1 00:00:30,508 --> 00:00:32,858 OH, MY GOD. 2 00:00:32,945 --> 00:00:34,904 [ KNOCK ON DOOR ]Neal: SARA? THE DOOR IS LOCKED. 3 00:00:34,991 --> 00:00:37,037 UH, JUST ONE SECOND. 4 00:00:37,124 --> 00:00:40,083 [ SIGHS ] 5 00:00:40,170 --> 00:00:41,650 [ KNOCK ON DOOR ] 6 00:00:43,565 --> 00:00:44,479 HEY. 7 00:00:44,566 --> 00:00:45,480 HEY. 8 00:00:47,873 --> 00:00:49,527 WHAT'S GOING ON? ARE YOU LEAVING? 9 00:00:49,614 --> 00:00:51,703 THE RENOVATIONS ON MY APARTMENT ARE FAR ENOUGH ALONG 10 00:00:51,790 --> 00:00:53,096 THAT I CAN MOVE BACK IN. 11 00:00:53,183 --> 00:00:54,880 DOESN'T MEAN YOU HAVE TO HEAD OUT RIGHT THIS SECOND. 12 00:00:54,967 --> 00:00:56,099 NEAL. 13 00:00:56,186 --> 00:00:58,319 I'M LEAVING. DONE. 14 00:00:58,406 --> 00:01:00,190 A FEW HOURS AGO, WE WERE FINE. 15 00:01:00,277 --> 00:01:01,844 NOW YOU'RE WALKING OUT? WHAT HAPPENED? 16 00:01:01,931 --> 00:01:03,367 WELL, THE INEVITABLE HAPPENED, NEAL. 17 00:01:03,454 --> 00:01:05,456 I MEAN, WE DIDN'T THINK THIS WAS GONNA LAST. 18 00:01:05,543 --> 00:01:06,892 I DIDN'T KNOW WE WERE A FAIT ACCOMPLI. 19 00:01:06,979 --> 00:01:08,372 COME ON. 20 00:01:08,459 --> 00:01:09,547 THIS WAS FUN... 21 00:01:09,634 --> 00:01:12,985 BUT WE'RE TWO VERY DIFFERENT PEOPLE. 22 00:01:13,073 --> 00:01:14,813 OH, COME ON, SARA, YOU'VE ALWAYS KNOWN WHO I AM. 23 00:01:14,900 --> 00:01:17,860 YEAH, YOU'RE RIGHT. 24 00:01:17,947 --> 00:01:19,514 OKAY. 25 00:01:21,255 --> 00:01:24,040 I GUESS YOU FIGURED OUT EVERYTHING I HAVE TO OFFER. 26 00:01:26,738 --> 00:01:29,698 WE COULD BE GOOD TOGETHER. 27 00:01:29,785 --> 00:01:31,439 [ SIGHS ] 28 00:01:31,526 --> 00:01:33,354 I KNOW. 29 00:01:33,441 --> 00:01:37,836 NEAL, YOU LIVE IN THE CLOUDS... 30 00:01:37,923 --> 00:01:41,536 AND I LIVE ON WEST 69th. 31 00:01:41,623 --> 00:01:43,059 I NEVER PROMISED YOU ANYTHING ELSE. 32 00:01:45,148 --> 00:01:46,280 I KNOW. 33 00:01:46,367 --> 00:01:48,630 [ SIGHS ] 34 00:01:48,717 --> 00:01:52,460 WELL, YOU FOUND YOUR WAY OUT. 35 00:01:52,547 --> 00:01:54,244 I'LL FIGURE OUT THE REST OF MY THINGS. 36 00:01:54,331 --> 00:01:55,898 YEAH. 37 00:01:58,988 --> 00:02:01,251 CAFFREY, PLEASE TAKE CARE OF YOURSELF. 38 00:02:22,054 --> 00:02:23,665 Peter: SHE WALKED OUT, JUST LIKE THAT? 39 00:02:23,752 --> 00:02:24,970 JUST LIKE THAT. 40 00:02:25,057 --> 00:02:26,624 WAS IT, UH... MUTUAL? 41 00:02:26,711 --> 00:02:28,713 NO. 42 00:02:28,800 --> 00:02:30,106 WHAT DID SHE SAY? 43 00:02:30,193 --> 00:02:31,760 THAT WE'RE DIFFERENT PEOPLE. 44 00:02:31,847 --> 00:02:33,457 WELL, OF COURSE YOU'RE DIFFERENT. 45 00:02:33,544 --> 00:02:35,067 THAT'S WHAT MAKES LIFE INTERESTING. 46 00:02:35,155 --> 00:02:36,330 WHAT'S NEXT? NOTHING. 47 00:02:36,417 --> 00:02:37,592 NOTHING? 48 00:02:37,679 --> 00:02:39,028 JUST LET HER GO? 49 00:02:39,115 --> 00:02:41,161 IT'S NOT LIKE WE WERE STAR-CROSSED, ALL RIGHT? 50 00:02:41,248 --> 00:02:42,814 IT'S OVER. FOR GOOD? 51 00:02:42,901 --> 00:02:43,902 FOR THE BEST. 52 00:02:43,989 --> 00:02:46,601 OKAY, WHATEVER YOU SAY. 53 00:02:48,603 --> 00:02:50,082 MORNING, SUNSHINES. 54 00:02:50,170 --> 00:02:51,736 ANY MOVEMENT FROM OUR SUSPECT? 55 00:02:51,823 --> 00:02:53,347 WALKED HIS DOG TWICE. 56 00:02:53,434 --> 00:02:54,435 WHAT'S THAT SMELL? 57 00:02:54,522 --> 00:02:55,653 TUNA SANDWICH. 58 00:02:55,740 --> 00:02:57,742 THIS HALF IS UP FOR GRABS.PASS. 59 00:02:57,829 --> 00:02:58,787 WHY'D YOU BRING CAFFREY? 60 00:02:58,874 --> 00:02:59,875 I BROUGHT HIM FOR HIS EXPERTISE 61 00:02:59,962 --> 00:03:01,224 AND HIS COMPANY. 62 00:03:01,311 --> 00:03:02,834 HE LIKES TO POKE ME WITH STICKS. I DO. 63 00:03:02,921 --> 00:03:04,575 HEY, WHY DON'T YOU HEAD OUT? 64 00:03:04,662 --> 00:03:05,881 I CAN CATCH UP PETER. 65 00:03:05,968 --> 00:03:07,230 YOU SURE? YEAH. 66 00:03:07,317 --> 00:03:08,536 YOU'VE GOT THAT LOOK, 67 00:03:08,623 --> 00:03:09,928 LIKE YOU'RE DYING TO GET OUT OF THE VAN. 68 00:03:10,015 --> 00:03:12,279 YOU HAVE NO IDEA. 69 00:03:12,366 --> 00:03:14,019 YOU'RE WELCOME. THANK YOU. 70 00:03:45,616 --> 00:03:47,183 FREEZE! HANDS WHERE I CAN SEE THEM! 71 00:03:49,359 --> 00:03:51,231 NOW DROP YOUR WEAPON AND KICK IT OVER TO ME NOW. 72 00:03:51,318 --> 00:03:52,362 NOW! 73 00:03:52,449 --> 00:03:53,929 EASY, EASY. 74 00:03:54,016 --> 00:03:56,584 SLOWLY, SLOWLY, SLOWLY. 75 00:03:58,673 --> 00:03:59,891 TAKE OFF YOUR MASK. 76 00:03:59,978 --> 00:04:01,328 LOOK, I DON'T WANT ANY TROUBLE. 77 00:04:39,714 --> 00:04:41,063 UGH! 78 00:04:55,686 --> 00:04:57,862 [ SIREN WAILS ] 79 00:04:57,949 --> 00:05:01,301 [ POLICE RADIO CHATTER ] 80 00:05:01,388 --> 00:05:02,737 EITHER YOU FORGOT TO CLEAN UP FOR COMPANY, 81 00:05:02,824 --> 00:05:03,694 OR THAT WAS QUITE A FIGHT. 82 00:05:03,781 --> 00:05:04,782 TELL ME ABOUT IT. 83 00:05:04,869 --> 00:05:06,001 GUY WAS TRAINED IN KALI. 84 00:05:06,088 --> 00:05:07,437 DEFINITELY A PROFESSIONAL. 85 00:05:07,524 --> 00:05:08,612 I WAS ABLE TO GET A SHOT OFF 86 00:05:08,699 --> 00:05:10,005 THAT HIT HIM IN THE RIGHT SHOULDER. 87 00:05:10,092 --> 00:05:11,354 YOUR ATTACKER'S A GHOST. 88 00:05:11,441 --> 00:05:14,226 NYPD's GOT CRUISERS AND CHOPPERS SEARCHING THE AREA. 89 00:05:14,314 --> 00:05:15,315 NO TRACE. 90 00:05:15,402 --> 00:05:16,881 WHAT WAS HE AFTER?THAT. 91 00:05:16,968 --> 00:05:20,189 GUY BREAKS INTO AN APARTMENT TO STEAL A POSTCARD? 92 00:05:20,276 --> 00:05:21,669 JIMMY A FRIEND OF YOURS? 93 00:05:21,756 --> 00:05:23,671 YEAH, JIMMY WILSON. OLD BUDDY FROM ANNAPOLIS. 94 00:05:23,758 --> 00:05:26,021 CRYPTIC POSTCARDS FROM OLD FRIENDS MEAN TROUBLE. 95 00:05:26,108 --> 00:05:27,501 IN MY EXPERIENCE. 96 00:05:27,588 --> 00:05:29,503 LAST I HEARD, HE WORKED FOR BARRETT-DUNNE SECURITY. 97 00:05:29,590 --> 00:05:31,461 PRIVATE MILITARY FOR HIRE? YEAH. 98 00:05:31,548 --> 00:05:33,594 IT'S POSTMARKED PRETORIA, SOUTH AFRICA. 99 00:05:33,681 --> 00:05:34,856 THAT'S A LONG WAY FROM HOME. MM. 100 00:05:34,943 --> 00:05:35,770 MAY I? YEAH. 101 00:05:38,381 --> 00:05:40,427 THERE'S SOMETHING UNDER THE STAMP. 102 00:05:40,514 --> 00:05:42,298 DO WE HAVE TWEEZERS OR... YEP. 103 00:05:44,779 --> 00:05:45,823 TWEEZERS. 104 00:05:45,910 --> 00:05:47,259 THANK YOU. 105 00:05:49,000 --> 00:05:51,133 YEAH. 106 00:05:51,220 --> 00:05:53,483 IT'S A MICRODOT.OLD-SCHOOL. 107 00:05:53,570 --> 00:05:56,268 YEAH, BUT ALL YOU NEED IS A FILM CAMERA AND A PAIR OF SCISSORS. 108 00:05:56,356 --> 00:05:58,749 BREAK-INS, MERCENARIES, SECRET MESSAGES. 109 00:05:58,836 --> 00:06:00,534 JUST ANOTHER DAY, HUH? 110 00:06:00,621 --> 00:06:02,274 WELCOME TO LIFE OUTSIDE THE VAN. 111 00:06:20,554 --> 00:06:22,294 THANK YOU. YOU'VE BEEN NO HELP AT ALL. 112 00:06:22,382 --> 00:06:24,688 I'LL BE UP IN A FEW MINUTES. 113 00:06:24,775 --> 00:06:26,168 LAB'S FINISHED ENHANCING THE MICRODOT. 114 00:06:26,255 --> 00:06:27,561 THEY'RE SENDING IT OVER. 115 00:06:27,648 --> 00:06:29,519 BARRETT-DUNNE CONFIRMED JIMMY'S AN EMPLOYEE 116 00:06:29,606 --> 00:06:32,174 BUT WON'T SAY WHERE HE'S STATIONED OR IN WHAT CAPACITY.ALL RIGHT. 117 00:06:32,261 --> 00:06:34,698 WHAT ELSE DO WE KNOW ABOUT THIS PRIVATE-MERCENARY OUTFIT? 118 00:06:34,785 --> 00:06:37,135 THEY MAKE BLACKWATER LOOK LIKE A YouTube CAT VIDEO. 119 00:06:37,222 --> 00:06:40,138 THEY'VE BEEN LINKED WITH ROGUE KILL TEAMS, DEATH SQUADS. 120 00:06:40,225 --> 00:06:41,226 SOUNDS LIKE A FUN GROUP OF GUYS. 121 00:06:41,313 --> 00:06:42,663 DOESN'T MAKE ANY SENSE. 122 00:06:42,750 --> 00:06:44,273 JIMMY'S ONE OF THE GOOD GUYS. 123 00:06:44,360 --> 00:06:45,840 WHAT'S THE STORY WITH THE TWO OF YOU? 124 00:06:45,927 --> 00:06:47,755 OH, WE MET AT THE ACADEMY. 125 00:06:47,842 --> 00:06:48,973 HE WAS LIKE A BROTHER TO ME. 126 00:06:49,060 --> 00:06:51,062 A BROTHER YOU HAVEN'T TALKED TO IN FIVE YEARS? 127 00:06:51,149 --> 00:06:52,281 WELL, WE SERVED OUR TOURS TOGETHER. 128 00:06:52,368 --> 00:06:53,804 HE STAYED IN THE MILITARY. 129 00:06:53,891 --> 00:06:54,936 I WENT ON TO HARVARD LAW. 130 00:06:55,023 --> 00:06:56,372 WELL, WHATEVER TROUBLE HE'S IN, 131 00:06:56,459 --> 00:06:58,461 MAYBE HIS WIFE CAN SHED SOME LIGHT. 132 00:06:58,548 --> 00:07:00,376 ISABELLE? SHE'S HERE? 133 00:07:00,463 --> 00:07:02,334 YEAH. SHE CAME IN THIS MORNING. 134 00:07:02,422 --> 00:07:04,249 SHE'S UPSTAIRS, GIVING DIANA A STATEMENT. 135 00:07:04,336 --> 00:07:05,381 THAT A PROBLEM? 136 00:07:05,468 --> 00:07:06,643 NO, NO. 137 00:07:06,730 --> 00:07:07,688 NO PROBLEM AT ALL. 138 00:07:10,691 --> 00:07:11,909 Diana: PETER. 139 00:07:11,996 --> 00:07:13,694 THIS IS ISABELLE WILSON. 140 00:07:13,781 --> 00:07:14,999 ISABELLE. 141 00:07:15,086 --> 00:07:16,436 HI. 142 00:07:16,523 --> 00:07:19,395 IT'S, UH...IT'S GOOD -- IT'S GOOD TO SEE YOU. 143 00:07:19,482 --> 00:07:20,875 YEAH, YOU TOO. 144 00:07:20,962 --> 00:07:22,833 UH... 145 00:07:22,920 --> 00:07:26,141 UH, SO, UM, ANYTHING FROM JIMMY? 146 00:07:26,228 --> 00:07:28,665 I TOLD AGENT BERRIGAN EVERYTHING I KNOW. 147 00:07:28,752 --> 00:07:30,711 AND IF IT TURNS OUT HE'S FINE, I'M GONNA KILL HIM. 148 00:07:30,798 --> 00:07:31,799 [ CHUCKLES ] 149 00:07:31,886 --> 00:07:33,278 I TAKE IT YOU TWO HAVE MET. 150 00:07:33,365 --> 00:07:38,283 C.J. AND I WERE A LITTLE BIT ALMOST MARRIED ONCE. 151 00:07:38,370 --> 00:07:39,459 IT'S KIND OF A... 152 00:07:39,546 --> 00:07:40,590 LONG STORY. 153 00:07:40,677 --> 00:07:42,331 DID SHE JUST CALL HIM C.J.? 154 00:07:42,418 --> 00:07:44,507 MM-HMM. ISABELLE, THIS IS, UH... 155 00:07:44,594 --> 00:07:46,378 AGENT PETER BURKE.PETER BURKE, YES, 156 00:07:46,466 --> 00:07:48,163 AND, UH, NEAL CAFFREY. 157 00:07:48,250 --> 00:07:49,599 HI. AGENT BURKE, C.I., 158 00:07:49,686 --> 00:07:50,905 NOT TO BE CONFUSED WITH HIS C.J. 159 00:07:50,992 --> 00:07:52,210 NO. IGNORE HIM. 160 00:07:52,297 --> 00:07:53,734 THANK YOU FOR COMING IN, MS. WILSON. 161 00:07:53,821 --> 00:07:54,735 NO PROBLEM. 162 00:07:54,822 --> 00:07:57,738 SO, UH, I'LL WALK YOU OUT, OKAY? 163 00:07:57,825 --> 00:08:00,088 NICE TO MEET YOU. 164 00:08:00,175 --> 00:08:02,046 LOOK AT YOU. 165 00:08:02,133 --> 00:08:05,572 LAW DEGREE, FBI AGENT.[ SIGHS ] 166 00:08:05,659 --> 00:08:07,443 YOU ALWAYS WERE AN OVER-ACHIEVER. 167 00:08:07,530 --> 00:08:08,966 AND YOU. 168 00:08:09,053 --> 00:08:10,751 LINGUISTICS PROFESSOR AT PRINCETON. 169 00:08:12,274 --> 00:08:13,754 I MAY HAVE LOOKED YOU UP. 170 00:08:13,841 --> 00:08:15,582 YOU LOOK GOOD. 171 00:08:15,669 --> 00:08:17,453 YOU'RE NOT LOOKING SO BAD YOURSELF. 172 00:08:17,540 --> 00:08:19,020 [ ELEVATOR BELL DINGS ] 173 00:08:19,107 --> 00:08:22,240 LISTEN, IF, UH, JIMMY'S IN TROUBLE, WE'LL SORT IT OUT. 174 00:08:22,327 --> 00:08:23,459 LET'S JUST HOPE HE ISN'T. 175 00:08:28,595 --> 00:08:30,814 TWO MONTHS AGO, BARRETT-DUNNE DISPATCHED JIMMY 176 00:08:30,901 --> 00:08:33,034 TO SHORE UP SECURITY AT A PALLADIUM MINE 177 00:08:33,121 --> 00:08:35,689 THEY OWN AND OPERATE IN PRETORIA, SOUTH AFRICA.NEAL? 178 00:08:35,776 --> 00:08:37,560 I'VE NEVER BEEN NEAR THAT MINE. 179 00:08:37,647 --> 00:08:39,214 NO, COULD YOU HIGHLIGHT THE FINER POINTS 180 00:08:39,301 --> 00:08:41,303 OF PALLADIUM, PLEASE?OH, YEAH. SURE. 181 00:08:41,390 --> 00:08:44,306 PALLADIUM IS USED IN CELL PHONES, COMPUTERS, AUTO PARTS. 182 00:08:44,393 --> 00:08:46,177 IT'S ALSO 20 TIMES THE VALUE OF SILVER 183 00:08:46,264 --> 00:08:47,918 AND NOT A BAD NAME FOR A LONDON THEATER. 184 00:08:48,005 --> 00:08:49,224 JIMMY WAS SENT THERE 185 00:08:49,311 --> 00:08:51,618 BY A MAN KNOWN TO ISABELLE AS STRIKER. 186 00:08:51,705 --> 00:08:54,055 SHE MET HIM ONCE, BRIEFLY, BUT DIDN'T GET HIS REAL NAME. 187 00:08:54,142 --> 00:08:55,839 APPARENTLY THIS STRIKER WAS BRAGGING 188 00:08:55,926 --> 00:08:58,320 ABOUT SECURING CONTRACTS IN INDIA AND CHINA. 189 00:08:58,407 --> 00:09:01,845 WE'VE REQUESTED BARRETT-DUNNE'S EMPLOYEE FILES AND PHOTOS. 190 00:09:01,932 --> 00:09:03,847 BUT THEY'RE NOT COOPERATING -- SURPRISE, SURPRISE. 191 00:09:03,934 --> 00:09:05,806 Diana: IN ISABELLE'S LAST CONVERSATION WITH HIM, 192 00:09:05,893 --> 00:09:08,025 JIMMY BELIEVED THE COMPANY WAS KEEPING A CLOSE WATCH. 193 00:09:08,112 --> 00:09:10,637 MONITORING HIS PERSONAL CALLS, HIS OUTGOING MAIL. 194 00:09:10,724 --> 00:09:12,029 EXPLAINS THE MICRODOT. 195 00:09:12,116 --> 00:09:13,814 THAT WAS THE ONLY WAY HE HAD TO GET INFORMATION OUT. 196 00:09:13,901 --> 00:09:16,599 SPEAKING OF MICRODOTS -- JONES? 197 00:09:16,686 --> 00:09:18,558 THIS IS WHAT OUR TECHNICIANS EXTRACTED. 198 00:09:18,645 --> 00:09:20,690 Neal: IT'S A SCHEMATIC OF THE PALLADIUM MINE. YEP. 199 00:09:20,777 --> 00:09:22,562 AND THIS IS A SCHEMATIC OF THE SAME MINE 200 00:09:22,649 --> 00:09:24,999 FILED WITH THE DEPARTMENT OF MINERAL RESOURCES 201 00:09:25,086 --> 00:09:26,130 SIX DAYS AGO. 202 00:09:26,217 --> 00:09:27,915 NOTICE ANYTHING DIFFERENT? 203 00:09:28,002 --> 00:09:30,526 Diana: THERE'S AN ENTIRE ANNEX THAT ISN'T ON THE OFFICIAL MAP. 204 00:09:30,613 --> 00:09:31,875 Neal: IF JIMMY'S POINTING US THERE... 205 00:09:31,962 --> 00:09:34,399 THEN SOMEONE AT BARRETT-DUNNE, POSSIBLY STRIKER, 206 00:09:34,486 --> 00:09:36,227 IS GOING TO GREAT LENGTHS TO STOP HIM. 207 00:09:36,314 --> 00:09:37,620 OUR BEST CHANCE AT FINDING JIMMY 208 00:09:37,707 --> 00:09:39,187 IS TO FIGURE OUT WHAT STRIKER'S UP TO. 209 00:09:39,274 --> 00:09:41,232 I WANT A TEAM LOOKING INTO THE MINE. 210 00:09:41,319 --> 00:09:42,930 JONES, DIG UP WHAT WE CAN ON BARRETT-DUNNE. 211 00:09:43,017 --> 00:09:44,061 WE NEED AN IN. 212 00:09:44,148 --> 00:09:45,672 ANYTHING I CAN DO?STAY CLOSE. 213 00:09:50,372 --> 00:09:52,243 Diana: WHAT'S GOING ON? 214 00:09:52,330 --> 00:09:54,594 OUR PATIENCE MAY HAVE PAID OFF. 215 00:09:54,681 --> 00:09:56,508 D.C. ART CRIMES UNCOVERED A NEW CéZANNE 216 00:09:56,596 --> 00:09:59,642 IN A BALTIMORE STORAGE VAULT. 217 00:09:59,729 --> 00:10:01,862 DOES IT MATCH EITHER OF THE CéZANNES ON THE U-BOAT MANIFEST? 218 00:10:01,949 --> 00:10:03,080 NO WORD YET. 219 00:10:03,167 --> 00:10:05,517 EITHER WAY, I WANT TO SEE IT MYSELF. 220 00:10:05,605 --> 00:10:07,563 KRAMER IS SENDING OVER PHOTOS. 221 00:10:07,650 --> 00:10:10,218 THIS IS OUR FIRST POTENTIAL HIT OFF THE LIST. MM. 222 00:10:10,305 --> 00:10:14,178 IF YOU WAIT LONG ENOUGH, YOUR THIEF WILL MAKE A MISTAKE. 223 00:10:22,186 --> 00:10:24,014 [ SIGHS ] 224 00:10:24,101 --> 00:10:25,146 EVERYTHING OKAY? 225 00:10:25,233 --> 00:10:26,451 YEAH. STAYING CLOSE. 226 00:10:26,538 --> 00:10:27,583 GOOD. ALL RIGHT. 227 00:10:29,367 --> 00:10:31,631 FOR WHAT IT'S WORTH, I'M REALLY SORRY ABOUT SARA. 228 00:10:31,718 --> 00:10:34,111 SHE HAS AN INFECTIOUS JOIE DE VIVRE. 229 00:10:34,198 --> 00:10:36,636 AND SHE LOOKS TERRIFIC IN PANT SUITS. 230 00:10:36,723 --> 00:10:38,855 PROMISE ME YOU'LL NEVER SPEAK AT MY FUNERAL. 231 00:10:38,942 --> 00:10:41,728 YOU WERE GONNA HAVE TO CUT TIES WITH HER EVENTUALLY. 232 00:10:41,815 --> 00:10:43,381 OUR DAYS HERE ARE NUMBERED. 233 00:10:43,468 --> 00:10:45,862 PROVIDING WE FIND A WAY TO START SELLING OFF THE ART 234 00:10:45,949 --> 00:10:47,516 WITHOUT ALERTING THE FEDS. 235 00:10:47,603 --> 00:10:50,171 YEAH, SPEAKING OF, PETER AND DIANA ARE UP TO SOMETHING. 236 00:10:50,258 --> 00:10:51,476 FEDS? UP TO SOMETHING? 237 00:10:51,563 --> 00:10:52,869 QUELLE SURPRISE. 238 00:10:52,956 --> 00:10:55,829 YEAH, TWO CLOSED-DOOR MEETINGS IN AS MANY DAYS? 239 00:10:55,916 --> 00:10:57,482 I VIDEOTAPED THEIR CONVERSATION. 240 00:10:57,569 --> 00:10:58,614 AH, GUTSY. 241 00:10:58,701 --> 00:11:00,050 MM, WELL, DESPERATE TIMES.[ BEEP ] 242 00:11:00,137 --> 00:11:02,487 CAN YOU TELL WHAT THEY'RE SAYING? 243 00:11:02,574 --> 00:11:05,490 OH, SOMETHING "PAID OFF." 244 00:11:05,577 --> 00:11:08,232 WAIT. THE SUIT SAYS, "NEW CéZANNE." 245 00:11:08,319 --> 00:11:09,930 YOU SURE? 246 00:11:10,017 --> 00:11:11,932 OR POSSIBLY "RUE McCLANAHAN." 247 00:11:12,019 --> 00:11:13,803 I'D GO WITH "NEW CéZANNE." 248 00:11:13,890 --> 00:11:16,066 WE'VE GOT A PAIR OF CéZANNES IN OUR STASH. 249 00:11:16,153 --> 00:11:19,591 "BRIDGE OVER A POND" AND "THE MOUNT OF SAINT VICTORIA." 250 00:11:19,679 --> 00:11:21,463 NOT GOOD, MOZ. 251 00:11:21,550 --> 00:11:23,900 PETER'S STILL LOOKING INTO THE ART FROM THE U-BOAT? 252 00:11:23,987 --> 00:11:25,685 YEAH, HE'S NOT ONE TO GIVE UP. 253 00:11:25,772 --> 00:11:27,556 I THOUGHT HE HANDED THE INVESTIGATION OVER 254 00:11:27,643 --> 00:11:29,210 TO D.C. ART CRIMES. 255 00:11:29,297 --> 00:11:30,994 HE MAY HAVE HANDED OVER THE PARTIAL MANIFEST, 256 00:11:31,081 --> 00:11:32,953 BUT HE WOULDN'T LET GO OF THE INVESTIGATION. 257 00:11:33,040 --> 00:11:34,519 THINK YOU CAN FIND OUT WHAT HE'S UP TO? 258 00:11:34,606 --> 00:11:35,782 I'LL DO WHAT I CAN. 259 00:11:42,614 --> 00:11:44,355 LAST WEEK, THE MANAGER OF THE PALLADIUM MINE 260 00:11:44,442 --> 00:11:46,096 REACHED OUT TO A LOCAL REPORTER. 261 00:11:46,183 --> 00:11:48,577 SHE WANTED TO TALK ABOUT SOMETHING ILLEGAL GOING ON THERE. 262 00:11:48,664 --> 00:11:50,927 ONLY BEFORE THE MANAGER COULD TALK, SHE WAS KILLED. 263 00:11:51,014 --> 00:11:52,668 SMELLS TO ME LIKE A COVER-UP. 264 00:11:52,755 --> 00:11:54,539 JONES, IF JIMMY'S INVOLVED IN MURDER -- 265 00:11:54,626 --> 00:11:56,193 PETER, HE'S NOT. 266 00:11:56,280 --> 00:11:57,760 I MEAN, HE SENT ME THAT POSTCARD TO EXPOSE THE TRUTH, 267 00:11:57,847 --> 00:11:58,718 NOT TO COVER IT UP. 268 00:11:58,805 --> 00:12:00,023 TRUST ME, 269 00:12:00,110 --> 00:12:01,764 JIMMY IS ON THE RIGHT SIDE OF THINGS. 270 00:12:01,851 --> 00:12:03,331 ONLY ONE WAY TO MAKE SURE. 271 00:12:03,418 --> 00:12:05,202 WE NEED TO FIND OUR ELUSIVE STRIKER. 272 00:12:05,289 --> 00:12:06,769 Neal: HE MAY NOT BE AS ELUSIVE AS WE THOUGHT. 273 00:12:06,856 --> 00:12:08,597 TAKE A LOOK AT THIS. 274 00:12:08,684 --> 00:12:09,946 BARRETT-DUNNE'S HOSTING A RECEPTION TOMORROW. 275 00:12:10,033 --> 00:12:11,948 OPEN TO INVITED GUESTS 276 00:12:12,035 --> 00:12:14,211 AND ALL ACTIVE AND RETIRED MILITARY PERSONNEL. 277 00:12:14,298 --> 00:12:16,300 Neal: THERE'S A GOOD CHANCE STRIKER WILL BE THERE. 278 00:12:16,387 --> 00:12:19,564 GOOD. ISABELLE'S SEEN HIM, SO SHE CAN MAKE THE I.D. 279 00:12:19,651 --> 00:12:21,784 AND AS FORMER MILITARY, YOU CAN GO. 280 00:12:21,871 --> 00:12:24,613 OKAY. [ CLEARS THROAT ] 281 00:12:24,700 --> 00:12:27,355 SO, YOU, UH, YOU WANT ME TO ASK ISABELLE TO THE RECEPTION? 282 00:12:28,573 --> 00:12:29,618 [ CLEARS THROAT ]IF -- 283 00:12:29,705 --> 00:12:31,359 UNLESS IT'S A PROBLEM, 284 00:12:31,446 --> 00:12:34,318 GIVEN YOUR HISTORY WITH HER. 285 00:12:34,405 --> 00:12:36,756 O-OKAY, GUYS, LOOK. 286 00:12:36,843 --> 00:12:39,280 ISABELLE AND I MET MY LAST YEAR AT ANNAPOLIS. 287 00:12:39,367 --> 00:12:41,195 STAYED TOGETHER THROUGH LAW SCHOOL. 288 00:12:41,282 --> 00:12:43,980 I CHOSE THE FBI. SHE CHOSE JIMMY. 289 00:12:46,069 --> 00:12:47,854 ANYTHING ELSE WE GOT TO CLEAR UP?NO, I'M GOOD, I'M GOOD. 290 00:12:47,941 --> 00:12:50,073 NEAL, DIANA, YOU'RE GOOD?ABOUT C.J. -- 291 00:12:50,160 --> 00:12:51,771 IS THAT A SPECIAL PET NAME ONLY SHE CALLS YOU, 292 00:12:51,858 --> 00:12:52,946 OR CAN WE CALL YOU THAT?NEAL. 293 00:12:53,033 --> 00:12:54,686 YOU ASKED IF I WAS GOOD.IT WAS RHETORICAL. 294 00:12:54,774 --> 00:12:56,514 I WANT TO ASK HIM. OKAY, APPARENTLY, I'M GOOD.SHUSH. 295 00:12:56,601 --> 00:12:58,429 HE'S GOOD. ANY QUESTIONS? 296 00:12:58,516 --> 00:12:59,866 NO, NO, NOT AT ALL. 297 00:12:59,953 --> 00:13:01,519 TEAMING UP WITH MY EX-FIANCéE 298 00:13:01,606 --> 00:13:03,347 TO CONFRONT A DANGEROUS MAN TO FIND HER MISSING HUSBAND -- 299 00:13:03,434 --> 00:13:05,610 SHOULD BE FUN. 300 00:13:16,447 --> 00:13:17,971 PETER, I'M IN. 301 00:13:18,058 --> 00:13:19,059 GOOD. 302 00:13:19,146 --> 00:13:20,364 YOU HAVE EYES ON ISABELLE? 303 00:13:22,062 --> 00:13:24,238 SWEET LORD ALMIGHTY. 304 00:13:24,325 --> 00:13:26,153 I'll take that as an affirmative. 305 00:13:26,240 --> 00:13:28,677 YES, SIR. 306 00:13:28,764 --> 00:13:31,506 [ BAND PLAYS "ANCHORS AWEIGH" ]LIEUTENANT JONES. WOW. 307 00:13:31,593 --> 00:13:33,943 I HAVEN'T SEEN YOU IN DRESS WHITES SINCE... 308 00:13:34,030 --> 00:13:34,988 YOUR WEDDING. 309 00:13:35,075 --> 00:13:36,467 IT'S BEEN A WHILE. 310 00:13:36,554 --> 00:13:37,860 YOU OKAY DOING THIS? 311 00:13:37,947 --> 00:13:39,470 IF YOU'RE OKAY, I'M OKAY. 312 00:13:39,557 --> 00:13:42,734 YEAH, I'M -- I'M OKAY. 313 00:13:42,822 --> 00:13:45,607 [ SIGHS ] 314 00:13:45,694 --> 00:13:47,304 THE COMMANDER COMING IN -- 315 00:13:47,391 --> 00:13:48,653 THAT'S HIM. THAT'S STRIKER. 316 00:13:51,613 --> 00:13:53,528 EXCUSE ME. 317 00:13:53,615 --> 00:13:55,660 THE COMMANDER -- WHO IS HE? 318 00:13:55,747 --> 00:13:58,794 HENRY VAN HORN, C.O.O. OF BARRETT-DUNNE. 319 00:13:58,881 --> 00:14:00,840 THANK YOU. PETER, YOU GET THAT? 320 00:14:00,927 --> 00:14:03,146 YEAH. I'M HAVING DIANA RUN THE NAME. 321 00:14:03,233 --> 00:14:05,496 LOOKS LIKE HE HAS A COUPLE OF BRUISES ON HIS NECK, AS WELL. 322 00:14:05,583 --> 00:14:07,107 YOU THINK HE'S THE GUY WHO ATTACKED YOU? 323 00:14:07,194 --> 00:14:08,282 We're about to find out, aren't we? 324 00:14:10,023 --> 00:14:11,067 [ CLEARS THROAT ] 325 00:14:11,154 --> 00:14:13,287 AFTERNOON, COMMANDER. 326 00:14:13,374 --> 00:14:15,724 LIEUTENANT. 327 00:14:15,811 --> 00:14:17,987 HAVE WE MET? 328 00:14:18,074 --> 00:14:19,249 I DON'T BELIEVE WE HAVE. 329 00:14:19,336 --> 00:14:21,904 AH, CLINTON JONES, FBI. 330 00:14:21,991 --> 00:14:23,253 [ GRUNTS ] 331 00:14:23,340 --> 00:14:25,212 HOW YOU DOING? 332 00:14:25,299 --> 00:14:26,474 [ SIGHS ] 333 00:14:26,561 --> 00:14:27,997 I'M LOOKING FOR JIMMY WILSON. 334 00:14:28,084 --> 00:14:30,608 DON'T HAVE ANY IDEA WHERE HE IS, DO YOU? 335 00:14:30,695 --> 00:14:32,872 WHY DON'T YOU ASK HIS WIFE? 336 00:14:35,265 --> 00:14:36,527 HE ALREADY DID. 337 00:14:36,614 --> 00:14:37,920 ISABELLE. 338 00:14:38,007 --> 00:14:39,617 YOUR HUSBAND ABANDONED HIS POST. 339 00:14:39,704 --> 00:14:41,445 AND BY THE LOOKS OF THINGS, 340 00:14:41,532 --> 00:14:43,534 YOU'RE NOT FAR OFF FROM ABANDONING YOUR HUSBAND. 341 00:14:43,621 --> 00:14:45,362 JIMMY WOULDN'T HAVE DISAPPEARED WITHOUT A REASON. 342 00:14:45,449 --> 00:14:47,756 JIMMY HAS A NASTY HABIT OF GETTING IN OVER HIS HEAD. 343 00:14:47,843 --> 00:14:50,454 TELL ME I'M WRONG. 344 00:14:50,541 --> 00:14:51,455 [ CELL PHONE RINGS ] 345 00:14:51,542 --> 00:14:52,587 IF YOU'LL EXCUSE ME. 346 00:14:54,894 --> 00:14:56,373 PETER: What'd you find out? 347 00:14:56,460 --> 00:14:58,375 SON OF A BITCH OWES ME A FLAT-SCREEN. 348 00:14:58,462 --> 00:14:59,768 YOU'RE SURE IT WAS JIMMY? 349 00:14:59,855 --> 00:15:01,465 THEN FIND HIM. 350 00:15:01,552 --> 00:15:02,902 HE COULD BLOW THE WHOLE THING. 351 00:15:05,078 --> 00:15:06,340 What's going on, Jones? 352 00:15:06,427 --> 00:15:08,559 Van Horn's leaving this party, and fast. 353 00:15:09,909 --> 00:15:11,258 JIMMY! 354 00:15:11,345 --> 00:15:12,433 FBI! 355 00:15:12,520 --> 00:15:13,913 WE NEED TO TALK. 356 00:15:14,000 --> 00:15:16,045 YOU CAN'T PROTECT ME. 357 00:15:16,132 --> 00:15:17,133 NO ONE CAN. 358 00:15:17,220 --> 00:15:18,265 JIMMY, DON'T... 359 00:15:20,093 --> 00:15:22,008 JIMMY, DON'T RUN, DON'T RUN. JIMMY! 360 00:15:39,286 --> 00:15:40,678 Isabelle: WHY DID JIMMY RUN? 361 00:15:40,765 --> 00:15:42,115 IF HE TURNS HIMSELF IN 362 00:15:42,202 --> 00:15:43,420 INSTEAD OF PULLING A JASON BOURNE, HE'D BE SAFE. 363 00:15:43,507 --> 00:15:44,987 THE FBI WOULD HAVE PROTECTED HIM. 364 00:15:45,074 --> 00:15:46,946 IZZ, LOOK, JIMMY DOESN'T THINK SO. 365 00:15:47,033 --> 00:15:48,948 BARRETT-DUNNE IS POWERFUL. 366 00:15:49,035 --> 00:15:52,038 HE CAME BACK TO TRY TO EXPOSE WHAT THEY'RE UP TO. 367 00:15:52,125 --> 00:15:54,388 C.J... 368 00:15:54,475 --> 00:15:57,608 JIMMY ISN'T THE HERO YOU THINK HE IS. 369 00:15:57,695 --> 00:15:59,654 WHATEVER VAN HORN IS UP TO IN THAT MINE, 370 00:15:59,741 --> 00:16:00,611 JIMMY IS A PART OF. 371 00:16:00,698 --> 00:16:02,004 AT LEAST, HE WAS. 372 00:16:02,091 --> 00:16:03,179 WHAT ARE YOU TALKING ABOUT? 373 00:16:03,266 --> 00:16:05,181 AFTER HE GOT BACK TO THE MINE, 374 00:16:05,268 --> 00:16:07,575 HE STARTED SENDING CASH -- A LOT. 375 00:16:07,662 --> 00:16:08,619 HOW MUCH? 376 00:16:08,706 --> 00:16:10,230 CLOSE TO $100,000. 377 00:16:10,317 --> 00:16:11,883 HE SAID IT WAS SOME KIND OF BONUS. 378 00:16:11,971 --> 00:16:14,147 IZZ, YOU KNOW, THIS IS SOMETHING 379 00:16:14,234 --> 00:16:15,844 THAT YOU MIGHT HAVE WANTED TO SHARE WITH ME. 380 00:16:15,931 --> 00:16:17,977 I KNOW. I FELT LIKE I HAD TO PROTECT HIM. 381 00:16:18,064 --> 00:16:19,500 HE'S MY HUSBAND. 382 00:16:19,587 --> 00:16:21,937 HOW THE HELL DID HE EVEN GET INVOLVED WITH THIS COMPANY? 383 00:16:22,024 --> 00:16:24,374 BECAUSE HE'S JIMMY. 384 00:16:24,461 --> 00:16:25,723 HE'S ALWAYS PUSHING TO DO MORE, 385 00:16:25,810 --> 00:16:27,638 TO BE A BETTER PROVIDER. 386 00:16:27,725 --> 00:16:30,293 HE'S NEVER STOPPED COMPARING HIMSELF TO YOU. 387 00:16:30,380 --> 00:16:32,034 TO ME? 388 00:16:32,121 --> 00:16:33,775 YOU'RE THE GOLD STANDARD. 389 00:16:33,862 --> 00:16:35,472 ME? 390 00:16:35,559 --> 00:16:37,822 YOU KNOW, I WORK IN A VAN. I LIVE UNDER THE STAIRS. 391 00:16:37,909 --> 00:16:40,738 I -- YOU'RE WAY TOO MODEST. 392 00:16:40,825 --> 00:16:43,698 LIKE IT OR NOT, YOU'RE A GOOD MAN, CLINTON JONES. 393 00:16:43,785 --> 00:16:47,354 THAT'S KIND OF A RARE THING. 394 00:16:51,184 --> 00:16:53,229 Diana: HEY, BOSS. HEY. 395 00:16:53,316 --> 00:16:55,405 SO, GOOD NEWS, BAD NEWS ON THE CéZANNE. 396 00:16:55,492 --> 00:16:56,493 START WITH THE GOOD NEWS. 397 00:16:56,580 --> 00:16:57,712 D.C. SAYS IT'S THE GENUINE ARTICLE. 398 00:16:57,799 --> 00:16:59,409 DATES BACK TO THE 1870s. 399 00:16:59,496 --> 00:17:01,933 BUT IT'S NOT NUMBER 9 ON THE SUB'S MANIFEST. NO. 400 00:17:02,021 --> 00:17:03,631 NUMBER 9 IS LISTED AS "BRIDGE OVER A POND." 401 00:17:03,718 --> 00:17:05,415 POND BUT NO BRIDGE. 402 00:17:05,502 --> 00:17:06,373 HENCE THE BAD NEWS. 403 00:17:06,460 --> 00:17:07,504 [ SIGHS ] 404 00:17:07,591 --> 00:17:09,332 WHAT IF, AFTER ALL THIS... 405 00:17:09,419 --> 00:17:11,595 IT'S NOT OUT THERE? 406 00:17:11,682 --> 00:17:13,249 HONESTLY... 407 00:17:13,336 --> 00:17:14,511 I'D BE RELIEVED. 408 00:17:27,742 --> 00:17:28,830 HEY, DID YOU GET THOSE FILES? 409 00:17:28,917 --> 00:17:30,353 YEAH, I GOT EVERYTHING. 410 00:17:34,836 --> 00:17:37,708 OOH. I GOT IT. THANKS. 411 00:17:49,111 --> 00:17:50,417 THANKS, DIANA. 412 00:17:59,687 --> 00:18:01,254 I GOT SOME NEWS. 413 00:18:01,341 --> 00:18:03,865 PETER REQUESTED PHOTOS FROM D.C. ART CRIMES. 414 00:18:03,952 --> 00:18:06,085 WHY WOULD HE DO THAT?MOZ... 415 00:18:06,172 --> 00:18:08,826 I THINK HE STILL HAS A COPY OF THE U-BOAT MANIFEST. 416 00:18:08,913 --> 00:18:10,872 OUR TICKET TO PARADISE. 417 00:18:10,959 --> 00:18:12,308 YOU THINK HE'D KEEP IT AT THE FBI? 418 00:18:12,395 --> 00:18:14,397 WELL, IF HE SUSPECTS ME...WHICH HE DOES. 419 00:18:14,484 --> 00:18:15,659 ...IT'D BE RISKY.BUT POSSIBLE? 420 00:18:15,746 --> 00:18:17,052 IT'S POSSIBLE. 421 00:18:17,139 --> 00:18:18,793 I'LL GO BACK TONIGHT AND LOOK AROUND. 422 00:18:18,880 --> 00:18:20,142 WON'T THAT LOOK SUSPICIOUS? 423 00:18:20,229 --> 00:18:21,491 I'M A CRIMINAL. 424 00:18:21,578 --> 00:18:22,797 WE KEEP ODD HOURS. 425 00:18:22,884 --> 00:18:24,886 [ CHUCKLES ] 426 00:18:24,973 --> 00:18:25,974 [ HORN HONKS ] 427 00:18:26,061 --> 00:18:26,888 [ ELEVATOR BELL DINGS ] 428 00:18:43,034 --> 00:18:45,428 YOU STILL HERE? 429 00:18:45,515 --> 00:18:47,474 JIMMY'S BULLET CAME BACK FROM FORENSICS. 430 00:18:47,561 --> 00:18:49,476 WHAT DO YOU SEE? 431 00:18:51,956 --> 00:18:53,741 BRASS CASING. 432 00:18:53,828 --> 00:18:54,829 NOTHING STRANGE ABOUT THAT. 433 00:18:54,916 --> 00:18:55,917 LOOK CLOSER. 434 00:19:00,617 --> 00:19:02,010 IT'S FILLED WITH PALLADIUM. 435 00:19:02,097 --> 00:19:04,012 EXACTLY. DOESN'T MAKE SENSE. 436 00:19:04,099 --> 00:19:05,144 WALK THROUGH IT WITH ME. 437 00:19:05,231 --> 00:19:06,449 ALL RIGHT. 438 00:19:06,536 --> 00:19:09,974 VAN HORN PERSONALLY SENDS JIMMY TO THE MINE. 439 00:19:10,061 --> 00:19:11,889 JIMMY GETS INVOLVED IN SOMETHING ILLEGAL THERE. 440 00:19:11,976 --> 00:19:14,457 THE MANAGER OF THE MINE SAYS SHE'S GONNA TALK. SHE'S KILLED. 441 00:19:14,544 --> 00:19:15,850 AND NOW JIMMY WANTS OUT 442 00:19:15,937 --> 00:19:17,417 BECAUSE HE DIDN'T THINK IT WOULD ESCALATE TO MURDER. 443 00:19:17,504 --> 00:19:18,809 OR JIMMY'S INVOLVED IN THE MURDER, 444 00:19:18,896 --> 00:19:20,028 AND HE RAN BECAUSE HE'S GUILTY. 445 00:19:20,115 --> 00:19:22,073 DO YOU ALWAYS PRESUME GUILT? 446 00:19:22,161 --> 00:19:23,466 GUILTY PEOPLE DO GUILTY THINGS. 447 00:19:24,902 --> 00:19:26,034 AM I WRONG? 448 00:19:26,121 --> 00:19:28,950 FOR THE SAKE OF ARGUMENT, 449 00:19:29,037 --> 00:19:30,430 LET'S GO WITH MY VERSION. 450 00:19:30,517 --> 00:19:31,909 FINE. 451 00:19:31,996 --> 00:19:33,520 JIMMY WANTS OUT.MM-HMM. 452 00:19:33,607 --> 00:19:36,175 VAN HORN REALIZES JIMMY'S THINKING OF LEAVING, 453 00:19:36,262 --> 00:19:37,350 SO HE SITS ON HIM. 454 00:19:37,437 --> 00:19:38,786 PROBABLY STARTS MONITORING HIS CALLS, 455 00:19:38,873 --> 00:19:40,048 CHECKING HIS MAIL. 456 00:19:40,135 --> 00:19:42,050 THAT'S WHEN JIMMY SENDS JONES THE MICRODOT. 457 00:19:42,137 --> 00:19:43,747 JIMMY SLIPS BACK INTO THE COUNTRY... 458 00:19:43,834 --> 00:19:45,184 AND GIVES ME THAT. 459 00:19:45,271 --> 00:19:47,621 WHY MAKE A BULLET OUT OF PALLADIUM? 460 00:19:47,708 --> 00:19:49,623 HIGH-TECH WEREWOLVES? 461 00:19:49,710 --> 00:19:51,015 KEEP THINKING. 462 00:19:51,102 --> 00:19:54,193 VAN HORN SAID BARRETT-DUNNE 463 00:19:54,280 --> 00:19:56,369 HAD CONTRACTS IN CHINA AND INDIA. 464 00:19:56,456 --> 00:19:58,371 COUNTRIES WITH A HIGH DEMAND FOR PALLADIUM. 465 00:19:58,458 --> 00:19:59,633 YEAH, BUT IT'S NOT ILLEGAL 466 00:19:59,720 --> 00:20:01,112 TO IMPORT PALLADIUM INTO THOSE COUNTRIES. 467 00:20:01,200 --> 00:20:04,812 NO, BUT THERE ARE TARIFFS. 468 00:20:04,899 --> 00:20:06,335 IT'S A TAX DODGE. 469 00:20:06,422 --> 00:20:08,642 MURDER, BREAK-INS, FAKE BULLETS, 470 00:20:08,729 --> 00:20:11,210 ALL SO OUR SOLDIER OF FORTUNE CAN SAVE A FEW TAX DOLLARS? 471 00:20:11,297 --> 00:20:13,299 OH, TRY TENS OF MILLIONS EVERY YEAR. 472 00:20:13,386 --> 00:20:14,474 WOW. 473 00:20:14,561 --> 00:20:15,823 GLAD I DON'T PAY TAXES. 474 00:20:15,910 --> 00:20:18,782 MM. [ LAUGHS ] 475 00:20:18,869 --> 00:20:21,002 WHAT? WE'RE GOOD AT THIS. 476 00:20:21,089 --> 00:20:23,657 WE ARE. 477 00:20:23,744 --> 00:20:24,875 WHAT NOW? 478 00:20:24,962 --> 00:20:26,921 I THINK IT'S TIME VAN HORN AND I 479 00:20:27,008 --> 00:20:28,662 HAD A LITTLE FACE-TO-FACE. 480 00:20:33,884 --> 00:20:35,669 [ KNOCK ON DOOR ]PETER... 481 00:20:35,756 --> 00:20:38,149 VAN HORN'S ON HIS WAY UP. GOOD. 482 00:20:38,237 --> 00:20:39,934 NO. IT'S REALLY NOT. 483 00:20:44,460 --> 00:20:46,723 Henry: AFTERNOON, AGENTS.LET'S SEE IT. 484 00:20:46,810 --> 00:20:48,682 "IN THE INTEREST OF NATIONAL SECURITY, 485 00:20:48,769 --> 00:20:51,772 "ALL BARRETT-DUNNE INTERVIEWS TO BE CONDUCTED BY, 486 00:20:51,859 --> 00:20:54,775 AND SCHEDULED THROUGH, THE U.S. ATTORNEY'S OFFICE." 487 00:20:54,862 --> 00:20:56,603 MY FRIENDS OVER THERE SAY THEY'RE BUSY, 488 00:20:56,690 --> 00:20:59,258 ALTHOUGH THEY MAY BE ABLE TO FIT YOU IN SOMETIME NEXT SPRING. 489 00:20:59,345 --> 00:21:00,694 YOU GOT THE D.O.J. IN YOUR POCKET. 490 00:21:00,781 --> 00:21:01,956 YOU MUST THINK YOU'RE PRETTY SPECIAL, HUH? 491 00:21:02,043 --> 00:21:03,349 AGENT JONES. 492 00:21:03,436 --> 00:21:04,785 I ALMOST DIDN'T RECOGNIZE YOU 493 00:21:04,872 --> 00:21:06,569 WITHOUT YOUR BEST FRIEND'S WIFE ON YOUR ARM. 494 00:21:06,656 --> 00:21:09,137 THIS DOESN'T END HERE, VAN HORN. NOT LIKE THIS. 495 00:21:09,224 --> 00:21:11,357 YOU GOT FRIENDS IN HIGH PLACES? SO DO I. 496 00:21:11,444 --> 00:21:13,533 I ALMOST CONSIDERED HAVING MY ATTORNEY 497 00:21:13,620 --> 00:21:14,882 DELIVER THE NEWS FOR ME. 498 00:21:14,969 --> 00:21:16,013 GLAD I DIDN'T. 499 00:21:16,100 --> 00:21:17,580 THIS WAS FUN. 500 00:21:17,667 --> 00:21:19,278 COME ON. 501 00:21:22,759 --> 00:21:24,718 Peter: JONES. JONES, JONES. 502 00:21:24,805 --> 00:21:26,720 YOU KNOW WHAT KIND OF FUN WE'RE GONNA HAVE? 503 00:21:26,807 --> 00:21:28,025 WE'RE GONNA FIND JIMMY, 504 00:21:28,112 --> 00:21:29,766 AND THEN WE'RE GONNA TAKE YOU DOWN. 505 00:21:29,853 --> 00:21:32,073 [ SNIFFS ] 506 00:21:32,160 --> 00:21:35,511 HMM. I'D SUGGEST USING LESS COLOGNE. 507 00:21:35,598 --> 00:21:37,165 YOU WOULDN'T WANT JIMMY SMELLING YOU ON HIS WIFE 508 00:21:37,252 --> 00:21:38,122 WHEN HE GETS BACK. 509 00:21:39,167 --> 00:21:40,473 HEY. EASY. 510 00:21:40,560 --> 00:21:41,996 LET HIM GO. COME ON. COME ON! LET HIM GO. 511 00:21:42,083 --> 00:21:44,346 LET HIM GO![ HENRY CHUCKLES ] 512 00:21:44,433 --> 00:21:45,913 YOU GOT STONES. I RESPECT THAT. 513 00:21:46,000 --> 00:21:47,654 TELL YOU WHAT. 514 00:21:47,741 --> 00:21:49,003 YOU GET TIRED OF CHEAP SUITS AND GOVERNMENT WAGES, 515 00:21:49,090 --> 00:21:50,091 YOU GIVE ME A CALL. 516 00:21:55,226 --> 00:21:56,097 YOU'RE ABOVE THIS. 517 00:21:58,708 --> 00:22:00,319 SO, HOW WE GONNA GET THIS GUY? 518 00:22:00,406 --> 00:22:01,755 [ SIGHS ] 519 00:22:07,674 --> 00:22:08,979 GOOD NEWS. 520 00:22:09,066 --> 00:22:11,199 WE'RE CLEAR TO WIRETAP VAN HORN'S CELL PHONE. 521 00:22:11,286 --> 00:22:12,461 HOW'D YOU GET A WARRANT? 522 00:22:12,548 --> 00:22:14,463 I GOT A FRIEND AT THE U.S. ATTORNEY'S OFFICE, 523 00:22:14,550 --> 00:22:16,073 AND I BOUGHT AN UNGODLY AMOUNT 524 00:22:16,160 --> 00:22:17,466 OF HER DAUGHTER'S BAND CANDY. 525 00:22:17,553 --> 00:22:18,989 YOU CAN NEVER GET ENOUGH BAND CANDY. 526 00:22:19,076 --> 00:22:20,426 NO, YOU CAN'T. 527 00:22:20,513 --> 00:22:21,731 I JUST WISH THEY HAD SOMETHING ELSE 528 00:22:21,818 --> 00:22:23,342 BESIDES THOSE DAMN CHOCOLATE BARS. 529 00:22:56,810 --> 00:22:58,812 THAT'S IT. 530 00:23:20,834 --> 00:23:22,009 BEHOLD -- 531 00:23:22,096 --> 00:23:23,576 A COPY OF THE SUIT'S KEY, 532 00:23:23,663 --> 00:23:25,316 FASHIONED AFTER YOUR CHEWING-GUM MOLD. 533 00:23:25,404 --> 00:23:26,666 WHAT IS IT? 534 00:23:26,753 --> 00:23:28,798 WELL, YOUR INSTINCTS WERE CORRECT. 535 00:23:28,885 --> 00:23:31,888 IT OPENS A RABBINER 10-28 KEY-LOCK COMBINATION WALL SAFE. 536 00:23:31,975 --> 00:23:33,368 TOP OF THE LINE. 537 00:23:33,455 --> 00:23:34,935 THOSE HAVE ONLY BEEN ON THE MARKET A COUPLE MONTHS. 538 00:23:35,022 --> 00:23:36,502 YEAH, IT MEANS THE SUIT 539 00:23:36,589 --> 00:23:39,766 RECENTLY ACQUIRED SOMETHING THAT NEEDS UPGRADED PROTECTION. 540 00:23:39,853 --> 00:23:40,854 THE ART MANIFEST? 541 00:23:40,941 --> 00:23:42,377 THE TIMING WORKS OUT. 542 00:23:42,464 --> 00:23:43,900 IF HE'S HIDING IT IN HIS HOUSE... 543 00:23:43,987 --> 00:23:45,380 FIND THE SAFE AND CRACK IT. 544 00:23:45,467 --> 00:23:48,122 WE HAVE TO BREAK INTO THE BURKES'. 545 00:23:48,209 --> 00:23:52,256 OKAY, HOW ABOUT I LURE THE BURKES OUT AND YOU BREAK IN? 546 00:23:52,343 --> 00:23:53,606 OH, I DO THE DIRTY WORK? 547 00:23:53,693 --> 00:23:55,259 I HAVE TO SMILE INTO THEIR FACES. 548 00:23:55,346 --> 00:23:57,261 THAT WORK IS PLENTY DIRTY, MY FRIEND. 549 00:23:57,348 --> 00:23:59,394 UM, DO WE HAVE TO WORRY ABOUT YOUR ANKLET? 550 00:23:59,481 --> 00:24:00,874 NO, PETER'S HOUSE IS EXEMPTED. 551 00:24:00,961 --> 00:24:02,136 IT WON'T TRIGGER AN ALERT. 552 00:24:02,223 --> 00:24:04,094 IF YOU DON'T GIVE HIM ANY REASON TO CHECK IN, 553 00:24:04,181 --> 00:24:05,226 WE'RE GOLDEN. 554 00:24:07,968 --> 00:24:09,926 NEAL... 555 00:24:10,013 --> 00:24:11,667 NO ONE SAID THIS WAS GONNA BE EASY. 556 00:24:11,754 --> 00:24:12,886 I KNOW, MOZ. 557 00:24:12,973 --> 00:24:14,365 AND THE TIMING COULDN'T BE MORE PERFECT. 558 00:24:14,453 --> 00:24:17,499 WITH SARA NO LONGER, WHAT'S KEEPING YOU HERE? 559 00:24:17,586 --> 00:24:21,851 ALL RIGHT, FRIDAY NIGHT IS PETER'S POKER NIGHT. 560 00:24:21,938 --> 00:24:23,287 LET'S PLAN IT FOR FRIDAY. 561 00:24:23,374 --> 00:24:24,375 WHAT ABOUT EL? 562 00:24:24,463 --> 00:24:25,551 I'LL TAKE CARE OF IT. 563 00:24:29,163 --> 00:24:30,556 [ DOOR OPENS ] 564 00:24:42,959 --> 00:24:44,918 [ KNOCK ON DOOR ] 565 00:24:46,746 --> 00:24:48,182 CAFFREY. WHAT ARE YOU DOING HERE? 566 00:24:48,269 --> 00:24:49,705 WE GOT THE WIRETAP ON VAN HORN. 567 00:24:49,792 --> 00:24:51,228 YEAH, I HEARD. 568 00:24:51,315 --> 00:24:52,795 SO NOW IT'S A WAITING GAME. 569 00:24:52,882 --> 00:24:53,970 YEAH, SO, WHILE WE WERE WAITING, 570 00:24:54,057 --> 00:24:55,058 I THOUGHT MAYBE YOU COULD USE A DRINK. 571 00:24:55,145 --> 00:24:56,625 COME ON IN. 572 00:24:58,018 --> 00:24:58,888 I'LL GET A COUPLE GLASSES. 573 00:24:58,975 --> 00:25:01,891 OKAY. 574 00:25:01,978 --> 00:25:03,197 I SCREWED UP. 575 00:25:03,284 --> 00:25:05,286 AW, A LITTLE BIT. 576 00:25:07,506 --> 00:25:09,595 BUT YOU'RE A GOOD MAN, JONES. 577 00:25:09,682 --> 00:25:11,335 YEAH? YEAH. 578 00:25:11,422 --> 00:25:13,555 THEN WHY DID I LET VAN HORN GET TO ME? 579 00:25:13,642 --> 00:25:15,252 MM, SAME REASON THAT LANDED ME 580 00:25:15,339 --> 00:25:17,211 CONSECUTIVE 4-YEAR PRISON SENTENCES. 581 00:25:17,298 --> 00:25:19,996 WHAT, AN ALMOST SOCIOPATHIC NEED TO TELL LIES OF OMISSION 582 00:25:20,083 --> 00:25:21,258 AND GET SOMETHING FOR NOTHING? 583 00:25:21,345 --> 00:25:22,782 I WAS GONNA SAY "PASSION." 584 00:25:22,869 --> 00:25:24,697 MM. PASSION. BUT... 585 00:25:24,784 --> 00:25:26,307 YEAH, IT MAKES THE WORLD GO 'ROUND. 586 00:25:26,394 --> 00:25:28,875 PASSION TO GET WHAT WE WANT, PASSION TO KEEP WHAT WE HAVE, 587 00:25:28,962 --> 00:25:31,442 PASSION TO GET BACK TO THINGS WE LOST. 588 00:25:31,530 --> 00:25:33,662 NO. 589 00:25:33,749 --> 00:25:36,578 I LEFT ISABELLE... FOR A REASON. 590 00:25:36,665 --> 00:25:37,840 WHICH WAS? 591 00:25:37,927 --> 00:25:40,060 WHICH WAS, IF WE HAD STAYED TOGETHER, 592 00:25:40,147 --> 00:25:41,496 SHE WOULD HAVE BEEN MISERABLE. 593 00:25:41,583 --> 00:25:43,411 SHE WOULD'VE HAD TO QUIT HER JOB, MOVE TO THE CITY, 594 00:25:43,498 --> 00:25:45,195 AND YOU KNOW THE HOURS THAT I KEEP AT THE BUREAU. 595 00:25:45,282 --> 00:25:46,501 WE NEVER WOULD HAVE SEEN EACH OTHER. 596 00:25:48,938 --> 00:25:51,027 SO I MADE A CHOICE. 597 00:25:51,114 --> 00:25:52,028 TO LEAVE? 598 00:25:52,115 --> 00:25:53,290 TO LEAVE. 599 00:25:53,377 --> 00:25:54,248 [ CLEARS THROAT ] 600 00:25:54,335 --> 00:25:55,902 [ SIGHS ] 601 00:25:59,296 --> 00:26:00,471 WE CAN'T HAVE IT ALL, RIGHT? 602 00:26:00,559 --> 00:26:02,386 WELL, WHY NOT? 603 00:26:02,473 --> 00:26:03,953 WHY NOT?WHY NOT? 604 00:26:04,040 --> 00:26:04,911 WHY NOT?WHY NOT? 605 00:26:04,998 --> 00:26:06,086 [ CLEARS THROAT ] 606 00:26:06,173 --> 00:26:07,174 WELL, BECAUSE CHOICES ARE SACRIFICES. 607 00:26:07,261 --> 00:26:08,349 HM. 608 00:26:08,436 --> 00:26:09,785 AND, INEVITABLY, 609 00:26:09,872 --> 00:26:13,354 THAT MEANS GIVING UP SOMETHING THAT YOU WANT 610 00:26:13,441 --> 00:26:15,182 FOR SOMETHING THAT YOU WANT MORE. 611 00:26:18,359 --> 00:26:21,144 SO, NOW I HAVE TO ASK... 612 00:26:21,231 --> 00:26:24,713 WHAT DOES "HAVING IT ALL" MEAN TO NEAL CAFFREY? 613 00:26:24,800 --> 00:26:27,107 NEVER HAVING TO WORRY ABOUT MONEY. HM. 614 00:26:27,194 --> 00:26:29,152 UM, DOING SOMETHING THAT'S MEANINGFUL, 615 00:26:29,239 --> 00:26:30,589 BEING SURROUNDED BY PEOPLE 616 00:26:30,676 --> 00:26:32,416 I CARE ABOUT AND RESPECT, YOU KNOW. 617 00:26:32,503 --> 00:26:34,244 THAT'S PRETTY MUCH THE DREAM. 618 00:26:34,331 --> 00:26:36,856 SCREW YOU. 619 00:26:36,943 --> 00:26:38,466 SCREW ME? SCREW YOU. 620 00:26:38,553 --> 00:26:40,468 YOU'RE ALREADY LIVING THE DREAM. OH, COME ON. 621 00:26:40,555 --> 00:26:43,645 NOW YOU ARE THE DAMNED DREAM WITH A TRACKING ANKLET. 622 00:26:43,732 --> 00:26:44,994 [ CHUCKLES ] AM I WRONG? 623 00:26:45,081 --> 00:26:46,126 WELL, SCREW YOU BACK, JONES, 624 00:26:46,213 --> 00:26:47,301 'CAUSE YOU GOT THE SAME THINGS I DO. 625 00:26:47,388 --> 00:26:49,825 YEAH, WELL, 626 00:26:49,912 --> 00:26:51,348 MAYBE NOT THE SAME LIVING ARRANGEMENTS. 627 00:26:51,435 --> 00:26:53,133 AM I RIGHT? YEAH. 628 00:26:53,220 --> 00:26:57,572 I GUESS I DO HAVE IT PRETTY GOOD, DON'T I? 629 00:26:57,659 --> 00:27:00,314 YEAH. 630 00:27:00,401 --> 00:27:02,229 GUESS WE BOTH DO. 631 00:27:04,448 --> 00:27:05,711 MM. 632 00:27:05,798 --> 00:27:07,321 [ KNOCK ON DOOR ] 633 00:27:07,408 --> 00:27:08,670 EXPECTING SOMEBODY? 634 00:27:08,757 --> 00:27:10,150 NO, I'M NOT. 635 00:27:10,237 --> 00:27:12,021 IS THIS GONNA BE SOMEBODY ELSE WHO KNOWS KALI? 636 00:27:12,108 --> 00:27:13,762 [ CHUCKLES ] I HOPE NOT. 637 00:27:13,849 --> 00:27:15,068 'CAUSE YOU JUST GOT THE PLACE CLEANED UP. 638 00:27:15,155 --> 00:27:15,938 I HOPE THAT'S NOT THE CASE. 639 00:27:18,201 --> 00:27:19,115 HEY. 640 00:27:19,202 --> 00:27:20,116 HEY. 641 00:27:20,203 --> 00:27:22,249 NEAL. 642 00:27:22,336 --> 00:27:23,816 HEY. HOW ARE YOU? 643 00:27:23,903 --> 00:27:25,731 LISTEN, I WAS ACTUALLY JUST ON MY WAY OUT, 644 00:27:25,818 --> 00:27:28,734 SO, UH, YOU TWO HAVE A GOOD NIGHT. 645 00:27:35,610 --> 00:27:37,220 HEY, IS EVERYTHING OKAY? 646 00:27:37,307 --> 00:27:38,657 PETER TOLD ME WHAT HAPPENED. 647 00:27:38,744 --> 00:27:40,659 I'M SORRY YOU GOT DRAGGED INTO THIS. 648 00:27:40,746 --> 00:27:41,834 NO, DON'T BE. 649 00:27:41,921 --> 00:27:44,227 GAVE ME A CHANCE TO BUY NEW FURNITURE. 650 00:27:46,403 --> 00:27:48,449 AND I GOT A CHANCE TO SEE YOU. 651 00:27:52,235 --> 00:27:54,716 EIGHT YEARS. 652 00:27:54,803 --> 00:27:56,675 EVERYTHING AROUND US HAS CHANGED. 653 00:27:56,762 --> 00:27:58,633 EVERYTHING EXCEPT US. 654 00:28:07,860 --> 00:28:10,297 [ CELL PHONE RINGS ] 655 00:28:13,300 --> 00:28:14,823 I SHOULD GET THAT. 656 00:28:14,910 --> 00:28:16,303 YOU SHOULD GET THAT.I, UH... 657 00:28:16,390 --> 00:28:17,696 [ CLEARS THROAT ][ CLEARS THROAT ] 658 00:28:20,263 --> 00:28:23,310 IT'S, UH, WORK. 659 00:28:23,397 --> 00:28:24,920 YEAH, PETER? 660 00:28:30,491 --> 00:28:31,405 I'M ON MY WAY. 661 00:28:31,492 --> 00:28:33,929 WHAT IS IT? 662 00:28:34,016 --> 00:28:36,584 BARRETT-DUNNE. 663 00:28:36,671 --> 00:28:38,151 THEY KIDNAPPED JIMMY. 664 00:28:45,288 --> 00:28:47,203 Jimmy: I'VE PLANTED EVIDENCE ALL OVER THIS CITY. 665 00:28:47,290 --> 00:28:49,597 YOU KILL ME, IT GOES PUBLIC. 666 00:28:49,684 --> 00:28:51,686 THE MURDER, THE SMUGGLING -- ALL OF IT. 667 00:28:51,773 --> 00:28:53,732 Henry: YOU'RE BLUFFING. YOU WILLING TO CHANCE IT? 668 00:28:53,819 --> 00:28:55,124 GENTLEMEN, WHATEVER IT TAKES 669 00:28:55,211 --> 00:28:57,083 TO GET MR. WILSON TO TALK, DO IT. 670 00:28:57,170 --> 00:28:58,867 I'M ON MY WAY IN. 671 00:28:58,954 --> 00:29:00,347 OUR TECHS PICKED THIS UP AN HOUR AGO. 672 00:29:00,434 --> 00:29:01,827 HOW'D THEY FIND HIM? 673 00:29:01,914 --> 00:29:05,395 WE INTERCEPTED AN E-MAIL CHAIN A HALF-HOUR TOO LATE. 674 00:29:05,482 --> 00:29:07,354 JIMMY THOUGHT HE WAS MEETING A WHISTLE-BLOWER. 675 00:29:07,441 --> 00:29:08,790 AND VAN HORN SET HIM UP. 676 00:29:08,877 --> 00:29:10,661 NOW JIMMY'S SOMEWHERE INSIDE BARRETT-DUNNE. 677 00:29:10,749 --> 00:29:11,750 THE PLACE IS A FORTRESS. 678 00:29:11,837 --> 00:29:12,925 LOTS OF MEN WITH LOTS OF GUNS. 679 00:29:13,012 --> 00:29:14,013 HOW DO WE DO THIS? 680 00:29:14,100 --> 00:29:15,579 Peter: WITH SPEED AND PRECISION. 681 00:29:15,666 --> 00:29:17,625 VAN HORN'S A KILLER. HE SEES US COMING -- 682 00:29:17,712 --> 00:29:19,235 COULD TURN INTO A HOSTAGE SITUATION. 683 00:29:19,322 --> 00:29:20,802 OR HE COULD KILL JIMMY BEFORE WE GET TO HIM. 684 00:29:20,889 --> 00:29:22,630 CLAIM IT WAS SELF-DEFENSE. 685 00:29:22,717 --> 00:29:25,328 WHAT IF WE CAN FIGURE OUT WHERE JIMMY IS 686 00:29:25,415 --> 00:29:26,634 BEFORE GOING IN WITH A WARRANT? 687 00:29:26,721 --> 00:29:28,201 THAT WOULD HELP. 688 00:29:30,986 --> 00:29:32,422 DIANA, YOU STILL HAVE FRIENDS 689 00:29:32,509 --> 00:29:34,729 IN THE STATE DEPARTMENT, RIGHT?YEAH, A FEW. 690 00:29:34,816 --> 00:29:36,731 POWERFUL ENOUGH TO CONVINCE VAN HORN 691 00:29:36,818 --> 00:29:38,124 TO TAKE A MEETING FIRST THING TOMORROW? 692 00:29:38,211 --> 00:29:40,343 SURE. WHO WITH? 693 00:29:40,430 --> 00:29:42,432 A HIGH-RANKING NAVAL COMMANDER 694 00:29:42,519 --> 00:29:44,695 WHO'S LOOKING TO DO BUSINESS WITH BARRETT-DUNNE. 695 00:29:44,783 --> 00:29:47,089 I POKE AROUND, FIND OUT WHERE THEY'RE HOLDING JIMMY. 696 00:29:47,176 --> 00:29:48,438 WE MOVE RIGHT TO HIM 697 00:29:48,525 --> 00:29:49,831 BEFORE VAN HORN HAS A CHANCE TO TRY ANYTHING. 698 00:29:49,918 --> 00:29:50,789 Peter: CAN YOU DO IT? 699 00:29:50,876 --> 00:29:52,094 I WAS AN ADMIRAL. 700 00:29:52,181 --> 00:29:53,182 ROYAL NAVY. 701 00:29:53,269 --> 00:29:54,183 I DIDN'T HEAR THAT. 702 00:29:54,270 --> 00:29:55,184 NOBODY HEARD THAT. 703 00:29:55,271 --> 00:29:56,359 PENCILS DOWN. 704 00:29:56,446 --> 00:29:57,796 DON'T WRITE THAT. 705 00:29:57,883 --> 00:29:59,623 Peter: YOU'VE GOT HOW IT WORKS? 706 00:29:59,710 --> 00:30:02,322 I GET VAN HORN'S SECURITY-ACCESS CARD NEAR THE WRIST PAD, 707 00:30:02,409 --> 00:30:04,063 AND IT CLONES THE DATA. 708 00:30:04,150 --> 00:30:06,805 TURNING IT INTO YOUR VERY OWN BARRETT-DUNNE ALL-ACCESS PASS. 709 00:30:06,892 --> 00:30:11,026 HEY, PETER, I'D LIKE TO LEAD THE TEAM IN. 710 00:30:11,113 --> 00:30:12,549 NO, YOU'RE SITTING THIS ONE OUT. 711 00:30:12,636 --> 00:30:13,812 PETER, I CAN DO THIS. 712 00:30:13,899 --> 00:30:14,769 I'M NOT SURE YOU CAN. 713 00:30:14,856 --> 00:30:16,205 I SCREWED UP. 714 00:30:16,292 --> 00:30:18,555 I LET THINGS GET PERSONAL. IT WON'T HAPPEN AGAIN. 715 00:30:18,642 --> 00:30:20,644 I -- 716 00:30:20,731 --> 00:30:22,385 I PROMISE YOU THAT. 717 00:30:25,301 --> 00:30:29,175 AS YOU'VE SEEN, COMMANDER, WE'RE A TOP-TIER FACILITY, 718 00:30:29,262 --> 00:30:31,351 IN THE EQUIPMENT WE PROVIDE -- 719 00:30:31,438 --> 00:30:34,484 AND IN THE MEN YOU TRAIN. 720 00:30:34,571 --> 00:30:36,225 KALI? 721 00:30:36,312 --> 00:30:38,271 THAT'S RIGHT. 722 00:30:38,358 --> 00:30:40,664 SORRY TO RUN OFF, BUT I HAVE BUSINESS. YOU CAN SHOW YOURSELF OUT. 723 00:30:40,751 --> 00:30:43,319 I APPRECIATE YOU FITTING ME IN ON SUCH SHORT NOTICE. 724 00:30:43,406 --> 00:30:45,278 [ FAINT BEEP ]WHO AM I TO SAY NO TO THE STATE DEPARTMENT? 725 00:30:45,365 --> 00:30:47,280 I'LL BE BRIEFING MY PEOPLE THIS AFTERNOON. WE'LL BE IN TOUCH. 726 00:30:58,769 --> 00:31:00,989 Woman: ACCESS GRANTED. 727 00:31:05,907 --> 00:31:07,343 DID YOU GET IT?NEAL: I did. 728 00:31:07,430 --> 00:31:09,998 There was a staircase off the eighth-floor elevator. 729 00:31:10,085 --> 00:31:12,087 Van Horn avoided it. I want to check it out. 730 00:31:12,174 --> 00:31:13,697 BE CAREFUL. 731 00:31:13,784 --> 00:31:16,178 ANYTHING GOES SIDEWAYS, SAY THE WORD, AND WE MOVE IN. 732 00:31:16,265 --> 00:31:19,965 GUARD: Mr. Van Horn, your helicopter's inbound. 733 00:31:20,052 --> 00:31:21,880 GET JIMMY READY FOR TRANSPORT. 734 00:31:21,967 --> 00:31:23,185 THEN CALL TETERBORO 735 00:31:23,272 --> 00:31:25,405 AND TELL THEM ONE PASSENGER FOR JOHANNESBURG. 736 00:31:25,492 --> 00:31:26,493 Just the one, sir? 737 00:31:26,580 --> 00:31:29,061 MR. WILSON WILL BE GETTING OUT 738 00:31:29,148 --> 00:31:30,366 SOMEWHERE OVER THE HUDSON. 739 00:31:35,197 --> 00:31:38,113 PETER, THE NINTH FLOOR'S COMPLETELY DESERTED, 740 00:31:38,200 --> 00:31:39,636 except for an armed guard outside a room 741 00:31:39,723 --> 00:31:40,942 on the west hallway. 742 00:31:41,029 --> 00:31:44,032 YOU THINK IT'S JIMMY?[ SIGHS ] 743 00:31:44,119 --> 00:31:45,120 JONES? 744 00:31:45,207 --> 00:31:48,210 IT'S GOT TO BE HIM. 745 00:31:50,560 --> 00:31:51,953 BLUE TEAM, MOVE IN. 746 00:31:52,040 --> 00:31:54,521 RED TEAM, SURROUND THE BUILDING AND WATCH ALL EXITS. 747 00:31:54,608 --> 00:31:55,870 LET'S GO. 748 00:31:58,394 --> 00:31:59,743 FBI! 749 00:31:59,830 --> 00:32:01,832 WE HAVE A WARRANT TO SEARCH THE PREMISES. 750 00:32:01,920 --> 00:32:03,660 FAN OUT! COVER THE BASEMENT! 751 00:32:03,747 --> 00:32:05,314 CHECK ALL EXITS! 752 00:32:05,401 --> 00:32:07,360 Jones: TELL YOUR MEN TO STAND DOWN. 753 00:32:07,447 --> 00:32:08,535 TELL THE PILOT THAT I'M ALMOST -- 754 00:32:08,622 --> 00:32:10,363 SIR, CHECK YOUR COMMS. FBI's ON SITE. 755 00:32:11,799 --> 00:32:14,106 DAMN IT. 756 00:32:14,193 --> 00:32:16,978 ALL RIGHT, TELL OPERATIONS I WANT EVERY RADIO TRANSMISSION 757 00:32:17,065 --> 00:32:19,372 IN AND OUT OF HERE JAMMED. THEN DISABLE THE ELEVATORS 758 00:32:19,459 --> 00:32:20,721 AND GIVE ME TIME TO GET JIMMY TO THE CHOPPER. 759 00:32:20,808 --> 00:32:21,765 YES, SIR. 760 00:32:21,852 --> 00:32:23,028 EAGLE TO BASE. 761 00:32:23,115 --> 00:32:26,118 AN IMMEDIATE R6&E SHUTDOWN PER STRIKER. 762 00:32:26,205 --> 00:32:28,076 GUARD: Roger that, sir.WHAT THE HELL? 763 00:32:28,163 --> 00:32:32,124 AND INFORM THE GUARD OUTSIDE 907 764 00:32:32,211 --> 00:32:35,040 THAT HE WILL NO LONGER BE NEEDED AT HIS POST.YES, SIR. 765 00:32:39,131 --> 00:32:40,045 SIR? 766 00:32:41,655 --> 00:32:44,049 THE FBI MIGHT HEAR GUNSHOTS. 767 00:32:51,795 --> 00:32:54,146 BUT THEY WON'T HEAR THIS. 768 00:32:54,233 --> 00:32:56,365 BOSS? WHAT? 769 00:32:56,452 --> 00:32:58,019 NEAL'S TRACER -- SIGNAL'S OUT. 770 00:32:58,106 --> 00:33:00,065 NEAL, WHAT'S YOUR 20? 771 00:33:00,152 --> 00:33:01,370 NEAL? 772 00:33:01,457 --> 00:33:02,806 OH, THEY'RE JAMMING US. 773 00:33:02,893 --> 00:33:04,373 THE ELEVATORS ARE DISABLED. 774 00:33:04,460 --> 00:33:05,374 WE GOT TO GET UP THERE. 775 00:33:05,461 --> 00:33:07,115 LEAD THE WAY. NINTH FLOOR. 776 00:33:10,945 --> 00:33:11,902 YOU'RE RELIEVED. 777 00:33:11,990 --> 00:33:13,165 STRIKER'S REQUEST. COME ON. 778 00:33:13,252 --> 00:33:14,862 YES, SIR. 779 00:33:14,949 --> 00:33:17,604 ALL RIGHT, THE GUARD JUST LEFT HIS POST. 780 00:33:17,691 --> 00:33:18,779 PETER, YOU COPY? 781 00:33:18,866 --> 00:33:20,259 [ STATIC ] 782 00:33:33,924 --> 00:33:35,970 [ ARROW STRIKES ] 783 00:33:38,625 --> 00:33:40,627 YOU PICKED A BAD DAY TO BREAK INTO MY WORLD. 784 00:34:14,661 --> 00:34:17,055 I GOT TO SAY, NOTHING BEATS THE THRILL 785 00:34:17,142 --> 00:34:19,840 OF SHOOTING AT A LIVE TARGET. 786 00:34:19,927 --> 00:34:21,537 MAKE YOUR MOVE, COMMANDER. 787 00:34:27,543 --> 00:34:28,892 [ ALARM RINGING ] 788 00:34:40,252 --> 00:34:42,515 DID I MENTION WHAT THIS PUPPY CAN DO AT CLOSE RANGE? 789 00:34:42,602 --> 00:34:43,907 HOW ABOUT I TAKE YOUR WORD FOR IT? 790 00:34:43,994 --> 00:34:46,562 FBI. 791 00:34:46,649 --> 00:34:49,522 LOWER YOUR WEAPON. NOW. 792 00:34:52,046 --> 00:34:54,048 DON'T MOVE.DROP IT. NOW. 793 00:34:56,398 --> 00:34:58,226 SECURE THE WEAPON. GOT IT? [ SIGHS ] 794 00:35:02,709 --> 00:35:03,971 ARE YOU OKAY? 795 00:35:04,058 --> 00:35:05,451 [ SIGHS ] JUST ANOTHER DAY. 796 00:35:05,538 --> 00:35:07,409 [ SIGHS ] 797 00:35:07,496 --> 00:35:08,541 NICE WORK, JONES. 798 00:35:08,628 --> 00:35:10,282 LET'S GET TO JIMMY. 799 00:35:10,369 --> 00:35:12,110 GO GET HIM. 800 00:35:12,197 --> 00:35:13,459 Man: SECURED FLOOR. 801 00:35:16,723 --> 00:35:18,464 JIMMY. JIMMY, YOU GOOD? 802 00:35:18,551 --> 00:35:21,119 I TAKE IT YOU GOT MY POSTCARD. 803 00:35:21,206 --> 00:35:22,207 I DID. 804 00:35:23,817 --> 00:35:25,384 COST ME A FLAT-SCREEN. 805 00:35:25,471 --> 00:35:27,212 [ CHUCKLES ] 806 00:35:31,477 --> 00:35:33,348 WHEN ARE YOU HEADED BACK? 807 00:35:33,435 --> 00:35:35,872 TONIGHT. CAR'S PICKING ME UP IN AN HOUR. 808 00:35:35,959 --> 00:35:37,744 HOW YOU HOLDING UP? 809 00:35:37,831 --> 00:35:40,094 I'M USING PHRASES LIKE "COPPED A PLEA." 810 00:35:40,181 --> 00:35:42,966 OH, AND "CONSPIRACY TO COMMIT SMUGGLING" POPPED UP TODAY. 811 00:35:43,053 --> 00:35:44,316 THAT'S -- THAT'S A NEW ONE. 812 00:35:44,403 --> 00:35:46,579 WELL, JIMMY GOT OUT BEFORE THE MURDER, 813 00:35:46,666 --> 00:35:48,537 AND HE HELPED US TAKE DOWN VAN HORN, 814 00:35:48,624 --> 00:35:50,365 SO WE SHOULD BE ABLE TO GET HIM A REDUCED SENTENCE. 815 00:35:50,452 --> 00:35:51,975 WELL, HE JUMPED INTO SOMETHING 816 00:35:52,062 --> 00:35:53,760 WITHOUT CONSIDERING THE CONSEQUENCES. 817 00:35:53,847 --> 00:35:55,240 HAPPENS TO THE BEST OF US. 818 00:35:58,330 --> 00:35:59,940 YOU TWO GONNA MAKE IT? 819 00:36:00,027 --> 00:36:03,813 HE'LL DO TIME, AND I'LL HELP HIM THROUGH IT. 820 00:36:03,900 --> 00:36:05,250 AFTER THAT, WE'LL SEE. 821 00:36:08,688 --> 00:36:09,993 HE'S A LUCKY GUY. 822 00:36:10,080 --> 00:36:12,257 YOU'RE PRETTY LUCKY YOURSELF. 823 00:36:14,128 --> 00:36:15,434 I SHOULD PROBABLY... 824 00:36:15,521 --> 00:36:18,176 YEAH. 825 00:36:29,752 --> 00:36:30,927 I GOT SOME DEVILED HAM. 826 00:36:31,014 --> 00:36:32,494 OH. 827 00:36:32,581 --> 00:36:34,148 WHAT'S GOING ON? 828 00:36:34,235 --> 00:36:35,410 OUR REPO TRADER 829 00:36:35,497 --> 00:36:36,846 MIGHT BE MAKING HIS MOVE TONIGHT. 830 00:36:36,933 --> 00:36:38,761 AND NEAL'S COMPLAINING ABOUT ANOTHER STAKEOUT. 831 00:36:38,848 --> 00:36:39,849 OH, NO, NO. I'M NOT COMPLAINING. 832 00:36:39,936 --> 00:36:41,199 I'M STATING A FACT. 833 00:36:41,286 --> 00:36:42,330 I WOULD RATHER POUND MY THUMB WITH A HAMMER 834 00:36:42,417 --> 00:36:43,723 THAN DO ANOTHER STAKEOUT. 835 00:36:43,810 --> 00:36:45,203 I'LL DO IT. 836 00:36:45,290 --> 00:36:47,335 WHAT, POUND HIS THUMB?NO, DO THE STAKEOUT. 837 00:36:47,422 --> 00:36:49,250 Peter: REALLY? YOU DON'T MIND? NO. 838 00:36:49,337 --> 00:36:50,251 NOT AT ALL. 839 00:36:50,338 --> 00:36:51,252 AS A MATTER OF FACT, 840 00:36:51,339 --> 00:36:53,341 UH, KIND OF MISS IT. 841 00:36:53,428 --> 00:36:54,908 THANK YOU. THANK YOU, JONES. 842 00:36:59,826 --> 00:37:01,393 YOU SURE YOU WANT TO MISS POKER NIGHT? 843 00:37:01,480 --> 00:37:02,524 YEAH, I DON'T MIND. 844 00:37:02,611 --> 00:37:04,396 I KIND OF ENJOY THESE ALL-NIGHTERS, 845 00:37:04,483 --> 00:37:07,094 WHEREAS SOME CHOOSE TO COMPLAIN ABOUT IT. 846 00:37:07,181 --> 00:37:09,009 YOU KNOW HOW I GET IN THE VAN. I GET ANXIOUS. 847 00:37:09,096 --> 00:37:10,880 I SWEAT.I DO KNOW. I DO KNOW. 848 00:37:10,967 --> 00:37:12,578 YOU HAVE A GOOD NIGHT. 849 00:37:12,665 --> 00:37:14,449 YOU TOO. 850 00:37:23,937 --> 00:37:25,634 [ CELL PHONE BEEPS ] 851 00:37:25,721 --> 00:37:27,810 HEY, MOZ, PETER'S PULLING AN ALL-NIGHTER IN THE VAN. 852 00:37:27,897 --> 00:37:29,421 PERFECT. 853 00:37:29,508 --> 00:37:32,424 I'M EN ROUTE TO THE SUIT FAMILY ESTATE RIGHT NOW. 854 00:37:32,511 --> 00:37:34,861 We don't have to like it, but it has to be done. 855 00:37:34,948 --> 00:37:36,863 YEAH. I KNOW. 856 00:37:36,950 --> 00:37:38,995 GOOD LUCK, MY FRIEND. GODSPEED. 857 00:37:39,082 --> 00:37:41,041 [ CELL PHONE BEEPS ] 858 00:37:54,184 --> 00:37:56,491 WELL, SO, WE HAVE AN ART EXHIBIT AND DINNER. 859 00:37:56,578 --> 00:37:57,971 I THINK YOU PULLED A FAST ONE. 860 00:37:58,058 --> 00:37:59,059 MOI? 861 00:37:59,146 --> 00:38:00,321 COME ON. 862 00:38:00,408 --> 00:38:02,367 LAURENT? TAKES MONTHS TO GET IN THERE. 863 00:38:02,454 --> 00:38:03,542 OH, IT'S NOTHING. 864 00:38:03,629 --> 00:38:05,370 I KNOW A GUY WHO BLACKMAILED A GUY. 865 00:38:05,457 --> 00:38:06,806 SOMETHING ABOUT SPANDEX. 866 00:38:06,893 --> 00:38:08,373 I DON'T ASK QUESTIONS. 867 00:38:08,460 --> 00:38:10,418 WELL, IT MEANS A LOT TO ME THAT YOU THOUGHT OF ME, 868 00:38:10,505 --> 00:38:11,506 SO THANK YOU. 869 00:38:11,593 --> 00:38:12,507 NO, REALLY. 870 00:38:12,594 --> 00:38:13,813 IT WAS, UH, SPANDEX. 871 00:38:13,900 --> 00:38:15,205 [ CHUCKLES ] 872 00:38:15,293 --> 00:38:17,164 ALL RIGHT.[ BEEPING ] 873 00:38:17,251 --> 00:38:18,687 OKAY. SATCH, YOU BE GOOD. 874 00:38:18,774 --> 00:38:20,123 YOU STAY.NO, NO, CHOP-CHOP. 875 00:38:20,210 --> 00:38:21,342 OKAY.DON'T WANT TO BE LATE. 876 00:38:21,429 --> 00:38:23,213 OKAY, OKAY.[ BEEPING ] 877 00:38:26,695 --> 00:38:29,524 [ BEEPING INTENSIFIES ] 878 00:38:33,223 --> 00:38:34,529 [ RAPID BEEPING ] 879 00:38:37,402 --> 00:38:39,317 [ BEEPING STOPS ] 880 00:38:40,448 --> 00:38:41,754 Here you go. 881 00:39:22,664 --> 00:39:24,362 [ CLICKING ] 882 00:39:45,295 --> 00:39:46,427 [ WHIMPERS ] 883 00:39:46,514 --> 00:39:48,386 DON'T LOOK AT ME LIKE THAT. 884 00:40:07,492 --> 00:40:09,363 [ SIGHS ] 885 00:40:13,498 --> 00:40:15,674 [ CAMERA SHUTTER CLICKS ] 886 00:40:15,761 --> 00:40:18,024 [ CELL PHONE BUZZING ] 887 00:40:20,940 --> 00:40:23,203 HEY, PETER, HOW'S THE STAKEOUT? 888 00:40:23,290 --> 00:40:25,510 JONES IS ON A COFFEE RUN. 889 00:40:25,597 --> 00:40:29,383 Listen, that call you made 890 00:40:29,470 --> 00:40:31,254 BEFORE YOU LEFT THE OFFICE TONIGHT... 891 00:40:31,341 --> 00:40:33,300 YEAH? 892 00:40:33,387 --> 00:40:36,085 WAS IT SARA? 893 00:40:36,172 --> 00:40:38,174 [ SIGHS ] 894 00:40:38,261 --> 00:40:40,220 SHE HASN'T BEEN TAKING MY CALLS. 895 00:40:40,307 --> 00:40:42,918 AW, MAN. 896 00:40:43,005 --> 00:40:44,964 THAT'S GOT TO BE WEIGHING ON YOU. 897 00:40:45,051 --> 00:40:46,835 YOU HAVE NO IDEA. 898 00:40:46,922 --> 00:40:50,622 Listen...you and I have been through some stuff, 899 00:40:50,709 --> 00:40:52,928 AND WE'VE HAD TO KEEP THINGS FROM EACH OTHER. 900 00:40:53,015 --> 00:40:57,498 BUT...IF YOU WANT TO TALK, 901 00:40:57,585 --> 00:41:01,633 and I -- you know, I mean, really talk... 902 00:41:01,720 --> 00:41:04,462 I'M HERE FOR YOU. 903 00:41:04,549 --> 00:41:06,594 IS THIS THE LONELINESS OF THE VAN TALKING? 904 00:41:06,681 --> 00:41:09,249 MAYBE, MAYBE. 905 00:41:09,336 --> 00:41:12,252 BUT, UH, I -- 906 00:41:12,339 --> 00:41:14,515 YOU KNOW, I THINK YOU DESERVE SOME HAPPINESS. 907 00:41:14,602 --> 00:41:16,691 And I, uh -- 908 00:41:16,778 --> 00:41:20,869 Whatever I can do to help you with that... 909 00:41:20,956 --> 00:41:22,741 let me know. 910 00:41:22,828 --> 00:41:24,003 THANKS, PETER. 911 00:41:24,090 --> 00:41:25,308 THAT MEANS A LOT. 912 00:41:25,395 --> 00:41:27,180 YEAH. 913 00:41:27,267 --> 00:41:29,399 NO PROBLEM. 914 00:41:29,487 --> 00:41:31,010 SEE YOU TOMORROW, NEAL. 915 00:41:31,097 --> 00:41:32,054 SEE YOU TOMORROW. 916 00:41:32,141 --> 00:41:33,708 [ SIGHS ] 917 00:41:37,538 --> 00:41:39,497 [ SIGHS ] 918 00:41:39,584 --> 00:41:41,063 [ CELL PHONE BUZZING ] 919 00:41:43,065 --> 00:41:44,806 [ SIGHS ] 920 00:41:48,854 --> 00:41:50,072 HEY. 921 00:41:50,159 --> 00:41:51,813 THE SUSPENSE IS KILLING ME. 922 00:41:51,900 --> 00:41:53,336 DID YOU FIND THE SAFE? 923 00:41:53,423 --> 00:41:54,816 I DID. 924 00:41:54,903 --> 00:41:56,905 Did you get in? 925 00:41:56,992 --> 00:41:57,906 I DID. 926 00:41:57,993 --> 00:41:58,951 And? 927 00:42:03,433 --> 00:42:05,523 THE MANIFEST WASN'T IN THERE, MOZ. 928 00:42:05,610 --> 00:42:07,002 I'M SORRY. 929 00:42:07,089 --> 00:42:10,179 Listen, we both knew this was a long shot, right? 930 00:42:10,266 --> 00:42:13,618 WELL, YES, BUT I -- 931 00:42:13,705 --> 00:42:14,967 LISTEN, I GOT TO GET OUT OF HERE. LET'S TALK TOMORROW. 932 00:42:23,976 --> 00:42:24,803 [ SIGHS ] 933 00:42:30,286 --> 00:42:32,114 [ SIGHS ]