1 00:00:01,305 --> 00:00:03,177 PREVIOUSLY ON "WHITE COLLAR"... 2 00:00:03,264 --> 00:00:04,961 Peter: VINCENT ADLER -- 3 00:00:05,048 --> 00:00:07,485 HE'S LOOKING FOR A SUNKEN U-BOAT OFF THE NEW YORK COAST. 4 00:00:07,572 --> 00:00:09,922 I JUST WANT TO SAY THAT IF WE'RE GONNA CONTINUE WORKING TOGETHER, 5 00:00:10,010 --> 00:00:12,273 THEN WE REALLY SHOULD NOT IGNORE THE OTHER NIGHT. 6 00:00:12,360 --> 00:00:14,188 LOOK, IT WAS --HOT. 7 00:00:14,275 --> 00:00:16,233 THE CHRYSLER BUILDING. PAINTING IT FOR YOUR GIRLFRIEND? 8 00:00:16,320 --> 00:00:17,626 IT CALMS THE NERVES. 9 00:00:19,193 --> 00:00:21,499 Neal: MY GOD. 10 00:00:21,586 --> 00:00:22,457 YOU FOUND IT. 11 00:00:26,330 --> 00:00:30,160 IT'S NAZI PLUNDER FROM ALL OVER EUROPE. 12 00:00:30,247 --> 00:00:32,119 THIS HAS GOT TO BE WORTH BILLIONS OF DOLLARS. 13 00:00:33,381 --> 00:00:34,599 GET DOWN! 14 00:00:40,257 --> 00:00:41,432 YOU DID THIS. 15 00:00:41,519 --> 00:00:42,738 PETER, THOSE WERE MASTERPIECES. 16 00:00:42,825 --> 00:00:44,522 I WOULD NEVERBURN THEM. YOU KNOW THAT. 17 00:00:44,609 --> 00:00:46,307 BUT YOU'D STEAL THEM.THEN PROVE IT. 18 00:00:58,971 --> 00:01:01,104 WE'VE GOT TO HURRY. 19 00:01:01,191 --> 00:01:03,019 WE'RE ALMOST LOADED. 20 00:01:03,106 --> 00:01:04,586 [ SIRENS WAILING ] 21 00:01:04,673 --> 00:01:06,153 IT'S THE FEDS. LET'S GET OUT OF HERE. 22 00:01:13,377 --> 00:01:15,814 [ ENGINES WHIRRING ] 23 00:01:15,901 --> 00:01:18,339 [ WAILING CONTINUES ] 24 00:01:27,435 --> 00:01:28,914 GET AROUND THE FRONT OF THAT PLANE. 25 00:01:29,001 --> 00:01:30,916 TEAM ONE, FLANK LEFT. 26 00:01:31,003 --> 00:01:32,396 TEAM THREE, FLANK RIGHT. BOX HIM IN! 27 00:01:32,483 --> 00:01:34,006 WE CANNOT LET CAFFREY GET AIRBORNE! 28 00:01:35,356 --> 00:01:36,531 WE'RE NOT GONNA MAKE IT. 29 00:01:36,618 --> 00:01:38,750 WE DON'T HAVE A CHOICE, MOZ. 30 00:01:41,797 --> 00:01:43,581 WE HAVETO MAKE IT. 31 00:01:48,978 --> 00:01:51,067 Jones: WHAT COLOR ARE YOUR EYES? 32 00:01:51,154 --> 00:01:52,721 BLUE. 33 00:01:52,808 --> 00:01:54,810 ARE YOU A CRIMINAL CONSULTANT 34 00:01:54,897 --> 00:01:56,768 FOR THE FEDERAL BUREAU OF INVESTIGATION? 35 00:01:56,855 --> 00:01:58,205 YES. 36 00:01:58,292 --> 00:01:59,902 OKAY. 37 00:01:59,989 --> 00:02:02,383 FOR A BASELINE, I'M GONNA NEED YOU TO TELL A LIE. 38 00:02:03,732 --> 00:02:05,386 I'VE NEVER TOLD A LIE. 39 00:02:07,170 --> 00:02:09,607 GREAT. WE'VE GOT OUR BASELINE. 40 00:02:09,694 --> 00:02:10,826 ASK HIM ABOUT THE WAREHOUSE. 41 00:02:10,913 --> 00:02:12,654 SHORTLY BEFORE HIS DEATH, 42 00:02:12,741 --> 00:02:15,222 YOU CONFRONTED VINCENT ADLER OUTSIDE OF A WAREHOUSE. 43 00:02:15,309 --> 00:02:16,571 WHAT WAS IN THAT WAREHOUSE? 44 00:02:16,658 --> 00:02:18,486 A U-BOAT -- GERMAN, 45 00:02:18,573 --> 00:02:21,141 RECENTLY DREDGED OFF THE COAST OF NEW YORK STATE. 46 00:02:21,228 --> 00:02:22,707 AND INSIDE OF THAT U-BOAT? 47 00:02:22,794 --> 00:02:24,753 A COLLECTION OF ART PLUNDERED BY THE NAZIS. 48 00:02:24,840 --> 00:02:26,058 WHAT HAPPENED? 49 00:02:26,146 --> 00:02:28,322 THE WAREHOUSE BURST INTO FLAMES. 50 00:02:28,409 --> 00:02:29,410 [ PETER CHUCKLES ] 51 00:02:32,630 --> 00:02:34,632 DID YOU STEAL THE ART? 52 00:02:34,719 --> 00:02:36,721 NO. 53 00:02:38,854 --> 00:02:40,638 DO YOU KNOW WHO DID? 54 00:02:42,466 --> 00:02:43,598 NO. 55 00:02:43,685 --> 00:02:45,426 [ SIGHS ] 56 00:02:45,513 --> 00:02:48,559 Jones: ACCORDING TO THE READOUT, HE'S TELLING THE TRUTH. 57 00:02:48,646 --> 00:02:50,257 IT'S 2:00 IN THE MORNING, PETER. 58 00:02:50,344 --> 00:02:51,823 YOU GONNA KEEP ME HERE ALL NIGHT? 59 00:02:51,910 --> 00:02:54,043 UNTIL I'M SATISFIED. 60 00:02:54,130 --> 00:02:56,176 NEXT QUESTION. 61 00:02:59,831 --> 00:03:00,876 HEY. 62 00:03:00,963 --> 00:03:01,877 HI. 63 00:03:06,360 --> 00:03:07,535 YOU LOOK EXHAUSTED. 64 00:03:07,622 --> 00:03:08,797 EVERYTHING OKAY? 65 00:03:08,884 --> 00:03:10,538 OH, JUST -- LONG NIGHT. 66 00:03:10,625 --> 00:03:13,062 SARA, PETER MAY COME TO YOU 67 00:03:13,149 --> 00:03:15,151 AND ASK SOME QUESTIONS.ABOUT WHAT? 68 00:03:15,238 --> 00:03:16,761 HE THINKS THE ART DIDN'T BURN. 69 00:03:16,848 --> 00:03:18,154 HOW'S THAT POSSIBLE? 70 00:03:19,547 --> 00:03:20,765 OH, HE THINKS YOUTOOK IT. 71 00:03:20,852 --> 00:03:22,550 I WAS OFF-ANKLET WHEN IT COULDHAVE HAPPENED. 72 00:03:22,637 --> 00:03:24,856 SO YOU NEED AN ALIBI. 73 00:03:24,943 --> 00:03:26,380 WHAT IS IT YOU'RE HOPING I TELL HIM? 74 00:03:26,467 --> 00:03:27,772 THE TRUTH. 75 00:03:27,859 --> 00:03:29,209 ABOUT THE OTHER NIGHT. 76 00:03:29,296 --> 00:03:31,472 YOU WANT ME TO TELL HIM EVERYTHING? 77 00:03:31,559 --> 00:03:34,039 'CAUSE THAT COULD GET REALLY VERY AWKWARD. 78 00:03:38,087 --> 00:03:39,480 [ CHUCKLES ] 79 00:03:39,567 --> 00:03:41,308 SKIP THE GOOD PARTS.YEAH. 80 00:03:43,005 --> 00:03:44,876 DID YOU TAKE IT? NO. 81 00:03:44,963 --> 00:03:46,965 DO YOU BELIEVE ME? 82 00:03:47,052 --> 00:03:48,706 YOU'RE A DAMN GOOD CON MAN. 83 00:03:52,232 --> 00:03:54,234 CAFFREY... 84 00:03:54,321 --> 00:03:57,106 IF THAT ART ISOUT THERE... 85 00:03:57,193 --> 00:03:58,499 ANY IDEA WHO HAS IT? 86 00:04:29,007 --> 00:04:30,748 HER NAME IS LOLANA. 87 00:04:30,835 --> 00:04:33,055 SHE FROM ANY ISLAND IN PARTICULAR? 88 00:04:33,142 --> 00:04:35,579 WHICHEVER ONE YOUR HEART DESIRES. 89 00:04:39,279 --> 00:04:42,238 SO, I GUESS THIS WAS FROM YOU? 90 00:04:43,935 --> 00:04:44,980 [ CHUCKLES SOFTLY ] 91 00:04:45,067 --> 00:04:46,155 HOW? 92 00:04:46,242 --> 00:04:48,026 IT WASN'T EASY. 93 00:04:48,113 --> 00:04:49,289 THE WAREHOUSE? 94 00:04:49,376 --> 00:04:50,638 I WORKED BACKWARDS 95 00:04:50,725 --> 00:04:52,117 FROM THE TRANSMITTER YOU WIRED INTO THE LIMO. 96 00:04:52,204 --> 00:04:53,728 SECURITY? 97 00:04:53,815 --> 00:04:56,078 I GOT AROUND IT WITH A LOCALIZED E.M. BURST. 98 00:04:56,165 --> 00:04:57,384 AND THE ART? 99 00:04:57,471 --> 00:04:58,733 ADLER HAD IT LOADED ONTO A TRUCK. 100 00:04:58,820 --> 00:04:59,995 THE SWAP WASN'T HARD. 101 00:05:00,082 --> 00:05:02,084 AND THE TNT WE GOT OFF THE SUB 102 00:05:02,171 --> 00:05:03,912 WAS UNSTABLE AND EASY TO DETONATE. 103 00:05:03,999 --> 00:05:05,435 A PERFECT COVER. 104 00:05:08,612 --> 00:05:09,918 YOU DIDN'T TELL ME. 105 00:05:10,005 --> 00:05:12,921 PLAUSIBLE DENIABILITY AND ALL. 106 00:05:14,749 --> 00:05:16,577 WE FINALLY GOT OUR WHITE WHALE. 107 00:05:19,231 --> 00:05:21,277 [ SIGHS ] 108 00:05:23,323 --> 00:05:25,847 LOLANA, HUH? 109 00:05:25,934 --> 00:05:28,240 IN HAWAIIAN, HER NAME MEANS "TO SOAR"... 110 00:05:28,328 --> 00:05:30,852 WHICH IS EXACTLY WHAT WE'RE GONNA DO IN A VERY SHORT TIME. 111 00:05:30,939 --> 00:05:32,810 WELL, IT'S NOT THAT EASY. 112 00:05:32,897 --> 00:05:35,073 I JUST SPENT FIVE HOURS IN INTERROGATION WITH PETER. 113 00:05:35,160 --> 00:05:36,684 HE SUSPECTS SOMETHING. 114 00:05:36,771 --> 00:05:38,947 ALL THE MORE REASON FOR HASTE. 115 00:05:39,034 --> 00:05:40,296 HOW LONG TO GET THINGS READY? 116 00:05:40,383 --> 00:05:41,602 JUST A FEW DAYS. 117 00:05:43,865 --> 00:05:45,040 I CAN LULL PETER. 118 00:05:45,127 --> 00:05:46,955 BUT WE DON'T RUSH THIS. 119 00:05:47,042 --> 00:05:49,436 WE TAKE OUR TIME. WE DO IT RIGHT. 120 00:05:51,394 --> 00:05:54,702 TO OUR BEST AND FINALSCORE. 121 00:05:59,141 --> 00:06:00,577 [ CLINK ] 122 00:06:20,467 --> 00:06:22,164 I PASSED YOUR LIE DETECTOR. 123 00:06:22,251 --> 00:06:23,818 I'VE SEEN YOU DO THAT BEFORE. 124 00:06:23,905 --> 00:06:25,341 ARE YOU SAYING I CHEATED? 125 00:06:25,428 --> 00:06:26,560 I'VE SEEN YOU DO THATBEFORE. 126 00:06:26,647 --> 00:06:28,300 ALL RIGHT, IF YOU'RE NOT GONNA TALK TO ME, 127 00:06:28,388 --> 00:06:29,867 LET'S AT LEAST JUST KEEP IT CIVIL, OKAY? 128 00:06:29,954 --> 00:06:33,218 FINE. HOW 'BOUT THEM METS? 129 00:06:33,305 --> 00:06:35,438 WHAT'S WRONG? HMM? 130 00:06:35,525 --> 00:06:37,614 WHAT HAPPENED THAT TURNED YOU AGAINST ME? 131 00:06:37,701 --> 00:06:39,094 ITURNED AGAINST YOU? 132 00:06:39,181 --> 00:06:40,661 PETER, WE'RE A TEAM. 133 00:06:40,748 --> 00:06:42,706 OHH. 134 00:06:42,793 --> 00:06:43,751 WE DID THIS. 135 00:06:46,536 --> 00:06:48,016 THIS IS OUR JOB. 136 00:06:48,103 --> 00:06:51,062 LET'S NOT MAKE A BIG DEAL OUT OF IT. 137 00:07:08,863 --> 00:07:10,734 HMM. 138 00:07:12,344 --> 00:07:13,345 YOU'RE SMILING. 139 00:07:13,433 --> 00:07:15,130 I AM. 140 00:07:15,217 --> 00:07:17,567 TELL ME ABOUT GARY RYDELL. 141 00:07:20,222 --> 00:07:21,397 THAT'S YOU. 142 00:07:21,484 --> 00:07:23,007 YEAH, IT IS. 143 00:07:24,139 --> 00:07:25,706 REGALE ME. 144 00:07:25,793 --> 00:07:27,447 OH, IT WAS AN ALIAS I USED YEARS AGO. 145 00:07:27,534 --> 00:07:29,013 RYDELL WAS A BIT OF A PLAYBOY 146 00:07:29,100 --> 00:07:31,146 WITH AN UNCANNY ABILITY TO WRECK EXPENSIVE CARS. 147 00:07:31,233 --> 00:07:33,496 OF COURSE. ANYTHING ELSE? 148 00:07:33,583 --> 00:07:35,498 HE WAS A WORLD-CLASS FENCER. 149 00:07:35,585 --> 00:07:36,717 AND? 150 00:07:38,240 --> 00:07:39,546 NEAL, I'VE READ THE FILE. 151 00:07:39,633 --> 00:07:41,025 AND A SMUGGLER. 152 00:07:41,112 --> 00:07:43,245 A WORLD-CLASS SMUGGLER.YEAH, I GET IT. 153 00:07:43,332 --> 00:07:45,247 YOU THINK I MIGHT ACTIVATE MY RYDELL ALIAS 154 00:07:45,334 --> 00:07:46,770 IN ORDER TO SNEAK SOMETHING OUT OF THE COUNTRY, 155 00:07:46,857 --> 00:07:48,555 SOMETHING LIKE A STOLEN NAZI TREASURE? 156 00:07:48,642 --> 00:07:49,991 CROSSED MY MIND. 157 00:07:50,078 --> 00:07:52,515 I THINK THIS GUY IS LOOKING FOR RYDELL. 158 00:07:52,602 --> 00:07:53,951 I WANT TO KNOW WHY. 159 00:07:54,038 --> 00:07:55,997 [ CHUCKLES ] 160 00:07:56,084 --> 00:07:57,302 DAVID LAWRENCE. 161 00:07:57,389 --> 00:07:58,478 YOU KNOW HIM. 162 00:07:58,565 --> 00:08:00,392 YEAH. WE MET A FEW YEARS AGO. 163 00:08:00,480 --> 00:08:02,612 HE WAS SELLING PRE-COLUMBIAN ART, AND I WAS -- BUYING. 164 00:08:02,699 --> 00:08:04,614 YEAH, BUYING. 165 00:08:04,701 --> 00:08:06,311 LAWRENCE WAS ALSO SUSPECTED 166 00:08:06,398 --> 00:08:09,358 OF ROBBING $60 MILLION FROM THE FEDERAL RESERVE. 167 00:08:09,445 --> 00:08:11,012 HE FLED THE COUNTRY ON A COMMERCIAL JET 168 00:08:11,099 --> 00:08:13,144 BEFORE WE COULD MAKE THE ARREST. 169 00:08:13,231 --> 00:08:15,190 WE THINK HE LEFT THE $60 MIL BEHIND. 170 00:08:15,277 --> 00:08:16,713 WELL, A SAFE ASSUMPTION. 171 00:08:16,800 --> 00:08:19,150 I MEAN, THE BAGGAGE FEES ALONE WOULD'VE COST A FORTUNE. 172 00:08:19,237 --> 00:08:21,239 TWO DAYS AGO, 173 00:08:21,326 --> 00:08:23,677 WE TRACED AN E-MAIL HE SENT TO A SERVER HERE IN NEW YORK. 174 00:08:23,764 --> 00:08:25,374 LAWRENCE WANTS YOU 175 00:08:25,461 --> 00:08:27,637 TO HELP HIM SMUGGLE THE CASH OUT OF THE COUNTRY. 176 00:08:27,724 --> 00:08:29,073 YOU WANT ME TO STRIKE UP A DEAL WITH HIM 177 00:08:29,160 --> 00:08:30,379 AND LEAD YOU TO THE $60 MILLION. 178 00:08:30,466 --> 00:08:33,600 WE'LL LET YOU KNOW WHEN WE MAKE CONTACT. 179 00:08:36,516 --> 00:08:38,735 YOU REALLY THINK HE'S GONNA TAKE THIS RISK? 180 00:08:38,822 --> 00:08:41,521 [ CHUCKLES SOFTLY ] 181 00:08:41,608 --> 00:08:43,784 IF YOU WERE ONE STEP AWAY 182 00:08:43,871 --> 00:08:47,222 FROM PULLING OFF THE BIGGEST SCORE IN YOUR LIFE... 183 00:08:47,309 --> 00:08:49,137 COULD YOU LET IT GO? 184 00:08:49,224 --> 00:08:51,356 Neal: PETER'S NOT PLAYING A HUNCH. 185 00:08:51,443 --> 00:08:53,141 HE KNOWS SOMETHING.IMPOSSIBLE. 186 00:08:53,228 --> 00:08:54,708 HE'S BREATHING DOWN MY NECK. 187 00:08:54,795 --> 00:08:56,840 HE'S MESSING WITH YOUR HEAD. THAT'S WHAT SUITS DO. 188 00:08:56,927 --> 00:08:58,363 SO, THERE'S NOTHING FROM THE HEIST 189 00:08:58,450 --> 00:08:59,669 THAT COULD BE TIED BACK TO ME? 190 00:09:01,889 --> 00:09:03,412 MOZ. 191 00:09:03,499 --> 00:09:04,979 YOU KNOW THAT ART STUDIO 192 00:09:05,066 --> 00:09:06,502 WHERE YOU KEEP ALL THE PAINTINGS YOU'VE DONE? 193 00:09:06,589 --> 00:09:07,459 WHAT ABOUT IT? 194 00:09:07,547 --> 00:09:09,157 NOW IT'S JUST A STUDIO. 195 00:09:10,854 --> 00:09:13,553 YOU SWITCHED MY ART FOR THE ART ON THE SUB? 196 00:09:13,640 --> 00:09:16,251 NEAL, YOU'RE TALENTED, BUT VAN DYCK HAS YOU BEAT. 197 00:09:16,338 --> 00:09:17,731 I CAN'T BELIEVE IT. 198 00:09:17,818 --> 00:09:20,560 LOOK, THEY RAN FORENSICS TESTS ON THE BURNED WAREHOUSE. 199 00:09:20,647 --> 00:09:22,910 THEY NEEDED TO FIND TRACES OF PAINT AND CANVAS. 200 00:09:22,997 --> 00:09:24,520 DO YOU KNOW WHAT THIS MEANS? 201 00:09:24,607 --> 00:09:26,914 NOTHING COULD SURVIVE THAT FIRE. 202 00:09:28,785 --> 00:09:30,352 NOTHING SHOULDHAVE SURVIVED THE FIRE. 203 00:09:30,439 --> 00:09:32,354 THANK YOU. 204 00:09:37,098 --> 00:09:38,752 [ FOOTSTEPS APPROACH ] 205 00:09:38,839 --> 00:09:41,450 [ ELIZABETH SIGHS ] 206 00:09:41,537 --> 00:09:43,104 HONEY, YOU'VE BEEN STARING AT THAT ALL NIGHT. 207 00:09:43,191 --> 00:09:44,453 HE TOOK IT, EL. 208 00:09:44,540 --> 00:09:46,890 I KNOW HE TOOK THE ART. 209 00:09:46,977 --> 00:09:48,457 I'M STANDING THERE, 210 00:09:48,544 --> 00:09:50,372 WATCHING THE WAREHOUSE GO UP IN FLAMES, 211 00:09:50,459 --> 00:09:53,462 AND THIS FLOATS DOWN AT MY FEET. 212 00:09:53,549 --> 00:09:55,377 IT'S A PIECE OF THE SAME PAINTING 213 00:09:55,464 --> 00:09:58,119 THAT WAS IN HIS APARTMENT. 214 00:09:58,206 --> 00:09:59,642 YOU'RE POSITIVE IT'S THE SAME? 215 00:09:59,729 --> 00:10:01,078 HOW MANY PAINTINGS LIKE THIS 216 00:10:01,165 --> 00:10:03,472 COULD THERE BE OF THE CHRYSLER BUILDING? 217 00:10:03,559 --> 00:10:05,866 ACTUALLY, YOU'D BE SURPRISED. ART DECO STARTED IN PARIS, 218 00:10:05,953 --> 00:10:08,912 SO THERE WAS A LOT OF EUROPEAN INTEREST IN THE CHRYSLER. 219 00:10:08,999 --> 00:10:10,218 YEAH, HERE. 220 00:10:10,305 --> 00:10:13,525 IT'S BEEN AROUND, WHAT, 80 YEARS? 221 00:10:13,613 --> 00:10:15,876 HERE IT IS. 222 00:10:15,963 --> 00:10:18,879 "COUNTLESS ARTISTS WOULD INTERPRET THE CHRYSLER'S MAJESTY 223 00:10:18,966 --> 00:10:21,359 USING A VARIETY OF STYLES AND TECHNIQUES." 224 00:10:21,446 --> 00:10:23,753 IT WAS BUILT IN 1931. 225 00:10:23,840 --> 00:10:25,146 COULD'VE BEEN ON THE SUB. 226 00:10:25,233 --> 00:10:26,843 OR MAYBE NEAL PAINTED IT. 227 00:10:26,930 --> 00:10:28,715 OR MAYBE YOU'VE BEEN CHASING HIM FOR SO LONG, 228 00:10:28,802 --> 00:10:30,064 YOU DON'T KNOW HOW TO STOP. 229 00:10:30,151 --> 00:10:32,109 OR MAYBE I KNOW HIM BETTER THAN ANYONE ELSE. 230 00:10:34,111 --> 00:10:36,810 [ SIGHS ] 231 00:10:36,897 --> 00:10:41,031 IF NOT HIM, THEN MOZZIE OR ALEX. 232 00:10:41,118 --> 00:10:43,947 NEAL'S INVOLVED... SOMEHOW. 233 00:10:44,034 --> 00:10:45,514 WELL, THERE'S A WAY YOU CAN FIND OUT. 234 00:10:45,601 --> 00:10:47,037 HAVE THE FORENSICS TEAM TEST IT. 235 00:10:47,124 --> 00:10:49,039 IF IT'S FROM THE 1930s, THEN YOU KNOW IT'S NOT HIS. 236 00:10:49,126 --> 00:10:51,259 I CAN'T INVOLVE THE BUREAU, NOT YET. 237 00:10:51,346 --> 00:10:52,826 IF I'M RIGHT... 238 00:10:52,913 --> 00:10:54,741 AND NEAL'S BEHIND THIS... 239 00:10:54,828 --> 00:10:57,047 HE GOES DOWN. 240 00:10:57,134 --> 00:10:58,658 AND SO DO I. 241 00:11:01,617 --> 00:11:03,358 I COULD HAVE IT TESTED. 242 00:11:03,445 --> 00:11:05,534 YOU HAVE A LAB IN THE BASEMENT I DON'T KNOW ABOUT? 243 00:11:05,621 --> 00:11:07,536 NO, THE DeARMITT GALLERY. 244 00:11:07,623 --> 00:11:10,104 THEY GO THROUGH PRIVATE LABS TO AUTHENTICATE WORK. 245 00:11:10,191 --> 00:11:11,627 IT'S BEEN YEARS SINCE YOU WORKED THERE. 246 00:11:11,714 --> 00:11:13,411 I KEEP IN TOUCH. 247 00:11:13,498 --> 00:11:14,804 YOU COULD CALL IN A FAVOR? 248 00:11:14,891 --> 00:11:17,024 FOR YOU? 249 00:11:17,111 --> 00:11:18,895 ANYTHING. 250 00:11:28,383 --> 00:11:29,558 WE MADE CONTACT WITH LAWRENCE 251 00:11:29,645 --> 00:11:31,125 THROUGH YOUR RYDELL E-MAIL ACCOUNT. 252 00:11:31,212 --> 00:11:32,996 Peter: HE WANTS TO MEET YOU AT THE GRAMERCY FENCING CLUB 253 00:11:33,083 --> 00:11:34,476 IN A FEW HOURS. 254 00:11:34,563 --> 00:11:36,957 WHY CAN'T GUYS LIKE YOU EVER JUST GRAB A BEER? 255 00:11:37,044 --> 00:11:39,220 IMPORTED OR DOMESTIC? 256 00:11:39,307 --> 00:11:42,179 JUST MEET WITH HIM, LEAD US BACK TO THE CASH. 257 00:11:42,266 --> 00:11:43,615 I'M PULLING YOUR ANKLET. 258 00:11:43,703 --> 00:11:45,313 AS USUAL. 259 00:11:45,400 --> 00:11:47,054 DON'T GET COCKY. WE'LL BE LISTENING. 260 00:11:47,141 --> 00:11:48,620 AND I'LL BE CLOSE. 261 00:11:49,796 --> 00:11:52,407 THANK YOU. 262 00:11:52,494 --> 00:11:54,278 [ FOILS CLANKING ] 263 00:12:06,464 --> 00:12:07,770 DAVID. 264 00:12:07,857 --> 00:12:09,076 GOOD TO SEE YOU AGAIN. 265 00:12:09,163 --> 00:12:11,252 IT IS GOOD TO BE SEEN, GARY. 266 00:12:11,339 --> 00:12:12,775 YOU KNOW, I MISSED THIS PLACE. 267 00:12:12,862 --> 00:12:14,908 BEAUTY HERE -- 268 00:12:14,995 --> 00:12:16,779 THEY ENCOURAGE DISGUISES. 269 00:12:16,866 --> 00:12:18,172 WHO ARE YOU HIDING FROM? 270 00:12:19,651 --> 00:12:22,002 YOU NEVER CAN BE TOO CAREFUL. 271 00:12:25,788 --> 00:12:28,269 IS THAT WHY I HAVEN'T SEEN YOU IN THE LAST SIX YEARS? 272 00:12:28,356 --> 00:12:30,314 OH, I RETIRED TO THE ISLANDS. 273 00:12:30,401 --> 00:12:32,447 [ CHUCKLES ] 274 00:12:32,534 --> 00:12:34,971 MY FRIEND, IF YOU'RE RETIRED... 275 00:12:35,058 --> 00:12:37,974 THEN WHY AREN'T WE PLAYING SHUFFLEBOARD? 276 00:12:38,061 --> 00:12:40,585 I HAVEN'T HEARD OF YOU IN THE LAST SIX YEARS, EITHER, GARY. 277 00:12:40,672 --> 00:12:43,153 HOW DO I KNOW YOU'RE STILL ON YOUR GAME? 278 00:12:43,240 --> 00:12:45,155 MAYBE I'M THAT GOOD. 279 00:12:45,242 --> 00:12:46,983 OR MAYBE YOU LOST A STEP. 280 00:12:55,905 --> 00:12:57,907 THAT WAS MY TIE. 281 00:12:57,994 --> 00:13:00,214 COME ON. SHOW ME YOU'RE STILL AS GOOD 282 00:13:00,301 --> 00:13:01,911 AS THE GARY RYDELL I USED TO KNOW. 283 00:13:03,391 --> 00:13:06,394 WELL, I'M STILL USING A FRENCH GRIP... 284 00:13:08,091 --> 00:13:10,615 ...STILL A FAN OF THE DEPASSEMENT ATTAQUE. 285 00:13:16,665 --> 00:13:18,536 LET'S GET TO THE POINT -- YOU STOLE $60 MILLION 286 00:13:18,623 --> 00:13:20,277 BUT COULDN'T GET IT OUT OF THE COUNTRY. 287 00:13:20,364 --> 00:13:21,757 NOW YOU NEED ME TO MOVE IT FOR YOU. 288 00:13:21,844 --> 00:13:22,802 TELL ME I'M WRONG. 289 00:13:26,893 --> 00:13:28,372 NICE ATTAQUE COMPOSéE. 290 00:13:28,459 --> 00:13:30,244 FEINT LEFT, THRUST RIGHT -- MY SIGNATURE. 291 00:13:30,331 --> 00:13:31,375 I REMEMBER. 292 00:13:32,986 --> 00:13:34,770 GET ME AND THE GREEN OUT OF THE COUNTRY, 293 00:13:34,857 --> 00:13:36,511 AND YOU WILL EARN 10%. 294 00:13:36,598 --> 00:13:39,079 20%. 295 00:13:39,166 --> 00:13:42,343 WELL, I'M IN NO POSITION TO ARGUE. 296 00:13:42,430 --> 00:13:43,779 WHERE'S THE CASH? 297 00:13:43,866 --> 00:13:45,781 CLOSE. 298 00:13:47,043 --> 00:13:49,916 SET IT UP. I'LL BE IN TOUCH. 299 00:14:01,318 --> 00:14:02,885 IT IS CRUEL AND UNUSUAL PUNISHMENT 300 00:14:02,972 --> 00:14:04,713 FOR YOU TO BRING ME BACK HERE LIKE THIS. 301 00:14:04,800 --> 00:14:07,281 YES, BUT I'M FINALLY SMILING. 302 00:14:07,368 --> 00:14:09,457 WHAT'S YOUR PLAN FOR MOVING LAWRENCE'S MONEY? 303 00:14:09,544 --> 00:14:10,675 I'LL TAKE IT OUT BY BOAT. 304 00:14:10,762 --> 00:14:11,981 WHY A BOAT? 305 00:14:12,068 --> 00:14:14,418 ONE, WE'RE TALKING ABOUT A LARGE SHIPMENT 306 00:14:14,505 --> 00:14:17,552 THAT'S EASIER TO MOVE ON THE WATER THAN BY AIR. 307 00:14:17,639 --> 00:14:19,989 AND, TWO, IT'S EASIER TO PAY OFF DOCK WORKERS 308 00:14:20,076 --> 00:14:21,817 THAN TSA EMPLOYEES.[ SIGHS ] SOLD. 309 00:14:21,904 --> 00:14:24,298 DIANA, I WANT A TEAM AT THE HARBOR.YOU GOT IT. 310 00:14:24,385 --> 00:14:26,648 BLUE. 311 00:14:33,176 --> 00:14:34,830 MM. 312 00:14:34,917 --> 00:14:36,527 I'VE DRIVEN YOU TO DUMPSTER DIVE? 313 00:14:36,614 --> 00:14:39,052 A SOUVENIR OF NEAL CAFFREY'S IMPERFECT MOMENT? 314 00:14:39,139 --> 00:14:40,662 PRICELESS. 315 00:14:47,625 --> 00:14:49,584 Neal: YOU SHOULDN'T HAVE!Cindy: GRANDMA INSISTED. 316 00:14:49,671 --> 00:14:51,716 OH, YOU'RE BOTH SO THOUGHTFUL! 317 00:14:51,803 --> 00:14:53,762 MOZZIE, YOU, OF COURSE, 318 00:14:53,849 --> 00:14:55,764 KNOW JUNE'S BEAUTIFUL GRANDDAUGHTER. 319 00:14:55,851 --> 00:14:57,374 OH. HI, CINDY. 320 00:14:57,461 --> 00:14:58,985 GRANDMA SAID THE TWO OF YOU 321 00:14:59,072 --> 00:15:00,900 HAVE BEEN, UH, UP TO SOMETHING IN HERE. 322 00:15:00,987 --> 00:15:03,772 OH, YOU KNOW, IDLE HANDS AND ALL. 323 00:15:03,859 --> 00:15:05,208 AND THEY BROUGHT US COFFEE! 324 00:15:05,295 --> 00:15:06,949 OH, AND COOKIES! 325 00:15:07,036 --> 00:15:08,429 I'LL BE BACK FOR THE TRAY. 326 00:15:08,516 --> 00:15:10,910 NO. NO, NO. DON'T TROUBLE YOURSELF. 327 00:15:10,997 --> 00:15:12,520 Mozzie: YEAH. WE'LL BRING IT DOWN. 328 00:15:12,607 --> 00:15:14,087 EVERYTHING LOOKS BEAUTIFUL. 329 00:15:14,174 --> 00:15:16,393 YEAH. HEY, UM... 330 00:15:16,480 --> 00:15:18,482 THANKS AGAIN FOR EVERYTHING. 331 00:15:18,569 --> 00:15:19,875 THANKS. YEAH. THANK YOU. 332 00:15:22,051 --> 00:15:23,313 LOVELY GIRL. 333 00:15:23,400 --> 00:15:24,749 I'M GONNA MISS THIS PLACE. 334 00:15:24,836 --> 00:15:27,752 YEAH, AND THE VIEWS. YEAH. 335 00:15:27,839 --> 00:15:31,756 ALL RIGHT. PETER'S TEAM IS SETTING UP A HARBOR STING. 336 00:15:31,843 --> 00:15:33,454 OH, WELL, PERFECT. 337 00:15:33,541 --> 00:15:36,848 SO WHILE THE FBI IS BUSY COLLARING LAWRENCE BY SEA, 338 00:15:36,936 --> 00:15:39,242 WE'LL BE MAKING OUR ESCAPE PAR AVION... 339 00:15:39,329 --> 00:15:40,722 BY AIR. HMM. 340 00:15:40,809 --> 00:15:43,246 I HAVE PROCURED OUR GETAWAY VEHICLE. 341 00:15:45,466 --> 00:15:48,164 VOILà. BEHOLD -- 342 00:15:48,251 --> 00:15:49,644 THE 400 SERIES TWIN OTTER. 343 00:15:49,731 --> 00:15:50,993 IS IT BIG ENOUGH? 344 00:15:51,080 --> 00:15:52,516 THINK OF IT AS A KARDASHIAN -- 345 00:15:52,603 --> 00:15:53,996 WHAT IT LACKS IN REFINEMENT, 346 00:15:54,083 --> 00:15:58,000 IT MAKES UP FOR IN CARGO SPACE. 347 00:15:58,087 --> 00:16:00,089 YOU'RE NOT SOLD.NO, THE PLANE'S GREAT. 348 00:16:00,176 --> 00:16:02,091 I'M JUST -- I'M WORRIED ABOUT PETER. 349 00:16:02,178 --> 00:16:03,527 HE'S HOLDING SOMETHING, MOZ. 350 00:16:03,614 --> 00:16:05,399 IF HE'S GOT A CARD HE HASN'T PLAYED YET, 351 00:16:05,486 --> 00:16:07,444 WE'RE NOT GONNA GET FAR. 352 00:16:07,531 --> 00:16:11,666 OKAY. SO, WHAT'S THE BEST WAY TO FIND OUT WHAT PETER KNOWS? 353 00:16:11,753 --> 00:16:13,668 [ KNOCK ON DOOR ] 354 00:16:15,017 --> 00:16:16,062 HEY, NEAL. 355 00:16:16,149 --> 00:16:17,193 HEY. 356 00:16:17,280 --> 00:16:18,716 PETER'S NOT HERE.I KNOW. 357 00:16:18,803 --> 00:16:20,240 I WANT TO SEE YOU. 358 00:16:22,546 --> 00:16:24,766 I WAS HOPING WE COULD TALK. 359 00:16:28,248 --> 00:16:30,598 COME ON IN. THANK YOU. 360 00:16:32,208 --> 00:16:34,906 YOU, UM... WANT SOME COFFEE? 361 00:16:34,994 --> 00:16:36,647 I NEVER SAY NO TO GOOD COFFEE. 362 00:16:36,734 --> 00:16:38,693 HUH. OKAY. 363 00:16:38,780 --> 00:16:40,956 WELL, THEN, WHY DON'T I POUR, 364 00:16:41,043 --> 00:16:43,828 AND YOU TELL ME WHY YOU DROPPED BY 365 00:16:43,915 --> 00:16:45,569 KNOWING MY HUSBAND'S NOT HERE? HMM. 366 00:16:45,656 --> 00:16:48,181 I DON'T KNOW. 367 00:16:48,268 --> 00:16:50,096 HE SUDDENLY DOESN'T TRUST ME. 368 00:16:50,183 --> 00:16:52,054 I DON'T KNOW HOW SUDDEN IT IS. 369 00:16:52,141 --> 00:16:54,100 I DON'T KNOW -- BREAKING OUT OF PRISON, 370 00:16:54,187 --> 00:16:55,927 STEALING THE MUSIC BOX, ALMOST SHOOTING FOWLER. 371 00:16:56,015 --> 00:16:57,451 YOU WANT ME TO GO ON? 372 00:16:57,538 --> 00:17:00,280 NOT PARTICULARLY, NO. 373 00:17:00,367 --> 00:17:01,890 LOOK, HE WANTS TO TRUST YOU, 374 00:17:01,977 --> 00:17:04,023 BUT YOU HAVE THIS -- I DON'T KNOW -- HABIT 375 00:17:04,110 --> 00:17:06,634 OF DOING THE WRONG THING FOR THE RIGHT REASONS. 376 00:17:06,721 --> 00:17:10,029 YOU'RE SAYING I'M IMPULSIVE BUT I HAVE A GOOD HEART? 377 00:17:10,116 --> 00:17:11,856 MAYBE YOU CAN TRY AND BALANCE THE TWO? 378 00:17:13,162 --> 00:17:15,251 YOU MAKE A FAIR POINT. 379 00:17:15,338 --> 00:17:16,861 AND A GREAT CUP OF COFFEE. 380 00:17:16,948 --> 00:17:18,950 BUT I LIKE A LITTLE BIT OF MILK IN MINE. 381 00:17:19,038 --> 00:17:20,996 YES. OKAY. 382 00:17:23,825 --> 00:17:25,653 [ CAMERA SHUTTER CLICKS ] 383 00:17:28,786 --> 00:17:30,614 TELL ME WHEN. 384 00:17:30,701 --> 00:17:32,399 WHEN. 385 00:17:32,486 --> 00:17:34,227 [ SETS DOWN CUP ] 386 00:17:34,314 --> 00:17:37,056 TO THE RIGHT THINGS... 387 00:17:37,143 --> 00:17:39,319 FOR THE RIGHT REASONS. 388 00:17:47,066 --> 00:17:50,330 PICKED UP A COPY ON THE WAY HOME. 389 00:17:50,417 --> 00:17:52,114 Mozzie: AND YOU'RE SURE MRS. SUIT 390 00:17:52,201 --> 00:17:54,508 WAS INTENTIONALLY HIDING IT FROM YOU? YES. 391 00:17:54,595 --> 00:17:56,727 YOU KNOW, I GUESS A PART OF ME ALWAYS KNEW 392 00:17:56,814 --> 00:17:58,773 WHEN PUSH COMES TO SHOVE, SHE'D CHOOSE PETER. 393 00:17:58,860 --> 00:18:00,514 WELL, HE'S HER HUSBAND. 394 00:18:00,601 --> 00:18:02,472 YEAH, HAVE THEY EVER SWAPPED OSSOBUCO RECIPES? 395 00:18:02,559 --> 00:18:03,865 WHICH APPARENTLY MEANS NOTHING. 396 00:18:05,823 --> 00:18:07,782 WAIT A MINUTE. 397 00:18:07,869 --> 00:18:09,175 THIS HAS TO BE IT. 398 00:18:09,262 --> 00:18:10,437 THE CHRYSLER BUILDING? 399 00:18:10,524 --> 00:18:12,569 YEAH, PETER WAS HERE THE NIGHT BEFORE THE FIRE. 400 00:18:12,656 --> 00:18:14,745 THIS PAINTING WAS ON THAT EASEL. HE COMMENTED ON IT. 401 00:18:14,832 --> 00:18:17,008 YOU REMEMBER? 402 00:18:19,010 --> 00:18:20,969 DID YOU PUT IT ON THE SUB? 403 00:18:21,056 --> 00:18:22,623 YOU KNOW, IN ALL HONESTY, 404 00:18:22,710 --> 00:18:24,886 I-IT WASN'T ONE OF YOUR BETTER WORKS. 405 00:18:24,973 --> 00:18:26,670 WHAT IF IT DIDN'T BURN, MOZ? 406 00:18:26,757 --> 00:18:28,542 IF HE HAD IT, YOU'D BE IN CUFFS ALREADY. 407 00:18:28,629 --> 00:18:30,761 NO. I KNOW HIM. HE'D WANT TO BE SURE. 408 00:18:30,848 --> 00:18:34,156 SO HE GAVE IT TO THE FEDS TO RUN SOME TESTS 409 00:18:34,243 --> 00:18:36,245 TO SEE IF THE PAINTING PREDATED THE SUB 410 00:18:36,332 --> 00:18:37,725 AS OPPOSED TO, SAY, LAST WEEK. 411 00:18:37,812 --> 00:18:39,988 IF THE BUREAU RAN THE TESTS, HE'D HAVE THE RESULTS BY NOW. 412 00:18:40,075 --> 00:18:41,729 HE DOESN'T WANT THE FBI INVOLVED. 413 00:18:41,816 --> 00:18:43,383 HE DOESN'T WANT IT ON THE RECORD. 414 00:18:43,470 --> 00:18:44,558 WHY NOT? 415 00:18:44,645 --> 00:18:46,342 TO PROTECT ME. 416 00:18:46,429 --> 00:18:48,866 OR TO PROTECT HIMSELF. 417 00:18:48,953 --> 00:18:50,607 MAYBE. 418 00:18:50,694 --> 00:18:53,349 SO, IF HE DIDN'T GIVE IT TO THE FBI LAB, 419 00:18:53,436 --> 00:18:54,394 WHO ELSE COULD TEST IT? 420 00:18:56,135 --> 00:18:57,832 ELIZABETH?ELIZABETH? 421 00:18:57,919 --> 00:18:59,529 YEAH, SHE COMES FROM AN ART BACKGROUND, 422 00:18:59,616 --> 00:19:01,009 AND SHE KNOWS ABOUT THE PAINTING. 423 00:19:01,096 --> 00:19:03,142 I SHOULD KEEP AN EYE ON HER. 424 00:19:04,491 --> 00:19:06,014 IT'S WORTH A SHOT, HAVERSHAM. 425 00:19:06,101 --> 00:19:08,234 [ CHUCKLES ] 426 00:19:08,321 --> 00:19:10,497 [ SEABIRDS CRYING, AIR HORN BLOWS ] 427 00:19:12,586 --> 00:19:14,849 BEAUTIFUL DAY, GARY. 428 00:19:14,936 --> 00:19:18,200 YES, IT IS. 429 00:19:18,287 --> 00:19:21,421 I WAS WONDERING IF YOU'D SHOW. 430 00:19:21,508 --> 00:19:24,032 I DIDN'T COME THIS FAR TO BACK OUT NOW. 431 00:19:24,119 --> 00:19:25,773 I WASN'T RULING IT OUT. 432 00:19:25,860 --> 00:19:28,689 EVERY DAY THAT MONEY SITS THERE, JUST OUT OF REACH. 433 00:19:28,776 --> 00:19:32,127 COMES A POINT WHERE YOU FINISH THE JOB OR IT FINISHES YOU. 434 00:19:32,214 --> 00:19:34,564 YOU GET CAUGHT, YOU LOSE EVERYTHING. 435 00:19:34,651 --> 00:19:36,958 ALREADY LOST EVERYTHING. 436 00:19:37,045 --> 00:19:39,482 WHEN I RAN, I RAN FAST. DIDN'T LOOK BACK. 437 00:19:39,569 --> 00:19:41,267 SO... 438 00:19:41,354 --> 00:19:42,746 HOW'S THIS GONNA WORK? 439 00:19:42,833 --> 00:19:45,009 [ CHUCKLES ] 440 00:19:45,096 --> 00:19:46,881 ON YOUR GO, THE INGENIEUR MINARD 441 00:19:46,968 --> 00:19:48,796 WILL PROVIDE YOU AND YOUR CARGO 442 00:19:48,883 --> 00:19:52,103 SAFE AND DISCRETE PASSAGE TO THE ISLAND OF SANTO ANTAO. 443 00:19:52,191 --> 00:19:54,105 ALL THE DOCUMENTATION YOU MAY NEED UPON ARRIVAL 444 00:19:54,193 --> 00:19:57,761 IS IN THAT ENVELOPE -- I.D., PASSPORT, EVERYTHING. 445 00:19:57,848 --> 00:20:00,764 GETTING IN ISN'T MY CONCERN. IT'S GETTING OUT. 446 00:20:00,851 --> 00:20:02,462 FOUR STEPS. 447 00:20:02,549 --> 00:20:04,855 STEP ONE, WE MOVE YOUR MONEY HERE BY TRUCK. 448 00:20:04,942 --> 00:20:06,770 STEP TWO, MY INSIDE MAN AT THE GATE, 449 00:20:06,857 --> 00:20:09,077 MR. RYAN IN CUSTOMS, 450 00:20:09,164 --> 00:20:10,600 LOOKS THE OTHER WAY 451 00:20:10,687 --> 00:20:13,255 WHILE WE TRANSPORT YOU AND YOUR CARGO TO THE VESSEL. 452 00:20:13,342 --> 00:20:15,170 STEP FOUR, MR. RYAN FILES FAUX ROUTING PAPERS. 453 00:20:15,257 --> 00:20:16,867 IF ANYONE COMES LOOKING FOR YOU, 454 00:20:16,954 --> 00:20:18,826 THEY'LL START THEIR SEARCH IN CALAIS, FRANCE, 455 00:20:18,913 --> 00:20:21,307 4,000 MILES FROM YOUR ACTUAL LOCATION. 456 00:20:21,394 --> 00:20:24,571 NOT BAD. BUT YOU SKIPPED STEP THREE. 457 00:20:24,658 --> 00:20:26,616 STEP THREE IS THE REASON YOU HIRED ME. 458 00:20:26,703 --> 00:20:29,184 HANDLE YOUR END. TRUST ME TO HANDLE MINE. 459 00:20:31,534 --> 00:20:33,014 [ CHUCKLES ] 460 00:20:35,451 --> 00:20:37,888 CAFFREY'S PRETTY SAVVY AT PLANNING AN ESCAPE. 461 00:20:37,975 --> 00:20:40,195 YEAH. UNTIL LAWRENCE MAKES HIS MOVE, 462 00:20:40,282 --> 00:20:43,459 HE KNOWS WE'LL KEEP HIS ANKLET OFF. 463 00:20:43,546 --> 00:20:45,287 ARE YOU GONNA LETHIM WALK AROUND UNMONITORED? 464 00:20:45,374 --> 00:20:47,246 NO. 465 00:20:50,901 --> 00:20:53,295 YOU ARE TO CHECK IN EVERY TWO HOURS ON THE HOUR. 466 00:20:53,382 --> 00:20:55,645 YOU GO FROM HOME TO THE OFFICE, AND THAT'S IT. 467 00:20:55,732 --> 00:20:56,994 I KNOW THE DRILL. 468 00:20:57,081 --> 00:20:59,127 YOU'RE NOT OFF ANKLET FOR GOOD BEHAVIOR. 469 00:20:59,214 --> 00:21:01,216 AFTER LAWRENCE GETS YOU TO HIS MONEY, 470 00:21:01,303 --> 00:21:02,565 TAKE HIM TO THE HARBOR. 471 00:21:02,652 --> 00:21:04,132 WE'VE BEEN OVER THIS. ANYTHING ELSE? 472 00:21:04,219 --> 00:21:06,613 YEAH. WHAT'S STEP THREE? 473 00:21:06,700 --> 00:21:08,397 STEP THREE IS YOU ARREST HIM. 474 00:21:08,484 --> 00:21:10,486 OH. GOOD THING YOU DIDN'T TELL HIM. 475 00:21:10,573 --> 00:21:11,748 I THOUGHT YOU MIGHT LIKE THAT. 476 00:21:11,835 --> 00:21:14,360 HMM. 477 00:21:14,447 --> 00:21:17,058 HEARD YOU TALKED TO EL. 478 00:21:17,145 --> 00:21:19,452 LOOK, PETER, WHATEVER YOU THINK I HAVE DONE, 479 00:21:19,539 --> 00:21:21,410 YOU AND ME -- HEY. 480 00:21:21,497 --> 00:21:23,238 WE'RE ON THE SAME TEAM. 481 00:21:23,325 --> 00:21:25,196 REALLY? YES. 482 00:21:25,284 --> 00:21:27,155 [ CELL PHONE RINGS ]MAY I? 483 00:21:27,242 --> 00:21:28,722 YES. GET OUT!THANK YOU. 484 00:21:28,809 --> 00:21:30,898 TALK TO YOU IN TWO HOURS. 485 00:21:30,985 --> 00:21:32,943 AND TWO HOURS AFTER THAT.Peter: THAT'S WHAT I LIKE TO HEAR. 486 00:21:33,030 --> 00:21:34,684 HEY, MOZ. 487 00:21:34,771 --> 00:21:36,904 OUR HUNCH MAY BE CORRECT. 488 00:21:36,991 --> 00:21:40,342 MRS. SUIT IS CHATTING UP HER OLD BOSS AT THE DeARMITT GALLERY. 489 00:21:40,429 --> 00:21:41,474 WHAT'D SHE SAY? 490 00:21:41,561 --> 00:21:43,389 [ GROANS ] 491 00:21:43,476 --> 00:21:45,260 "Oh, what a spring we're having." 492 00:21:45,347 --> 00:21:46,566 Blah blah blah. 493 00:21:46,653 --> 00:21:48,959 OH, SHE'S ASKING HIM ABOUT A LAB TEST. 494 00:21:49,046 --> 00:21:52,659 OH! S-SHE'S GIVING HIM A SCRAP OF BURNT PAINTING. 495 00:21:52,746 --> 00:21:53,573 IS IT MINE? 496 00:21:55,488 --> 00:21:58,099 OH, SWEET ELVIS COSTELLO! IT'S YOUR CHRYSLER PAINTING! 497 00:22:00,101 --> 00:22:01,885 IT DIDN'T BURN. 498 00:22:01,972 --> 00:22:04,584 FLAME IS A FICKLE MISTRESS. 499 00:22:04,671 --> 00:22:06,150 WE'RE GONNA HAVE TO STEAL IT. 500 00:22:06,237 --> 00:22:07,630 NO. NO, NO, NO, NO. 501 00:22:07,717 --> 00:22:10,154 PETER WILL SUSPECT ME. 502 00:22:10,241 --> 00:22:12,940 LET THEM RUN THE TESTS. WE'LL SWAP IT OUT. 503 00:22:14,855 --> 00:22:17,292 RISKY BUT NOT IMPOSSIBLE. 504 00:22:17,379 --> 00:22:21,470 We need a swatch of canvas and some paints from the 1930s. 505 00:22:21,557 --> 00:22:23,951 WHICH WE HAVE IN GREAT SUPPLY. 506 00:22:24,038 --> 00:22:26,606 ALL RIGHT. MEET ME AT THE WAREHOUSE. I'M ON MY WAY. 507 00:22:48,976 --> 00:22:51,108 [ CELL PHONE RINGS ] 508 00:22:51,195 --> 00:22:53,241 WHERE ARE YOU? 509 00:22:53,328 --> 00:22:54,895 Neal: I'VE GOT A TAIL.What?! 510 00:22:54,982 --> 00:22:55,983 HAVE YOU STARTED? 511 00:22:56,070 --> 00:22:58,072 OF COURSE I STARTED, 512 00:22:58,159 --> 00:23:00,901 BUT WITHOUT YOU HERE, I'M NOT SURE WHICH COLORS TO SAMPLE, 513 00:23:00,988 --> 00:23:03,382 SO THIS WHOLE THING MIGHT BE AN EXERCISE IN FUTILITY. 514 00:23:03,469 --> 00:23:05,775 JUST PULL THE PRIMARIES. I CAN MIX THE REST. 515 00:23:05,862 --> 00:23:07,168 I'M NOT AN IDIOT. 516 00:23:07,255 --> 00:23:09,953 I SCRAPED A TITANIUM WHITE FROM THE REMBRANDT, 517 00:23:10,040 --> 00:23:11,694 A MIDNIGHT BLUE FROM A VLAMINCK. 518 00:23:11,781 --> 00:23:13,479 OH, YOU SHOULD GET A MONESTIAL BLUE. 519 00:23:13,566 --> 00:23:15,959 YOU KNOW, I SHOULDGET A MONESTIAL BLUE. 520 00:23:16,046 --> 00:23:18,832 IF YOU FIND ONE THICK ENOUGH, FEEL FREE TO LET ME KNOW. 521 00:23:18,919 --> 00:23:20,616 OH, THAT'S RIGHT -- YOU'RE NOT HERE! 522 00:23:20,703 --> 00:23:22,575 Breathe, Moz. 523 00:23:22,662 --> 00:23:24,403 HOW ARE WE DOING ON THE CANVAS? DID YOU CHECK THE DALí? 524 00:23:24,490 --> 00:23:25,839 EVIDENTLY... 525 00:23:25,926 --> 00:23:29,756 OUR FRIEND SALVADOR LIKED TO STRETCH TIME 526 00:23:29,843 --> 00:23:31,453 BUT NOT CANVASES. 527 00:23:31,540 --> 00:23:34,021 I'LL FIND SOMETHING. 528 00:23:34,108 --> 00:23:36,197 I KNOW YOU WILL. 529 00:23:48,339 --> 00:23:50,080 PRACTICING? 530 00:23:50,167 --> 00:23:52,213 YEAH, I FIGURED I SHOULD HAVE A COPY OF THE CHRYSLER LYING AROUND 531 00:23:52,300 --> 00:23:53,867 IN CASE PETER CAME LOOKING FOR IT. 532 00:23:53,954 --> 00:23:55,216 YOU GET EVERYTHING? 533 00:23:55,303 --> 00:23:57,914 SOME CANVAS AND A SPECTRUM OF PREWAR PAINT 534 00:23:58,001 --> 00:24:00,482 THAT WOULD PASS ANY WOOD'S LIGHT OR I.R. SPECTROSCOPY 535 00:24:00,569 --> 00:24:02,136 THEY WANT TO THROW AT IT. 536 00:24:02,223 --> 00:24:06,140 THE RED IS FROM A PORTRAIT OF FERNANDE OLIVIER. 537 00:24:06,227 --> 00:24:08,534 THE LAST PERSON TO MIX THIS PAINT WAS PICASSO. 538 00:24:08,621 --> 00:24:10,797 [ CHUCKLES ]WE'RE TAKING FROM MASTERS. 539 00:24:10,884 --> 00:24:13,495 OH, PICASSO WAS A COMMUNIST. HE'D BE HAPPY TO SHARE. 540 00:24:13,582 --> 00:24:14,670 WHAT'S THE PLAN FOR THE GALLERY? 541 00:24:14,757 --> 00:24:17,717 AH! THE PLAN FOR THE GALLERY. 542 00:24:17,804 --> 00:24:21,198 I PRIED SOME INFORMATION FROM A LOOSE-LIPPED GALLERISTA. 543 00:24:21,285 --> 00:24:23,505 THEY'RE SENDING OUR SWATCH OUT TO AN AUTHENTICATION LAB 544 00:24:23,592 --> 00:24:25,202 AT 11:00 A.M. TOMORROW MORNING. 545 00:24:25,289 --> 00:24:26,900 THE GALLERY OPENS AT 10:30, 546 00:24:26,987 --> 00:24:29,032 SO WE HAVE 30 MINUTES TO GET INSIDE, 547 00:24:29,119 --> 00:24:30,686 MAKE THE SWITCH, THEN GET OUT. 548 00:24:30,773 --> 00:24:32,427 IT'S GONNA BE CLOSE. SECURITY? 549 00:24:32,514 --> 00:24:36,083 A STANDARD SCHLAGEL ON THE DOOR, WITH SURVEILLANCE CAMERAS. 550 00:24:36,170 --> 00:24:38,477 WE'LL NEED A DISTRACTION WHILE I PICK IT. 551 00:24:38,564 --> 00:24:41,349 I CAN'T BUY YOU THAT MUCH TIME BY MYSELF. 552 00:24:41,436 --> 00:24:43,264 HOW ABOUT A KANSAS CITY MUD SLIDE? 553 00:24:43,351 --> 00:24:44,570 YOU GONNA WORK THE JACKHAMMER? 554 00:24:44,657 --> 00:24:47,703 NO. 555 00:24:47,790 --> 00:24:51,185 [ SNAPS FINGERS ] LET'S RUN A PHOEBE CATES.WHO'S THE GIRL? 556 00:24:51,272 --> 00:24:53,535 I DON'T THINK JUNE WOULD MIND IF WE USED HER GRANDDAUGHTER. 557 00:24:53,622 --> 00:24:54,754 WELL, SHE'S PRETTY ENOUGH. 558 00:24:54,841 --> 00:24:56,190 WILL SHE DO IT WITHOUT ASKING QUESTIONS? 559 00:24:56,277 --> 00:24:57,496 I'M SURE SHE'S UP FOR A LITTLE EXCITEMENT. 560 00:24:57,583 --> 00:24:58,758 EXCELLENT! 561 00:24:58,845 --> 00:25:00,629 OH -- NOW ON TO THE BIGGER QUESTION. 562 00:25:00,716 --> 00:25:02,326 HOW DO YOU PLAN ON LOSING YOUR TAIL, 563 00:25:02,413 --> 00:25:03,502 OUTSIDE EVOLUTION? 564 00:25:08,158 --> 00:25:10,770 I'LL TAKE A PAGE FROM MAGRITTE. 565 00:25:19,518 --> 00:25:21,824 AH, YOU GOT TO BE KIDDING ME. 566 00:25:27,438 --> 00:25:28,483 CAFFREY! 567 00:25:30,964 --> 00:25:32,618 DID I WIN? 568 00:25:32,705 --> 00:25:34,968 THE CONTEST -- "WEAR A DARK SUIT, FEDORA, 569 00:25:35,055 --> 00:25:36,230 "COME TO 23rd AND 10th. 570 00:25:36,317 --> 00:25:38,232 BEST-DRESSED WINS 500 BUCKS." 571 00:25:38,319 --> 00:25:39,450 YEAH. YEAH. 572 00:25:39,538 --> 00:25:41,148 YOU WON! 573 00:25:42,366 --> 00:25:45,544 OKAY, MOZ. YOU'RE UP. 574 00:25:48,416 --> 00:25:51,245 HEY, I HAVE A DELIVERY FOR A THOMAS JOHNSON. 575 00:25:51,332 --> 00:25:53,552 YOU JUST MISSED HIM. TOM TOOK A JOB IN BOSTON. 576 00:25:53,639 --> 00:25:55,031 HIS LAST DAY WAS MONDAY. 577 00:25:55,118 --> 00:25:56,772 OH, DAMN. CAN'T BLAME HIM, THOUGH. 578 00:25:56,859 --> 00:25:59,514 BOSTON'S A HELL OF A TOWN. 579 00:26:01,821 --> 00:26:03,431 SOMETHING I CAN HELP YOU WITH? 580 00:26:03,518 --> 00:26:05,172 NO, I'M JUST ADMIRING THE VIEW. 581 00:26:07,000 --> 00:26:08,349 NICE, HUH? 582 00:26:09,611 --> 00:26:12,353 OH.YEAH. 583 00:26:14,964 --> 00:26:16,662 LOOK WHAT I DID. I GOT IT ALL OVER ME. 584 00:26:16,749 --> 00:26:17,576 UGH. 585 00:26:25,540 --> 00:26:27,716 THERE IS SOMETHING VERY SERIOUSLY WRONG WITH ME. 586 00:26:27,803 --> 00:26:29,500 TODAY OF ALL DAYS. WOULD YOU MIND HOLDING THIS? 587 00:26:29,588 --> 00:26:31,415 Mozzie: OH. UH, SURE.AND COULD YOU TAKE THIS? 588 00:26:31,502 --> 00:26:33,069 O-OKAY, BUT -- 589 00:26:33,156 --> 00:26:34,897 AND I'M GONNA NEED YOU TO HOLD THIS UP FOR ME. 590 00:26:34,984 --> 00:26:36,464 UH-HUH. 591 00:26:36,551 --> 00:26:38,074 OH. OF COURSE. 592 00:26:38,161 --> 00:26:39,728 WHOA, WHOA, WHOA! MISS! YOU CAN'T TAKE YOUR TOP OFF HERE. 593 00:26:39,815 --> 00:26:41,643 LOOK, I DON'T THINK YOU GET IT. 594 00:26:41,730 --> 00:26:43,340 I CAN'T BE LATE TODAY, OKAY? 595 00:26:43,427 --> 00:26:44,820 MY BOSS WILL KILL ME IF I'M LATE. 596 00:26:44,907 --> 00:26:48,868 C-COME ON, MAN. LET HER CHANGE! 597 00:26:48,955 --> 00:26:50,434 YEAH. I GUESS IT COULDN'T HURT. 598 00:26:50,521 --> 00:26:52,262 UH, JUST BE QUICK ABOUT IT, OKAY? 599 00:26:52,349 --> 00:26:54,700 THANKS, GUYS, REALLY. 600 00:26:54,787 --> 00:26:56,658 YOU HAVE NO IDEA WHAT THIS MEANS TO ME. 601 00:26:56,745 --> 00:26:59,182 OH, OR...US. 602 00:27:00,793 --> 00:27:02,185 WHICH TOP DO YOU LIKE? 603 00:27:03,970 --> 00:27:05,014 THIS OR THIS? 604 00:27:05,101 --> 00:27:07,495 Guard: UH, TH-THE SECOND ONE. 605 00:27:07,582 --> 00:27:10,019 YOU GUYS ARE WONDERFUL. 606 00:27:10,106 --> 00:27:12,543 YEAH, JUST A COUPLE OF WORKING STIFFS 607 00:27:12,631 --> 00:27:15,024 DOING WHAT WE CAN TO HELP OUT A LADY IN DISTRESS. 608 00:27:15,111 --> 00:27:16,373 [ CHUCKLES ] 609 00:27:16,460 --> 00:27:18,462 ALMOST THERE. 610 00:27:21,422 --> 00:27:23,729 PERFECT. WE ARE GOOD TO GO. 611 00:27:35,523 --> 00:27:37,264 GREAT. 612 00:27:41,050 --> 00:27:42,617 YOU ARE A LIFESAVER. 613 00:27:44,532 --> 00:27:46,229 YOU TOO. 614 00:27:46,316 --> 00:27:48,275 [ SMOOCHES ] 615 00:27:53,759 --> 00:27:55,151 SCREW BOSTON. 616 00:27:55,238 --> 00:27:56,805 THISIS A HELL OF A TOWN. 617 00:28:17,086 --> 00:28:18,305 YEAH. 618 00:28:51,512 --> 00:28:54,384 [ CELL PHONE VIBRATES ] 619 00:28:54,471 --> 00:28:56,865 HEY, PETER. 620 00:28:56,952 --> 00:28:59,563 YOU GAVE JONES A NICE RUNAROUND. 621 00:28:59,650 --> 00:29:02,175 THAT WAS JONES? I THOUGHT THAT COULD'VE BEEN LAWRENCE. 622 00:29:02,262 --> 00:29:03,219 I DIDN'T WANT TO BLOW MY COVER. 623 00:29:03,306 --> 00:29:04,438 MM-HMM. 624 00:29:04,525 --> 00:29:06,005 WHY'D YOU PUT JONES ON ME? 625 00:29:06,092 --> 00:29:08,703 YOU REALLY WANT ME TO ANSWER THAT? YOU AT HOME? 626 00:29:08,790 --> 00:29:10,139 WHERE ELSE WOULD I BE? 627 00:29:10,226 --> 00:29:11,445 WHAT ARE YOU DOING? 628 00:29:11,532 --> 00:29:13,969 YOU KNOW, ARTS AND CRAFTS -- THE USUAL. 629 00:29:14,056 --> 00:29:16,102 JONES WILL BE AT YOUR PLACE IN 20 MINUTES. 630 00:29:16,189 --> 00:29:18,452 HE'S GONNA STAY ON YOU. YOU'RE GONNA LET HIM. 631 00:29:18,539 --> 00:29:20,193 NO PROBLEM. Bye. 632 00:29:31,552 --> 00:29:33,249 [ CHUCKLES ] 633 00:29:39,865 --> 00:29:42,432 SO, I'M GETTING EVERYTHING IN PLACE AT THE WAREHOUSE. 634 00:29:42,519 --> 00:29:45,044 THE PLANE IS FUELED AND READY. 635 00:29:45,131 --> 00:29:47,046 YOU KNOW JONES IS OUTSIDE, RIGHT? 636 00:29:47,133 --> 00:29:48,787 YEAH. ONCE I GET LAWRENCE AND HIS MONEY TO THE DOCKS, 637 00:29:48,874 --> 00:29:50,179 I CAN SLIP HIM AGAIN. 638 00:29:50,266 --> 00:29:51,572 [ CHUCKLES ] 639 00:29:51,659 --> 00:29:53,792 BY THE TIME LAWRENCE IS BEING HAULED DOWNTOWN, 640 00:29:53,879 --> 00:29:56,229 WE'LL BE SIPPING CHAMPAGNE AT CRUISING ALTITUDE. 641 00:29:56,316 --> 00:29:57,621 SO, WHEN'S "GO" TIME? 642 00:29:59,798 --> 00:30:01,800 LAWRENCE'S TEXT CAME IN TWO MINUTES AGO. 643 00:30:03,149 --> 00:30:04,411 WHY DIDN'T YOU TELL ME? 644 00:30:04,498 --> 00:30:05,760 THIS IS IT! 645 00:30:05,847 --> 00:30:08,632 WE TAKE OUR TIME. WE DO IT RIGHT. 646 00:30:08,719 --> 00:30:10,460 LOOK, YOU KNOW, 647 00:30:10,547 --> 00:30:14,247 EVERYTHING GOOD MUST ONE DAY COME TO AN END. 648 00:30:14,334 --> 00:30:15,988 JUST THINK -- 649 00:30:16,075 --> 00:30:18,425 WE'RE NEVER GONNA SEE ANYTHING IN THIS APARTMENT AGAIN -- 650 00:30:18,512 --> 00:30:22,124 EXCEPT YOU. YOU CAN COME WITH ME. 651 00:30:22,211 --> 00:30:24,648 Mozzie: HEY. WHAT ARE YOU DOING? 652 00:30:24,735 --> 00:30:26,520 THIS IS OUR FINAL CURTAIN CALL, 653 00:30:26,607 --> 00:30:28,043 OUR BIG AU REVOIR. 654 00:30:28,130 --> 00:30:29,871 I SHOULD SAY SOMETHING TO JUNE. 655 00:30:29,958 --> 00:30:34,397 HEY. YOU KNOW THE RULES. NO GOOD-BYES. 656 00:30:34,484 --> 00:30:35,529 YEAH. 657 00:30:37,052 --> 00:30:38,314 I'M GONNA MISS HER, TOO. 658 00:30:38,401 --> 00:30:40,316 I'M... 659 00:30:41,883 --> 00:30:43,276 ...GONNA MISS ALL OF IT. 660 00:30:45,234 --> 00:30:46,366 COME ON. 661 00:30:46,453 --> 00:30:47,628 [ CLEARS THROAT ] 662 00:30:47,715 --> 00:30:49,804 I'LL SEE YOU DOWNSTAIRS.OKAY. 663 00:31:06,603 --> 00:31:09,563 [ SCOFFS ] 664 00:31:17,963 --> 00:31:19,878 GOOD-BYE, CAFFREY. 665 00:31:33,282 --> 00:31:34,849 LAWRENCE MADE CONTACT? 666 00:31:34,936 --> 00:31:36,024 I'M ON MY WAY TO THE FENCING CLUB 667 00:31:36,111 --> 00:31:37,156 TO MEET HIM NOW. 668 00:31:37,243 --> 00:31:38,766 UPDATE ME WHEN YOU HAVE THE MONEY. 669 00:31:38,853 --> 00:31:40,724 JONES WILL BACK YOUR PLAY IF ANYTHING GOES WRONG. 670 00:31:40,811 --> 00:31:42,161 I'M HEADING TO THE HARBOR NOW. 671 00:31:42,248 --> 00:31:44,032 ALL RIGHT. 672 00:31:53,520 --> 00:31:55,652 EVERYTHING IN PLACE? 673 00:31:55,739 --> 00:31:58,046 MM. 674 00:31:58,133 --> 00:31:59,743 ONLY THING LEFT IS THE MONEY. 675 00:31:59,830 --> 00:32:01,267 [ CHUCKLES ] 676 00:32:01,354 --> 00:32:04,966 THE FEDERAL RESERVE JOB -- IT WAS FLAWLESS. 677 00:32:05,053 --> 00:32:06,925 PROBABLY THE MOST SECURE VAULT IN THE WORLD, 678 00:32:07,012 --> 00:32:08,796 AND I WALKED OUT WITH $60 MILLION. 679 00:32:08,883 --> 00:32:10,580 IT WAS PROMETHEUS... 680 00:32:10,667 --> 00:32:13,975 STEALING FIRE FROM THE GODS. 681 00:32:14,062 --> 00:32:15,846 PROMETHEUS GOT CAUGHT.[ CHUCKLES ] 682 00:32:15,934 --> 00:32:17,326 YES, HE DID. 683 00:32:17,413 --> 00:32:19,502 YES, HE DID. 684 00:32:19,589 --> 00:32:21,591 AND THE FBI CLOSED IN -- FAST. 685 00:32:21,678 --> 00:32:23,332 EVERY ACCOUNT, P.O. BOX, STORAGE LOCKER, 686 00:32:23,419 --> 00:32:24,812 FRIENDS, RELATIVES, APARTMENTS. 687 00:32:24,899 --> 00:32:26,640 THEY WERE ALL OVER ME. 688 00:32:26,727 --> 00:32:30,122 I NEEDED TO GET OUT FAST, STASH THE MONEY. 689 00:32:30,209 --> 00:32:31,601 I THOUGHT I'D BE BACK IN 48 HOURS TO COLLECT IT, 690 00:32:31,688 --> 00:32:35,170 BUT THE FEDS WERE THERE, WAITING. 691 00:32:35,257 --> 00:32:37,912 INSTEAD, I WAS ON A PLANE HEADED SOUTH OF THE BORDER. 692 00:32:37,999 --> 00:32:39,522 EVERY MORNING, I'D CHECK THE NEWS, 693 00:32:39,609 --> 00:32:41,437 WAITING TO HEAR THE REPORT -- 694 00:32:41,524 --> 00:32:44,658 "$60 MILLION FOUND IN GRAMERCY FENCING CLUB." 695 00:32:44,745 --> 00:32:46,355 IT'S HERE? 696 00:32:46,442 --> 00:32:48,836 THERE ARE FIVE DUCTS TO THIS ROOM. 697 00:32:48,923 --> 00:32:51,143 I DIVERTED AIR TO TWO OF THEM. 698 00:32:51,230 --> 00:32:52,448 [ CLICK ] 699 00:32:52,535 --> 00:32:55,321 [ AIR RUSHING, DUCTS CLANGING ] 700 00:33:01,849 --> 00:33:03,459 THERE IT IS -- 701 00:33:03,546 --> 00:33:05,940 $60 MILLION. 702 00:33:06,027 --> 00:33:09,639 YOU KNOW HOW MANY TIMES I PICTURED THIS IN MY HEAD? 703 00:33:09,726 --> 00:33:11,641 IS THIS HOW YOU THOUGHT IT'D FEEL? 704 00:33:11,728 --> 00:33:13,339 NO. 705 00:33:13,426 --> 00:33:15,254 BETTER. 706 00:33:15,341 --> 00:33:18,300 [ LAUGHS ] 707 00:33:25,786 --> 00:33:28,093 WHAT'S GOING ON? 708 00:33:31,270 --> 00:33:33,620 SOMEONE KNOWS WE'RE HERE. 709 00:33:43,108 --> 00:33:44,413 [ BREATHING HEAVILY ] 710 00:33:44,500 --> 00:33:45,501 AGENT JONES. 711 00:33:47,503 --> 00:33:49,244 FBI. 712 00:33:49,331 --> 00:33:50,550 WHAT ARE YOU DOING HERE? 713 00:33:50,637 --> 00:33:52,117 [ GUN COCKS ] 714 00:33:52,204 --> 00:33:53,466 TALK, OR I SHOOT. 715 00:33:53,553 --> 00:33:54,728 YOU TAILING MY FRIEND HERE? 716 00:33:54,815 --> 00:33:56,686 ANSWER HIM. 717 00:33:56,773 --> 00:33:58,601 WERE YOU FOLLOWING ME? 718 00:33:58,688 --> 00:34:01,082 I DON'T KNOW WHO YOU ARE. 719 00:34:01,169 --> 00:34:03,215 I'M ON LAWRENCE. 720 00:34:03,302 --> 00:34:05,130 HOW MANY OF YOUR FRIENDS YOU GOT OUT THERE? 721 00:34:05,217 --> 00:34:06,740 I FOLLOWED A HUNCH. 722 00:34:06,827 --> 00:34:08,176 I'M BY MYSELF. 723 00:34:08,263 --> 00:34:10,004 LIAR! 724 00:34:10,091 --> 00:34:11,658 A PACK OF WOLVES! 725 00:34:14,313 --> 00:34:16,924 THEY PROBABLY KNOW ABOUT THE DOCK. 726 00:34:17,011 --> 00:34:19,144 THE WHOLE THING IS BLOWN. 727 00:34:19,231 --> 00:34:22,234 KILL HIM. DUMP THE BODY. 728 00:34:22,321 --> 00:34:24,149 W-W-WAIT A SECOND. 729 00:34:24,236 --> 00:34:26,455 THIS GUY IS USELESS DEAD. 730 00:34:26,542 --> 00:34:28,066 ALIVE, HE'S LEVERAGE. 731 00:34:28,153 --> 00:34:29,241 FOR WHAT? 732 00:34:29,328 --> 00:34:31,156 YOU FORGOT STEP THREE. 733 00:34:31,243 --> 00:34:33,462 ATTAQUE COMPOSéE -- FEINT LEFT, THRUST RIGHT. 734 00:34:33,549 --> 00:34:34,898 WHAT ARE YOU TALKING ABOUT? 735 00:34:34,985 --> 00:34:37,249 I'M TALKING ABOUT A BACKUP PLAN. 736 00:34:37,336 --> 00:34:39,729 WHEN IT ALL GOES TO HELL, THIS IS WHY YOU HIRE ME. 737 00:34:41,035 --> 00:34:43,342 I'VE GOT A PLANE. 738 00:34:48,869 --> 00:34:51,045 [ CELL PHONE RINGS ] 739 00:34:52,612 --> 00:34:54,570 NOW BOARDING -- 740 00:34:54,657 --> 00:34:57,443 Freedom Airlines, flight number one and only. 741 00:34:57,530 --> 00:34:58,922 I'M HERE WITH THE CLIENT. 742 00:34:59,009 --> 00:35:00,794 WE'RE PUTTING STEP THREE INTO EFFECT. 743 00:35:00,881 --> 00:35:03,318 STEP THREE? NEAL, WHAT ARE YOU TALKING ABOUT? 744 00:35:03,405 --> 00:35:05,407 THE CLIENT AND I ARE MOVING THE CARGO TO THE AIRSTRIP. 745 00:35:05,494 --> 00:35:06,930 Client? 746 00:35:07,017 --> 00:35:08,671 DON'T TELL ME YOU'RE TALKING ABOUT LAWRENCE. 747 00:35:08,758 --> 00:35:10,499 THAT'S RIGHT.No. No, no, no. 748 00:35:10,586 --> 00:35:11,979 DON'T DO THIS TO US. 749 00:35:12,066 --> 00:35:15,983 MAKE SURE IT'S GASSED UP AND GOOD TO GO. ALL RIGHT? 750 00:35:16,070 --> 00:35:18,028 GRAB YOUR SUIT AND MEET ME THERE. 751 00:35:18,116 --> 00:35:21,249 WHAT? NO SUITS. NO SUITS ON THE ISLAND! 752 00:35:22,816 --> 00:35:24,687 NEAL -- 753 00:35:27,255 --> 00:35:28,778 NO SIGN OF CAFFREY AND LAWRENCE. 754 00:35:28,865 --> 00:35:30,389 STILL NO ANSWER FROM JONES. 755 00:35:30,476 --> 00:35:32,086 THIS IS TAKING WAY TOO LONG. 756 00:35:32,173 --> 00:35:34,610 [ CELL PHONE RINGS ] 757 00:35:34,697 --> 00:35:36,830 YOU BETTER HAVE A GOOD REASON FOR CALLING. 758 00:35:36,917 --> 00:35:38,919 I'm in the middle of something very important, Mozzie. 759 00:35:39,006 --> 00:35:41,443 YEAH, YOU AND ME BOTH, SUIT. 760 00:35:41,530 --> 00:35:43,793 I'M PASSING ON A MESSAGE FROM NEAL. 761 00:35:43,880 --> 00:35:45,839 HE'S MADE A REQUEST FOR OUR PRESENCE, 762 00:35:45,926 --> 00:35:47,406 WITHOUT THE SLIGHTEST REGARD 763 00:35:47,493 --> 00:35:50,191 FOR THE MONUMENTAL INCONVENIENCE IT CAUSES US -- 764 00:35:50,278 --> 00:35:51,888 PRIMARILY, ME. 765 00:35:51,975 --> 00:35:54,369 Van Buren airstrip. 30 minutes. 766 00:35:54,456 --> 00:35:56,154 MOVING OUT. 767 00:36:03,639 --> 00:36:06,773 NEAL, WE GOT TO HURRY. 768 00:36:08,166 --> 00:36:10,037 I SAID, "SUIT," NOT "COSTUME." 769 00:36:10,124 --> 00:36:12,779 DON'T WORRY. THE SUIT GOT THE MESSAGE. 770 00:36:14,998 --> 00:36:16,174 Lawrence: LOAD THE FED UP FRONT. 771 00:36:19,089 --> 00:36:20,787 JONES? 772 00:36:20,874 --> 00:36:21,744 WHY AREN'T WE FLYING? 773 00:36:26,445 --> 00:36:28,098 YOU SURE YOU CAN FLY THIS THING? 774 00:36:37,282 --> 00:36:39,545 [ ENGINES WHIRRING ] 775 00:36:42,025 --> 00:36:44,289 [ TIRES SCREECH, SIRENS WAILING ] 776 00:36:46,247 --> 00:36:47,944 GET AROUND THE FRONT OF THAT PLANE. 777 00:36:48,031 --> 00:36:49,381 TEAM ONE, FLANK LEFT. 778 00:36:49,468 --> 00:36:51,296 TEAM THREE, FLANK RIGHT. BOX HIM IN! 779 00:36:51,383 --> 00:36:54,429 WE CANNOT LET CAFFREY GET AIRBORNE! 780 00:36:54,516 --> 00:36:57,954 LOLANA, IT WASN'T SUPPOSED TO BE LIKE THIS. 781 00:36:58,041 --> 00:36:59,521 [ WAILING CONTINUES ] 782 00:36:59,608 --> 00:37:00,348 GET US OUT OF HERE. 783 00:37:02,089 --> 00:37:03,264 WE'RE NOT GONNA MAKE IT. 784 00:37:03,351 --> 00:37:05,484 WE DON'T HAVE A CHOICE, MOZ. 785 00:37:07,660 --> 00:37:10,184 WE HAVETO MAKE IT. 786 00:37:16,364 --> 00:37:18,758 [ SIRENS WAILING ] 787 00:37:18,845 --> 00:37:21,108 Lawrence: CLIMB. 788 00:37:21,195 --> 00:37:22,936 Mozzie: WE NEED MORE SPEED. 789 00:37:23,023 --> 00:37:25,025 Lawrence: CLIMB NOW! 790 00:37:32,250 --> 00:37:34,252 WATCH OUT![ TIRES SCREECH ] 791 00:37:39,082 --> 00:37:41,607 [ WAILING CONTINUES ] 792 00:37:41,694 --> 00:37:43,086 [ TIRES SCREECH ] 793 00:37:43,173 --> 00:37:44,740 Man: FBI! 794 00:37:44,827 --> 00:37:46,699 COME OUT NOW WITH YOUR HANDS UP! 795 00:37:48,178 --> 00:37:49,528 LET ME SEE YOUR HANDS!Jones: WE'RE SECURE! 796 00:37:49,615 --> 00:37:52,574 LAWRENCE IS ON THE PLANE! 797 00:37:58,188 --> 00:38:00,321 Diana: YOU OKAY?I'M GOOD. 798 00:38:00,408 --> 00:38:02,584 Peter: YOU ALL RIGHT, JONES? YEAH. 799 00:38:02,671 --> 00:38:04,064 CAFFREY HAD MY BACK. 800 00:38:04,151 --> 00:38:06,719 YOUR TIMING IS FAR FROM IMPECCABLE, J. EDGAR. 801 00:38:06,806 --> 00:38:08,764 SORRY...AMELIA. 802 00:38:08,851 --> 00:38:12,028 LUCKILY, I WAS HERE TO SAVE THE DAY ONCE AGAIN. 803 00:38:12,115 --> 00:38:14,292 YOU'RE A HERO, MOZ. I'LL SEW YOU A CAPE. 804 00:38:14,379 --> 00:38:16,946 DO THAT. I LOOK GOOD IN AUBERGINE. 805 00:38:17,033 --> 00:38:19,253 THANK YOU. 806 00:38:24,258 --> 00:38:26,173 STEP THREE, HUH? 807 00:38:26,260 --> 00:38:27,653 THE PART WHERE YOU ARREST HIM. 808 00:38:27,740 --> 00:38:28,784 NICE WORK. 809 00:38:28,871 --> 00:38:30,743 THANKS. 810 00:38:32,745 --> 00:38:35,095 AH, THE ANKLET. 811 00:38:45,323 --> 00:38:46,498 HEY, HON. 812 00:38:46,585 --> 00:38:48,195 HEY. GOOD DAY? 813 00:38:48,282 --> 00:38:50,415 UH, WE CAUGHT A BAD GUY, SO IT WASN'T A BAD DAY. 814 00:38:50,502 --> 00:38:52,155 HMM. WELL. MWAH! 815 00:38:52,242 --> 00:38:53,809 THISSHOULD MAKE YOU FEEL EVEN BETTER. 816 00:38:53,896 --> 00:38:58,336 AUTHENTICATION FROM THE GALLERY. THE CANVAS IS MID-1930s. 817 00:38:58,423 --> 00:39:00,381 SO, IT WASN'T NEAL'S PAINTING. 818 00:39:00,468 --> 00:39:03,776 WELL, UNLESS HE PAINTED IT 75 YEARS AGO. 819 00:39:06,256 --> 00:39:08,563 [ KNOCK ON DOOR ] 820 00:39:46,427 --> 00:39:47,472 HI, PETER. 821 00:39:52,694 --> 00:39:53,782 I LET MYSELF IN. 822 00:39:53,869 --> 00:39:56,524 YEAH. YEAH, YOU DID. 823 00:39:57,960 --> 00:40:01,355 JUST CLEARING OUT SOME SPACE FOR STORAGE. 824 00:40:02,835 --> 00:40:04,053 YOU LIKE THAT ONE? 825 00:40:05,925 --> 00:40:07,274 YEAH. 826 00:40:07,361 --> 00:40:08,667 YOU CAN HAVE IT. 827 00:40:10,320 --> 00:40:12,540 I'VE ALREADY GOT THE VIEW. 828 00:40:12,627 --> 00:40:14,499 MM-HMM. 829 00:40:18,807 --> 00:40:21,375 [ SIGHS ] WHEW. 830 00:40:24,813 --> 00:40:25,988 I'M CALLING A TRUCE. 831 00:40:27,555 --> 00:40:30,210 I MAY HAVE RUSHED TO JUDGMENT. 832 00:40:30,297 --> 00:40:33,518 OH, YOU HAD JUDGMENT ON SPEED DIAL. 833 00:40:33,605 --> 00:40:35,215 I'M TRYING TO BE GRACIOUS. 834 00:40:35,302 --> 00:40:37,696 YOU KEPT MY SEVERED TIE. 835 00:40:38,958 --> 00:40:40,568 I WAS PRETTY PISSED OFF. 836 00:40:40,655 --> 00:40:41,743 AND NOW? 837 00:40:41,830 --> 00:40:43,789 LOOK AT THIS. 838 00:40:43,876 --> 00:40:45,443 I'M SMILING AGAIN. 839 00:40:45,530 --> 00:40:47,488 [ CHUCKLES ] I LIKE IT. 840 00:40:47,575 --> 00:40:48,794 [ INHALES DEEPLY ] 841 00:40:48,881 --> 00:40:50,230 [ CELL PHONE RINGS ] 842 00:40:56,845 --> 00:40:58,020 I GOT TO GO. 843 00:40:58,107 --> 00:40:59,457 OKAY. 844 00:41:02,938 --> 00:41:05,071 PETER... HMM? 845 00:41:05,158 --> 00:41:07,073 DOOR'S OPEN ANYTIME. 846 00:41:07,160 --> 00:41:09,467 THANKS. 847 00:41:11,773 --> 00:41:13,514 WHAT DO YOU HAVE? 848 00:41:13,601 --> 00:41:15,168 E.R.T.'s STILL DOING A CLEANUP OF THE WAREHOUSE 849 00:41:15,255 --> 00:41:16,648 AND THE U-BOAT BURN. 850 00:41:16,735 --> 00:41:18,476 THEY FOUND THIS ABOUT AN HOUR AGO. 851 00:41:18,563 --> 00:41:19,781 WHAT IS IT? 852 00:41:19,868 --> 00:41:22,175 PART OF THE ORIGINAL GERMAN U-BOAT MANIFEST. 853 00:41:22,262 --> 00:41:25,178 WE CAN MAKE OUT 22 OF THE PAINTINGS THAT WERE ON BOARD. 854 00:41:25,265 --> 00:41:27,180 WHO ELSE KNOWS ABOUT THIS? 855 00:41:27,267 --> 00:41:28,834 UH, TWO PEOPLE ON THE EVIDENCE RECOVERY TEAM, 856 00:41:28,921 --> 00:41:30,009 JONES, AND ME. 857 00:41:30,096 --> 00:41:31,706 KEEP IT THAT WAY. 858 00:41:33,447 --> 00:41:35,797 WE HAVE TO SELL SOMETHING. 859 00:41:35,884 --> 00:41:37,886 WHY? 860 00:41:37,973 --> 00:41:40,498 WELL, OUR FIRST ESCAPE WAS COMPROMISED. 861 00:41:40,585 --> 00:41:43,152 WE HAVE TO FUND THE SECOND. 862 00:41:43,239 --> 00:41:45,285 YOU STILL THINK CAFFREY HAS THE ART? 863 00:41:45,372 --> 00:41:46,721 I DON'T KNOW. 864 00:41:46,808 --> 00:41:49,202 HE DID HAVE THAT GETAWAY PLANE READY AWFULLY FAST. 865 00:41:49,289 --> 00:41:51,683 YEAH. YEAH. BUT YOU KNOW WHAT? THAT DOESN'T MATTER. 866 00:41:51,770 --> 00:41:54,555 PATIENCE IS OUR BEST ASSET RIGHT NOW. 867 00:41:54,642 --> 00:41:57,253 WHOEVER STOLE IT, IF A SINGLE ITEM ON THIS LIST 868 00:41:57,340 --> 00:41:58,951 SHOWS UP ANYWHERE --WE GOT 'EM. 869 00:42:00,169 --> 00:42:02,520 YEAH. WE GOT 'EM. 870 00:42:04,043 --> 00:42:06,349 SIMPLE QUESTION -- 871 00:42:06,436 --> 00:42:08,308 WHAT DO WE SELL FIRST?