1 00:00:03,046 --> 00:00:04,482 MORNING, PETER. 2 00:00:04,569 --> 00:00:07,181 I SEE YOUR QUEST FOR MANHATTAN'S BEST BREW CONTINUES. 3 00:00:07,268 --> 00:00:08,312 ONE'S FOR YOU. 4 00:00:08,399 --> 00:00:09,966 OH. 5 00:00:10,053 --> 00:00:11,011 YANKEE TICKETS. 6 00:00:11,098 --> 00:00:12,186 VERSUS THE RED SOX. 7 00:00:12,273 --> 00:00:14,144 YEAH, I GOT THEM FROM FRANKIE WHISPERS. 8 00:00:14,231 --> 00:00:15,406 I'M NOT GONNA USE THEM. 9 00:00:15,493 --> 00:00:17,017 THEY'RE BEHIND HOME PLATE. 10 00:00:17,104 --> 00:00:18,844 OH? I HEAR THAT'S GOOD. UH-HUH. 11 00:00:18,931 --> 00:00:20,977 YOU BOUGHT COFFEE, YANKEE TICKETS -- 12 00:00:21,064 --> 00:00:22,848 THIS IS NOT YOUR MOST SUBTLE CON. 13 00:00:22,935 --> 00:00:24,981 CON? PETER, I AM HURT THAT YOU -- 14 00:00:25,068 --> 00:00:27,375 YOU'RE TRYING TO GET BACK ON MY GOOD SIDE. 15 00:00:27,462 --> 00:00:28,463 IS THAT A CRIME? 16 00:00:28,550 --> 00:00:30,421 NO. BUT LET'S REVIEW WHAT IS. 17 00:00:30,508 --> 00:00:33,163 MOZZIE STEALS YOUR TREASURE, AND DO YOU REPORT IT? 18 00:00:33,250 --> 00:00:34,773 NO. YOU PLOT TO STEAL IT. 19 00:00:34,860 --> 00:00:35,861 WE DON'T HAVE TO DO THIS. 20 00:00:35,948 --> 00:00:37,254 OH, BUT WE DO. 21 00:00:37,341 --> 00:00:39,126 WE DISCOVERED ADLER'S U-BOAT. 22 00:00:39,213 --> 00:00:40,692 AND WHILE YOU WERE COMING IN HERE, 23 00:00:40,779 --> 00:00:42,129 LOOKING ME RIGHT IN THE EYE, 24 00:00:42,216 --> 00:00:44,479 YOU WERE HIDING THE ART UNDER MY NOSE. 25 00:00:44,566 --> 00:00:46,524 BUT THAT'S NOT THE WORST OF IT. 26 00:00:46,611 --> 00:00:47,960 LOOK, PETER, I'M SORRY. 27 00:00:48,048 --> 00:00:49,571 OKAY? YOU SHOULD BE. 28 00:00:49,658 --> 00:00:52,530 I'M SORRY ELIZABETH WAS PUT IN DANGER BECAUSE OF ME. 29 00:00:52,617 --> 00:00:54,054 [ SIGHS ] 30 00:00:54,141 --> 00:00:56,099 HOW'S SHE DOING? 31 00:00:56,186 --> 00:00:57,448 I DON'T WANT TO TALK ABOUT IT HERE. 32 00:00:57,535 --> 00:00:59,537 OKAY. ALL RIGHT. 33 00:00:59,624 --> 00:01:00,538 DO YOU REALLY WANT TO GET BACK ON MY GOOD SIDE? 34 00:01:00,625 --> 00:01:02,366 YES. 35 00:01:02,453 --> 00:01:04,934 THEN I SUGGEST WE DIG INTO THE MORTENSON REAL-ESTATE SCAM. 36 00:01:05,021 --> 00:01:06,327 YOU'RE RIGHT. FOCUS ON WORK. 37 00:01:06,414 --> 00:01:08,981 FOCUS. 38 00:01:12,594 --> 00:01:14,378 DID HOGWARTS BOOK A FIELD TRIP? 39 00:01:14,465 --> 00:01:15,684 LOOKS LIKE IT. JONES, WHO'S THAT? 40 00:01:15,771 --> 00:01:17,729 OH, UH, EVAN LEARY. 41 00:01:17,816 --> 00:01:19,514 THE KID WAS SITTING IN THE LOBBY SINCE 7:00. 42 00:01:19,601 --> 00:01:21,777 SAID HE WOULDN'T LEAVE UNTIL HE SPOKE WITH A CASE AGENT. 43 00:01:21,864 --> 00:01:23,735 HE ASKED TO SEE A CASE AGENT. 44 00:01:23,822 --> 00:01:25,215 UH-HUH.SOMEONE DID HIS HOMEWORK. 45 00:01:25,302 --> 00:01:28,000 10 POINTS FOR GRYFFINDOR. COME ON. 46 00:01:28,088 --> 00:01:29,393 EVAN? 47 00:01:29,480 --> 00:01:32,004 HI. I'M SPECIAL AGENT PETER BURKE. 48 00:01:32,092 --> 00:01:33,136 AGENT BURKE. AND AGENT...? 49 00:01:33,223 --> 00:01:34,224 UH, NEAL... 50 00:01:34,311 --> 00:01:35,530 CAFFREY. 51 00:01:35,617 --> 00:01:37,184 I WORK HERE, BUT I'M NOT AN AGENT. 52 00:01:37,271 --> 00:01:38,141 TOOK THE ROAD LESS RECOMMENDED. 53 00:01:38,228 --> 00:01:39,229 NICE TIE. 54 00:01:39,316 --> 00:01:41,188 MANHATTAN PREP? YEAH. 55 00:01:41,275 --> 00:01:43,277 HOW CAN WE HELP YOU, EVAN? 56 00:01:43,364 --> 00:01:45,409 UM, COULD WE SIT? I BROUGHT VISUAL AIDS. 57 00:01:45,496 --> 00:01:48,195 VISUAL AIDS. SURE. LET'S GO TO MY OFFICE. 58 00:01:49,979 --> 00:01:52,677 I'VE BEEN GOING TO MANHATTAN PREP SINCE 9th GRADE. 59 00:01:52,764 --> 00:01:54,375 MY FAMILY'S NOT RICH LIKE MOST OF THE KIDS, 60 00:01:54,462 --> 00:01:55,463 SO I CAN'T AFFORD TUITION. 61 00:01:55,550 --> 00:01:57,204 AND I DISCOVERED LAST WEEK 62 00:01:57,291 --> 00:01:59,206 THAT MY FINANCIAL AID IS BEING PULLED. 63 00:01:59,293 --> 00:02:00,294 EXCELLENT PRESENTATION. 64 00:02:00,381 --> 00:02:01,817 THANK YOU. 65 00:02:01,904 --> 00:02:04,689 IF YOU TURN TO SECTION 1, YOU'LL SEE WHY I'M HERE. 66 00:02:04,776 --> 00:02:07,127 YOU THINK SOMEONE'S EMBEZZLING SCHOLARSHIP MONEY 67 00:02:07,214 --> 00:02:08,519 FROM THE SCHOOL'S ENDOWMENT. 68 00:02:08,606 --> 00:02:09,781 THAT'S RIGHT. 69 00:02:09,868 --> 00:02:11,392 IT'S HIS THESIS STATEMENT. MM. 70 00:02:11,479 --> 00:02:13,611 LOOK, EVAN, 71 00:02:13,698 --> 00:02:16,223 LOSING YOUR SCHOLARSHIP DOESN'T MEAN SOMEONE'S STEALING. 72 00:02:16,310 --> 00:02:18,007 SCHOOLS CUT FUNDING ALL THE TIME. 73 00:02:18,094 --> 00:02:19,661 OF COURSE. BUT IF YOU LOOK AT THE GRAPH, 74 00:02:19,748 --> 00:02:21,489 IT SHOWS THAT THE ENDOWMENTS STAYED PRETTY EVEN 75 00:02:21,576 --> 00:02:23,055 WHILE THE FINANCIAL AID HAS BEEN DROPPING 76 00:02:23,143 --> 00:02:24,274 OVER THE PAST EIGHT YEARS. 77 00:02:24,361 --> 00:02:26,450 WHERE DID YOU GET THESE NUMBERS? 78 00:02:26,537 --> 00:02:28,931 I WORK AT THE BURSAR'S OFFICE, AND I DUG AROUND. 79 00:02:29,018 --> 00:02:31,281 LOOK, THIS ISN'T JUST ABOUT ME. 80 00:02:31,368 --> 00:02:34,066 THIS IS ABOUT A LOT OF KIDS. 81 00:02:34,154 --> 00:02:36,373 EVAN, ENDOWMENTS COVER OPERATING COSTS, SALARIES. 82 00:02:36,460 --> 00:02:38,593 THESE NUMBERS AREN'T ENOUGH TO PROVE EMBEZZLEMENT. 83 00:02:38,680 --> 00:02:40,247 YOU HAVEN'T GOTTEN TO MY CONCLUSION YET. 84 00:02:40,334 --> 00:02:41,335 IT'S THE RED TAB. 85 00:02:41,422 --> 00:02:43,075 OH, YES. I CAN SEE THE RED TAB. 86 00:02:43,163 --> 00:02:45,295 SAYS THE SCHOLARSHIPS STARTED DISAPPEARING 87 00:02:45,382 --> 00:02:47,558 THE YEAR ANDY WOODS TOOK OVER THE ENDOWMENT FUND. 88 00:02:47,645 --> 00:02:49,473 ANDY WOODS? 89 00:02:49,560 --> 00:02:53,564 YEAH. UM, HIS DAUGHTER GOES TO MANHATTAN PREP. 90 00:02:53,651 --> 00:02:56,698 CHLOE. SHE -- SHE'S...VERY NICE. 91 00:02:56,785 --> 00:03:00,745 BUT I THINK MR. WOODS IS A BAD GUY. 92 00:03:00,832 --> 00:03:02,617 YOU GOT ONE CONCLUSION RIGHT. 93 00:03:02,704 --> 00:03:04,749 ANDY WOODS -- AMERICAN FINANCIER 94 00:03:04,836 --> 00:03:08,188 WE'VE LONG SUSPECTED OF MANAGING MONEY FOR THE JUAREZ CARTEL. 95 00:03:08,275 --> 00:03:10,973 THOSE ARE SOME BRUTAL GUYS TO BE IN BUSINESS WITH. 96 00:03:11,060 --> 00:03:12,235 WOODS MAY HAVE A CORNER OFFICE, 97 00:03:12,322 --> 00:03:13,497 BUT HIS METHODS ARE DEFINITELY FROM THE STREET. 98 00:03:13,584 --> 00:03:16,587 D.E.A. BELIEVES HE LAUNDERS THE CASH 99 00:03:16,674 --> 00:03:17,980 THROUGH INVESTMENT PORTFOLIOS. 100 00:03:18,067 --> 00:03:19,938 NOW, WE'VE NEVER HAD ENOUGH TO GO AFTER HIM, 101 00:03:20,025 --> 00:03:22,506 BUT THIS MAY BE ENOUGH TO GIVE US AN IN. 102 00:03:22,593 --> 00:03:23,594 NEAL? 103 00:03:23,681 --> 00:03:24,943 WE HAVE VISUAL AIDS. 104 00:03:25,030 --> 00:03:26,728 NOW, THERE ARE ONLY FIVE, 105 00:03:26,815 --> 00:03:27,859 SO YOU'LL HAVE TO SHARE 106 00:03:27,946 --> 00:03:29,470 UNTIL WESLEY GETS BACK WITH MORE COPIES. 107 00:03:29,557 --> 00:03:31,689 TABS -- NICE.COUPLE OF YEARS AGO, 108 00:03:31,776 --> 00:03:34,039 WOODS LOST A LANDMARK DIVORCE SETTLEMENT TO MRS. WOODS 109 00:03:34,126 --> 00:03:36,085 AFTER SHE FOUND OUT HE HAD A MISTRESS, 110 00:03:36,172 --> 00:03:38,522 BUT HE MADE SURE TO RETAIN CUSTODY OF THEIR DAUGHTER. 111 00:03:38,609 --> 00:03:40,307 CHLOE -- 17. 112 00:03:40,394 --> 00:03:42,352 WHEN SHE STARTED AT MANHATTAN PREP, 113 00:03:42,439 --> 00:03:44,528 WOODS WAS ELECTED TO THE BOARD OF TRUSTEES 114 00:03:44,615 --> 00:03:47,096 AND PUT IN CHARGE OF THE ENDOWMENT FUND. 115 00:03:47,183 --> 00:03:48,271 YOU THINK HE'S TREATING THE ENDOWMENT 116 00:03:48,358 --> 00:03:49,185 LIKE HIS OWN PIGGY BANK. 117 00:03:49,272 --> 00:03:50,708 EXACTLY. 118 00:03:50,795 --> 00:03:52,884 I'LL APPROACH THE SCHOOL AS A WEALTHY PARENT 119 00:03:52,971 --> 00:03:53,929 WITH A TEENAGE SON. 120 00:03:54,016 --> 00:03:55,017 I'LL NEED AN ALIAS. 121 00:03:55,104 --> 00:03:56,584 Neal: ALISTAIR STONE -- 122 00:03:56,671 --> 00:03:59,369 A WEALTHY HONG KONG BANKER RELOCATING TO NEW YORK 123 00:03:59,456 --> 00:04:01,893 LOOKING FOR A SCHOOL FOR YOUR SON, ALISTAIR JR. 124 00:04:01,980 --> 00:04:03,765 YOU LIKE CATAMARANS AND COGNAC. 125 00:04:03,852 --> 00:04:05,810 IT'S LIKE YOU'RE AN ALIAS SAVANT. 126 00:04:05,897 --> 00:04:08,422 I DO LIKE CATAMARANS, 127 00:04:08,509 --> 00:04:10,424 BUT LET'S GO WITH PETER INSTEAD OF ALISTAIR. 128 00:04:10,511 --> 00:04:11,947 LINDA'S GONNA BE UPSET. 129 00:04:12,034 --> 00:04:13,296 LINDA? YOUR WIFE. 130 00:04:13,383 --> 00:04:15,298 SHE AFFECTIONATELY CALLS YOU "ALI." 131 00:04:15,385 --> 00:04:17,387 SHE'LL GET OVER IT. I'LL SCHEDULE A MEETING. 132 00:04:17,474 --> 00:04:19,346 LET ME. I'LL BE YOUR AMANUENSIS. 133 00:04:19,433 --> 00:04:21,435 FOLLOW YOU AROUND, WRITE THINGS DOWN, 134 00:04:21,522 --> 00:04:23,263 MAKE YOU LOOK POWERFUL.MY MENU WHAT? 135 00:04:23,350 --> 00:04:25,352 CAN'T YOU JUST SAY "ASSISTANT"? 136 00:04:25,439 --> 00:04:26,570 NOT AT MANHATTAN PREP. 137 00:04:26,657 --> 00:04:27,745 OH. 138 00:04:31,532 --> 00:04:33,882 I MIGHT HAVE GRADUATED IF I HAD GONE SOMEWHERE LIKE THIS. 139 00:04:33,969 --> 00:04:35,579 I'M SURPRISED YOU LIKE IT HERE. 140 00:04:35,666 --> 00:04:37,320 EVEN THE KINDERGARTNERS WEAR TIES. 141 00:04:37,407 --> 00:04:39,540 YOU KNOW,IF MY SENTENCE GETS COMMUTED, 142 00:04:39,627 --> 00:04:40,671 I'D CONSIDER GOING BACK TO SCHOOL. 143 00:04:40,758 --> 00:04:42,412 MM. 144 00:04:42,499 --> 00:04:44,806 MAYBE GET A MASTER'S, STUDY ABROAD, PUBLISH. 145 00:04:44,893 --> 00:04:47,461 DON'T GET AHEAD OF YOURSELF THERE, HEMINGWAY. 146 00:04:47,548 --> 00:04:50,115 I HAVEN'T DECIDED IF I'M GONNA CLOSE THE KELLER CASE. 147 00:04:50,202 --> 00:04:51,378 I TOLD YOU -- 148 00:04:51,465 --> 00:04:52,683 FOCUS ON WORK. 149 00:04:52,770 --> 00:04:53,771 WORDS TO LIVE BY. 150 00:04:56,687 --> 00:04:58,863 MY SCHOOL NEVER HAD A FALCONRY CLUB. 151 00:04:58,950 --> 00:05:01,823 GUESS PETER JR. WILL BE THE FALCONER IN THE FAMILY. 152 00:05:01,910 --> 00:05:03,303 WHERE ARE YOU STAYING WHILE YOU'RE IN TOWN, MR. STONE? 153 00:05:03,390 --> 00:05:04,478 THE COMPANY PUTS ME UP AT THE FOUR SEASONS. 154 00:05:04,565 --> 00:05:05,870 MM. GENEROUS. 155 00:05:05,957 --> 00:05:07,219 LINDA LOVES THE SPA. 156 00:05:07,307 --> 00:05:09,309 AH. TOO BAD SHE COULDN'T MAKE IT THIS TRIP. 157 00:05:14,139 --> 00:05:15,619 ALL RIGHT, WAIT HERE. 158 00:05:15,706 --> 00:05:18,274 JUST SIT ON THE BENCH WHILE I MEET WITH WOODS. 159 00:05:22,191 --> 00:05:24,541 OH. MY 11:00. 160 00:05:24,628 --> 00:05:25,934 PETER STONE. 161 00:05:26,021 --> 00:05:27,805 GRAHAM SLATER, HEADMASTER HERE AT MANHATTAN PREP. 162 00:05:27,892 --> 00:05:30,242 WANT TO WELCOME YOU BEFORE I INTRODUCE YOU TO ANDY WOODS. 163 00:05:30,330 --> 00:05:31,722 OH, YOU'RE THE WARM-UP ACT? 164 00:05:31,809 --> 00:05:32,723 [ CHUCKLES ] COME IN. 165 00:05:32,810 --> 00:05:34,638 [ CHUCKLES ] 166 00:05:40,383 --> 00:05:42,037 YOU IN TROUBLE? 167 00:05:42,124 --> 00:05:44,431 A LOT. 168 00:05:44,518 --> 00:05:46,433 I MIGHT GET EXPELLED. 169 00:05:46,520 --> 00:05:48,478 WELL, THAT'S NO GOOD. 170 00:05:48,565 --> 00:05:51,046 ME AND THIS OTHER KID -- 171 00:05:51,133 --> 00:05:53,178 HERE'S WHAT YOU DO. 172 00:05:53,265 --> 00:05:55,180 MAKE EYE CONTACT. 173 00:05:55,267 --> 00:05:56,181 IF THEY NOD, YOU NOD. 174 00:05:56,268 --> 00:05:57,487 DO WHAT THEY DO. 175 00:05:57,574 --> 00:05:58,967 IT MAKES THEM THINK YOU'RE LISTENING. 176 00:05:59,054 --> 00:06:00,447 THEN YOU LOOK THEM IN THE EYE 177 00:06:00,534 --> 00:06:01,796 AND TELL THEM YOU'RE SORRY. 178 00:06:01,883 --> 00:06:03,188 DON'T LOOK DOWN, ALL RIGHT? 179 00:06:03,275 --> 00:06:04,625 THAT'S A TELL THAT YOU'RE LYING. 180 00:06:04,712 --> 00:06:07,149 SWEET! 181 00:06:07,236 --> 00:06:08,716 THANKS. 182 00:06:08,803 --> 00:06:11,283 YOU DIDN'T HEAR THAT FROM ME. 183 00:06:11,371 --> 00:06:14,548 OH. EXCUSE ME. WESTERN POETRY? 184 00:06:14,635 --> 00:06:16,854 "I END NOT FAR FROM MY GOING FORTH 185 00:06:16,941 --> 00:06:19,204 BY PICKING THE FADED BLUE" -- FROST. 186 00:06:19,291 --> 00:06:20,467 EXCELLENT! 187 00:06:20,554 --> 00:06:21,946 MR. COOPER, YOU'RE IN THE WRONG PLACE. 188 00:06:22,033 --> 00:06:23,165 AT LEAST YOU WORE A JACKET. 189 00:06:23,252 --> 00:06:24,514 I THINK YOU GOT ME MIXED UP -- 190 00:06:24,601 --> 00:06:26,429 IF I HAD A SONG FOR EVERY SUBSTITUTE 191 00:06:26,516 --> 00:06:28,170 I HAD TO TRACK DOWN IN THESE HALLS, 192 00:06:28,257 --> 00:06:29,301 I'D BE ARETHA FRANKLIN. 193 00:06:29,389 --> 00:06:31,042 [ SIGHS ] 194 00:06:34,916 --> 00:06:37,788 UH, I NEED TO CALL MY SUPERVISOR -- 195 00:06:37,875 --> 00:06:39,573 BELL'S ABOUT TO RING, MR. COOPER. YOU'LL BE LATE. 196 00:06:39,660 --> 00:06:42,837 WHAT KIND OF AN EXAMPLE WOULD THAT SET? 197 00:06:42,924 --> 00:06:46,014 DON'T KNOW HOW YOU MAKE TEENAGERS CARE ABOUT READING. 198 00:06:46,101 --> 00:06:48,799 YOU JUST HAVE TO BE WILLING TO FOCUS ON THE WORK. 199 00:06:48,886 --> 00:06:50,018 SO, WHERE'S MY CLASS? 200 00:06:51,106 --> 00:06:52,542 THANKS. 201 00:07:09,037 --> 00:07:12,606 WE HAVE THREE GRAND MASTERS WHO WORK WITH OUR CHESS TEAM. 202 00:07:12,693 --> 00:07:14,825 PROBABLY A BETTER LIFE SKILL THAN FALCONRY. 203 00:07:14,912 --> 00:07:16,784 [ CHUCKLES ] ANDY. 204 00:07:16,871 --> 00:07:20,048 MEET PETER STONE. 205 00:07:20,135 --> 00:07:21,832 MR. STONE, MEET ANDY WOODS. 206 00:07:21,919 --> 00:07:23,312 PLEASED TO MEET YOU. 207 00:07:23,399 --> 00:07:25,445 PRESCOTT'S SHAPING UP TO BE THE NEXT FISCHER. 208 00:07:25,532 --> 00:07:27,055 THAT'S WHAT I LOVE ABOUT THIS SCHOOL -- 209 00:07:27,142 --> 00:07:29,144 THEY PUSH THE KIDS. 210 00:07:29,231 --> 00:07:32,930 WELL, I WILL LEAVE YOU TWO. 211 00:07:33,017 --> 00:07:36,281 MR. STONE, I HOPE TO SEE PETER JR. AT MANHATTAN PREP. 212 00:07:36,368 --> 00:07:38,632 THANK YOU. 213 00:07:38,719 --> 00:07:40,895 WELL, YOU KNOW WHAT THEY SAY -- 214 00:07:40,982 --> 00:07:42,984 PLAY THE MAN, NOT THE BOARD. 215 00:07:43,071 --> 00:07:44,333 NEVER PLAYED CHESS. 216 00:07:44,420 --> 00:07:46,640 GREW UP IN A ROUGH NEIGHBORHOOD, PUBLIC SCHOOLS, 217 00:07:46,727 --> 00:07:48,424 WORKED FOR EVERYTHING I HAVE. 218 00:07:48,511 --> 00:07:50,600 SO DID I. NOTHING WRONG WITH THAT. 219 00:07:50,687 --> 00:07:54,082 NO. BUT, UH, NOTHING'S BETTER THAN A SCHOOL WITH CONNECTIONS. 220 00:07:54,169 --> 00:07:55,649 IT'LL SET YOU UP FOR LIFE. 221 00:07:55,736 --> 00:07:57,085 THAT'S THIS PLACE. 222 00:07:57,172 --> 00:07:59,217 YOU HAVE A SON HERE? 223 00:07:59,304 --> 00:08:01,350 A DAUGHTER -- CHLOE. A JUNIOR. 224 00:08:01,437 --> 00:08:02,960 KEEPS ME ON MY TOES. 225 00:08:03,047 --> 00:08:05,485 YEAH, ALWAYS WONDERING WHAT THEY'RE UP TO NEXT. 226 00:08:05,572 --> 00:08:07,443 OH, YOUR SON'S A HANDFUL, TOO, HUH? 227 00:08:07,530 --> 00:08:10,141 HE'S VERY INTELLIGENT BUT IMPULSIVE. 228 00:08:10,228 --> 00:08:12,970 HIS MOVES TEND TO LAND HIM IN TROUBLE. 229 00:08:13,057 --> 00:08:15,756 THE BRIGHT ONES ALWAYS TRY TO BREAK THE RULES. 230 00:08:15,843 --> 00:08:17,845 WELL, I WANT TO GIVE HIM THE BEST SHOT AT LIFE. 231 00:08:17,932 --> 00:08:18,933 I KNOW IT'S GONNA COST ME. 232 00:08:20,543 --> 00:08:22,545 COME ON. 233 00:08:22,632 --> 00:08:26,549 ADAMS, BRING THE CAR AROUND WHILE I GIVE PETER A TOUR. 234 00:08:26,636 --> 00:08:29,726 SEND YOUR SON HERE. HE'LL FALL IN LINE. 235 00:08:29,813 --> 00:08:33,469 HE WON'T BE ABLE TO PULL ANYTHING AT MANHATTAN PREP. 236 00:08:35,645 --> 00:08:39,693 [ LAUGHTER, INDISTINCT CONVERSATIONS ] 237 00:08:39,780 --> 00:08:41,172 Man: DAMN IT, DAMN IT, DAMN IT, DAMN IT, DAMN IT! 238 00:08:41,259 --> 00:08:42,913 IS THIS MR. BROOKS' ENGLISH CLASS? 239 00:08:43,000 --> 00:08:44,088 I SLEPT THROUGH MY DAMN ALARM. 240 00:08:44,175 --> 00:08:46,787 YOU MUST BE MR. COOPER. 241 00:08:46,874 --> 00:08:48,353 AND THE TRAINS WERE DELAYED. 242 00:08:48,440 --> 00:08:50,051 DO YOU HAVE ANYTHING FOR A HEADACHE? 243 00:08:50,138 --> 00:08:52,749 NO. 244 00:08:52,836 --> 00:08:54,403 YOU GOT A LITTLE SOMETHING ON YOUR SHIRT THERE. 245 00:08:54,490 --> 00:08:56,710 YEAH. THEY'RE GONNA BE WATCHING THIS BABY, NOT ME. 246 00:08:56,797 --> 00:08:58,189 THAT'LL KILL AN HOUR. 247 00:08:58,276 --> 00:08:59,800 ACTUALLY, YOU COULD HAVE SLEPT IN, 248 00:08:59,887 --> 00:09:00,931 'CAUSE THERE'S BEEN A MIX-UP. 249 00:09:01,018 --> 00:09:02,063 I'M MR. BROOKS. 250 00:09:02,150 --> 00:09:04,021 MY VACATION'S NOT UNTIL NEXT WEEK. 251 00:09:04,108 --> 00:09:06,415 I'M SORRY YOU CAME ALL THIS WAY FOR NOTHING. 252 00:09:06,502 --> 00:09:07,764 IT AIN'T NO THING. 253 00:09:07,851 --> 00:09:09,200 THEY CALL ME -- THEY HAVE TO PAY ME, RIGHT? 254 00:09:09,287 --> 00:09:10,550 I'LL MAKE SURE OF IT. 255 00:09:10,637 --> 00:09:12,334 THIS DAY TURNED OUT ALL RIGHT. 256 00:09:14,423 --> 00:09:16,686 [ INDISTINCT CONVERSATIONS ] 257 00:09:29,177 --> 00:09:30,700 [ CONVERSATIONS STOP ] 258 00:09:30,787 --> 00:09:33,311 [ CHALK THUDS ] 259 00:09:33,398 --> 00:09:34,704 HI. I'M MR. COOPER. 260 00:09:34,791 --> 00:09:36,750 I'LL BE FILLING IN FOR MR. BROOKS. 261 00:09:36,837 --> 00:09:39,230 LET'S SEE. 262 00:09:39,317 --> 00:09:41,755 ALL RIGHT. ACCORDING TO THE LESSON PLAN, 263 00:09:41,842 --> 00:09:44,322 TODAY WE'LL BE CONTINUING WITH ROMANTIC POETRY. 264 00:09:44,409 --> 00:09:45,889 [ STUDENTS GROANING ] 265 00:09:45,976 --> 00:09:47,587 NO POETS IN THE CLASS? 266 00:09:47,674 --> 00:09:49,414 SCANSION'S LIKE MATH. 267 00:09:49,501 --> 00:09:52,635 MARKING THE LINES -- IT KILLS THE ROMANCE. 268 00:09:52,722 --> 00:09:55,420 CLOSE YOUR BOOKS. 269 00:09:55,507 --> 00:09:59,033 FORGET ABOUT STRUCTURE FOR A MINUTE. 270 00:09:59,120 --> 00:10:01,470 JUST LISTEN. 271 00:10:01,557 --> 00:10:04,081 SHE WALKS IN BEAUTY, 272 00:10:04,168 --> 00:10:08,303 LIKE THE NIGHT OF CLOUDLESS CLIMES AND STARRY SKIES 273 00:10:08,390 --> 00:10:10,697 AND ALL THAT'S BEST OF DARK AND BRIGHT 274 00:10:10,784 --> 00:10:12,655 MEET IN HER ASPECT AND HER EYES, 275 00:10:12,742 --> 00:10:14,831 THUS MELLOWED TO THAT TENDER LIGHT 276 00:10:14,918 --> 00:10:17,007 WHICH HEAVEN TO GAUDY DAY DENIES, 277 00:10:17,094 --> 00:10:19,619 ONE SHADE THE MORE, ONE RAY THE LESS, 278 00:10:19,706 --> 00:10:22,186 HAD HALF IMPAIRED THE NAMELESS GRACE 279 00:10:22,273 --> 00:10:25,015 THAT WAVES IN EVERY RAVEN TRESS 280 00:10:25,102 --> 00:10:28,105 OR SOFTLY LIGHTENS O'ER HER FACE. 281 00:10:30,804 --> 00:10:32,501 Peter: YOU'VE CHECKED IN TO ME. 282 00:10:32,588 --> 00:10:34,242 YOU KNOW WHAT I DO, WHAT I EARN, 283 00:10:34,329 --> 00:10:35,983 AND IF I DECIDE TO ENROLL MY SON, 284 00:10:36,070 --> 00:10:38,028 YOU'RE GONNA HIT ME UP FOR A DONATION. 285 00:10:38,115 --> 00:10:40,509 MIGHT HAVE BEEN A LITTLE MORE NUANCED, BUT, UH, YEAH. 286 00:10:40,596 --> 00:10:42,729 TUITION DOESN'T COVER ALL OF THIS. 287 00:10:42,816 --> 00:10:45,122 WE ASK PARENTS AND ALUMNI TO CONTRIBUTE. 288 00:10:45,209 --> 00:10:46,471 WHERE DOES THE MONEY GO? 289 00:10:46,558 --> 00:10:47,908 IT GETS SPREAD AROUND, 290 00:10:47,995 --> 00:10:49,997 BUT THE MAJORITY GOES INTO OUR ENDOWMENT FUND. 291 00:10:50,084 --> 00:10:51,607 I NEED SPECIFICS. 292 00:10:51,694 --> 00:10:55,219 DONORS TRUST US TO PUT THE MONEY WHERE IT'LL BE MOST USEFUL. 293 00:10:55,306 --> 00:10:57,047 I ALSO INVEST A PERCENTAGE. 294 00:10:57,134 --> 00:10:59,267 WE WANT OUR MONEY TO MAKE MONEY. 295 00:10:59,354 --> 00:11:01,661 YOU HAD TO HAVE TAKEN A HIT LATELY. 296 00:11:01,748 --> 00:11:04,620 EVERYBODY HAS, BUT WE'VE DONE BETTER THAN MOST. 297 00:11:04,707 --> 00:11:06,796 GET ME THE NUMBERS. I'LL THINK ABOUT IT. 298 00:11:10,234 --> 00:11:12,106 AH. [ CHUCKLES ] 299 00:11:12,193 --> 00:11:14,717 LONG TIME SINCE I'VE BEEN IN SHOP CLASS. 300 00:11:14,804 --> 00:11:16,240 I LOVE SHOP. 301 00:11:16,327 --> 00:11:19,417 SOMETHING SATISFYING ABOUT DOING THINGS WITH YOUR HANDS. 302 00:11:19,504 --> 00:11:21,028 PULLED THE CAR AROUND. 303 00:11:21,115 --> 00:11:22,856 [ DOOR CLOSES ] 304 00:11:22,943 --> 00:11:24,727 WHERE ARE YOU STAYING WHILE YOU'RE IN TOWN? 305 00:11:24,814 --> 00:11:27,208 THE FOUR SEASONS. I HAVE A SUITE.I KNOW. 306 00:11:27,295 --> 00:11:29,689 I ASKED THE HOTEL TO PUT A BOTTLE OF CHAMPAGNE 307 00:11:29,776 --> 00:11:30,777 IN YOUR SUITE. 308 00:11:30,864 --> 00:11:33,170 THEY TOLD ME YOU CHECKED IN... 309 00:11:33,257 --> 00:11:35,477 BUT THEY NEVER SAW YOU. 310 00:11:35,564 --> 00:11:38,001 AND THERE WERE NO BAGS IN THE ROOM. 311 00:11:38,088 --> 00:11:40,612 I DON'T SEE HOW THAT'S ANY OF YOUR BUSINESS. 312 00:11:40,700 --> 00:11:42,832 YOU LIE -- MAYBE YOUR SON LIES. 313 00:11:42,919 --> 00:11:46,401 AND THAT'S NOT THE KIND OF STUDENT WE WANT HERE. 314 00:11:46,488 --> 00:11:48,359 I'D LIKE AN EXPLANATION. 315 00:11:48,446 --> 00:11:49,970 [ EXHALES SHARPLY ] 316 00:11:51,928 --> 00:11:54,583 I CAME HERE WITHOUT MY WIFE, OKAY? 317 00:11:54,670 --> 00:11:58,239 DECIDED TO SPEND THE FIRST NIGHT IN TOWN WITH A FRIEND. 318 00:11:58,326 --> 00:12:00,458 SHE LIVES IN THE WEST VILLAGE. 319 00:12:00,545 --> 00:12:01,895 IF LINDA FOUND OUT, 320 00:12:01,982 --> 00:12:03,984 SHE'D MAKE ME PAY. 321 00:12:08,815 --> 00:12:12,601 HAPPENED WITH THE FIRST MRS. WOODS. 322 00:12:12,688 --> 00:12:15,082 EXPENSIVE MISTAKE. 323 00:12:15,169 --> 00:12:17,998 [ BOTH CHUCKLE ] 324 00:12:18,085 --> 00:12:19,869 NO. 325 00:12:22,872 --> 00:12:24,526 THANK YOU FOR THE TOUR. OH. 326 00:12:24,613 --> 00:12:27,790 YOU CAN SEND THOSE ENDOWMENT DOCUMENTS TO MY HOTEL. 327 00:12:27,877 --> 00:12:29,531 AND IF YOU'RE NOT THERE... 328 00:12:29,618 --> 00:12:31,098 I'LL KNOW WHY. 329 00:12:31,185 --> 00:12:33,274 [ LAUGHS ] 330 00:12:33,361 --> 00:12:35,232 YOU NEED ANYTHING ELSE, YOU LET ME KNOW. 331 00:12:35,319 --> 00:12:36,973 ALL RIGHT. 332 00:12:37,060 --> 00:12:39,019 YES, JEN. Jen: THE MAGIC HAND OF CHANCE -- KEATS. 333 00:12:39,106 --> 00:12:41,108 VERY GOOD. 334 00:12:41,195 --> 00:12:42,326 CHLOE. 335 00:12:42,413 --> 00:12:43,763 Chloe: WHAT'S IN A NAME? 336 00:12:43,850 --> 00:12:45,329 THAT WHICH WE CALL A ROSE, 337 00:12:45,416 --> 00:12:47,462 BY ANY OTHER NAME, WOULD SMELL AS SWEET. 338 00:12:47,549 --> 00:12:48,637 AH, THE BARD. 339 00:12:48,724 --> 00:12:49,986 NO ONE DID IT BETTER THAN SHAKESPEARE. 340 00:12:50,073 --> 00:12:51,553 I WENT TO ITALY WITH MY DAD. 341 00:12:51,640 --> 00:12:53,033 MADE HIM TAKE ME TO VERONA. 342 00:12:53,120 --> 00:12:54,730 "ROMEO AND JULIET" IS MY FAVORITE. 343 00:12:54,817 --> 00:12:57,385 TRAGIC ROMANCE. I KNOW IT WELL. 344 00:12:59,387 --> 00:13:04,653 LORD BYRON WAS DESCRIBED AS MAD, BAD, AND DANGEROUS TO KNOW. 345 00:13:04,740 --> 00:13:06,786 BUT HE SURE HAD A WAY WITH WORDS. 346 00:13:06,873 --> 00:13:09,049 DON'T MIND ME. 347 00:13:09,136 --> 00:13:11,660 I'M JUST HERE TO OBSERVE, TRY TO LEARN SOMETHING. 348 00:13:11,747 --> 00:13:14,402 OF COURSE. HAVE A SEAT. 349 00:13:14,489 --> 00:13:18,623 LORD BYRON WASN'T THE ONLY POET TO REBEL AGAINST CONVENTION. 350 00:13:18,710 --> 00:13:21,322 BUT SOME POETS HAD TO ANSWER TO SOMEONE, DIDN'T THEY? 351 00:13:21,409 --> 00:13:24,586 LIKE A PATRON WHO MADE THEIR CAREERS POSSIBLE? 352 00:13:24,673 --> 00:13:26,370 WE RAISE OUR HANDS IN CLASS. 353 00:13:29,504 --> 00:13:31,245 YES. 354 00:13:31,332 --> 00:13:34,465 WHAT IF SAID POET WORKED FOR A PATRON 355 00:13:34,552 --> 00:13:38,252 AND HIS POETRY WAS PERCEIVED AS INSUBORDINATE? 356 00:13:38,339 --> 00:13:41,081 WELL, MOST PATRONS RESPECTED THE POET'S PROCESS. 357 00:13:41,168 --> 00:13:44,214 STRAYING FROM THE COURSE WAS CONSIDERED ARTISTIC LICENSE. 358 00:13:44,301 --> 00:13:46,477 BUT WAS A WAYWARD POET EVER PUNISHED, 359 00:13:46,564 --> 00:13:50,830 SAY, BY BEING LOCKED IN A GARROTE SOMEWHERE? 360 00:13:50,917 --> 00:13:52,570 I'D HAVE TO DO SOME RESEARCH. 361 00:13:52,657 --> 00:13:54,137 [ SCHOOL BELL RINGS ] 362 00:13:54,224 --> 00:13:57,358 ALL RIGHT. I HUMBLY GIVE YOU LEAVE TO DEPART. 363 00:13:57,445 --> 00:13:59,839 MR...COOPER? 364 00:13:59,926 --> 00:14:01,623 I'LL NEED TO TALK TO YOU AFTER CLASS. 365 00:14:08,848 --> 00:14:10,806 I SAID SIT ON A BENCH, 366 00:14:10,893 --> 00:14:12,199 NOT REENACT "DEAD POETS SOCIETY." 367 00:14:12,286 --> 00:14:13,374 YOU SAID FOCUS ON WORK. 368 00:14:13,461 --> 00:14:14,766 I DID. I DID SAY THAT. 369 00:14:14,854 --> 00:14:16,812 I FOUND OUT WOODS' DAUGHTER WAS IN THE CLASS. 370 00:14:16,899 --> 00:14:18,379 IT SEEMED RELEVANT TO THE CASE. 371 00:14:18,466 --> 00:14:20,294 DO YOU KNOW HOW MANY PARENTS WOULD BE UP IN ARMS 372 00:14:20,381 --> 00:14:22,165 IF THEY KNEW THEIR TEENAGER WAS BEING TAUGHT BY A FELON? 373 00:14:22,252 --> 00:14:23,732 OH, TRUST ME. 374 00:14:23,819 --> 00:14:25,429 IT IS BETTER THAN BEING TAUGHT BY THE REAL MR. COOPER. 375 00:14:25,516 --> 00:14:27,344 WHILE YOU WERE SPOUTING BYRON, 376 00:14:27,431 --> 00:14:29,520 I WAS BEING INTIMIDATED BY WOODS. 377 00:14:29,607 --> 00:14:31,783 OH, HE'S MORE PARANOID THAN I THOUGHT. 378 00:14:31,871 --> 00:14:33,394 YEAH, BUT MY COVER'S SAFE. 379 00:14:33,481 --> 00:14:34,612 LOOK, I'M GONNA GO BACK TO THE OFFICE 380 00:14:34,699 --> 00:14:35,787 TO BREAK DOWN THOSE ENDOWMENT NUMBERS. 381 00:14:35,875 --> 00:14:36,658 YOU -- YOU'RE DONE FOR THE DAY. 382 00:14:36,745 --> 00:14:37,702 GO HOME. 383 00:14:37,789 --> 00:14:39,226 OH, GOOD. 384 00:14:39,313 --> 00:14:40,618 THAT'LL GIVE ME A CHANCE TO LOOK OVER THE SYLLABUS. 385 00:14:40,705 --> 00:14:41,576 TOMORROW, WE START ON DICKENS. 386 00:14:43,883 --> 00:14:46,537 SOMEONE HAS GREAT EXPECTATIONS. 387 00:14:51,847 --> 00:14:54,110 I SHOULD HAVE KNOWN OUR DARING RESCUE OF ELIZABETH 388 00:14:54,197 --> 00:14:56,286 WOULDN'T BUY LASTING GOODWILL WITH THE SUIT. 389 00:14:56,373 --> 00:14:58,027 IT'S PETER. HE CAN'T BE BOUGHT. 390 00:14:58,114 --> 00:15:00,073 NEAL, YOU KNOW WHAT THIS MEANS?YEAH. 391 00:15:00,160 --> 00:15:01,596 IF HE DOESN'T LET KELLER'S ADMISSION STAND, 392 00:15:01,683 --> 00:15:02,771 IT COMES BACK AT US. 393 00:15:02,858 --> 00:15:04,860 LIKE A DEPARTMENT OF JUSTICE BOOMERANG. 394 00:15:04,947 --> 00:15:06,818 RIGHT NOW, I CAN'T SEE THAT FAR AHEAD. 395 00:15:06,906 --> 00:15:09,082 ALL I CAN DO IS REMIND PETER THAT I AM AN ASSET, 396 00:15:09,169 --> 00:15:11,127 NOT A LIABILITY, STARTING WITH THIS CASE. 397 00:15:11,214 --> 00:15:14,957 A BATTLE WON CANCELS EVERY OTHER BAD ACTION? 398 00:15:15,044 --> 00:15:16,306 YEAH. LET'S HAVE A LOOK. 399 00:15:16,393 --> 00:15:17,917 OH, MANHATTAN PREP. 400 00:15:18,004 --> 00:15:20,310 SOMEONE STEALING LUNCH MONEY? 401 00:15:20,397 --> 00:15:21,398 WELL, KIND OF. 402 00:15:21,485 --> 00:15:22,486 WE'RE HELPING A SCHOLARSHIP STUDENT. 403 00:15:22,573 --> 00:15:24,358 THIS EVAN'S A CONCISE THINKER. 404 00:15:24,445 --> 00:15:26,142 A FLAIR FOR COLOR. 405 00:15:26,229 --> 00:15:28,449 A FACILITY WITH NUMBERS. 406 00:15:28,536 --> 00:15:29,972 AND A MASSIVE CRUSH ON THE DAUGHTER 407 00:15:30,059 --> 00:15:31,626 OF THE GUY EMBEZZLING FROM THE ENDOWMENT. 408 00:15:31,713 --> 00:15:33,454 OH, SO THE LOWLY COMMONER 409 00:15:33,541 --> 00:15:35,543 IS IN LOVE WITH THE DAUGHTER OF THE EVIL KING 410 00:15:35,630 --> 00:15:37,153 WHO'S TRYING TO DESTROY HIS LIFE? 411 00:15:37,240 --> 00:15:38,763 DOES HE HAVE A SHOT? 412 00:15:38,850 --> 00:15:41,201 HE MIGHT, IF SHE KNEW HE WAS ALIVE. 413 00:15:41,288 --> 00:15:42,767 DON'T TELL ME. 414 00:15:42,854 --> 00:15:46,902 YOU RODE INTO THE CLASSROOM ON YOUR WHITE STALLION. 415 00:15:46,989 --> 00:15:49,949 CHLOE IS A TEENAGE GIRL OBSESSED WITH "ROMEO AND JULIET." 416 00:15:50,036 --> 00:15:51,472 SHE'S IN LOVE WITH LOVE. 417 00:15:51,559 --> 00:15:54,344 SO ALL WE HAVE TO DO IS REDIRECT HER AFFECTION 418 00:15:54,431 --> 00:15:57,391 TOWARD A MORE DESERVING AND APPROPRIATE TARGET -- EVAN? 419 00:15:57,478 --> 00:15:59,219 YES. [ CELL PHONE CHIMES ] 420 00:16:00,872 --> 00:16:02,483 PETER'S GOT A LEAD ON THE CASE. 421 00:16:02,570 --> 00:16:04,224 I GOT TO MEET HIM AT THE OFFICE. 422 00:16:04,311 --> 00:16:06,748 I'M GONNA FINISH THIS BURGUNDY. 423 00:16:06,835 --> 00:16:08,924 I HAVE SOME THOUGHTS ON THIS. 424 00:16:09,011 --> 00:16:11,187 I TAKE IT YOU'LL BE PLAYING THE PART OF THE HELPFUL FRIAR 425 00:16:11,274 --> 00:16:12,928 WHO BRINGS THE STAR-CROSSED LOVERS TOGETHER? 426 00:16:13,015 --> 00:16:14,886 SANS VIAL OF POISON. 427 00:16:14,974 --> 00:16:16,540 GOOD. 428 00:16:23,069 --> 00:16:26,420 I'M DEVELOPING A THEORY ON HOW WOODS IS EMBEZZLING. 429 00:16:26,507 --> 00:16:29,858 INVESTMENTS ARE THE ONLY ELEMENT HE HAS COMPLETE CONTROL OVER. 430 00:16:29,945 --> 00:16:31,425 YEAH, OVERHEAD, SALARIES -- 431 00:16:31,512 --> 00:16:33,470 ALL THE REST CAN BE ACCOUNTED FOR. 432 00:16:33,557 --> 00:16:35,733 IF WOODS IS INVESTING THE WAY HE SAYS HE IS, 433 00:16:35,820 --> 00:16:37,431 THE ENDOWMENT SHOULD BE HIGHER. 434 00:16:37,518 --> 00:16:40,042 MAYBE IT IS. WOODS MANAGES THE ACCOUNT. 435 00:16:40,129 --> 00:16:42,958 THE SCHOOL ONLY SEES THE NUMBERS HE GIVES THEM. 436 00:16:43,045 --> 00:16:45,265 A FIXED PERCENTAGE OF THE ENDOWMENT IS SCHOLARSHIPS. 437 00:16:45,352 --> 00:16:47,528 IF HE'S UNDER-REPORTING, THAT EXPLAINS WHY THEY'RE DOWN. 438 00:16:47,615 --> 00:16:50,922 YEAH. LIKE EVAN'S. 439 00:16:51,010 --> 00:16:53,055 GRAHAM SLATER IS THE SCHOOL'S HEADMASTER. 440 00:16:53,142 --> 00:16:54,926 IF WOODS IS DOING WHAT WE THINK HE IS, 441 00:16:55,014 --> 00:16:56,667 SLATER HAS TO BE COMPLICIT. 442 00:16:56,754 --> 00:16:59,148 SLATER'S OBVIOUSLY OUR WAY IN. 443 00:16:59,235 --> 00:17:00,802 WHICH IS WHY YOU'RE GOING BACK TO MANHATTAN PREP TOMORROW. 444 00:17:00,889 --> 00:17:02,934 REALLY? 445 00:17:03,022 --> 00:17:04,675 I'M SENDING YOU BACK IN FOR THE GOOD OF THE CASE, 446 00:17:04,762 --> 00:17:06,373 NOT REWARDING YOU BECAUSE YOU TOOK MATTERS INTO YOUR OWN HANDS. 447 00:17:06,460 --> 00:17:08,201 I KNOW. 448 00:17:08,288 --> 00:17:10,116 FROM NOW ON, I MAKE THE LESSON PLAN. 449 00:17:10,203 --> 00:17:11,682 IF YOU'RE SMART, YOU'LL FOLLOW IT. 450 00:17:17,123 --> 00:17:19,081 Peter: I WALK IN THE CLASSROOM, 451 00:17:19,168 --> 00:17:21,779 AND THE GIRLS WERE ALL GLASSY-EYED, 452 00:17:21,866 --> 00:17:25,305 LIKE THEY SAW THAT KID FROM THOSE VAMPIRE MOVIES. 453 00:17:25,392 --> 00:17:26,784 YOU KNOW, I BET YOU NEAL WOULD BE A GOOD TEACHER. 454 00:17:26,871 --> 00:17:28,699 WHICH WILL VALIDATE HIM EVEN MORE. 455 00:17:28,786 --> 00:17:30,353 WHAT DO YOU MEAN? 456 00:17:30,440 --> 00:17:31,702 IT'S A PATTERN. 457 00:17:31,789 --> 00:17:33,443 NEAL MISBEHAVES, BUT BECAUSE HE'S NEAL, 458 00:17:33,530 --> 00:17:35,228 HE DOESN'T FACE THE CONSEQUENCES, 459 00:17:35,315 --> 00:17:36,968 AND HE GETS A GOLD STAR FOR IT. 460 00:17:37,056 --> 00:17:38,840 THIS IS BIGGER THAN THIS CASE. 461 00:17:38,927 --> 00:17:40,842 [ SIGHS ] 462 00:17:40,929 --> 00:17:44,019 I HAVE TO GO ON RECORD NEXT WEEK 463 00:17:44,106 --> 00:17:45,586 ABOUT WHAT HAPPENED WITH KELLER. 464 00:17:45,673 --> 00:17:47,501 OH. 465 00:17:47,588 --> 00:17:49,503 HONEY, IF YOU DON'T WANT TO TALK ABOUT IT, WE DON'T HAVE TO. 466 00:17:49,590 --> 00:17:53,855 I AM SAFE AND SOUND ON THIS PATIO WITH YOU. 467 00:17:53,942 --> 00:17:55,770 I AM OKAY TO TALK ABOUT KELLER. 468 00:17:55,857 --> 00:17:57,119 WHAT'S GOING ON? 469 00:17:57,206 --> 00:17:58,555 ONLY YOU AND I 470 00:17:58,642 --> 00:18:01,993 KNOW THAT NEAL WAS INVOLVED WITH THE ART THEFT. 471 00:18:02,081 --> 00:18:05,171 THERE'S NO TRAIL THAT LEADS BACK TO HIM. 472 00:18:05,258 --> 00:18:06,476 AND KELLER CONFESSED TO STEALING IT. 473 00:18:06,563 --> 00:18:08,348 IF I SIGN OFF ON THIS CASE, 474 00:18:08,435 --> 00:18:10,915 THE ART GOES BACK TO WHERE IT BELONGS, 475 00:18:11,002 --> 00:18:13,135 KELLER SERVES LIFE IN PRISON, 476 00:18:13,222 --> 00:18:15,529 AND I'M A HERO FOR TAKING HIM DOWN. 477 00:18:15,616 --> 00:18:17,487 BUT NEAL GETS AWAY WITH IT. 478 00:18:17,574 --> 00:18:19,010 YEAH. 479 00:18:19,098 --> 00:18:20,447 HE HAD THE TREASURE, AND HE DIDN'T LEAVE. 480 00:18:20,534 --> 00:18:21,926 HE GAVE IT UP FOR US. 481 00:18:22,013 --> 00:18:24,451 I THINK THAT SAYS A LOT ABOUT HIS CHARACTER. 482 00:18:24,538 --> 00:18:25,930 HE HAD THE TREASURE. 483 00:18:26,017 --> 00:18:28,281 THATSAYS A LOT ABOUT HIS CHARACTER. 484 00:18:28,368 --> 00:18:31,545 IF YOU ASK ME, THE RIGHT MAN IS BEHIND BARS. 485 00:18:35,244 --> 00:18:37,377 Neal: YOU CAN DROP ME OFF AT RIVERSIDE. 486 00:18:37,464 --> 00:18:39,422 YOU'RE EMBARRASSED TO BE SEEN WITH ME. 487 00:18:39,509 --> 00:18:41,381 THERE YOU GO. 488 00:18:41,468 --> 00:18:43,557 PETER, WE'RE 10 BLOCKS FROM THE SCHOOL. 489 00:18:43,644 --> 00:18:45,298 I KNOW, BUT YOUR COVER'S SAFE. 490 00:18:45,385 --> 00:18:46,342 BETTER WALK FAST. 491 00:18:46,429 --> 00:18:47,735 YES. YES, I WILL, 492 00:18:47,822 --> 00:18:49,737 BECAUSE I AM A BRIGHT-EYED YOUNG SUBSTITUTE TEACHER 493 00:18:49,824 --> 00:18:50,955 GETTING A JUMP ON HIS DAY. 494 00:18:51,042 --> 00:18:52,479 WHEN I GET THERE, 495 00:18:52,566 --> 00:18:54,829 I'LL ASK TO SEE SLATER WITH QUESTIONS ABOUT TUITION 496 00:18:54,916 --> 00:18:56,744 TO GET HIM OUT OF HIS OFFICE. 497 00:18:56,831 --> 00:18:58,876 WHICH IS WHEN I GO IN AND LOOK FOR DETAILS ABOUT THE ENDOWMENT. 498 00:18:58,963 --> 00:19:00,617 I'LL BE IN MY CLASS BY THE TIME THE FIRST BELL RINGS. 499 00:19:00,704 --> 00:19:03,272 TEXTBOOK BEHAVIOR, NEAL. I MEAN IT. 500 00:19:03,359 --> 00:19:04,839 YOU COULDN'T HELP YOURSELF. NOPE. 501 00:19:11,193 --> 00:19:13,239 PETER, SLATER'S LEAVING HIS OFFICE. 502 00:19:13,326 --> 00:19:14,762 PETER: I'm on my way in. 503 00:19:14,849 --> 00:19:16,938 I'LL INTERCEPT HIM AND KEEP HIM AWAY WHILE YOU SEARCH. 504 00:19:20,550 --> 00:19:23,249 HE JUST HID AN ENVELOPE IN HIS JACKET. 505 00:19:23,336 --> 00:19:24,859 I'm gonna tail him. 506 00:19:24,946 --> 00:19:26,600 YOU DON'T HAVE MUCH TIME. 507 00:19:47,534 --> 00:19:50,276 ALL RIGHT, HE JUST PUT THE ENVELOPE IN A LOCKER. 508 00:19:50,363 --> 00:19:51,625 CAN YOU TELL WHOSE IT IS? 509 00:19:52,974 --> 00:19:55,237 NO, NOT FROM HERE. 510 00:19:55,324 --> 00:19:57,196 I COULD BREAK IN.[ SCHOOL BELL RINGS ] 511 00:19:59,459 --> 00:20:02,679 CLASS IS ABOUT TO START. 512 00:20:02,766 --> 00:20:04,420 THE KIDS ARE ALL GOING FOR THEIR LOCKERS. 513 00:20:04,507 --> 00:20:07,075 SOMEBODY PICKS UP THAT TEXTBOOK, WE LOSE THE ENVELOPE. 514 00:20:07,162 --> 00:20:08,772 WELL, IF WE COULD CLEAR OUT THE HALLWAY... 515 00:20:12,733 --> 00:20:14,778 I HAVE AN IDEA. 516 00:20:21,176 --> 00:20:24,701 [ ALARM RINGING ] 517 00:20:27,661 --> 00:20:28,966 DID YOU JUST...? 518 00:20:29,053 --> 00:20:30,185 YEAH, JUST GET IN THE DAMN LOCKER. 519 00:20:38,193 --> 00:20:39,847 [ ALARM RINGING ] 520 00:20:39,934 --> 00:20:41,718 LET'S GO. GET A MOVE ON. 521 00:20:41,805 --> 00:20:44,591 LET'S GO. COME ON. TO THE QUAD. 522 00:20:44,678 --> 00:20:45,809 OKAY, EVERYBODY. 523 00:20:45,896 --> 00:20:47,681 OKAY. LINE UP. 524 00:20:49,465 --> 00:20:51,685 ISN'T PULLING A FIRE ALARM ILLEGAL? 525 00:20:51,772 --> 00:20:53,556 SO SEND ME TO THE PRINCIPAL'S OFFICE. 526 00:21:02,348 --> 00:21:03,740 [ RINGING STOPS ] 527 00:21:03,827 --> 00:21:06,265 PETER, THIS IS CHLOE WOODS' LOCKER. 528 00:21:10,051 --> 00:21:12,880 HE PUT THE ENVELOPE IN THE BACK OF HER CALCULUS BOOK. 529 00:21:12,967 --> 00:21:14,185 Find out what's inside 530 00:21:14,273 --> 00:21:16,840 AND MEET ME IN THE QUAD. 531 00:21:19,278 --> 00:21:21,541 [ CAMERA SHUTTER CLICKS ] 532 00:21:21,628 --> 00:21:23,717 HERE. 533 00:21:23,804 --> 00:21:25,066 OOH, CAREFUL, PAPA SMURF. 534 00:21:25,153 --> 00:21:26,894 VERY FUNNY. GIVE ME THE PHONE. 535 00:21:26,981 --> 00:21:29,505 THIS IS A QUARTERLY REPORT FOR THE SCHOOL'S FINANCES. 536 00:21:29,592 --> 00:21:32,160 SLATER'S SENDING IT TO WOODS VIA CHLOE'S BOOKS 537 00:21:32,247 --> 00:21:33,727 SO THERE'S NO ELECTRONIC TRAIL. 538 00:21:33,814 --> 00:21:35,729 IT'S SMART.IT'S DATED NEXT WEEK. 539 00:21:35,816 --> 00:21:37,296 THIS IS WHAT'S GOING TO THE BOARD. 540 00:21:37,383 --> 00:21:39,036 YEAH, WOODS GETS AN EARLY LOOK AT IT... 541 00:21:39,123 --> 00:21:41,169 SO HE CAN SEE HOW MUCH MONEY HE CAN SIPHON FROM THE ENDOWMENT. 542 00:21:41,256 --> 00:21:42,475 WE NEED TO GET A LOOK 543 00:21:42,562 --> 00:21:44,433 AT WOODS' PERSONAL ACCOUNTS TO PROVE IT. 544 00:21:44,520 --> 00:21:46,130 [ LAUGHING ]Peter, Peter. 545 00:21:46,217 --> 00:21:47,828 [ CLEARS THROAT ] 546 00:21:47,915 --> 00:21:48,959 HI, MR. COOPER. 547 00:21:49,046 --> 00:21:50,178 HELLO, CHLOE. 548 00:21:50,265 --> 00:21:53,181 UM, I WAS WONDERING 549 00:21:53,268 --> 00:21:54,617 IF YOU EVER DID HOME TUTORING. 550 00:21:54,704 --> 00:21:56,402 WE'RE ABOUT TO START "A TALE OF TWO CITIES," 551 00:21:56,489 --> 00:21:57,794 AND I WOULD LOVE IT IF -- 552 00:21:57,881 --> 00:22:00,101 OH, WELL, LISTEN, I-I'M JUST HERE TEMPORARILY. 553 00:22:00,188 --> 00:22:01,276 BUT I'M SURE WE COULD WORK SOMETHING OUT. 554 00:22:01,363 --> 00:22:02,321 REALLY? YES. 555 00:22:02,408 --> 00:22:03,365 YOU COULD COME OVER? 556 00:22:03,452 --> 00:22:05,672 AS LONG AS YOUR DAD'S HOME. 557 00:22:05,759 --> 00:22:07,282 YEAH. UM, TOMORROW AFTERNOON? OKAY. 558 00:22:08,370 --> 00:22:09,415 YOU KNOW WHAT? 559 00:22:09,502 --> 00:22:10,720 WE SHOULD INVITE EVAN. 560 00:22:10,807 --> 00:22:11,895 WHO? EVAN. 561 00:22:11,982 --> 00:22:13,462 YOU KNOW EVAN? 562 00:22:13,549 --> 00:22:16,770 EVAN, THIS IS CHLOE. CHLOE, EVAN. 563 00:22:16,857 --> 00:22:18,772 WE'RE MEETING AT CHLOE'S FOR A TUTORING SESSION TOMORROW. 564 00:22:18,859 --> 00:22:19,903 YEAH. SEE YOU THEN.SEE YOU THEN. 565 00:22:19,990 --> 00:22:21,252 [ GIRLS GIGGLING ] 566 00:22:21,340 --> 00:22:22,993 WE'RE GOING TO HER PLACE? 567 00:22:23,080 --> 00:22:25,082 EVAN, YOU'RE GONNA BE FINE. TRUST ME. 568 00:22:25,169 --> 00:22:26,606 I'LL SEE YOU IN CLASS. 569 00:22:30,914 --> 00:22:32,568 WE'LL HAVE TO GET A NO-KNOCK WARRANT 570 00:22:32,655 --> 00:22:33,613 TO SEARCH WOODS' HOME. 571 00:22:33,700 --> 00:22:35,179 IT'S A PERFECT OPPORTUNITY 572 00:22:35,266 --> 00:22:37,921 TO GET INTO HIS OFFICE AND FIND THOSE ACCOUNTS. 573 00:22:38,008 --> 00:22:40,141 YEAH, GOOD THING I'LL HAVE AN HONOR-ROLL STUDENT FOR BACKUP. 574 00:22:40,228 --> 00:22:41,577 YEAH, I HEARD. WHY DID YOU INVITE EVAN? 575 00:22:41,664 --> 00:22:42,970 BECAUSE WOODS MIGHT BE MORE INCLINED TO LEAVE US ALONE 576 00:22:43,057 --> 00:22:44,232 IF THERE'S ANOTHER KID THERE. 577 00:22:44,319 --> 00:22:47,583 AND BECAUSE EVAN'S IN LOVE WITH CHLOE. 578 00:22:47,670 --> 00:22:49,890 AH. WHICH MAY HELP DEFLECT HER AMOROUS DESIGNS ON YOU. 579 00:22:49,977 --> 00:22:52,632 ONE CAN HOPE. 580 00:22:52,719 --> 00:22:54,329 I FELT THE SAME WAY ABOUT MRS. FITZGERALD, 581 00:22:54,416 --> 00:22:55,591 MY ALGEBRA TEACHER. 582 00:22:55,678 --> 00:22:57,593 THUS YOUR LIFELONG FASCINATION WITH NUMBERS. 583 00:22:57,680 --> 00:22:59,682 AND SMART, LEGGY BRUNETTES. 584 00:23:06,472 --> 00:23:08,474 I LOOKED OVER THE ENDOWMENT BREAKDOWN, MR. WOODS. 585 00:23:08,561 --> 00:23:10,127 IT'S VERY SOLID. 586 00:23:10,214 --> 00:23:13,304 I DO HAVE SOME FINAL QUESTIONS I'D LIKE TO GO OVER IN PERSON. 587 00:23:13,392 --> 00:23:15,176 ARE YOU FREE TOMORROW EVENING? 588 00:23:15,263 --> 00:23:17,221 UNFORTUNATELY, I'M STUCK AT HOME. 589 00:23:17,308 --> 00:23:19,398 MY DAUGHTER HAS A TUTOR COMING OVER. 590 00:23:19,485 --> 00:23:20,877 TELL YOU WHAT -- I COULD COME TO YOU. 591 00:23:20,964 --> 00:23:23,271 MY GIRLFRIEND'S COOKING ME DINNER. 592 00:23:23,358 --> 00:23:24,707 I'LL BE IN THE DOGHOUSE 593 00:23:24,794 --> 00:23:26,579 IF I TURN IT INTO A BUSINESS MEETING. 594 00:23:26,666 --> 00:23:28,711 UNLESS YOU BRING YOURS. 595 00:23:28,798 --> 00:23:30,757 MY...GIRLFRIEND? 596 00:23:30,844 --> 00:23:32,236 I insist. 597 00:23:32,323 --> 00:23:33,499 What's her name? 598 00:23:36,066 --> 00:23:38,112 IT'S DANIELLE. 599 00:23:38,199 --> 00:23:39,505 Oh. 600 00:23:39,592 --> 00:23:41,550 YOU'RE TOGETHER? 601 00:23:41,637 --> 00:23:43,160 RIGHT NOW? 602 00:23:43,247 --> 00:23:44,727 WHOA. 603 00:23:44,814 --> 00:23:46,468 Mr. Stone... 604 00:23:46,555 --> 00:23:48,252 DANIELLE, 605 00:23:48,339 --> 00:23:50,820 I'LL SEE YOU AT MY PLACE AT 5:00. 606 00:23:50,907 --> 00:23:53,083 WONDERFUL. WE'LL SEE YOU THEN. 607 00:23:53,170 --> 00:23:55,390 SO, WHAT'S THIS GIRLFRIEND BUSINESS? 608 00:23:55,477 --> 00:23:57,479 WHAT WOULD JUNIOR SAY?Peter: CUTE. 609 00:23:57,566 --> 00:23:59,176 LET'S JUST FOCUS ON THE PLAN. JONES. 610 00:23:59,263 --> 00:24:02,049 THIS IS WOODS' APARTMENT. 611 00:24:02,136 --> 00:24:03,833 HIS OFFICE IS ON THE SECOND FLOOR. 612 00:24:03,920 --> 00:24:05,792 Neal: ALL RIGHT, I'LL BE GOING AFTER HIS DESKTOP. 613 00:24:05,879 --> 00:24:07,358 THAT'S RIGHT. 614 00:24:07,446 --> 00:24:08,838 YOU'LL COPY THE HARD DRIVE WITH THIS PORTABLE CLONER. 615 00:24:08,925 --> 00:24:10,492 PROBLEM IS, HIS OFFICE IS WIRED 616 00:24:10,579 --> 00:24:12,320 WITH A STATE-OF-THE-ART CATIC SENSOR. 617 00:24:12,407 --> 00:24:13,930 YEAH, WELL, THE WHOLE APARTMENT IS. 618 00:24:14,017 --> 00:24:15,845 I MEAN, THE GUY IS WORKING WITH THE JUAREZ CARTEL 619 00:24:15,932 --> 00:24:16,890 AND RUNNING A SCAM ON THE SIDE. 620 00:24:16,977 --> 00:24:18,195 I'D BE PARANOID, TOO. 621 00:24:18,282 --> 00:24:19,893 WE'LL NEED TO CIRCUMVENT THE MAIN PANEL 622 00:24:19,980 --> 00:24:21,068 TO SHUT OFF THE ALARM. 623 00:24:21,155 --> 00:24:22,722 OR GET WOODS TO SHUT IT OFF FOR US. 624 00:24:22,809 --> 00:24:25,725 Peter: WHILE YOU ENTER THE OFFICE, 625 00:24:25,812 --> 00:24:29,032 I'LL ACCIDENTALLY OPEN THATDOOR. 626 00:24:29,119 --> 00:24:31,034 YEAH, IF WOODS THINKS YOU SET OFF THE ALARM BY MISTAKE, 627 00:24:31,121 --> 00:24:32,209 HE'LL DEACTIVATE IT. 628 00:24:32,296 --> 00:24:35,343 WE DO THIS AT 6:00 P.M. ON THE DOT. 629 00:24:35,430 --> 00:24:38,389 TARDINESS WILL GET ME MORE THAN A DEMERIT ON THIS ONE. 630 00:24:38,477 --> 00:24:40,914 IF WE'RE OFF BY A SECOND, WOODS WILL KNOW. 631 00:24:43,743 --> 00:24:45,658 NOT BAD FOR BIG BROTHER. 632 00:24:45,745 --> 00:24:47,311 YOU'RE ADMIRING GOVERNMENT TECH? 633 00:24:47,398 --> 00:24:49,879 NO, I-I'M, UH, I'M PITYING IT. 634 00:24:49,966 --> 00:24:51,272 IT'S TERRIBLY UNWIELDY. 635 00:24:51,359 --> 00:24:53,317 I'LL TRY NOT TO LET IT WEIGH ME DOWN. 636 00:24:53,404 --> 00:24:54,710 [ KNOCK ON DOOR ] 637 00:24:54,797 --> 00:24:56,451 WILL YOU GET THAT? 638 00:24:59,193 --> 00:25:00,803 UH, NEAL -- CODE RED. 639 00:25:00,890 --> 00:25:04,067 EVAN, RIGHT ON TIME FOR OUR PRE-TUTORING SESSION. 640 00:25:04,154 --> 00:25:05,591 THIS IS MY ASSOCIATE. 641 00:25:05,678 --> 00:25:07,418 UH, MR. MAGWITCH. YES. 642 00:25:07,506 --> 00:25:11,118 UH, WE'RE GONNA BE ACTING AS YOUR BENEFACTORS. 643 00:25:11,205 --> 00:25:12,772 WHAT EXACTLY WILL YOU BE GIVING ME? 644 00:25:12,859 --> 00:25:14,382 WELL, NEAL IS MORE OF A ROMANTIC, 645 00:25:14,469 --> 00:25:17,341 AND I'M A MACHIAVELLIAN PUPPET MASTER, 646 00:25:17,428 --> 00:25:20,475 SO WHAT WE'RE GONNA BE GIVING YOU IS...GAME. 647 00:25:21,998 --> 00:25:23,260 TO GET THE GIRL. 648 00:25:23,347 --> 00:25:25,611 YOU TOLD HIM ABOUT CHLOE? 649 00:25:25,698 --> 00:25:27,700 THIS TUTORING SESSION IS BASICALLY A FIRST DATE. 650 00:25:27,787 --> 00:25:28,788 YOU GOT TO BE PREPARED. 651 00:25:28,875 --> 00:25:30,354 IT'S NOT A FIRST DATE. 652 00:25:30,441 --> 00:25:33,488 IT'S A TUTORING SESSION FOR "A TALE OF TWO CITIES." 653 00:25:33,575 --> 00:25:36,926 [ LAUGHS ] DO YOU HAVE ANY IDEA HOW MANY WOMEN I'VE WOOED 654 00:25:37,013 --> 00:25:40,887 BY USING AN APROPOS QUOTE FROM VICTORIAN LITERATURE? 655 00:25:40,974 --> 00:25:42,497 REALLY? HOW MANY? 656 00:25:44,194 --> 00:25:48,198 NOW, WHY ARE YOU WEARING A CARDIGAN ANDA SWEATER? 657 00:25:48,285 --> 00:25:49,939 UM, I DON'T KNOW. I JUST -- 658 00:25:50,026 --> 00:25:51,811 I DON'T REALLY KNOW WHAT TO WEAR 659 00:25:51,898 --> 00:25:53,856 WHEN I'M OUTSIDE MY SCHOOL UNIFORM. 660 00:25:53,943 --> 00:25:55,205 THAT'S ALL RIGHT. 661 00:25:55,292 --> 00:25:57,294 LET'S FOCUS MORE ON HOW YOU WEAR IT, ALL RIGHT? 662 00:25:57,381 --> 00:25:59,601 UH, LOSE THE CARDIGAN/SWEATER COMBO. 663 00:25:59,688 --> 00:26:01,211 [ CLEARS THROAT ] 664 00:26:01,298 --> 00:26:04,040 AND, FOR HOLDEN CAULFIELD'S SAKE, 665 00:26:04,127 --> 00:26:05,781 WILL YOU UNBUTTON THE SHIRT? 666 00:26:05,868 --> 00:26:07,261 YEAH, JUST LOOSEN IT UP. 667 00:26:07,348 --> 00:26:10,046 YOU NEED AN AIR OF MYSTERY ABOUT YOU, OKAY? 668 00:26:10,133 --> 00:26:11,787 SMILE LIKE YOU GOT YOUR OWN THING GOING ON. 669 00:26:11,874 --> 00:26:12,919 SHE'LL WONDER WHAT IT IS. 670 00:26:13,006 --> 00:26:14,268 YEAH, AND HAIR GEL. 671 00:26:14,355 --> 00:26:16,009 I'VE HEARD GREAT THINGS. 672 00:26:16,096 --> 00:26:17,837 I THINK OUR WORK HERE IS DONE. 673 00:26:17,924 --> 00:26:20,361 CARPE DIEM, EVAN. CARPE DIEM. 674 00:26:26,715 --> 00:26:28,499 MR. WOODS, HI. I'M MR. COOPER. 675 00:26:28,587 --> 00:26:30,023 AND THIS IS EVAN LEARY. 676 00:26:30,110 --> 00:26:32,373 WE'RE HERE FOR CHLOE'S TUTORING SESSION. 677 00:26:32,460 --> 00:26:34,201 YOU'RE THE TEACHER?YEAH. 678 00:26:34,288 --> 00:26:37,291 MY DAUGHTER DIDN'T DESCRIBE YOU AS BEING SO, UH... 679 00:26:37,378 --> 00:26:38,988 SO BOOKISH? 680 00:26:39,075 --> 00:26:40,773 SO SYMMETRICAL. 681 00:26:40,860 --> 00:26:42,905 DON'T KNOW WHAT TO MAKE OF YOU. 682 00:26:42,992 --> 00:26:47,170 LET'S TALK HOUSE RULES. [ SIGHS ] 683 00:26:47,257 --> 00:26:50,173 YOU'LL STAY IN THIS ROOM. NO WANDERING. 684 00:26:50,260 --> 00:26:52,654 YOU'VE GOT ONE HOUR. UNDERSTOOD? 685 00:26:52,741 --> 00:26:54,177 UNDERSTOOD. 686 00:26:54,264 --> 00:26:56,005 DAD? I THINK YOU CAN GO NOW. 687 00:26:56,092 --> 00:26:57,572 WE'RE TALKING LESSON PLANS. 688 00:26:57,659 --> 00:26:58,617 HEY, CHLOE. 689 00:26:58,704 --> 00:26:59,792 HEY.[ DOORBELL RINGS ] 690 00:26:59,879 --> 00:27:02,055 SOUNDS LIKE MY DINNER GUESTS HAVE ARRIVED. 691 00:27:02,142 --> 00:27:04,187 I'LL LEAVE YOU TO YOUR STUDIES. 692 00:27:04,274 --> 00:27:07,060 THAT MEANS NO PHONE, CHLOE. 693 00:27:07,147 --> 00:27:09,628 AND YOU -- 694 00:27:09,715 --> 00:27:11,630 EYES ON YOUR BOOKS. 695 00:27:14,589 --> 00:27:17,244 "TALE OF TWO CITIES." 696 00:27:17,331 --> 00:27:19,115 "IT WAS THE BEST OF TIMES." 697 00:27:21,117 --> 00:27:24,077 "IT WAS THE WORST OF TIMES." 698 00:27:24,164 --> 00:27:26,819 I'D LIKE TO MAKE SURE MY DONATION IS SPENT 699 00:27:26,906 --> 00:27:28,298 ON SOMETHING USEFUL, 700 00:27:28,385 --> 00:27:31,650 LIKE SCHOLARSHIPS RATHER THAN A NEW POOL. 701 00:27:31,737 --> 00:27:32,999 Andy: I CAN SEE TO THAT. 702 00:27:33,086 --> 00:27:34,043 DANIELLE... 703 00:27:34,130 --> 00:27:35,958 HOW'S THE FOOD? 704 00:27:36,045 --> 00:27:37,220 OH, IT'S YUMMY. 705 00:27:37,307 --> 00:27:39,092 REMINDS ME OF A MEAL PETER AND I HAD IN ASPEN. 706 00:27:39,179 --> 00:27:40,484 OH, YEAH. THANK YOU AGAIN. 707 00:27:40,571 --> 00:27:42,138 SUCH A PLEASURE TO MEET YOU, AMBER. 708 00:27:42,225 --> 00:27:44,097 Amber: I LOVEASPEN... 709 00:27:44,184 --> 00:27:46,621 EXCEPT FOR THE SNOW. 710 00:27:48,797 --> 00:27:50,799 Chloe: OH, IT'S OKAY IF THIS GOES LONGER THAN AN HOUR. 711 00:27:50,886 --> 00:27:53,323 DON'T WORRY ABOUT MY DAD.OH, I'M NOT. 712 00:27:53,410 --> 00:27:55,586 EVAN WAS JUST TELLING US SOMETHING INTERESTING 713 00:27:55,674 --> 00:27:56,849 ABOUT "BOOK THE SECOND." 714 00:27:56,936 --> 00:27:58,677 YEAH, UM... 715 00:27:58,764 --> 00:28:00,243 IT WAS JUST ABOUT THE BRITISH SPIES, 716 00:28:00,330 --> 00:28:02,289 BASARD AND CLAY, AND THEY'RE...[ CELL PHONE RINGS ] 717 00:28:02,376 --> 00:28:03,899 TWO SECONDS. PROMISE. 718 00:28:03,986 --> 00:28:05,466 TAKE YOUR TIME. 719 00:28:05,553 --> 00:28:06,946 HELLO? 720 00:28:07,033 --> 00:28:09,775 YEAH, HE'S HERE. I KNOW. 721 00:28:11,385 --> 00:28:13,169 ALL RIGHT, I'M GONNA STEP OUT, ALL RIGHT? 722 00:28:13,256 --> 00:28:14,823 I NEED YOU TO KEEP CHLOE OCCUPIED. 723 00:28:14,910 --> 00:28:16,520 HOW AM I SUPPOSED TO DO THAT? 724 00:28:16,607 --> 00:28:18,348 SHE'S ACTING LIKE I'M INVISIBLE. 725 00:28:18,435 --> 00:28:20,699 EVAN, IT'S TIME TO TAKE ACTION. ALL RIGHT? 726 00:28:20,786 --> 00:28:22,135 [ LAUGHTER ] 727 00:28:22,222 --> 00:28:23,789 OH, YOU TWO ARE FANTASTIC HOSTS. 728 00:28:23,876 --> 00:28:26,182 NOW, AS FOR YOU... 729 00:28:26,269 --> 00:28:27,923 is that my door? 730 00:28:28,010 --> 00:28:29,359 [ DIANA LAUGHS ] 731 00:28:29,446 --> 00:28:30,534 CALL ME "LINDA." 732 00:28:30,621 --> 00:28:32,406 [ BOTH LAUGH ] 733 00:28:32,493 --> 00:28:33,537 CAN'T DO THAT HERE, LINDA. 734 00:28:33,624 --> 00:28:35,017 BACK TO BUSINESS. 735 00:28:35,104 --> 00:28:36,497 LINDA? 736 00:28:36,584 --> 00:28:37,759 AS IN YOUR WIFE,LINDA. 737 00:28:37,846 --> 00:28:38,891 OHH. 738 00:28:38,978 --> 00:28:40,544 OVER THERE, NOW. 739 00:28:40,631 --> 00:28:42,503 I'M SORRY. 740 00:28:42,590 --> 00:28:43,504 [ SIGHS ] 741 00:28:46,725 --> 00:28:48,552 EVAN WAS JUST MENTIONING THE RECURRING WATER IMAGERY 742 00:28:48,639 --> 00:28:49,815 IN THE NOVEL. 743 00:28:49,902 --> 00:28:50,990 EVAN, YOU WANT TO EXPOUND ON THAT? 744 00:28:51,077 --> 00:28:52,643 SURE. 745 00:28:52,731 --> 00:28:55,690 UM, IT PARALLELS THE ANGER FELT BY THE PEASANTS, 746 00:28:55,777 --> 00:28:58,258 UM, RIGHT BEFORE THEY STORM THE BASTILLE. 747 00:28:58,345 --> 00:29:00,434 I WISH I WAS IN PARIS. 748 00:29:00,521 --> 00:29:01,740 WHERE ARE YOU GOING? 749 00:29:01,827 --> 00:29:02,741 UH, RESTROOM. 750 00:29:02,828 --> 00:29:04,351 WHEN I GET BACK, 751 00:29:04,438 --> 00:29:07,571 I WANT MORE EXAMPLES OF WATER IMAGERY FROM BOTH OF YOU. 752 00:29:07,658 --> 00:29:09,878 [ CLEARS THROAT ] 753 00:29:09,965 --> 00:29:12,881 SO YOU'VE BEEN TO PARIS? 754 00:29:25,285 --> 00:29:27,026 IT WAS A MISTAKE! I'M SORRY! 755 00:29:27,113 --> 00:29:28,854 I'M TIRED OF HEARING "SORRY." 756 00:29:28,941 --> 00:29:30,377 WELL, WHAT CAN I SAY?! 757 00:29:30,464 --> 00:29:31,552 He's not moving. 758 00:29:31,639 --> 00:29:32,596 He will. 759 00:29:32,683 --> 00:29:33,946 SAY YOU'LL LEAVE HER! 760 00:29:34,033 --> 00:29:35,904 I CAN'T, BECAUSE OF PETER JUNIOR. 761 00:29:35,991 --> 00:29:37,384 WHAT ABOUT PETER JUNIOR'S BABY BROTHER? 762 00:29:37,471 --> 00:29:39,603 PETER JUNIOR DOESN'T HAVE A BABY BROTHER. 763 00:29:39,690 --> 00:29:40,648 HE'S ABOUTTO. 764 00:29:40,735 --> 00:29:42,606 IN SIX MONTHS. 765 00:29:42,693 --> 00:29:44,957 OH. OH. OH. 766 00:29:45,044 --> 00:29:47,220 I NEED SOME AIR. 767 00:29:47,307 --> 00:29:49,222 DON'T YOU WALK AWAY FROM ME! 768 00:29:53,966 --> 00:29:54,880 [ ALARM BLARING ] 769 00:29:54,967 --> 00:29:56,882 Andy: NOT THAT DOOR! 770 00:29:58,666 --> 00:29:59,798 HANG ON. 771 00:30:01,974 --> 00:30:03,236 [ BLARING STOPS ] 772 00:30:06,717 --> 00:30:08,067 MY APOLOGIES FOR THE SCENE. 773 00:30:08,154 --> 00:30:09,808 OHH. 774 00:30:09,895 --> 00:30:12,071 AND, UH, I THOUGHT IWAS GONNA BE THE ONE 775 00:30:12,158 --> 00:30:13,289 IN THE DOGHOUSE TONIGHT. 776 00:30:13,376 --> 00:30:14,421 OH, NO. 777 00:30:14,508 --> 00:30:15,596 [ BEEP ] 778 00:30:18,207 --> 00:30:20,775 MR. COOPER? 779 00:30:20,862 --> 00:30:22,211 CHLOE. 780 00:30:22,298 --> 00:30:24,039 WHY AREN'T YOU WITH EVAN? 781 00:30:24,126 --> 00:30:26,172 I GOT ANOTHER CALL. 782 00:30:26,259 --> 00:30:28,652 SO...DID YOU GET LOST? 783 00:30:28,739 --> 00:30:31,394 YEAH. YEAH, I GUESS I TOOK A WRONG TURN. 784 00:30:31,481 --> 00:30:32,569 [ CELL PHONE RINGS ] 785 00:30:32,656 --> 00:30:33,527 SHE IS. I'M TELLING YA. 786 00:30:33,614 --> 00:30:35,964 AND THE WHOLE -- CHLOE? 787 00:30:36,051 --> 00:30:37,792 You're the one who told us to rebel. OH! 788 00:30:37,879 --> 00:30:40,273 SHE'S ALWAYS DOING THIS POCKET-DIAL THING. 789 00:30:40,360 --> 00:30:41,622 MM-HMM. 790 00:30:41,709 --> 00:30:43,624 I TELL HER HER JEANS ARE TOO TIGHT. 791 00:30:43,711 --> 00:30:46,018 If my dad found out you broke a house rule, he'd be upset, 792 00:30:46,105 --> 00:30:48,455 but sometimes a study break can be fun. 793 00:30:48,542 --> 00:30:52,198 NEAL: Chloe, I can tell you have a lot of, um...passion. 794 00:30:52,285 --> 00:30:55,027 You just need to find the right place to focus it. 795 00:30:55,114 --> 00:30:56,985 I KNOW YOU'RE SMART ENOUGH TO KNOW THAT. 796 00:30:57,072 --> 00:30:59,118 WHAT THE HELL IS GOING ON IN HERE?! 797 00:31:09,041 --> 00:31:11,870 I WANT TO KNOW WHAT YOU'RE DOING IN MY PRIVATE OFFICE 798 00:31:11,957 --> 00:31:13,219 WITH MY DAUGHTER! 799 00:31:13,306 --> 00:31:14,655 DAD! DON'T BE MAD. 800 00:31:14,742 --> 00:31:16,918 Peter: WHY DON'T WE ALL JUST TAKE A MINUTE HERE? 801 00:31:17,005 --> 00:31:17,876 Andy: OH, THIS WILL BE OVER IN A MINUTE. 802 00:31:17,963 --> 00:31:18,877 YOU INTERESTED IN MY OFFICE?! 803 00:31:18,964 --> 00:31:20,487 YOU LOOKING FOR SOMETHING?! 804 00:31:20,574 --> 00:31:22,228 Evan: IT'S ACTUALLY MY FAULT, SIR. 805 00:31:22,315 --> 00:31:24,012 YOURFAULT?! 806 00:31:24,099 --> 00:31:25,318 YEAH. 807 00:31:25,405 --> 00:31:26,928 EVAN. 808 00:31:27,015 --> 00:31:28,538 CHLOE SAID THAT YOU HAD AN OLD MAP OF PARIS IN HERE, 809 00:31:28,625 --> 00:31:29,539 AND I REALLY WANTED TO SEE IT. 810 00:31:29,626 --> 00:31:31,411 MAP? 811 00:31:31,498 --> 00:31:35,154 YES. YES, WE WERE DISCUSSING THE REVOLUTION, 812 00:31:35,241 --> 00:31:36,590 AND CHLOE MENTIONED A COPPER-ETCHED MAP IN YOUR OFFICE. 813 00:31:36,677 --> 00:31:37,896 AFTER HEARING ABOUT IT, 814 00:31:37,983 --> 00:31:39,549 I THOUGHT IT MIGHT BE AN ORIGINAL HOGENBERG. 815 00:31:39,636 --> 00:31:42,596 WELL, 16th CENTURY, 816 00:31:42,683 --> 00:31:44,511 BIRD'S-EYE PERSPECTIVE, 817 00:31:44,598 --> 00:31:46,165 AND THERE'S THE BASTILLE.ENOUGH. 818 00:31:46,252 --> 00:31:47,993 I WANT YOU OUT OF MY HOUSE -- 819 00:31:48,080 --> 00:31:49,255 NOW. 820 00:31:49,342 --> 00:31:51,039 ALL RIGHT. 821 00:31:55,696 --> 00:31:58,568 CHLOE, GO TO YOUR ROOM. 822 00:32:01,441 --> 00:32:03,530 BYE, EVAN. 823 00:32:11,930 --> 00:32:15,498 TURNS OUT AN HONOR-ROLL STUDENT ISN'T SUCH BAD BACKUP AFTER ALL. 824 00:32:15,585 --> 00:32:17,326 NO, A-PLUS FOR BOTH OF YOU. 825 00:32:17,413 --> 00:32:19,850 AND JONES ALREADY PULLED SEVERAL ACCOUNT NUMBERS 826 00:32:19,938 --> 00:32:21,678 FROM THE DRIVE THAT YOU COPIED. 827 00:32:21,765 --> 00:32:22,941 SOUNDS LIKE ANOTHER WIN FOR US. 828 00:32:23,028 --> 00:32:24,246 FOR THE BUREAU. 829 00:32:24,333 --> 00:32:25,421 WELL, OF WHICH I AM AN INTEGRAL MEMBER. 830 00:32:25,508 --> 00:32:27,206 STOP DIGGING. DIGGING? 831 00:32:27,293 --> 00:32:29,904 YOU KNOW MY STATEMENT FOR THE KELLER CASE IS COMING UP. 832 00:32:29,991 --> 00:32:32,602 [ SIGHS ] I WON'T ASK YOU TO LIE. 833 00:32:32,689 --> 00:32:34,648 BUT I DON'T HAVE TO TELL THEM EVERYTHING. 834 00:32:34,735 --> 00:32:36,128 IS THAT IT? 835 00:32:36,215 --> 00:32:37,694 PETER, I'VE GOT NOTHING TO HIDE. 836 00:32:37,781 --> 00:32:39,000 YOU SURE ABOUT THAT? YES. 837 00:32:39,087 --> 00:32:40,480 YOU CAN COME OUT, MOZZIE! 838 00:32:40,567 --> 00:32:42,134 Moz: YOU HAVE NO PROOF I'M HERE! 839 00:32:42,221 --> 00:32:44,005 THERE'S A HALF A BOTTLE OF WINE ON THE TABLE 840 00:32:44,092 --> 00:32:45,572 AND A WHIFF OF CAMEMBERT IN THE AIR. 841 00:32:45,659 --> 00:32:46,703 CIRCUMSTANTIAL! 842 00:32:46,790 --> 00:32:48,618 I'LL SEE YOU TOMORROW. 843 00:32:48,705 --> 00:32:51,273 SEE YA. 844 00:32:56,235 --> 00:32:57,801 LITTLE SLOPPY. 845 00:32:57,888 --> 00:32:59,194 UNTIL THAT FILE IS WIPED, 846 00:32:59,281 --> 00:33:00,630 I'M KEEPING A SAFE DISTANCE 847 00:33:00,717 --> 00:33:02,763 FROM THE BUREAU'S FAVORITE BROOKS BROTHER. 848 00:33:02,850 --> 00:33:04,243 HE HASN'T MADE A DECISION. 849 00:33:04,330 --> 00:33:06,810 THERE'S STILL A CHANCE THIS COULD SWING IN OUR FAVOR. 850 00:33:06,897 --> 00:33:08,551 WELL, WEHAVE A DECISION TO MAKE. 851 00:33:08,638 --> 00:33:11,163 EVAN PUT HIMSELF ON THE MAP WITH CHLOE TONIGHT. 852 00:33:11,250 --> 00:33:12,425 HE'S GOT MOMENTUM. 853 00:33:12,512 --> 00:33:15,297 OH, TIME FOR THE GRAND ROMANTIC GESTURE. 854 00:33:15,384 --> 00:33:17,996 I WAS THINKING A CLASSIC -- FLOWERS, FINE CHOCOLATES. 855 00:33:18,083 --> 00:33:21,434 OR...THIS. 856 00:33:21,521 --> 00:33:23,740 EVAN'S HOMEWORK ASSIGNMENT? 857 00:33:23,827 --> 00:33:25,394 A PERFECT HANDWRITING SAMPLE. 858 00:33:25,481 --> 00:33:27,788 I CAN WHIP UP A SONNET, AND YOU COULD FORGE IT. 859 00:33:27,875 --> 00:33:29,659 MOZZIE, I KNOW WHY IWANT TO HELP THIS KID, 860 00:33:29,746 --> 00:33:30,878 BUT WHY DO YOU? 861 00:33:30,965 --> 00:33:33,054 I WANT TO SEE THE LITTLE GUY GET THE GIRL. 862 00:33:33,141 --> 00:33:34,882 OH. 863 00:33:34,969 --> 00:33:36,188 PLUS, I NEED A DISTRACTION. 864 00:33:36,275 --> 00:33:37,754 YOU'RE WORRIED ABOUT PETER.AND YOU'RE NOT? 865 00:33:37,841 --> 00:33:39,582 LET'S GO WITH THE SONNET. 866 00:33:39,669 --> 00:33:40,801 I'LL GET MY QUILL. 867 00:33:46,633 --> 00:33:50,028 [ CELL PHONE VIBRATING ] 868 00:33:50,115 --> 00:33:51,507 HEY, PETER. 869 00:33:51,594 --> 00:33:53,292 I'M ON MY WAY TO MEET SLATER. 870 00:33:53,379 --> 00:33:54,510 DID YOU WRITE THE CHECK? 871 00:33:54,597 --> 00:33:56,686 TECHNICALLY, THE BUREAU DID. 872 00:33:56,773 --> 00:33:58,862 SHOULD BE A NICE TAX WRITE-OFF FOR MR. STONE. 873 00:33:58,949 --> 00:34:00,168 YEAH, HE'LL PUT THE SAVINGS 874 00:34:00,255 --> 00:34:01,691 TOWARDS HIS UPCOMING ALIMONY PAYMENTS. 875 00:34:01,778 --> 00:34:04,955 GOOD LUCK IN THERE. 876 00:34:05,043 --> 00:34:08,002 Andy: AND THAT'LL BE THE LAST THING YOU DO AT THIS SCHOOL! 877 00:34:11,092 --> 00:34:12,441 YOU OKAY? 878 00:34:12,528 --> 00:34:15,357 WHAT'D HE SAY TO YOU? 879 00:34:15,444 --> 00:34:17,403 HE KNEW. 880 00:34:17,490 --> 00:34:19,057 HE SAID HE KNEW ABOUT ME GETTING THE DOCUMENTS 881 00:34:19,144 --> 00:34:19,970 FROM THE BURSAR'S OFFICE. 882 00:34:20,058 --> 00:34:22,060 HOW? 883 00:34:22,147 --> 00:34:24,018 HE LOOKED INTO ME AFTER THE TUTORING SESSION. 884 00:34:24,105 --> 00:34:25,802 HE KNEW I XEROXED THE QUARTERLIES 885 00:34:25,889 --> 00:34:27,195 FROM MY COPY-MACHINE CODE. 886 00:34:27,282 --> 00:34:28,631 LOOK, HE SAID HE WAS GONNA EXPEL ME. 887 00:34:28,718 --> 00:34:29,632 I HAD TO SAY SOMETHING. 888 00:34:29,719 --> 00:34:31,112 WHAT'D YOU TELL HIM? 889 00:34:31,199 --> 00:34:32,461 THAT HE COULDN'T SCARE ME 890 00:34:32,548 --> 00:34:34,550 BECAUSE I HAD SOME VERY POWERFUL FRIENDS 891 00:34:34,637 --> 00:34:36,378 OF MY OWN LOOKING INTO HIM. 892 00:34:36,465 --> 00:34:38,511 GO TO MY CLASSROOM, OKAY? LAY LOW. GO. 893 00:34:38,598 --> 00:34:40,121 [ EXHALES SHARPLY ] 894 00:34:40,208 --> 00:34:42,515 DIANA, WE NEED BACKUP AT THE SCHOOL RIGHT NOW. 895 00:34:42,602 --> 00:34:43,864 PETER'S COVER'S BLOWN. 896 00:34:43,951 --> 00:34:46,388 MR. STONE, WE CANNOT THANK YOU ENOUGH. 897 00:34:46,475 --> 00:34:48,564 IT'S MY WAY OF GIVING BACK. 898 00:34:48,651 --> 00:34:52,264 NOW, UNFORTUNATELY, I HAVE TO GET TO THE AIRPORT IN AN HOUR. 899 00:34:52,351 --> 00:34:54,353 Andy: YOU'RE NOT GOING ANYWHERE. 900 00:34:54,440 --> 00:34:55,441 ANDY, WHAT'S GOING ON? 901 00:34:55,528 --> 00:34:59,749 HIS TIMING ISN'T A COINCIDENCE. 902 00:34:59,836 --> 00:35:01,838 ALL THE QUESTIONS ABOUT THE ENDOWMENT, 903 00:35:01,925 --> 00:35:04,537 THE QUARTERLY REPORT COMING UP, THAT CHECK -- IT'S A TRAP. 904 00:35:04,624 --> 00:35:06,887 [ SCHOOL BELL RINGS ] 905 00:35:06,974 --> 00:35:08,584 DON'T DO ANYTHING STUPID. 906 00:35:08,671 --> 00:35:10,064 THEN WALK. 907 00:35:12,327 --> 00:35:15,156 YOU'LL BE HAPPY TO KNOW I JUST DID THE EQUIVALENT 908 00:35:15,243 --> 00:35:17,289 OF THE HOISTING OF THE BOOM BOX. 909 00:35:17,376 --> 00:35:18,768 PETER'S IN TROUBLE. I NEED YOUR HELP. 910 00:35:18,855 --> 00:35:21,031 I'M ON MY WAY. 911 00:35:21,119 --> 00:35:22,555 Peter: WHAT ARE WE DOING HERE? 912 00:35:22,642 --> 00:35:23,817 Andy: I'VE GOT QUESTIONS. 913 00:35:23,904 --> 00:35:24,861 HANG ON, MOZ. 914 00:35:24,948 --> 00:35:26,515 AND AS YOU KNOW, 915 00:35:26,602 --> 00:35:28,430 THIS IS WHERE I LIKE TO ASK THEM. 916 00:35:28,517 --> 00:35:29,866 WHO DO YOU WORK FOR? 917 00:35:29,953 --> 00:35:32,739 AND DON'T GIVE ME ANY OF THAT HONG KONG BANKER CRAP! 918 00:35:32,826 --> 00:35:34,480 YOU'VE GOT ALL THE ANSWERS. 919 00:35:34,567 --> 00:35:36,177 WHY DON'T YOU TELL ME? 920 00:35:36,264 --> 00:35:37,396 DID THE JUAREZ BROTHERS SEND YOU? 921 00:35:37,483 --> 00:35:38,745 Slater: HEY, HE'S WITH THE CARTEL? 922 00:35:38,832 --> 00:35:40,660 YOU'VE GOT IT ALL WRONG. 923 00:35:40,747 --> 00:35:42,227 CHECK MY JACKET POCKET. 924 00:35:47,754 --> 00:35:49,234 FBI. 925 00:35:49,321 --> 00:35:50,539 FBI! 926 00:35:50,626 --> 00:35:51,410 SHUT UP, GRAHAM. 927 00:35:51,497 --> 00:35:52,541 WE CAN'T CUT UP A FED. 928 00:35:52,628 --> 00:35:53,890 YES, WE CAN. 929 00:35:53,977 --> 00:35:56,197 GO ON! 930 00:35:56,284 --> 00:35:57,720 [ MOTOR WHIRRING ] 931 00:35:57,807 --> 00:36:00,767 YOU'RE GONNA TALK, OR YOU'RE GONNA DISAPPEAR! 932 00:36:00,854 --> 00:36:02,899 LISTEN, I'M OUTNUMBERED THREE TO ONE. 933 00:36:02,986 --> 00:36:04,292 WE NEED A DISTRACTION. 934 00:36:04,379 --> 00:36:05,206 WHAT KIND OF DISTRACTION? 935 00:36:05,293 --> 00:36:06,294 Anything. 936 00:36:06,381 --> 00:36:08,078 It's classroom 23B. Hurry. 937 00:36:08,166 --> 00:36:09,384 [ Beep ] 938 00:36:12,692 --> 00:36:15,999 [ INDISTINCT TALKING ] 939 00:36:20,917 --> 00:36:22,615 HEY, CHLOE, I'VE BEEN LOOKING FOR YOU. 940 00:36:22,702 --> 00:36:24,965 MR. COOPER, HEY. 941 00:36:25,052 --> 00:36:26,749 SOMEONE PUT THIS IN MY GYM BAG. 942 00:36:26,836 --> 00:36:28,621 LISTEN, WE SHOULD TALK. 943 00:36:28,708 --> 00:36:29,839 YEAH, I'M SORRY ABOUT MY DAD. 944 00:36:29,926 --> 00:36:31,319 OBVIOUSLY, I'M NOT WELCOME AT YOUR HOME, 945 00:36:31,406 --> 00:36:32,494 SO I WANT TO GIVE YOU MY NUMBER. 946 00:36:32,581 --> 00:36:34,017 YOU DO? 947 00:36:34,104 --> 00:36:35,323 SO YOU CAN CALL ME IF YOU EVER HAVE QUESTIONS 948 00:36:35,410 --> 00:36:36,368 ABOUT SCHOOLWORK ONCE I'M GONE. 949 00:36:36,455 --> 00:36:38,674 OKAY. [ CHUCKLES ] 950 00:36:38,761 --> 00:36:40,807 THANKS. 951 00:36:45,812 --> 00:36:48,206 [ CELL PHONE RINGING ] 952 00:36:50,686 --> 00:36:52,862 [ MOTOR SHUTS OFF ]CHLOE? 953 00:36:52,949 --> 00:36:54,516 NEAL: Seemed like you and Evan really hit it off the other day, huh? 954 00:36:54,603 --> 00:36:55,778 Kind of. 955 00:36:55,865 --> 00:36:57,780 HE'S IN MY CLASSROOM RIGHT NOW. 956 00:36:57,867 --> 00:37:00,609 HE WANTED TO FINISH UP AN ESSAY, SO I LET HIM WORK THERE. 957 00:37:00,696 --> 00:37:01,871 IT'S QUIET, PRIVATE. 958 00:37:01,958 --> 00:37:03,830 THINK HE'D MIND IF I STOPPED BY? 959 00:37:03,917 --> 00:37:05,527 NO, NOT AT ALL. BE JUST THE TWO OF YOU. 960 00:37:05,614 --> 00:37:06,702 THANKS. SURE. 961 00:37:06,789 --> 00:37:09,052 [ BEEP ] 962 00:37:09,139 --> 00:37:10,880 Andy: DON'T LET HIM OUT OF THIS ROOM! 963 00:37:10,967 --> 00:37:13,492 GET OUT OF MY WAY! 964 00:37:18,801 --> 00:37:21,413 ALL RIGHT, ONE DOWN, TWO TO GO. 965 00:37:21,500 --> 00:37:23,328 TURNS OUT I DID HAVE NEED FOR A VIAL. 966 00:37:23,415 --> 00:37:25,721 POTASSIUM CARBONATE, SUCROSE, AND JUST A HINT OF NITROGEN. 967 00:37:25,808 --> 00:37:27,854 THEY HAVE NITROGEN HERE. 968 00:37:27,941 --> 00:37:30,030 OH, THIS REALLY IS AN EXCELLENT SCHOOL. 969 00:37:33,076 --> 00:37:34,643 Peter: SLATER, IF YOU WORK WITH ME, 970 00:37:34,730 --> 00:37:37,385 I MIGHT BE ABLE TO STRIKE YOU SOME KIND OF DEAL. 971 00:37:37,472 --> 00:37:39,431 IT'S TOO LATE FOR THAT. 972 00:37:39,518 --> 00:37:42,999 WELL, THAT'S A SHAME. HE CUTS A PRETTY GOOD DEAL. 973 00:37:43,086 --> 00:37:44,610 I WOULD KNOW. 974 00:37:55,708 --> 00:37:58,058 DON'T MOVE OR I'LL SHOOT. 975 00:37:59,799 --> 00:38:01,975 Peter: NICE BIRDHOUSE. 976 00:38:02,062 --> 00:38:03,716 LET'S GO TALK TO WOODS. 977 00:38:12,115 --> 00:38:13,465 WAITING FOR SOMEBODY? 978 00:38:13,552 --> 00:38:15,684 DAD? 979 00:38:15,771 --> 00:38:17,556 WHAT ARE YOU DOING HERE? 980 00:38:17,643 --> 00:38:20,298 WELL, I, UH, WANTED TO, UH...TALK TO EVAN. 981 00:38:20,385 --> 00:38:22,778 YOUR TEACHER TOLD ME I MIGHT FIND HIM HERE. 982 00:38:22,865 --> 00:38:25,781 ACTUALLY, I'M NOT A TEACHER. 983 00:38:25,868 --> 00:38:26,913 YOU... 984 00:38:37,271 --> 00:38:39,839 YOU ALREADY KNOW THAT I'M A FEDERAL AGENT. 985 00:38:39,926 --> 00:38:40,927 BUT GUESS WHAT. 986 00:38:41,014 --> 00:38:42,668 I AM, TOO. 987 00:38:42,755 --> 00:38:45,279 YOU'RE UNDER ARREST FOR ATTEMPTED MURDER AND FRAUD. 988 00:38:45,366 --> 00:38:46,324 DANIELLE? 989 00:38:46,411 --> 00:38:47,977 Diana: IT'S DIANA. 990 00:38:48,064 --> 00:38:49,588 AND YOUR GIRLFRIEND'S COOKING SUCKS. 991 00:38:49,675 --> 00:38:52,155 CHLOE, CALL MY LAWYER. 992 00:38:52,242 --> 00:38:55,463 HE NEEDS TO KNOW ABOUT THIS. 993 00:38:55,550 --> 00:38:58,248 CHLOE, I NEED YOU TO DO THIS FOR ME. 994 00:38:58,336 --> 00:39:01,643 LET'S GO.ARE YOU LISTENING?! 995 00:39:01,730 --> 00:39:03,602 WHAT'S GOING TO HAPPEN TO HIM? 996 00:39:03,689 --> 00:39:05,691 WELL, HE'LL HAVE TO GO TO PRISON. 997 00:39:05,778 --> 00:39:08,868 UH, CHLOE, YOUR LIFE IS ABOUT TO CHANGE. 998 00:39:08,955 --> 00:39:12,219 I'M NOT GONNA LIE TO YOU -- IT WON'T BE EASY. 999 00:39:12,306 --> 00:39:14,613 BUT DON'T RUN AWAY FROM THAT. 1000 00:39:14,700 --> 00:39:16,963 THIS COULD BE AN OPPORTUNITY. 1001 00:39:17,050 --> 00:39:18,747 A CHANCE TO START OVER, 1002 00:39:18,834 --> 00:39:21,402 MAYBE LIVE THE LIFE YOU REALLY WANT. 1003 00:39:21,489 --> 00:39:22,838 I GOT THAT CHANCE, 1004 00:39:22,925 --> 00:39:24,710 AND IT'S THE BEST THING THAT EVER HAPPENED TO ME. 1005 00:39:24,797 --> 00:39:26,625 REALLY? YEAH. 1006 00:39:26,712 --> 00:39:28,627 THANKS, MISTER [CHUCKLES] 1007 00:39:28,714 --> 00:39:30,977 WAIT. WHAT'S YOUR REAL NAME? 1008 00:39:32,892 --> 00:39:35,111 NEAL. 1009 00:39:35,198 --> 00:39:37,462 TAKE CARE, CHLOE. 1010 00:39:44,773 --> 00:39:46,253 HEY. 1011 00:39:46,340 --> 00:39:50,431 I JUST WANTED TO SAY I'M REALLY SORRY FOR EVERYTHING. 1012 00:39:50,518 --> 00:39:53,216 IT'S NOT YOUR FAULT. IT'S MY DAD'S. 1013 00:39:53,303 --> 00:39:57,090 WELL, IF YOU EVER NEED ANYONE TO TALK TO... 1014 00:39:57,177 --> 00:39:58,787 THANKS. 1015 00:39:58,874 --> 00:40:01,007 AND I REALLY DID LIKE YOUR POEM. 1016 00:40:16,544 --> 00:40:17,502 [ ELEVATOR BELL DINGS ] 1017 00:40:52,841 --> 00:40:54,713 WE'VE GOT AN EARLY DAY TOMORROW. 1018 00:40:54,800 --> 00:40:57,106 GOT TO GET A JUMP ON THE MORTENSON REAL-ESTATE SCAM. 1019 00:40:59,892 --> 00:41:02,285 NICE TIE. 1020 00:41:02,372 --> 00:41:06,594 OH. IT WAS A...THANK-YOU GIFT FROM EVAN. 1021 00:41:08,944 --> 00:41:12,121 I KNOW I-I COMPLICATED YOUR LIFE. 1022 00:41:12,208 --> 00:41:13,645 STOP. DON'T SAY ANYTHING ELSE. 1023 00:41:13,732 --> 00:41:15,473 CAN I SAY THANK YOU? 1024 00:41:15,560 --> 00:41:17,518 I TOLD THEM THE TRUTH. 1025 00:41:17,605 --> 00:41:20,434 BUT YOU DIDN'T TELL THEM EVERYTHING. 1026 00:41:28,964 --> 00:41:34,317 WHAT YOU DID ON THIS CASE, HOW YOU CARRIED YOURSELF... 1027 00:41:34,404 --> 00:41:38,191 MAKES ME BELIEVE THIS PARTNERSHIP CAN WORK. 1028 00:41:39,888 --> 00:41:42,282 I KNOW WHAT THIS OPPORTUNITY MEANS. 1029 00:41:42,369 --> 00:41:43,849 TRUST ME. 1030 00:41:43,936 --> 00:41:46,112 [ BREATHES DEEPLY ] 1031 00:41:53,815 --> 00:41:56,470 THEY'RE NICE, BUT THEY'RE NOT WHAT MATTER TO ME. 1032 00:42:01,301 --> 00:42:03,042 ABOUT THE COMMUTATION -- 1033 00:42:03,129 --> 00:42:05,784 OH, I'VE ALREADY MADE ENOUGH BIG DECISIONS FOR ONE DAY. 1034 00:42:05,871 --> 00:42:07,568 GOT IT. 1035 00:42:07,655 --> 00:42:09,701 THOSE TICKETS BEING THE HARDEST. 1036 00:42:09,788 --> 00:42:10,658 PRETTY GOOD SEATS. 1037 00:42:10,745 --> 00:42:11,659 I KNOW. 1038 00:42:11,746 --> 00:42:12,965 YOU SURE? 1039 00:42:13,052 --> 00:42:13,879 SEE YOU TOMORROW. 1040 00:42:13,966 --> 00:42:15,489 SEE YA. 1041 00:42:18,536 --> 00:42:21,539 HEY, JONES. 1042 00:42:21,626 --> 00:42:23,671 [ KNOCK ON DOOR ] 1043 00:42:23,758 --> 00:42:25,499 HEY. 1044 00:42:25,586 --> 00:42:28,763 CAFFREY JUST GAVE ME TWO TICKETS TO A YANKEES GAME TONIGHT. 1045 00:42:28,850 --> 00:42:30,591 AND THEY LOOK REAL. 1046 00:42:30,678 --> 00:42:32,462 WANT TO GO? 1047 00:42:32,550 --> 00:42:33,855 GOOD SEATS. 1048 00:42:36,510 --> 00:42:38,643 [ CHUCKLES ] I'LL DRIVE.