1 00:00:02,263 --> 00:00:05,135 ARE YOU THINKING ABOUT HOW YOU'D STEAL IT? 2 00:00:05,222 --> 00:00:08,182 IT WEIGHS 2 TONS AND IS WORTH MAYBE A COUPLE GRAND. PASS. 3 00:00:08,269 --> 00:00:09,574 BUT YOU WERE THINKING ABOUT IT. 4 00:00:09,661 --> 00:00:12,099 IT'S AN INVOLUNTARY REFLEX. 5 00:00:12,186 --> 00:00:13,665 WELL, NATHANIEL ROLAND'S INHERITANCE 6 00:00:13,752 --> 00:00:15,058 IS WORTH $40 MILLION. 7 00:00:15,145 --> 00:00:17,278 YOU REALLY THINK ONE OF HIS SONS FORGED HIS WILL? 8 00:00:17,365 --> 00:00:20,150 PEOPLE DO SOME CRAZY THINGS FOR MONEY. 9 00:00:20,237 --> 00:00:21,891 YOU THINK THEY'D BE THAT STUPID? 10 00:00:21,978 --> 00:00:23,806 THAT'S WHAT WE'RE GONNA FIND OUT. 11 00:00:23,893 --> 00:00:26,200 WELL, WHAT I'MGONNA FIND OUT. 12 00:00:26,287 --> 00:00:28,419 YOU'RE SAYING I'M IRRELEVANT IN THIS CASE? 13 00:00:28,506 --> 00:00:31,292 THE BUREAU REQUESTED THAT I AUTHENTICATE THE WILL. 14 00:00:31,379 --> 00:00:32,902 I DON'T REMEMBER YOU BEING MENTIONED. 15 00:00:32,989 --> 00:00:35,557 NOT ME? NOT YOU. 16 00:00:35,644 --> 00:00:37,124 Man: RIGHT THIS WAY. 17 00:00:38,777 --> 00:00:41,215 HI. JOSH ROLAND. YOU'RE HERE TO AUTHENTICATE MY WILL? 18 00:00:41,302 --> 00:00:42,607 AGENT PETER BURKE. 19 00:00:42,694 --> 00:00:45,001 MY ASSOCIATE NEAL WILL TAKE A LOOK AT IT. 20 00:00:45,088 --> 00:00:46,481 I BECOME RELEVANT IN A LITTLE BIT. 21 00:00:48,309 --> 00:00:49,832 HOW YOU DOING? GOOD. MAY I SEE THE WILLS? 22 00:00:49,919 --> 00:00:52,748 YEAH, THEY'RE BOTH HERE ON THE TABLE. 23 00:00:52,835 --> 00:00:55,577 LOOK, I REALLY DON'T WANT HIM TO GO TO JAIL OVER THIS, 24 00:00:55,664 --> 00:00:58,145 BUT IF HE'S TRYING TO STEAL $40 MILLION... 25 00:00:58,232 --> 00:01:00,234 HEY, SORRY, I'M LATE. 26 00:01:00,321 --> 00:01:01,974 SAVANNAH'S NAP WENT A LITTLE LONGER THAN EXPECTED. 27 00:01:02,062 --> 00:01:04,499 I DIDN'T TAKE A NAP.Shh. 28 00:01:04,586 --> 00:01:06,109 WHY DON'T YOU GO UPSTAIRS AND PLAY, OKAY? 29 00:01:06,196 --> 00:01:07,241 SEE YOU IN A FEW MINUTES. 30 00:01:07,328 --> 00:01:08,546 HI, UNCLE JOSH! 31 00:01:08,633 --> 00:01:09,678 HI, SWEETHEART. 32 00:01:09,765 --> 00:01:11,941 MWAH! 33 00:01:12,028 --> 00:01:13,638 HOW YOU DOING? I'M JAMES. 34 00:01:13,725 --> 00:01:14,726 NEAL. 35 00:01:14,813 --> 00:01:17,773 HELLO. HI. 36 00:01:17,860 --> 00:01:19,557 James: I DON'T KNOW WHAT MY BROTHER'S BEEN TELLING YOU, 37 00:01:19,644 --> 00:01:21,733 BUT I HAVEN'T BEEN DOCTORING UP ANYTHING. 38 00:01:21,820 --> 00:01:23,779 THERE'S NO WAY DAD WOULD HAVE LEFT YOU EVERYTHING. 39 00:01:23,866 --> 00:01:25,868 YOU'D SQUANDER IT.SQUANDER IT? THAT'S A GOOD WORD. 40 00:01:25,955 --> 00:01:27,609 DON'T YOU MEAN I'D BLOW IT? 41 00:01:27,696 --> 00:01:29,437 MAYBE USE SOME OF THIS FAMILY'S MONEY TO DO SOME GOOD FOR A CHANGE? 42 00:01:29,524 --> 00:01:30,916 DAD'S CHARITABLE FOUNDATION -- TAX DODGES. 43 00:01:31,003 --> 00:01:32,266 ARE THEY ALWAYS LIKE THIS? YEAH. 44 00:01:32,353 --> 00:01:33,919 Josh: YOU'RE SAYING THAT WITH FBI AGENTS IN THE ROOM? 45 00:01:34,006 --> 00:01:35,269 ANYWAY, MIND IF WE GET THIS OVER WITH? 46 00:01:35,356 --> 00:01:36,792 YEAH. 47 00:01:36,879 --> 00:01:39,316 Savannah: WHO'S HE? 48 00:01:39,403 --> 00:01:42,058 HIS NAME IS NEAL. HE KNOWS A LOT OF STUFF. 49 00:01:42,145 --> 00:01:44,234 WHAT'S THAT THING ON HIS LEG? 50 00:01:44,321 --> 00:01:45,627 THAT'S A TRACKING ANKLET. 51 00:01:45,714 --> 00:01:47,716 I HAVE AN ANKLET. WANT TO SEE? 52 00:01:47,803 --> 00:01:49,587 YEAH. OH, CUTE. 53 00:01:49,674 --> 00:01:52,416 WHERE'D YOU GET IT?MY GRANDPA. WHERE'D HE GET HIS? 54 00:01:52,503 --> 00:01:54,723 IT'S PART OF A FEDERAL WORK-RELEASE PROGRAM 55 00:01:54,810 --> 00:01:56,464 WHERE... 56 00:01:56,551 --> 00:01:58,640 UH... I GAVE IT TO HIM. 57 00:01:58,727 --> 00:02:00,729 IT'S SO I DON'T LOSE HIM. 58 00:02:00,816 --> 00:02:03,035 OH. ARE YOU HIS GRANDPA? 59 00:02:03,123 --> 00:02:04,428 WEREN'T YOU SUPPOSED TO GO TO YOUR ROOM? 60 00:02:04,515 --> 00:02:05,734 UH-HUH. 61 00:02:05,821 --> 00:02:06,865 [ GIGGLES ] UH-HUH. 62 00:02:06,952 --> 00:02:08,345 Josh: HIS IS A FORGERY, RIGHT? 63 00:02:08,432 --> 00:02:10,217 THIS IS A FORGERY. 64 00:02:10,304 --> 00:02:11,305 James: WHAT? I KNEW IT. 65 00:02:11,392 --> 00:02:12,871 HOLD ON. 66 00:02:12,958 --> 00:02:14,917 SO IS THIS ONE.THAT'S IMPOSSIBLE. 67 00:02:15,004 --> 00:02:16,310 THEY'RE BOTH FORGED?YEAH. 68 00:02:16,397 --> 00:02:17,963 HOW CAN YOU SAY THEY'RE BOTH FAKE? 69 00:02:18,050 --> 00:02:19,269 THE WITNESS SIGNATURES -- 70 00:02:19,356 --> 00:02:21,010 THE VELOCITY, ACCELERATION, AND PRESSURE 71 00:02:21,097 --> 00:02:22,838 BOTH HAVE EXACTLY THE SAME ANOMALIES. 72 00:02:22,925 --> 00:02:24,970 THEY WERE SIGNED BY THE SAME PERSON.SO, WHAT HAPPENS NOW? 73 00:02:25,057 --> 00:02:27,582 Peter: BEFORE WE JUMP TO ANY CONCLUSIONS, 74 00:02:27,669 --> 00:02:29,975 WE NEED TO VERIFY THE WITNESS SIGNATURES. 75 00:02:30,062 --> 00:02:32,413 WE'LL RUN A COUPLE MORE TESTS. WHEN WE GET SOMETHING... 76 00:02:33,762 --> 00:02:34,850 ...WE WILL LET YOU KNOW. 77 00:02:34,937 --> 00:02:36,591 THANK YOU. 78 00:02:41,291 --> 00:02:43,815 [ SIREN WAILS, HORN HONKS ] 79 00:02:48,080 --> 00:02:49,908 DO I WANTTO KNOW WHAT'S IN THAT BOX? 80 00:02:49,995 --> 00:02:53,564 WELL, TO PARAPHRASE THE MAN WHO BROUGHT DOWN THE SOVIET UNION, 81 00:02:53,651 --> 00:02:56,567 IT'S EASIER TO TRUST WHEN YOU CAN VERIFY. 82 00:02:56,654 --> 00:02:58,482 [ FANFARE PLAYS] 83 00:02:58,569 --> 00:03:00,441 YOU GONNA SHOW ME A SHINING CITY ON A HILL? HMM. 84 00:03:00,528 --> 00:03:02,138 SHINING, YES, AND WITH IT, 85 00:03:02,225 --> 00:03:05,141 YOU CAN BUY ANY CITY ON ANY HILL. 86 00:03:05,228 --> 00:03:06,838 A TREASURE-CAM? 87 00:03:06,925 --> 00:03:08,884 LOOK, I KNOW HOW HARD IT MUST BE 88 00:03:08,971 --> 00:03:10,538 TO SEE THE PROMISED LAND 89 00:03:10,625 --> 00:03:13,018 AND NOT BE ABLE TO ENTER BECAUSE OF YOUR LEASH, 90 00:03:13,105 --> 00:03:15,020 AND I DON'T WANT THIS TO COME BETWEEN US. 91 00:03:15,107 --> 00:03:19,634 SO NOW, WE CAN BOTH KEEP AN EYE ON OUR FORTUNE 24/7. 92 00:03:19,721 --> 00:03:20,939 THANK YOU, MOZ. MM. 93 00:03:21,026 --> 00:03:22,941 OH. SEE THE DEGAS? 94 00:03:23,028 --> 00:03:24,987 YEAH.THINK I'VE LINED UP A BUYER. 95 00:03:25,074 --> 00:03:26,554 KIND OF HAD MY EYE ON THAT ONE. 96 00:03:26,641 --> 00:03:28,556 OH, WELL, FORTUNATELY, THERE'S TWO OTHER DEGAS 97 00:03:28,643 --> 00:03:30,558 TO CHOOSE FROM, MISTER... 98 00:03:30,645 --> 00:03:32,516 DID YOU PICK A NAME? CLOSE. 99 00:03:32,603 --> 00:03:35,258 GLENN CLOSE?NO, I'M WORKING ON IT. 100 00:03:35,345 --> 00:03:38,305 MIGHT HAVE TO LIVE WITH THIS NEXT ONE TILL THE END. 101 00:03:38,392 --> 00:03:40,089 WANT TO MAKE SURE IT FEELS AS GOOD AS "NEAL CAFFREY." 102 00:03:40,176 --> 00:03:42,439 [ CHUCKLES ] A ROSE BY ANY OTHER NAME, NEAL. 103 00:03:42,526 --> 00:03:44,441 CHOOSE, BECAUSE, VERY SOON, 104 00:03:44,528 --> 00:03:48,793 WE'RE GONNA BE ON AN AIRPLANE TO A DIFFERENT LIFE. 105 00:03:54,277 --> 00:03:55,539 [ HORN HONKS ] 106 00:03:55,626 --> 00:03:57,324 HEY. 107 00:03:57,411 --> 00:04:00,631 WE GOT BACK BIOMETRICS ON ROLAND'S WITNESS SIGNATURES. 108 00:04:00,718 --> 00:04:02,111 THEY ARE DEFINITELY FORGED. 109 00:04:02,198 --> 00:04:03,330 COULD'VE TOLD YOU THAT. 110 00:04:03,417 --> 00:04:05,114 OH, WAIT. I DID. 111 00:04:05,201 --> 00:04:07,290 YEAH, AND BASED ON YOUR OBSERVATIONS, 112 00:04:07,377 --> 00:04:09,205 WE RAN A COUPLE OTHER TESTS. 113 00:04:09,292 --> 00:04:12,556 SEE HOW THE "A" IS CONNECTED TO THE "E" TWO LETTERS LATER? 114 00:04:12,643 --> 00:04:14,689 AS ROLAND DID IN HIS YOUTH. 115 00:04:16,821 --> 00:04:18,388 ROLAND FORGED THE WITNESS SIGNATURES? 116 00:04:18,475 --> 00:04:19,955 ON BOTH WILLS TO HIS CHILDREN. 117 00:04:20,042 --> 00:04:21,870 HOW DID I MISS THIS? 118 00:04:21,957 --> 00:04:23,741 YOU DIDN'T KNOW HE WAS AMBIDEXTROUS. 119 00:04:23,828 --> 00:04:25,134 HE SIGNED THESE WITH HIS LEFT HAND. 120 00:04:25,221 --> 00:04:26,875 AND THE NAMES ARE WEIRD. 121 00:04:26,962 --> 00:04:30,139 HORACE BYTH? HATCH O'BREY? 122 00:04:30,226 --> 00:04:32,097 IT SOUNDS LIKE THEY'RE RIPPED FROM A SALINGER NOVEL. 123 00:04:32,184 --> 00:04:34,796 WELL, THEY ARE FICTIONAL. 124 00:04:34,883 --> 00:04:36,276 WHAT DO YOU SEE? 125 00:04:36,363 --> 00:04:39,191 THE SAME LETTERS. THEY'RE ANAGRAMS. 126 00:04:52,248 --> 00:04:53,597 TYCHO BRAHE.TYCHO BRAHE. 127 00:04:53,684 --> 00:04:54,990 15th-CENTURY DUTCH ASTRONOMER. 128 00:04:55,077 --> 00:04:57,340 16th AND DANISH. CLOSE, THOUGH. ALMOST IMPRESSIVE. 129 00:04:57,427 --> 00:04:59,429 WELL, WELL. WHO IS RELEVANT NOW? 130 00:04:59,516 --> 00:05:03,738 WHAT KIND OF MESSAGE DO YOU THINK HE WAS TRYING TO LEAVE BEHIND? 131 00:05:03,825 --> 00:05:05,696 HE CLOSES BOTH WILLS WITH THE LINE, 132 00:05:05,783 --> 00:05:08,743 "IN THE END, THERE SHOULD BE NOTHING BETWEEN YOU, WHICH IS EVERYTHING." 133 00:05:08,830 --> 00:05:09,526 CRYPTIC. 134 00:05:11,180 --> 00:05:12,399 WAIT A SECOND. 135 00:05:18,187 --> 00:05:20,102 Peter: WHAT ARE YOU DOING? 136 00:05:21,973 --> 00:05:24,411 Neal: INTERESTING. 137 00:05:24,498 --> 00:05:26,326 PETER, COME HERE. 138 00:05:28,502 --> 00:05:31,418 THESE LOOK LIKE STREETS. A COMPASS ROSE. 139 00:05:31,505 --> 00:05:34,682 THIS ISN'T A MESSAGE. 140 00:05:34,769 --> 00:05:37,162 THIS IS A MAP. 141 00:05:58,488 --> 00:06:00,403 [ INDISTINCT CONVERSATIONS ] 142 00:06:00,490 --> 00:06:02,666 JONES, TELL ME SOMETHING. 143 00:06:02,753 --> 00:06:04,233 WHO IS THAT?Jones: EASY, TIGER. 144 00:06:04,320 --> 00:06:05,495 SHE'S OFF LIMITS. 145 00:06:05,582 --> 00:06:07,149 I ALREADY TRIED. HUH. 146 00:06:07,236 --> 00:06:08,716 ART CRIMES, D.C. 147 00:06:08,803 --> 00:06:10,413 W-WHAT MAKES YOU THINK THAT? 148 00:06:10,500 --> 00:06:12,676 HER ATTACHé. IT'S FROM THE SMITHSONIAN. 149 00:06:12,763 --> 00:06:16,245 GIFT OF CHOICE FROM D.C. ART CRIMES CHIEF TO NEW RECRUITS. 150 00:06:16,332 --> 00:06:17,420 WHAT'S THE CASE? 151 00:06:17,507 --> 00:06:20,336 ABOVE MY PAY GRADE. 152 00:06:22,904 --> 00:06:24,949 Peter: YOUR BOSS AND I GO BACK A LONG WAY. 153 00:06:25,036 --> 00:06:26,777 AGENT KRAMER'S SORRY HE CAN'T BE HERE IN PERSON, 154 00:06:26,864 --> 00:06:28,170 BUT HE BRIEFED ME FULLY. 155 00:06:28,257 --> 00:06:29,345 HE DID? 156 00:06:29,432 --> 00:06:31,042 I TAKE IT HE WASN'T SUPPOSED TO. 157 00:06:31,129 --> 00:06:32,696 HOW MUCH DO YOU KNOW? 158 00:06:32,783 --> 00:06:34,306 YOU DISCOVERED A GERMAN U-BOAT 159 00:06:34,394 --> 00:06:36,439 WITH AN INCREDIBLY VALUABLE CARGO OF ART ABOARD, 160 00:06:36,526 --> 00:06:38,093 THE ART WAS DESTROYED IN A FIRE, 161 00:06:38,180 --> 00:06:40,400 BELIEVE THE FIRE MAY HAVE BEEN A RUSE, 162 00:06:40,487 --> 00:06:42,489 AND THE ART STILL EXISTS. 163 00:06:42,576 --> 00:06:43,751 YOU KNOW A LOT. 164 00:06:43,838 --> 00:06:45,361 I'M SORRY. I DO. 165 00:06:45,448 --> 00:06:47,798 ONLY A HANDFUL OF PEOPLE KNOW ABOUT THIS. 166 00:06:47,885 --> 00:06:49,234 I'D LIKE TO KEEP IT THAT WAY. 167 00:06:49,321 --> 00:06:52,107 UNDERSTOOD. 168 00:06:52,194 --> 00:06:54,762 I DON'T HAVE ENOUGH EVIDENCE TO OPEN A FORMAL INVESTIGATION. 169 00:06:54,849 --> 00:06:57,808 HOWEVER, PART OF THE ORIGINAL GERMAN ART MANIFEST 170 00:06:57,895 --> 00:06:59,419 SURVIVED THE FIRE. 171 00:06:59,506 --> 00:07:02,422 THAT'S WHAT I'D LIKE KRAMER TO LOOK INTO. 172 00:07:02,509 --> 00:07:04,424 NOW, WHAT I'D LIKE YOU TO DO IS SIMPLY... 173 00:07:26,446 --> 00:07:28,709 EXCUSE ME. DO YOU WORK HERE? 174 00:07:28,796 --> 00:07:30,493 NO. I DON'T. 175 00:07:30,580 --> 00:07:32,887 NO. OH, OF COURSE YOU DON'T. I NOTICED YOUR ATTACHé. 176 00:07:32,974 --> 00:07:34,932 YOU'RE, UH, D.C. ART CRIMES, RIGHT? 177 00:07:35,019 --> 00:07:36,281 VERY GOOD. 178 00:07:37,805 --> 00:07:39,459 WHAT BRINGS YOU UP HERE? 179 00:07:39,546 --> 00:07:40,503 BUSINESS. 180 00:07:40,590 --> 00:07:41,809 [ ELEVATOR BELL DINGS ] 181 00:07:41,896 --> 00:07:43,724 HEY, DO YOU KNOW WHERE I CAN FIND AGENT BURKE? 182 00:07:43,811 --> 00:07:45,203 OH, I CANHELP YOU WITH THAT. 183 00:07:45,290 --> 00:07:46,988 OFFICE AT THE TOP OF THE STAIRS. THANK YOU... 184 00:07:47,075 --> 00:07:48,337 AGENT MATTHEWS. 185 00:07:48,424 --> 00:07:49,904 AGENT MATTHEWS, YES. 186 00:07:52,297 --> 00:07:54,038 YOU'RE RIGHT, MAN. I GOT NOTHING. 187 00:07:54,125 --> 00:07:55,692 TOLD YOU SO. 188 00:07:55,779 --> 00:07:57,128 TOP O' THE MORNIN', NEAL. 189 00:07:57,215 --> 00:07:59,435 APPARENTLY NOT. 190 00:07:59,522 --> 00:08:00,654 AM I LATE? 191 00:08:00,741 --> 00:08:01,959 RIGHT ON TIME. 192 00:08:02,046 --> 00:08:03,395 I SPOKE WITH THE ROLANDS. 193 00:08:03,483 --> 00:08:04,658 YOU TELL THEM ABOUT THE MAP? 194 00:08:04,745 --> 00:08:05,963 I WANTED TO WAIT FOR YOU. 195 00:08:06,050 --> 00:08:07,617 YOU'RE GOING TO SEE THEM?MM-HMM. 196 00:08:09,445 --> 00:08:10,838 YOU'RE A LITTLE GIDDY. 197 00:08:10,925 --> 00:08:12,361 I LOVE PUZZLES. I KNOW YOU DO. 198 00:08:12,448 --> 00:08:14,189 I'VE SEEN THE NEW YORK PUZZLETHON TROPHIES 199 00:08:14,276 --> 00:08:16,060 AROUND THE HOUSE, ALL THREE OF THEM. FOUR. 200 00:08:16,147 --> 00:08:17,105 OH, THERE'S FOUR? YEAH. 201 00:08:17,192 --> 00:08:19,150 HOW COULD I FORGET? 202 00:08:19,237 --> 00:08:21,762 Peter: THE OVERLAID WILLS FORM AN IMAGE. 203 00:08:21,849 --> 00:08:23,633 THAT'S THE SUNDIAL IN LE MONDE GARDEN. 204 00:08:26,723 --> 00:08:29,291 [ SIGHS ] WE HAVEN'T DONE ONE OF THOSE IN YEARS. 205 00:08:29,378 --> 00:08:31,249 ONE OF THOSE TREASURE HUNTS? 206 00:08:31,336 --> 00:08:32,424 YEP. 207 00:08:34,122 --> 00:08:34,992 TOLD YOU IT WAS A MAP. 208 00:08:35,079 --> 00:08:36,124 I DIDN'T SAY IT WASN'T. 209 00:08:36,211 --> 00:08:37,604 WELL, FORGET IT. 210 00:08:37,691 --> 00:08:39,606 I'LL SEE YOU IN COURT. 211 00:08:43,174 --> 00:08:45,612 HE'S ALWAYS BEEN HIGH-STRUNG. YOU KNOW, WHATEVER. 212 00:08:45,699 --> 00:08:47,701 WHY DON'T WE TAKE A LOOK AT THE SUNDIAL? 213 00:08:47,788 --> 00:08:49,529 THE REAL WILL IS AT THE END OF THE HUNT, RIGHT? 214 00:08:49,616 --> 00:08:51,052 YEAH, MAYBE. 215 00:08:51,139 --> 00:08:54,229 I GOT TO GO, GUYS. SAVANNAH'S GONNA BE HOME SOON. 216 00:08:54,316 --> 00:08:56,361 MY FATHER'S GONE. 217 00:08:56,448 --> 00:08:58,189 WE DON'T HAVE TO PLAY BY HIS RULES ANYMORE. 218 00:09:03,325 --> 00:09:05,414 [ SIGHS ] WHAT NOW? 219 00:09:05,501 --> 00:09:06,937 LOG THESE INTO EVIDENCE 220 00:09:07,024 --> 00:09:10,071 AND RETURN THEM TO THE LAWYERS. 221 00:09:10,158 --> 00:09:12,160 MM-HMM, YOU'RE NOT EVEN A LITTLE BIT CURIOUS 222 00:09:12,247 --> 00:09:13,509 ABOUT SOLVING THIS PUZZLE? 223 00:09:13,596 --> 00:09:15,598 OF COURSE I AM, BUT, YOU KNOW, THE ASSISTANT DIRECTOR 224 00:09:15,685 --> 00:09:17,992 HASN'T AUTHORIZED AN FBI TREASURE-HUNTING UNIT. 225 00:09:18,079 --> 00:09:19,515 WELL, WHY DON'T WE DROP BY THE PARK? 226 00:09:19,602 --> 00:09:22,126 JUST TO MAKE SURE NOTHING ILLICIT IS AFOOT AT THE SUNDIAL. 227 00:09:22,213 --> 00:09:25,477 I CAN'T. I HAVE LUNCH WITH EL. BUT YOU CAN TAKE A LOOK. 228 00:09:25,565 --> 00:09:27,784 YOU DON'T WANT TO COME? YES. 229 00:09:27,871 --> 00:09:29,873 I COULD USE YOUR ASTRONOMICAL PUZZLING EXPERTISE. 230 00:09:29,960 --> 00:09:32,136 OH. 231 00:09:32,223 --> 00:09:33,616 NO, I CAN'T. I CAN'T. I CAN'T. 232 00:09:33,703 --> 00:09:35,792 EL HAD AN INTERVIEW THIS MORNING. AH. 233 00:09:35,879 --> 00:09:37,794 THERE'S AN OPENING AT THE DeARMITT GALLERY. 234 00:09:37,881 --> 00:09:39,491 HOW NICE. YEAH. 235 00:09:39,579 --> 00:09:40,841 NEXT TIME. 236 00:09:40,928 --> 00:09:42,799 [ CLEARS THROAT ] JUST, YOU KNOW... 237 00:09:42,886 --> 00:09:44,279 KEEP ME UPDATED. 238 00:09:44,366 --> 00:09:46,281 MM-HMM. 239 00:09:52,940 --> 00:09:54,245 [ HORN HONKS ] 240 00:09:54,332 --> 00:09:57,379 Mozzie: FASCINATING. THE COMPLEXITY. 241 00:09:57,466 --> 00:09:59,860 THESE PATTERNS MUST HAVE TAKEN WEEKS TO DEVISE. 242 00:09:59,947 --> 00:10:01,122 AH. 243 00:10:01,209 --> 00:10:04,038 ROLAND IS LIKE A COPERNICAN CROSS 244 00:10:04,125 --> 00:10:07,171 BETWEEN DAN BROWN AND SCOTT TUROW. 245 00:10:07,258 --> 00:10:09,565 I THINK THESE NUMBERS ARE TIMES OF DAY. 246 00:10:09,652 --> 00:10:11,349 4:30. 247 00:10:11,436 --> 00:10:13,090 Mozzie: THAT WOULD BE THERE. 248 00:10:16,485 --> 00:10:18,661 DOESN'T SEEM TO POINT TO ANYTHING. 249 00:10:18,748 --> 00:10:20,707 WELL, EVERYTHING POINTS TO SOMETHING. 250 00:10:20,794 --> 00:10:22,186 DID YOU JUST STEAL THAT FROM MY BRAIN? 251 00:10:22,273 --> 00:10:23,884 NO. 252 00:10:23,971 --> 00:10:25,973 WE'RE MISSING SOME DETAIL. 253 00:10:26,060 --> 00:10:27,714 WHAT DO YOU THINK HAPPENS WHEN THE SUN HITS IT? 254 00:10:27,801 --> 00:10:29,237 FOUR HOURS TO FIND OUT. 255 00:10:29,324 --> 00:10:30,717 Peter: HOW'D IT GO AT THE GALLERY? 256 00:10:30,804 --> 00:10:32,066 MM. GOOD. YEAH? 257 00:10:32,153 --> 00:10:34,111 YEAH, THEY'RE LOOKING FOR A CONSULTANT. 258 00:10:34,198 --> 00:10:36,113 SO, I DON'T KNOW. I WAS THINKING... 259 00:10:36,200 --> 00:10:37,593 [ CELL PHONE VIBRATES ]WOW. 260 00:10:37,680 --> 00:10:38,942 "WOW"? 261 00:10:39,029 --> 00:10:40,640 NO. I-I WAS WOWING YOUR NEWS. 262 00:10:40,727 --> 00:10:42,380 I DON'T NEED TO ANSWER THAT. 263 00:10:42,467 --> 00:10:44,513 SWEETIE, IF IT'S WORK...IT'S NOTHING. 264 00:10:44,600 --> 00:10:47,385 SO, UH, COULD YOU -- COULD YOU CONSULT AT THE GALLERY 265 00:10:47,472 --> 00:10:48,996 AND STILL DO BURKE EVENTS? 266 00:10:49,083 --> 00:10:50,388 YEAH, I THINK I COULD DO BOTH. 267 00:10:50,475 --> 00:10:52,086 AND, BESIDES, I COULD DO MY OWN OPENINGS. 268 00:10:52,173 --> 00:10:53,522 [ CELL PHONE VIBRATES ]I DON'T KNOW. 269 00:10:53,609 --> 00:10:55,524 YOU SHOULD DO THIS. YOU SHOULD DO THIS. YEAH. 270 00:10:55,611 --> 00:10:58,048 I KNOW HOW MUCH YOU'VE BEEN WANTING TO GET BACK IN THE ART WORLD. 271 00:10:58,135 --> 00:10:59,484 I HAVE.[ CELL PHONE VIBRATES ] 272 00:10:59,571 --> 00:11:01,399 HONEY, WHAT DOES NEAL WANT? 273 00:11:01,486 --> 00:11:02,792 NOTHING. NOTHING. 274 00:11:02,879 --> 00:11:05,099 HE'S ON THIS... TREASURE HUNT. 275 00:11:05,186 --> 00:11:06,796 A REAL TREASURE HUNT? 276 00:11:06,883 --> 00:11:10,408 YEAH. AN ECCENTRIC MILLIONAIRE LEFT CODED WILLS TO HIS KIDS. 277 00:11:10,495 --> 00:11:12,672 [ LAUGHS ] BORING. 278 00:11:12,759 --> 00:11:15,413 [ CELL PHONE BEEPS ]MM. 279 00:11:15,500 --> 00:11:16,980 IT'S FROM NEAL. 280 00:11:17,067 --> 00:11:18,721 IT IS? YEAH. 281 00:11:18,808 --> 00:11:21,115 ALL RIGHT, HE SAID HE'S "FOUND NOTHING OBVIOUS IN THE TIMES, 282 00:11:21,202 --> 00:11:23,334 BUT THE SUN WON'T SHINE ON THE GNOMON FOR FOUR MORE HOURS. THOUGHTS?" 283 00:11:26,033 --> 00:11:27,948 YOU JUST HAPPEN TO HAVE THE WILL IN YOUR BACK POCKET? 284 00:11:28,035 --> 00:11:29,166 YEAH. "BE PREPARED." EAGLE SCOUT. 285 00:11:29,253 --> 00:11:30,646 OF COURSE. 286 00:11:30,733 --> 00:11:33,127 ALL RIGHT, SEE, THERE'S THIS LITTLE FLOWER 287 00:11:33,214 --> 00:11:34,911 RIGHT NEXT TO THE FIRST TIME ON THE WILL. 288 00:11:34,998 --> 00:11:36,391 WHAT DO YOU THINK IT MEANS? 289 00:11:36,478 --> 00:11:39,176 WELL, IT'S A TULIP, WHICH IS SYMBOLIC FOR REBIRTH... 290 00:11:39,263 --> 00:11:40,525 YEAH. ...SPRINGTIME, UM -- 291 00:11:40,612 --> 00:11:42,397 THAT'S IT! 292 00:11:42,484 --> 00:11:44,704 THE ANGLE OF THE SUN IS GONNA BE DIFFERENT IN THE SPRING 293 00:11:44,791 --> 00:11:46,444 RATHER THAN THE WINTER OR THE SUMMER, 294 00:11:46,531 --> 00:11:50,100 SO THE SHADOW ON THE SUNDIAL IS GONNA BE DIFFERENT. 295 00:11:50,187 --> 00:11:52,363 THEY COULD RE-CREATE IT USING A COUPLE MIRRORS! 296 00:11:52,450 --> 00:11:54,844 BUT THAT DOESN'T MATTER. DOESN'T MATTER. 297 00:11:54,931 --> 00:11:56,324 HONEY. WHAT? 298 00:11:56,411 --> 00:11:57,891 DO YOU WANT TO GRAB SOME MIRRORS AND GO PLAY WITH NEAL? 299 00:11:57,978 --> 00:11:59,196 YES! 300 00:11:59,283 --> 00:12:01,198 REMEMBER WHEN I SAID THAT THINGS WERE GETTING 301 00:12:01,285 --> 00:12:02,939 BACK TO NORMAL BETWEEN ME AND PETER? 302 00:12:03,026 --> 00:12:04,854 YEAH, THAT'S SWEET. YOU KNOW, ONE SENTENCE IN, 303 00:12:04,941 --> 00:12:06,726 AND I ALREADY HATE THIS CONVERSATION. 304 00:12:06,813 --> 00:12:09,076 WELL, THIS MORNING HE MET WITH SOMEONE FROM D.C. ART CRIMES. 305 00:12:09,163 --> 00:12:10,686 SPECIALTY SUITS? WHY? 306 00:12:10,773 --> 00:12:12,427 I DON'T KNOW. HE DIDN'T TELL ME. 307 00:12:12,514 --> 00:12:14,777 ART CRIMES ARE YOUR FBI RAISON D'ETRE. 308 00:12:14,864 --> 00:12:16,344 YOU AREART CRIMES. 309 00:12:16,431 --> 00:12:18,172 THAT'S WHY I'M LETTING YOU KNOW. 310 00:12:18,259 --> 00:12:19,564 I-IT COULD BE NOTHING. 311 00:12:19,651 --> 00:12:21,175 UNH! EVERYTHING POINTS TO SOMETHING. 312 00:12:21,262 --> 00:12:22,654 WHO DID HE MEET WITH? 313 00:12:22,742 --> 00:12:25,266 NAME'S AGENT MATTHEWS. SHE GOES BACK TO D.C. ON FRIDAY. 314 00:12:25,353 --> 00:12:26,963 OH, WELL, THAT GIVES US PLENTY OF TIME. 315 00:12:27,050 --> 00:12:28,530 I ALREADY LINED UP A BUYER FOR THE DEGAS, AND -- 316 00:12:28,617 --> 00:12:29,836 Shh. 317 00:12:29,923 --> 00:12:31,925 ELIZABETH, PETER. 318 00:12:32,012 --> 00:12:34,275 COULDN'T STAY AWAY, COULD YOU? 319 00:12:34,362 --> 00:12:36,930 WELL, NOT AFTER THAT FRANTIC DISTRESS TEXT YOU LEFT MY WIFE. 320 00:12:37,017 --> 00:12:38,279 NEAL, MOZZIE. 321 00:12:38,366 --> 00:12:39,802 GOOD TO SEE YOU, MRS. SUIT. MM. 322 00:12:39,889 --> 00:12:42,239 I MAY HAVE SOLVED THE SUNDIAL CODE. 323 00:12:42,326 --> 00:12:45,155 THERE'S A SYMBOL FOR EACH SEASON NEXT TO THE TIME. 324 00:12:45,242 --> 00:12:47,201 USING THESE MIRRORS, 325 00:12:47,288 --> 00:12:50,987 WE CAN RE-CREATE THE SEASONAL OFFSET. 326 00:12:51,074 --> 00:12:52,249 OOH, A SEXTANT. 327 00:12:52,336 --> 00:12:54,425 IT WAS A BIRTHDAY GIFT FROM MY LOVELY WIFE -- 328 00:12:54,512 --> 00:12:57,777 MWAH! -- THAT SHE SAID I'D NEVER GET A CHANCE TO USE. 329 00:12:57,864 --> 00:12:59,604 HOW DID I NOT FORESEE THIS? 330 00:12:59,691 --> 00:13:00,823 WHAT'S THE FIRST TIME? 331 00:13:00,910 --> 00:13:03,173 4:30. Peter: IN THE SPRING. 332 00:13:03,260 --> 00:13:05,001 YEAH, BUT NOT THE GOVERNMENT-FORCED 333 00:13:05,088 --> 00:13:06,437 DAYLIGHT SAVINGS 4:30. 334 00:13:06,524 --> 00:13:08,135 THE REAL4:30. 335 00:13:08,222 --> 00:13:13,575 HON, IF YOU WOULD STAND -- RIGHT ABOUT HERE IS GOOD. 336 00:13:13,662 --> 00:13:15,795 Peter: AND, MR. CONSPIRACY, 337 00:13:15,882 --> 00:13:20,364 IF YOU COULD STAND RIGHT ABOUT HERE. 338 00:13:20,451 --> 00:13:22,584 AND NOT MOVE. GOOD. 339 00:13:25,500 --> 00:13:28,764 OKAY, HONEY, HOLD IT A LITTLE HIGHER AND TO YOUR RIGHT. 340 00:13:30,897 --> 00:13:33,900 Peter: THAT'S IT. GOOD. SWIVEL IT TOWARDS... 341 00:13:35,118 --> 00:13:36,163 ALL RIGHT, HONEY. 342 00:13:36,250 --> 00:13:37,468 THAT'S IT. 343 00:13:37,555 --> 00:13:39,383 RIGHT THERE. 344 00:13:39,470 --> 00:13:40,558 IT'S POINTING TO THE LETTER "B." 345 00:13:40,645 --> 00:13:42,517 WE'RE ONTO SOMETHING. 346 00:13:42,604 --> 00:13:44,780 WHAT'S THE NEXT LETTER? 347 00:13:44,867 --> 00:13:46,434 2:00, AND THE SYMBOL IS THE SUN. 348 00:13:46,521 --> 00:13:47,783 2:00 IN THE SUMMER. YEAH. 349 00:13:47,870 --> 00:13:49,524 Peter: MOZZIE... 350 00:13:49,611 --> 00:13:54,311 TWO STEPS TO YOUR LEFT. 351 00:13:54,398 --> 00:13:56,923 HOLD YOUR ARMS UP AS HIGH AS YOU CAN. 352 00:13:57,010 --> 00:13:58,489 IS THAT A SHORT JOKE? 353 00:13:58,576 --> 00:13:59,534 IT IS NOW. 354 00:13:59,621 --> 00:14:01,275 AND TO YOUR RIGHT. 355 00:14:01,362 --> 00:14:03,581 HONEY, SWIVEL LEFT JUST A LITTLE BIT MORE. 356 00:14:03,668 --> 00:14:07,107 ALMOST THERE. THAT'S IT. RIGHT THERE. 357 00:14:07,194 --> 00:14:08,499 "S." 358 00:14:09,761 --> 00:14:12,939 ALL RIGHT, WHAT'S THE NEXT TIME? 359 00:14:13,026 --> 00:14:16,420 OKAY. MOZZIE, UH, TWO STEPS BACK. 360 00:14:16,507 --> 00:14:19,206 THAT'S -- RIGHT THERE. AND HOLD THE MIRROR LOWER. 361 00:14:19,293 --> 00:14:22,122 AND LOWER. LOWER. 362 00:14:22,209 --> 00:14:23,558 LOWER. 363 00:14:23,645 --> 00:14:25,908 SWIVEL IT, HONEY. THAT'S IT. RIGHT THERE. 364 00:14:25,995 --> 00:14:26,953 AND TO YOUR RIGHT. 365 00:14:27,040 --> 00:14:28,432 THERE YOU GO. GOOD. LOWER. 366 00:14:28,519 --> 00:14:30,130 RIGHT THERE. 367 00:14:30,217 --> 00:14:31,435 "H." 368 00:14:31,522 --> 00:14:33,220 B.S.H. DOES THAT MEAN ANYTHING TO YOU? 369 00:14:33,307 --> 00:14:34,743 NO. 370 00:14:34,830 --> 00:14:39,052 THREE-LETTER ACRONYMS ARE YOUR SPECIALTY, SUIT. 371 00:14:39,139 --> 00:14:41,315 BACK TO THE DRAWING BOARD?Peter: HUH. 372 00:14:41,402 --> 00:14:43,534 [ CELL PHONE RINGING ] 373 00:14:43,621 --> 00:14:46,059 THANKS, HONEY. YEAH. 374 00:14:46,146 --> 00:14:48,496 [ BEEP ]YEAH, JONES? 375 00:14:48,583 --> 00:14:50,498 I JUST GOT OFF THE PHONE WITH JAMES ROLAND. 376 00:14:50,585 --> 00:14:51,978 What's going on? 377 00:14:52,065 --> 00:14:53,980 THE TREASURE HUNT JUST TURNED INTO A KIDNAPPING. 378 00:14:54,067 --> 00:14:57,722 Someone's taken Savannah. 379 00:14:57,809 --> 00:14:59,986 [ BEEPING ] 380 00:15:07,167 --> 00:15:09,082 Diana: CYBER CRIMES AND THE KIDNAPPING SQUAD 381 00:15:09,169 --> 00:15:11,693 ARE PUTTING TOGETHER A COMMAND CENTER AT ROLAND'S ESTATE. 382 00:15:11,780 --> 00:15:14,217 JAMES IS THERE WITH THEM, AND WE'VE BEEN TALKING TO JOSH IN THE INTERVIEW ROOM. 383 00:15:14,304 --> 00:15:15,740 THE RANSOM IS DUE IN LESS THAN SIX HOURS. 384 00:15:15,827 --> 00:15:17,220 HOW ARE WE COMMUNICATING WITH THE KIDNAPPER? 385 00:15:17,307 --> 00:15:19,440 WEBSITE. 386 00:15:19,527 --> 00:15:21,964 Peter: THE DOMAIN IS ACTUALLY KidnappedSavannah.com? 387 00:15:22,051 --> 00:15:23,357 THAT TAKES SOME PREMEDITATION. 388 00:15:23,444 --> 00:15:25,707 JAMES GOT A CALL TO CHECK THIS U.R.L. 389 00:15:25,794 --> 00:15:28,188 IT'S STREAMING A LIVE FEED, BUT IT DOESN'T LOOK LIKE SHE'S AWARE OF THE CAMERA. 390 00:15:28,275 --> 00:15:29,580 Neal: SHE'S IN GOOD SPIRITS. 391 00:15:29,667 --> 00:15:31,321 SO MOST LIKELY SHE KNOWS HER KIDNAPPER. 392 00:15:31,408 --> 00:15:32,453 WHAT ARE THE DEMANDS? 393 00:15:32,540 --> 00:15:33,410 IT'S ON THE WEBSITE. 394 00:15:35,586 --> 00:15:37,327 A "DEMAND" TAB. LOOK AT THAT. 395 00:15:37,414 --> 00:15:38,981 WELCOME TO THE 21st CENTURY. 396 00:15:39,068 --> 00:15:40,417 GUY'S DEFINITELY TECH-SAVVY. 397 00:15:40,504 --> 00:15:42,158 THE SITE IS A LABYRINTH OF CLOUD DATA 398 00:15:42,245 --> 00:15:44,247 THAT THEY CAN'T TRACE BEYOND A FIREWALL IN THE UKRAINE. 399 00:15:44,334 --> 00:15:45,466 [ BEEP ] 400 00:15:45,553 --> 00:15:46,989 Diana: $6.4 MILLION. 401 00:15:47,076 --> 00:15:48,382 LET ME SEE JAMES' WILL. 402 00:15:52,429 --> 00:15:55,867 THAT'S THE EXACT AMOUNT ROLAND LEFT TO HIM IN CASH. 403 00:15:55,955 --> 00:15:56,956 KIDNAPPER'S SEEN THIS WILL. 404 00:15:58,392 --> 00:15:59,654 YEAH. 405 00:15:59,741 --> 00:16:01,525 THIS IS PERSONAL. 406 00:16:03,136 --> 00:16:05,790 ALMOST HALF OF ALL KIDNAPPINGS ARE BY A RELATIVE. 407 00:16:05,877 --> 00:16:08,880 LOOK, JAMES AND I MAY HAVE OUR DIFFERENCES, 408 00:16:08,968 --> 00:16:12,101 BUT NOBODY IN OUR FAMILY WOULD EVER DO ANYTHING TO HURT HER. 409 00:16:12,188 --> 00:16:14,886 HONESTLY, SAVANNAH'S THE ONLY REASON WE STILL EVEN SPEAK. 410 00:16:16,584 --> 00:16:19,500 BUT IF WE FIND THE REAL WILL, WE CAN PAY THE RANSOM. 411 00:16:19,587 --> 00:16:21,458 YOU SAID THIS IS A MAP?MM-HMM. 412 00:16:21,545 --> 00:16:23,069 ALL RIGHT. 413 00:16:23,156 --> 00:16:25,071 JAMES CAN STAY BACK AT THE HOUSE. I'M GONNA FOLLOW IT. 414 00:16:25,158 --> 00:16:26,986 UH, THE TRUTH IS, I ALREADY TOOK THE INITIATIVE 415 00:16:27,073 --> 00:16:28,857 AND WENT TO THE SUNDIAL.YOU WHAT? 416 00:16:28,944 --> 00:16:31,381 IT GAVE US THE LETTERS B.S.H. 417 00:16:31,468 --> 00:16:34,167 DO YOU KNOW WHAT THAT STANDS FOR? 418 00:16:34,254 --> 00:16:35,820 YEAH, THAT WAS DAD'S FAVORITE ACRONYM. 419 00:16:35,907 --> 00:16:37,387 IT MEANS "BIG SKY HUNTING." 420 00:16:37,474 --> 00:16:38,867 WHAT DOES THAT MEAN? 421 00:16:38,954 --> 00:16:40,608 IT MEANT HE WAS TAKING US TO THE PLANETARIUM, 422 00:16:40,695 --> 00:16:42,175 OR, AS HE WOULD PUT IT, 423 00:16:42,262 --> 00:16:44,003 THE ONLY PLACE TO SEE STARS IN MANHATTAN. 424 00:16:44,090 --> 00:16:45,961 THAT'S WHERE I'M GOING.Peter: NO. JOSH. 425 00:16:46,048 --> 00:16:47,615 THESE FIRST FEW HOURS ARE CRITICAL 426 00:16:47,702 --> 00:16:49,530 TO FIGURING OUT WHO TOOK SAVANNAH. 427 00:16:49,617 --> 00:16:52,881 THE BEST THING THAT YOU CAN DO IS TO WORK WITH YOUR BROTHER 428 00:16:52,968 --> 00:16:55,797 TO HELP US BUILD A SUSPECT PROFILE. 429 00:16:59,714 --> 00:17:02,630 ALL RIGHT, FINE, BUT I WANT TO KNOW WHERE THIS LEADS. 430 00:17:02,717 --> 00:17:04,284 WILL YOU FOLLOW THIS MAP FOR ME? 431 00:17:04,371 --> 00:17:06,329 SURE THING.PROMISE ME. 432 00:17:06,416 --> 00:17:08,462 WE'LL KEEP YOU POSTED EVERY STEP OF THE WAY. 433 00:17:10,072 --> 00:17:11,247 THANK YOU. 434 00:17:23,607 --> 00:17:26,088 Neal: WELL, THIS IS ONE WAY TO GET TO GO ON A TREASURE HUNT. 435 00:17:26,175 --> 00:17:28,090 Peter: I'M NOT WILD ABOUT JAMES PAYING RANSOM, 436 00:17:28,177 --> 00:17:30,310 BUT WE NEED HIM WORKING WITH US TO FIND HIS DAUGHTER. 437 00:17:30,397 --> 00:17:32,573 I WAS STARTING TO THINK YOU DIDN'T TRUST MOZZIE AND I 438 00:17:32,660 --> 00:17:34,314 TO GO AFTER THIS UNSUPERVISED.THAT TOO. 439 00:17:34,401 --> 00:17:36,664 [ INDISTINCT CONVERSATIONS ] 440 00:17:36,751 --> 00:17:38,405 OH. SPECIAL AGENT BURKE.Peter: MM. 441 00:17:38,492 --> 00:17:40,537 AH. UH, I'M FELIX. 442 00:17:40,624 --> 00:17:42,148 WELL, THIS IS THE FIRST TIME 443 00:17:42,235 --> 00:17:43,888 A G-MAN HAS COME TO THE PLANETARIUM 444 00:17:43,975 --> 00:17:45,194 ON OFFICIAL BUSINESS. 445 00:17:47,805 --> 00:17:50,808 UH, YOU HAD INQUIRED ABOUT NATHANIEL ROLAND. 446 00:17:50,895 --> 00:17:52,984 YES. WHEN WAS THE LAST TIME HE WAS HERE? 447 00:17:53,072 --> 00:17:54,160 2:00 P.M. ON DECEMBER 3rd. 448 00:17:56,075 --> 00:17:59,730 OH, IT WAS A VERY, UH, BIG DEAL WHEN MR. ROLAND POPPED BY. 449 00:17:59,817 --> 00:18:01,776 USUALLY MEANT SOMEONE WAS GETTING A NEW TELESCOPE. 450 00:18:03,038 --> 00:18:05,562 HUH. I KNOW HE SIGNED IN. 451 00:18:05,649 --> 00:18:06,563 MAY I? 452 00:18:06,650 --> 00:18:08,870 THANK YOU. 453 00:18:10,654 --> 00:18:13,092 HE DID SIGN IN, JUST NOT UNDER ROLAND. 454 00:18:13,179 --> 00:18:14,223 "TYCHO BRAHE." 455 00:18:14,310 --> 00:18:15,442 YEAH. LOOK AT THAT REMARK. 456 00:18:15,529 --> 00:18:17,661 "HAPPY BIRTHDAY TO ME"? 457 00:18:17,748 --> 00:18:19,924 DECEMBER 14, 1546. 458 00:18:20,011 --> 00:18:22,318 UH, TYCHO BRAHE. 459 00:18:22,405 --> 00:18:23,885 THAT'S HIS BIRTHDAY. 460 00:18:23,972 --> 00:18:27,497 FELIX, WOULD YOU MIND FIRING UP THE PROJECTOR? 461 00:18:27,584 --> 00:18:30,413 IT'S TIME TO GO BIG SKY HUNTING. 462 00:18:30,500 --> 00:18:32,328 [ WHIRRING ] 463 00:18:48,823 --> 00:18:50,477 Felix: THIS IS OUR SKY TODAY. 464 00:18:50,564 --> 00:18:54,089 NOW LET ME BRING YOU BACK TO TYCHO'S BIRTHDAY. 465 00:19:00,922 --> 00:19:03,664 AND HERE WE ARE IN 1592. 466 00:19:03,751 --> 00:19:06,275 Peter: WE KNOW THE TIME AND DATE TO LOOK AT THE STARS. 467 00:19:06,362 --> 00:19:10,584 NOW WE JUST NEED TO FIGURE OUT WHERE IN THE SKY. 468 00:19:10,671 --> 00:19:12,847 IN HIS WILL, ROLAND TALKS ABOUT BIG SKY HUNTING 469 00:19:12,934 --> 00:19:14,544 WITH HIS FAVORITE TWINS. 470 00:19:14,631 --> 00:19:16,590 JOSH AND JAMES AREN'T TWINS. 471 00:19:16,677 --> 00:19:18,809 NO. THEY'RE A YEAR APART. 472 00:19:18,896 --> 00:19:21,247 MAYBE HE WAS TALKING ABOUT THE TWINS IN THE SKY. 473 00:19:21,334 --> 00:19:24,163 FELIX, WHERE ARE THE GEMINI TWINS? 474 00:19:30,081 --> 00:19:31,518 I ONLY SEE ONE BROTHER. 475 00:19:31,605 --> 00:19:33,215 WELL, THEY'RE SPLIT ON THE HORIZON -- 476 00:19:33,302 --> 00:19:34,695 ONE ABOVE, ONE BELOW. 477 00:19:34,782 --> 00:19:38,002 TYCHO HAD A TWIN WHO DIED SHORTLY AFTER HE WAS BORN. 478 00:19:38,089 --> 00:19:40,962 INTERESTINGLY, BRAHE WROTE A LETTER TO HIS DECEASED TWIN 479 00:19:41,049 --> 00:19:42,833 IN HIS FIRST PUBLISHED WORK. 480 00:19:42,920 --> 00:19:45,009 THAT'S GOT TO BE IT. 481 00:19:45,096 --> 00:19:46,446 DO YOU KNOW WHAT WAS IN THE LETTER? 482 00:19:46,533 --> 00:19:47,621 NO. 483 00:19:48,883 --> 00:19:50,493 UH, BUT I CAN SHOW IT TO YOU. 484 00:19:50,580 --> 00:19:54,671 WE HAVE THE FIRST PRINTED COPY OF BRAHE'S COLLECTED WORKS. 485 00:19:54,758 --> 00:19:56,978 IT'S ON DISPLAY IN THE NORTH GALLERY. 486 00:19:57,065 --> 00:20:00,024 LET ME GUESS -- A GENEROUS DONATION FROM...NATHANIEL ROLAND? 487 00:20:00,111 --> 00:20:02,157 PRECISELY. 488 00:20:06,335 --> 00:20:09,338 TYCHO BRAHE'S ORIGINAL NOTES ON "DE NOVA STELLA." 489 00:20:09,425 --> 00:20:12,994 THE LETTER HE WROTE TO HIS BROTHER IS ON PAGE 273. 490 00:20:17,172 --> 00:20:19,043 WOULD YOU MIND TURNING TO THAT PAGE? 491 00:20:19,130 --> 00:20:21,089 WELL, THAT WOULD BE IMPOSSIBLE. 492 00:20:21,176 --> 00:20:22,656 MR. ROLAND LEFT THE BOOK 493 00:20:22,743 --> 00:20:24,397 WITH VERY SPECIFIC INSTRUCTION. 494 00:20:24,484 --> 00:20:25,789 OF COURSE HE DID. 495 00:20:25,876 --> 00:20:28,401 AH. 496 00:20:28,488 --> 00:20:30,316 "THE MECHANICAL ARM TURNS ONE PAGE EVERY HOUR 497 00:20:30,403 --> 00:20:31,665 "UNTIL IT REACHES THE END. 498 00:20:31,752 --> 00:20:33,449 THEN THE PROCESS REVERSES." 499 00:20:33,536 --> 00:20:35,321 Felix: THIS IS HALF-INCH GLASS. 500 00:20:35,408 --> 00:20:36,974 PRESSURE, TEMPERATURE, AND HUMIDITY ARE CONTROLLED 501 00:20:37,061 --> 00:20:38,324 TO PRESERVE THE PAPER. 502 00:20:38,411 --> 00:20:40,456 IT CANNOT BE TAMPERED WITH IN ANY WAY. 503 00:20:40,543 --> 00:20:42,284 LISTEN TO ME, FELIX. 504 00:20:42,371 --> 00:20:44,982 THIS BOOK MAY HAVE IMPLICATIONS IN A KIDNAPPING. 505 00:20:45,069 --> 00:20:46,636 OH. 506 00:20:46,723 --> 00:20:48,595 OH, I'M SORRY TO HEAR THAT, BUT... 507 00:20:48,682 --> 00:20:50,249 BUT YOU DON'T UNDERSTAND. 508 00:20:50,336 --> 00:20:54,209 I WISH I COULD HELP YOU, BUT MY HANDS ARE TIED. 509 00:20:54,296 --> 00:20:56,342 [ WHIRRING ] 510 00:20:56,429 --> 00:20:58,605 YOU COULD COME BACK IN A FEW DAYS. 511 00:21:01,303 --> 00:21:03,044 Peter: RIGHT. OKAY. THANKS, DIANA. 512 00:21:03,131 --> 00:21:04,654 Neal: WHAT'S GOING ON? 513 00:21:04,741 --> 00:21:05,916 SHE'S GOT A SOLID LEAD. 514 00:21:06,003 --> 00:21:07,570 I'M MEETING HER BACK AT THE BUREAU. 515 00:21:07,657 --> 00:21:10,530 WHAT ABOUT THE BOOK? WE TOLD JAMES WE'D SEE THIS THROUGH. 516 00:21:10,617 --> 00:21:13,707 I SAID I'MMEETING HER BACK AT THE FBI, NOT YOU. 517 00:21:13,794 --> 00:21:16,057 ARE YOU SAYING YOU TRUST ME ENOUGH TO CONTINUE WITHOUT YOU? 518 00:21:16,144 --> 00:21:17,928 NEAL, WE GOT TO GET SAVANNAH BACK. 519 00:21:18,015 --> 00:21:21,541 WITH THAT, I TRUST YOU COMPLETELY. 520 00:21:27,590 --> 00:21:30,811 Mozzie: WE JUST NEED TO FLIP A FEW PAGES OF A BOOK. 521 00:21:30,898 --> 00:21:33,944 THAT SOUNDS SIMPLE ENOUGH. SEEMS COMPLETELY POSSIBLE. 522 00:21:34,031 --> 00:21:35,859 YET IF I'M READING THIS CORRECTLY... 523 00:21:35,946 --> 00:21:37,339 IT'S COMPLETELY IMPOSSIBLE. 524 00:21:37,426 --> 00:21:38,732 THIS IS A CENTURIES-OLD BOOK 525 00:21:38,819 --> 00:21:40,386 WRITTEN TO A MAN'S DEAD TWIN BROTHER, 526 00:21:40,473 --> 00:21:41,996 DONATED BY AN EQUALLY ECCENTRIC, 527 00:21:42,083 --> 00:21:43,911 RECENTLY DECEASED MODERN-DAY HOWARD HUGHES 528 00:21:43,998 --> 00:21:45,652 AS PART OF A POSTHUMOUS TREASURE HUNT. 529 00:21:45,739 --> 00:21:47,393 THERE'S NOTHING SIMPLE ABOUT THIS ONE. 530 00:21:47,480 --> 00:21:50,657 HOW ABOUT... A CANNONBALL? 531 00:21:50,744 --> 00:21:52,093 NO. THAT'S TOO MANY PEOPLE. 532 00:21:52,180 --> 00:21:53,790 THIS PLACE IS NEARLY EMPTY DURING THE DAY. 533 00:21:53,877 --> 00:21:55,139 THEY ONLY HAVE TWO EMPLOYEES. 534 00:21:56,445 --> 00:21:58,186 WE COULD DO THE LAZY SUSAN. 535 00:21:58,273 --> 00:21:59,666 I LIKE WHAT YOU'RE THINKING, 536 00:21:59,753 --> 00:22:01,885 BUT I DON'T WANT THE SPRINKLER SYSTEM RUNNING, 537 00:22:01,972 --> 00:22:04,801 NOT WHEN WE MIGHT HAVE TO EXPOSE THE MANUSCRIPT. 538 00:22:04,888 --> 00:22:08,936 THIS USES AN EAGLE-ONE ALARM SYSTEM. 539 00:22:10,677 --> 00:22:13,419 SO DOES THE REST OF THE PLANETARIUM. 540 00:22:13,506 --> 00:22:15,464 THAT MEANS THERE'S A SINGLE ACCESS CODE 541 00:22:15,551 --> 00:22:18,162 FOR EVERY KEYPAD IN THE WHOLE PLACE. 542 00:22:18,249 --> 00:22:19,425 BLIND MAN'S BLUFF. 543 00:22:19,512 --> 00:22:21,688 THAT COULD WORK. 544 00:22:21,775 --> 00:22:22,689 WE'RE GONNA NEED A DOG. 545 00:22:22,776 --> 00:22:24,081 [ KNOCK ON DOOR ] 546 00:22:24,168 --> 00:22:27,476 SATCHMO, DON'T WORRY. I'VE GOT THE DOOR. 547 00:22:27,563 --> 00:22:29,739 YOU JUST STAY RIGHT THERE. [ CHUCKLES ] 548 00:22:29,826 --> 00:22:32,481 MOZZIE. NEAL. UM... 549 00:22:32,568 --> 00:22:34,091 WHAT ARE YOU GUYS DOING HERE? 550 00:22:34,178 --> 00:22:35,919 IS SATCHMO FREE THIS AFTERNOON? 551 00:22:47,017 --> 00:22:49,063 Diana: WE'VE ZEROED IN ON A MAN NAMED BRETT GELLES. 552 00:22:49,150 --> 00:22:51,500 HE COMES BY EVERY YEAR TO UPDATE ROLAND'S SECURITY SYSTEM. 553 00:22:51,587 --> 00:22:53,850 TECH-SAVVY, HAS A RELATIONSHIP WITH SAVANNAH. 554 00:22:53,937 --> 00:22:55,243 TELLS HER HE'S THE GUY WHO KEEPS HER SAFE. 555 00:22:55,330 --> 00:22:56,331 Jones: WE DID A FINANCIAL WORK-UP. 556 00:22:56,418 --> 00:22:57,767 HIS BUSINESS IS ALL DRIED UP. 557 00:22:57,854 --> 00:22:59,378 Peter: SERIOUS CREDIT PROBLEMS. 558 00:22:59,465 --> 00:23:01,292 HAVE WE LOCATED HIM?HE'S NOT AT HOME. 559 00:23:01,380 --> 00:23:03,207 WE HAVE A TEAM SEARCHING HIS PLACE NOW. NO SIGN OF ANYTHING. 560 00:23:03,294 --> 00:23:04,600 THAT'S NOT HIS HOME. 561 00:23:04,687 --> 00:23:06,385 HE DOESN'T HAVE AN OFFICE. 562 00:23:06,472 --> 00:23:07,908 WHERE IS HE KEEPING HER? 563 00:23:07,995 --> 00:23:09,431 SOMEWHERE SHE FEELS COMFORTABLE. 564 00:23:09,518 --> 00:23:11,433 AND HE FEELS SECURE ENOUGH TO LEAVE HER ALONE. 565 00:23:11,520 --> 00:23:12,434 WHAT ABOUT A HOTEL? 566 00:23:12,521 --> 00:23:15,829 NO. TOO CONSPICUOUS. 567 00:23:15,916 --> 00:23:18,962 GET ME A LIST OF ALL THE PLACES HE'S DONE SECURITY ON. 568 00:23:19,049 --> 00:23:21,356 AH, YOU THINK HE'S CAMPING OUT AT ONE OF HIS CLIENTS' HOMES. 569 00:23:21,443 --> 00:23:24,620 FIND OUT IF ANY OF THEM ARE OUT OF TOWN. 570 00:23:24,707 --> 00:23:27,754 [ BEEPING ] 571 00:23:27,841 --> 00:23:29,843 [ INDISTINCT CONVERSATIONS ] 572 00:23:59,263 --> 00:24:00,569 YOU'RE ON.[ SATCHMO WHIMPERS ] 573 00:24:02,092 --> 00:24:03,703 HOO-AH! 574 00:24:08,925 --> 00:24:11,058 LADIES AND GENTLEMEN, UNFORTUNATELY, 575 00:24:11,145 --> 00:24:13,974 THE TYCHO BRAHE EXHIBIT'S GONNA BE CLOSED FOR THE REST OF THE AFTERNOON. 576 00:24:14,061 --> 00:24:17,020 WE APOLOGIZE FOR ANY INCONVENIENCE THIS MAY CAUSE YOU. 577 00:24:17,107 --> 00:24:19,849 UH, IF YOU'D LIKE, OUR NEXT SCREENING OF "ACROSS THE GALAXY" 578 00:24:19,936 --> 00:24:21,634 STARTS IN OUR THEATER IN FIVE MINUTES. 579 00:24:21,721 --> 00:24:23,505 YOU DON'T WANT TO MISS IT. THANK YOU SO MUCH. 580 00:24:23,592 --> 00:24:26,160 [ INDISTINCT CONVERSATIONS ] 581 00:24:32,209 --> 00:24:35,561 I LIKE THE IDEAOF STARS. 582 00:24:40,566 --> 00:24:41,828 [ DOOR OPENS ] 583 00:24:41,915 --> 00:24:43,960 GO, SATCHMO. GO. 584 00:24:45,875 --> 00:24:48,443 HELP! I-I-I LOST MY GUIDE DOG! 585 00:24:48,530 --> 00:24:50,793 HELP --UH, HE'S IN MY OFFICE. 586 00:24:50,880 --> 00:24:52,316 HAS ANYONE SEEN -- I LOST MY DOG. 587 00:24:52,403 --> 00:24:54,144 SIR, HE'S IN MY OFFICE. 588 00:24:54,231 --> 00:24:55,232 WHO ARE YOU? 589 00:24:55,319 --> 00:24:56,886 I'M FELIX, THE DOCENT. 590 00:24:56,973 --> 00:24:58,671 I'M SO SORRY, FELIX. 591 00:24:58,758 --> 00:25:00,368 I-I DON'T KNOW WHAT'S GOTTEN INTO HIM. 592 00:25:00,455 --> 00:25:01,587 THESE THINGS HAPPEN. 593 00:25:01,674 --> 00:25:02,631 YES, THEY CERTAINLY DO. 594 00:25:02,718 --> 00:25:04,111 IT'S RIGHT HERE. 595 00:25:04,198 --> 00:25:05,808 [ BEEP ] 596 00:25:11,640 --> 00:25:12,772 [ DOOR OPENS ]COME IN. 597 00:25:19,082 --> 00:25:20,344 [ CELL PHONE VIBRATES, BEEPS ] 598 00:25:28,439 --> 00:25:30,311 ALL RIGHT. 599 00:25:38,580 --> 00:25:41,017 [ BEEPING ] 600 00:25:50,723 --> 00:25:52,638 [ ELECTRICITY CRACKLES ] 601 00:25:54,291 --> 00:25:56,467 [ WHIRRING ] 602 00:25:59,645 --> 00:26:01,385 WHAT DO WE HAVE? 603 00:26:01,472 --> 00:26:04,084 WE HAVE GELLES HAVING INSTALLED 22 HOME-SECURITY SYSTEMS. 604 00:26:04,171 --> 00:26:05,825 FOUR OF THOSE HOMEOWNERS ARE ON VACATION. 605 00:26:05,912 --> 00:26:07,087 SHOULD WE MOVE IN ON THEM? 606 00:26:07,174 --> 00:26:08,828 VERY CAREFULLY. 607 00:26:08,915 --> 00:26:10,699 SEND A TEAM TO SIT ON THESE PLACES. 608 00:26:10,786 --> 00:26:12,179 LOOK, HE'S NOT HURTING HER, 609 00:26:12,266 --> 00:26:14,616 SO I DON'T WANT A FORCE THIS INTO A HOSTAGE SITUATION. 610 00:26:14,703 --> 00:26:16,662 BUT LET ME KNOW IF THERE'S SO MUCH AS A FLICKER INSIDE. 611 00:26:18,359 --> 00:26:20,666 SATCHMO, GO SIT. 612 00:26:20,753 --> 00:26:22,189 SIT. GOOD BOY. 613 00:26:22,276 --> 00:26:25,061 SO, D.C. ART CRIMES -- ANY NEW INFO? 614 00:26:25,148 --> 00:26:26,759 THAT ROOKIE AGENT'S IN TOWN TILL TOMORROW. 615 00:26:26,846 --> 00:26:28,238 SHE DOESN'T KNOW WHO I AM. 616 00:26:28,325 --> 00:26:30,371 [ GASPS ] THE OLD TRAVELING SALESMAN. 617 00:26:30,458 --> 00:26:32,373 YEAH. GOOD IDEA.[ WHIRRING ] 618 00:26:32,460 --> 00:26:34,723 ALL RIGHT. HOW WE LOOKING UP THERE? 619 00:26:34,810 --> 00:26:36,769 [ WHIRRING ] 620 00:26:36,856 --> 00:26:38,597 Mozzie: YOU MISSED IT. 621 00:26:38,684 --> 00:26:40,642 WE NEED PAGE 273. 622 00:26:40,729 --> 00:26:42,688 YEAH. I KNOW. IT'S THE FIRST TIME IT SKIPPED. 623 00:26:42,775 --> 00:26:44,298 CAN YOU MAKE IT REVERSE?HOLD ON. 624 00:26:44,385 --> 00:26:47,040 [ WHIRRING ] 625 00:26:47,127 --> 00:26:49,042 OKAY, SERIOUSLY? 626 00:26:49,129 --> 00:26:50,521 WHAT, YOU WANT TO COME DOWN AND GIVE IT A GO, BOB VILA? 627 00:26:50,609 --> 00:26:51,610 [ CELL PHONE RINGS ]BRING IT. 628 00:26:51,697 --> 00:26:53,220 OH, GOOD NEWS. WHAT? 629 00:26:53,307 --> 00:26:55,135 UH, I'M GONNA FENCE THE DEGAS TONIGHT. 630 00:26:55,222 --> 00:26:56,702 YEAH. THAT'S GREAT NEWS, MOZ. 631 00:26:56,789 --> 00:26:58,138 BUT CAN WE HANDLE THE BOOK, PLEASE? WE DON'T HAVE TIME. 632 00:26:58,225 --> 00:26:59,487 OH. 633 00:26:59,574 --> 00:27:01,184 YEAH.WE NEED TO CUT A HOLE. 634 00:27:01,271 --> 00:27:02,795 YEAH. 635 00:27:02,882 --> 00:27:05,406 JUST BIG ENOUGH FOR THE POINTER TO TURN THE PAGE. 636 00:27:05,493 --> 00:27:06,886 AND WE CAN SEAL IT WITH A POLYMER FILAMENT. 637 00:27:08,583 --> 00:27:10,585 PLEASE TELL ME YOU BROUGHT A POLYMER FILAMENT. 638 00:27:11,717 --> 00:27:12,587 MY FAVORITE BRAND. 639 00:27:14,894 --> 00:27:16,983 ARE YOU READY? YEP. 640 00:27:17,070 --> 00:27:18,680 IF THIS DOESN'T WORK, WE BLAME THE DOG. 641 00:27:18,767 --> 00:27:19,986 [ SATCHMO WHINES ] 642 00:27:20,073 --> 00:27:22,205 [ TOOL WHIRRING ] 643 00:27:31,780 --> 00:27:34,130 [ AIR HISSING ] 644 00:27:44,619 --> 00:27:45,881 [ EXHALES SHARPLY ] 645 00:27:49,842 --> 00:27:51,278 [ SATCHMO WHINES ]BAD DOG! 646 00:28:02,898 --> 00:28:04,595 NEAL, SOMEHOW YOU MANAGED TO MAKE MY DOG 647 00:28:04,683 --> 00:28:06,249 AN ACCOMPLICE TO ROBBERY. 648 00:28:06,336 --> 00:28:07,598 [ SATCHMO WHIMPERS ] 649 00:28:07,686 --> 00:28:09,339 ELIZABETH SAID I'D BEAR THE BRUNT OF THIS. 650 00:28:09,426 --> 00:28:11,298 YOU KNOW, I GIVE YOU AN INCH, AND -- 651 00:28:11,385 --> 00:28:12,734 NOW IT'S LIGHT READING. 652 00:28:12,821 --> 00:28:14,214 TOO SOON. 653 00:28:14,301 --> 00:28:16,651 THE PLANETARIUM INTENDS TO PROSECUTE. 654 00:28:16,738 --> 00:28:18,827 THIS BOOK IS A FORGERY. 655 00:28:18,914 --> 00:28:20,394 BRAHE LIVED ON AN ISLAND. 656 00:28:20,481 --> 00:28:22,788 HE RAN HIS OWN PAPER MILL, PRIMARILY FROM TULIP-TREE STOCK, 657 00:28:22,875 --> 00:28:24,441 WHICH HAS A VERY LOW ACETIC CONTENT. 658 00:28:24,528 --> 00:28:26,052 LOOK, THE REAL MANUSCRIPT COULD BE LEFT 659 00:28:26,139 --> 00:28:28,489 IN A TURKISH BATHHOUSE WITHOUT RISK OF HARM. 660 00:28:28,576 --> 00:28:31,100 THE ONE FROM THE PLANETARIUM TURNED INTO A SHRINKY DINK THE SECOND IT HIT THE AIR. 661 00:28:31,187 --> 00:28:33,276 SO ROLAND INTENDEDFOR YOU TO DESTROY THIS BOOK. 662 00:28:33,363 --> 00:28:34,495 YES. 663 00:28:34,582 --> 00:28:36,062 WHEW. 664 00:28:36,149 --> 00:28:37,846 WHAT? THESE SYMBOLS. 665 00:28:37,933 --> 00:28:40,283 I'VE SEEN THEM BEFORE -- ON SAVANNAH'S ANKLET... 666 00:28:40,370 --> 00:28:42,895 WHICH WAS GIVEN TO HER BY HER GRANDFATHER. 667 00:28:42,982 --> 00:28:44,070 SO SAVANNAH'S THE NEXT CLUE. MM-HMM. 668 00:28:44,157 --> 00:28:45,898 IS IT TOO SOON TO SAY "I TOLD YOU SO"? 669 00:28:45,985 --> 00:28:47,421 YES. ALL RIGHT.[ KNOCK ON DOOR ] 670 00:28:47,508 --> 00:28:49,466 CON ED IS REPORTING AN INCREASE IN POWER USAGE 671 00:28:49,553 --> 00:28:51,077 AT THE HOME ON 68th. 672 00:28:51,164 --> 00:28:52,818 OKAY. I'M GOING TO 68th. 673 00:28:52,905 --> 00:28:54,645 DIANA, I WANT YOU TO RUN POINT HERE. 674 00:28:54,733 --> 00:28:56,865 JONES, YOU STAY WITH JAMES AND JOSH AT COMMAND CENTER. 675 00:28:56,952 --> 00:29:01,391 GELLES HAS TO MAKE CONTACT SOON SO WE CAN SET UP THE DROP. 676 00:29:01,478 --> 00:29:03,698 IF HE'S IN THE HOUSE WITH HER, THIS COULD GET UGLY. 677 00:29:03,785 --> 00:29:05,569 WHAT IF I COULD LURE HIM OUT OF THE HOUSE? 678 00:29:05,656 --> 00:29:07,876 HOW? TELL HIM JAMES DOESN'T HAVE THE MONEY. 679 00:29:07,963 --> 00:29:09,399 IT'S ALL TIED UP IN THE TREASURE HUNT. 680 00:29:09,486 --> 00:29:11,575 THE ONLY WAY HE GETS HIS RANSOM 681 00:29:11,662 --> 00:29:13,447 IS TO GIVE US SAVANNAH'S ANKLET. 682 00:29:13,534 --> 00:29:15,057 GIVE ME TWO MINUTES ON THE PHONE WITH HIM. 683 00:29:15,144 --> 00:29:17,146 OKAY. LET'S DO IT. 684 00:29:17,233 --> 00:29:18,234 ALL RIGHT. 685 00:29:23,283 --> 00:29:24,458 [ TELEPHONE RINGING ] 686 00:29:24,545 --> 00:29:26,373 [ BEEPING ] 687 00:29:30,420 --> 00:29:32,205 [ SIGHS ] 688 00:29:32,292 --> 00:29:35,251 [ BEEP ] 689 00:29:35,338 --> 00:29:36,775 Neal: HELLO?GELLES: Put James on. 690 00:29:36,862 --> 00:29:38,167 NO. 691 00:29:38,254 --> 00:29:40,691 Damn it. I said no cops. 692 00:29:40,779 --> 00:29:43,433 I AM THE FARTHEST THING FROM A COP THAT YOU CAN IMAGINE. 693 00:29:43,520 --> 00:29:46,045 I'M JAMES ROLAND'S IN-HOUSE COUNCIL. 694 00:29:46,132 --> 00:29:48,003 I'M HERE TO ENSURE THAT EVERYONE GETS WHAT THEY WANT. 695 00:29:50,092 --> 00:29:51,528 I'M LISTENING. 696 00:29:51,615 --> 00:29:53,704 SAVANNAH WAS WEARING AN ANKLE BRACELET. 697 00:29:53,792 --> 00:29:56,185 IT'S THE KEY TO UNLOCKING MR. ROLAND'S FORTUNE. 698 00:29:56,272 --> 00:29:58,013 WHAT ARE YOU TALKING ABOUT? 699 00:29:58,100 --> 00:30:01,060 WELL, MR. ROLAND LEFT BEHIND A RATHER UNORTHODOX WILL. 700 00:30:01,147 --> 00:30:02,713 IT'S A GAME, AND NOW WE ALL HAVE TO PLAY ALONG. 701 00:30:04,324 --> 00:30:06,239 I'M NOT BRINGING SAVANNAH TO YOU. 702 00:30:08,110 --> 00:30:09,329 THEN JUST THE BRACELET. 703 00:30:09,416 --> 00:30:12,462 What, y-you think I'm an idiot? 704 00:30:12,549 --> 00:30:14,377 COME ON, BRETT. 705 00:30:14,464 --> 00:30:17,641 We know who you are. 706 00:30:17,728 --> 00:30:18,991 AND WE KNOW FROM YOUR VIDEO FEED 707 00:30:19,078 --> 00:30:20,557 THAT YOU DON'T WANT TO HURT SAVANNAH. 708 00:30:20,644 --> 00:30:24,300 The brothers just want to settle this quickly and quietly. 709 00:30:24,387 --> 00:30:26,085 YOU KNOW HOW ECCENTRIC ROLAND WAS. 710 00:30:26,172 --> 00:30:27,956 Bring us her anklet, and you'll get your money. 711 00:30:28,043 --> 00:30:29,566 [ BEEP ] 712 00:30:29,653 --> 00:30:31,481 [ Dial tone ] 713 00:30:31,568 --> 00:30:32,743 [ BEEP ] [ SIGHS ] 714 00:30:32,831 --> 00:30:35,268 HE HUNG UP? WHAT DOES THAT MEAN? 715 00:30:35,355 --> 00:30:36,791 WE CAUGHT HIM OFF GUARD, ALL RIGHT? 716 00:30:36,878 --> 00:30:38,227 HE JUST NEEDS TO FORMULATE A NEW PLAN. 717 00:30:38,314 --> 00:30:39,925 [ BEEPING ] 718 00:30:41,796 --> 00:30:44,668 [ BEEPING RAPIDLY ] 719 00:30:44,755 --> 00:30:45,974 THE CLOCK JUST WENT TO ZERO. 720 00:30:46,061 --> 00:30:47,933 OHH! DAMN IT! 721 00:30:48,020 --> 00:30:50,283 [ JAMES EXHALES SHARPLY ] 722 00:30:53,242 --> 00:30:55,114 [ BREATHING SHARPLY ] 723 00:31:11,304 --> 00:31:13,262 PETER, DID YOU HEAR THE CALL? 724 00:31:13,349 --> 00:31:15,308 COPY. NO MOVEMENT AT TARGET ONE. 725 00:31:17,397 --> 00:31:19,921 TEAM THREE? 726 00:31:20,008 --> 00:31:22,184 Diana: PETER, HE MAY NOT BE AT ANY OF THESE LOCATIONS. 727 00:31:22,271 --> 00:31:24,186 CON ED GOT BACK TO US. THE POWER BLIP BEFORE 728 00:31:24,273 --> 00:31:25,971 WAS CAUSED BY THE AIR-CONDITIONING UNIT. 729 00:31:26,058 --> 00:31:27,363 NOBODY'S IN THAT HOME. 730 00:31:27,450 --> 00:31:29,191 You're definitely in the wrong place. 731 00:31:29,278 --> 00:31:33,326 OKAY. I WANT YOU TO RECHECK EVERY INCH OF GELLES' HOME. 732 00:31:33,413 --> 00:31:36,242 I WANT PHONE RECORDS, RECEIPTS, ANYTHING THAT TELLS US 733 00:31:36,329 --> 00:31:37,808 WHERE HE'S BEEN IN THE LAST COUPLE MONTHS. 734 00:31:37,896 --> 00:31:38,897 Copy that. 735 00:31:40,246 --> 00:31:42,030 WHERE ARE YOU, GELLES? 736 00:31:42,117 --> 00:31:44,598 [ INDISTINCT CONVERSATIONS ] 737 00:31:59,134 --> 00:32:00,788 GELLES? 738 00:32:00,875 --> 00:32:03,095 YOU KNOW WHO I AM. WHAT'S THE POINT IN HIDING? 739 00:32:03,182 --> 00:32:05,140 [ INDISTINCT SHOUTING ] 740 00:32:05,227 --> 00:32:06,533 Jones: EASY! EASY! EASY. 741 00:32:07,882 --> 00:32:10,276 DADDY, WHERE ARE YOU? 742 00:32:10,363 --> 00:32:11,886 [ GRUNTS ] UNCLE JOSH? 743 00:32:11,973 --> 00:32:14,671 HELP ME!SEE? 744 00:32:14,758 --> 00:32:16,064 NOW, ANYTHING HAPPENS TO ME, 745 00:32:16,151 --> 00:32:19,285 ANYBODY FOLLOWS ME WHEN I LEAVE, 746 00:32:19,372 --> 00:32:20,982 AND YOU CAN ALL SIT AROUND AND WATCH HER DIE. 747 00:32:21,069 --> 00:32:23,332 I'M THE ONLY ONE THAT KNOWS WHERE SHE IS, 748 00:32:23,419 --> 00:32:25,508 AND I'M NOT TELLING TILL I GET MY MONEY. 749 00:32:25,595 --> 00:32:28,642 FBI AGENTS -- OUT. NOW. 750 00:32:28,729 --> 00:32:31,950 NOW! GO. 751 00:32:34,082 --> 00:32:35,649 LET'S CLEAR OUT. 752 00:32:35,736 --> 00:32:37,564 LET'S GO! 753 00:32:44,179 --> 00:32:45,789 I STAY. 754 00:32:45,876 --> 00:32:47,226 GUY ON THE PHONE. 755 00:32:47,313 --> 00:32:48,183 I AM. 756 00:32:49,358 --> 00:32:51,273 HERE. 757 00:32:51,360 --> 00:32:53,058 FIND MY MONEY. 758 00:32:57,888 --> 00:32:59,325 ALL RIGHT, WE CAN DO THIS. 759 00:32:59,412 --> 00:33:01,501 JUST LIKE ONE OF DAD'S STUPID SCAVENGER HUNTS 760 00:33:01,588 --> 00:33:03,198 WHEN WE WERE 10. 761 00:33:03,285 --> 00:33:04,939 BETWEEN THE SUN AND MOON, THERE -- THERE'S A BICYCLE, 762 00:33:05,026 --> 00:33:06,854 A TENNIS RACKET, AND A CAMERA. 763 00:33:06,941 --> 00:33:07,942 DOES THAT MEAN ANYTHING TO YOU? 764 00:33:08,029 --> 00:33:11,598 CHRISTMAS WHEN I WAS 10. 765 00:33:11,685 --> 00:33:14,035 YEAH. YOU GOT A BIKE. 766 00:33:14,122 --> 00:33:15,863 AND YOU GOT A TENNIS RACKET. 767 00:33:15,950 --> 00:33:19,519 WHO GOT THE CAMERA?Josh: NOBODY. 768 00:33:19,606 --> 00:33:22,000 NO. DAD DID, AND HE TOOK A PICTURE OF THE THREE OF US. 769 00:33:22,087 --> 00:33:23,044 WHERE IS IT? 770 00:33:23,131 --> 00:33:24,611 PROBABLY SOMEWHERE IN THE HOUSE. 771 00:33:24,698 --> 00:33:26,134 FIND IT. 772 00:33:35,187 --> 00:33:36,753 YOU ALL PACKED UP AND READY TO GO? 773 00:33:36,840 --> 00:33:40,409 I'LL LEAVE WHEN I'M READY. 774 00:33:40,496 --> 00:33:42,237 YOU CAN'T TOUCH ME. 775 00:33:42,324 --> 00:33:45,501 OH, YEAH, I'M SURE YOU'VE GOT IT ALL UNDER CONTROL. 776 00:33:45,588 --> 00:33:47,634 WHAT COULD POSSIBLY GO WRONG? 777 00:33:47,721 --> 00:33:49,853 THE OLD MAN FORGED THE WILLS. 778 00:33:49,940 --> 00:33:51,507 WE HAVE NO IDEA WHERE THE REAL ONES ARE 779 00:33:51,594 --> 00:33:52,987 OR HOW MUCH HE EVEN LEFT THESE GUYS. 780 00:33:53,074 --> 00:33:56,121 OH. COME ON. HE LEFT THEM PLENTY. 781 00:33:57,948 --> 00:34:00,342 I KNEW HIM. 782 00:34:00,429 --> 00:34:02,040 THEN HOW COULD YOU DO THIS TO HIS FAMILY? 783 00:34:04,042 --> 00:34:08,350 I CAME TO HIM A YEAR AGO. 784 00:34:08,437 --> 00:34:11,223 I TOLD HIM, "I HAVE MONEY PROBLEMS... 785 00:34:11,310 --> 00:34:12,789 AND I NEED HELP." 786 00:34:12,876 --> 00:34:14,835 AND YOU KNOW WHAT HE SAID TO ME? 787 00:34:14,922 --> 00:34:16,228 HE SAID... 788 00:34:16,315 --> 00:34:20,058 "MAKE A PLAN. SEE IT THROUGH." 789 00:34:20,145 --> 00:34:22,582 "MAKE A PLAN. SEE IT THROUGH." 790 00:34:22,669 --> 00:34:24,671 ADVICE TAKEN. 791 00:34:27,848 --> 00:34:29,893 THE CRIME ISN'T THE HARD PART. 792 00:34:31,286 --> 00:34:33,027 HARD PART'S GETTING AWAY WITH IT. 793 00:34:35,247 --> 00:34:37,118 YOU SEE, YOU NEVER KNOW 794 00:34:37,205 --> 00:34:40,643 HOW AN INVESTIGATION IS GONNA GO... 795 00:34:40,730 --> 00:34:44,778 OR WHAT LITTLE CLUES YOU MIGHT ACCIDENTALLY LEAVE BEHIND. 796 00:34:44,865 --> 00:34:47,520 I HOPE YOU'VE LEARNED TO SLEEP WITH ONE EYE OPEN. 797 00:34:51,089 --> 00:34:53,265 Diana: BINGO! 798 00:34:53,352 --> 00:34:55,354 1014 WELLESLEY. 799 00:34:55,441 --> 00:34:57,573 His bank sent us a check he cashed for an off-the-books job. 800 00:34:57,660 --> 00:34:59,880 WHO LIVES THERE?Nobody. 801 00:34:59,967 --> 00:35:01,403 IT'S BEEN ON THE MARKET FOR OVER A MONTH. 802 00:35:01,490 --> 00:35:03,623 I'LL BE THERE IN FIVE. GET ME SOME BACKUP. 803 00:35:03,710 --> 00:35:05,712 You got it.YOU NEED TO HURRY, PETER. 804 00:35:05,799 --> 00:35:07,192 NEAL'S STILL IN THERE WITH GELLES. 805 00:35:13,328 --> 00:35:14,982 I THOUGHT THE PHOTO WAS OF THE TWO OF YOU. 806 00:35:15,069 --> 00:35:17,767 IT WAS. MY FATHER CUT IT IN HALF. 807 00:35:17,854 --> 00:35:19,160 WHERE'S THE PART WITH YOUR BROTHER? 808 00:35:19,247 --> 00:35:20,944 Josh: HERE. 809 00:35:22,511 --> 00:35:24,948 DO YOU SEE ANYTHING IN THESE PICTURES? 810 00:35:25,035 --> 00:35:26,428 Josh: NO. James: NO. 811 00:35:26,515 --> 00:35:28,430 ALL RIGHT. NOTHING BEHIND THEM. NOTHING ON THE BACK? 812 00:35:30,824 --> 00:35:32,042 Man: MOVE! MOVE! 813 00:35:32,130 --> 00:35:33,914 SAVANNAH, DO YOU HEAR US? 814 00:35:36,134 --> 00:35:39,093 THEY'RE IN THE SAME PLACE EXACTLY OPPOSITE EACH OTHER. 815 00:35:39,180 --> 00:35:41,182 WHAT WAS THE LAST LINE OF THE WILL? IT'S THE SAME IN BOTH. 816 00:35:41,269 --> 00:35:43,184 Josh: SOMETHING LIKE, "WHEN IT'S ALL SAID AND DONE, 817 00:35:43,271 --> 00:35:44,577 THERE SHOULDN'T BE ANYTHING BETWEEN YOU." 818 00:35:44,664 --> 00:35:46,144 "IN THE END, THERE SHOULD BE NOTHING BETWEEN YOU." 819 00:35:46,231 --> 00:35:47,580 "WHICH IS EVERYTHING." 820 00:35:47,667 --> 00:35:49,843 Man: RIGHT HERE. 821 00:35:49,930 --> 00:35:51,323 [ KNOCK ECHOING ] 822 00:35:51,410 --> 00:35:52,628 WE NEED TO SEE WHAT'S INSIDE HERE. 823 00:35:52,715 --> 00:35:55,501 NO. NOT UNTIL WE KNOW WHERE SHE IS. 824 00:35:55,588 --> 00:35:57,067 FBI! OPEN UP! 825 00:35:58,634 --> 00:36:00,506 Gelles: BREAK IT! 826 00:36:00,593 --> 00:36:02,986 GET SOMETHING AND BREAK IT OPEN NOW.JAMES. 827 00:36:04,858 --> 00:36:06,599 GET SOMETHING AND BREAK IT. 828 00:36:06,686 --> 00:36:07,817 [ GUN COCKS ] 829 00:36:11,821 --> 00:36:13,823 JONES, TAKE HIM DOWN. 830 00:36:13,910 --> 00:36:15,260 [ CELL PHONE VIBRATES ] 831 00:36:20,178 --> 00:36:21,962 Jones: FBI! Man: DON'T MOVE. 832 00:36:22,049 --> 00:36:24,878 BRETT GELLES, YOU'RE UNDER ARREST. 833 00:36:24,965 --> 00:36:27,228 [ CHUCKLES ] HEY, I TOLD YOU. 834 00:36:27,315 --> 00:36:29,230 YOU CAN TAKE ME ANYTIME YOU WANT. 835 00:36:29,317 --> 00:36:31,319 YOU WON'T RISK ANYTHING HAPPENING TO SAVANNAH. 836 00:36:31,406 --> 00:36:32,581 THAT'S RIGHT. 837 00:36:32,668 --> 00:36:33,887 [ BEEPING ] 838 00:36:33,974 --> 00:36:35,932 WE WON'T. 839 00:36:36,019 --> 00:36:37,847 Peter: COME HERE. 840 00:36:39,458 --> 00:36:40,546 [ HANDCUFFS CLICKING ] 841 00:36:40,633 --> 00:36:43,897 SHE'S OKAY. 842 00:36:43,984 --> 00:36:46,204 YOUR DADDY'S WATCHING. YOU WANT TO SAY HI TO HIM? 843 00:36:46,291 --> 00:36:48,380 HI, DADDY! 844 00:36:48,467 --> 00:36:51,774 Peter: WE'LL SEE YOU IN A BIT. 845 00:36:51,861 --> 00:36:54,212 Man: COME ON. LET'S GO. 846 00:36:55,343 --> 00:36:56,475 COME ON. 847 00:37:03,525 --> 00:37:05,223 DADDY! DADDY! 848 00:37:05,310 --> 00:37:06,485 COME HERE. 849 00:37:06,572 --> 00:37:07,486 COME HERE. 850 00:37:13,535 --> 00:37:15,842 HEY. HI. 851 00:37:15,929 --> 00:37:17,974 Neal: YOU FOUND SAVANNAH. 852 00:37:18,061 --> 00:37:19,889 YOU FOUND THE LAST CLUE. 853 00:37:19,976 --> 00:37:22,109 GUESS WE BOTH DID OUR PART. MM. 854 00:37:22,196 --> 00:37:23,937 YOU FIND OUT WHAT'S INSIDE THE WALL? 855 00:37:24,024 --> 00:37:27,723 NO. JONES BARGED IN BEFORE WE COULD OPEN IT UP. 856 00:37:27,810 --> 00:37:30,552 AREN'T YOU JUST A LITTLE CURIOUS? 857 00:38:02,497 --> 00:38:05,500 THE REAL BOOK. 858 00:38:05,587 --> 00:38:08,286 IT'S BRAHE'S ENTIRE COLLECTION OF MANUSCRIPTS. 859 00:38:08,373 --> 00:38:10,157 AND THE REAL WILL. 860 00:38:10,244 --> 00:38:12,333 OKAY. NOW YOU CAN SAY YOU TOLD ME SO. 861 00:38:12,420 --> 00:38:14,248 AH, IT'S OKAY, YOU KNOW. 862 00:38:14,335 --> 00:38:18,339 I'LL SAVE IT FOR ANOTHER TIME. 863 00:38:18,426 --> 00:38:21,995 Neal: THE ROLANDS DONATED THE ENTIRE BRAHE COLLECTION 864 00:38:22,082 --> 00:38:23,605 TO THE PLANETARIUM. 865 00:38:23,692 --> 00:38:26,216 UNVEILING CEREMONY THIS SATURDAY -- 866 00:38:26,304 --> 00:38:28,131 WE'RE INVITED. OH HO! 867 00:38:28,218 --> 00:38:30,351 WELL, I'LL HAVE TO ASK FELIX 868 00:38:30,438 --> 00:38:32,788 IF THEY'VE REMOVED YOU FROM THEIR NO-FLY LIST. 869 00:38:32,875 --> 00:38:34,442 AFTER THEIR FATHER'S ENDOWMENT IN THE WILL, 870 00:38:34,529 --> 00:38:35,878 I'LL BET EVEN SATCHMO'S ALLOWED TO RETURN. 871 00:38:35,965 --> 00:38:38,228 YEAH. HEY. 872 00:38:39,578 --> 00:38:42,972 DOES THIS LOOK LIKE A COMPASS ROSE? 873 00:38:48,195 --> 00:38:50,197 I THINK IT LOOKS LIKE REAL-ESTATE FRAUD. 874 00:38:50,284 --> 00:38:51,981 I THINK SO, TOO. YEAH. 875 00:38:52,068 --> 00:38:53,243 Peter: SEE YOU TOMORROW, NEAL.YEP. 876 00:38:53,331 --> 00:38:54,419 HEY. 877 00:38:56,246 --> 00:38:57,422 IT'S GOOD TO BE BACK TO NORMAL. 878 00:38:57,509 --> 00:38:58,553 YEAH. 879 00:38:59,859 --> 00:39:02,165 YEAH, IT IS. 880 00:39:39,638 --> 00:39:41,814 [ INDISTINCT CONVERSATIONS, SOFT PIANO MUSIC PLAYS ] 881 00:39:49,125 --> 00:39:50,518 HOW YOU DOING? 882 00:39:50,605 --> 00:39:52,085 SHE'S ALREADY TWO MARTINIS IN. 883 00:39:52,172 --> 00:39:53,695 MM. WISH ME LUCK. 884 00:39:53,782 --> 00:39:55,218 YOU DON'T NEED LUCK. 885 00:39:55,305 --> 00:39:56,959 I'M OFF TO SELL OUR DEGAS. 886 00:39:57,046 --> 00:39:59,875 THEN YOUNEED THE LUCK. 887 00:40:03,662 --> 00:40:07,013 VODKA MARTINI, DIRTY, PLEASE. THANKS. 888 00:40:10,016 --> 00:40:11,060 AGENT MATTHEWS? 889 00:40:11,147 --> 00:40:13,498 HELLO AGAIN. HELLO. 890 00:40:13,585 --> 00:40:15,674 DID YOU EVER MAKE IT TO BURKE'S OFFICE? 891 00:40:15,761 --> 00:40:17,763 YES, I DID, THANKS TO YOU. 892 00:40:19,678 --> 00:40:21,593 I NEVER INTRODUCED MYSELF, BY THE WAY. I'M SORRY. 893 00:40:21,680 --> 00:40:23,508 CHRIS GATES. OH. 894 00:40:23,595 --> 00:40:26,380 HELLO, CHRIS.HOW YOU DOING? 895 00:40:26,467 --> 00:40:28,121 SO, WHAT ARE YOU DOING HERE? 896 00:40:28,208 --> 00:40:29,992 WELL, YOU'RE NOT THE ONLY ONE WHO'S A LONG WAY FROM HOME. 897 00:40:30,079 --> 00:40:32,560 I'M ON MY WAY BACK TO PARIS. 898 00:40:34,388 --> 00:40:36,521 THANKS. MM. 899 00:40:36,608 --> 00:40:38,044 YOU'RE INTERPOL? 900 00:40:38,131 --> 00:40:40,046 YEAH. YEAH. 901 00:40:40,133 --> 00:40:41,221 WHAT DIVISION? 902 00:40:41,308 --> 00:40:42,788 ART CRIMES. 903 00:40:44,398 --> 00:40:46,356 TO A KINDRED SPIRIT. 904 00:40:48,228 --> 00:40:50,883 YOU HAVE THAT LOOK ON YOUR FACE. WHAT LOOK? 905 00:40:50,970 --> 00:40:53,015 I'M SURE YOU'RE IN NEW YORK FOR THE SAME REASON I AM. 906 00:40:53,102 --> 00:40:54,582 WHICH IS? 907 00:40:54,669 --> 00:40:56,715 CLASSIFIED. 908 00:40:56,802 --> 00:40:58,934 WE'VE SAID TOO MUCH, OKAY? 909 00:40:59,021 --> 00:41:00,980 I'M SURE AGENT BURKE SAID THE SAME THING TO YOU HE SAID TO ME. 910 00:41:01,067 --> 00:41:02,590 SO LET'S JUST -- LET'S TALK ABOUT THE WEATHER. 911 00:41:02,677 --> 00:41:03,939 LET'S TALK ABOUT SOMETHING INNOCUOUS. 912 00:41:04,026 --> 00:41:06,507 HOW ABOUT WE BOTH SAY, ON THREE? 913 00:41:06,594 --> 00:41:08,074 WHAT? 914 00:41:08,161 --> 00:41:09,554 NO. NO. 915 00:41:09,641 --> 00:41:11,077 AT THE SAME TIME? 916 00:41:11,164 --> 00:41:12,295 MM-HMM. 917 00:41:13,732 --> 00:41:15,429 ALL RIGHT. 918 00:41:15,516 --> 00:41:16,822 OKAY. 919 00:41:16,909 --> 00:41:19,085 1, 2, 3...1, 2, 3... 920 00:41:19,172 --> 00:41:20,042 NAZI S... 921 00:41:20,129 --> 00:41:22,088 OH. NOT COOL. 922 00:41:22,175 --> 00:41:23,872 YOU'RE TRICKY. 923 00:41:23,959 --> 00:41:25,352 [ CHUCKLES ] WHAT? 924 00:41:25,439 --> 00:41:26,788 IT'S INCREDIBLE, THOUGH, ISN'T IT? 925 00:41:26,875 --> 00:41:29,312 WHAT, THAT AGENT BURKE THINKS ALL THIS ART 926 00:41:29,399 --> 00:41:31,576 IS JUST FLOATING AROUND OUT THERE OR... 927 00:41:31,663 --> 00:41:35,449 CAN YOU IMAGINE IF IT IS? 928 00:41:35,536 --> 00:41:38,887 OH, GOD, I WISH THAT I HAD CLEARANCE TO SEE THAT MANIFEST. 929 00:41:38,974 --> 00:41:40,933 [ SIGHS ] 930 00:41:41,020 --> 00:41:43,457 YEAH, WELL, YOU CAN STOP FISHING HERE. 931 00:41:43,544 --> 00:41:45,981 I MEAN, HE DIDN'T -- HE DIDN'T SHOW IT TO ME, EITHER, SO... 932 00:41:48,723 --> 00:41:50,159 ANY THEORIES? 933 00:41:50,246 --> 00:41:53,249 UM, APPARENTLY... 934 00:41:53,336 --> 00:41:55,948 THEY ONLY FOUND ONE PAGE, SO... 935 00:41:56,035 --> 00:41:57,471 SO IT'S A PARTIAL LIST. 936 00:41:57,558 --> 00:41:59,604 MOST OF WHAT WAS ON THE SUB IS STILL UNACCOUNTED FOR. 937 00:41:59,691 --> 00:42:01,301 RIGHT. 938 00:42:01,388 --> 00:42:04,870 BUT IF ANYONE TRIES TO SELL ANYTHING THAT'S ON THAT LIST... 939 00:42:04,957 --> 00:42:06,872 WE'RE GONNA HEAR ABOUT IT. 940 00:42:06,959 --> 00:42:08,003 AND WE'RE GONNA NAIL 'EM. 941 00:42:08,090 --> 00:42:09,222 YES! 942 00:42:09,309 --> 00:42:11,441 YES, WE ARE. 943 00:42:11,529 --> 00:42:12,704 BAM. 944 00:42:12,791 --> 00:42:14,314 [ CHUCKLES ] 945 00:42:15,968 --> 00:42:19,101 WILL YOU EXCUSE ME FOR A MINUTE? I'LL BE RIGHT BACK. 946 00:42:19,188 --> 00:42:21,364 [ Dialing ] 947 00:42:21,451 --> 00:42:24,280 [ Ringing ] 948 00:42:24,367 --> 00:42:25,847 MOZZIE. WHERE ARE YOU? 949 00:42:25,934 --> 00:42:29,329 YOU CANNOT -- I REPEAT -- YOU CANNOT SELL THE PIECE. 950 00:42:30,722 --> 00:42:32,637 WE GOT A BIG PROBLEM.