1 00:00:01,202 --> 00:00:02,703 PREVIOUSLY ON "WHITE COLLAR".. 2 00:00:02,736 --> 00:00:04,038 Peter: THAT'S THE KEY. 3 00:00:04,072 --> 00:00:06,207 HOW DO WE FIND THE EVIDENCE BOX IT OPENS? 4 00:00:06,240 --> 00:00:07,808 WE LET MOZZIE RUN WITH THE KEY. 5 00:00:07,841 --> 00:00:09,577 YOU SAID SENATOR PRATT COULD HURT YOU. 6 00:00:09,610 --> 00:00:11,212 Peter: HE KNOWS WE'RE ON TO HIM. 7 00:00:11,245 --> 00:00:12,380 WE WOKE A GIANT, NEAL. 8 00:00:12,413 --> 00:00:13,914 MY BRAKES -- I DON'T HAVE MY BRAKES. 9 00:00:13,947 --> 00:00:15,383 WHAT? WHAT? [ HORN BLARES ] 10 00:00:16,250 --> 00:00:17,318 [ CAR ALARM BLARING ] 11 00:00:17,351 --> 00:00:19,220 PETER WENT AFTER A U.S. SENATOR, 12 00:00:19,253 --> 00:00:20,721 BUT SOMEONE WANTS HIM TO STOP. 13 00:00:20,754 --> 00:00:22,590 YOU LOOK INTO THIS KEY WITHOUT HIM. 14 00:00:22,623 --> 00:00:23,591 Neal: ELLEN MUST HAVE MADE IT 15 00:00:23,624 --> 00:00:24,825 WHEN SHE FIRST MOVED TO NEW YORK. 16 00:00:24,858 --> 00:00:26,094 WHAT DOES THAT REMIND YOU OF? 17 00:00:26,127 --> 00:00:27,595 IT'S A CITYSCAPE, MOZ. 18 00:00:27,628 --> 00:00:28,929 THESE ARE BUILDINGS. 19 00:00:28,962 --> 00:00:31,332 PRATT DOESN'T KNOW ABOUT THIS. 20 00:00:31,365 --> 00:00:32,333 NEITHER DOES PETER. 21 00:00:32,366 --> 00:00:35,936 NEAL THINKS HE'S IN THE LEAD HERE... 22 00:00:35,969 --> 00:00:38,038 BUT I'M WITH HIM. 23 00:00:49,950 --> 00:00:51,519 Man: THEN, ALL OF A SUDDEN, WE ENDED UP 24 00:00:51,552 --> 00:00:54,622 AT THIS WAREHOUSE UNDERNEATH THE BROOKLYN BRIDGE. 25 00:00:54,655 --> 00:00:56,056 THE PARTY WAS INSANE. 26 00:00:56,090 --> 00:00:58,226 AND THE TOPPER WAS THIS JUNKIE COMES IN 27 00:00:58,259 --> 00:01:01,262 JUST TO STEAL COPPER PIPING RIGHT OUT THE WALL. 28 00:01:01,295 --> 00:01:03,131 RIGHT OUT OF THE WALL, HUH? 29 00:01:03,164 --> 00:01:04,365 THIS IS YOUR STOP. 30 00:01:04,398 --> 00:01:06,934 OH! UM... YOU GOT CHANGE OF A $20? 31 00:01:06,967 --> 00:01:09,069 CHANGE? NO. 32 00:01:09,103 --> 00:01:10,271 SERIOUSLY? SERIOUSLY. 33 00:01:10,304 --> 00:01:11,339 KEEP IT. 34 00:01:13,607 --> 00:01:18,246 WAREHOUSE BY WATER STREET -- COPPER PIPE IN THE WALLS. 35 00:01:22,416 --> 00:01:24,985 [ CELLPHONE DIALING ] [ SIGHS ] 36 00:01:25,018 --> 00:01:26,220 [ Ringing ] 37 00:01:26,254 --> 00:01:27,988 MOZZIE: Hacks-A-Lot, go for me. 38 00:01:28,021 --> 00:01:30,124 GOOD DAY BLEEDING FARES FOR INFO? 39 00:01:30,158 --> 00:01:32,960 I AM BACCHUS, AND THEY'RE LITERALLY POURING WINE 40 00:01:32,993 --> 00:01:34,262 DOWN MY THROAT. 41 00:01:34,295 --> 00:01:35,629 AT LEAST ONE OF US IS GETTING DRUNK. 42 00:01:35,663 --> 00:01:38,399 Oh, intel gathering not going as well on your end? 43 00:01:38,432 --> 00:01:40,234 NO, THE VIEW FROM ELLEN'S FIRST APARTMENT 44 00:01:40,268 --> 00:01:41,602 DOESN'T MATCH THE KEY. 45 00:01:41,635 --> 00:01:42,803 PICK ME UP? 46 00:01:42,836 --> 00:01:44,638 Be right there. ALL RIGHT. 47 00:01:52,613 --> 00:01:55,149 THIS IS WHERE NEAL IS NOW. 48 00:01:55,183 --> 00:01:57,818 YOU CAN'T SEE ANYTHING FROM HERE. 49 00:01:57,851 --> 00:02:00,288 NO, HE'S GOT TO BE ON THE BALCONY. 50 00:02:00,321 --> 00:02:02,790 HERE WE GO. HERE'S HIS VIEW. 51 00:02:02,823 --> 00:02:05,092 DOES IT MATCH UP? I DON'T THINK SO. 52 00:02:05,125 --> 00:02:06,694 WELL, I NEVER EXPECTED HIM TO BE 53 00:02:06,727 --> 00:02:08,362 CRISSCROSSING THE CITY LIKE THIS. 54 00:02:08,396 --> 00:02:09,697 IF I WAS A BETTING MAN, 55 00:02:09,730 --> 00:02:11,865 I'D SAY HE'S TRYING TO THROW SOMEONE OFF HIS SCENT. 56 00:02:11,899 --> 00:02:13,334 EH, HE KNOWS WE'RE THE ONLY ONES 57 00:02:13,367 --> 00:02:15,135 WHO CAN ACCESS HIS TRACKING DATA. 58 00:02:15,169 --> 00:02:17,137 PETER, THAT'S MY POINT. 59 00:02:17,171 --> 00:02:19,773 I KNOW, BUT HE DOESN'T KNOW THAT WE MADE A COPY OF THE KEY. 60 00:02:19,807 --> 00:02:23,010 OH, THAT'S EL. WE'RE DONE FOR THE DAY. 61 00:02:23,043 --> 00:02:26,013 TELL ME SHE DOESN'T KNOW YOU'RE STILL FOLLOWING THE KEY? 62 00:02:26,046 --> 00:02:28,682 NO, EVER SINCE THE ACCIDENT, SHE WANTS ME TO TAKE IT EASY. 63 00:02:28,716 --> 00:02:31,352 YEAH, AND ANYTHING NEAL RELATED IS EXACTLY THE OPPOSITE. 64 00:02:31,385 --> 00:02:33,687 KEEP MONITORING HIS ANKLET. WE'LL CATCH UP LATER. 65 00:02:33,721 --> 00:02:34,888 YEAH. Elizabeth: HEY. 66 00:02:34,922 --> 00:02:36,123 HEY, HONEY. HEY. 67 00:02:36,156 --> 00:02:37,157 OH, HEY, CLINTON. 68 00:02:37,191 --> 00:02:39,159 I DIDN'T KNOW YOU GUYS WERE WORKING TODAY. 69 00:02:39,193 --> 00:02:40,728 THE CITY NEVER SLEEPS. 70 00:02:40,761 --> 00:02:42,963 OH, YOU JUST CAUGHT US WRAPPING UP. 71 00:02:42,996 --> 00:02:44,164 MM-HMM. GREAT TO SEE YOU. 72 00:02:44,198 --> 00:02:45,699 YOU, TOO. [ BOTH CHUCKLE ] 73 00:02:45,733 --> 00:02:48,402 BYE. I'LL WALK HIM OUT. 74 00:02:48,436 --> 00:02:50,538 THANKS, JONES. SEE YOU. 75 00:02:50,571 --> 00:02:53,974 MWAH! BABE? 76 00:02:54,007 --> 00:02:55,008 HMM? 77 00:02:55,042 --> 00:02:56,410 WHY AREN'T YOU WEARING YOUR SLING? 78 00:02:56,444 --> 00:02:57,978 WHAT? 79 00:02:58,011 --> 00:02:59,647 MM-HMM. 80 00:02:59,680 --> 00:03:02,316 [ HORN HONKS, INDISTINCT SHOUTING ] 81 00:03:02,350 --> 00:03:04,285 [ STATIC ] 82 00:03:06,354 --> 00:03:08,021 HEY. WHERE TO? 83 00:03:08,055 --> 00:03:10,090 ELLEN ONCE MENTIONED SHE LIKED TO WATCH 84 00:03:10,123 --> 00:03:12,260 THE TUGBOATS FROM BROOKLYN BRIDGE PARK. 85 00:03:12,293 --> 00:03:14,262 HMM, TUGBOATS. REALLY? 86 00:03:14,295 --> 00:03:16,330 I KNOW I'M GRASPING AT STRAWS. 87 00:03:16,364 --> 00:03:18,031 [ RADIO CHATTER ] 88 00:03:18,065 --> 00:03:21,101 MOZ, I'M NOT PAYING YOU FOR THE RIDE. 89 00:03:21,134 --> 00:03:22,370 OH, YOU ARE IF WE'RE TO BROOKLYN. 90 00:03:25,939 --> 00:03:29,243 HONEY, YOU KNOW NEAL DOESN'T WANT YOU LOOKING INTO THE KEY. 91 00:03:29,277 --> 00:03:32,045 NEAL DOESN'T LIE TO ME. HE HIDES THE TRUTH. 92 00:03:32,079 --> 00:03:35,416 HE WITHHOLDS IT, BUT HE... 93 00:03:36,884 --> 00:03:38,185 ...DOESN'T LIE TO ME. 94 00:03:38,218 --> 00:03:40,454 AND IF HE IS, THERE'S GOT TO BE A REASON FOR IT. 95 00:03:40,488 --> 00:03:43,257 WELL, MAYBE HE DOESN'T WANT TO DRAG YOU INTO A MINE FIELD. 96 00:03:48,596 --> 00:03:50,698 REALLY? THIS IS THE ONLY WAY TO BROOKLYN? 97 00:03:50,731 --> 00:03:52,900 BELIEVE ME, WE MISSED A LOT OF TRAFFIC. 98 00:03:52,933 --> 00:03:56,437 BESIDES, CHASING WILD GEESE IS EXPENSIVE SPORT. 99 00:03:56,470 --> 00:03:57,871 IT'S NOT A WILD GOOSE CHASE. 100 00:03:57,905 --> 00:03:59,273 WE KNOW MORE THAN WHEN WE STARTED. 101 00:03:59,307 --> 00:04:01,442 YEAH, WE KNOW THE KEY DOESN'T MATCH 102 00:04:01,475 --> 00:04:03,877 THE VIEW FROM ELLEN'S PLACE ON ROOSEVELT ISLAND, 103 00:04:03,911 --> 00:04:06,079 OR HER FAVORITE KNOLL IN CENTRAL PARK, 104 00:04:06,113 --> 00:04:07,815 OR HER EX-BOYFRIEND'S LOFT IN SoHo. 105 00:04:07,848 --> 00:04:10,050 YEAH, I GET IT. WE'VE HAD A LOT OF DEAD ENDS. 106 00:04:10,083 --> 00:04:11,619 BUT SHE HAD A REASON BEHIND THIS. 107 00:04:11,652 --> 00:04:13,954 TO CUT A SKYLINE INTO A SLIVER OF METAL 108 00:04:13,987 --> 00:04:16,790 WITHOUT ANY INDICATION OF WHAT IT POINTS TO OR WHY? 109 00:04:16,824 --> 00:04:18,392 SHE THOUGHT I'D KNOW. 110 00:04:18,426 --> 00:04:20,828 MUST BE SOME PART OF HER LIFE I'M NOT REMEMBERING. 111 00:04:29,437 --> 00:04:31,672 5V78?! THAT'S MY CAB! 112 00:04:31,705 --> 00:04:33,407 HE'S DRIVING MY CAB! 113 00:04:33,441 --> 00:04:35,976 CITIZEN'S ARREST! CEASE AND DESIST! 114 00:04:36,009 --> 00:04:37,077 WHAT THE HELL, MOZ? DON'T -- 115 00:04:37,110 --> 00:04:38,846 LOOK! LOOK IT! HIS TAG NUMBER! 116 00:04:38,879 --> 00:04:41,114 THAT'S ME! HE HAS THE SAME TAXI MEDALLION. 117 00:04:41,148 --> 00:04:42,450 MINE IS LEGAL! 118 00:04:42,483 --> 00:04:44,251 MOZ, IT'S ME. 119 00:04:44,284 --> 00:04:46,820 IT IS! I PAID A FULL ROCK TO BE 5V78. 120 00:04:46,854 --> 00:04:48,589 WHO THE HELL IS THIS GUY?! 121 00:04:48,622 --> 00:04:50,190 MOZZIE, RELAX. DON'T -- DON'T GOT AFTER HIM, MOZZIE! 122 00:04:50,223 --> 00:04:51,459 IT'S NOT -- [ TIRES SQUEAL ] 123 00:04:52,960 --> 00:04:55,696 [ TIRES SCREECH ] MOZ! THAT'S A RED LIGHT! 124 00:04:55,729 --> 00:04:56,997 CAN YOU AT LEAST TURN OFF THE METER? 125 00:04:58,632 --> 00:05:00,501 I MEAN, HONEY, YOU WERE HOSPITALIZED, 126 00:05:00,534 --> 00:05:02,436 HUGHES LOST HIS JOB, ELLEN IS DEAD AND SO IS HER KILLER. 127 00:05:02,470 --> 00:05:03,537 I MEAN -- 128 00:05:03,571 --> 00:05:05,339 PRATT IS DANGEROUS, AND I GOT TO STOP HIM. 129 00:05:05,373 --> 00:05:07,508 THEN STOP HIM AS AN FBI AGENT. 130 00:05:07,541 --> 00:05:10,778 ALL RIGHT, BUT IF NEAL HAS SOME SCHEME OR HEIST PLANNED, 131 00:05:10,811 --> 00:05:12,145 I'M NOT A PART OF IT. 132 00:05:12,179 --> 00:05:13,514 THEN WHAT ARE YOU DOING? 133 00:05:13,547 --> 00:05:17,718 WATCHING. SO THAT I CAN CONTROL THE OUTCOME. 134 00:05:17,751 --> 00:05:20,988 HONEY, I AM SAFE HERE ON THE SIDELINES. 135 00:05:21,021 --> 00:05:22,390 [ CELLPHONE RINGING ] 136 00:05:22,423 --> 00:05:24,157 I THINK IT'S GOOD HE LIED TO YOU. 137 00:05:26,394 --> 00:05:29,497 HI, NEAL. [ GROANS ] 138 00:05:30,564 --> 00:05:33,567 OH, OF COURSE HE DOES. 139 00:05:33,601 --> 00:05:35,569 I'M AIDING AND ABETTING THE FUZZ 140 00:05:35,603 --> 00:05:37,405 AND I'M THE ONE IN MANACLES? 141 00:05:37,438 --> 00:05:39,239 YOU RAN FIVE CONSECUTIVE RED LIGHTS. 142 00:05:39,272 --> 00:05:40,408 I WAS APPREHENDING A CRIMINAL. 143 00:05:40,441 --> 00:05:42,242 THEY THINK YOU'RE THE CRIMINAL. 144 00:05:42,275 --> 00:05:45,713 THIS MEDALLION ISN'T REGISTERED TO YOU. THIS IS FRAUD! 145 00:05:45,746 --> 00:05:48,148 SAYS THE MAN DRIVING A CAB UNDER AN ASSUMED NAME. 146 00:05:48,181 --> 00:05:49,717 UNLESS -- IS THIS YOUR REAL NAME? 147 00:05:49,750 --> 00:05:51,184 OH, NICE TRY, SUIT. 148 00:05:51,218 --> 00:05:53,421 HAL HOOVER IS JUST TRYING TO MAKE AN HONEST LIVING. 149 00:05:53,454 --> 00:05:55,022 HE'S NEITHER HONEST, NOR LIVING. 150 00:05:55,055 --> 00:05:56,490 WHY IS HE DRIVING A CAB? 151 00:05:56,524 --> 00:05:58,659 TO VACUUM FOR TIPS. 152 00:05:58,692 --> 00:06:01,529 FROM SEX LIVES TO STOCK TIPS, THE HAL HOOVER STORY. 153 00:06:01,562 --> 00:06:04,097 I GOT THEM TO LET YOU OFF WITH A FINE. 154 00:06:04,131 --> 00:06:05,499 SO YOU'RE DONE HERE. 155 00:06:05,533 --> 00:06:06,600 I'M DONE? 156 00:06:06,634 --> 00:06:08,669 YEAH, WELL, SOMEBODY SHOULD HAVE THE KEY. 157 00:06:08,702 --> 00:06:11,104 ARE YOU AWARE OF THE LEGWORK REQUIRED 158 00:06:11,138 --> 00:06:14,074 TO LEGALLY OPERATE A YELLOW CAB IN NEW YORK CITY? 159 00:06:14,107 --> 00:06:16,076 YES, YOU CAN RENT OR BUY A MEDALLION 160 00:06:16,109 --> 00:06:18,245 FROM THE TAXI & LIMOUSINE COMMISSION. 161 00:06:18,278 --> 00:06:20,247 THE POTENTIAL FOR PROFIT IS ENORMOUS! 162 00:06:20,280 --> 00:06:22,115 I KNOW, THE MEDALLIONS ARE AUCTIONING 163 00:06:22,149 --> 00:06:23,417 FOR ABOUT A MILLION DOLLARS EACH. 164 00:06:23,451 --> 00:06:24,585 HOW DID YOU GET YOURS? 165 00:06:24,618 --> 00:06:26,053 I PAID -- IN FULL. 166 00:06:26,086 --> 00:06:28,188 I'M SURE YOU CAN GUESS. 167 00:06:28,221 --> 00:06:29,457 DON'T WANT TO KNOW. 168 00:06:29,490 --> 00:06:30,858 THAT MEDALLION IS THE ONLY THING 169 00:06:30,891 --> 00:06:33,260 SEPARATING ME FROM BEING A GYPSY, SUIT. 170 00:06:33,293 --> 00:06:34,695 A GYPSY! 171 00:06:34,728 --> 00:06:37,297 AND NOW SOME HACK IS DRIVING AROUND WITH A COUNTERFEIT. 172 00:06:37,330 --> 00:06:38,566 I GET IT. 173 00:06:38,599 --> 00:06:41,902 UPSTANDING CITIZEN HAL HOOVER HAS BROUGHT ME A CASE. 174 00:07:08,261 --> 00:07:09,663 Jones: WAIT, SO LET ME PROCESS THIS -- 175 00:07:09,697 --> 00:07:12,733 MOZZIE DRIVES A CAB TO GATHER INTEL ON HIS FARES? 176 00:07:12,766 --> 00:07:14,334 CALLS IT HIS YELLOW GIRLFRIEND. 177 00:07:14,367 --> 00:07:15,803 OH, THAT MAKES ME UNCOMFORTABLE. 178 00:07:15,836 --> 00:07:17,771 WELL, IT'S A COMMON PHRASE AMONGST CABBIES. 179 00:07:17,805 --> 00:07:20,407 I REVIEWED HIS BILL OF SALE. IT'S LEGIT. 180 00:07:20,440 --> 00:07:23,143 SHOWS THAT HE PURCHASED THE MEDALLION FOUR MONTHS AGO. 181 00:07:23,176 --> 00:07:24,512 ALL RIGHT, SO WHY DOES THE TAXI & LIMOUSINE COMMISSION 182 00:07:24,545 --> 00:07:26,514 SAY LUKE DUSARQUE OF GOTHAM TAXI OWNS IT? 183 00:07:26,547 --> 00:07:28,949 HIS GIRLFRIEND'S STEPPING OUT. 184 00:07:28,982 --> 00:07:30,117 CUTE -- MY WORKING THEORY IS THAT 185 00:07:30,150 --> 00:07:32,753 SOMEONE FROM THE TLC IS MANIPULATING RECORDS. 186 00:07:32,786 --> 00:07:34,622 YEAH, BUT THE REAL OWNER COULD FILE A REPORT. 187 00:07:34,655 --> 00:07:37,024 WELL, NOT IF YOU TARGET VICTIMS 188 00:07:37,057 --> 00:07:38,859 WHO WOULD BE AFRAID TO REPORT IT, 189 00:07:38,892 --> 00:07:40,994 LIKE NEW CABBIES OR RECENT IMMIGRANTS. 190 00:07:41,028 --> 00:07:43,430 BUT WHOEVER STOLE IT IS COVERING THEIR TRACKS. 191 00:07:43,463 --> 00:07:45,633 THERE'S NO LINK TO ANY OF THE EMPLOYEES AT TLC. 192 00:07:45,666 --> 00:07:46,934 THEN WE GO AFTER THE BUYER. 193 00:07:46,967 --> 00:07:48,502 WANT US TO SUBPOENA DUSARQUE'S RECORDS? 194 00:07:48,536 --> 00:07:49,770 YOU WANT TO PUT HAL HOOVER DOWN 195 00:07:49,803 --> 00:07:51,839 AS THE MAIN TESTIMONY BACKING THAT REQUEST? 196 00:07:51,872 --> 00:07:54,274 YOU EVER ASK YOURSELF IF IT'S WORTH IT? 197 00:07:54,307 --> 00:07:56,710 DO I WONDER WHY I DON'T ARREST MOZZIE AND BE DONE WITH IT? YES. 198 00:07:56,744 --> 00:07:59,479 EVERY TIME HE OPENS HIS MOUTH, I REACH FOR MY CUFFS. 199 00:07:59,513 --> 00:08:01,281 BUT IT LOOKS LIKE HE MAY BE RIGHT. 200 00:08:01,314 --> 00:08:02,449 SO WHAT, THEN? 201 00:08:02,482 --> 00:08:04,384 WE ASK DUSARQUE FOR HIS RECORDS STRAIGHT UP? 202 00:08:04,417 --> 00:08:06,186 YEAH, BUT I DON'T THINK 203 00:08:06,219 --> 00:08:08,822 HE'LL HAND THEM OVER TO AN FBI AGENT. 204 00:08:10,090 --> 00:08:12,059 Neal: PETER BILLINGS? 205 00:08:12,092 --> 00:08:13,226 [ Chuckling ] SOUNDS LIKE A TV ANCHOR. 206 00:08:13,260 --> 00:08:15,062 NO TLC FOR MY TLC ID? 207 00:08:15,095 --> 00:08:16,664 OH, I'VE BEEN WAITING ON A TLC JOKE, 208 00:08:16,697 --> 00:08:18,065 BUT THAT WAS NOT GOOD. 209 00:08:18,098 --> 00:08:19,833 I'LL WORK ON IT. PLEASE DON'T. 210 00:08:19,867 --> 00:08:21,835 PETER BILLINGS. I NEED TO SEE YOUR FARE BOOK. 211 00:08:21,869 --> 00:08:24,471 TLC AGENTS ARE GLORIFIED DMV REPS. 212 00:08:24,504 --> 00:08:26,339 I WOULDN'T FLASH THAT TOO MUCH. 213 00:08:26,373 --> 00:08:28,508 I'M JUST GETTING INTO CHARACTER. PLEASE DON'T. 214 00:08:28,542 --> 00:08:30,744 Mozzie: I'LL TELL YOU, GUYS -- MIRACLE OF LIFE? 215 00:08:30,778 --> 00:08:32,980 THE ONLY MIRACLE IS THAT I DIDN'T GET A HERNIA 216 00:08:33,013 --> 00:08:35,348 SCRUBBING THE STAINS OUT OF MY FLOOR MATS. 217 00:08:35,382 --> 00:08:36,550 WHAT'S HE DOING HERE? 218 00:08:36,584 --> 00:08:38,351 HIS BEST COLUMBO IMPRESSION? 219 00:08:38,385 --> 00:08:40,253 HE'S NOT COLUMBO. I'M COLUMBO. GET HIM OUT OF HERE. 220 00:08:40,287 --> 00:08:41,989 ALL RIGHT. 221 00:08:42,022 --> 00:08:44,357 IT'S THE THIRD TIME SOMEONE'S GIVEN BIRTH IN MY CAB. 222 00:08:44,391 --> 00:08:46,860 I MEAN, I'M NOT EVEN A FATHER! 223 00:08:46,894 --> 00:08:49,196 I FEEL LIKE A FREAKING MIDWIFE! 224 00:08:49,229 --> 00:08:50,397 [ LAUGHTER ] 225 00:08:50,430 --> 00:08:52,065 PETER BILLINGS OF THE TLC. 226 00:08:52,099 --> 00:08:54,367 I NEED TO SPEAK WITH LUKE DUSARQUE, PLEASE. 227 00:08:54,401 --> 00:08:55,535 OFFICE. 228 00:08:55,569 --> 00:08:57,270 THANK YOU. FRANK, BRING THE KEYS TO 6V92. 229 00:08:57,304 --> 00:08:59,439 I SWEAR, I'VE NEVER SEEN 230 00:08:59,472 --> 00:09:02,275 THAT AMOUNT OF COPPER PIPE IN MY LIFE. 231 00:09:02,309 --> 00:09:04,277 YOU KNOW THAT PLASTIC IS THE NEWEST THING NOW, RIGHT? 232 00:09:04,311 --> 00:09:06,213 HEY! YOU...HAL! 233 00:09:06,246 --> 00:09:07,581 YOU DROVE ME TO KATZ'S DELI THE OTHER DAY. 234 00:09:07,615 --> 00:09:09,016 I LEFT MY WALLET IN YOUR CAR. 235 00:09:09,049 --> 00:09:10,784 OH, YEAH. KATZ'S, RIGHT -- 236 00:09:10,818 --> 00:09:12,219 THE BAD TIPPER. 237 00:09:12,252 --> 00:09:13,286 REALLY? BAD TIPPER? 238 00:09:13,320 --> 00:09:15,789 IS THAT WHY YOU DROVE OFF WITH $500 OF MY MONEY? 239 00:09:15,823 --> 00:09:18,792 YEAH. YEAH. NOT SO SASSY NOW, ARE WE? 240 00:09:18,826 --> 00:09:20,594 I'D LIKE A WORD WITH YOU, PLEASE? 241 00:09:20,628 --> 00:09:23,230 WHOEVER SAID THE CUSTOMER'S ALWAYS RIGHT 242 00:09:23,263 --> 00:09:25,032 NEVER MET THE CUSTOMER, AM I RIGHT? 243 00:09:25,065 --> 00:09:26,099 [ LAUGHTER ] 244 00:09:26,133 --> 00:09:27,567 THAT'S FUNNY. 245 00:09:27,601 --> 00:09:29,202 Wanda: CARMEN'S PULLING 8R62 OUT NOW. 246 00:09:29,236 --> 00:09:31,204 YOU DIDN'T TRUST PETER AND I ALONE ON THIS? 247 00:09:31,238 --> 00:09:34,441 THREE IN THE HAND IS BETTER THAN NONE IN THE BUSH. 248 00:09:34,474 --> 00:09:37,210 STOP TRYING TO MAKE THAT A SAYING. DID YOU GET ANYWHERE? 249 00:09:37,244 --> 00:09:38,779 DID I? I WAS CHATTING WITH EARL HERE. 250 00:09:38,812 --> 00:09:41,381 I GUESS EVERY SO OFTEN, THE CABBIES COME IN AND FIND 251 00:09:41,414 --> 00:09:44,417 THAT DUSARQUE HAS LEFT A NEW CAR ON THE LOT. 252 00:09:44,451 --> 00:09:45,585 HMM. 253 00:09:45,619 --> 00:09:48,889 IF I CAN GET INSIDE THAT CAB, I COULD HACK THE GPS. 254 00:09:48,922 --> 00:09:50,123 OH, AND PULL A HOME BASE 255 00:09:50,157 --> 00:09:52,125 ON WHERE THE MEDALLIONS ARE COMING FROM? 256 00:09:52,159 --> 00:09:55,428 WELL, WE DON'T HAVE TIME TO BREAK IN AND HOT WIRE IT. 257 00:09:55,462 --> 00:09:57,798 WE'LL NEED THE KEY. FRANK, WHERE ARE WE ON THOSE KEYS? 258 00:09:57,831 --> 00:10:00,067 YOU HAVE YOUR 5V78 PAPERWORK ON YOU? 259 00:10:00,100 --> 00:10:01,969 THEY CAN'T TAKE EVERYTHING AWAY FROM HAL HOOVER. 260 00:10:02,002 --> 00:10:03,303 WHY? 261 00:10:03,336 --> 00:10:05,105 'CAUSE A BILL OF SALE LOOKS A LOT LIKE A LEASE AGREEMENT 262 00:10:05,138 --> 00:10:06,439 TO A BUSY WOMAN. 263 00:10:06,473 --> 00:10:07,507 [ GASPS ] 264 00:10:07,540 --> 00:10:09,643 LET'S GO GET YOUR WALLET BACK. 265 00:10:09,677 --> 00:10:13,180 LOOK, LADY, WE DROPPED YOU OFF AT YOUR DESTINATION, 266 00:10:13,213 --> 00:10:15,615 WE CHARGED YOUR CARD, END OF STORY. 267 00:10:15,649 --> 00:10:18,351 LUKE DUSARQUE. WANDA SAID YOU NEEDED ME? 268 00:10:18,385 --> 00:10:19,953 PETER BILLINGS, TLC. 269 00:10:19,987 --> 00:10:22,122 NOT AFRAID OF LOSING REPEAT CUSTOMERS, HUH? 270 00:10:22,155 --> 00:10:24,224 CAN'T LET PEOPLE WALK ALL OVER YOU. 271 00:10:25,058 --> 00:10:26,593 SO? 272 00:10:26,626 --> 00:10:27,761 YEAH, WE'VE HAD RUMORS 273 00:10:27,795 --> 00:10:30,530 OF CABBIES GIVING UNREPORTED CASH RIDES. 274 00:10:30,563 --> 00:10:32,565 I GOT TO CHECK YOUR RECORDS. IT'S ROUTINE. 275 00:10:34,668 --> 00:10:36,436 GREAT. THAT THE YEAR? 276 00:10:36,469 --> 00:10:37,437 THE MONTH. 277 00:10:37,470 --> 00:10:39,106 AH, YOU MIND IF I MAKE 278 00:10:39,139 --> 00:10:41,108 A FEW COPIES OF THESE FARE LOGS? 279 00:10:41,141 --> 00:10:42,475 THE REST OF THEM ARE OVER THERE. 280 00:10:42,509 --> 00:10:44,511 LET ME KNOW IF I NEED TO FIRE ANYBODY. 281 00:10:46,179 --> 00:10:48,148 GOTHAM. THIS IS LUKE. 282 00:10:48,181 --> 00:10:50,550 I ALREADY TOLD YOU, BUDDY, IT'S NOT IN THERE! 283 00:10:50,583 --> 00:10:52,352 IT'S $500, DANNY DeVITO! 284 00:10:52,385 --> 00:10:54,521 THE LEAST YOU CAN LET ME DO IS LOOK INSIDE THE CAB. 285 00:10:54,554 --> 00:10:55,989 [ TELEPHONE RINGING ] 286 00:10:56,023 --> 00:10:57,490 GOTHAM. PLEASE HOLD. 287 00:10:57,524 --> 00:10:59,192 CAN YOU BELIEVE THIS, WANDA?! 288 00:10:59,226 --> 00:11:01,795 CALVIN KLEIN HERE COMES INTO MY PLACE OF BUSINESS 289 00:11:01,829 --> 00:11:03,530 AND PUBLICLY ATTACKS MY CHARACTER! 290 00:11:03,563 --> 00:11:05,565 I DON'T HAVE TIME FOR THIS. WHO ARE YOU? 291 00:11:05,598 --> 00:11:10,103 UH, HAL. I LEASED 5V78 LAST WEEK. 292 00:11:12,205 --> 00:11:15,008 REALLY? YOU PAID $4,000 A MONTH TO RENT A TAXI MEDALLION? 293 00:11:15,042 --> 00:11:17,477 YEAH, I BET YOU DO NEED SOME EXTRA CASH, PAL. 294 00:11:17,510 --> 00:11:20,647 HEY! DOESN'T MEAN I TAKE SOMETHING THAT WASN'T MINE. RIGHT, WANDA? 295 00:11:20,680 --> 00:11:22,883 LET THE MAN LOOK IN THE CAR IF IT'LL SETTLE THIS. 296 00:11:22,916 --> 00:11:27,888 THANK YOU! FRANK, I NEED THE KEYS TO 5V78 -- STAT! 297 00:11:27,921 --> 00:11:30,090 THANK YOU, WANDA. YOU'RE A VERY REASONABLE PERSON... 298 00:11:30,123 --> 00:11:31,491 UNLIKE HIM. 299 00:11:31,524 --> 00:11:34,427 OH, THIS ONE? YOU HAVE NO IDEA. 300 00:11:34,461 --> 00:11:37,264 GOTHAM TAXI. HOLD, PLEASE. 301 00:11:37,297 --> 00:11:38,365 [ HUMMING ] 302 00:11:43,436 --> 00:11:44,671 GOT THE I.D. NUMBER. 303 00:11:44,704 --> 00:11:46,573 GREAT, I'LL BE IN THEIR FIREWALL WITHIN AN HOUR. 304 00:11:46,606 --> 00:11:49,209 ALL RIGHT. Peter: OR I'LL SIMPLY CALL THE COMPANY 305 00:11:49,242 --> 00:11:51,011 AND REQUISITION THEIR LOGS. 306 00:11:51,044 --> 00:11:53,113 SO WHEN I DO IT, I'M A CRIMINAL. 307 00:11:53,146 --> 00:11:54,714 BUT WHEN YOU DO IT, YOU'RE A PATRIOT? 308 00:11:54,748 --> 00:11:55,916 GOD BLESS THE GOVERNMENT. 309 00:11:55,949 --> 00:11:57,717 PETER BILLINGS, TLC. 310 00:11:57,751 --> 00:12:00,287 I'M GOING TO NEED YOU TWO TO STEP OUT OF THE VEHICLE. 311 00:12:00,320 --> 00:12:03,590 SERIOUSLY? YEAH. 312 00:12:10,063 --> 00:12:12,632 INCREDIBLE! 313 00:12:12,665 --> 00:12:14,802 DUSARQUE HAS ALL THE APPROPRIATE PAPERWORK 314 00:12:14,835 --> 00:12:17,437 CO-OPTING MY MEDALLION AND MY RIDE LOG. 315 00:12:17,470 --> 00:12:19,039 THE HUBRIS! 316 00:12:19,072 --> 00:12:21,308 DIDN'T EVEN BAT AN EYE WHEN HE HANDED IT OVER. 317 00:12:21,341 --> 00:12:22,575 THESE FARE LOGS GO BACK 318 00:12:22,609 --> 00:12:23,944 ALL FOUR MONTHS YOU'VE OWNED THE MEDALLION. 319 00:12:23,977 --> 00:12:26,947 YEAH, MOST OF THESE ARE MY FARES. 320 00:12:26,980 --> 00:12:30,617 MINE. MINE. MINE. MINE...NOT MINE! 321 00:12:30,650 --> 00:12:33,620 ALL RIGHT, THAT'S WHEN THE MEDALLION SWITCHED HANDS. 322 00:12:33,653 --> 00:12:34,587 TWO THURSDAYS AGO. 323 00:12:34,621 --> 00:12:37,224 YEAH, LEAVING US WITH 20 OR SO ADDRESSES 324 00:12:37,257 --> 00:12:39,592 ABOVE THAT ON THE GPS TO TRACK DOWN. 325 00:12:39,626 --> 00:12:40,727 YOU READ, I'LL SEARCH. 326 00:12:40,760 --> 00:12:43,430 1023 EAST RIVINGTON STREET. 327 00:12:43,463 --> 00:12:46,934 ...23 EAST RIVING-TON STREET. 328 00:12:46,967 --> 00:12:49,602 HMM... 329 00:12:49,636 --> 00:12:51,939 THAT'S A RESIDENCE OF A FILM PRODUCER... 330 00:12:51,972 --> 00:12:54,674 THAT SUSPENDED HER MAIL DELIVERY 331 00:12:54,707 --> 00:12:58,011 BECAUSE SHE'S JUST RETURNING FROM A FILM SHOOT IN ROMANIA. 332 00:12:58,045 --> 00:13:00,580 AND USED THE CAB TO RETURN FROM JFK. 333 00:13:00,613 --> 00:13:01,781 NEXT. 334 00:13:01,815 --> 00:13:04,151 SERIOUSLY, GREY GARDENS, THIS IS THE PACE WE'RE GONNA GO AT? 335 00:13:04,184 --> 00:13:06,954 JUSTICE REQUIRES PATIENCE, LITTLE EDIE. 336 00:13:06,987 --> 00:13:07,955 ALL RIGHT. 337 00:13:07,988 --> 00:13:12,960 ALL RIGHT, 1297 EAST HOUSTON. 338 00:13:12,993 --> 00:13:15,362 THAT'S A DONUT SHOP OWNED AND OPERATED BY 339 00:13:15,395 --> 00:13:17,931 AN 82-YEAR-OLD MAN AND HIS WIFE. 340 00:13:17,965 --> 00:13:20,667 MAYBE THEY'RE FENCING MEDALLIONS TO BUILD A RETIREMENT FUND? 341 00:13:20,700 --> 00:13:21,835 MM-HMM. 342 00:13:21,869 --> 00:13:25,772 ALL RIGHT, 656 WEST 125th STREET. 343 00:13:25,805 --> 00:13:28,708 THAT'S...THE COTTON CLUB. 344 00:13:28,741 --> 00:13:30,443 I THOUGHT THAT SHUT DOWN. 345 00:13:30,477 --> 00:13:32,679 THEY HAD A SOFT OPENING TWO MONTHS AGO. 346 00:13:32,712 --> 00:13:35,048 TESTING THE WATERS FOR A BIGGER ONE. 347 00:13:36,216 --> 00:13:38,618 ELIZABETH HAS BEEN BEGGING ME TO GO. 348 00:13:38,651 --> 00:13:39,786 WHO OWNS IT NOW? 349 00:13:39,819 --> 00:13:42,722 JUNE USED TO TELL ME ABOUT SINGING THERE WITH BYRON. 350 00:13:42,755 --> 00:13:45,692 TWO BROTHERS -- ANGELO AND DELMON WELLS. 351 00:13:45,725 --> 00:13:48,495 DELMON'S RECENTLY BACK FROM A STINT AT RIKERS. 352 00:13:48,528 --> 00:13:50,063 FOUR YEARS -- B&E. 353 00:13:50,097 --> 00:13:51,398 AND ANGELO... 354 00:13:51,431 --> 00:13:54,367 WORKS AT THE TAXI & LIMOUSINE COMMISSION. 355 00:13:54,401 --> 00:13:57,971 THAT'S THE GUY! HE MUST BE SELLING THE MEDALLIONS! 356 00:13:58,005 --> 00:13:59,339 THE CLUB'S A CASH BUSINESS. 357 00:13:59,372 --> 00:14:01,174 IT'S THE PERFECT PLACE TO CLEAN THE PROFIT. 358 00:14:01,208 --> 00:14:03,410 IF THAT'S THE CASE, IT MIGHT SHOW UP ON THEIR BALANCE SHEET. 359 00:14:04,411 --> 00:14:06,613 YOU READY TO GO FOR A RIDE? 360 00:14:11,118 --> 00:14:13,887 HERE WE ARE. TIPS WELCOME. 361 00:14:13,921 --> 00:14:17,057 HERE'S A TIP -- CLEAN THESE SEATS. ALL RIGHT, LET'S GO. 362 00:14:17,090 --> 00:14:18,825 UH, WE CAN HANDLE THIS, COLUMBO. 363 00:14:18,858 --> 00:14:21,628 HEY, THREE IN THE HAND IS BETTER THAN NONE IN THE BUSH. 364 00:14:22,729 --> 00:14:25,065 JUST STAY HERE AND DON'T GET IN ANY TROUBLE. 365 00:14:25,098 --> 00:14:27,767 I DON'T KNOW WHY YOU STILL BOTHER SAYING THAT. 366 00:14:31,271 --> 00:14:32,772 [ INDISTINCT CONVERSATION ] 367 00:14:36,143 --> 00:14:39,446 [ GRUNTS ] 368 00:14:39,479 --> 00:14:42,282 THAT'S THE FASTEST I'VE GOTTEN A CAB IN HARLEM -- OR ANYWHERE. 369 00:14:42,315 --> 00:14:45,452 ALMOST MAKES ME CHANGE MY MIND ABOUT WANTING TO SELL THE PLACE. 370 00:14:45,485 --> 00:14:46,686 OH, YOU'RE THE OWNER? 371 00:14:46,719 --> 00:14:47,854 UH-HUH. YOU NEW? 372 00:14:47,887 --> 00:14:50,423 NO! 373 00:14:50,457 --> 00:14:52,092 I'M AN OPPORTUNIST. 374 00:14:52,125 --> 00:14:54,127 HUH. 375 00:15:07,140 --> 00:15:10,143 [ SIGHS ] YOU CAN SMELL THE HISTORY IN THIS PLACE. 376 00:15:10,177 --> 00:15:12,245 YEAH, HISTORY SMELLS LIKE AN OLD ASHTRAY. 377 00:15:12,279 --> 00:15:14,047 WE'RE NEVER GONNA GET A LOOK AT THEIR FINANCIALS 378 00:15:14,081 --> 00:15:15,548 IF THAT'S YOUR ATTITUDE. 379 00:15:15,582 --> 00:15:17,317 MY ATTITUDE MIGHT NOT COME INTO PLAY. 380 00:15:17,350 --> 00:15:19,586 WE'RE A COUPLE OF SORE THUMBS HERE. 381 00:15:19,619 --> 00:15:22,255 [ INDISTINCT CONVERSATION ] ALL RIGHT, NO FBI. 382 00:15:22,289 --> 00:15:24,257 ROLL WITH ME ON THIS. 383 00:15:24,291 --> 00:15:25,292 OH, JUST ONCE I'D LOVE 384 00:15:25,325 --> 00:15:27,327 AN EXPLANATION TO FOLLOW THAT SENTENCE. 385 00:15:27,360 --> 00:15:30,463 WE DON'T OPEN TILL 7:00, GENTLEMEN. 386 00:15:30,497 --> 00:15:33,133 I KNOW. NEAL CRAIG -- TALENT MANAGEMENT. 387 00:15:33,166 --> 00:15:34,167 THIS YOUR PLACE? 388 00:15:34,201 --> 00:15:36,136 MINE AND MY BROTHER'S -- DELMON WELLS. 389 00:15:36,169 --> 00:15:37,337 AND I'M WITH THE LABEL. 390 00:15:37,370 --> 00:15:40,473 PETER BILLINGS -- SWING LOW SOUND. 391 00:15:40,507 --> 00:15:42,175 YOU GUYS GOT A PRETTY GOOD STABLE. 392 00:15:42,209 --> 00:15:44,177 WELL, THANKS. I HELPED REBUILD IT. 393 00:15:44,211 --> 00:15:46,346 SO WHY ARE YOU HERE? 394 00:15:46,379 --> 00:15:49,016 WELL, WE KNOW YOU'RE ALSO IN THE PROCESS OF REBUILDING. 395 00:15:49,049 --> 00:15:51,351 WE THOUGHT WE'D OFFER SOME FRESH TALENT TO DRAW CROWDS. 396 00:15:51,384 --> 00:15:53,186 FRESH IS CODE FOR YOUNG AND FLEETING, 397 00:15:53,220 --> 00:15:55,222 AND THIS CLUB DOESN'T DO "AMERICAN IDOL." 398 00:15:56,956 --> 00:15:58,691 YOU INTERESTED IN CLASSIC ACTS? 399 00:15:58,725 --> 00:16:00,860 LITTLE LESS LANA DEL RYE -- 400 00:16:00,893 --> 00:16:02,929 MORE BOOKER LITTLE RESOLVING NOTES ON HIS TRUMPET? 401 00:16:02,962 --> 00:16:05,132 WHICH IS WHAT I BOOKED FOR THIS FRIDAY'S REOPENING. 402 00:16:05,165 --> 00:16:07,700 GOT ME AN OLD-SCHOOL TRIO -- SAX, DRUMS, AND AN ORGAN. 403 00:16:07,734 --> 00:16:09,736 YOU COULD STILL USE A SINGER. 404 00:16:10,970 --> 00:16:13,006 Mozzie: MUST BE NICE, RUNNING A CLUB LIKE THAT. 405 00:16:13,040 --> 00:16:14,874 YOU WANT IT, YOU CAN HAVE IT. 406 00:16:14,907 --> 00:16:17,110 WELL, IF YOU'RE NOT INTO IT, WHY ARE YOU REOPENING THE CLUB? 407 00:16:17,144 --> 00:16:18,278 THAT'D BE MY BROTHER. 408 00:16:18,311 --> 00:16:20,013 HE DITCHES TOWN FOR A WHILE, 409 00:16:20,047 --> 00:16:22,182 COMES BACK AND DECLARES US OPEN FOR BUSINESS. 410 00:16:22,215 --> 00:16:23,616 OH, YOU DON'T LIKE TO BE TOLD WHAT TO DO. 411 00:16:23,650 --> 00:16:25,218 THAT'S RIGHT. 412 00:16:25,252 --> 00:16:26,853 MY MOTHER LEAVES US A CLUB I DON'T WANT, 413 00:16:26,886 --> 00:16:28,121 MY BROTHER LEAVES ME TO RUN IT, 414 00:16:28,155 --> 00:16:31,158 MEANWHILE NOBODY CARES I GOT A DAY JOB TO WORRY ABOUT. 415 00:16:31,191 --> 00:16:32,892 OH, WHERE'S THAT? TLC. 416 00:16:32,925 --> 00:16:34,494 TAXI & LIMOUSINE COMMISSION? 417 00:16:34,527 --> 00:16:35,762 DING-DING. 418 00:16:36,663 --> 00:16:38,398 5V78. 419 00:16:38,431 --> 00:16:40,500 YOU LEASE THIS FROM DUSARQUE OVER AT GOTHAM? 420 00:16:40,533 --> 00:16:43,970 YEAH. YOU REALLY KNOW YOUR CABS. 421 00:16:44,003 --> 00:16:46,739 I CAN BARELY GET ONE MYSELF. 422 00:16:46,773 --> 00:16:48,175 THIS GAME'S RIGGED, MAN. 423 00:16:48,208 --> 00:16:49,809 NO, THEY... 424 00:16:49,842 --> 00:16:52,011 [ Chuckling ] THAT'S THE REASON THEY CALL IT THE EMPIRE CITY. 425 00:16:52,045 --> 00:16:53,180 YOU GOT TO SCRAPE WHERE YOU CAN. 426 00:16:53,213 --> 00:16:54,914 HOW DO YOU SCRAPE? 427 00:16:54,947 --> 00:16:57,317 BY TAKING JOY IN THE ONE GOOD THING ABOUT MY JOB. 428 00:16:57,350 --> 00:16:59,419 WHAT'S THAT? 429 00:16:59,452 --> 00:17:00,753 HIRING CIGAR GIRLS. 430 00:17:00,787 --> 00:17:03,223 [ LAUGHS ] 431 00:17:03,256 --> 00:17:04,857 I'VE NEVER HEARD OF JUNE ELLINGTON. 432 00:17:04,891 --> 00:17:06,893 NO, BUT YOU'VE HEARD OF HER HUSBAND, BYRON. 433 00:17:06,926 --> 00:17:08,228 BYRON ELLINGTON, THE TRUMPETER? 434 00:17:08,261 --> 00:17:10,097 GOT A HELL OF A RIDE OUT OF THAT LAST NAME. 435 00:17:10,130 --> 00:17:12,165 HE PLAYED WITH DON BYAS BACK THEN. 436 00:17:12,199 --> 00:17:14,567 AND JUNE SANG LEAD UNTIL BYRON GOT SICK. 437 00:17:14,601 --> 00:17:16,169 YOU GUYS HAVE PIQUED MY INTEREST, 438 00:17:16,203 --> 00:17:18,037 BUT, UH, WE'RE A SMALL OPERATION. 439 00:17:18,071 --> 00:17:20,507 I CAN'T JUST WRITE A BIG CHECK AT THE END OF THE NIGHT. 440 00:17:20,540 --> 00:17:23,343 I'M SURE WE CAN WORK SOMETHING OUT. 441 00:17:23,376 --> 00:17:26,513 SO WHY WOULD A LABEL LET THEIR ARTIST WORK ON THE CHEAP? 442 00:17:26,546 --> 00:17:28,848 I THINK WHAT HE MEANS TO SAY IS -- 443 00:17:28,881 --> 00:17:30,550 MUSIC ISN'T BORN IN MADISON SQUARE GARDEN. 444 00:17:30,583 --> 00:17:33,220 IT STARTS HERE, IN CLUBS LIKE THIS 445 00:17:33,253 --> 00:17:35,955 MUSIC HAS TO COME FROM SOMEWHERE TO GO SOMEWHERE. 446 00:17:35,988 --> 00:17:39,126 WELL, I HANDLE THE TALENT, BUT MY BROTHER KEEPS THE BOOKS. 447 00:17:39,159 --> 00:17:41,361 WE USUALLY DO A STRAIGHT PERCENTAGE OF 65. 448 00:17:41,394 --> 00:17:44,364 I THINK WE CAN DO BETTER THAN A STRAIGHT PERCENTAGE FOR JUNE. 449 00:17:44,397 --> 00:17:47,600 AND WE STILL HAVE TO HEAR AN E.P. BEFORE WE SETTLE ON ANYTHING. 450 00:17:47,634 --> 00:17:51,304 WON'T BE A PROBLEM. COULD I TROUBLE YOU FOR A MATCHBOOK? 451 00:17:51,338 --> 00:17:54,307 IT'S FOR MY WIFE. SHE'S A BIG FAN OF THIS PLACE. 452 00:17:54,341 --> 00:17:56,243 OKAY. THANKS. 453 00:18:01,848 --> 00:18:03,250 [ CAMERA SHUTTER CLICKING ] 454 00:18:16,529 --> 00:18:19,732 YOU SHOULD INVITE YOUR WIFE FOR THE REOPENING. THANK YOU. 455 00:18:19,766 --> 00:18:21,168 ALL RIGHT, I THINK WE ALL GOT WHAT WE NEED HERE. 456 00:18:21,201 --> 00:18:22,302 WE'LL BE IN TOUCH. OKAY. 457 00:18:22,335 --> 00:18:24,304 LOOKING FORWARD TO HEARING THAT ALBUM. 458 00:18:28,941 --> 00:18:30,477 WHAT WAS THAT BACK THERE? 459 00:18:30,510 --> 00:18:32,679 "MUSIC ISN'T BORN IN MADISON SQUARE GARDEN?" 460 00:18:32,712 --> 00:18:34,281 EL'S WEEKLY DISSERTATION 461 00:18:34,314 --> 00:18:37,417 WHEN SHE PUTS HER MORGANA KING ALBUM ON. 462 00:18:37,450 --> 00:18:38,585 WHERE THE HELL IS MOZZIE? [ SIGHS ] 463 00:18:38,618 --> 00:18:41,854 I DON'T KNOW WHY YOU STILL BOTHER. 464 00:18:45,725 --> 00:18:47,327 SO, YOU ACTUALLY LISTEN TO ME 465 00:18:47,360 --> 00:18:48,861 WHEN I RANT ABOUT SOMETHING, HUH? 466 00:18:48,895 --> 00:18:50,330 MARRIAGE IS FOR BETTER OR FOR WORSE. UH-HUH. 467 00:18:50,363 --> 00:18:53,166 YOU KNOW, THE COTTON CLUB BRINGS BACK A LOT OF MEMORIES. 468 00:18:53,200 --> 00:18:54,534 WHEN I FIRST CAME TO NEW YORK, 469 00:18:54,567 --> 00:18:56,436 I USED TO GO THERE EVERY THURSDAY NIGHT. 470 00:18:56,469 --> 00:18:57,604 WHY'D YOU STOP? 471 00:18:57,637 --> 00:19:00,006 THEY SHUT DOWN. A LOT OF THESE OLD PLACES DO. 472 00:19:00,039 --> 00:19:01,641 YEAH, IT DOESN'T HELP THE BUSINESSES 473 00:19:01,674 --> 00:19:03,042 WHEN THE OWNERS ARE CROOKS. 474 00:19:03,075 --> 00:19:04,811 DOES THAT MEAN I DON'T GET TO GO TO THE REOPENING? 475 00:19:04,844 --> 00:19:07,214 IF THEY'RE USING THE CLUB TO LAUNDER MONEY, THERE WON'T BE A REOPENING. 476 00:19:07,247 --> 00:19:09,616 DON'T LOSE HOPE -- IT MIGHT TAKE US PAST FRIDAY 477 00:19:09,649 --> 00:19:12,385 TO ISOLATE THE DISCREPANCIES IN THE BOOKS. 478 00:19:12,419 --> 00:19:13,386 I KNOW EVENT VENUES. 479 00:19:13,420 --> 00:19:15,588 I COULD PROBABLY SAVE YOU A FEW HOURS OF WORK. 480 00:19:18,325 --> 00:19:20,793 OKAY. LET'S SEE. OKAY. [ SIGHS ] 481 00:19:20,827 --> 00:19:24,297 THEY HAVE 30 TABLES, TURNOVER AN HOUR PER TABLE, 482 00:19:24,331 --> 00:19:26,566 HERE THEY HAVE TOTAL ATTENDANCE AT 220. 483 00:19:26,599 --> 00:19:29,469 BUT SEE, THEY'RE ONLY PUTTING 300 LINENS TO BE WASHED. 484 00:19:29,502 --> 00:19:30,637 IT SHOULD BE WELL OVER 500. 485 00:19:30,670 --> 00:19:32,739 WELL, THEY COULD BE REUSING THEM TO CUT COSTS. 486 00:19:32,772 --> 00:19:34,807 YEAH, OR THEY COULD BE PADDING THE HEAD COUNT 487 00:19:34,841 --> 00:19:36,909 AND TABBING AN EXTRA COUPLE GRAND EVERY NIGHT. 488 00:19:36,943 --> 00:19:38,311 THAT'S MY GIRL! 489 00:19:38,345 --> 00:19:40,680 OH. CAN YOU NAIL 'EM? 490 00:19:40,713 --> 00:19:43,049 NOT YET. THESE SCAMS ARE NEARLY IMPOSSIBLE TO PROVE. 491 00:19:43,082 --> 00:19:44,351 SMART. 492 00:19:44,384 --> 00:19:47,354 HEY. MY YELLOW GIRLFRIEND AND I RETURN WITH NEWS. 493 00:19:47,387 --> 00:19:48,321 COME ON IN. 494 00:19:48,355 --> 00:19:51,824 SURE. ANGELO RECOGNIZED MY TAXI NUMBER. 495 00:19:51,858 --> 00:19:53,326 IT'S DEFINITELY HIM. 496 00:19:53,360 --> 00:19:54,861 YEAH, AND POSSIBLY HIS BROTHER. 497 00:19:54,894 --> 00:19:56,429 THEN WHY THE DILLYDALLYING? 498 00:19:56,463 --> 00:19:58,831 ARREST AND RETURN ALL THE SEIZED GOODS. 499 00:19:58,865 --> 00:20:01,434 BASED ON YOUR OBSERVATIONS AND A LAUNDRY BILL? TRY AGAIN. 500 00:20:01,468 --> 00:20:04,337 WE NEED EYES ON THE OPERATION, SOMEONE ON THE INSIDE. 501 00:20:04,371 --> 00:20:07,907 HMM. KNOW ANY CUTE CIGAR GIRLS? 502 00:20:07,940 --> 00:20:11,778 [ JAZZ MUSIC PLAYS ] 503 00:20:15,315 --> 00:20:18,518 THANKS, TOOTS. 504 00:20:18,551 --> 00:20:21,688 I BETTER NOT HEAR YOU LAUGHING. 505 00:20:21,721 --> 00:20:23,723 OH, WE'RE LAUGHING WITH YOU, TOOTS. 506 00:20:23,756 --> 00:20:25,425 [ WAND WARBLES ] 507 00:20:26,759 --> 00:20:29,529 SECURITY GUARD BY THE STAIRS HAS GOT A METAL DETECTOR. 508 00:20:29,562 --> 00:20:31,498 YEAH. I WONDER WHAT THAT'S ABOUT. 509 00:20:36,569 --> 00:20:38,104 I GOT EYES ON ANGELO. 510 00:20:38,137 --> 00:20:39,472 HE'S HEADED DOWNSTAIRS WITH A BRIEFCASE. 511 00:20:39,506 --> 00:20:41,107 See if you can follow him. 512 00:20:41,140 --> 00:20:43,075 ALL RIGHT. 513 00:20:44,010 --> 00:20:46,313 HANDS. 514 00:20:47,179 --> 00:20:49,549 Man: OH, NICE. WHAT'S THIS? 515 00:20:49,582 --> 00:20:50,617 ON THE HOUSE. 516 00:20:50,650 --> 00:20:52,352 THANK YOU! YEAH! 517 00:20:54,454 --> 00:20:56,456 I GOT TO RELOAD. 518 00:20:56,489 --> 00:20:59,058 [ WAND WARBLES ] 519 00:20:59,091 --> 00:21:00,927 SORRY -- EARRINGS. 520 00:21:05,131 --> 00:21:08,100 Delmon: WHAT'S IN IT? 521 00:21:08,134 --> 00:21:09,302 Angelo: NOTHING. 522 00:21:09,336 --> 00:21:10,470 ANGELO! I SAID, "NOTHING." 523 00:21:10,503 --> 00:21:12,939 DAMN BEANIE BABIES. WHAT'S THE DIFFERENCE? 524 00:21:23,816 --> 00:21:25,785 DON'T PATRONIZE ME THEN. 525 00:21:25,818 --> 00:21:28,020 I'M NOT ASKING FOR A KIDNEY. 526 00:21:28,054 --> 00:21:29,422 HOW MANY TIMES YOU EXPECT ME TO DO THIS 527 00:21:29,456 --> 00:21:30,857 WITHOUT KNOWING WHAT I'M DOING? 528 00:21:30,890 --> 00:21:32,459 COME ON! 529 00:21:32,492 --> 00:21:34,327 LUKE SAID HE'LL BE HERE FRIDAY AT 8:30 TO GET THE BRIEFCASE. 530 00:21:34,361 --> 00:21:36,028 FRIDAY'S THE REOPENING. 531 00:21:36,062 --> 00:21:37,997 WHAT? THERE'S A "NO SWAPPING BRIEFCASES" RULE? 532 00:21:38,030 --> 00:21:41,434 I JUST DON'T WANT YOU GETTING INTO TROUBLE. 533 00:21:41,468 --> 00:21:44,471 THEN HELP ME OUT. NOW, OPEN THE SAFE. 534 00:21:46,172 --> 00:21:47,807 ANGELO'S SELLING ANOTHER MEDALLION. 535 00:21:47,840 --> 00:21:49,876 AND DELMON DOESN'T KNOW ANYTHING ABOUT IT. 536 00:21:49,909 --> 00:21:52,512 Delmon: * I GOT HARLEM ON MY MIND * 537 00:21:52,545 --> 00:21:54,313 SO YOU'RE NOT COMING ON FRIDAY? 538 00:21:54,347 --> 00:21:56,549 Angelo: I TOLD YOU. DUSTY JAZZ ACTS AIN'T MY THING 539 00:21:56,583 --> 00:21:57,684 BOSS, DID YOU GET ALL THAT? 540 00:21:57,717 --> 00:22:00,353 I DID. SEE IF YOU CAN GET EYES ON THAT SAFE. 541 00:22:00,387 --> 00:22:01,854 I'LL TRY. 542 00:22:12,432 --> 00:22:13,566 [ DOOR CLOSES ] 543 00:22:13,600 --> 00:22:16,569 I DON'T HEAR ANYONE. I'M GOING IN. 544 00:22:16,603 --> 00:22:18,938 Watch yourself. 545 00:22:29,516 --> 00:22:31,083 YOU'RE THE NEW GIRL. 546 00:22:32,519 --> 00:22:34,421 Yeah, um, I was just -- 547 00:22:34,454 --> 00:22:37,824 VENTURING SOMEPLACE YOU GOT ABSOLUTELY NO BUSINESS BEING. 548 00:22:45,465 --> 00:22:48,401 DIANA? 549 00:22:48,435 --> 00:22:51,370 I'M SORRY. I GOT LOST. 550 00:22:53,806 --> 00:22:55,542 LOST? THAT'S NOT GONNA HOLD. 551 00:22:55,575 --> 00:22:57,209 NO, BUT SHE KNOWS THAT. 552 00:22:57,243 --> 00:22:58,911 WELL, THERE'S TWO DOORS IN THAT HALLWAY. 553 00:22:58,945 --> 00:23:03,049 ONE GOES TO THE HUMIDOR, AND ONE GOES TO MY OFFICE. 554 00:23:03,082 --> 00:23:04,784 GUESS YOU DIDN'T HAVE TROUBLE FINDING THE HUMIDOR. 555 00:23:04,817 --> 00:23:08,120 NO. 556 00:23:08,154 --> 00:23:11,691 I, UM -- I HEARD ABOUT YOUR VINYL COLLECTION. 557 00:23:11,724 --> 00:23:13,726 I WANTED TO TAKE A LOOK. 558 00:23:13,760 --> 00:23:15,528 SO, YOU'LL RISK GETTING FIRED 559 00:23:15,562 --> 00:23:17,630 TO COME IN HERE TO SEE SOME DUSTY JAZZ ACTS? 560 00:23:17,664 --> 00:23:20,266 IF YOU'RE CALLING AN ORIGINAL PRESSING OF JAMES RUSHING 561 00:23:20,299 --> 00:23:22,401 A "DUSTY JAZZ ACT," THEN YOU AND ME GOT A PROBLEM. 562 00:23:22,435 --> 00:23:27,440 YOU GOT SOME BALLS, GIRL. SPARK ME UP ONE OF THOSE. 563 00:23:28,841 --> 00:23:32,244 SMART. THE APPLE AND EVE. SHE COULDN'T RESIST. 564 00:23:40,520 --> 00:23:43,623 OH, NOW YOU HELP YOURSELF TO A PRINCIPITO? 565 00:23:43,656 --> 00:23:46,959 JONES: I'm officially jealous. 566 00:23:46,993 --> 00:23:48,561 HAVE YOU EVER HAD A PRINCIPITO? NO. 567 00:23:48,595 --> 00:23:50,597 THEY'RE THE REASON WHY WE HAVE FIVE SENSES. 568 00:23:50,630 --> 00:23:51,498 WHAT, YOU CAN HEAR THEM? 569 00:23:51,531 --> 00:23:53,733 LIGHT ONE UP, AND TELL ME IT DOESN'T SING. 570 00:23:53,766 --> 00:23:55,735 WELL, I SEE YOU GOT THE SAME GOOD TASTE IN MUSIC 571 00:23:55,768 --> 00:23:57,637 THAT YOU HAVE IN YOUR CIGARS. 572 00:23:57,670 --> 00:24:00,406 IT'S YOUR RECORD. NAW, IT'S MY MOM'S. 573 00:24:00,439 --> 00:24:01,941 I JUST GET CREDIT FOR NOT SELLING IT. 574 00:24:05,612 --> 00:24:08,147 YOU EVER WONDER WHERE IT COMES FROM -- 575 00:24:08,180 --> 00:24:09,916 OUR NEED FOR MUSIC? 576 00:24:09,949 --> 00:24:12,485 WELL, IT CATALOGUES OUR MEMORIES. 577 00:24:12,519 --> 00:24:15,588 A RECORD LIKE THAT, IT JUST PUTS YOU SOMEPLACE. 578 00:24:15,622 --> 00:24:16,956 WHERE'S IT PUT YOU? 579 00:24:16,989 --> 00:24:18,357 [ SCOFFS ] 580 00:24:18,390 --> 00:24:20,960 THE FIRST TIME I HEARD JIMMY RUSHING WAS NOT ON WAX. 581 00:24:20,993 --> 00:24:22,495 IT WAS HERE. 582 00:24:22,529 --> 00:24:24,196 YOU COULDN'T HAVE BEEN MORE THAN 7. 583 00:24:24,230 --> 00:24:27,600 6 -- I REMEMBER JUST SITTING ON A BARSTOOL, 584 00:24:27,634 --> 00:24:30,603 PLAYING DRUMS IN MY HEAD LIKE JO JONES WAS ONSTAGE, 585 00:24:30,637 --> 00:24:32,605 WHICH INCIDENTALLY, CAN'T BE DONE. 586 00:24:32,639 --> 00:24:34,541 [ LAUGHS ] 587 00:24:34,574 --> 00:24:35,775 AND MY BROTHER ANGELO -- 588 00:24:35,808 --> 00:24:36,976 YEAH, HE INTERVIEWED ME. 589 00:24:37,009 --> 00:24:38,678 HE WAS 4 YEARS OLD, MAN. 590 00:24:38,711 --> 00:24:41,614 HE'S RUNNING AROUND, "DEVIL IN HIS EYES" WILD. 591 00:24:41,648 --> 00:24:45,184 [ LAUGHS ] ARMS FLAILING LIKE HE WAS UNDERWATER. 592 00:24:45,217 --> 00:24:46,519 [ BOTH LAUGH ] 593 00:24:46,553 --> 00:24:48,788 I DON'T THINK HE KNEW EXACTLY WHAT HE WAS DOING, 594 00:24:48,821 --> 00:24:50,790 BUT HE KNEW WHAT HE WAS DOING, YOU KNOW? 595 00:24:50,823 --> 00:24:54,226 DOES HE STILL KNOW WHAT HE'S DOING? 596 00:24:54,260 --> 00:24:57,229 UM, HE'S BEEN FLAILING AROUND A BIT LATELY, 597 00:24:57,263 --> 00:24:59,799 BUT HIS HEART'S STILL IN IT. 598 00:24:59,832 --> 00:25:05,037 BUT I'LL ALWAYS REMEMBER HIM SPINNING AROUND UP THERE. 599 00:25:05,071 --> 00:25:08,207 THAT'S WHY WE NEED THE MUSIC. 600 00:25:08,240 --> 00:25:10,509 THAT'S WHAT YOU'RE TRYING TO RECAPTURE WITH THE REOPENING. 601 00:25:10,543 --> 00:25:12,879 I FIGURE IF I CAN REMIND HIM OF WHAT HE'S MISSING, 602 00:25:12,912 --> 00:25:15,414 MAYBE HE'LL JUST KEEP HIS FLAILING ON THE DANCE FLOOR. 603 00:25:15,447 --> 00:25:17,584 YOU DID A BANG-UP JOB WITH THE PLACE. 604 00:25:17,617 --> 00:25:19,886 GOOD BOOZE, BEST MUSICIANS ALIVE... 605 00:25:19,919 --> 00:25:21,554 CIGAR GIRLS. [ CHUCKLES ] 606 00:25:21,588 --> 00:25:25,357 YEAH, SPEAKING OF WHICH, UH, ISN'T YOUR BREAK ABOUT UP? 607 00:25:25,391 --> 00:25:27,827 IT IS. 608 00:25:27,860 --> 00:25:29,796 YEAH. 609 00:25:32,198 --> 00:25:35,234 I HOPE WHAT YOU'RE DOING PAYS OFF. 610 00:25:35,267 --> 00:25:38,671 YEAH. ME, TOO. 611 00:25:38,705 --> 00:25:41,440 AND THE MUSIC NEVER STOPS. 612 00:25:41,473 --> 00:25:43,509 WE SHOULDN'T BE ARRESTING DELMON. SOUNDS LIKE A DECENT GUY. 613 00:25:43,542 --> 00:25:45,511 I KNOW, BUT OUR ONLY DEFINITIVE LINK TO THE CRIME 614 00:25:45,544 --> 00:25:48,581 IS IN A SAFE, IN THE BACK OFFICE OF THE COTTON CLUB. 615 00:25:48,615 --> 00:25:50,583 WHAT ARE THE CHANCES DELMON WILL ROLL ON ANGELO 616 00:25:50,617 --> 00:25:52,719 IF WE BUST HIM MAKING THE EXCHANGE WITH DUSARQUE? 617 00:25:52,752 --> 00:25:54,086 NONE. HE LOVES ANGELO. 618 00:25:54,120 --> 00:25:56,623 HE'D GO SILENT BEFORE ROLLING ON HIS BABY BROTHER. 619 00:25:56,656 --> 00:25:58,791 SO THE GUILTY BROTHER WALKS, AND THE INNOCENT ONE DOES TIME? 620 00:25:58,825 --> 00:25:59,959 NO. 621 00:25:59,992 --> 00:26:01,560 YOU HAVE AN IDEA? 622 00:26:01,594 --> 00:26:04,230 WE NEED TO FORCE ANGELO TO SHOW UP AT THE MEET. 623 00:26:04,263 --> 00:26:05,932 I MET DUSARQUE. HE'S A BULL. 624 00:26:05,965 --> 00:26:07,433 IF SOMETHING GOES WRONG, 625 00:26:07,466 --> 00:26:09,769 HE'LL DEMAND ANSWERS DIRECTLY FROM ANGELO. 626 00:26:09,802 --> 00:26:11,570 IF THE MEDALLION SOMEHOW DISAPPEARED, 627 00:26:11,604 --> 00:26:13,572 THAT'D GIVE HIM REASON TO BE UPSET. 628 00:26:15,642 --> 00:26:17,777 WE REPLACE THE REAL MEDALLION WITH A DECOY. 629 00:26:17,810 --> 00:26:21,380 A DISAPPEARING DECOY? A MELTING ONE. 630 00:26:21,413 --> 00:26:23,750 LIKE THE ICE DIAMOND YOU GAVE THE CZARINA IN RUSSIA. 631 00:26:23,783 --> 00:26:24,984 NO. 632 00:26:25,017 --> 00:26:27,153 Jones: CAN WE GET IN THE SAFE TO MAKE THE SWAP? 633 00:26:27,186 --> 00:26:28,755 THE SAFE LOCK'S VOICE-RECOGNITION. 634 00:26:28,788 --> 00:26:30,957 I THINK I HAVE A VOCAL KEY. 635 00:26:30,990 --> 00:26:33,392 Delmon: * I GOT HARLEM ON MY MIND * 636 00:26:33,425 --> 00:26:36,629 THAT'S WHY HE WAS SINGING. THOSE LYRICS UNLOCK THE SAFE. 637 00:26:36,663 --> 00:26:37,830 ALTHOUGH I HATE TO BREAK IT TO YOU, 638 00:26:37,864 --> 00:26:40,466 THAT LAPTOP'S NOT GETTING PAST THE SECURITY'S METAL DETECTOR. 639 00:26:40,499 --> 00:26:44,470 FOR THAT MATTER, ANY KIND OF RECORDER OR PLAY-BACK DEVICE. 640 00:26:44,503 --> 00:26:46,505 Neal: WHAT IF IT'S VINYL? 641 00:26:46,538 --> 00:26:48,107 MAYBE IT'S TIME FOR JUNE ELLINGTON 642 00:26:48,140 --> 00:26:50,276 TO COME OUT OF RETIREMENT. 643 00:26:56,315 --> 00:26:58,417 Neal: ALL RIGHT. 644 00:26:58,450 --> 00:26:59,752 DELMON IS A CONNOISSEUR OF VINYL, 645 00:26:59,786 --> 00:27:01,087 SO WE NEED TO PRESS AN ALBUM 646 00:27:01,120 --> 00:27:03,656 THAT LOOKS AND SOUNDS AUTHENTIC TO THE '60s. 647 00:27:03,690 --> 00:27:06,525 THINK YOU CAN HANDLE IT? YOU KNOW I CAN HANDLE IT. 648 00:27:06,558 --> 00:27:08,094 OF COURSE SHE CAN. 649 00:27:08,127 --> 00:27:10,697 SO WE'RE GONNA RECORD YOU SINGING ON BOTH CHANNELS 650 00:27:10,730 --> 00:27:13,165 BUT HIDE DELMON'S VOICE KEY ON THE LEFT AUDIO TRACK. 651 00:27:13,199 --> 00:27:15,868 THAT WAY, WHEN NEAL PLAYS IT BACK, IT WILL OPEN THE SAFE. 652 00:27:15,902 --> 00:27:18,537 MY ONLY QUESTION IS, WHAT SONGS AM I SINGING? 653 00:27:18,570 --> 00:27:21,140 "AIN'T NOBODY'S BUSINESS" AND "HARLEM ON MY MIND" -- 654 00:27:21,173 --> 00:27:22,174 DELMON'S TASTE -- 655 00:27:22,208 --> 00:27:24,143 BUT I'LL SHOW YOU HOW TO CLASS IT UP. 656 00:27:24,176 --> 00:27:27,046 LISTEN, LITTLE MAN, IF YOU THINK YOU CAN SHOW ME SOME CLASS, 657 00:27:27,079 --> 00:27:28,748 YOU HAVE ANOTHER THOUGHT COMING. 658 00:27:31,383 --> 00:27:33,619 TALENT. 659 00:27:33,652 --> 00:27:35,955 OKAY. I THINK WE'RE GOOD. 660 00:27:35,988 --> 00:27:38,524 I'M GONNA GET STARTED ON THOSE MELTING MEDALLIONS. 661 00:27:38,557 --> 00:27:40,659 [ JAZZ MUSIC PLAYS ] 662 00:27:48,935 --> 00:27:55,742 * IF I SHOULD TAKE A NOTION TO JUMP INTO THE OCEAN * 663 00:27:55,775 --> 00:27:59,879 * AIN'T NOBODY'S BUSINESS IF I DO * 664 00:28:01,781 --> 00:28:08,821 * IF GO TO CHURCH ON SUNDAY AND SHIMMY DOWN ALL DAY MONDAY * 665 00:28:08,855 --> 00:28:14,193 * AIN'T NOBODY'S BUSINESS IF I DO * 666 00:28:14,226 --> 00:28:17,764 * IF MY FRIEND AIN'T GOT NO MONEY * 667 00:28:17,797 --> 00:28:21,400 * I SAY, "ALL RIGHT, HONEY" 668 00:28:21,433 --> 00:28:27,206 * AIN'T NOBODY'S BUSINESS IF I DO * 669 00:28:27,239 --> 00:28:30,376 * NOBODY'S BUSINESS 670 00:28:30,409 --> 00:28:33,880 * AIN'T NOBODY'S BUSINESS 671 00:28:33,913 --> 00:28:39,986 * NOBODY'S BUSINESS IF I DO 672 00:28:47,659 --> 00:28:49,896 [ HORNS HONKING ] 673 00:28:51,931 --> 00:28:53,065 HEY. Neal: HEY. 674 00:28:53,099 --> 00:28:55,267 GOT OUR RUSH JOB BACK FROM THE PRINTERS. HERE. 675 00:28:55,301 --> 00:28:56,869 WOW. LOOK AT THAT. 676 00:28:56,903 --> 00:28:59,138 Peter: GREAT PHOTO OF YOU, JUNE. 677 00:28:59,171 --> 00:29:00,807 WELL, WHAT DO YOU THINK? [ CHUCKLES ] 678 00:29:00,840 --> 00:29:03,142 IF THE SONGS ARE GOOD, WE'RE GOOD. 679 00:29:03,175 --> 00:29:05,211 OH, THE SONGS ARE GOOD. 680 00:29:05,244 --> 00:29:07,579 THE SONGS ARE EXCEPTIONAL. YOU DIG? 681 00:29:07,613 --> 00:29:09,648 [ LAUGHTER ] 682 00:29:09,681 --> 00:29:11,217 UH, THE QUESTION IS, WILL DELMON AGREE? 683 00:29:11,250 --> 00:29:13,485 WELL, THERE'S ONLY ONE WAY TO FIND OUT. 684 00:29:22,594 --> 00:29:23,896 * NOBODY'S BUSINESS * 685 00:29:23,930 --> 00:29:25,231 WHAT DO YOU THINK? 686 00:29:25,264 --> 00:29:26,966 HONESTLY, I THINK IT'S A BUNCH OF BULL. 687 00:29:28,267 --> 00:29:30,002 I MEAN, THESE GUYS HAD THIS WOMAN AT THE HEAD, 688 00:29:30,036 --> 00:29:31,570 AND IT WAS BYRON THAT MADE IT BIG? 689 00:29:31,603 --> 00:29:32,438 [ CHUCKLES ] 690 00:29:32,471 --> 00:29:34,606 SO SHE'S YOUR GIRL FOR THE REOPENING? 691 00:29:34,640 --> 00:29:37,609 YEAH, MAN. SHE'S MY GIRL. 692 00:29:37,643 --> 00:29:39,645 [ JAZZ MUSIC PLAYS ] 693 00:29:43,950 --> 00:29:46,285 CHECK, CHECK! 694 00:29:46,318 --> 00:29:48,855 AW, HON, THANKS FOR LETTING ME COME. 695 00:29:48,888 --> 00:29:50,489 I SORT OF GOT THE IMPRESSION I DIDN'T HAVE A CHOICE. 696 00:29:50,522 --> 00:29:51,690 YOU DIDN'T. [ LAUGHS ] 697 00:29:51,723 --> 00:29:53,926 [ SIGHS ] IT'S BETTER THAN I REMEMBER. 698 00:29:53,960 --> 00:29:56,929 YEAH, DELMON HAS DONE A LOT OF WORK 699 00:29:56,963 --> 00:29:58,865 TO RETURN THE CLUB TO ITS FORMER GLORY. 700 00:29:58,898 --> 00:29:59,999 HMM. 701 00:30:00,032 --> 00:30:01,767 WELL, YOU TELL HIM YOUR WIFE APPROVES. 702 00:30:01,800 --> 00:30:03,469 WELL, YOU CAN TELL HIM YOURSELF. 703 00:30:03,502 --> 00:30:05,704 WE READY TO GO? YEAH. JUNE'S ALL SET. 704 00:30:05,737 --> 00:30:08,307 EXCITED TO HEAR THOSE PIPES LIVE AND IN PERSON. 705 00:30:08,340 --> 00:30:09,308 WE ALL ARE. 706 00:30:09,341 --> 00:30:11,443 MR. WELLS, THIS IS MY WIFE ELIZABETH. 707 00:30:11,477 --> 00:30:13,179 Elizabeth: HI. OH, THE JAZZ FAN. 708 00:30:13,212 --> 00:30:15,514 EXCUSE ME. YEAH. 709 00:30:15,547 --> 00:30:17,349 I SAW STEVE COLEMAN PERFORM YEARS AGO -- 710 00:30:17,383 --> 00:30:19,351 NEARLY BLEW MY SKIRT RIGHT OFF. 711 00:30:19,385 --> 00:30:20,419 GREEN ROOM. 712 00:30:21,921 --> 00:30:23,422 [ WAND WARBLES ] 713 00:30:35,067 --> 00:30:36,568 LOOK AT THIS TURNOUT. 714 00:30:36,602 --> 00:30:39,305 I SEE THE ELLINGTON NAME STILL CARRIES SOME WEIGHT AROUND HERE. 715 00:30:39,338 --> 00:30:41,740 [ CHEERS AND APPLAUSE ] YES. 716 00:30:43,943 --> 00:30:45,244 LADIES AND GENTLEMEN, 717 00:30:45,277 --> 00:30:49,048 I'M SO EXCITED TO INTRODUCE MRS. JUNE ELLINGTON. 718 00:30:49,081 --> 00:30:50,482 [ CHEERS AND APPLAUSE ] 719 00:30:50,516 --> 00:30:51,617 PETER, HEY! 720 00:30:54,453 --> 00:30:56,655 I THOUGHT YOU WERE TRACKING DUSARQUE. 721 00:30:56,688 --> 00:30:58,991 HE MUST HAVE GOTTEN ANXIOUS BECAUSE HE'S ON HIS WAY IN HERE. 722 00:30:59,025 --> 00:31:00,893 NEAL JUST WENT DOWN A MINUTE AGO. 723 00:31:00,927 --> 00:31:02,494 WELL, YOU GOT TO STALL THE EXCHANGE. 724 00:31:02,528 --> 00:31:04,496 I CAN'T. DUSARQUE WILL RECOGNIZE ME. 725 00:31:04,530 --> 00:31:07,666 OKAY. ALL RIGHT. HANG BACK. MM-HMM. 726 00:31:07,699 --> 00:31:09,535 WE'VE GOT IT COVERED. 727 00:31:09,568 --> 00:31:10,502 ALL RIGHT. TELL DIANA TO GET MOVING. 728 00:31:10,536 --> 00:31:12,871 HONEY, I GOT TO MAKE MYSELF SCARCE. 729 00:31:12,905 --> 00:31:14,273 OKAY. 730 00:31:23,549 --> 00:31:25,551 IT IS SO WONDERFUL TO SEE -- 731 00:31:25,584 --> 00:31:27,519 TO SEE ALL OF YOU HERE THIS EVENING. 732 00:31:27,553 --> 00:31:28,554 THANK YOU FOR BEING HERE. 733 00:31:28,587 --> 00:31:29,888 I'M GONNA GET SETTLED IN WITH MY BAND, 734 00:31:29,922 --> 00:31:31,958 AND WE'LL BEGIN IN JUST A MOMENT. 735 00:31:35,594 --> 00:31:38,297 HEY, UH, YOU OWN THIS PLACE, RIGHT? 736 00:31:38,330 --> 00:31:39,731 YEAH, I DO, BUT I'M BUSY RIGHT NOW. HEY, LISTEN. 737 00:31:39,765 --> 00:31:42,301 DO YOU HAVE ANY MORE OF THOSE PRINCIPITOS LAYING AROUND? 738 00:31:42,334 --> 00:31:43,635 YOU HAVE TO ASK MY CIGAR GIRL. 739 00:31:43,669 --> 00:31:45,537 HEY, UM... HMM? 740 00:31:45,571 --> 00:31:47,473 YOU'RE NOT GONNA MISS JUNE'S PERFORMANCE, ARE YOU? 741 00:31:47,506 --> 00:31:50,576 NO, BUT I DO HAVE SOME BUSINESS TO HANDLE, SO... 742 00:31:50,609 --> 00:31:51,710 LET IT WAIT. 743 00:31:51,743 --> 00:31:53,745 I HEAR SHE'S GONNA DEDICATE HER FIRST SONG TO YOU. 744 00:31:53,779 --> 00:31:56,248 YOU DID HEAR THAT, HUH? MM-HMM. 745 00:31:56,282 --> 00:31:58,484 June: ALL RIGHT. WE'RE ALL SET TO BEGIN TONIGHT. 746 00:31:58,517 --> 00:32:01,120 SO SIT BACK, RELAX, AND ENJOY. 747 00:32:01,153 --> 00:32:03,589 AND AGAIN, THANK YOU VERY MUCH FOR COMING. 748 00:32:03,622 --> 00:32:10,129 BUT FIRST, UM, BEFORE I GET STARTED, I'M [COUGHS] DRY. 749 00:32:10,162 --> 00:32:11,730 COULD I HAVE A LITTLE WATER, PLEASE? 750 00:32:11,763 --> 00:32:15,134 THANK YOU SO MUCH. 751 00:32:15,167 --> 00:32:18,504 THANK YOU. 752 00:32:18,537 --> 00:32:21,673 [ CLEARS THROAT ] THANK YOU. 753 00:32:21,707 --> 00:32:27,513 UM, I WANT US TO ALL DEDICATE THIS SONG TO MR. DELMON WELLS. 754 00:32:27,546 --> 00:32:30,749 AND I THINK A SONG ABOUT HARLEM IS VERY APPROPRIATE 755 00:32:30,782 --> 00:32:34,253 BECAUSE HE HAS HELPED TO PUT HARLEM BACK ON OUR MINDS. 756 00:32:34,286 --> 00:32:35,921 THANK YOU. 757 00:32:35,954 --> 00:32:38,090 IT'S ALL YOURS. 758 00:32:38,124 --> 00:32:40,926 [ CHEERS ] 759 00:32:40,959 --> 00:32:43,895 [ JAZZ MUSIC PLAYS ] 760 00:32:46,298 --> 00:32:49,268 [ MUSIC FADES ] * EMERALDS IN MY BRACELETS 761 00:32:49,301 --> 00:32:53,705 * DIAMONDS IN MY RINGS 762 00:32:53,739 --> 00:32:57,543 [ JAZZ MUSIC CONTINUES IN DISTANCE ] 763 00:32:57,576 --> 00:33:04,150 * AND I'M BLUE, SO BLUE 764 00:33:07,186 --> 00:33:09,288 Delmon: * I GOT HARLEM ON MY MIND * 765 00:33:09,321 --> 00:33:10,556 [ SAFE BEEPS ] 766 00:33:11,423 --> 00:33:16,328 * AND I'M LONGING TO BE LOWDOWN * 767 00:33:17,596 --> 00:33:23,569 * AND MY "PARLEZ-VOUS" WILL NOT RING TRUE * 768 00:33:23,602 --> 00:33:29,241 * WITH HARLEM ON MY MIND 769 00:33:33,245 --> 00:33:35,314 HEY. YOU'RE EARLY. 770 00:33:35,347 --> 00:33:37,716 SO'S DUSARQUE. DELMON COULD BE HERE ANY SECOND. 771 00:33:37,749 --> 00:33:39,418 ALL RIGHT. LET'S MAKE THE SWAP. 772 00:33:39,451 --> 00:33:41,320 WE'VE GOT ABOUT FIVE MINUTES FROM NOW UNTIL IT MELTS. 773 00:33:41,353 --> 00:33:45,124 LET'S HOPE DUSARQUE IS READY TO SWAP HIS CASH FOR THIS. 774 00:33:48,927 --> 00:33:51,697 * WITH A FRENCH MARQUIS 775 00:33:51,730 --> 00:33:57,736 * EACH EVENING AFTER THE SHOW 776 00:33:57,769 --> 00:34:00,906 * MY LIPS BEGIN TO WHISPER DON'T TELL HER I'M GONE. 777 00:34:00,939 --> 00:34:04,543 OKAY. * "MON CHERI" 778 00:34:04,576 --> 00:34:09,715 * BUT MY HEART KEEPS SINGING, "HI-DE-HO" * 779 00:34:09,748 --> 00:34:12,084 THAT BOUGHT US A LITTLE TIME. 780 00:34:14,753 --> 00:34:17,756 BUSY NIGHT. YOU SHOULD BE HAPPY. 781 00:34:17,789 --> 00:34:18,757 [ CHUCKLES ] 782 00:34:18,790 --> 00:34:20,259 YEAH, YOU KNOW, JUNE'S GREAT, 783 00:34:20,292 --> 00:34:22,261 BUT I WAS HOPING MY BROTHER WOULD SHOW. 784 00:34:22,294 --> 00:34:24,896 WELL, THERE'S STILL A CHANCE. 785 00:34:25,897 --> 00:34:27,466 HEY. 786 00:34:28,334 --> 00:34:29,735 YOUR MOM WOULD BE PROUD. 787 00:34:29,768 --> 00:34:33,839 YEAH. [ CHUCKLES ] YEAH. I'LL SEE YOU OUT THERE. 788 00:34:37,643 --> 00:34:39,778 [ PANTING ] 789 00:34:41,647 --> 00:34:45,617 * TAGGING BEHIND 790 00:34:45,651 --> 00:34:51,423 * WITH HARLEM ON MY MIND 791 00:34:51,457 --> 00:34:53,125 * OOH 792 00:34:53,159 --> 00:34:56,828 * WITH HARLEM Woman: WHOO! 793 00:34:56,862 --> 00:35:00,432 * ON MY 794 00:35:00,466 --> 00:35:06,004 * MIND 795 00:35:06,037 --> 00:35:09,675 [ CHEERS AND APPLAUSE ] 796 00:35:09,708 --> 00:35:11,577 CLOCKWORK? 797 00:35:11,610 --> 00:35:13,011 NOPE. SKIN OF OUR TEETH. 798 00:35:13,044 --> 00:35:15,547 THANK YOU. 799 00:35:21,387 --> 00:35:23,589 HE KNOWS HE SHOULDN'T BE DOING THIS. 800 00:35:23,622 --> 00:35:27,726 THE LENGTHS WE GO TO TO PROTECT FAMILY. 801 00:35:38,970 --> 00:35:40,005 THANK YOU VERY MUCH. 802 00:35:40,038 --> 00:35:41,039 YEAH. 803 00:35:41,072 --> 00:35:42,774 MOZZIE'S GOT TO KEEP DUSARQUE OCCUPIED 804 00:35:42,808 --> 00:35:44,676 LONG ENOUGH FOR THE MEDALLION TO MELT. 805 00:35:44,710 --> 00:35:47,479 IF ANYONE CAN KEEP SOMEONE OCCUPIED, IT'S MOZZIE. 806 00:35:47,513 --> 00:35:48,847 [ CHUCKLES ] 807 00:35:53,519 --> 00:35:55,321 Dusarque: SON OF A... 808 00:35:57,823 --> 00:36:00,058 TAXI! [ CELLPHONE DIALING ] 809 00:36:03,028 --> 00:36:05,197 HEY, WHERE YOU HEADED, PAL? GOWANUS. 810 00:36:05,231 --> 00:36:08,033 YEAH, WANDA, I'M GONNA NEED A TOW FROM THE COTTON CLUB. 811 00:36:08,066 --> 00:36:09,401 SOMEONE SLASHED MY TIRE. 812 00:36:09,435 --> 00:36:12,404 NO, I AM NOT WAITING AROUND IN HARLEM. 813 00:36:12,438 --> 00:36:14,973 OH, YOU GOT -- YOU GOT TO BE KIDDING ME. 814 00:36:15,006 --> 00:36:17,309 OH, JUST -- JUST GIVE HER A SECOND. SHE'LL BE FINE. 815 00:36:17,343 --> 00:36:20,879 YEAH, IT LOOKS LIKE I'M GONNA BE WAITING FOR THAT TOW AFTER ALL. 816 00:36:20,912 --> 00:36:21,980 I'LL CALL YOU BACK. 817 00:36:22,013 --> 00:36:23,815 I'D PLANNED ON DOING SOME REPAIRS, 818 00:36:23,849 --> 00:36:26,418 BUT I GOT SHORT-CHANGED ON SOME COPPER PIPE. 819 00:36:26,452 --> 00:36:28,820 $3.00 A POUND -- CAN YOU BELIEVE IT? 820 00:36:28,854 --> 00:36:31,923 LOOK, IF I WANTED TO MAKE SMALL TALK, I WOULD VISIT MY BARBER. 821 00:36:31,957 --> 00:36:33,992 OH, I-I WOULDN'T KNOW ABOUT THAT. 822 00:36:34,025 --> 00:36:35,494 WHAT THE HELL? 823 00:36:35,527 --> 00:36:38,930 I MEAN, I DON'T TRUST ANYBODY BUT ME WITH THIS MOP. 824 00:36:38,964 --> 00:36:43,034 ANGELO, YOU SWINDLING SON OF A BITCH, WHERE IS MY MEDALLION? 825 00:36:43,068 --> 00:36:45,837 WELL, IT ISN'T -- I AM STARING AT AN EMPTY BRIEFCASE 826 00:36:45,871 --> 00:36:47,239 AND A LAP FULL OF WATER! 827 00:36:47,273 --> 00:36:48,907 HEY, TROUBLE IN PARADISE? 828 00:36:48,940 --> 00:36:51,176 I'M MEETING YOU INSIDE. GET HERE NOW! 829 00:37:11,963 --> 00:37:16,302 * SOME OF THESE DAYS 830 00:37:16,335 --> 00:37:20,939 * YOU ARE GONNA MISS ME, HONEY 831 00:37:20,972 --> 00:37:22,908 * SOME OF THESE DAYS 832 00:37:22,941 --> 00:37:25,076 Dusarque: DELMON! 833 00:37:25,110 --> 00:37:26,111 WHAT'S THE PROBLEM? 834 00:37:26,144 --> 00:37:27,946 WHAT DO YOU MEAN, "WHAT'S THE PROBLEM"? 835 00:37:27,979 --> 00:37:30,949 WELL, THE MEDALLION'S MELTED. 836 00:37:30,982 --> 00:37:33,218 HOPEFULLY, THIS BUYS US OUR FACE-TO-FACE. 837 00:37:33,251 --> 00:37:34,953 Peter: I THINK IT DID. 838 00:37:34,986 --> 00:37:37,122 WHERE'S MY MONEY, MAN? WHERE IS MY MONEY? IT'S DOWNSTAIRS. 839 00:37:37,155 --> 00:37:40,258 NOW, THAT -- THAT'S CLOCKWORK. 840 00:37:40,292 --> 00:37:42,661 LET'S GO. YOU GOT A MEDALLION DOWNSTAIRS? I'M NOT GOING DOWNSTAIRS. 841 00:37:42,694 --> 00:37:44,463 LET'S GO. 842 00:37:44,496 --> 00:37:50,436 * WHEN YOU GO AWAY 843 00:37:50,469 --> 00:37:54,340 * 'CAUSE I FEEL SO LONELY 844 00:37:54,373 --> 00:37:57,008 THE REAL MEDALLION BETTER BE IN THERE. 845 00:37:57,042 --> 00:37:58,677 DEL? 846 00:38:02,047 --> 00:38:04,850 * I GOT HARLEM ON MY MIND 847 00:38:07,185 --> 00:38:08,987 ALL I SAW WAS THE BRIEFCASE. 848 00:38:09,020 --> 00:38:11,089 OUT OF MY WAY. 849 00:38:11,122 --> 00:38:12,658 ANGELO, WHAT IS THIS? 850 00:38:12,691 --> 00:38:15,093 DEL, DON'T BE AN IDIOT. 851 00:38:15,126 --> 00:38:17,295 THERE. YOU GOT YOUR MEDALLION, I GOT MY MONEY. WE GOOD? 852 00:38:19,798 --> 00:38:22,801 NO, YOU'RE NOT. 853 00:38:22,834 --> 00:38:24,703 FBI. YOU'RE UNDER ARREST. 854 00:38:24,736 --> 00:38:26,137 YOU TAKING US ALL IN? 855 00:38:26,171 --> 00:38:28,540 WE ARE. GET HIM OUT OF HERE. 856 00:38:30,876 --> 00:38:33,178 YOU'D SAVE YOURSELF SOME TROUBLE IF YOU TELL US WHAT HAPPENED. 857 00:38:36,181 --> 00:38:39,685 [ SIGHS ] CUFF DELMON. 858 00:38:39,718 --> 00:38:40,852 YES, SIR. WAIT. 859 00:38:40,886 --> 00:38:43,855 NO, YOU DON'T HAVE TO DO THAT. 860 00:38:43,889 --> 00:38:47,025 AGENT, DEL HAD NOTHING TO DO WITH THIS. 861 00:38:47,058 --> 00:38:48,627 IT'S ON ME. 862 00:38:48,660 --> 00:38:51,029 YOU PUT THAT ON RECORD, AND YOUR BROTHER WILL BE FINE. 863 00:38:52,731 --> 00:38:55,033 YOU DON'T HAVE TO CUFF HIM. 864 00:38:55,066 --> 00:38:59,938 LET'S TAKE HIM OUT THE BACK, LET THE CROWD ENJOY THE NIGHT. 865 00:39:03,174 --> 00:39:09,548 * AND HAVE HAD YOUR WAY 866 00:39:09,581 --> 00:39:13,351 * OH, BUT WHEN YOU LEAVE ME 867 00:39:13,385 --> 00:39:16,555 * I KNOW, I KNOW 868 00:39:16,588 --> 00:39:18,590 * IT'S GONNA BE THERE 869 00:39:18,624 --> 00:39:23,194 * YOU WILL MISS YOUR SKINNY, LITTLE MAMA * 870 00:39:23,228 --> 00:39:26,398 * WELL, SOME OF THESE DAYS 871 00:39:26,432 --> 00:39:29,234 * SOME OF THESE DAYS 872 00:39:29,267 --> 00:39:33,839 * SOME OF THESE DAYS 873 00:39:33,872 --> 00:39:35,707 [ CHEERS AND APPLAUSE ] 874 00:39:44,082 --> 00:39:45,216 [ DOOR OPENS ] 875 00:39:45,250 --> 00:39:47,052 Mozzie: GOOD NEWS. 876 00:39:47,085 --> 00:39:49,621 THE TLC IS RETURNING ALL THE STOLEN MEDALLIONS. 877 00:39:49,655 --> 00:39:51,690 BAD NEWS, THEY HAVE SOME QUESTIONS 878 00:39:51,723 --> 00:39:54,159 ABOUT THE VALIDITY OF HAL HOOVER'S EXISTENCE. 879 00:39:56,662 --> 00:39:58,930 DON'T WORRY. I CAN WAIT FOR AN APPROPRIATE REACTION. 880 00:39:58,964 --> 00:40:00,532 AFTER DELMON GOT OUT OF PRISON, 881 00:40:00,566 --> 00:40:02,768 ALL HE WANTED WAS TO GET HIS OLD LIFE BACK. 882 00:40:02,801 --> 00:40:04,903 YOU DO KNOW WE'RE TALKING ABOUT ME RIGHT NOW? 883 00:40:04,936 --> 00:40:07,606 MOZ, I KNOW WHERE TO TAKE THE KEY. 884 00:40:08,907 --> 00:40:10,108 Peter: KEY. 885 00:40:16,281 --> 00:40:17,649 [ SIGHS ] 886 00:40:17,683 --> 00:40:20,786 UGH, SOMETIMES I WISH YOU DIDN'T DO YOUR JOB SO WELL. 887 00:40:20,819 --> 00:40:22,588 HEY, YOU SAY "GET EVERYTHING WITH A NEW YORK SKYLINE." 888 00:40:22,621 --> 00:40:23,689 I SUPPLIED. 889 00:40:24,690 --> 00:40:27,158 LOOK. I NEED CAFFEINE OR WHISKEY. 890 00:40:27,192 --> 00:40:29,461 OR BOTH -- IRISH COFFEE. 891 00:40:29,495 --> 00:40:30,762 MM. I WILL KISS YOU. 892 00:40:30,796 --> 00:40:33,832 [ GRUNTS ] [ BEEPING ] 893 00:40:33,865 --> 00:40:36,902 ON THE OFF CHANCE THAT CAFFREY STARTED TO MOVE, I SET AN ALERT. 894 00:40:36,935 --> 00:40:38,136 WHERE'S HE HEADED? 895 00:40:38,169 --> 00:40:39,938 TALKING TO ANGELO MADE ME REALIZE 896 00:40:39,971 --> 00:40:41,773 I'VE BEEN LOOKING AT THE KEY ALL WRONG. 897 00:40:41,807 --> 00:40:43,942 SO A MEDALLION THIEF SET YOU STRAIGHT? 898 00:40:43,975 --> 00:40:46,912 NO. HE REMINDED ME OF WHO I WAS BEFORE I WENT TO PRISON. 899 00:40:46,945 --> 00:40:49,815 10 YEAR AGO, ELLEN AND I HAD NO DIRECT COMMUNICATION. 900 00:40:49,848 --> 00:40:51,249 WELL, SHE WAS IN WITNESS PROTECTION, 901 00:40:51,282 --> 00:40:52,250 AND YOU WERE ON THE LAM. 902 00:40:52,283 --> 00:40:53,752 RIGHT. WE HAD NO RELATIONSHIP. 903 00:40:53,785 --> 00:40:55,687 AND WE'VE BEEN TRYING TO FIND A VANTAGE POINT 904 00:40:55,721 --> 00:40:57,188 THAT WAS RELEVANT TO HER LIFE, 905 00:40:57,222 --> 00:40:59,190 BUT SHE WOULD HAVE BEEN TRYING TO FIND ONE 906 00:40:59,224 --> 00:41:01,192 THAT WAS RELEVANT TO MINE. 907 00:41:01,226 --> 00:41:04,596 LOOKS LIKE A PIER IN QUEENS. 908 00:41:04,630 --> 00:41:07,198 OF COURSE. 909 00:41:07,232 --> 00:41:09,300 IT'S THOSE DAMN CORKS! 910 00:41:09,334 --> 00:41:11,637 COME AGAIN? I SHOULD HAVE KNOWN. 911 00:41:11,670 --> 00:41:13,271 BACK THEN, ALL ELLEN KNEW ABOUT NEAL 912 00:41:13,304 --> 00:41:15,807 WAS THAT HIS TIME WAS RUNNING OUT. 913 00:41:15,841 --> 00:41:17,509 [ CHUCKLES ] I WAS CHASING HIM. 914 00:41:17,543 --> 00:41:19,210 CORKS? 915 00:41:19,244 --> 00:41:22,280 WHEN PETER WAS CLOSING IN, I STARTED SAVING CORKS. 916 00:41:22,313 --> 00:41:24,182 I'D COME DOWN HERE WITH A BOTTLE OF WINE, 917 00:41:24,215 --> 00:41:26,117 WATCH THE SUN SET OVER THE CITY. 918 00:41:26,151 --> 00:41:29,154 EACH SUNSET AND EACH CORK MARKED ANOTHER DAY I WAS FREE. 919 00:41:29,187 --> 00:41:30,522 AND YOU TOLD ELLEN? 920 00:41:30,556 --> 00:41:32,858 YEAH. THE LAST TIME I SAW HER, BEFORE I WENT TO PRISON. 921 00:41:32,891 --> 00:41:34,459 SO MAYBE SHE FIGURED WHEN YOU GOT OUT... 922 00:41:34,492 --> 00:41:36,862 I'D PICK UP WHERE I LEFT OFF. 923 00:41:36,895 --> 00:41:38,964 RIGHT HERE. 924 00:41:38,997 --> 00:41:41,366 [ CHUCKLES ] LET ME GUESS -- THAT'S YOUR CAFFREY BOX. 925 00:41:41,399 --> 00:41:44,970 EVERYTHING THAT DIDN'T MAKE SENSE TO LOG INTO EVIDENCE. 926 00:41:45,003 --> 00:41:46,538 YOU'RE SAYING THERE'S A CORK IN THERE? 927 00:41:46,572 --> 00:41:48,707 NO. HE HAD THIS RITUAL WITH CORKS. 928 00:41:48,740 --> 00:41:49,975 IT DOESN'T MATTER, 929 00:41:50,008 --> 00:41:52,377 BUT HE USED TO GO TO THIS PIER IN QUEENS -- 930 00:41:52,410 --> 00:41:53,812 THAT PIER IN QUEENS. 931 00:41:53,845 --> 00:41:56,347 IT'S GOT TO BE IN HERE. PLEASE BE IN HERE. 932 00:41:56,381 --> 00:41:57,916 PLEASE BE HERE. 933 00:41:57,949 --> 00:41:59,951 [ BREATHING HEAVILY ] 934 00:42:02,420 --> 00:42:03,589 HOLD THIS. 935 00:42:13,264 --> 00:42:15,133 MOZ. 936 00:42:17,368 --> 00:42:21,773 IT COVERS EVERYTHING EXCEPT ONE BUILDING. 937 00:42:21,807 --> 00:42:23,842 HE FOUND IT. 938 00:42:23,875 --> 00:42:25,376 HE FOUND WHAT? 939 00:42:27,245 --> 00:42:29,781 SHE LED YOU TO THE EMPIRE STATE BUILDING. 940 00:42:29,815 --> 00:42:31,817 YEAH. YEAH, SHE DID.