1 00:00:07,508 --> 00:00:10,144 Neal: THERE IS NO SECURITY ON THIS EARTH, ONLY OPPORTUNITY. 2 00:00:10,178 --> 00:00:11,979 Sara: THAT IS NOT WHAT I WANT TO HEAR 3 00:00:12,012 --> 00:00:14,215 FROM THE MAN I'M ASKING TO CONSULT ON MY SECURITY. 4 00:00:14,248 --> 00:00:15,516 WELL, YOU GOT TO LOVE IRONY. 5 00:00:15,549 --> 00:00:16,550 WHAT'S THE EVENT? 6 00:00:16,584 --> 00:00:18,018 IT'S TOMORROW'S LAUNCH PARTY 7 00:00:18,052 --> 00:00:19,987 FOR PARFUM BIJOUX'S NEW FRAGRANCE LINE, 8 00:00:20,020 --> 00:00:22,156 INSPIRED BY THE BLEND WORE BY MARIE ANTOINETTE. 9 00:00:22,190 --> 00:00:24,058 WHERE ELSE WOULD THE NEW LINE BE-HEADED? 10 00:00:24,092 --> 00:00:25,326 OH. YEAH. 11 00:00:25,359 --> 00:00:27,195 WELL, AT LEAST YOU DIDN'T ASK IF IT SMELLS LIKE CAKE. 12 00:00:27,228 --> 00:00:28,396 EH, THAT'S TOO OBVIOUS. 13 00:00:28,429 --> 00:00:30,498 THEY'RE DISPLAYING THE ORIGINAL FORMULA 14 00:00:30,531 --> 00:00:33,567 IN ITS ORIGINAL ATOMIZER ON LOAN FROM THE MARQUISE DE TOURZEL, 15 00:00:33,601 --> 00:00:35,536 AND FULLY INSURED BY STERLING BOSCH. 16 00:00:35,569 --> 00:00:38,072 YOU HAVE A DATE TO THIS LITTLE SOIREE? 17 00:00:38,106 --> 00:00:39,840 WOULD IT MATTER IF I DID? 18 00:00:39,873 --> 00:00:40,908 NOT AT ALL. 19 00:00:40,941 --> 00:00:42,676 WE AGREED TO KEEP THIS CASUAL. 20 00:00:42,710 --> 00:00:43,677 YEAH... 21 00:00:43,711 --> 00:00:46,214 WE DID. 22 00:00:50,951 --> 00:00:52,853 [ LAUGHS ] 23 00:00:52,886 --> 00:00:54,188 AMIS-AMANTS. 24 00:00:54,222 --> 00:00:57,891 AMIS-AMANTS -- "FRIENDS WHO HAVE FUN." 25 00:00:57,925 --> 00:00:59,427 [ SIGHS ] THE FRENCH HAVE A WORD FOR EVERYTHING. 26 00:00:59,460 --> 00:01:00,528 MM-HMM. 27 00:01:00,561 --> 00:01:02,430 I MIGHT STOP BY AFTERWARDS. 28 00:01:02,463 --> 00:01:04,532 I MIGHT MAKE YOU A LATE DINNER. 29 00:01:04,565 --> 00:01:05,599 YEAH? YEAH. 30 00:01:05,633 --> 00:01:07,701 THAT'S HOW THIS WHOLE THING GOT STARTED. 31 00:01:07,735 --> 00:01:10,604 I WANTED TO THANK YOU FOR HELPING WITH THE DELANCY CASE. OH. 32 00:01:10,638 --> 00:01:12,873 SEE, I THOUGHT THE THANK-YOU WAS WHAT CAME AFTER DINNER. 33 00:01:12,906 --> 00:01:14,908 THEN YOU'LL HAVE TO THANK ME FOR HELPING WITH THE SECURITY. 34 00:01:14,942 --> 00:01:16,444 MM-HMM. 35 00:01:18,412 --> 00:01:19,613 I BETTER NOT MESS THIS UP. DON'T. 36 00:01:19,647 --> 00:01:20,614 [ BOTH LAUGH ] 37 00:01:20,648 --> 00:01:22,049 OKAY, SHOULD I BE THINKING 38 00:01:22,082 --> 00:01:24,118 FIVE-STAR RESTAURANT OR CAPE COD CLAMBAKE? 39 00:01:24,152 --> 00:01:26,254 YES. HONEY, COME ON! ONE HINT! 40 00:01:26,287 --> 00:01:29,056 HON, THE WHOLE POINT OF A SURPRISE GETAWAY -- 41 00:01:29,089 --> 00:01:31,559 IT'S A SURPRISE, I KNOW, BUT DO YOU REALLY WANT TO BE 42 00:01:31,592 --> 00:01:33,894 LUGGING AROUND MY ENTIRE WARDROBE FOR TWO DAYS? 43 00:01:33,927 --> 00:01:35,129 WELL, LUCKILY FOR YOU, 44 00:01:35,163 --> 00:01:37,064 I HAVE THE UPPER-BODY STRENGTH OF A NORSE GOD. 45 00:01:37,097 --> 00:01:38,065 [ LAUGHS ] 46 00:01:38,098 --> 00:01:39,233 OH, AND YOU DON'T MIND 47 00:01:39,267 --> 00:01:40,768 IF WE GO BY THE PARFUM BIJOUX EVENT, RIGHT? 48 00:01:40,801 --> 00:01:41,969 JUST FOR TWO MINUTES. 49 00:01:42,002 --> 00:01:43,904 TWO MINUTES? NO. TWO HOURS? YES. 50 00:01:43,937 --> 00:01:46,240 OH, HONEY, IT'S REALLY IMPORTANT TO SARA. 51 00:01:46,274 --> 00:01:47,808 YES, AND SHE'S A BIG GIRL, 52 00:01:47,841 --> 00:01:50,444 AND IT'S NOT NEARLY AS IMPORTANT AS YOU AND I 53 00:01:50,478 --> 00:01:51,945 FINALLY GETTING SOME TIME AWAY WITH NO DISTRACTIONS. 54 00:01:51,979 --> 00:01:53,281 I KNOW. YOU'RE RIGHT. 55 00:01:53,314 --> 00:01:55,416 WE PROMISED EACH OTHER NO WORK TALK. 56 00:01:55,449 --> 00:01:56,450 [ KNOCK ON DOOR ] 57 00:01:56,484 --> 00:01:58,252 WHO'S THAT? OH, THAT'S JONES. 58 00:01:58,286 --> 00:02:00,454 HE'S HERE TO... NOT TALK ABOUT WORK? 59 00:02:00,488 --> 00:02:02,122 I'LL MAKE IT QUICK. MM-HMM. 60 00:02:04,992 --> 00:02:06,994 AND DON'T BOTHER LOOKING IN MY BAG. 61 00:02:07,027 --> 00:02:09,129 I PACK TO DECEIVE. 62 00:02:10,198 --> 00:02:11,799 WHAT DO YOU HAVE? ELLEN'S TAX RETURNS. 63 00:02:11,832 --> 00:02:13,267 KEEP THE BUREAU OUT OF IT? YEAH. 64 00:02:13,301 --> 00:02:15,102 DIANA'S CONTACT AT THE IRS CAME THROUGH. 65 00:02:15,135 --> 00:02:16,103 GOOD. 66 00:02:16,136 --> 00:02:17,605 WELL, WHAT DO YOU THINK? 67 00:02:17,638 --> 00:02:19,940 DID SHE HIDE THE EVIDENCE BOX IN THE EMPIRE STATE BUILDING? 68 00:02:19,973 --> 00:02:22,510 HER FIRST JOB AFTER WITSEC THAT MOVED HER TO NEW YORK 69 00:02:22,543 --> 00:02:25,313 HAS THIS EMPLOYER I.D. NUMBER HERE -- GRIFFIN-MOORE. 70 00:02:25,346 --> 00:02:26,614 PRIVATE SECURITY FIRM. 71 00:02:26,647 --> 00:02:27,981 PERFECT WAY TO SATISFY HER INNER COP. 72 00:02:28,015 --> 00:02:28,982 UH-HUH. 73 00:02:29,016 --> 00:02:30,184 AND ONE OF THEIR CLIENTS 74 00:02:30,218 --> 00:02:31,519 WAS A TECH STARTUP IN THE EMPIRE STATE BUILDING. 75 00:02:31,552 --> 00:02:32,620 THAT'S GOT TO BE IT. 76 00:02:32,653 --> 00:02:34,622 WELL, THE QUESTION IS, HOW DO WE SEARCH IT? 77 00:02:34,655 --> 00:02:37,625 WE DON'T. WE KEEP OUR DISTANCE AND LET NEAL SEARCH ON HIS OWN. 78 00:02:37,658 --> 00:02:38,959 DOES HE KNOW WHERE TO LOOK? 79 00:02:38,992 --> 00:02:40,294 HE WILL. 80 00:02:40,328 --> 00:02:42,530 ALL RIGHT, I NEED YOU AND DIANA TO KEEP AN EYE ON NEAL. 81 00:02:42,563 --> 00:02:43,631 NEAL WHILE YOU'RE GONE. 82 00:02:43,664 --> 00:02:44,798 WE ALWAYS DO. 83 00:02:44,832 --> 00:02:46,834 BETWEEN THE CAR ACCIDENT AND EVERYTHING ELSE, 84 00:02:46,867 --> 00:02:48,469 EL AND I REALLY NEED TO GET AWAY. 85 00:02:48,502 --> 00:02:50,371 NO, I UNDERSTAND. THANKS. 86 00:02:50,404 --> 00:02:52,473 HONEY? YOUR PHONE JUST BUZZED. 87 00:02:52,506 --> 00:02:55,543 MIGHT BE THE HOTEL. DO YOU REMEMBER THE AREA CODE? 88 00:02:55,576 --> 00:02:56,844 MY PHONE'S ON ME, HON. 89 00:02:56,877 --> 00:02:58,145 BUT NICE TRY. 90 00:02:58,178 --> 00:03:01,215 SHE STILL HASN'T FIGURED OUT WHERE YOU GUYS ARE GOING, HUH? 91 00:03:01,249 --> 00:03:02,516 NO, SHE HASN'T, 92 00:03:02,550 --> 00:03:04,552 BUT SHE'S CONDUCTING A VERY THOROUGH INVESTIGATION. 93 00:03:04,585 --> 00:03:05,686 I'M SURE SHE IS. 94 00:03:09,857 --> 00:03:12,159 Sara: AND THEN THIS IS IT. 95 00:03:12,192 --> 00:03:14,362 Neal: WOW. LOOK AT THAT. 96 00:03:14,395 --> 00:03:15,729 I CAN SEE WHY YOU WANTED MY HELP. 97 00:03:15,763 --> 00:03:16,697 DO YOU LOVE IT? I DO. 98 00:03:16,730 --> 00:03:18,031 Peter: HELLO. Elizabeth: HI. 99 00:03:18,065 --> 00:03:19,367 Neal: HEY. 100 00:03:19,400 --> 00:03:21,869 YOU TWO READY TO KICK OFF YOUR ROMANTIC WEEKEND? YES. 101 00:03:21,902 --> 00:03:24,238 SHE DOESN'T KNOW WHERE WE'RE GOING, SO NOBODY SAY ANYTHING. 102 00:03:24,272 --> 00:03:25,239 OKAY. 103 00:03:25,273 --> 00:03:26,507 IS IT SAFE TO MENTION THE EARRINGS? 104 00:03:26,540 --> 00:03:28,409 ARE THOSE EMERALDS? THEY'RE BEAUTIFUL. 105 00:03:28,442 --> 00:03:30,411 WELL, THANK YOU. THEY WERE MY GRANDMOTHER'S. 106 00:03:30,444 --> 00:03:31,512 [ BOTH CHUCKLE ] 107 00:03:31,545 --> 00:03:33,013 OH, SPEAKING OF BEAUTIFUL... 108 00:03:33,046 --> 00:03:34,214 Elizabeth: OH, MY GOSH. 109 00:03:34,248 --> 00:03:35,749 FROM MARIE ANTOINETTE'S BEDROOM IN VERSAILLES. 110 00:03:35,783 --> 00:03:36,850 [ GASPS ] 111 00:03:36,884 --> 00:03:38,386 DOES IT SMELL LIKE CAKE? 112 00:03:39,953 --> 00:03:41,088 CAKE. WHAT? 113 00:03:41,121 --> 00:03:42,390 OH, NOTHING. 114 00:03:43,591 --> 00:03:45,426 I'M GONNA CHECK IN ON THE STAFF. 115 00:03:45,459 --> 00:03:47,060 I'LL TAKE YOU BACK. GREAT. 116 00:03:48,629 --> 00:03:51,732 SO...YOU AND SARA? 117 00:03:51,765 --> 00:03:53,534 DEDUCE THAT ALL BY YOURSELF? I DID. 118 00:03:53,567 --> 00:03:56,036 SHOULDN'T YOU BE LEAVING FOR YOUR BED-AND-BREAKFAST SOON? 119 00:03:56,069 --> 00:03:58,205 ENOUGH. REMEMBER, I'M ONLY TO BE DISTURBED -- 120 00:03:58,238 --> 00:03:59,740 IF SOMEONE DIES. I KNOW THE DRILL. 121 00:03:59,773 --> 00:04:00,774 [ CELLPHONE RINGS ] 122 00:04:02,910 --> 00:04:05,112 OH, THE RUSTY EGRET. 123 00:04:05,145 --> 00:04:06,246 YEAH. 124 00:04:06,280 --> 00:04:08,248 MUST BE CHECKING IN FOR OUR CONFIRMATION. 125 00:04:08,282 --> 00:04:09,817 HELLO? 126 00:04:10,951 --> 00:04:12,953 [ SIGHS ] WELL, EVERYTHING'S UNDER CONTROL. 127 00:04:12,986 --> 00:04:14,054 GOOD. 128 00:04:14,087 --> 00:04:15,289 NOW YOU TWO CAN RELAX THIS WEEKEND. 129 00:04:15,323 --> 00:04:16,557 I HOPE YOU CAN, TOO. 130 00:04:16,590 --> 00:04:18,058 ME? DON'T PLAY INNOCENT. 131 00:04:18,091 --> 00:04:19,593 I KNOW YOU'VE BEEN DEALING WITH A LOT, 132 00:04:19,627 --> 00:04:22,262 AND ME ASKING YOU TO LIE TO PETER ONLY ADDED TO IT. 133 00:04:22,296 --> 00:04:24,798 I UNDERSTAND WHY YOU WANT TO KEEP HIM OUT OF THIS. 134 00:04:24,832 --> 00:04:26,099 I JUST WANT HIM SAFE. 135 00:04:26,133 --> 00:04:28,569 NO ARGUMENT HERE. KEEP HIM FAR AWAY. 136 00:04:28,602 --> 00:04:30,738 Peter: WELL, OUR CHECK-IN IS CONFIRMED, 137 00:04:30,771 --> 00:04:33,240 BUT OUR DOG-SITTER JUST CANCELED. 138 00:04:33,273 --> 00:04:34,442 OH. LET'S CALL THE BERMANS. BUSY. 139 00:04:34,475 --> 00:04:35,576 I'LL WATCH SATCHMO. 140 00:04:35,609 --> 00:04:36,610 WHAT? NO. 141 00:04:36,644 --> 00:04:38,779 WHAT? YOU DON'T TRUST ME WITH YOUR DOG? 142 00:04:38,812 --> 00:04:40,247 I DON'T TRUST YOU WITH MY HOUSE. 143 00:04:40,280 --> 00:04:42,149 ALL RIGHT, I CAN BRING SATCHMO OVER TO MY PLACE. 144 00:04:42,182 --> 00:04:44,084 PERFECT. A VACATION FOR SATCHMO. 145 00:04:44,117 --> 00:04:45,152 [ SIGHS ] 146 00:04:45,185 --> 00:04:46,654 ALL RIGHT. HERE. 147 00:04:46,687 --> 00:04:47,921 OH, NO NEED. 148 00:04:47,955 --> 00:04:50,090 I'LL USE THE ONE IN THE FAKE ROCK IN YOUR FLOWER BED. 149 00:04:50,123 --> 00:04:52,426 [ LAUGHS ] 150 00:04:52,460 --> 00:04:53,761 INSTRUCTIONS ARE ON THE TABLE. 151 00:04:53,794 --> 00:04:56,096 OUR VALUABLES ARE INVENTORIED, AND THE SECOND WE'RE BACK, 152 00:04:56,129 --> 00:04:58,265 WE'RE CHANGING THE LOCKS AND RESETTING THE ALARM CODES. 153 00:04:58,298 --> 00:04:59,600 I WOULD EXPECT NOTHING LESS. 154 00:04:59,633 --> 00:05:00,801 AND MAYBE SARA COULD DROP BY 155 00:05:00,834 --> 00:05:03,136 AND CHECK IN ON SATCHMO, AS WELL? HMM, WHAT? 156 00:05:04,037 --> 00:05:05,439 SURE. 157 00:05:05,473 --> 00:05:07,274 YEAH, SURE. WHY NOT? 158 00:05:07,307 --> 00:05:09,109 YES, OF COURSE. YEAH. 159 00:05:09,142 --> 00:05:10,444 GO. 160 00:05:10,478 --> 00:05:11,779 GO, HAVE A GREAT WEEKEND. COME ON. 161 00:05:11,812 --> 00:05:14,815 Neal: SATCHMO'S IN GOOD HANDS. HE'S COVERED. 162 00:05:14,848 --> 00:05:17,451 THEY KNOW. YEAH, THEY KNOW. 163 00:05:17,485 --> 00:05:19,787 HEY, LISTEN, CAN WE GO BY THAT NEW COFFEE SHOP? 164 00:05:19,820 --> 00:05:21,288 I WANT TO GET AN ICED LATTE. 165 00:05:21,321 --> 00:05:22,990 UNLESS WE'RE GOING SOMEPLACE COLD. 166 00:05:23,023 --> 00:05:24,024 GET THE ICE. 167 00:05:24,057 --> 00:05:26,293 I'LL GET THE HOT CHOCOLATE. 168 00:05:26,326 --> 00:05:28,028 [ CHUCKLES ] 169 00:05:28,061 --> 00:05:30,130 Sara: SO, THIS IS THE SECURITY SETUP. 170 00:05:30,163 --> 00:05:32,533 IT'S FAIRLY SIMPLE, BUT IT SHOULD DO THE TRICK. 171 00:05:32,566 --> 00:05:33,701 NICE FIELD OF VISION. 172 00:05:33,734 --> 00:05:36,970 DECENT LUX PARAMETER. 173 00:05:37,004 --> 00:05:38,839 I ONLY SEE ONE PROBLEM. HMM? 174 00:05:38,872 --> 00:05:40,173 YOU'RE BEING ROBBED. WHAT? 175 00:05:40,207 --> 00:05:42,376 LOOK. [ GASPS ] 176 00:05:42,410 --> 00:05:43,811 EVERYBODY, BE COOL! 177 00:05:43,844 --> 00:05:45,045 THIS IS A ROBBERY. 178 00:05:45,078 --> 00:05:48,048 DO AS WE SAY, AND NO ONE WILL GET HURT. 179 00:05:48,081 --> 00:05:49,983 YOU, GET OVER HERE. GET DOWN. 180 00:05:50,017 --> 00:05:51,184 HEY, YOU, BIG BOY, 181 00:05:51,218 --> 00:05:55,222 HAND YOUR PIECE OVER TO THE LADY NICE AND EASY. 182 00:05:56,590 --> 00:05:58,158 ALL RIGHT, EVERYBODY, EYES TO THE FLOOR. 183 00:05:58,191 --> 00:05:59,326 [ Laughing ] OH. 184 00:05:59,359 --> 00:06:01,328 NO HEROES TODAY, FOLKS. 185 00:06:01,361 --> 00:06:02,663 BABE, I CAN'T GET IT. 186 00:06:02,696 --> 00:06:03,864 OH, GOD. 187 00:06:03,897 --> 00:06:05,065 YEAH, YOU GOT IT BABE. YOU GOT IT. JUST HIT IT. 188 00:06:05,098 --> 00:06:06,500 SHE'S GONNA BE UPSET IF SHE DOESN'T GET THAT PERFUME. 189 00:06:06,534 --> 00:06:08,068 NOT AS UPSET AS HER BOYFRIEND. 190 00:06:08,101 --> 00:06:10,571 EVERYBODY STAY DOWN OR YOU'RE GONNA EAT A BULLET! 191 00:06:10,604 --> 00:06:11,705 HE'S GONNA KILL SOMEBODY. 192 00:06:11,739 --> 00:06:13,006 SARA, WAIT! 193 00:06:13,040 --> 00:06:16,176 I LEAVE FOR TWO MINUTES, AND IT'S A COSTUME PARTY? 194 00:06:16,209 --> 00:06:18,345 SHUT YOUR MOUTH AND GET ON THE FLOOR. 195 00:06:18,378 --> 00:06:20,514 DOWN! SARA, DO WHAT HE SAYS. 196 00:06:20,548 --> 00:06:23,083 [ LAUGHS ] WHAT DOES SHE THINK SHE'S GONNA DO WITH THAT? 197 00:06:24,284 --> 00:06:25,252 GET OUT. 198 00:06:25,285 --> 00:06:26,754 ATTITUDE LIKE THAT WILL GET YOU 199 00:06:26,787 --> 00:06:28,422 SOME SERIOUS TIME IN THE COTTAGE, HONEY. 200 00:06:28,456 --> 00:06:30,190 Penny: OH, MY GOD. LET'S GO. 201 00:06:30,223 --> 00:06:32,025 THANK YOU, EVERYBODY. 202 00:06:32,059 --> 00:06:33,427 [ LAUGHS ] 203 00:06:40,968 --> 00:06:42,603 WE'RE BLOCKED IN. 204 00:06:42,636 --> 00:06:44,104 YOU'RE SUCH A GENTLEMAN. 205 00:06:44,137 --> 00:06:45,773 FOR YOU, MY DEAR, ANYTHING. 206 00:06:46,574 --> 00:06:47,775 DAMN VAN. 207 00:06:47,808 --> 00:06:49,610 THIS WAY. 208 00:06:53,113 --> 00:06:55,048 [ WHISTLES ] HEY. 209 00:06:55,082 --> 00:06:56,049 GIVE US THE KEYS. 210 00:06:56,083 --> 00:06:57,217 MY WIFE IS IN THE CAR. 211 00:06:57,250 --> 00:06:58,385 I DON'T CARE. 212 00:06:58,418 --> 00:07:00,888 YOU'RE MAKING A VERY BIG MISTAKE RIGHT NOW. 213 00:07:00,921 --> 00:07:02,089 IT'S HUGE. 214 00:07:02,122 --> 00:07:05,258 ONE MORE WORD AND SOMEBODY GETS HURT. 215 00:07:06,660 --> 00:07:07,795 COME ON. 216 00:07:13,266 --> 00:07:14,735 THAT'S RIGHT. 217 00:07:14,768 --> 00:07:16,269 GET IN. 218 00:07:16,303 --> 00:07:18,071 BABY, WE DON'T NEED THEM. 219 00:07:18,105 --> 00:07:20,808 THEY SAW OUR FACES. DRIVE. GET IN. 220 00:07:24,978 --> 00:07:27,247 [ ENGINE TURNS OVER ] 221 00:07:27,280 --> 00:07:28,516 WAS THIS A PART OF THE SURPRISE? 222 00:07:50,003 --> 00:07:52,305 Peter: WHAT IS THIS? SOME KIND OF SUBSTATION? 223 00:07:52,339 --> 00:07:56,877 Oz: ABANDONED BY THE CITY. IT'S OURS NOW. MOVE! 224 00:08:01,048 --> 00:08:03,283 I'M ONLY GONNA SAY THIS ONE MORE TIME. 225 00:08:03,316 --> 00:08:04,852 MY WIFE, ELIZABETH, AND I 226 00:08:04,885 --> 00:08:07,187 WERE LEAVING TOWN FOR A GETAWAY WEEKEND. 227 00:08:07,220 --> 00:08:08,956 THAT'S ALL -- SHUT UP! 228 00:08:08,989 --> 00:08:10,524 EMPTY YOUR POCKETS. 229 00:08:10,558 --> 00:08:11,559 DO IT! 230 00:08:16,664 --> 00:08:21,034 PETER AND ELIZABETH BURKE, WARREN STREET, COBBLE HILL, 231 00:08:21,068 --> 00:08:22,636 JUST LIKE THEY SAID. 232 00:08:22,670 --> 00:08:24,638 OZ, WE ARE NOT KIDNAPPERS. 233 00:08:24,672 --> 00:08:26,206 Peter: LISTEN TO HER. 234 00:08:26,239 --> 00:08:28,642 YOU LET US GO NOW, YOU'RE LOOKING AT ARMED ROBBERY. 235 00:08:28,676 --> 00:08:29,877 BUT IF YOU KEEP US HERE, 236 00:08:29,910 --> 00:08:31,645 YOU'RE PLAYING IN A WHOLE NEW BALLPARK. 237 00:08:31,679 --> 00:08:33,146 YOU WATCH TOO MUCH "LAW & ORDER." 238 00:08:33,180 --> 00:08:35,482 WE LET THEM GO, AND THEY GO STRAIGHT TO THE COPS. 239 00:08:35,515 --> 00:08:36,550 JUST LET US WALK. 240 00:08:36,584 --> 00:08:38,318 WE -- WE PROMISE -- WE'RE NOT GONNA -- 241 00:08:38,351 --> 00:08:39,720 YOU'LL WHAT? DUMMY UP? 242 00:08:39,753 --> 00:08:41,655 WE LOOK LIKE AMATEURS TO YOU?! 243 00:08:41,689 --> 00:08:42,823 Penny: S-S-STOP! 244 00:08:42,856 --> 00:08:46,359 OKAY, WE JUST NEED A SECOND TO FIGURE THIS OUT. 245 00:08:46,393 --> 00:08:49,529 BABY, YOU NEED TO RELAX, OKAY? 246 00:08:49,563 --> 00:08:53,867 YEAH. YEAH. ALL RIGHT, ALL RIGHT. 247 00:08:53,901 --> 00:08:56,570 WE'LL JUST MAKE SURE OUR FISH DON'T SWIM. 248 00:09:09,917 --> 00:09:11,184 Neal: THOUGHT THEY WERE BONNIE AND CLYDE. 249 00:09:11,218 --> 00:09:12,252 THEY CAME IN WITH THESE MASKS -- 250 00:09:12,285 --> 00:09:13,687 Jones: WE OFFICIALLY HAVE OURSELVES A NEW CASE. 251 00:09:13,721 --> 00:09:15,689 Both: NATE "OZ" -- 252 00:09:15,723 --> 00:09:17,591 OH, YOU GO AHEAD. OH, NO, LADIES FIRST. 253 00:09:17,625 --> 00:09:19,860 WHY NOT GUYS FIRST? OKAY. 254 00:09:19,893 --> 00:09:22,095 NATE "OZ" -- NATE "OZ" OSBOURNE WAS SERVING A 15-YEAR SENTENCE 255 00:09:22,129 --> 00:09:23,697 FOR ASSAULTING A POLICE OFFICER 256 00:09:23,731 --> 00:09:25,866 WHEN HE ESCAPED HUDSON CORRECTIONAL LAST WEEK. 257 00:09:25,899 --> 00:09:27,601 WE CROSS-REFERENCED CAFFREY'S PHYSICAL DESCRIPTION -- 258 00:09:27,635 --> 00:09:29,202 THANK YOU, CAFFREY -- 259 00:09:29,236 --> 00:09:30,738 AGAINST FORMER HUDSON INMATES, AND WE GOT OUR GUY. 260 00:09:30,771 --> 00:09:32,039 OSBOURNE AND HIS LADY FRIEND 261 00:09:32,072 --> 00:09:33,607 ABANDONED THEIR GETAWAY CAR AT THE SCENE. 262 00:09:33,641 --> 00:09:36,043 NYPD CORDONED THE AREA, BUT SO FAR, NO TRACE. 263 00:09:36,076 --> 00:09:38,378 THE PERFUME WASN'T THEIR FIRST TARGET, EITHER. 264 00:09:38,411 --> 00:09:41,414 THEIR M.O. MATCHES A THEFT FROM WEATHERBY'S TWO DAYS AGO -- 265 00:09:41,448 --> 00:09:43,884 THE WEDDING RING JOE DiMAGGIO GAVE MARILYN MONROE. 266 00:09:43,917 --> 00:09:45,919 IT MADE ITS WAY ON TO THE FINGER OF OSBOURNE'S BETTER HALF. 267 00:09:45,953 --> 00:09:48,756 WELL, NOTHING SAYS COMMITMENT LIKE A STOLEN WEDDING RING. 268 00:09:48,789 --> 00:09:49,757 ANY INFORMATION ON THE GIRL? 269 00:09:49,790 --> 00:09:50,791 NOT MUCH. 270 00:09:50,824 --> 00:09:52,059 WE GOT HER PRINTS OFF THE GUARD'S GUN, 271 00:09:52,092 --> 00:09:53,093 BUT NO CRIMINAL RECORD. 272 00:09:53,126 --> 00:09:54,762 THEY LEFT THE GUARD'S GUN BEHIND? 273 00:09:54,795 --> 00:09:56,563 SHE DROPPED IT IN A CHAMPAGNE BUCKET. 274 00:09:56,596 --> 00:10:00,433 COULD I SEE THE BALLISTICS REPORT FROM THE SHOT OZ FIRED? 275 00:10:00,467 --> 00:10:02,402 KID'S BARELY OLD ENOUGH TO VOTE, 276 00:10:02,435 --> 00:10:04,437 AND HE THINKS HE CAN THREATEN YOU? 277 00:10:04,471 --> 00:10:06,473 THE SECOND I GET YOU OUT OF HERE... 278 00:10:06,506 --> 00:10:07,574 HE'S IN OVER HIS HEAD. 279 00:10:07,607 --> 00:10:08,642 WAY OVER. 280 00:10:08,676 --> 00:10:10,243 I DON'T THINK THEY WANT TO HURT US. 281 00:10:10,277 --> 00:10:11,578 Peter: MAYBE NOT HER, BUT HIM? 282 00:10:11,611 --> 00:10:13,446 "DUMMY UP" AND "FISH" ARE PRISON SLANG. 283 00:10:13,480 --> 00:10:14,481 HE'S DONE TIME. 284 00:10:14,514 --> 00:10:16,149 OR WATCHED A LOT OF TV. 285 00:10:16,183 --> 00:10:17,484 SHUT UP DOWN THERE! 286 00:10:21,955 --> 00:10:24,491 SHE'S A CALMING INFLUENCE. 287 00:10:24,524 --> 00:10:25,926 MAYBE IF I TALK TO HER, 288 00:10:25,959 --> 00:10:27,828 APPEAL TO HER ON A PERSONAL LEVEL. 289 00:10:27,861 --> 00:10:29,129 I DON'T KNOW. 290 00:10:29,162 --> 00:10:30,764 I HAVE DONE THIS BEFORE. 291 00:10:30,798 --> 00:10:32,265 THAT MAKES TWO OF US. 292 00:10:32,299 --> 00:10:35,102 WELL, AT LEAST THIS TIME, WE GET TO BE TIED UP TOGETHER. 293 00:10:35,135 --> 00:10:36,436 Oz: GOOD NEWS. 294 00:10:36,469 --> 00:10:40,607 WITH A SLIGHT ADJUSTMENT, OUR THIRD ACT IS BACK ON TRACK. 295 00:10:40,640 --> 00:10:44,311 SO PENNY HERE IS GONNA BABYSIT WHILE I TAKE CARE OF BUSINESS. 296 00:10:49,683 --> 00:10:50,617 BE SAFE. 297 00:10:50,650 --> 00:10:51,985 ALWAYS. 298 00:10:52,019 --> 00:10:54,121 IF YOU'RE DITCHING OUR CAR, WE HAVE BAGS IN THE TRUNK. 299 00:10:54,154 --> 00:10:55,823 WHAT MAKES YOU THINK I'M DITCHING YOUR CAR? 300 00:10:55,856 --> 00:10:58,625 ALL THAT "LAW & ORDER" I WATCH. 301 00:10:58,658 --> 00:11:00,460 Elizabeth: IF WE'RE GONNA BE HERE FOR A WHILE, 302 00:11:00,493 --> 00:11:01,862 IT'D BE NICE TO CHANGE OUR CLOTHES. 303 00:11:03,163 --> 00:11:04,664 EH? 304 00:11:07,334 --> 00:11:09,202 "CHANGE OUR CLOTHES." 305 00:11:09,236 --> 00:11:10,670 COBBLE HILL. 306 00:11:19,412 --> 00:11:21,648 HOW LONG HAVE YOU TWO BEEN MARRIED? 307 00:11:21,681 --> 00:11:22,649 [ PENNY LAUGHS ] 308 00:11:22,682 --> 00:11:25,152 WE HAVE A LOVE FOR THE AGES. 309 00:11:25,185 --> 00:11:27,154 I MEAN, WHY DO WE NEED SOME STUPID CONTRACT 310 00:11:27,187 --> 00:11:28,722 TO TELL US WHAT WE ALREADY KNOW? 311 00:11:28,756 --> 00:11:30,657 FOR STARTERS, HEALTH INSURANCE, 312 00:11:30,690 --> 00:11:32,860 HOMEOWNERSHIP, SHARED CELLPHONE PLANS. 313 00:11:32,893 --> 00:11:34,494 [ CLEARS THROAT ] 314 00:11:34,527 --> 00:11:37,865 UH, WHAT OZ AND I HAVE IS MUCH BIGGER THAN ALL OF THAT. 315 00:11:37,898 --> 00:11:41,234 HE'S A REALLY GOOD GUY WITH A REALLY, REALLY BIG HEART. 316 00:11:41,268 --> 00:11:43,336 YOU'LL UNDERSTAND IF WE DON'T SEE HIM THAT WAY. 317 00:11:43,370 --> 00:11:45,739 WELL, YOU DON'T KNOW HIM, SO... 318 00:11:45,773 --> 00:11:48,075 RIGHT. HE IS GOOD. 319 00:11:48,108 --> 00:11:51,178 AND, SURE, HIS COUSIN TALKED HIM INTO STEALING CAR PARTS, 320 00:11:51,211 --> 00:11:53,380 BUT THAT DOESN'T MAKE HIM A BAD PERSON. 321 00:11:53,413 --> 00:11:55,916 YOU DON'T SERVE HARD TIME FOR STEALING RIMS. 322 00:11:55,949 --> 00:11:57,751 WHAT HAPPENED? 323 00:11:57,785 --> 00:11:59,586 [ SIGHS ] 324 00:11:59,619 --> 00:12:01,254 IT WAS HIS FIRST TIME. 325 00:12:01,288 --> 00:12:02,355 THE POLICE SHOWED UP. 326 00:12:02,389 --> 00:12:04,191 WHEN THEY TOLD HIM TO RAISE HIS HANDS, 327 00:12:04,224 --> 00:12:05,926 HE ACCIDENTALLY DROPPED A BATTERY THAT HE WAS HOLDING 328 00:12:05,959 --> 00:12:06,927 ON THE COP'S FOOT. 329 00:12:06,960 --> 00:12:08,261 ACCIDENTALLY? 330 00:12:08,295 --> 00:12:10,764 WHAT ELSE WAS HE SUPPOSED TO DO OTHER THAN DROP IT? 331 00:12:10,798 --> 00:12:12,432 I MEAN, THE GUY HAD A GUN IN HIS FACE. 332 00:12:12,465 --> 00:12:14,267 THE OFFICER DIDN'T SEE IT THAT WAY? NO. 333 00:12:14,301 --> 00:12:15,735 THE COP LIED TO THE D.A. 334 00:12:15,769 --> 00:12:18,105 THEY CHARGED HIM WITH ASSAULT ON A POLICE OFFICER. 335 00:12:18,138 --> 00:12:19,706 YOU CAN GET 15 YEARS FOR THAT. 336 00:12:19,739 --> 00:12:21,574 THAT'S EXACTLY WHAT THE JUDGE GAVE HIM. 337 00:12:21,608 --> 00:12:22,575 [ CHUCKLES ] 338 00:12:22,609 --> 00:12:23,911 I MEAN, HE DIDN'T DESERVE THAT. 339 00:12:23,944 --> 00:12:26,079 SO HE WAS RELEASED EARLY ON GOOD BEHAVIOR. 340 00:12:27,781 --> 00:12:28,748 NO. 341 00:12:28,782 --> 00:12:31,251 HE ESCAPED, AND YOU HELPED HIM. 342 00:12:31,284 --> 00:12:34,054 THE COP LIED. THE JUDGE WOULDN'T LISTEN. 343 00:12:34,087 --> 00:12:35,255 WHAT ELSE WERE WE SUPPOSED TO DO? 344 00:12:35,288 --> 00:12:36,423 I MEAN, THE SYSTEM FAILED HIM. 345 00:12:36,456 --> 00:12:37,757 ALL WE HAVE IS EACH OTHER. 346 00:12:37,791 --> 00:12:40,227 I MEAN, I'M SURE THERE ARE A TON OF PEOPLE OUT THERE 347 00:12:40,260 --> 00:12:42,429 WHO ARE WORRIED ABOUT THE TWO OF YOU RIGHT NOW. 348 00:12:42,462 --> 00:12:44,932 YOU HAVE NO IDEA. 349 00:12:44,965 --> 00:12:47,300 UH, THIS IS ESTHER FROM THE RUSTY EGRET. 350 00:12:47,334 --> 00:12:50,737 I THOUGHT WE WERE CONFIRMED YOU'D BE HERE BY NOON, 351 00:12:50,770 --> 00:12:52,272 AND IT'S ALMOST 3:00. 352 00:12:52,305 --> 00:12:54,975 I'LL TRY YOUR CELL AGAIN. [ ANSWERING MACHINE BEEPS ] 353 00:12:57,344 --> 00:13:00,080 WAIT. THE SUIT ACTUALLY GAVE YOU ACCESS TO HIS HOUSE? 354 00:13:00,113 --> 00:13:01,148 YES, MOZ. 355 00:13:01,181 --> 00:13:03,416 UNWISE. WE SHOULD TEACH HIM A LESSON. 356 00:13:03,450 --> 00:13:05,618 I'M THINKING MICRO CAM IN A LAMPSHADE. 357 00:13:05,652 --> 00:13:07,754 HE'LL FIND IT, OF COURSE, BUT THAT'S THE POINT. 358 00:13:07,787 --> 00:13:10,090 WE'RE PICKING UP SATCHMO AND WE'RE LEAVING, ALL RIGHT? 359 00:13:10,123 --> 00:13:11,158 FINE. 360 00:13:11,191 --> 00:13:14,094 I DON'T SEE WHY YOU'D WANT TO PASS UP 361 00:13:14,127 --> 00:13:17,597 A PRIME OPPORTUNITY SUCH AS THIS, BUT WHATEVER. 362 00:13:17,630 --> 00:13:19,466 WHOA! SERIOUSLY? BOXED WINE? 363 00:13:19,499 --> 00:13:21,101 WE GOT TO GET OUT OF HERE. 364 00:13:21,134 --> 00:13:22,836 YOU MIND PICKING UP SATCHMO'S WATER BOWL? 365 00:13:22,870 --> 00:13:24,471 IT'S OVER BY THE DESK. 366 00:13:24,504 --> 00:13:27,207 AND NO SNOOPING. UH-HUH. 367 00:13:29,009 --> 00:13:31,144 WHOA, THE SUIT LEFT ELLEN'S IRS FORMS 368 00:13:31,178 --> 00:13:33,113 OUT HERE FOR ANYONE TO SEE. 369 00:13:33,146 --> 00:13:34,514 HEY. NO. I SAID NO. 370 00:13:34,547 --> 00:13:37,484 THEY'RE FROM WHEN WITSEC MOVED HER TO NEW YORK. 371 00:13:39,152 --> 00:13:41,154 WELL, ANY INSIGHT INTO HER LIFE FROM THAT TIME 372 00:13:41,188 --> 00:13:43,290 COULD HELP US ISOLATE WHERE SHE HID THE EVIDENCE. 373 00:13:43,323 --> 00:13:44,624 IT'S A LONG SHOT. 374 00:13:44,657 --> 00:13:47,660 SO IS BLINDLY SEARCHING A 2-MILLION-SQUARE-FOOT BUILDING. 375 00:13:47,694 --> 00:13:52,465 EXCELLENT POINT. HERE. ALLOW ME. 376 00:13:52,499 --> 00:13:54,634 OKAY. 377 00:13:54,667 --> 00:13:56,203 YOU KNOW, IT'S NOT TOO LATE TO HIDE THAT MICRO CAM -- 378 00:13:56,236 --> 00:13:57,637 NOT GONNA HAPPEN. OKAY. 379 00:13:57,670 --> 00:14:00,473 NEXT. 380 00:14:00,507 --> 00:14:02,809 NEXT. 381 00:14:02,842 --> 00:14:05,812 JESUS, BABY, WHAT TOOK YOU SO LONG? 382 00:14:05,845 --> 00:14:09,049 [ LAUGHS ] WELL, I ACQUIRED US A NEW VEHICLE 383 00:14:09,082 --> 00:14:11,985 AND I FINISHED UP RECON FOR OUR THIRD ACT. 384 00:14:12,019 --> 00:14:13,820 AND YOU WENT TO GRISTEDES? 385 00:14:13,853 --> 00:14:15,488 YEAH. WELL, WE GOT A BIG DAY TOMORROW. 386 00:14:15,522 --> 00:14:17,490 CAN'T DO IT ON AN EMPTY STOMACH. 387 00:14:17,524 --> 00:14:18,525 YOU ARE TOO GOOD, BABY. 388 00:14:18,558 --> 00:14:19,726 [ OZ CHUCKLES ] 389 00:14:19,759 --> 00:14:22,062 YOU HAVE TO ADMIT -- THEY ARE KIND OF SWEET TOGETHER. 390 00:14:22,095 --> 00:14:24,197 I HOPE THAT'S THE STOCKHOLM SYNDROME TALKING. 391 00:14:24,231 --> 00:14:26,499 BURKES OF COBBLE HILL, KEEP UP THE GOOD BEHAVIOR, 392 00:14:26,533 --> 00:14:28,068 THERE MIGHT BE SOME OF MY FAMOUS 393 00:14:28,101 --> 00:14:29,769 CHOW-HALL CASSEROLE IN IT FOR YOU. 394 00:14:30,737 --> 00:14:32,505 HUH? 395 00:14:32,539 --> 00:14:34,674 YOU SURE THEY DIDN'T GIVE YOU TROUBLE? Penny: SURE. 396 00:14:34,707 --> 00:14:35,742 HEY, HON. 397 00:14:35,775 --> 00:14:37,177 I SEE IT. 398 00:14:37,210 --> 00:14:39,212 THE SECOND THEY REALIZE THEY'VE KIDNAPPED A FEDERAL AGENT, 399 00:14:39,246 --> 00:14:40,380 ALL BETS ARE OFF. 400 00:14:41,381 --> 00:14:42,415 YOU PACKED YOUR GUN. 401 00:14:42,449 --> 00:14:44,184 DO YOU THINK YOU CAN GET TO IT? 402 00:14:44,217 --> 00:14:45,252 NOT WITHOUT HELP. 403 00:14:45,285 --> 00:14:47,554 WE'RE GONNA HAVE TO DO THIS TOGETHER. 404 00:15:01,601 --> 00:15:04,104 THERE IS STILL A CHANCE THAT WE CAN GET THE ATOMIZER BACK 405 00:15:04,137 --> 00:15:05,572 BEFORE THE EVENT TOMORROW, RIGHT? 406 00:15:05,605 --> 00:15:06,706 YEAH, WE'RE ON IT. OKAY. 407 00:15:06,739 --> 00:15:07,707 YOU OKAY? 408 00:15:07,740 --> 00:15:09,876 Diana: BALLISTICS IS STILL ON SCENE, 409 00:15:09,909 --> 00:15:11,278 BUT WE GOT A HIT ON OSBOURNE'S SIDEKICK. 410 00:15:11,311 --> 00:15:12,946 Jones: I HAD HUDSON CORRECTIONAL 411 00:15:12,980 --> 00:15:14,948 PULL HIS CORRESPONDENCE AND VISITOR LOGS. 412 00:15:14,982 --> 00:15:16,383 Sara: SO WE'VE GOT A NAME. 413 00:15:16,416 --> 00:15:18,051 YEAH, PENNY CHASE. 414 00:15:18,085 --> 00:15:19,386 CLEAN RECORD. 415 00:15:19,419 --> 00:15:21,721 SHE WORKS AS A COPY EDITOR FOR A BOOK PUBLISHER 416 00:15:21,754 --> 00:15:23,723 SPECIALIZING IN PAPERBACK ROMANCE NOVELS. 417 00:15:23,756 --> 00:15:25,558 WHAT IS HER CONNECTION TO OSBOURNE? 418 00:15:25,592 --> 00:15:27,260 PRISON PEN PALS TURNED SOUL MATES. 419 00:15:27,294 --> 00:15:29,296 COPIES OF THE PRISON LETTERS RIGHT HERE. 420 00:15:29,329 --> 00:15:30,964 THEY MET WHILE HE WAS IN PRISON? 421 00:15:30,998 --> 00:15:32,565 Diana: AND IT WASN'T BY CHANCE. 422 00:15:32,599 --> 00:15:34,801 PENNY WAS A LONGTIME SUBSCRIBER TO MUGSHOT MONTHLY. 423 00:15:34,834 --> 00:15:37,104 APPARENTLY, SHE LIKED OSBOURNE'S MUG AND WROTE HIM. 424 00:15:37,137 --> 00:15:38,938 THEIR RELATIONSHIP TOOK OFF FROM THERE. 425 00:15:38,972 --> 00:15:40,240 THIS IS NOT A REAL MAGAZINE. 426 00:15:40,273 --> 00:15:42,275 OH, YEAH. WOMEN WHO FALL FOR INMATES -- IT'S A THING. 427 00:15:42,309 --> 00:15:43,776 THEY'RE CALLED PRISON BUNNIES. 428 00:15:43,810 --> 00:15:45,412 OH, GOD. THE WEIRD GETS WEIRDER. 429 00:15:45,445 --> 00:15:48,248 SAYS THE ONLY WOMAN IN THE ROOM WHO'S ACTUALLY DATED AN INMATE. 430 00:15:48,281 --> 00:15:51,651 HEY. IT IS NOT THE SAME. NEAL. 431 00:15:51,684 --> 00:15:53,753 WAIT. ARE YOU FAMILIAR WITH THIS PHENOMENON? 432 00:15:53,786 --> 00:15:57,424 DURING MY PRISON STAY, I MAY HAVE HAD A FEW ADMIRERS. 433 00:15:57,457 --> 00:15:58,992 Jones: MORE LIKE A FEW HUNDRED. 434 00:15:59,026 --> 00:16:00,660 BUT DIDN'T YOU RESPOND WITH A FORM LETTER? 435 00:16:00,693 --> 00:16:01,928 ONLY AFTER THE CARPAL TUNNEL. 436 00:16:01,961 --> 00:16:02,829 OH. 437 00:16:02,862 --> 00:16:04,264 [ CHUCKLES NERVOUSLY ] 438 00:16:04,297 --> 00:16:05,498 I LET THEM DOWN EASY. 439 00:16:05,532 --> 00:16:06,599 RIGHT. LET'S GET BACK TO THE CASE, HUH? 440 00:16:06,633 --> 00:16:08,501 I SKIMMED A FEW OF THEIR LETTERS. 441 00:16:08,535 --> 00:16:10,937 YOU KNOW, IT'S LIKE THEY THINK THEY'RE CHARACTERS 442 00:16:10,970 --> 00:16:12,772 IN SOME GREAT LOVE STORY OR SOMETHING. 443 00:16:12,805 --> 00:16:14,107 TAKE A LOOK AT THIS. 444 00:16:14,141 --> 00:16:16,276 OSBOURNE PROMISES TO MAKE HER AN HONEST WOMAN 445 00:16:16,309 --> 00:16:17,510 AFTER HIS RELEASE. 446 00:16:17,544 --> 00:16:19,446 I MEAN, IT'S POSSIBLE HE LURED HER INTO THIS. 447 00:16:19,479 --> 00:16:21,781 WELL, HE MADE HER AN HONEST WOMAN BY GETTING HER A RING. 448 00:16:21,814 --> 00:16:24,451 HE KEPT HIS PROMISE. 449 00:16:24,484 --> 00:16:25,785 IF HE MADE HER ANY OTHER PROMISES, 450 00:16:25,818 --> 00:16:27,287 IT MIGHT LEAD US TO THEIR NEXT TARGET. 451 00:16:27,320 --> 00:16:28,321 ARE THESE ALL THE LETTERS? 452 00:16:28,355 --> 00:16:30,123 Diana: THERE'S ABOUT 700. 453 00:16:30,157 --> 00:16:31,791 OOH. ALL RIGHT. 454 00:16:31,824 --> 00:16:33,326 LET'S GET STARTED. 455 00:16:43,503 --> 00:16:44,671 Elizabeth: OH, NO, NO. 456 00:16:44,704 --> 00:16:47,640 D-DON'T ADD THE ONIONS RAW LIKE THAT. 457 00:16:47,674 --> 00:16:49,709 YOU SHOULD SAUTé THEM. THEY'RE MUCH SWEETER THAT WAY. 458 00:16:49,742 --> 00:16:50,810 Oz: FINE. 459 00:16:50,843 --> 00:16:52,645 WHAT DO I DO? 460 00:16:52,679 --> 00:16:58,218 WELL, Y-YOU GET A SAUTé PAN, AND YOU HEAT UP SOME BUTTER. 461 00:16:59,886 --> 00:17:01,088 THE SILVER ONE. 462 00:17:06,093 --> 00:17:09,829 OH, THAT'S... WAY TOO MUCH BUTTER. 463 00:17:09,862 --> 00:17:12,232 YOU WANT TO COME IN HERE AND DO THIS? 464 00:17:12,265 --> 00:17:15,868 WELL, I DO SORT OF RUN A CATERING COMPANY. 465 00:17:18,538 --> 00:17:20,940 [ CLICK ] 466 00:17:31,618 --> 00:17:33,086 MAY I DO THAT? 467 00:17:33,120 --> 00:17:34,187 I DON'T THINK SO. 468 00:17:34,221 --> 00:17:35,922 YOU DO HAVE A GUN. 469 00:17:35,955 --> 00:17:38,558 [ KNIFE CLATTERS ] 470 00:17:44,564 --> 00:17:46,399 IT'S THE PROPER KNIFE. [ CHUCKLES ] 471 00:17:55,074 --> 00:17:58,611 DAMN, LIZZY BURKE, YOU GOT SOME SKILLS. 472 00:17:59,612 --> 00:18:02,249 YOU KNOW, HARRIET VAN HORNE SAID IT BEST. 473 00:18:02,282 --> 00:18:04,083 COOKING IS LIKE LOVE. 474 00:18:04,117 --> 00:18:06,386 YOU EITHER APPROACH IT WITH ABANDON OR NOT AT ALL. 475 00:18:06,419 --> 00:18:07,754 LOVE AND ABANDON. 476 00:18:07,787 --> 00:18:09,722 KIND OF DIG THAT. I THOUGHT YOU MIGHT. 477 00:18:09,756 --> 00:18:11,758 THE FIRST TIME I MADE THIS FOR PENNY, 478 00:18:11,791 --> 00:18:13,760 SHE SAID I COOKED BETTER THAN HER OWN MOTHER. 479 00:18:13,793 --> 00:18:15,728 [ SIGHS ] Oz: SHE WAS LYING THROUGH HER TEETH. 480 00:18:15,762 --> 00:18:17,930 BUT IT WAS REALLY CUTE. [ LAUGHS ] 481 00:18:17,964 --> 00:18:19,566 SO, WHERE WERE YOU GONNA TAKE HER? 482 00:18:19,599 --> 00:18:23,102 TO A BED-AND-BREAKFAST IN THE GREEN MOUNTAINS. 483 00:18:23,136 --> 00:18:26,072 NOTHING BUT NATURE, MY BEAUTIFUL WIFE, 484 00:18:26,105 --> 00:18:28,608 AND A COUPLE OF GOOD CRIME NOVELS. 485 00:18:28,641 --> 00:18:29,809 WOULD HAVE BEEN AMAZING. 486 00:18:29,842 --> 00:18:31,411 NO, SERIOUSLY, LIKE... 487 00:18:31,444 --> 00:18:33,746 WHERE WERE YOU GONNA TAKE HER? 488 00:18:33,780 --> 00:18:35,081 [ CHUCKLES ] YOU'VE KIDNAPPED ME. 489 00:18:35,114 --> 00:18:36,649 YOU DON'T GET TO JUDGE ME. 490 00:18:36,683 --> 00:18:38,918 COME ON, DON'T YOU THINK THAT SOUNDS BORING AS HELL? 491 00:18:38,951 --> 00:18:41,087 NO, I THINK IT SOUNDS RELAXING AS HELL. 492 00:18:41,120 --> 00:18:42,455 DIFFERENT STROKES, I GUESS. 493 00:18:42,489 --> 00:18:45,958 I MEAN, THE PART ABOUT THE BOOK SOUNDS OKAY. 494 00:18:45,992 --> 00:18:47,794 I LIKE ROMANCE NOVELS. 495 00:18:47,827 --> 00:18:49,929 BUT TRUE CRIME IS GOOD, TOO. 496 00:18:49,962 --> 00:18:52,599 MOST OF THEM DON'T HAVE HAPPY ENDINGS. 497 00:18:52,632 --> 00:18:54,434 NO, BUT THE ROMANCE BOOKS DO. 498 00:18:54,467 --> 00:18:56,469 THAT'S WHY I LIKE READING THEM. 499 00:18:56,503 --> 00:18:57,770 [ CHUCKLES ] 500 00:18:57,804 --> 00:19:01,608 SO, THAT'S HOW I GOT THE IDEA TO START THE...OOH. 501 00:19:01,641 --> 00:19:02,975 Oz: YOU OKAY? 502 00:19:03,009 --> 00:19:05,011 YEAH, I THINK I JUST GOT SOME GARLIC POWDER IN MY EYE. 503 00:19:05,044 --> 00:19:06,946 YOU WANT TO WASH IT OUT OR SOMETHING? 504 00:19:06,979 --> 00:19:10,350 UM...ACTUALLY, UH, I THINK I HAVE SOME EYE DROPS IN MY BAG. 505 00:19:10,383 --> 00:19:12,952 HEY, PEN, YOU HELP LIZZY OUT WITH HER BAG? 506 00:19:12,985 --> 00:19:14,954 YEAH. 507 00:19:14,987 --> 00:19:16,789 THANKS. [ GRUNTS ] 508 00:19:16,823 --> 00:19:19,158 SHOULD BE RIGHT ON TOP IN THE TOILETRY BAG. 509 00:19:23,230 --> 00:19:25,031 PERFECT. [ GASPS ] 510 00:19:25,064 --> 00:19:27,166 OH, THIS IS BEAUTIFUL! 511 00:19:27,200 --> 00:19:29,969 IT'S A CLASSIC VON FURSTENBERG. 512 00:19:30,002 --> 00:19:31,971 YOU SHOULD TRY IT ON. 513 00:19:32,004 --> 00:19:32,972 REALLY? 514 00:19:33,005 --> 00:19:35,842 THERE'S SOME SHOES IN THERE, TOO. 515 00:19:36,843 --> 00:19:38,878 [ CLEARS THROAT ] 516 00:19:38,911 --> 00:19:40,880 OH. I WASN'T SURE HOW TO PACK. 517 00:19:42,915 --> 00:19:43,883 [ LAUGHS ] 518 00:19:43,916 --> 00:19:45,818 PETER, HEY, UH, THREE THINGS -- 519 00:19:45,852 --> 00:19:47,820 NOBODY'S DEAD, SATCHMO'S FINE, 520 00:19:47,854 --> 00:19:48,988 AND I CHANGED YOUR ALARM CODE, 521 00:19:49,021 --> 00:19:50,357 WHICH I'LL GLADLY GIVE BACK TO YOU 522 00:19:50,390 --> 00:19:52,892 IN EXCHANGE FOR SOME MAPLE SYRUP. 523 00:19:52,925 --> 00:19:54,361 TELL ELIZABETH I SAY HI. 524 00:19:54,394 --> 00:19:55,362 HOW ARE THE BURKES? 525 00:19:55,395 --> 00:19:56,729 MAINTAINING RADIO SILENCE, AS PROMISED. 526 00:19:56,763 --> 00:19:58,398 I'M JUST CALLING TO LET THEM KNOW 527 00:19:58,431 --> 00:20:00,166 IT'S ALL QUIET ON THE SATCHMO FRONT. 528 00:20:00,199 --> 00:20:01,067 YOU FIND SOMETHING? 529 00:20:01,100 --> 00:20:02,569 YEAH, TOO BAD PETER'S NOT HERE. 530 00:20:02,602 --> 00:20:04,003 HE'D LOVE THIS. 531 00:20:04,036 --> 00:20:07,707 LAST AUGUST, OZ PROMISED PENNY TO TREAT HER LIKE A QUEEN. 532 00:20:09,041 --> 00:20:10,677 THE MARIE ANTOINETTE PERFUME BOTTLE. 533 00:20:10,710 --> 00:20:11,678 WE WERE RIGHT. 534 00:20:11,711 --> 00:20:13,513 HE'S STEALING TO FULFILL A PROMISE. 535 00:20:13,546 --> 00:20:15,548 RIGHT, AND I MIGHT THINK IT WAS ADORABLE 536 00:20:15,582 --> 00:20:17,250 IF THEY DIDN'T SNATCH MY PERFUME. 537 00:20:17,284 --> 00:20:18,751 BASTARDS. 538 00:20:18,785 --> 00:20:19,852 OKAY... 539 00:20:19,886 --> 00:20:23,089 WHAT ARE YOU NOT TELLING ME? 540 00:20:24,724 --> 00:20:26,526 IT'S ME. 541 00:20:26,559 --> 00:20:28,928 I'M UP FOR A NEW JOB, NEAL. 542 00:20:28,961 --> 00:20:32,799 RUNNING THE LONDON BRANCH OF STERLING BOSCH. 543 00:20:34,901 --> 00:20:36,569 WOW. THAT'S... 544 00:20:36,603 --> 00:20:38,705 MY CHANCES WERE EXCELLENT. 545 00:20:38,738 --> 00:20:40,707 BUT IF -- IF YOU LOSE THE PERFUME BOTTLE... 546 00:20:40,740 --> 00:20:42,409 I LOSE ALL OF IT. 547 00:20:44,611 --> 00:20:46,245 I PROBABLY SHOULD HAVE SAID SOMETHING SOONER. 548 00:20:46,279 --> 00:20:47,580 I -- NO, NO. 549 00:20:47,614 --> 00:20:48,948 I MEAN, WHY -- WHY WOULD YOU? WE'RE JUST, YOU KNOW -- 550 00:20:48,981 --> 00:20:50,550 AMIS-AMANTS. RIGHT. 551 00:20:50,583 --> 00:20:52,084 WELL, IT'S NOT LIKE I'M RUNNING AWAY 552 00:20:52,118 --> 00:20:53,920 TO AN ISLAND OR SOMETHING. 553 00:20:53,953 --> 00:20:55,922 WELL, TECHNICALLY, BRITAIN IS AN ISLAND. 554 00:20:55,955 --> 00:20:56,989 [ CHUCKLES ] 555 00:21:07,500 --> 00:21:08,568 [ SIGHS ] 556 00:21:08,601 --> 00:21:09,569 WOW. 557 00:21:09,602 --> 00:21:11,738 [ CHUCKLES ] 558 00:21:11,771 --> 00:21:14,641 YOU THINK OZ WILL LIKE IT? [ CHUCKLES ] 559 00:21:14,674 --> 00:21:15,742 I DO. 560 00:21:15,775 --> 00:21:16,976 IT'S JUST, YOU KNOW, 561 00:21:17,009 --> 00:21:19,579 WITH EVERYTHING THAT HE'S BEEN THROUGH, 562 00:21:19,612 --> 00:21:21,748 I-I JUST WANT TO MAKE HIM HAPPY. 563 00:21:21,781 --> 00:21:23,750 YOU REALLY BELIEVE THE SYSTEM FAILED HIM. 564 00:21:23,783 --> 00:21:25,818 I KNOW IT DID. 565 00:21:25,852 --> 00:21:28,588 AFTER OZ TOLD ME HIS STORY, I LOOKED INTO IT. 566 00:21:28,621 --> 00:21:31,458 TURNS OUT IT'S NOT THE FIRST TIME THIS COP LIED. 567 00:21:31,491 --> 00:21:34,661 HE HAS A HISTORY OF DISHING OUT TRUMPED-UP CHARGES. 568 00:21:34,694 --> 00:21:36,329 DID YOU SHOW THIS TO THE D.A.? 569 00:21:36,363 --> 00:21:38,164 YEAH, HIS PUBLIC DEFENDER WOULDN'T LISTEN. 570 00:21:38,197 --> 00:21:39,932 I MEAN, HE SAID WE DIDN'T STAND A CHANCE. 571 00:21:39,966 --> 00:21:42,268 REALLY? THIS LOOKS DAMNING TO ME. 572 00:21:42,301 --> 00:21:43,503 I TOLD YOU. 573 00:21:43,536 --> 00:21:45,338 HE GOT A BUM RAP. 574 00:21:47,640 --> 00:21:50,443 Oz: SOUP'S ON, BABY! 575 00:21:50,477 --> 00:21:51,944 COMING! HOPE YOU'RE HUNGRY. 576 00:21:51,978 --> 00:21:54,447 IF YOU DON'T EAT, I'LL BE OFFENDED. 577 00:21:54,481 --> 00:21:55,848 SO, WHAT DO YOU THINK? 578 00:21:55,882 --> 00:21:58,184 WHOA. 579 00:21:58,217 --> 00:21:59,318 [ LAUGHS ] MM-MM-MM. 580 00:21:59,352 --> 00:22:00,653 WHAT? 581 00:22:00,687 --> 00:22:02,321 I WAS JUST WONDERING HOW I GOT SO LUCKY. [ CHUCKLES ] 582 00:22:05,992 --> 00:22:06,993 OH. 583 00:22:07,026 --> 00:22:09,161 WE SHOULD PROBABLY UNTIE HIS HANDS. 584 00:22:09,195 --> 00:22:11,631 HANDS ONLY. AND JUST FOR DINNER. 585 00:22:11,664 --> 00:22:12,732 ALL RIGHT? 586 00:22:16,235 --> 00:22:19,539 THANK YOU. 587 00:22:19,572 --> 00:22:22,709 IS THAT A JAYER ECHEZEAUX? 588 00:22:22,742 --> 00:22:24,310 IS THAT HOW YOU SAY IT? 589 00:22:24,343 --> 00:22:26,646 ALL I KNOW IS -- A CASE COSTS 12 GRAND. 590 00:22:26,679 --> 00:22:28,815 DON'T WORRY. WE DIDN'T PAY FOR IT. 591 00:22:28,848 --> 00:22:30,182 [ LAUGHTER ] 592 00:22:30,216 --> 00:22:32,151 NOW, I'LL GO OUT ON A LIMB AND SAY 593 00:22:32,184 --> 00:22:34,387 PENNY'S RING WASN'T A HAND-ME-DOWN FROM GRANDMA? 594 00:22:34,421 --> 00:22:36,022 IT WAS MARILYN MONROE'S. 595 00:22:36,055 --> 00:22:37,557 [ SIGHS ] I LOVE MARILYN. 596 00:22:37,590 --> 00:22:38,725 YOU KNOW, IT'S FUNNY. 597 00:22:38,758 --> 00:22:40,393 I SPENT TWO YEARS BEHIND BARS 598 00:22:40,427 --> 00:22:42,695 JUST PISSED OFF THAT LIFE SCREWED ME OVER. 599 00:22:42,729 --> 00:22:44,330 AND THEN I MET PENNY, 600 00:22:44,363 --> 00:22:47,066 AND SHE MADE ME REALIZE THAT YOU ONLY GET ONE LIFE. 601 00:22:47,099 --> 00:22:48,401 AND YOU BETTER LIVE IT. 602 00:22:50,937 --> 00:22:53,573 AND THIS CRIME SPREE IS WHAT YOU CALL LIVING? 603 00:22:53,606 --> 00:22:56,743 THREE YEARS OF MY LIFE HAS TO BE WORTH SOMETHING. 604 00:22:56,776 --> 00:22:58,344 THE WORLD OWES US THAT. 605 00:22:58,377 --> 00:22:59,679 WHAT HAPPENS WHEN THE WORLD CATCHES UP TO YOU? 606 00:22:59,712 --> 00:23:01,080 WE WON'T LET IT. 607 00:23:01,113 --> 00:23:02,582 SO, PETER, UH, 608 00:23:02,615 --> 00:23:05,184 ELIZABETH TELLS ME THAT YOU ARE A PROFESSOR AT COLUMBIA. 609 00:23:05,217 --> 00:23:06,252 MM-HMM. 610 00:23:06,285 --> 00:23:08,087 WHAT DO YOU TEACH? JOURNALISM. 611 00:23:08,120 --> 00:23:09,922 NOW, I'M GUESSING, BY THE AGE DIFFERENCE, 612 00:23:09,956 --> 00:23:11,691 THAT, UH, LIZZY HERE WAS YOUR STUDENT. 613 00:23:11,724 --> 00:23:14,594 A LITTLE "HOT FOR TEACHER" ACTION, HUH, LIZ? 614 00:23:14,627 --> 00:23:15,762 AM I RIGHT? 615 00:23:15,795 --> 00:23:17,096 GUILTY AS CHARGED. 616 00:23:17,129 --> 00:23:18,931 [ BOTH LAUGH ] 617 00:23:24,437 --> 00:23:27,273 Neal: STILL NOTHING ON THE ELLEN FRONT? 618 00:23:27,306 --> 00:23:29,709 Mozzie: WELL, APPARENTLY, THE IRS CODES ITS FORMS DIFFERENTLY 619 00:23:29,742 --> 00:23:30,743 FOR PEOPLE IN WITSEC. 620 00:23:30,777 --> 00:23:32,579 THAT OR ELLEN SPENT THREE YEARS 621 00:23:32,612 --> 00:23:34,581 AS A RIBBON DANCER IN CIRCUS VARGAS. 622 00:23:34,614 --> 00:23:35,615 [ CHUCKLES ] 623 00:23:35,648 --> 00:23:37,283 I THINK I'D GO WITH THE FIRST ONE. 624 00:23:37,316 --> 00:23:39,218 AVAILING YOURSELF OF FEDERAL RESOURCES 625 00:23:39,251 --> 00:23:40,753 COULD SPEED ALONG THE PROCESS. 626 00:23:40,787 --> 00:23:41,888 YEAH, I CAN'T. 627 00:23:41,921 --> 00:23:43,756 I PROMISED ELIZABETH I WOULDN'T INVOLVE PETER. 628 00:23:43,790 --> 00:23:45,224 AND ONCE YOU FIND THE BOX? 629 00:23:45,257 --> 00:23:47,760 I WANT MY FATHER TO COME BACK AND LIVE A NORMAL LIFE. 630 00:23:47,794 --> 00:23:50,563 ELLEN'S EVIDENCE CAN GIVE HIM THAT. 631 00:23:50,597 --> 00:23:53,432 AND WHILE WE'RE ON THE TOPIC OF ITEMS JUST OUT OF REACH... 632 00:23:53,466 --> 00:23:54,601 AH, THE PERFUME SEARCH. 633 00:23:54,634 --> 00:23:55,735 IF WE FIND IT, 634 00:23:55,768 --> 00:23:57,904 THERE'S A GOOD CHANCE SARA'S MOVING TO LONDON. 635 00:23:57,937 --> 00:24:00,072 AND YOU'RE AMBIVALENT ABOUT WHAT THAT MEANS TO THE TWO OF YOU. 636 00:24:00,106 --> 00:24:00,940 YEAH. 637 00:24:02,441 --> 00:24:03,943 DON'T GIVE ME THAT LOOK. 638 00:24:03,976 --> 00:24:06,445 I KNOW I SAID WE WOULDN'T GET SERIOUS AGAIN, BUT -- 639 00:24:06,479 --> 00:24:08,447 LOOMING EXPIRATION DATE IS FORCING YOU 640 00:24:08,481 --> 00:24:09,782 TO WONDER IF YOU SHOULD. 641 00:24:09,816 --> 00:24:11,250 NEAL, IT'S JUST A FANTASY. 642 00:24:11,283 --> 00:24:14,587 FOR GUYS LIKE US, THE ONLY REGRET IS PERMANENCE. 643 00:24:14,621 --> 00:24:16,623 THAT'S JUST HOW IT IS. 644 00:24:16,656 --> 00:24:19,191 [ CELLPHONE RINGS ] 645 00:24:21,360 --> 00:24:22,762 DIANA, WHAT'S UP? 646 00:24:22,795 --> 00:24:24,163 YOU SAID PENNY CHASE WAS WEARING HOOP EARRINGS, RIGHT? 647 00:24:24,196 --> 00:24:25,632 Yeah, why? 648 00:24:25,665 --> 00:24:28,434 E.R.T. FOUND AN EMERALD EARRING UP THE STREET FROM THE BOUTIQUE, 649 00:24:28,467 --> 00:24:30,603 BUT WHAT'S STRANGE IS THE BACKING WAS ATTACHED. 650 00:24:30,637 --> 00:24:32,805 ELIZABETH WAS WEARING EMERALD EARRINGS WHEN THEY LEFT. 651 00:24:32,839 --> 00:24:34,106 SO SHE TOOK IT OFF ON PURPOSE. 652 00:24:34,140 --> 00:24:36,275 IF SHE AND PETER WERE DELAYED FOR A FEW MINUTES... 653 00:24:36,308 --> 00:24:37,443 YOU HEARD FROM HIM? 654 00:24:37,476 --> 00:24:39,311 I TRIED HIM AN HOUR AGO. IT WENT TO HIS VOICEMAIL. 655 00:24:39,345 --> 00:24:40,613 I'M SURE THEY'RE FINE. 656 00:24:40,647 --> 00:24:41,981 YEAH. 657 00:24:44,884 --> 00:24:47,620 Oz: LOOK, ALL I'M SAYING IS THAT COMPARED TO YOU, 658 00:24:47,654 --> 00:24:49,355 PETER HERE SEEMS A LITTLE BORING. 659 00:24:49,388 --> 00:24:51,290 PLEASE. I WISH HE WERE BORING. 660 00:24:51,323 --> 00:24:52,959 I HATE THIS CONVERSATION. 661 00:24:52,992 --> 00:24:55,628 WAIT. SO, YOU'RE TELLING US THAT HE'S NOT? 662 00:24:55,662 --> 00:24:57,296 YOU KNOW, SOME OF THE STORIES HE'S COVERED 663 00:24:57,329 --> 00:24:58,531 HAVE BEEN INCREDIBLY DANGEROUS. 664 00:24:58,565 --> 00:25:04,537 SOME NIGHTS, I LIE AWAKE AND I CAN'T SLEEP, WORRYING. 665 00:25:04,571 --> 00:25:07,373 THE POINT IS -- I LIKE BORING, 666 00:25:07,406 --> 00:25:10,476 AND THERE'S NO ONE I'D RATHER BE BORING WITH THAN THIS MAN. 667 00:25:10,509 --> 00:25:13,479 SO, TWO NIGHTS IN AN OLD HOUSE IN VERMONT 668 00:25:13,512 --> 00:25:15,214 IS YOUR IDEA OF A PARTY? 669 00:25:15,247 --> 00:25:17,650 THE RUSTY EGRET. 670 00:25:17,684 --> 00:25:19,318 SURPRISE. 671 00:25:19,351 --> 00:25:21,487 I GUESS IT IS. YOU'RE A WILD MAN, PETEY. 672 00:25:21,520 --> 00:25:22,521 [ LAUGHS ] 673 00:25:24,591 --> 00:25:26,358 Drop your dish. 674 00:25:26,392 --> 00:25:27,694 [ LAUGHS ] 675 00:25:29,395 --> 00:25:30,863 OH, I'M GONNA CLEAN UP. 676 00:25:32,599 --> 00:25:34,166 OH! 677 00:25:34,200 --> 00:25:35,835 I'M SORRY. NO, I'LL GET A BROOM. 678 00:25:35,868 --> 00:25:37,003 NO, NO, IT'S -- I'LL HELP. 679 00:25:37,036 --> 00:25:38,070 OH. I'LL GET IT, I'LL GET IT. 680 00:25:38,104 --> 00:25:39,505 Penny: DO WE HAVE A BAG? 681 00:25:39,538 --> 00:25:41,407 HEY, HONEY, CAN YOU PLEASE GET ME A -- 682 00:25:41,440 --> 00:25:43,375 WHAT THE HELL DO YOU THINK YOU'RE DOING? 683 00:25:48,881 --> 00:25:51,517 SPECIAL AGENT PETER BURKE? 684 00:25:59,425 --> 00:26:00,026 Diana: EVERYONE LISTEN UP. 685 00:26:01,560 --> 00:26:03,262 OUR BOLO TURNED UP AGENT BURKE'S CAR AT AN IMPOUND IN FLATBUSH. 686 00:26:03,295 --> 00:26:05,231 WE FOUND PETER AND ELIZABETH'S CELLPHONES 687 00:26:05,264 --> 00:26:07,033 IN A DUMPSTER TWO BLOCKS FROM THE BOUTIQUE. 688 00:26:07,066 --> 00:26:09,235 WE'RE ORDERING THE J.O.C. STOOD UP UNTIL FURTHER NOTICE. 689 00:26:09,268 --> 00:26:10,870 WE HAVE TO ASSUME THEY'VE BEEN TAKEN. 690 00:26:10,903 --> 00:26:12,872 SIMPSON, I WANT YOUR TEAM TO STAY ON THE LETTERS. 691 00:26:12,905 --> 00:26:14,406 FOSTER, PULL THE TRAFFIC-CAM FOOTAGE 692 00:26:14,440 --> 00:26:16,208 IN THE AREA WHERE THE CAR WAS RECOVERED. 693 00:26:16,242 --> 00:26:17,777 AND FLAG ANY MISSING-VEHICLE REPORTS. 694 00:26:17,810 --> 00:26:19,946 CHASE AND OSBOURNE ARE GONNA NEED A NEW GETAWAY CAR. 695 00:26:19,979 --> 00:26:22,281 LET'S GO. PETER'S COUNTING ON US. 696 00:26:24,450 --> 00:26:26,385 NEAL, HOW COULD THIS HAPPEN? 697 00:26:26,418 --> 00:26:27,620 WRONG PLACE, WRONG TIME. 698 00:26:27,654 --> 00:26:29,055 BUT THERE'S A BRIGHT SIDE. 699 00:26:29,088 --> 00:26:30,923 A BRIGHT SIDE TO KIDNAPPING? 700 00:26:30,957 --> 00:26:32,725 YEAH. BALLISTICS CAME IN. 701 00:26:32,759 --> 00:26:35,895 OZ IS SHOOTING BLANKS. WHY WOULD HE DO THAT? 702 00:26:35,928 --> 00:26:36,929 THEY DON'T WANT TO HURT ANYONE. 703 00:26:36,963 --> 00:26:38,064 BUT IT DOESN'T MEAN THEY WON'T. 704 00:26:38,097 --> 00:26:39,398 NO, IT DOESN'T. 705 00:26:39,431 --> 00:26:40,399 WHAT CAN I DO? 706 00:26:40,432 --> 00:26:41,768 HELP US COMB THROUGH THESE LETTERS. 707 00:26:41,801 --> 00:26:43,569 IF WE BEAT THEM TO THEIR NEXT TARGET, 708 00:26:43,602 --> 00:26:44,904 WE FIND PETER AND ELIZABETH. 709 00:26:44,937 --> 00:26:48,240 BUT OZ BURIES HIS PROMISES IN ROMANTIC SYMBOLISM, 710 00:26:48,274 --> 00:26:49,575 AND HE IS OPEN TO INTERPRETATION. 711 00:26:49,608 --> 00:26:51,243 [ SIGHS ] THEN LET'S GET TO INTERPRETING. 712 00:26:51,277 --> 00:26:52,411 WHERE DO YOU WANT TO SET UP? 713 00:26:52,444 --> 00:26:53,612 MY PLACE HAS A HUNGRY DOG 714 00:26:53,646 --> 00:26:55,081 AND A WINE-DRINKING SPEED-READER. 715 00:26:55,114 --> 00:26:58,584 YOUR BRING THE PHOTO COPIES. I'LL BRING THE COFFEE. 716 00:26:58,617 --> 00:27:00,419 Penny: OZ, THIS DOESN'T HAVE TO CHANGE ANYTHING. 717 00:27:00,452 --> 00:27:01,587 WE JUST KIDNAPPED AN FBI AGENT. 718 00:27:01,620 --> 00:27:02,755 YEAH, BUT WE DIDN'T MEAN TO. 719 00:27:02,789 --> 00:27:04,423 YOU THINK THEY CARE ABOUT THAT? 720 00:27:04,456 --> 00:27:06,092 PENNY'S RIGHT. THIS IS A MISTAKE. 721 00:27:06,125 --> 00:27:07,927 OH, WE ARE THROUGH TALKING TO YOU. 722 00:27:07,960 --> 00:27:09,328 OZ, LISTEN TO ME. 723 00:27:09,361 --> 00:27:11,263 THIS HAS GONE FAR ENOUGH. 724 00:27:11,297 --> 00:27:13,933 YOUR BEST OPTION -- YOUR ONLY OPTION -- 725 00:27:13,966 --> 00:27:16,502 IS TO LET US GO AND TURN YOURSELVES IN. 726 00:27:16,535 --> 00:27:18,437 THAT'S YOUR ADVICE? YES. 727 00:27:18,470 --> 00:27:20,673 I JUST GOT OUT, AND YOU WANT ME TO WALK BACK IN? 728 00:27:25,644 --> 00:27:27,279 WE'RE NEVER GONNA BE TOGETHER. 729 00:27:27,313 --> 00:27:28,314 NO. NO. 730 00:27:28,347 --> 00:27:30,449 WE'RE GONNA WORK THIS OUT, OKAY? 731 00:27:30,482 --> 00:27:31,784 IT'S GONNA BE FINE. 732 00:27:31,818 --> 00:27:35,955 DO YOU STILL WANT TO GO FOR THE THIRD ACT? YEAH. 733 00:27:35,988 --> 00:27:37,356 YEAH, WE GET IT. 734 00:27:37,389 --> 00:27:39,792 WE SKIP TOWN, JUST LIKE WE PLANNED. 735 00:27:39,826 --> 00:27:42,795 [ CHUCKLES ] OKAY, WHAT ABOUT THEM? 736 00:27:42,829 --> 00:27:44,496 WE CAN'T LET THEM GO NOW. 737 00:27:44,530 --> 00:27:46,999 MAYBE THEY COULD BE OF SOME USE TO US. 738 00:27:48,667 --> 00:27:50,970 YEAH. 739 00:27:51,003 --> 00:27:53,973 Mozzie: I'VE BEEN THROUGH THIS ENTIRE PILE TWICE NOW. 740 00:27:54,006 --> 00:27:56,342 IT STILL READS LIKE A BAD ROMANCE NOVEL, 741 00:27:56,375 --> 00:27:57,977 WITH MORE MISSPELLINGS AND REDACTIONS. 742 00:27:58,010 --> 00:27:59,979 THEY DON'T HAVE SPELL-CHECK IN PRISON. 743 00:28:00,012 --> 00:28:03,149 WHAT THEY LACK IN TECHNIQUE THEY MAKE UP FOR WITH HEART. 744 00:28:03,182 --> 00:28:05,151 DO THEY HAVE TO WRITE EVERY DAY? 745 00:28:05,184 --> 00:28:08,554 "I LOVE YOU. I ADORE YOU. I WORSHIP YOU." 746 00:28:08,587 --> 00:28:11,057 HOW MANY WAYS CAN THEY SAY THE EXACT SAME THING? 747 00:28:11,090 --> 00:28:13,059 THIS MANY WAYS. 748 00:28:13,092 --> 00:28:14,560 [ SATCHMO WHINES ] 749 00:28:14,593 --> 00:28:16,729 MOZ, WILL YOU, UH -- YEAH, I'LL GET HIM. 750 00:28:16,763 --> 00:28:20,232 FRESH AIR -- THE ANTIDOTE TO SENTIMENTAL DRIVEL. 751 00:28:20,266 --> 00:28:21,567 COME ON, SATCHMO. 752 00:28:21,600 --> 00:28:24,103 [ DOOR CLOSES ] 753 00:28:25,437 --> 00:28:26,906 [ SIGHS ] 754 00:28:26,939 --> 00:28:29,341 SO, LONDON. HELL OF A CITY. 755 00:28:29,375 --> 00:28:30,509 IT IS. 756 00:28:30,542 --> 00:28:34,246 I SPENT THE SUMMER THERE WHEN I WAS YOUNGER -- 757 00:28:34,280 --> 00:28:35,714 WITH MY SISTER. 758 00:28:35,748 --> 00:28:38,550 MY PARENTS WARNED US TO STAY AWAY FROM ISLINGTON, 759 00:28:38,584 --> 00:28:41,087 'CAUSE THAT'S WHERE THE BAD KIDS HANG OUT. 760 00:28:41,120 --> 00:28:43,555 SO, OF COURSE, WE WERE THERE EVERY NIGHT. 761 00:28:43,589 --> 00:28:44,723 OF COURSE. 762 00:28:44,757 --> 00:28:46,725 SMOKING CIGARETTES WITH THE STREET ARTISTS 763 00:28:46,759 --> 00:28:48,260 AND FLIRTING WITH THE BAD BOYS. 764 00:28:48,294 --> 00:28:49,261 MM-HMM. 765 00:28:49,295 --> 00:28:51,764 WELL, I DON'T SMOKE, BUT I DO FLIRT. 766 00:28:51,798 --> 00:28:52,899 YEAH? YEAH. 767 00:28:52,932 --> 00:28:55,067 YOU'RE ALSO A VERY BAD BOY. 768 00:28:55,101 --> 00:28:56,602 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 769 00:28:56,635 --> 00:28:57,636 [ BOTH LAUGH ] 770 00:29:01,640 --> 00:29:03,709 I HOPE YOU GET THE JOB. 771 00:29:03,742 --> 00:29:06,245 NOT BECAUSE I WANT YOU TO LEAVE -- 772 00:29:06,278 --> 00:29:08,948 BECAUSE I WANT YOU TO BE HAPPY. 773 00:29:11,283 --> 00:29:14,220 I HAVE TO ADMIT -- IT HAS BEEN A LOT OF FUN 774 00:29:14,253 --> 00:29:16,923 SPENDING TIME WITH YOU UP IN THE CLOUDS. 775 00:29:16,956 --> 00:29:18,424 BUT THE GROUND BECKONS. 776 00:29:18,457 --> 00:29:19,625 WELL... 777 00:29:19,658 --> 00:29:23,896 "THERE IS NO SECURITY ON THIS EARTH, ONLY OPPORTUNITY." 778 00:29:23,930 --> 00:29:26,432 [ CHUCKLES SOFTLY ] 779 00:29:26,465 --> 00:29:27,733 SEND ME A POSTCARD? 780 00:29:27,766 --> 00:29:31,270 YEAH. MORE THAN ONE. LESS THAN 700. 781 00:29:31,303 --> 00:29:32,471 [ BOTH LAUGH ] 782 00:29:32,504 --> 00:29:33,906 DOES THAT MEAN I GET A POEM? MM-HMM. 783 00:29:33,940 --> 00:29:35,607 WILL YOU USE SPELL-CHECK? [ Chuckling ] STOP IT. 784 00:29:38,444 --> 00:29:39,478 "IN THE CLOUDS." 785 00:29:39,511 --> 00:29:40,746 WHAT? 786 00:29:40,779 --> 00:29:42,581 NEAL, OZ SAYS MULTIPLE TIMES 787 00:29:42,614 --> 00:29:44,750 THAT HIS FAVORITE CHILDHOOD MEMORY 788 00:29:44,783 --> 00:29:47,987 IS WHEN HIS FATHER TOOK HIM TO THE KENNEDY SPACE CENTER. 789 00:29:48,020 --> 00:29:49,421 YEAH, SOMETHING ABOUT WISHING HE COULD FLY THROUGH THE CLOUDS 790 00:29:49,455 --> 00:29:50,589 AND OFF TO THE MOON. 791 00:29:50,622 --> 00:29:51,757 RIGHT. 792 00:29:51,790 --> 00:29:57,263 AND THEN TWO DAYS BEFORE HE GETS OUT, HE WRITES THIS. 793 00:29:57,296 --> 00:29:59,966 "GIVE ME YOUR LOVE, AND I'LL GIVE YOU THE MOON." 794 00:29:59,999 --> 00:30:01,667 SO WHAT IF HE'S GOING TO GIVE HER THE MOON? 795 00:30:01,700 --> 00:30:03,135 I MEAN, NOT THE WHOLE THING, BUT -- 796 00:30:03,169 --> 00:30:04,470 MAYBE A PIECE OF IT. 797 00:30:09,808 --> 00:30:12,778 OKAY, NEAL, THERE'S ONLY ONE MOON ROCK IN TOWN -- 798 00:30:12,811 --> 00:30:13,779 FROM APOLLO 17. 799 00:30:13,812 --> 00:30:15,281 YEAH, WE SEE IT. 800 00:30:15,314 --> 00:30:17,316 IT'S ON DISPLAY AT THE NEW YORK HALL OF SCIENCE IN QUEENS. 801 00:30:17,349 --> 00:30:19,318 YOU REALLY THINK HE'S GONNA STEAL HER A ROCK? 802 00:30:19,351 --> 00:30:22,454 YEAH, OZ'S FINAL PROMISE TO PENNY WAS TO GIVE HER THE MOON. 803 00:30:22,488 --> 00:30:24,123 WE GOT A HIT ON PETER AND ELIZABETH. 804 00:30:24,156 --> 00:30:25,624 10 MINUTES AGO, A STOLEN CAR 805 00:30:25,657 --> 00:30:27,459 USED ITS E-ZPass AT THE MIDTOWN TUNNEL. 806 00:30:27,493 --> 00:30:29,361 WE GOT A SHOT OF IT ON THE SECURITY CAMERA. 807 00:30:29,395 --> 00:30:30,462 IT'S THEM. THEY'RE HITTING THE MUSEUM. 808 00:30:30,496 --> 00:30:32,631 I'LL MOBILIZE SWAT. LET'S GO! 809 00:30:32,664 --> 00:30:33,799 ALL RIGHT, WE'RE ON OUR WAY. 810 00:30:33,832 --> 00:30:35,634 GET MUSEUM SECURITY ON THE PHONE. 811 00:30:35,667 --> 00:30:37,169 LET THEM KNOW WHAT'S COMING. 812 00:30:48,847 --> 00:30:51,683 Peter: FBI! PLEASE OPEN THE DOOR. 813 00:30:53,752 --> 00:30:55,154 GOOD MORNING, AGENT -- 814 00:30:55,187 --> 00:30:56,655 Oz: DON'T MOVE. I MEAN IT. 815 00:30:56,688 --> 00:30:58,190 SPECIAL AGENT PETER BURKE. 816 00:30:58,224 --> 00:31:00,359 DO AS HE SAYS AND YOU WON'T GET HURT. 817 00:31:00,392 --> 00:31:01,593 GET IN. 818 00:31:03,262 --> 00:31:06,532 HEY, BABY, WE'RE INSIDE. 819 00:31:09,401 --> 00:31:11,737 OPEN YOUR COAT. COME ON. 820 00:31:11,770 --> 00:31:13,672 TAKE HIS GUN. HMM? 821 00:31:13,705 --> 00:31:15,374 Yeah, get the gun. 822 00:31:17,209 --> 00:31:18,244 IN THE CHAIR. COME ON. 823 00:31:20,947 --> 00:31:23,349 Oz: WHAT'S THE CODE FOR INTERNAL SECURITY? 824 00:31:23,382 --> 00:31:24,383 Guard: 37294. 825 00:31:24,416 --> 00:31:26,185 I TOLD YOU -- YOU DON'T NEED ELIZABETH. 826 00:31:26,218 --> 00:31:28,754 KEEP ME AS YOUR HOSTAGE. I WON'T CAUSE ANY TROUBLE. 827 00:31:28,787 --> 00:31:30,356 YEAH, YOU WON'T CAUSE US ANY TROUBLE 828 00:31:30,389 --> 00:31:31,557 BECAUSE WE GOT YOUR WIFE. 829 00:31:31,590 --> 00:31:33,025 HON, I'LL BE OKAY. 830 00:31:33,059 --> 00:31:34,426 YES, SHE WILL, 831 00:31:34,460 --> 00:31:37,363 AS LONG AS YOU DO EXACTLY WHAT WE SAY. 832 00:31:51,577 --> 00:31:53,379 Sara: THEY'RE ALREADY INSIDE. Guard: WE'RE BEING ROBBED. 833 00:31:53,412 --> 00:31:55,547 CALL THE POLICE! WE GOT TO FIND ANOTHER WAY IN. 834 00:31:55,581 --> 00:31:56,882 NEAL, WE NEED TO WAIT FOR THE FBI. 835 00:31:56,915 --> 00:31:58,050 LOOK, IT'S PETER AND ELIZABETH. 836 00:31:58,084 --> 00:31:59,118 I'M NOT WAITING. NEAL! 837 00:32:02,288 --> 00:32:03,922 Oz: HANDS. [ PETER SIGHS ] 838 00:32:03,956 --> 00:32:07,726 YOU ARE ONLY MAKING THIS WORSE FOR YOURSELF, OZ. 839 00:32:07,759 --> 00:32:08,727 QUIET. 840 00:32:08,760 --> 00:32:11,964 HAVE A SEAT, BOTH OF YOU. 841 00:32:14,000 --> 00:32:16,302 THAT MOON ROCK'S THE MOST VALUABLE THING IN THIS PLACE. 842 00:32:20,506 --> 00:32:22,074 Sara: NEAL, AT LEAST TELL ME YOU HAVE A PLAN. 843 00:32:22,108 --> 00:32:24,076 LOOK, IF THEY'VE GOT PETER AND ELIZABETH 844 00:32:24,110 --> 00:32:26,778 AND THE FBI SHOWS UP, THIS TURNS INTO A HOSTAGE SITUATION, 845 00:32:26,812 --> 00:32:27,913 UNLESS... 846 00:32:27,946 --> 00:32:28,947 UNLESS WHAT? YOU HAVE A BARGAINING CHIP? 847 00:32:28,981 --> 00:32:29,948 YEAH. 848 00:32:29,982 --> 00:32:32,418 I'M GONNA STEAL THE MOON. 849 00:32:32,451 --> 00:32:34,420 NOT ALONE, YOU'RE NOT. 850 00:32:34,453 --> 00:32:37,089 IT'S PETER AND ELIZABETH. 851 00:32:37,123 --> 00:32:38,657 ALL RIGHT. 852 00:32:43,829 --> 00:32:45,764 THAT'S IT? THAT IS IT. 853 00:32:45,797 --> 00:32:48,667 WELL, AS FAR AS PRICELESS OBJECTS GO, I'M NOT IMPRESSED. 854 00:32:48,700 --> 00:32:51,970 IT'S 4 1/2 BILLION YEARS OLD, 200,000 MILES FROM HOME, 855 00:32:52,004 --> 00:32:54,506 AND WORTH 100 TIMES ITS WEIGHT IN GOLD. 856 00:32:54,540 --> 00:32:57,343 Penny: 37294. THAT DID IT! 857 00:32:57,376 --> 00:32:58,677 [ BOTH LAUGH ] 858 00:32:58,710 --> 00:33:00,112 GOOD JOB, PEN. 859 00:33:00,146 --> 00:33:01,113 HEY, OZ, ISN'T THAT -- 860 00:33:01,147 --> 00:33:02,481 YEAH, FROM THE PERFUME SHOP. 861 00:33:02,514 --> 00:33:03,682 THEY'RE STEALING THE MOON ROCK. 862 00:33:03,715 --> 00:33:04,783 WHAT THE HELL IS GOING ON? 863 00:33:04,816 --> 00:33:07,119 HEY, YOU -- YOU'RE COMING WITH ME. 864 00:33:07,153 --> 00:33:08,654 I'M NOT LEAVING MY WIFE. 865 00:33:08,687 --> 00:33:09,721 I BEG TO DIFFER. 866 00:33:10,856 --> 00:33:12,824 ALL RIGHT, IF ANYTHING GOES WRONG, 867 00:33:12,858 --> 00:33:14,460 JUST MEET ME IN THE LOBBY. 868 00:33:14,493 --> 00:33:15,461 PEN, LOOK AT ME. 869 00:33:15,494 --> 00:33:17,963 THIS IS WHAT WE WANTED, REMEMBER? 870 00:33:17,996 --> 00:33:19,631 ALL RIGHT. 871 00:33:19,665 --> 00:33:21,467 NOW, BURKE. 872 00:33:21,500 --> 00:33:23,869 COME ON. 873 00:33:27,373 --> 00:33:28,707 YOU DON'T HAVE TO GO THROUGH WITH THIS. 874 00:33:28,740 --> 00:33:29,708 YOU KNOW THAT. 875 00:33:29,741 --> 00:33:30,876 I KINDA DO. 876 00:33:35,181 --> 00:33:38,150 I'VE NEVER ACTUALLY SEEN YOU STEAL ANYTHING BEFORE. 877 00:33:38,184 --> 00:33:41,187 WELL, THAT IS ONE OF THE PERKS OF BEING MY PLUS-ONE. 878 00:33:43,422 --> 00:33:45,057 LET'S GO. 879 00:33:45,091 --> 00:33:47,393 HEY, SINATRA, YOU WANT TO TELL ME WHY 880 00:33:47,426 --> 00:33:49,828 YOU AND BATON GIRL ARE STEALING MY ROCK? 881 00:33:49,861 --> 00:33:50,829 OH, YOUR ROCK? 882 00:33:50,862 --> 00:33:52,664 THAT'S FUNNY, BECAUSE ACCORDING TO 883 00:33:52,698 --> 00:33:54,833 ARTICLE VI OF THE 1967 U.N. OUTER SPACE TREATY, 884 00:33:54,866 --> 00:33:55,834 IT'S NOT YOURS. 885 00:33:55,867 --> 00:33:57,736 NEAL. I GOT THIS, PETER. 886 00:33:57,769 --> 00:34:00,906 OH, YOU TWO KNOW EACH OTHER. THAT'S CUTE. 887 00:34:00,939 --> 00:34:03,175 NOW GIVE ME THE DAMN ROCK. 888 00:34:03,209 --> 00:34:04,376 I DON'T THINK SO. 889 00:34:04,410 --> 00:34:05,844 BALLISTICS CONFIRMED YOU'RE SHOOTING BLANKS. 890 00:34:05,877 --> 00:34:06,945 NEAL. WHAT? 891 00:34:09,948 --> 00:34:11,683 HE HAS MY GUN. 892 00:34:11,717 --> 00:34:13,018 OKAY. 893 00:34:13,051 --> 00:34:15,954 SO, WHAT'S IT GONNA BE? 894 00:34:19,125 --> 00:34:21,727 SARA, YOUR BATON. 895 00:34:22,461 --> 00:34:23,729 I'M WARNING YOU. 896 00:34:23,762 --> 00:34:25,030 AND I'M EDUCATING YOU. 897 00:34:25,063 --> 00:34:26,732 THE MOON HAS NO ATMOSPHERE, 898 00:34:26,765 --> 00:34:29,067 NO FREE OXYGEN, AND NO SURFACE MOISTURE. 899 00:34:29,101 --> 00:34:31,370 THAT'S WHY THIS ROCK IS VACUUM-SEALED IN NITROGEN. 900 00:34:31,403 --> 00:34:33,105 ONCE IT'S EXPOSED TO OUR ATMOSPHERE, 901 00:34:33,139 --> 00:34:35,107 IT CRUMBLES TO DUST IN A MATTER OF SECONDS. 902 00:34:35,141 --> 00:34:37,709 SARA. I DO LIKE TO SMASH THINGS. 903 00:34:37,743 --> 00:34:39,278 YEAH, AND I'LL SHOOT BOTH OF YOU. 904 00:34:39,311 --> 00:34:41,280 NOT BEFORE ONE OF US SMASHES YOUR ROCK. 905 00:34:41,313 --> 00:34:42,781 LET PETER GO AND IT'S YOURS. 906 00:34:42,814 --> 00:34:44,216 EVERYBODY WINS. 907 00:34:44,250 --> 00:34:45,384 [ CHUCKLES ] 908 00:34:45,417 --> 00:34:46,585 HAVE IT YOUR WAY. SARA. 909 00:34:46,618 --> 00:34:47,753 WAIT! 910 00:34:54,493 --> 00:34:56,395 ENJOY. 911 00:34:56,428 --> 00:34:58,063 [ SIGHS ] MATTER OF SECONDS, HUH? 912 00:34:58,096 --> 00:34:59,798 I MAY HAVE EXAGGERATED A LITTLE BIT. 913 00:34:59,831 --> 00:35:02,268 IT WOULD HAVE TURNED TO DUST IN ANOTHER BILLION YEARS. 914 00:35:02,301 --> 00:35:04,403 HE'S NOT MAKING IT OUT OF HERE. 915 00:35:04,436 --> 00:35:07,072 YOU AND SARA EXIT THE SAME WAY YOU CAME IN. 916 00:35:07,105 --> 00:35:10,108 LET THE FBI KNOW THAT PENNY AND OZ ARE BOTH ARMED. 917 00:35:10,142 --> 00:35:11,310 PETER, WHERE ARE YOU GOING? 918 00:35:11,343 --> 00:35:12,778 TO GET MY WIFE BACK. 919 00:35:14,980 --> 00:35:17,082 [ SIGHS ] 920 00:35:17,115 --> 00:35:19,751 YOU'VE BEEN A CRIMINAL LESS THAN A WEEK, PENNY. 921 00:35:19,785 --> 00:35:21,953 I DON'T THINK YOU'RE CUT OUT FOR THIS. 922 00:35:21,987 --> 00:35:24,956 IT'S BETTER TO BURN BRIGHT THAN SLOWLY FADE AWAY, LIKE YOU -- 923 00:35:24,990 --> 00:35:26,925 LIKE WHAT? PETER AND ME? 924 00:35:26,958 --> 00:35:27,926 WE ARE NOT BORING. 925 00:35:27,959 --> 00:35:29,094 [ LAUGHS ] 926 00:35:29,127 --> 00:35:31,763 HELL, THIS IS NOT EVEN MY FIRST KIDNAPPING. 927 00:35:31,797 --> 00:35:33,265 SERIOUSLY? 928 00:35:33,299 --> 00:35:34,433 YEAH. 929 00:35:34,466 --> 00:35:36,768 EVERY MORNING MY HUSBAND WALKS OUT THE DOOR, 930 00:35:36,802 --> 00:35:39,271 A PART OF ME WORRIES IF HE EVER WALKS BACK IN. 931 00:35:39,305 --> 00:35:41,139 DO YOU HAVE ANY IDEA WHAT THAT FEELS LIKE? 932 00:35:41,173 --> 00:35:42,274 YEAH. I DO. 933 00:35:42,308 --> 00:35:43,775 THEN STOP HIM BEFORE HE GETS HURT. 934 00:35:43,809 --> 00:35:45,344 YOU DIDN'T STOP PETER. 935 00:35:45,377 --> 00:35:46,445 I TRIED. 936 00:35:46,478 --> 00:35:48,280 BUT WHETHER I LIKE IT OR NOT, 937 00:35:48,314 --> 00:35:50,849 PEOPLE LIKE YOU HAPPEN TO PEOPLE LIKE US. 938 00:35:50,882 --> 00:35:51,950 THAT'S LIFE. 939 00:35:51,983 --> 00:35:53,185 ELIZABETH -- 940 00:35:53,219 --> 00:35:55,187 YOU KNOW, I'M SUPPOSED TO BE ON A ROMANTIC WEEKEND 941 00:35:55,221 --> 00:35:57,289 WITH MY HUSBAND RIGHT NOW, AND INSTEAD, 942 00:35:57,323 --> 00:36:01,126 I'M STUCK HERE WITH YOU, LIVING YOUR MOMENT. 943 00:36:01,159 --> 00:36:04,496 WHICH, BY THE WAY, JUST CAUGHT UP WITH YOU. 944 00:36:05,897 --> 00:36:07,132 WHAT? 945 00:36:07,165 --> 00:36:08,133 NO! 946 00:36:08,166 --> 00:36:09,468 PENNY, IT'S OVER. 947 00:36:09,501 --> 00:36:10,869 OZ IS GOING BACK TO PRISON. 948 00:36:10,902 --> 00:36:12,471 NO, HE IS NOT GOING ANYWHERE. 949 00:36:12,504 --> 00:36:14,973 WE PROMISED EACH OTHER THAT WE WOULD NOT GET CAUGHT. 950 00:36:15,006 --> 00:36:18,009 IF IT IS OVER FOR HIM, THEN IT IS OVER FOR ME, TOO. 951 00:36:19,378 --> 00:36:21,513 I WAS NEVER GONNA SHOOT YOU, 952 00:36:21,547 --> 00:36:24,216 JUST LIKE YOU'RE NEVER GONNA SHOOT ME. 953 00:36:24,250 --> 00:36:25,717 [ CHUCKLES ] 954 00:36:25,751 --> 00:36:28,019 I GUESS NEITHER OF US ARE CUT OUT FOR THIS, HUH? 955 00:36:28,053 --> 00:36:30,522 I NEVER WANTED TO BE GOOD AT THIS. 956 00:36:32,424 --> 00:36:34,393 PENNY. 957 00:36:35,594 --> 00:36:36,728 Neal: HEY. 958 00:36:36,762 --> 00:36:38,063 CAFFREY! WHERE THE HELL DID YOU COME FROM? 959 00:36:38,096 --> 00:36:39,231 INSIDE. I'LL EXPLAIN LATER. 960 00:36:39,265 --> 00:36:40,566 PETER AND ELIZABETH ARE IN THERE. 961 00:36:40,599 --> 00:36:41,900 SO ARE PENNY AND OZ, AND THEY'RE ARMED. 962 00:36:41,933 --> 00:36:43,034 WITH PETER'S GUN. 963 00:36:43,068 --> 00:36:44,069 Jones: OKAY, YOU GUYS HANG BACK. 964 00:36:44,102 --> 00:36:45,170 Diana: LET'S MOVE IN! 965 00:36:45,203 --> 00:36:46,538 LET'S GO! 966 00:36:50,542 --> 00:36:52,511 EL. PENNY AND OZ JUST WENT OUT FRONT. 967 00:36:52,544 --> 00:36:54,045 IT'S OKAY. BUILDING'S SURROUNDED. 968 00:36:54,079 --> 00:36:55,247 THAT'S JUST IT -- I THINK THEY'RE PLANNING 969 00:36:55,281 --> 00:36:56,515 ON GOING OUT THERE LIKE BONNIE AND CLYDE. 970 00:36:56,548 --> 00:36:57,549 HONEY, WHAT ARE YOU DOING? 971 00:36:57,583 --> 00:36:59,518 WHAT? THEY NEED OUR HELP. COME ON. 972 00:36:59,551 --> 00:37:01,353 NO, THEY'RE NOT -- DAMN IT. 973 00:37:09,795 --> 00:37:10,929 Penny: HEY. 974 00:37:13,732 --> 00:37:18,236 COME OUT PEACEFULLY WITH YOUR HANDS IN THE AIR. 975 00:37:23,409 --> 00:37:25,577 OH, MY GOD. 976 00:37:25,611 --> 00:37:28,614 IT'S THE MOST BEAUTIFUL THING I'VE EVER SEEN. 977 00:37:30,582 --> 00:37:31,917 I GOT YOU THE MOON. 978 00:37:35,253 --> 00:37:39,057 COME OUT QUIETLY. RAISE YOUR HANDS. 979 00:37:39,090 --> 00:37:40,592 YOU READY? 980 00:37:42,428 --> 00:37:45,897 WE DON'T WANT TO HURT YOU. 981 00:37:45,931 --> 00:37:47,733 JUST STAY CLOSE, ALL RIGHT? 982 00:37:47,766 --> 00:37:48,767 MAYBE WE CAN -- 983 00:37:48,800 --> 00:37:50,802 PENNY, OZ, COME ON. 984 00:37:50,836 --> 00:37:52,738 STAY BACK, LIZ. YOU CAN'T GO OUT THERE. 985 00:37:52,771 --> 00:37:54,906 YOU KNOW WHAT'S GONNA HAPPEN. JUST TELL HIM. 986 00:37:54,940 --> 00:37:56,808 PENNY, DON'T LISTEN TO HER, OKAY? 987 00:37:56,842 --> 00:37:58,644 WE HAVE A LOVE FOR THE AGES. 988 00:37:58,677 --> 00:38:00,412 Peter: OZ, LISTEN TO ME. 989 00:38:00,446 --> 00:38:02,080 THERE'S A SWAT TEAM OUT THERE 990 00:38:02,113 --> 00:38:04,249 WITH AUTOMATIC WEAPONS AND BODY ARMOR. 991 00:38:04,282 --> 00:38:06,485 YOU TRY TO SHOOT YOUR WAY OUT OF THERE, 992 00:38:06,518 --> 00:38:08,320 AND THEY WILL KILL BOTH OF YOU. 993 00:38:08,354 --> 00:38:10,155 YEAH, NOT IF I KILL THEM FIRST. 994 00:38:10,188 --> 00:38:12,458 DON'T BE A FOOL, OZ. 995 00:38:12,491 --> 00:38:14,092 THIS ISN'T YOU. 996 00:38:14,125 --> 00:38:15,761 I KNOW YOU SERVED THREE YEARS 997 00:38:15,794 --> 00:38:18,430 FOR SOMETHING THAT SHOULD HAVE BEEN A MISDEMEANOR. 998 00:38:18,464 --> 00:38:20,298 YOU GOT A BUM RAP, AND I'M SORRY. 999 00:38:20,332 --> 00:38:22,768 YOU WERE USING BLANKS SO NO ONE GOT HURT, 1000 00:38:22,801 --> 00:38:25,771 BUT THAT'S EXACTLY WHAT'S ABOUT TO HAPPEN OUT THERE 1001 00:38:25,804 --> 00:38:27,639 FOR BOTH OF YOU. 1002 00:38:27,673 --> 00:38:29,274 YOU LOVE HER? 1003 00:38:29,307 --> 00:38:30,442 YEAH. 1004 00:38:30,476 --> 00:38:33,979 DO YOU REALLY LOVE HER, OZ? YES! 1005 00:38:34,012 --> 00:38:38,149 REAL LOVE... IS FIGHTING LIKE HELL 1006 00:38:38,183 --> 00:38:41,119 TO HOLD ON TO EVERY MOMENT YOU HAVE WITH HER. 1007 00:38:41,152 --> 00:38:43,989 IT'S MAKING A LIFE TOGETHER 1008 00:38:44,022 --> 00:38:48,126 AND MAKING IT WORK NO MATTER WHAT HAPPENS. 1009 00:38:48,159 --> 00:38:50,629 YOU WANT A LOVE FOR THE AGES? 1010 00:38:50,662 --> 00:38:52,364 I THINK THAT'S GREAT. 1011 00:38:52,398 --> 00:38:54,132 PROVE IT. 1012 00:38:54,165 --> 00:38:57,803 MAKE IT LAST. 1013 00:38:57,836 --> 00:39:02,207 [ Voice breaking ] LISTEN, THEY'RE JUST GONNA TAKE ME AWAY FROM HER. 1014 00:39:02,240 --> 00:39:03,208 NO. 1015 00:39:03,241 --> 00:39:06,044 THEY CAN TAKE AWAY A LOT OF THINGS, 1016 00:39:06,077 --> 00:39:10,148 BUT THEY'LL NEVER TAKE AWAY WHAT YOU TWO HAVE TOGETHER. 1017 00:39:10,181 --> 00:39:13,218 YOU GO OUT THERE, AND IT ENDS. 1018 00:39:17,523 --> 00:39:18,924 GIVE ME THE GUN, OZ. 1019 00:39:30,368 --> 00:39:32,904 Peter: IT COULD HAVE GOTTEN PRETTY UGLY BACK THERE. 1020 00:39:32,938 --> 00:39:34,506 YOU UNDERSTAND WHY I -- 1021 00:39:34,540 --> 00:39:35,907 I DO. 1022 00:39:35,941 --> 00:39:38,844 I'M JUST GLAD YOU'RE OKAY. 1023 00:39:38,877 --> 00:39:41,212 Diana: TAKE HIM AWAY. 1024 00:39:41,246 --> 00:39:42,548 SO, WHAT'S GONNA HAPPEN? 1025 00:39:42,581 --> 00:39:43,882 SHE'LL GET PROBATION, 1026 00:39:43,915 --> 00:39:46,017 AND THIS TIME, HE'LL GET A FAIR TRIAL. 1027 00:39:46,051 --> 00:39:47,052 WRITE ME? 1028 00:39:47,085 --> 00:39:49,555 EVERY DAY. 1029 00:39:52,090 --> 00:39:54,092 Man: COME ON, SIR. 1030 00:39:55,594 --> 00:39:57,228 WE STILL HAVE TO GIVE OUR STATEMENTS, 1031 00:39:57,262 --> 00:39:59,698 BUT IT'S NOT TOO LATE TO TRY AND GET AWAY. 1032 00:39:59,731 --> 00:40:01,533 MAYBE NOT THE RUSTY EGRET, BUT -- 1033 00:40:01,567 --> 00:40:03,935 I JUST WANT TO GO HOME. 1034 00:40:03,969 --> 00:40:04,936 YEAH. 1035 00:40:04,970 --> 00:40:06,772 FIRST... 1036 00:40:08,106 --> 00:40:09,407 THEY FOUND IT. MM-HMM. 1037 00:40:09,441 --> 00:40:10,442 [ CHUCKLES ] 1038 00:40:11,910 --> 00:40:13,078 THANKS, HON. 1039 00:40:18,784 --> 00:40:20,118 NICE. 1040 00:40:20,151 --> 00:40:21,587 GREAT. 1041 00:40:21,620 --> 00:40:23,889 OKAY. 1042 00:40:23,922 --> 00:40:25,056 HEY. HI. 1043 00:40:25,090 --> 00:40:28,560 I JUST GAVE STERLING BOSCH THE GOOD NEWS. 1044 00:40:28,594 --> 00:40:30,061 WELL, HERE'S SOME MORE. 1045 00:40:30,095 --> 00:40:31,262 ISN'T THIS EVIDENCE? 1046 00:40:31,296 --> 00:40:32,898 NOBODY'S GONNA MISS IT, 1047 00:40:32,931 --> 00:40:36,768 AS LONG AS IT'S BACK TOMORROW MORNING. 1048 00:40:36,802 --> 00:40:39,070 HOW WOULD YOU FEEL ABOUT BEING MY PLUS-ONE TONIGHT, 1049 00:40:39,104 --> 00:40:40,405 NO STRINGS ATTACHED? 1050 00:40:40,438 --> 00:40:42,440 YOU KNOW I LIKE A GOOD PARTY. 1051 00:40:43,441 --> 00:40:44,810 THANK YOU. 1052 00:40:44,843 --> 00:40:45,811 YEAH. 1053 00:40:45,844 --> 00:40:47,278 [ LAUGHS ] 1054 00:40:56,955 --> 00:40:58,624 Peter: YOU ASKED NEAL TO LIE TO ME. 1055 00:40:58,657 --> 00:41:00,659 YOU HAVE EVERY RIGHT TO BE UPSET, 1056 00:41:00,692 --> 00:41:02,628 BUT YOU UNDERSTAND WHY I DID IT. 1057 00:41:02,661 --> 00:41:04,329 TO PROTECT ME. I GET THAT. 1058 00:41:04,362 --> 00:41:07,666 I KNEW YOU WOULDN'T LET IT GO, EVEN AFTER THE CAR ACCIDENT. 1059 00:41:07,699 --> 00:41:11,102 BUT, HON, THE ONE THING THAT TRULY SCARES ME IS LOSING YOU. 1060 00:41:11,136 --> 00:41:12,638 I HAD TO DO SOMETHING. 1061 00:41:12,671 --> 00:41:15,306 NEAL AND I WILL ALWAYS HAVE SECRETS, 1062 00:41:15,340 --> 00:41:17,475 BUT YOU AND I -- WE DON'T. 1063 00:41:19,477 --> 00:41:21,179 NO MORE SECRETS. 1064 00:41:21,212 --> 00:41:22,681 STARTING NOW. 1065 00:41:22,714 --> 00:41:24,850 THERE WAS A FILE THAT INDICATED 1066 00:41:24,883 --> 00:41:27,953 WHERE ELLEN MIGHT HAVE HIDDEN THE EVIDENCE BOX. 1067 00:41:27,986 --> 00:41:29,788 I CHECKED IT FOR PRINTS. 1068 00:41:29,821 --> 00:41:31,456 IT WAS HERE IN THE HOUSE. 1069 00:41:31,489 --> 00:41:33,959 NEAL FOUND IT, LIKE I HOPED HE WOULD. 1070 00:41:33,992 --> 00:41:36,294 YOU WANT HIM TO DOG-SIT SATCHMO. 1071 00:41:36,327 --> 00:41:37,696 I'M HELPING HIS SEARCH 1072 00:41:37,729 --> 00:41:39,464 WITHOUT PUTTING MYSELF IN HARM'S WAY. 1073 00:41:39,497 --> 00:41:40,799 AND YOU DIDN'T WANT ME TO KNOW -- 1074 00:41:40,832 --> 00:41:42,467 BECAUSE I DIDN'T WANT YOU TO WORRY. 1075 00:41:42,500 --> 00:41:45,036 NO MORE SECRETS. 1076 00:41:45,070 --> 00:41:47,305 SO NOW THAT WE'RE ON THE SAME PAGE, 1077 00:41:47,338 --> 00:41:49,307 WHAT ABOUT YOU AND NEAL? 1078 00:41:49,340 --> 00:41:51,009 HE TOOK THE BAIT. NOW WHAT? 1079 00:41:51,042 --> 00:41:52,544 HMM. 1080 00:41:52,578 --> 00:41:54,045 Neal: YOU CRACKED IT? 1081 00:41:54,079 --> 00:41:55,981 IT'S A GOVERNMENT CODE. OF COURSE I DID. 1082 00:41:56,014 --> 00:41:59,551 IT TURNS OUT THAT EMPLOYER I.D. NUMBER 1083 00:41:59,585 --> 00:42:02,721 IS FOR A SECURITY COMPANY NAMED GRIFFIN-MOORE, 1084 00:42:02,754 --> 00:42:06,558 WHICH IS LINKED TO THE 50th FLOOR 1085 00:42:06,592 --> 00:42:08,026 OF THE EMPIRE STATE BUILDING. 1086 00:42:10,395 --> 00:42:14,232 LET'S GET THAT BOX AND BRING MY FATHER HOME.