1 00:00:01,349 --> 00:00:03,133 PREVIOUSLY ON "WHITE COLLAR"... 2 00:00:03,220 --> 00:00:05,396 TO OUR BEST AND FINALSCORE. 3 00:00:05,483 --> 00:00:07,268 WHAT IS IT? 4 00:00:07,355 --> 00:00:09,487 Diana: PART OF THE ORIGINAL GERMAN U-BOAT MANIFEST. 5 00:00:09,574 --> 00:00:11,924 YOU STILL THINK CAFFREY HAS THE ART?I DON'T KNOW. 6 00:00:12,012 --> 00:00:13,665 AGENT KRAMER IS SORRY HE CAN'T BE HERE IN PERSON, 7 00:00:13,752 --> 00:00:16,103 BUT HE BRIEFED ME FULLY.HE DID? 8 00:00:16,190 --> 00:00:18,279 CHRIS GATES.YOU'RE INTERPOL? 9 00:00:18,366 --> 00:00:19,758 YEAH. SO IT'S A PARTIAL LIST. 10 00:00:19,845 --> 00:00:21,934 MOST OF WHAT WAS ON THE SUB IS STILL UNACCOUNTED FOR. 11 00:00:22,022 --> 00:00:23,849 THEY ONLY FOUND ONE PAGE. 12 00:00:23,936 --> 00:00:26,113 IF ANYONE TRIES TO SELL ANYTHING THAT'S ON THAT LIST, 13 00:00:26,200 --> 00:00:27,592 WE'RE GONNA NAIL 'EM. 14 00:00:27,679 --> 00:00:28,854 YES, WE ARE. 15 00:00:28,941 --> 00:00:29,942 [ CLINKS ] 16 00:00:30,030 --> 00:00:31,248 DID YOU FIND THE SAFE? 17 00:00:31,335 --> 00:00:33,772 THE MANIFEST WASN'T IN THERE, MOZ. I'M SORRY. 18 00:00:33,859 --> 00:00:36,471 IT'S OPEN SEASON ON KELLER. SPOILS GO TO THE VICTOR. 19 00:00:36,558 --> 00:00:38,951 Neal: A $6-MILLION BOUNTY. 20 00:00:39,039 --> 00:00:41,519 THAT'S ROUGHLY THE BLACK-MARKET SALE PRICE OF THE DEGAS. 21 00:00:41,606 --> 00:00:44,305 NO. THAT'S THE EXACTSALE PRICE OF THE DEGAS. 22 00:00:44,392 --> 00:00:46,002 IT'S ON THE LIST, MOZ! 23 00:00:46,089 --> 00:00:47,264 YOU LIED TO ME? 24 00:00:47,351 --> 00:00:49,310 WHEN THE DEGAS TURNS UP -- AND IT WILL -- 25 00:00:49,397 --> 00:00:52,139 THE FBI IS GONNA KNOW THE TREASURE DIDN'T BURN, 26 00:00:52,226 --> 00:00:54,054 AND WEARE THE PRIME SUSPECTS. 27 00:00:57,144 --> 00:00:58,406 [ FOG HORN BLOWS ] 28 00:00:58,493 --> 00:01:00,147 [ NEIGHS ] 29 00:01:00,234 --> 00:01:02,149 [ SIREN WAILS IN DISTANCE ] 30 00:01:13,377 --> 00:01:15,510 [ CELL PHONE RINGS ] 31 00:01:15,597 --> 00:01:17,686 [ BEEP ] 32 00:01:17,773 --> 00:01:20,471 THE SPARROW DIES AT MIDNIGHT. 33 00:01:20,558 --> 00:01:23,648 THEN I'D HATE TO BE THE SPARROW. 34 00:01:23,735 --> 00:01:25,520 SERIOUSLY? 35 00:01:25,607 --> 00:01:28,175 I WAS ABOUT TO EXPOSE THE LEADER OF THE NORTH AMERICAN UNION. 36 00:01:28,262 --> 00:01:30,481 NOPE. YOU JUST THOUGHT YOU WERE. 37 00:01:30,568 --> 00:01:33,005 THE N.A.U. DOESN'T EXIST. 38 00:01:33,093 --> 00:01:35,225 SAYS YOU. YOU SET THIS UP? 39 00:01:35,312 --> 00:01:37,706 I HAD TO TALK TO YOU SOMEHOW. 40 00:01:37,793 --> 00:01:39,925 ANOTHER PIECE OF FICTION. 41 00:01:40,012 --> 00:01:41,710 MUCH LIKE THE YARN YOU SPUN 42 00:01:41,797 --> 00:01:44,016 ABOUT NOT HAVING THE FBI's ART MANIFEST. 43 00:01:44,104 --> 00:01:45,975 YOU HAVE A RIGHT TO BE ANGRY. I LIED TO YOU. 44 00:01:46,062 --> 00:01:47,107 WHY? 45 00:01:47,194 --> 00:01:48,456 I BROKE INTO PETER'S SAFE. 46 00:01:48,543 --> 00:01:49,848 I HAD THE LIST IN MY HAND. 47 00:01:49,935 --> 00:01:51,807 I WAS READY TO TAKE THE TREASURE AND GO. 48 00:01:51,894 --> 00:01:53,330 THEN WHY DIDN'T YOU? 49 00:01:53,417 --> 00:01:54,201 PETER CAL-- 50 00:01:55,767 --> 00:01:56,986 I HAVE A LIFE HERE. 51 00:01:57,073 --> 00:01:58,988 BUT WE HAD A DREAM. 52 00:01:59,075 --> 00:02:00,120 WELL, DREAMS CHANGE. 53 00:02:00,207 --> 00:02:01,251 I MEAN, HAVE YOU EVER THOUGHT 54 00:02:01,338 --> 00:02:02,861 WE MIGHT NOT LIKE WHILING AWAY OUR DAYS 55 00:02:02,948 --> 00:02:04,385 ON A MEDITERRANEAN ISLAND? 56 00:02:04,472 --> 00:02:06,865 THEN WE SELL OUR ISLAND AND COME BACK. 57 00:02:06,952 --> 00:02:09,303 NO, YOUCAN COME BACK. I CAN'T. 58 00:02:09,390 --> 00:02:11,261 I RUN ON THIS, 59 00:02:11,348 --> 00:02:14,134 AND NEW YORK IS JUST A MEMORY FOR ME. 60 00:02:14,221 --> 00:02:15,961 COME ON, NEAL. 61 00:02:16,048 --> 00:02:17,137 THIS WAS THE ONE -- 62 00:02:17,224 --> 00:02:19,965 THE PERFECT LAST SCORE. 63 00:02:20,052 --> 00:02:21,663 I KNEW YOU WERE DRAGGING YOUR FEET. 64 00:02:21,750 --> 00:02:23,926 YOU WENT BEHIND MY BACK AND FENCED THE DEGAS. 65 00:02:24,013 --> 00:02:25,145 I DID IT TO -- 66 00:02:25,232 --> 00:02:27,843 I DID IT TO PROTECT US. 67 00:02:27,930 --> 00:02:29,061 BY PUTTING A HIT ON KELLER? 68 00:02:29,149 --> 00:02:30,280 DOING SOMETHING THAT RASH 69 00:02:30,367 --> 00:02:31,934 IS EXACTLY WHAT WILL GET US INTO TROUBLE. 70 00:02:33,936 --> 00:02:36,547 MOST BLACK-MARKET PIECES NEVER RESURFACE. YOU KNOW THAT. 71 00:02:36,634 --> 00:02:37,896 BECAUSE THEY'RE NOT ON A LIST 72 00:02:37,983 --> 00:02:39,420 THAT PETER IS ACTIVELY LOOKING FOR. 73 00:02:39,507 --> 00:02:41,291 THE DEGAS IS. IF PETER FINDS IT -- 74 00:02:41,378 --> 00:02:42,597 YEAH, I KNOW. 75 00:02:42,684 --> 00:02:44,381 THEN IT PROVES THAT THE TREASURE DIDN'T BURN, 76 00:02:44,468 --> 00:02:46,731 AND THE TRAIL LEADS STRAIGHT BACK TO US. 77 00:02:46,818 --> 00:02:49,604 SO LET'S STOP THE BLEEDING. WHO'S THE FENCE? 78 00:02:49,691 --> 00:02:52,215 RUSTY. 79 00:02:52,302 --> 00:02:54,783 RUSTY? SERIOUSLY? 80 00:02:56,524 --> 00:02:58,482 ALL RIGHT, TALK TO HIM. 81 00:02:58,569 --> 00:03:00,005 FIND OUT WHO HE SOLD THE PAINTING TO. 82 00:03:00,092 --> 00:03:00,919 WE'LL START THERE. 83 00:03:01,006 --> 00:03:02,051 FINE. 84 00:03:02,138 --> 00:03:05,620 TALK TO RUSTY, OKAY? 85 00:03:05,707 --> 00:03:07,143 BUT THAT DOES LEAVE ONE QUESTION. 86 00:03:09,014 --> 00:03:10,842 DO YOU WANT TO STAY? 87 00:03:12,627 --> 00:03:13,541 I'LL LET YOU KNOW. 88 00:03:16,718 --> 00:03:19,024 [ ELEVATOR BELL DINGS ] 89 00:03:24,334 --> 00:03:25,944 THE GREATEST WAY TO LIVE HONORABLY 90 00:03:26,031 --> 00:03:28,556 IS TO BE WHAT WE PRETEND TO BE. 91 00:03:28,643 --> 00:03:30,253 I'M PARAPHRASING, 92 00:03:30,340 --> 00:03:32,429 BUT I DON'T THINK OLD SOCRATES HERE WOULD MIND. 93 00:03:32,516 --> 00:03:34,779 HE MIGHT. CAN I HELP YOU? 94 00:03:34,866 --> 00:03:36,868 YEAH. 95 00:03:36,955 --> 00:03:40,089 YOU KNOW ANYTHING ABOUT RENAISSANCE PORTRAIT MEDALS? 96 00:03:40,176 --> 00:03:41,221 YOU SEEM TO KNOW THAT I DO. 97 00:03:41,308 --> 00:03:44,136 I HAVE A COLD CASE ON A FIORENTINO 98 00:03:44,224 --> 00:03:46,878 THAT WAS TAKEN FROM THE SMITHSONIAN 8 YEARS AGO. 99 00:03:46,965 --> 00:03:50,839 THE ONE I FOUND TURNED OUT TO BE CHOCOLATE, WRAPPED IN FOIL. 100 00:03:50,926 --> 00:03:53,102 YOU PROBABLY HEARD THAT STORY. 101 00:03:53,189 --> 00:03:54,538 SOUNDS VAGUELY FAMILIAR. 102 00:03:54,625 --> 00:03:56,671 I THOUGHT IT MIGHT. [ CHUCKLES ] 103 00:03:56,758 --> 00:03:58,281 I'M -- AGENT KRAMER, 104 00:03:58,368 --> 00:04:00,370 HEAD OF THE BUREAU'S D.C. ART CRIMES UNIT. 105 00:04:00,457 --> 00:04:03,286 I'D SAY THIS MOMENT WAS INEVITABLE, MR. CAFFREY, 106 00:04:03,373 --> 00:04:06,202 GIVEN I AM WHO I AM, AND YOU ARE WHO YOU ARE. 107 00:04:06,289 --> 00:04:08,073 OH, GOOD. YOU TWO HAVE MET. 108 00:04:08,160 --> 00:04:10,380 OH, NEAL AND I WERE, UH... 109 00:04:10,467 --> 00:04:12,643 WELL, WHAT WERE WE DOING HERE? 110 00:04:12,730 --> 00:04:13,818 [ CHUCKLES ] 111 00:04:13,905 --> 00:04:15,994 [ CHUCKLES ] SHOOTING THE BREEZE. 112 00:04:16,081 --> 00:04:17,692 YEAH. YEAH, YOU COULD SAY THAT. 113 00:04:17,779 --> 00:04:19,824 AGENT KRAMER WAS MY MENTOR AT QUANTICO. 114 00:04:19,911 --> 00:04:21,478 NOW I'M A JUST A FRIEND. 115 00:04:21,565 --> 00:04:23,741 SO YOU'RE THE ONE WHO TAUGHT PETER EVERYTHING HE KNOWS. 116 00:04:23,828 --> 00:04:26,527 WELL, I TAUGHT HIM A FAIR AMOUNT.MM-HMM. 117 00:04:26,614 --> 00:04:28,529 KEPT A FEW THINGS FOR MYSELF. 118 00:04:28,616 --> 00:04:30,182 OH, NOW, YOU DIDN'T TELL ME THAT. 119 00:04:30,270 --> 00:04:31,749 WHAT BRINGS D.C. TO NEW YORK? 120 00:04:31,836 --> 00:04:33,360 YOU TELL HIM? 121 00:04:33,447 --> 00:04:35,884 [ SIGHS ] WHY DON'T WE TAKE THIS INTO THE CONFERENCE ROOM? 122 00:04:35,971 --> 00:04:36,928 MM. 123 00:04:37,015 --> 00:04:38,539 ALL RIGHT. 124 00:04:38,626 --> 00:04:41,019 TWO DAYS AGO, WE GOT A TIP 125 00:04:41,106 --> 00:04:44,284 THAT A LONG-LOST MASTERPIECE SURFACED IN NEW YORK. 126 00:04:44,371 --> 00:04:46,373 YOU ALL KNOW AGENT KRAMER FROM D.C. 127 00:04:46,460 --> 00:04:49,289 Kramer: ONE OF OUR C.I.s HEARD CHATTER 128 00:04:49,376 --> 00:04:51,247 OF A BLACK-MARKET PAINTING BEING SOLD HERE. 129 00:04:52,944 --> 00:04:53,989 A DEGAS. 130 00:04:54,076 --> 00:04:55,469 GOOD EYE, JONES. 131 00:04:55,556 --> 00:04:58,080 THIS ONE'S CALLED "ENTRANCE OF THE MASKED DANCERS." 132 00:04:58,167 --> 00:04:59,429 IT WAS COMPL-- 133 00:04:59,516 --> 00:05:01,431 OH, NEAL, I'M SURE YOU CAN TAKE IT FROM HERE. 134 00:05:01,518 --> 00:05:03,868 OH, COMPLETED IN 1884, 135 00:05:03,955 --> 00:05:05,609 IT'S ONE OF DEGAS' SEMINAL WORKS. 136 00:05:05,696 --> 00:05:08,264 IT'S MORE COMPLEX THAN THE GAUZY BALLERINAS HE'S FAMOUS FOR. 137 00:05:08,351 --> 00:05:11,659 IT'S BELIEVED TO HAVE BEEN TAKEN BY THE GERMANS IN '41 138 00:05:11,746 --> 00:05:15,140 FROM THE TSARSKOYE SELO MUSEUM IN SAINT PETERSBURG, 139 00:05:15,227 --> 00:05:17,099 ALONG WITH A WHOLE LOT OF OTHER ART. 140 00:05:17,186 --> 00:05:19,014 IT HASN'T BEEN SEEN SINCE. 141 00:05:20,885 --> 00:05:22,322 WHAT DO YOU THINK, NEAL? 142 00:05:22,409 --> 00:05:23,758 ME? 143 00:05:23,845 --> 00:05:25,499 I THINK RECOVERING THIS MASTERPIECE 144 00:05:25,586 --> 00:05:26,674 WOULD BE INCREDIBLE, SIR. 145 00:05:26,761 --> 00:05:29,241 ME TOO. 146 00:05:29,329 --> 00:05:31,113 SO WE'RE GONNA FIND IT. 147 00:05:39,208 --> 00:05:42,124 HEY, MOZ, DID YOU TALK TO RUSTY? 148 00:05:42,211 --> 00:05:44,561 I LEFT WORD. HE HASN'T RETURNED. 149 00:05:44,648 --> 00:05:46,650 RELAX. HE GOES UP TO THE POCONOS. 150 00:05:46,737 --> 00:05:48,783 THE FBI KNOWS ABOUT THE DEGAS. 151 00:05:48,870 --> 00:05:50,698 OUR DEGAS? WELL, AS MUCH AS IT EVER WAS. 152 00:05:50,785 --> 00:05:53,744 WE HAVE TO FIND RUSTY, MAKE SURE HE KEEPS OUR NAMES OUT OF THIS. 153 00:05:53,831 --> 00:05:56,268 OH, THE HYPOTHETICAL BECOMES THE REALITY. 154 00:05:56,356 --> 00:05:57,748 WELL, HOW'S THIS FOR REALITY? 155 00:05:57,835 --> 00:06:00,621 AGENT KRAMER IS IN TOWN FROM D.C., LENDING PETER A HAND. 156 00:06:00,708 --> 00:06:02,231 REALLY? 157 00:06:02,318 --> 00:06:05,190 WHAT'S THE éMINENCE GRISE OF THE ART CRIMES UNIT LIKE? 158 00:06:05,277 --> 00:06:07,018 TAKE PETER, ADD YEARS OF EXPERIENCE 159 00:06:07,105 --> 00:06:08,759 AND LESS INCLINATION TO CUT US SLACK. 160 00:06:08,846 --> 00:06:10,021 MY BLOOD JUST RAN COLD. 161 00:06:10,108 --> 00:06:11,588 SUPPOSEDLY HE HAS AN ENCYCLOPEDIC KNOWLEDGE 162 00:06:11,675 --> 00:06:12,720 OF THE IMPRESSIONISTS. 163 00:06:12,807 --> 00:06:14,069 WELL, HE KNOWS ENOUGH ABOUT OUR DEGAS 164 00:06:14,156 --> 00:06:15,636 TO SCARE THE HELL OUT OF ME. 165 00:06:15,723 --> 00:06:17,855 PLEASE TELL ME HE DIDN'T BRING HIS GIRL FRIDAY WITH HIM. 166 00:06:17,942 --> 00:06:19,988 NO, WE CAUGHT A BREAK. AGENT MATTHEWS ISN'T WITH HIM. 167 00:06:20,075 --> 00:06:22,338 A BREAK, INDEED. I DON'T KNOW HOW YOU WOULD HAVE GOTTEN OUT OF THAT. 168 00:06:22,425 --> 00:06:24,166 WELL, LET'S FOCUS ON GETTING OUT OF THIS. 169 00:06:24,253 --> 00:06:26,124 WE NEED TO STOP PETER FROM FINDING THAT PAINTING. 170 00:06:26,211 --> 00:06:27,169 WHAT DO YOU HAVE IN MIND? 171 00:06:27,256 --> 00:06:29,214 LOCATE THE DEGAS AND GET IT BACK. 172 00:06:29,301 --> 00:06:31,347 WHY IS THERE A GIANT HOURGLASS ON MY TABLE? 173 00:06:31,434 --> 00:06:33,828 SOMEWHERE ALONG THE LINE, I THINK YOUR MOTIVES GOT BLURRED. 174 00:06:33,915 --> 00:06:35,003 KEEPING THE TREASURE HERE 175 00:06:35,090 --> 00:06:36,483 WAS NEVER PART OF THE LONG-TERM PLAN. 176 00:06:36,570 --> 00:06:38,659 MOZ, THIS IS NOT -- 48 HOURS. 177 00:06:38,746 --> 00:06:41,052 IN THAT TIME, I WILL DO ANYTHING YOU THINK WE NEED TO DO 178 00:06:41,139 --> 00:06:42,489 IN ORDER TO LEAVE. 179 00:06:42,576 --> 00:06:43,446 AND WHEN TIME RUNS OUT? 180 00:06:43,533 --> 00:06:45,579 LOLANA AND I 181 00:06:45,666 --> 00:06:48,930 ARE TAKING THE TREASURE AND LEAVING... 182 00:06:49,017 --> 00:06:52,977 REGARDLESS OF THE LIST, THE DEGAS, OR THE FBI. 183 00:06:53,064 --> 00:06:54,283 I HOPE YOU'LL COME WITH US. 184 00:06:54,370 --> 00:06:55,327 YOU'RE GIVING ME AN ULTIMATUM. 185 00:06:55,415 --> 00:06:56,459 YES, I AM. 186 00:06:56,546 --> 00:06:59,723 STAY HERE WITH PETER OR COME WITH ME. 187 00:07:02,813 --> 00:07:05,337 CHOOSE A SIDE, NEAL. 188 00:07:28,491 --> 00:07:30,580 Elizabeth: [ CHUCKLES ] YEAH, THAT WAS AN INTERESTING ONE. 189 00:07:30,667 --> 00:07:33,148 WE PULLED THE WIRE CON ON A MOB BOSS. 190 00:07:33,235 --> 00:07:34,279 ANOTHER AVERAGE DAY 191 00:07:34,366 --> 00:07:36,151 IN THE NEW YORK WHITE COLLAR OFFICE. 192 00:07:36,238 --> 00:07:39,328 DON'T LAUGH. IT'S NOT FAR OFF.MNH-MNH. 193 00:07:39,415 --> 00:07:41,591 WHAT HAPPENED TO THE STOIC, NO-NONSENSE PROBIE 194 00:07:41,678 --> 00:07:43,767 WE CALLED THE ARCHEOLOGIST? 195 00:07:43,854 --> 00:07:44,986 THE ARCHEOLOGIST? 196 00:07:45,073 --> 00:07:47,118 YEAH, HE'D NEVER STOP DIGGING. 197 00:07:47,205 --> 00:07:48,685 I'M STILL STOIC. 198 00:07:48,772 --> 00:07:51,079 WELL, NEAL'S LOOSENED YOU UP A LITTLE BIT.NOT TRUE. 199 00:07:51,166 --> 00:07:53,124 I CAN SEE THAT.BUT IN A GOOD WAY. 200 00:07:53,211 --> 00:07:55,910 HEY, OUR CLOSURE RATE IS UNPRECEDENTED. 201 00:07:55,997 --> 00:07:57,738 THEY KNOW ABOUT YOU BOYS IN D.C. 202 00:07:57,825 --> 00:07:59,261 LOT OF WATER-COOLER TALK 203 00:07:59,348 --> 00:08:01,916 ABOUT GOTHAM CITY'S FINEST COP AND ROBBER. 204 00:08:02,003 --> 00:08:03,091 [ CHUCKLES ][ CHUCKLES ] 205 00:08:03,178 --> 00:08:05,093 YOU TOOK THIS RIGHT HERE IN THE KITCHEN. 206 00:08:06,573 --> 00:08:09,271 YEAH. YEAH. NEAL IS MY C.I., AND HE'S -- 207 00:08:09,358 --> 00:08:10,446 YEAH, HE'S ALSO A FRIEND. 208 00:08:12,056 --> 00:08:14,885 I'M -- I'M -- I'M GONNA GO PUT A POT OF COFFEE ON, 209 00:08:14,972 --> 00:08:16,496 AND I'LL LET YOU GUYS TALK, OKAY? 210 00:08:20,325 --> 00:08:23,677 YOU'RE AWFUL CLOSE TO THE GUY YOU THINK STOLE THE DEGAS. 211 00:08:23,764 --> 00:08:24,939 IT'S THAT OBVIOUS? 212 00:08:25,026 --> 00:08:26,897 WELL, TODAY YOU HAD A ROOMFUL OF PEOPLE 213 00:08:26,984 --> 00:08:28,246 READY TO GO AFTER THAT PAINTING, 214 00:08:28,333 --> 00:08:30,466 AND YOU LOOKED AT ONLY ONE MAN. 215 00:08:30,553 --> 00:08:32,120 YOU THINK HE STOLE THE TREASURE? 216 00:08:32,207 --> 00:08:34,252 I HAVE MY SUSPICIONS. 217 00:08:34,339 --> 00:08:35,906 THAT'S WHY YOU'RE HERE. 218 00:08:35,993 --> 00:08:38,605 I NEED AN OUTSIDE PERSPECTIVE. 219 00:08:38,692 --> 00:08:40,737 HEY, BEFORE I MET YOU, 220 00:08:40,824 --> 00:08:43,653 I HAD A C.I. WHO USED TO THROW BATTING PRACTICE 221 00:08:43,740 --> 00:08:45,699 FOR MY SON'S LITTLE LEAGUE TEAM. 222 00:08:45,786 --> 00:08:47,614 AND NOW? 223 00:08:47,701 --> 00:08:50,312 [ CHUCKLES ] NOW I GET THE OCCASIONAL E-MAIL FROM PRISON. 224 00:08:50,399 --> 00:08:53,620 THESE ARE SHORT-TERM RELATIONSHIPS, PETEY, AT BEST. 225 00:08:53,707 --> 00:08:56,144 IT'S HARDWIRED IN THEIR BRAINS. 226 00:08:56,231 --> 00:08:58,450 YOU THINK ONCE A CON, ALWAYS A CON? 227 00:08:58,538 --> 00:09:01,453 I THINK RECIDIVISM RATES PAINT A BLEAK PICTURE. 228 00:09:01,541 --> 00:09:04,369 AND YOU HAVE TO PROTECT YOURSELF WHEN THEY FALL. 229 00:09:04,456 --> 00:09:07,068 I KNOW. MY CAREER'S AT RISK. 230 00:09:07,155 --> 00:09:08,548 NO, I'M NOT TALKING ABOUT YOUR JOB. 231 00:09:08,635 --> 00:09:09,549 I'M TALKING ABOUT YOU. 232 00:09:09,636 --> 00:09:11,594 WHEN THIS HAPPENS, 233 00:09:11,681 --> 00:09:13,857 YOU'RE NOT SLAPPING CUFFS ON A CRIMINAL. 234 00:09:13,944 --> 00:09:15,642 YOU'RE TAKING DOWN A FRIEND. 235 00:09:17,469 --> 00:09:19,036 [ SIGHS ] 236 00:09:19,123 --> 00:09:21,212 IT HURTS. 237 00:09:21,299 --> 00:09:23,998 PEOPLE CAN CHANGE. 238 00:09:24,085 --> 00:09:25,739 PETE... 239 00:09:25,826 --> 00:09:27,784 YOU ASKED ME FOR MY HELP. 240 00:09:27,871 --> 00:09:29,481 IF NEAL ISA SUSPECT... 241 00:09:29,569 --> 00:09:30,918 HE IS. 242 00:09:31,005 --> 00:09:32,746 ...THEN YOU HAVE TO TREAT HIM LIKE ONE. 243 00:09:32,833 --> 00:09:35,009 [ SIGHS ] 244 00:09:35,096 --> 00:09:38,534 Peter: NEAL, WE NEED YOUR EXPERTISE. 245 00:09:38,621 --> 00:09:39,840 [ FEEDBACK ]THAT'S WHAT I'M HERE FOR. 246 00:09:39,927 --> 00:09:41,189 GREAT. 247 00:09:41,276 --> 00:09:43,060 LET'S SAY THAT YOU'RE IN POSSESSION 248 00:09:43,147 --> 00:09:46,281 OF A MASTERPIECE THAT DISAPPEARED 70 YEARS AGO. 249 00:09:46,368 --> 00:09:47,543 LIKE A DEGAS? 250 00:09:47,630 --> 00:09:48,892 EXACTLY. 251 00:09:48,979 --> 00:09:51,634 YOU CAN IMAGINE THAT, RIGHT, NEAL? 252 00:09:51,721 --> 00:09:54,028 ENJOYING THE FANTASY AS WE SPEAK, SIR. 253 00:09:54,115 --> 00:09:55,812 TOO BAD IT CAN'T LAST.WHY NOT? 254 00:09:55,899 --> 00:09:57,858 BECAUSE THE PAINTING'S HOT. YOU HAVE TO GET RID OF IT. 255 00:09:57,945 --> 00:09:58,902 OR THE FEDS WILL TAKE ME DOWN? 256 00:09:58,989 --> 00:10:00,208 EXACTLY. 257 00:10:00,295 --> 00:10:02,210 [ CELL PHONE BUZZING ] 258 00:10:05,343 --> 00:10:06,388 YOU NEED TO TAKE THAT? 259 00:10:06,475 --> 00:10:07,650 NOPE. 260 00:10:07,737 --> 00:10:09,957 [ BEEP ] 261 00:10:10,044 --> 00:10:13,047 SO I'VE GOT A HOT DEGAS I NEED TO MOVE BEFORE YOU TAKE ME DOWN. 262 00:10:13,134 --> 00:10:15,310 QUESTION IS, HOW DO YOU FENCE IT? 263 00:10:15,397 --> 00:10:16,877 I DON'T. I'D HAVE SOMEONE FENCE IT FOR ME. 264 00:10:16,964 --> 00:10:18,922 WHY GO THROUGH A MIDDLEMAN? 265 00:10:19,009 --> 00:10:20,620 A DEGAS APPEARING AFTER ALL THIS TIME 266 00:10:20,707 --> 00:10:22,883 IS GOING TO BE GREETED WITH A HEALTHY AMOUNT OF SKEPTICISM. 267 00:10:22,970 --> 00:10:25,015 PEOPLE WILL ASSUME IT'S A FORGERY. 268 00:10:25,102 --> 00:10:26,756 YEAH, THEY USUALLY ARE. 269 00:10:26,843 --> 00:10:28,497 SO I'D NEED SOMEONE WITH AN IMPECCABLE REPUTATION TO MAKE THE SALE. 270 00:10:28,584 --> 00:10:30,151 YOU WANT ME TO ASK AROUND? 271 00:10:30,238 --> 00:10:33,110 ACTUALLY, KRAMER'S TEAM ALREADY HAS TWO SUSPECTS IN MIND. 272 00:10:33,197 --> 00:10:34,634 THOROUGH. 273 00:10:34,721 --> 00:10:36,113 THIS IS GUS LELAND. 274 00:10:36,200 --> 00:10:38,594 DEALS EXCLUSIVELY IN FRENCH IMPRESSIONISTS, 275 00:10:38,681 --> 00:10:40,596 RECENTLY RETURNED TO NEW YORK. 276 00:10:40,683 --> 00:10:43,686 I KNOW GUS. HE ALWAYS HAS QUALITY WORK. 277 00:10:43,773 --> 00:10:44,905 HE DEFINITELY FITS THE BILL. 278 00:10:44,992 --> 00:10:46,994 SECOND GUY IS KNOWN AS RUSTY. 279 00:10:48,560 --> 00:10:51,607 RENOWNED FOR AN IMPECCABLE EYE AT SPOTTING FORGERIES. 280 00:10:54,044 --> 00:10:56,699 YEAH, HE'S SUSPECTED OF BROKERING THE BLACK-MARKET SALE 281 00:10:56,786 --> 00:10:57,831 OF MATISSE'S "LA PASTORALE" LAST YEAR. 282 00:10:57,918 --> 00:10:59,093 YEAH. 283 00:10:59,180 --> 00:11:00,485 AND IT'S ALSO RUMORED 284 00:11:00,572 --> 00:11:03,053 HE RECENTLY SOLD A HIGH-PRIORITY PAINTING HERE. 285 00:11:03,140 --> 00:11:05,229 MM. TELL ME, NEAL, 286 00:11:05,316 --> 00:11:07,667 WHEN YOU FENCE YOUR DEGAS, 287 00:11:07,754 --> 00:11:09,277 WHO ARE YOU GONNA USE? 288 00:11:11,192 --> 00:11:13,977 RUSTY'S GOT THE LOCAL CONTACTS. 289 00:11:15,762 --> 00:11:18,068 I'D GO WITH RUSTY. 290 00:11:18,155 --> 00:11:20,723 THEN THAT'S WHO WE'LL GO AFTER. 291 00:11:20,810 --> 00:11:23,900 OKAY. MY TEAM HAS GUS. 292 00:11:23,987 --> 00:11:26,468 GOOD LUCK, GENTLEMEN. 293 00:11:29,689 --> 00:11:31,038 ALL RIGHT, I'LL CALL MOZZIE. 294 00:11:31,125 --> 00:11:33,127 HE KEEPS TABS ON GOTHAM'S BLACK-MARKET ELITE. 295 00:11:33,214 --> 00:11:36,696 NO NEED. WE'VE HAD EYES ON RUSTY FOR 24 HOURS. 296 00:11:36,783 --> 00:11:38,001 WE KNOW EXACTLY WHERE HE IS. 297 00:11:38,088 --> 00:11:39,699 LET'S GO. 298 00:11:43,006 --> 00:11:44,747 LET'S WALK. 299 00:11:44,834 --> 00:11:46,314 DON'T WE NEED A CAR TO PICK UP RUSTY? 300 00:11:46,401 --> 00:11:47,707 I GOT A FEW IN PLACE. 301 00:11:47,794 --> 00:11:49,621 NEED TO REACH OUT AND TOUCH SOMEONE? 302 00:11:49,709 --> 00:11:50,884 I FIND IT A HANDY TOOL 303 00:11:50,971 --> 00:11:52,712 TO KEEP ABREAST IN THIS FAST-PACED WORLD. 304 00:11:52,799 --> 00:11:54,888 NO ONE EVER TALKS ANYMORE. PUT THAT AWAY. 305 00:11:54,975 --> 00:11:56,019 LET'S TALK. 306 00:11:56,106 --> 00:11:58,500 OKAY. 307 00:11:58,587 --> 00:12:00,807 TELL ME WHY KRAMER'S REALLY HERE. 308 00:12:00,894 --> 00:12:03,070 HE'S A FRIEND AND HE'S A MENTOR. 309 00:12:03,157 --> 00:12:04,767 HE'S A WATCHDOG. 310 00:12:04,854 --> 00:12:06,769 IS THAT WHAT YOU THINK A MENTOR IS? 311 00:12:06,856 --> 00:12:09,076 LET'S SEE -- AS DEPICTED IN HOMER'S "ODYSSEY," 312 00:12:09,163 --> 00:12:10,947 MENTOR WAS HALF-MAN, HALF-GOD. 313 00:12:11,034 --> 00:12:14,603 HE REPRESENTED THE UNION OF PATH AND GOAL, IF I RECALL. 314 00:12:14,690 --> 00:12:15,822 WISDOM PERSONIFIED. 315 00:12:15,909 --> 00:12:17,606 THAT'S ONE INTERPRETATION. 316 00:12:17,693 --> 00:12:20,783 MENTOR ALSO GUIDED ODYSSEUS' SON DURING THE TROJAN WAR. 317 00:12:20,870 --> 00:12:22,698 YOU PLANNING TO GO TO WAR, PETER? 318 00:12:22,785 --> 00:12:24,700 OH, NOT YET. 319 00:12:24,787 --> 00:12:27,224 BUT IF I HAVE TO, KRAMER'S GOT MY BACK. 320 00:12:27,311 --> 00:12:29,792 MUST BE NICE HAVING SOMEONE WHO BELIEVES IN YOU. 321 00:12:29,879 --> 00:12:32,186 I NEVER GAVE HIM A REASON NOT TO. 322 00:12:36,146 --> 00:12:38,714 [ Sneezing ] RUSTY! 323 00:12:38,801 --> 00:12:39,933 WHAT'S THIS ABOUT? 324 00:12:40,020 --> 00:12:41,630 YOU ALREADY HAVE A NEW PIECE TO SELL? 325 00:12:41,717 --> 00:12:43,240 YOU ASKED TO MEET IN PLAIN SIGHT. 326 00:12:43,327 --> 00:12:44,938 COULD YOU PICK SOMEWHERE MORE PUBLIC? 327 00:12:45,025 --> 00:12:46,635 AND YOUR HAIR'S LIKE A FREAKING FLARE. 328 00:12:46,722 --> 00:12:49,943 THIS IS GENETICS. THAT SHIRT IS A CHOICE. 329 00:12:50,030 --> 00:12:51,074 WHY ARE WE HERE? 330 00:12:51,161 --> 00:12:53,076 THIS IS ABOUT THE LAST PIECE I SOLD. 331 00:12:53,163 --> 00:12:54,295 WHERE IS IT? 332 00:12:54,382 --> 00:12:55,600 QUESTIONING MY PROFESSIONAL DISCRETION? 333 00:12:55,687 --> 00:12:57,951 I'M INSULTED.RUSTY, I NEED IT BACK. 334 00:12:58,038 --> 00:12:59,648 WELL, THAT'S A DIFFERENT CONVERSATION. 335 00:12:59,735 --> 00:13:01,650 I CAN TALK TO THE GUY, SEE IF HE'D BE WILLING 336 00:13:01,737 --> 00:13:04,000 [ CELL PHONE RINGS ]TO PART WITH IT FOR, SAY, A 30% PROFIT? 337 00:13:04,087 --> 00:13:05,610 THIS IS AN EMERGENCY. 338 00:13:05,697 --> 00:13:08,613 DO YOU KNOW HOW THIS WORKS? 339 00:13:08,700 --> 00:13:10,224 I'M A MIDDLEMAN. 340 00:13:10,311 --> 00:13:11,834 I GIVE YOU THE NAME, YOU CUT MEOUT THE NEXT TIME. 341 00:13:11,921 --> 00:13:13,357 MY ENTIRE JOB IS DEPENDENT 342 00:13:13,444 --> 00:13:15,403 ON ME NOTTELLING YOU THAT INFORMATION. 343 00:13:15,490 --> 00:13:18,754 THE FBI IS LOOKING FOR THAT PAINTING. 344 00:13:18,841 --> 00:13:20,756 NOW YOU'RE TRYING TO SCARE ME INTO HELPING YOU? SAD. 345 00:13:20,843 --> 00:13:21,801 NOT SAD. 346 00:13:23,019 --> 00:13:25,717 URGENT! THE FEDS ARE HERE! 347 00:13:25,805 --> 00:13:28,068 [ Laughing ] REALLY, MOZZIE? 348 00:13:28,155 --> 00:13:30,287 GOING WITH THE OLD, TIRED "G-MEN ARE AFTER ME" BIT? 349 00:13:30,374 --> 00:13:31,723 [ LAUGHS ] 350 00:13:31,811 --> 00:13:34,378 RUSTY, STAY WHERE YOU ARE! RUSTY! 351 00:13:34,465 --> 00:13:37,904 DIANA, TELL BACKUP TO COME AROUND TO BRYANT PARK. 352 00:13:37,991 --> 00:13:39,514 Man: HEY, LOOK OUT! 353 00:13:39,601 --> 00:13:41,298 ALL RIGHT, I'LL TAKE LEFT, YOU TAKE RIGHT? 354 00:13:41,385 --> 00:13:42,299 PETER? 355 00:13:42,386 --> 00:13:43,431 GO. 356 00:13:43,518 --> 00:13:46,564 HEY! 357 00:13:46,651 --> 00:13:48,088 Woman: SUCH A HURRY! 358 00:13:58,446 --> 00:13:59,839 [ CELL PHONE BEEPS ] 359 00:14:01,318 --> 00:14:03,233 [ INDISTINCT CONVERSATIONS ] 360 00:14:03,320 --> 00:14:04,408 HEY. 361 00:14:04,495 --> 00:14:05,670 WHY'D YOU BRING THE SUIT? 362 00:14:05,757 --> 00:14:07,629 LOOK, THE FBI HAS BEEN MONITORING RUSTY. 363 00:14:07,716 --> 00:14:09,674 PETER DIDN'T GIVE ME A CHANCE TO WARN YOU. 364 00:14:09,761 --> 00:14:11,676 DID YOU GET THE INFO?RUSTY DIDN'T TELL ME ANYTHING. 365 00:14:11,763 --> 00:14:13,940 ON THE UPSIDE, I'M ASSUMING HE WON'T TELL THE FBI, EITHER. 366 00:14:14,027 --> 00:14:15,245 ALL RIGHT, GOOD. I'LL HEAD HIM OFF. 367 00:14:15,332 --> 00:14:16,768 WHAT? NO! LET HIM GO! 368 00:14:16,856 --> 00:14:17,987 PETER IS GUNNING FOR ME, MOZ. 369 00:14:18,074 --> 00:14:19,162 IF I HELP HIM CATCH RUSTY, 370 00:14:19,249 --> 00:14:20,598 MAYBE HE'LL EASE UP ON HIS LEASH. 371 00:14:20,685 --> 00:14:22,122 NOW GET OUT OF HERE BEFORE HE SEES YOU. 372 00:14:22,209 --> 00:14:23,819 HOLD ON. RUSTY'S PHONE. 373 00:14:23,906 --> 00:14:25,647 I DELETED ANY REFERENCES TO US. 374 00:14:25,734 --> 00:14:26,778 PERFECT. THANK YOU, MOZ. 375 00:14:29,956 --> 00:14:32,436 [ POLICE RADIO CHATTER ] 376 00:14:32,523 --> 00:14:34,874 DIANA, WHERE ARE MY GUYS? 377 00:14:38,138 --> 00:14:40,270 THIS EXIT'S CLOSED. 378 00:14:40,357 --> 00:14:42,229 [ CHUCKLES ] 379 00:14:42,316 --> 00:14:44,144 RUSTY... 380 00:14:44,231 --> 00:14:46,798 WE NEED TO TALK ABOUT A MAN AND A DEGAS. 381 00:14:46,886 --> 00:14:48,539 GOT TO LOVE GOOD OLD-FASHIONED TEAMWORK. 382 00:14:51,586 --> 00:14:52,935 [ SIREN WAILS ] 383 00:14:53,022 --> 00:14:55,851 [ POLICE RADIO CHATTER ] 384 00:14:55,938 --> 00:14:59,681 HE SCREAMED FOR HIS LAWYER THE SECOND I PUT CUFFS ON HIM. 385 00:14:59,768 --> 00:15:01,509 HE KNOWS TALKING WILL KILL HIS REPUTATION. 386 00:15:01,596 --> 00:15:02,945 WE NEED LEVERAGE. 387 00:15:03,032 --> 00:15:05,034 YOU HAVE IT. FOUND RUSTY'S PHONE. 388 00:15:05,121 --> 00:15:06,470 HE MUST HAVE TOSSED IT. 389 00:15:06,557 --> 00:15:07,819 HIS RECENT CALL LIST 390 00:15:07,907 --> 00:15:10,126 SHOULD HELP US FIGURE OUT WHERE HE GOT THE DEGAS. 391 00:15:10,213 --> 00:15:11,736 WE'LL GET THIS TO E.R.T. 392 00:15:11,823 --> 00:15:13,782 MEET YOU BACK AT THE OFFICE. WE'LL GO OVER DETAILS. 393 00:15:13,869 --> 00:15:15,784 SOUNDS GOOD. 394 00:15:15,871 --> 00:15:19,570 YOUR BOY IS VERY HELPFUL FOR OUR LEAD SUSPECT. 395 00:15:19,657 --> 00:15:22,922 SO IT SEEMS. 396 00:15:24,967 --> 00:15:26,142 [ ELEVATOR BELL DINGS ] 397 00:15:29,363 --> 00:15:30,581 Melissa: EXCUSE ME! HOLD THE ELEVATOR PLEASE! 398 00:15:30,668 --> 00:15:33,628 THANK YOU. 399 00:15:33,715 --> 00:15:35,760 CHRIS. CHRIS GATES. 400 00:15:35,847 --> 00:15:37,849 AGENT MATTHEWS. 401 00:15:37,937 --> 00:15:40,069 PLEASE. YOU CAN CALL ME MELISSA AFTER LAST TIME. 402 00:15:40,156 --> 00:15:41,592 SORRY. MELISSA. HOW ARE YOU? 403 00:15:41,679 --> 00:15:43,029 I'M GOOD. GOOD. 404 00:15:43,116 --> 00:15:45,248 I DIDN'T KNOW THEY'D PULLED IN INTERPOL FOR THIS. 405 00:15:45,335 --> 00:15:46,728 WELL, HERE I AM. 406 00:15:46,815 --> 00:15:48,817 ON YOUR WAY TO SEE AGENT BURKE? 407 00:15:48,904 --> 00:15:50,384 YES. 408 00:15:50,471 --> 00:15:52,342 YES.WE'LL GO TOGETHER. 409 00:15:52,429 --> 00:15:54,214 FAN...TASTIC. 410 00:15:54,301 --> 00:15:55,955 [ ELEVATOR BELL DINGS ] 411 00:16:03,527 --> 00:16:05,138 [ ELEVATOR BELL DINGS ] 412 00:16:05,225 --> 00:16:07,836 I ASSUME YOU'RE HERE ABOUT THE DEGAS? 413 00:16:07,923 --> 00:16:09,969 I ONLY KNOW WHAT KRAMER TELLS ME. 414 00:16:11,492 --> 00:16:12,406 [ DINGS ] 415 00:16:14,625 --> 00:16:16,453 CAN I TRUST YOU?WHAT'S WRONG? 416 00:16:16,540 --> 00:16:18,238 MELISSA... 417 00:16:18,325 --> 00:16:20,109 CAN I TRUST YOU? TRY ME. 418 00:16:20,196 --> 00:16:22,416 WHAT I AM ABOUT TO SAY... 419 00:16:22,503 --> 00:16:24,200 DAMN IT. YOU'RE NOT AUTHORIZED. 420 00:16:24,287 --> 00:16:25,419 AUTHORIZED FOR WHAT? 421 00:16:25,506 --> 00:16:26,811 IT DOESN'T MATTER. THERE'S NO TIME. 422 00:16:26,898 --> 00:16:28,291 THERE IS A MOLE IN THE WHITE COLLAR DIVISION 423 00:16:28,378 --> 00:16:29,336 HERE IN NEW YORK. 424 00:16:29,423 --> 00:16:31,033 WHAT? 425 00:16:31,120 --> 00:16:33,383 WE INTERCEPTED AN UNIDENTIFIED TRANSMISSION FROM THIS OFFICE. 426 00:16:33,470 --> 00:16:36,169 SOMEONE HERE IS TRYING TO MAKE A PLAY FOR THE SUB'S STOLEN ART. 427 00:16:36,256 --> 00:16:39,172 AND THEY'VE SENT INTERPOL IN TO INVESTIGATE? 428 00:16:39,259 --> 00:16:41,739 YES. I'M ON SPECIAL ASSIGNMENT. NO ONE HERE CAN BE TRUSTED. 429 00:16:41,826 --> 00:16:43,524 AS FAR AS THIS OFFICE IS CONCERNED, 430 00:16:43,611 --> 00:16:45,700 I'M A RECOVERY CONSULTANT ON LOAN TO THE BUREAU. 431 00:16:45,787 --> 00:16:47,180 BUT THE NIGHT WE HAD DRINKS -- 432 00:16:47,267 --> 00:16:49,704 I WAS CARELESS, ALL RIGHT? I LET MY COVER SLIP. 433 00:16:49,791 --> 00:16:51,358 I'M SORRY I GOT YOU MIXED UP IN THIS. 434 00:16:51,445 --> 00:16:52,446 CHRIS -- 435 00:16:52,533 --> 00:16:54,448 CALL ME "NEAL." PLEASE. 436 00:16:57,755 --> 00:16:58,843 I DEFINITELY DON'T REGRET THE DRINKS, THOUGH. 437 00:16:58,930 --> 00:16:59,801 [ DINGS ] 438 00:17:03,587 --> 00:17:06,242 AGENT MATTHEWS. THANKS FOR MAKING THE TRIP. 439 00:17:06,329 --> 00:17:08,027 OF COURSE. THAT'S THE JOB. 440 00:17:08,114 --> 00:17:10,159 I HAVE EVERYTHING THAT AGENT KRAMER REQUESTED. 441 00:17:10,246 --> 00:17:12,553 GREAT. I SEE YOU'VE MET NEAL. 442 00:17:12,640 --> 00:17:13,989 YEAH. YES, NEAL AND I 443 00:17:14,076 --> 00:17:16,383 HAD A VERY INTERESTING CONVERSATION ON THE RIDE UP. 444 00:17:16,470 --> 00:17:17,645 HE'S ALWAYS GOOD FOR THAT. 445 00:17:17,732 --> 00:17:19,038 YOU WERE RIGHT. 446 00:17:19,125 --> 00:17:20,865 THE NUMBERS ON RUSTY'S CELL GAVE US A LEAD. 447 00:17:20,952 --> 00:17:22,476 GLAD I COULD HELP. 448 00:17:22,563 --> 00:17:24,260 AGENT KRAMER'S IN THE CONFERENCE ROOM. COME ON UP. 449 00:17:24,347 --> 00:17:27,655 I OWE YOU ANOTHER MARTINI. 450 00:17:27,742 --> 00:17:30,484 IT LOOKS LIKE RUSTY DELETED SEVERAL NUMBERS FROM HIS PHONE 451 00:17:30,571 --> 00:17:32,181 BEFORE NEAL FOUND IT. 452 00:17:32,268 --> 00:17:35,445 UNFORTUNATELY, WE DON'T KNOW WHO HE BOUGHT THE DEGAS FROM. 453 00:17:35,532 --> 00:17:36,881 BUT IF WE FIND IT, WE'LL HAVE LEVERAGE 454 00:17:36,968 --> 00:17:38,057 TO MAKE HIM TELL US WHERE HE GOT IT. 455 00:17:38,144 --> 00:17:39,667 YEP. 456 00:17:39,754 --> 00:17:42,278 THE GOOD NEWS IS, WE THINK WE KNOW WHO HE SOLD IT TO. 457 00:17:42,365 --> 00:17:45,238 THERE WERE SEVERAL CALLS PLACED TO THIS MAN. 458 00:17:45,325 --> 00:17:46,717 Diana: THAT'S ELLIOTT RICHMOND. 459 00:17:46,804 --> 00:17:48,241 HE'S A BLACK-MARKET ARMS TRAFFICKER. 460 00:17:48,328 --> 00:17:50,895 RUMOR IS HE MADE A FORTUNE MOVING M240s. 461 00:17:50,982 --> 00:17:52,767 A FORTUNE HE SPENDS ON ART. 462 00:17:52,854 --> 00:17:55,944 HE'S GOT A SOFT SPOT FOR IMPRESSIONISTS. 463 00:17:56,031 --> 00:17:58,164 ART IS CURRENCY FOR GUYS LIKE THIS. 464 00:17:58,251 --> 00:18:01,515 OVER THE PAST DECADE, A MAJORITY OF BLACK-MARKET DEALERS 465 00:18:01,602 --> 00:18:02,733 STOPPED TRADING IN CASH. 466 00:18:02,820 --> 00:18:05,736 TOO EASY TO TRACE, TOO UNWIELDY. 467 00:18:05,823 --> 00:18:09,436 INSTEAD OF CARRYING DUFFEL BAGS WITH MILLIONS IN BANK NOTES -- 468 00:18:09,523 --> 00:18:11,612 IT'S EASIER TO TRADE A SINGLE PIECE OF ART WORTH THE SAME AMOUNT. 469 00:18:11,699 --> 00:18:14,049 NEAL, RUMOR IS 470 00:18:14,136 --> 00:18:16,747 YOU'VE HAD SOME EXPERIENCE IN THIS PAYMENT PROCESS. 471 00:18:16,834 --> 00:18:18,140 WELL, DETAILS ARE SENSITIVE, 472 00:18:18,227 --> 00:18:20,360 BUT THE THIEF IN MIND ALLEGEDLY TRADED A MANET 473 00:18:20,447 --> 00:18:22,013 FOR A BATCH OF STOLEN IDENTITIES. 474 00:18:22,101 --> 00:18:23,102 IT WAS A TOUGH ASSIGNMENT. 475 00:18:23,189 --> 00:18:24,668 ASSIGNMENT? 476 00:18:24,755 --> 00:18:26,496 YEAH, THE WESLEY GODFREY COVER WAS BLOWN. 477 00:18:26,583 --> 00:18:27,976 WHAT'S OUR ANGLE ON RICHMOND? 478 00:18:28,063 --> 00:18:31,632 RICHMOND KEEPS A PENTHOUSE AT 75 WALL. 479 00:18:31,719 --> 00:18:33,068 HE DOESN'T OWN ANY OTHER PROPERTY IN THE CITY, 480 00:18:33,155 --> 00:18:34,548 AND HE LOVES TO LOOK AT HIS ART, 481 00:18:34,635 --> 00:18:37,507 SO IT'S A GOOD BET THIS IS WHERE HE'S KEEPING THE DEGAS. 482 00:18:37,594 --> 00:18:39,466 WE'VE ALREADY SET UP A BUY WITH HIM. 483 00:18:39,553 --> 00:18:41,120 MELISSA, IF YOU'D BE SO KIND. 484 00:18:41,207 --> 00:18:44,166 TWO YEARS AGO, I RECOVERED THIS 485 00:18:44,253 --> 00:18:46,386 WHILE WORKING A CASE IN GERMANY. 486 00:18:47,648 --> 00:18:49,650 WHOA! 487 00:18:49,737 --> 00:18:52,131 THIS IS AN MP5K MODIFIED TO SHOOT THROUGH A BRIEFCASE. 488 00:18:52,218 --> 00:18:55,873 VERY RARE. CIVILIANS CAN'T GET THEIR HANDS ON THEM. 489 00:18:55,960 --> 00:18:58,093 Peter: WE'VE TOLD RICHMOND THAT IF HE LIKES WHAT HE SEES, 490 00:18:58,180 --> 00:18:59,703 I CAN GET HIM A COUPLE HUNDRED. 491 00:18:59,790 --> 00:19:02,184 THAT SHOULD BE ENOUGH TO NEGOTIATE FOR A DEGAS. 492 00:19:02,271 --> 00:19:03,968 YOU'RE GOING IN?I'M GONNA POSE AS THE SELLER, 493 00:19:04,055 --> 00:19:05,144 AND DIANA WILL BE MY BACKUP. 494 00:19:05,231 --> 00:19:06,667 DIANA? 495 00:19:06,754 --> 00:19:09,322 YOU HATE GUNS, AND AS WE CAN ALL SEE, DIANA... 496 00:19:09,409 --> 00:19:10,627 KIND OF LOVE 'EM. 497 00:19:10,714 --> 00:19:11,802 SO I'M SITTING THIS ONE OUT? 498 00:19:11,889 --> 00:19:13,064 NOT EXACTLY. 499 00:19:13,152 --> 00:19:14,805 YOU'LL BE IN THE VAN... 500 00:19:14,892 --> 00:19:15,937 WITH ME. 501 00:19:17,808 --> 00:19:22,509 HK MP5 IN A BRIEFCASE. 502 00:19:22,596 --> 00:19:23,945 CLASSIC. 503 00:19:24,032 --> 00:19:25,729 TRIGGER'S IN THE HANDLE. 504 00:19:25,816 --> 00:19:28,602 IT'LL FIRE THROUGH THE BRIEFCASE SHELL WHILE YOU'RE WALKING. 505 00:19:28,689 --> 00:19:30,908 VERY NICE. HOW MANY HAVE YOU GOT? 506 00:19:30,995 --> 00:19:34,085 TWO GROSS, BUT THIS WILL COST YOU. IT'S A RARE ITEM. 507 00:19:34,173 --> 00:19:35,739 OH, I UNDERSTAND THAT. 508 00:19:35,826 --> 00:19:37,959 WHAT I DON'TUNDERSTAND IS WHAT SHE'S DOING HERE. 509 00:19:38,046 --> 00:19:39,569 SHE ASSISTS ME. 510 00:19:39,656 --> 00:19:42,137 CAN'T THE LADY SPEAK FOR HERSELF? 511 00:19:42,224 --> 00:19:44,183 THE LADY IS ALSO HIS MUSCLE. 512 00:19:44,270 --> 00:19:46,881 [ LAUGHS ] 513 00:19:46,968 --> 00:19:48,578 YOU'RE FUNNY. 514 00:19:48,665 --> 00:19:49,753 LET'S TALK. 515 00:19:49,840 --> 00:19:52,365 AGENT BERRIGAN SEEMS IMPRESSIVE. 516 00:19:52,452 --> 00:19:53,714 ALMOST AS IMPRESSIVE AS PETER. 517 00:19:53,801 --> 00:19:55,629 IF THERE'S ONE SURE THING ABOUT PETER, 518 00:19:55,716 --> 00:19:58,762 HE ACCOMPLISHES WHAT HE PUTS HIS MIND TO. 519 00:19:58,849 --> 00:20:01,112 IF HE'S GOT A TARGET, HE'LL KEEP PURSUING TILL HE HITS IT... 520 00:20:01,200 --> 00:20:03,158 DEAD-CENTER. 521 00:20:03,245 --> 00:20:05,595 RICHMOND: I'll tell you what -- 522 00:20:05,682 --> 00:20:08,163 YOU BRING ME A GROSS, AND YOU'VE GOT YOURSELF A DEAL. 523 00:20:08,250 --> 00:20:10,209 DONE. BUT I DON'T DO CASH OR CHECK. 524 00:20:10,296 --> 00:20:11,775 NEITHER DO I. 525 00:20:11,862 --> 00:20:15,388 I HAVE GOT A RECENTLY ACQUIRED AND VERY VALUABLE ITEM 526 00:20:15,475 --> 00:20:17,172 THAT IS WORTHY OF THESE GUNS -- 527 00:20:17,259 --> 00:20:18,956 FINANCIALLY SPEAKING, OF COURSE. 528 00:20:19,043 --> 00:20:20,088 Diana: WHAT KIND OF ITEM? 529 00:20:20,175 --> 00:20:22,438 [ STATIC ]WHAT HAPPENED? 530 00:20:22,525 --> 00:20:24,832 MAYBE PETER DOESN'T CONSIDER YOU 531 00:20:24,919 --> 00:20:27,182 AS MUCH OF A PARTNER AS YOU THINK. 532 00:20:29,489 --> 00:20:32,666 TOMORROW. 1:00 SHARP. 533 00:20:32,753 --> 00:20:34,972 YOU BRING THE GUNS. I'LL BRING THE ITEM. 534 00:20:35,059 --> 00:20:36,322 UNTIL TOMORROW. 535 00:20:48,812 --> 00:20:52,599 MUST BE HARD TO DO YOUR JOB WHEN YOU'RE KEPT OUT OF THE LOOP. 536 00:20:54,949 --> 00:20:57,560 YOU SEEM TO KNOW SOMETHING ABOUT THAT, HUH? 537 00:21:07,135 --> 00:21:09,311 HEY. HEY. 538 00:21:09,398 --> 00:21:10,399 WHAT HAPPENED TODAY? 539 00:21:11,922 --> 00:21:13,750 YOUR WATCH CUT OUT. OH. 540 00:21:13,837 --> 00:21:16,536 EQUIPMENT MALFUNCTIONS. IT HAPPENS. 541 00:21:16,623 --> 00:21:18,277 YOU KNOW THAT BETTER THAN ANYONE. 542 00:21:18,364 --> 00:21:19,887 SO YOU'RE NOT GONNA TELL ME EVERYTHING, HUH? 543 00:21:19,974 --> 00:21:21,497 I'M FOLLOWING MY LEADS. 544 00:21:21,584 --> 00:21:24,239 IF YOU DON'T LIKE WHERE THEY GO, TOO BAD. 545 00:21:24,326 --> 00:21:25,980 THAT'S KRAMER TALKING. 546 00:21:26,067 --> 00:21:27,764 HE'S THE DEVIL ON YOUR SHOULDER. NO. 547 00:21:27,851 --> 00:21:29,810 HE'S REMINDING ME WHY I'M HERE. 548 00:21:29,897 --> 00:21:31,768 I'M HELPING THIS INVESTIGATION. 549 00:21:31,855 --> 00:21:33,640 DO YOU REMEMBER WHAT YOU SAID TO ME 550 00:21:33,727 --> 00:21:35,729 THE DAY I FIRST ACCUSED YOU OF STEALING THE ART? 551 00:21:38,209 --> 00:21:39,080 WHAT WAS IT, NEAL? 552 00:21:40,690 --> 00:21:41,865 "PROVE IT." 553 00:21:41,952 --> 00:21:43,389 BE CAREFUL WHAT YOU WISH FOR. 554 00:21:49,699 --> 00:21:51,614 THEN GOOD LUCK. 555 00:22:07,761 --> 00:22:09,980 MELISSA. 556 00:22:11,417 --> 00:22:12,853 YOU DROPPED SOMETHING. 557 00:22:12,940 --> 00:22:15,072 I'LL GET IT. 558 00:22:15,159 --> 00:22:16,813 OH. 559 00:22:16,900 --> 00:22:19,773 GUESS KRAMER BROUGHT YOU IN THE LOOP AFTER ALL, HUH? 560 00:22:19,860 --> 00:22:20,948 THANKS. 561 00:22:21,035 --> 00:22:23,037 YOU'RE WELCOME. 562 00:22:29,870 --> 00:22:32,742 WHY, YES, I DO OWN THESE VILLAS. 563 00:22:32,829 --> 00:22:34,962 WHAT'S THAT? THE ISLAND? 564 00:22:35,049 --> 00:22:37,138 YEAH. I KIND OF OWN THAT, TOO. 565 00:22:37,225 --> 00:22:39,488 SURE, I CAN SHOW YOU CORAL REEF... 566 00:22:39,575 --> 00:22:41,838 IN MY SUBMERSIBLE.[ CELL PHONE RINGS ] 567 00:22:41,925 --> 00:22:43,753 [ BEEP ] 568 00:22:43,840 --> 00:22:44,885 WE GOT A PROBLEM. 569 00:22:44,972 --> 00:22:47,409 WE SHOULD MAYBE COPYRIGHT THAT PHRASE. 570 00:22:47,496 --> 00:22:49,368 PETER PUT IN AN OP ORDER TO SEARCH RICHMOND'S HOME 571 00:22:49,455 --> 00:22:51,152 TOMORROW AT 1:00. 572 00:22:51,239 --> 00:22:52,588 We need to get there before the Feds. 573 00:22:52,675 --> 00:22:55,374 MEET AT MY PLACE TONIGHT. 574 00:22:55,461 --> 00:22:57,332 [ HORNS HONKING ] 575 00:23:00,509 --> 00:23:02,990 LOOKING SHARP, THERE, MOZZIE. 576 00:23:03,077 --> 00:23:05,514 KELLER... 577 00:23:05,601 --> 00:23:07,777 QUELLE SURPRISE. 578 00:23:07,864 --> 00:23:09,431 YOU'RE A HARD MAN TO TRACK DOWN. 579 00:23:09,518 --> 00:23:12,086 YOU SHOULD KNOW I ALWAYS HAVE AN ESCAPE ROUTE. 580 00:23:12,173 --> 00:23:14,697 FIVE PACES TO MY LEFT IS THE "A" TRAIN. 581 00:23:14,784 --> 00:23:16,438 TO MY RIGHT IS JERRY, 582 00:23:16,525 --> 00:23:20,094 A NOBLE HOT-DOG VENDOR WHO WOULD GLADLY RISK HIS LIFE FOR MINE. 583 00:23:20,181 --> 00:23:21,922 LOOKS TO ME THERE'S ONLY ONE MAJOR EXIT 584 00:23:22,009 --> 00:23:24,707 YOU'RE CONCERNED WITH, GIVEN THESE FANCY SHIRTS, HERE. 585 00:23:24,794 --> 00:23:27,884 YOU ALMOST KILLED ME, MOZZIE. HMM? 586 00:23:27,971 --> 00:23:29,582 YOU PUT A PRICE ON MY HEAD. 587 00:23:29,669 --> 00:23:31,453 WHICH MEANS ALL I HAVE TO DO IS SCREAM 588 00:23:31,540 --> 00:23:33,368 AND NEW YORK CLOSES IN TO TAKE YOU DOWN. 589 00:23:33,455 --> 00:23:35,588 YOU SCREAM, I GUT YOU LIKE A CARP, 590 00:23:35,675 --> 00:23:37,807 THEN HOP THE "A" TRAIN FIVE PACES TO YOUR LEFT. 591 00:23:37,894 --> 00:23:40,157 JERRY WOULD NEVER LET YOU GET THAT FAR. 592 00:23:40,244 --> 00:23:42,508 YOU'RE BOLD, MOZZIE, I'LL GIVE YOU THAT. 593 00:23:42,595 --> 00:23:44,466 YOU MAKE THE KIND OF RUTHLESS CHOICES 594 00:23:44,553 --> 00:23:45,859 THAT CAFFREY NEVER WOULD. 595 00:23:45,946 --> 00:23:47,338 WHAT DO YOU WANT, KELLER? 596 00:23:47,426 --> 00:23:50,559 YOU KNOW WHAT I WANT. I'M HERE AS A COURTESY... 597 00:23:50,646 --> 00:23:52,256 WHICH MEANS THIS IS YOUR LAST CHANCE 598 00:23:52,343 --> 00:23:53,867 TO CUT ME IN ON YOUR TREASURE. 599 00:23:53,954 --> 00:23:55,477 EVEN IF I KNEW WHAT YOU WERE TALKING ABOUT, 600 00:23:55,564 --> 00:23:56,652 THE ANSWER WOULD STILL BE NO. 601 00:23:56,739 --> 00:23:58,741 YOU'RE SURE ABOUT THAT? 602 00:24:00,656 --> 00:24:03,050 REMEMBER, I DID ASK NICELY. 603 00:24:03,137 --> 00:24:05,226 NOW I'M GONNA HAVE TO MAKE YOU GIVE ME WHAT I WANT. 604 00:24:05,313 --> 00:24:06,749 HOW? 605 00:24:06,836 --> 00:24:08,534 WHY RUIN THE SURPRISE? 606 00:24:08,621 --> 00:24:10,231 ENJOY. 607 00:24:17,804 --> 00:24:20,371 [ BEEPING ] 608 00:24:24,811 --> 00:24:27,335 YOU'D THINK THAT THING HAD SPORTS SCORES ON IT. 609 00:24:27,422 --> 00:24:29,032 I'M LOOKING AT NEAL'S TRACKING DATA. 610 00:24:29,119 --> 00:24:31,078 IS THAT WHAT YOU'VE BEEN DOING FOR THE LAST HOUR? 611 00:24:31,165 --> 00:24:32,340 I NEED TO KNOW WHERE HE IS. 612 00:24:32,427 --> 00:24:33,907 HONEY, IT'S ALMOST 10:00 ON A MONDAY. 613 00:24:33,994 --> 00:24:35,343 I DON'T THINK HE'S GOING ANYWHERE. 614 00:24:35,430 --> 00:24:38,259 YEAH, I CAN'T BE TOO SURE... NOT NOW. 615 00:24:38,346 --> 00:24:41,523 ALL GOES WELL, WE'LL RECOVER THE PAINTING TOMORROW. 616 00:24:41,610 --> 00:24:42,611 THEN WHAT? 617 00:24:42,698 --> 00:24:44,047 THEN I'LL KNOW THE TRUTH. 618 00:24:44,134 --> 00:24:45,614 NEAL REALLY DID IT, DIDN'T HE? 619 00:24:45,701 --> 00:24:48,661 WHAT'S GOT YOU SUDDENLY SO CONVINCED? 620 00:24:48,748 --> 00:24:50,358 YOU. 621 00:24:50,445 --> 00:24:52,186 THE LAST TIME YOU OBSESSED THIS MUCH, 622 00:24:52,273 --> 00:24:53,274 YOU CAUGHT HIM. 623 00:24:55,885 --> 00:24:58,497 [ KNOCKING ON DOOR ] 624 00:25:02,631 --> 00:25:03,806 HEY. 625 00:25:03,893 --> 00:25:05,765 WE'VE GOT A PROBLEM. 626 00:25:05,852 --> 00:25:08,071 YOU'RE RIGHT -- WE SHOULD COPYRIGHT THAT PHRASE. 627 00:25:08,158 --> 00:25:09,203 KELLER'S BACK. 628 00:25:09,290 --> 00:25:10,552 AND HE WANTS OUR TREASURE. 629 00:25:10,639 --> 00:25:11,814 WHAT? 630 00:25:11,901 --> 00:25:13,163 HE'S GOT THE ENTIRE U.S. GOVERNMENT 631 00:25:13,250 --> 00:25:14,817 AND HALF THE CRIMINAL UNDERWORLD LOOKING FOR HIM. 632 00:25:14,904 --> 00:25:16,732 EXACTLY, AND IF HE'S STICKING AROUND, 633 00:25:16,819 --> 00:25:18,821 IT MEANS HE'S PLANNING TO DO SOMETHING BIG. 634 00:25:18,908 --> 00:25:20,780 SO WE SHOULD SPLIT BEFORE THAT HAPPENS. 635 00:25:20,867 --> 00:25:22,303 NO, WE WORRY ABOUT KELLER 636 00:25:22,390 --> 00:25:23,826 AFTER OUR DEGAS PROBLEM IS HANDLED. 637 00:25:23,913 --> 00:25:25,349 I'M ALMOST DONE WITH THE FORGERY. 638 00:25:25,436 --> 00:25:27,569 48 HOURS, MOZ. LET'S MAKE THEM COUNT. 639 00:25:27,656 --> 00:25:30,529 YOU'VE ALREADY GOT A PLAN. 640 00:25:30,616 --> 00:25:32,835 WE'LL HAVE A 10-MINUTE WINDOW DURING THE FBI RAID 641 00:25:32,922 --> 00:25:34,184 TO SWAP THE PAINTING. 642 00:25:34,271 --> 00:25:36,752 I'M SORRY. I ASSUMED YOU HAD A GOODPLAN. 643 00:25:36,839 --> 00:25:38,493 WITH PETER ON MY BACK, THIS IS THE ONLY WAY. 644 00:25:55,466 --> 00:25:57,773 OKAY, THEN. PROCEED. 645 00:25:57,860 --> 00:26:00,167 ALL RIGHT, THIS IS THE LAYOUT FOR RICHMOND'S APARTMENT. 646 00:26:00,254 --> 00:26:02,082 HE'S THE PENTHOUSE, 43rd FLOOR, 647 00:26:02,169 --> 00:26:05,128 ACCESSIBLE BY TWO ELEVATORS AND THE FIRE STAIRS. 648 00:26:05,215 --> 00:26:07,696 INSIDE, RICHMOND'S GOT A PERSONAL ARSENAL, 649 00:26:07,783 --> 00:26:09,655 SO WE HAVE TO TREAD CAREFULLY. 650 00:26:09,742 --> 00:26:10,917 TAKE HIM DOWN QUICKLY 651 00:26:11,004 --> 00:26:12,396 SO HE DOESN'T HAVE A CHANCE TO GRAB A WEAPON. 652 00:26:12,483 --> 00:26:13,963 RICHMOND THINKS WE'RE THERE TO DEAL. 653 00:26:14,050 --> 00:26:15,356 DIANA, YOU'LL RIDE UP WITH ME. 654 00:26:15,443 --> 00:26:16,879 JONES, YOUR TEAM HAS THE STAIRWELL. 655 00:26:16,966 --> 00:26:19,882 WOW. 43 FLOORS. LUCKY I DO CARDIO. 656 00:26:19,969 --> 00:26:21,318 WHAT ARE YOU DOING WITH CAFFREY? 657 00:26:21,405 --> 00:26:22,798 I WANT TO KNOW WHERE HE IS AT ALL TIMES, 658 00:26:22,885 --> 00:26:24,278 SO HE'S COMING WITH ME. 659 00:26:24,365 --> 00:26:26,802 IF PETER'S PLANNING ON TAKING YOU UP TO RICHMOND'S, 660 00:26:26,889 --> 00:26:28,848 HOW IS THIS GONNA WORK?HE WON'T BE TAKING ME UP. 661 00:26:28,935 --> 00:26:31,720 THERE'S A HOLDING ROOM RIGHT NEXT TO THE GUARD'S DESK. 662 00:26:31,807 --> 00:26:33,330 I'LL MAKE SURE PETER LOCKS ME IN THERE 663 00:26:33,417 --> 00:26:34,723 BEFORE GOING UP TO RICHMOND'S. 664 00:26:34,810 --> 00:26:36,682 IT'S A CLEAR SHOT FROM THERE TO THE ELEVATORS. 665 00:26:36,769 --> 00:26:37,987 YOU'LL NEED PADDED SHOES. 666 00:26:38,074 --> 00:26:39,772 AND YOUR ELEVATOR-OVERRIDE BOX. OKAY. 667 00:26:39,859 --> 00:26:41,382 IT'LL BUY ME TIME TO HIT RICHMOND 668 00:26:41,469 --> 00:26:42,601 BEFORE PETER GETS THERE? 669 00:26:42,688 --> 00:26:44,080 THAT'S ALL IT'S GONNA BUY YOU. 670 00:26:44,167 --> 00:26:45,429 THEY'LL BE ON THE STAIRS. 671 00:26:45,516 --> 00:26:46,605 YOU'LL NEED ANOTHER WAY DOWN. 672 00:26:46,692 --> 00:26:47,823 I KNOW. 673 00:26:47,910 --> 00:26:50,086 UH, THERE IS NO OTHER WAY DOWN. 674 00:26:50,173 --> 00:26:52,523 I KNOW. 675 00:26:52,611 --> 00:26:55,178 YOU'RE KEEPING NEAL CLOSE WHILE YOU GO IN FOR THE DEGAS? 676 00:26:55,265 --> 00:26:56,702 I WANT TO WATCH HIS EXPRESSION 677 00:26:56,789 --> 00:26:58,355 WHEN HE SEES THE PAINTING IN MY HAND. 678 00:26:58,442 --> 00:27:00,053 ANY CHANCE HE GOES FOR THE PLACE TONIGHT? 679 00:27:00,140 --> 00:27:02,795 NO, I'VE GOT A TEAM MONITORING HIS TRACKING DATA. 680 00:27:02,882 --> 00:27:04,579 THAT DOESN'T MEAN HE'S NOT PLANNING SOMETHING. 681 00:27:04,666 --> 00:27:06,059 I'M SURE HE IS. 682 00:27:06,146 --> 00:27:08,452 HOW ARE WE GONNA GET THE COPY OF THE DEGAS 683 00:27:08,539 --> 00:27:10,803 AND ALL THE OTHER STUFF UP TO RICHMOND'S IN THE FIRST PLACE? 684 00:27:10,890 --> 00:27:11,891 YOU'RE GONNA DO IT. 685 00:27:11,978 --> 00:27:13,022 HOW? 686 00:27:13,109 --> 00:27:14,807 WE'RE GONNA NEED A BAZOOKA. 687 00:27:14,894 --> 00:27:17,636 OH. 688 00:27:17,723 --> 00:27:20,900 Moz: YOU ARE LOOKING AT AN AT4 RECOILLESS RIFLE. 689 00:27:20,987 --> 00:27:24,338 MADE BY SAAB, FIELDED BY U.S. AND SWEDISH FORCES. 690 00:27:24,425 --> 00:27:26,732 VERY POPULAR IN AFGHANISTAN LAST SUMMER. 691 00:27:26,819 --> 00:27:28,342 HOW MANY DO YOU HAVE? 692 00:27:28,429 --> 00:27:30,387 WE'LL GO WITH 200. 693 00:27:30,474 --> 00:27:32,694 SHOULD I BE ASKING HOW YOU GOT THEM? 694 00:27:32,781 --> 00:27:35,828 LET'S JUST SAY THEY FELL OFF A TRUCK. 695 00:27:35,915 --> 00:27:38,874 HOW DO I KNOW NOTHING BROKE FALLING OFF THAT TRUCK? 696 00:27:38,961 --> 00:27:41,050 OH, CONSIDER THIS A FLOOR MODEL. 697 00:27:41,137 --> 00:27:42,878 TEST IT OUT, AND IF YOU LIKE IT, 698 00:27:42,965 --> 00:27:45,185 WE CAN TALK ABOUT THE OTHER 199. 699 00:27:45,272 --> 00:27:47,361 OBVIOUSLY I CAN'T TEST IT HERE. 700 00:27:47,448 --> 00:27:48,928 OH, TAKE YOUR TIME. 701 00:27:49,015 --> 00:27:50,799 YOU KNOW, I'LL BE IN TOUCH. 702 00:27:50,886 --> 00:27:52,758 ENJOY. ENJOY. 703 00:28:06,902 --> 00:28:09,644 [ BEEP ] 704 00:28:11,167 --> 00:28:13,822 OKAY. 705 00:28:13,909 --> 00:28:15,302 THE ELEVATORS ARE MINE, NEAL. 706 00:28:15,389 --> 00:28:17,217 THE REST IS UP TO YOU. 707 00:28:17,304 --> 00:28:18,871 Jones: TEAM ONE IN POSITION ON THE STAIRS. 708 00:28:18,958 --> 00:28:20,046 Diana: THANKS, JONES. WE'RE MOVING IN. 709 00:28:20,133 --> 00:28:21,134 I GOT IT. 710 00:28:27,793 --> 00:28:29,098 WHAT ARE YOU PLANNING TO DO WITH THIS? 711 00:28:29,185 --> 00:28:30,317 ALWAYS BE PREPARED, RIGHT? 712 00:28:31,927 --> 00:28:33,624 RIGHT. 713 00:28:33,712 --> 00:28:36,540 FBI. WE HAVE A WARRANT TO SEARCH THE PENTHOUSE. 714 00:28:36,627 --> 00:28:38,499 AGENT PETER BURKE. 715 00:28:38,586 --> 00:28:40,196 I HAVE A HOSTILE WITNESS ON MY HANDS. 716 00:28:40,283 --> 00:28:42,546 DO YOU HAVE A STORAGE ROOM OR AN OFFICE THAT I CAN BORROW 717 00:28:42,633 --> 00:28:44,505 WHILE I'M CONDUCTING MY BUSINESS UPSTAIRS? 718 00:28:44,592 --> 00:28:46,376 YES, SIR. RIGHT OVER THERE. I'LL SHOW YOU. 719 00:28:46,463 --> 00:28:49,162 OH, COME ON, PETER. YOU CANNOT LOCK ME IN HERE. 720 00:28:51,947 --> 00:28:53,427 WATCH ME. 721 00:28:55,255 --> 00:28:57,953 UNDER NO CIRCUMSTANCES IS HE TO LEAVE. 722 00:28:58,040 --> 00:28:59,650 HE HAS NO MEDICAL CONDITION, 723 00:28:59,738 --> 00:29:01,652 HE'S HAD ENOUGH WATER, AND HE'S BEEN TO THE BATHROOM. 724 00:29:01,740 --> 00:29:04,133 IF HE CALLS YOU, DON'T ANSWER. 725 00:29:04,220 --> 00:29:06,919 IF HE REQUESTS ANYTHING, DON'T ACQUIESCE. 726 00:29:07,006 --> 00:29:09,486 AM I CLEAR? I AM THE ONLY PERSON TO OPEN THAT DOOR. 727 00:29:09,573 --> 00:29:10,661 I'LL BE BACK DOWN LATER. 728 00:29:12,751 --> 00:29:14,535 EVERYTHING OKAY WITH NEAL? 729 00:29:14,622 --> 00:29:16,406 HE WON'T BE GOING ANYWHERE. 730 00:29:16,493 --> 00:29:18,974 [ ELEVATOR BELL DINGS ] 731 00:29:22,673 --> 00:29:24,371 [ BEEP ] 732 00:29:24,458 --> 00:29:25,372 NEAL: You there, Moz? 733 00:29:25,459 --> 00:29:27,548 NO NAMES, NEA-- OOPS. 734 00:29:27,635 --> 00:29:30,029 Got it. 735 00:29:31,508 --> 00:29:33,119 [ ELEVATOR DOORS CLOSE ] 736 00:29:33,206 --> 00:29:35,382 [ DING ] 737 00:29:35,469 --> 00:29:36,426 [ BEEP ] 738 00:29:36,513 --> 00:29:38,689 [ ELEVATOR STOPS ]WHAT THE HELL? 739 00:29:40,561 --> 00:29:43,651 WE'RE STUCK. JONES, WE'VE GOT A DELAY. STAND BY. 740 00:29:43,738 --> 00:29:45,261 CALL DOWN TO THE GUARDS. 741 00:29:45,348 --> 00:29:49,265 WE NEED THIS ELEVATOR MOVING IMMEDIATELY. 742 00:29:49,352 --> 00:29:51,615 OPERATION FEDIBUSTER IS IN PLAY. 743 00:29:58,013 --> 00:30:00,363 ALL RIGHT. TELL ME WHEN. 744 00:30:00,450 --> 00:30:01,800 DIANA: Yeah, we're stuck. 745 00:30:01,887 --> 00:30:03,236 GUARD: Are you sure? 746 00:30:03,323 --> 00:30:05,281 What? Are you kidding me? Yes, we're sure. 747 00:30:05,368 --> 00:30:06,805 Get this elevator moving. Come on. 748 00:30:06,892 --> 00:30:08,415 NOW! 749 00:30:08,502 --> 00:30:09,242 YOU'LL HAVE TO BE PATIENT. 750 00:30:10,809 --> 00:30:11,766 THIS COULD TAKE A SECOND. 751 00:30:15,639 --> 00:30:17,293 Get this elevator moving. Come on! 752 00:30:18,642 --> 00:30:19,774 OPENING DOOR NOW. 753 00:30:21,210 --> 00:30:22,821 NEAL, HURRY UP. 754 00:30:27,347 --> 00:30:29,828 [ ELEVATOR BELL DINGS ] 755 00:30:33,788 --> 00:30:35,659 [ SIGHS ] THAT WAS CLOSE. 756 00:30:35,746 --> 00:30:37,139 It got my pulse going. 757 00:30:37,226 --> 00:30:38,749 DIANA: Get us up or get us down. 758 00:30:38,837 --> 00:30:41,274 I don't care what you do, just get us out of this elevator now. 759 00:30:41,361 --> 00:30:43,276 GUARD: You don't understand. 760 00:30:43,363 --> 00:30:46,845 I'M REBOOTING THE SYSTEM, MA'AM. IT TAKES TIME TO INITIALIZE. 761 00:30:46,932 --> 00:30:48,934 GET IT DONE. 762 00:31:03,252 --> 00:31:05,602 MOZ: Hey, you know where he hid the painting? 763 00:31:05,689 --> 00:31:06,952 Neal: I HAVE AN IDEA. 764 00:31:23,272 --> 00:31:26,319 FOUND IT. 765 00:31:30,671 --> 00:31:33,108 HURRY, NEAL. YOUR TIME IS RUNNING OUT. 766 00:31:33,195 --> 00:31:34,501 [ ELEVATOR STARTS ] 767 00:31:34,588 --> 00:31:35,676 FINALLY. 768 00:31:35,763 --> 00:31:37,069 JONES, WE'RE ON OUR WAY. 769 00:31:37,156 --> 00:31:38,026 JONES: Roger that. 770 00:31:41,856 --> 00:31:42,988 NEAL, GET OUT OF THERE! 771 00:32:04,531 --> 00:32:06,750 They've reached the penthouse. Get out of there. 772 00:32:06,837 --> 00:32:08,013 [ DOORBELL RINGS ] 773 00:32:12,452 --> 00:32:15,585 [ DOORBELL RINGS ] 774 00:32:15,672 --> 00:32:19,546 COMING! 775 00:32:25,160 --> 00:32:27,423 COME ON IN.AFTER YOU. 776 00:32:36,302 --> 00:32:38,260 YOU DIDN'T BRING THE GUNS? 777 00:32:38,347 --> 00:32:39,958 NO. WE BROUGHT THIS WARRANT INSTEAD. 778 00:32:40,045 --> 00:32:42,612 OHH. PETER BURKE, FBI. 779 00:32:42,699 --> 00:32:43,918 JONES, WE'RE CLEAR. 780 00:32:44,005 --> 00:32:45,702 ELLIOTT RICHMOND, YOU'RE UNDER ARREST 781 00:32:45,789 --> 00:32:48,140 FOR ILLEGAL ARMS TRAFFICKING. 782 00:32:48,227 --> 00:32:50,403 NEAL, PETER AND DIANA ARE WITH RICHMOND. 783 00:32:50,490 --> 00:32:52,231 I'M GETTING OUT OF HERE. GOOD LUCK. 784 00:32:53,928 --> 00:32:56,409 SEE YOU ON THE OTHER SIDE, MOZ. 785 00:33:10,031 --> 00:33:11,990 [ HORN HONKS ] 786 00:33:43,760 --> 00:33:46,285 NAILED THE LANDING.I NEED A DRINK. 787 00:33:54,510 --> 00:33:55,294 [ ELEVATOR BELL DINGS ] 788 00:33:59,428 --> 00:34:01,822 [ SIGHS ] 789 00:34:01,909 --> 00:34:04,999 TOOK YOU A WHILE. RUN INTO SOME PROBLEMS? 790 00:34:05,086 --> 00:34:07,523 RICHMOND WENT DOWN WITHOUT A FIGHT. 791 00:34:07,610 --> 00:34:09,134 YOU FOUND IT. 792 00:34:09,221 --> 00:34:10,874 DON'T JUMP TO ANY CONCLUSIONS. 793 00:34:10,961 --> 00:34:12,528 KRAMER STILL NEEDS TO WEIGH IN. 794 00:34:12,615 --> 00:34:14,356 ALL RIGHT. 795 00:34:17,577 --> 00:34:18,795 ANY VERDICT YET? 796 00:34:18,882 --> 00:34:21,407 THIS IS CONSISTENT WITH THE PERIOD 797 00:34:21,494 --> 00:34:24,758 WHERE HIS DARK PALETTE GAVE WAY TO BOLD COLORS. 798 00:34:24,845 --> 00:34:27,456 THE STROKES ANGLE SLIGHTLY TO THE RIGHT. 799 00:34:27,543 --> 00:34:29,241 Peter: SO IT'S REAL? 800 00:34:29,328 --> 00:34:30,459 OHH. 801 00:34:30,546 --> 00:34:31,852 THE SIGNATURE IS DEAD ON. 802 00:34:33,419 --> 00:34:36,161 DEGAS WAS LOSING HIS SIGHT TOWARD THE END. 803 00:34:36,248 --> 00:34:37,205 THERE'S A CRISPNESS -- 804 00:34:37,292 --> 00:34:38,815 NEAL, STAY OUT OF THIS. 805 00:34:38,902 --> 00:34:41,383 NO, NO, HE'S QUITE RIGHT. BUT THE OIL IS THE REAL TELL. 806 00:34:41,470 --> 00:34:43,081 TO MAKE A WORK LOOK AUTHENTIC, 807 00:34:43,168 --> 00:34:45,735 PIGMENTS ARE BOUND WITH LINSEED OIL, 808 00:34:45,822 --> 00:34:48,477 WHICH TAKES ROUGHLY 50 YEARS TO DRY. 809 00:34:48,564 --> 00:34:50,914 WHEN THAT FINALLY HAPPENS, THE OIL STARTS EVAPORATING, 810 00:34:51,001 --> 00:34:53,743 CAUSING THE SURFACE TO CRACK. 811 00:34:53,830 --> 00:34:54,875 HOWEVER... 812 00:34:57,834 --> 00:34:58,922 YEAH? 813 00:34:59,009 --> 00:35:01,751 PLEASE. 814 00:35:01,838 --> 00:35:03,362 THANK YOU. 815 00:35:05,451 --> 00:35:07,105 YEAH. 816 00:35:07,192 --> 00:35:08,845 THESE MICRO-CRACKS ARE SLIGHTLY IMMATURE 817 00:35:08,932 --> 00:35:10,978 FOR A WORK THAT'S SUPPOSED TO BE OVER A HUNDRED YEARS OLD. 818 00:35:11,065 --> 00:35:12,675 GOOD EYE, MR. CAFFREY. 819 00:35:12,762 --> 00:35:16,288 LITTLE MORE TIME IN THE OVEN, AND IT WOULD HAVE HAD ME FOOLED. 820 00:35:16,375 --> 00:35:17,680 [ SIGHS ] 821 00:35:17,767 --> 00:35:19,247 SO IT'S A FORGERY. 822 00:35:19,334 --> 00:35:20,727 MM-HMM. 823 00:35:20,814 --> 00:35:22,555 MM. 824 00:35:28,517 --> 00:35:30,998 I'M SORRY, PETER. 825 00:35:31,085 --> 00:35:32,478 I KNOW HOW MUCH YOU WANTED THIS. 826 00:35:38,701 --> 00:35:40,921 PETEY... 827 00:35:41,008 --> 00:35:42,618 WE TOOK DOWN AN ARMS DEALER 828 00:35:42,705 --> 00:35:44,707 AND RECOVERED A NUMBER OF MISSING PAINTINGS. 829 00:35:44,794 --> 00:35:45,926 THIS IS STILL A WIN. 830 00:35:46,013 --> 00:35:49,756 I THOUGHT FOR SURE IT WAS THE REAL THING... 831 00:35:49,843 --> 00:35:52,062 THAT THE TREASURE WAS OUT THERE. 832 00:35:52,150 --> 00:35:54,891 SEARCHING FOR THE TRUTH IS WHAT MAKES YOU A GOOD AGENT. 833 00:35:54,978 --> 00:35:56,719 YOU CAN'T ALWAYS BE RIGHT. 834 00:35:56,806 --> 00:36:02,116 IN FACT, THE HARDEST THING TO DO IS ADMIT YOU'RE WRONG, 835 00:36:02,203 --> 00:36:03,987 LIKE I SEEMED TO BE ABOUT NEAL. 836 00:36:06,251 --> 00:36:08,122 YOU THINK HE'S CHANGED? 837 00:36:08,209 --> 00:36:14,607 I CAN'T SAY IT WITH CONVICTION THAT HE'S REFORMED YET... 838 00:36:14,694 --> 00:36:17,653 BUT I CAN TELL YOU HE WANTS TO BE HERE. 839 00:36:17,740 --> 00:36:20,221 HMM. 840 00:36:20,308 --> 00:36:22,789 [ INDISTINCT CONVERSATIONS ] 841 00:36:25,139 --> 00:36:26,184 FIND SOMETHING INTERESTING? 842 00:36:26,271 --> 00:36:27,663 HI, CHRIS. 843 00:36:27,750 --> 00:36:31,928 YOU WENT ALL OUT FOR YOUR UNDERCOVER ASSIGNMENT. 844 00:36:32,015 --> 00:36:33,713 REALLY SETTLED INTO THE BUREAU. 845 00:36:33,800 --> 00:36:35,280 THE TIE DRAWER'S A NICE TOUCH. 846 00:36:35,367 --> 00:36:37,238 MAINTAINING COVER IS MY SPECIALTY. 847 00:36:37,325 --> 00:36:38,413 OH, I KNOW. 848 00:36:38,500 --> 00:36:39,936 AGENT JONES TOLD ME 849 00:36:40,023 --> 00:36:41,938 HOW MUCH HE'S ENJOYED WORKING WITH YOU ALL THIS TIME. 850 00:36:42,025 --> 00:36:44,767 ALL RIGHT. YOU CAUGHT ME. 851 00:36:44,854 --> 00:36:46,247 I'M NOT WHO I SAID I WAS. 852 00:36:46,334 --> 00:36:49,903 NO. YOU'RE NEAL CAFFREY, INFAMOUS CON MAN AND FORGER. 853 00:36:49,990 --> 00:36:51,687 GUILTY AS CHARGED. 854 00:36:51,774 --> 00:36:53,167 HOW LONG DID YOU THINK YOU COULD KEEP THIS UP? 855 00:36:53,254 --> 00:36:55,474 NOT LONG, BUT I NEEDED TO BUY SOME TIME, 856 00:36:55,561 --> 00:36:57,302 AND IT WAS THE ONLY PLAY I HAD. 857 00:36:57,389 --> 00:36:59,347 MELISSA, WORKING WITH PETER 858 00:36:59,434 --> 00:37:01,654 HAS BEEN ONE OF THE BEST THINGS THAT'S EVER HAPPENED TO ME. 859 00:37:01,741 --> 00:37:03,743 BUT HE STARTED CUTTING ME OUT. YOU KNOW HOW THAT FEELS. 860 00:37:03,830 --> 00:37:05,266 HE WASN'T TRUSTING ME. 861 00:37:05,353 --> 00:37:06,398 IMAGINE THAT. 862 00:37:06,485 --> 00:37:09,488 I NEEDED TO KNOW WHY SO I COULD FIX IT. 863 00:37:09,575 --> 00:37:10,793 I'M SORRY I BROUGHT YOU INTO THIS. 864 00:37:13,013 --> 00:37:15,233 OBVIOUSLY, I'LL HAVE TO TELL KRAMER EVERYTHING. 865 00:37:15,320 --> 00:37:18,932 OF COURSE. WE'LL TELL HIM THE TRUTH. 866 00:37:19,019 --> 00:37:20,368 THE WHOLE TRUTH. 867 00:37:20,455 --> 00:37:22,631 IF I TELL HIM I TOLD YOU 868 00:37:22,718 --> 00:37:26,766 ABOUT THE EXISTENCE OF THE U-BOAT MANIFEST OVER MARTINIS, 869 00:37:26,853 --> 00:37:28,202 MY CAREER IS OVER. 870 00:37:29,725 --> 00:37:30,726 AND YOU KNOW THAT. 871 00:37:33,729 --> 00:37:35,905 YOU REALLY ARE NEAL CAFFREY. 872 00:37:35,992 --> 00:37:38,517 WELCOME TO WHITE COLLAR. 873 00:37:44,436 --> 00:37:47,221 IT WAS IMPRESSIVE WATCHING YOU WORK. 874 00:37:48,353 --> 00:37:50,093 LIKEWISE. 875 00:37:56,361 --> 00:37:58,276 WHOEVER FORGED THAT PAINTING 876 00:37:58,363 --> 00:38:00,452 IS GONNA MAKE OUR WORK A WHOLE LOT MORE INTERESTING. 877 00:38:00,539 --> 00:38:01,801 WHY'S THAT? 878 00:38:01,888 --> 00:38:04,586 BECAUSE IT'S THE BEST I'VE EVER SEEN. 879 00:38:21,211 --> 00:38:23,388 WE DID IT, MOZ. 880 00:38:23,475 --> 00:38:26,086 THE FBI IS OFF OUR TRAIL. 881 00:38:29,655 --> 00:38:31,613 I'VE NEVER KNOWN YOU TO PASS UP A GOOD BORDEAUX. 882 00:38:33,572 --> 00:38:34,747 NOTICE ANYTHING? 883 00:38:36,575 --> 00:38:38,098 [ SIGHS ] COME ON. 884 00:38:38,185 --> 00:38:40,883 CAN WE PLEASE ENJOY OUR VICTORY? 885 00:38:40,970 --> 00:38:43,190 NEAL, I'VE BEEN REALLY PATIENT. 886 00:38:43,277 --> 00:38:46,149 BUT IT'S TIME FOR YOU TO MAKE A CHOICE. 887 00:38:46,236 --> 00:38:49,022 DO YOU WANT TO LEAVE OR NOT? 888 00:38:50,850 --> 00:38:54,419 NO. 889 00:38:54,506 --> 00:38:56,986 THERE ARE THINGS ABOUT THIS LIFE I'M NOT READY TO GIVE UP. 890 00:38:58,858 --> 00:39:01,164 DO YOU EVEN KNOW WHAT THIS LIFE IS ANYMORE? 891 00:39:01,251 --> 00:39:03,819 I MEAN, YOU'RE...ON A LEASH. 892 00:39:03,906 --> 00:39:05,125 YOU'RE STILL IN PRISON. 893 00:39:07,780 --> 00:39:09,521 YOU HAVE STOCKHOLM SYNDROME. 894 00:39:09,608 --> 00:39:12,132 I CAN ALWAYS WALK OUT THAT DOOR, MOZ. 895 00:39:12,219 --> 00:39:14,482 I CAN NEVER WALK BACK IN. 896 00:39:14,569 --> 00:39:17,442 WELL, THEN, YOU'VE MADE YOUR CHOICE. 897 00:39:19,574 --> 00:39:22,925 I ALWAYS THOUGHT OURS WOULD BE A HAPPY ENDING. 898 00:39:23,012 --> 00:39:25,319 IF YOU WANT A HAPPY ENDING, IT DEPENDS -- 899 00:39:25,406 --> 00:39:27,103 ON WHERE YOU STOP THE STORY. 900 00:39:27,190 --> 00:39:28,278 YEAH, ORSON WELLES. 901 00:39:30,672 --> 00:39:33,327 I'LL SEE YOU AROUND, NEAL. 902 00:39:36,852 --> 00:39:38,158 YOU'RE FOOLING YOURSELF 903 00:39:38,245 --> 00:39:40,073 IF YOU THINK THIS IS WHO YOU REALLY ARE. 904 00:39:45,513 --> 00:39:48,821 HONEY, YOU'RE GONNA DRIVE YOURSELF CRAZY. 905 00:39:48,908 --> 00:39:50,388 PETER: I'm missing something, El. 906 00:39:50,475 --> 00:39:51,824 You've looked as hard as you can. 907 00:39:51,911 --> 00:39:53,434 There's nothing more to find today. 908 00:39:53,521 --> 00:39:57,351 BUT THERE WILL BE, AND WHEN THE RIGHT EVIDENCE SURFACES... 909 00:39:57,438 --> 00:39:59,222 [ SIGHS ] 910 00:39:59,309 --> 00:40:01,529 ...I'M AFRAID THIS WILL ALL BLOW UP IN NEAL'S FACE. 911 00:40:01,616 --> 00:40:03,096 WHATEVER MESS HE MADE, HEMADE IT. 912 00:40:03,183 --> 00:40:04,489 AND IF IT COMES OUT, 913 00:40:04,576 --> 00:40:05,881 he's gonna have to clean it up. 914 00:40:05,968 --> 00:40:07,927 SO...WHAT? 915 00:40:08,014 --> 00:40:10,799 SO COME HOME... 916 00:40:10,886 --> 00:40:12,453 HAVE DINNER... 917 00:40:12,540 --> 00:40:15,064 RELAX WITH A BOTTLE OF YOUR FAVORITE BEER... 918 00:40:15,151 --> 00:40:16,805 AND CONTINUE WORKING ON THE CASE, 919 00:40:16,892 --> 00:40:17,893 BECAUSE YOU ARE... 920 00:40:17,980 --> 00:40:19,286 A WORKAHOLIC? 921 00:40:19,373 --> 00:40:21,723 ...PETER BURKE, THE ARCHEOLOGIST. 922 00:40:21,810 --> 00:40:24,683 THANKS, HONEY. I'LL BE HOME SOON. 923 00:40:24,770 --> 00:40:26,032 OKAY. 924 00:40:26,119 --> 00:40:27,381 [ BEEP ] 925 00:40:43,353 --> 00:40:44,703 [ RINGTONE PLAYING "SHAVE AND A HAIRCUT" ] 926 00:40:52,885 --> 00:40:54,147 [ BEEP ] 927 00:40:56,105 --> 00:40:57,672 KELLER: Agent Burke. 928 00:40:57,759 --> 00:40:59,935 WORKING LATE AGAIN. 929 00:41:00,022 --> 00:41:01,807 YOU'RE PERSISTENT, I'LL GIVE YOU THAT. 930 00:41:01,894 --> 00:41:03,852 KELLER.Pardon the theatrics. 931 00:41:03,939 --> 00:41:05,158 BUT UNDER THE CIRCUMSTANCES, 932 00:41:05,245 --> 00:41:06,855 WE CAN'T BE HAVING THIS CONVERSATION IN PERSON. 933 00:41:06,942 --> 00:41:08,204 I'M SURE YOU UNDERSTAND. 934 00:41:08,291 --> 00:41:09,292 WHAT DO YOU WANT, KELLER? 935 00:41:09,379 --> 00:41:10,511 I need your help. 936 00:41:10,598 --> 00:41:13,906 MY HELP. 937 00:41:13,993 --> 00:41:16,996 TURN YOURSELF IN. I'LL SEE WHAT I CAN DO. 938 00:41:17,083 --> 00:41:18,737 YEAH, I DON'T THINK I CAN DO THAT, BURKE. 939 00:41:18,824 --> 00:41:20,608 BUT I TELL YOU WHAT -- 940 00:41:20,695 --> 00:41:22,915 IF YOU HELP ME, I CAN HELP YOU. 941 00:41:23,002 --> 00:41:25,047 Our interests are more mutual than you think. 942 00:41:25,134 --> 00:41:26,222 AND YOU KNOW THIS HOW? 943 00:41:26,309 --> 00:41:28,355 BECAUSE I'VE SEEN THE TREASURE. 944 00:41:28,442 --> 00:41:31,706 Yeah, your boy Caffrey's got it. 945 00:41:31,793 --> 00:41:33,926 AND YOU WANT IT. 946 00:41:34,013 --> 00:41:35,928 I'M A SUCKER FOR THE GAME, BURKE. 947 00:41:36,015 --> 00:41:38,583 SO, YOU GONNA HELP ME OR WHAT? 948 00:41:38,670 --> 00:41:39,888 WHY WOULD I HELP YOU? 949 00:41:39,975 --> 00:41:41,237 That's a good question. 950 00:41:41,324 --> 00:41:43,326 HOW ABOUT YOU GO HOME 951 00:41:43,413 --> 00:41:45,546 AND RELAX WITH A BOTTLE OF YOUR FAVORITE BEER 952 00:41:45,633 --> 00:41:46,678 AND THINK ABOUT IT? 953 00:41:46,765 --> 00:41:49,071 YOU COULD USE SOME ALONE TIME. 954 00:41:49,158 --> 00:41:50,508 [ Dial tone ] 955 00:42:00,082 --> 00:42:01,431 Diana: [ Echoing ] BOSS. 956 00:42:01,519 --> 00:42:03,564 NEIGHBORS SAW A BLACK VAN, JERSEY PLATES. 957 00:42:03,651 --> 00:42:05,348 SHE WAS ALIVE WHEN THEY TOOK HER. 958 00:42:05,435 --> 00:42:08,787 WE'RE ALL OVER MAJOR TRANSPORTATION CENTERS. 959 00:42:08,874 --> 00:42:10,876 HE WON'T GET OUT OF THE CITY WITHOUT US KNOWING. 960 00:42:22,235 --> 00:42:23,889 Neal: PETER. 961 00:42:28,676 --> 00:42:32,854 HE TOOK MY WIFE.