1 00:00:01,102 --> 00:00:02,836 PREVIOUSLY ON "WHITE COLLAR"... 2 00:00:02,870 --> 00:00:04,138 [ GROANS ] 3 00:00:04,172 --> 00:00:05,073 I DON'T EVEN KNOW WHO ATTACKED ME. 4 00:00:05,106 --> 00:00:06,974 DENNIS FLYNN. WE THINK HE KILLED ELLEN. 5 00:00:07,007 --> 00:00:09,210 I WAS UNDERCOVER WITH THE FLYNN ORGANIZATION. 6 00:00:09,243 --> 00:00:13,013 THEY WERE A LOCAL CRIME FAMILY WITH SOME P.D. ON THE PAYROLL. 7 00:00:13,047 --> 00:00:15,183 BALLISTICS MATCHED FLYNN'S GUN TO ELLEN'S MURDER WEAPON. 8 00:00:15,216 --> 00:00:16,184 SO WE GOT HIM. 9 00:00:16,217 --> 00:00:17,151 SOMEBODY ELSE GOT HIM, TOO. 10 00:00:17,185 --> 00:00:19,187 FLYNN WAS BEING ESCORTED TO A TRANSPORT CAR 11 00:00:19,220 --> 00:00:21,922 WHEN HE WAS STABBED TO DEATH BY A PRISONER WITH A SHIV. 12 00:00:21,955 --> 00:00:24,192 NEAL, IF THEY CAN GET TO FLYNN LIKE THIS... 13 00:00:24,225 --> 00:00:26,026 Neal: ELLEN SAID THAT WHATEVER'S IN THAT PENDANT 14 00:00:26,060 --> 00:00:27,861 IS THE KEY TO FINDING THE EVIDENCE BOX. HOW DO WE DO IT? 15 00:00:27,895 --> 00:00:30,564 WELL, I'M LISTED AS HER NEXT OF KIN, SO IT'LL BE SENT TO ME. 16 00:00:30,598 --> 00:00:32,200 GREAT. ONCE WE HAVE THE KEY -- 17 00:00:32,233 --> 00:00:34,602 ONCE I HAVE THE KEY. 18 00:00:34,635 --> 00:00:37,205 NEAL, WE NEED TO TALK. 19 00:00:37,238 --> 00:00:38,772 WHAT'S UP? 20 00:00:38,806 --> 00:00:42,176 AS YOU KNOW, A FEW HOURS AFTER WE ARRESTED DENNIS FLYNN, JR., 21 00:00:42,210 --> 00:00:44,212 HE WAS SHIVVED ON THE WAY TO THE BUS. 22 00:00:44,245 --> 00:00:46,046 NO SUSPECTS. 23 00:00:46,080 --> 00:00:47,047 DO WE KNOW WHY HE WAS TRANSFERRED? 24 00:00:47,081 --> 00:00:50,784 SENATOR TERRENCE PRATT ORDERED THE TRANSFER. 25 00:00:50,818 --> 00:00:53,221 WANTED HIM IN D.C. 26 00:00:53,254 --> 00:00:54,888 WHY WOULD A SENATOR FROM MARYLAND 27 00:00:54,922 --> 00:00:56,390 CARE WHERE FLYNN SERVED TIME? 28 00:01:05,065 --> 00:01:07,301 BECAUSE BEFORE HE RAN FOR PUBLIC OFFICE, 29 00:01:07,335 --> 00:01:09,069 HE WAS A POLICE CAPTAIN IN D.C. 30 00:01:09,103 --> 00:01:12,206 THE SAME TIME MY DAD AND ELLEN WERE ON THE FORCE. 31 00:01:12,240 --> 00:01:15,209 HE'S GOT TO BE ONE OF THE DIRTY COPS ELLEN WAS INVESTIGATING. 32 00:01:15,243 --> 00:01:18,546 THAT'S WHAT I'M THINKING. HE'S THE ONE. 33 00:01:18,579 --> 00:01:19,980 HE HAD ACCESS TO NOTICE 34 00:01:20,013 --> 00:01:22,650 WHEN SAM OR ELLEN'S NAMES POPPED UP ON THE DATABASES. 35 00:01:22,683 --> 00:01:25,052 IF HE WAS ON THE FLYNNS' PAYROLL WHEN HE WAS A COP, 36 00:01:25,085 --> 00:01:26,254 THEY HAVE A COMMON ENEMY. 37 00:01:26,287 --> 00:01:28,088 PRATT REACHES OUT TO FLYNN, 38 00:01:28,122 --> 00:01:29,790 TELLS HIM HE KNOWS WHERE HE CAN FIND 39 00:01:29,823 --> 00:01:31,259 THE PEOPLE WHO TOOK DOWN HIS FAMILY. 40 00:01:31,292 --> 00:01:35,095 FLYNN KILLS ELLEN AND GOES AFTER MY DAD, BUT WE GRAB FLYNN. 41 00:01:35,129 --> 00:01:36,730 PRATT'S WORRIED THAT HE'S GONNA TALK, 42 00:01:36,764 --> 00:01:39,167 SO HE ORDERS THE TRANSFER AND HAS HIM MURDERED. 43 00:01:39,200 --> 00:01:41,335 IT'S A GOOD THEORY. 44 00:01:41,369 --> 00:01:43,137 PRATT'S GONNA BE IN MANHATTAN THIS WEEK. 45 00:01:43,171 --> 00:01:45,273 I'M GONNA INVITE HIM INTO THE OFFICES 46 00:01:45,306 --> 00:01:48,142 SO HE CAN TELL ME WHAT HE KNOWS ABOUT THE FLYNNS. 47 00:01:48,176 --> 00:01:49,109 I LIKE IT. 48 00:01:49,143 --> 00:01:51,145 THINK HE'LL COME? 49 00:01:51,179 --> 00:01:53,314 I WOULD, JUST TO SEE WHAT YOU KNOW. 50 00:01:57,818 --> 00:01:59,953 THE MARSHALS FINALLY CAME THROUGH. 51 00:01:59,987 --> 00:02:02,022 [ SIGHS ] 52 00:02:02,055 --> 00:02:03,991 A LIFE PACKED UP AND INVENTORIED. 53 00:02:07,295 --> 00:02:10,364 ELLEN CERTAINLY DIDN'T LEAVE MUCH BEHIND. 54 00:02:10,398 --> 00:02:13,601 WELL, SHE KNEW SHE WAS BEING UPROOTED. 55 00:02:13,634 --> 00:02:15,169 [ SIGHS ] 56 00:02:15,203 --> 00:02:17,738 SHE ONLY HELD ONTO THINGS WITH SENTIMENTAL VALUE. 57 00:02:23,244 --> 00:02:25,012 OR SOMETHING THAT COULD TEAR THE LID 58 00:02:25,045 --> 00:02:26,647 OFF A DIRTY POLICE DIVISION. 59 00:02:29,583 --> 00:02:31,151 THAT'S THE KEY. 60 00:02:31,185 --> 00:02:32,986 I'VE NEVER SEEN ANYTHING LIKE IT. 61 00:02:33,020 --> 00:02:34,154 IT'S IN TWO PIECES. 62 00:02:34,188 --> 00:02:37,191 HOW DO WE FIND THE EVIDENCE BOX IT OPENS? 63 00:02:37,225 --> 00:02:39,693 IF I USE BUREAU RESOURCES, PRATT WILL KNOW. 64 00:02:39,727 --> 00:02:41,462 SO WE LET MOZZIE RUN WITH THE KEY. 65 00:02:41,495 --> 00:02:43,063 WANT TO REPHRASE? 66 00:02:43,096 --> 00:02:46,200 IF ANYONE CAN FIND WHAT THIS UNLOCKS, IT'S HIM. 67 00:02:49,102 --> 00:02:51,872 ALL RIGHT, BUT I DON'T WANT MOZZIE ALONE ON THIS. 68 00:02:51,905 --> 00:02:52,873 [ INHALES SHARPLY ] 69 00:02:52,906 --> 00:02:54,742 HE DOESN'T PLAY WELL WITH OTHERS. 70 00:03:01,782 --> 00:03:03,751 WHICH HAND? 71 00:03:03,784 --> 00:03:05,686 IT DOESN'T MATTER. I KNOW I'M GONNA BE WRONG. 72 00:03:05,719 --> 00:03:08,155 I ONLY HAVE TWO. WHERE'S THE KEY, QUANTICO? 73 00:03:08,188 --> 00:03:09,557 [ SIGHS ] 74 00:03:16,430 --> 00:03:18,599 THE LEFT. 75 00:03:18,632 --> 00:03:20,033 I USE MY TRIGGER THUMBS TO SWITCH THE KEY BETWEEN HANDS. 76 00:03:20,067 --> 00:03:21,602 YEAH, YOU GOT ME. I CAN'T WORK WITH THIS. 77 00:03:21,635 --> 00:03:23,937 HE HAS NO VISUAL ACUITY. 78 00:03:23,971 --> 00:03:26,274 MOZZIE, TELL US ABOUT THE KEY. 79 00:03:29,543 --> 00:03:32,112 WELL, THE TWO-PART DESIGN MAKES IT UNIQUE. 80 00:03:32,145 --> 00:03:34,782 THE HEAVY CORROSION MASKS ITS TRUE IDENTITY. 81 00:03:34,815 --> 00:03:37,418 THIS, UH, MUSCLED EXCESS BAGGAGE HERE 82 00:03:37,451 --> 00:03:41,255 WILL ONLY HINDER MY PATH OF DISCOVERY. 83 00:03:41,289 --> 00:03:42,856 COME ON. 84 00:03:42,890 --> 00:03:46,860 OKAY. SUIT JONES CAN RIDE ALONG -- 85 00:03:46,894 --> 00:03:47,861 PROVIDED HE CAN KEEP UP. 86 00:03:47,895 --> 00:03:50,364 [ SIGHS ] NOT GONNA BE A PROBLEM. 87 00:03:50,398 --> 00:03:51,965 THE KEY STAYS WITH JONES AT ALL TIME. 88 00:03:51,999 --> 00:03:53,867 NEAL. PETER. Neal: MOZ. 89 00:03:53,901 --> 00:03:55,235 JONES. 90 00:03:55,269 --> 00:03:56,404 [ SIGHS ] 91 00:03:56,437 --> 00:03:59,206 GOOD. WE HAVE A MEETING WITH A SENATOR. 92 00:03:59,239 --> 00:04:00,508 GOOD LUCK. 93 00:04:02,343 --> 00:04:03,477 OKAY, GIVE ME THE KEY. 94 00:04:03,511 --> 00:04:07,247 NOT A CHANCE, TINY. 95 00:04:07,281 --> 00:04:09,082 Hughes: SENATOR, THIS IS SPECIAL AGENT PETER BURKE 96 00:04:09,116 --> 00:04:11,385 AND HIS CONSULTANT, NEAL CAFFREY. 97 00:04:11,419 --> 00:04:13,053 I APPRECIATE YOUR COMING, SENATOR. 98 00:04:13,086 --> 00:04:14,455 HOW COULD I SAY NO TO LAW ENFORCEMENT? 99 00:04:14,488 --> 00:04:16,290 SENATOR, THE OZONE MEETING CONFIRMED, 100 00:04:16,324 --> 00:04:18,326 AND THERE WILL BE NATIONAL PRESS AT THE PENNER LUNCH. 101 00:04:18,359 --> 00:04:21,895 KYLE RUNS MY CALENDAR LIKE AN AIRSTRIP AT ANDREWS, 102 00:04:21,929 --> 00:04:23,297 SO WE'LL NEED TO KEEP THIS BRIEF. 103 00:04:23,331 --> 00:04:25,265 IT WAS AN HONOR TO MEET YOU, SENATOR. THANK YOU. 104 00:04:28,369 --> 00:04:29,970 I'LL GET RIGHT TO IT. 105 00:04:30,003 --> 00:04:32,172 DENNIS FLYNN, YOU KNOW THE FAMILY. 106 00:04:32,205 --> 00:04:34,342 OF COURSE, FROM MY DAYS ON METRO P.D. 107 00:04:34,375 --> 00:04:35,976 WE WERE HOPING FOR SOME INSIGHT. 108 00:04:36,009 --> 00:04:38,746 WELL, WHEN I WAS A COP IN D.C., MY DEPARTMENT CRACKED DOWN 109 00:04:38,779 --> 00:04:41,081 ON AN EARLIER GENERATION OF THE FLYNN FAMILY. 110 00:04:41,114 --> 00:04:43,283 IS THAT WHY YOU REQUESTED DENNIS FLYNN'S TRANSFER? 111 00:04:43,317 --> 00:04:45,753 WELL, THAT FAMILY DID A LOT OF DAMAGE TO MY STATE. 112 00:04:45,786 --> 00:04:47,955 I WANTED TO SEND A CLEAR MESSAGE TO MY VOTERS 113 00:04:47,988 --> 00:04:49,357 THAT I'D TIE UP LOOSE ENDS. 114 00:04:49,390 --> 00:04:51,325 WELL, IT'S UNFORTUNATE FLYNN DIED BEFORE WE COULD QUESTION -- 115 00:04:51,359 --> 00:04:53,126 ANY IDEA WHO WANTED HIM KILLED? 116 00:04:54,628 --> 00:04:56,330 WELL, CLEARLY, HE HAD ENEMIES. 117 00:04:56,364 --> 00:04:58,165 I'M NOT SURPRISED IT ENDED THAT WAY. 118 00:04:58,198 --> 00:05:03,236 BUT WITH A FATHER LIKE HIS... KID NEVER STOOD A CHANCE. 119 00:05:05,305 --> 00:05:08,275 NEAL, WOULD YOU HELP DIANA WITH THE RAMIREZ FILE? 120 00:05:08,308 --> 00:05:10,844 IT'S DUE TODAY. [ BREATHES DEEPLY ] 121 00:05:10,878 --> 00:05:11,845 OF COURSE. 122 00:05:11,879 --> 00:05:13,981 MR. CAFFREY, IS IT? 123 00:05:14,014 --> 00:05:15,182 YOU AND AGENT BURKE HAVE DONE A GREAT SERVICE 124 00:05:15,215 --> 00:05:16,784 TAKING A RUTHLESS CRIMINAL OFF THE STREET, 125 00:05:16,817 --> 00:05:18,486 AND I WANT TO THANK YOU FOR THAT. 126 00:05:18,519 --> 00:05:20,754 THAT'S WHAT WE DO, SIR. 127 00:05:27,094 --> 00:05:29,096 [ INDISTINCT CONVERSATIONS ] 128 00:05:36,437 --> 00:05:40,374 [ KEYBOARD CLACKING ] 129 00:05:50,217 --> 00:05:53,353 [ CELLPHONE RINGS ] 130 00:05:53,387 --> 00:05:55,155 SENATOR PRATT'S OFFICE. 131 00:05:55,188 --> 00:05:56,924 [ Deep voice ] HEY, IT'S GEORGE FROM BLOOMBERG'S. 132 00:05:56,957 --> 00:05:58,358 THEY MAYOR HEARD PRATT'S IN TOWN. 133 00:05:58,392 --> 00:05:59,359 WHY AREN'T WE ON THE BOOKS? 134 00:05:59,393 --> 00:06:02,396 LET ME SEE WHAT WE CAN DO. 135 00:06:02,430 --> 00:06:04,765 LISTEN, I GOT ANOTHER CALL. CAN YOU HOLD? 136 00:06:18,946 --> 00:06:20,914 [ Normal voice ] HEY. WANT SOME MORE? 137 00:06:20,948 --> 00:06:22,883 YEAH. ALL RIGHT. 138 00:06:30,257 --> 00:06:32,392 THANK YOU. 139 00:06:32,426 --> 00:06:34,094 BYE. BYE. 140 00:06:42,436 --> 00:06:44,404 [ Deep voice ] GIVE ME THE GOOD NEWS, KYLE. 141 00:06:44,438 --> 00:06:46,039 WE CAN DO 4:30. 142 00:06:46,073 --> 00:06:47,775 YEAH, THAT'S NOT GONNA WORK. 143 00:06:47,808 --> 00:06:48,942 THAT'S ALL WE'VE GOT. 144 00:06:48,976 --> 00:06:51,545 WELL, GIVE US A HEADS UP NEXT TIME. 145 00:06:51,579 --> 00:06:53,447 [ SIGHS ] 146 00:06:53,481 --> 00:06:57,885 I READ UP ON THE D.C. FLYNNS. 147 00:06:57,918 --> 00:07:01,589 SEEMS THEIR DOWNFALL HINGED ON THE WORD OF A DIRTY COP -- 148 00:07:01,622 --> 00:07:02,890 JAMES BENNETT. 149 00:07:02,923 --> 00:07:05,559 DETECTIVE BENNETT WAS TRAGIC. 150 00:07:05,593 --> 00:07:07,394 HE TURNED STATE EVIDENCE ON THE FLYNNS. 151 00:07:07,427 --> 00:07:08,762 HE DID. 152 00:07:08,796 --> 00:07:11,599 YOU KNEW HIM WELL? YES, I WAS HIS CAPTAIN. 153 00:07:11,632 --> 00:07:14,768 DID EVERYTHING I COULD FOR JIMMY BENNETT. 154 00:07:14,802 --> 00:07:17,971 ULTIMATELY, HE WAS A LOST CAUSE. 155 00:07:18,005 --> 00:07:19,139 [ TELEPHONE RINGS ] 156 00:07:19,172 --> 00:07:20,741 [ INDISTINCT CONVERSATIONS ] 157 00:07:20,774 --> 00:07:22,309 [ ELEVATOR BELL DINGS ] 158 00:07:29,316 --> 00:07:30,918 [ Normal voice ] WELL, HE CAME PREPARED. 159 00:07:30,951 --> 00:07:33,320 YEAH, HE KNOWS WE'RE ONTO HIM. 160 00:07:33,353 --> 00:07:34,955 WE WOKE A GIANT, NEAL. 161 00:07:34,988 --> 00:07:36,924 GOOD NEWS IS I GOT A LOOK AT HIS ITINERARY. 162 00:07:36,957 --> 00:07:39,326 WE'LL KNOW WHERE HE'S GONNA BE WHEN HE'S IN NEW YORK. 163 00:07:39,359 --> 00:07:42,663 EXCELLENT. PRATT WANTS US TO BACK DOWN. 164 00:07:42,696 --> 00:07:43,931 OH. WHAT DO YOU WANT? 165 00:07:43,964 --> 00:07:45,298 JUSTICE. 166 00:07:45,332 --> 00:07:47,601 YOU READY TO TAKE DOWN A GIANT? 167 00:07:47,635 --> 00:07:52,172 GRAB YOUR SLINGSHOT. 168 00:08:07,921 --> 00:08:08,789 Peter: HEY, HONEY. HOW'S THE PLANNING GOING? 169 00:08:09,857 --> 00:08:11,458 [ SIGHS ] THIS PARTY WILL BE THE FIRST TIME 170 00:08:11,491 --> 00:08:13,460 THE AUTHOR APPEARS WITHOUT A BURKA, 171 00:08:13,493 --> 00:08:16,029 AND WHAT DOES THE PUBLISHER WANT? BELLY DANCING. 172 00:08:16,063 --> 00:08:17,698 THAT SEEMS SORT OF CONTRARY. 173 00:08:17,731 --> 00:08:20,734 YEAH, IT UNDERMINES THE WHOLE IMPORTANT MESSAGE OF THE BOOK, 174 00:08:20,768 --> 00:08:22,235 AND HE WANTS ME TO COMPROMISE? 175 00:08:22,269 --> 00:08:23,671 DON'T. 176 00:08:23,704 --> 00:08:25,906 YOU DIG IN YOUR HEELS. 177 00:08:25,939 --> 00:08:27,708 YOU LOOK HIM STRAIGHT IN THE EYE 178 00:08:27,741 --> 00:08:29,743 AND TELL HIM YOU'RE GONNA DO IT YOUR WAY. 179 00:08:29,777 --> 00:08:33,480 YOU KNOW, YOU'RE LIKE A HOT DEEPAK CHOPRA. 180 00:08:33,513 --> 00:08:34,715 REALLY? MM-HMM. 181 00:08:34,748 --> 00:08:36,149 I'LL TAKE THAT. HOT DEEPAK. [ CHUCKLES ] 182 00:08:36,183 --> 00:08:37,350 [ KNOCK ON DOOR ] 183 00:08:37,384 --> 00:08:39,587 IT'S LATE. EXPECTING SOMEONE? 184 00:08:39,620 --> 00:08:41,188 YEAH, HUGHES. WORK-RELATED. 185 00:08:41,221 --> 00:08:44,892 WHAT KIND OF WORK STUFF MEANS A HOUSE CALL FROM YOUR BOSS? 186 00:08:44,925 --> 00:08:47,327 DECADES OF COVER-UPS, ORGANIZED CRIME, TWO MURDERS? 187 00:08:47,360 --> 00:08:50,898 NOW, THIS IS MUCH BIGGER THAN CAFFREY AND HIS FATHER. 188 00:08:50,931 --> 00:08:53,433 MM-HMM. IT'S PUBLIC CORRUPTION, REESE. 189 00:08:53,466 --> 00:08:55,035 WE NEED TO TAKE OUT PRATT. 190 00:08:55,068 --> 00:08:56,870 HE'S GOT JUICE. I KNOW. 191 00:08:56,904 --> 00:08:58,872 YOU GOT A PLAN? 192 00:08:58,906 --> 00:09:00,808 I WANT TO START BY PUTTING TAPS ON HIM WHILE HE'S IN NEW YORK. 193 00:09:02,475 --> 00:09:04,244 THIS STAYS SMALL. 194 00:09:04,277 --> 00:09:06,680 YOU, ME, AND MY TEAM. 195 00:09:06,714 --> 00:09:08,048 YOU HAVE A JUDGE YOU CAN TRUST? 196 00:09:08,081 --> 00:09:09,583 I'LL HANDLE IT. 197 00:09:09,617 --> 00:09:11,785 YOU KNOW, BUT PRATT'S ON THE CRIME AND TERRORISM SUBCOMMITTEE. 198 00:09:11,819 --> 00:09:14,054 HE'LL FIGURE IT OUT. YOU WON'T HAVE MUCH TIME. 199 00:09:14,087 --> 00:09:16,857 BE CAREFUL, PETER. HE CAN HURT YOU. 200 00:09:16,890 --> 00:09:18,726 I WILL. 201 00:09:24,965 --> 00:09:27,735 REESE WENT OUT THE BACK. 202 00:09:27,768 --> 00:09:30,103 HE SAID TO TELL YOU GOOD NIGHT. 203 00:09:30,137 --> 00:09:33,240 "DIG YOUR HEELS IN. YOU KNOW WHAT'S RIGHT"? 204 00:09:33,273 --> 00:09:35,909 IS THAT ADVICE FOR ME OR FOR YOU? 205 00:09:35,943 --> 00:09:38,245 YOU HEARD US OUT THERE? 206 00:09:38,278 --> 00:09:40,413 DIDN'T EVEN NEED A WARRANT. 207 00:09:40,447 --> 00:09:42,282 [ CHUCKLES ] 208 00:09:42,315 --> 00:09:45,886 YOU SAID PRATT COULD HURT YOU. 209 00:09:45,919 --> 00:09:50,090 I HAVE TO GO AFTER HIM, EL. IT'S MY JOB. 210 00:09:50,123 --> 00:09:53,794 IS THIS ABOUT YOU HELPING NEAL AND HIS FATHER 211 00:09:53,827 --> 00:09:55,763 OR ARRESTING THE BAD GUY? 212 00:09:55,796 --> 00:09:57,931 IT'S ABOUT BOTH. 213 00:09:57,965 --> 00:10:02,770 JUST DON'T GET IN SO DEEP THAT YOU CAN'T GET OUT. 214 00:10:02,803 --> 00:10:06,139 I WON'T. I PROMISE. 215 00:10:06,173 --> 00:10:09,576 NOW... 216 00:10:09,609 --> 00:10:13,681 YOU COME TO BED WITH THIS HOT DEEPAK CHOPRA. 217 00:10:21,054 --> 00:10:23,023 OUR WARRANT CAME THROUGH. 218 00:10:23,056 --> 00:10:26,026 PRATT'S IN MANHATTAN FOR JUST 48 HOURS. 219 00:10:26,059 --> 00:10:28,796 NOW'S OUR SHOT TO GO ALL "BIG BROTHER" ON HIM. 220 00:10:28,829 --> 00:10:29,797 WELL, THANKS TO CAFFREY'S SNOOPING, 221 00:10:29,830 --> 00:10:30,964 WE KNOW WHAT PRATT'S DAY LOOKS LIKE. 222 00:10:30,998 --> 00:10:32,099 HE STARTS HERE. 223 00:10:32,132 --> 00:10:33,100 KENSINGTON BARBERSHOP? 224 00:10:33,133 --> 00:10:34,501 KNOWN FOR THEIR LUXURY SHAVES. 225 00:10:34,534 --> 00:10:36,103 HOW MUCH DOES THAT RUN HIM? 226 00:10:36,136 --> 00:10:38,005 PROBABLY $200, PLUS TIP. 227 00:10:38,038 --> 00:10:40,941 $200?! THAT COVERS MY GROOMING FOR THE YEAR. 228 00:10:40,974 --> 00:10:43,977 YOU'VE NEVER HAD A TRADITIONAL SHAVE? 229 00:10:44,011 --> 00:10:46,346 NO. OH, WARM TOWEL, HOT LATHER, 230 00:10:46,379 --> 00:10:48,982 SINGLE-EDGED BLADE STROPPED TO SURGICAL PERFECTION. 231 00:10:49,016 --> 00:10:51,952 I'LL STICK TO MY DISPOSABLE BLADES AND A CAN OF BARBASOL. 232 00:10:51,985 --> 00:10:53,954 ANYWAY, WHILE THE SENATOR'S WRAPPED IN HOT TOWELS, 233 00:10:53,987 --> 00:10:55,956 WE CAN PLANT A BUG ON HIM. 234 00:10:55,989 --> 00:10:57,825 WELL, I TALKED TO THE OWNER. 235 00:10:57,858 --> 00:11:00,327 HE WAS NOT HAPPY, BUT HE AGREED TO LET US TAKE OVER THE SHOP. 236 00:11:00,360 --> 00:11:01,461 GOOD. 237 00:11:01,494 --> 00:11:04,064 PRATT KNOWS WHAT NEAL AND I LOOK LIKE. 238 00:11:04,097 --> 00:11:07,200 DIANA, HOW ARE YOU WITH A STRAIGHT RAZOR? 239 00:11:07,234 --> 00:11:10,003 BETTER THAN SWEENEY TODD. 240 00:11:10,037 --> 00:11:14,007 [ SLOW MUSIC PLAYS ] 241 00:11:14,041 --> 00:11:17,811 JUST TO YOUR LEFT A LITTLE BIT. 242 00:11:17,845 --> 00:11:19,980 SENATOR PRATT, WELCOME. I'M DIERDRE. 243 00:11:20,013 --> 00:11:21,381 HELLO, DIERDRE. 244 00:11:21,414 --> 00:11:23,083 MAY I TAKE YOUR BRIEFCASE AND JACKET, SIR? 245 00:11:23,116 --> 00:11:24,351 THANK YOU. 246 00:11:24,384 --> 00:11:27,254 IT IS SUCH AN HONOR TO HAVE YOU. OH, THANK YOU VERY MUCH. 247 00:11:27,287 --> 00:11:29,489 NIGEL HERE WILL GET YOU COMFORTABLE 248 00:11:29,522 --> 00:11:30,490 WHILE I PUT THESE AWAY. 249 00:11:30,523 --> 00:11:31,624 GREAT. 250 00:11:35,562 --> 00:11:38,966 HEY. 251 00:11:42,269 --> 00:11:44,237 ALL RIGHT, PRATT'S PHONE ISN'T IN HIS POCKET. 252 00:11:44,271 --> 00:11:45,873 AND IT'S NOT IN HERE. 253 00:11:45,906 --> 00:11:47,240 DAMN IT. IT'S ON HIM. WHAT DO WE DO? 254 00:11:47,274 --> 00:11:49,042 WE COULD TRY GIVING HIM A MANICURE. 255 00:11:49,076 --> 00:11:51,344 I'LL PUT A COMPRESS ON HIS EYES SO HE CAN'T SEE. 256 00:11:51,378 --> 00:11:53,546 AND I'LL SWITCH OUT THE SIM CARD. 257 00:11:53,580 --> 00:11:55,415 HOW MUCH IS A MANICURE? 258 00:11:55,448 --> 00:11:57,885 YOU DON'T WANT TO KNOW. 259 00:12:01,154 --> 00:12:05,025 FEELING COMFY? VERY. 260 00:12:05,058 --> 00:12:08,395 LOOK AT YOUR HANDS! YOU, SIR, NEED A MANICURE. 261 00:12:08,428 --> 00:12:10,030 MANICURE, HUH? 262 00:12:10,063 --> 00:12:11,865 YOU BITE YOU NAILS. YOU GOT ME. 263 00:12:11,899 --> 00:12:13,100 SHALL I? LET'S DO IT. 264 00:12:13,133 --> 00:12:14,101 ALL RIGHT. 265 00:12:14,134 --> 00:12:17,104 CLOSE YOUR EYES. 266 00:12:20,673 --> 00:12:23,043 THERE YOU GO. 267 00:12:23,076 --> 00:12:25,645 I'LL HANG ONTO THAT. 268 00:12:25,678 --> 00:12:26,947 OH, IT'S, UH -- IT'S KIND OF TOUGH TO WORK AROUND. 269 00:12:26,980 --> 00:12:29,016 COME ON, YOU'RE THE PRO. YOU'LL FIGURE IT OUT. 270 00:12:32,786 --> 00:12:35,555 OKAY. 271 00:12:35,588 --> 00:12:37,757 I'M JUST GONNA SOAK YOUR HAND. 272 00:12:37,791 --> 00:12:39,459 THERE YOU GO. 273 00:12:39,492 --> 00:12:42,295 AND THE OTHER ONE. 274 00:12:45,132 --> 00:12:49,102 OOH! SORRY. I GOT IT. THERE YOU GO. 275 00:12:49,136 --> 00:12:51,071 SORRY ABOUT THAT. 276 00:12:51,104 --> 00:12:55,208 OKAY. SOAK THE OTHER ONE. 277 00:12:57,544 --> 00:12:59,913 THERE YOU GO. 278 00:12:59,947 --> 00:13:02,149 [ CELLPHONE VIBRATING ] 279 00:13:05,185 --> 00:13:08,221 THIS IS PRATT. 280 00:13:10,057 --> 00:13:12,860 SENATOR TERRENCE PRATT? 281 00:13:12,893 --> 00:13:15,195 YEAH. 282 00:13:15,228 --> 00:13:18,365 OH, UH, I REPRESENT P.A.N.E.O. -- 283 00:13:18,398 --> 00:13:22,102 PEOPLE FOR THE AWARENESS OF NEAR-EARTH OBJECTS. 284 00:13:22,135 --> 00:13:23,370 ARE WE TALKING ASTEROIDS? 285 00:13:23,403 --> 00:13:24,604 Among other things. 286 00:13:24,637 --> 00:13:27,941 WHAT'S YOUR STANCE ON IMPACT MONITORING. 287 00:13:27,975 --> 00:13:30,543 MY VOTERS PREFER IF I FOCUS ON ISSUES 288 00:13:30,577 --> 00:13:32,880 THAT IMPACT THEIR DAILY LIVES. 289 00:13:32,913 --> 00:13:35,515 YOUR VOTERS WILL KNOW IMPACT 290 00:13:35,548 --> 00:13:39,386 ONCE 2014 AZ5 ANNIHILATES THEIR CONDOS. 291 00:13:39,419 --> 00:13:42,389 THINK ABOUT THAT WHILE YOU'RE SIPPING YOUR COCOA TONIGHT. 292 00:13:42,422 --> 00:13:44,391 OKAY. 293 00:13:44,424 --> 00:13:46,159 HOW DO THESE NUTJOBS GET MY NUMBER? 294 00:13:46,193 --> 00:13:47,494 I'LL JUST DRY THAT OFF FOR YOU. 295 00:13:49,229 --> 00:13:51,731 THERE YOU GO. 296 00:13:51,764 --> 00:13:53,166 THANK YOU, DIERDRE. 297 00:13:53,200 --> 00:13:56,236 YOU'RE WELCOME. 298 00:13:56,269 --> 00:13:57,905 TRACKING CHIP'S IN PLACE. 299 00:13:57,938 --> 00:14:00,573 CAMERA AND AUDIO ARE IN THE BRIEFCASE. OKAY. 300 00:14:00,607 --> 00:14:01,875 SAY CHEESE. 301 00:14:01,909 --> 00:14:04,044 CAMEMBERT. 302 00:14:04,077 --> 00:14:05,879 I HOPE PRATT'S READY FOR HIS CLOSE-UP. 303 00:14:05,913 --> 00:14:07,414 YEP. 304 00:14:07,447 --> 00:14:09,917 HOW'S PRATT'S DAY GOING? 305 00:14:09,950 --> 00:14:11,351 HE'S STICKING CLOSE TO HIS ITINERARY. 306 00:14:11,384 --> 00:14:15,555 HE MADE ONE UNSCHEDULED STOP AT A CONSTRUCTION SITE IN MIDTOWN. 307 00:14:15,588 --> 00:14:18,225 OH, BRIEFCASE CAM. NICE. 308 00:14:18,258 --> 00:14:20,060 THAT'S COLE EDWARDS, 309 00:14:20,093 --> 00:14:21,661 ONE OF THE CITY'S BIGGEST REAL-ESTATE DEVELOPERS. 310 00:14:21,694 --> 00:14:23,430 HE'S RESPONSIBLE FOR SOME OF THE UGLIEST SKYSCRAPERS 311 00:14:23,463 --> 00:14:24,898 I'VE EVER SEEN. 312 00:14:24,932 --> 00:14:29,269 EDWARDS IS ALSO ONE OF PRATT'S MAJOR CAMPAIGN DONORS. 313 00:14:29,302 --> 00:14:33,073 I'M PULLING OLD LINE OFF THIS PROJECT. YOU SURE? 314 00:14:33,106 --> 00:14:34,241 'CAUSE ONCE I GET THINGS LINED UP, 315 00:14:34,274 --> 00:14:35,542 IT'S GONNA BE A REAL MONEYMAKER. 316 00:14:35,575 --> 00:14:37,844 YEAH, WELL, THERE'LL BE OTHER THINGS. 317 00:14:37,877 --> 00:14:39,846 HAVE WE GOT A PROBLEM, TERRY? 318 00:14:39,879 --> 00:14:41,681 I'LL TAKE CARE OF IT. 319 00:14:41,714 --> 00:14:43,116 WHAT WOULD BE THE REASON 320 00:14:43,150 --> 00:14:45,218 PRATT WOULD KEEP A MEETING WITH HIS BIGGEST DONOR A SECRET? 321 00:14:45,252 --> 00:14:46,619 CONSTRUCTION'S RIFE WITH CORRUPTION. 322 00:14:46,653 --> 00:14:48,088 WE NEED TO LOOK INTO OLD LINE. 323 00:14:48,121 --> 00:14:50,290 GET STARTED. I'LL HIT CITY PLANNING. 324 00:14:50,323 --> 00:14:53,193 IF THE PROJECT THEY'RE DISCUSSING ISN'T ABOVE-BOARD, 325 00:14:53,226 --> 00:14:55,195 IT COULD BE OUR WAY INTO PRATT. 326 00:14:55,228 --> 00:14:57,730 YOU KNOW, I'D GO WITH YOU, 327 00:14:57,764 --> 00:14:59,933 BUT MOZZIE AND I HAVE AN APPOINTMENT WITH, UH... 328 00:14:59,967 --> 00:15:01,935 [ CLEARS THROAT ] ..."THE KEYMASTER." 329 00:15:01,969 --> 00:15:03,770 YOU EVER THINK YOU'D SAY THAT OUT LOUD? 330 00:15:03,803 --> 00:15:06,139 I'LL LET YOU KNOW HOW DEEP THE RABBIT HOLE GOES. 331 00:15:12,812 --> 00:15:15,782 Jones: KEYMASTER? YOUR GUY'S A HOARDER. 332 00:15:15,815 --> 00:15:17,784 OH, ZIMMER THRIVES ON CHAOS. 333 00:15:17,817 --> 00:15:19,786 I USE HIM ON THE RARE OCCASION I HIT A WALL 334 00:15:19,819 --> 00:15:21,989 OF THE LOCK-AND-KEY VARIETY. 335 00:15:22,022 --> 00:15:23,390 BE FOREWARNED, THOUGH. 336 00:15:23,423 --> 00:15:26,659 EVERY TRANSACTION WITH HIM INVOLVES A RIDDLE. 337 00:15:26,693 --> 00:15:28,261 A RIDDLE? IMMINENTLY SOLVABLE. 338 00:15:28,295 --> 00:15:29,662 SO YOUR GUY'S WEIRD AND ANNOYING. 339 00:15:29,696 --> 00:15:32,299 PERHAPS, BUT THE ANSWER TO HIS RIDDLE 340 00:15:32,332 --> 00:15:34,901 IS HIS FEE FOR HIS EXPERTISE ABOUT THE KEY. 341 00:15:34,934 --> 00:15:37,304 SO YOU GUYS WORK A BARTER SYSTEM. 342 00:15:37,337 --> 00:15:40,307 WELL, THE LAST TIME I HAD AN EXCHANGE WITH ZIMMER, 343 00:15:40,340 --> 00:15:42,442 HE PAID ME WITH A PAIR OF HOUDINI'S HANDCUFFS. 344 00:15:42,475 --> 00:15:45,278 YEAH, HE SHOULD HAVE PAID YOU WITH HIS STRAIGHTJACKET. 345 00:15:45,312 --> 00:15:46,446 OH, ALREADY HAVE ONE, WING TIPS. 346 00:15:46,479 --> 00:15:47,981 OF COURSE YOU DO. 347 00:15:50,050 --> 00:15:54,687 AH, MOZZIE, LAST TIME I SAW YOU, YOU LEFT IN CUFFS. 348 00:15:54,721 --> 00:15:56,789 ON MY OWN TERMS, OF COURSE. 349 00:15:56,823 --> 00:15:58,258 WHO'S THIS? 350 00:15:58,291 --> 00:16:00,293 MY INTERN. 351 00:16:00,327 --> 00:16:03,796 LET'S TALK ABOUT THIS KEY. 352 00:16:03,830 --> 00:16:06,166 WHAT'S THIS UNLOCK? 353 00:16:06,199 --> 00:16:08,368 PATIENCE, INTERN. 354 00:16:08,401 --> 00:16:10,337 YOU NEED SOMETHING FROM ME... 355 00:16:10,370 --> 00:16:15,608 I MUST HAVE SOMETHING FROM YOU. 356 00:16:15,642 --> 00:16:17,010 OKAY, DROP YOUR RIDDLE, ZIMMER. 357 00:16:17,044 --> 00:16:18,545 YOU GUYS ARE SERIOUS? 358 00:16:23,416 --> 00:16:30,990 ROME, ROAM, A BASKET TAKES HIM FAR FROM HOME. 359 00:16:31,024 --> 00:16:37,964 IN THE DESERT, HE...IS THE SON. 360 00:16:37,997 --> 00:16:43,970 THE FEE FOR MY SERVICES IS THE ANSWER. 361 00:16:44,003 --> 00:16:46,005 [ CLOCK CHIMES ] 362 00:16:47,407 --> 00:16:53,813 OKAY, UH, BASKET, ROME, DESERT, SCARY BABY. 363 00:16:53,846 --> 00:16:56,316 AH, IT'S S-O-N, NOT S-U-N. THANK YOU, SUNDAY SCHOOL. 364 00:16:56,349 --> 00:16:57,384 OBVIOUSLY -- 365 00:16:57,417 --> 00:16:59,352 9:00 A.M. TOMORROW. 366 00:16:59,386 --> 00:17:03,390 IF YOU WANT MY HELP... BRING THE ANSWER. 367 00:17:03,423 --> 00:17:06,593 TOMORROW? WHAT DO -- WHAT? IT'S -- IT'S EASY. 368 00:17:06,626 --> 00:17:08,228 IT'S MOSES, RIGHT? 369 00:17:08,261 --> 00:17:10,863 SERIOUSLY? IT'S NEVER THAT SIMPLE. 370 00:17:10,897 --> 00:17:12,865 WHAT, SO WE'RE LEAVING ALREADY? 371 00:17:12,899 --> 00:17:14,067 WE JUST GOT HERE! 372 00:17:14,101 --> 00:17:17,670 JONES, KEEP UP. COME, INTERN. 373 00:17:17,704 --> 00:17:19,606 ALL RIGHT, SO OLD LINE IS PRATT'S CORPORATION. 374 00:17:19,639 --> 00:17:21,341 HE USES IT TO INVEST IN PRIVATE VENTURES 375 00:17:21,374 --> 00:17:23,176 WHEN HE WANTS HIS NAME KEPT OUT OF IT. 376 00:17:23,210 --> 00:17:24,544 A LOT OF THESE INVESTMENTS 377 00:17:24,577 --> 00:17:27,747 FALL UNDER EDWARDS' COMMERCIAL REAL-ESTATE EMPIRE. 378 00:17:27,780 --> 00:17:29,749 YEAH, PRATT SENDS A LOT OF MONEY EDWARDS' WAY. 379 00:17:29,782 --> 00:17:31,218 YEAH, AND IT'S NOT ALL HIS OWN. 380 00:17:31,251 --> 00:17:33,386 PRATT'S VOTING RECORD SHOWS HE SUPPORTED FEDERAL FUNDS 381 00:17:33,420 --> 00:17:35,388 FOR EDWARDS' BUILDING SITES, CORPORATE TAX BREAKS. 382 00:17:35,422 --> 00:17:37,624 OH, ALL THE GOOD STUFF. 383 00:17:37,657 --> 00:17:40,260 SO, PRATT HELPS EDWARDS' BUSINESS. 384 00:17:40,293 --> 00:17:41,961 EDWARDS DONATES MONEY BACK TO PRATT. 385 00:17:41,994 --> 00:17:44,297 YEAH, POLITICS SINCE THE BEGINNING OF TIME. 386 00:17:44,331 --> 00:17:45,865 NOTHING ILLEGAL ABOUT IT. 387 00:17:45,898 --> 00:17:49,436 YEAH, AND THEY KNOW IT'S NOT, SO WHY ARE THEY MEETING IN SECRET. 388 00:17:49,469 --> 00:17:52,272 I'M GONNA CHECK IN WITH PETER. 389 00:17:52,305 --> 00:17:55,542 [ DIALING ] 390 00:17:55,575 --> 00:17:56,776 [ Ringing ] 391 00:17:56,809 --> 00:17:58,211 [ CELLPHONE RINGS ] 392 00:17:58,245 --> 00:17:59,446 NEAL. 393 00:17:59,479 --> 00:18:02,382 HEY, WE THINK PRATT AND EDWARDS ARE WORKING A QUID PRO QUO, 394 00:18:02,415 --> 00:18:04,284 BUT WE HAVEN'T FOUND ENOUGH TO MOVE ON. 395 00:18:04,317 --> 00:18:05,452 I DID. 396 00:18:05,485 --> 00:18:06,986 ON MY WAY BACK TO THE OFFICE 397 00:18:07,019 --> 00:18:09,556 SO WE CAN PUT THE EDWARDS FILES UNDER A MICROSCOPE. 398 00:18:09,589 --> 00:18:10,757 [ CAR CHIMES ] 399 00:18:10,790 --> 00:18:13,960 WHAT THE -- OH, DAMN. 400 00:18:15,094 --> 00:18:16,496 WHAT'S GOING ON? 401 00:18:16,529 --> 00:18:17,997 I DON'T HAVE BRAKES. 402 00:18:18,030 --> 00:18:19,098 WHAT? WHAT? 403 00:18:19,132 --> 00:18:20,967 MY BRAKES -- I DON'T HAVE MY BRAKES. 404 00:18:23,270 --> 00:18:24,237 COME ON! COME ON! 405 00:18:24,271 --> 00:18:25,638 [ HORN HONKS ] 406 00:18:25,672 --> 00:18:27,574 [ TIRES SCREECH ] 407 00:18:27,607 --> 00:18:29,008 [ CAR ALARM BLARING ] 408 00:18:29,041 --> 00:18:30,310 PETER?! PETER?! 409 00:18:39,852 --> 00:18:43,022 HOW IS HE? 410 00:18:43,055 --> 00:18:45,192 OH, UM, I DON'T -- I DON'T KNOW YET. 411 00:18:45,225 --> 00:18:48,961 HE'S UNCONSCIOUS. HIS ARM'S HURT. 412 00:18:48,995 --> 00:18:50,963 HE HAS A CONCUSSION, BUT WE DON'T KNOW HOW BAD. 413 00:18:50,997 --> 00:18:52,965 I'M SO SORRY. 414 00:18:52,999 --> 00:18:55,602 OH, UM, THE EMT GAVE ME THESE. 415 00:18:55,635 --> 00:18:56,769 THEY WERE IN THE CAR WITH HIM. 416 00:18:56,803 --> 00:18:58,137 THANKS. 417 00:18:58,171 --> 00:18:59,539 HOW ARE YOU DOING? 418 00:18:59,572 --> 00:19:03,310 DIANA, COULD I -- COULD I TALK TO NEAL ALONE? 419 00:19:03,343 --> 00:19:04,711 OF COURSE. 420 00:19:04,744 --> 00:19:07,314 UM, I'LL TAKE THESE BACK TO THE OFFICE. 421 00:19:07,347 --> 00:19:09,015 KEEP ME POSTED, OKAY? 422 00:19:09,048 --> 00:19:10,350 I WILL. 423 00:19:13,386 --> 00:19:16,155 THEY SAID IT WAS LOW BRAKE FLUID, 424 00:19:16,189 --> 00:19:18,725 BUT THE BUREAU MAINTAINS ITS CARS. 425 00:19:18,758 --> 00:19:20,860 WE'LL FIND OUT WHAT HAPPENED. 426 00:19:20,893 --> 00:19:22,161 HERE'S WHAT HAPPENED. 427 00:19:22,195 --> 00:19:25,164 PETER WENT AFTER A U.S. SENATOR, 428 00:19:25,198 --> 00:19:27,334 BUT SOMEONE WANTS HIM TO STOP. 429 00:19:27,367 --> 00:19:29,969 IT'S POSSIBLE. 430 00:19:30,002 --> 00:19:33,473 YOU AND I BOTH KNOW IT'S MORE THAN THAT. 431 00:19:33,506 --> 00:19:35,041 WHAT ARE YOU SAYING? 432 00:19:35,074 --> 00:19:38,177 I'M SAYING THAT IT'S ABOUT YOU AND YOUR FATHER. 433 00:19:38,211 --> 00:19:41,047 PETER WOULD DO ANYTHING TO HELP YOU... 434 00:19:41,080 --> 00:19:43,950 AND THIS IS WHAT HE GETS? 435 00:19:45,785 --> 00:19:49,222 [ Crying ] DO YOU KNOW WHAT IT FELT LIKE TO HAVE SOMEBODY 436 00:19:49,256 --> 00:19:51,157 IN BROOKS BROTHERS AND A POKER FACE 437 00:19:51,190 --> 00:19:54,227 TELL YOU THAT YOUR HUSBAND'S BEEN IN AN ACCIDENT? 438 00:19:56,128 --> 00:19:58,130 [ SNIFFLES ] 439 00:20:03,370 --> 00:20:07,340 PRATT'S CORRUPT, AND PETER'S NOT GONNA BACK DOWN -- 440 00:20:07,374 --> 00:20:08,941 NOR SHOULD HE. 441 00:20:08,975 --> 00:20:10,176 I NEED YOUR HELP. 442 00:20:10,209 --> 00:20:13,212 TELL ME WHAT YOU WANT ME TO DO. 443 00:20:13,246 --> 00:20:16,048 I KNOW YOU AND HE WERE LOOKING INTO SOMETHING OFF-BOOK. 444 00:20:16,082 --> 00:20:17,250 WHAT WAS IT? 445 00:20:19,319 --> 00:20:23,290 WE WERE LOOKING INTO A KEY THAT ELLEN LEFT BEHIND. 446 00:20:23,323 --> 00:20:25,792 NO MORE "WE." 447 00:20:25,825 --> 00:20:29,296 I DON'T WANT THE NEXT CALL I GET TO BE FROM THE MORGUE. 448 00:20:29,329 --> 00:20:32,932 YOU LOOK INTO THIS KEY WITHOUT HIM. 449 00:20:32,965 --> 00:20:36,068 I CAN'T LIE TO PETER. 450 00:20:38,137 --> 00:20:40,473 IF YOU HAVE TO LIE TO HIS FACE TO KEEP HIM SAFE, 451 00:20:40,507 --> 00:20:44,411 YOU DAMN WELL LIE TO HIS FACE. 452 00:20:49,816 --> 00:20:51,818 [ MONITOR BEEPING ] 453 00:20:55,154 --> 00:20:57,757 WELL, OBVIOUSLY, MY LIVER IS A WRITE-OFF, 454 00:20:57,790 --> 00:21:00,560 BUT MY ACUPUNCTURIST WILL TESTIFY 455 00:21:00,593 --> 00:21:02,762 TO THE VIRGINAL STATE OF MY SPLEEN. 456 00:21:02,795 --> 00:21:05,632 THAT'S VERY GENEROUS, MOZ, BUT PETER DOESN'T NEED YOUR SPLEEN. 457 00:21:05,665 --> 00:21:07,834 YOU MAKE ANY HEADWAY ON ZIMMER'S RIDDLE. 458 00:21:07,867 --> 00:21:10,437 NO, AND I AM STARING DOWN THE BARREL 459 00:21:10,470 --> 00:21:12,439 OF A 9:00 A.M. DEADLINE. 460 00:21:12,472 --> 00:21:15,007 SO WE STILL HAVE TIME TO FREEZE THE FBI OUT. 461 00:21:15,041 --> 00:21:16,175 MY INSTINCT FROM THE BEGINNING! 462 00:21:16,208 --> 00:21:17,176 I KNOW. I KNOW. 463 00:21:17,209 --> 00:21:20,246 WHY THE CHANGE OF HEART? 464 00:21:20,279 --> 00:21:21,781 NEAL? 465 00:21:21,814 --> 00:21:24,183 ELIZABETH ASKED ME. 466 00:21:24,216 --> 00:21:26,586 LOOK, PRATT ALREADY DESTROYED MY FAMILY. 467 00:21:26,619 --> 00:21:28,788 I'M NOT GONNA LET IT HAPPEN TO HERS. 468 00:21:28,821 --> 00:21:32,191 PETER'S GOT ENOUGH TO HANDLE GOING AFTER PRATT. 469 00:21:32,224 --> 00:21:35,094 WE TRACK THE KEY ON OUR OWN. 470 00:21:35,127 --> 00:21:36,262 OKAY. 471 00:21:36,295 --> 00:21:39,265 [ CELLPHONE RINGS ] 472 00:21:39,298 --> 00:21:40,299 DIANA, HEY. 473 00:21:40,333 --> 00:21:42,369 DIANA: Caffrey, I think I know what Peter found. 474 00:21:42,402 --> 00:21:45,237 BE RIGHT THERE. 475 00:21:47,239 --> 00:21:49,676 WHENEVER A BUILDER ALTERS PLANS TO A SITE, 476 00:21:49,709 --> 00:21:51,277 HE HAS TO FILE ONE OF THESE CHANGE ORDERS 477 00:21:51,310 --> 00:21:52,445 WITH CITY PLANNING. 478 00:21:52,479 --> 00:21:55,882 THESE ARE ALL FROM EDWARDS' PROJECTS. 479 00:21:58,585 --> 00:22:01,888 THESE ARE ALL FOR CHANGES IN MATERIALS USED FOR CONSTRUCTION. 480 00:22:01,921 --> 00:22:04,491 MULTIPLE CHANGE ORDERS IS A RED FLAG FOR FRAUD. 481 00:22:04,524 --> 00:22:06,359 WAIT A SECOND. 482 00:22:06,393 --> 00:22:09,161 LOOK AT WHERE THE INK BLED 483 00:22:09,195 --> 00:22:11,731 AND THE DATE ON THE CHANGE ORDER UNDERNEATH IT. 484 00:22:11,764 --> 00:22:13,332 JANUARY 21, 2010. 485 00:22:13,366 --> 00:22:16,302 SO THEY STAMPED IT AND FILED IT AWAY BEFORE THE INK WAS DRY. 486 00:22:16,335 --> 00:22:19,906 YEAH, BUT NOT IN 2010. 487 00:22:19,939 --> 00:22:21,307 OH, HEY -- I WAS DRINKING THAT. 488 00:22:21,340 --> 00:22:24,076 DON'T WORRY. I KEEP MY HANDS CLEAN. 489 00:22:24,110 --> 00:22:26,679 YEAH, I NEED AN FBI FILE FROM THE SAME YEAR. 490 00:22:26,713 --> 00:22:28,080 UM... 491 00:22:33,252 --> 00:22:35,388 SEE, THE FBI STAMP'S LESS PIGMENTED. 492 00:22:35,422 --> 00:22:36,589 THERE'S NO SHEEN. 493 00:22:36,623 --> 00:22:38,257 THAT'S HOW THREE-YEAR-OLD INK SHOULD LOOK. 494 00:22:38,290 --> 00:22:39,358 IT SHOULDN'T SMEAR. 495 00:22:39,392 --> 00:22:42,829 THESE CHANGE ORDERS WERE STAMPED RECENTLY AND RE-FILED. 496 00:22:42,862 --> 00:22:45,364 LOOKS LIKE WE FOUND A WAY TO GET TO PRATT. 497 00:22:46,633 --> 00:22:48,501 I COULD DO IT AGAIN IF YOU WANT TO SEE -- 498 00:22:48,535 --> 00:22:49,536 Hughes: NO. OKAY. 499 00:22:51,137 --> 00:22:54,106 TELL ME WHY EDWARDS WOULD FILE CHANGE ORDERS RETROACTIVELY. 500 00:22:54,140 --> 00:22:55,908 HE GOT NERVOUS WHEN PRATT PAID HIM A VISIT 501 00:22:55,942 --> 00:22:57,243 AND DECIDED TO COVER HIS TRACKS 502 00:22:57,276 --> 00:22:59,111 IN CASE ANYONE ELSE CHECKED UP ON HIM. 503 00:22:59,145 --> 00:23:00,513 WHICH WE DID. 504 00:23:00,547 --> 00:23:02,749 HIS ORIGINAL PLANS ALWAYS USE MORE EXPENSIVE MATERIALS 505 00:23:02,782 --> 00:23:04,417 THAN THE ONES ON THE CHANGE ORDERS. 506 00:23:04,451 --> 00:23:06,419 AND WE THINK HE'S SWAPPING IN CHEAPER MATERIALS, 507 00:23:06,453 --> 00:23:08,287 PAYING OFF THE RIGHT PEOPLE, AND SKIMMING MILLIONS. 508 00:23:08,320 --> 00:23:10,523 EVEN IF YOU GET HIM, HOW ARE YOU GONNA LINK IT TO SENATOR PRATT? 509 00:23:10,557 --> 00:23:12,124 Diana: EDWARDS HAS A COUPLE OF HIGH RISES 510 00:23:12,158 --> 00:23:14,026 IN MIDTOWN UNDER CONSTRUCTION. 511 00:23:14,060 --> 00:23:16,228 ONE STALLED OUT. HE FIRED HIS ARCHITECT. 512 00:23:16,262 --> 00:23:17,864 HE'S LOOKING FOR A NEW ONE. 513 00:23:17,897 --> 00:23:21,267 AND I BET YOU ALWAYS WANTED TO BE AN ARCHITECT, RIGHT, CAFFREY? 514 00:23:21,300 --> 00:23:23,436 I HOOK EDWARDS ON A PILLAR OF POWER AND PRESTIGE, 515 00:23:23,470 --> 00:23:25,938 SELL HIM ON MATERIALS, AND IF WE'RE RIGHT ABOUT HIS M.O., 516 00:23:25,972 --> 00:23:27,273 WE GET HIM FOR FRAUD. 517 00:23:27,306 --> 00:23:29,642 THEN WE HAVE THE LEVERAGE WE NEED TO FLIP HIM ON PRATT. 518 00:23:29,676 --> 00:23:33,245 BACKSTOP THE HELL OUT OF OUR NEW ARCHITECT, BERRIGAN. 519 00:23:33,279 --> 00:23:34,814 AND RUN THE DESIGN BY OUR ENGINEERS. 520 00:23:34,847 --> 00:23:36,415 MAKE SURE THE DAMN THING WON'T FALL DOWN. 521 00:23:36,449 --> 00:23:38,718 AND CAFFREY, DON'T STAND UNDER ANY CRANES. YES, SIR. 522 00:23:38,751 --> 00:23:40,820 SO FAR, THIS INVESTIGATION 523 00:23:40,853 --> 00:23:43,155 HAS PUT MY BEST AGENT IN THE HOSPITAL. 524 00:23:43,189 --> 00:23:45,291 WE'LL MAKE SURE IT WASN'T FOR NOTHING. 525 00:23:52,465 --> 00:23:56,002 "THE HIGHER THE BUILDING, THE LOWER THE MORALS." 526 00:23:56,035 --> 00:23:57,169 [ CHUCKLES ] 527 00:23:58,805 --> 00:24:00,339 WHEN'D YOU MAKE A MOLD OF THE KEY? 528 00:24:00,372 --> 00:24:03,275 OH, PLEASE. THE MOMENT YOU HANDED IT TO ME. 529 00:24:03,309 --> 00:24:05,177 BACKUP IN CASE THE BUREAU TOOK IT AWAY. 530 00:24:05,211 --> 00:24:09,181 NOW MY COPY WILL MISLEAD AGENT JONES. 531 00:24:09,215 --> 00:24:10,950 NICE, MOZ. 532 00:24:10,983 --> 00:24:13,185 YEAH, BUT THIS RIDDLE IS DRIVING ME CRAZY. 533 00:24:13,219 --> 00:24:15,354 LET'S GO OVER IT AGAIN. 534 00:24:15,387 --> 00:24:16,589 [ SIGHS ] 535 00:24:16,623 --> 00:24:22,529 ROME, ROAM, A BASKET TOOK HIM FAR FROM HOME. 536 00:24:22,562 --> 00:24:27,333 IN THE DESERT, HE IS THE SON. 537 00:24:27,366 --> 00:24:29,602 HE'S CLEARLY TALKING ABOUT MOSES. 538 00:24:29,636 --> 00:24:33,673 BUT ZIMMER'S RIDDLES ALWAYS POINT TO HIS PAYMENT. 539 00:24:33,706 --> 00:24:35,542 MAYBE HE WANTS YOU TO PART THE HUDSON. 540 00:24:35,575 --> 00:24:37,476 WAIT. 541 00:24:37,510 --> 00:24:38,978 WHAT? 542 00:24:39,011 --> 00:24:44,316 WHAT DOES THE WORD "MOSES" MEAN IN THE ORIGINAL ARCHAIC HEBREW? 543 00:24:44,350 --> 00:24:46,553 IT MEANS "SON." 544 00:24:46,586 --> 00:24:50,289 HE WANTS MY SON. 545 00:24:50,322 --> 00:24:51,357 HE WANTS BARTY. 546 00:24:51,390 --> 00:24:52,892 NO, MOZ, YOU CAN'T. 547 00:24:52,925 --> 00:24:54,694 I INSIST. 548 00:24:54,727 --> 00:24:57,129 YOU RISKED YOUR BOND WITH THE SUIT. 549 00:24:57,163 --> 00:25:01,133 HE, IN TURN, SACRIFICED HIMSELF FOR YOU. 550 00:25:01,167 --> 00:25:05,037 IT IS TIME FOR ME TO PAY THE PRICE. 551 00:25:11,778 --> 00:25:14,180 [ ELEVATOR DOORS OPEN ] 552 00:25:14,213 --> 00:25:16,382 I'LL SEE HIM ON THURSDAY. 553 00:25:16,415 --> 00:25:18,751 HEY, HOW'D YOU GET UP HERE? 554 00:25:18,785 --> 00:25:20,987 YOU CAN'T WALK IN HERE WITHOUT AN APPOINTMENT. 555 00:25:21,020 --> 00:25:22,989 I'M HERE TO WRITE YOUR NAME ON THE MANHATTAN SKYLINE, 556 00:25:23,022 --> 00:25:24,056 MR. EDWARDS. 557 00:25:25,758 --> 00:25:28,561 AND YOU'RE GONNA THANK ME FOR IT. 558 00:25:34,667 --> 00:25:35,134 GET OFF MY PROPERTY NOW. 559 00:25:37,269 --> 00:25:40,907 MR. EDWARDS, THAT BUILDING -- LIKE YOUR OTHERS -- 560 00:25:40,940 --> 00:25:42,742 IS GOING TO FALL SHORT OF GREATNESS. 561 00:25:42,775 --> 00:25:44,510 OH, THAT'S AN EXCELLENT PITCH. 562 00:25:44,543 --> 00:25:46,445 INSULT ME. MY BUILDINGS ARE GREAT. 563 00:25:46,478 --> 00:25:49,348 MAYBE IN SIZE AND NUMBER, BUT ARE THEY TRUE LANDMARKS? 564 00:25:49,381 --> 00:25:51,083 ARE THEY MENTIONED IN THE SAME BREATH 565 00:25:51,117 --> 00:25:53,085 AS THE EMPIRE STATE OR ROCKEFELLER CENTER? 566 00:25:53,119 --> 00:25:55,554 THAT BUILDING CAN BE YOUR LEGACY. 567 00:25:55,588 --> 00:25:58,124 THE EDWARDS CITY TOWER -- 568 00:25:58,157 --> 00:26:00,727 A MONUMENT WITH THE PROMISE OF NOWHERE TO GO BUT UP. 569 00:26:00,760 --> 00:26:03,229 WAIT. YOU SET THIS UP? WHERE THE HELL IS MY SECURITY? 570 00:26:03,262 --> 00:26:05,564 WILLIAM GREY. 571 00:26:05,598 --> 00:26:07,133 NEVER HEARD OF YOU. 572 00:26:07,166 --> 00:26:09,535 OH, I'VE BEEN WORKING ABROAD -- THE EMIRATES, MOSTLY. 573 00:26:09,568 --> 00:26:11,470 YOU'RE WELCOME TO CHECK MY CREDENTIALS. 574 00:26:11,503 --> 00:26:13,239 OH, THANKS. I DEFINITELY WILL. 575 00:26:13,272 --> 00:26:16,542 YOU'LL NOTE THE WESTERN EUROPEAN INFLUENCE -- 576 00:26:16,575 --> 00:26:20,446 GEOMETRIC, UNORNAMENTED, POWERFUL. 577 00:26:20,479 --> 00:26:22,782 HONESTY AND CLARITY ON 70 FLOORS. 578 00:26:24,617 --> 00:26:26,218 DAMN IT. 579 00:26:26,252 --> 00:26:27,654 THE ROOFING IS INSPIRED BY THE GREAT PYRAMID OF GIZA, 580 00:26:27,687 --> 00:26:32,158 ELDEST OF THE SEVEN ANCIENT WONDERS OF THE WORLD. 581 00:26:32,191 --> 00:26:33,259 WHAT'S THE FRAMEWORK AT THE TOP? 582 00:26:33,292 --> 00:26:34,727 BRONZE-TONED I-BEAMS. 583 00:26:34,761 --> 00:26:37,797 WHY HIDE THE STRENGTH THAT SUPPORTS THE STRUCTURE? 584 00:26:37,830 --> 00:26:40,332 [ CELLPHONE VIBRATES ] 585 00:26:40,366 --> 00:26:43,302 MY ASSISTANT. EXCUSE ME. 586 00:26:43,335 --> 00:26:44,737 YES. 587 00:26:44,771 --> 00:26:47,439 PRATT'S JUST ARRIVED. HE SEES YOU, THIS OP'S BLOWN. 588 00:26:47,473 --> 00:26:48,941 CAN YOU PUSH THE MEETING? 589 00:26:48,975 --> 00:26:50,276 I'LL TRY TO STALL HIM. 590 00:26:50,309 --> 00:26:53,179 ALL RIGHT, WELL, TRY HARD. 591 00:26:53,212 --> 00:26:54,246 PROBLEM? 592 00:26:54,280 --> 00:26:56,148 [ CHUCKLES ] NOTHING MY ASSISTANT CAN'T HANDLE. 593 00:26:56,182 --> 00:26:57,684 Neal: FRANK LLOYD WRIGHT ONCE SAID 594 00:26:57,717 --> 00:26:59,285 THAT "ARCHITECTURE IS THAT GREAT LIVING SPIRIT WHICH, 595 00:26:59,318 --> 00:27:01,287 FROM GENERATION TO GENERATION..." 596 00:27:07,226 --> 00:27:09,996 SENATOR PRATT. 597 00:27:10,029 --> 00:27:11,664 IT'S DIERDRE FROM THE BARBERSHOP. 598 00:27:11,698 --> 00:27:13,332 DIERDRE FROM THE BARBERSHOP. 599 00:27:13,365 --> 00:27:14,200 WHAT ARE YOU DOING HERE? 600 00:27:14,233 --> 00:27:15,868 OH, I LIVE IN THE NEIGHBORHOOD. 601 00:27:15,902 --> 00:27:17,937 YOU KNOW, THIS MUST BE FATE. 602 00:27:17,970 --> 00:27:21,440 WHEN YOU TOUCHED MY HAND YESTERDAY, I FELT A CONNECTION. 603 00:27:21,473 --> 00:27:22,441 [ CHUCKLES ] 604 00:27:22,474 --> 00:27:24,176 I'M NOT A BIG BELIEVER IN FATE. 605 00:27:24,210 --> 00:27:26,512 OH, WELL, I'M NOT A STALKER -- I'M A STYLIST. 606 00:27:26,545 --> 00:27:29,181 BUT MORE IMPORTANTLY, I COULD BE YOUR STYLIST. 607 00:27:29,215 --> 00:27:30,216 MY STYLIST? 608 00:27:30,249 --> 00:27:33,219 YEAH, YOU LIVE ON CAMERA. ALL THOSE PHOTO OPS. 609 00:27:33,252 --> 00:27:35,654 SOMEONE'S GOT TO MAKE SURE YOU LOOK PERFECT. 610 00:27:35,688 --> 00:27:36,723 I'LL THINK ABOUT IT. 611 00:27:36,756 --> 00:27:38,157 OH, THAT'S GREAT BECAUSE, YOU KNOW, 612 00:27:38,190 --> 00:27:40,626 I CUT HAIR FOR A LIVING, AND YOU CUT RIBBONS, SO -- 613 00:27:40,659 --> 00:27:42,428 I'LL THINK ABOUT IT. [ Chuckling ] OKAY. 614 00:27:44,263 --> 00:27:46,298 WE HAVE EVERYTHING WE NEED TO MOVE FORWARD -- 615 00:27:46,332 --> 00:27:50,502 BLUEPRINTS, COMPUTER MODELING. 616 00:27:50,536 --> 00:27:52,338 I'M IMPRESSED. 617 00:27:52,371 --> 00:27:54,240 [ CELLPHONE VIBRATES ] 618 00:27:59,078 --> 00:28:00,880 ALL RIGHT, NOW, IF WE DO MOVE FORWARD, 619 00:28:00,913 --> 00:28:02,581 I INSIST WE USE THE RIGHT MATERIALS. 620 00:28:02,614 --> 00:28:05,417 THE I-BEAMS NEED TO BE AMERICAN STANDARD, WIDE FLANGES. 621 00:28:05,451 --> 00:28:06,886 BRONZE-TONED, AS WELL? YEAH. 622 00:28:06,919 --> 00:28:08,287 EXPENSIVE. 623 00:28:11,257 --> 00:28:12,258 WE CAN USE H-BEAMS. 624 00:28:12,291 --> 00:28:14,226 NO, THEY DON'T HAVE THE SAME STRENGTH OVER TIME. 625 00:28:14,260 --> 00:28:16,228 YOU BEEN TO THE COLOSSEUM LATELY? 626 00:28:16,262 --> 00:28:17,764 THE ROMANS DIDN'T SKIMP. 627 00:28:19,398 --> 00:28:21,801 I WON'T SKIMP, EITHER. 628 00:28:24,636 --> 00:28:25,905 I'M GLAD YOU SNUCK UP HERE. 629 00:28:25,938 --> 00:28:27,706 MY PLEASURE. 630 00:28:27,740 --> 00:28:29,508 NOW, IF YOU'LL EXCUSE ME, I HAVE A BUSY DAY AHEAD OF ME. 631 00:28:29,541 --> 00:28:32,044 YOU KNOW HOW TO REACH ME. 632 00:28:37,283 --> 00:28:39,318 [ ELEVATOR BELL DINGS ] 633 00:28:55,467 --> 00:28:57,469 [ MONITORS BEEPING ] 634 00:29:12,251 --> 00:29:14,253 HI, HON. 635 00:29:21,293 --> 00:29:24,596 [ GROANS ] 636 00:29:24,630 --> 00:29:28,434 WORD GOT OUT YOU HAD A NEW SWISS ARMY TOY. 637 00:29:28,467 --> 00:29:31,103 NATURALLY, I HAD TO HAVE HIM. 638 00:29:31,137 --> 00:29:32,504 OKAY, YOU KNOW WHAT? YOU'VE GOT YOUR WEIRD BABY. 639 00:29:32,538 --> 00:29:34,673 NOW IT'S OUR TURN. 640 00:29:34,706 --> 00:29:36,976 OKAY, NOW, IF YOU DON'T COME UP WITH ANYTHING, 641 00:29:37,009 --> 00:29:38,710 BARTY GOES HOME WITH ME. 642 00:29:43,950 --> 00:29:47,519 NICKEL-PLATED BRASS. HEAVY RUST. 643 00:29:47,553 --> 00:29:50,422 BLUISH PATINA ON THE EXPOSED SURFACES. 644 00:29:50,456 --> 00:29:54,426 I'D SAY THIS KEY WAS FORGED, MAYBE... 645 00:29:54,460 --> 00:29:55,995 A DECADE AGO. 646 00:29:56,028 --> 00:29:58,597 HEY, I ANSWERED YOUR RIDDLE. I WANT MORE. 647 00:29:58,630 --> 00:30:01,500 UH, OKAY, THIS HERE, IT COULD BE A MANUFACTURER'S LOGO. 648 00:30:01,533 --> 00:30:03,802 NO LOGO. JUST A SCRATCH, THAT'S ALL. 649 00:30:03,836 --> 00:30:05,137 THAT'S IT? 650 00:30:05,171 --> 00:30:07,439 I SACRIFICED MY FIRSTBORN FOR THIS? 651 00:30:07,473 --> 00:30:08,440 I MADE NO PROMISES. 652 00:30:08,474 --> 00:30:11,277 I'M GOING BACK TO THE BUREAU. 653 00:30:11,310 --> 00:30:13,880 YOU TELL CAFFREY THE RIDDLER DIDN'T HAVE ANYTHING FOR US. 654 00:30:13,913 --> 00:30:14,881 OKAY. BYE. 655 00:30:14,914 --> 00:30:15,915 YEP. 656 00:30:19,151 --> 00:30:23,022 THE REAL KEY, PLEASE. 657 00:30:23,055 --> 00:30:24,623 [ DOOR CLOSES ] 658 00:30:24,656 --> 00:30:26,025 YOU CAUGHT THE SWITCH? 659 00:30:26,058 --> 00:30:27,659 WHAT DO YOU TAKE ME FOR? 660 00:30:35,101 --> 00:30:36,668 HEAVY CORROSION. 661 00:30:36,702 --> 00:30:38,537 I NEED TO SEE WHAT'S UNDERNEATH. 662 00:30:38,570 --> 00:30:41,573 I HAVE A SOLUTION. 663 00:30:43,409 --> 00:30:46,578 SO, WHAT KIND OF KEY IS THAT? 664 00:30:51,617 --> 00:30:55,221 IT'S SOMETHING SPECIAL. 665 00:30:57,689 --> 00:31:00,659 NEAL, THE KEYMASTER CAME THROUGH. 666 00:31:00,692 --> 00:31:03,062 INTERESTING DEVELOPMENTS AFOOT. 667 00:31:03,095 --> 00:31:06,132 I GOT SOME GREAT INFORMATION. 668 00:31:10,469 --> 00:31:14,573 CARE TO CATCH ME UP? 669 00:31:29,455 --> 00:31:30,589 [ MONITORS BEEPING ] 670 00:31:30,622 --> 00:31:32,291 THANKS FOR SETTING ME UP. 671 00:31:32,324 --> 00:31:34,760 AH, JUST GLAD YOU'RE OKAY. 672 00:31:34,793 --> 00:31:37,396 I KNOW HOW MUCH YOU HATE BEING OUT OF THE LOOP. 673 00:31:37,429 --> 00:31:38,764 HMM. 674 00:31:38,797 --> 00:31:43,402 SPEAKING OF, THE LITTLE GUY TRIED TO PULL ONE OVER ON ME. 675 00:31:43,435 --> 00:31:44,903 WHAT DO YOU MEAN? 676 00:31:44,937 --> 00:31:48,107 HE SWAPPED THE REAL KEY WITH THE FAKE ONE. 677 00:31:48,140 --> 00:31:49,541 SNEAKY SON OF A GUN THOUGHT I DIDN'T SEE IT, 678 00:31:49,575 --> 00:31:51,310 BUT I CAUGHT THE TRIGGER THUMB THIS TIME. 679 00:31:51,343 --> 00:31:52,711 ENDED UP BADGING ZIMMER. 680 00:31:52,744 --> 00:31:54,446 HE WAS SO FASCINATED WITH THE REAL KEY, 681 00:31:54,480 --> 00:31:56,482 HE MADE A MOLD OF IT. 682 00:31:56,515 --> 00:31:58,917 I HAD HIM MAKE ME A COPY. 683 00:31:58,951 --> 00:32:02,388 YOU THINK NEAL TOLD MOZZIE TO MAKE THE SWAP? 684 00:32:02,421 --> 00:32:06,358 YES. I'M SURE CAFFREY KNOWS ABOUT IT. 685 00:32:08,694 --> 00:32:09,661 [ INDISTINCT CONVERSATIONS ] 686 00:32:09,695 --> 00:32:10,829 HEY. 687 00:32:10,862 --> 00:32:11,830 HEY. 688 00:32:11,863 --> 00:32:14,266 I HEARD PETER WAS UP. HE IS. 689 00:32:14,300 --> 00:32:16,268 LISTEN, ABOUT YESTERDAY -- 690 00:32:16,302 --> 00:32:17,469 YOU DON'T NEED TO APOLOGIZE. 691 00:32:17,503 --> 00:32:19,305 I WASN'T. I MEANT EVERY WORD OF IT. 692 00:32:19,338 --> 00:32:21,440 I UNDERSTAND. 693 00:32:21,473 --> 00:32:23,209 THEN YOU KNOW WHAT YOU HAVE TO DO. 694 00:32:29,148 --> 00:32:30,782 HEY, YOU TWO. 695 00:32:30,816 --> 00:32:32,784 HEY. WE INTERRUPTING? 696 00:32:32,818 --> 00:32:34,653 JUST LEAVING. 697 00:32:34,686 --> 00:32:36,855 THANKS FOR STOPPING BY. ABSOLUTELY. 698 00:32:36,888 --> 00:32:38,290 YOU LOOK GOOD! 699 00:32:38,324 --> 00:32:40,126 OH, YEAH. THE MIRACLE OF THE JELL-O DIET. 700 00:32:40,159 --> 00:32:41,493 [ BOTH CHUCKLE ] 701 00:32:41,527 --> 00:32:43,129 NEAL COMES BEARING GIFTS. 702 00:32:43,162 --> 00:32:44,163 [ PAPER RUSTLES ] 703 00:32:44,196 --> 00:32:46,365 [ Chuckling ] OH. HERE. 704 00:32:46,398 --> 00:32:48,167 OH. 705 00:32:48,200 --> 00:32:49,601 HERE YOU GO. OH. 706 00:32:49,635 --> 00:32:50,536 SET THIS HERE. 707 00:32:50,569 --> 00:32:52,604 AH. 708 00:32:52,638 --> 00:32:54,140 [ CHUCKLES ] 709 00:32:54,173 --> 00:32:56,175 "BEER OF THE MONTH" CLUB. 710 00:32:56,208 --> 00:32:57,709 YEAH, I FIGURED LIFTING A FEW PINTS 711 00:32:57,743 --> 00:32:59,611 COULD BE GOOD REHABILITATION FOR YOU. 712 00:32:59,645 --> 00:33:02,381 YEAH. THANK YOU. THANK YOU. 713 00:33:02,414 --> 00:33:04,616 AND WHAT IS THIS? 714 00:33:04,650 --> 00:33:05,784 IT'S, UM -- 715 00:33:05,817 --> 00:33:07,386 A SLING? YEAH. 716 00:33:07,419 --> 00:33:10,989 THERE'S A FAKE ARM IN IT. MOZZIE'S GIFT? 717 00:33:11,023 --> 00:33:12,458 OH, HE THOUGHT YOU COULD USE A SLING, 718 00:33:12,491 --> 00:33:14,526 AND THE ARM'S GOOD FOR GAMING TABLES IN ATLANTIC CITY. 719 00:33:14,560 --> 00:33:16,695 IT'S VERY THOUGHTFUL. 720 00:33:16,728 --> 00:33:22,334 SO, JONES TOLD ME ABOUT THE KEYMASTER. 721 00:33:22,368 --> 00:33:24,370 TURNED OUT TO BE A DEAD END? 722 00:33:24,403 --> 00:33:28,174 YEAH, HE DIDN'T GIVE US ANYTHING, 723 00:33:28,207 --> 00:33:30,576 BUT, YOU KNOW, THERE'S ALWAYS ANOTHER ANGLE. 724 00:33:30,609 --> 00:33:33,412 [ SIGHS ] 725 00:33:33,445 --> 00:33:35,314 YEAH. 726 00:33:35,347 --> 00:33:39,318 YOU KNOW, I-I WANT TO GET BACK TO WORK AS SOON AS POSSIBLE, 727 00:33:39,351 --> 00:33:41,520 AND I -- I STILL NEED A LITTLE MORE REST. 728 00:33:41,553 --> 00:33:42,588 OF COURSE. 729 00:33:52,698 --> 00:33:55,667 HEY. 730 00:33:55,701 --> 00:33:59,671 HE JUST LIED TO ME, RIGHT TO MY FACE. 731 00:33:59,705 --> 00:34:04,276 HE DIDN'T EVEN GRACE ME WITH HIS SLIPPERY AVOIDANCE TECHNIQUES. 732 00:34:04,310 --> 00:34:06,745 HE LIED TO MY FACE. 733 00:34:06,778 --> 00:34:09,948 [ CELLPHONE RINGS ] 734 00:34:09,981 --> 00:34:11,049 HEY, DIANA. 735 00:34:11,083 --> 00:34:12,451 DIANA: City signed off on your building. 736 00:34:12,484 --> 00:34:14,120 Seems Edwards and Pratt have more pull 737 00:34:14,153 --> 00:34:16,021 with the Planner's Office than we thought. 738 00:34:16,054 --> 00:34:17,389 Edwards should call his supplier soon. 739 00:34:17,423 --> 00:34:18,690 GREAT. 740 00:34:18,724 --> 00:34:20,692 We'll have an agent by the phone to intercept the call. 741 00:34:20,726 --> 00:34:23,695 HEY, WHEN THAT HAPPENS, CAN YOU ROUTE THE CALL TO THE HOSPITAL? 742 00:34:23,729 --> 00:34:25,897 Oh. Got you. 743 00:34:28,734 --> 00:34:32,904 I WANT THE BRONZE ROUNDS, 5-10 MODEL. 744 00:34:32,938 --> 00:34:35,207 PETER: [ Brooklyn accent ] Confirming, that's the H-beams? 745 00:34:35,241 --> 00:34:36,575 THAT'S WHAT I SAID. 746 00:34:36,608 --> 00:34:37,576 SORRY, I'M NEW HERE. 747 00:34:37,609 --> 00:34:39,211 Well, you might be temporary, too. 748 00:34:39,245 --> 00:34:41,647 TELL GARY I NEED ALL THIS DELIVERED FIRST THING TOMORROW. 749 00:34:41,680 --> 00:34:42,614 OTHERWISE, IT'S ON YOU. 750 00:34:42,648 --> 00:34:44,950 GOT IT. THANKS FOR YOUR BUSINESS, MR. EDWARDS. 751 00:34:44,983 --> 00:34:46,885 HAVE AN UNPLEASANT DAY. 752 00:34:46,918 --> 00:34:49,455 I'M SORRY. DID YOU SAY "UNPLEASANT"? 753 00:34:49,488 --> 00:34:51,823 PERMIT APPROVED BY THE CITY WAS FOR AMERICAN STANDARD I-BEAMS. 754 00:34:51,857 --> 00:34:53,058 BUT YOU ORDERED CHEAPER GOODS 755 00:34:53,091 --> 00:34:54,760 WITHOUT APPROVAL FROM THE PLANNER'S OFFICE. 756 00:34:54,793 --> 00:34:56,762 THAT'S A VIOLATION OF BUILDING CODES. 757 00:34:56,795 --> 00:34:58,597 IT ALSO GIVES US WHAT WE NEED TO SUBPOENA 758 00:34:58,630 --> 00:35:00,566 ALL OF YOUR PERSONAL BANK ACCOUNTS AND RECORDS. 759 00:35:00,599 --> 00:35:01,667 WE GOT EDWARDS. 760 00:35:01,700 --> 00:35:02,968 [ Normal voice ] EXCELLENT. 761 00:35:03,001 --> 00:35:05,171 I'LL BE HEADING HOME AS SOON AS I'M DISCHARGED. 762 00:35:05,204 --> 00:35:06,605 KEEP ME POSTED. 763 00:35:06,638 --> 00:35:09,541 Of course. 764 00:35:11,877 --> 00:35:14,580 YOU SHUFFLED A LOT OF MONEY AROUND, MR. EDWARDS. 765 00:35:14,613 --> 00:35:16,948 WE COMPARED YOUR COMPANY ACCOUNTS TO YOUR OWN. 766 00:35:16,982 --> 00:35:18,417 FOUND SOME DISCREPANCIES. 767 00:35:18,450 --> 00:35:20,286 PROBABLY AN ACCOUNTING MISTAKE. NO. 768 00:35:20,319 --> 00:35:22,688 BY SUBBING IN LOWER-GRADE MATERIALS, 769 00:35:22,721 --> 00:35:26,758 YOU SAVED ALMOST $150 MILLION. 770 00:35:26,792 --> 00:35:28,327 I FILED THE CHANGE REPORTS. 771 00:35:28,360 --> 00:35:29,628 OUR LAB RAN INK TESTS. 772 00:35:29,661 --> 00:35:32,298 THEY WERE STAMPED LESS THAN A WEEK AGO. 773 00:35:32,331 --> 00:35:34,800 YOU WERE NEVER GONNA REPORT THOSE SAVINGS TO YOUR INVESTORS. 774 00:35:34,833 --> 00:35:38,770 MULTIPLE COUNTS OF BANK AND WIRE FRAUD. 775 00:35:38,804 --> 00:35:42,708 ONE TO FIVE ON EACH COUNT, AND YOU'RE LOOKING AT 25 YEARS. 776 00:35:42,741 --> 00:35:46,178 BUT THERE'S A CHANCE WE CAN MAKE A DEAL HERE. 777 00:35:46,212 --> 00:35:47,946 WHAT KIND OF DEAL? 778 00:35:47,979 --> 00:35:50,782 I'M INTERESTED IN SENATOR PRATT. 779 00:35:50,816 --> 00:35:53,118 PROVIDE US WITH EVIDENCE YOU GAVE HIM KICKBACKS, 780 00:35:53,151 --> 00:35:56,322 AND THE PROSECUTOR WILL KNOW HOW COOPERATIVE YOU ARE. 781 00:35:56,355 --> 00:35:58,357 THERE'S ALSO THE MATTER 782 00:35:58,390 --> 00:36:00,359 OF ATTEMPTED MURDER OF A FEDERAL AGENT. 783 00:36:00,392 --> 00:36:03,229 YOU RIGGED AGENT BURKE'S CAR TO MALFUNCTION. 784 00:36:03,262 --> 00:36:05,831 IF YOU HAD ANY PROOF, YOU WOULD HAVE LED WITH THAT. 785 00:36:05,864 --> 00:36:09,235 HE'S TAKING HIS CHANCES ON A LENIENT JUDGE. 786 00:36:09,268 --> 00:36:11,837 NO, HE'S HOPING HIS LOYALTY GETS BACK TO PRATT. 787 00:36:11,870 --> 00:36:15,241 HE'S BETTING ON HIM TO PULL STRINGS. 788 00:36:15,274 --> 00:36:18,277 [ SIGHS ] IT'S A DEAD END. 789 00:36:20,579 --> 00:36:23,148 I'M PROFOUNDLY DISAPPOINTED IN COLE EDWARDS. 790 00:36:23,181 --> 00:36:25,651 [ SIGHS ] I'D HAD MY SUSPICIONS. 791 00:36:25,684 --> 00:36:27,653 I VISITED THE FBI SEVERAL DAYS AGO. 792 00:36:27,686 --> 00:36:28,820 [ CHUCKLES ] AFTER MY VISIT... 793 00:36:28,854 --> 00:36:30,222 PRATT CUTS EDWARDS LOOSE 794 00:36:30,256 --> 00:36:32,658 AND THEN TAKES CREDIT FOR THE BUREAU'S WIN. 795 00:36:32,691 --> 00:36:35,261 ...TODAY'S DISHEARTENING RESULTS. 796 00:36:35,294 --> 00:36:39,498 PUBLIC CORRUPTION IS SOMETHING I CANNOT TOLERATE. 797 00:36:39,531 --> 00:36:41,066 THANK YOU. 798 00:36:41,099 --> 00:36:42,668 HONEY. 799 00:36:42,701 --> 00:36:43,669 HMM? 800 00:36:43,702 --> 00:36:45,036 WELL, LOOK AT THIS. 801 00:36:45,070 --> 00:36:47,706 [ INDISTINCT SHOUTING ] 802 00:36:50,709 --> 00:36:53,178 WELL, THIS CAN'T BE GOOD. 803 00:36:53,211 --> 00:36:57,249 SENATOR PRATT! 804 00:36:57,283 --> 00:37:00,051 WE NEED TO TALK. 805 00:37:08,260 --> 00:37:09,027 YOUR FRIEND EDWARDS HAD YOUR BACK, 806 00:37:10,329 --> 00:37:11,930 AND YOU THREW HIM UNDER THE BUS. 807 00:37:11,963 --> 00:37:13,532 Pratt: MY STANCE ON PUBLIC CORRUPTION -- IS A JOKE, 808 00:37:13,565 --> 00:37:15,734 ESPECIALLY WHEN YOU'RE AT THE HEART OF IT. 809 00:37:15,767 --> 00:37:18,069 THAT'S A SERIOUS ACCUSATION. 810 00:37:18,103 --> 00:37:21,573 I'M AWARE OF YOUR SITUATION, MR. CAFFREY, 811 00:37:21,607 --> 00:37:24,075 YOUR BACKGROUND, YOUR FATHER. 812 00:37:24,109 --> 00:37:25,777 WHAT ABOUT MY FATHER? 813 00:37:25,811 --> 00:37:27,413 KEEP IT TOGETHER, NEAL. 814 00:37:27,446 --> 00:37:28,980 YOU ACCUSE ME OF CORRUPTION WHEN, IN FACT, 815 00:37:29,014 --> 00:37:32,083 IT WAS JAMES BENNETT WHO WAS THE REAL STAIN ON METRO P.D. -- 816 00:37:32,117 --> 00:37:35,053 A CRIMINAL POSING AS A COP. 817 00:37:35,086 --> 00:37:40,592 I'M SURE YOU, OF ALL PEOPLE, CAN APPRECIATE THE IRONY. 818 00:37:40,626 --> 00:37:43,795 OH, I WILL. 819 00:37:43,829 --> 00:37:45,964 SOON. 820 00:37:45,997 --> 00:37:48,166 YOU DESTROYED MY FAMILY 30 YEARS AGO. 821 00:37:48,199 --> 00:37:50,135 I'M NOT GONNA LET YOU DO IT AGAIN. 822 00:37:50,168 --> 00:37:54,473 WHATEVER YOU'RE HIDING, I'M GONNA FIND IT. 823 00:37:54,506 --> 00:37:59,110 I'm not sure about that. 824 00:37:59,144 --> 00:38:02,080 YOUR DIVISION AT THE FBI IS UNDERGOING RESTRUCTURING 825 00:38:02,113 --> 00:38:04,916 AS OF TODAY. 826 00:38:04,950 --> 00:38:06,385 [ BLOWS ] 827 00:38:09,120 --> 00:38:11,690 WHAT DOES HE MEAN? 828 00:38:11,723 --> 00:38:13,091 THANK YOU. 829 00:38:13,124 --> 00:38:15,327 [ CELLPHONE RINGS ] 830 00:38:17,128 --> 00:38:20,098 JONES, WHAT'S GOING ON? 831 00:38:20,131 --> 00:38:23,635 WHAT? WHEN? 832 00:38:25,170 --> 00:38:26,372 THEY'RE FORCING YOU OUT. 833 00:38:26,405 --> 00:38:28,807 PRATT MADE CALLS TO THE ATTORNEY GENERAL. 834 00:38:28,840 --> 00:38:30,476 AN HOUR LATER, THE DIRECTOR PHONED ME 835 00:38:30,509 --> 00:38:32,177 AND PUT EARLY RETIREMENT ON THE TABLE. 836 00:38:32,210 --> 00:38:33,779 THIS IS RIDICULOUS. 837 00:38:33,812 --> 00:38:35,146 IT WASN'T A CHOICE. 838 00:38:35,180 --> 00:38:36,782 A.G. MADE IT CLEAR. 839 00:38:36,815 --> 00:38:39,985 MY PENSION WAS AT RISK IF I DIDN'T COOPERATE. 840 00:38:40,018 --> 00:38:40,986 YOU'RE NOT GOING ANYWHERE. 841 00:38:41,019 --> 00:38:42,988 IT'S THE BEST OFFER I'M GONNA GET. 842 00:38:43,021 --> 00:38:46,291 AND I CAN WALK OUT WITH MY HEAD UP. 843 00:38:46,324 --> 00:38:47,993 REESE, I DID THIS. 844 00:38:48,026 --> 00:38:49,661 THIS ISN'T ABOUT YOU, PETER. 845 00:38:49,695 --> 00:38:51,730 I SIGNED OFF ON THE OP. I KNEW THE RISKS. 846 00:38:51,763 --> 00:38:53,331 [ Voice breaking ] PRATT CAN'T GET AWAY WITH THIS. 847 00:38:53,365 --> 00:38:54,866 THEN DON'T LET HIM. 848 00:38:54,900 --> 00:38:57,869 IF ANYONE CAN GET THE BASTARD, IT'S YOU. 849 00:39:03,074 --> 00:39:05,176 [ CLEARS THROAT ] 850 00:39:42,914 --> 00:39:47,953 NO ONE COULD EVER ASK FOR A BETTER TEAM 851 00:39:47,986 --> 00:39:49,788 THAN I FOUND IN YOU. 852 00:39:49,821 --> 00:39:52,257 All: THANK YOU, SIR. 853 00:39:52,290 --> 00:39:54,059 [ CLEARS THROAT ] 854 00:39:54,092 --> 00:39:55,794 [ ELEVATOR BELL DINGS ] 855 00:40:00,599 --> 00:40:04,235 THANK YOU FOR YOUR SERVICE, CAFFREY. 856 00:40:04,269 --> 00:40:07,639 [ SIGHS ] 857 00:40:07,673 --> 00:40:10,108 THANK YOU, SIR. 858 00:40:10,141 --> 00:40:14,112 YOU'RE A REAL SON OF A BITCH, NEAL. 859 00:40:15,514 --> 00:40:17,716 BUT YOU'RE THE BEST DAMN SON OF A BITCH I'VE EVER SEEN. 860 00:40:17,749 --> 00:40:18,784 [ CHUCKLES ] 861 00:40:18,817 --> 00:40:20,952 THANKS. 862 00:40:20,986 --> 00:40:23,088 I COULD SAY THE SAME FOR YOU, REESE. 863 00:40:25,457 --> 00:40:27,493 TAKE CARE OF PETER. 864 00:40:27,526 --> 00:40:30,028 I WILL. 865 00:40:39,137 --> 00:40:40,438 HUGHES IS GONE? 866 00:40:40,472 --> 00:40:41,807 THANKS TO PRATT. 867 00:40:41,840 --> 00:40:44,175 WE TOOK OUT HIS BIGGEST DONOR, HE RETALIATED. 868 00:40:44,209 --> 00:40:45,811 ARE YOU SURE ABOUT THIS? 869 00:40:45,844 --> 00:40:47,813 GOING AFTER PRATT, FOR ME, IT'S PERSONAL. 870 00:40:47,846 --> 00:40:49,481 FOR YOU -- IT'S PERSONAL, TOO. 871 00:40:49,515 --> 00:40:53,251 I BELIEVE IN THIS SYSTEM, AND IF SOMEONE'S POLLUTING IT, 872 00:40:53,284 --> 00:40:55,353 IT'S OUR JOB TO SET THINGS RIGHT. 873 00:40:55,386 --> 00:40:57,188 THE SENATOR KNOWS WE'RE COMING. 874 00:40:57,222 --> 00:41:00,626 GOOD, BECAUSE I'M GONNA FIND EVERY DIRTY DEAL, 875 00:41:00,659 --> 00:41:05,030 EVERY CRIME OR COVER-UP HE'S BEEN A PART OF. 876 00:41:05,063 --> 00:41:08,133 THAT'S WHAT I DO. 877 00:41:08,166 --> 00:41:11,302 [ SIGHS ] THAT'S WHAT YOU DO. 878 00:41:14,706 --> 00:41:15,874 Neal: ELLEN MUST HAVE MADE IT 879 00:41:15,907 --> 00:41:18,143 WHEN SHE FIRST MOVED TO NEW YORK. 880 00:41:18,176 --> 00:41:21,780 WHAT IF IT UNLOCKS NOTHING? 881 00:41:21,813 --> 00:41:25,350 KEYS DON'T HAVE EXISTENTIAL CRISES. 882 00:41:25,383 --> 00:41:28,219 WHAT? THE KEYMASTER CAME THROUGH? 883 00:41:28,253 --> 00:41:30,155 WELL, HE DID GIVE ME ANOTHER RIDDLE. 884 00:41:30,188 --> 00:41:31,957 WHAT DID HE SAY? 885 00:41:31,990 --> 00:41:34,960 WHEN IS A KEY NOT A KEY? WHEN IT'S A GUIDE. 886 00:41:34,993 --> 00:41:36,194 A GUIDE? 887 00:41:36,227 --> 00:41:39,030 RIDGES ON KEYS ARE NUMERICALLY CODED BY WIDTH AND HEIGHT. 888 00:41:39,064 --> 00:41:41,900 MAYBE THEY'RE COORDINATES. 889 00:41:41,933 --> 00:41:45,170 THE SHAPES, THEY LOOK FAMILIAR. 890 00:41:48,339 --> 00:41:50,508 LOOK AT THE SILHOUETTE. 891 00:41:50,542 --> 00:41:53,144 WHAT DOES THAT REMIND YOU OF? 892 00:41:53,178 --> 00:41:56,514 UM, AN O.C.D.'s NIGHTMARE OF ASSORTED BOXES? 893 00:41:56,548 --> 00:41:58,116 IT'S A CITYSCAPE, MOZ. 894 00:42:01,119 --> 00:42:02,320 NOT TH ONE. 895 00:42:02,353 --> 00:42:06,024 NO, BUT MANHATTAN HAS THE BEST SKYLINE IN THE WORLD. 896 00:42:09,194 --> 00:42:12,430 THESE ARE BUILDINGS. 897 00:42:12,463 --> 00:42:14,365 IF WE MATCH THESE SHAPES UP FROM THE RIGHT VANTAGE POINT... 898 00:42:14,399 --> 00:42:16,267 IT'S GOING TO POINT US SOMEWHERE. 899 00:42:16,301 --> 00:42:19,871 IT'S A MAP. PRATT DOESN'T KNOW ABOUT THIS. 900 00:42:19,905 --> 00:42:22,007 NEITHER DOES PETER. 901 00:42:22,040 --> 00:42:24,576 NEAL THINKS HE'S IN THE LEAD HERE... 902 00:42:24,610 --> 00:42:26,578 BUT I'M WITH HIM.