --> 00:06:27,588 - TO SOME, PERHAPS. 165 00:06:38,599 --> 00:06:41,101 - THE MOSCONI CODEX. 166 00:06:41,134 --> 00:06:43,604 YOU WANT ME TO RISK JAIL FOR A LITTLE LIGHT READING? 167 00:06:43,637 --> 00:06:45,539 - THIS IS NO ORDINARY BOOK. 168 00:06:45,573 --> 00:06:47,407 AND WELL WORTH THAT RISK. 169 00:06:47,441 --> 00:06:49,409 - TO YOU, MAYBE. 170 00:06:49,443 --> 00:06:51,244 - YES, TO ME. 171 00:06:51,278 --> 00:06:52,713 AND WHAT'S IMPORTANT TO ME 172 00:06:52,746 --> 00:06:56,116 IS NOW WHAT'S IMPORTANT TO YOU. 173 00:06:56,149 --> 00:06:57,551 YOU HAVE 48 HOURS. 174 00:06:57,585 --> 00:06:59,052 - THIS BOOK'S BINDING IS ATTACHED 175 00:06:59,086 --> 00:07:00,554 TO AN A90 PRESSURE PLATE. 176 00:07:00,588 --> 00:07:02,055 IF I MOVE IT AN INCH, 177 00:07:02,089 --> 00:07:03,724 THIS PLACE IS GOING TO LIGHT UP WITH ALARMS. 178 00:07:03,757 --> 00:07:06,293 - [exhales] 179 00:07:06,326 --> 00:07:08,462 DON'T MOVE IT THEN. 180 00:07:08,496 --> 00:07:10,498 I ONLY NEED CHAPTER 13. 181 00:07:10,531 --> 00:07:12,666 - OH, GREAT. 182 00:07:24,812 --> 00:07:27,280 EXCUSE ME. 183 00:07:27,314 --> 00:07:29,182 I'D LIKE TO REQUEST A BOOK FOR STUDY. 184 00:07:29,216 --> 00:07:30,618 - I CAN GET YOU AN APPLICATION. 185 00:07:30,651 --> 00:07:31,619 WHICH ONE WOULD YOU LIKE? 186 00:07:31,652 --> 00:07:32,653 - THE MOSCONI CODEX. 187 00:07:32,686 --> 00:07:36,423 - [laughs] YOU AND ME BOTH. 188 00:07:36,456 --> 00:07:38,626 HI. - HEY. 189 00:07:41,161 --> 00:07:42,429 SO, CAN I CHECK OUT THE CODEX OR-- 190 00:07:42,462 --> 00:07:45,298 - OH, UH, SORRY. 191 00:07:45,332 --> 00:07:47,968 I WISH I COULD, BUT NO ONE CAN CHECK IT OUT. 192 00:07:48,001 --> 00:07:49,803 I MEAN, IT CAN'T EVEN BE OPENED. 193 00:07:49,837 --> 00:07:51,772 - A BOOK THAT NO ONE CAN OPEN. 194 00:07:51,805 --> 00:07:53,140 THAT'S CRUEL. 195 00:07:53,173 --> 00:07:55,509 - I-I AGREE. 196 00:07:55,543 --> 00:07:58,178 AND THIS ONE, THE MOSCONI CODEX, 197 00:07:58,211 --> 00:08:00,714 IT'S A RIDDLE, 198 00:08:00,748 --> 00:08:02,716 WRAPPED IN AN ENIGMA, 199 00:08:02,750 --> 00:08:06,887 WRAPPED IN A SHATTERPROOF GLASS BOX. 200 00:08:06,920 --> 00:08:08,288 I MEAN, I WOULD GIVE MY LEFT ARM 201 00:08:08,321 --> 00:08:11,224 TO PEEK INSIDE IT. 202 00:08:11,258 --> 00:08:13,360 SORRY. I-I'M RAMBLING. 203 00:08:13,393 --> 00:08:15,796 IT'S JUST THE CODEX. IT'S A PET OBSESSION OF MINE. 204 00:08:15,829 --> 00:08:18,666 - I RESPECT A GOOD OBSESSION. 205 00:08:18,699 --> 00:08:21,735 WHAT MAKES IT SO VALUABLE? 206 00:08:21,769 --> 00:08:25,739 - WELL, SO BEFORE HE DIED, MOSCONI CLAIMED 207 00:08:25,773 --> 00:08:27,340 THAT THE GREATEST WEALTH IN THE WORLD 208 00:08:27,374 --> 00:08:28,709 WAS WITHIN ITS PAGES. 209 00:08:28,742 --> 00:08:30,377 - OH, THAT'S AN EASY THING TO CLAIM 210 00:08:30,410 --> 00:08:32,345 FOR A BOOK THAT NO ONE CAN OPEN. 211 00:08:32,379 --> 00:08:35,215 - THAT'S TRUE. 212 00:08:35,248 --> 00:08:37,050 I MEAN, IT COULD BE THE KEY TO ENLIGHTENMENT 213 00:08:37,084 --> 00:08:39,987 OR A LIST OF HIS FAVORITE RECIPES. 214 00:08:40,020 --> 00:08:42,723 - WHY NOT TAKE A LOOK INSIDE AND FIND OUT? 215 00:08:42,756 --> 00:08:45,192 - THE OWNER GAVE STRICT INSTRUCTIONS 216 00:08:45,225 --> 00:08:48,328 IN THE LENDING THAT IT CAN'T BE OPENED. 217 00:08:48,361 --> 00:08:50,831 - THE OWNER. HMM. WHO IS THE OWNER? 218 00:08:50,864 --> 00:08:52,566 - ANONYMOUS. - OF COURSE. 219 00:08:52,600 --> 00:08:54,735 - ADDS TO THE INTRIGUE, DOESN'T IT? 220 00:08:54,768 --> 00:08:59,406 SO WE'RE JUST LEFT TO JUDGE A BOOK BY ITS COVER. 221 00:08:59,439 --> 00:09:01,408 - SO THERE'S NO WAY TO FIND OUT WHAT'S INSIDE? 222 00:09:01,441 --> 00:09:02,876 - NO WAY. 223 00:09:02,910 --> 00:09:05,913 THOUGH MOSCONI DID GILD THE FIRST PAGE 224 00:09:05,946 --> 00:09:07,447 OF EVERY CHAPTER, 225 00:09:07,480 --> 00:09:08,749 SO WE KNOW THERE ARE 25 OF THEM. 226 00:09:08,782 --> 00:09:10,350 - 25, YEAH. 227 00:09:10,383 --> 00:09:12,853 - TAUNTING ME WITH THEIR SECRETS. 228 00:09:12,886 --> 00:09:14,722 - [laughs] 229 00:09:14,755 --> 00:09:16,456 YEAH. 230 00:09:37,277 --> 00:09:39,980 - WHAT, JUST A TOWN CAR? IS YOUR LIMO IN THE SHOP? 231 00:09:40,013 --> 00:09:41,949 - HOW'S AGENT SIEGEL WORKING OUT? 232 00:09:41,982 --> 00:09:43,884 - OH, STILL CHECKING MY ANKLET 233 00:09:43,917 --> 00:09:44,584 A COUPLE TIMES AN HOUR. 234 00:09:44,618 --> 00:09:46,119 - THAT'S GOOD. 235 00:09:46,153 --> 00:09:47,487 THAT'S HIS JOB, LIKE IT OR NOT. 236 00:09:47,520 --> 00:09:49,156 - I'VE STARTED GOING TO COFFEE TRUCKS 237 00:09:49,189 --> 00:09:50,758 OUTSIDE BANKS AND MUSEUMS. - [laughs] 238 00:09:50,791 --> 00:09:52,492 YOU'RE TOYING WITH HIM. 239 00:09:52,525 --> 00:09:53,894 - HOW ARE THINGS WITH YOU? 240 00:09:53,927 --> 00:09:55,796 - OWNER'S BOX AT YANKEE STADIUM 241 00:09:55,829 --> 00:09:57,631 FOR TOMORROW'S GAME. 242 00:09:57,665 --> 00:09:59,967 ELIZABETH, MYSELF, AND MY FAVORITE PINSTRIPES. 243 00:10:00,000 --> 00:10:01,669 - AND A BUNCH OF POLITICIANS. 244 00:10:01,702 --> 00:10:03,671 - I LET ELIZABETH HANDLE THEM. 245 00:10:03,704 --> 00:10:05,605 SHE PLAYS THEM LIKE A VIOLIN. 246 00:10:05,639 --> 00:10:07,675 IT'S ALMOST AS FUN AS WATCHING THE BASEBALL GAME. 247 00:10:07,708 --> 00:10:09,677 - IT'S NICE TO SEE YOU ENJOYING THE PERKS 248 00:10:09,710 --> 00:10:11,111 OF YOUR NEW JOB. 249 00:10:11,144 --> 00:10:12,112 - THANK YOU, BUT THAT'S NOTHING. 250 00:10:12,145 --> 00:10:13,747 I GOT SOMETHING BETTER. 251 00:10:13,781 --> 00:10:14,514 - WHAT, ARE YOU THROWING OUT THE FIRST PITCH? 252 00:10:14,547 --> 00:10:16,684 - BETTER. 253 00:10:16,717 --> 00:10:18,852 - ACCESS TO THE SECRET GOVERNMENT UNDERGROUND STREETS 254 00:10:18,886 --> 00:10:20,420 WITH NO TRAFFIC AND PLENTY OF PARKING. 255 00:10:20,453 --> 00:10:22,455 - YOU'VE GOT TO STOP LISTENING TO MOZZIE. 256 00:10:22,489 --> 00:10:24,591 - HE SWEARS THEY EXIST. - BETTER. 257 00:10:24,624 --> 00:10:26,760 - I CAN'T IMAGINE WHAT YOU'D THINK IS BETTER THAN THAT. 258 00:10:26,794 --> 00:10:28,361 - THIS IS. 259 00:10:28,395 --> 00:10:30,931 - FOR TIRELESS SERVICE TO THE BUREAU, 260 00:10:30,964 --> 00:10:33,100 FOR GOING ABOVE AND BEYOND IN THE FIELD, 261 00:10:33,133 --> 00:10:36,603 I DO HEREBY PROMOTE SPECIAL AGENT CLINTON JONES 262 00:10:36,636 --> 00:10:38,806 AS ACTING S.S.A. 263 00:10:38,839 --> 00:10:40,974 [applause] 264 00:10:41,008 --> 00:10:42,876 - WHOO! - [laughs] 265 00:10:44,878 --> 00:10:46,479 - PETER, THANK YOU. 266 00:10:46,513 --> 00:10:47,480 - YOU DESERVE IT. 267 00:10:47,514 --> 00:10:48,716 I'M JUST THE LUCKY GUY 268 00:10:48,749 --> 00:10:50,050 WHO GETS TO GIVE YOU YOUR BUTTON. 269 00:10:50,083 --> 00:10:51,551 I'M PROUD OF YOU. - THANK YOU. 270 00:10:51,584 --> 00:10:54,054 - CONGRATULATIONS, SUPERVISORY SPECIAL AGENT JONES. 271 00:10:54,087 --> 00:10:55,388 SOUNDS IMPORTANT. 272 00:10:55,422 --> 00:10:56,790 - YEAH, A LITTLE MORE AUTONOMY. 273 00:10:56,824 --> 00:10:58,158 A LOT MORE WORK. 274 00:10:58,191 --> 00:11:00,828 - SO YOU'RE HAPPY. - OH, VERY. 275 00:11:00,861 --> 00:11:02,730 ALTHOUGH SOMEHOW, I THINK HE'S A BIT HAPPIER 276 00:11:02,763 --> 00:11:05,232 ABOUT IT THAN I AM. - UH-HUH. 277 00:11:05,265 --> 00:11:07,167 - LISTEN, WE ARE PROBABLY GOING TO GO CELEBRATE. 278 00:11:07,200 --> 00:11:08,168 YOU WANT TO JOIN US? 279 00:11:08,201 --> 00:11:09,703 - NEXT TIME. 280 00:11:09,737 --> 00:11:11,538 NO AUTONOMY, STILL A LOT OF WORK. 281 00:11:11,571 --> 00:11:13,140 - ALL RIGHT. ALL RIGHT, NEXT TIME. 282 00:11:13,173 --> 00:11:15,642 - CONGRATULATIONS. - THANKS, MAN. 283 00:11:15,675 --> 00:11:16,844 [indistinct chatter] 284 00:11:16,877 --> 00:11:18,378 HUH? [laughter] 285 00:11:28,722 --> 00:11:30,758 - I'LL HELP YOU ON ONE CONDITION. 286 00:11:30,791 --> 00:11:32,726 - YOU WANT TO KNOW WHAT'S INSIDE THE CODEX. 287 00:11:32,760 --> 00:11:33,994 - PRECISELY THE OPPOSITE. 288 00:11:34,027 --> 00:11:36,063 I DON'T WANT TO LAY EYES ON IT. 289 00:11:36,096 --> 00:11:37,765 AS LONG AS YOU'RE WORKING WITH "SUIT THE SEQUEL," 290 00:11:37,798 --> 00:11:39,699 I HAVE TO BECOME A NEW MAN. 291 00:11:39,733 --> 00:11:41,902 WHAT DO YOU THINK? 292 00:11:41,935 --> 00:11:43,036 [British accent] TOO RINGO? 293 00:11:43,070 --> 00:11:44,437 - TOO BIEBER. 294 00:11:44,471 --> 00:11:45,705 LOOK, IF YOU WANT TO REDEFINE YOURSELF, 295 00:11:45,739 --> 00:11:47,607 YOU SHOULD BECOME A TEETOTALER. 296 00:11:47,640 --> 00:11:50,243 - THERE'S SOME LIES EVEN I CAN'T SELL. 297 00:11:50,277 --> 00:11:52,545 - WELL, LOOK, I APPRECIATE YOUR IDENTITY CRISIS, 298 00:11:52,579 --> 00:11:55,215 BUT I NEED TO FOCUS ON HOW TO STEAL THE CODEX. 299 00:11:55,248 --> 00:11:58,585 - CON SUIT 2.0 INTO REMOVING YOUR ANKLET. 300 00:11:58,618 --> 00:12:00,754 - SIEGEL'S NEVER TAKEN MY ANKLET OFF BEFORE. 301 00:12:00,788 --> 00:12:02,222 THE FIRST TIME HE DOES, HE'S GONNA BE ON HIGH ALERT. 302 00:12:02,255 --> 00:12:03,924 I CAN'T RISK IT. 303 00:12:03,957 --> 00:12:05,558 BESIDES, IT ALREADY SHOWS ME AT THE MUSEUM. 304 00:12:05,592 --> 00:12:09,196 I NEED TO FIND A REASON TO BE THERE. 305 00:12:09,229 --> 00:12:11,231 - WE CAN PIGGYBACK. 306 00:12:11,264 --> 00:12:13,700 CONVINCE SOMEONE ELSE TO ROB THE MUSEUM. 307 00:12:13,733 --> 00:12:16,369 - TWO THIEVES GO IN, AND ONE COMES OUT IN CUFFS. 308 00:12:16,403 --> 00:12:19,940 - AND IF YOU'RE INVESTIGATING A POSSIBLE ROBBERY, 309 00:12:19,973 --> 00:12:21,374 YOU HAVE EVERY REASON TO BE THERE. 310 00:12:21,408 --> 00:12:23,076 - YEAH, BUT WHO DO WE PIGGYBACK? 311 00:12:23,110 --> 00:12:24,611 I MEAN IT'S GOT TO BE SOMEONE GOOD ENOUGH 312 00:12:24,644 --> 00:12:25,913 TO PULL IT OFF, BUT SOMEONE WE DON'T MIND 313 00:12:25,946 --> 00:12:27,280 SCREWING OVER. 314 00:12:27,314 --> 00:12:30,550 - ZEV. - WHO'S THAT? 315 00:12:30,583 --> 00:12:33,653 - ZEV IS A BESMIRCHMENT ON THE NAME OF CON MEN. 316 00:12:33,686 --> 00:12:36,256 REMEMBER THE DE BEERS DIAMOND VAULT HEIST? 317 00:12:36,289 --> 00:12:37,925 - YEAH, YOU SPENT MONTHS WORKING ON IT, 318 00:12:37,958 --> 00:12:39,927 AND THEN SOMEONE GOT THERE AN HOUR AHEAD OF YOU. 319 00:12:39,960 --> 00:12:42,229 - AND PULLED OFF THE HEIST EXACTLY AS I PLANNED IT. 320 00:12:42,262 --> 00:12:43,831 THAT WAS ZEV. THAT'S WHAT HE DOES. 321 00:12:43,864 --> 00:12:45,132 HE'S AN IDEA-NAPPER. 322 00:12:45,165 --> 00:12:46,433 - THE THIEF OF THIEVES. 323 00:12:46,466 --> 00:12:48,268 AND NOW WE CAN USE IT AGAINST HIM. 324 00:12:48,301 --> 00:12:51,338 - AND I GET TO CROSS A NAME OFF MY ENEMIES LIST. 325 00:12:51,371 --> 00:12:53,240 - YOU KNOW, FOR MOST PEOPLE, THAT'S A METAPHOR. 326 00:12:53,273 --> 00:12:55,943 IT'S NOT AN ACTUAL LIST. 327 00:12:55,976 --> 00:12:58,846 - GOOD? 328 00:13:00,513 --> 00:13:05,485 SO, WHAT CAN WE HAVE ZEV STEAL? 329 00:13:06,954 --> 00:13:08,321 A KAREN KATES PAINTING. 330 00:13:08,355 --> 00:13:09,857 I'M TELLING YOU, BARRY, 331 00:13:09,890 --> 00:13:11,791 IT'S JUST SITTING THERE WAITING TO BE GRABBED. 332 00:13:11,825 --> 00:13:13,160 I'VE GOT IT ALL WORKED OUT. 333 00:13:13,193 --> 00:13:16,129 IT'S THE PERFECT PLAN. 334 00:13:16,163 --> 00:13:18,265 I'LL SPELL OUT ALL THE DETAILS FOR ZEV. 335 00:13:18,298 --> 00:13:20,000 - WHILE YOU DO THAT, I'LL CONVINCE SIEGEL 336 00:13:20,033 --> 00:13:21,168 THAT SOMEONE'S GONNA ROB THE MUSEUM. 337 00:13:21,201 --> 00:13:22,936 I'M HEARING CHATTER. 338 00:13:22,970 --> 00:13:24,371 I MEAN, I DON'T KNOW WHO THE THIEF IS, 339 00:13:24,404 --> 00:13:25,939 BUT WORD IS IT'S GONNA HAPPEN SOON. 340 00:13:25,973 --> 00:13:27,941 - STAKEOUTS ARE TIME-INTENSIVE, NEAL. 341 00:13:27,975 --> 00:13:29,776 I MEAN, "SOON" COULD MEAN 342 00:13:29,809 --> 00:13:31,111 YOU AND ME SITTING OUT THERE FOR WEEKS. 343 00:13:31,144 --> 00:13:32,179 YOU SURE? 344 00:13:32,212 --> 00:13:35,115 - YEAH, IT'S GOOD INTEL. 345 00:13:35,148 --> 00:13:38,818 LOOK, YOU KNOW WHAT? I DON'T WANT TO PUSH IT, SO-- 346 00:13:38,852 --> 00:13:41,288 - NO, NO, NO. 347 00:13:41,321 --> 00:13:43,523 TELL YOU WHAT. I'LL RUN IT UP THE FLAGPOLE. 348 00:13:43,556 --> 00:13:45,558 - ALL RIGHT. 349 00:13:47,227 --> 00:13:48,828 - WHAT? 350 00:13:48,862 --> 00:13:50,998 - I JUST FEEL LIKE I SHOULD BE THE ONE 351 00:13:51,031 --> 00:13:52,065 TO PITCH IT TO PETER. 352 00:13:52,099 --> 00:13:53,733 - WHY IS THAT? 353 00:13:53,766 --> 00:13:55,002 - I DON'T WANT YOU PUTTING YOUR NECK ON THE LINE. 354 00:13:55,035 --> 00:13:56,703 IT'S MY INTEL. 355 00:13:56,736 --> 00:13:59,206 I SHOULD BE RESPONSIBLE FOR IT IN CASE IT'S BAD. 356 00:13:59,239 --> 00:14:02,409 - I'LL PITCH IT TO PETER. - OKAY. 357 00:14:02,442 --> 00:14:03,576 ALL RIGHT, SIEGEL IS PARANOID 358 00:14:03,610 --> 00:14:05,312 THAT I'M ALWAYS PULLING A CON. 359 00:14:05,345 --> 00:14:07,580 SO WE'LL USE THAT TO LAUNDER THE CON THROUGH HIM. 360 00:14:07,614 --> 00:14:09,682 BY THE TIME PETER HEARS ABOUT IT, 361 00:14:09,716 --> 00:14:11,584 IT'LL ALL SOUND LIKE IT WAS ALL SIEGEL'S IDEA. 362 00:14:11,618 --> 00:14:13,053 - YOU FEEL GOOD ABOUT THIS INTEL? 363 00:14:13,086 --> 00:14:14,254 - I DO. 364 00:14:14,287 --> 00:14:16,223 MY SOURCE SEEMED PRETTY CONFIDENT. 365 00:14:16,256 --> 00:14:18,025 - ALREADY WITH RELIABLE SOURCES. 366 00:14:18,058 --> 00:14:20,060 HAVEN'T WASTED ANY TIME SINCE COMING TO THE CITY. 367 00:14:20,093 --> 00:14:22,329 - THE WICKED DON'T REST. NEITHER SHOULD WE, RIGHT? 368 00:14:22,362 --> 00:14:23,396 - [laughs] NO. 369 00:14:23,430 --> 00:14:24,597 I HAVE TO SAY I'M JEALOUS. 370 00:14:24,631 --> 00:14:26,233 I LOVE A GOOD STAKEOUT. 371 00:14:26,266 --> 00:14:27,935 - WELL, YOU'RE WELCOME TO JOIN US. 372 00:14:27,968 --> 00:14:30,037 - OH. I WOULDN'T MIND IF I DO. 373 00:14:30,070 --> 00:14:31,571 - THAT'D BE GREAT, BUT COME ON, 374 00:14:31,604 --> 00:14:32,605 YOU HAVE THE YANKEES GAME TODAY. 375 00:14:32,639 --> 00:14:34,674 - I DO. I DO. 376 00:14:34,707 --> 00:14:36,009 MAYBE TOMORROW THEN. - SURE. 377 00:14:36,043 --> 00:14:38,278 - STAKEOUT APPROVED. 378 00:14:38,311 --> 00:14:39,712 GOOD LUCK, YOU TWO. 379 00:14:39,746 --> 00:14:41,481 - WON'T BE THE SAME WITHOUT YOU. 380 00:14:48,421 --> 00:14:49,522 [whistle blows] 381 00:14:49,556 --> 00:14:51,058 [car horn blares] 382 00:14:54,094 --> 00:14:55,395 - HEY, PETER. 383 00:14:55,428 --> 00:14:57,530 I HAVE MORE FORMS FOR YOU TO SIGN. 384 00:14:57,564 --> 00:14:58,565 - AND I'M GONNA HAVE CARPAL TUNNEL 385 00:14:58,598 --> 00:15:00,400 BY THE END OF THE MONTH. 386 00:15:00,433 --> 00:15:02,970 - I DON'T KNOW HOW HUGHES HANDLED ALL THIS PAPERWORK. 387 00:15:03,003 --> 00:15:04,972 - HE HAD A STAMP WITH HIS SIGNATURE ON IT. 388 00:15:05,005 --> 00:15:07,707 - WITH CAFFREY AROUND, I'LL RISK THE CARPAL. 389 00:15:07,740 --> 00:15:10,543 - IS IT STRANGE? - HMM? 390 00:15:10,577 --> 00:15:11,979 - YEAH, I MEAN, SEEING CAFFREY 391 00:15:12,012 --> 00:15:13,546 RUNNING AROUND ON CASES WITH SIEGEL, 392 00:15:13,580 --> 00:15:15,582 AND YOU'RE SITTING UP HERE? 393 00:15:15,615 --> 00:15:17,084 - IT IS. 394 00:15:17,117 --> 00:15:19,586 IT IS, BUT THERE ARE A LOT OF CHANGES 395 00:15:19,619 --> 00:15:20,954 GOING ON AROUND HERE. 396 00:15:20,988 --> 00:15:23,423 I MEAN, YOUR PROMOTION, DIANA'S BABY, 397 00:15:23,456 --> 00:15:25,492 SIEGEL. 398 00:15:25,525 --> 00:15:26,593 CHANGE IS GOOD. 399 00:15:26,626 --> 00:15:29,296 - YANKEES TICKETS GOOD. 400 00:15:29,329 --> 00:15:31,164 - YES. YES, YANKEES TICKETS. 401 00:15:31,198 --> 00:15:34,667 WHICH REMINDS ME, I HAVE TO GET GOING. 402 00:15:34,701 --> 00:15:37,437 I'VE GOT TO JUMP ON OUR UNDERGROUND STREET 403 00:15:37,470 --> 00:15:38,571 TO BEAT TRAFFIC. 404 00:15:38,605 --> 00:15:40,673 LONG STORY. 405 00:15:40,707 --> 00:15:43,143 - WHEN'S THE LAST TIME YOU CHECKED CAFFREY'S ANKLET? 406 00:15:43,176 --> 00:15:45,178 - OH-- - PETER? 407 00:15:45,212 --> 00:15:46,779 - TEN MINUTES AGO. - HMM. 408 00:15:46,813 --> 00:15:48,581 - HE'S HOME, PROBABLY PAINTING SOMETHING 409 00:15:48,615 --> 00:15:50,783 HE SHOULDN'T BE. - [chuckles] 410 00:15:51,818 --> 00:15:54,354 - AH, BAKED PARCHMENT. 411 00:15:54,387 --> 00:15:56,523 JUST LIKE MAMA USED TO MAKE. 412 00:15:56,556 --> 00:15:57,624 - ALL RIGHT, THE BOOK IS ATTACHED 413 00:15:57,657 --> 00:15:59,326 TO AN A90 PRESSURE PLATE, 414 00:15:59,359 --> 00:16:01,294 SO I WON'T BE ABLE TO REMOVE IT. 415 00:16:01,328 --> 00:16:03,830 FORTUNATELY, WE ONLY NEED CHAPTER 13. 416 00:16:03,863 --> 00:16:06,633 - HOW FRUSTRATINGLY INTRIGUING OF HIM. 417 00:16:06,666 --> 00:16:08,168 - WELL, AT LEAST WE KNOW WHERE THE CHAPTER IS. 418 00:16:08,201 --> 00:16:10,503 13 GILDED PAGES MEANS 13 CHAPTERS. 419 00:16:10,537 --> 00:16:12,272 LET'S HOPE MOSCONI DIDN'T WRITE A FOREWORD. 420 00:16:12,305 --> 00:16:13,806 IF ALL HAGEN WANTS IS THE CHAPTER, 421 00:16:13,840 --> 00:16:15,475 THEN IT'S NOT ABOUT THE VALUE OF THE BOOK. 422 00:16:15,508 --> 00:16:19,379 - NO. IT'S ABOUT THE INFORMATION ON THE PAGES. 423 00:16:19,412 --> 00:16:21,681 - MOZ, YOU CAN LEAVE THOSE PAGES BLANK. 424 00:16:21,714 --> 00:16:22,715 NOBODY'S GOING TO SEE THEM. 425 00:16:22,749 --> 00:16:24,717 - UH, NOT SOON. NO. 426 00:16:24,751 --> 00:16:26,719 BUT EVENTUALLY, THEY WILL. 427 00:16:26,753 --> 00:16:29,356 AND WHEN THAT DAY COMES, MY MANIFESTO 428 00:16:29,389 --> 00:16:31,458 WILL FINALLY GET THE ATTENTION IT DESERVES. 429 00:16:31,491 --> 00:16:33,893 - UH-HUH. DO YOU THINK ZEV TOOK THE BAIT? 430 00:16:33,926 --> 00:16:35,495 - I FOLLOWED HIM THIS MORNING. 431 00:16:35,528 --> 00:16:36,663 HE'S ALREADY PREPPING FOR IT. 432 00:16:36,696 --> 00:16:38,898 THE MUSEUM CLOSES AT 5:30. 433 00:16:38,931 --> 00:16:40,333 I SAID THAT I WAS TURNING OFF 434 00:16:40,367 --> 00:16:42,302 THE SECURITY CAMERAS AT 6:00 P.M. 435 00:16:42,335 --> 00:16:44,504 AND THAT I WAS BREAKING IN 15 MINUTES LATER, 436 00:16:44,537 --> 00:16:45,972 JUST TO BE SAFE. 437 00:16:46,005 --> 00:16:47,407 - WHICH MEANS ZEV WILL BREAK IN AT 6:00. 438 00:16:47,440 --> 00:16:50,310 - IN REALITY, I'M DOING ALL THAT AT 5:50. 439 00:16:50,343 --> 00:16:51,644 THAT'S WHEN YOU GO IN. 440 00:16:51,678 --> 00:16:52,879 - ALL RIGHT, SO I GOT TEN MINUTES 441 00:16:52,912 --> 00:16:54,481 UNTIL ZEV GETS THERE, 442 00:16:54,514 --> 00:16:55,815 I'LL STEAL IT, GET OUT, 443 00:16:55,848 --> 00:16:57,016 AND THEN ARREST HIM WITH SIEGEL. 444 00:16:57,050 --> 00:16:58,918 - WE KNOW ZEV WILL FIND A WAY IN. 445 00:16:58,951 --> 00:17:02,055 WHAT'S YOURS? 446 00:17:15,034 --> 00:17:17,537 - YOU NEVER GAVE ME YOUR NAME. 447 00:17:17,570 --> 00:17:18,771 - HI. 448 00:17:18,805 --> 00:17:19,839 - HEY. 449 00:17:19,872 --> 00:17:20,907 - DIDN'T I? 450 00:17:20,940 --> 00:17:22,742 [laughs] SORRY. 451 00:17:22,775 --> 00:17:24,344 REBECCA. - NEAL. 452 00:17:24,377 --> 00:17:25,745 I WAS HOPING I'D RUN INTO YOU. 453 00:17:25,778 --> 00:17:27,580 - YEAH? - YEAH. 454 00:17:27,614 --> 00:17:29,349 - I WAS ALSO HOPING I'D GET HERE 455 00:17:29,382 --> 00:17:31,284 BEFORE THE MUSEUM CLOSED, BUT-- 456 00:17:31,318 --> 00:17:32,919 - ONE OUT OF TWO ISN'T BAD. 457 00:17:32,952 --> 00:17:36,556 - NO. IT'S DEFINITELY NOT. 458 00:17:36,589 --> 00:17:40,793 - I ALWAYS FORGET TO TAKE THIS THING OFF. 459 00:17:40,827 --> 00:17:42,229 I SWEAR I THINK I-- 460 00:17:42,262 --> 00:17:44,564 I THINK I EVEN WORE IT TO DINNER LAST WEEK. 461 00:17:46,633 --> 00:17:48,768 - I HAVE SOMETHING HERE I THOUGHT 462 00:17:48,801 --> 00:17:50,603 YOU MIGHT BE ABLE TO HELP ME OUT WITH. 463 00:17:50,637 --> 00:17:52,472 - WHAT IS IT? 464 00:17:52,505 --> 00:17:55,242 - WELL, YOU TELL ME. 465 00:17:56,509 --> 00:17:58,378 - HOW OLD IS THIS? 466 00:17:58,411 --> 00:17:59,812 I MEAN, IT LOOKS MID-RENAISSANCE. 467 00:17:59,846 --> 00:18:01,881 - YEAH. 468 00:18:01,914 --> 00:18:04,651 - BUT THERE'S A RHYTHM TO THE LANGUAGE THAT'S... 469 00:18:07,520 --> 00:18:09,322 IF I DIDN'T KNOW BETTER, I'D SAY 470 00:18:09,356 --> 00:18:11,824 THAT'S THE PRESIDENT IN A FLYING SAUCER. 471 00:18:11,858 --> 00:18:14,561 OKAY, WHOEVER DID THIS IS EITHER BRILLIANT 472 00:18:14,594 --> 00:18:16,596 OR INSANE. 473 00:18:19,966 --> 00:18:21,801 HI. - HI. 474 00:18:21,834 --> 00:18:23,503 - [laughs] 475 00:18:23,536 --> 00:18:25,772 OH, MY GOSH, I, UM-- 476 00:18:25,805 --> 00:18:27,507 I HAVE A THING THAT I AM LATE FOR... 477 00:18:27,540 --> 00:18:28,841 - YEAH. 478 00:18:28,875 --> 00:18:30,009 - THAT NOW I REALLY WISH I DIDN'T HAVE... 479 00:18:30,042 --> 00:18:30,910 - I UNDERSTAND. - BUT I AM. 480 00:18:30,943 --> 00:18:32,779 I BETTER-- 481 00:18:32,812 --> 00:18:35,782 - REBECCA. - YEAH? 482 00:18:35,815 --> 00:18:37,750 - I NEED THAT BACK. 483 00:18:37,784 --> 00:18:39,819 - OH. [laughs] 484 00:18:39,852 --> 00:18:41,654 RIGHT. SORRY. 485 00:18:41,688 --> 00:18:43,089 [sighs] 486 00:18:43,122 --> 00:18:44,824 BYE. - [laughs] BYE. 487 00:18:55,568 --> 00:18:57,170 HEY. - GET IN. 488 00:18:57,204 --> 00:18:59,572 LET'S SET UP OUR POST ACROSS THE STREET. 489 00:19:04,511 --> 00:19:06,446 SHOWING UP EARLY. I LIKE THAT. 490 00:19:06,479 --> 00:19:09,115 - I WANTED TO GET A QUICK LOOK AT THE MUSEUM BEFOREHAND. 491 00:19:09,148 --> 00:19:11,718 BUT YOU KNEW THAT FROM CHECKING ON MY ANKLET. 492 00:19:11,751 --> 00:19:13,786 - DIDN'T CHECK. 493 00:19:13,820 --> 00:19:15,788 YET. 494 00:19:15,822 --> 00:19:17,657 I WAS TOO BUSY APARTMENT SHOPPING 495 00:19:17,690 --> 00:19:18,691 OVER IN THE VILLAGE. 496 00:19:18,725 --> 00:19:20,026 - WHAT'D YOU THINK? 497 00:19:20,059 --> 00:19:21,628 - YOU MAY BE A CON MAN, 498 00:19:21,661 --> 00:19:23,496 BUT YOU WERE RIGHT ABOUT THAT PIZZA. 499 00:19:23,530 --> 00:19:25,131 - WHAT'D I TELL YOU? - [laughs] 500 00:19:25,164 --> 00:19:26,833 SO I GOT YOU SOMETHING. 501 00:19:26,866 --> 00:19:29,302 - AW, MAN. YOU DIDN'T HAVE TO. 502 00:19:29,336 --> 00:19:31,804 THANK YOU. I DIDN'T GET YOU ANYTHING. 503 00:19:31,838 --> 00:19:34,907 - YOU CATCH ME A BAD GUY, WE'LL CALL IT EVEN. 504 00:19:34,941 --> 00:19:36,843 - ALL RIGHT. 505 00:19:36,876 --> 00:19:39,212 - WELL, I HAVE TO SAY, THE OWNER'S BOX 506 00:19:39,246 --> 00:19:41,481 HAS OFFICIALLY SPOILED ME. 507 00:19:41,514 --> 00:19:43,216 THAT'S THE ONLY WAY TO WATCH A BALL GAME FROM NOW ON. 508 00:19:43,250 --> 00:19:44,251 - YOU AND ME BOTH. 509 00:19:44,284 --> 00:19:45,685 - OH, REALLY? 510 00:19:45,718 --> 00:19:46,986 I DIDN'T THINK YOU WERE 511 00:19:47,019 --> 00:19:48,221 WATCHING THE GAME HALF THE TIME. 512 00:19:48,255 --> 00:19:50,857 - WELL, ALL THAT GLAD-HANDING 513 00:19:50,890 --> 00:19:52,725 CAN BE A BIT DISTRACTING. - HMM. 514 00:19:52,759 --> 00:19:54,761 WASN'T WHAT I WAS TALKING ABOUT. 515 00:19:54,794 --> 00:19:56,763 I MEAN, YES, PETER BURKE WAS THERE WATCHING, 516 00:19:56,796 --> 00:19:59,899 BUT IT SEEMED LIKE YOUR MIND WAS SOMEWHERE ELSE. 517 00:19:59,932 --> 00:20:02,635 COULD IT HAVE BEEN A STAKEOUT? 518 00:20:04,804 --> 00:20:07,206 - I USED TO LIVE FOR A STAKEOUT. 519 00:20:07,240 --> 00:20:10,677 THE RADIO, DEVILED HAM FROM MY WIFE, 520 00:20:10,710 --> 00:20:12,279 GOOD CONVERSATION, 521 00:20:12,312 --> 00:20:15,548 AND THEN ARRESTING THE BAD GUY. 522 00:20:15,582 --> 00:20:17,850 - AND NOW YOU'RE STUCK EATING AMAZING FOOD, 523 00:20:17,884 --> 00:20:19,352 WATCHING YOUR FAVORITE SPORTS TEAM 524 00:20:19,386 --> 00:20:20,887 WITH THE MOST AMAZING SEATS IN THE HOUSE. 525 00:20:20,920 --> 00:20:23,856 - WITH MY LOVELY WIFE. 526 00:20:23,890 --> 00:20:28,194 - I WAS WONDERING IF YOU WERE GONNA PUT THAT PART IN. 527 00:20:28,227 --> 00:20:29,228 - THEY SAID I COULD JOIN THEM. 528 00:20:29,262 --> 00:20:31,364 IT'S NOT THAT LATE. 529 00:20:31,398 --> 00:20:33,199 - I MEAN, YOU DEFINITELY COULD. 530 00:20:33,232 --> 00:20:36,303 OR YOU COULD RIP OFF THE BAND-AID. 531 00:20:36,336 --> 00:20:37,904 - ELEVATOR BUTTONS. 532 00:20:37,937 --> 00:20:40,407 - [laughs] - REALLY? WOW. 533 00:20:40,440 --> 00:20:41,207 - WELL, SOMEONE'S GOTTA MAKE 'EM. 534 00:20:41,240 --> 00:20:43,476 MY GRANDFATHER REALIZED THAT, 535 00:20:43,510 --> 00:20:45,244 CREATED A MONOPOLY ON THE BUSINESS. 536 00:20:45,278 --> 00:20:47,414 - PROBABLY BECAUSE NOBODY ELSE WANTED TO. 537 00:20:47,447 --> 00:20:51,284 - THEIR LOSS, OUR MILLIONS. 538 00:20:51,318 --> 00:20:53,953 - WHY THE FBI? I MEAN, YOU COME FROM MONEY. 539 00:20:53,986 --> 00:20:56,589 THERE ARE A LOT OF THINGS YOU COULD'VE DONE. 540 00:20:56,623 --> 00:20:59,125 - I GREW UP KNOWING BANKERS AND STOCKBROKERS, 541 00:20:59,158 --> 00:21:01,127 TRUST FUND KIDS. 542 00:21:01,160 --> 00:21:02,895 JUST GOT TO A POINT WHERE I REALIZED 543 00:21:02,929 --> 00:21:04,230 I WAS SURROUNDED WITH CRIMINALS, 544 00:21:04,263 --> 00:21:06,633 ONLY THEY WORE SUITS AND HAD GREAT LAWYERS. 545 00:21:06,666 --> 00:21:10,169 - SO YOU DECIDED TO DO SOMETHING ABOUT IT. 546 00:21:10,202 --> 00:21:12,138 - WELL, YOU COULD ARGUE THAT THE ELEVATOR BUTTON KID 547 00:21:12,171 --> 00:21:13,239 NEVER REALLY FIT IN. 548 00:21:13,272 --> 00:21:14,841 THIS IS ALL PETTY REVENGE. 549 00:21:14,874 --> 00:21:16,843 - AH, OKAY. 550 00:21:16,876 --> 00:21:18,345 - I GET BORED EASILY. 551 00:21:18,378 --> 00:21:19,779 I LIKE TO KEEP THINGS INTERESTING. 552 00:21:19,812 --> 00:21:21,914 - YEP. 553 00:21:21,948 --> 00:21:24,917 IT'S A RIOT AROUND HERE. 554 00:21:24,951 --> 00:21:27,153 - WE ARE SITTING OUTSIDE A MUSEUM RIGHT NOW, 555 00:21:27,186 --> 00:21:29,456 AND WE'RE WAITING FOR A GUY TO STEAL A PAINTING. 556 00:21:29,489 --> 00:21:31,090 COME ON, TELL ME YOU DON'T LOVE THAT. 557 00:21:31,123 --> 00:21:32,825 - IT WAS JUST A LOT MORE EXCITING 558 00:21:32,859 --> 00:21:34,627 WHEN I WAS THE GUY DOING THE STEALING. 559 00:21:34,661 --> 00:21:36,929 - YEAH, THAT'S WHY I LIKE BEING YOUR HANDLER, NEAL. 560 00:21:36,963 --> 00:21:37,930 YOU'RE EITHER GONNA MAKE MY CAREER 561 00:21:37,964 --> 00:21:39,265 OR YOU'RE GONNA RUIN IT. 562 00:21:39,298 --> 00:21:40,500 THERE'S NO MIDDLE GROUND WITH YOU. 563 00:21:40,533 --> 00:21:43,370 - AND YOU FIND THAT EXCITING? 564 00:21:43,403 --> 00:21:45,472 - BEATS MAKING BUTTONS. 565 00:21:51,010 --> 00:21:53,212 - HEY. 11:00. 566 00:21:53,245 --> 00:21:55,615 - WHAT AM I LOOKING AT, BESIDES A BAD HAIRSTYLE? 567 00:21:55,648 --> 00:21:56,483 - THAT GUY'S GONE AROUND THE PERIMETER 568 00:21:56,516 --> 00:21:58,451 TWO TIMES NOW. 569 00:21:58,485 --> 00:21:59,952 - COULD BE JUST A GUY TAKING A STROLL. 570 00:21:59,986 --> 00:22:01,187 - COME ON, HOW MANY GUYS YOU KNOW 571 00:22:01,220 --> 00:22:03,122 TAKE A STROLL WITH A BAG THAT BIG? 572 00:22:03,155 --> 00:22:04,991 ONE THAT'S BIG ENOUGH TO CARRY ALL THE TOOLS 573 00:22:05,024 --> 00:22:06,526 HE'D NEED TO BREAK IN? 574 00:22:06,559 --> 00:22:08,461 - ALL RIGHT. I'LL CALL IT IN. 575 00:22:08,495 --> 00:22:10,029 - NO, NO, IF I'M WRONG, 576 00:22:10,062 --> 00:22:12,198 WE'RE GONNA SPOOK THE REAL THIEF. 577 00:22:12,231 --> 00:22:13,866 - ALL RIGHT. 578 00:22:13,900 --> 00:22:16,035 LET'S APPROACH HIM. 579 00:22:16,068 --> 00:22:18,237 - WAIT, NO. ONE OF US SHOULD STAY HERE. 580 00:22:18,270 --> 00:22:20,473 IN CASE IT'S A FALSE ALARM, WE CAN KEEP AN EYE OUT. 581 00:22:20,507 --> 00:22:22,141 - YEAH, THAT'S A GOOD IDEA, NEAL. 582 00:22:22,174 --> 00:22:24,076 STAY PUT. 583 00:22:30,049 --> 00:22:32,419 - EIGHT MINUTES, CAFFREY. 584 00:22:35,221 --> 00:22:36,255 - [sighs] - WHAT ARE YOU-- 585 00:22:36,288 --> 00:22:39,058 - DID I MISS ANYTHING? 586 00:23:01,981 --> 00:23:03,583 - NEAL, WHERE ARE YOU? 587 00:23:03,616 --> 00:23:05,752 YOU'RE SUPPOSED TO BE IN THE MUSEUM BY NOW. 588 00:23:05,785 --> 00:23:07,720 - NOTHING LIKE A STAKEOUT. 589 00:23:09,656 --> 00:23:12,759 - WHAT ARE YOU-- - AW. 590 00:23:12,792 --> 00:23:14,961 YOU COULD'VE SAVED ME A SLICE. 591 00:23:14,994 --> 00:23:17,263 - YEAH, WELL, I DIDN'T KNOW YOU WERE COMING. 592 00:23:17,296 --> 00:23:19,098 - EL WENT OUT WITH SOME OF HER FRIENDS. 593 00:23:19,131 --> 00:23:22,068 THOUGHT I'D CHECK IN. WHERE'S SIEGEL? 594 00:23:22,101 --> 00:23:25,204 - HE JUST SAW SOME MOVEMENT, SO HE WENT TO GO CHECK IT OUT. 595 00:23:25,237 --> 00:23:27,974 - OH, WELL, I'LL KEEP HIS SEAT WARM 596 00:23:28,007 --> 00:23:30,943 UNTIL HE COMES BACK. 597 00:23:30,977 --> 00:23:32,612 - YOU SHOULDN'T BE HERE. 598 00:23:32,645 --> 00:23:34,481 - HUGHES USED TO JOIN ME 599 00:23:34,514 --> 00:23:36,082 FOR A STAKEOUT OR TWO BACK IN THE DAY. 600 00:23:36,115 --> 00:23:38,785 - IT'S NOT ABOUT WHETHER YOU C BE HERE. 601 00:23:41,087 --> 00:23:43,155 - I'D FIGURE YOU'D LIKE ONE LAST STAKEOUT 602 00:23:43,189 --> 00:23:45,758 FOR OLD TIME'S SAKE. - YEAH, AND THEN WHAT, PETER? 603 00:23:45,792 --> 00:23:48,895 ONE LAST UNDERCOVER JOB? ONE LAST CASE? 604 00:23:48,928 --> 00:23:50,663 IT'S ALWAYS GONNA BE "ONE LAST" SOMETHING WITH YOU, 605 00:23:50,697 --> 00:23:53,132 BUT THE TRUTH IS THIS IS NOT YOUR LIFE NOW. 606 00:23:53,165 --> 00:23:54,767 - NEAL-- 607 00:23:54,801 --> 00:23:58,337 - YOU AND I AREN'T PARTNERS ANYMORE. 608 00:23:58,370 --> 00:24:01,508 AND YOU WANTED TO GO. YOU SHOULD JUST GO. 609 00:24:07,013 --> 00:24:09,516 - YOU'RE RIGHT. 610 00:24:21,293 --> 00:24:23,530 - ARE THE CAMERAS OFF, MOZ? - YEAH. 611 00:24:23,563 --> 00:24:25,464 [car reader beeps, lock clanks] 612 00:24:38,010 --> 00:24:40,046 - SIR. HEY. 613 00:24:40,079 --> 00:24:41,614 - WHAT'S YOUR PROBLEM? 614 00:24:41,648 --> 00:24:43,382 - I NEED TO SEE INSIDE THE BAG. 615 00:24:54,661 --> 00:24:57,597 - KEEP GOING. 616 00:25:00,667 --> 00:25:02,168 - THERE SOMETHING WRONG, OFFICER? 617 00:25:02,201 --> 00:25:04,136 - NO, NO, NO. NO, THERE'S NOTHING WRONG. 618 00:25:04,170 --> 00:25:06,873 I'M SORRY. GO AHEAD. 619 00:25:08,174 --> 00:25:09,508 - BARRY THE DECOY WORKED. 620 00:25:09,542 --> 00:25:11,177 SIEGEL'S HEADING BACK TO HIS CAR. 621 00:25:11,210 --> 00:25:12,511 YOU GOT KIND OF A LATE START. 622 00:25:12,545 --> 00:25:14,914 - I RAN INTO A PETER-SHAPED PROBLEM. 623 00:25:14,947 --> 00:25:17,516 - WELL, YOU'RE GONNA RUN INTO A HANDCUFF-SHAPED PROBLEM 624 00:25:17,550 --> 00:25:18,885 IF YOU DON'T GET BACK TO THE CAR SOON. 625 00:25:18,918 --> 00:25:20,987 - KEEP SIEGEL OCCUPIED A LITTLE LONGER. 626 00:25:21,020 --> 00:25:23,155 - THERE'S ONLY SO MANY TIMES 627 00:25:23,189 --> 00:25:25,057 HE'S GONNA CHASE A HEAD OF HAIR. 628 00:25:25,091 --> 00:25:27,193 UH-OH. 629 00:25:27,226 --> 00:25:29,361 - WHAT'S UH-OH? - ZEV'S HERE. 630 00:25:29,395 --> 00:25:31,497 SIEGEL'S HEADING IN HIS DIRECTION. 631 00:25:31,530 --> 00:25:33,666 - ALL RIGHT, DO NOT LET SIEGEL SEE HIM GET INTO THE MUSEUM 632 00:25:33,700 --> 00:25:34,934 OR NONE OF THIS WORKS. 633 00:25:34,967 --> 00:25:36,703 - WELL, WHAT AM I SUPPOSED TO DO? 634 00:25:36,736 --> 00:25:38,605 HE'LL RECOGNIZE ME FROM LITTLE STAR. 635 00:25:38,638 --> 00:25:40,840 IF HE SEES MY FACE, THEN I'M GOING TO THE CLINK. 636 00:25:40,873 --> 00:25:44,043 - THEN DON'T LET HIM SEE IT. 637 00:25:57,123 --> 00:25:58,925 - ZEV'S INSIDE. 638 00:25:58,958 --> 00:26:02,028 FORTUNATELY OR UNFORTUNATELY, I'VE GOT SIEGEL. 639 00:26:02,061 --> 00:26:03,095 - LOSE HIM, MOZ. 640 00:26:03,129 --> 00:26:05,397 I NEED A COUPLE MORE MINUTES. 641 00:26:05,431 --> 00:26:06,966 - WELL, I'M NOT SURE YOU'LL HAVE IT. 642 00:26:06,999 --> 00:26:08,601 LIKE I SAID, ZEV'S GOOD. 643 00:26:08,635 --> 00:26:10,770 HE'LL MAKE QUICK WORK WITH THE SECURITY. 644 00:26:33,159 --> 00:26:35,862 NEAL, YOUR NEW SUIT CAN'T MAKE ME. 645 00:26:47,373 --> 00:26:48,307 YOU HAVE TO DO SOMETHING. 646 00:26:48,340 --> 00:26:50,843 - I KNOW, MOZ. HANG ON. 647 00:26:50,877 --> 00:26:54,380 [alarm wails] 648 00:26:57,316 --> 00:26:59,318 [alarm wailing] 649 00:26:59,351 --> 00:27:00,987 - I DIDN'T MEAN ANYTHING QUITE THAT DRASTIC. 650 00:27:01,020 --> 00:27:02,354 - IT WASN'T ME. 651 00:27:02,388 --> 00:27:05,624 I THOUGHT YOU SAID HE WAS GOOD, MOZ. 652 00:27:05,658 --> 00:27:08,194 - I MAY HAVE LET MY DESIRE FOR REVENGE 653 00:27:08,227 --> 00:27:10,963 OVERSTATE HIS SKILLS. 654 00:27:41,560 --> 00:27:43,229 - COME ON, CAFFREY. PICK UP THE PHONE, DAMN IT. 655 00:27:43,262 --> 00:27:45,798 I NEED BACKUP. - DID YOU SEE HIM? 656 00:27:45,832 --> 00:27:47,533 - WELL, THE ALARM'S GOING OFF. HE MUST BE INSIDE. 657 00:27:47,566 --> 00:27:50,236 - ALL RIGHT, LET'S GO. 658 00:27:50,269 --> 00:27:52,138 WHAT DO WE GOT? 659 00:27:52,171 --> 00:27:55,207 - HE ESCAPED WITH THE PAINTING. 660 00:27:55,241 --> 00:27:56,542 - DAMN IT. 661 00:27:56,575 --> 00:27:58,010 - ALL RIGHT, BAKER, REPORT IN. 662 00:27:58,044 --> 00:28:00,346 - CHEERS. - [laughs] 663 00:28:00,379 --> 00:28:02,581 - HONEY! I DIDN'T EXPECT YOU. 664 00:28:02,614 --> 00:28:06,318 - HOW YOU DOING, SARAH, RACHEL? 665 00:28:06,352 --> 00:28:08,354 I RIPPED OFF THE BAND-AID. 666 00:28:08,387 --> 00:28:11,023 - HOW'S IT FEEL? 667 00:28:11,057 --> 00:28:12,892 - [sighs] IT SMARTS. 668 00:28:12,925 --> 00:28:16,328 BUT YOU'RE RIGHT. IT'S FOR THE BEST. 669 00:28:16,362 --> 00:28:19,265 - YOU WANT A DRINK? - I'D LOVE ONE. 670 00:28:19,298 --> 00:28:22,034 [phone vibrates] 671 00:28:25,604 --> 00:28:28,607 [phone vibrates] 672 00:28:32,578 --> 00:28:34,747 [car horns blare] 673 00:28:34,781 --> 00:28:37,716 THE TWO OF YOU SAT OUTSIDE THE GERSHON 674 00:28:37,750 --> 00:28:40,386 AND LET A THIEF STEAL A PAINTING RIGHT UNDER YOUR NOSES. 675 00:28:40,419 --> 00:28:42,588 - THERE'S NO EXCUSE, SIR. - WE'RE GONNA FIND HIM, PETER. 676 00:28:42,621 --> 00:28:45,557 - YEAH? HOW DO YOU PLAN TO DO THAT? 677 00:28:45,591 --> 00:28:48,094 YOU HAVE NO EVIDENCE, NO POSITIVE I.D. 678 00:28:48,127 --> 00:28:49,762 YOU ARE LUCKY THAT I HAVE SOMETHING. 679 00:28:49,796 --> 00:28:51,764 I SPOKE WITH MUSEUM SECURITY. 680 00:28:51,798 --> 00:28:54,733 THERE'S A CHANCE THAT OUR THIEF DIDN'T WORK ALONE. 681 00:28:54,767 --> 00:28:56,535 THERE MAY BE AN ACCOMPLICE. 682 00:28:56,568 --> 00:28:59,438 SECURITY CLOCKED AN EMPLOYEE USING HER I.D. BADGE 683 00:28:59,471 --> 00:29:00,907 RIGHT BEFORE THE ROBBERY. 684 00:29:00,940 --> 00:29:03,142 I'M HOPEFUL THAT AFTER I TALK TO HER, 685 00:29:03,175 --> 00:29:05,912 WE'LL GET TO THE BOTTOM OF THIS. 686 00:29:10,282 --> 00:29:13,285 [dramatic music] 687 00:29:13,319 --> 00:29:16,255 * 688 00:29:23,462 --> 00:29:25,231 - [sighs] MY FIRST PETER BURKE LECTURE. 689 00:29:25,264 --> 00:29:27,299 I FEEL 2 INCHES SHORTER. 690 00:29:27,333 --> 00:29:29,435 - YEAH, WELL, I USED TO BE 7'4". YOU'LL GET USED TO IT. 691 00:29:29,468 --> 00:29:32,972 - HOPEFULLY NOT TOO USED TO IT. 692 00:29:33,005 --> 00:29:34,273 YOU COMING? 693 00:29:34,306 --> 00:29:37,243 - YEAH, OF COURSE. 694 00:29:37,276 --> 00:29:39,511 - YOU UNDERSTAND HOW THIS LOOKS. 695 00:29:39,545 --> 00:29:42,314 - I-I DON'T UNDERSTAND ANYTHING AT ALL. 696 00:29:42,348 --> 00:29:44,150 I-- 697 00:29:44,183 --> 00:29:46,085 NEAL. 698 00:29:46,118 --> 00:29:47,253 - HELLO, REBECCA. 699 00:29:47,286 --> 00:29:48,654 - YOU TWO KNOW EACH OTHER? 700 00:29:48,687 --> 00:29:50,256 - I'M SORRY YOU HAD TO COME HERE. 701 00:29:50,289 --> 00:29:52,791 - DID YOU KNOW ABOUT THIS? - IT'S NEWS TO ME. 702 00:29:52,825 --> 00:29:54,360 - WHEN I HEARD THE MUSEUM MIGHT BE A TARGET, 703 00:29:54,393 --> 00:29:55,794 I DID A LITTLE RECONNAISSANCE. 704 00:29:55,828 --> 00:29:58,197 - YOU FLIRTED WITH ME. WE TALKED ABOUT-- 705 00:29:58,230 --> 00:29:59,531 - A LOT OF THINGS, I KNOW, 706 00:29:59,565 --> 00:30:01,167 AND I'M SORRY FOR THE DECEPTION. 707 00:30:01,200 --> 00:30:03,302 BUT I NEEDED TO SEE IF IT MIGHT BE AN INSIDE JOB. 708 00:30:03,335 --> 00:30:07,173 - LOOK, I HAD NOTHING TO DO WITH THIS. 709 00:30:07,206 --> 00:30:08,975 - I BELIEVE YOU. 710 00:30:09,008 --> 00:30:11,177 BUT IT DOESN'T LOOK GOOD. 711 00:30:11,210 --> 00:30:12,644 - [sighs] 712 00:30:12,678 --> 00:30:16,949 LOOK, I-I SWEAR I HAD MY KEY CARD 713 00:30:16,983 --> 00:30:18,384 WHEN I LEFT WORK. 714 00:30:18,417 --> 00:30:20,352 I DIDN'T EVEN REALIZE IT WAS MISSING 715 00:30:20,386 --> 00:30:23,990 UNTIL THESE GUYS WITH BADGES SHOWED UP AT MY APARTMENT. 716 00:30:24,023 --> 00:30:26,492 - DID YOU ENCOUNTER ANYONE WHO MIGHT HAVE STOLEN IT? 717 00:30:26,525 --> 00:30:29,361 - A NEW NEIGHBOR, OR A STRANGER ON THE SUBWAY? 718 00:30:31,030 --> 00:30:34,867 - UH... I CAN'T THINK OF ANYONE. 719 00:30:34,901 --> 00:30:38,905 - AGENT SIEGEL WILL CONTINUE QUESTIONING YOU. 720 00:30:38,938 --> 00:30:41,874 NEAL, COME WITH ME. 721 00:30:43,175 --> 00:30:45,377 - WE'LL FIGURE THIS OUT. 722 00:30:48,347 --> 00:30:50,316 - I'M TAKING OVER THIS CASE. - WHAT? 723 00:30:50,349 --> 00:30:52,051 - I SCREWED UP. 724 00:30:52,084 --> 00:30:53,719 I SHOWED UP AND DISTRACTED YOU... 725 00:30:53,752 --> 00:30:54,486 - NO. - WHEN YOU SHOULD HAVE BEEN 726 00:30:54,520 --> 00:30:55,888 WATCHING THE GERSHON. 727 00:30:55,922 --> 00:30:57,656 THIS IS MY FAULT. - PETER-- 728 00:30:57,689 --> 00:30:59,758 - AND IT'S GONNA BE A MARK ON SIEGEL'S RECORD. 729 00:30:59,791 --> 00:31:02,361 - I CAN GUARANTEE YOU THIS IS NOT YOUR FAULT. 730 00:31:02,394 --> 00:31:04,596 - EITHER WAY, I'M GONNA FIX IT. 731 00:31:04,630 --> 00:31:07,366 [indistinct conversation] 732 00:31:07,399 --> 00:31:08,867 YOU THINK SHE'S INVOLVED? 733 00:31:08,901 --> 00:31:10,536 - NO, I DON'T. 734 00:31:10,569 --> 00:31:12,404 I CHECKED HER OUT WHEN I WENT TO GO VISIT THE MUSEUM. 735 00:31:12,438 --> 00:31:14,406 SHE HAS NO REAL MOTIVATION TO DO IT. 736 00:31:14,440 --> 00:31:16,275 - JUST THE BAD LUCK OF CATCHING THE THIEF'S EYE. 737 00:31:16,308 --> 00:31:18,077 - WELL, YEAH, LOOKS LIKE IT. 738 00:31:18,110 --> 00:31:21,948 - THEN WE NEED TO FIND OUT WHO'S REALLY BEHIND THIS. 739 00:31:26,252 --> 00:31:28,220 - THEY HAVE TO CATCH ZEV. 740 00:31:28,254 --> 00:31:29,888 THIS IS THE SECOND TIME HE'S STOLEN SOMETHING FROM ME. 741 00:31:29,922 --> 00:31:31,958 - WELL, TECHNICALLY, WE WERE TRYING TO TRAP HIM. 742 00:31:31,991 --> 00:31:34,226 - AND HE GOT AWAY. THAT ONLY MAKES IT WORSE. 743 00:31:34,260 --> 00:31:35,527 - AN INNOCENT WOMAN IS BEING QUESTIONED 744 00:31:35,561 --> 00:31:37,396 BY THE FBI BECAUSE OF ME, MOZ. 745 00:31:37,429 --> 00:31:39,231 - YEAH, THERE'S THAT TOO. 746 00:31:39,265 --> 00:31:42,034 ON THE UPSIDE, YOU DID STEAL THE RIGHT CHAPTER. 747 00:31:42,068 --> 00:31:44,403 AND SURPRISINGLY, SOMETIMES, THE REALITY 748 00:31:44,436 --> 00:31:46,238 SURPASSES IMAGINATION. 749 00:31:46,272 --> 00:31:48,474 - ANY IDEA WHAT IT MEANS? - NO CLUE YET. 750 00:31:48,507 --> 00:31:51,143 BUT I MADE US A COPY, SO WE'LL BE ABLE TO FIGURE OUT 751 00:31:51,177 --> 00:31:52,644 WHY HAGEN WANTS IT SO BADLY. 752 00:31:52,678 --> 00:31:54,480 - NONE OF THIS MATTERS IF THEY DON'T CATCH ZEV. 753 00:31:54,513 --> 00:31:56,115 THE LONGER HE'S OUT THERE, 754 00:31:56,148 --> 00:31:57,383 THE CLOSER THEY'RE GONNA LOOK AT THE MUSEUM. 755 00:31:57,416 --> 00:31:58,450 THEY MIGHT REALIZE THERE'S MORE 756 00:31:58,484 --> 00:32:00,086 THAN JUST A PAINTING MISSING. 757 00:32:00,119 --> 00:32:01,553 - SO SOLVE THE CASE. 758 00:32:01,587 --> 00:32:03,990 - I DID SOLVE THE CASE. I CREATED THE CASE. 759 00:32:04,023 --> 00:32:06,325 - EXACTLY. PRETEND THAT YOU DIDN'T. 760 00:32:06,358 --> 00:32:08,294 DO WHAT YOU AND PETER ALWAYS DO. 761 00:32:08,327 --> 00:32:10,296 SOLVE IT. 762 00:32:13,632 --> 00:32:15,434 - HEY. 763 00:32:15,467 --> 00:32:16,502 - HEY. - [coughs] 764 00:32:16,535 --> 00:32:18,170 "ONE LAST CASE," HUH? 765 00:32:18,204 --> 00:32:20,406 - LOOK, ABOUT THAT, I SAID THINGS I SHOULDN'T HAVE. 766 00:32:20,439 --> 00:32:23,075 - NO, NO, YOU SHOULD HAVE. I-I'M GLAD YOU DID. 767 00:32:23,109 --> 00:32:26,345 I'M HERE BECAUSE I OWE IT TO AGENT SIEGEL. 768 00:32:26,378 --> 00:32:28,914 WHERE IS HE? 769 00:32:28,947 --> 00:32:32,351 - I FIGURED IT'D BE BEST IF IT WAS JUST THE TWO OF US. 770 00:32:32,384 --> 00:32:35,187 ONE LAST CASE. 771 00:32:35,221 --> 00:32:37,189 - OKAY. 772 00:32:47,666 --> 00:32:49,135 - WHAT'S GOING ON HERE? 773 00:32:49,168 --> 00:32:50,336 - THE OWNER OF THE COLLECTION 774 00:32:50,369 --> 00:32:51,370 ASKED FOR IT TO BE RETURNED 775 00:32:51,403 --> 00:32:53,005 FOLLOWING THE BREAK-IN. 776 00:32:53,039 --> 00:32:55,507 JUST GOING THROUGH IT BEFORE IT GETS SHIPPED OFF. 777 00:32:55,541 --> 00:32:56,775 - WHAT, YOU THINK OUR THIEF 778 00:32:56,808 --> 00:32:58,177 STOLE SOMETHING FROM THE COLLECTION? 779 00:32:58,210 --> 00:33:01,280 - NO, BUT YOU CAN NEVER BE TOO SAFE. 780 00:33:01,313 --> 00:33:03,182 - YOU CAN'T OPEN THAT! YOU CAN'T OPEN THAT. 781 00:33:03,215 --> 00:33:04,816 THE OWNER HAS LEFT STRICT INSTRUCTIONS 782 00:33:04,850 --> 00:33:06,218 THAT THIS CANNOT BE OPENED. 783 00:33:06,252 --> 00:33:08,854 - HEY, SORRY. 784 00:33:12,491 --> 00:33:14,626 - YOU REALLY THINK HE LEFT SOMETHING BEHIND. 785 00:33:14,660 --> 00:33:16,028 - WELL, AN ALARM WENT OFF. 786 00:33:16,062 --> 00:33:17,529 THAT CAN CAUSE THE BEST OF US TO SLIP UP. 787 00:33:17,563 --> 00:33:19,965 - ALL RIGHT. 788 00:33:19,998 --> 00:33:23,702 LET'S SAY YOU WERE THE THIEF. 789 00:33:23,735 --> 00:33:25,704 - YOU GOT A SKI MASK FOR ME TOO? 790 00:33:25,737 --> 00:33:29,308 - WHAT WOULD YOU HAVE DONE IF YOU WERE HERE? 791 00:33:29,341 --> 00:33:31,410 - ALL RIGHT, I'VE JUST STOLEN THIS PIECE OF ART, 792 00:33:31,443 --> 00:33:32,578 AND SUDDENLY AN ALARM GOES OFF. 793 00:33:32,611 --> 00:33:34,380 - YOU'RE SWEATING. 794 00:33:34,413 --> 00:33:35,581 - EVEN THOUGH I'M A PROFESSIONAL, 795 00:33:35,614 --> 00:33:37,749 YEAH, I'M SCARED. 796 00:33:37,783 --> 00:33:40,319 SECURITY RESPONSE TIME ISN'T THAT GREAT HERE, 797 00:33:40,352 --> 00:33:42,521 BUT STILL, CAGED IN. 798 00:33:42,554 --> 00:33:44,690 - THE MAIN SECURITY DOOR... 799 00:33:44,723 --> 00:33:48,094 FALL ROUGHLY HERE. 800 00:33:48,127 --> 00:33:50,262 - PETER, DON'T SCUFF UP THE FLOOR WITH YOUR SHOE. 801 00:33:50,296 --> 00:33:51,597 - OH, THEY'VE GOT MACHINES TO CLEAN THAT. 802 00:33:51,630 --> 00:33:55,434 YOU'RE CAUGHT. WHAT NOW? 803 00:33:55,467 --> 00:33:58,036 - I'D EXAMINE THE SECURITY DOOR FOR A WEAKNESS. 804 00:33:58,070 --> 00:34:00,906 - IT'S A MARK X2 SECURITY DOOR. 805 00:34:00,939 --> 00:34:01,840 - WELL, IF I'VE DONE MY RESEARCH, 806 00:34:01,873 --> 00:34:03,542 I WOULD KNOW THAT. 807 00:34:03,575 --> 00:34:05,444 AND I'D HAVE TOOLS WITH ME FOR THE ART. 808 00:34:05,477 --> 00:34:08,447 I'D USE THEM TO PRY THE PANEL OPEN. 809 00:34:08,480 --> 00:34:10,882 AND THEN I NEED TO GET TO THE WIRE TO SHORT THE CIRCUIT. 810 00:34:10,916 --> 00:34:15,020 - WHAT ARE YOU DOING? 811 00:34:15,053 --> 00:34:17,623 - I TOOK MY GLOVES OFF. 812 00:34:17,656 --> 00:34:20,626 - WHICH MEANS THEY'RE MIGHT BE PRINTS. 813 00:34:20,659 --> 00:34:23,262 UNLESS YOU WERE SMART ENOUGH TO WIPE IT. 814 00:34:23,295 --> 00:34:25,063 - NO, THERE'S ADRENALINE RUSHING THROUGH MY BODY. 815 00:34:25,097 --> 00:34:26,798 GUARDS HEADING MY WAY. - SLOPPY WORK. 816 00:34:26,832 --> 00:34:28,934 - WELL, NOBODY'S PERFECT. - LET'S HOPE NOT. 817 00:34:28,967 --> 00:34:30,969 GET ME AN E.R.T. IN HERE, 818 00:34:31,002 --> 00:34:33,739 AND SOMEONE FROM THE MUSEUM TO LOWER THE SECURITY DOORS. 819 00:34:33,772 --> 00:34:35,374 - DOORS? 820 00:34:35,407 --> 00:34:36,875 - ALL THE SECURITY DOORS? - COME ON. 821 00:34:36,908 --> 00:34:41,147 EVEN I DON'T GO SHOPPING WHEN THE ALARM GOES OFF. 822 00:34:41,180 --> 00:34:44,082 - JUST THE ONES AT THE KAREN KATES DISPLAY. 823 00:34:44,116 --> 00:34:46,585 LET'S CATCH A THIEF. - LET'S DO IT. 824 00:34:48,787 --> 00:34:49,755 - COME ON, GET 'EM UP, BOYS. 825 00:34:49,788 --> 00:34:50,889 [glasses clink] HUH? 826 00:34:50,922 --> 00:34:54,460 - FBI. 827 00:34:54,493 --> 00:34:57,996 ZEV DEMETRIUS, YOU'RE UNDER ARREST. 828 00:34:58,029 --> 00:35:00,766 - FOR WHAT? - [chuckles] 829 00:35:19,451 --> 00:35:21,487 YOU HELD TO YOUR WORD, CAFFREY. 830 00:35:21,520 --> 00:35:22,488 - WHAT WAS THAT? 831 00:35:22,521 --> 00:35:23,522 - I GOT YOU PIZZA. 832 00:35:23,555 --> 00:35:24,856 YOU GOT ME A BAD GUY. 833 00:35:24,890 --> 00:35:26,992 CAN WE KEEP THAT ARRANGEMENT GOING? 834 00:35:27,025 --> 00:35:28,126 - WELL, YOU MAKE IT A DINNER AT MASA, 835 00:35:28,160 --> 00:35:29,628 AND WE MIGHT HAVE A DEAL. 836 00:35:29,661 --> 00:35:31,129 - YOU AND ME, WE'RE TWO SIDES 837 00:35:31,163 --> 00:35:31,963 OF THE SAME COIN, CAFFREY. 838 00:35:31,997 --> 00:35:33,665 - YOU AND ME? - YEAH. 839 00:35:33,699 --> 00:35:35,967 - HOW SO? - WE'RE BOTH SELF-MADE MEN. 840 00:35:36,001 --> 00:35:37,102 JUST IN DIFFERENT WAYS. 841 00:35:37,135 --> 00:35:38,103 - YOU CAME FROM MILLIONS. 842 00:35:38,136 --> 00:35:40,138 - I DID. AND THEN I WAS DISOWNED. 843 00:35:40,172 --> 00:35:41,973 SEE, ARRESTING YOUR FAMILY'S FRIENDS WILL DO THAT. 844 00:35:42,007 --> 00:35:46,612 - I GUESS THAT EXPLAINS THE PHANTOM RING. 845 00:35:46,645 --> 00:35:48,447 - WELL, NOT EXACTLY. 846 00:35:48,480 --> 00:35:49,981 SHE MISSED THE LIFE. I DON'T BLAME HER. 847 00:35:50,015 --> 00:35:51,517 SHE THOUGHT SHE WAS MARRYING A SIEGEL. 848 00:35:51,550 --> 00:35:54,553 SHE GOT AGENT SIEGEL INSTEAD. 849 00:35:54,586 --> 00:35:56,021 - YOU GAVE UP ALL THAT 850 00:35:56,054 --> 00:35:59,024 FOR LONG HOURS AND LITTLE REWARD? 851 00:35:59,057 --> 00:36:01,660 - YEAH, I DID. 852 00:36:01,693 --> 00:36:03,229 YOU GAVE UP THE EXOTIC LOCALES 853 00:36:03,262 --> 00:36:04,863 AND EXCITING CAPERS FOR THE SAME THING, NEAL. 854 00:36:04,896 --> 00:36:07,032 - I DIDN'T HAVE A CHOICE. - OH, COME ON, CAFFREY. 855 00:36:07,065 --> 00:36:09,034 WE BOTH KNOW YOU CAN DITCH THAT ANKLET ANY TIME, 856 00:36:09,067 --> 00:36:11,370 IF YOU REALLY WANTED TO. 857 00:36:11,403 --> 00:36:13,905 I GOTTA ASK YOU SOMETHING, CAFFREY. 858 00:36:13,939 --> 00:36:16,908 - WHAT? 859 00:36:17,943 --> 00:36:19,144 - GOOD WORK, YOU TWO. 860 00:36:19,177 --> 00:36:20,846 - PETER, I READ YOUR REPORT. 861 00:36:20,879 --> 00:36:22,013 YOUR NAME WASN'T ANYWHERE IN THERE, 862 00:36:22,047 --> 00:36:23,048 AND IT SHOULD'VE BEEN. 863 00:36:23,081 --> 00:36:24,383 - IT WAS YOUR CASE. 864 00:36:24,416 --> 00:36:26,218 I STEPPED INTO IT, AND IT WAS ONLY FAIR 865 00:36:26,252 --> 00:36:27,719 THAT I STEPPED OUT. 866 00:36:27,753 --> 00:36:30,656 - EITHER WAY, I APPRECIATE IT. 867 00:36:30,689 --> 00:36:34,226 - I LOOK FORWARD TO WHAT YOU TWO BRING ME NEXT. 868 00:36:38,029 --> 00:36:40,599 - PHEW. 869 00:36:40,632 --> 00:36:43,535 - WHAT WERE YOU GONNA ASK ME? 870 00:36:43,569 --> 00:36:46,037 - YOU WANT TO GET A DRINK? CELEBRATE? 871 00:36:46,071 --> 00:36:49,107 - AH, I CAN'T TONIGHT. NEXT TIME. 872 00:36:49,140 --> 00:36:51,910 - RIGHT, NEXT TIME. 873 00:36:51,943 --> 00:36:54,713 - GOOD WORK TODAY. 874 00:36:58,216 --> 00:37:00,185 I MADE A MISTAKE. 875 00:37:00,218 --> 00:37:01,853 - WE ALL MAKE MISTAKES. 876 00:37:01,887 --> 00:37:03,555 INCLUDING ZEV, FORTUNATELY. 877 00:37:03,589 --> 00:37:05,291 YOU SHOULD HAVE SEEN THE LOOK ON HIS FACE. 878 00:37:05,324 --> 00:37:07,092 - YEAH, IT PROBABLY MATCHED THE ONE ON MINE. 879 00:37:07,125 --> 00:37:09,261 I TOOK OFF MY GLOVES, MOZ. 880 00:37:09,295 --> 00:37:11,863 - WHEN THE NAVAJOS MAKE A PIECE OF ART, 881 00:37:11,897 --> 00:37:13,265 THEY ALWAYS ADD A FLAW. 882 00:37:13,299 --> 00:37:15,033 ONLY THE GREAT SPIRIT IS PERFECT. 883 00:37:15,066 --> 00:37:16,935 HUMANITY SHOULD NOT TRY TO BE. 884 00:37:16,968 --> 00:37:19,104 - THAT'S A LITTLE GRANDIOSE, DON'T YOU THINK? 885 00:37:19,137 --> 00:37:22,107 - ALL I'M SAYING IS THAT WE ARE MERE MORTALS. 886 00:37:22,140 --> 00:37:23,642 WE ALL MAKE MISTAKES NOW AND THEN. 887 00:37:23,675 --> 00:37:25,444 - LATELY, I'VE BEEN MAKING A LOT OF THEM, 888 00:37:25,477 --> 00:37:26,745 AND I'M STARTING TO THINK THAT DELIVERING THIS CHAPTER 889 00:37:26,778 --> 00:37:27,779 IS ANOTHER ONE. 890 00:37:27,813 --> 00:37:29,247 - HAGEN IS A FORGER. 891 00:37:29,281 --> 00:37:31,249 IF WE GAVE HIM A FAKE, HE'D KNOW IT. 892 00:37:31,283 --> 00:37:32,984 - WE NEED A GAME PLAN, MOZ. 893 00:37:33,018 --> 00:37:35,287 - IN ORDER FOR HAGEN'S PLAN TO WORK, 894 00:37:35,321 --> 00:37:38,824 HE HAD TO GIVE US ACCESS TO THE CHAPTER FIRST. 895 00:37:38,857 --> 00:37:41,727 THAT WAS HIS MISTAKE. WE'LL USE IT TO OUR ADVANTAGE. 896 00:37:41,760 --> 00:37:43,729 - WE FIGURE OUT WHAT'S HIDDEN IN THOSE PAGES 897 00:37:43,762 --> 00:37:45,163 AND GET TO IT FIRST. 898 00:37:45,196 --> 00:37:47,265 - YOU AND ME DECODING A PUZZLE, 899 00:37:47,299 --> 00:37:49,401 NEVER BET AGAINST THE HOUSE. 900 00:37:49,435 --> 00:37:51,136 - OH, BY THE WAY, I THINK YOUR MISTAKE 901 00:37:51,169 --> 00:37:52,738 WAS THAT WIG, MACGYVER. 902 00:37:52,771 --> 00:37:54,773 - SERIOUSLY, YOU'RE JUST JEALOUS 903 00:37:54,806 --> 00:37:57,576 BECAUSE FOR ONCE, PEOPLE ARE STARING AT ALL OF THIS 904 00:37:57,609 --> 00:37:59,511 INSTEAD OF STARING AT ALL OF THAT. 905 00:37:59,545 --> 00:38:00,979 - OKAY, THEY'RE STARING, ALL RIGHT. 906 00:38:01,012 --> 00:38:02,314 DO YOU THINK IF I FIND A PAPER CLIP, 907 00:38:02,348 --> 00:38:03,649 SOME SILLY PUTTY, AND A RUBBER BAND, 908 00:38:03,682 --> 00:38:05,250 YOU COULD MAKE ME AN 8-TRACK PLAYER? 909 00:38:05,283 --> 00:38:07,619 - I COULD MAKE A WINE OPENER. - THAT, I BELIEVE. 910 00:38:07,653 --> 00:38:10,856 - KNOCKOFF SUIT HAS ALREADY SEEN MY FACE. 911 00:38:10,889 --> 00:38:12,123 HAGEN DOESN'T NEED TO. 912 00:38:12,157 --> 00:38:14,893 - THANKS, MOZ. 913 00:38:19,130 --> 00:38:22,701 - YOU CAUSED QUITE A RUCKUS. 914 00:38:22,734 --> 00:38:26,505 - YOU GOT WHAT YOU WANTED. THAT'S ALL THAT MATTERS. 915 00:38:27,839 --> 00:38:29,541 - THIS IS THE REAL THING? 916 00:38:29,575 --> 00:38:31,109 - YOU KNOW YOUR FORGERIES. YOU TELL ME. 917 00:38:31,142 --> 00:38:32,811 - I WILL. 918 00:38:32,844 --> 00:38:36,348 SEE, THIS RELATIONSHIP IS WORKING WONDERFULLY. 919 00:38:36,382 --> 00:38:39,351 - WHEN DOES IT END, HAGEN? 920 00:38:39,385 --> 00:38:41,653 - I'M A FAIR MAN. 921 00:38:41,687 --> 00:38:44,155 I WON'T HOLD THIS OVER YOUR HEAD FOREVER. 922 00:38:44,189 --> 00:38:47,325 WHEN I GET WHAT I WANT, I'LL LEAVE YOU BE. 923 00:38:47,359 --> 00:38:50,662 - BUT YOU WON'T TELL ME WHAT THAT IS. 924 00:38:50,696 --> 00:38:53,465 - COME ON, MR. CAFFREY. I KNOW YOU LOVE A MYSTERY. 925 00:38:53,499 --> 00:38:56,234 DON'T SPOIL IT FOR YOURSELF. 926 00:39:11,850 --> 00:39:13,251 - SHOULDN'T SOMEBODY ELSE BE DOING THIS? 927 00:39:13,284 --> 00:39:14,586 I MEAN, YOU'RE THE ACTING S.S.A. NOW. 928 00:39:14,620 --> 00:39:16,187 - AND RETURNING A MULTIMILLION-DOLLAR 929 00:39:16,221 --> 00:39:18,323 PIECE OF ART IS EXACTLY WHAT AN ACTING S.S.A. DOES. 930 00:39:18,356 --> 00:39:20,158 AND IT FEELS DAMN GOOD DOING IT. 931 00:39:20,191 --> 00:39:22,227 WHAT I DON'T GET IS WHY YOU'RE HERE. 932 00:39:22,260 --> 00:39:24,162 - WELL, I MEAN, IT'S RARE FOR SOMEONE LIKE ME 933 00:39:24,195 --> 00:39:25,664 TO BE ABLE TO RETURN SOMETHING. 934 00:39:25,697 --> 00:39:28,400 I JUST THOUGHT I'D TRY IT ON FOR SIZE. 935 00:39:30,235 --> 00:39:31,703 - YOU COULD'VE TOLD ME IT WAS ABOUT A GIRL. 936 00:39:31,737 --> 00:39:34,239 - WHY CAN'T IT BE BOTH? - MM-HMM. 937 00:39:34,272 --> 00:39:36,107 - HEY. 938 00:39:36,141 --> 00:39:39,678 - HEY. NEAL, IS IT? 939 00:39:39,711 --> 00:39:42,614 - I NEVER LIED ABOUT MY NAME. ABOUT ANYTHING, ACTUALLY. 940 00:39:42,648 --> 00:39:44,616 - YOU SURE DID LEAVE OUT A LOT. 941 00:39:44,650 --> 00:39:47,385 - I DID. I HEARD YOU WERE CLEARED. 942 00:39:47,419 --> 00:39:49,755 - I WAS. JUST IN TIME TO BE FIRED. 943 00:39:49,788 --> 00:39:52,057 - WHY? THE PAINTING WAS RETURNED. 944 00:39:52,090 --> 00:39:53,759 YOU HAD NOTHING TO DO WITH THE THEFT IN THE FIRST PLACE. 945 00:39:53,792 --> 00:39:55,861 - FROM YOUR LIPS TO MY BOSS'S EARS. 946 00:39:55,894 --> 00:39:58,363 BUT I'M THE REASON THE THIEF GOT IN, SO-- 947 00:39:58,396 --> 00:40:00,532 - BECAUSE THEY STOLE YOUR KEY CARD. 948 00:40:00,566 --> 00:40:02,701 - SO I'M GONE. 949 00:40:02,734 --> 00:40:04,736 IT DOESN'T MATTER ANYWAY. 950 00:40:04,770 --> 00:40:06,938 MY HOPE WAS THAT THE OWNER WOULD LET US LOOK AT 951 00:40:06,972 --> 00:40:09,475 AND STUDY THE CODEX, AND NOW IT'S GONE. 952 00:40:09,508 --> 00:40:11,777 - I'M SORRY. 953 00:40:11,810 --> 00:40:14,813 - IT'S NOT YOUR FAULT. 954 00:40:17,148 --> 00:40:19,685 SEE YOU. - SEE YOU. 955 00:40:29,595 --> 00:40:32,197 [thunder rumbling] 956 00:40:36,301 --> 00:40:39,304 [somber music] 957 00:40:39,337 --> 00:40:47,045 * 958 00:41:00,458 --> 00:41:03,194 [thunder rumbling] 959 00:41:13,371 --> 00:41:17,142 - INITIAL REPORT IS A MUGGING GONE WRONG. 960 00:41:17,175 --> 00:41:19,945 NO KNOWN ACQUAINTANCES IN THE AREA. 961 00:41:19,978 --> 00:41:21,980 WE'RE NOT SURE WHY HE WAS HERE. 962 00:41:22,013 --> 00:41:23,549 THINK HE WAS LOOKING FOR AN APARTMENT? 963 00:41:23,582 --> 00:41:26,384 - HE WAS, BUT NOT HERE. 964 00:41:31,823 --> 00:41:34,826 [thunder rumbling] 965 00:42:10,596 --> 00:42:11,597 [dog barking]