1 00:00:01,001 --> 00:00:02,703 PREVIOUSLY ON WHITE COLLAR... 2 00:00:03,771 --> 00:00:06,207 Neal: THIS HAS TO BE ONE OF THE GREATEST COLLECTIONS OF ART 3 00:00:06,240 --> 00:00:07,975 THAT'S EVER BEEN FOUND. 4 00:00:08,008 --> 00:00:09,243 Jones: HER NAME'S ALEXANDRA HUNTER. 5 00:00:09,277 --> 00:00:11,011 Peter: DEALS MOSTLY IN EASTERN EUROPEAN ANTIQUITIES. 6 00:00:11,045 --> 00:00:13,147 ONLY BEEN ARRESTED ONCE, IN FRANCE, 7 00:00:13,181 --> 00:00:16,650 BUT ALL CHARGES WERE MYSTERIOUSLY DROPPED. 8 00:00:16,684 --> 00:00:17,985 Diana: SHE'S AN OLD ACQUAINTANCE OF NEAL'S. 9 00:00:18,018 --> 00:00:20,821 WE'RE ALREADY FAMILIAR WITH ALEX. 10 00:00:20,854 --> 00:00:23,191 [ GROANS ] [ LAUGHS ] 11 00:00:23,224 --> 00:00:25,226 SAID SHE'D SEND ME A MESSAGE IF SHE EVER NEEDED MY HELP. 12 00:00:25,259 --> 00:00:27,195 Peter: WHAT KIND OF MESSAGE? A FLOWER. 13 00:00:27,228 --> 00:00:30,030 ARE YOU A FRIEND OF NEAL'S? YOU CAN SAY THAT, YES. 14 00:00:30,064 --> 00:00:31,265 HOW DO YOU TWO KNOW EACH OTHER? 15 00:00:32,066 --> 00:00:34,034 I'M AN FBI AGENT. 16 00:00:35,203 --> 00:00:36,437 YOU GREW UP IN WITNESS PROTECTION. 17 00:00:36,470 --> 00:00:39,340 I WAS 3 WHEN THE MARSHALS TOOK US AWAY. 18 00:00:39,373 --> 00:00:40,674 I WAS BORN NEAL BENNETT. 19 00:00:40,708 --> 00:00:43,511 BUT IN WITSEC, I GREW UP AS DANNY BROOKS. 20 00:00:43,544 --> 00:00:46,180 WE FOUND A GUN WITH YOUR DAD'S PRINTS ON IT. 21 00:00:46,214 --> 00:00:47,681 HE KILLED A COP. 22 00:00:47,715 --> 00:00:48,882 HE CONFESSED. 23 00:00:48,916 --> 00:00:50,384 DID YOU BELIEVE HIM? 24 00:00:51,552 --> 00:00:53,187 ELLEN! 25 00:00:53,221 --> 00:00:54,588 THEY FOUND ME. 26 00:00:54,622 --> 00:00:56,924 WHO? TRUST SAM. 27 00:00:56,957 --> 00:00:59,127 I SPENT THE LAST DECADE OF MY LIFE HIDING FROM THE TRUTH. 28 00:00:59,160 --> 00:01:00,428 I'M FINALLY READY TO FACE IT, 29 00:01:00,461 --> 00:01:02,296 AND I'LL BE DAMNED IF I'M TURNING BACK NOW 30 00:01:02,330 --> 00:01:03,764 BECAUSE YOU THINK I CAN'T HELP YOU. 31 00:01:03,797 --> 00:01:05,566 NO FBI? 32 00:01:05,599 --> 00:01:06,767 NO FBI. 33 00:01:09,237 --> 00:01:12,140 NEAL, WHAT ARE YOU DOING? 34 00:01:39,032 --> 00:01:40,968 Man: FREEZE! 35 00:01:41,001 --> 00:01:43,404 LET ME SEE YOUR HANDS RIGHT NOW! 36 00:01:43,437 --> 00:01:46,073 [ SIREN CHIRPS ] Man #2: PUT YOUR HANDS WHERE WE CAN SEE THEM! 37 00:01:46,106 --> 00:01:48,509 [ INDISTINCT CONVERSATIONS ] 38 00:01:52,846 --> 00:01:55,115 HEY, GOOD TO SEE YOU. 39 00:01:55,149 --> 00:01:58,619 [ CHUCKLES ] I SOMEHOW DOUBT THAT. 40 00:01:59,953 --> 00:02:02,356 [ GROANS ] 41 00:02:02,390 --> 00:02:03,991 NO NEED FOR THE SERIOUS THEATRICS. 42 00:02:04,024 --> 00:02:05,459 YOU KNOW I'M YOUR INSIDE MAN, RIGHT? 43 00:02:05,493 --> 00:02:07,094 YOU HAVE THE RIGHT TO REMAIN SILENT. 44 00:02:07,127 --> 00:02:08,329 WHERE'S PETER? 45 00:02:08,362 --> 00:02:09,863 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU 46 00:02:09,897 --> 00:02:12,600 IN A COURT OF LAW. CALL AGENT PETER BURKE, OKAY? 47 00:02:12,633 --> 00:02:14,368 LOOK, I THINK THERE'S BEEN A MISUNDERSTANDING HERE. 48 00:02:14,402 --> 00:02:15,836 YOU HAVE THE RIGHT TO HAVE AN ATTORNEY. 49 00:02:15,869 --> 00:02:18,138 FBI! STAND DOWN! [ SIGHS ] 50 00:02:18,172 --> 00:02:19,807 THANK YOU. YEAH. 51 00:02:19,840 --> 00:02:22,276 MYRICK, HE'S WITH US. IF HE WAS IN THE BACK OF YOUR CAR, 52 00:02:22,310 --> 00:02:23,311 HE'D BE WITH YOU. 53 00:02:23,344 --> 00:02:24,512 [ Chuckling ] OH. 54 00:02:24,545 --> 00:02:26,647 WHEN DID YOU MAKE ASSISTANT CHIEF? 55 00:02:26,680 --> 00:02:28,516 I GOT MY SECOND STAR LAST MONTH. 56 00:02:28,549 --> 00:02:29,450 THAT'S GREAT. 57 00:02:29,483 --> 00:02:31,018 LOOK, THIS IS OUR OPERATION. 58 00:02:31,051 --> 00:02:32,453 [ Chuckling ] OH, SO SAYS YOU. 59 00:02:32,486 --> 00:02:34,021 BUT WITHOUT YOUR HELP, 60 00:02:34,054 --> 00:02:36,224 MY OFFICERS NABBED FOUR PRO THIEVES 61 00:02:36,257 --> 00:02:38,459 CARTING OFF A TRUCK FULL OF ANTIQUES. 62 00:02:38,492 --> 00:02:42,129 THREE PROFESSIONAL THIEVES. NEAL CAFFREY IS A BUREAU ASSET. 63 00:02:42,162 --> 00:02:44,365 UH, WHILE WE'RE CORRECTING SEMANTIC GAFFES -- 64 00:02:44,398 --> 00:02:45,466 ANTIQUES ARE WHAT YOU GET 65 00:02:45,499 --> 00:02:47,635 WHEN YOU PULL OFF THE HIGHWAY IN MICHIGAN. 66 00:02:47,668 --> 00:02:50,204 THOSE ARE PRICELESS, PRE-CHRISTIAN ANTIQUITIES. 67 00:02:51,239 --> 00:02:53,407 NEAL, NOT HELPING. 68 00:02:53,441 --> 00:02:56,510 I SUBMITTED THOSE OP ORDERS OVER A WEEK AGO TO YOU. 69 00:02:56,544 --> 00:02:57,645 OP ORDERS? 70 00:02:57,678 --> 00:02:59,580 MY PATROL BOROUGH GETS ENOUGH OP ORDERS IN A WEEK 71 00:02:59,613 --> 00:03:00,981 TO BUILD A NEW STATION HOUSE. 72 00:03:01,014 --> 00:03:03,217 WELL, I DON'T CARE IF YOU COULD BUILD THE KREMLIN, 73 00:03:03,251 --> 00:03:05,219 YOU STILL HAVE TO READ THEM. 74 00:03:05,253 --> 00:03:06,320 AND YOU'RE NOT BOOKING HIM. 75 00:03:06,354 --> 00:03:09,757 COME ON. HOW'S THIS? 76 00:03:09,790 --> 00:03:12,360 I GIVE YOU THE COLLARS AND THE SEIZURES, 77 00:03:12,393 --> 00:03:14,562 PLUS, I'LL CALL UP YOUR BUREAU CHIEF 78 00:03:14,595 --> 00:03:15,829 AND TELL HIM WE REALLY LIKE 79 00:03:15,863 --> 00:03:17,665 THIS NEW GUY HE'S GOT IN MANHATTAN NORTH. 80 00:03:17,698 --> 00:03:20,401 IF YOU WALK WITH YOUR GUY? YEP. 81 00:03:20,434 --> 00:03:23,937 ALL RIGHT, NEXT TIME YOU WANT TO OPERATE IN MY P.B., 82 00:03:23,971 --> 00:03:25,573 YOU GET ME ON THE HORN. 83 00:03:25,606 --> 00:03:27,341 YEAH. OH, HERE YOU GO. [ HANDCUFFS CLICK ] 84 00:03:27,375 --> 00:03:28,542 THANKS A LOT. 85 00:03:33,146 --> 00:03:36,617 NYPD DOES NOT DO CONGENIALITY. 86 00:03:36,650 --> 00:03:38,352 NOT LADDER CLIMBERS LIKE MYRICK. 87 00:03:38,386 --> 00:03:40,053 HE'S MORE CONCERNED WITH COMMENDATION 88 00:03:40,087 --> 00:03:41,555 THAN COOPERATION. 89 00:03:41,589 --> 00:03:43,624 IF YOU'RE LETTING HIM GET THE WIN, 90 00:03:43,657 --> 00:03:47,695 YOU GOT SOMETHING BIGGER IN YOUR CROSS HAIRS, DON'T YOU? 91 00:03:47,728 --> 00:03:49,863 OH, COME ON. I KNOW THAT TELL. 92 00:03:49,897 --> 00:03:51,265 TELL ME. I-I -- 93 00:03:51,299 --> 00:03:52,566 WHAT IS IT? 94 00:03:52,600 --> 00:03:56,370 TWO WEEKS AGO, WE PUT NEAL UNDER 95 00:03:56,404 --> 00:03:59,907 WITH THREE THIEVES SET TO HIT THE GRECO MUSEUM. 96 00:03:59,940 --> 00:04:02,042 YEAH, EVERYTHING WENT TO PLAN UNTIL NEW YORK'S FINEST SHOWED UP. 97 00:04:02,075 --> 00:04:03,444 I CAN'T BELIEVE I MISSED THAT. 98 00:04:03,477 --> 00:04:05,479 YOU REALLY GET CAUGHT BY A PATROL OFFICER? 99 00:04:05,513 --> 00:04:08,048 THAT DOES NOT COUNT. I THOUGHT THEY WERE MY BACKUP. 100 00:04:08,081 --> 00:04:09,583 [ LAUGHS ] BUT YOU DID CUFFED. 101 00:04:09,617 --> 00:04:11,452 THEY DIDN'T BRING HIM IN. DOESN'T COUNT. 102 00:04:11,485 --> 00:04:12,886 THANK YOU. THANK YOU. 103 00:04:12,920 --> 00:04:15,222 WE ALWAYS BELIEVED THE JOB HAD A PATRON 104 00:04:15,255 --> 00:04:17,391 BUT NEVER GOT A WHIFF UNTIL... 105 00:04:17,425 --> 00:04:18,726 JONES. I WAS PORING OVER UCR 106 00:04:18,759 --> 00:04:22,129 FOR SUSPECTS WITH SIMILAR CRIMINAL BACKGROUNDS, 107 00:04:22,162 --> 00:04:24,064 AND I FOUND A SURPRISE. 108 00:04:24,097 --> 00:04:25,799 [ BEEP ] 109 00:04:25,833 --> 00:04:28,436 ALEX. 110 00:04:30,103 --> 00:04:31,439 BUT SHE'S IN A GREEK PRISON? 111 00:04:31,472 --> 00:04:34,408 SHE HIT ABOUT A DOZEN HISTORICAL SITES 112 00:04:34,442 --> 00:04:35,776 BEFORE THE HELLENIC POLICE CAUGHT UP WITH HER. 113 00:04:35,809 --> 00:04:37,177 Diana: BUSTED HER WITH A COLLECTION 114 00:04:37,210 --> 00:04:39,179 THAT WOULD MAKE J. PAUL GETTY GREEN. 115 00:04:39,212 --> 00:04:40,414 THEY LET HER GO TWO WEEKS AGO. 116 00:04:40,448 --> 00:04:42,583 IN TIME TO POSSIBLY ORCHESTRATE 117 00:04:42,616 --> 00:04:44,852 A HIGH-RENT ANTIQUITIES THEFT. 118 00:04:44,885 --> 00:04:46,487 ANY IDEA SHE WAS IN TOWN? 119 00:04:46,520 --> 00:04:48,689 NO, I HAVEN'T SEEN HER SINCE SHE WAS RIGHT THERE, 120 00:04:48,722 --> 00:04:50,858 THE NIGHT BEFORE ADLER DIED. 121 00:04:50,891 --> 00:04:51,859 MEMORABLE DAY. 122 00:04:51,892 --> 00:04:53,961 I WANT YOU AND ALEX TO PLAY CATCH-UP, 123 00:04:53,994 --> 00:04:56,630 SEE IF SHE'S INVOLVED IN THAT MUSEUM HEIST. 124 00:04:56,664 --> 00:04:58,198 WE'RE MAKING A LOT OF ASSUMPTIONS HERE. 125 00:04:58,231 --> 00:04:59,767 WHAT IF SHE'S CLEAN? [ LAUGHS ] 126 00:04:59,800 --> 00:05:01,602 IF SHE'S CLEAN, WE LEAVE HER BE. 127 00:05:01,635 --> 00:05:03,704 CAN YOU REACH OUT TO HER? 128 00:05:03,737 --> 00:05:05,373 YEAH. DO WE HAVE AN ADDRESS? 129 00:05:05,406 --> 00:05:07,941 PENTHOUSE AT THE ATHENIAN HOTEL. 130 00:05:07,975 --> 00:05:10,444 Diana: WE'RE LOOKING AT GREEK ANTIQUITIES THEFT. 131 00:05:10,478 --> 00:05:13,447 SHE CHECKED INTO THE ATHENIAN. I'M SURE SHE'S CLEAN. 132 00:05:13,481 --> 00:05:16,784 NEAL'S GONNA NEED A RIDE DOWNTOWN. LET'S BREAK. 133 00:05:16,817 --> 00:05:20,721 I GUESS THAT'S ON ME. LET'S GO. 134 00:05:20,754 --> 00:05:22,656 THANKS, JONES. 135 00:05:24,892 --> 00:05:27,728 YOU OWE ME A T.B. SHOT. 136 00:05:27,761 --> 00:05:29,363 I CHASED A GARBAGE TRUCK FIVE BLOCKS. 137 00:05:29,397 --> 00:05:31,499 I MANAGED TO DIG OUT A RECEIPT 138 00:05:31,532 --> 00:05:33,634 FROM THE HOTEL YOU FOLLOWED CAFFREY TO. 139 00:05:33,667 --> 00:05:35,469 ROOM WAS PAID FOR BY SAMUEL PHELPS. 140 00:05:35,503 --> 00:05:36,804 I ASKED AROUND QUIETLY. 141 00:05:36,837 --> 00:05:38,839 SOME ADDRESSES IN AND AROUND D.C., 142 00:05:38,872 --> 00:05:41,174 A MEAGER CREDIT HISTORY, LIBRARY CARD. 143 00:05:41,208 --> 00:05:42,342 NO OTHER PHOTOS? 144 00:05:42,376 --> 00:05:43,811 JUST THE ONE YOU TOOK. 145 00:05:43,844 --> 00:05:45,012 IS THERE ANY PARTICULAR REASON 146 00:05:45,045 --> 00:05:46,914 WHY WE'RE NOT PUSHING THIS THROUGH BUREAU CHANNELS? 147 00:05:49,082 --> 00:05:51,351 I'M KEEPING SAM'S NAME OFF OF ANYTHING OFFICIAL. 148 00:05:51,385 --> 00:05:52,886 YOU'RE SECRETLY TRACKING CAFFREY, 149 00:05:52,920 --> 00:05:54,588 BUT YOU DRAW THE LINE AT RUNNING INDICES? 150 00:05:54,622 --> 00:05:56,223 I KNOW. I'M WALKING A LINE HERE. 151 00:05:56,256 --> 00:05:59,660 ANY IDEA WHO THIS SAM PHELPS IS? 152 00:05:59,693 --> 00:06:01,995 NEAL THINKS HE WAS AN UNDERCOVER COP 153 00:06:02,029 --> 00:06:04,565 ON METRO P.D.'s ORGANIZED CRIME SQUAD. 154 00:06:04,598 --> 00:06:06,400 MAKES SENSE THERE WOULDN'T BE ANY PHOTOGRAPHS, 155 00:06:06,434 --> 00:06:08,001 BUT HE'S NOT THE COMPANY CAFFREY USUALLY KEEPS. 156 00:06:08,035 --> 00:06:11,104 IT'S POSSIBLE SAM WORKED WITH NEAL'S FATHER. 157 00:06:11,138 --> 00:06:14,374 IMPLYING CAFFREY'S DAD WAS A COP? 158 00:06:14,408 --> 00:06:17,377 SO MUCH FOR "LIKE FATHER, LIKE SON." 159 00:06:17,411 --> 00:06:21,281 NEAL'S DAD WAS A CROOKED COP. 160 00:06:21,314 --> 00:06:22,616 [ CHUCKLES ] 161 00:06:22,650 --> 00:06:25,218 WELL, IF THIS SAM CHARACTER DOESN'T SIT RIGHT WITH YOU, 162 00:06:25,252 --> 00:06:26,454 I CAN ASSIGN A DETAIL. 163 00:06:26,487 --> 00:06:28,288 NOT YET. BUT STAY ON HIM. 164 00:06:28,321 --> 00:06:30,424 AND LET'S KEEP THIS UNDER WRAPS. 165 00:06:38,065 --> 00:06:40,901 Mozzie: WE NEED TO TAKE EVASIVE MEASURES. 166 00:06:40,934 --> 00:06:41,869 ALEX IS GONNA KILL US. 167 00:06:41,902 --> 00:06:43,537 OKAY, YOU NEED TO LAY OFF THE ESPRESSO, BUD. 168 00:06:43,571 --> 00:06:45,906 SHE'S BEEN HUNTING FOR THAT SUNKEN SUBMARINE 169 00:06:45,939 --> 00:06:47,207 SINCE PREPUBESCENCE. 170 00:06:47,240 --> 00:06:48,442 WE STOLE HER BIRTHRIGHT. 171 00:06:48,476 --> 00:06:50,377 TECHNICALLY, YOU STOLE HER BIRTHRIGHT. 172 00:06:50,410 --> 00:06:51,579 AND YOU REAPED THE BENEFITS. 173 00:06:51,612 --> 00:06:52,880 YOUR HANDS ARE NOT CLEAN IN THIS. 174 00:06:52,913 --> 00:06:54,381 WELL, DO WE HAVE ANY OF IT IN TOWN? 175 00:06:54,414 --> 00:06:55,616 NOT MUCH. 176 00:06:55,649 --> 00:06:58,418 SOME, UH, GOLD-PLATED HOUSEWARES, MOSTLY. 177 00:06:58,452 --> 00:06:59,953 YOU BETTER NOT THROW A DINNER PARTY. 178 00:06:59,987 --> 00:07:01,822 SHE MIGHT BE IN TOWN LOOKING FOR IT. 179 00:07:01,855 --> 00:07:04,925 THINGS WERE SO MUCH SIMPLER WHEN SHE JUST VANISHED. 180 00:07:04,958 --> 00:07:05,893 NOW I HAVE TO HIDE 181 00:07:05,926 --> 00:07:08,161 FOR THE REMAINDER OF MY NATURAL LIFE. 182 00:07:08,195 --> 00:07:11,264 YOUR NATURAL LIFE IS CONSTITUTED PRIMARILY OF HIDING. 183 00:07:11,298 --> 00:07:14,401 EXACTLY. I DON'T NEED ANY SUPPLEMENT HIDING. 184 00:07:14,434 --> 00:07:17,571 I DO NEED A STRONGER DRINK. 185 00:07:17,605 --> 00:07:20,273 I WROTE TO HER AND SUGGESTED SHE COME BACK TO NEW YORK. 186 00:07:20,307 --> 00:07:21,909 OH, DID YOU TELL HER TO COME BACK 187 00:07:21,942 --> 00:07:24,244 BECAUSE WE STOLE HER TREASURE OUT FROM UNDER HER? 188 00:07:24,277 --> 00:07:26,780 NO, THAT WOULD HAVE BEEN PRETTY INCRIMINATING, MOZ. 189 00:07:26,814 --> 00:07:29,249 LOOK, SHE SKIPPED TOWN WITHOUT SO MUCH AS A GOOD-BYE. 190 00:07:29,282 --> 00:07:30,584 SHE'LL UNDERSTAND. 191 00:07:30,618 --> 00:07:32,920 WELL, GIVEN THAT YOU'RE THE ONE WHO HAS TO FACE HER, 192 00:07:32,953 --> 00:07:34,855 I'M GONNA LET YOU ENJOY THAT FANTASY. 193 00:07:34,888 --> 00:07:37,591 SO GOOD LUCK WITH THAT. PACKAGE? 194 00:07:37,625 --> 00:07:39,292 YEAH, JUNE MUST HAVE BROUGHT IT IN. 195 00:07:39,326 --> 00:07:41,461 MOZ. 196 00:07:41,495 --> 00:07:43,330 KATHRYN HILL WAS ELLEN'S NAME 197 00:07:43,363 --> 00:07:45,265 BEFORE SHE WENT INTO WITSEC. 198 00:07:45,298 --> 00:07:47,034 A MISSIVE FROM THE GRAVE? 199 00:07:48,969 --> 00:07:50,804 30 YEARS AGO, ELLEN ASKED THE MARSHALS 200 00:07:50,838 --> 00:07:53,607 TO GIVE THIS TO ME IF WE NEVER SAW EACH OTHER AGAIN. 201 00:07:53,641 --> 00:07:54,875 WE ENDED UP IN WITSEC TOGETHER, 202 00:07:54,908 --> 00:07:57,277 SO THERE WAS NEVER A REASON TO DELIVER IT UNTIL NOW. 203 00:07:57,310 --> 00:07:59,012 THEY MUST HAVE BEEN TRYING TO GET IT TO ME FOR WEEKS, 204 00:07:59,046 --> 00:08:02,650 BUT BOTH OUR NAME CHANGES MADE FOR A LOT OF RED TAPE. 205 00:08:02,683 --> 00:08:04,718 OH, RED IS NOT THE TAPE I'M INTERESTED IN. 206 00:08:04,752 --> 00:08:06,453 WHAT'S ON THAT CASSETTE? 207 00:08:06,486 --> 00:08:08,556 IT DOESN'T REALLY SAY. 208 00:08:08,589 --> 00:08:10,390 BUT I NEED TO FIND A BETAMAX PLAYER. 209 00:08:10,423 --> 00:08:12,159 FORTUNATELY FOR YOU, I HAVE A STOCKPILE. 210 00:08:12,192 --> 00:08:13,827 I'LL BRING ONE TOMORROW, AND WE CAN WATCH. 211 00:08:13,861 --> 00:08:15,362 YEAH. 212 00:08:15,395 --> 00:08:17,865 I'M GONNA WATCH IT WITH SAM. 213 00:08:17,898 --> 00:08:20,801 YOU MEAN WATCH IT ALONE WITH SAM? 214 00:08:20,834 --> 00:08:23,003 YEAH. YOU DON'T KNOW ANYTHING ABOUT HIM! 215 00:08:23,036 --> 00:08:24,538 I KNOW THAT, WITH HER DYING BREATH, 216 00:08:24,572 --> 00:08:25,639 ELLEN TOLD ME TO TRUST HIM. 217 00:08:25,673 --> 00:08:27,374 EXACTLY -- HER DYI BREATH. 218 00:08:27,407 --> 00:08:30,744 HE COULD HAVE BEEN ASSOCIATED -- STOP, ALL RIGHT? THIS IS MY CALL. 219 00:08:36,016 --> 00:08:39,553 ALEX COULD BE HERE ANY MINUTE, ALL RIGHT? 220 00:08:43,056 --> 00:08:45,859 WE'RE SUPPOSED TO BE IN THIS TOGETHER. 221 00:08:45,893 --> 00:08:48,696 WE ARE, MOZ. 222 00:09:01,709 --> 00:09:06,847 CONCIERGE DROPPED THIS OFF IN MY ROOM. 223 00:09:06,880 --> 00:09:09,016 YOU KNOW, A DIFFERENT GIRL MIGHT TAKE OFFENSE 224 00:09:09,049 --> 00:09:11,118 THAT YOU MARKED THIS "RETURN TO SENDER." 225 00:09:11,151 --> 00:09:12,686 WELL, A DIFFERENT GUY MIGHT TAKE OFFENSE 226 00:09:12,720 --> 00:09:14,221 THAT YOU GOT HIM ARRESTED. 227 00:09:14,254 --> 00:09:15,623 I'D SAY WE'RE EVEN. 228 00:09:15,656 --> 00:09:16,624 OH, PLEASE. 229 00:09:16,657 --> 00:09:19,226 NOT EVEN CLOSE. 230 00:09:38,746 --> 00:09:41,982 LAST TIME YOU GAVE ME THIS FLOWER, IT REPRESENTED OUR SEARCH FOR THE MUSIC BOX. 231 00:09:42,015 --> 00:09:44,785 OUR SEARCH FOR THE U-BOAT TREASURE. 232 00:09:44,818 --> 00:09:46,153 GIVEN WHERE I FOUND IT TODAY, 233 00:09:46,186 --> 00:09:48,255 I'M NOT REALLY SURE WHAT IT MEANS ANYMORE. 234 00:09:48,288 --> 00:09:49,923 I WANTED TO SEE YOU. 235 00:09:49,957 --> 00:09:52,726 AND I THOUGHT YOU'D LOOK CUTER 236 00:09:52,760 --> 00:09:54,728 SCOWLING IN THE BACKSEAT OF A SQUAD CAR 237 00:09:54,762 --> 00:09:57,731 INSTEAD OF SMIRKING ON THE SIDELINES WITH THE FBI. 238 00:09:57,765 --> 00:09:59,633 DID I? MUCH. 239 00:09:59,667 --> 00:10:01,134 I'M GLAD I COULD GIVE YOU THAT. 240 00:10:01,168 --> 00:10:03,904 [ CHUCKLES ] 241 00:10:03,937 --> 00:10:05,338 DID YOU GET MY LETTER? 242 00:10:05,372 --> 00:10:07,941 YEAH. AFTER I GOT OUT OF JAIL. 243 00:10:07,975 --> 00:10:10,911 I HEARD. 244 00:10:10,944 --> 00:10:14,114 16 MONTHS AT WOMEN'S CENTRAL PRISON IN THEBES. 245 00:10:14,147 --> 00:10:17,017 NOT MY MOST PLEASANT TRIP ABROAD. 246 00:10:17,050 --> 00:10:19,820 SO, DOES THE FED KNOW I'M BACK? 247 00:10:19,853 --> 00:10:23,691 I DIDN'T MENTION THE FLOWER. 248 00:10:23,724 --> 00:10:26,193 OKAY. I KNOW YOUR TRICKS, NEAL. 249 00:10:26,226 --> 00:10:27,761 THAT WASN'T A DENIAL. 250 00:10:27,795 --> 00:10:29,997 ARE YOU PLANNING ANOTHER JOB? 251 00:10:30,030 --> 00:10:32,766 WOULD YOU BELIEVE ME IF I SAID NO? 252 00:10:32,800 --> 00:10:34,702 PROBABLY NOT. 253 00:10:34,735 --> 00:10:38,338 THEN...NO. 254 00:10:38,371 --> 00:10:42,876 ALL RIGHT, IT'S LATE, SO I WILL SEE YOU LATER, NEAL. 255 00:10:42,910 --> 00:10:46,446 ALEX, WHAT ARE YOU DOING TOMORROW? 256 00:10:46,479 --> 00:10:48,048 GET LUNCH WITH ME. 257 00:11:00,027 --> 00:11:02,195 BAM! 258 00:11:02,229 --> 00:11:03,496 WHAT ARE YOU DOING? 259 00:11:03,530 --> 00:11:04,664 SIEGE WARFARE. 260 00:11:04,698 --> 00:11:06,399 YOU AND ALEX AREN'T PLAYING NICE? 261 00:11:06,433 --> 00:11:09,169 WE'RE NEVER QUITE SURE WHERE WE STAND WITH EACH OTHER. 262 00:11:09,202 --> 00:11:10,738 ADDS TO THE CHARM. KEEPS THINGS SPICY. 263 00:11:10,771 --> 00:11:12,906 AND WE'VE GOT LUNCH TODAY. 264 00:11:12,940 --> 00:11:14,674 YOU'RE NOT HER ONLY DATE. 265 00:11:14,708 --> 00:11:16,977 WE FOLLOWED HER FROM HER HOTEL. 266 00:11:17,010 --> 00:11:19,312 AND SHE MET WITH THIS GUY? YEAH. 267 00:11:19,346 --> 00:11:21,148 WELL, SHE MIGHT NOT BE OUR MASTERMIND AFTER ALL. 268 00:11:21,181 --> 00:11:23,984 THIS LOOKS LIKE AN ASSIGNMENT. COULD BE. 269 00:11:24,017 --> 00:11:27,554 I DON'T LIKE THE IDEA OF LOCKING ALEX UP, PETER. 270 00:11:27,587 --> 00:11:28,756 I KNOW YOU DON'T, BUT THAT'S THE JOB. 271 00:11:28,789 --> 00:11:31,491 WELL, WHAT IF WE CAN GET THE PUPPETEER? 272 00:11:31,524 --> 00:11:35,662 IF HE'S PULLING THE STRINGS, MAYBE WE CAN WORK SOMETHING OUT. 273 00:11:35,695 --> 00:11:37,330 OKAY, AFTER LUNCH TODAY, 274 00:11:37,364 --> 00:11:38,999 I'LL FINAGLE AN INVITE BACK TO HER PLACE. 275 00:11:39,032 --> 00:11:39,933 GREAT. 276 00:11:39,967 --> 00:11:41,835 FIND OUT WHAT'S IN THAT ENVELOPE. 277 00:11:41,869 --> 00:11:43,771 AND WHATEVER YOUR FINAGLING METHODS, 278 00:11:43,804 --> 00:11:45,372 REMEMBER, WE'LL BE WATCHING. 279 00:11:52,145 --> 00:11:54,882 Elizabeth: IT'S A VERY... THOUGHTFUL GIFT, MOZ. 280 00:11:54,915 --> 00:11:56,917 THAT PARTICULAR RAI STONE 281 00:11:56,950 --> 00:11:59,119 IS AMONG THE LARGEST OF ITS KIND. 282 00:11:59,152 --> 00:12:01,121 WELL, DON'T YOU THINK THE MICRONESIAN PEOPLE 283 00:12:01,154 --> 00:12:02,856 MIGHT WANT TO SEE IT IN A MUSEUM? 284 00:12:02,890 --> 00:12:04,624 THEY'RE NOT REALLY A MUSEUM CULTURE. 285 00:12:04,657 --> 00:12:07,394 THATCHED HUTTERY HAS CERTAIN LIMITATIONS. 286 00:12:07,427 --> 00:12:08,561 [ DOOR CLOSES ] 287 00:12:08,595 --> 00:12:11,765 Peter: HEY, HONEY. HI. HOW ARE YOU? 288 00:12:11,799 --> 00:12:12,866 [ BOTH CHUCKLE ] 289 00:12:12,900 --> 00:12:15,235 MWAH. MM. 290 00:12:16,904 --> 00:12:18,271 WHAT ARE YOU DOING HERE? 291 00:12:18,305 --> 00:12:20,908 MOZ HAS A SURPRISE. HE GOT US A GIFT FROM... 292 00:12:20,941 --> 00:12:22,242 THE ISLAND OF YAP. 293 00:12:22,275 --> 00:12:23,310 WONDERFUL. 294 00:12:23,343 --> 00:12:25,445 I USED TO BE ABLE TO COME HOME, RELAX, 295 00:12:25,478 --> 00:12:26,579 GET SOMETHING TO EAT. 296 00:12:26,613 --> 00:12:28,115 YEAH, YEAH, THE 21st CENTURY. 297 00:12:28,148 --> 00:12:30,317 EVERYONE'S LIFE IS MORE COMPLICATED. 298 00:12:30,350 --> 00:12:31,618 SPEAKING OF COMPLICATED, 299 00:12:31,651 --> 00:12:33,720 I'M GONNA GO OUTSIDE AND FIGURE OUT 300 00:12:33,753 --> 00:12:35,923 WHAT TO DO WITH THIS NEW LAWN ORNAMENT. 301 00:12:37,791 --> 00:12:39,559 ALL RIGHT, WHAT? 302 00:12:39,592 --> 00:12:43,396 OKAY, NEAL RECEIVED A 30-YEAR-OLD BETAMAX FROM ELLEN 303 00:12:43,430 --> 00:12:45,833 THAT HE WOULD RATHER WATCH WITH SAM THAN WITH ME. 304 00:12:45,866 --> 00:12:48,268 AND YOU'RE TELLING ME THIS BECAUSE YOU'RE JEALOUS? 305 00:12:48,301 --> 00:12:50,470 NO. "JEALOUS." 306 00:12:50,503 --> 00:12:54,741 LOOK, WHILE I ABHOR YOUR CHOSEN PROFESSION, 307 00:12:54,774 --> 00:12:56,143 OUR UNHOLY UNION MAY BE 308 00:12:56,176 --> 00:12:58,946 THE ONLY THING KEEPING NEAL FROM WASHING UP IN GREENPOINT. 309 00:12:58,979 --> 00:13:01,081 YOU THINK SAM'S DANGEROUS? OF COURSE I DO. 310 00:13:01,114 --> 00:13:03,183 UNTIL I'M GIVEN REASON TO THINK OTHERWISE. 311 00:13:03,216 --> 00:13:06,786 UNOFFICIALLY, I'VE PUT TOGETHER A FILE ON SAM. 312 00:13:06,820 --> 00:13:09,156 THERE'S NOT MUCH MEAT THERE. 313 00:13:09,189 --> 00:13:11,758 THAT FILE IS OFFICIAL, NOT RELATED. 314 00:13:11,791 --> 00:13:13,093 I WON'T TELL ANYONE. 315 00:13:13,126 --> 00:13:14,527 THERE'S NOTHING TO TELL. 316 00:13:14,561 --> 00:13:16,496 Oh, I understand. 317 00:13:18,131 --> 00:13:20,133 HONEY, DO YOU HAPPEN TO KNOW ANYBODY WITH A CRANE? 318 00:13:23,570 --> 00:13:27,107 WHAT THE HELL IS THAT? IT WAS HERE BEFORE I GOT HOME. 319 00:13:27,140 --> 00:13:30,610 WELL, YOU ARE NOW THE 1% ON THE ISLAND OF YAP. 320 00:13:30,643 --> 00:13:32,045 THAT'S NOT STAYING HERE. 321 00:13:32,079 --> 00:13:33,480 WELL, THAT'S A PROBLEM FOR ANOTHER DAY. 322 00:13:33,513 --> 00:13:37,117 UH, FOR NOW, I BID YOU ADIEU. 323 00:13:37,150 --> 00:13:41,554 DON'T BOTHER TELLING ME HE MEANT WELL. 324 00:13:41,588 --> 00:13:43,456 Neal: YOU KNOW, I DID SEE THE INSIDE OF A CELL 325 00:13:43,490 --> 00:13:44,391 IN BULGARIA ONCE. 326 00:13:44,424 --> 00:13:46,126 SO, YOU'VE EXPERIENCED THE UNPLEASANTNESS 327 00:13:46,159 --> 00:13:47,394 OF A BALKAN PRISON FIRSTHAND. 328 00:13:47,427 --> 00:13:49,162 WELL, ACTUALLY, I WAS BREAKING SOMEONE OUT, 329 00:13:49,196 --> 00:13:50,697 BUT I CAN EXTRAPOLATE FROM THAT. 330 00:13:50,730 --> 00:13:52,299 IT WAS A TIME OF POLITICAL UNREST. 331 00:13:52,332 --> 00:13:55,068 THE MONARCHY HAD FALLEN. THE CZAR WAS DEPOSED. 332 00:13:55,102 --> 00:13:57,204 YOU WERE RESCUING A DEPOSED CZAR? 333 00:13:57,237 --> 00:13:59,806 ACTUALLY, A CZAR'S WIFE. A DEPOSED CZARINA? 334 00:13:59,839 --> 00:14:01,341 A DEPOSED CZARINA'S HANDMAID. 335 00:14:01,374 --> 00:14:02,242 [ CHUCKLES ] WHAT? 336 00:14:02,275 --> 00:14:03,977 SHE HAD A LEAD ON THE DABENE TREASURE 337 00:14:04,011 --> 00:14:04,978 IN THE KARLOVO VALLEY. 338 00:14:05,012 --> 00:14:07,180 YOU'D DO THE SAME THING. [ LAUGHS ] 339 00:14:07,214 --> 00:14:10,984 ALL RIGHT, NEAL'S ANKLET SHOWS HIM HEADING OUR WAY. 340 00:14:11,018 --> 00:14:12,552 WE ONLINE? JUST ABOUT. 341 00:14:12,585 --> 00:14:13,720 THE HOTEL PEGGED OUR SYSTEM 342 00:14:13,753 --> 00:14:15,155 TO THE LOBBY AND HALLWAY CIRCUITS. 343 00:14:15,188 --> 00:14:18,058 BUT ONCE HE'S BEHIND THE DOOR, HE'S ON HIS OWN. 344 00:14:18,091 --> 00:14:19,526 YEAH, I DON'T LIKE IT. 345 00:14:19,559 --> 00:14:20,527 I GET THE IMPRESSION 346 00:14:20,560 --> 00:14:22,762 NEAL AND ALEX ARE STILL ON UNSETTLED TERMS. 347 00:14:22,795 --> 00:14:24,197 "UNSETTLED" MEANING WHAT? 348 00:14:24,231 --> 00:14:26,199 SHE WANTS TO BED HIM OR KILL HIM? 349 00:14:26,233 --> 00:14:27,667 FINE LINE. 350 00:14:27,700 --> 00:14:29,669 OUR JOB IS TO STAY WATCHFUL 351 00:14:29,702 --> 00:14:31,571 AND TRY TO MINIMIZE SURPRISES. 352 00:14:31,604 --> 00:14:33,540 YEAH, I'M NOT SURE WE'RE GONNA HAVE A LOT TO SAY IN THAT MATTER. 353 00:14:34,874 --> 00:14:37,777 WHAT THE HELL IS HE DOING THERE? 354 00:14:37,810 --> 00:14:40,247 DAMN IT, HE'S GONNA BLOW THIS. 355 00:14:40,280 --> 00:14:42,916 IF NEAL AND ALEX GET CLOSE, CALL MY CELL. 356 00:14:42,950 --> 00:14:44,217 I'M GONNA PULL HIM OUT. 357 00:14:44,251 --> 00:14:48,455 Mozzie: HELLO? HOUSEKEEPING. 358 00:14:51,091 --> 00:14:53,893 I'VE COME TO REFRESH YOUR PILLOW MINT. 359 00:15:03,003 --> 00:15:06,206 OH, IT'S BEEN A LONG TIME SINCE WE'VE HAD A REAL, 360 00:15:06,239 --> 00:15:08,608 HONEST-TO-GOD CONVERSATION -- WITHOUT ULTERIOR MOTIVES. 361 00:15:08,641 --> 00:15:09,709 WELL, OTHER THAN THE FACT 362 00:15:09,742 --> 00:15:11,144 THAT YOU'RE IN TOWN TO ROB A MUSEUM 363 00:15:11,178 --> 00:15:13,080 AND I'M SUPPOSED TO KEEP AN EYE ON YOU? OTHER THAN THAT. 364 00:15:13,113 --> 00:15:15,482 YOU KNOW, NEAL AND ALEX JUST TALKING -- 365 00:15:15,515 --> 00:15:16,649 IT'S A DISTANT MEMORY. 366 00:15:16,683 --> 00:15:18,118 MAYBE WE CONTINUE THIS HONEST-TO-GOD CONVERSATION 367 00:15:18,151 --> 00:15:20,320 UPSTAIRS OVER A GLASS OF WINE? 368 00:15:20,353 --> 00:15:23,890 YEAH, UH, IT'S NOT A GOOD TIME, NEAL. 369 00:15:23,923 --> 00:15:25,792 OH, OTHER PLANS? 370 00:15:25,825 --> 00:15:28,061 NONE OF MY PLANS INCLUDED YOU. 371 00:15:28,095 --> 00:15:30,430 PLANS HAVE A WAY OF GOING AWRY. 372 00:15:39,973 --> 00:15:41,508 [ KNOCK ON DOOR ] 373 00:15:41,541 --> 00:15:42,742 Peter: MOZZIE! 374 00:15:42,775 --> 00:15:43,943 SUIT? 375 00:15:49,282 --> 00:15:51,284 WHAT THE HELL ARE YOU DOING HERE? 376 00:15:51,318 --> 00:15:53,520 IF YOU'VE COME TO HELP ME SCOUT, YOU'RE TOO LATE. 377 00:15:53,553 --> 00:15:54,921 I MADE A BREAKTHROUGH. 378 00:15:54,954 --> 00:15:56,189 YOU NEED TO GET OUT OF HERE NOW. 379 00:15:56,223 --> 00:15:59,092 SAM IS SAMANTHA. HE IS A SHE. 380 00:15:59,126 --> 00:16:01,761 HE IS DEFINITELY NOT A SHE. 381 00:16:01,794 --> 00:16:03,696 WELL, HE'S CURIOUS. 382 00:16:03,730 --> 00:16:06,099 THIS IS NOT SAM'S SUITE. 383 00:16:06,133 --> 00:16:08,435 THAT FILE LISTED THIS AS HIS ADDRESS. 384 00:16:08,468 --> 00:16:11,871 THE FILE I EXPLICITLY TOLD YOU WASN'T SAM'S FILE? 385 00:16:11,904 --> 00:16:14,674 SO I'VE MADE A TREMENDOUS MISTAKE. 386 00:16:14,707 --> 00:16:16,176 THAT WAS ALEX HUNTER'S FILE. 387 00:16:16,209 --> 00:16:19,946 OH! THAT EXPLAINS THE BRASSIERE. 388 00:16:19,979 --> 00:16:22,282 IT'S A SHAME YOU HAVE TO ARREST HER, 389 00:16:22,315 --> 00:16:25,885 BUT IT DOES HELP ME AVOID AN UNCOMFORTABLE CONVERSATION. 390 00:16:25,918 --> 00:16:27,120 YOU OWE ME ONE. 391 00:16:27,154 --> 00:16:29,122 WHY THE HELL WERE YOU DIGGING INTO MY FILES? 392 00:16:29,156 --> 00:16:31,958 I BROUGHT YOU A RAI STONE. [ CELL PHONE VIBRATES ] 393 00:16:31,991 --> 00:16:33,160 RIGHT. I FORGOT. 394 00:16:33,193 --> 00:16:34,894 YOU OWE ME TWO UNCOMFORTABLE CONVERSATIONS. 395 00:16:34,927 --> 00:16:37,130 [ CELL PHONE BEEPS ] HOW CLOSE ARE THEY? 396 00:16:37,164 --> 00:16:39,299 THEY'RE HERE, BUT I'M NOT SURE NEAL'S MAKING IT UPSTAIRS. 397 00:16:39,332 --> 00:16:41,368 THEY'RE STALLED OUT FRONT. 398 00:16:41,401 --> 00:16:43,403 OF COURSE, IF ANYBODY CAN DO IT... 399 00:16:43,436 --> 00:16:44,871 WE'RE NOT GONNA GET EYES ON HER ASSIGNMENT. 400 00:16:44,904 --> 00:16:46,073 ALL RIGHT, WE'LL HEAD OUT THE BACK WAY. 401 00:16:46,106 --> 00:16:47,140 [ CELL PHONE BEEPS ] 402 00:16:47,174 --> 00:16:49,142 COME ON, THIS OPERATION'S A BUST. 403 00:16:49,176 --> 00:16:50,310 WELL, HER ASSIGNMENT? 404 00:16:50,343 --> 00:16:51,344 WHAT ARE WE LOOKING FOR? 405 00:16:51,378 --> 00:16:52,845 WE'RE NOT LOOKING FOR ANYTHING. 406 00:16:52,879 --> 00:16:55,348 I DON'T HAVE A WARRANT. 407 00:16:55,382 --> 00:16:57,684 I'M TRESPASSING. EXIGENT CIRCUMSTANCES. 408 00:16:57,717 --> 00:16:59,018 I LOVE HOW YOU TWO THINK 409 00:16:59,052 --> 00:17:01,221 THAT LAW WAS DESIGNED AS A LOOPHOLE. 410 00:17:01,254 --> 00:17:04,857 BESIDES, I CAN ONLY LOG WHAT'S IN PLAIN VIEW. 411 00:17:04,891 --> 00:17:06,193 OKAY. STOP. 412 00:17:06,226 --> 00:17:07,327 WHAT ARE YOU DOING? 413 00:17:07,360 --> 00:17:08,761 OH! PLAIN VIEW. STOP. 414 00:17:10,730 --> 00:17:12,232 PLAIN VIEW. STOP IT! 415 00:17:14,934 --> 00:17:18,105 DID YOU SEE A MANILA ENVELOPE? 416 00:17:20,440 --> 00:17:23,576 [ SIGHS ] 417 00:17:23,610 --> 00:17:27,114 AH, COME ON. 418 00:17:41,828 --> 00:17:44,864 YES. 419 00:17:44,897 --> 00:17:47,100 I GOT IT. 420 00:17:47,134 --> 00:17:48,801 FANTASTIC. 421 00:17:51,003 --> 00:17:52,972 [ SCOFFS ] 422 00:17:53,005 --> 00:17:55,408 THANK YOU. 423 00:17:59,746 --> 00:18:02,549 THE HELL? 424 00:18:02,582 --> 00:18:03,583 [ KEYBOARD CLACKS ] 425 00:18:05,852 --> 00:18:07,587 WHERE'D YOU GO? 426 00:18:10,657 --> 00:18:12,759 WHERE DID YOU G... 427 00:18:14,961 --> 00:18:16,763 THAT'S NOT GOOD. 428 00:18:18,331 --> 00:18:21,067 [ CELL PHONE VIBRATES ] YOU DO KNOW HOW INVALUABLE I AM TO YOU, RIGHT? 429 00:18:21,100 --> 00:18:22,402 [ CELL PHONE BEEPS ] JONES. 430 00:18:22,435 --> 00:18:25,071 PETER, IT'S NOT GOOD. THEY'RE RIGHT OUTSIDE THE DOOR. 431 00:18:25,104 --> 00:18:27,607 Neal: I KNOW A GOOD WINE-DELIVERY SERVICE. YOU'RE RIGHT. THAT'S NOT GOOD. 432 00:18:27,640 --> 00:18:28,575 HEY! COME UP HERE. 433 00:18:28,608 --> 00:18:30,177 Alex: ...HAVE A FEW VERY GOOD BOTTLES. 434 00:18:30,210 --> 00:18:31,644 Shh! Quiet! 435 00:18:31,678 --> 00:18:33,913 Neal: OH, SOME THINGS NEVER CHANGE. 436 00:18:33,946 --> 00:18:35,315 MM-HMM. ANY PREFERENCE? 437 00:18:35,348 --> 00:18:37,450 We need to get out of here. 438 00:18:37,484 --> 00:18:40,620 There. Neal: SURPRISE ME. 439 00:18:40,653 --> 00:18:42,155 [ GROANS ] 440 00:18:42,189 --> 00:18:45,625 SO, WHAT'S YOUR ISSUE WITH THE RAI STONE? 441 00:18:45,658 --> 00:18:48,695 SOMEDAY, I'M GONNA STRANGLE YOU. 442 00:18:55,902 --> 00:18:59,272 YOU GO TO GREECE AND PROCEED TO STEAL HISTORICAL RELICS 443 00:18:59,306 --> 00:19:00,773 UNTIL YOU'RE CAUGHT, RIGHT? 444 00:19:00,807 --> 00:19:01,774 RIGHT. 445 00:19:01,808 --> 00:19:02,842 WHY? 446 00:19:02,875 --> 00:19:06,012 WELL, I BOUGHT A MEDIEVAL VILLA IN SARDINIA... 447 00:19:06,045 --> 00:19:07,113 OH. 448 00:19:07,146 --> 00:19:08,481 ...BEFORE WE FOUND THE SUB. 449 00:19:08,515 --> 00:19:12,018 CONGRATULATIONS. BUT I DON'T GET THE CONNECTION. 450 00:19:12,051 --> 00:19:14,321 I WAS SUFFERING THE ABSURD ILLUSION 451 00:19:14,354 --> 00:19:16,523 THAT I'D BE MOVING IN WITH THE MOST INCREDIBLE ART 452 00:19:16,556 --> 00:19:17,490 IN THE WORLD. 453 00:19:17,524 --> 00:19:19,992 AND WITHOUT THE SUB, I COULDN'T DECORATE. 454 00:19:20,026 --> 00:19:21,294 I GOT YOU. YEAH. 455 00:19:21,328 --> 00:19:22,795 AND WHY GO TO POTTERY BARN 456 00:19:22,829 --> 00:19:25,198 WHEN YOU CAN ACCENT WITH 6,000-YEAR-OLD STOLEN AMPHORA? 457 00:19:25,232 --> 00:19:26,299 EXACTLY. 458 00:19:26,333 --> 00:19:29,168 TO A LONG OVERDUE REUNION. 459 00:19:37,109 --> 00:19:39,145 [ CELL PHONE BEEPS ] 460 00:19:39,178 --> 00:19:43,650 SO, THAT NIGHT, I SET UP AT THE WEIGH STATION NEAR THE DOCKS. 461 00:19:43,683 --> 00:19:46,486 I FIGURED I COULD DROP ONTO ADLER'S TRUCK AS IT PASSED. 462 00:19:46,519 --> 00:19:49,155 AND RIDE UNTIL THEY STOPPED, THEN COMMANDEER THE VEHICLE. 463 00:19:49,188 --> 00:19:51,591 INSTEAD, YOU WATCHED THE WAREHOUSE EXPLODE. 464 00:19:51,624 --> 00:19:54,594 I ASSUMED, IF YOU MEANT TO STEAL IT, YOU'D LET ME KNOW. 465 00:19:54,627 --> 00:19:56,496 WELL, IN ALL FAIRNESS, YOU DID JUST SAY 466 00:19:56,529 --> 00:19:58,598 THAT YOU PLANNED TO STEAL IT WITHOUT US, RIGHT? 467 00:19:58,631 --> 00:20:01,334 RIGHT. BUT I WOULDN'T HAVE CUT YOU OUT. 468 00:20:01,368 --> 00:20:03,836 REALLY? EQUAL THIRDS? 469 00:20:03,870 --> 00:20:05,938 WELL, MAYBE NOT EQUAL. 470 00:20:05,972 --> 00:20:07,173 [ BOTH LAUGH ] 471 00:20:07,206 --> 00:20:09,075 I HAVE MISSED YOU, NEAL. 472 00:20:09,108 --> 00:20:10,843 ME, TOO. 473 00:20:10,877 --> 00:20:14,681 AND IN ALL HONESTY, THAT TREASURE YOU WANTED SO BADLY 474 00:20:14,714 --> 00:20:17,350 HAS BEEN A LOT MORE TROUBLE THAN IT'S WORTH. 475 00:20:17,384 --> 00:20:20,387 OH, YOU AND KING MIDAS -- WHINERS. 476 00:20:20,420 --> 00:20:22,955 AND I NEED MORE WINE, PLEASE, IF YOU CAN. 477 00:20:22,989 --> 00:20:25,592 THANKS. 478 00:20:25,625 --> 00:20:28,295 [ SIGHS ] 479 00:20:37,904 --> 00:20:40,607 HEY. YOU KNOW, I COULD TAKE THAT TROUBLE OFF YOUR HANDS 480 00:20:40,640 --> 00:20:41,574 IF YOU'D LIKE. 481 00:20:41,608 --> 00:20:44,911 OH! THAT'S GONNA STAIN. 482 00:20:44,944 --> 00:20:47,380 CAN I JUST RUN TO YOUR BATHROOM REALLY QUICK? 483 00:20:47,414 --> 00:20:48,548 GO AHEAD. IT'S UPSTAIRS. 484 00:20:48,581 --> 00:20:50,817 ALL RIGHT. I'LL BE RIGHT BACK. 485 00:20:52,685 --> 00:20:55,555 Please tell me there is a good reason 486 00:20:55,588 --> 00:20:57,557 the two of you are trapped in Alex's bathroom. 487 00:20:57,590 --> 00:21:00,627 We're not trapped. We're, uh, biding our time. 488 00:21:00,660 --> 00:21:03,062 It's a long story, but we got Alex's envelope. 489 00:21:03,095 --> 00:21:05,832 Is it an assignment? 490 00:21:08,868 --> 00:21:13,406 OH, THOSE ARE FROM THE GREEK EXHIBIT AT THE HELLERMAN. 491 00:21:13,440 --> 00:21:15,107 YEAH, IT'S THE AMORGóS EXPEDITION. 492 00:21:15,141 --> 00:21:16,609 THIS COULD BE QUITE THE HAUL. 493 00:21:16,643 --> 00:21:18,645 WELL, WE STILL DON'T KNOW WHO ALEX IS WORKING FOR. 494 00:21:18,678 --> 00:21:19,612 [ SIGHS ] 495 00:21:23,215 --> 00:21:24,817 NICE. NOT YET. 496 00:21:24,851 --> 00:21:27,587 ARE YOU GONNA RUN HIS DNA? YEAH. 497 00:21:27,620 --> 00:21:29,522 REMIND ME NEVER TO LICK ANYTHING EVER AGAIN. 498 00:21:29,556 --> 00:21:32,024 WHEREVER YOU FOUND THIS, YOU PUT IT BACK. 499 00:21:32,058 --> 00:21:34,594 ALL RIGHT, WHEN I GIVE YOU THE OPPORTUNITY, GO. 500 00:21:34,627 --> 00:21:38,498 I MEAN, HOW -- YOU KNOW WHAT? 501 00:21:52,645 --> 00:21:54,280 Alex: YOU REMEMBER THE VIEW 502 00:21:54,313 --> 00:21:56,315 FROM THE TABLE MOUNTAIN LODGE IN CAPE TOWN? 503 00:21:56,349 --> 00:21:59,786 YEAH. WE WERE RUNNING A TWO-HANDED CON ON A SOUTH AFRICAN JEWELER. 504 00:21:59,819 --> 00:22:01,153 HMM, YEAH. 505 00:22:01,187 --> 00:22:03,456 BACK THEN, WE COULD JUST BE OURSELVES 506 00:22:03,490 --> 00:22:05,492 AND NOT HAVE TO SHAKE ON IT. 507 00:22:05,525 --> 00:22:09,328 WHO'S TO SAY WE CAN'T BE RIGHT NOW? 508 00:22:10,830 --> 00:22:16,369 WELL, WAIT, YOU DIDN'T -- YOU DIDN'T CLEAN YOUR SLEEVE. 509 00:22:16,403 --> 00:22:18,237 [ SIGHS ] 510 00:22:18,270 --> 00:22:19,806 [ SIGHS ] YOU WERE SEARCHING MY BEDROOM. 511 00:22:19,839 --> 00:22:22,375 WOULD IT HELP IF I TOLD YOU I DIDN'T HAVE A CHOICE? 512 00:22:22,409 --> 00:22:23,643 [ Laughing ] UH, YOU KNOW WHAT? 513 00:22:23,676 --> 00:22:26,212 FOR A MAN WHO'S CAPABLE OF SO MANY SURPRISES, 514 00:22:26,245 --> 00:22:27,847 YOU'RE BECOMING PAINFULLY PREDICTABLE. 515 00:22:27,880 --> 00:22:29,549 ALEX, WHEN WE FIRST CAME UP HERE, I -- YOU KNOW WHAT? JUST GO. 516 00:22:31,283 --> 00:22:33,853 ALL RIGHT. 517 00:22:39,459 --> 00:22:40,860 [ THUNDER RUMBLES ] 518 00:22:42,529 --> 00:22:44,497 [ HORN HONKS ] 519 00:22:44,531 --> 00:22:46,332 WELL, YOU SUCCESSFULLY BLEW MY COVER. 520 00:22:46,365 --> 00:22:47,366 YOU CARE TO EXPLAIN? 521 00:22:47,400 --> 00:22:49,936 MOZZIE SHOWED UP. I FOLLOWED HIM. 522 00:22:49,969 --> 00:22:51,604 I WAS LOOKING FOR SAM. 523 00:22:51,638 --> 00:22:53,740 WHY ARE YOU BOTH TOGETHER LOOKING FOR SAM? 524 00:22:53,773 --> 00:22:55,542 IT WAS A BIG MISUNDERSTANDING. 525 00:22:55,575 --> 00:22:58,010 LISTEN, I APPRECIATE YOUR CONCERN, OKAY? 526 00:22:58,044 --> 00:22:59,412 BUT JUST STAY OUT OF IT. 527 00:22:59,446 --> 00:23:02,348 LOOK, THE BOTTOM LINE IS WE BOTH DON'T UNDERSTAND 528 00:23:02,381 --> 00:23:04,684 WHY YOU WOULD CHOOSE SAM INSTEAD OF ME. 529 00:23:04,717 --> 00:23:06,719 THAT'S NOT THE BOTTOM LINE. 530 00:23:06,753 --> 00:23:08,521 BUT IT STILL SEEMS LIKE A RISK 531 00:23:08,555 --> 00:23:11,257 TO SHOW HIM THE BETAMAX BEFORE WE'VE SEEN IT. 532 00:23:11,290 --> 00:23:13,460 YOU WENT BEHIND MY BACK TO THE FEDS? 533 00:23:13,493 --> 00:23:15,762 I KNOW. DESPERATE TIMES, NEAL. 534 00:23:15,795 --> 00:23:17,396 WHAT DO YOU KNOW ABOUT SAM? 535 00:23:17,430 --> 00:23:19,231 I KNOW HE'S THE ONLY ONE WITH ANSWERS. 536 00:23:19,265 --> 00:23:21,568 HE SAYS HE HAS THE ANSWERS, BUT -- PETER, WHO KILLED ELLEN? 537 00:23:21,601 --> 00:23:24,070 WAS MY FATHER CORRUPT, OR WAS HE SET UP? 538 00:23:24,103 --> 00:23:26,739 NO? NOTHING. HOW ABOUT YOU? 539 00:23:27,974 --> 00:23:30,577 I'LL SEE YOU GUYS LATER. 540 00:23:32,278 --> 00:23:34,547 I DON'T THINK HE'S HAPPY WITH US. 541 00:23:34,581 --> 00:23:37,116 [ THUNDER RUMBLES ] 542 00:23:44,290 --> 00:23:47,960 Peter: WE GOT A HIT FROM INTERPOL ON HUNTER'S EMPLOYER. 543 00:23:47,994 --> 00:23:49,128 THIS IS RASMUS SPITERI, 544 00:23:49,161 --> 00:23:52,732 GREECE'S NEW GENERAL SECRETARY FOR CULTURE AND TOURISM. 545 00:23:52,765 --> 00:23:55,234 ACCORDING TO STATE, SPITERI'S BEEN PETITIONING 546 00:23:55,267 --> 00:23:56,268 FOR THE LEGAL RETURN 547 00:23:56,302 --> 00:23:57,637 OF PLUNDERED ANTIQUITIES FOR MONTHS. 548 00:23:57,670 --> 00:23:59,405 HE HASN'T GOTTEN ANY TRACTION. 549 00:23:59,438 --> 00:24:01,474 THIS IS NOT A THEFT FOR PROFIT. 550 00:24:01,508 --> 00:24:04,911 NO, I THINK IT'S A CULTURAL RECLAMATION PROJECT. 551 00:24:04,944 --> 00:24:07,413 HE'S COMMISSIONING THESE JOBS IN THE NAME OF NATIONAL HERITAGE. 552 00:24:07,446 --> 00:24:08,648 IF HUNTER MADE CAFFREY, 553 00:24:08,681 --> 00:24:10,783 I CAN'T IMAGINE SHE'LL STILL HIT THE HELLERMAN. 554 00:24:10,817 --> 00:24:13,653 WE'VE GOT A TEAM ON HER. IF SHE MAKES A MOVE, SHE'S OURS. 555 00:24:13,686 --> 00:24:15,522 WHAT DO YOU THINK, NEAL? THINK SHE'LL STILL GO FOR IT? 556 00:24:17,123 --> 00:24:18,424 OH, I DON'T KNOW. 557 00:24:18,457 --> 00:24:20,927 I MEAN, YOU SEEM TO BE THE EXPERT 558 00:24:20,960 --> 00:24:22,361 AT INVESTIGATING YOUR FRIENDS. 559 00:24:22,394 --> 00:24:23,630 WHAT DO YOU THINK? 560 00:24:25,331 --> 00:24:30,036 UH, WHETHER SHE GOES FOR IT OR NOT, IT DOESN'T GIVE US SPITERI. 561 00:24:30,069 --> 00:24:32,471 UNLESS NEAL CONVINCES ALEX TO ROLL ON HIM. 562 00:24:32,505 --> 00:24:34,273 I TOLD HER I WASN'T LOOKING INTO HER, 563 00:24:34,306 --> 00:24:35,775 AND THEN SHE CAUGHT ME RED-HANDED. 564 00:24:35,808 --> 00:24:37,343 THAT KIND OF DISLOYALTY STINGS 565 00:24:37,376 --> 00:24:38,945 FOR MORE THAN JUST A COUPLE HOURS. 566 00:24:38,978 --> 00:24:41,280 Jones: GUYS, YOU WANT US TO CLEAR OUT? 567 00:24:41,313 --> 00:24:44,183 WE'RE FINE. RIGHT, NEAL? 568 00:24:49,321 --> 00:24:53,125 YEAH. I'LL TALK TO HER. 569 00:24:53,159 --> 00:24:55,895 THERE'S STILL A CARD I HAVEN'T PLAYED. 570 00:24:58,665 --> 00:25:00,132 [ HORNS HONK ] 571 00:25:00,166 --> 00:25:01,367 [ KNOCK ON DOOR ] 572 00:25:01,400 --> 00:25:05,237 NO NEED FOR PLEASANTRIES. I'M JUST HERE FOR ONE REASON. 573 00:25:07,006 --> 00:25:08,074 IS THIS IT? 574 00:25:08,107 --> 00:25:09,876 IT'S ALL I COULD COME UP WITH ON SHORT NOTICE. 575 00:25:09,909 --> 00:25:11,177 WELL, AS PEACE OFFERINGS GO, 576 00:25:11,210 --> 00:25:13,212 YOU KNOW, THIS IS -- THIS IS PRETTY MEAGER. 577 00:25:13,245 --> 00:25:15,514 UNLESS YOU WANT TO GO BACK TO PRISON, LET ME HELP YOU. 578 00:25:15,548 --> 00:25:16,916 PLEASE. 579 00:25:16,949 --> 00:25:19,686 THE ONLY REASON THAT I WAS IN PRISON IS BECAUSE OF YOU. 580 00:25:19,719 --> 00:25:22,054 I DIDN'T TELL YOU TO KNOCK OVER THE ACROPOLIS. 581 00:25:22,088 --> 00:25:24,523 NO. NO, NO, NO. YOU DIDN'T TELL ME ANYTHING. 582 00:25:24,557 --> 00:25:26,525 EIGHT YEARS WE SCOURED THE GLOBE TOGETHER. 583 00:25:26,559 --> 00:25:29,161 AND -- AND YOU SEND ME ONE LOUSY LETTER. 584 00:25:29,195 --> 00:25:30,096 OH, I'M SORRY. 585 00:25:30,129 --> 00:25:32,031 WHAT WAS I SUPPOSED TO DO? COME FIND YOU? 586 00:25:32,064 --> 00:25:34,166 HOW COULD YOU? YOU WERE TOO BUSY BUYING AN ISLAND. 587 00:25:34,200 --> 00:25:37,369 YEAH, I HEARD. 588 00:25:37,403 --> 00:25:39,238 NONE OF THIS WAS PLANNED. 589 00:25:39,271 --> 00:25:41,774 WELL, YOU KNOW, LIKE YOU SAID, 590 00:25:41,808 --> 00:25:44,510 PLANS HAVE A WAY OF GOING AWRY. 591 00:25:44,543 --> 00:25:46,779 HOW MUCH DOES BURKE KNOW? 592 00:25:46,813 --> 00:25:48,180 ENOUGH TO PUT YOU AWAY. 593 00:25:48,214 --> 00:25:51,550 HE KNOWS SPITERI HIRED YOU TO HIT THE HELLERMAN GALLERY. 594 00:25:53,419 --> 00:25:58,090 LOOK, ONE DAY SPITERI WALKS INTO MY CELL WITH AN OFFER -- 595 00:25:58,124 --> 00:26:01,360 PULL A HEIST OR STAY LOCKED UP INDEFINITELY. 596 00:26:01,393 --> 00:26:02,862 HE STRONG-ARMED YOU? 597 00:26:02,895 --> 00:26:04,931 ME KHEIRON BELTISTON. 598 00:26:04,964 --> 00:26:07,466 THE LEAST BAD CHOICE IS THE BEST. 599 00:26:07,499 --> 00:26:10,436 WELL, LISTEN, YOU HAVE ANOTHER CHOICE NOW. 600 00:26:10,469 --> 00:26:12,705 I HATE TO SAY IT, BUT IT'S THE FBI. 601 00:26:12,739 --> 00:26:14,440 THEY ONLY CARE ABOUT THE BIG FISH. 602 00:26:14,473 --> 00:26:16,976 YOU HELP THEM GET SPITERI, AND YOU WALK. 603 00:26:17,009 --> 00:26:20,246 THEY HAVE NOTHING TO GET HIM ON BUT PASSING ME PHOTOGRAPHS. 604 00:26:20,279 --> 00:26:22,281 YEAH, EXACTLY. 605 00:26:22,314 --> 00:26:25,384 THAT'S WHY WE ARE GONNA GO THROUGH WITH YOUR JOB 606 00:26:25,417 --> 00:26:27,720 AT THE HELLERMAN. 607 00:26:27,754 --> 00:26:30,289 WHAT DO YOU MEAN BY "WE"? 608 00:26:30,322 --> 00:26:34,393 WELL, I THINK I KNOW WHAT IT'S LIKE TO BE BEHOLDEN TO A MASTER. 609 00:26:34,426 --> 00:26:36,095 LET'S GET YOU OUT OF THIS. 610 00:26:38,530 --> 00:26:40,232 Peter: HELP ME GET COMFORTABLE WITH THIS. 611 00:26:40,266 --> 00:26:42,735 THE ONLY WAY TO GET SPITERI 612 00:26:42,769 --> 00:26:44,570 IS TO PUT STOLEN PROPERTY IN HIS HANDS. 613 00:26:44,603 --> 00:26:46,105 RIGHT NOW WE'VE GOT NO CHARGES. 614 00:26:46,138 --> 00:26:47,774 MAKES SENSE. 615 00:26:47,807 --> 00:26:51,678 I SHOULD HAVE TOLD YOU I WAS LOOKING INTO SAM. 616 00:26:51,711 --> 00:26:54,747 YEAH. YOU SHOULD HAVE. 617 00:26:54,781 --> 00:26:57,183 [ CHUCKLES ] IT NEVER GETS ANY EASIER. 618 00:26:57,216 --> 00:26:59,585 NO, IT DOESN'T. 619 00:26:59,618 --> 00:27:00,820 GOOD. 620 00:27:00,853 --> 00:27:02,321 ALL RIGHT. ALL RIGHT. 621 00:27:02,354 --> 00:27:03,956 UH, HELLERMAN'S THIS WAY. 622 00:27:03,990 --> 00:27:06,425 YEAH, I'M JUST GONNA MAKE A QUICK STOP. FOR WHAT? 623 00:27:06,458 --> 00:27:08,627 SPRAY PAINT. 624 00:27:08,661 --> 00:27:11,664 NO. UGH. 625 00:27:21,140 --> 00:27:22,842 ISN'T THERE A 60-YEAR OLD RETIRED COP 626 00:27:22,875 --> 00:27:24,376 YOU'D PREFER TO DO THIS WITH? 627 00:27:24,410 --> 00:27:25,712 I WANTED YOU HERE, DIDN'T I? 628 00:27:25,745 --> 00:27:26,813 A MINOR CONCILIATION. 629 00:27:26,846 --> 00:27:29,448 I WOULD RATHER BE WATCHING THE BETAMAX. 630 00:27:29,481 --> 00:27:30,783 ALSO, I DO NOT LIKE THIS PLAN. 631 00:27:30,817 --> 00:27:32,118 [ SIGHS ] LOOK, IT'S SIMPLE. 632 00:27:32,151 --> 00:27:34,220 THE HELLERMAN GALLERY'S HOSTING A NEW EXHIBIT 633 00:27:34,253 --> 00:27:35,287 ON MODERN GREEK IDENTITY. 634 00:27:35,321 --> 00:27:38,457 TO WHICH YOU, AS A PROMINENT CONTEMPORARY ARTIST, 635 00:27:38,490 --> 00:27:39,859 WILL ADD...OSTENSIBLY. 636 00:27:39,892 --> 00:27:41,327 SO, WHAT DON'T YOU LIKE ABOUT THE PLAN? 637 00:27:41,360 --> 00:27:44,296 ALEX. IS SHE OR IS SHE NOT GOING TO KILL ME? 638 00:27:44,330 --> 00:27:45,331 [ SIGHS ] 639 00:27:45,364 --> 00:27:48,034 Diana: ALEX PARKED THE BOX TRUCK OUT BACK. 640 00:27:48,067 --> 00:27:51,537 AFTER THEY LOAD IT UP, WE FOLLOW IT TO THE MEET WITH SPITERI. 641 00:27:51,570 --> 00:27:52,671 HEY, DO YOU REALLY FEEL GOOD 642 00:27:52,705 --> 00:27:54,173 ABOUT CAFFREY GOING THROUGH WITH THIS THING? 643 00:27:54,206 --> 00:27:57,343 LAST NIGHT IN THE CONFERENCE ROOM SEEMED PRETTY SHAKY. 644 00:27:57,376 --> 00:27:59,145 WE'RE BACK ON THE SAME PAGE. 645 00:27:59,178 --> 00:28:00,379 DOES CAFFREY KNOW? 646 00:28:02,514 --> 00:28:03,883 HERE WE GO. 647 00:28:08,054 --> 00:28:09,756 MY ASSISTANT HAS ARRIVED. 648 00:28:09,789 --> 00:28:11,991 ALEX. YOU'RE DEAD TO ME. 649 00:28:12,024 --> 00:28:13,659 I STILL DON'T SEE WHY I CAN'T BE THE ARTIST. 650 00:28:13,692 --> 00:28:15,828 REMEMBER THAT MEMLING I FORGED? 651 00:28:15,862 --> 00:28:18,030 WE'RE NOT DOING A FLEMISH LANDSCAPE. 652 00:28:18,064 --> 00:28:19,999 OH, NO. WE'RE DOING A PAINT-BY-NUMBERS. 653 00:28:20,032 --> 00:28:22,501 I HAD NO EXPRESS INTEREST TO CUT YOU OUT. 654 00:28:22,534 --> 00:28:26,438 IF YOU SET GENGHIS KHAN IN FRONT OF A MANCHURIAN REBEL CAMP, 655 00:28:26,472 --> 00:28:28,007 HE'S GONNA DO HIS THING. 656 00:28:28,040 --> 00:28:29,241 MOZ. 657 00:28:29,275 --> 00:28:31,077 IT'S THE SAME WAY WITH ME AND TREASURE TROVES. 658 00:28:31,110 --> 00:28:33,012 I WAS JUST KIDDING, MOZ. 659 00:28:33,045 --> 00:28:34,413 HERE. 660 00:28:35,647 --> 00:28:38,017 THIS IS THEIR REAL CONTACT INFORMATION FOR THE STEIN AGENCY? 661 00:28:38,050 --> 00:28:40,119 WELL, ANY CURATOR WORTH HER SALT 662 00:28:40,152 --> 00:28:42,121 WOULD RECOGNIZE A FAKE NUMBER. 663 00:28:42,154 --> 00:28:43,790 THEN THEY'D BETTER BE EXPECTING A PHONE CALL. 664 00:28:43,823 --> 00:28:45,958 OH, THEY ARE. GREAT. 665 00:28:45,992 --> 00:28:49,061 THEN LET'S GO ROB A MUSEUM. 666 00:28:53,833 --> 00:28:57,736 [ INDISTINCT CONVERSATIONS ] 667 00:29:03,575 --> 00:29:06,378 HI. UM, I'M LOOKING FOR THE CURATOR, MISS GRAHAM? 668 00:29:06,412 --> 00:29:07,379 SHE'S RIGHT OVER HERE. 669 00:29:07,413 --> 00:29:10,049 UH, I'M PARKER GRAHAM. HOW CAN I HELP YOU? 670 00:29:10,082 --> 00:29:11,818 YEAH, WE'RE HERE FOR GALLERY 2B. 671 00:29:11,851 --> 00:29:14,053 YES, OF COURSE. IT'S DOWN THE HALL, SECOND FLOOR. 672 00:29:14,086 --> 00:29:17,256 IS IT PREPARED? PREPARED FOR WHAT? 673 00:29:19,458 --> 00:29:21,560 OH, GOD. WHAT AN IDIOT. 674 00:29:21,593 --> 00:29:22,761 EXCUSE ME? 675 00:29:22,795 --> 00:29:24,831 NO, NOT YOU. SORRY. 676 00:29:24,864 --> 00:29:27,466 YOU SHOULD HAVE SWITCHED AGENTS A LONG TIME AGO. 677 00:29:27,499 --> 00:29:29,001 MY AGENT DIDN'T CALL YOU? 678 00:29:29,035 --> 00:29:30,903 NO. I'M SORRY. WHO ARE YOU? 679 00:29:30,937 --> 00:29:32,238 I CAN'T REALLY SAY. 680 00:29:32,271 --> 00:29:34,673 BUT MY ASSISTANT AND I WERE SUPPOSED TO HAVE FULL ACCESS 681 00:29:34,706 --> 00:29:36,075 TO GALLERY 2B TODAY. 682 00:29:36,108 --> 00:29:38,177 WELL, I'M SORRY TO DISAPPOINT YOU, WHOEVER YOU ARE, 683 00:29:38,210 --> 00:29:39,946 BUT NO ARRANGEMENTS HAVE BEEN MADE. 684 00:29:48,354 --> 00:29:50,923 [ CELL PHONE RINGS ] 685 00:29:50,957 --> 00:29:53,292 [ CELL PHONE BEEPS ] 686 00:29:55,294 --> 00:29:56,762 WE CAN COME BACK TOMORROW. WHAT DO YOU MEAN, TOMORROW? 687 00:29:56,795 --> 00:29:57,930 WE HAVE BERKSHIRE TOMORROW. 688 00:29:57,964 --> 00:29:59,531 THEY GAVE US A WALL AT WINDSOR CASTLE. 689 00:29:59,565 --> 00:30:02,468 [ CHUCKLES ] WHAT DOES THAT MEAN, A WALL AT WINDSOR? 690 00:30:02,501 --> 00:30:03,870 THAT'S THE ROYAL RESIDENCE. 691 00:30:03,903 --> 00:30:05,437 DON'T STROKE HIS EGO. WHO ARE YOU? 692 00:30:05,471 --> 00:30:06,772 WILL YOU PLEASE? 693 00:30:06,805 --> 00:30:08,474 OKAY. 694 00:30:08,507 --> 00:30:14,646 YOU CAN EXPECT HIM TO "EXIT THROUGH THE GIFT SHOP." 695 00:30:14,680 --> 00:30:17,016 DOES THAT MEAN THAT YOU'RE -- 696 00:30:17,049 --> 00:30:18,550 UH, SHH, SHH, SHH, SHH. 697 00:30:20,853 --> 00:30:25,024 AND WHAT DO YOU WANT WITH GALLERY 2B? 698 00:30:35,567 --> 00:30:37,403 [ CHUCKLES ] 699 00:30:37,436 --> 00:30:38,504 [ CELL PHONE RINGING ] 700 00:30:42,408 --> 00:30:45,011 [ CELL PHONE BEEPS ] 701 00:30:46,512 --> 00:30:47,579 YEAH? 702 00:30:47,613 --> 00:30:50,216 CURATOR: Is this Mr. Sanderson of the Stein agency? 703 00:30:50,249 --> 00:30:51,217 YEAH. 704 00:30:51,250 --> 00:30:53,652 I'M CALLING FROM THE HELLERMAN GALLERY -- 705 00:30:53,685 --> 00:30:55,988 Oh, is he there already? 706 00:30:56,022 --> 00:30:59,892 I'M AFRAID HE IS... WITH A PECULIAR REQUEST. 707 00:30:59,926 --> 00:31:01,693 Shoot. That's my fault. 708 00:31:01,727 --> 00:31:04,997 I-IS THERE ANY WAY HE CAN HAVE THE RUN OF THE PLACE TOMORROW? 709 00:31:05,031 --> 00:31:07,666 TOMORROW HE'S GOING TO WINDSOR CASTLE. 710 00:31:07,699 --> 00:31:09,001 Oh, that's right. 711 00:31:09,035 --> 00:31:11,670 If your client wants to do an installation here 712 00:31:11,703 --> 00:31:12,604 at our gallery... 713 00:31:12,638 --> 00:31:14,006 HE DOES. 714 00:31:14,040 --> 00:31:18,677 ...THEN I'M SURE WE CAN ACCOMMODATE HIM. 715 00:31:18,710 --> 00:31:21,680 [ CELL PHONE BEEPS ] 716 00:31:21,713 --> 00:31:25,617 LADIES AND GENTLEMEN, THIS GALLERY IS NOW CLOSED. 717 00:31:25,651 --> 00:31:28,520 Alex: AND THE CAMERAS? 718 00:31:28,554 --> 00:31:30,957 SHERMAN, SWITCH OFF THE CAMERAS IN 2B. 719 00:31:30,990 --> 00:31:32,491 [ RATTLING ] 720 00:31:47,940 --> 00:31:49,942 HOW MUCH TIME DO I HAVE? 721 00:31:49,976 --> 00:31:51,377 NOT LONG -- A COUPLE MINUTES. 722 00:31:51,410 --> 00:31:53,079 [ SIGHS ] 723 00:32:17,436 --> 00:32:19,338 [ RATTLING ] 724 00:32:50,136 --> 00:32:52,604 OH, APHRODITE'S A THIEF NOW? 725 00:32:52,638 --> 00:32:54,140 WELL, SHE WASN'T THE SOLE INSPIRATION. 726 00:32:54,173 --> 00:32:55,307 YOU KNOW, THIS PLAN WOULD HAVE WORKED 727 00:32:55,341 --> 00:32:57,143 EVEN IF YOU HADN'T PAINTED ANYTHING. 728 00:32:57,176 --> 00:32:59,645 IT'S ONLY FAIR. WE'RE CLEANING THEM OUT. 729 00:32:59,678 --> 00:33:01,380 COULDN'T RESIST, HUH? 730 00:33:01,413 --> 00:33:03,949 HOW OFTEN DO YOU HAVE THE OPPORTUNITY TO ADD A PIECE 731 00:33:03,982 --> 00:33:06,418 TO THE HELLERMAN'S PERMANENT COLLECTION? 732 00:33:42,288 --> 00:33:44,756 Diana: THERE GOES THE LITTLE GUY. 733 00:33:44,790 --> 00:33:46,058 SWITCH TO TWO. 734 00:33:46,092 --> 00:33:48,527 [ KEYBOARD CLACKING ] 735 00:34:06,745 --> 00:34:09,415 BOSS, WE HAVE A PROBLEM. 736 00:34:09,448 --> 00:34:11,850 NOT AGAIN. 737 00:34:11,883 --> 00:34:13,785 THAT IDIOT. 738 00:34:18,657 --> 00:34:20,759 ALEX? 739 00:34:28,267 --> 00:34:31,803 FREEZE. PUT YOUR HANDS OVER YOUR HEAD. 740 00:34:33,505 --> 00:34:36,142 Peter: THIS IS THE SECOND TIME YOU CRASHED MY UNDERCOVER, MYRICK. 741 00:34:36,175 --> 00:34:37,443 AND THIS TIME, IT'S TOO BIG FOR YOU TO SCREW IT UP. 742 00:34:37,476 --> 00:34:40,479 SCREW IT UP? SILENT ALARM SOUNDED. 743 00:34:40,512 --> 00:34:42,214 WE GOT HERE IN TIME TO MAKE OUR ARREST. 744 00:34:42,248 --> 00:34:43,749 THAT'S CALLED GOOD POLICE WORK. 745 00:34:43,782 --> 00:34:46,152 THAT'S CALLED BULL. GET MY CAR OUT OF YOUR CAR. 746 00:34:46,185 --> 00:34:47,486 NO. I DON'T THINK I WILL. 747 00:34:47,519 --> 00:34:48,554 [ SIGHS ] I ASKED ONE THING. 748 00:34:48,587 --> 00:34:50,556 I ASKED YOU TO CALL ME PERSONALLY 749 00:34:50,589 --> 00:34:52,158 IF YOU HAVE AN ACTION IN MY DISTRICT. 750 00:34:52,191 --> 00:34:54,126 I DIDN'T HAVE TIME, AND, TO BE BLUNT -- 751 00:34:54,160 --> 00:34:55,561 I DON'T OWE YOU THAT CALL. 752 00:34:55,594 --> 00:34:59,064 MAYBE NOT, BUT NOW YOU OWE NEW YORK COUNTY 10 GRAND. 753 00:34:59,097 --> 00:35:01,333 [ SIGHS ] DAMN. 754 00:35:04,270 --> 00:35:07,506 JONES, DIANA, FIND ALEX. 755 00:35:07,539 --> 00:35:10,442 I GOT TO BAIL NEAL OUT OF JAIL. 756 00:35:15,046 --> 00:35:17,449 [ SIREN WAILS ] 757 00:35:19,117 --> 00:35:21,920 [ POLICE RADIO CHATTER ] 758 00:35:21,953 --> 00:35:24,490 THANK YOU. 759 00:35:24,523 --> 00:35:26,258 I DON'T KNOW WHAT HER MOVE IS, 760 00:35:26,292 --> 00:35:27,593 BUT ALEX PUT THIS IN MOTION. 761 00:35:27,626 --> 00:35:29,928 UH-HUH. I WATCHED HER DISABLE THE SILENT ALARM. 762 00:35:29,961 --> 00:35:32,030 UH-HUH. AND THE MINUTE THE PD SHOWED UP, SHE WAS GONE. 763 00:35:32,063 --> 00:35:34,366 UH-HUH. WHAT? 764 00:35:34,400 --> 00:35:36,101 NO, IT JUST USED TO MEAN SOMETHING 765 00:35:36,134 --> 00:35:38,437 TO SAY THAT YOU CAUGHT NEAL CAFFREY. 766 00:35:38,470 --> 00:35:40,639 BUT NOW THAT THE POLICE ARE DOING IT ALL THE TIME -- 767 00:35:40,672 --> 00:35:42,374 OH, ONCE AGAIN, THIS DOES NOT COUNT. 768 00:35:42,408 --> 00:35:44,710 SAYS THE MAN WHO SPENT FOUR HOURS IN A CELL 769 00:35:44,743 --> 00:35:47,179 WITH TWO DRUNK-AND-DISORDERLIES AND A SHOPPING-CART THIEF. 770 00:35:47,213 --> 00:35:48,314 SHE PLANNED THIS. 771 00:35:48,347 --> 00:35:52,117 I KNOW. THE QUESTION IS, WHY? 772 00:35:52,150 --> 00:35:54,286 WE'RE LOOKING AT TWO HEISTS, 773 00:35:54,320 --> 00:35:56,788 BOTH OF WHICH WERE BOTCHED IN IMPRESSIVE FASHION. 774 00:35:56,822 --> 00:35:58,990 FIRST, A PATROL CAR IS PARKED ACROSS THE STREET 775 00:35:59,024 --> 00:36:00,626 DURING THE GRECO JOB. 776 00:36:00,659 --> 00:36:02,628 NYPD DISPATCH SENT THAT CAR IN RESPONSE TO 777 00:36:02,661 --> 00:36:04,162 A "SUSPICIOUS CHARACTER" WHO NEVER EXISTED. 778 00:36:04,196 --> 00:36:05,497 AND SECOND, I DON'T BELIEVE 779 00:36:05,531 --> 00:36:08,400 ALEX FAILED TO DEACTIVATE THE ALARM AT THE HELLERMAN. 780 00:36:08,434 --> 00:36:10,469 THESE JOBS WERE BUILT TO FALL SHORT. 781 00:36:10,502 --> 00:36:11,670 BUT WHY PUT CREWS TOGETHER 782 00:36:11,703 --> 00:36:12,971 IF YOU DON'T WANT THEM TO GET AWAY WITH IT? 783 00:36:13,004 --> 00:36:15,674 Diana: NO SIGN OF HUNTER, BUT WE GOT A HIT ON SPITERI. 784 00:36:15,707 --> 00:36:18,477 HE RENTED A TRANSATLANTIC FREIGHTER SET FOR THESSALONíKI. 785 00:36:18,510 --> 00:36:20,212 A FREIGHTER? HE'S GOT NOTHING TO SHIP. 786 00:36:20,246 --> 00:36:21,480 I GUESS NO ONE TOLD HIM. 787 00:36:21,513 --> 00:36:23,315 OR HE STILL THINKS HE'S GONNA GET HIS SCORE. 788 00:36:23,349 --> 00:36:25,317 [ CELL PHONE RINGS ] BERRIGAN. 789 00:36:25,351 --> 00:36:27,253 BUT THE ENTIRE CACHE IS IN THE -- 790 00:36:28,520 --> 00:36:32,358 NYPD EVIDENCE WAREHOUSE. YEAH. 791 00:36:32,391 --> 00:36:34,526 JONES, GET UNITS OVER TO MANHATTAN NORTH 792 00:36:34,560 --> 00:36:36,928 AND TO THE DOCKS AT RED HOOK. 793 00:36:36,962 --> 00:36:39,765 OKAY. BOSS, WE'RE TOO LATE. PD JUST SENT THIS. 794 00:36:41,933 --> 00:36:43,435 THEY GOT ALEX ON TAPE 795 00:36:43,469 --> 00:36:46,104 BUSTING OUT OF THE NYPD WAREHOUSE. 796 00:36:46,137 --> 00:36:50,742 ALEX KNEW SUCCESSFULLY PULLING OFF TWO HEISTS WAS A LONG SHOT. 797 00:36:50,776 --> 00:36:51,743 AND SHE MADE SURE NYPD 798 00:36:51,777 --> 00:36:53,912 PUT ALL THE ANTIQUITIES IN ONE PLACE. 799 00:36:53,945 --> 00:36:55,414 ADD A BIT OF CAT BURGLARY -- 800 00:36:55,447 --> 00:36:56,915 A LITTLE AUTO THEFT -- 801 00:36:56,948 --> 00:36:58,116 AND SHE MAKES OFF WITH BOTH HAULS SIMULTANEOUSLY. 802 00:36:58,149 --> 00:36:59,918 LET'S CUT HER OFF. 803 00:37:11,062 --> 00:37:12,698 Peter: JONES, TALK TO ME. 804 00:37:12,731 --> 00:37:15,033 JONES: Dug into the video NYPD sent over. 805 00:37:15,066 --> 00:37:19,605 I'M TRACKING A BOX TRUCK, PLATE NUMBER IDA-UNION-2-0-0-6. 806 00:37:19,638 --> 00:37:21,940 TRAFFIC CAMS HAVE IT SOUTHBOUND ON 2nd. 807 00:37:21,973 --> 00:37:24,310 SHE WON'T STAY ON A STREET WITH HEAVY TRAFFIC. 808 00:37:24,343 --> 00:37:25,977 JONES, CALL THE 17th. 809 00:37:26,011 --> 00:37:28,079 GET THEM TO SCRAMBLE CARS THROUGH TRUCK ROUTES 810 00:37:28,113 --> 00:37:29,281 AND INDUSTRIAL THOROUGHFARES. 811 00:37:29,315 --> 00:37:30,616 I'm on it. 812 00:37:30,649 --> 00:37:32,384 HOW DID I NOT SEE THIS COMING? 813 00:37:32,418 --> 00:37:34,119 YOU'RE AN ARIES, AREN'T YOU? 814 00:37:34,152 --> 00:37:37,222 YEAH, MARCH 21st. WHY? [ CAR CHIMES ] 815 00:37:37,255 --> 00:37:38,757 Female voice: PLEASE SAY A COMMAND. 816 00:37:38,790 --> 00:37:40,792 HOROSCOPE. ARIES. 817 00:37:40,826 --> 00:37:44,296 HELLO, ARIES. IT'S A 3-OUT-OF-10 DAY. 818 00:37:44,330 --> 00:37:46,732 THE MOON-URANUS CONJUNCTION IN A SIGN OF ARIES 819 00:37:46,765 --> 00:37:49,968 WILL ALLOW YOU TO SEE AN OLD ACQUAINTANCE IN A NEW LIGHT. 820 00:37:50,001 --> 00:37:51,570 BUT DON'T BE FOOLED. 821 00:37:51,603 --> 00:37:54,105 YOU WILL SOON REVERT TO OLD ROLES. 822 00:37:54,139 --> 00:37:55,807 YOU CHECKED MY HOROSCOPE? 823 00:37:55,841 --> 00:37:58,410 I HAD SOME TIME TO KILL WHILE YOU WERE IN LOCKUP. 824 00:37:58,444 --> 00:38:00,346 AND, I REPEAT, YOU CHECKED MY HOROSCOPE? 825 00:38:00,379 --> 00:38:01,847 YOU HAVE TO ADMIT, IT'S DEAD-ON. 826 00:38:01,880 --> 00:38:04,616 HOROSCOPES ALWAYS SEEM RELEVANT. THAT'S THE CON. 827 00:38:04,650 --> 00:38:06,918 BUT IF YOU'RE GONNA START TAKING LIFE ADVICE FROM A CAR -- 828 00:38:06,952 --> 00:38:08,153 YOU'RE NO FUN. 829 00:38:08,186 --> 00:38:10,889 WELL, I'M HAVING A 3-OUT-OF-10 DAY. 830 00:38:22,033 --> 00:38:24,336 BURKE, WE PULLED HER OVER. WE'RE PULLING HER OUT. 831 00:38:24,370 --> 00:38:25,771 I'M DONE WITH YOU. 832 00:38:25,804 --> 00:38:29,007 I HOPE YOU DIDN'T GET TOO ATTACHED TO THAT SECOND STAR. 833 00:38:29,040 --> 00:38:30,208 SHE WON'T BE ARMED, PETER. 834 00:38:30,241 --> 00:38:31,477 STAND BACK. 835 00:38:37,483 --> 00:38:38,950 SPITERI, GET THE HELL OUT OF THE VAN. 836 00:38:38,984 --> 00:38:40,719 PUT YOUR HANDS UP WHERE I CAN SEE THEM. 837 00:38:42,087 --> 00:38:44,322 COME ON. 838 00:38:44,356 --> 00:38:46,725 WHERE'S HUNTER? 839 00:38:46,758 --> 00:38:48,960 SHE'S GONE. THERE WAS ANOTHER CAR. 840 00:38:48,994 --> 00:38:50,028 WHAT OTHER CAR? 841 00:38:50,061 --> 00:38:51,830 I DON'T KNOW. A BLACK CAR. 842 00:38:51,863 --> 00:38:53,632 [ SIGHS ] 843 00:38:53,665 --> 00:38:55,000 WHAT THE HELL WERE YOU THINKING? 844 00:38:55,033 --> 00:38:57,703 THAT I WOULD TAKE BACK WHAT WAS TAKEN FROM MY COUNTRY. 845 00:38:57,736 --> 00:39:01,973 PETER, YOU SHOULD GET BACK HERE. 846 00:39:02,007 --> 00:39:04,009 CUFF HIM. 847 00:39:06,445 --> 00:39:09,381 THAT'S DEFINITELY NOT GREEK. 848 00:39:09,415 --> 00:39:12,183 NO, I'D SAY LATE 19th-CENTURY RUSSIAN. 849 00:39:12,217 --> 00:39:13,519 THIS WAS HER ANGLE FROM DAY ONE. 850 00:39:13,552 --> 00:39:16,187 AND SHE'S BEEN ONE STEP AHEAD OF US THE WHOLE TIME. 851 00:39:16,221 --> 00:39:20,859 SHE'S GONE, PETER. SHE'S GONE. 852 00:39:23,595 --> 00:39:24,863 [ SIREN WAILS, HORN BLARES ] 853 00:39:36,708 --> 00:39:41,413 YOU LEFT THE CANDELABRA. 854 00:39:41,447 --> 00:39:42,681 I DON'T KNOW WHY, 855 00:39:42,714 --> 00:39:45,083 BUT I THOUGHT YOU'D BE MORE SENTIMENTAL. 856 00:39:45,116 --> 00:39:49,220 WELL, IF I CAN'T HAVE THE TREASURE, 857 00:39:49,254 --> 00:39:51,423 I'LL TAKE A TREASURE. 858 00:39:51,457 --> 00:39:53,625 YOU USED SPITERI. 859 00:39:53,659 --> 00:39:55,894 HE WAS USING ME TO THE SAME END. 860 00:39:55,927 --> 00:39:58,396 AND YOU PLAYED ME. 861 00:40:00,398 --> 00:40:02,701 WAS ANY OF IT REAL? 862 00:40:02,734 --> 00:40:05,370 YEAH, WELL, THERE'S REALLY A VILLA IN SARDINIA 863 00:40:05,403 --> 00:40:06,738 THAT NEEDS DECORATING. 864 00:40:08,740 --> 00:40:12,944 BUT WE WERE NEVER JUST NEAL AND ALEX. 865 00:40:12,978 --> 00:40:15,213 THIS IS NEAL AND ALEX. 866 00:40:15,246 --> 00:40:17,115 [ BOTH LAUGH ] 867 00:40:22,688 --> 00:40:24,956 I COULD CALL PETER RIGHT NOW. 868 00:40:24,990 --> 00:40:26,958 OH, BUT YOU WOULDN'T. 869 00:40:26,992 --> 00:40:29,995 BECAUSE YOU OWED ME A TREASURE. 870 00:40:35,366 --> 00:40:38,136 NOW...WE'RE EVEN. 871 00:40:42,974 --> 00:40:45,877 [ DOOR CLOSES ] 872 00:40:48,780 --> 00:40:50,982 I DON'T TRUST YOU TOUCHING MY WIRES. 873 00:40:51,016 --> 00:40:51,983 OH, I WOULDN'T EITHER. 874 00:40:52,017 --> 00:40:54,152 IF I FIND OUT YOU'VE BUGGED MY HOUSE -- 875 00:40:54,185 --> 00:40:56,154 WELL, THAT WOULD BE EASY. 876 00:40:56,187 --> 00:40:59,090 I'M JUST SAYING, YOU'VE GOT A MESS BACK THERE. 877 00:40:59,124 --> 00:41:01,259 [ KNOCK ON DOOR ] 878 00:41:01,292 --> 00:41:03,629 [ SIGHS ] 879 00:41:05,497 --> 00:41:06,798 HEY, NEAL. 880 00:41:06,832 --> 00:41:07,666 HEY, PETER. 881 00:41:07,699 --> 00:41:09,334 COME ON IN. THANKS. 882 00:41:09,367 --> 00:41:10,836 MOZ. 883 00:41:10,869 --> 00:41:12,270 UH, CAN I GET YOU ANYTHING? 884 00:41:12,303 --> 00:41:13,471 NO, I'M GOOD. THANKS. 885 00:41:13,505 --> 00:41:16,141 [ SIGHS ] GLAD YOU'RE HERE. 886 00:41:16,174 --> 00:41:19,144 I'M HAPPY YOU DECIDED TO WATCH THAT WITH US. 887 00:41:19,177 --> 00:41:22,180 YOU GOT TO PICK WHO YOU CAN TRUST, RIGHT? 888 00:41:22,213 --> 00:41:24,783 WELL, WHATEVER IT IS, 889 00:41:24,816 --> 00:41:27,185 IF ELLEN HAD WANTED THE WHOLE WORLD TO SEE IT, 890 00:41:27,218 --> 00:41:29,187 SHE WOULD HAVE GIVEN IT TO CHANNEL FIVE NEWS. 891 00:41:29,220 --> 00:41:30,689 INSTEAD, SHE GAVE IT TO ME. 892 00:41:30,722 --> 00:41:32,858 AND, MAYBE IF SHE WAS STILL ALIVE, SHE WOULD HAVE WANTED YOU TO SEE IT. 893 00:41:32,891 --> 00:41:34,159 I DON'T KNOW. 894 00:41:34,192 --> 00:41:37,195 BUT YOU DON'T WANT TO MAKE THAT DECISION FOR HER. 895 00:41:37,228 --> 00:41:40,999 NO. I WANT TO MAKE IT FOR ME. 896 00:41:43,434 --> 00:41:45,503 WHATEVER'S ON HERE... 897 00:41:45,537 --> 00:41:47,072 I KNOW. 898 00:41:54,546 --> 00:41:57,716 YOU READY TO SEE WHAT ELLEN WANTED TO SHOW YOU 899 00:41:57,749 --> 00:41:59,117 WHEN YOU WERE 3 YEARS OLD? 900 00:42:01,019 --> 00:42:02,688 I AM. 901 00:42:04,289 --> 00:42:05,957 [ CLICK ]