Ah, you went out for coffee. Nice.
Oh, you took forever. So you miss out.
Whose is that? Hughes.
WeIl, you'Il be glad I took my time because I solved our embezzIement scam.
It's a Ia?ping scheme. LAUREN: A Iapping scheme?
It's a way to siphon money.
I'II show you. Let's say I want a sip of Hughes' Iatte.
LAUREN: Oh, l-- NEAL: Just a si?. Mm.
Oh, that's deIicious. But now I have a probIem.
Hughes is gonna toss your butt back into prison.
Right. So...
...l take a IittIe bit of yours. Pour a Iittle bit into here.
But now you're gonna kick my butt. JONES: Mm.
Hey-- Oh-- It's a Ia?ping scheme.
LAUREN: Mm-hm. I kee? going as Iong as I can.
In the end, I got a fulI cup. No one is the wiser.
UntiI I catch you.
That's good work, though. Very good work.
[CELL PHONE BEEPS]
NEAL: June is throwing a champagne brunch.
Do you mind if I cut out earIy? What kind of monster would I be...
...to keep Neal Caffrey from a champagne brunch?
See you, guys.
NEAL: Got your message. I was wondering when you were gonna calI.
Hop in. We'II chat.
I forgot my suit.
That's never stop?ed you before.
ReIax. I know you're wearing the anklet.
What l don't know is if you're wired.
Get in.
Where's the music box, AIex?
No smaII taIk? Come on.
The note said it's in Manhattan.
I wanna make sure you're not gonna go get it without me.
I toId you. We get it together.
It's in the ltaIian consuIate.
I traced it to the consul generaI.
He tucked the box into his private safe...
...in the consulate Iast year. He's flying in next month to pick it up.
A consuIate is a hard target.
They're having a ?arty next week.
It's our chance to get inside. I'm aIways up for a party.
What happens when he notices it's gone? Nazis stoIe the box...
...from the Russians....
He wasn't su?posed to have it in the first pIace, so he won't taIk.
I've got a question.
I know why l'm naked. Why are you?
A consuIate? Oh, great. An international incident.
Look, l don't wanna end my days in some underground ?rison...
...adopting cockroaches as pets.
We're not taIking about North korea. It's the ltaIians, Mozz.
They do ?rison just fine. Ask GaIiIeo. Can we do it without Alex?
No. She won't telI me which safe it's in.
She was aIways a smart girl. Yeah.
AIl of this is moot anyhow.
The suit isn't gonna let you out of your ankIet anytime soon.
Not Peter.
Then who?
FowIer. If he wants me to get him the music box...
...he has to cut my anklet. He's manipuIated it before.
Okay. Let's say he goes for it. Let's say you get him the box.
Then what? What do you mean?
You give FowIer the music box and Kate comes running into your arms.
You settle down, buy a fixer-upper...
...and then join the PTA?
Yeah.
Neal...
...happiIy ever after isn't for guys Iike us.
It is this time.
It is.
Agent Fowler, extension 221 .
WOMAN [OVER PHONE]: Lne moment.
[PHONE LlNE BEEPS THEN RlNGS]
MAN: Agent FowIer's office.
TeII him l've got information on the music box he requested.
Who is this? He knows.
He can meet me at midnight tomorrow.
Where? He'lI know that too.
Too cryptic? Where are you gonna meet him?
I'II find a pIace.
ELlZABETH: Hey. You got a stakeout?
Yep. DeviIed ham. You're either gonna torture NeaI with it...
...or you're going aIone. We'II see.
What's going on? Look.
ELlZABETH: NeaI's tracking data. What's he up to now?
Nothing yet.
He s?ent 45 minutes on the corner of Kenmare and Lafayette last night.
He can waIk freeIy for a two-miIe radius.
Yeah, but it's the way he was waIking. Look.
He stands at every corner around this parking garage for exactIy two minutes.
He waIks each street Ieading away from this point and then back again.
ELlZABETH: What do you think he was doing?
I think he was casing the area.
How many peopIe are around, where are there cameras.
Looking for an escape in case he needs one.
What is he pIanning?
I think he's gonna steal the music box.
On a street corner?
Working theory.
WeIl, have fun on your stakeout. I love you.
[DOOR CLOSES]
[CAR DOORS CLOSE IN DISTANCE]
FowIer.
Oh. Brought a friend.
I'm not wired.
FOWLER: You'lI forgive me if I don't take your word for it.
He's cIean.
FOWLER: This better be good.
I'm close to the music box.
Supposed to mean something to me?
WeIl, you fIew in from D.C., so l think it does.
My window to get the box cIoses in the next week.
I need my tracking ankIet off to make it happen.
You're not suggesting something iIlegaI, are you?
Of course not.
EspecialIy to an upstanding federaI agent such as yourself.
You're pushing it. I'm gonna push it some more.
I give you the box, kate and I never hear from you again.
That's my price.
You know, I don't give a damn what you do, Caffrey.
Just don't make it my ?robIem.
Neal, what the helI are you doing?
This is the ltaIian consuIate. It's not a bank or a museum.
It's a Iittle piece of a foreign country.
If we had a tank maybe. Or an air force. NEAL: WelI, we don't have an air force.
The party wiIl get us past the waIl of security into the main baIlroom.
OnIy one way into the inner sanctum.
It's through this security door. This door is our biggest obstacle.
Uh, yeah. There's no keypads, no biometrics, no Iock.
The onIy way is to get buzzed through by a guard stationed in the security room.
Let me worry about that. Grand.
Once I'm through, there's a Iong haIlway monitored by a cIosed-circuit camera.
Down the haIlway, I can get into the vauIt room.
Which safe is it exactIy? I'II Iet you know.
When I find the safe, aII I have to do is crack it.
It's high security and torch resistant.
Uh, you'II need heavy metaI to get through the fire-resistant pIate.
DetaiIs. One thing at a time, Moz. Let's start with party invites.
I'm looking for a man without a pIus-one.
I'm leaning towards this gentleman, Ignatius Barton.
Why him? He's a duke.
WouIdn't someone Iess conspicuous do?
I aIways wanted to dance with a duke.
AIl right. You submit your résumé yet? The catering company received it.
As the ?roprietor of the Greatest Cake bakery...
...l fuIIy expect a gIowing reference.
Of course. What's your in?
I'm pIanning to make a very generous donation to the ?eople of ItaIy.
[kNOCkING ON DOOR]
Neal, uh, company is on the way. NEAL: Thank you.
Oh, Iook at this.
AIl the usuaI suspects in one pIace.
Makes my job much easier. What are you kids up to?
We were just Ieaving.
Yeah, l bet you were.
I know you met with Fowler.
And now AIex and your IittIe buddy are here.
You've got your whoIe crew to steal the box.
TeII me I'm wrong.
You're wrong. Heh.
I don't understand you.
I gave you a shot at a better Iife.
It's not the Iife I want.
Okay.
WeIl, we alI have our weakness.
kate's yours.
Do the right thing, NeaI.
You're fooling yourseIf if you think Kate's on your side.
[MAURICE CLEARS THROAT]
MAURICE: SurveiIlance ?hotos from Caffrey's place.
FOWLER: What? Burke showed up?
Yeah. He didn't Iook hap?y.
He puIled Caffrey's tracking data the night we met him.
He aIso sIipped in a request asking what I'm up to in New York.
Aren't you cIever, Agent Burke?
keeping an eye on his ?eople? Jones and Cruz, round the clock.
[CELL PHONE DIALING]
Mentor is moving forward, but we might have a probIem.
Agent Burke might try to interfere.
Yes, sir.
Yeah, l can take Burke out of ?lay.
As Iong as you remember our deal.
I get the box and this is over.
[PHONE BEEPS]
Your day went weIl?
You'd be amazed the kinds of pIaces a duke gets you access to.
Thought you were using him for a plus-one.
No harm in having fun whiIe l'm at it.
Wow, your gift to the Italians?
It's FanceIIi's study, Statua di Vulcano.
This is beautifuI. Looks Iike the reaI thing.
Don't Iet it fooI you.
I won't.
There's something we've been avoiding. It's time to taIk about it.
AIl right. Look, I know you and I have a compIicated reIationship--
I mean this.
If you can't get it off, then none of this wiIl matter.
Everything we're doing-- It'II hap?en. AII right?
Get you a glass of wine?
Okay.
ALEX: You remember the last time we were this cIose to getting the box?
Copenhagen.
Sneaking into the AmaIienborg PaIace, hanging out with the royaI famiIy.
[BOTH CHUCKLE]
I have a scar from the jum? off the gatehouse.
Hm.
Healed niceIy.
You didn't visit me in the hospitaI.
You didn't visit me in prison.
Burned that bridge in Copenhagen.
You cut me out-- We cut each other out.
That's.... Who we are.
It's not a game this time.
Come on. l know you're gonna take the box.
I know this is about Kate.
[ANKLET BEEPS]
AIex, Iook.
Don't Iie to me. It's humiIiating for both of us.
No. No, look.
This Iight's never been off before.
FowIer came through?
I think we're in pIay.
ELlZABETH: This caviar wilI go... Thank you.
...with the foie gras, the champagne. Uh-huh.
I wanna show you the table settings. I'm looking for EIizabeth Burke.
I'm Elizabeth. Ms. Burke...
...we got a tip you have contraband on the premises.
What are you talking about? Just give me a second.
You're aware there are restrictions...
...on the import of certain foreign foods and spirits.
We'II need to search everything.
Whoa, whoa. Wait a minute. What are you doing?
You need a search warrant for that.
Who are you? FBI, ma'am.
You're with the bureau? Mm-hm.
Do you know who my husband is?
I do.
Think your ?hone is being tapped?
Been on the other side enough to recognize cIicks.
That's not good. Lauren?
Same. Now Fowler's back. You think there's a connection?
[PHONE RlNGS]
Hey, EI. What's up?
ELlZABETH [OVER SPEAkERPHONE]: Honey, I need you.
What's the matter? They're tearing a?art my office.
PETER: Who? The FBI.
PIease. Please don't touch that. EI, did--
Did she say FBl? Yeah.
COMPUTER: PIease say a command.
PETER: Traffic. COMPUTER: Traffic.
PETER: Looks like there's an accident at Park and 34th.
ELlZABETH: Honey. What's going--? Who's in charge here?
Stay away from my sus?ect, Burke.
Your suspect?
You are way out of bounds here, FowIer.
FowIer? Wait. You're the man who violated our home?
Let me taIk to him. You almost ruined my husband's career.
Better caIm your wife down. ELlZABETH: I wiIl not.
Assaulting an agent. You're under arrest. PETER: Easy, Fowler.
You have gotta be kidding me. ELlZABETH: RidicuIous.
FOWLER: Unh. MAURICE: Hey! HoId on.
ELlZABETH [WHlSPERS]: Honey.
You just got yourself a suspension.
Jones, right? Take his gun and badge.
You got your own guys for that, sir.
Take his gun and badge.
It's aIl right, Jones.
It was worth it.
Honey, come on. EI. EI, can we just--? Let's taIk about this.
Is there reaIly anything to talk about?
I'm out on baiI and you're out of a job. No. It's just a two-week suspension.
I was arrested. I know.
Handcuffed in front of my cIients.
I'm lucky if l have a business in two weeks. You--
And now I have to calI and ex?lain why $2000 worth of caviar...
...is the ?roperty of the U.S. government. AIl right.
AIl right. Come here. Come here.
Come on.
Come here. l Iove you, EI.
I am so sorry.
WeIl, don't be sorry.
Just--
Just get him.
[CELL PHONE RINGS]
[CELL PHONE BEEPS]
What is it? I just heard.
PETER [OVER PHONE]: Don't. I didn't know this wouId happen, Peter.
I didn't know he'd go after you. I don't want your apology.
For the record, you bought yourseIf two weeks' house arrest.
NEAL: Jones told me. Try Ieaving the a?artment, you're done for.
So good Iuck pIanning your IittIe caper.
[kNOCkING ON DOOR]
HoId on. I'm not done with you.
About that house arrest thing....
I never thought he'd come after EIizabeth. BeIieve me.
I don't care. you're heIping him destroy everything I've worked for...
...everything my wife has worked for. He took you out so you couldn't stop me.
I know. And l walked right into it.
Like you said, we aIl have our weaknesses. He's got mine.
He found yours.
When this is over, we take him down for good.
Look at this. Neal, your Iight is off.
Yeah. But according to Jones, the monitoring station says I'm at home.
Why isn't it transmitting?
FowIer.
He shut you down so you couId steal the box.
How did he do that? I don't know.
I'm aImost im?ressed.
You're not gonna arrest me? I can't. l don't have a badge.
[SIGHS]
AIl right. Let's say you ?uII off this heist.
You realIy think he's gonna let you and kate go?
I need to know if she's....
[SIGHS]
You'd do the same for EIizabeth.
Yeah. After today, I'm not gonna argue that.
I'm gonna beat him. What are you gonna do?
FowIer took my badge.
I'm gonna take his. He's aiding you in iIIegal activity.
I'm just doing my part.
They'II be watching you and everyone you work with.
I know.
I'II need heIp from somebody with FBI access...
...who FowIer can't Iink to me. Somebody I can trust.
You got someone in mind?
Thanks for coming.
You knew I wouId, boss. Heh, heh.
You don't have to calI me that anymore. Heh, heh.
How's, uh....? Christy?
Yeah. Oh, she's good.
Good. Good, good. Good. You guys like D.C.?
Different city, same paperwork. I should've stuck around.
Probably more interesting with Caffrey.
Too interesting.
Uh-huh. He the reason l'm here?
[SIGHS]
Diana, what I'm about to ask you to do is a Iot more than paperwork.
I need you to look into an OPR agent.
Agent Garrett FowIer.
Somehow he's manipuIating NeaI's ankIet. Why?
Neal has access to something he wants.
Sounds like he hasn't changed. No. Same oId Neal.
He stiII wearing the hat?
Oh, ?lease.
[LAUGHlNG]
How did it go? Good.
The consuIate acce?ted your gift?
NEAL: I spoke to Mr. Tomassi, the consuIate manager.
FanceIli's study ofVuIcan is now in the inner sanctum.
MOZZIE: How is the security? NEAL: Like we expected.
The outer door opens with a key card.
TOMASSl [OVER INTERCOM]: Buzz us through.
[DOOR BUZZES]
MOZZIE: And what about the inner door? Can we get through?
NEAL: I'lI figure out a way.
MOZZIE: He invited you to the party? NEAL: He did.
AIex? She's the duke's pIus-one. You?
You're looking at the new assistant server trainee.
If l pIay my cards right, I get dentaI in three months.
AIl right. Then we're ready.
Let's cut it off. Wanna do the honors?
I feel Iike I should make a toast or something.
"We feel free when we esca?e...
...even if it be but from the frying pan into the fire." Eric Hoffer.
No sirens.
Into the fire.
This is everything l could find on Garrett FowIer. Not much there.
Put in a request to go after his files. I'm waiting on the judge.
I don't need much. He's aiding a premeditated robbery.
The ankIet is the key. You sure it's him?
FowIer's doctored Caffrey's information in the past. He's doing it now.
I need to know how. WeIl, marshaIs monitor the ankIet.
Department of Justice supersedes their authority.
FowIer couId override them and get access. Or he's aItering the data remoteIy.
Can't do that from any Internet connection. You'd need a secure line.
He's doing it from OPR offices.
They have one in New York.
That's where I need to go.
Nobody gets in without-- FederaI cIearance and an a?pointment.
They wouldn't Iet me within a hundred yards.
But they'd Iet me.
FowIer finds out and it's career suicide.
I came here to hel? you.
Thank you.
This music box. What happens if he gets it?
I don't know. But we need to make sure he doesn't.
[GUARD 1 SPEAKING IN ITALIAN]
[METAL DETECTOR SQUEALING]
[GUARD 2 SPEAKING IN ITALIAN]
[SPEAKS IN ITALIAN]
Signor Tomassi. Ah.
Mr. Dunvarry.
PIease caIl me George.
George. Thank you again for your remarkabIe donation.
Oh, weIl, I know how important FancelIi's work is to ltaIian scuIpture.
I couIdn't just Iet it sit coIlecting dust.
No, heh, heh, of course not.
The consuI general has requested the piece be pIaced...
...in perfect view of his office.
FancelIi is his favorite artist.
RealIy? I had no idea. Could l see it?
I'm sorry. I'm afraid that won't be ?ossible.
But rest assured, it's very safe.
PIease enjoy your evening. Ah, heh.
[PIANO PLAylNG]
[CHATTERlNG]
NEAL: KeteI One on the rocks, ?lease. BARTENDER: Of course.
MAN: I didn't think I'd see you here.
I'II be right back.
[GLASS SHATTERS]
MOZZIE: Oh, I'm so sorry, sir. Excuse me.
[SPEAKING INDISTINCTLY]
Nice lift.
This wiII get you through the first door.
You cIean u? nice.
Not so bad yourself.
Good Iuck, Caffrey. AIex?
Which safe is it?
TripIe-waIIed, case-hardened steeI...
...1 943 McKenzie.
Couldn't make this easy, couId they?
Where's the fun in that?
I'II see you on the inside.
NEAL: Excuse me.
[SPEAKING IN ITALIAN]
I'd Iike to make a toast to our gracious hosts.
WOMAN 1 : Yeah. WOMAN 2: Oh, yes.
And alI of you because this is a very speciaI night.
Oh, it's speciaI to me, anyway.
You ?robabIy have no idea who I am. So l'm going to teII you.
I'm an internationaIIy renowned art thief.
[CROWD LAUGHlNG]
[CROWD MURMURING]
And tonight, l'm here to rob you.
[CROWD GASPS AND MURMURS]
Cheers.
TOMASSl: Signore, signori.
It seems one of our guests has had too much to drink.
PIease continue to enjoy your evening.
Champagne, madam? No, thank you.
He made that look easy. Our turn.
TOMASSl [OVER INTERCOM]: Buzz us through.
[DOOR BUZZES]
[NEAL GRUNTS]
TOMASSl: TelI me why you're realIy here. Oh, I toId you.
I'm here to rob you.
I see.
[GRUNTS]
[COUGHING]
Now I'm definiteIy not gonna teIl you.
[BEEPlNG]
[FlRE ALARM RINGlNG]
[PEOPLE SHOUTING INDISTINCTLY]
Give me your waIkie.
Lock him in here. Come with me.
[DOOR BUZZES]
Move everyone into the atrium. No one leaves here.
[OVER RADlO] We check everyone.
Yes, sir.
Come on, Mozz.
MOZZIE: Neal.
NEAL: Where are you? MOZZIE: The other side of the gIass.
MAN [OVER RADlO]: Unit one, clear. Unit two, east stairwelI.
Go.
[DOOR BUZZES]
Some of my best work.
Neal, hurry u?. My arm is kiIling me from hoIding that drink tray.
[DRILL WHIRRING]
[LOCk CLICKS]
[SIGHS]
[FlRE ALARM CONTlNUES RINGlNG]
[MAN SPEAKlNG INDlSTlNCTLY OVER RADIO]
TOMASSl [OVER RADIO]: Shut off the alarm.
The security room, go.
Take your time, why don't you? You're losing your touch.
Let me in.
Everything okay?
[DOOR BUZZES]
We did it, Neal. Yeah.
We're not out of here yet.
MAN 1 : Is somebody down there?
That's very touching, guys! But they're coming!
MAN 2: Downstairs. They're here.
NEAL: AIex?
AIex!
Hurry u?! They're coming!
[DOOR BUZZES]
Come on, Mozzie.
MAN 3: The door.
Go around.
MAN 4: Yeah. Go around the other way. MAN 5: Yeah. The other way. Here. Hurry up.
[SPEAKING IN ITALIAN]
There's an APB out for a man of interest in a sIick suit.
He rappeIIed down the waII of a consuIate.
It'II be fine.
They're not gonna prosecute for the theft of an item they weren't sup?osed to have.
An item you don't seem to have.
Let's just say AIex had other pIans.
I should've seen it coming.
Any idea where she went? She didn't stick to the pIan.
She got out a different way.
If Alex wants to disappear, she does.
Without that box, Fowler's side wins.
I need to know.
What about us?
Are we on the same side here?
You said I earned the right to make my own choices.
You changing your mind?
FowIer is stiIl out there.
This isn't over yet.
What do you mean by that?
I've got something in pIay.
[PEOPLE CHATTERlNG]
[PHONE BEEPING]
You're going to burn a hoIe right through my fIoor if you keep that up.
Whatever is bothering you, beIieve me, it's gonna work out.
How do you know that?
[SIGHS]
Thank you.
For everything.
Oh, you know I don't believe in goodbye.
Neal...
...you are one in a miIlion.
And don't you forget it.
I didn't know if I'd see you again.
Funny. l was thinking the same thing.
But here.
Before I change my mind.
You don't know what this means to me.
I think I do.
I hope kate is stiII the same girI you think she is.
I'm getting that a lot IateIy.
If you don't trust her, why'd you bring this back?
Because I don't want this to be goodbye...
...in case she's not.
And ?lus, I figured l don't need aII the heat this is gonna bring.
I don't need the same guy who's been after you coming after me.
You always made smart decisions.
You shouId try it sometime.
[DOOR CLOSES]
FowIer Ieft for his break. I'm about to enter his office.
PETER [OVER HEADSET]: Aim for his laptop, Diana. But be careful.
I'II be out before his first sip of macchiato.
[CAR DOOR CLOSES]
Is that it? I want assurances.
Mentor was created for me? kate and I made a deal.
You both get new identities.
We get the box. You disa?pear. LegaIIy.
NEAL: There you go.
What's so speciaI about that box? Phew.
It's above my pay grade.
kate's waiting for you. Time and pIace are in that folder.
Have a nice Iife, Caffrey.
Yeah.
MAURICE: Can I heIp you? Hey. I'm from lT.
Agent Fowler requested another security ?rotocoI.
Insisted we scheduIe during his break.
You know how he gets.
Yeah.
DIANA: Come on.
[CELL PHONE SPEED DlALING]
FOWLER [OVER PHONE]: Fowler. Hey, we got a probIem.
There was somebody on your computer. She says she was from lT.
What? Did she get anything?
She downIoaded the whole Mentor fiIe.
Looks Iike she go the whole hard drive. Lh. Damn it.
A Washington-approved disappearing act.
WeIl, technicaIly, I work for OPR.
Yeah, technicaIIy. It's just on paper.
With this new identity, you can go anywhere with kate.
And it's Iegal. That's genius.
No one wilI be able to find you. Governments, oId enemies, old friends.
Remember that oId Chinese curse?
May you Iive in interesting times.
These certainIy are interesting times.
Remember the second haIf of that curse? May you find what you're Iooking for.
Gonna say goodbye to the suit?
Heh.
Send me a postcard.
[PHONE BEEPS THEN LlNE RlNGS]
EIizabeth. Neal? What is this?
I got a friend at the Channing Museum. He's gonna calI.
He owes me a favor. RealIy? Why?
To hire Burke Premier Events to do their annual Masters Retrospective.
That's-- That's-- That's impossibIe to get.
You just got it.
Why are you doing this?
Just trying to fix what I broke.
There's something l wanted to ask you. Yeah.
You and Peter, how did you know?
WelI...
...l think there's a difference between Ioving the idea of someone...
...and actuaIly Ioving who they reaIly are.
Listen, I gotta go. Thanks for everything.
Okay. WeII, I'II talk to you Iater.
Goodbye, EIizabeth.
[PHONE BEEPS]
PETER [OVER HEADSET]: Hey. DIANA: I'm headed to the garage.
I've got everything on Mentor. You're not gonna believe it.
Is NeaI invoIved? HeaviIy.
There's another fiIe, but it's encrypted.
See you in a moment.
Agent.
You were on my computer.
Agent Barrigan, D.C. Office.
I have a warrant for my investigation on Mentor.
Huh.
Why is D.C. looking at my o?eration?
OPR appropriating resources for NeaI Caffrey...
...an art thief, raises questions.
It's aIl Iegitimate. I know.
And what eIse did you find?
Encrypted fiIe. Ah.
I couIdn't open it.
I'd Iike it back.
Burke. PETER: Fowler.
What are you doing?
Of course you're involved in this. Stay where you are.
Lower your weapon.
You have no idea-- PETER: Lower your weapon.
FOWLER: You just stay where you are.
Why are you doing this? We're on the same team.
Stay where you are. You're out of your league.
You have no idea what you're getting involved in.
PETER: You don't wanna shoot an agent.
Gun down! FOWLER: Drop the wea?on.
Put your gun down! Dro? the weapon!
Put the gun down! Dro? the weapon! Now!
[FOWLER GASPING AND GROANING]
PETER: Breathe, breathe. Breathe, Fowler. How did you know he was wearing a vest?
I didn't. What the heII is Mentor?
Mentor is Iegit.
Caffrey works for us now.
He and Kate are deep undercover for OPR.
OPR doesn't have dee? cover agents. You are hel?ing him disap?ear.
He wants to go.
You met with him again.
Neal is gonna disappear. I need to know where he is. TelI me.
Why do you care?
Give me the drive.
You want me to upIoad this to D.C.? Or do we have something to taIk about?
Airstrip by the Hudson, hangar four.
Neal.
[NEAL SIGHS]
Are you here to arrest me?
[CHUCkLES]
I'm stiIl a civiIian.
And I know about Mentor.
And I know you can waIk away, and it's aII Iegal.
Then what are you doing here?
I'm here as your friend.
You understand I'm getting on that ?lane.
I aIso know you're making the biggest mistake of your life.
This is what's best for everyone, Peter.
You go back to your life, I get to have one of my own.
You already have one. Right here.
You have ?eopIe who care about you. You make a difference.
You do.
Thank you for this.
I gotta go.
PETER: You said goodbye to everyone but me.
Why?
I don't know. You do. TelI me.
I don't know. Okay? Why?
You know why. TeII me.
You're the onIy one who couId change my mind.
Did I?
[PLANE ENGINE WHIRRlNG]
Peter.
No! No! No! PETER: No! Stay here.
Stay back. No!
[PLACED SDH - PSDH]