1
00:00:16,934 --> 00:00:20,895
kate Ieaves you a bottIe with a maP on it
and this is where it Ieads us?

2
00:00:21,063 --> 00:00:22,689
Grand CentraI Station?

3
00:00:22,856 --> 00:00:25,900
It's something I'd recognize, Mozz.
Something significant.

4
00:00:26,068 --> 00:00:29,362
Significant?
Grand CentraI Station.

5
00:00:29,530 --> 00:00:32,115
Something familiar.
She could have sent us anywhere...

6
00:00:32,282 --> 00:00:34,784
...so she sends us to a PIace
that leads everywhere?

7
00:00:35,202 --> 00:00:36,452
Mozz.

8
00:00:39,123 --> 00:00:41,290
You know, there's
a great oyster bar in there--

9
00:00:45,963 --> 00:00:48,214
NEAL: I think
there's something in here.

10
00:00:48,382 --> 00:00:51,134
X marks the sPot? Again?

11
00:00:52,094 --> 00:00:54,345
kate Iikes the cIassics.

12
00:00:57,474 --> 00:00:59,767
"Dear NeaI.
Heard you're Iooking for me.

13
00:00:59,935 --> 00:01:02,979
Wish I couId expIain more,
but time is not on our side.

14
00:01:03,147 --> 00:01:05,314
But you need to stoP looking.

15
00:01:05,482 --> 00:01:08,484
No one can deny what we have,
but it's over.

16
00:01:08,652 --> 00:01:10,611
PIease move on.

17
00:01:10,779 --> 00:01:12,196
kate."

18
00:01:14,825 --> 00:01:16,325
AIl this for "move on."

19
00:01:16,493 --> 00:01:18,369
OddIy bipoIar.

20
00:01:18,537 --> 00:01:20,997
I'd rather have
some oysters.

21
00:01:21,999 --> 00:01:25,001
AIl the wrongs and the rights

22
00:01:25,335 --> 00:01:29,046
There when you open your eyes

23
00:01:30,090 --> 00:01:33,301
And if you open your eyes

24
00:01:33,469 --> 00:01:35,178
You'Il find the sea

25
00:01:35,345 --> 00:01:36,721
[kNOCkING]

26
00:01:36,889 --> 00:01:38,556
PETER: Hey.
Hey.

27
00:01:38,724 --> 00:01:39,807
Have a good weekend?

28
00:01:39,975 --> 00:01:42,435
Ah. Nothing too exciting.
I went to the park.

29
00:01:42,603 --> 00:01:44,520
PETER: Oh, great.
Glad you're getting out.

30
00:01:45,397 --> 00:01:46,439
Coffee?

31
00:01:46,607 --> 00:01:48,649
Love to, no time.
Got a stoIen painting.

32
00:01:48,817 --> 00:01:50,318
It's June's Italian roast.

33
00:01:50,486 --> 00:01:51,736
It's...

34
00:01:52,196 --> 00:01:53,488
...Haustenberg.

35
00:01:54,281 --> 00:01:55,531
Haustenberg? Wow.

36
00:01:55,699 --> 00:01:57,033
Was it a museum heist?

37
00:01:57,201 --> 00:01:59,494
No, residentiaI robbery.

38
00:02:01,955 --> 00:02:05,208
I'd Iike to meet the Person who keeps
a Haustenberg over their mantle.

39
00:02:10,255 --> 00:02:12,340
NEAL:
Love Haustenberg.

40
00:02:12,508 --> 00:02:14,300
Which one of his paintings was stolen?

41
00:02:14,468 --> 00:02:17,178
This one is caIled
Young GirI with Locket.

42
00:02:17,346 --> 00:02:18,513
No photograph?

43
00:02:18,680 --> 00:02:22,141
No, but I bet you it's a painting
of a young girl wearing a Iocket.

44
00:02:22,309 --> 00:02:25,019
You don't get enough credit
for your deductive skilIs.

45
00:02:25,187 --> 00:02:26,646
It's worth 2 miIIion
and change.

46
00:02:26,814 --> 00:02:28,439
That's nice. Haustenbergs are rare.

47
00:02:28,607 --> 00:02:31,067
Not many works made it
out of Hungary after the War.

48
00:02:31,235 --> 00:02:34,070
Yeah, rare can make it vaIuabIe.
Very valuabIe.

49
00:02:34,238 --> 00:02:36,906
What are you Iooking at me for?
Why do you think?

50
00:02:37,074 --> 00:02:38,074
I didn't steal it.

51
00:02:38,242 --> 00:02:39,617
I know you didn't steaI it.

52
00:02:39,785 --> 00:02:42,411
But you like Paintings.
I'm worried that if we find it...

53
00:02:42,579 --> 00:02:46,040
...it may be too much temPtation for you.
I can handIe temPtation.

54
00:02:47,584 --> 00:02:48,668
[BEEPlNG]

55
00:02:48,836 --> 00:02:51,087
NEAL: Wanna keep your eyes on the road?
PETER: This is a Taurus.

56
00:02:51,255 --> 00:02:54,006
The car can take care of itseIf.
I'm keeping my eyes on you.

57
00:02:54,174 --> 00:02:56,551
The road is imPortant too. Sorry.
I see the road.

58
00:02:56,718 --> 00:02:59,762
No-- No, don't aPoIogize.
That was-- He stoPped.

59
00:03:02,766 --> 00:03:05,059
You know I didn't steaI it.
You checked my anklet?

60
00:03:05,227 --> 00:03:06,519
I aIways check your anklet.

61
00:03:06,687 --> 00:03:10,606
I puII a maP uP on you every day
so l can see exactIy where you've been.

62
00:03:11,900 --> 00:03:14,652
What was so interesting about
Grand CentraI Station?

63
00:03:14,820 --> 00:03:17,280
Oyster bar, it's the best in town.

64
00:03:17,447 --> 00:03:20,032
I stayed within my two-miIe radius.

65
00:03:20,200 --> 00:03:22,702
I wonder if we've been
a IittIe too generous on that.

66
00:03:22,870 --> 00:03:24,453
Oh, yeah.

67
00:03:25,247 --> 00:03:26,998
What, are you gonna suIk now?

68
00:03:27,165 --> 00:03:28,791
You don't trust me.

69
00:03:29,209 --> 00:03:31,919
What did Reagan say?
"Trust but verify"?

70
00:03:32,087 --> 00:03:34,422
That was also the motto
of the Soviet secret poIice.

71
00:03:34,590 --> 00:03:36,465
Get used to it, comrade.

72
00:03:36,633 --> 00:03:37,758
Eyes. Road.

73
00:03:38,802 --> 00:03:40,261
Let's just recover the Painting.

74
00:03:40,429 --> 00:03:42,346
Yeah, and drive.

75
00:03:42,514 --> 00:03:45,474
JULIANNA: Oh, so the FBI.
You're reaIly taking this seriousIy, huh?

76
00:03:45,642 --> 00:03:48,561
PETER:
We are. Are you the homeowner?

77
00:03:48,729 --> 00:03:50,313
Yes.

78
00:03:51,315 --> 00:03:54,859
My Parents are dead.
I'm over 21 , and I was robbed.

79
00:03:55,027 --> 00:03:56,569
Any other questions?

80
00:03:56,737 --> 00:03:58,195
PETER: Was the Painting insured?

81
00:03:58,363 --> 00:04:00,656
No.
Worth 2.6 milIion.

82
00:04:04,494 --> 00:04:06,913
That's where it was.

83
00:04:08,040 --> 00:04:09,624
Tuesdays l have classes.

84
00:04:09,791 --> 00:04:11,250
The instructor let us out early.

85
00:04:11,418 --> 00:04:16,547
I came in here, and
there was this monster here...

86
00:04:16,715 --> 00:04:18,591
...and he shoved me
uP against the waII.

87
00:04:18,759 --> 00:04:19,842
He hurt you?

88
00:04:20,010 --> 00:04:21,344
Yeah.

89
00:04:21,511 --> 00:04:22,845
I hit him in the face.

90
00:04:23,013 --> 00:04:25,640
And he said if I did it again,
he would kiII me.

91
00:04:25,807 --> 00:04:26,849
What did you do?

92
00:04:27,684 --> 00:04:28,684
I hit him again.

93
00:04:30,354 --> 00:04:32,021
Do you have
a Photo of the painting?

94
00:04:32,189 --> 00:04:33,940
Your rePort only had
a description.

95
00:04:35,567 --> 00:04:37,193
Yeah. Yeah.

96
00:04:37,986 --> 00:04:40,821
GARY: Can I heIp you?
Oh, it's okay, Gary. lt's the FBI.

97
00:04:40,989 --> 00:04:43,032
They're here about the painting.

98
00:04:43,200 --> 00:04:44,992
Oh, of course.

99
00:04:45,160 --> 00:04:47,536
Thank you for coming so quickIy.
PETER: Sure, sure.

100
00:04:47,704 --> 00:04:51,290
Were you there when it hapPened?
No, I was at work at the time.

101
00:04:51,458 --> 00:04:54,627
Wish I couId be more heIP.
PETER: AII right. Great.

102
00:04:55,170 --> 00:04:57,713
We Iooking at an inside job?
Thief knew her scheduIe.

103
00:04:57,881 --> 00:04:59,840
Nothing else taken.
I'd go with that too.

104
00:05:00,008 --> 00:05:01,509
HeIP Julianna
with that Photo.

105
00:05:01,677 --> 00:05:04,470
Gary,
I have a few questions.

106
00:05:07,349 --> 00:05:08,557
Gary is your...?
UncIe.

107
00:05:08,725 --> 00:05:10,393
UncIe.
WiIl that do?

108
00:05:10,560 --> 00:05:11,560
Oh, my goodness.

109
00:05:11,728 --> 00:05:14,355
JULIANNA: That's my grandmother,
and that's the Painting behind her.

110
00:05:14,523 --> 00:05:16,357
Could be your twin.

111
00:05:17,401 --> 00:05:19,276
I'II take that as a compIiment.

112
00:05:19,444 --> 00:05:21,570
I was named after her.
She raised me.

113
00:05:21,738 --> 00:05:24,991
When she died,
she Ieft me the house...

114
00:05:25,158 --> 00:05:26,909
...and the Painting.

115
00:05:28,078 --> 00:05:29,704
What did Uncle Gary think of that?

116
00:05:32,833 --> 00:05:35,084
You don't Iook Iike an FBI agent.

117
00:05:35,711 --> 00:05:39,296
I'II take that as a compIiment.
What does an FbI agent look like?

118
00:05:39,464 --> 00:05:42,299
Um.... Him.

119
00:05:42,968 --> 00:05:44,552
You got the Photo?

120
00:05:44,720 --> 00:05:46,262
Let's go.

121
00:06:09,453 --> 00:06:12,371
PETER:
I've never seen a guy Iawyer uP that fast.

122
00:06:12,539 --> 00:06:14,874
I've got that he's a stock trader
on WaII Street...

123
00:06:15,042 --> 00:06:18,377
...and that his attorney wiII answer
any further questions I might have.

124
00:06:18,545 --> 00:06:20,963
So UncIe Gary tiPs off
the thieves, sPIits the take.

125
00:06:21,131 --> 00:06:23,758
More IikeIy, UncIe Gary
owes money to somebody...

126
00:06:23,925 --> 00:06:27,762
...and he got tired of staring
at 2 miIIion bucks hanging on the waII.

127
00:06:27,929 --> 00:06:30,806
Now, he shuts uP,
we do this the hard way.

128
00:06:30,974 --> 00:06:33,768
AIl we need is the name of the guy
he's working with, right?

129
00:06:33,935 --> 00:06:36,103
Right.
So why don't I taIk to him?

130
00:06:36,271 --> 00:06:38,981
You?
Yeah. Okay, Iet me rephrase that...

131
00:06:39,149 --> 00:06:42,735
...since l am a consultant and not
technicaIly an emPloyee of the FBl--

132
00:06:42,903 --> 00:06:44,653
A consuItant on a tenuous Probation.

133
00:06:44,821 --> 00:06:48,449
As I'm constantIy reminded. Is there
anything iIIegal about me taIking to him?

134
00:06:49,951 --> 00:06:51,577
Can't threaten him.
Don't Plan to.

135
00:06:51,745 --> 00:06:53,370
Or Iie to him.

136
00:06:54,998 --> 00:06:59,502
AIl right. AlI right, no Iying.
I'm just gonna ask him for the name.

137
00:07:07,094 --> 00:07:08,219
TeII me, Gary.

138
00:07:08,386 --> 00:07:10,846
Does JuIianna know
you heIped steaI the Painting?

139
00:07:11,014 --> 00:07:13,057
You can't be here.
My Iawyer was very cIear--

140
00:07:13,225 --> 00:07:16,018
First of aII,
hiring a Iawyer makes you look guiIty.

141
00:07:16,186 --> 00:07:18,521
He toId me sPecificaIIy
not to talk to the FBI.

142
00:07:20,482 --> 00:07:22,441
Do I look Iike an FBI agent?

143
00:07:25,737 --> 00:07:28,864
Who are you?
Think hard, Gary.

144
00:07:30,242 --> 00:07:31,325
Did he send you?

145
00:07:32,410 --> 00:07:33,452
What do you think?

146
00:07:34,454 --> 00:07:35,913
God, I knew
this would hapPen.

147
00:07:36,081 --> 00:07:38,541
What, that whoIe thing
at the house was a setup?

148
00:07:38,708 --> 00:07:41,418
How did it go wrong?
Julianna wasn't suPposed to be there.

149
00:07:41,586 --> 00:07:43,546
Now she's a witness.
It wasn't my fauIt.

150
00:07:43,713 --> 00:07:45,673
Her cIass got out earIy.

151
00:07:45,841 --> 00:07:47,049
PIease don't hurt her.

152
00:07:47,217 --> 00:07:48,801
It's not me you need to convince.

153
00:07:48,969 --> 00:07:50,553
TeII him--

154
00:07:50,929 --> 00:07:53,806
TeII him l'Il make sure
she doesn't cause any trouble.

155
00:07:53,974 --> 00:07:56,725
She's ready to sit with a sketch artist.

156
00:07:56,893 --> 00:08:00,604
This is the kind of thing that makes it
much harder for him to seIl the painting.

157
00:08:00,772 --> 00:08:02,606
How about--? Here.

158
00:08:02,774 --> 00:08:06,902
How about a good-faith Payment?
Here. Here's $300. That's aII I got.

159
00:08:07,070 --> 00:08:08,946
Three hundred?

160
00:08:09,447 --> 00:08:10,573
Gary.

161
00:08:11,408 --> 00:08:13,576
AIl right. You're right, you're right.

162
00:08:13,743 --> 00:08:17,037
Um.... I couId write him a check?

163
00:08:19,791 --> 00:08:21,584
That couId work.

164
00:08:22,169 --> 00:08:23,878
PETER:
He wrote you a Personal check...

165
00:08:24,045 --> 00:08:26,505
...to the guy he helPed steaI
his mother's painting?

166
00:08:26,673 --> 00:08:28,382
He was very insistent.

167
00:08:28,800 --> 00:08:31,927
No threats, no lies.
I let him do aII the taIking.

168
00:08:32,095 --> 00:08:34,346
I'm caIIing this a gray area.

169
00:08:34,514 --> 00:08:36,307
[CHUCkLlNG]

170
00:08:37,100 --> 00:08:38,392
Gerard Dorsett.

171
00:08:38,560 --> 00:08:39,894
You know him?
Yeah.

172
00:08:40,061 --> 00:08:42,396
Yeah, he's a bad guy.

173
00:08:42,564 --> 00:08:43,772
So l figured.

174
00:08:45,483 --> 00:08:49,069
Hey, what about JuIianna?
He figures out she's taIking to us, then--

175
00:08:49,487 --> 00:08:52,239
Let's catch the bastard
before that haPpens.

176
00:08:56,411 --> 00:08:59,455
JONES: Yeah, we got him.
We've been sitting on him for two days.

177
00:08:59,623 --> 00:09:03,292
They were going to every high-end gaIlery
in Manhattan offering the Haustenberg.

178
00:09:03,460 --> 00:09:05,794
Who's that?
JONES: The big guy? Joshua.

179
00:09:05,962 --> 00:09:08,130
Ex-miIitary,
the muscIe who stoIe the Painting.

180
00:09:08,298 --> 00:09:11,175
Julianna wasn't kidding about the Punch.
The girI has an arm.

181
00:09:11,343 --> 00:09:13,969
And the other guy,
that's Dorsett, French exPat.

182
00:09:14,137 --> 00:09:17,097
What's he into? Besides
shaking down stockbrokers?

183
00:09:17,265 --> 00:09:18,891
PETER:
High-end Ioan sharking.

184
00:09:19,059 --> 00:09:22,311
AIthough caIling him a Ioan shark
is Iike caIIing OediPus a mama's boy.

185
00:09:22,854 --> 00:09:25,773
He makes questionabIe Ioans
with big corporate money.

186
00:09:25,941 --> 00:09:28,984
Get behind on your Payment,
he'lI firebomb your office.

187
00:09:29,152 --> 00:09:30,236
Ouch.

188
00:09:30,445 --> 00:09:33,322
The good news is, you get to
meet him. Tomorrow.

189
00:09:33,490 --> 00:09:35,824
How did you arrange that?
VANDERSANT: l set it up.

190
00:09:38,578 --> 00:09:42,164
Neal, this is Taryn Vandersant.
She's a buyer at the Lambert gaIIery...

191
00:09:42,332 --> 00:09:44,625
...and is nice enough
to heIp us out on this one.

192
00:09:44,793 --> 00:09:48,754
I convinced Dorsett l have a weaIthy client
who's very interested in the Painting.

193
00:09:48,922 --> 00:09:50,130
How much is he asking?

194
00:09:50,298 --> 00:09:51,423
Hundred-thousand.

195
00:09:54,511 --> 00:09:58,305
We've arranged to have the exchange
haPpen at the gaIIery, NeaI.

196
00:09:58,473 --> 00:10:00,641
Jones, Iet's get her prePped.

197
00:10:04,437 --> 00:10:06,146
This shouId be fun.

198
00:10:09,442 --> 00:10:12,319
What?
Have you ever met a woman who didn't...?

199
00:10:12,487 --> 00:10:14,280
Brittney. Brittney Nicole.

200
00:10:14,447 --> 00:10:16,282
In second grade.

201
00:10:17,867 --> 00:10:18,993
I had a gaP in my teeth.

202
00:11:01,161 --> 00:11:02,411
AIl right.

203
00:11:07,625 --> 00:11:09,877
kate Ioves the cIassics.

204
00:11:16,259 --> 00:11:17,968
PETER:
That's a big load of Iaundry.

205
00:11:18,136 --> 00:11:20,721
It just soId for
a hundred and twenty thousand.

206
00:11:20,889 --> 00:11:22,765
What?
Come on, man.

207
00:11:22,932 --> 00:11:24,224
PETER:
What?

208
00:11:24,851 --> 00:11:26,977
You can't Put a price on art.
No, you can't.

209
00:11:27,145 --> 00:11:30,564
Which is why I think 2.6 is
a IittIe steeP for the Haustenberg.

210
00:11:30,732 --> 00:11:33,067
You're not a fan of Haustenberg?

211
00:11:33,276 --> 00:11:34,526
I don't know, l--

212
00:11:34,694 --> 00:11:36,862
It's a Iittle cartoony
for my taste.

213
00:11:37,030 --> 00:11:38,697
Okay, you're a philistine.

214
00:11:38,865 --> 00:11:42,034
Yeah, yeah.
I'm the crazy one.

215
00:11:42,452 --> 00:11:45,120
You alI set?
MAN: AlI set.

216
00:11:45,288 --> 00:11:47,289
WeIl, Iet's get wired.

217
00:11:49,125 --> 00:11:51,627
VANDERSANT: A hundred grand in cash,
that's a Iot of money.

218
00:11:52,921 --> 00:11:54,254
Tempted?

219
00:11:56,549 --> 00:11:57,966
Why wouId you think that?

220
00:11:58,134 --> 00:11:59,718
Peter warned me about you.

221
00:11:59,886 --> 00:12:01,553
Warned you?

222
00:12:02,013 --> 00:12:03,972
Sounds ominous.

223
00:12:04,641 --> 00:12:06,934
Does it?
Yeah.

224
00:12:07,102 --> 00:12:09,478
Is it true you just
got out of Prison?

225
00:12:09,646 --> 00:12:11,230
Do I look Iike I just got out of Prison?

226
00:12:11,398 --> 00:12:12,981
He said you'd do that.

227
00:12:13,149 --> 00:12:15,651
What?
Redirect.

228
00:12:18,029 --> 00:12:20,322
Yes, l just got out of prison.

229
00:12:20,490 --> 00:12:22,991
Yes, Peter is the guy who put me there.

230
00:12:23,159 --> 00:12:25,828
And yes, I'm temPted.

231
00:12:28,206 --> 00:12:30,165
Is it true you escaPed
for a girI?

232
00:12:31,876 --> 00:12:34,336
Some PeoPle think
I'm a romantic.

233
00:12:34,504 --> 00:12:35,587
Did she?

234
00:12:36,881 --> 00:12:38,590
I'II Iet you know.

235
00:12:40,343 --> 00:12:42,177
MAN [OVER RADlO]:
5e got Dorsett crossing 20th.

236
00:12:42,345 --> 00:12:44,972
Let's get a camera on that.
Okay.

237
00:12:45,140 --> 00:12:47,850
They're aPproaching the gaIIery.
Team One has the eye.

238
00:12:55,733 --> 00:12:58,152
Good to see you again.
VANDERSANT: Good to see you.

239
00:12:58,319 --> 00:13:01,989
As I said on the phone,
this is Mr. Devore.

240
00:13:03,450 --> 00:13:04,950
CaII me George.

241
00:13:13,793 --> 00:13:15,586
It's smaIIer than I exPected.

242
00:13:15,753 --> 00:13:18,130
Have you seen the Mona Lisa?
It's tiny.

243
00:13:20,049 --> 00:13:21,467
Could l see the money, pIease?

244
00:13:25,054 --> 00:13:26,388
I'd Iike to authenticate it.

245
00:13:28,475 --> 00:13:30,601
DORSETT: You two have known each other
for a Iong time?

246
00:13:31,603 --> 00:13:33,812
We've been friends for--
How Iong has it been?

247
00:13:33,980 --> 00:13:35,314
Years.

248
00:13:35,565 --> 00:13:38,025
Beautiful People are never just friends.

249
00:13:39,235 --> 00:13:40,402
George has a girIfriend.

250
00:13:40,820 --> 00:13:44,239
Again, monogamy
is the great casuaIty of beauty.

251
00:13:45,325 --> 00:13:47,409
Not aIways.
PIease.

252
00:13:47,577 --> 00:13:51,747
We use the exPression "butterfIy"
for a man who flits from fIower to fIower.

253
00:13:51,915 --> 00:13:55,584
A man such as yourseIf
couId be quite a successful butterfly.

254
00:13:56,419 --> 00:13:59,254
We consider butterfIies weak,
deIicate creatures.

255
00:13:59,422 --> 00:14:02,174
But fIaP their wings
and they can set off hurricanes.

256
00:14:02,342 --> 00:14:04,927
That's beautifuI.
You shouId write a book. Could we...?

257
00:14:05,094 --> 00:14:06,845
CIose the doors, Please.

258
00:14:08,473 --> 00:14:10,641
I have a girIfriend myseIf.

259
00:14:10,808 --> 00:14:11,934
NEAL:
Is she faithfuI?

260
00:14:12,101 --> 00:14:15,521
She's French.
I try not to think about it.

261
00:14:20,026 --> 00:14:21,318
Brigitte arrived Iast night.

262
00:14:21,486 --> 00:14:24,029
And I shouIdn't Ieave her aIone
in a new town for Iong.

263
00:14:24,197 --> 00:14:25,614
PerhaPs we couId hurry.

264
00:14:25,782 --> 00:14:27,449
VANDERSANT:
Of course. Lights, please.

265
00:14:36,793 --> 00:14:39,795
I've got fIuorescing cadmium green
and azurite blue.

266
00:14:39,963 --> 00:14:42,130
That puts the paint comPosition
pre-1 960.

267
00:14:42,298 --> 00:14:43,549
PerhaPs you can exPlain...

268
00:14:43,716 --> 00:14:46,802
...why there are peopIe
signaIing each other outside?

269
00:14:47,303 --> 00:14:50,973
Want us to go?
Not yet. We can't risk it.

270
00:14:52,141 --> 00:14:53,267
Who are they?

271
00:14:53,685 --> 00:14:56,019
If you brought the FBI into this--
It was not me!

272
00:14:56,187 --> 00:14:59,189
I toId you to keeP a Iow profile.
You were careless.

273
00:14:59,357 --> 00:15:02,859
You've been fIashing this Painting
aII over town. They foIIowed you here.

274
00:15:03,903 --> 00:15:05,737
Something is not right here.

275
00:15:05,905 --> 00:15:10,158
You're damn right it's not.
For my time and inconvenience.

276
00:15:11,244 --> 00:15:12,995
That's it. Move. Move.

277
00:15:13,162 --> 00:15:16,748
Team One, Team Two, AIpha Bravo
is exiting the rear of the buiIding. Move in.

278
00:15:24,048 --> 00:15:25,841
PETER:
Go. Go. Go.

279
00:15:26,009 --> 00:15:27,968
FoIIow Jones.

280
00:15:28,636 --> 00:15:29,928
You okay?
We're fine.

281
00:15:31,014 --> 00:15:33,765
Arrest them. Arrest them.
We have to keep their cover.

282
00:15:33,933 --> 00:15:35,851
Handcuff them,
read them their rights.

283
00:15:36,019 --> 00:15:39,146
You two are on the north end,
oPPosite side of Jones. Go.

284
00:15:40,398 --> 00:15:42,024
Where are they?
MAN: They disappeared...

285
00:15:42,191 --> 00:15:43,191
...between the buildings.

286
00:15:43,359 --> 00:15:45,819
Anyone have eyes?
Negative.

287
00:15:46,904 --> 00:15:48,864
AIl we got is this.
What?

288
00:15:50,033 --> 00:15:51,700
They switched cIothes. Damn it.

289
00:15:55,705 --> 00:15:58,498
Things always this interesting
when you're around?

290
00:15:59,208 --> 00:16:00,375
Come on.

291
00:16:00,543 --> 00:16:02,711
You're under arrest.

292
00:16:15,141 --> 00:16:18,894
So how upset were they
that you Iost the hundred grand?

293
00:16:19,062 --> 00:16:21,438
"Upset" is a bit
of an understatement.

294
00:16:21,606 --> 00:16:24,399
They've started
an administrative inquiry.

295
00:16:24,567 --> 00:16:27,402
Everything wiII be fine
if I recover it--

296
00:16:27,570 --> 00:16:29,946
When I recover it.

297
00:16:30,114 --> 00:16:32,282
WeIl, the good news is
Neal didn't take it.

298
00:16:32,450 --> 00:16:33,867
Yeah.

299
00:16:34,577 --> 00:16:37,954
This is progress.
Do you think he had anything to do with it?

300
00:16:38,122 --> 00:16:40,957
No. But the thing about NeaI...

301
00:16:41,125 --> 00:16:43,543
...nothing is ever what it seems.

302
00:16:43,711 --> 00:16:47,047
The guy is a contradiction.
He's obsessed about Kate...

303
00:16:47,215 --> 00:16:49,841
...but you shouId have seen him
flirting with this girI.

304
00:16:50,009 --> 00:16:52,552
Honey, that's who NeaI is.
That's never gonna change.

305
00:16:52,720 --> 00:16:54,888
That's what I Iove about you so much.
What?

306
00:16:55,056 --> 00:16:57,683
That I lost aIl abiIity to fIirt
when we got married?

307
00:16:57,850 --> 00:16:59,726
Honey, it was even
questionable then.

308
00:16:59,894 --> 00:17:01,937
It was.
Who's the new girl?

309
00:17:02,105 --> 00:17:04,189
Taryn Vandersant.
Mm. Don't know her.

310
00:17:04,357 --> 00:17:07,901
She's a buyer at the Lambert gaIIery.
She's beautifuI. Seems nice.

311
00:17:08,069 --> 00:17:10,612
WeIl, if NeaI is interested,
you shouId encourage it.

312
00:17:10,780 --> 00:17:12,948
Encourage it? I need that
Iike a hoIe in the head.

313
00:17:13,116 --> 00:17:16,326
Honey, if he faIls for the new girl,
he might actualIy stoP chasing kate.

314
00:17:16,494 --> 00:17:18,078
PETER:
Uhh....

315
00:17:18,371 --> 00:17:19,538
Love you.
Love you.

316
00:17:27,964 --> 00:17:30,132
PETER: You and Taryn were
getting aIong good yesterday.

317
00:17:30,299 --> 00:17:32,300
She's not my tyPe.
What? Not your--?

318
00:17:32,468 --> 00:17:36,304
Why isn't she your tyPe? She Ioves art,
she Iooks Iike Lara Croft in khakis.

319
00:17:36,472 --> 00:17:38,557
RealIy? Does she bake cookies
for orPhans too?

320
00:17:38,725 --> 00:17:40,142
She does.

321
00:17:41,394 --> 00:17:44,730
I get it. Meet a nice girl,
maybe settle down.

322
00:17:44,897 --> 00:17:47,482
SimpIify my life,
probabIy save yours.

323
00:17:47,650 --> 00:17:48,900
You're lying about the cookies.

324
00:17:49,068 --> 00:17:50,235
Prove it.

325
00:17:51,362 --> 00:17:54,322
Who's that?
Curator, from the Channing Museum.

326
00:17:54,782 --> 00:17:57,075
Wait. Why is he here?
PETER: The Haustenberg.

327
00:17:57,243 --> 00:17:59,161
He says it beIongs to them.

328
00:17:59,328 --> 00:18:00,829
Lose the hat.

329
00:18:02,498 --> 00:18:04,666
How come the Channing
didn't rePort it missing?

330
00:18:04,834 --> 00:18:08,587
We did report it
when it was stoIen in 1 967.

331
00:18:09,005 --> 00:18:10,046
I have a question.

332
00:18:10,214 --> 00:18:13,717
The painting was stolen in '67,
but it's not Iisted on the Art Loss Registry.

333
00:18:13,885 --> 00:18:16,428
The Registry was
established in 1 990.

334
00:18:16,596 --> 00:18:19,181
'91 , actuaIIy.
You could have re-fiIed the claim.

335
00:18:19,682 --> 00:18:21,767
I'm sorry, you are who?

336
00:18:21,934 --> 00:18:23,101
Neal Caffrey.

337
00:18:23,269 --> 00:18:24,978
He's one of our art consuItants.

338
00:18:25,146 --> 00:18:26,688
Caffrey.

339
00:18:26,856 --> 00:18:28,857
Not famiIiar with that name.

340
00:18:29,025 --> 00:18:31,943
It's Probably for the best.
You're an expert on Haustenberg?

341
00:18:32,111 --> 00:18:34,362
AIl the Iate EuroPean PostimPressionists.

342
00:18:34,530 --> 00:18:36,907
I authenticated
Young GirI with Locket myself...

343
00:18:37,074 --> 00:18:39,201
...when it first entered our colIection.

344
00:18:39,368 --> 00:18:43,663
I'II agree it's an excelIent work.
A bit sentimental for my taste...

345
00:18:43,831 --> 00:18:46,708
...but the Matisse influence is apParent.

346
00:18:46,876 --> 00:18:49,586
Considering Matisse was a fauvist,
I wouIdn't agree at aIl.

347
00:18:49,754 --> 00:18:53,215
UnIess you're talking about his early work.
If you are, you're just wrong.

348
00:18:53,382 --> 00:18:56,426
We have reason to beIieve
this was taken in a residential robbery.

349
00:18:56,594 --> 00:19:00,972
What hapPened to the painting when it was
taken from my museum is not my concern.

350
00:19:01,724 --> 00:19:04,392
Now, if someone eIected
to buy stoIen proPerty...

351
00:19:04,560 --> 00:19:07,479
...l believe that is a crime.

352
00:19:10,066 --> 00:19:13,735
Do you know how the Haustenberg
came into your grandmother's possession?

353
00:19:13,903 --> 00:19:17,614
She brought it with her from Hungary when
she came to this country after the War.

354
00:19:17,782 --> 00:19:20,242
Why?
Agent Burke, got a question for you.

355
00:19:20,409 --> 00:19:23,078
Yeah. Excuse me.

356
00:19:23,246 --> 00:19:24,579
PIay nice, kids.

357
00:19:31,546 --> 00:19:32,838
What's going on?

358
00:19:38,010 --> 00:19:41,179
You're not a very good liar.
Your grandmother stole the painting.

359
00:19:41,347 --> 00:19:42,556
Why wouId you say that?

360
00:19:42,723 --> 00:19:45,517
She never had it insured.
That was my first cIue.

361
00:19:45,685 --> 00:19:47,644
Is this Iike a good-cop,
bad-cop thing?

362
00:19:47,812 --> 00:19:50,021
He takes a calI, you wink at me.

363
00:19:50,189 --> 00:19:52,732
We get the Painting,
it's going back to the Channing...

364
00:19:52,900 --> 00:19:55,944
...unless you give us a good reason
to keep it away from them.

365
00:19:59,198 --> 00:20:01,116
TeII me a story.

366
00:20:01,325 --> 00:20:04,911
How did she take it?
Just hyPotheticaIIy.

367
00:20:05,454 --> 00:20:06,621
HypotheticaIly?

368
00:20:08,291 --> 00:20:10,792
A Iittle bIack dress,
a Iaced bottle of whiskey...

369
00:20:10,960 --> 00:20:13,295
...and a horny Irish security guard.

370
00:20:14,380 --> 00:20:15,589
Why did she do it?

371
00:20:22,805 --> 00:20:24,472
That's the locket.

372
00:20:24,640 --> 00:20:27,309
Your grandmother
is the IittIe girl in the painting.

373
00:20:40,239 --> 00:20:41,615
How's it going in there?

374
00:20:41,782 --> 00:20:43,533
It's fine.
Any luck on Dorsett?

375
00:20:43,701 --> 00:20:45,577
No. Assuming you just waIked...

376
00:20:45,745 --> 00:20:48,997
...with a hundred grand in cash
and the painting, what do you do?

377
00:20:49,165 --> 00:20:52,417
Go to ground tiIl things cool off.
Where do you go?

378
00:20:53,961 --> 00:20:56,212
Dorsett said something about
having a girlfriend.

379
00:20:56,380 --> 00:20:58,256
Brigitte.
How many Brigittes came in...

380
00:20:58,424 --> 00:21:00,258
...from France Iast night?

381
00:21:01,135 --> 00:21:03,386
Accounting middle names
and speIIing variations...

382
00:21:03,554 --> 00:21:06,348
...a Iot more than I thought.
Discount connecting fIights.

383
00:21:06,515 --> 00:21:08,308
And women over 50.

384
00:21:09,810 --> 00:21:10,852
TeII me I'm wrong.

385
00:21:11,437 --> 00:21:12,604
WeIl, that Ieaves seven.

386
00:21:12,772 --> 00:21:16,107
AIl right. So Iet's PuIl in some teams
and everybody take a Brigitte.

387
00:21:16,275 --> 00:21:18,860
We'II take the girI
staying at the Gansevoort.

388
00:21:20,196 --> 00:21:21,279
That's where I'd stay.

389
00:21:21,447 --> 00:21:23,907
ANNOUNCER [ON RADlO]:
Off the gIass and it's in for two.

390
00:21:24,075 --> 00:21:25,825
He goes down....

391
00:21:27,536 --> 00:21:30,330
You'd think they'd have a sateIIite
for things like this.

392
00:21:30,498 --> 00:21:33,708
OnIy thing a sateIIite is gonna telI us
is that he's not on the roof.

393
00:21:33,876 --> 00:21:35,001
This is oId schooI.

394
00:21:35,169 --> 00:21:36,544
Old schooI.

395
00:21:37,171 --> 00:21:38,880
WiIl you reIax?

396
00:21:39,048 --> 00:21:40,882
Do you meditate?
No.

397
00:21:41,050 --> 00:21:43,843
RealIy? You look Iike
a guy who meditates.

398
00:21:44,011 --> 00:21:45,553
Sandwich?

399
00:21:45,721 --> 00:21:48,390
Up to the free-throw line. lt's good.

400
00:21:48,557 --> 00:21:49,557
What is that smeIl?

401
00:21:49,725 --> 00:21:51,810
It's deviIed ham.
No.

402
00:21:51,978 --> 00:21:53,395
Come on.
No.

403
00:21:53,562 --> 00:21:57,065
The second one faIls in too.
Time now calIed on the court...

404
00:21:57,233 --> 00:21:59,859
...and we'Il be back shortIy
after this commercial break.

405
00:22:00,027 --> 00:22:01,194
[MUSlC PLAYING ON RADIO]

406
00:22:01,362 --> 00:22:03,238
No, wait. Go back to the game.
No, I caIIed it.

407
00:22:03,406 --> 00:22:05,824
You're just touching buttons,
that's not caIIing it.

408
00:22:05,992 --> 00:22:07,075
What are we, 1 2?

409
00:22:07,702 --> 00:22:11,579
I guess we are. When we're in your car,
we can Iisten to your station.

410
00:22:11,956 --> 00:22:12,998
I don't have a car.

411
00:22:13,165 --> 00:22:14,916
Poor Iife choice.

412
00:22:17,962 --> 00:22:19,170
And we got the game.

413
00:22:19,338 --> 00:22:21,673
lt's exactIy 97-98.

414
00:22:21,841 --> 00:22:25,552
Point guard takes the baIl, up the left side
of the court. Passes it quickIy....

415
00:22:25,720 --> 00:22:27,679
What do you think
you can afford in that Place?

416
00:22:27,847 --> 00:22:30,765
SPot me a 20.
Why don't you use the new GoId Card?

417
00:22:30,933 --> 00:22:33,143
--fakes the shot, hit his man in the air.

418
00:22:33,310 --> 00:22:35,228
You know about that?

419
00:22:35,980 --> 00:22:37,147
BeautifuI pass!
keeP it.

420
00:22:37,314 --> 00:22:39,566
Makes it easier for me to know
what you're buying.

421
00:22:39,734 --> 00:22:42,610
Puts it up off the gIass,
and it's in for two!

422
00:22:42,778 --> 00:22:47,115
Inbound pass to the other point guard.
Quickly surrounded by half-court pressure.

423
00:22:47,283 --> 00:22:49,743
On the corner, he dribbles around....
AIl right, go.

424
00:22:49,910 --> 00:22:52,245
But no shenanigans.
You've got 1 0 minutes.

425
00:22:52,413 --> 00:22:53,621
And keep your phone on.

426
00:22:54,915 --> 00:22:58,084
That's for you.
Defending bIocking fouI, foIks.

427
00:22:58,252 --> 00:23:00,170
[WHISPERING]
Shenanigans.

428
00:23:00,337 --> 00:23:05,425
That's number 1 0, the third foul
of the night and the seventh team fouI.

429
00:23:11,223 --> 00:23:44,005
[SPEAKING IN FRENCH]

430
00:23:47,259 --> 00:23:48,301
Can l buy you a drink?

431
00:23:54,141 --> 00:23:56,684
--find the rim and it's good.

432
00:23:57,728 --> 00:23:59,104
Hey.

433
00:23:59,271 --> 00:24:00,355
What?

434
00:24:03,150 --> 00:24:04,192
What do you think?

435
00:24:05,361 --> 00:24:08,613
Hookers?
No. No, that's Brigitte and her friend.

436
00:24:08,781 --> 00:24:12,867
I convinced them to invite us up to their
suite. Brigitte likes me, you can have CIaire.

437
00:24:13,035 --> 00:24:15,286
Are you comPleteIy
out of your mind?

438
00:24:16,122 --> 00:24:18,123
The room is rented in her name.

439
00:24:18,290 --> 00:24:21,543
We're not breaking any laws
if she invites us in.

440
00:24:22,002 --> 00:24:24,337
The hundred grand and
the painting couId be inside.

441
00:24:24,505 --> 00:24:27,382
WouIdn't you Iike to know
if we're sitting in the right PIace?

442
00:24:27,800 --> 00:24:29,801
Peter.

443
00:24:31,137 --> 00:24:32,470
Which one's Claire?

444
00:24:45,151 --> 00:24:47,193
[BRlGITTE LAUGHING]

445
00:24:53,492 --> 00:24:54,868
[SPEAKS IN FRENCH]

446
00:24:57,746 --> 00:24:58,872
CIaire is cute.
Yeah.

447
00:24:59,039 --> 00:25:02,167
She's exactly what l need
in my Iife right now.

448
00:25:03,460 --> 00:25:06,045
AIl right. There are
no men's socks Iying around.

449
00:25:06,672 --> 00:25:10,508
Brigitte does not Iook Iike a girI who's
worried about her boyfriend coming home.

450
00:25:10,676 --> 00:25:14,387
Peter, you have to relax. lf we have
the wrong Brigitte, we'Il know soon enough.

451
00:25:14,555 --> 00:25:16,639
Beats sitting in the car
eating deviIed ham.

452
00:25:16,807 --> 00:25:18,099
AIl right, fine.

453
00:25:18,267 --> 00:25:21,519
The second we find out
if Dorsett is staying here...

454
00:25:21,687 --> 00:25:24,230
...we leave and we caII in reinforcements.
Done.

455
00:25:24,398 --> 00:25:25,899
They're coming.

456
00:25:34,783 --> 00:25:38,578
[SPEAKING IN FRENCH]

457
00:25:44,460 --> 00:25:47,545
She doesn't want us in there.
Yeah, l saw her Iock the door.

458
00:25:47,713 --> 00:25:50,882
If there's a door that connects
to the master suite, l can oPen it.

459
00:25:51,050 --> 00:25:52,467
No.
I won't teII anyone.

460
00:25:52,635 --> 00:25:54,969
No, no.
You understand the ruIes here.

461
00:25:55,137 --> 00:25:57,305
Yes, l've heard the speech.

462
00:26:05,231 --> 00:26:07,774
What's that?
They wanna pIay striP poker.

463
00:26:09,485 --> 00:26:12,153
I'm kidding.
But couId you imagine?

464
00:26:14,657 --> 00:26:17,242
They want music, alI right? Come on, reIax.
AIl right.

465
00:26:17,409 --> 00:26:19,410
It's over there. Come on.

466
00:26:34,802 --> 00:26:36,678
Just un moment.

467
00:26:40,349 --> 00:26:42,809
Neal, I know what you're doing.
Just un moment.

468
00:26:42,977 --> 00:26:45,520
Cut the French crap. Get out here.
keeP them occupied.

469
00:26:45,688 --> 00:26:47,021
I can't keep them occuPied.

470
00:26:47,189 --> 00:26:49,816
I don't sPeak French.

471
00:26:50,943 --> 00:26:53,486
Okay. l know--

472
00:26:55,281 --> 00:26:57,198
Oh, that's--

473
00:26:59,702 --> 00:27:00,868
Oh, I'lI just--

474
00:27:01,036 --> 00:27:02,036
Oh, now--

475
00:27:10,045 --> 00:27:11,713
You know what?
I should get uP now.

476
00:27:11,880 --> 00:27:14,382
I-- I can't-- I can't go--

477
00:27:14,883 --> 00:27:15,883
That's a good grape.

478
00:27:21,807 --> 00:27:22,974
[PHONE RlNGING]

479
00:27:23,142 --> 00:27:24,726
Oh, it's just--
It's just my phone.

480
00:27:24,893 --> 00:27:28,479
Just my phone. No, l'm just getting
my Phone. That's aII I'm doing.

481
00:27:28,647 --> 00:27:30,815
Just getting my-- See?
Oh, no.

482
00:27:30,983 --> 00:27:32,233
No, pIease don't.

483
00:27:32,401 --> 00:27:35,486
Let's-- Let me have the phone,
s'il vous pIait.

484
00:27:35,654 --> 00:27:38,031
Thank you.
Oh, God, that's EI.

485
00:27:40,242 --> 00:27:42,869
HeIIo?
Hey, I didn't think I was gonna get you.

486
00:27:43,037 --> 00:27:47,206
I was actualIy gonna leave a message.
Oh, hi. Yeah, weII....

487
00:27:47,583 --> 00:27:49,167
I saw that it was you.
What's uP?

488
00:27:49,335 --> 00:27:51,085
I just got back from a cIient dinner.

489
00:27:51,253 --> 00:27:53,713
Wanted to see how stakeout was going.
Having a bIast.

490
00:27:53,881 --> 00:27:55,798
[ROCk MUSlC PLAYING
OVER SPEAKERS]

491
00:27:55,966 --> 00:27:58,593
5here are you?
I'm at a-- I'm at a--

492
00:27:58,761 --> 00:28:00,345
Are you at a nightcIub?

493
00:28:00,512 --> 00:28:02,764
Yes, that's where I am.
We were at a nightcIub.

494
00:28:02,931 --> 00:28:05,391
We folIowed him into a nightcIub.

495
00:28:05,559 --> 00:28:06,601
At the Gansevoort?

496
00:28:06,769 --> 00:28:07,852
Honey, I'm impressed.

497
00:28:08,270 --> 00:28:09,937
l can't believe you got in there.

498
00:28:10,105 --> 00:28:12,315
It's a Iong story. I'lI--

499
00:28:12,775 --> 00:28:15,777
Oh, God. EI, l've gotta go.
I've got a situation here, okay?

500
00:28:15,944 --> 00:28:19,947
I love you, honey. I Iove you.
It's crowded. lt's crowded.

501
00:28:21,784 --> 00:28:23,826
Hey, Neal. Caffrey!

502
00:28:26,538 --> 00:28:30,041
PETER: EI caIled me with these two
crazy women in the background. Not good.

503
00:28:37,758 --> 00:28:40,176
No. No. No. Just one moment.

504
00:28:40,344 --> 00:28:42,387
PIease. Please.

505
00:28:42,554 --> 00:28:45,306
If Elizabeth hoIds this over me,
I'm revoking your badge.

506
00:28:45,474 --> 00:28:47,183
I'II do it.

507
00:28:47,684 --> 00:28:49,685
What are you--?
What are you Iaughing about?

508
00:28:49,853 --> 00:28:52,188
What are they Iaughing about, NeaI?

509
00:28:55,651 --> 00:28:57,860
Look, l'm not--
I'm not gonna dance with you.

510
00:28:58,028 --> 00:29:00,154
We can be friends.

511
00:29:00,364 --> 00:29:02,365
I'II have another grape.

512
00:29:02,741 --> 00:29:05,618
What asPect of the warrant law
are you stiIl struggIing with?

513
00:29:05,786 --> 00:29:08,579
"To my dearest JuIianna.
keeP this forever."

514
00:30:17,065 --> 00:30:19,358
Let me taIk to EIizabeth.
It's the Ieast I can do.

515
00:30:19,526 --> 00:30:22,820
No, the least you can do is nothing,
which is exactIy what you wilI do.

516
00:30:22,988 --> 00:30:24,030
It's my fauIt.
No.

517
00:30:24,198 --> 00:30:27,074
I don't need you to Iie to my wife.
You gonna do it yourseIf?

518
00:30:27,242 --> 00:30:28,284
No.

519
00:30:28,452 --> 00:30:32,121
The truth, Peter. BoId choice.
HypotheticaIly--

520
00:30:32,289 --> 00:30:35,416
I wouIdn't stoP compIaining,
so you Iet me go into the nightcIub...

521
00:30:35,584 --> 00:30:39,587
...and you witnessed the susPect enter
after me and had no choice but to folIow.

522
00:30:40,380 --> 00:30:42,715
It's aImost the truth.
It's better than aIimony.

523
00:30:42,883 --> 00:30:44,509
[PHONE RlNGS]

524
00:30:44,676 --> 00:30:47,386
Yeah?
JONES: We lost Dorsett.

525
00:30:48,430 --> 00:30:50,264
What about the painting
and the cash?

526
00:30:50,432 --> 00:30:52,099
AIl gone.

527
00:30:53,936 --> 00:30:55,853
Dorsett escaPed.

528
00:30:56,730 --> 00:30:59,565
This is bad.
Yeah, this is bad.

529
00:31:02,653 --> 00:31:06,531
You know,
this one may be a real probIem, EI.

530
00:31:06,698 --> 00:31:09,659
So if you don't find Dorsett,
what hapPens to NeaI?

531
00:31:09,826 --> 00:31:12,745
He's done. He's back inside.

532
00:31:13,163 --> 00:31:15,456
Do you actuaIly think he stole it?

533
00:31:15,874 --> 00:31:18,793
Yeah.

534
00:31:19,920 --> 00:31:21,963
You gonna be okay?

535
00:31:22,172 --> 00:31:23,631
Yeah, l'Il be--

536
00:31:23,799 --> 00:31:25,633
I'II be fine.

537
00:31:27,219 --> 00:31:32,056
Honey, Iisten.
About last night at the hoteI.

538
00:31:32,224 --> 00:31:33,641
You mean, the nightcIub.

539
00:31:34,434 --> 00:31:36,852
Yeah, welI....

540
00:31:37,145 --> 00:31:42,149
Neal was comPlaining about my sandwich,
he started fidgeting with the radio, so I....

541
00:31:44,027 --> 00:31:45,486
There was no nightcIub.

542
00:31:46,989 --> 00:31:48,656
I know.

543
00:31:49,074 --> 00:31:51,492
You don't think after 1 0 years,
I know when you're--

544
00:31:51,660 --> 00:31:52,952
Stretching the truth?

545
00:31:53,537 --> 00:31:55,830
WeIl, that's a nice way of putting it.

546
00:31:55,998 --> 00:31:57,665
Next time, just telI me.

547
00:31:57,833 --> 00:31:59,166
That's what I toId NeaI.

548
00:31:59,585 --> 00:32:01,294
Then stick to it.

549
00:32:01,461 --> 00:32:02,587
I wilI.

550
00:32:02,754 --> 00:32:04,839
I know you're a good man.

551
00:32:08,385 --> 00:32:10,052
Was she cute?

552
00:32:10,345 --> 00:32:14,223
No-- Now, that depends
on your definition, because I--

553
00:32:14,391 --> 00:32:17,685
I gotta Plead the Fifth on this one.
Yeah, okay.

554
00:32:30,741 --> 00:32:33,034
[PHONE RlNGING]

555
00:32:37,873 --> 00:32:40,541
Who is this?
DORSETT: I couId ask you the same thing.

556
00:32:40,709 --> 00:32:42,710
You seem to have many names, George.

557
00:32:42,878 --> 00:32:45,212
Dorsett. How did you get this number?

558
00:32:45,380 --> 00:32:47,923
You bought my girlfriend a drink
with your credit card.

559
00:32:48,091 --> 00:32:49,967
I'm impressed with your resourcefuIness.

560
00:32:50,135 --> 00:32:53,012
Now you wilI see mine.
I want the painting.

561
00:32:53,180 --> 00:32:57,850
If it is not returned, Joshua wilI pay a visit
to your beautifuI friend at the galIery.

562
00:32:58,018 --> 00:32:59,560
You Ieave her out of this.

563
00:32:59,978 --> 00:33:02,772
Brigitte was out of bounds,
yet you involved her.

564
00:33:02,939 --> 00:33:05,566
You set the ruIes,
now you must pIay by them.

565
00:33:05,734 --> 00:33:07,068
I need two days.

566
00:33:07,235 --> 00:33:09,070
That's aIl you have.

567
00:33:16,662 --> 00:33:20,081
You stoIe the painting?
I was going to give it back to JuIianna.

568
00:33:20,248 --> 00:33:23,209
You're like a chiId.
No sense of consequence.

569
00:33:23,377 --> 00:33:25,878
Okay. WiII you Iook at
the inscriPtion?

570
00:33:28,090 --> 00:33:31,342
Channing Curator said he authenticated
the painting before it was stoIen.

571
00:33:31,510 --> 00:33:34,470
He saw that it beIonged to JuIianna
and chose to ignore it.

572
00:33:34,638 --> 00:33:35,930
And you're Robin Hood.

573
00:33:36,098 --> 00:33:39,141
And did I forget to mention the part
where you stoIe the Painting?

574
00:33:39,309 --> 00:33:41,102
I didn't think Dorsett would get away.

575
00:33:41,269 --> 00:33:45,106
This is because you don't Iike the guy
from the Channing. You did this for spite.

576
00:33:45,273 --> 00:33:46,691
I've done things for Iess.

577
00:33:47,484 --> 00:33:49,694
I can't let him go after Taryn.

578
00:33:49,861 --> 00:33:52,780
So, what are you gonna do?

579
00:33:57,327 --> 00:33:59,286
This better be good.

580
00:34:02,541 --> 00:34:03,582
I took the painting.

581
00:34:04,584 --> 00:34:06,585
Damn it, Neal.
I wasn't gonna--

582
00:34:08,004 --> 00:34:09,046
I did it for--

583
00:34:11,675 --> 00:34:14,802
We can use it to catch Dorsett.
He doesn't know I work for you.

584
00:34:21,727 --> 00:34:23,853
We'II set it uP tomorrow.

585
00:34:24,813 --> 00:34:27,481
Now get the helI out of my house.
Okay.

586
00:34:30,819 --> 00:34:33,654
Good night, Elizabeth.
Night, NeaI.

587
00:34:41,997 --> 00:34:46,000
WeIl, he told you the truth
about the Painting.

588
00:34:46,168 --> 00:34:49,420
Because they threatened Taryn.

589
00:34:50,964 --> 00:34:52,590
It's a start.

590
00:34:52,883 --> 00:34:54,341
Yeah.

591
00:34:54,676 --> 00:34:56,427
It's a start.

592
00:35:09,191 --> 00:35:12,193
You know you have absoIutely
no impuIse controI.

593
00:35:12,360 --> 00:35:14,612
Hand me the NapIes yeIIow.

594
00:35:17,574 --> 00:35:19,909
Haustenberg's brushwork
is much more fIuid.

595
00:35:20,076 --> 00:35:24,205
You're being chopPy.
No, my brushwork is fine.

596
00:35:25,081 --> 00:35:27,041
MOZZIE:
This couId trick the occasionaI tourist...

597
00:35:27,209 --> 00:35:30,503
...but this guy at the Channing
wiII not be fooIed.

598
00:35:30,712 --> 00:35:32,463
I'm sure he won't.

599
00:35:34,049 --> 00:35:37,051
This pigment needs to be aged.

600
00:35:38,470 --> 00:35:40,471
I'II go Preheat the oven.
It's 125--

601
00:35:40,639 --> 00:35:43,516
Yeah, yeah, yeah.
I know how to age a painting.

602
00:36:25,267 --> 00:36:27,601
How tenuous is my Probation?

603
00:36:27,769 --> 00:36:29,895
It's Pretty thin. We need this one.

604
00:36:30,313 --> 00:36:33,440
It's simPIe, right?
Yeah, so don't make it comPIicated.

605
00:36:33,608 --> 00:36:36,527
Take Dorsett down quickIy.
I get him, you trust me again?

606
00:36:37,404 --> 00:36:39,113
Yeah, comrade.

607
00:36:39,281 --> 00:36:41,866
You stilI gonna verify?
Oh, yeah.

608
00:36:45,328 --> 00:36:47,121
Here we go.

609
00:36:54,129 --> 00:36:56,964
NEAL: I'm surprised you had
the guts to come yourseIf.

610
00:36:57,132 --> 00:36:58,424
It's not bravery.

611
00:36:58,592 --> 00:37:01,468
I simpIy don't trust Joshua
with a miIIion-dolIar Painting.

612
00:37:01,636 --> 00:37:03,762
Is it hard to Iive Iike that?

613
00:37:04,014 --> 00:37:07,224
Not trusting People closest to you?
I suPPose.

614
00:37:07,392 --> 00:37:09,643
But l'Il take the money.
You won.

615
00:37:09,811 --> 00:37:12,813
Yes, but it was a good game.

616
00:37:12,981 --> 00:37:14,982
[SIRENS CHIRP]

617
00:37:15,150 --> 00:37:17,484
JONES:
FBI! Hands where l can see them!

618
00:37:17,944 --> 00:37:19,778
Give me the painting.
MAN 1 : Hands uP.

619
00:37:19,946 --> 00:37:22,031
MAN 2:
Hands where l can see them.

620
00:37:48,183 --> 00:37:50,184
Haustenberg was her father?

621
00:37:50,352 --> 00:37:51,644
Yes.

622
00:37:51,811 --> 00:37:56,148
She was his iIlegitimate daughter.
But he had a famiIy then, in Hungary.

623
00:37:56,316 --> 00:37:58,025
It was before the War.

624
00:37:58,860 --> 00:38:01,320
How did the painting end uP
at the Channing?

625
00:38:01,696 --> 00:38:04,073
He wiIIed the painting
to my grandmother.

626
00:38:04,240 --> 00:38:06,784
When he died, the museum
chose to ignore his wilI.

627
00:38:06,952 --> 00:38:09,954
Who cares about the iIlegitimate daughter
of a famous artist?

628
00:38:10,121 --> 00:38:11,997
It's not theft when rich men do it.

629
00:38:13,583 --> 00:38:16,669
How do you know that the Channing
won't try to take it back again?

630
00:38:16,836 --> 00:38:19,713
If they do, the curator wiII have to
expIain why the museum...

631
00:38:19,881 --> 00:38:22,049
...went against Haustenberg's wishes.

632
00:38:22,217 --> 00:38:24,218
I don't think he wants that.

633
00:38:29,057 --> 00:38:31,392
Neal, what have you done?

634
00:38:41,528 --> 00:38:42,569
ProbIem?

635
00:38:42,737 --> 00:38:45,364
No, no. I'm just...

636
00:38:45,824 --> 00:38:48,242
...overcome with the....

637
00:38:51,413 --> 00:38:55,958
I'm thrilIed to have the original Haustenberg
back where it beIongs.

638
00:39:29,868 --> 00:39:32,745
Forbidden romantic meetings
are kind of a personaI thing, Mozz.

639
00:39:32,912 --> 00:39:36,749
Like l was gonna let you come aIone. What
if the guy with the ring pIanted that note?

640
00:39:36,916 --> 00:39:38,625
He didn't.
You'II be haPpy l came...

641
00:39:38,793 --> 00:39:41,795
...when a red laser dot suddenly
aPPears on your forehead.

642
00:39:41,963 --> 00:39:44,381
Enough with the hero talk,
Haversham.

643
00:39:44,549 --> 00:39:49,219
Okay. Maybe she wrote it three days ago
or maybe three months ago?

644
00:39:49,387 --> 00:39:50,721
She'II be here.

645
00:39:50,889 --> 00:39:52,598
WeIl, it is Friday...

646
00:39:52,766 --> 00:39:56,435
...and it was noon.
So where is she?

647
00:39:56,936 --> 00:39:59,980
[PAY PHONE RINGING]

648
00:40:05,028 --> 00:40:06,487
Sorry.

649
00:40:08,198 --> 00:40:09,656
kate?
WOMAN:  Neal?

650
00:40:09,824 --> 00:40:11,200
kate, where are you?

651
00:40:11,367 --> 00:40:13,660
I don't have a lot of time.

652
00:40:13,828 --> 00:40:15,329
[CAR HORN HONkING]

653
00:40:15,497 --> 00:40:16,497
You're here.

654
00:40:16,664 --> 00:40:19,083
Neal, are you stiIl there?

655
00:40:19,250 --> 00:40:20,292
NeaI?

656
00:40:21,002 --> 00:40:22,503
Hi.

657
00:40:23,838 --> 00:40:25,422
Hi.
Stay there, I'm coming--

658
00:40:25,590 --> 00:40:27,341
No. Neal-- Neal, he's close.

659
00:40:27,509 --> 00:40:29,009
The man with the ring?
Yes.

660
00:40:29,177 --> 00:40:30,594
I don't care.
Listen.

661
00:40:30,762 --> 00:40:32,971
I need you to teIl me
where you hid everything.

662
00:40:33,139 --> 00:40:36,683
What?
The money, the bonds, the art, aII of it.

663
00:40:37,936 --> 00:40:38,977
Why?

664
00:40:39,145 --> 00:40:41,188
He wants something.

665
00:40:41,356 --> 00:40:43,107
Something you took,
something you hid.

666
00:40:43,274 --> 00:40:46,026
I hid a lot of things.
WeIl, then give him everything.

667
00:40:46,194 --> 00:40:48,362
If he gets what he wants,
he'lI let me come back.

668
00:40:48,530 --> 00:40:50,531
Who is he?
l can't teIl you.

669
00:40:50,698 --> 00:40:54,201
It's too dangerous for you.
Why? kate, just telI me. I can Protect you.

670
00:40:54,369 --> 00:40:58,205
This is the only way you can heIp me.
You always toId me I had to trust you.

671
00:40:58,373 --> 00:41:02,668
WeIl, now you have to trust me.
I wanna come home.

672
00:41:03,878 --> 00:41:06,046
PIease just teIl me
where you hid everything.

673
00:41:08,341 --> 00:41:09,883
No.

674
00:41:11,636 --> 00:41:12,845
I wanna come home.

675
00:41:13,388 --> 00:41:15,264
It's the only Ieverage I got.

676
00:41:15,431 --> 00:41:17,432
Just stay there, okay?
I'm coming up.

677
00:41:17,600 --> 00:41:20,727
Neal!

678
00:41:23,565 --> 00:41:25,065
kate?

679
00:41:26,901 --> 00:41:29,319
Mozzie, teII NeaI l Iove him.

680
00:41:30,572 --> 00:41:32,865
TeII him it's the onIy way.

681
00:41:38,204 --> 00:41:39,830
NEAL:
kate!

682
00:41:40,957 --> 00:41:49,173
kate!

683
00:42:24,292 --> 00:42:25,292
[PLACED SDH - PSDH]