1 00:00:01,569 --> 00:00:02,170 PREVIOUSLY ON "WHITE COLLAR"... 2 00:00:03,371 --> 00:00:04,805 YOUR DAD TOLD ME THAT OUR DEPARTMENT 3 00:00:04,838 --> 00:00:06,474 IS FILLED WITH DIRTY COPS AND THEY SET HIM UP. 4 00:00:06,507 --> 00:00:08,842 AND HE'S RIGHT ABOUT ONE THING. 5 00:00:08,876 --> 00:00:10,178 THERE ARE DIRTY COPS. 6 00:00:10,211 --> 00:00:12,012 Peter: SENATOR TERRENCE PRATT. 7 00:00:12,046 --> 00:00:13,747 YOU SAID PRATT COULD HURT YOU. 8 00:00:13,781 --> 00:00:16,217 MY BRAKES -- I DON'T HAVE MY BRAKES. 9 00:00:18,219 --> 00:00:19,253 YOU NEED TO LEAVE NEW YORK. 10 00:00:19,287 --> 00:00:21,055 MOZZIE HAS A SAFE HOUSE OUTSIDE THE CITY. 11 00:00:21,089 --> 00:00:23,891 IT TURNS OUT THAT EMPLOYER I.D. NUMBER 12 00:00:23,924 --> 00:00:27,027 IS FOR A SECURITY COMPANY NAMED GRIFFIN-MOORE, 13 00:00:27,061 --> 00:00:29,497 WHICH IS LINKED TO THE 50th FLOOR 14 00:00:29,530 --> 00:00:31,599 OF THE EMPIRE STATE BUILDING. 15 00:00:31,632 --> 00:00:35,035 LET'S GET THAT BOX AND BRING MY FATHER HOME. 16 00:00:41,142 --> 00:00:45,045 Man: 13 BUCKS FOR AN ICE CREAM? 17 00:00:45,079 --> 00:00:47,215 GLUTEN- AND DAIRY-FREE -- YOU WON'T FIND THAT IN KANSAS. 18 00:00:47,248 --> 00:00:49,016 YES, I WILL. 19 00:00:49,049 --> 00:00:50,418 FORGET IT. 20 00:00:50,451 --> 00:00:52,019 NOTHING LIKE A HAPPY CUSTOMER. 21 00:00:52,052 --> 00:00:53,687 OOH. I HAVE TO CHANGE MY PRICES. 22 00:00:53,721 --> 00:00:55,623 THE TOURISTS ARE STILL BOTHERING ME. 23 00:00:55,656 --> 00:00:57,258 MAKES IT TOUGH TO DO RECON. 24 00:00:57,291 --> 00:00:58,392 SO, WHERE WERE WE? 25 00:00:58,426 --> 00:00:59,560 ON THE 50th FLOOR. 26 00:00:59,593 --> 00:01:01,695 BY "WE," OF COURSE, I MEANT "ME," 27 00:01:01,729 --> 00:01:03,697 BECAUSE YOU CAN'T GET OFF-LEASH. 28 00:01:03,731 --> 00:01:06,767 IT'S CASING AN OFFICE. I THINK YOU CAN HANDLE IT, MOZ. 29 00:01:06,800 --> 00:01:08,602 OKAY, THEN YOU MAN THE CART. 30 00:01:08,636 --> 00:01:10,771 NO, I CAN'T STICK AROUND THAT LONG. 31 00:01:10,804 --> 00:01:12,406 PETER'S CHECKING MY TRACKING DATA. 32 00:01:12,440 --> 00:01:14,275 WE CAN'T GIVE HIM ANY REASON TO BELIEVE 33 00:01:14,308 --> 00:01:16,310 THAT WE KNOW WHERE ELLEN HID THE EVIDENCE. 34 00:01:16,344 --> 00:01:18,312 I GOT A GOOD THING GOING HERE. 35 00:01:18,346 --> 00:01:20,948 OH. I HAD A GOOD THING GOING HERE. 36 00:01:20,981 --> 00:01:22,816 Neal: MOZZIE HAS A PERMIT. 37 00:01:22,850 --> 00:01:23,784 I'M SURE. 38 00:01:23,817 --> 00:01:25,719 I'LL TAKE A PISTACHIO, PLEASE. 39 00:01:25,753 --> 00:01:27,888 13 -- 15 BUCKS. 40 00:01:27,921 --> 00:01:29,557 I SHOULD ARREST YOU FOR YOUR PRICES. 41 00:01:29,590 --> 00:01:32,126 FOR AN OFFICER OF THE LAW, IT'S ON THE HOUSE. 42 00:01:32,160 --> 00:01:33,261 THAT'S BRIBERY. 43 00:01:33,294 --> 00:01:35,563 THEN PAY. 44 00:01:35,596 --> 00:01:37,698 SO, THIS IS WHERE YOU SET UP YOUR RECON, HUH? 45 00:01:39,767 --> 00:01:41,269 OH, THAT'S GOOD. 46 00:01:41,302 --> 00:01:42,736 MMM. 47 00:01:42,770 --> 00:01:44,138 YOU BELIEVE ELLEN HID THE EVIDENCE 48 00:01:44,172 --> 00:01:46,106 ON THE 50th FLOOR, RIGHT? 49 00:01:47,208 --> 00:01:50,344 PETER, THERE'S NO NEED FOR YOU TO GET INVOLVED IN THIS. 50 00:01:50,378 --> 00:01:53,113 NEAL. I WISH I COULD TELL YOU MORE, BUT I CAN'T. 51 00:01:53,147 --> 00:01:55,783 YOU CAN'T BECAUSE ELIZABETH TOLD YOU NOT TO. 52 00:01:55,816 --> 00:01:57,117 ELIZABETH TOLD YOU? 53 00:01:57,151 --> 00:01:58,486 COME ON. 54 00:02:00,221 --> 00:02:03,591 SCRAM. JUST 17 BUCKS A SCOOP! 55 00:02:03,624 --> 00:02:05,826 YOU HAVE TO UNDERSTAND THE POSITION I WAS IN -- 56 00:02:05,859 --> 00:02:07,027 YOU WERE IN THE HOSPITAL, 57 00:02:07,060 --> 00:02:08,662 ELIZABETH WAS WORRIED ABOUT YOU -- 58 00:02:08,696 --> 00:02:12,200 UNTIL SHE REALIZED THAT FORCING YOU TO KEEP A SECRET FROM ME 59 00:02:12,233 --> 00:02:14,668 WASN'T GONNA MAKE THE SITUATION ANY SAFER. 60 00:02:14,702 --> 00:02:16,204 HOW LONG HAVE YOU KNOWN? 61 00:02:16,237 --> 00:02:17,205 SINCE THE ACCIDENT. 62 00:02:17,238 --> 00:02:18,472 [ CHUCKLES ] 63 00:02:18,506 --> 00:02:21,041 I ACTUALLY THOUGHT I WAS AHEAD OF YOU THIS TIME. 64 00:02:21,074 --> 00:02:24,512 GETTING THAT EVIDENCE ISN'T ONLY ABOUT VINDICATING YOUR FATHER. 65 00:02:24,545 --> 00:02:27,014 IT'S ABOUT BRINGING PRATT TO JUSTICE. 66 00:02:27,047 --> 00:02:30,218 HE FORCED HUGHES OUT OF THE FBI TO KEEP THAT BOX HIDDEN. 67 00:02:30,251 --> 00:02:32,553 I WANT TO SEE WHAT'S INSIDE IT. 68 00:02:32,586 --> 00:02:36,023 AND WE'RE GONNA FIND IT. 69 00:02:36,056 --> 00:02:37,124 Callaway: FOR THOSE OF YOU 70 00:02:37,157 --> 00:02:39,126 THAT I HAVE NOT HAD THE GOOD FORTUNE OF MEETING, 71 00:02:39,159 --> 00:02:40,861 MY NAME IS AMANDA CALLAWAY. 72 00:02:40,894 --> 00:02:41,962 DID WE MISS SOMETHING? 73 00:02:41,995 --> 00:02:43,364 AND I AM VERY EXCITED TO... [ SIGHS ] 74 00:02:43,397 --> 00:02:47,335 AMANDA CALLAWAY -- RAN THE ATLANTA WHITE COLLAR DIVISION. 75 00:02:47,368 --> 00:02:48,969 SHE'S REPLACING HUGHES? 76 00:02:49,002 --> 00:02:51,339 THERE WERE A LOT OF PEOPLE AHEAD OF HER ON THE LIST. 77 00:02:51,372 --> 00:02:53,341 AND NEW YORK'S A BIG STEP UP FROM ATLANTA. 78 00:02:56,344 --> 00:02:58,479 [ SIGHS ] AFTER YOU. I LOVED ATLANTA. 79 00:02:58,512 --> 00:03:02,149 I REALLY DID, BUT ATLANTA IS NO NEW YORK. 80 00:03:02,182 --> 00:03:05,052 AND I KNOW THAT THERE ARE A LOT OF CASE LOADS... 81 00:03:05,085 --> 00:03:06,153 SHE WAS ASKING FOR YOU. 82 00:03:06,186 --> 00:03:07,321 IN A GOOD WAY? 83 00:03:07,355 --> 00:03:08,556 HARD TO TELL. 84 00:03:08,589 --> 00:03:10,991 Callaway: I CAN NEVER REPLACE AGENT HUGHES. 85 00:03:11,024 --> 00:03:12,059 I DON'T WANT TO. 86 00:03:12,092 --> 00:03:14,161 I WILL RUN THIS DIVISION DIFFERENTLY. 87 00:03:14,194 --> 00:03:20,200 I PLAN ON TAKING A MORE INVOLVED APPROACH. UH-OH. 88 00:03:20,234 --> 00:03:22,202 WE WILL MAKE NEW YORK WHITE COLLAR 89 00:03:22,236 --> 00:03:24,272 THE PRIDE OF THE BUREAU ONCE AGAIN. 90 00:03:24,305 --> 00:03:25,573 I DON'T LIKE HER. SHH. 91 00:03:25,606 --> 00:03:27,241 THANK YOU. 92 00:03:27,275 --> 00:03:29,410 [ APPLAUSE ] 93 00:03:31,579 --> 00:03:33,347 THAT SHOULD BE YOU, PETER. 94 00:03:33,381 --> 00:03:35,383 YOU SHOULD BE LEADING WHITE COLLAR. 95 00:03:35,416 --> 00:03:36,183 [ SCOFFS ] 96 00:03:36,216 --> 00:03:38,586 I COULDN'T AGREE MORE. 97 00:03:38,619 --> 00:03:40,053 THEY'RE RIGHT. 98 00:03:40,087 --> 00:03:42,956 WELL, THE BUREAU CHIEFS KNOW I LOVE THE FIELD MORE THAN A DESK. 99 00:03:42,990 --> 00:03:46,360 AND BESIDES, THEY CAN'T LET MY LITTLE JAUNT TO CAPE VERDE GO. 100 00:03:46,394 --> 00:03:49,229 WHERE, BY THE WAY, YOU CAPTURED ONE OF THEIR MOST WANTED. 101 00:03:49,263 --> 00:03:51,365 WELL, AFTER MY DEMOTION TO EVIDENCE, 102 00:03:51,399 --> 00:03:53,567 I'M JUST HAPPY TO BE IN THE DIVISION. 103 00:03:53,601 --> 00:03:54,568 Callaway: AGENT BURKE. 104 00:03:54,602 --> 00:03:58,071 AGENT CALLAWAY, CONGRATULATIONS. 105 00:03:58,105 --> 00:03:59,373 OH, MY GOSH. 106 00:03:59,407 --> 00:04:00,574 I WAS SO HAPPY TO HEAR 107 00:04:00,608 --> 00:04:02,610 THAT YOU WERE STILL HERE AT NEW YORK WHITE COLLAR. 108 00:04:02,643 --> 00:04:03,877 13 YEARS. 109 00:04:03,911 --> 00:04:05,112 THAT'S AMAZING. 110 00:04:05,145 --> 00:04:06,480 NEAL CAFFREY. A PLEASURE. 111 00:04:06,514 --> 00:04:08,949 OH, THE PLEASURE IS ALL MINE, AGENT CALLAWAY. 112 00:04:08,982 --> 00:04:10,384 THANK YOU. 113 00:04:10,418 --> 00:04:11,985 AND WHEN I HEARD ABOUT THE OPENING HERE, 114 00:04:12,019 --> 00:04:13,120 I RESEARCHED YOUR DIVISION 115 00:04:13,153 --> 00:04:14,722 AND FOUND OUT YOU GUYS REALLY GET IT DONE. 116 00:04:14,755 --> 00:04:16,990 IN NO SMALL PART DUE TO REESE HUGHES. 117 00:04:17,024 --> 00:04:17,958 MM. 118 00:04:17,991 --> 00:04:19,327 HE WAS A VERY SUPPORTIVE BOSS. 119 00:04:19,360 --> 00:04:21,329 YEAH, I NOTICED. I LIKE RESULTS. 120 00:04:21,362 --> 00:04:23,331 SPEAKING OF WHICH, I LIKE TO GET THEM ABOVE BOARD, 121 00:04:23,364 --> 00:04:26,600 SO LET'S KEEP THAT IN MIND WITH YOUR NEXT CASE. 122 00:04:26,634 --> 00:04:27,935 WHICH CASE IS THAT? 123 00:04:27,968 --> 00:04:30,504 WELL, YOU TWO HAVE A KNACK FOR CLOSING ART-FORGERY CASES, 124 00:04:30,538 --> 00:04:32,239 AND THERE HAVE BEEN SOME SUSPICIONS 125 00:04:32,272 --> 00:04:34,074 ABOUT THE NEW BERNINI DISCOVERY. 126 00:04:34,107 --> 00:04:36,176 THAT'S A MULTI-MILLION DOLLAR SCULPTURE. 127 00:04:36,209 --> 00:04:37,244 AND IF IT'S FAKE -- 128 00:04:37,277 --> 00:04:38,412 WE CAN BUST THE SELLER, 129 00:04:38,446 --> 00:04:40,914 HAVE A QUICK, HIGH-PROFILE WIN RIGHT OUT OF THE GATE. 130 00:04:40,948 --> 00:04:42,450 IT'S A WONDERFUL WAY TO SHOW THE BUREAU 131 00:04:42,483 --> 00:04:44,117 THAT THIS DIVISION IS BACK ON TRACK. 132 00:04:44,151 --> 00:04:45,519 DIDN'T THINK WE WERE OFF TRACK. 133 00:04:45,553 --> 00:04:48,055 WELL, SOMEBODY DID, OR ELSE I WOULDN'T BE HERE. 134 00:04:51,392 --> 00:04:52,760 [ SIGHS ] 135 00:04:52,793 --> 00:04:54,928 DID YOU MENTION THE EMPIRE STATE BUILDING 136 00:04:54,962 --> 00:04:56,096 IN YOUR FILE ON PRATT? 137 00:04:56,129 --> 00:04:57,798 NO. I LEFT IT OUT OF THE REPORT. 138 00:04:57,831 --> 00:05:00,634 YOU'RE WORRIED CALLAWAY MIGHT BE CONNECTED TO THE SENATOR? 139 00:05:00,668 --> 00:05:02,269 WELL, SHE WAS NICE TO ME. 140 00:05:02,302 --> 00:05:04,872 WHEN PEOPLE ARE NICE, THEY'RE USUALLY WORKING AN ANGLE. 141 00:05:06,507 --> 00:05:07,475 WHAT? 142 00:05:07,508 --> 00:05:09,009 I'LL LOOK INTO CALLAWAY. 143 00:05:09,042 --> 00:05:10,277 IN THE MEANTIME, 144 00:05:10,310 --> 00:05:13,313 LET'S JUST TRY AND GET HER THAT QUICK WIN SHE ASKED FOR. 145 00:05:16,917 --> 00:05:18,452 [ French accent ] MONSIEUR CAFFREY. 146 00:05:18,486 --> 00:05:20,320 Neal: [ Laughing ] HENRI. BONJOUR. 147 00:05:20,354 --> 00:05:22,656 [ BOTH SPEAKING FRENCH ] 148 00:05:24,725 --> 00:05:27,395 AH, THERE'S A HILLSIDE VILLAGE IN THE FRENCH RIVIERA 149 00:05:27,428 --> 00:05:28,562 KNOWN FOR SCULPTURE, AND -- 150 00:05:28,596 --> 00:05:30,464 YOU'RE OLD FRIENDS -- I GET IT. 151 00:05:30,498 --> 00:05:31,331 PETER BURKE, HIS HANDLER. 152 00:05:31,365 --> 00:05:34,167 Leslie: SO, YOU THINK IT'S REAL? 153 00:05:34,201 --> 00:05:35,335 SCUFF MARKS HERE. 154 00:05:35,369 --> 00:05:37,471 Peter: THEY LOOK LIKE ROPE BURNS. 155 00:05:37,505 --> 00:05:39,740 YEAH, COTTON-BRAIDED ROPE WAS THE PREFERRED METHOD 156 00:05:39,773 --> 00:05:42,309 TO PULLEY AND MOVE SCULPTURE DURING THE NAPOLEONIC WAR. 157 00:05:42,342 --> 00:05:44,512 THERE'S ADDED PLASTER IN THE PLINTH. 158 00:05:44,545 --> 00:05:46,346 Neal: BERNINI DID THAT HIMSELF 159 00:05:46,380 --> 00:05:48,215 WHEN HIS PATRON, MARCANTONIO BORGHESE, 160 00:05:48,248 --> 00:05:51,218 MOVED THE PIECE TO A LARGER ENTRYWAY... 161 00:05:51,251 --> 00:05:54,922 IN HIS HOME. 162 00:05:54,955 --> 00:05:56,490 EXCELLENT. 163 00:05:56,524 --> 00:05:59,460 NEAL, YOU CAN BROWSE WHEN WE'RE DONE. 164 00:06:03,363 --> 00:06:06,667 WHAT SOLD ME WAS THE SEAL ON THE 1842 SHIPPING ORDERS 165 00:06:06,700 --> 00:06:08,335 FROM THE PORT OF BORDEAUX -- 166 00:06:08,368 --> 00:06:11,238 THAT RED PIGMENT IS IMPOSSIBLE TO FIND TODAY. 167 00:06:11,271 --> 00:06:13,006 TRUST ME. 168 00:06:13,040 --> 00:06:14,374 AS FAR AS THE AESTHETIC, 169 00:06:14,408 --> 00:06:16,376 BERNINI WAS THE FIRST AND ONLY ARTIST OF HIS TIME 170 00:06:16,410 --> 00:06:18,679 TO EXPLORE THE IDEA OF METAMORPHOSIS IN MARBLE. 171 00:06:18,712 --> 00:06:20,581 THIS IS THE REAL APHRODITE. 172 00:06:20,614 --> 00:06:21,782 EXCELLENT. THEN -- 173 00:06:21,815 --> 00:06:23,584 AS FOR THE ONE OVER HERE -- 174 00:06:23,617 --> 00:06:25,519 AH, THE DUBOIS. 175 00:06:25,553 --> 00:06:27,455 "HAND OVER HAND" -- 176 00:06:27,488 --> 00:06:30,357 ONE OF THE FOUR REMAINING PIECES IN HIS CATALOG. 177 00:06:30,390 --> 00:06:32,793 YEAH, IT JUST SOLD AT AUCTION LAST WEEK FOR $6.5 MILLION. 178 00:06:32,826 --> 00:06:33,927 IT WAS. 179 00:06:33,961 --> 00:06:38,398 YEAH. THEY'RE GONNA WANT THEIR MONEY BACK. 180 00:06:38,432 --> 00:06:40,434 IT'S A FAKE. 181 00:07:09,429 --> 00:07:12,933 WE ARE THE EXCLUSIVE DEALERS OF OLIVIER DUBOIS' WORK. 182 00:07:12,966 --> 00:07:14,001 MM. 183 00:07:14,034 --> 00:07:16,670 THIS PIECE HAS ALREADY BEEN AUTHENTICATED AND SOLD. 184 00:07:16,704 --> 00:07:19,172 THAT DOESN'T MAKE IT ANY LESS OF A FORGERY. 185 00:07:19,206 --> 00:07:22,476 WHY DON'T YOU EXPLAIN EXACTLY WHY YOU THINK IT'S A FAKE? 186 00:07:22,510 --> 00:07:25,779 WELL, TECHNICALLY, ALL THE STYLE ELEMENTS ARE THERE. 187 00:07:25,813 --> 00:07:27,981 I MEAN, IT'S A BRILLIANT FORGERY -- 188 00:07:28,015 --> 00:07:28,982 IT'S TOO GOOD. 189 00:07:29,016 --> 00:07:31,652 IT'S SUBTLE, BUT THESE LINES WHERE THE HANDS MEET 190 00:07:31,685 --> 00:07:34,021 FEEL EVER SO SLIGHTLY FORCED TO DIMENSION, 191 00:07:34,054 --> 00:07:37,090 WHERE A DUBOIS WOULD FLOW MORE EASILY, LESS EXACT. 192 00:07:37,124 --> 00:07:38,926 DUBOIS MAY HAVE CHANGED TECHNIQUES 193 00:07:38,959 --> 00:07:41,962 JUST AS HE SHIFTED MOTIFS IN HIS FINAL YEARS. 194 00:07:41,995 --> 00:07:44,131 EVERY DUBOIS CONTAINS HIS UNIQUE SIGNATURE -- 195 00:07:44,164 --> 00:07:46,600 A HAND-WRITTEN NOTE INSERTED INTO THE CENTER OF THE MARBLE. 196 00:07:46,634 --> 00:07:48,001 WHAT'S ON IT? 197 00:07:48,035 --> 00:07:50,671 WELL, SUPPOSEDLY, HE EXPOSES THE HEART OF THE PIECE, 198 00:07:50,704 --> 00:07:51,939 BUT NO ONE KNOWS EXACTLY. 199 00:07:51,972 --> 00:07:54,307 THAT'S PART OF THE MYSTIQUE OF HIS WORK. 200 00:07:54,341 --> 00:07:57,945 WE VERIFIED WITH X-RAY DIFFRACTION. AH. 201 00:07:57,978 --> 00:08:00,280 A SCROLL IS INSIDE. 202 00:08:00,313 --> 00:08:02,382 ARE YOU FAMILIAR WITH CHICKEN SEXERS? 203 00:08:02,415 --> 00:08:04,017 NO, I DON'T BELIEVE I AM. 204 00:08:04,051 --> 00:08:07,320 BABY CHICKENS NEED TO BE SORTED INTO MALES AND FEMALES. 205 00:08:07,354 --> 00:08:08,822 THE SORTERS ARE CALLED SEXERS. 206 00:08:08,856 --> 00:08:11,792 THE ONLY PROBLEM IS BABY CHICKS LOOK IDENTICAL. 207 00:08:11,825 --> 00:08:13,326 THIS WILL LOOP BACK TO THE DUBOIS? 208 00:08:13,360 --> 00:08:15,996 THE JAPANESE DEVELOPED A FOOL-PROOF TECHNIQUE, 209 00:08:16,029 --> 00:08:18,666 BUT THE ONLY WAY TO TEACH IT IS TO PICK UP A CHICK 210 00:08:18,699 --> 00:08:21,902 AND PLACE IT IN EITHER THE MALE OR THE FEMALE BIN. NEAL. 211 00:08:21,935 --> 00:08:23,537 NOW, AT FIRST THEY'RE JUST GUESSING. 212 00:08:23,571 --> 00:08:25,072 A TEACHER WILL STAND BEHIND A STUDENT AND SAY "YES" 213 00:08:25,105 --> 00:08:26,540 EACH TIME THEY GUESS CORRECTLY. 214 00:08:26,574 --> 00:08:28,175 BUT AFTER A FEW MONTHS, A STUDENT IS ABLE 215 00:08:28,208 --> 00:08:30,911 TO SORT THE CHICKS CORRECTLY 100% OF THE TIME, 216 00:08:30,944 --> 00:08:33,647 AND TO THIS DAY, NO ONE IS ABLE TO ARTICULATE WHY. 217 00:08:33,681 --> 00:08:36,750 THERE IS A SCIENTIFIC BASIS FOR INSTINCT. 218 00:08:36,784 --> 00:08:38,919 AND AS DUBOIS-ESQUE AS THIS SEEMS, 219 00:08:38,952 --> 00:08:40,220 IT'S NOT A DUBOIS. 220 00:08:40,253 --> 00:08:42,222 WHO SOLD YOU THE PIECE? 221 00:08:42,255 --> 00:08:44,592 DUBOIS' PROTéGé, J.B. BELLMIERE. 222 00:08:44,625 --> 00:08:46,827 UNTIL DUBOIS' DEATH LAST YEAR, 223 00:08:46,860 --> 00:08:50,030 A MAN NAMED J.B. BELLMIERE WORKED AS HIS APPRENTICE. 224 00:08:50,063 --> 00:08:51,932 HE'S THE MAN WHO AUTHENTICATES DUBOIS' WORK. 225 00:08:51,965 --> 00:08:55,068 HE'S CONSIDERED THE ULTIMATE AUTHORITY. 226 00:08:55,102 --> 00:08:56,837 Peter: AGENT CALLAWAY. 227 00:08:56,870 --> 00:09:00,040 AGENT BURKE. PLEASE, DON'T LET ME INTERRUPT YOU. 228 00:09:00,073 --> 00:09:03,076 Diana: PETER WAS JUST EXPLAINING THAT IF THE DUBOIS IS A FORGERY, 229 00:09:03,110 --> 00:09:05,245 THEN BELLMIERE WOULD BE OUR PRIME SUSPECT. 230 00:09:05,278 --> 00:09:06,880 I SEE. AND THIS IS BASED 231 00:09:06,914 --> 00:09:10,517 ON CAFFREY'S HIGHLY CRITICAL CHICKEN SEXER THEORY? 232 00:09:10,550 --> 00:09:12,085 HE... MAY HAVE MENTIONED THAT. 233 00:09:12,119 --> 00:09:13,020 [ SNIFFS ] 234 00:09:13,053 --> 00:09:15,088 AT THE TIME OF DUBOIS' DEATH, 235 00:09:15,122 --> 00:09:17,691 THERE WERE FOUR SCULPTURES IN HIS CATALOG 236 00:09:17,725 --> 00:09:19,559 THAT HAD NEVER GONE TO MARKET. 237 00:09:19,593 --> 00:09:21,729 "HAND OVER HAND" IS THE FIRST ONE TO SURFACE. 238 00:09:21,762 --> 00:09:23,030 ARE YOU SUGGESTING THAT BELLMIERE, 239 00:09:23,063 --> 00:09:25,098 AS HIS APPRENTICE, COULD HAVE FORGED IT? I AM. 240 00:09:25,132 --> 00:09:26,099 INTERESTING THEORY. 241 00:09:26,133 --> 00:09:28,301 PETER, WHEN YOU'RE FINISHED HERE, 242 00:09:28,335 --> 00:09:30,237 WILL YOU SEE ME IN MY OFFICE? 243 00:09:30,270 --> 00:09:31,905 OF COURSE. 244 00:09:31,939 --> 00:09:34,174 [ CELLPHONE RINGS ] 245 00:09:36,744 --> 00:09:38,111 HEY. HOW YOU HOLDING UP? 246 00:09:38,145 --> 00:09:41,214 MOZZIE'S SAFEHOUSE IS A 10-BY-10 UNDERGROUND BOMB SHELTER 247 00:09:41,248 --> 00:09:42,750 IN THE MIDDLE OF THE WOODS 248 00:09:42,783 --> 00:09:45,552 SURROUNDED BY A PIG FARM AND A BOG. 249 00:09:45,585 --> 00:09:47,621 I TAKE IT YOU'RE READY FOR A CHANGE OF VENUE? 250 00:09:47,655 --> 00:09:49,322 I'm ready for my freedom. Any updates? 251 00:09:49,356 --> 00:09:50,758 YEAH, WE'RE GETTING CLOSE. 252 00:09:50,791 --> 00:09:52,893 HOW CLOSE? WEEKS? DAYS? 253 00:09:52,926 --> 00:09:54,094 I can't say yet. 254 00:09:54,127 --> 00:09:56,930 LISTEN, PETER'S INVOLVED NOW. 255 00:09:56,964 --> 00:09:58,098 THAT DOESN'T SOUND GOOD. 256 00:09:58,131 --> 00:09:59,166 WELL, IT IS. 257 00:09:59,199 --> 00:10:01,134 LISTEN, I SHOULD BE THERE. LET ME HELP. 258 00:10:01,168 --> 00:10:02,235 NO, WE CAN'T RISK IT. 259 00:10:02,269 --> 00:10:03,937 WE GOT A NEW BOSS AT THE BUREAU -- 260 00:10:03,971 --> 00:10:05,505 SHE'S KEEPING A CLOSE EYE ON US. 261 00:10:05,538 --> 00:10:07,641 I'LL LET YOU KNOW THE MINUTE WE LOCATE THE BOX. 262 00:10:07,675 --> 00:10:09,042 Do it soon. 263 00:10:15,282 --> 00:10:17,450 I WANT YOU TO MOVE OFF THE BELLMIERE CASE. 264 00:10:17,484 --> 00:10:18,485 WHAT? WHY? 265 00:10:18,518 --> 00:10:21,154 THERE'S JUST NOT ENOUGH HARD EVIDENCE. 266 00:10:21,188 --> 00:10:22,222 YET. 267 00:10:22,255 --> 00:10:24,124 LOOK, IF YOU WANT TO DIG INTO THIS IN YOUR OWN TIME, 268 00:10:24,157 --> 00:10:25,125 FEEL FREE. 269 00:10:25,158 --> 00:10:26,193 JUST DON'T DO IT ON THE BUREAU'S. 270 00:10:26,226 --> 00:10:28,128 IF NEAL'S RIGHT -- AND I TRUST HIS HUNCH -- 271 00:10:28,161 --> 00:10:30,163 WE'RE DEALING WITH A WORLD-CLASS FORGER. 272 00:10:30,197 --> 00:10:31,699 BUT WE HAVE A GROWING STACK OF CASES 273 00:10:31,732 --> 00:10:33,133 WITH CONCLUSIVE DATA WE CAN WORK. 274 00:10:33,166 --> 00:10:36,937 YOU AND NEAL ARE AN IMPRESSIVE TEAM, BUT YOU'RE TOO IMPULSIVE. 275 00:10:36,970 --> 00:10:39,707 FOCUS YOUR ENERGY ON CASES WE CAN CLOSE. 276 00:10:39,740 --> 00:10:43,110 EFFICIENCY IS OUR MOST IMPORTANT TOOL. I GET IT. 277 00:10:43,143 --> 00:10:45,946 WE WANT A QUICK, HIGH-PROFILE WIN TO IMPRESS THE BUREAU. 278 00:10:45,979 --> 00:10:47,014 THERE YOU GO. 279 00:10:50,417 --> 00:10:52,720 Elizabeth: YOU'RE GONNA DROP THE CASE? 280 00:10:52,753 --> 00:10:54,722 NO, I CAN'T LET A MULTI-MILLION DOLLAR FORGER GO 281 00:10:54,755 --> 00:10:56,824 JUST BECAUSE IT MIGHT NOT BE AN EASY WIN. 282 00:10:56,857 --> 00:10:59,059 THAT'S WHY THEY SHOULD HAVE GIVEN YOU THE JOB. 283 00:10:59,092 --> 00:11:00,393 THEY'RE GONNA REALIZE THAT. 284 00:11:00,427 --> 00:11:02,295 I DON'T WANT IT. 285 00:11:02,329 --> 00:11:04,131 IT WOULD HAVE BEEN NICE TO BE ASKED. 286 00:11:04,164 --> 00:11:06,266 YEAH. 287 00:11:08,601 --> 00:11:10,303 [ KNOCK ON DOOR ] 288 00:11:10,337 --> 00:11:11,905 [ SILVERWARE CLATTERS ] 289 00:11:16,009 --> 00:11:17,177 HEY, NEAL. HEY. 290 00:11:17,210 --> 00:11:18,078 COME ON IN. 291 00:11:18,111 --> 00:11:19,479 WHAT WAS SO URGENT? 292 00:11:19,512 --> 00:11:22,082 WELL, HOW WOULD YOU LIKE TO MEET THE MAN 293 00:11:22,115 --> 00:11:24,351 BEHIND THAT MAGNIFICENT FORGERY YOU SPOTTED? 294 00:11:24,384 --> 00:11:26,353 YOU FOUND MORE INFORMATION ON BELLMIERE? 295 00:11:26,386 --> 00:11:29,089 YEAH. HIS REAL NAME'S JEFF BLATNIK. 296 00:11:29,122 --> 00:11:31,258 WELL, YOU CAN'T FAULT HIM FOR CHANGING HIS NAME. 297 00:11:31,291 --> 00:11:32,860 A LOT OF ARTISTS CHANGE THEIR NAME. 298 00:11:32,893 --> 00:11:34,161 SO DO CON ARTISTS. 299 00:11:34,194 --> 00:11:36,529 I'D BUY A BELLMIERE OVER A BLATNIK -- 300 00:11:36,563 --> 00:11:38,065 THAT'S ALL I'M SAYING. 301 00:11:38,098 --> 00:11:40,768 BUT HE DIDN'T SELL A BELLMIERE. HE SOLD A DUBOIS. 302 00:11:40,801 --> 00:11:43,036 MM, TRUE. 303 00:12:05,125 --> 00:12:08,128 THE SECOND DUBOIS IN HIS CATALOG... 304 00:12:08,161 --> 00:12:11,231 OR IS IT? 305 00:12:11,264 --> 00:12:12,699 THAT'S SO CLOSE. 306 00:12:12,732 --> 00:12:15,235 BELLMIERE HAS AN INCREDIBLE EYE. 307 00:12:15,268 --> 00:12:19,239 IT'S JUST -- IT'S NOT A DUBOIS. 308 00:12:21,641 --> 00:12:23,410 HEY. 309 00:12:23,443 --> 00:12:24,812 HMM? 310 00:12:24,845 --> 00:12:26,213 WHILE YOU LOOK FOR J.B., 311 00:12:26,246 --> 00:12:28,281 WHY DON'T I FIND OUT WHAT HIS STUDENTS HAVE TO SAY? 312 00:12:28,315 --> 00:12:29,682 GO. 313 00:12:39,426 --> 00:12:41,061 [ SNAPS FINGERS ] 314 00:12:41,094 --> 00:12:43,230 ORIGINAL. 315 00:12:43,263 --> 00:12:45,565 CONCEPTUAL. 316 00:12:45,598 --> 00:12:48,601 I'M GONNA SAY THE WIRES REPRESENT INDUSTRY -- 317 00:12:48,635 --> 00:12:51,171 AN ENDLESS LOOP SPIRALING DOWNWARD. 318 00:12:51,204 --> 00:12:52,272 YOU GET ME. 319 00:12:52,305 --> 00:12:54,141 [ CHUCKLES ] I'VE BEEN FOLLOWING THE BELLMIERE SCHOOL 320 00:12:54,174 --> 00:12:55,242 FOR A WHILE. 321 00:12:55,275 --> 00:12:56,109 NEAL. 322 00:12:56,143 --> 00:12:57,110 NATASHA. 323 00:12:57,144 --> 00:12:59,312 I RUN THE HAVERSHAM GALLERY IN PORTLAND. 324 00:12:59,346 --> 00:13:01,248 OH, I'LL...GET MR. BELLMIERE. 325 00:13:01,281 --> 00:13:02,315 OH, IN A LITTLE BIT. 326 00:13:02,349 --> 00:13:04,284 I WANT TO SEE IF ANY OF THE OTHER PIECES 327 00:13:04,317 --> 00:13:05,485 SPEAK TO ME LIKE YOURS DOES. 328 00:13:07,988 --> 00:13:09,957 Bellmiere: KNOCK IT OVER. 329 00:13:09,990 --> 00:13:11,291 COME ON! BREAK IT! 330 00:13:11,324 --> 00:13:12,792 IT EITHER WORKS, OR IT DOESN'T. 331 00:13:12,826 --> 00:13:15,128 LAST CHANCE. 332 00:13:26,239 --> 00:13:27,507 NOW YOU CAN START FRESH. 333 00:13:27,540 --> 00:13:29,542 [ CRIES ] 334 00:13:32,645 --> 00:13:35,382 [ CLEARS THROAT ] 335 00:13:35,415 --> 00:13:36,950 DUBOIS TAUGHT ME THAT. 336 00:13:36,984 --> 00:13:37,951 MM. 337 00:13:37,985 --> 00:13:39,987 DESTRUCTION IS PART OF CREATION. 338 00:13:42,422 --> 00:13:43,323 WHO ARE YOU? 339 00:13:43,356 --> 00:13:47,627 I'M PETER BURKE, FBI. WE NEED YOUR HELP. 340 00:13:47,660 --> 00:13:49,329 LET'S CUT THROUGH THE FACADE, AGENT BURKE. 341 00:13:49,362 --> 00:13:50,830 YOU'RE HERE BECAUSE YOU WANT TO KNOW 342 00:13:50,864 --> 00:13:53,300 IF THE DUBOIS THAT I SOLD TO THE TIBEDAUX IS A FORGERY. 343 00:13:53,333 --> 00:13:55,869 ANY INFORMATION YOU HAVE ON THE PIECE WOULD HELP. 344 00:13:55,903 --> 00:13:57,404 WHO SUGGESTED IT WAS A FAKE? 345 00:13:57,437 --> 00:13:58,906 ONE OF THEIR EXPERTS. 346 00:13:58,939 --> 00:14:00,307 "EXPERTS." 347 00:14:00,340 --> 00:14:02,709 I AM THE EXPERT ON DUBOIS. 348 00:14:02,742 --> 00:14:03,810 OF COURSE. 349 00:14:03,843 --> 00:14:05,478 THE COMPLAINT WAS 350 00:14:05,512 --> 00:14:09,249 THAT SOMEHOW THE LINES LACKED A CERTAIN SUBTLETY 351 00:14:09,282 --> 00:14:11,184 FOUND IN OTHER DUBOIS PIECES. 352 00:14:14,754 --> 00:14:17,724 "HAND OVER HAND" MAY NOT BE AS INSPIRED 353 00:14:17,757 --> 00:14:19,859 AS SOME OF HIS EARLIER WORKS, 354 00:14:19,893 --> 00:14:22,930 BUT PERHAPS THAT'S WHY HE GAVE IT TO ME. 355 00:14:22,963 --> 00:14:25,698 HE GAVE YOU A $6.5 MILLION STATUE? 356 00:14:25,732 --> 00:14:28,335 I GAVE HIM 10 YEARS. 357 00:14:28,368 --> 00:14:30,237 WHERE CAN I SEE SOME OF MR. BELLMIERE'S WORK? 358 00:14:30,270 --> 00:14:32,405 OH, HE DOESN'T HAVE ANY ON DISPLAY. 359 00:14:32,439 --> 00:14:33,540 REALLY? NOTHING? 360 00:14:33,573 --> 00:14:35,842 WELL, HE'S...BEEN SPENDING A LOT OF TIME 361 00:14:35,875 --> 00:14:39,579 IN HIS PRIVATE WORKSPACE -- OFF THE HALLWAY. 362 00:14:39,612 --> 00:14:41,514 YOU SEEN WHAT HE'S BEEN WORKING ON? 363 00:14:41,548 --> 00:14:43,450 OH, NO ONE HAS. HE WORKS ALONE. 364 00:14:43,483 --> 00:14:44,351 IT'S HIS PROCESS. 365 00:14:44,384 --> 00:14:45,518 OH. 366 00:14:45,552 --> 00:14:47,287 MAYBE I CAN CONVINCE HIM TO GIVE ME A SNEAK PEAK. 367 00:14:47,320 --> 00:14:48,655 GOOD LUCK. THANKS. 368 00:14:59,099 --> 00:15:04,104 OUT OF CURIOSITY, WHAT DOES YOUR WORK SELL FOR? 369 00:15:04,137 --> 00:15:07,307 I'M TAKING MY TIME TO DEFINE WHAT MAKES A BELLMIERE. 370 00:15:07,340 --> 00:15:09,242 SO, YOU DON'T HAVE ANYTHING ON THE MARKET, HUH? 371 00:15:10,410 --> 00:15:13,346 MM. THANK YOU. 372 00:15:39,806 --> 00:15:41,808 HEY. HEY. 373 00:15:41,841 --> 00:15:43,843 DID YOU SEE ANY OF BELLMIERE'S WORK? 374 00:15:43,876 --> 00:15:46,146 YEAH, TWO PARTIALLY COMPLETED SCULPTURES. 375 00:15:46,179 --> 00:15:49,016 OH. HE REALLY IS TAKING HIS TIME TO FIND HIS OWN VISION. 376 00:15:49,049 --> 00:15:50,450 IS THAT WHAT HE TOLD YOU? 377 00:15:50,483 --> 00:15:52,619 OH, "SOME IDEAS COME FULLY FORMED. 378 00:15:52,652 --> 00:15:53,853 OTHERS TAKE YEARS." 379 00:15:53,886 --> 00:15:56,623 WELL, HE'S FULLY FORMED ONES COME FROM DUBOIS. 380 00:15:56,656 --> 00:15:59,292 SO, HE'S FORGING THE LAST TWO CATALOG PIECES. 381 00:15:59,326 --> 00:16:02,662 THE SAME RARE MARBLE, TECHNIQUE, STYLE. 382 00:16:02,695 --> 00:16:05,465 WELL, WE CAN'T MAKE A BUST UNTIL HE TRIES TO SELL ONE OF THEM. 383 00:16:05,498 --> 00:16:06,933 BELLMIERE'S ALREADY MADE MILLIONS 384 00:16:06,966 --> 00:16:08,135 OFF "HAND OVER HAND." 385 00:16:08,168 --> 00:16:09,836 HE COULD SIT ON THE OTHER THREE FOR YEARS 386 00:16:09,869 --> 00:16:11,804 WHILE THEIR VALUE SKYROCKETS. 387 00:16:11,838 --> 00:16:15,442 [ SIGHS ] IS THERE ANY WAY HE'D WANT TO SELL THEM EARLIER? 388 00:16:15,475 --> 00:16:17,377 I COULD ENCOURAGE HIM. 389 00:16:17,410 --> 00:16:19,479 BUT I'M GONNA NEED ABOUT 500 POUNDS OF MARBLE. 390 00:16:19,512 --> 00:16:21,181 ALL RIGHT. 391 00:17:07,360 --> 00:17:09,362 [ KNOCK ON DOOR ] 392 00:17:09,396 --> 00:17:11,398 ENTREZ, MOZ. 393 00:17:19,872 --> 00:17:20,907 HEY. 394 00:17:20,940 --> 00:17:22,575 GOOD TO SEE YOU, TOO, KID. 395 00:17:29,916 --> 00:17:30,683 LOOK, IT'S TOO RISKY FOR YOU TO BE HERE. 396 00:17:31,884 --> 00:17:34,020 I CAN'T TAKE MOZZIE'S SAFEHOUSE ANYMORE. 397 00:17:34,053 --> 00:17:34,954 WHY? 398 00:17:34,987 --> 00:17:37,757 HE'S A VERY WEIRD DUDE. 399 00:17:37,790 --> 00:17:40,193 YEAH. 400 00:17:40,227 --> 00:17:42,395 SO, WHAT AM I LOOKING AT? 401 00:17:42,429 --> 00:17:43,696 DUBOIS' "DEVOLUTION." 402 00:17:43,730 --> 00:17:46,133 I'M SORRY, BUT YOU GOT TO GO BACK. 403 00:17:46,166 --> 00:17:49,469 LISTEN, YOU'VE BEEN LOOKING FOR THAT EVIDENCE BOX 404 00:17:49,502 --> 00:17:51,538 FOR, WHAT, THREE MONTHS NOW? 405 00:17:51,571 --> 00:17:53,606 I'VE BEEN AFTER IT FOR 30 YEARS. 406 00:17:53,640 --> 00:17:54,974 NOW YOU SAY YOU'RE CLOSE. 407 00:17:55,007 --> 00:17:57,710 WHEN WITSEC MOVED ELLEN TO NEW YORK 12 YEARS AGO, 408 00:17:57,744 --> 00:18:00,213 THEY GAVE HER A JOB AT A SECURITIES FIRM. 409 00:18:00,247 --> 00:18:02,882 SHE HAD ACCESS TO THE 50th FLOOR OF THE EMPIRE STATE BUILDING 410 00:18:02,915 --> 00:18:04,551 WHILE IT WAS UNDER RENOVATION. 411 00:18:04,584 --> 00:18:06,052 YOU THINK SHE PLANTED IT THERE? 412 00:18:06,085 --> 00:18:07,654 MOZ HAS BEEN CASING THE PLACE ALL DAY. 413 00:18:07,687 --> 00:18:08,755 WE'LL KNOW SOON. 414 00:18:08,788 --> 00:18:11,124 SO...WE WAIT. 415 00:18:11,158 --> 00:18:12,625 YEAH. 416 00:18:12,659 --> 00:18:15,862 WE WAIT. 417 00:18:19,031 --> 00:18:21,568 I'VE HEARD OF DUBOIS. 418 00:18:21,601 --> 00:18:24,737 YEAH, WELL, ONE OF HIS PIECES JUST SOLD FOR $6.5 MILLION -- 419 00:18:24,771 --> 00:18:25,772 IT WAS A FORGERY. 420 00:18:25,805 --> 00:18:26,939 SO, YOU'RE DOING THIS FOR WORK? 421 00:18:26,973 --> 00:18:29,842 YEAH, I HAVE TO PASS THIS OFF AS A REAL DUBOIS. 422 00:18:29,876 --> 00:18:31,010 WOW. 423 00:18:31,043 --> 00:18:32,312 [ CELLPHONE RINGING ] 424 00:18:36,115 --> 00:18:37,150 Hey, Moz. 425 00:18:37,184 --> 00:18:39,852 AS FOND AS I AM OF THE JAPANESE CULTURE, 426 00:18:39,886 --> 00:18:44,357 I COULD GO THE REST OF MY LIFE WITHOUT HEARING "CHIIZU" AGAIN. 427 00:18:44,391 --> 00:18:46,259 JAPANESE FOR "SAY CHEESE"? 428 00:18:46,293 --> 00:18:47,660 AMONG OTHER THINGS. 429 00:18:47,694 --> 00:18:48,961 HELLO, MOZZIE. 430 00:18:48,995 --> 00:18:49,829 IS THAT JAMES? 431 00:18:49,862 --> 00:18:51,264 You're on speaker. 432 00:18:51,298 --> 00:18:52,865 JAMES, WHAT HAPPENED? 433 00:18:52,899 --> 00:18:54,667 HE WAS GOING STIR-CRAZY. 434 00:18:54,701 --> 00:18:57,204 AT MY CABIN? BUT IT'S SO PICTURESQUE. 435 00:18:57,237 --> 00:18:58,971 THERE ARE NO WINDOWS. 436 00:18:59,005 --> 00:19:00,873 INSUFFICIENT MOTIVATION. 437 00:19:00,907 --> 00:19:05,212 HOWEVER, YOUR PREMATURE ARRIVAL IS ACTUALLY WELL-TIMED. 438 00:19:05,245 --> 00:19:08,848 ME AND MY PHOTOS WILL BE THERE MOMENTARILY. 439 00:19:12,018 --> 00:19:14,887 NEAL AND I VISITED HIS STUDIO OFF HOURS -- 440 00:19:14,921 --> 00:19:16,055 AS YOU SUGGESTED. 441 00:19:16,088 --> 00:19:17,457 I DID NOT SUGGEST FOR YOU 442 00:19:17,490 --> 00:19:19,726 TO SPEND 15 GRAND OF THIS DIVISION'S MONEY 443 00:19:19,759 --> 00:19:20,793 ON RARE ITALIAN MARBLE. 444 00:19:20,827 --> 00:19:23,196 THAT WAS WELL WITHIN MY DISCRETIONARY BUDGET 445 00:19:23,230 --> 00:19:25,665 FOR DEVELOPING INVESTIGATIONS. 446 00:19:25,698 --> 00:19:28,067 I WILL LOOK INTO THE DISCRETIONARY BUDGET LATER. 447 00:19:28,100 --> 00:19:30,002 RIGHT NOW, EXPLAIN THE MARBLE. 448 00:19:30,036 --> 00:19:32,972 WE BELIEVE BELLMIERE IS FORGING THE REMAINING TWO DUBOIS. 449 00:19:33,005 --> 00:19:34,474 OKAY. 450 00:19:34,507 --> 00:19:35,975 BUT HE COULD SIT ON THEM FOR YEARS, 451 00:19:36,008 --> 00:19:37,810 SO NEAL IS SCULPTING ONE OF THE TWO. 452 00:19:37,844 --> 00:19:39,178 ONCE IT'S AUTHENTICATED -- 453 00:19:39,212 --> 00:19:40,813 IT'LL DRIVE BELLMIERE CRAZY 454 00:19:40,847 --> 00:19:43,816 BECAUSE IT'LL BE MILLIONS OF DOLLARS OUT OF HIS POCKET. RIGHT. 455 00:19:43,850 --> 00:19:46,085 NEAL REACHES OUT TO BELLMIERE, OFFERS HIS SKILLS, 456 00:19:46,118 --> 00:19:48,087 AND WE DRAW A CONFESSION FROM COLLUSION. 457 00:19:48,120 --> 00:19:49,856 IT'S RISKY. 458 00:19:49,889 --> 00:19:52,392 IT'S EFFICIENT AND HIGH-PROFILE. 459 00:19:52,425 --> 00:19:56,596 DID HUGHES AUTHORIZE YOU TO GO AFTER THESE TYPES OF OPERATIONS? 460 00:19:56,629 --> 00:19:57,730 HE TRUSTED ME. 461 00:19:57,764 --> 00:19:59,266 IT COST HIM HIS JOB. 462 00:19:59,299 --> 00:20:00,867 I LIKE THIS JOB. 463 00:20:00,900 --> 00:20:02,669 I DON'T WANT TO LOSE IT. 464 00:20:02,702 --> 00:20:06,339 REESE DIDN'T LOSE HIS JOB OVER A $15,000 EXPENSE. 465 00:20:06,373 --> 00:20:07,840 NO, HE LOST IT BECAUSE HE APPROVED YOU 466 00:20:07,874 --> 00:20:09,542 TO GO AFTER SOMEONE YOU COULDN'T BEAT. 467 00:20:09,576 --> 00:20:12,945 YOU READ OUR FILE ON SENATOR PRATT. 468 00:20:12,979 --> 00:20:13,880 I DID. 469 00:20:13,913 --> 00:20:16,283 IS THAT INVESTIGATION STILL OPEN? 470 00:20:19,319 --> 00:20:21,621 SHE ASKED YOU TO CLOSE THE CASE AGAINST PRATT? 471 00:20:21,654 --> 00:20:23,590 NO, S CLOSED THE CASE AGAINST PRATT. 472 00:20:23,623 --> 00:20:25,091 SHE'S GOT TO BE IN HIS POCKET. 473 00:20:25,124 --> 00:20:26,293 I HAVEN'T FOUND A LINK. 474 00:20:26,326 --> 00:20:27,794 BUT IF YOU WERE SEXING CHICKENS -- 475 00:20:27,827 --> 00:20:29,862 CALLAWAY IS AMBITIOUS AND PRAGMATIC. 476 00:20:29,896 --> 00:20:32,865 SHE KNOWS THAT OUR INVESTIGATION INTO PRATT FORCED HUGHES OUT, 477 00:20:32,899 --> 00:20:34,934 SO SHE MAY JUST BE PROTECTING HER JOB. 478 00:20:34,967 --> 00:20:37,136 SHE'S READING YOUR LOGS PRETTY CAREFULLY. 479 00:20:37,169 --> 00:20:38,938 YEAH, IT'S GONNA BE A CHALLENGE 480 00:20:38,971 --> 00:20:40,873 TO KEEP THE EMPIRE STATE OFF HER RADAR. 481 00:20:40,907 --> 00:20:42,942 ESPECIALLY WITH MY FATHER BACK IN TOWN. 482 00:20:42,975 --> 00:20:44,711 [ SIGHS ] 483 00:20:44,744 --> 00:20:46,546 SEND HIM BACK -- IMMEDIATELY. 484 00:20:46,579 --> 00:20:47,880 I TRIED. 485 00:20:47,914 --> 00:20:49,148 IF WE FORCE HIM, HE'LL JUST GO ROGUE, 486 00:20:49,181 --> 00:20:50,983 WHICH WILL BE EVEN MORE PROBLEMATIC. [ SIGHS ] 487 00:20:51,017 --> 00:20:53,286 I GUESS THAT ANSWERS THE AGE-OLD QUESTION 488 00:20:53,320 --> 00:20:56,122 OF NATURE VERSUS NURTURE. 489 00:21:05,031 --> 00:21:08,568 Peter: OUR AUTHENTICATORS ARE IN DEEP DISCUSSION. 490 00:21:08,601 --> 00:21:10,903 Neal: THEY BETTER GO FOR IT. 491 00:21:10,937 --> 00:21:12,071 Man: HAVE YOU SEEN THE PROVENANCE? 492 00:21:12,104 --> 00:21:13,640 WHAT IS BELLMIERE DOING HERE? 493 00:21:13,673 --> 00:21:15,241 HE WASN'T SUPPOSED TO SHOW UP 494 00:21:15,274 --> 00:21:17,444 UNTIL AFTER THE PIECE WAS AUTHENTICATED. 495 00:21:17,477 --> 00:21:19,245 IF HE CLAIMS IT'S A FRAUD -- 496 00:21:19,278 --> 00:21:20,947 HIS WORD MAY SUPERCEDE THE EXPERTS'. 497 00:21:20,980 --> 00:21:24,016 HE CAN'T SEE YOU. HE'S GONNA SMELL A SETUP. 498 00:21:26,986 --> 00:21:28,020 LESLIE. 499 00:21:28,054 --> 00:21:29,489 J.B., I DIDN'T WANT TO TROUBLE YOU WITH THIS 500 00:21:29,522 --> 00:21:30,957 UNTIL WE HAD IT AUTHENTICATED. 501 00:21:30,990 --> 00:21:33,360 IF A DUBOIS IS COMING TO MARKET, I KNOW ABOUT IT. 502 00:21:33,393 --> 00:21:34,661 SOMEONE'S CLAIMING 503 00:21:34,694 --> 00:21:35,995 IT'S THE SECOND OF THE FOUR REMAINING PIECES. 504 00:21:36,028 --> 00:21:38,331 THE EXPLORATION OF FIGURATIVE TECHNIQUES 505 00:21:38,365 --> 00:21:40,433 WASN'T UNTIL HE MET HIS FIFTH WIFE. 506 00:21:40,467 --> 00:21:42,669 IT'S HARD TO TELL FROM THE CATALOG PHOTOS, 507 00:21:42,702 --> 00:21:44,871 BUT IT CERTAINLY TRACKS WITH THE TIMELINE. 508 00:21:44,904 --> 00:21:46,138 DID YOU CHECK THE PALM? 509 00:21:46,172 --> 00:21:47,374 UNFINISHED. 510 00:21:47,407 --> 00:21:49,509 DUBOIS LEFT THE PALMS UNTOUCHED IN HIS ABSTRACTIONS. 511 00:21:49,542 --> 00:21:52,011 2004 -- HE MADE NOTHING ELSE THAT YEAR. 512 00:21:52,044 --> 00:21:53,112 AND INSIDE? 513 00:21:53,145 --> 00:21:55,748 THAT'S WHAT CONVINCED US. WE RAN THE X-RAY. 514 00:22:02,822 --> 00:22:07,159 NO. THIS IS NOT...A DUBOIS. 515 00:22:07,193 --> 00:22:10,062 IT IS THE DUBOIS. 516 00:22:10,096 --> 00:22:13,866 IT IS THE HEIGHT OF HIS MASTERY AND HIS SEMINAL WORK. 517 00:22:27,380 --> 00:22:28,347 WHO ARE YOU? 518 00:22:36,789 --> 00:22:37,557 Bellmiere: I'M VERY CURIOUS, MR. CAFFREY. 519 00:22:39,058 --> 00:22:41,160 HOW DID YOU COME TO OWN "DEVOLUTION"? 520 00:22:41,193 --> 00:22:42,895 I IMAGINE MUCH THE SAME WAY 521 00:22:42,929 --> 00:22:45,832 AS YOU CAME TO OWN THE DUBOIS YOU SOLD LAST WEEK. 522 00:22:45,865 --> 00:22:48,200 YOURS IS A FRAUD. 523 00:22:48,234 --> 00:22:49,702 ARE YOU QUESTIONING THE EXPERTS? 524 00:22:49,736 --> 00:22:52,238 I WOULDN'T. 525 00:22:52,271 --> 00:22:54,106 THAT WOULD MAKE IT MUCH MORE DIFFICULT 526 00:22:54,140 --> 00:22:56,008 FOR YOU TO SELL THE REMAINING THREE -- 527 00:22:56,042 --> 00:23:00,680 EXCUSE ME, NOW TWO DUBOISES. 528 00:23:00,713 --> 00:23:02,849 WHAT DO YOU WANT? 529 00:23:02,882 --> 00:23:05,885 THERE IS AN ARRANGEMENT WHERE WE EACH SELL ONE. 530 00:23:05,918 --> 00:23:08,421 "SISTERS" IS ALREADY ON DISPLAY IN MY LOFT. 531 00:23:08,455 --> 00:23:09,756 EVERYONE KNOWS THAT. 532 00:23:09,789 --> 00:23:12,892 BUT NO ONE'S SEEN "COURTSHIP" YET, HAVE THEY? 533 00:23:15,962 --> 00:23:19,799 COME TO MY STUDIO TOMORROW -- 2:00. 534 00:23:32,144 --> 00:23:33,813 GOOD INSTINCTS. 535 00:23:33,846 --> 00:23:37,116 YEP. TRUST THE CHICKEN SEXERS. 536 00:23:37,149 --> 00:23:39,652 AFTERNOON. 537 00:23:39,686 --> 00:23:43,089 YEP. THAT IT IS. 538 00:23:43,122 --> 00:23:44,423 ANY IDEAS ON THE BOX? 539 00:23:44,457 --> 00:23:46,726 WELL, I'M DEVELOPING A THEORY. 540 00:23:46,759 --> 00:23:49,061 WHEN ELLEN AND I WERE PARTNERS, 541 00:23:49,095 --> 00:23:51,598 WE BUSTED OUR FAIR SHARE OF HIDEOUTS. 542 00:23:51,631 --> 00:23:54,567 WHEN IT CAME TO FINDING STASHES, WE HAD A SAYING -- 543 00:23:54,601 --> 00:23:57,436 "WALLS MOVE, CEILINGS AND FLOORS DON'T." 544 00:23:57,470 --> 00:23:59,238 WELL, THE FLOORS ARE MARBLE. 545 00:23:59,271 --> 00:24:01,173 YOU THINK SHE HID IT IN THE CEILING? 546 00:24:01,207 --> 00:24:03,075 WELL, IF I WAS A BETTING MAN... 547 00:24:03,109 --> 00:24:06,913 ALL YOU GOT TO DO IS SCAN 1,000 SQUARE FEET OF CEILING TILE. 548 00:24:06,946 --> 00:24:09,115 WE'VE NARROWED OUR SEARCH FROM ALL OF MANHATTAN 549 00:24:09,148 --> 00:24:11,283 TO A CEILING IN THE CORNER OF A BUILDING. 550 00:24:11,317 --> 00:24:12,351 WE'RE GONNA FIND IT. 551 00:24:12,384 --> 00:24:15,087 OPTIMIST. AH, GOOD MOOD. 552 00:24:15,121 --> 00:24:16,789 THEY MUST HAVE BOUGHT YOUR SCULPTURE. 553 00:24:16,823 --> 00:24:18,457 THEY DID. 554 00:24:18,491 --> 00:24:19,592 WHAT DID THEY SAY? 555 00:24:19,626 --> 00:24:22,328 THEY SAID IT WASN'T A DUBOIS -- 556 00:24:22,361 --> 00:24:24,263 IT WAS THE DUBOIS. 557 00:24:24,296 --> 00:24:25,431 YOU'RE KIDDING. 558 00:24:25,464 --> 00:24:27,299 THEY CALLED IT HIS SEMINAL WORK. 559 00:24:27,333 --> 00:24:31,771 [ Laughing ] I KNEW IT! ATTABOY! 560 00:24:31,804 --> 00:24:33,205 [ SIGHS ] 561 00:24:36,208 --> 00:24:38,210 FULL DISCLOSURE. 562 00:24:43,249 --> 00:24:45,818 THAT HELPS EXPLAIN WHAT I FOUND WHILE YOU WERE OUT. 563 00:24:45,852 --> 00:24:47,186 SUCH AS? 564 00:24:47,219 --> 00:24:49,355 OH... 565 00:24:49,388 --> 00:24:51,658 SUCH AS A VAN DYCK... 566 00:24:56,228 --> 00:24:57,363 ...AND THIS DEGAS. 567 00:24:57,396 --> 00:24:59,298 THEY'RE FORGERIES. 568 00:24:59,331 --> 00:25:01,333 THEY'RE FLAWLESS. 569 00:25:01,367 --> 00:25:03,936 FLAWLESS. 570 00:25:05,204 --> 00:25:07,039 YOU HAVE A TREMENDOUS GIFT, NEAL. 571 00:25:07,073 --> 00:25:10,242 YOUR ORIGINAL WORK MUST BE EXTRAORDINARY. 572 00:25:10,276 --> 00:25:13,813 I DON'T HAVE MANY ORIGINAL PIECES. 573 00:25:13,846 --> 00:25:14,747 WHY NOT? 574 00:25:17,383 --> 00:25:18,685 I DON'T KNOW. 575 00:25:18,718 --> 00:25:20,519 WELL, THAT'S A SHAME. 576 00:25:20,553 --> 00:25:23,656 BECAUSE IF YOU CAN DO THIS... 577 00:25:23,690 --> 00:25:25,457 YOU'RE CAPABLE OF ANYTHING. 578 00:25:33,265 --> 00:25:34,533 ALL RIGHT, HERE'S MY PROPOSAL -- 579 00:25:34,567 --> 00:25:38,004 WE FINISH "COURTSHIP," SPLIT THE PROFITS 50/50. 580 00:25:38,037 --> 00:25:41,774 WELL, LET'S BE CLEAR -- FORGERY IS A FEDERAL OFFENSE. 581 00:25:43,375 --> 00:25:46,613 THIS IS A DUBOIS REPLICA. 582 00:25:46,646 --> 00:25:48,414 UNDERSTOOD. 583 00:25:54,553 --> 00:25:57,256 THE CONTOURS AND PLANES COMPLEMENT EACH OTHER WELL. 584 00:25:57,289 --> 00:25:58,190 I'M IMPRESSED. 585 00:25:58,224 --> 00:26:00,492 A SHAME I HAVE TO DESTROY IT. 586 00:26:01,961 --> 00:26:03,763 WHAT'S THE POINT OF MAKING A REPLICA 587 00:26:03,796 --> 00:26:05,431 OF A PIECE YOU'VE ALREADY SOLD? 588 00:26:09,902 --> 00:26:13,572 DUBOIS USED TO SAY, "DON'T GET ATTACHED TO YOUR WORK." 589 00:26:13,606 --> 00:26:15,341 [ STONE CLATTERING ] 590 00:26:17,409 --> 00:26:21,213 NEAL'S FIGURED OUT A WAY TO NAIL BELLMIERE ON FORGERY. 591 00:26:21,247 --> 00:26:22,915 YOU PROMISED ME A CONFESSION. 592 00:26:22,949 --> 00:26:24,984 NOW I'M PROMISING YOU HARD EVIDENCE. 593 00:26:25,017 --> 00:26:26,552 [ SIGHS ] KEEP TALKING. 594 00:26:26,585 --> 00:26:28,587 DUBOIS PUT AN ORIGINAL, HAND-WRITTEN NOTE 595 00:26:28,621 --> 00:26:30,289 INTO THE HEART OF EACH PIECE. 596 00:26:30,322 --> 00:26:32,591 YES, I KNOW. THE TIBEDAUX X-RAYED IT AND FOUND IT. 597 00:26:32,625 --> 00:26:35,294 THE X-RAY ONLY VERIFIED ITS EXISTENCE, NOT WHAT WAS ON IT. 598 00:26:35,327 --> 00:26:36,929 YEAH, IF THE SCROLL CONTAINS 599 00:26:36,963 --> 00:26:38,965 BELLMIERE'S HANDWRITING AND FINGERPRINTS 600 00:26:38,998 --> 00:26:41,100 AND NOT DUBOIS', THEN IT'S A FORGERY. 601 00:26:41,133 --> 00:26:43,569 WHAT ARE YOU SUGGESTING? THAT WE SMASH IT OPEN? 602 00:26:43,602 --> 00:26:44,904 WELL, THERE'S PROBABLY A -- 603 00:26:44,937 --> 00:26:46,438 FORTUNATELY, WE HAVE ANOTHER OPTION. 604 00:26:50,176 --> 00:26:52,244 A HIGH-RESOLUTION IMAGING SCANNER. 605 00:26:52,278 --> 00:26:54,446 THE NEW MAGNETIC TOMOGRAPHY SCANNERS 606 00:26:54,480 --> 00:26:56,415 ARE PORTABLE AND POWERFUL ENOUGH 607 00:26:56,448 --> 00:26:59,418 TO PICK UP FINGERPRINTS ON A GUN THROUGH A BRICK WALL. 608 00:26:59,451 --> 00:27:01,153 IT'S STILL NEAL'S WORD AGAINST BELLMIERE'S. 609 00:27:01,187 --> 00:27:02,989 I DON'T THINK A JUDGE IS GONNA APPROVE A WARRANT. 610 00:27:03,022 --> 00:27:03,923 WE DON'T NEED ONE. 611 00:27:03,956 --> 00:27:05,457 YOU HAVE A CONFIDENTIAL INFORMANT 612 00:27:05,491 --> 00:27:07,860 WHO HAS ACCESS TO THE SCULPTURE. 613 00:27:10,529 --> 00:27:12,631 ALL RIGHT. 614 00:27:12,665 --> 00:27:14,300 BUT I'M GONNA GO WITH YOU -- I'M GONNA OVERSEE THIS. 615 00:27:14,333 --> 00:27:16,302 AND IT'S NOT BECAUSE I DON'T TRUST YOU, PETER. 616 00:27:16,335 --> 00:27:18,437 IT'S BECAUSE I DON'T TRUST HIM. 617 00:27:18,470 --> 00:27:21,607 YOU SAID THIS WAS A HIGH-PROFILE CASE, AND YOU'RE RIGHT. 618 00:27:21,640 --> 00:27:23,943 I WANT A CLEAN CONVICTION, NO DETOURS. 619 00:27:23,976 --> 00:27:25,311 HAVE YOU GOT IT, NEAL? 620 00:27:25,344 --> 00:27:27,346 HE'S GOT IT. I DIDN'T ASK YOU, PETER. 621 00:27:27,379 --> 00:27:29,215 GOT IT. 622 00:27:29,248 --> 00:27:30,316 OKAY, GREAT. 623 00:27:30,349 --> 00:27:33,085 THEN WE SHOULDN'T HAVE ANY PROBLEM. 624 00:27:36,155 --> 00:27:38,290 I KNOW THAT LOOK. I DON'T LIKE THAT LOOK. 625 00:27:38,324 --> 00:27:39,959 WHAT ARE YOU THINKING? 626 00:27:39,992 --> 00:27:42,228 I KNOW HOW WE CAN FIND THE BOX IN THE EMPIRE STATE BUILDING. 627 00:27:42,261 --> 00:27:43,362 THE SCANNER. 628 00:27:43,395 --> 00:27:44,330 YEAH. NO. 629 00:27:44,363 --> 00:27:47,734 THAT LITTLE DEVICE IS WORTH A SMALL DUBOIS. 630 00:27:47,767 --> 00:27:49,736 I CAN'T JUST CHECK IT OUT LIKE A LIBRARY BOOK. 631 00:27:49,769 --> 00:27:52,238 I'LL USE IT WHILE I'M SUPPOSED TO BE IN BELLMIERE'S LOFT. 632 00:27:52,271 --> 00:27:53,906 DID YOU MISS THE PART ABOUT NO DETOURS? 633 00:27:53,940 --> 00:27:55,908 CALLAWAY'S GONNA BE IN THE VAN. 634 00:27:55,942 --> 00:27:57,543 OKAY, THERE YOU GO. THANKS. 635 00:27:57,576 --> 00:28:00,379 I'M NOT GONNA JEOPARDIZE OUR FIRST OPERATION. 636 00:28:00,412 --> 00:28:02,014 SHE WON'T KNOW A THING. 637 00:28:02,048 --> 00:28:03,716 THIS IS NOT A WINK AND A NOD. 638 00:28:03,750 --> 00:28:04,817 NO. 639 00:28:04,851 --> 00:28:06,719 I HEAR YOU. 640 00:28:06,753 --> 00:28:08,320 I DON'T THINK YOU DO. WHAT? 641 00:28:08,354 --> 00:28:11,223 I NEED YOU TO SAY, "I WILL NOT USE THE SCANNER 642 00:28:11,257 --> 00:28:12,759 TO SEARCH THE EMPIRE STATE BUILDING." 643 00:28:12,792 --> 00:28:14,426 I WILL NOT USE THE SCANNER 644 00:28:14,460 --> 00:28:16,428 TO SEARCH THE EMPIRE STATE BUILDING. 645 00:28:16,462 --> 00:28:18,197 "OR MOZZIE OR JAMES." 646 00:28:18,230 --> 00:28:20,032 NEITHER I, NOR MOZZIE, NOR JAMES 647 00:28:20,066 --> 00:28:22,234 WILL USE THE SCANNER FOR SUCH A SEARCH. 648 00:28:23,402 --> 00:28:24,536 LITTLE PINKY-SWEAR ACTION? 649 00:28:28,074 --> 00:28:30,209 MOZ, MEET ME AT MY PLACE. 650 00:28:30,242 --> 00:28:43,522 I GOT A WAY TO FIND THE EVIDENCE. 651 00:28:43,555 --> 00:28:46,458 HERE IS YOUR SURVEILLANCE WATCH DU JOUR. 652 00:28:46,492 --> 00:28:50,296 THIS IS ONE AN ARTISAN MIGHT WEAR WHILE SCULPTING. 653 00:28:50,329 --> 00:28:52,131 KEEP THOSE UPGRADES COMING. 654 00:28:52,164 --> 00:28:56,135 AUDIO'S GOOD. I'VE CALIBRATED THE SCANNER. 655 00:28:56,168 --> 00:28:57,303 CAREFUL. 656 00:28:57,336 --> 00:28:59,105 I'LL KEEP IT SAFE. 657 00:28:59,138 --> 00:28:59,906 ANKLET. 658 00:28:59,939 --> 00:29:01,740 [ CLEARS THROAT ] 659 00:29:01,774 --> 00:29:04,276 NO. LET'S LEAVE IT ON. 660 00:29:04,310 --> 00:29:07,213 THIS IS AN UNDERCOVER OPERATION. 661 00:29:07,246 --> 00:29:09,481 BELLMIERE'S AN ART FORGER. HE'S NOT AIRPORT SECURITY. 662 00:29:09,515 --> 00:29:11,150 HE WON'T BE PATTING CAFFREY DOWN. 663 00:29:11,183 --> 00:29:13,085 STANDARD PROCEDURE IS TO REMOVE THE ANKLET. 664 00:29:13,119 --> 00:29:14,453 WE'RE LESS THAN 500 YARDS AWAY, 665 00:29:14,486 --> 00:29:16,889 AND WE'VE EARS ON HIM WITH THE WATCH. 666 00:29:16,923 --> 00:29:19,758 WOULD YOU STAND UP? 667 00:29:19,792 --> 00:29:21,260 [ CLEARS THROAT ] 668 00:29:28,634 --> 00:29:31,470 THERE. YOU'RE A VERY TALENTED CON ARTIST. 669 00:29:31,503 --> 00:29:33,272 YOU'LL FIGURE OUT HOW TO KEEP THAT COVERED. 670 00:29:33,305 --> 00:29:34,606 NO PROBLEM. 671 00:29:40,980 --> 00:29:43,182 Mozzie: WELL, THE VIEWS ARE IMPRESSIVE. 672 00:29:43,215 --> 00:29:45,317 THIS HIGH UP IN THE EMPIRE STATE BUILDING -- 673 00:29:45,351 --> 00:29:47,253 LOCATION IS EVERYTHING. 674 00:29:47,286 --> 00:29:50,189 THAT'S EXACTLY WHAT I TELL MY CUSTOMERS -- 675 00:29:50,222 --> 00:29:52,291 I RUN AN ICE-CREAM FRANCHISE. 676 00:29:54,326 --> 00:29:56,328 SECURITY WAS A BEAR GETTING UP HERE. 677 00:29:56,362 --> 00:29:58,430 YEAH. METAL DETECTORS IN THE LOBBY, 678 00:29:58,464 --> 00:30:00,366 CAMERAS AT THE ENTRIES AND EXITS, 679 00:30:00,399 --> 00:30:03,302 VISITOR REGISTRATION AND ACCESS-CONTROL SYSTEMS. 680 00:30:03,335 --> 00:30:05,938 CHECK-IN DESK EVERY FLOOR -- IT'S VERY SAFE. 681 00:30:05,972 --> 00:30:08,207 OH, YEAH. I CAN IMAGINE. 682 00:30:09,308 --> 00:30:12,644 IT WOULD BE NEXT TO IMPOSSIBLE TO SNEAK UP, LIKE, 683 00:30:12,678 --> 00:30:14,180 A -- I DON'T KNOW -- 684 00:30:14,213 --> 00:30:16,315 A METAL...SCANNER OR SOMETHING. 685 00:30:16,348 --> 00:30:17,549 [ BOTH LAUGH ] 686 00:30:17,583 --> 00:30:19,618 NOW, THAT OFFICE IS DIRECTLY BELOW. 687 00:30:19,651 --> 00:30:21,553 DOES THAT POSE ANY NOISE PROBLEMS? 688 00:30:21,587 --> 00:30:22,521 NO. 689 00:30:22,554 --> 00:30:23,689 THEY'VE GOT 20-FOOT CEILINGS, 690 00:30:23,722 --> 00:30:25,958 AND WE'VE GOT THREE INCHES OF MARBLE -- 691 00:30:25,992 --> 00:30:29,328 I THINK YOU HAVE SOMETHING ON YOUR SHOE. 692 00:30:31,097 --> 00:30:32,198 OH, MY. 693 00:30:32,231 --> 00:30:33,399 [ SCOFFS ] 694 00:30:33,432 --> 00:30:36,235 OH, MY. I AM SO SORRY. 695 00:30:36,268 --> 00:30:37,469 [ SIGHS ] 696 00:30:37,503 --> 00:30:39,805 W-WHAT IS THIS? 697 00:30:39,838 --> 00:30:42,541 NO -- STOP. 698 00:30:42,574 --> 00:30:44,410 I'LL TAKE CARE OF IT. 699 00:30:44,443 --> 00:30:45,477 [ Cellphone speed-dialing ] 700 00:30:45,511 --> 00:30:46,812 YEAH, HI. 701 00:30:46,845 --> 00:30:52,251 I'M GONNA NEED THE MARBLE BUFFED ON THE RENTAL FLOOR. 702 00:30:52,284 --> 00:30:53,752 NO. 703 00:30:53,785 --> 00:30:58,224 THIS AFTERNOON -- BEFORE THE NEXT SHOWING. 704 00:30:58,257 --> 00:30:59,358 THANKS. 705 00:30:59,391 --> 00:31:01,693 OY. 706 00:31:05,597 --> 00:31:07,599 ALL RIGHT. 707 00:31:11,703 --> 00:31:15,341 LISTEN, IF YOU DON'T MIND. I LIKE TO WORK ALONE. 708 00:31:15,374 --> 00:31:17,309 JUST...PART OF MY PROCESS. 709 00:31:20,112 --> 00:31:22,381 I'M THE SAME WAY. 710 00:31:22,414 --> 00:31:24,917 I'M GONNA GO GRAB SOME COFFEE. 711 00:31:47,173 --> 00:31:49,008 [ CHISEL CLINKING ] 712 00:32:09,528 --> 00:32:10,696 [ CLINKING CONTINUES ] 713 00:32:15,867 --> 00:32:20,439 I ALWAYS WONDERED WHEN WE'D GO OUT FOR ICE CREAM. 714 00:32:20,472 --> 00:32:24,276 MOZZIE CALLS IT "MINT CHOCOLATE TRACKING CHIP." 715 00:32:24,310 --> 00:32:26,612 ALL RIGHT, I RE-SET THE SCANNER 716 00:32:26,645 --> 00:32:29,348 SO THAT THE TRACKING SIGNAL WON'T REACH THE VAN. 717 00:32:31,383 --> 00:32:34,353 PERFECT. 718 00:32:34,386 --> 00:32:37,689 AH, HERE COMES OUR CUSTODIAL ACCOMPLICE. 719 00:32:43,529 --> 00:32:45,764 HARV'S THE MAN THEY CALL. 720 00:32:45,797 --> 00:32:46,832 IS HE O.C.D.? 721 00:32:46,865 --> 00:32:48,834 YEAH, THAT'S WHAT MAKES HIM SO THOROUGH. 722 00:32:48,867 --> 00:32:52,204 LOVES DOGS. HAS A NIECE NAMED DAISY, RIGHT? YOU GOT IT. 723 00:32:52,238 --> 00:32:53,339 [ CHUCKLES ] 'SCUSE ME! 724 00:32:53,372 --> 00:32:55,474 'SCUSE ME. YEAH? 725 00:32:55,507 --> 00:32:57,476 [ Panting ] UH, SORRY TO BOTHER YOU, BUT YOU... 726 00:32:57,509 --> 00:32:59,178 YOU SEEN A COLLIE RUN BY HERE, 727 00:32:59,211 --> 00:33:02,548 ABOUT YEA BIG, GOT A MAGNIFICENT BROWN COAT? 728 00:33:02,581 --> 00:33:04,316 GOES BY THE NAME OF DAISY? 729 00:33:04,350 --> 00:33:05,351 OH, NO. DAISY? YEAH. 730 00:33:05,384 --> 00:33:06,318 THAT'S MY NIECE'S NAME. 731 00:33:06,352 --> 00:33:07,519 NO KIDDING? YEAH. 732 00:33:07,553 --> 00:33:08,987 WELL, I WAS WALKING HER DOWN FIFTH AVENUE. 733 00:33:09,021 --> 00:33:10,889 SHE JUST UP AND RAN AWAY. JUST BOLTED -- JUST RAN AWAY. 734 00:33:10,922 --> 00:33:12,291 DOES SHE HAVE TAGS? 735 00:33:12,324 --> 00:33:14,526 'COURSE SHE'S GOT TAGS! YOU SURE YOU HAVEN'T SEEN HER? 736 00:33:14,560 --> 00:33:15,627 NO, I HAVEN'T SEEN HER. 737 00:33:15,661 --> 00:33:16,862 NO? OH, MAN! 738 00:33:16,895 --> 00:33:19,331 WHAT A DAY TO FORGET MY [Chuckling] GLASSES! 739 00:33:19,365 --> 00:33:20,766 [ CLINKING CONTINUES ] 740 00:33:25,404 --> 00:33:26,872 THIS COULD TAKE A WHILE. 741 00:33:26,905 --> 00:33:29,741 I KNOW HOW BUSY YOU ARE. YOU DON'T NEED TO STAY. 742 00:33:29,775 --> 00:33:33,145 OH, I STARTED IN THE FIELD. I LIKE BEING OUT HERE. 743 00:33:33,179 --> 00:33:34,546 ME, TOO. 744 00:33:34,580 --> 00:33:35,381 MM. 745 00:33:46,725 --> 00:33:48,427 James: IT'S BEEN 45 MINUTES. 746 00:33:48,460 --> 00:33:50,529 HOW DO YOU KNOW WHEN WE'VE SCANNED THE BOX? 747 00:33:50,562 --> 00:33:53,399 Neal: WE WON'T UNTIL WE TAKE IT BACK AND MATCH THE RESULTS 748 00:33:53,432 --> 00:33:55,867 TO THE FLOOR PLANS AND THE DIMENSIONS OF THE BOX. 749 00:33:55,901 --> 00:33:58,104 YOU GUYS EVER RUN A CON LIKE THIS BEFORE? 750 00:33:58,137 --> 00:33:59,871 CAN'T SAY I'VE EVER USED A BUFFER 751 00:33:59,905 --> 00:34:01,973 TO RUN AN X-RAY SCANNER ACROSS A FLOOR. 752 00:34:03,975 --> 00:34:05,411 THAT DOESN'T LOOK GOOD. 753 00:34:06,978 --> 00:34:09,548 UH-OH. WE'RE HAVING A TECHNICAL DIFFICULTY. 754 00:34:11,783 --> 00:34:13,519 THE IMAGE IS BREAKING UP. 755 00:34:13,552 --> 00:34:14,386 WE LOST IT. 756 00:34:14,420 --> 00:34:16,355 HE FINISHED 90% OF THE FLOOR. 757 00:34:16,388 --> 00:34:18,890 LET'S HOPE THE BOX IS IN THERE SOMEWHERE. 758 00:34:18,924 --> 00:34:21,127 THAT SCANNER HAS TO BE COMPLETELY INTACT 759 00:34:21,160 --> 00:34:22,494 WHEN I RETURN IT TO THE FBI. 760 00:34:27,599 --> 00:34:30,068 [ CLINKING CONTINUES ] 761 00:34:30,102 --> 00:34:31,270 WHAT ARE YOU DOING? 762 00:34:31,303 --> 00:34:33,805 I'M CHECKING ON CAFFREY. SOMETHING'S NOT RIGHT. 763 00:34:33,839 --> 00:34:35,040 [ KEYBOARD CLACKING ] 764 00:34:35,073 --> 00:34:37,042 YOU'RE PULLING UP HIS TRACKING DATA? 765 00:34:37,075 --> 00:34:38,210 WE CAN HEAR HIM. 766 00:34:38,244 --> 00:34:40,612 WE CAN HEAR CHISELING. WE CAN'T HEAR HIM. 767 00:34:40,646 --> 00:34:41,947 I CAN'T TELL YOU WHY, 768 00:34:41,980 --> 00:34:43,515 BUT I GET THE FEELING CAFFREY'S UP TO SOMETHING. 769 00:34:46,418 --> 00:34:47,486 DENIED. 770 00:34:47,519 --> 00:34:49,255 I.T. MUST NOT HAVE ACTIVATED YOUR I.D. YET. 771 00:34:49,288 --> 00:34:50,789 TYPE IN YOURS. 772 00:34:50,822 --> 00:34:53,592 OKAY. 773 00:35:13,445 --> 00:35:16,482 HMM. MUST HAVE MADE A TYPO. 774 00:35:18,450 --> 00:35:22,188 I'M PULLING IT UP RIGHT NOW. 775 00:35:28,794 --> 00:35:30,329 RIGHT WHERE HE'S SUPPOSED TO BE. 776 00:35:30,362 --> 00:35:32,364 [ CLANKING CONTINUES ] 777 00:36:04,563 --> 00:36:07,666 ALL RIGHT, BELLMIERE'S GONE. I'M SCANNING NOW. 778 00:36:14,440 --> 00:36:17,409 [ FOOTSTEPS APPROACHING ] 779 00:36:17,443 --> 00:36:18,710 WHAT ARE YOU DOING? 780 00:36:20,446 --> 00:36:22,548 OH, I WAS JUST...LOOKING AT YOUR HANDIWORK AGAIN. 781 00:36:22,581 --> 00:36:25,251 DUBOIS' HANDIWORK. 782 00:36:25,284 --> 00:36:27,152 STICK TO THE ONES IN BACK. 783 00:36:27,185 --> 00:36:28,387 ALL RIGHT. 784 00:36:30,456 --> 00:36:31,557 HERE IT IS. 785 00:36:34,593 --> 00:36:36,528 THE CALIBRATION'S OFF. IT'S COMPLETELY UNREADABLE. 786 00:36:36,562 --> 00:36:38,297 YEAH, I'M PULLING HIM OUT OF HERE. 787 00:36:39,298 --> 00:36:40,432 [ CELLPHONE BUZZES ] 788 00:36:52,411 --> 00:36:55,046 [ CLEARS THROAT ] 789 00:36:55,080 --> 00:36:57,249 I'M GONNA GET SOME FRESH AIR. 790 00:37:00,652 --> 00:37:02,521 [ BAG CLANGS ] 791 00:37:02,554 --> 00:37:03,822 YOU KNOW WHAT? 792 00:37:05,324 --> 00:37:07,359 THE INITIAL CARVING ISN'T WORKING FOR ME. 793 00:37:07,393 --> 00:37:10,128 THAT'S EXACTLY HOW I DID IT FOR DUBOIS. 794 00:37:10,161 --> 00:37:11,463 DIDN'T YOU TELL HIM TO ABORT? 795 00:37:11,497 --> 00:37:13,532 HE WAS HAPPY WITH THAT? YEAH. 796 00:37:13,565 --> 00:37:15,301 BUT HE NEVER LET YOU FINISH ONE. 797 00:37:15,334 --> 00:37:17,102 HE OBSESSED OVER EVERY DETAIL. 798 00:37:17,135 --> 00:37:18,770 YEAH, AND HE MADE YOU START OVER -- 799 00:37:18,804 --> 00:37:21,940 SEVERAL TIMES, IF I RECALL. 800 00:37:21,973 --> 00:37:23,475 YOU HAVE NO IDEA. 801 00:37:23,509 --> 00:37:26,945 OH, I DO. I WENT THROUGH HIS NOTES. 802 00:37:26,978 --> 00:37:29,080 HE DIDN'T WANT TO DESTROY HIS WORK. 803 00:37:29,114 --> 00:37:31,216 YOU LEFT HIM NO CHOICE. 804 00:37:31,249 --> 00:37:33,218 HE HAD TO START OVER BECAUSE YOU WEREN'T GOOD ENOUGH. 805 00:37:33,251 --> 00:37:36,087 OH, PLEASE. HE NEVER KNEW WHAT HE WANTED. 806 00:37:36,121 --> 00:37:37,923 HE'D START OVER...20 TIMES. 807 00:37:37,956 --> 00:37:39,791 HE'D BLOW EVERYTHING UP AT THE LAST MINUTE 808 00:37:39,825 --> 00:37:40,892 AND LEAVE ME TO FIX IT! 809 00:37:40,926 --> 00:37:41,927 I MADE HIM WHAT HE IS! 810 00:37:44,830 --> 00:37:46,998 WHENEVER YOU LOOK AT A DUBOIS, YOU'RE LOOKIN' AT ME. 811 00:37:47,032 --> 00:37:48,534 THEN WHY ISN'T YOUR NAME ON IT? 812 00:37:50,268 --> 00:37:51,470 Callaway: GET HIM OUT OF THERE! 813 00:37:51,503 --> 00:37:53,238 HE'S GOING FOR A CONFESSION. 814 00:37:53,271 --> 00:37:56,342 YOU HIDE BEHIND HIS WORK, YOU LIVE OFF HIS NAME, 815 00:37:56,375 --> 00:37:58,577 BUT WITHOUT DUBOIS, YOU'RE NOTHING. 816 00:37:58,610 --> 00:37:59,611 YOU DON'T EXIST. 817 00:38:01,680 --> 00:38:03,014 [ BOTH GRUNTING ] 818 00:38:05,216 --> 00:38:06,251 LET'S MOVE. 819 00:38:06,284 --> 00:38:07,986 I'LL MONITOR FROM HERE. 820 00:38:09,521 --> 00:38:11,723 [ GRUNTING CONTINUES ] 821 00:38:15,494 --> 00:38:16,628 Diana: FBI! 822 00:38:16,662 --> 00:38:18,430 DROP IT! DROP THAT WEAPON! 823 00:38:18,464 --> 00:38:20,466 OKAY! OKAY! THANK GOD YOU'RE HERE. 824 00:38:20,499 --> 00:38:22,601 THIS CON ARTIST, NEAL CAFFREY, 825 00:38:22,634 --> 00:38:24,503 JUST BROKE A $10 MILLION SCULPTURE. 826 00:38:24,536 --> 00:38:26,171 [ Panting ] IT'S A FAKE. I CAN PROVE IT. 827 00:38:26,204 --> 00:38:27,739 RIGHT THERE. 828 00:38:36,648 --> 00:38:40,386 I STAND CORRECTED. YOUEXIST. 829 00:38:40,419 --> 00:38:41,853 Peter: YOU ONCE TOLD ME EVERY FORGER 830 00:38:41,887 --> 00:38:44,155 FINDS A WAY TO SIGN HIS OWN NAME. 831 00:38:44,189 --> 00:38:47,693 MR. BLATNIK, WHY DON'T YOU COME WITH US TO THE BUREAU? 832 00:38:47,726 --> 00:38:49,628 THE SAD THING IS, 833 00:38:49,661 --> 00:38:51,563 YOU'RE MORE TALENTED THAN DUBOIS. 834 00:39:05,744 --> 00:39:07,746 I WONDER HOW THIS SCANNER GOT SO SCRATCHED UP. 835 00:39:07,779 --> 00:39:09,681 MUST HAVE FALLEN OUT OF MY POCKET WHEN HE ATTACKED ME. 836 00:39:09,715 --> 00:39:10,582 MM. 837 00:39:24,530 --> 00:39:26,097 HEY. 838 00:39:26,131 --> 00:39:27,699 HEY. 839 00:39:27,733 --> 00:39:28,900 HOW'D IT GO? 840 00:39:28,934 --> 00:39:31,202 OH, FORENSICS CONFIRMED IT WAS A FORGERY, 841 00:39:31,236 --> 00:39:33,739 AS WELL AS THE ONE HE SOLD AT THE TIBEDAUX. 842 00:39:33,772 --> 00:39:36,942 THAT'S GREAT, BUT I WAS TALKING ABOUT THE EMPIRE STATE BUILDING. 843 00:39:36,975 --> 00:39:38,544 WE FOUND IT. 844 00:39:40,479 --> 00:39:41,413 YOU FOUND IT? 845 00:39:41,447 --> 00:39:43,549 MOZZIE FOUND A RECTANGULAR OBJECT 846 00:39:43,582 --> 00:39:46,618 THE EXACT DIMENSIONS OF ELLEN'S EVIDENCE BOX 847 00:39:46,652 --> 00:39:48,454 ON THE SOUTHWEST SIDE OF THE CEILING. 848 00:39:48,487 --> 00:39:50,756 [ Laughing ] WELL, LET'S GO GET IT! NO, THERE'S NOTHING WE CAN DO TONIGHT. 849 00:39:50,789 --> 00:39:52,458 IT'S NOT EASY ACCESS. 850 00:39:52,491 --> 00:39:54,960 WELL, DOES PETER KNOW? NO, NOT YET. I'LL TELL HIM TOMORROW. 851 00:39:54,993 --> 00:39:56,595 WELL, NOW THAT WE KNOW WHERE IT IS, 852 00:39:56,628 --> 00:39:58,597 LET ME GO GET IT, KEEP YOU TWO GUYS CLEAN. 853 00:39:58,630 --> 00:40:01,099 NO, I CAN'T DO THAT TO PETER. 854 00:40:01,132 --> 00:40:02,701 WELL, YOU JUST RAN A CON ON HIM. 855 00:40:02,734 --> 00:40:03,969 I'M NOT DOING THIS WITHOUT HIM. 856 00:40:04,002 --> 00:40:06,304 LISTEN, YOU PROMISED ME THAT YOU WEREN'T GONNA DO THIS. 857 00:40:06,337 --> 00:40:08,574 HE'S BEEN MORE OF A FATHER TO ME THAN YOU EVER WERE. 858 00:40:12,243 --> 00:40:14,412 WE'RE DOING THIS WITH PETER. 859 00:40:16,147 --> 00:40:19,150 OKAY. YOU'RE RIGHT. 860 00:40:21,286 --> 00:40:25,256 I'LL SEE YOU TOMORROW. 861 00:40:25,290 --> 00:40:28,126 YOU ASKED ME WHY I DON'T HAVE ORIGINAL ART? 862 00:40:28,159 --> 00:40:30,428 I'VE HAD THREE DIFFERENT NAMES 863 00:40:30,462 --> 00:40:32,531 AND A DOZEN DIFFERENT ALIASES BECAUSE OF YOU. 864 00:40:34,766 --> 00:40:38,336 AND TO BE AN ARTIST, YOU HAVE TO KNOW WHO YOU ARE. 865 00:40:38,369 --> 00:40:42,340 YOU'RE MY SON. 866 00:40:42,373 --> 00:40:44,175 AND I'M VERY PROUD OF THAT. 867 00:40:55,854 --> 00:40:58,757 YOU KNOW, NEAL WAS CHISELING AWAY FOR A LONG TIME, 868 00:40:58,790 --> 00:41:01,326 BUT I NEVER ACTUALLY SAW ANY CARVING IN EVIDENCE. 869 00:41:01,359 --> 00:41:02,694 I'M SURE THERE'S A REASON. 870 00:41:02,728 --> 00:41:04,429 YOU BOTH AGREED -- NO DETOURS. 871 00:41:04,462 --> 00:41:06,598 [ SIGHS ] WE DID. 872 00:41:06,632 --> 00:41:09,535 I GET IT NOW. 873 00:41:09,568 --> 00:41:10,769 WHAT'S THAT? 874 00:41:10,802 --> 00:41:14,372 WHY HUGHES APPROVED SO MANY OF YOUR UNORTHODOX OPERATIONS. 875 00:41:14,405 --> 00:41:15,674 REALLY? 876 00:41:15,707 --> 00:41:17,843 YOU GAVE ME A BIG WIN, BUT I DON'T NEED ANYONE 877 00:41:17,876 --> 00:41:19,845 LOOKING INTO WHATEVER IT WAS CAFFREY WAS DOING. 878 00:41:19,878 --> 00:41:21,513 [ Chuckling ] I'M SURE IT'S NOT THAT BAD. 879 00:41:21,547 --> 00:41:22,614 PETER. 880 00:41:22,648 --> 00:41:24,816 IS ANY OF THIS GONNA BLOW BACK ON ME? 881 00:41:24,850 --> 00:41:26,217 NO. 882 00:41:26,251 --> 00:41:28,319 LET'S KEEP IT THAT WAY. 883 00:41:28,353 --> 00:41:30,488 YOU CONTINUE TO GIVE ME MORE WINS, 884 00:41:30,522 --> 00:41:33,158 AND I WILL GIVE YOUR TEAM EVERYTHING IT NEEDS. 885 00:41:33,191 --> 00:41:34,492 WIN-WIN. 886 00:41:38,764 --> 00:41:40,566 AGENT WATSON, DID YOU FIND ANYTHING? 887 00:41:40,599 --> 00:41:43,068 SCANNER'S DAMAGED PRETTY BADLY. 888 00:41:43,101 --> 00:41:45,871 I SEE THAT. 889 00:41:45,904 --> 00:41:47,806 AND SCRUBBED DATA OFF THE HARD DRIVE. 890 00:41:47,839 --> 00:41:49,040 WERE YOU ABLE TO RECOVER ANY OF IT? 891 00:41:49,074 --> 00:41:50,241 ABOUT 20%. 892 00:41:50,275 --> 00:41:53,845 WHOEVER USED THE SCANNER WAS SEARCHING A BUILDING. 893 00:41:53,879 --> 00:41:56,782 TAKE A LOOK AT THIS. 894 00:41:58,516 --> 00:41:59,551 IS THAT A SERIAL NUMBER? 895 00:41:59,585 --> 00:42:01,386 YEP. IT'S A CABLE JUNCTION BOX. 896 00:42:01,419 --> 00:42:04,155 THIS PARTICULAR MODEL WAS USED IN ONLY ONE PLACE -- 897 00:42:04,189 --> 00:42:06,992 FLOORS 33 TO 61 OF THE EMPIRE STATE BUILDING. 898 00:42:07,025 --> 00:42:09,695 THANKS, AGENT WATSON. 899 00:42:09,728 --> 00:42:11,429 THANK YOU. 900 00:42:11,462 --> 00:42:12,898 OH, WILL YOU SHUT THE DOOR ON YOUR WAY OUT? 901 00:42:17,703 --> 00:42:19,738 [ Dialing ] 902 00:42:19,771 --> 00:42:23,241 [ Ringing ] 903 00:42:23,274 --> 00:42:24,843 SENATOR PRATT, PLEASE. 904 00:42:24,876 --> 00:42:26,645 AMANDA CALLAWAY. 905 00:42:32,818 --> 00:42:35,420 I THINK I MAY HAVE YOUR ANSWER.