1 00:00:04,265 --> 00:00:06,745 PICK A CARD. ANY CARD. 2 00:00:06,832 --> 00:00:08,660 WHAT DOES THIS HAVE TO DO WITH OUR PROPERTY-FRAUD SCAM? 3 00:00:08,747 --> 00:00:09,748 YOU'LL HAVE THE WHOLE THING CRACKED 4 00:00:09,835 --> 00:00:10,749 BEFORE I CAN SAY "TA-DA." 5 00:00:10,836 --> 00:00:12,012 PICK A DEED. [ SIGHS ] 6 00:00:13,100 --> 00:00:14,101 NOW WHAT? 7 00:00:14,188 --> 00:00:16,059 NOW I TAKE THESE 51 DEEDS 8 00:00:16,146 --> 00:00:17,626 AND FIGURE OUT WHICH ONE YOU TOOK. 9 00:00:17,713 --> 00:00:19,019 IT'S NOT MAGIC. IT'S MATH. 10 00:00:19,106 --> 00:00:20,411 WE GO THROUGH THE TITLE COMPANY'S RECORDS, 11 00:00:20,498 --> 00:00:21,499 MATCH THEM WITH THE REALTOR'S, 12 00:00:21,586 --> 00:00:22,674 AND FIGURE OUT WHICH ONE IS MISSING. 13 00:00:22,761 --> 00:00:23,675 TA-DA. 14 00:00:23,762 --> 00:00:25,112 NICE WORK. 15 00:00:25,199 --> 00:00:27,201 BUT HERE'S ANOTHER CASE WE NEED TO MAKE DISAPPEAR. 16 00:00:27,288 --> 00:00:29,159 SELENA THOMAS. MM. 17 00:00:29,246 --> 00:00:30,030 WHO'S SHE? 18 00:00:30,117 --> 00:00:31,857 DEVOTED SERIAL MONOGAMIST 19 00:00:31,944 --> 00:00:34,077 WHO MARRIES WEALTHY MEN RIGHT BEFORE THEY DIE. 20 00:00:34,164 --> 00:00:35,078 A BLACK WIDOW. 21 00:00:35,165 --> 00:00:36,514 COULD BE. 22 00:00:36,601 --> 00:00:38,125 SHE HAS FOUR RICH LATE HUSBANDS. 23 00:00:38,212 --> 00:00:39,735 SHE GETS AROUND. 24 00:00:39,822 --> 00:00:41,954 AND NOW SHE'S FINALLY GETTING AROUND TO NEW YORK. 25 00:00:42,042 --> 00:00:43,695 QUITE THE QUEEN OF HEARTS. 26 00:00:43,782 --> 00:00:44,740 CUTE. 27 00:00:44,827 --> 00:00:45,784 YOU LIKE THAT? 28 00:00:45,871 --> 00:00:47,047 MOVE IT, COPPERFIELD. 29 00:00:47,134 --> 00:00:48,744 THEIR DEATHS ARE LISTED AS NATURAL -- 30 00:00:48,831 --> 00:00:49,875 HEART ATTACK, EMBOLISM, 31 00:00:49,962 --> 00:00:51,747 SKYDIVING ACCIDENT. 32 00:00:51,834 --> 00:00:53,444 WHAT ABOUT THE FOURTH GUY? 33 00:00:53,531 --> 00:00:55,794 WE'RE WAITING ON THE L.A. BUREAU TO SEND THEIR REPORT. 34 00:00:55,881 --> 00:00:57,709 FOUR HUSBANDS, FOUR DEAD BODIES. 35 00:00:57,796 --> 00:01:00,364 WE THINK SHE'S KILLING THEM, BUT WE DON'T KNOW WHY. 36 00:01:00,451 --> 00:01:02,192 THEY'RE NOT LEAVING HER ALL THEIR MONEY? 37 00:01:02,279 --> 00:01:03,846 NOPE. THAT'S WHAT YOU'D EXPECT. 38 00:01:03,933 --> 00:01:05,848 BUT SHE'S NOT COLLECTING ON ANY OF THE INSURANCE PAYOFFS. 39 00:01:05,935 --> 00:01:07,458 WE FLAGGED HER NAME ON THIS. 40 00:01:07,545 --> 00:01:09,112 IT'S AN APPLICATION 41 00:01:09,199 --> 00:01:12,420 FOR THE MANHATTAN MILLIONAIRE SOCIETY BACHELORS AUCTION. 42 00:01:12,507 --> 00:01:15,249 IF SHE'S GONNA BE AT THIS AUCTION, THEN SO ARE WE. 43 00:01:15,336 --> 00:01:17,729 CLUB HAS THREE OPEN SLOTS FOR ELIGIBLE MEN. 44 00:01:17,816 --> 00:01:19,688 THAT MEANS I NEED THREE VOLUNTEERS. 45 00:01:19,775 --> 00:01:21,124 NEAL, RAISE YOUR HAND. 46 00:01:21,211 --> 00:01:23,474 DO I HAVE TO? YES. 47 00:01:23,561 --> 00:01:25,868 THERE'S OUR FIRST LUCKY BACHELOR. 48 00:01:25,955 --> 00:01:27,609 COME ON. 49 00:01:27,696 --> 00:01:30,438 WE'LL CREATE VERY IRRESISTIBLE IDENTITIES FOR YOU GUYS. 50 00:01:30,525 --> 00:01:32,527 YEAH, THEN HOPE SHE DOESN'T KILL HER LATEST BOY TOY 51 00:01:32,614 --> 00:01:33,615 BEFORE WE FIND THE MONEY. 52 00:01:33,702 --> 00:01:34,659 THAT'S A HAND. 53 00:01:34,746 --> 00:01:35,834 JONES IS NUMBER TWO. 54 00:01:35,921 --> 00:01:37,532 NO, PETER, I DIDN'T --ONE MORE. 55 00:01:37,619 --> 00:01:38,924 COME ON. IT'S ONLY A COVER. 56 00:01:39,011 --> 00:01:40,143 WHO'S NUMBER THREE? 57 00:01:40,230 --> 00:01:42,363 HOW ABOUT YOU,PETER? 58 00:01:42,450 --> 00:01:44,060 I MEAN, YOU SEEM LIKE THE MARRYING KIND, RIGHT? 59 00:01:44,147 --> 00:01:45,670 I AMMARRIED. 60 00:01:45,757 --> 00:01:47,150 HEY... IT'S ONLY A COVER. 61 00:01:47,237 --> 00:01:49,021 BE NICE TO GIVE HER SOME VARIETY. 62 00:01:49,109 --> 00:01:50,414 UNLESS -- GUYS, GUYS, 63 00:01:50,501 --> 00:01:51,459 UNLESS, YOU KNOW, YOU NEED PERMISSION. 64 00:01:51,546 --> 00:01:52,503 [ ALL MURMURING ] 65 00:01:52,590 --> 00:01:54,505 I DON'T -- I DON'T -- NO, I -- 66 00:01:54,592 --> 00:01:56,768 O-OKAY, FINE. I'LL DO IT. 67 00:01:56,855 --> 00:01:57,813 ALL RIGHT. 68 00:01:57,900 --> 00:01:58,814 LET'S SET IT UP. 69 00:02:01,512 --> 00:02:02,948 ARE YOU SCARED TO TELL ELIZABETH? 70 00:02:03,035 --> 00:02:04,776 TERRIFIED. 71 00:02:10,347 --> 00:02:11,957 MY ROLE IN THE ASSIGNMENT'S MINIMAL. 72 00:02:12,044 --> 00:02:13,220 [ SIGHS ] RIGHT. 73 00:02:13,307 --> 00:02:14,786 YOU'RE PLAYING PIECE OF MEAT NUMBER 2. 74 00:02:14,873 --> 00:02:16,048 YOU'RE GONNA FLIRT -- 75 00:02:16,136 --> 00:02:17,789 TALK. I'M GONNA TALKTO THEM. 76 00:02:17,876 --> 00:02:19,617 AND THEN YOU'RE GONNA WALK ACROSS A STAGE 77 00:02:19,704 --> 00:02:21,228 WHILE THESE WOMEN ARE BIDDING ON YOU. 78 00:02:21,315 --> 00:02:23,143 EL, MY CHANCES OF BEING PICKED 79 00:02:23,230 --> 00:02:24,622 ARE SLIM TO NONE BETWEEN NEAL AND -- 80 00:02:24,709 --> 00:02:25,884 WAIT. HOLD ON. 81 00:02:25,971 --> 00:02:27,538 YOUR CHANCES ARE NOTSLIM. 82 00:02:27,625 --> 00:02:29,236 HONEY, LOOK AT YOU. 83 00:02:29,323 --> 00:02:31,586 I'M HOLDING POOP. 84 00:02:31,673 --> 00:02:33,283 AND YOU LOOK DAMN SEXY DOING IT. 85 00:02:33,370 --> 00:02:34,589 YOU KNOW WHAT? WHAT? 86 00:02:34,676 --> 00:02:35,981 YOU'RE GONNA WIN THIS THING. 87 00:02:36,068 --> 00:02:37,069 I AM? YEAH. 88 00:02:37,157 --> 00:02:38,288 I'M GONNA MAKE SURE OF IT. 89 00:02:38,375 --> 00:02:40,856 COME ON. 90 00:02:40,943 --> 00:02:42,640 WHAT'S THE GRAND PRIZE ON THIS? 91 00:02:42,727 --> 00:02:44,338 I GET TO TAKE A VERY LOVELY, 92 00:02:44,425 --> 00:02:46,340 VERY DANGEROUS WOMAN OUT ON A DATE. 93 00:02:46,427 --> 00:02:49,038 HMM. IT'S NOTHING YOU CAN'T HANDLE. 94 00:02:49,125 --> 00:02:50,822 THANKS TO YOU. 95 00:02:50,909 --> 00:02:53,521 UH, WE,ACTUALLY, HAVE NEVER BEEN ON A DATE. 96 00:02:53,608 --> 00:02:55,131 PETER AND ELIZABETH'S HOUSE. 97 00:02:55,218 --> 00:02:56,524 DINNER DATE. NOT DATEDATE. 98 00:02:56,611 --> 00:02:57,481 DEFINE "DATEDATE." 99 00:02:57,568 --> 00:02:58,526 ONE-ON-ONE. 100 00:02:58,613 --> 00:02:59,527 WHAT ABOUT LUNCHES? 101 00:02:59,614 --> 00:03:00,832 LUNCH IS NOT ROMANTIC. 102 00:03:00,919 --> 00:03:02,051 LUNCH IS LUNCH. 103 00:03:02,138 --> 00:03:04,401 WE'VE NEVER BEEN ON A REAL DATE. 104 00:03:04,488 --> 00:03:06,795 IT'S OKAY. WHAT'S YOUR COVER? 105 00:03:06,882 --> 00:03:08,840 PLAYBOY SON OF A TEXAS OIL TYCOON. 106 00:03:08,927 --> 00:03:10,190 OH, WELL! 107 00:03:10,277 --> 00:03:11,321 I LIKE THE ACCENT. 108 00:03:11,408 --> 00:03:13,454 I'M GLAD YOU DO, MA'AM.[ LAUGHS ] 109 00:03:13,541 --> 00:03:15,673 THERE'S GONNA BE A VERY BIGPROBLEM, THOUGH. 110 00:03:15,760 --> 00:03:17,197 WHAT'S THAT? 111 00:03:17,284 --> 00:03:18,894 ALL THE WOMEN ARE GONNA WANT YOU, 112 00:03:18,981 --> 00:03:20,809 SO WHAT HAPPENS WHEN YOUR KILLER GETS OUTBID? 113 00:03:20,896 --> 00:03:23,246 I SEE YOUR POINT. MM-HMM. 114 00:03:23,333 --> 00:03:25,248 YOU'RE GONNA HAVE TO THROW YOUR MEETINGS 115 00:03:25,335 --> 00:03:26,728 WITH ALL THE OTHER WOMEN. 116 00:03:26,815 --> 00:03:27,903 HOW DO I DO THAT? 117 00:03:27,990 --> 00:03:29,774 WELL, WE ARE VERYSHALLOW CREATURES, 118 00:03:29,861 --> 00:03:32,951 BUT THERE ARE THINGS THAT EVEN BEAUTIFUL MEN LIKE YOU DO 119 00:03:33,038 --> 00:03:34,997 THAT DRIVE US NUTS. 120 00:03:35,084 --> 00:03:37,042 OH, YOU'RE GOOD. 121 00:03:37,129 --> 00:03:39,393 ALL RIGHT, HONEY, LET'S GO OVER THIS AGAIN. 122 00:03:39,480 --> 00:03:40,524 YOU ARE... 123 00:03:40,611 --> 00:03:42,439 PETER WILLIAMS, U.S. STEEL MAGNATE. 124 00:03:42,526 --> 00:03:45,094 MM. AND TELL ME MORE ABOUT THE STEEL INDUSTRY. 125 00:03:45,181 --> 00:03:47,314 WELL, IT BEGAN AS A FAMILY BUSINESS. 126 00:03:47,401 --> 00:03:48,663 BORING, BORING, BORING.BY THEN -- 127 00:03:48,750 --> 00:03:49,664 WHAT DID WE DISCUSS? 128 00:03:49,751 --> 00:03:51,231 RIGHT. 129 00:03:51,318 --> 00:03:54,234 UH, YOU DON'T WANT TO HEAR ABOUT WHAT I DO. 130 00:03:54,321 --> 00:03:56,845 I REALLY WANT TO KNOW MORE ABOUT YOU. 131 00:03:56,932 --> 00:03:58,847 MM. AND WHY ARE YOU STILL SINGLE? 132 00:03:58,934 --> 00:04:00,327 HAVEN'T FOUND THE RIGHT WOMAN YET. 133 00:04:00,414 --> 00:04:02,198 MM. WHO MIGHT THIS RIGHT WOMAN BE? 134 00:04:02,285 --> 00:04:05,201 OH, WELL, SHE'S ABOUT 5'5", 135 00:04:05,288 --> 00:04:07,551 BRUNETTE, MOST BEAUTIFUL BLUE EYES I'VE EVER SEEN, 136 00:04:07,638 --> 00:04:08,683 SMART AS A WHIP, 137 00:04:08,770 --> 00:04:09,727 AND GORGEOUS AS HELL. 138 00:04:09,814 --> 00:04:11,903 AWW. PERFECT. 139 00:04:11,990 --> 00:04:13,644 OKAY. REMEMBER, THIS IS A CONVERSATION, 140 00:04:13,731 --> 00:04:15,080 NOT AN INTERROGATION, 141 00:04:15,167 --> 00:04:16,952 SO YOU GOT TO MOVE AWAY FROM THE "WHERE ARE YOU FROMs" 142 00:04:17,039 --> 00:04:18,083 AND "WHAT DO YOU DOs," 143 00:04:18,170 --> 00:04:19,041 AND, HONEY, DON'T MAKE THAT FACE. 144 00:04:19,128 --> 00:04:20,695 WHAT FACE? THATFACE. 145 00:04:20,782 --> 00:04:22,044 OH. RIGHT. YES. 146 00:04:22,131 --> 00:04:24,829 BE YOURSELF. YOU'RE GONNA BE GREAT. 147 00:04:24,916 --> 00:04:25,874 OKAY. 148 00:04:25,961 --> 00:04:26,875 [ CHUCKLES ] 149 00:04:26,962 --> 00:04:27,876 THANKS, HON. 150 00:04:27,963 --> 00:04:29,051 BYE. SEE YA. 151 00:04:36,145 --> 00:04:37,277 OH. 152 00:04:37,364 --> 00:04:38,626 HAVE WE, UH, MET? 153 00:04:38,713 --> 00:04:39,757 I DON'T BELIEVE WE HAVE. 154 00:04:39,844 --> 00:04:41,019 ARTHUR FORT, PASTRY BARON 155 00:04:41,106 --> 00:04:42,847 TO A MULTIMILLION-DOLLAR DESSERT EMPIRE. 156 00:04:42,934 --> 00:04:44,327 LADIES LOVE THE SWEETS. 157 00:04:44,414 --> 00:04:46,024 Neal: YOU READY? ARE YOU? 158 00:04:46,111 --> 00:04:48,200 GENTLEMEN, WE ARE ABOUT TO BEGIN. 159 00:04:48,288 --> 00:04:49,419 I WILL MAKE THE ANNOUNCEMENT, 160 00:04:49,506 --> 00:04:51,639 AND WHEN I GIVE YOU THE GO-AHEAD, 161 00:04:51,726 --> 00:04:54,119 YOU JUST TAKE YOUR PLACES ON THE STAIRS, OKAY? 162 00:04:54,206 --> 00:04:57,209 GOOD LUCK. 163 00:04:57,297 --> 00:05:01,388 OKAY, LADIES, I HAVE ONLY ONE QUESTION FOR YOU! 164 00:05:01,475 --> 00:05:05,000 ARE YOU READY TO MEET YOUR MEN? 165 00:05:05,087 --> 00:05:08,960 [ CHEERS AND APPLAUSE ] 166 00:05:11,441 --> 00:05:13,269 [ WHISTLING, WOMEN CHANTING "MEN! MEN! MEN!" ] 167 00:05:13,356 --> 00:05:15,010 [ CHUCKLES ] 168 00:05:15,097 --> 00:05:16,838 WHY DO I FEEL LIKE I NEED A PIKE AND SWORD? 169 00:05:16,925 --> 00:05:19,667 FOR THOSE ABOUT TO DATE... 170 00:05:19,754 --> 00:05:21,277 WE SALUTE YOU. 171 00:05:40,035 --> 00:05:44,256 OKAY, LADIES, YOU'LL HAVE FIVE MINUTES TO TALK TO EACH MAN. 172 00:05:44,344 --> 00:05:45,606 WHEN THE BELL SOUNDS...[ BELL TINKLES ] 173 00:05:45,693 --> 00:05:48,217 ...YOU SIMPLY MOVE ON TO THE NEXT. 174 00:05:48,304 --> 00:05:49,436 NOW, WHY DON'T YOU GO AHEAD AND CHECK YOUR INVITATIONS 175 00:05:49,523 --> 00:05:50,698 FOR THE PROPER ROTATION. 176 00:05:50,785 --> 00:05:53,440 YOU EVER DONE ANYTHING LIKE THIS BEFORE? 177 00:05:55,137 --> 00:05:56,443 YES. 178 00:05:56,530 --> 00:05:58,401 WHAT DO YOULOOK FOR? 179 00:05:58,488 --> 00:06:01,926 MM. TALL, DARK, AND HANDSOME IS FINE WITH ME. 180 00:06:02,013 --> 00:06:04,625 YOU CAN ALSO TELL A LOT ABOUT A MAN BY HIS SMILE, 181 00:06:04,712 --> 00:06:06,801 HOW CONFIDENT OR COUNTERFEIT HE CAN BE. 182 00:06:06,888 --> 00:06:09,281 MM.SO WHAT'S YOUR PLAN? 183 00:06:09,369 --> 00:06:11,327 I'M GONNA BOMB EVERY MEETING EXCEPT SELENA. 184 00:06:11,414 --> 00:06:13,198 MM. YOU'RE AFRAID YOU'LL CAUSE A FRENZY. 185 00:06:13,285 --> 00:06:14,809 I'M NARROWING THE ODDS. 186 00:06:14,896 --> 00:06:16,332 WHAT'S YOUR APPROACH? 187 00:06:16,419 --> 00:06:18,160 I'M GOING FOR THE FRENZY.MM. 188 00:06:18,247 --> 00:06:20,380 I'M GONNA TRY TO CHARM EVERY ONE OF THEM. 189 00:06:20,467 --> 00:06:21,685 I WANT GOOD WORD OF MOUTH. 190 00:06:21,772 --> 00:06:22,991 SURE. 191 00:06:23,078 --> 00:06:24,340 PETER. 192 00:06:24,427 --> 00:06:26,255 I'M GONNA MAINTAIN EYE CONTACT 193 00:06:26,342 --> 00:06:28,126 AND REMEMBER IT'S A CONVERSATION, 194 00:06:28,213 --> 00:06:29,345 NOT AN INTERROGATION. 195 00:06:29,432 --> 00:06:31,129 THAT'S ALL GOOD, 196 00:06:31,216 --> 00:06:32,435 BUT WHAT YOU WANT TO DO, YOU WANT TO KEEP IT UP HERE 197 00:06:32,522 --> 00:06:33,741 WHEN YOU TALK, RIGHT? 198 00:06:33,828 --> 00:06:35,960 DOWN HERE, THIS IS ALL SECOND-DATE TERRITORY. 199 00:06:36,047 --> 00:06:37,092 OKAY, SO BE YOURSELF. 200 00:06:37,179 --> 00:06:38,572 JUST BE YOURSELF UP HERE. 201 00:06:38,659 --> 00:06:40,356 AND IF YOU'RE HOLDING A DRINK, KEEP IT IN YOUR LEFT HAND. 202 00:06:40,443 --> 00:06:41,749 THAT WAY, WHEN YOU SHAKE HER HAND WITH YOUR RIGHT, 203 00:06:41,836 --> 00:06:42,532 YOUR FIRST TOUCH WON'T BE COLD. 204 00:06:45,796 --> 00:06:48,103 YEAH, IT ISCOLD. 205 00:06:48,190 --> 00:06:49,757 Jameson: ONE FINAL REMINDER -- 206 00:06:49,844 --> 00:06:52,499 SOME OF THE MEN HAVE BEEN KNOWN TO PROPOSE 207 00:06:52,586 --> 00:06:54,762 ON THE VERY NIGHT OF THE AUCTION, 208 00:06:54,849 --> 00:06:56,981 SO, PLEASE, DON'T FORGET TO CHECK THEIR POCKETS 209 00:06:57,068 --> 00:06:57,982 FOR ENGAGEMENT RINGS. 210 00:06:58,069 --> 00:07:01,682 OKAY, MILLIONAIRES, 211 00:07:01,769 --> 00:07:04,467 THE MOMENT ALL THESE BEAUTIFUL LADIES HAVE BEEN WAITING FOR. 212 00:07:04,554 --> 00:07:08,340 ON YOUR MARKS, GET SET... 213 00:07:08,428 --> 00:07:09,603 DATE! 214 00:07:09,690 --> 00:07:12,649 [ CHEERS AND APPLAUSE ] 215 00:07:12,736 --> 00:07:15,043 [ INDISTINCT CONVERSATIONS ] 216 00:07:15,130 --> 00:07:17,045 HI. WHERE WERE YOU BEFORE NEW YORK? 217 00:07:17,132 --> 00:07:18,481 CLEVELAND. [ CHUCKLES ] 218 00:07:18,568 --> 00:07:20,701 FASCINATING. 219 00:07:20,788 --> 00:07:24,052 TELL ME MORE ABOUT CLEVELAND. 220 00:07:24,139 --> 00:07:26,184 I-IT'S IN OHIO. 221 00:07:26,271 --> 00:07:28,012 [ BOTH LAUGH ] 222 00:07:28,099 --> 00:07:29,361 OH! 223 00:07:29,449 --> 00:07:30,406 OH! 224 00:07:30,493 --> 00:07:32,147 [ BELL TINKLES ] 225 00:07:32,234 --> 00:07:34,758 I MADE MY FIRST BATCH OF CHOCOLATE-CHIP COOKIES 226 00:07:34,845 --> 00:07:36,630 WHEN I WAS 5 YEARS OLD. 227 00:07:36,717 --> 00:07:38,240 I'VE NEVER LOOKED BACK. 228 00:07:38,327 --> 00:07:40,982 YOU SEEM PASSIONATE ABOUT PASTRY. 229 00:07:41,069 --> 00:07:42,462 MM. 230 00:07:42,549 --> 00:07:43,985 I'M PASSIONATE IN EVERYTHING I DO. 231 00:07:44,072 --> 00:07:46,683 [ BELL TINKLES ] 232 00:07:46,770 --> 00:07:47,858 NOTHING COMPARES TO IT. 233 00:07:47,945 --> 00:07:48,946 HUNTING DEER? 234 00:07:49,033 --> 00:07:50,513 FAWNS, ACTUALLY -- THE BABIES. 235 00:07:50,600 --> 00:07:52,472 ARE YOU SERIOUS? 236 00:07:52,559 --> 00:07:54,038 YEAH, THERE'S A CERTAIN THRILL IN THE KILL. 237 00:07:54,125 --> 00:07:55,649 AND -- OH. OH, ONE SECOND.[ CELL PHONE RINGS ] 238 00:07:55,736 --> 00:07:57,651 WHAT ARE YOU DOING? 239 00:07:57,738 --> 00:07:58,826 OH, HO. HEY, BUDDY! 240 00:07:58,913 --> 00:08:00,175 WHAT'S UP? 241 00:08:00,262 --> 00:08:00,958 HOLD ON. I'M ON A DATE.HAVE A NICE DAY. 242 00:08:01,045 --> 00:08:02,046 SAY HI. 243 00:08:02,133 --> 00:08:03,526 AND SWITCH.[ BELL TINKLES ] 244 00:08:03,613 --> 00:08:04,658 HOW ARE YOU? 245 00:08:04,745 --> 00:08:07,835 OH, I WANT TO HEAR MORE ABOUT YOU. 246 00:08:07,922 --> 00:08:09,924 OKAY, UM, WELL -- 247 00:08:10,011 --> 00:08:12,274 OH, IT'S GONNA BE COLD. IT'S COLD, ISN'T IT? 248 00:08:12,361 --> 00:08:13,710 OH. 249 00:08:13,797 --> 00:08:15,625 SO, I SPOKE WITH SELENA. DIDN'T GET MUCH. 250 00:08:15,712 --> 00:08:17,322 SHE LIKES TALL, DARK, AND HANDSOME. 251 00:08:17,409 --> 00:08:18,672 WELL, HOW DARK ARE WE TALKING? 252 00:08:18,759 --> 00:08:20,151 [ BELL TINKLES ] 253 00:08:20,238 --> 00:08:21,544 [ CLEARS THROAT ] EXCUSE ME. 254 00:08:21,631 --> 00:08:22,850 ONE MORE MINUTE. ONE MORE MINUTE. 255 00:08:22,937 --> 00:08:24,939 I'M LOOKING FOR THAT -- THE RIGHT PERSON. 256 00:08:25,026 --> 00:08:26,723 AND WHAT DOES SHE LOOK LIKE? 257 00:08:28,812 --> 00:08:30,031 [ BELL TINKLES ] 258 00:08:30,118 --> 00:08:30,945 HI. HOW ARE YOU?AH, TSH, TSH, TSH! 259 00:08:31,032 --> 00:08:32,163 JUST ONE MORE MINUTE. 260 00:08:32,250 --> 00:08:33,164 I'M JUST CHECKING THE MAVERICKS SCORE. 261 00:08:33,251 --> 00:08:35,297 THEY'RE LOSING AGAIN. 262 00:08:35,384 --> 00:08:36,559 [ CHUCKLES ] IT'S NOT GOOD. 263 00:08:36,646 --> 00:08:39,170 SHE'S LOOKING FOR SOMEONE SHE CAN MANIPULATE, 264 00:08:39,257 --> 00:08:40,868 SOMEONE WHO COMES ACROSS AS SINCERE 265 00:08:40,955 --> 00:08:41,869 BUT LESS THAN SELF-ASSURED. 266 00:08:41,956 --> 00:08:42,913 HOW AM I DOING? 267 00:08:43,000 --> 00:08:44,262 YOU'RE GREAT. YEAH. 268 00:08:44,349 --> 00:08:45,873 BASICALLY, SHE WANTS SOMEONE WITH AN HONEST SMILE. 269 00:08:45,960 --> 00:08:47,701 A SMILE. 270 00:08:47,788 --> 00:08:48,963 THE "HONEST" PART WENT RIGHT BY YOU, HUH? 271 00:08:50,138 --> 00:08:52,009 [ BELL TINKLES ] 272 00:08:52,096 --> 00:08:54,490 PLEASED TO MEET YOU, MISS... 273 00:08:54,577 --> 00:08:55,926 OH, CALL ME SELENA. 274 00:08:56,013 --> 00:08:57,319 MM. SELENA. 275 00:08:57,406 --> 00:08:58,363 MM-HMM. 276 00:08:58,450 --> 00:08:59,930 I'VE GOT TO ADMIT, 277 00:09:00,017 --> 00:09:03,238 YOU CAUGHT MY EYE THE MINUTE I CAME DOWN THE STAIRS. 278 00:09:03,325 --> 00:09:05,936 OH. [ CHUCKLES ] 279 00:09:06,023 --> 00:09:07,155 THAT IS A LOVELY DRESS. 280 00:09:07,242 --> 00:09:08,504 OH, THANK YOU. 281 00:09:08,591 --> 00:09:10,114 GIRL HAS TO MAKE AN IMPRESSION, RIGHT? 282 00:09:10,201 --> 00:09:11,333 OH, YOU DO. OH. 283 00:09:11,420 --> 00:09:13,422 TELL ME A LITTLE ABOUT YOURSELF. 284 00:09:13,509 --> 00:09:15,598 WELL, FORTUNATELY, I'VE DONE WELL -- 285 00:09:15,685 --> 00:09:18,601 WELL ENOUGH TO DEVOTE THE MAJORITY OF MY TIME 286 00:09:18,688 --> 00:09:19,950 TO A FEW NONPROFITS. 287 00:09:20,037 --> 00:09:21,386 MM. 288 00:09:21,473 --> 00:09:23,563 ARE YOU... INTO NONPROFITING? 289 00:09:23,650 --> 00:09:25,042 [ CHUCKLES ] 290 00:09:25,129 --> 00:09:26,478 WELL, WITH THE RIGHT PERSON, ALWAYS. 291 00:09:26,566 --> 00:09:28,176 YEAH? THAT'S NICE. MM-HMM. 292 00:09:28,263 --> 00:09:29,612 AND SWITCH.[ BELL TINKLES ] 293 00:09:29,699 --> 00:09:31,309 WELL, UH, I HOPE WE GET TO CONTINUE 294 00:09:31,396 --> 00:09:32,702 THIS CONVERSATION ANOTHER TIME. 295 00:09:32,789 --> 00:09:34,051 YEAH, ME TOO. ALL RIGHT. 296 00:09:34,138 --> 00:09:35,313 IT WAS A LITTLE TOO FAST. 297 00:09:35,400 --> 00:09:36,227 IT WAS LOVELY TO MEET YOU. 298 00:09:36,314 --> 00:09:37,272 GREAT TO MEET YOU. 299 00:09:37,359 --> 00:09:38,969 Peter: HI. 300 00:09:39,056 --> 00:09:40,884 HI. I'M PETER. 301 00:09:40,971 --> 00:09:42,451 HI, PETER. 302 00:09:42,538 --> 00:09:44,235 YOU'RE VERY BEAUTIFUL. 303 00:09:44,322 --> 00:09:46,020 AW, THANK YOU. 304 00:09:48,413 --> 00:09:50,677 SO, WHY ARE YOU HERE, PETER? 305 00:09:50,764 --> 00:09:54,942 TO FIND SOMEONE SPECIAL. 306 00:09:55,029 --> 00:09:57,205 MM-HMM. 307 00:09:58,728 --> 00:10:01,557 [ INDISTINCT CONVERSATIONS ] 308 00:10:01,644 --> 00:10:03,820 [ SIGHS ] 309 00:10:03,907 --> 00:10:05,517 BUT MOST OF THESE WOMEN 310 00:10:05,605 --> 00:10:08,216 ARE ONLY INTERESTED IN SMALL TALK, SO... 311 00:10:08,303 --> 00:10:11,393 WELL, WHAT ARE YOU INTERESTED IN? 312 00:10:14,048 --> 00:10:15,527 BEING CAUGHT OFF GUARD. 313 00:10:15,615 --> 00:10:17,704 HAVING A CONVERSATION THAT -- 314 00:10:17,791 --> 00:10:20,184 THAT GOES BEYOND THE "WHAT DO YOU DO?" 315 00:10:20,271 --> 00:10:21,882 AND "WHERE ARE YOU FROM?" 316 00:10:21,969 --> 00:10:27,757 SELENA, THERE ARE A LOT OF NICE GUYS HERE. 317 00:10:27,844 --> 00:10:31,239 I TRULY HOPE YOU FIND THE ONE YOU'RE WAITING FOR. 318 00:10:33,589 --> 00:10:35,896 [ FOOTSTEPS DEPART ] 319 00:10:35,983 --> 00:10:38,072 SOLD FOR $8,000! CONGRATULATIONS. 320 00:10:38,159 --> 00:10:39,247 [ CHEERS AND APPLAUSE ] 321 00:10:41,292 --> 00:10:44,426 NEXT UP IS MR. ARTHUR FORT, 322 00:10:44,513 --> 00:10:46,950 THE PASTRY BARON OF BROOKLYN. 323 00:10:47,037 --> 00:10:51,955 SHALL WE START THE BIDDING AT $5,000? 324 00:10:52,042 --> 00:10:53,174 $5,000. 325 00:10:53,261 --> 00:10:54,958 $6,000.$7,000! 326 00:10:55,045 --> 00:10:56,046 HE SEEMED NICE. 327 00:10:56,133 --> 00:10:57,395 HE WAS CHARMING. 328 00:10:57,482 --> 00:10:58,658 BUT? 329 00:10:58,745 --> 00:11:00,355 A LITTLE TOOCHARMING. 330 00:11:00,442 --> 00:11:02,139 $11,000. 331 00:11:02,226 --> 00:11:03,314 Woman: WOW. 332 00:11:03,401 --> 00:11:05,839 SOLD FOR $11,000. 333 00:11:05,926 --> 00:11:07,492 [ APPLAUSE ] 334 00:11:07,579 --> 00:11:11,801 OUR NEXT BACHELOR IS MR. NICHOLAS MUNROE. 335 00:11:11,888 --> 00:11:14,151 NICK HAS BEEN MAKING THE ROUNDS, 336 00:11:14,238 --> 00:11:15,936 BUT NOW HE'S READY TO TAKE YOU LADIES 337 00:11:16,023 --> 00:11:18,982 ON THE DATE OF YOUR LIVES. 338 00:11:19,069 --> 00:11:21,245 SHALL WE START THE BIDDING AT $5,000? 339 00:11:21,332 --> 00:11:23,813 DO I HEAR $5,000? 340 00:11:23,900 --> 00:11:25,032 HE'S GORGEOUS. 341 00:11:25,119 --> 00:11:26,033 HE'S YOUNG. 342 00:11:26,120 --> 00:11:29,906 DO I HEAR $3,000? 343 00:11:31,821 --> 00:11:33,954 WELL, YOU CAN GET HIM AT A DISCOUNT. 344 00:11:34,041 --> 00:11:35,346 DON'T LET ME STAND IN YOUR WAY. 345 00:11:35,433 --> 00:11:37,131 HMM. 346 00:11:37,218 --> 00:11:39,307 1,000 BUCKS? 347 00:11:39,394 --> 00:11:41,483 WELL... 348 00:11:42,832 --> 00:11:44,878 OKAY, SOLD! 349 00:11:44,965 --> 00:11:47,184 [ APPLAUSE ] 350 00:11:54,583 --> 00:11:55,671 WHAT HAPPENED? 351 00:11:55,758 --> 00:11:57,064 MY PLAN WORKED. MM. 352 00:11:57,151 --> 00:11:58,587 TOOWELL. 353 00:11:58,674 --> 00:12:00,981 OUR NEXT BACHELOR IS MR. PETER WILLIAMS. 354 00:12:01,068 --> 00:12:02,722 WE'LL START THE BIDDING AT -- 355 00:12:02,809 --> 00:12:04,724 $15,000.[ WOMEN GASP ] 356 00:12:04,811 --> 00:12:07,770 WOW! ANY OTHER BIDS? 357 00:12:07,857 --> 00:12:11,643 SOLD FOR $15,000 TO THE WOMAN IN RED! 358 00:12:21,653 --> 00:12:23,612 OKAY, $15,000 HASTO BE THE RECORD. 359 00:12:23,699 --> 00:12:25,135 NO. HERE YOU GO, TEX. 360 00:12:25,222 --> 00:12:27,311 BUT IT WAS THE SECOND-HIGHEST BID THEY'VE EVER HAD. 361 00:12:27,398 --> 00:12:28,486 SECOND? 362 00:12:28,573 --> 00:12:30,227 THERE WAS A KENNEDY LAST YEAR. 363 00:12:30,314 --> 00:12:32,273 WAS IT ONE OF THE GOOD-LOOKING ONES? EH... 364 00:12:32,360 --> 00:12:34,144 GUYS, LET'S TALK ABOUT WHAT'S NEXT. 365 00:12:34,231 --> 00:12:35,537 OKAY. WHERE ARE YOU TAKING HER? 366 00:12:35,624 --> 00:12:36,930 NOWHERE. 367 00:12:37,017 --> 00:12:38,714 I'M GONNA GO TO HER PLACE, DROP A BUG, 368 00:12:38,801 --> 00:12:40,150 PLANT A KEYLOGGER, 369 00:12:40,237 --> 00:12:41,586 AND FIGURE OUT WHAT SHE HAS PLANNED. 370 00:12:41,673 --> 00:12:42,979 AND HOW SHE PLANS TO MURDER YOU. 371 00:12:43,066 --> 00:12:45,199 THAT, AND HOW SHE'S ANGLING FOR MY MONEY. 372 00:12:45,286 --> 00:12:46,722 IS THIS DATE GONNA BE DANGEROUS? 373 00:12:46,809 --> 00:12:48,289 WHOA. PETER IS NOT DATING HER. 374 00:12:48,376 --> 00:12:49,594 I'M OCCUPYING HER. 375 00:12:49,681 --> 00:12:52,380 I'LL HAVE AN ARREST WARRANT BEFORE DESSERT. 376 00:12:53,816 --> 00:12:55,557 HMM. 377 00:12:57,733 --> 00:12:58,734 [ TELEPHONE RINGS ] 378 00:13:02,346 --> 00:13:03,478 THIS IS PETER. 379 00:13:03,565 --> 00:13:04,392 SELENA: Hey, Peter. 380 00:13:04,479 --> 00:13:06,394 It's Selena. 381 00:13:06,481 --> 00:13:07,482 HEY! GREAT TO HEAR FROM YOU. 382 00:13:07,569 --> 00:13:08,570 We still on for tonight? 383 00:13:08,657 --> 00:13:11,747 WE HAVE RESERVATIONS FOR 8:00 P.M. 384 00:13:11,834 --> 00:13:13,096 AT THE GRIFFIN. 385 00:13:13,183 --> 00:13:14,576 IT'S DOWNTOWN. 386 00:13:14,663 --> 00:13:16,056 IT'S DELICIOUS. IT'S... 387 00:13:16,143 --> 00:13:18,580 I'LL PICK YOU UP AT 7:00? 388 00:13:18,667 --> 00:13:19,711 No. I'll meet you there. 389 00:13:19,799 --> 00:13:22,018 NO, NO, NO. I-I-IT'S NO TROUBLE. 390 00:13:22,105 --> 00:13:25,892 No. The trouble is you disagreeing with me. 391 00:13:25,979 --> 00:13:28,068 WELL, WHAT KIND OF GENTLEMAN WOULD I BE 392 00:13:28,155 --> 00:13:30,374 IF I DIDN'T PICK YOU UP ON OUR FIRST DATE? 393 00:13:30,461 --> 00:13:33,116 Peter, I'll see you at 8:00. 394 00:13:33,203 --> 00:13:35,075 SEE YOU AT 8:00. 395 00:13:35,162 --> 00:13:36,467 [ Dial tone ] 396 00:13:36,554 --> 00:13:37,381 NO TRACE. 397 00:13:37,468 --> 00:13:39,166 UGH! GREAT! 398 00:13:39,253 --> 00:13:40,950 WE DON'T KNOW WHERE SHE IS! 399 00:13:41,037 --> 00:13:42,386 IF I CAN'T PICK HER UP... 400 00:13:42,473 --> 00:13:43,779 YOU'LL HAVE TO DROP HER OFF. 401 00:13:43,866 --> 00:13:44,954 YOU'RE GONNA HAVE TO SEAL THE DEAL. 402 00:13:45,041 --> 00:13:48,131 NO -- NO, NO! NO DEAL SEALING. 403 00:13:48,218 --> 00:13:49,263 YOU DON'T WANT HER DUMPING YOU 404 00:13:49,350 --> 00:13:50,307 AND GOING AFTER ANOTHER VICTIM. 405 00:13:50,394 --> 00:13:51,569 DIANA'S RIGHT. 406 00:13:51,656 --> 00:13:52,570 YOU NEED TO IMPRESS HER ENOUGH 407 00:13:52,657 --> 00:13:53,876 THAT SHE WANTS TO TAKE YOU HOME. 408 00:13:53,963 --> 00:13:55,922 ELIZABETH GOT ME INTO THIS. 409 00:13:56,009 --> 00:13:56,923 YES, SHE DID. 410 00:13:57,010 --> 00:13:58,315 SO, TECHNICALLY, IT'S OKAY. 411 00:13:58,402 --> 00:13:59,403 YEAH. 412 00:13:59,490 --> 00:14:01,101 OKAY. 413 00:14:01,188 --> 00:14:02,624 I'M GONNA CLOSE THE DEAL. 414 00:14:10,893 --> 00:14:12,199 I'M ON POINT. 415 00:14:12,286 --> 00:14:14,114 TARGET'S NOT HERE. 416 00:14:14,201 --> 00:14:16,246 RELAX, COMMANDO. IT IS JUST A DINNER. 417 00:14:16,333 --> 00:14:17,465 I GOT EYES ON SELENA. 418 00:14:17,552 --> 00:14:19,249 SHE'LL BE INSIDE WITHIN A MINUTE. 419 00:14:19,336 --> 00:14:21,469 TARGET SIGHTED. 420 00:14:23,775 --> 00:14:25,255 YOU LOOK EVEN MORE HANDSOME TONIGHT, 421 00:14:25,342 --> 00:14:26,300 IF THAT'S POSSIBLE. 422 00:14:26,387 --> 00:14:28,606 SO DO YOU. 423 00:14:28,693 --> 00:14:30,478 BEAUTIFUL. [ CHUCKLES ] 424 00:14:30,565 --> 00:14:31,827 Shall we? 425 00:14:31,914 --> 00:14:33,873 YES. 426 00:14:33,960 --> 00:14:35,483 WONDER WHAT'S ON THE MENU. 427 00:14:35,570 --> 00:14:36,571 THEIRS? 428 00:14:36,658 --> 00:14:38,312 OR OURS? 429 00:14:39,704 --> 00:14:41,532 OURS. 430 00:14:41,619 --> 00:14:43,186 IT'S A VERY NICE HALIBUT WITH A MANGO CHUTNEY. 431 00:14:45,275 --> 00:14:47,147 WHY ARE YOU DOING THIS? 432 00:14:47,234 --> 00:14:49,932 YOU HELPED ME SAVE FACE AT THE AUCTION. 433 00:14:50,019 --> 00:14:52,804 THE LEAST I CAN DO IS OFFER YOU A DECENT MEAL. 434 00:14:52,892 --> 00:14:54,371 A CANDLE! 435 00:14:54,458 --> 00:14:55,372 ELECTRIC. 436 00:14:55,459 --> 00:14:56,765 [ LAUGHS ] 437 00:14:56,852 --> 00:14:57,940 SOMETHING TO DRINK? 438 00:14:58,027 --> 00:14:59,115 PLEASE. 439 00:14:59,202 --> 00:15:00,377 MAY I RECOMMEND OUR MERLOT? 440 00:15:00,464 --> 00:15:02,684 A BOTTLE OF YOUR VINO DEL DIABLO. 441 00:15:02,771 --> 00:15:04,468 HOW ADVENTUROUS. 442 00:15:04,555 --> 00:15:07,341 I'LL TAKE A RISK ONCE IN A WHILE. 443 00:15:07,428 --> 00:15:08,690 LIKE THE AUCTION. 444 00:15:08,777 --> 00:15:09,778 LIKE YOU. 445 00:15:09,865 --> 00:15:11,519 OH, SO I'M A RISK? 446 00:15:11,606 --> 00:15:13,390 [ CHUCKLES ] 447 00:15:13,477 --> 00:15:16,480 I FEEL I DON'T NEED TO HIDE ANYTHING FROM YOU. 448 00:15:16,567 --> 00:15:19,396 OH. 449 00:15:19,483 --> 00:15:21,529 MAYBE THAT WAS A LITTLE TOO FORWARD. 450 00:15:21,616 --> 00:15:23,096 NO, PETER. 451 00:15:23,183 --> 00:15:25,272 THERE'S NOTHING MORE ATTRACTIVE THAN THE TRUTH. 452 00:15:25,359 --> 00:15:26,316 MM. 453 00:15:26,403 --> 00:15:28,666 HE'S DOING GOOD. 454 00:15:28,753 --> 00:15:30,059 WELL, HE'S GONNA NEED TO STEP IT UP 455 00:15:30,146 --> 00:15:31,452 IF HE WANTS AN INVITE BACK TO HER PLACE. 456 00:15:31,539 --> 00:15:32,757 YOU EVER COOK LIKE THIS FOR SARA? 457 00:15:32,844 --> 00:15:34,455 I THOUGHT ABOUT IT. 458 00:15:34,542 --> 00:15:36,718 WELL, DO MORE THAN THINK. 459 00:15:36,805 --> 00:15:39,590 INSURANCE INVESTIGATOR BARBIE WOULD BE THOROUGHLY IMPRESSED. 460 00:15:39,677 --> 00:15:41,375 [ GLASSES CLINK ] 461 00:15:41,462 --> 00:15:42,811 [ GLASSES CLINK ] 462 00:15:42,898 --> 00:15:44,204 [ CHUCKLES ][ SLOW MUSIC PLAYS ] 463 00:15:44,291 --> 00:15:46,119 OH, I LOVE THIS SONG. 464 00:15:46,206 --> 00:15:47,816 OH, ME TOO. 465 00:15:47,903 --> 00:15:49,383 SHALL WE DANCE? 466 00:15:49,470 --> 00:15:51,080 OH, UH... 467 00:15:51,167 --> 00:15:52,560 YOU'VE BEEN ADVENTUROUS WITH THE MERLOT. 468 00:15:52,647 --> 00:15:53,648 WHY STOP NOW? 469 00:15:53,735 --> 00:15:54,649 [ STAMMERS, CHUCKLES ] 470 00:15:54,736 --> 00:15:56,564 [ CLEARS THROAT ] 471 00:16:03,658 --> 00:16:06,922 [ TANGO PLAYS ] 472 00:16:07,009 --> 00:16:08,228 IS THAT A TANGO? 473 00:16:08,315 --> 00:16:09,359 WHOA, WHOA, WHOA, WHOA. 474 00:16:09,446 --> 00:16:11,013 PETER, PETER, THERE ARE CERTAIN THINGS 475 00:16:11,100 --> 00:16:12,406 you cannot recover from. 476 00:16:14,408 --> 00:16:16,236 I CAN HANDLE THIS. 477 00:16:27,899 --> 00:16:29,423 I DON'T HEAR ANY SCREAMING. 478 00:16:31,294 --> 00:16:33,601 [ MUSIC CONTINUES ] 479 00:16:43,350 --> 00:16:45,004 [ CHEERS AND APPLAUSE ] 480 00:16:55,797 --> 00:16:56,841 [ MUSIC ENDS ] 481 00:16:56,928 --> 00:16:58,626 [ CHEERS AND APPLAUSE ] 482 00:16:59,975 --> 00:17:02,586 LET'S GO BACK TO MY APARTMENT SO THAT -- 483 00:17:02,673 --> 00:17:04,327 [ FEEDBACK ]WHOA, WHOA, WHOA. 484 00:17:04,414 --> 00:17:05,633 DID YOU GET THAT? 485 00:17:05,720 --> 00:17:07,069 THE FIRST PART LOUD AND CLEAR. 486 00:17:07,156 --> 00:17:08,984 THE SECOND?NEVER TO BE REPEATED. 487 00:17:09,071 --> 00:17:10,377 [ CHUCKLES ] 488 00:17:10,464 --> 00:17:12,727 NICE WORK, AGENT BURKE. 489 00:17:12,814 --> 00:17:14,250 PETER. 490 00:17:14,337 --> 00:17:16,731 REMIND ME TO THANK EL FOR THE DANCE LESSONS. 491 00:17:16,818 --> 00:17:18,341 NEAL? NEAL? 492 00:17:18,428 --> 00:17:20,039 Neal? 493 00:17:20,126 --> 00:17:21,127 I DON'T THINK HE CAN HEAR US. 494 00:17:21,214 --> 00:17:22,389 SHE MUST HAVE BLOWN THE RECEIVER. 495 00:17:26,915 --> 00:17:29,178 Selena: WHY DON'T YOU MAKE US A DRINK 496 00:17:29,265 --> 00:17:31,180 WHILE I CHANGE AND PUT ON SOME MUSIC? 497 00:17:33,356 --> 00:17:35,315 IS SHE ACTUALLY SLIPPING INTO SOMETHING MORE COMFORTABLE? 498 00:17:35,402 --> 00:17:36,272 MM-HMM. 499 00:17:36,359 --> 00:17:37,404 I DON'T LIKE THIS WOMAN. 500 00:17:37,491 --> 00:17:38,753 [ CELL PHONE RINGS ] 501 00:17:38,840 --> 00:17:40,233 HEY, JONES. WHAT'S UP? 502 00:17:40,320 --> 00:17:43,236 COME ON, PETER. PLANT THE BUG AND GET OUT. 503 00:17:43,323 --> 00:17:44,759 [ MID-TEMPO MUSIC PLAYS ] 504 00:17:44,846 --> 00:17:47,153 IF YOU CAN HEAR ME, I DON'T SEE A COMPUTER, 505 00:17:47,240 --> 00:17:50,199 SO THE KEYLOGGER ISN'T GONNA WORK. 506 00:17:55,726 --> 00:17:57,685 [ SIGHS ] 507 00:17:59,078 --> 00:18:02,603 I'M GOING FOR THE BUG PLANT ON THE PURSE. 508 00:18:02,690 --> 00:18:03,560 THANKS, JONES. 509 00:18:03,647 --> 00:18:05,171 L.A.'s AUTOPSY CAME IN. 510 00:18:05,258 --> 00:18:07,695 SELENA'S FOURTH VICTIM DEAD OF A STAB WOUND TO THE THROAT. 511 00:18:07,782 --> 00:18:09,523 STREET MUGGING. 512 00:18:09,610 --> 00:18:10,611 SELENA WAS THE ONLY EYEWITNESS, 513 00:18:10,698 --> 00:18:11,655 AND THEY NEVER CAUGHT THE ASSAILANT. 514 00:18:11,742 --> 00:18:12,656 WELL, THAT'S CONVENIENT. 515 00:18:12,743 --> 00:18:13,701 THE MURDER HAPPENED 516 00:18:13,788 --> 00:18:14,658 WHILE THEY WERE OUT TO DINNER. 517 00:18:14,745 --> 00:18:16,095 MAYBE SHE IS A SERIAL KILLER. 518 00:18:16,182 --> 00:18:17,400 OR HE CAUGHT ON TO HER PLAN. 519 00:18:21,578 --> 00:18:22,536 MM. 520 00:18:22,623 --> 00:18:24,320 WHAT ARE YOU DOING? 521 00:18:24,407 --> 00:18:26,235 THOUGHT I SAW A BUG. 522 00:18:26,322 --> 00:18:28,498 I'LL CALL THE EXTERMINATOR IN THE MORNING. 523 00:18:28,585 --> 00:18:30,196 HOW ABOUT THOSE DRINKS? 524 00:18:40,162 --> 00:18:41,424 LEMON? 525 00:18:41,511 --> 00:18:43,557 SURPRISE ME. 526 00:18:59,138 --> 00:19:00,269 PETER? 527 00:19:00,356 --> 00:19:01,357 YES. 528 00:19:02,837 --> 00:19:04,795 [ BOTH CHUCKLING ] 529 00:19:09,409 --> 00:19:11,280 OH! OH! 530 00:19:11,367 --> 00:19:14,153 OH, OH, I JUST SPILLED IT ON ME. OH! 531 00:19:14,240 --> 00:19:15,154 Oh, I'm so clumsy. 532 00:19:15,241 --> 00:19:16,372 HE NEEDS HELP. 533 00:19:16,459 --> 00:19:17,939 ALL RIGHT, I'M GONNA CALL HIM. 534 00:19:18,026 --> 00:19:19,636 CAN YOU GENERATE SOME SOUND EFFECTS? 535 00:19:19,723 --> 00:19:21,856 A STEEL MILL, PEOPLE YELLING, SOMETHING. 536 00:19:21,943 --> 00:19:23,684 THE BUREAU CAN, AND I CAN PATCH IT THROUGH TO THE CALL. 537 00:19:23,771 --> 00:19:25,207 YOU MIND IF I USE YOUR BATHROOM? 538 00:19:25,294 --> 00:19:26,904 OH, NO, I CAN HELP YOU WITH THAT. 539 00:19:26,991 --> 00:19:28,689 OH, NO, NO. THAT'S OKAY. I -- 540 00:19:28,776 --> 00:19:30,212 THESE BUTTONS ARE DIFFICULT. LET ME -- 541 00:19:30,299 --> 00:19:32,823 [ BOTH LAUGH ] 542 00:19:32,910 --> 00:19:34,956 UH, HERE, LET ME GET THE -- 543 00:19:35,043 --> 00:19:36,349 [ CELL PHONE RINGS ]OH, OH... 544 00:19:36,436 --> 00:19:37,872 NO, NO -- I CAN GET IT. THAT'S NOT A PROBLEM. 545 00:19:37,959 --> 00:19:39,700 [ GASPS ] 546 00:19:39,787 --> 00:19:41,223 PETER WILLIAMS' PHONE. 547 00:19:41,310 --> 00:19:43,007 NEAL: Where's Mr. Williams? 548 00:19:43,094 --> 00:19:45,184 WHO IS THIS? YOU KNOW WHAT?[ Machinery grinding ] 549 00:19:45,271 --> 00:19:46,620 IT DOESN'T MATTER. 550 00:19:46,707 --> 00:19:49,057 We need him here, pronto. 551 00:19:49,144 --> 00:19:50,972 Hamilton mill is getting lit up like a Christmas tree. 552 00:19:51,059 --> 00:19:53,017 We have an induction furnace that is ready to blow. 553 00:19:53,104 --> 00:19:56,369 SOUNDS IMPORTANT. 554 00:19:56,456 --> 00:19:58,849 THIS IS WILLIAMS. 555 00:19:58,936 --> 00:20:00,634 HELLO, MR. WILLIAMS. 556 00:20:00,721 --> 00:20:03,463 I'M LOOKING FOR PHIL -- PHIL LANDERER. 557 00:20:03,550 --> 00:20:04,681 RIGHT. 558 00:20:04,768 --> 00:20:05,726 You know him? 559 00:20:05,813 --> 00:20:06,814 OKAY, ON MY WAY. 560 00:20:06,901 --> 00:20:09,208 WE'RE GOOD. 561 00:20:10,731 --> 00:20:13,037 SORRY. I GOT TO HANDLE THIS. 562 00:20:13,124 --> 00:20:14,735 OH... I KNOW IT. 563 00:20:14,822 --> 00:20:16,911 I KNOW. SELENA, I HAD A GREAT TIME. 564 00:20:16,998 --> 00:20:18,434 I'LL MAKE IT UP TO YOU. 565 00:20:18,521 --> 00:20:20,480 OH, YOU'LL MAKE IT UP TO ME TOMORROW NIGHT. 566 00:20:20,567 --> 00:20:22,177 MMM. 567 00:20:24,832 --> 00:20:27,400 [ BOTH CHUCKLE ] 568 00:20:27,487 --> 00:20:28,314 GOTTA GO. YEAH. 569 00:20:31,447 --> 00:20:33,014 HMM. 570 00:20:37,845 --> 00:20:40,326 SELENA MADE A CALL AFTER YOU LEFT. 571 00:20:40,413 --> 00:20:42,850 I'M PULLING UP THE AUDIO NOW. HANG ON. 572 00:20:42,937 --> 00:20:45,156 Selena: IT'S ME. 573 00:20:45,244 --> 00:20:46,810 HE LEFT EARLY, BUT I THINK I GOT TO HIM. 574 00:20:46,897 --> 00:20:47,768 Man: DID YOU SPOOK HIM? 575 00:20:47,855 --> 00:20:49,596 NOT AT ALL. 576 00:20:49,683 --> 00:20:50,988 I'LL HAVE WILLIAMS DOWN ON ONE KNEE 577 00:20:51,075 --> 00:20:52,512 BY THE END OF THE WEEK. 578 00:20:52,599 --> 00:20:55,210 AFTER THAT, YOU FINISH THE JOB, AND IT'S PAYDAY. 579 00:20:55,297 --> 00:20:57,343 SHE HAS A PARTNER. 580 00:20:57,430 --> 00:21:00,041 WHOEVER HER PARTNER IS, THEY PROBABLY RUN THE ENDGAME. 581 00:21:00,128 --> 00:21:01,608 YOU'RE GONNA HAVE TO KEEP SEEING HER. 582 00:21:01,695 --> 00:21:02,696 IS THERE ANOTHER OPTION? 583 00:21:02,783 --> 00:21:04,698 ANYONE? 584 00:21:04,785 --> 00:21:07,962 I'M SURE ELIZABETH WILL BE COMPLETELY...SUPPORTIVE. 585 00:21:08,049 --> 00:21:09,355 MM-HMM. 586 00:21:09,442 --> 00:21:10,617 WE'LL FIND OUT WHEN WE TALK TO HER. 587 00:21:10,704 --> 00:21:12,227 "WE"? YES, WE. 588 00:21:12,314 --> 00:21:14,098 OH, COME ON. 589 00:21:14,185 --> 00:21:15,883 WHY DO YOU HAVE TO SEE HER AGAIN? 590 00:21:15,970 --> 00:21:19,756 WE'VE RUN INTO SOME...COMPLICATIONS, BUT -- 591 00:21:19,843 --> 00:21:22,019 ELIZABETH, THIS -- THIS WOMAN IS A MURDERER. 592 00:21:22,106 --> 00:21:23,847 ANOTHER REASON I DON'T LOVE THIS! 593 00:21:23,934 --> 00:21:25,153 SHE NEEDS TO BE TAKEN OUT. 594 00:21:25,240 --> 00:21:26,241 DOWN. DOWN. 595 00:21:26,328 --> 00:21:27,590 SHE NEEDS TO BE TAKEN DOWN. 596 00:21:27,677 --> 00:21:30,985 EL, I WANT THIS OVER WITH MORE THAN ANYONE. 597 00:21:31,072 --> 00:21:34,205 IS SHE...ATTRACTIVE? 598 00:21:34,293 --> 00:21:36,033 NOT REALLY.DEFINE "ATTRACTIVE." 599 00:21:36,120 --> 00:21:37,383 YOU KNOW, I'M GONNA -- 600 00:21:37,470 --> 00:21:38,949 I'M GONNA TAKE SATCHMO FOR A WALK, 601 00:21:39,036 --> 00:21:39,950 GET A LITTLE AIR. 602 00:21:45,521 --> 00:21:47,349 BYE. 603 00:21:47,436 --> 00:21:48,611 SEE YA, HONEY. 604 00:21:50,831 --> 00:21:52,659 THAT WASN'T A COMPLETE TRAIN WRECK. 605 00:21:52,746 --> 00:21:54,269 BUT THAT'S AS FAR AS IT GOES. 606 00:21:54,356 --> 00:21:56,271 YOU'RE SEEING SELENA AGAIN TONIGHT. 607 00:21:56,358 --> 00:21:57,620 WHAT'S YOUR PLAN? 608 00:21:57,707 --> 00:21:59,927 WELL, I'M GONNA TRY TO GET TO HER CELL PHONE 609 00:22:00,014 --> 00:22:02,059 AND FIND OUT WHO SHE'S TALKING WITH. 610 00:22:02,146 --> 00:22:03,583 THE SOONER THIS ENDS, THE BETTER. 611 00:22:03,670 --> 00:22:05,454 THEN PROPOSE. RIGHT. WHAT? 612 00:22:05,541 --> 00:22:07,326 WELL, YOU SAID YOU WANT TO SPEED THINGS UP, RIGHT? 613 00:22:07,413 --> 00:22:08,805 YEAH. NOTHING SAYS "ENAMORED" LIKE -- 614 00:22:08,892 --> 00:22:09,632 POLYGAMY? 615 00:22:09,719 --> 00:22:10,720 "MARRY ME." NO! 616 00:22:10,807 --> 00:22:13,114 NO, THE CELL IS A GOOD START. 617 00:22:13,201 --> 00:22:14,768 ALL RIGHT, IT'S YOUR OPERATION. 618 00:22:14,855 --> 00:22:16,160 AND I'M NOT CHANGING IT. 619 00:22:16,247 --> 00:22:18,075 DIANA HAS ALREADY PREPPED THE TEAM. 620 00:22:18,162 --> 00:22:19,816 SHE'S FOLLOWING ME IN THE VAN. 621 00:22:19,903 --> 00:22:20,904 SOUNDS LIKE YOU GOT IT COVERED. 622 00:22:20,991 --> 00:22:21,775 DO YOU MIND IF I TAKE OFF? 623 00:22:21,862 --> 00:22:22,906 WHERE YOU GOING? 624 00:22:22,993 --> 00:22:24,255 SARA'S COMING TO MY PLACE. 625 00:22:24,343 --> 00:22:25,648 YOU'RE NOT THE ONLY ONE WITH DINNER PLANS. 626 00:22:28,825 --> 00:22:30,349 [ SIREN WAILS IN DISTANCE ] 627 00:22:30,436 --> 00:22:31,567 [ KNOCK ON DOOR ] 628 00:22:35,658 --> 00:22:37,704 HEY. 629 00:22:37,791 --> 00:22:39,270 HEY, I GOT YOUR MESSAGE. IS EVERYTHING OKAY? 630 00:22:39,358 --> 00:22:40,968 I DON'T KNOW. 631 00:22:41,055 --> 00:22:42,448 YOU TELL ME. 632 00:22:45,712 --> 00:22:46,843 [ CHUCKLES ] 633 00:22:49,585 --> 00:22:52,066 YOU'RE TRYING TO IMPRESS ME. 634 00:22:52,153 --> 00:22:55,330 WELL, LOOK, I KNOW YOU SAID I DIDN'T HAVE TO, BUT... 635 00:22:55,417 --> 00:22:57,376 WHATEVER MAKES YOU FEEL BETTER. 636 00:23:01,989 --> 00:23:04,557 WOW. LOOK AT YOU. 637 00:23:04,644 --> 00:23:06,341 NO PURSE? NO. 638 00:23:06,428 --> 00:23:07,734 I WAS IN THE MOOD FOR SOMETHING 639 00:23:07,821 --> 00:23:09,213 A LITTLE MORE PRIVATE TONIGHT. 640 00:23:09,300 --> 00:23:10,389 LET'S GO TO YOUR PLACE. 641 00:23:10,476 --> 00:23:11,955 MY PLACE? 642 00:23:12,042 --> 00:23:13,914 MM-HMM. 643 00:23:14,001 --> 00:23:16,003 SURE. SOUNDS GOOD. 644 00:23:16,090 --> 00:23:17,700 OH, IT WILL BE. 645 00:23:24,794 --> 00:23:26,405 [ Dialing ] 646 00:23:26,492 --> 00:23:28,058 NEAL, CHANGE OF PLANS. 647 00:23:28,145 --> 00:23:31,105 YOU HAVE 15 MINUTES TO CLEAR OUT OF YOUR APARTMENT, 648 00:23:31,192 --> 00:23:32,541 OR MY COVER'S BLOWN. 649 00:23:32,628 --> 00:23:34,587 I'M COMMANDEERING YOUR DATE. 650 00:23:34,674 --> 00:23:37,328 [ CELL PHONE BUZZING ] 651 00:23:43,596 --> 00:23:46,425 IT'S VERY LOVELY FOR A FIRST DATE. 652 00:23:46,512 --> 00:23:48,165 DON'T EXPECT THIS EVERY TIME. 653 00:23:48,252 --> 00:23:49,689 OH, THERE'S GONNA BE A SECOND DATE? 654 00:23:49,776 --> 00:23:50,820 GUY CAN HOPE. 655 00:23:50,907 --> 00:23:51,995 YEAH? YEAH. 656 00:23:52,082 --> 00:23:53,344 I COULD BE TALKED INTO IT. 657 00:23:53,432 --> 00:23:55,303 [ CELL PHONE BUZZING ]NEAL, GO CHECK YOUR PHONE. 658 00:23:55,390 --> 00:23:56,391 THANK YOU. YEP. 659 00:24:03,703 --> 00:24:05,313 [ SIGHS ] WHO IS IT? 660 00:24:05,400 --> 00:24:07,315 WE GOT TO GET OUT OF HERE RIGHT NOW. 661 00:24:07,402 --> 00:24:09,622 PETER'S UNDERCOVER. HE'S COMING UP THE STAIRS. 662 00:24:09,709 --> 00:24:10,884 I'LL EXPLAIN EVERYTHING LATER. 663 00:24:10,971 --> 00:24:12,538 NO, NO! NOT THAT WAY! THE CLOSET. 664 00:24:12,625 --> 00:24:13,452 UH, NEW BOTTLE. 665 00:24:14,801 --> 00:24:16,106 [ CHUCKLES ] 666 00:24:16,193 --> 00:24:17,934 THROUGH THERE. 667 00:24:18,021 --> 00:24:20,241 [ PETER TALKING INDISTINCTLY ]I GOT IT, I GOT IT. 668 00:24:20,328 --> 00:24:22,548 SORRY. 669 00:24:22,635 --> 00:24:24,854 Sara: OOH, GRAB ME A QUICHE. 670 00:24:24,941 --> 00:24:28,379 JUST LET ME MAKE SURE WE'RE ALL SET. 671 00:24:32,688 --> 00:24:35,038 HERE WE ARE. 672 00:24:35,125 --> 00:24:36,518 [ GASPS ] 673 00:24:36,605 --> 00:24:38,564 AMAZING! 674 00:24:38,651 --> 00:24:40,348 HUH. 675 00:24:40,435 --> 00:24:42,045 OH, PETER, YOU SHOULDN'T HAVE. 676 00:24:42,132 --> 00:24:44,526 [ CHUCKLES ] SURPRISE. 677 00:24:44,613 --> 00:24:45,658 WHAT IS GOING ON? 678 00:24:45,745 --> 00:24:47,573 REMEMBER THAT CASE I WAS WORKING ON? 679 00:24:47,660 --> 00:24:48,835 THE KILLER BRIDE? 680 00:24:48,922 --> 00:24:50,576 YEAH. PETER'S DATING HER NOW. 681 00:24:50,663 --> 00:24:51,707 REALLY? YEP. 682 00:24:51,794 --> 00:24:53,317 SO WHAT ARE WEDOING? 683 00:24:53,404 --> 00:24:56,103 THIS APARTMENT WAS A BACKROOM SPEAKEASY. 684 00:24:56,190 --> 00:25:00,673 AND THIS WAS THE OBSERVATION ROOM. 685 00:25:00,760 --> 00:25:02,979 OH, WOW. Selena: VERY ECLECTIC, RIGHT? 686 00:25:03,066 --> 00:25:05,939 PETER, YOU DIDN'T TELL ME THAT YOU WERE AN ARTIST. 687 00:25:06,026 --> 00:25:07,244 I DABBLE. 688 00:25:07,331 --> 00:25:09,072 I WOULDN'T SAY I'M ANY GOOD, THOUGH. 689 00:25:09,159 --> 00:25:10,683 OH, DON'T BE MODEST. 690 00:25:10,770 --> 00:25:12,989 YOU KNOW, THIS MAY SOUND SILLY, BUT... 691 00:25:14,904 --> 00:25:16,515 ...WOULD YOU DRAW ME? 692 00:25:16,602 --> 00:25:18,952 OH, I'M SURE THAT WE COULD HAVE... 693 00:25:20,475 --> 00:25:22,346 YOU MEAN RIGHT NOW? 694 00:25:22,433 --> 00:25:24,044 YEAH. WHY NOT? 695 00:25:24,131 --> 00:25:26,873 I-IT WOULD TAKE TIME TO DO IT RIGHT. 696 00:25:26,960 --> 00:25:28,962 WE HAVE ALL NIGHT. 697 00:25:29,049 --> 00:25:31,617 IT WOULDN'T DO YOU JUSTICE. 698 00:25:31,704 --> 00:25:34,097 OH, BUT YOU WILL. I WON'T TAKE NO FOR AN ANSWER. 699 00:25:34,184 --> 00:25:37,013 OKAY. 700 00:25:37,100 --> 00:25:38,928 BUT, UH... 701 00:25:39,015 --> 00:25:41,583 YOU SHOULD KNOW THAT I'M EXPERIMENTING 702 00:25:41,670 --> 00:25:44,107 WITH SOME VERY, VERY PRIMITIVE STYLES. 703 00:25:44,194 --> 00:25:45,500 OOH. [ Chuckling ] YEAH. 704 00:25:47,720 --> 00:25:49,243 CANPETER DRAW? 705 00:25:49,330 --> 00:25:51,985 UNLESS SHE'S EXPECTING A BREATHTAKING STICK FIGURE, 706 00:25:52,072 --> 00:25:52,986 HE'S IN TROUBLE. 707 00:25:53,073 --> 00:25:54,596 UH-HUH. 708 00:25:54,683 --> 00:25:56,076 DOES HE KNOW THAT YOU'REHERE? 709 00:25:56,163 --> 00:25:57,904 UNFORTUNATELY, YES, HE KNOWS ABOUT THIS ROOM. 710 00:25:57,991 --> 00:25:59,514 ALL RIGHT. 711 00:25:59,601 --> 00:26:01,734 [ SELENA SIGHS ] 712 00:26:01,821 --> 00:26:05,259 LET ME MAKE SURE THE LIGHT IS RIGHT. 713 00:26:09,872 --> 00:26:12,919 OKAY. ALL RIGHT. 714 00:26:13,006 --> 00:26:15,008 HOLD THIS. 715 00:26:19,839 --> 00:26:22,624 THIS IS NOT HOW I SAW THE NIGHT GOING, BY THE WAY. 716 00:26:22,711 --> 00:26:23,973 OH. 717 00:26:24,060 --> 00:26:26,367 I MEAN, ANY GUY CAN MAKE A GIRL DINNER. 718 00:26:26,454 --> 00:26:28,064 ONLY YOUCOULD SKETCH A BLACK WIDOW 719 00:26:28,151 --> 00:26:29,762 FROM A HIDDEN BACK ROOM. 720 00:26:29,849 --> 00:26:31,198 IS THE POSE OKAY? 721 00:26:31,285 --> 00:26:33,417 YES. THAT'S PERFECT. OKAY. 722 00:26:33,504 --> 00:26:35,202 BUT, REMEMBER -- NO PEEKING. 723 00:26:35,289 --> 00:26:36,551 PETER, I HAVE TO ASK, 724 00:26:36,638 --> 00:26:38,509 HOW DID YOU... 725 00:26:38,597 --> 00:26:40,903 SET THIS... ALL UP SO FAST? 726 00:26:40,990 --> 00:26:42,949 UM... 727 00:26:43,036 --> 00:26:46,517 HEY, DO YOURSELF A FAVOR. 728 00:26:46,605 --> 00:26:49,912 NEVER TRY TO SEND A GRAPPLING HOOK THROUGH THE POST OFFICE. 729 00:26:52,306 --> 00:26:54,569 I-I MEAN, THAT IS, IF... 730 00:26:54,656 --> 00:26:57,746 YOU EVER NEEDED TO SEND... A GRAPPLING HOOK, THAT IS. 731 00:26:57,833 --> 00:27:00,140 PERFECT TIMING. 732 00:27:00,227 --> 00:27:03,012 THIS IS MY...MAN -- HAVERSHAM. 733 00:27:03,099 --> 00:27:04,753 HE MADE THE ARRANGEMENTS. 734 00:27:04,840 --> 00:27:06,886 HAVERSHAM, EVERYTHING IS PERFECT. 735 00:27:06,973 --> 00:27:07,974 THANK YOU. 736 00:27:08,061 --> 00:27:10,585 YOU MAY ENJOY YOUR NIGHT OFF. 737 00:27:10,672 --> 00:27:12,456 SO SORRY TO INTERRUPT... 738 00:27:12,543 --> 00:27:15,155 SUCH A SUSPICIOUSLY AMOROUS EVENING. 739 00:27:15,242 --> 00:27:17,287 HAVERSHAM, DO YOU MIND? 740 00:27:17,374 --> 00:27:19,812 I'LL NEED MY SUIT FOR TOMORROW. 741 00:27:19,899 --> 00:27:22,553 A SUIT. 742 00:27:22,641 --> 00:27:24,338 YES. 743 00:27:24,425 --> 00:27:27,210 I'LL BE RIGHT BACK. 744 00:27:27,297 --> 00:27:28,647 GOOD. 745 00:27:28,734 --> 00:27:30,083 HOW HANDY. 746 00:27:30,170 --> 00:27:33,608 YES, HE'S...ONE OF A KIND. 747 00:27:35,436 --> 00:27:37,656 I SHOULD HAVE KNOWN. 748 00:27:37,743 --> 00:27:39,222 FINISHED. 749 00:27:39,309 --> 00:27:40,789 IT LOOKS GOOD. 750 00:27:40,876 --> 00:27:42,965 HMM. 751 00:27:43,052 --> 00:27:44,140 SOMETHING'S MISSING. 752 00:27:46,055 --> 00:27:47,970 NEAL, ARE YOU SURE YOU WANT TO DO THAT? 753 00:27:48,057 --> 00:27:50,103 WELL, PETER SAID HE WANTS THIS CASE CLOSED FAST. 754 00:27:50,190 --> 00:27:51,452 THIS SHOULD HELP. 755 00:27:51,539 --> 00:27:53,019 OKAY, BUT PETER IS GONNA BE REALLYMAD. 756 00:27:53,106 --> 00:27:54,498 BUT SHEWON'T. 757 00:27:54,585 --> 00:27:58,241 ALL RIGHT, MOZ, GET THIS TO HIM WITHOUT HER SEEING. 758 00:27:58,328 --> 00:27:59,721 OH, SURE. 759 00:27:59,808 --> 00:28:01,810 I'LL HIDE IT UNDER MY GARGANTUAN CLOWN SLEEVE. 760 00:28:01,897 --> 00:28:04,465 OH, COME HERE. TRY THIS. 761 00:28:04,552 --> 00:28:06,380 OH, I'M MORE OF A SPRING. 762 00:28:06,467 --> 00:28:07,773 MOZ, WE DON'T HAVE TIME. 763 00:28:07,860 --> 00:28:10,776 OKAY. OH. I GOT IT. OKAY. 764 00:28:12,821 --> 00:28:14,127 [ SIGHS ] 765 00:28:16,869 --> 00:28:21,351 YOUR TURNCOAT FOR TOMORROW, SIR. 766 00:28:21,438 --> 00:28:22,657 AH, YES. THANK YOU. 767 00:28:22,744 --> 00:28:24,267 THAT IS EXACTLY WHAT I NEEDED. 768 00:28:24,354 --> 00:28:25,616 MM. 769 00:28:27,575 --> 00:28:28,489 GOOD WORK, MOZ. 770 00:28:28,576 --> 00:28:30,404 OH, I'M GONNA NEED SOME... 771 00:28:30,491 --> 00:28:32,623 CASH FOR THE DRY-CLEANER. 772 00:28:32,711 --> 00:28:34,538 OF COURSE. $50 SHOULD DO IT. 773 00:28:34,625 --> 00:28:37,541 DON'T KNOW WHAT I'D DO WITHOUT YOU. 774 00:28:37,628 --> 00:28:39,630 OH, I MIGHT NEED MORE. 775 00:28:41,502 --> 00:28:42,721 AH. GOOD EVENING... 776 00:28:42,808 --> 00:28:44,200 YES. ...MADAM. 777 00:28:44,287 --> 00:28:46,637 IT'S GREAT TO MEET YOU... HAVERSHAM. 778 00:28:46,725 --> 00:28:47,551 [ GIGGLES ] 779 00:28:51,468 --> 00:28:53,601 HE'S CURIOUS. 780 00:28:53,688 --> 00:28:56,604 VERY HIGH-FUNCTIONING, CONSIDERING HIS CONDITION. 781 00:28:56,691 --> 00:28:59,215 OH. 782 00:28:59,302 --> 00:29:02,088 DONE. 783 00:29:02,175 --> 00:29:03,872 [ PETER CHUCKLES ] 784 00:29:03,959 --> 00:29:08,224 [ GASPS ] WOW! THAT LOOKS AMAZING! 785 00:29:08,311 --> 00:29:11,271 YEAH, IT IS. 786 00:29:11,358 --> 00:29:12,751 PETER, WHAT'S THIS? 787 00:29:12,838 --> 00:29:13,882 OH, THAT? 788 00:29:16,058 --> 00:29:17,059 [ BREATHES SHAKILY ] 789 00:29:17,146 --> 00:29:20,410 I WANTED TONIGHT TO BE SPECIAL. 790 00:29:20,497 --> 00:29:24,937 ARE YOU ASKING ME WHAT I THINK YOU'RE ASKING ME? 791 00:29:25,024 --> 00:29:26,373 OH... OH! 792 00:29:26,460 --> 00:29:28,027 PETER! YES. 793 00:29:28,114 --> 00:29:29,855 YES, YES. 794 00:29:32,248 --> 00:29:35,077 [ BOTH LAUGH ] 795 00:29:35,164 --> 00:29:37,340 BEST DATE EVER. 796 00:29:40,779 --> 00:29:42,302 SHE SAID YES?! 797 00:29:42,389 --> 00:29:45,044 YOU COULD LOOK AT THIS AS ANOTHER VICTORY FOR TEAM BURKE. 798 00:29:45,131 --> 00:29:46,045 BUH. 799 00:29:46,132 --> 00:29:47,394 EH, EL, 800 00:29:47,481 --> 00:29:49,222 I'M PUTTING MY LIFE AT RISK HERE. 801 00:29:49,309 --> 00:29:50,701 YES! YOU ARE. 802 00:29:50,789 --> 00:29:52,878 I MEAN, THIS WAS -- THIS WAS SUPPOSED TO BE A DATE, 803 00:29:52,965 --> 00:29:54,053 NOT A "SAVE THE DATE." 804 00:29:54,140 --> 00:29:55,750 THE INVESTIGATION'S ALMOST OVER. 805 00:29:55,837 --> 00:29:57,534 YEAH, I RECALL HEARING THAT AFTER THE FIRST DATE. 806 00:29:57,621 --> 00:29:58,971 NOW YOU'RE ENGAGED? 807 00:29:59,058 --> 00:30:02,278 ALL I NEED IS TO FIND OUT WHO HER PARTNER IS. 808 00:30:02,365 --> 00:30:05,412 THAT MEANS CONTACTS, FIGURING OUT WHO SHE'S CLOSE TO. 809 00:30:05,499 --> 00:30:07,196 MAYBE YOU NEED A GUEST LIST. 810 00:30:07,283 --> 00:30:08,328 GUEST LIST? 811 00:30:08,415 --> 00:30:09,895 FOR THE WEDDING. 812 00:30:09,982 --> 00:30:12,680 YOU WANT TO WRAP UP THIS CASE? 813 00:30:12,767 --> 00:30:13,899 YOU NEED AN EVENT PLANNER. 814 00:30:18,207 --> 00:30:19,687 LOOK AT YOU TWO. 815 00:30:19,774 --> 00:30:21,907 PETER, YOU DIDN'T TELL ME SHE WAS SO BEAUTIFUL. 816 00:30:21,994 --> 00:30:23,473 [ CHUCKLES ] THANK YOU. 817 00:30:23,560 --> 00:30:25,084 MM, YOU'RE SO WELCOME. 818 00:30:25,171 --> 00:30:27,695 NOW, I WAS THINKING OF SETTING YOU GUYS UP BY THE GAZEBO. 819 00:30:27,782 --> 00:30:29,523 OH. THAT SOUNDS GREAT.YEAH. 820 00:30:29,610 --> 00:30:31,568 I'LL NEED A HEAD COUNT TO MAKE SURE WE HAVE ENOUGH ROOM. 821 00:30:31,655 --> 00:30:32,656 DID YOU BRING YOUR LISTS? 822 00:30:32,743 --> 00:30:34,745 SELENA, FRIENDS AND FAMILY? 823 00:30:34,833 --> 00:30:36,704 OH, NO. I'M NEW TO THE CITY. 824 00:30:36,791 --> 00:30:38,097 I DON'T KNOW MANY PEOPLE HERE. 825 00:30:38,184 --> 00:30:41,187 PLUS, I HAVE ALL THE FAMILY I NEED IN THIS MAN. 826 00:30:41,274 --> 00:30:42,101 [ CHUCKLES WEAKLY ] 827 00:30:43,929 --> 00:30:46,627 I UNDERSTAND. YOU WANT TO KEEP IT SMALL. 828 00:30:46,714 --> 00:30:48,368 WEDDINGS CAN BE SO CHAOTIC. 829 00:30:48,455 --> 00:30:49,760 IN THE END, 830 00:30:49,848 --> 00:30:52,241 YOU'RE MAKING A SCHEDULE INSTEAD OF A-A MEMORY. 831 00:30:52,328 --> 00:30:53,939 SOUNDS LIKE YOU'VE HAD EXPERIENCE. 832 00:30:54,026 --> 00:30:56,593 YOU KNOW, MY HUSBAND AND I WANTED TO KEEP IT SMALL, 833 00:30:56,680 --> 00:30:58,421 BUT SOMEHOW OUR WEDDING BALLOONED 834 00:30:58,508 --> 00:30:59,727 INTO THIS MASSIVE EVENT. 835 00:30:59,814 --> 00:31:01,860 YOU DIDN'T ENJOY IT? 836 00:31:01,947 --> 00:31:05,341 OH, IT WAS LOVELY. IT WAS REALLY LOVELY. 837 00:31:05,428 --> 00:31:07,387 BUT I THINK IF I WERE TO DO IT AGAIN, 838 00:31:07,474 --> 00:31:09,519 I'D KEEP IT A LITTLE MORE INTIMATE, SIMPLE. 839 00:31:09,606 --> 00:31:11,043 JUST US. 840 00:31:11,130 --> 00:31:15,221 WELL, HOPEFULLY, OURS WILL BE MORE SPECIAL. 841 00:31:15,308 --> 00:31:17,919 MM...WE... HAVE TO GET GOING. 842 00:31:18,006 --> 00:31:20,617 WE HAVE RESERVATIONS FOR LUNCH IN A HALF-HOUR. 843 00:31:20,704 --> 00:31:22,532 OH, PETER, DO YOU MIND IF I BORROW SELENA FOR JUST A MOMENT? 844 00:31:22,619 --> 00:31:24,752 I WOULD LOVETO GO OVER INVITATIONS WITH HER. 845 00:31:24,839 --> 00:31:26,580 SURE. I'LL GO GET THE CAR. 846 00:31:26,667 --> 00:31:28,712 OKAY. THANKS, HONEY. 847 00:31:28,799 --> 00:31:30,801 UM... NOW THAT WE'RE ALONE, 848 00:31:30,889 --> 00:31:33,239 I WANTED TO ASK YOU SOMETHING, 849 00:31:33,326 --> 00:31:35,502 AND I DIDN'T WANT TO DO IT IN FRONT OF YOUR FIANCé. 850 00:31:35,589 --> 00:31:38,200 UM...HAVE YOU BEEN MARRIED BEFORE? 851 00:31:38,287 --> 00:31:40,724 I HAVE. 852 00:31:40,811 --> 00:31:42,422 HOW MANY TIMES? 853 00:31:42,509 --> 00:31:43,858 WHAT BUSINESS IS THAT OF YOURS? 854 00:31:43,945 --> 00:31:45,468 OH, I WAS JUST ASKING TO MAKE SURE 855 00:31:45,555 --> 00:31:47,340 THAT YOU HAVE ALL THE PROPER LEGAL DOCUMENTS 856 00:31:47,427 --> 00:31:48,602 FOR THE MARRIAGE LICENSE. 857 00:31:48,689 --> 00:31:50,952 THAT WAY, WE CAN AVOID A LOT OF QUESTIONS. 858 00:31:51,039 --> 00:31:52,345 GREAT. 859 00:31:52,432 --> 00:31:54,216 I'LL HAVE MY LAWYER SEND OVER THE PAPERS. 860 00:31:58,873 --> 00:32:01,136 OKAY. SO, WE'LL BE IN TOUCH. 861 00:32:01,223 --> 00:32:02,485 THANK YOU SO MUCH.OKAY. 862 00:32:02,572 --> 00:32:03,747 READY? 863 00:32:03,834 --> 00:32:05,358 READY AS YOU ARE. 864 00:32:15,498 --> 00:32:17,109 [ ENGINE REVS, TIRES SCREECH ] 865 00:32:17,196 --> 00:32:18,284 Elizabeth: PETER! 866 00:32:22,941 --> 00:32:24,507 DID YOU, UH -- DID YOU GET A LOOK AT THE LICENSE PLATE? 867 00:32:24,594 --> 00:32:25,944 UH, NO TAGS. 868 00:32:26,031 --> 00:32:27,510 ALL RIGHT, THANK YOU VERY MUCH. 869 00:32:27,597 --> 00:32:29,121 I GOT IT FROM HERE. 870 00:32:29,208 --> 00:32:30,818 THANK YOU. 871 00:32:30,905 --> 00:32:33,560 WOW. THAT CAR CAME OUT OF NOWHERE. 872 00:32:35,040 --> 00:32:37,868 YEAH. 873 00:32:37,956 --> 00:32:39,740 IF SHE HADN'T WARNED ME, I -- 874 00:32:39,827 --> 00:32:41,916 OH, I DON'T WANT TO THINK ABOUT THAT. 875 00:32:42,003 --> 00:32:44,397 I-I DON'T KNOW WHAT I WOULD DO IF ANYTHING HAPPENED TO YOU. 876 00:32:44,484 --> 00:32:46,965 AND IF SOMETHING DID? 877 00:32:47,052 --> 00:32:48,749 [ SIGHS ] 878 00:32:50,316 --> 00:32:51,839 HOW CLOSE WAS IT? CLOSE. 879 00:32:51,926 --> 00:32:53,232 GOT MY HEART PUMPING. 880 00:32:53,319 --> 00:32:55,495 BUT THEN SELENA AND I HAD ONE OF THOSE 881 00:32:55,582 --> 00:32:57,714 "SHOULD ANYTHING EVER HAPPEN" CHATS. 882 00:32:57,801 --> 00:32:59,368 OH. THAT'S A PRETTY GOOD SCAM. 883 00:32:59,455 --> 00:33:01,022 CAR NEARLY RUNS YOU DOWN, 884 00:33:01,109 --> 00:33:03,764 WHICH PROMPTS A DISCUSSION ABOUT WHAT HAPPENS WHEN YOU'RE GONE? 885 00:33:03,851 --> 00:33:05,113 EXACTLY. 886 00:33:05,200 --> 00:33:06,985 SHE TOLD ME IF WORSE COMES TO WORSE, 887 00:33:07,072 --> 00:33:08,595 SHE WOULDN'T WANT A DIME OF MY MONEY. 888 00:33:08,682 --> 00:33:09,857 REALLY? 889 00:33:09,944 --> 00:33:11,685 SHE'D PREFER I LEAVE IT TO CHARITY. 890 00:33:11,772 --> 00:33:12,903 ONE OF HER CHOOSING? 891 00:33:12,991 --> 00:33:16,342 I WENT THROUGH THE WILLS OF HER VICTIMS. 892 00:33:16,429 --> 00:33:18,909 EACH ONE LEFT A SIGNIFICANT CONTRIBUTION 893 00:33:18,997 --> 00:33:20,868 TO A CHARITABLE ORGANIZATION. 894 00:33:20,955 --> 00:33:23,001 I'M GUESSING THESE DON'T EXIST ANYMORE. 895 00:33:23,088 --> 00:33:24,567 NO. SO WHERE'D THE MONEY GO? 896 00:33:24,654 --> 00:33:26,265 THIS MAY TELL US. 897 00:33:26,352 --> 00:33:28,397 WE GOT SOMETHING FROM THE LEGAL PAPERS 898 00:33:28,484 --> 00:33:30,095 SELENA GAVE ELIZABETH. 899 00:33:30,182 --> 00:33:32,532 THE LAWYER'S NAME WAS A BOGUS I.D. WE TRACKED TO THIS GUY. 900 00:33:32,619 --> 00:33:34,273 LOOK FAMILIAR? 901 00:33:34,360 --> 00:33:36,144 IT'S THE EMCEE FROM THE AUCTION.GERALD JAMESON. 902 00:33:36,231 --> 00:33:38,146 YEAH, HE HOSTS DATING EVENTS WORLDWIDE. 903 00:33:38,233 --> 00:33:40,322 NEVER STAYS IN ONE PLACE FOR MORE THAN A YEAR. 904 00:33:40,409 --> 00:33:42,759 ALWAYS CHANGES THE NAME AND CHARITY OF HIS LATEST AUCTION. 905 00:33:42,846 --> 00:33:44,152 THAT'S A GREAT SETUP. 906 00:33:44,239 --> 00:33:46,459 HE PUTS ON THESE AUCTIONS, LINES UP THE SUITORS... 907 00:33:46,546 --> 00:33:47,460 SHE KNOCKS THEM DOWN. 908 00:33:47,547 --> 00:33:48,852 WE NEED A CONCRETE LINK 909 00:33:48,939 --> 00:33:50,724 BETWEEN THESE TWO AND THE CHARITIES. 910 00:33:50,811 --> 00:33:52,247 I'LL TALK TO HIM. 911 00:33:52,334 --> 00:33:53,335 WHAT ARE YOU GONNA SAY? 912 00:33:53,422 --> 00:33:54,858 THAT MY DATE DIDN'T WORK OUT. 913 00:33:54,945 --> 00:33:57,600 SHE WAS A NICE GIRL WHO PREFERS...NICE GIRLS. 914 00:33:57,687 --> 00:34:00,255 I WAS GONNA SAY "BLONDES," BUT WE CAN RUN WITH THAT, TOO. 915 00:34:00,342 --> 00:34:02,170 SHOULD GIVE US ENOUGH TIME TO CASE THE OFFICE. 916 00:34:02,257 --> 00:34:03,041 WHO IS "US"? 917 00:34:03,128 --> 00:34:05,304 WHY'D I ASK? 918 00:34:05,391 --> 00:34:07,567 ALL RIGHT, WE'RE LOOKING FOR SAFES, 919 00:34:07,654 --> 00:34:10,222 VAULTS, AND LOCKED CABINETS -- KEEP AN EYE OUT. 920 00:34:10,309 --> 00:34:12,224 HEY, HEY. GREAT TO SEE YOU AGAIN. 921 00:34:12,311 --> 00:34:15,227 AH, YES, MR. MUNROE. HOW CAN I HELP YOU? 922 00:34:15,314 --> 00:34:17,316 WELL, I WAS JUST WONDERING ABOUT YOUR NEXT EVENT. 923 00:34:17,403 --> 00:34:19,840 AH. 924 00:34:19,927 --> 00:34:23,365 I TAKE IT... THINGS DIDN'T WORK OUT. 925 00:34:23,452 --> 00:34:25,324 WELL, YOU KNOW, SOME GUYS PROPOSE ON THE FIRST DATE. 926 00:34:25,411 --> 00:34:26,629 SOME DON'T MAKE IT TO THE SECOND. 927 00:34:26,716 --> 00:34:28,544 I SEE. 928 00:34:28,631 --> 00:34:31,069 AND WITH REGARDS TO YOUR LITTLE FRIEND OVER THERE, 929 00:34:31,156 --> 00:34:32,896 WE HAVE A -- 930 00:34:32,983 --> 00:34:35,290 A CERTAIN HEIGHT REQUIREMENT. 931 00:34:35,377 --> 00:34:36,683 OH, NO, NO. HE'S, UH -- 932 00:34:36,770 --> 00:34:38,163 HE'S ALL SET WITH THE LADIES. 933 00:34:38,250 --> 00:34:39,555 REALLY? OH, YEAH. 934 00:34:39,642 --> 00:34:41,949 WELL, I'M SORRY TO SAY MY NEXT EVENT 935 00:34:42,036 --> 00:34:44,604 WON'T BE FOR TWO MONTHS, AND THAT'S IN FLORIDA. 936 00:34:44,691 --> 00:34:46,171 I LOVE THE SUNSHINE STATE. 937 00:34:46,258 --> 00:34:48,303 AM I STILL TALL ENOUGH TO FILL OUT AN APPLICATION, OR...? 938 00:34:48,390 --> 00:34:49,783 [ Chuckling ] YES, OF COURSE. 939 00:34:49,870 --> 00:34:51,045 I'LL GO GET IT FROM THE BACK. 940 00:34:51,132 --> 00:34:53,178 [ CHUCKLES ] 941 00:34:57,530 --> 00:34:59,227 8414. 942 00:34:59,314 --> 00:35:01,186 STANDARD BANKS-SMITH SECURITY SYSTEM, 943 00:35:01,273 --> 00:35:03,710 BUT IT'S GONNA BE HARD TO GET IN HERE WITH HIM HANGING AROUND. 944 00:35:03,797 --> 00:35:05,146 THEN WE WILL HAVE TO GET TO IT LATER. 945 00:35:05,233 --> 00:35:06,321 AH. 946 00:35:06,408 --> 00:35:08,758 THERE YOU ARE. 947 00:35:08,845 --> 00:35:09,933 THANK YOU SO MUCH. 948 00:35:10,020 --> 00:35:10,934 ONE MORE THING. 949 00:35:11,021 --> 00:35:12,153 I LOVE THIS SPACE. 950 00:35:12,240 --> 00:35:13,459 DO -- DO YOU LOVE IT? 951 00:35:13,546 --> 00:35:15,504 YEAH. HIGH CEILINGS! 952 00:35:15,591 --> 00:35:17,332 MM. DO YOU RENT IT OUT? 953 00:35:17,419 --> 00:35:19,334 YES, IT IS POSSIBLE. 954 00:35:19,421 --> 00:35:20,814 MY FRIEND, MR. WILLIAMS -- 955 00:35:20,901 --> 00:35:23,121 UH, WE ATTENDED YOUR LAST AUCTION TOGETHER -- 956 00:35:23,208 --> 00:35:24,600 OF COURSE, YES. HE'S OUR BIG WINNER. 957 00:35:24,687 --> 00:35:26,994 YES, HE HAD BETTER LUCK THAN I DID. 958 00:35:27,081 --> 00:35:28,430 AND HE ASKED ME TO HELP HIM 959 00:35:28,517 --> 00:35:30,998 WITH A...CERTAIN CELEBRATION. 960 00:35:31,085 --> 00:35:32,739 [ TECHNO MUSIC PLAYS ] 961 00:35:38,658 --> 00:35:39,572 Neal: PETER! 962 00:35:39,659 --> 00:35:41,182 OH. 963 00:35:41,269 --> 00:35:42,618 WELCOME TO YOUR BACHELOR PARTY! 964 00:35:42,705 --> 00:35:44,011 CAN'T BELIEVE YOU DID THIS. 965 00:35:44,098 --> 00:35:44,925 OH, YOU'RE WELCOME. 966 00:35:45,012 --> 00:35:46,753 NOT WHAT I MEANT. COME ON. 967 00:35:46,840 --> 00:35:49,973 NOW WE HAVE THE ENTIRE NIGHT TO GET INTO JAMESON'S OFFICE. 968 00:35:50,060 --> 00:35:52,454 THE HARVARD CREW IS ALL OVER THE PLACE FOR BACKUP. 969 00:35:52,541 --> 00:35:53,673 THIS IS BUSINESS. 970 00:35:53,760 --> 00:35:55,414 IT IS NOT PLEASURE. 971 00:35:55,501 --> 00:35:57,764 WHAT IS HEDOING HERE? 972 00:35:57,851 --> 00:36:01,681 I LOVE NATIONAL GEOGRAPHIC. 973 00:36:01,768 --> 00:36:04,814 "THE MATING HABITS OF MIDLEVEL GOVERNMENT EMPLOYEES" -- 974 00:36:04,901 --> 00:36:06,338 TOTALLY CAPTIVATING. 975 00:36:06,425 --> 00:36:08,383 WELL, I'M NOT ON DUTY. I'M GOING TO GET A DRINK. 976 00:36:14,128 --> 00:36:15,564 THIS ANYTHING LIKE YOUR FIRST ONE? 977 00:36:15,651 --> 00:36:16,609 NO. WOW. 978 00:36:18,350 --> 00:36:20,395 PETER. HMM. 979 00:36:22,484 --> 00:36:24,791 ALL RIGHT, I'LL DISTRACT. 980 00:36:24,878 --> 00:36:25,792 YOU GET IN THE RECORDS ROOM. 981 00:36:51,557 --> 00:36:53,385 GOT ANYTHING? 982 00:36:53,472 --> 00:36:54,821 NO. 983 00:36:58,651 --> 00:36:59,434 I'M GONNA GET A DRINK. 984 00:37:01,915 --> 00:37:03,482 NOTHING. 985 00:37:03,569 --> 00:37:04,700 GREAT. 986 00:37:04,787 --> 00:37:06,311 I DON'T KNOW WHO'S GONNA KILL ME FIRST -- 987 00:37:06,398 --> 00:37:07,834 MY WIFE OR MY FIANCéE. 988 00:37:07,921 --> 00:37:10,358 WHAT IF I TOLD YOU THERE'S A WAY TO SPOOK YOUR LADY 989 00:37:10,445 --> 00:37:12,273 INTO LEADING US STRAIGHT TO THE MONEY? 990 00:37:12,360 --> 00:37:14,319 HOW? USE WHAT WE GOT. 991 00:37:14,406 --> 00:37:17,235 NEAL, WHAT WE'VE GOT ARE STROBE LIGHTS, PROBIES, 992 00:37:17,322 --> 00:37:18,801 WOMEN, AND BOOZE. 993 00:37:18,888 --> 00:37:19,976 EXACTLY. 994 00:37:20,063 --> 00:37:21,151 HAVE A PROBIE GRAB A CAMERA 995 00:37:21,239 --> 00:37:22,283 FROM THE SURVEILLANCE TRUCK. 996 00:37:22,370 --> 00:37:23,893 WE'RE TAKING SHOTS. 997 00:37:23,980 --> 00:37:25,068 MR. JAMESON! 998 00:37:25,155 --> 00:37:26,461 COME ON, JOIN US FOR A DRINK. 999 00:37:26,548 --> 00:37:28,855 OH, NO. NO, I REALLY NEED TO KEEP AN EYE ON THE SPACE. 1000 00:37:28,942 --> 00:37:29,943 OH, COME ON. I OWE YOU ONE. 1001 00:37:30,030 --> 00:37:31,466 WEOWE YOU ONE. 1002 00:37:31,553 --> 00:37:34,252 YES, NONE OF US WOULD BE HERE IF IT WASN'T FOR YOU. 1003 00:37:34,339 --> 00:37:35,688 WELL, IF YOU PUT IT THAT WAY, 1004 00:37:35,775 --> 00:37:37,211 I GUESS ONE LITTLE DRINK WOULDN'T HURT. 1005 00:37:37,298 --> 00:37:38,212 ALL RIGHT. 1006 00:37:38,299 --> 00:37:40,301 GENTLEMEN, CHEERS. 1007 00:37:40,388 --> 00:37:41,563 CHEERS.CHEERS. 1008 00:37:41,650 --> 00:37:43,435 CONGRATULATIONS. 1009 00:37:43,522 --> 00:37:45,393 MMM! 1010 00:37:45,480 --> 00:37:46,960 AAH! THAT BURNS! 1011 00:37:47,047 --> 00:37:48,831 DELICIOUS. THANK YOU. YOU GUYS HAVE FUN. 1012 00:37:48,918 --> 00:37:50,006 Neal: NO, NO, NO, NO. HOLD ON. 1013 00:37:50,093 --> 00:37:52,400 BARTENDER, ANOTHER ROUND? 1014 00:37:52,487 --> 00:37:54,184 NO, NO. NO, REALLY.COME ON. I DISAGREE. 1015 00:37:54,272 --> 00:37:56,274 THIS IS MY BEST FRIEND'S BACHELOR PARTY. 1016 00:37:56,361 --> 00:37:58,363 LET'S MAKE IT... 1017 00:37:58,450 --> 00:37:59,407 A NIGHT TO REMEMBER. 1018 00:37:59,494 --> 00:38:00,365 MM-HMM! 1019 00:38:00,452 --> 00:38:02,018 CONGRATS. THANKS. 1020 00:38:02,105 --> 00:38:03,977 HAVE A WONDERFUL LIFE. 1021 00:38:04,064 --> 00:38:05,239 MMM. 1022 00:38:05,326 --> 00:38:06,414 OKAY! OH, GOD! 1023 00:38:06,501 --> 00:38:07,850 YEAH, THAT'S DELICIOUS. 1024 00:38:07,937 --> 00:38:09,765 YEAH, IT IS.ONE MORE. NO, TOP SHELF. 1025 00:38:09,852 --> 00:38:11,245 AND CHEERS AGAIN.AND CHEERS AGAIN. 1026 00:38:11,332 --> 00:38:13,203 AAH! HA! 1027 00:38:13,291 --> 00:38:15,597 YOU KNOW, IT DOES GO DOWN EASY. FOUR, FIVE, SIX TIMES... 1028 00:38:15,684 --> 00:38:16,990 YOU CAN BARELY TASTE IT. 1029 00:38:17,077 --> 00:38:18,687 YOU BEAT US ON THAT ONE! 1030 00:38:18,774 --> 00:38:19,862 MUCH HAPPINESS. 1031 00:38:19,949 --> 00:38:21,864 CHEERS. CHEERS. 1032 00:38:21,951 --> 00:38:22,909 THANK YOU. 1033 00:38:26,216 --> 00:38:28,828 [ KNOCK ON DOOR ] 1034 00:38:28,915 --> 00:38:30,264 WHAT ARE YOU DOING HERE? 1035 00:38:30,351 --> 00:38:32,092 MISS THOMAS? WHAT CAN YOU TELL ME ABOUT THIS MAN? 1036 00:38:32,179 --> 00:38:33,746 YOU'RE FBI? 1037 00:38:33,833 --> 00:38:36,139 I WAS UNDERCOVER AT MR. JAMESON'S LAST FUNDRAISER. 1038 00:38:36,226 --> 00:38:38,054 WE BELIEVE HE HAD ILLICIT FINANCIAL DEALINGS 1039 00:38:38,141 --> 00:38:39,099 PRIOR TO HIS DEATH. 1040 00:38:39,186 --> 00:38:40,143 HIS DEATH? 1041 00:38:40,230 --> 00:38:41,406 WHAT HAPPENED? 1042 00:38:41,493 --> 00:38:43,103 WE'RE WAITING ON THE TOXICOLOGY REPORT. 1043 00:38:43,190 --> 00:38:45,279 I'M HERE BECAUSE I NEED TO QUESTION EVERYONE 1044 00:38:45,366 --> 00:38:47,542 AFFILIATED WITH THE SOCIETY HOUSE'S RECENT AUCTION. 1045 00:38:47,629 --> 00:38:50,763 I'M SORRY. UM... 1046 00:38:50,850 --> 00:38:53,113 THIS IS A SHOCK, BUT I DON'T KNOW ANYTHING. 1047 00:38:55,420 --> 00:38:56,899 LOOKS LIKE DIANA GOT TO HER. 1048 00:38:56,986 --> 00:38:58,248 SHE'S HEADING TOWARDS THE BANK. 1049 00:38:58,336 --> 00:38:59,989 SHE'LL BE CLEARING OUT THE MONEY ANY MINUTE NOW. 1050 00:39:00,076 --> 00:39:03,384 GOOD. GIVE JAMESON HIS WAKE-UP CALL. 1051 00:39:03,471 --> 00:39:05,430 [ Dialing ] 1052 00:39:05,517 --> 00:39:08,128 [ RINGTONE PLAYS "SHAVE AND A HAIRCUT" ] 1053 00:39:18,138 --> 00:39:19,618 [ BEEPS ] 1054 00:39:33,196 --> 00:39:35,808 PETER, YOU'RE ON STANDBY. 1055 00:39:40,769 --> 00:39:42,162 HEY! 1056 00:39:42,249 --> 00:39:43,511 I GOT A PING FROM THE BANK. 1057 00:39:43,598 --> 00:39:44,947 WHY DID YOU DRAIN OUR ACCOUNT? 1058 00:39:45,034 --> 00:39:46,732 WAIT A MINUTE. THEY TOLD ME YOU WERE DEAD. 1059 00:39:46,819 --> 00:39:48,037 WHAT? WHO TOLD YOU I WAS DEAD? 1060 00:39:48,124 --> 00:39:49,256 Peter: WE DID. 1061 00:39:49,343 --> 00:39:51,519 WAIT A MINUTE. WHAT'S GOING ON? 1062 00:39:51,606 --> 00:39:53,086 YOU TWO ARE UNDER ARREST. 1063 00:39:53,173 --> 00:39:54,696 WAIT A MINUTE. YOU'RE FBI, TOO? 1064 00:39:54,783 --> 00:39:57,220 YEAH, LET'S JUST SAY I'M THE ADVENTUROUS TYPE. 1065 00:39:57,307 --> 00:39:58,396 Neal: UH, SPEAKING OF, 1066 00:39:58,483 --> 00:39:59,614 I THINK WE WERE ALL 1067 00:39:59,701 --> 00:40:01,224 A LITTLE ADVENTUROUS LAST NIGHT. 1068 00:40:01,311 --> 00:40:02,922 FURTHER INCRIMINATING EVIDENCE. 1069 00:40:03,009 --> 00:40:04,402 SHOULD WE GIVE HIM A LITTLE SLIDE SHOW HERE? 1070 00:40:04,489 --> 00:40:05,359 Peter: YEAH. YEAH. 1071 00:40:05,446 --> 00:40:07,100 HERE'S YOU ON SHOT NUMBER EIGHT, 1072 00:40:07,187 --> 00:40:09,058 HAVING A GOOD TIME. 1073 00:40:09,145 --> 00:40:12,148 HERE'S YOU ON SHOT NUMBER 12 HAVING A GREAT TIME. 1074 00:40:12,235 --> 00:40:15,064 THIS IS WHEN YOU TOLD US YOU HAD A BIG PAYDAY COMING UP. 1075 00:40:15,151 --> 00:40:16,718 GREAT. GOOD JOB. 1076 00:40:16,805 --> 00:40:18,285 AND THAT'S WHEN YOU TOLD ME 1077 00:40:18,372 --> 00:40:20,679 I SHOULD ENJOY THE HONEYMOON PHASE WHILE I CAN. 1078 00:40:20,766 --> 00:40:22,985 OH, HERE'S WHERE YOU SAID YOU WERE TIRED 1079 00:40:23,072 --> 00:40:24,726 AND WANTED TO GO TO BED. 1080 00:40:24,813 --> 00:40:28,034 Neal: SOMETHING ABOUT HAVING TO TIE UP LOOSE ENDS IN THE MORNING. 1081 00:40:28,121 --> 00:40:29,775 THEY SAY THAT ALCOHOL'S A TRUTH SERUM FOR SOME PEOPLE. 1082 00:40:29,862 --> 00:40:31,733 YOU ARE DEFINITELY ONE OF THEM, MY FRIEND. 1083 00:40:31,820 --> 00:40:34,910 AND, IN CASE YOU WERE WONDERING, WE GOT IT ALL ON TAPE. 1084 00:40:36,651 --> 00:40:38,436 PETER. HMM. 1085 00:40:38,523 --> 00:40:40,699 I ACTUALLY THOUGHT WE HAD SOMETHING. 1086 00:40:40,786 --> 00:40:42,440 [ CHUCKLES ] IT WASN'T REAL. 1087 00:40:42,527 --> 00:40:43,484 NOT EVEN OUR TANGO? 1088 00:40:43,571 --> 00:40:45,486 OH. MM. 1089 00:40:45,573 --> 00:40:48,184 YOU KNOW, THEY SAY THAT BREAKING UP IS TOUGH. 1090 00:40:48,271 --> 00:40:50,709 FOR WHAT IT'S WORTH, IT WASN'T ME. 1091 00:40:50,796 --> 00:40:51,753 IT WAS YOU. 1092 00:40:51,840 --> 00:40:54,016 PETER... 1093 00:40:57,019 --> 00:40:59,282 THAT'S A SHAME. 1094 00:40:59,369 --> 00:41:00,283 WOULD HAVE BEEN A NICE WEDDING. 1095 00:41:00,370 --> 00:41:02,416 YEAH. 1096 00:41:02,503 --> 00:41:04,157 ELIZABETH ORDERED MOST OF THE ARRANGEMENTS ALREADY. 1097 00:41:04,244 --> 00:41:05,593 I'M SURE SHE DID A GREAT JOB. 1098 00:41:05,680 --> 00:41:07,029 IT'S TOO BAD WE'LL HAVE TO SHIP THEM ALL BACK. 1099 00:41:07,116 --> 00:41:11,120 OR SHIP THEM SOMEWHERE ELSE. 1100 00:41:11,207 --> 00:41:12,470 [ KNOCK ON DOOR ] 1101 00:41:14,254 --> 00:41:16,082 IS EVERYTHING OKAY? 1102 00:41:16,169 --> 00:41:17,910 PETER NEEDS YOUR HELP RIGHT AWAY. 1103 00:41:17,997 --> 00:41:19,738 OKAY. 1104 00:41:26,222 --> 00:41:28,311 HONEY? 1105 00:41:28,398 --> 00:41:31,010 HEY, BEAUTIFUL. 1106 00:41:31,097 --> 00:41:32,490 WHAT IS THIS? 1107 00:41:32,577 --> 00:41:35,754 I'M SORRY FOR WHAT YOU WENT THROUGH ON THIS ONE. 1108 00:41:35,841 --> 00:41:37,930 SO, TO MAKE IT UP TO YOU, 1109 00:41:38,017 --> 00:41:41,411 I'M GIVING YOU THE WEDDING YOU ALWAYS WANTED. 1110 00:41:41,499 --> 00:41:44,632 SMALL, SIMPLE. 1111 00:41:44,719 --> 00:41:45,720 JUST US. 1112 00:41:51,987 --> 00:41:55,469 WILL YOU MARRY ME AGAIN? 1113 00:41:56,818 --> 00:41:58,298 YES. 1114 00:41:58,385 --> 00:42:00,692 AS MANY TIMES AS YOU ASK. 1115 00:42:00,779 --> 00:42:02,737 [ CLEARS THROAT ] 1116 00:42:10,919 --> 00:42:12,138 PREACHER'S HERE. 1117 00:42:12,225 --> 00:42:13,487 THAT WAS FAST. 1118 00:42:13,574 --> 00:42:15,010 SORRY I'M LATE. 1119 00:42:15,097 --> 00:42:16,882 DON'T TELL ME HE'S BEEN ORDAINED. 1120 00:42:16,969 --> 00:42:18,187 TWICE. TAX DODGE? 1121 00:42:18,274 --> 00:42:19,841 OH, YEAH, LIKE I PAY TAXES. 1122 00:42:19,928 --> 00:42:20,973 WILL YOU BEAR WITNESS? 1123 00:42:21,060 --> 00:42:22,496 OF COURSE. 1124 00:42:24,150 --> 00:42:26,674 DEARLY BELOVED, WE ARE GATHERED HERE TODAY 1125 00:42:26,761 --> 00:42:30,286 TO CELEBRATE THE UNION OF...SUIT 1126 00:42:30,373 --> 00:42:34,508 AND MRS. SUIT ONCE AGAIN.