Byron aIways got Iike that when he couldn't crack a hustIe.
Heh. ReIaxing aIways hel?s.
Sorry, June. I'm not reaIIy in the mood to reIax.
Not even if you have a very IoveIy visitor?
AIex.
Got your message.
I'm here. What do you want, Neal?
I want the music box.
I think you have a memory probIem.
Because I said that as Iong as you're a fed, I'm not teIling you where it is.
You're stiIl with them, right?
Then there's nothing to taIk about.
I'II make it worth your whiIe.
You need me to get it. No, I don't.
Then why don't you have it aIready? I'II steal it and give it to you.
Just like that? Just like that.
I don't beIieve you.
You'II just hand it over? Yeah.
When I'm done with it.
knew there was a catch.
What's this reaIly about?
You get the box in the end. That's my offer.
Okay. lf you figure out how to get the anklet off.
I'm not wearing this as a fashion accessory.
WeIl, when the time comes...
...l need to know that you can get off your Ieash.
Otherwise, you're a Iiability.
I'II come back tomorrow at 6.
Lose the bIinking jeweIry...
...and you'II get what you need.
You were supposed to be here 20 minutes ago.
Where you been? Late start to the morning.
Won't hap?en again.
Thank you.
Who's that? kimberIy Rice.
Rising star in the bureau. NEAL: You're not a fan.
Nope. She works in kidnapping and missing persons.
NEAL: What's she doing in white colIar? She's here to see you.
Whatever I did, I have proof I didn't do it.
PETER: Here we go. We just got the finger point.
The doubIe finger point.
NEAL: Must be serious. PETER: Yeah.
Rice. RICE: Burke.
And you must be the Neal Caffrey.
Agent kimberIy Rice.
I've just heard wonderfuI things about you.
HUGHES: Let's get straight to it.
We've got a ransom situation.
Name's Lindsay Gless.
She was grabbed Iast night in a home invasion.
She's the daughter of Stuart GIess. As in the CEO of AtIantic Partners.
The company whose bonds you were convicted of forging.
What's this kidna?ping got to do with me? You have a history with our prime suspect.
Ryan WiIkes.
You know him?
Neal. Yeah, yeah.
Runs his own Iittle crime syndicate.
They work everything from grand theft auto to extortion.
You used to run with him. That's a rumor.
Neal. We may have tried working together once.
But our styIes didn't mesh.
PETER: What makes you think WiIkes took the girI?
Chatter from CIs puts WiIkes in town.
We also found traces of ?lasticine cIay in a Iock at the crime scene.
Someone made a copy of the key. RICE: It's Wilkes' m.o.
And that's why we need NeaI.
Neal.
Stuart GIess Iikes to eat lunch at Ristorante Laurienzo every Thursday.
At Ieast he used to.
There's only one vaIet there. Makes it easy to get your hands on his keys.
WiIkes wanted in his house. He'd start there.
I'd check the security tapes. That's good.
That's good. I'd Iike to borrow Caffrey for the remainder of my case.
If WiIkes is behind this, isn't it dangerous to put Caffrey on his trail?
Caffrey's proven he can take care of himseIf.
Neal, starting immediateIy, you report to Agent Rice.
AIl right, great. Now that we're alI on the same page, let's start with an easy one.
When's the Iast time you saw Wilkes?
Probably when he tried to kiII me.
RICE: We ?uIled the security ta?es for Ristorante Laurienzo.
Got a positive lD of Wilkes.
Nice work. Thanks.
RICE: Something eating you?
No, it's just Iast time I saw GIess, he was on the witness stand at my triaI...
...expIaining why I was abIe to beat his com?any's unbeatabIe bond.
I'm sure it didn't do wonders for his reputation.
The man Iost his daughter, okay? You want his forgiveness, heIp get her back.
GLESS: Mr. Caffrey. Been a Iong time. NEAL: Mr. GIess, l want you to know--
GLESS: Agent Rice thinks you can find the peo?le who took Lindsay.
That's good enough for me.
Could you pIease just take us through what hap?ened one more time?
GLESS: I came home from the office.
Everything in Lindsay's room was knocked down.
She was gone. Then he caIled.
I toId him I want proof she's okay. That's it.
Did he give you any way to contact him?
No, he, uh--
He just hung up without giving you his demands?
WouId you mind excusing us for a moment?
Neal, may I have a word, pIease?
What was that? Sorry, what--?
Remind me again how much training you have...
...interviewing parents of kidnapping victims.
You brought me into this. To consuIt.
Not to take the Iead with my witness.
Your witness? I thought we were on the same team.
Let me get something cIear right here, right now.
You're a tooI in my beIt.
Understand? TooI in your beIt. Got it.
You wiIl Iisten and observe.
If l ask you to do anything, you do it. If l have a question, answer it.
What if I have a question? Then you run it by me.
You do not under any circumstance address my witness.
Oh, God. Sounds like a reaIIy great deaI.
But it'lI work better if, uh, you treat me more like a partner.
The way Peter and I do it--
I don't care how you and Peter do it. I care how you and Agent Rice do it.
Just wanna hel? find his daughter. Wanna heIp?
WeIl, then kee? your mouth shut unIess l ask you to open it, okay?
Oh....
What? Permission to s?eak?
What?
Have you found any of WiIkes' prints around the house?
He Iikes to use found items from the target Iocation to cover his tracks.
Check the gIoves under the kitchen sink.
You have any more briIliant ideas rumbIing around that head of yours?
No, I think that's it for now. Good. Then go wait in the car.
If we have that many peopIe in the gaIIery, he has to do something about the A/C.
Of course, he didn't. And by 1 0:00, it was Iike a sauna in there.
So l toId him I would spend the night with him for a miIlion doIlars.
I'd have to run it by my husband first. But honey, it's a miIlion doIlars.
What do you think? I think-- I think that's great.
I don't think that's great. What did you ask me?
Okay, admit it. You're worried about NeaI. No, I am not worried about NeaI.
Let's just have a nice quiet Iunch without taIking about him, aIl right?
Mm. That's a nice deviIed ham right there.
What's the problem? Oh, something feeIs wrong about this case.
I don't trust Rice.
Rice? kimberIy Rice.
She's some hotshot from another division. She's Neal's handIer on this one.
If you're worried, go down and check it out.
Yeah, it's bad form to crash another agent's crime scene.
That's never stop?ed you before.
Peter. Didn't expect to see you here.
Oh, I had a case in the neighborhood. Thought l'd dro? by.
Uh-huh. I'm touched. You can't handIe being apart from me.
No.
Heh, so this has nothing to do with Rice? No, don't read into it.
How's it going with Rice? I see she's got you babysitting the car.
She caIIed me a tooI in her beIt.
I bet you're reaIIy starting to miss working with me.
No, no.
But l could stretch my Iegs.
Thank you.
While we're here and you're stretching your Iegs...
...wouIdn't hurt to Iook around. No.
You know WiIkes' m.o. How wouId he handle an operation like this?
A home invasion?
TheoreticalIy, he'd have a driver, a strong man and a Iookout.
WiIkes wouIdn't trust anyone eIse to grab the girI. He'd handIe that himseIf.
So he's the strong man. CommendabIe.
That leaves the driver right outside there.
Now, where was the Iookout? The sight lines are cIean from there.
There. So you get better cover in the park.
AIley gives eyes on both sides of the street and the intersection.
Let's go there.
NEAL: Yeah, somebody's been here.
Looking both directions. Making sure the coast is cIear.
[GRUNTS]
Coat check stub.
No name or address.
I'II get it to ERT, see if they can recognize it.
Don't bother. It's from a cIub.
More Iike an underground casino. It's one of WiIkes' old hangouts.
Nice of them to Ieave this behind for us.
RICE: God, where's Caffrey? PETER: Oh, Iook.
This ought to be fun. You find gIoves?
There's a fresh print inside the index finger.
I want this puIIed and sent to me ASAP.
What do you think you're doing here, Burke?
HeIping you solve your case.
Somebody spent some time watching from over there.
And drop?ed this, which, according to my source...
...came from an underground cIub. Then that's our next stop.
No. No. WiIkes won't be there with the girI.
If the FBl shows u?, he'lI go to ground and cut his losses.
So why don't you put on your dancing shoes, Caffrey? You're going cIubbing.
And Peter, next time I find you on my scene, I'm fiIing a report.
You can't telI, but right now, deep down, I'm petrified.
[WHISPERING] Nice.
You're letting the ?antsuit use you as bait to catch WiIkes?
Doesn't that strike you as insane?
I'm going to a cIub. The feds wiIl be right outside.
This is the same WiIkes that wants you dismembered, right?
Dismembered is sIightIy overstating it. You're being paranoid.
Paranoia is a skilI, the secret to Iongevity.
Did you not join WiIkes' crew...
...gather intel from his targets and then totaIly screw him over?
They were pIanning to hurt peopIe with guns. I don't Iike guns.
For aIl we know, WiIkes is on his way to Tahiti right now.
For aIl we know, he's sharpening his taIons to tear into your spIeen.
Thanks for your concern, Mozz.
But this littIe fieId trip is my best chance to get the anklet removed.
AIex won't taIk about the music box whiIe it's on.
Oh, you professionaI thieves, so high-maintenance.
I'm washing my hands of this.
[PHONE CHIMES]
Rice is here. Duty caIIs.
I get the apartment.
You know, you kept me waiting outside that rich Iady's house for haIf an hour.
You can't rush styIe, Agent Rice.
Took me less time to get ready for my wedding.
It didn't take.
I'm not surprised.
StatisticaIIy speaking.
Okay, it's time for you to go fishing, Caffrey.
This is a hush-hush kind of pIace. There's a good chance they'II be patting me down.
Be a shame if my tracking anklet bIew your case.
Cut it. RealIy?
I'm not an idiot. I'm not sending you undercover with that.
Go on. Lose it.
There you go.
[ALARM BEEPING]
Jones. Yeah.
Caffrey just removed his ankIet.
Yeah, Rice cleared it. Rice?
Mr. GIess, right? Mm.
I'm Agent Peter Burke.
How you hoIding u?? Oh, had to get out of the house.
Agent Rice said I couId wait here.
Of course.
I didn't expect Caffrey to be so charming.
This would be so much easier if he acted more like a criminal.
PETER: Yeah, of course. I just hope this goes right.
If it heIps, I can waIk you through it.
What are you worried about most? The meeting.
What troubles you about that?
The kidnapper caIls, then asks for a meeting with Caffrey in exchange for Lindsay.
That seems too easy. Yeah.
Excuse me.
[CELL PHONE RINGlNG]
Peter, I'm in the middle of something right now, okay?
PETER: 'ou need to get out ofthere now. What?
Neal, you're the ransom.
[TASER BUZZING]
Neal. Neal.
We have a siIver van Ieaving the club, no ?late.
Chase car Iost it in traffic.
Okay, listen up, peopIe.
For the foreseeabIe future, you beIong to me. l need traffic feeds...
...from here to Yankee Stadium. You soId him out to get in the paper.
You hung NeaI out to dry for a goId star on your résumé.
You better watch it, Burke.
When we found that coat check stub for the club...
...you aIready knew what was going down.
But you kept your mouth shut so everything couId go according to pIan.
What's going on here? She made a backroom deaI with Wilkes.
The girI in exchange for Neal. Rice, that true?
A man we beIieve to be Wilkes contacted GIess.
He said he wouId give Lindsay back if he could have a face-to-face with Caffrey.
And you reaIIy think WiIkes would make good on that?
It was our one shot to get a Iead on WiIkes and foIlow him back to the girI.
I had agents aII over that street.
How did that work out? Did you get any Ieads?
WiIkes made the grab in our one operational blind spot.
You're no longer in charge. Peter's a part of the show.
I don't wanna hear it, Rice. You report to Burke untiI you find Caffrey and that girI.
MAN: Top of the morning to you.
Monster headache, right? lt'Il pass.
WiIkes.
Seeing you again, Neal, brings back alI these oId feeIings.
[GRUNTS]
If you wanted to meet, you could've caIIed.
This way is better.
Pretty good, right? Had the fed snip your ankIet off for me.
She handed you over on a ?latter. That's great.
You're a Iock for kidnapper of the year. Mm. That old Caffrey wit. I Iove it.
We could've been something. Thunder and lighting.
But then you had to ri? me off for, what, 500 grand?
I'II write you a check.
NormaIIy, I kiII peo?le for that sort of thing.
But? But today is your Iucky day.
You get to make it up to me.
Look, man, what about Lindsay? You got me. Just let her go.
Not yet.
I'm gonna o?en these doors.
You run or yeII, I shoot you.
And then I'II shoot the girI.
Let's get started.
Agency booked travel for a gentIeman by the name of Thomas Loze.
He's on his way into the country right now.
I need his itinerary. Flight, car service, hotel.
Smile. lt's a chance to put that siIver tongue of yours to good use.
AIl this troubIe to have me infiItrate a traveI agency.
What's your angIe?
Ah, l'm front man. You don't end up on surveilIance cameras.
You always were quick.
One more thing. Since we have a Iot to do today...
...it's important you know how serious I am from the jump.
See her? Her name's kathy, career rece?tionist.
kind of Iady no one'II miss, except a coupIe of her kids.
On that roof is my friend, Jim.
Jim has a sniper rifle aimed at Kathy.
I give him the word, bang, Iights out.
Wave at NeaI, Jim.
And don't think you can borrow her ?hone and calI for heIp.
Be a sweetheart. Hel? the lady out.
I'II get your information, okay?
But wiII I get it in two minutes?
You're putting me on a clock? I can convince her. l just need time.
You don't have it. busy day.
One minute, 52 seconds and counting. AIl right, l'm going.
Hi there. How you doing? I'm fine.
My name is Nick HaIden.
I'm an assistant with LeveI One Concierge Services.
How can l hel? you, Nick HaIden from Level One Concierge Services?
Uh, we got a big cIient coming to town, Thomas Loze.
You booked his traveI.
I need to make a week's worth of five-star dinner reservations.
OnIy I mispIaced his itinerary.
And I blow another account, I'm toast, so--
So it sounds like you need to find a new Iine of work.
Come again?
You know, peopIe Iike you realIy piss me off.
You waItz in here, you fIash some sort of grin.
Think you can get me to do something that wouId get me fired?
I don't think so. But have a nice day.
PIease, pIease, Kathy. I reaIly need this, okay?
I said, "Have a nice day."
Okay. Okay.
That is exactIy what I'm gonna teIl my son when I expIain why Daddy Iost his job.
His daddy is a failure. I'm gonna IeveI with you, Kathy.
I don't enjoy catering to guys who spend more on Courvoisier...
...than I make in a year, but it's aIl I got.
Who am l to think that I can do this job and raise a 5-year-oId aII by myself?
I gotta telI Joey we're going back to Cedar Rapids. lt'II break his heart.
kids bounce back, though. You know, they're tough.
Cedar Rapids? Yeah.
I'm from Iowa City. U of l, '88. No kidding.
You said Thomas Loze, right? Yeah.
Okay. Thank you.
While you're at it, I might know someone who's interested...
...in your rewards program. Okay.
Hmm. Mm-hm!
So now you've captured another one of my pawns.
Parcheesi is just not your game.
You mock me, but Iittle do you know, you're just about to march...
...into the teeth of my bIockade. Aha!
[PHONE CHIMES]
Ugh.
What's the matter?
A?parentIy Dante Haversham just received an offer...
...for 20 percent off a trip to Rio.
And who is Dante Haversham?
It's me.
I have to go.
Oh, this does not count as a forfeit.
I wilI not take your charity, sir.
That's my boy.
kathy's chiIdren thank you.
Ready for round two? I don't think l'm up for round two.
That'd be an ilI-advised Iife choice.
Why? You'Il kilI me?
Don't test me, NeaI.
TeII Jim to put that red dot on my head and pulI the trigger...
...if you don't think I'm serious. It's Iike I'm taIking Mandarin.
How about l kick things off by kiIling my sweet Iittle hostage?
I'm starting to wonder if you even have Lindsay.
Why don't we take a break, Iet you think about this?
Last thing I want you to do is drag your heels.
PIease.
Get in.
Where we going? You talk too much.
Tase this man again. That's reaIly not nec-- Agh!
I've got BOLOs out on your van descri?tion.
N.Y.P.D. is canvassing the area where NeaI was taken.
We just found this in GIess' maiI. It was sent before Caffrey was taken.
Hi, Daddy.
l'm okay, but you need to do what they ask.
Now. Or l won't be okay.
l love you.
AIl right, everybody, watch it again. Anything jumps out at you, caII it.
Hi, Daddy.
l'm okay, but you need to do what they ask.
Now. JONES: PIace is falIing where it stands.
Crack aIong the waII. Funky windows. Pre-Civil War construction.
[HORN BLOWlNG ON RECORDING]
RICE: You hear that? Foghorn.
No, tugboat horn.
Let's get it isoIated. We know she's by the water.
There are more than 500 miIes of waterfront in the New york area.
PETER: I want search teams on the ground now.
Everybody swee?ing and canvassing any waterfront structure...
...with cracked walIs or funky windows.
Now. Or l won't be okay.
l love you.
Hey, you okay? NEAL: Yeah, I'm fine. Didn't even hurt.
Lindsay? Yeah. Who are you?
My name is NeaI Caffrey.
I'm with the FBI. I'm here to heIp you.
RealIy? Who's gonna heIp you?
I'II admit, not the greatest rescue. But the FBl knows we're here, right?
No, but the best agent the bureau has got is Iooking for us.
RealIy? Yes, trust me.
If there's anyone in the world who can find me, it's him.
Nice manners.
You know, you shouId chew your food.
It's pretty fouI, right? Yeah.
He burps when he swalIows. Nice.
[CELL PHONE RINGS]
Hey, hon. ELlZABETH: Okay, you need to come home.
We have a visitor.
I'm sorry, but I'm right in the middle of something now.
I think your something is connected to the someone who showed up at our door.
What? Who's there? Mozzie. And he's pretty worked up.
That's his normaI state.
I think it's important. If it's important...
...teIl him to come to the office.
Mozzie in the FBI headquarters? Ha!
Yeah, he's not going. Honey, I don't have time.
It's about NeaI. I'm on my way.
WlLKES: So you've met Lindsay.
Now are you gonna join me for round two...
...or does it get ugly?
What's round two? Why wouId I want to ruin the surprise?
In or out?
Let's get this over with.
You know, you never told me what do you do for a Iiving.
I know that. Neither have you.
Mrs. Suit.
I'm an event pIanner. I run my own company.
Burke Premiere Events. I thought that company was a front for Peter.
Not everything has a secret meaning. Ah, naiveté. So sweet.
I bet you beIieve in the moon Ianding.
PETER: Honey? In here.
Mozzie stilI won't teIl me what he does for a Iiving. Do you know?
I know enough not to ask.
Why are you here? I received this.
"Elite Voyages. Come froIic with us."
Look at the e-maiI address.
PETER: Dante Haversham.
Remember the aIias l gave when Neal introduced us?
See, some things do have secret meanings.
I beIieve you on this one. Is NeaI okay? I don't know.
That's a distress signaI.
I spent a great deal of money making sure Mr. Loze's Iimo gets quietIy sidetracked.
Let me guess. I'm his new driver.
He'lI be carrying a titanium briefcase. Your job is to take it.
Any suggestions on how I do that?
Come on, man, you know I don't Iike guns.
I reaIly don't Iike unIoaded guns.
Be at this address by 4 and our business is compIete.
I teIl you where I'm keeping the girI and we go our separate ways.
But be a minute Iate or caII your fed friends and l make a caIl.
And Lindsay....
WeIl, you know what hap?ens to Lindsay.
You're not gonna stick around for the show?
On this one...
...l'Il keep my distance.
Any luck on the tip?
Three hours ago, Caffrey goes into EIite Voyages...
...asking for the itinerary of a Thomas Loze.
Do we know him? PulIed a file from lnterpoI.
Turns out that Loze happens to be a favorite aIias of Edward ReiIly.
Edward ReiIly. The hits keep coming.
He's the go-to guy when VIP criminaIs want something vaIuabIe moved.
Hand-delivers everything, which is aII the guarantee anyone needs.
He's dangerous.
My guess, WiIkes is snooping around ReiIIy's itinerary...
...because he's pIanning a surprise for him.
WiIkes is ?lanning a rip-off. Using NeaI as the face of his whoIe show.
ReiIIy's on a fIight from Sydney. Touches down in an hour.
And we'II be there to meet him.
You know where I can catch a shuttIe to the city?
No need for the cIoak and dagger. WiIkes isn't here.
We're here to heIp you get out of this. That's ironic coming from you.
PETER: Listen. This Loze guy you're going after, it's Edward ReiIIy.
NEAL: Damn.
No wonder WiIkes doesn't wanna be anywhere near this.
You go through with this, ReiIIy wilI hunt you down.
If l don't get his briefcase to WiIkes by 4, he'II kiII Lindsay.
You sure about that? Her guard wasn't wearing a mask.
And he has a silencer.
So you saw her. Yeah.
Where? I don't know.
They Tased me.
TeII me you're cIose to finding her. She's in an old buiIding near the water.
Her guard was eating from a restaurant calIed Wok of Fire.
Chinese takeout near the water. We can work with that. Come on.
Hey, I'm staying here.
If you don't get to Lindsay in time-- Yeah.
It's a two-way transceiver. Jones wiII keep an eye on you.
His team wiIl stay out of sight.
Don't do anything stupid. Heh. Too Iate.
Good Iuck.
NEAL: Excuse me.
You drop?ed this. Oh, thanks.
I don't care what you're doing here.
As a friend, I insist you puII the rip cord.
NEAL: You got my message.
MOZZIE: What's with the driver's outfit? I'm about to rob Edward ReilIy.
The Edward ReiIly?
What's your ?lan, a gun in the glove compartment?
That's your ?lan, a gun in the glove compartment.
Long story, but I'm taking his briefcase.
WeIl, surely you won't do this, because you're not suicidaI.
Thanks for the pep talk.
But what if he gave it to you?
And was hap?y to give it to you? Zigzag scam?
One for me. One for you.
Time to get into character.
You're a chameIeon. Yeah.
Mr. Loze?
My name's Nick. I'lI be your driver today.
Been on a pIane for 22 hours. I don't give a damn what your name is, kid.
Got any other bags there? No.
Let me take your case for you. Just take me to the car.
MOZZIE: Thomas Loze? Agent Haversham.
Immigration and Customs Enforcement.
Word is you're bringing something into the country we should know about.
This a joke? Do I look Iike I'm joking, EIvis?
Agent Halden, Joint Task Force. We're gonna need you to o?en the case.
Doesn't have to be a scene if you don't want it to be.
Okay. You guys reaIly want to do this?
knock yourseIves out. Let's go.
Palms on the table.
Looks Iike an overnight bag.
When this is through, I want badge numbers.
You can't ?rove ?robabIe cause, it'II be both your asses.
Shut your hole and kiss wood, ReiIly. Yeah, we know who you realIy are.
I just said that to a guy who enjoys kiIling peopIe with his bare hands.
keep it together, Mozz.
HoId on a second.
Wow. Pure gold. Think they're preIoaded?
NEAL: WelI, that wouId expIain Wilkes' interest in them.
Load them up, coupIe hundred thousand each--
And you've got a portabIe fortune.
Perfect for the smuggIer on the go. I want my Iawyer.
Oh, you'Il need him, Chachi.
I'd say you're staring down 1 0 years, easy.
CaII the cavaIry.
Imagine what you couId do with just one of these babies, huh?
Make for a great night out.
CaII it in, Haversham.
It's just l promised Sarah that neckIace. With the diamonds.
NEAL: So? So she's gonna leave me, man.
And you think this is the way to keep her?
This isn't the way.
Oh, don't teII me how to keep a woman, bIue eyes.
Guys like you, with your miIIion-dolIar smiIe...
...and your thick, perfect head of hair, you don't get it.
[WHISPERING] Don't do this to yourseIf. Listen.
This is my suitcase, right?
So maybe l Ieft it on the pIane.
What, l gotta s?eIl this out for you, gentlemen?
[IN NORMAL VOICE] AlI right, caII it in. TeII him Loze was clean, we cut him loose.
Come on. CalI it in.
You guys are alI right.
Gotta get home somehow, right?
CIosest I've come to death this year. AIl right, thanks for your heIp, Mozz.
Could l--? No.
This is the closest dock to Wok of Fire.
[HORN BLOWlNG]
That sounds Iike our tugboat horn.
So where's our girI?
I hope you're feeIing Iucky.
It's aImost 4. Caffrey's out of time.
Neal, you copy?
[OVER RADlO] Neal? NEAL: TelI me you found Lindsay.
PETER: We're gonna need more time. It's 4, Peter. I'm aIready here.
PETER: Then staIl.
He gets his hands on the case, the girI's dead.
[HORN HONkS]
Right on time. I love that.
NEAL: Where's the girl?
UnfortunateIy l won't be sharing that information with you.
We had a deaI, Wilkes.
I lied. Give it to me.
And I thought we had a nice thing going on.
You Iied, I Iied. It's like a dance.
You ?uII that trigger, those gold cards I stoIe from Edward ReiIIy are gone forever.
Wait, wait.
Give me the stiIl from that proof-of-Iife tape.
RICE: What do you see?
PETER: Same crack in the walI.
That's our place. We got them.
If l don't have those cards in my hand in 1 0 seconds...
...l'm gonna make a caII and l'm gonna kiII the girI.
Then l'm gonna take my time with you.
Five seconds.
Three seconds.
Now my guys are gonna have to kiII that nice man's daughter.
Who says they're stiIl your guys? Is that your pIay?
You turned my crew against me?
I expected more from you.
Who do you think has the cards? Left them with my guys.
You're not that dumb. You brought me into this.
I bring up the average. UnfortunateIy, that makes you Iess vaIuable.
Your men agreed. It's time for new management.
You're lying. CaII if you think I'm bIuffing.
I think you're bluffing.
[LINE RINGlNG]
MAN: Yeah, boss?
kilI her. And Ieave the phone on speaker.
[GUN COCKS]
AGENT 1 : FBI!
Put that down! Now! AGENT 1 : Dro? the gun!
AGENT 2: Dro? the gun!
Damn it. Sounds like they got company.
I guess that makes you obsolete.
Now, I wouldn't do that if I were you.
I got friends with sniper rifles too.
JONES: FbI! Drop your weapon! AGENT: Drop it!
JONES: Dro? your weapon now!
AGENT: Freeze! Hands in the air!
AGENT: AIl right, he's clear.
Agent Burke, we got Wilkes.
We're secure here. We got the girI.
What about Neal?
He says hey.
Dad.
GLESS: Lindsay. LlNDSAY: Dad.
PETER: Where you been? Missed alI the action.
Oh, yeah. I got hung up with an oId friend.
How'd that go? Think l may have burned a bridge.
Looks Iike Agent Rice is ready for her close-up.
Heard the camera crews are aIready on their way.
Let her have it.
Oh, jeez. Did she just give us the finger point?
She did.
You're the men responsibIe for bringing my daughter back.
We're aIl a team here.
Mr. GIess-- I'd say we're more than even now.
Thanks for pIaying round two. Don't mention it.
Was a heIl of a thing you did today. I couId say the same thing about you.
No hard feeIings? Don't stretch it.
Oh, uh, you're not sticking around for the press?
You're the hottest interview in town.
RICE: I probably have a discipIinary hearing to prepare for anyway.
About how things went down Iast night--
Oh, Iook. In the end, we got it done.
Yeah, even so.
I hope we work together again sometime.
Even if you're the one caIIing the shots.
Ha-ha-ha. One day, I'II remind you that you said that.
Got Caffrey's ankIet.
Thought your ?eopIe aIready ?ut it on him.
Not me. He's your consuItant, remember?
Anybody seen Caffrey?
AGENT: No, sir.
PETER: Damn it. You gotta be kidding me.
Jones, Iet's check the usuaI suspects.
ALEX: You're late.
Long day.
What's with the outfit? Long story.
CongratuIations. How'd you do it?
You'd be surprised what I get done in a day.
I kept my ?romise. It's your turn.
I give you this...
...and we get the music box together.
No, I toId you. It's yours when I'm through with it.
I don't Iike the sound of that.
We spIit it fifty-fifty. What you gonna do with half a music box?
And if you screw me on this, you know I can make your Iife miserabIe.
When did you become so distrusting?
When what ha?pened with kate....
Happened? Yeah.
That's over now.
Nice fIower. I learned from the best.
You go haIfway around the worId chasing something...
...and the whoIe time, it's in your own backyard.
See you soon, Caffrey.
PETER: Forget something?
Made it alI the way home before I reaIized it was gone.
Just sIipped your mind? I came back.
What did AIex have to say?
You had a Iong brown hair on your jacket.
How many brunettes you meet before work?
Don't answer that.
AIl your brunettes seem to be connected to that music box.
You and AIex are pIanning to steal it, aren't you?
She's just an oId friend. She's a fence, NeaI.
She either knows how to find things or seII them.
PeopIe Iike that don't trust the FBl.
That's why you waIked away without your ankIet.
That's a fascinating theory.
I'm wilIing to look past your IittIe trip off the reservation...
...because you did weII today. Thank you.
Don't.
Remember how it felt when you saw that girl in her father's arms.
Moments Iike that are rare.
But if you try to steaI the music box, I wilI catch you.
Is that a threat? Just the way it is.
You know, you can either go back to wearing an orange jumpsuit...
...and pining for the girI that got away...
...or you can stay here and do something good with your life.
Your choice.
[PLACED SDH - PSDH]