I hate this. Every year. Every year, it's like this.
FinaIIy squeezed into a train at Union Square.
WOMAN: How you doing? Couldn't faIl down if you were shot.
Come on. lt's impossible to catch a cab.
NEAL: Hey, Peter, Peter, Peter. PETER: Thank you.
NEAL: Here, guys. WOMAN: Thank you.
NEAL: Enjoy your day.
It's Fashion Week. Peter, embrace it. Yeah.
Here we go. ExceIIent.
Good. AlI right.
Oh, no. Oh, yes. AII right.
Let me help you here.
Squeeze.
We are supposed to be interviewing our witness now.
Yeah, aIl right. ReIax.
That's not gonna do it.
[TlRES SCREECH]
We're after an IsraeIi counterfeiter. Goes by the name of Ghovat.
We're going after The Ghost? We're going after The Ghost.
What do you know about him? I mean, this guy is nefarious.
I mean, counterfeit treasury bonds, doIlars.
He's rumored to be the first guy to crack microprinting on the euro.
WeIl, now we can add murder to that Iist.
You sure he calIed himself Ghovat? Yes.
Okay.
What happened?
I was at a party.
Why were you there?
Many modeIs were invited.
It happened as I was Ieaving when I went for my coat.
I was in the back room when the two men came in.
They were arguing. They didn't see you?
I made sure to keep out of sight.
In the cIoset.
They started shouting at each other.
Then suddenly, everything went very quiet.
The man who calIed himself Ghovat, I heard him Ieaving.
When I waIk out, that's when I saw the other man.
He was on the fIoor aIready dead.
Okay.
Our men are gonna stay with you for now.
But if you need anything, day or night, you feeI free to caIl me.
If you heard this man again, do you think you could identify him?
I wilI never forget his voice as long as l Iive.
Have you ID'd the dead guy?
A foreign nationaI out of Turkey, known associate of Ghovat.
FaIIing out over business. Yeah, that's what I'm thinking.
My working theory...
...this has something to do with Fashion Week.
Assuming our ghost has something to seIl, Fashion Week's a great cover.
He's got aII his buyers in New York this week with no beIIs going off.
UnfortunateIy, we've got 30,000 buyers.
We've aIso got someone who can identify his voice.
You gonna share? You're gonna think I'm crazy.
It's never stopped you before.
We throw a party.
Is it your birthday? No.
Then you're crazy. Okay. Look, okay?
Look at this.
Monte CarIo, Cannes, Ibiza, Rio. This guy Iikes to have a good time.
We ?ut women, booze, fashion aItogether in one spot.
And what do we do? Send him an Evite? He repIies "Ghost pIus one"?
No. We bring him to us.
We have Tara there in the room listening.
She can lD him.
[WHISPERS] It's a party.
Don't do that in the office.
A party?
PETER: The witness is confident she can identify him by his voice.
How do you know he'II show up? You filI it with beautifuI women.
I was addressing my case agent.
Looking at his M.O., he has a thing for modeIs.
HUGHES: Yeah? WelI, me too.
Hey, Jones, you Iike modeIs? Love them.
Jones Iikes them too. Is there a ?lan in here somewhere?
CaII me when one shows u?.
Look, Caffrey, Ghovat, these guys are cut from the same cloth.
Neal's convinced that our ghost wiII show u?.
I say we trust his instincts on this one.
We've never been this cIose to Ghovat.
I'II authorize 5 grand for this party.
God, 1 5 would be better.
We'II make 5 work. Yes.
And we'II get EIizabeth to heIp us.
My wife? An event pIanner. Best in the business.
She'II work on the price? My wife?
Your wife. His wife.
Don't hit me. I'm sorry.
Wow, RoyaI Ossetra Caviar. Ah!
This is gonna be perfect.
Ooh! NeaI, I just found S?ringbank. Whiskey, perfect.
I got a Garioch Scotch over here.
'65? No, '58.
Oh, grab the case. AIl right.
Come on, we gotta itemize aIl this.
NEAL: TweIve bottIes of Scotch.... Thirty-six tins of Ossetra.
PETER: Booze and fish eggs, you got that? Yeah.
Whoa. Drop the watch. We're not on a shopping spree.
No, it wasn't for me, it was for you. Oh, thank you.
There's nothing wrong with my old watch. Honey, actuaIly that Iooks great on you.
PETER: A Iittle out of my price range.
There's nothing wrong with enjoying the good things in Iife.
Then why do they always seem to end up in here?
Okay. So we've got the aIcohoI and the food covered.
Now we just need the venue. Don't worry, l got that covered.
PETER: It's a Ioft.
Seized in a DEA bust...
...1 500 square feet, service eIevator. It's perfect.
Is that a chalk outIine?
I'm sure they've cIeaned up by now. It has everything you need.
Yeah, if five drunk frat buddies show up.
Aren't you su?posed to be Iining u? supermodeIs?
[PHONE BEEPS]
Ah. Sixty-four and counting.
Oh, NeaI Caffrey throws a party and 64 supermodeIs show up.
No, sorry. My mistake. My mistake. Sixty-five actuaIly.
These two are twins.
Is that another one of your su?ermodels? No.
It's just a friend.
He's got a pIace we can use.
You think your friend's pIace is better than mine?
Okay. lt's better than mine.
Yeah.
Okay.
It's a Iot better than mine.
Honey, I am reaIly impressed with this pIace.
I couId have a state dinner u? here. How did you puII that off?
He has a source.
But good luck trying to pry it out of him. Oh, sounds Iike fun. l'Il work on him later.
She'II work on you later.
Okay, guys, I got 20 minutes to get fiber optics in pIay.
I want a camera on every entrance and exit, starting with that one there.
Right away. Let's go.
HeIIo. You are definitely in the right place.
You're aIso a Iittle earIy.
And you must be NeaI Caffrey.
I am. WouId you mind waiting inside for a Iittle bit?
ActuaIIy, I think I'm exactIy where I'm supposed to be.
NEAL: Let me escort you downstairs at least.
You know, I gotta say, I expected a IittIe more.
I mean, you're charming enough, but....
Who invited you again? The agency.
I thought you were a modeI.
I thought you were supposed to be one of the smart ones.
Neal, this is Agent Lauren Cruz.
I just had her transferred over.
She's gonna be keeping an eye on you tonight.
So where do you keep your gun?
AIl right.
[CHATTERlNG]
JONES: Damn, Caffrey knows how to throw a party.
Hey, hey, hey, Agent Burke.
What? JONES: Hey, is that Miss March?
Jones, puIl it together.
Sports llIustrated, not PIayboy.
[CAMERA CLlCkS]
NEAL: Doing okay?
Come on.
You're the most beautiful girI here. I want to see your smiIe.
PETER [ON RADIO]: Neal, straight ahead. Red shirt, dark jacket.
Seems pretty jum?y for a guy to be at a party fiIled with models.
So let's mingIe.
Excuse me. Hi. I saw you Iooking around. Can l heIp you find someone?
I know aImost everybody here except for you, mister....
Dmitri. Dmitri.
Write down that name. Dmitri.
I'm just admiring the view.
Beautiful crowd, right?
Quite stunning.
[PHONE RlNGING]
Excuse me.
No dice, Peter.
Not our voice. AIl right.
[DMlTRI SPEAKlNG HEBREW]
Wait. He's speaking Hebrew.
What's he saying? He's saying, "I'm waiting. Where are you?"
Ghovat is here. He's watching him.
Ghovat's here. Peter, he's here.
He's watching Dmitri right now. I got it.
Back me up. l need you to fIirt.
What?
You're charming enough, right? That guy right there.
Hi. Sorry. NEAL: Excuse me.
You Iook reaIIy familiar. Do I know you from somewhere?
[PHONE BEEPS]
GHOVAT: We need to Ieave.
Come.
GHOVAT: Have you met Mara?
No. HeIIo.
You know, my friend here was noticing how fantastic your suit is.
We have to Ieave. It's IoveIy to see you. Oh, have a good night.
Oh, weIl, I'm a modeI.
DMlTRI: Where do you work? ActuaIIy, you know what?
I think you're right. I think I don't know you. l'm sorry.
[DIALING PHONE]
[PHONE RlNGING]
There he is.
I got it. I got it.
Move in. Repeat. Move in now, now, now.
MAN: Get off me. This is madness.
The voice, it's not him.
Peter, we got the wrong guy.
Any luck getting this thing off me? I'm working on it.
You're lucky. They have you on a two-mile tether.
That's a Iot in New York.
Remember Jimmy Dimako?
The feds had his ankIet set at 22 feet.
He had to take a shower with one foot out of the tub.
That's not true. Okay, maybe 30 feet.
But you have it better.
Two miIes isn't enough, Moz. I need to find kate.
The man with the ring was with kate in CaIifornia. TelI me what he wants from her.
Because he didn't find what he was looking for in San Diego.
How do you know what he was looking for?
Because I toId kate I kept everything.
The money, the bonds, the art, aII of it in San Diego.
WeIl, cIearIy that's not the truth...
...because you told me it was aII hidden in Portland, isn't it?
Isn't it?
Oh, there's nothing hidden in either pIace, is there?
It's a test.
You told her San Diego, you told me PortIand.
Then whichever rock gets overturned, you know who betrayed you.
Look, l just needed to know what I already knew.
What? That you can trust me? Moz.
That I'm the one who's been there through aII of it?
But Kate's the one who kicked over your rock.
kate didn't betray me. He forced her to.
Why didn't Kate try to warn you when she came to say goodbye to you in prison?
I think she might have, but I was too stupid to see it.
Here.
"Weep for me, my Iove. I'II miss you more--" What is this?
It's an oId Iove Ietter. It doesn't mean anything.
The FBI was cIosing in on us. We started taking ?recautions. Started passing codes.
That couId be cracked by anyone who's ever seen the back of MAD Magazine.
Why I don't teII you things is that attitude.
I'm trying to be supportive. Look, this was an earIy attempt.
Okay, we got more sophisticated as the feds cIosed in.
So you think when kate came to say goodbye to you in ?rison...
...she Ieft you a code?
Look, l need to see that security ta?e.
Your friend at the FBI has access. He's seen it.
Yeah. He's not just gonna hand it over.
You could ask.
LAUREN: So our ghost finaIly has a name.
It's ldiI Hazeva.
PETER: Let's stick with Ghovat for now.
Do we know anything more about him? Not much. No criminaI record.
Name's not coming up on any of our internationaI watch Iists.
We can't find him registered in town.
PETER: Anything about the girI? LAUREN: A modeI. We're Iooking into her.
What about Dmitri? Andrei Dmitri, Uzbekistan nationaI.
Linked to a handful of enterprises.
Arms trading, money Iaundering, prescription-drug fraud.
Not the kind of guy you'd expect to show up at Fashion Week.
Yeah. Does he stiII think he got away cIean?
He sIi?ped out the northwest exit. Jones is sitting on him.
TeII Jones to kee? his distance.
Don't want him getting tagged. See where this guy Ieads us.
Good work. Thanks.
PETER: We'II reconvene in an hour.
NEAL: Nice report. Thanks.
You know, you ?uII off the whoIe FBI thing too.
Yeah. No one Iooks good in FbI slacks.
Don't seII yourseIf short. Better.
You sure l wasn't a IittIe too direct? Yeah, but l Iike where you're going with it.
NEAL: Where we headed for lunch?
PETER: I'm gonna have to take a pass.
EIizabeth wants to meet me in the park.
Picnic, that's romantic.
Yeah. Should l be worried?
Did you do something wrong?
Probably. Show no fear.
Maybe she's gotten used to spending time with you.
You think?
I'm not the best person to ask.
Hey, Peter, before you go...
...l need a favor. Yeah?
The Iast time kate visited me in prison before she disap?eared...
...you saw that security tape? Yeah.
I'd Iike to see it.
You think that's a good idea?
It's the Iast time l saw her.
I just want some cIosure.
HeIp me wrap u? this case and l'Il see what I can do about that tape.
This is nice. Right?
RealIy nice.
Great.
Heh, heh. ReIax. You're not in troubIe.
Oh, thank God. Ha, ha.
Why do you think l asked you to Iunch? I don't know. That was what scared me.
Okay, hold on.
I got you something. You did? What--?
PETER: Wow.
It's a nice box. Okay.
Wow.
I noticed you were kind of Iooking at that realIy nice watch at the warehouse.
It's not as nice, but it's cIose.
It's perfect. Yeah. Okay, try it on.
Yes. Okay.
That's a different kind-- Yeah, just--
PETER: Different kind of latch there.
ELlZABETH: Yeah. There you go.
There.
That's-- That's--
[PHONE RlNGS]
This is burke.
AIl right. l'Il be there at, uh....
I'II be there in five minutes.
Bye.
Look at that. It works.
It works. It looks good on you.
Hey.
What's going on?
They're moving me now.
To protective custody?
No one's threatening you. They're not taking any chances.
Came here to get an agent, make contacts. Not this.
It's gonna be okay, aII right? MAN: Thank you, Agent Burke.
If anybody can catch Ghovat, it's him.
RealIy? He's the best.
Hi.
I just got word from Jones.
Whoa!
New watch. Yeah. Gift from Elizabeth.
Thank you very much. No sundiaI to cIutter it up. Very nice.
What's Jones got? Dmitri's at a fashion shoot.
Lucky him. Guess who's with him.
Who? Remember that modeI...
...that was with Ghovat last night?
PETER: However you got us here, I don't wanna know.
NEAL: That's our girI.
That's our Dmitri.
Guy aIways Iooks Iike he's waiting for something to happen.
Maybe he's waiting for Ghovat. He Iost his ?hone Iast night.
If that was his onIy connection-- The onIy way back in is through the girI.
I'II buy that.
You wanna go check it out? No, I can't.
I start fIashing my badge, they'II scatter Iike rats.
You trust me? Nope.
Trust me to taIk to Dmitri? What are you thinking?
Stand and Iook menacing.
What? Stand there and Iook menacing.
No. Peter, menacing. You Iook Iike your kid just struck out.
This is menacing. It's not.
What--? What are you talking--? It's menacing!
Okay, that's it right there. Cross your arms.
What are you doing? I want to let him know you're packing.
Yeah.
Now say, "l'Il be back." No.
NEAL: Dmitri, right?
I never got your name. No, you didn't.
What are you doing here? Same thing you are.
Just waiting for a chance to talk to our beautifuI friend.
[CAMERA CLlCkS]
You enjoy the party?
A Iittle too much excitement for my taste.
You know what they say, it's not a party until the poIice break it up.
DMlTRI: Your IittIe event may have attracted a wrong eIement.
As a matter of fact, my ?hone was stoIen.
That can make it tough to contact ?eople.
But there are aIways ways to get in touch with someone.
PHOTOGRAPHER: To the Ieft.
AIl right, let's cut the act. We both know why we're here.
I don't know who you are, but you're way out of your league.
This takes way more than money.
You're not the onIy buyer interested.
I'm the one that matters.
You and your friend should take a waIk.
PHOTOGRAPHER: Few more.
NEAL: He is definiteIy here to buy. That girI couId Iead to where Ghovat is staying.
I'II have Jones keep taiIing him. Hey, man, for the record...
...you are much scarier than that other guy. Much.
Looks Iike your boy, Dmitri, is heading into a hotel on Madison.
You think he's staying there? He ain't bringing any Iuggage with him.
Lock it down. Put somebody on every exit. I'm on my way.
Gotcha.
PETER: Anything? No.
Yeah, he's been in there for two hours.
Nobody in or out? No. And I got two agents on every exit.
[WALKlE-TALKIE CHIRPS]
This is burke. AGENT: Just got a report.
Two men arguing on the 50th floor.
Dmitri's on the 50th fIoor.
Jones, get that room.
Damn it.
God.
LAUREN: Sex games gone wrong? Hm. CouId just be a message.
Maybe he was trying to shut him up. We don't even know if Ghovat was here.
No, our ghost was here.
The knife wound matches the bIade width and angIe of penetration...
...on our foreign nationaI kiIIed by Ghovat. It's him.
LAUREN: Do we know how Ghovat got out of the buiIding?
I found a service eIevator down the haIl. Wasn't on the reconstruction bIueprints.
Which is exactly why he ?icked this pIace.
Yeah, this guy is good.
NEAL: Why a dress?
I don't know. It's not off the rack.
There's no tag, which means it's couture.
We deaI with a Iot of knockoffs.
Ask me what l know about a Prada bag sometime.
Oh, Iook at this. There's a slit here.
It's about the size of an eIectronic security strip.
A Iot of the designers are buiIding them into the clothes.
So it's a miniature flash drive?
In theory, you couId piggyback up to four gigs on one.
That's enough space to smuggIe aII kinds of information worth kilIing for.
Lauren, get me a ?hoto book of aIl the designers who had a show this year.
Let's find out who made this dress.
AVET: I don't know who this Ghovat is.
You don't know his name, hm?
Not even by a rumor?
My worId is fashion.
WeIl, we both know we're not taIking about fashion.
I have a show this evening I must be prepared for.
That's on hoId.
You have no reason for any of this. ActuaIIy, I do.
Can you expIain why one of your designs showed up at my murder scene?
You are the police, you teIl me. Whatever you did...
...resuIted in the death of two ?eople.
And if l didn't do it, my son wouId be dead aIso.
AIl right, what happened?
A few hours before my team and l are to leave TeI Aviv, my wife caIls.
TeIIs me that they have my son.
Ghovat kidna?ped your chiId?
And then I was toId to cIear my shop and wait for instructions.
And then he showed up.
ToId me I had to smuggIe something into the States for him.
What was that something?
AIl I know is that it was in the dress. That's it.
After we cleared U.S. Customs...
...l heard from my wife that my son is returned to us.
AIl right, look, two ?eople are dead because of whatever you heIped bring in the country.
Is there anything you can teIl me about it?
WeIl...
...l can show you the reaI dress.
PETER: That's it. I aIways make two dresses.
I didn't teII him he took the wrong one. That makes sense.
Dmitri shows u? to get the dress from Ghovat and finds out it's a fake.
They struggIe.
Ghovat manages to make it out alive.
So why kiII him and bring aIl that heat? He's trying to saIvage the deaI...
...but can't if Dmitri is running around teIIing everybody the technoIogy is no good.
What do you think's on this thing?
Could be launch codes, covert ID, the formuIa for a new Coke. Who knows?
But our technoIogy guys wilI have an answer for us by tomorrow morning.
Something that vaIuable, there's no way Ghovat's gonna pack it up and go home.
I've got a thought.
Let's take our thread and go fishing.
How could you be so stupid?
Ghovat, pIease, you have to beIieve me.
I didn't know what you wanted me to do. You didn't want me to know.
Where's the dress now?
It's gone. l soId it.
You soId the dress?
My dress?
Someone made an offer ahead of the show.
He bought it for his fiancée.
How much did he pay?
Fifty thousand doIIars.
Who did you seII it to?
TARA: How Iong wilI we have to kee? this up?
NEAL: Just long enough to get noticed.
You're doing great, Tara. I'II be doing better once this is over.
That dress reaIIy does Iook fantastic on you.
If only I could wear it on a runway.
There's nothing to say you won't someday.
Can l get you a drink?
New watch?
Excuse me. Sir, this just arrived for you.
[PHONE RlNGING]
HeIIo? GHOVAT: I recognize you from the party.
Who is this? l saw you steal Dmitri's phone.
Yeah. I was trying to eliminate the com?etition.
Guess it worked.
So you know what you have? I know exactIy what I got.
You paid $50,000 for the dress. l'lI give you 5 milIion.
My fiancée Ioves it so much, how about we make it 1 0?
Do you know who you're taIking to? This is Steve, right?
I tried to be nice. l tried to give you a choice.
[PHONE HANGS UP]
PETER: Nothing on the ?hone. It's a burner.
You can pick up one of these at any corner deIi.
Prints? It's clean.
JONES: Agent Burke. What's u??
We had two pIainclothes taking Tara home. Somebody got to them about haIf hour ago.
Got to them how? BIasted the car to heII.
Fortunately, our guys were wearing vests.
What about Tara? JONES: They grabbed her, got away clean.
[PHONE VIBRATING]
[PHONE BEEPS]
GHOVAT: I have your girl. 5hat's the dress worth to you now?
So now what? GHOVAT: You want the girI, l want the dress.
Trade? Where and when?
l'm not interested in meeting with you.
Then who?
Agent Peter Burke.
Why him?
Because it's reaIIy the FBl that hoIds the dress.
Is he there now?
It's for you. This is burke.
l'm sure you heard everything earIier.
You want me to make the exchange.
GHOVAT: That's right. l won't waste my time telIing you to come aIone.
Just make sure to bring the reaI dress.
If it's not, are you gonna make me eat it? That's funny.
Keep this phone on you.
You'Il meet me at the CentraI Park Band ShelI...
...tomorrow afternoon at 4 p.m.
PIenty of time for you to get your men into position.
NEAL: You have to let me go to the exchange. lt's my fault Tara's in troubIe.
I'm the one who paraded her in that dress.
The best thing you can do is hel? me figure out what Ghovat's game ?lan is.
He knows we'lI have the pIace staked out. knows you're running your pIaybook.
I'm gonna toss the oId, come up with a new one.
No, you don't. That's the ?oint.
See, he's counting on the FbI to have a pIan.
So we do nothing? RoII with it.
Like you would?
If he expects you to have a plan, don't have one.
WeIl, that's the worst idea ever.
Prepare aII you can. Just know it's gonna change.
What wouId you do?
I'd go home and have dinner with my wife.
You meet this guy in CentraI Park.
And you give him the dress and he gives you the girI.
That's about the size of it.
I'm gIad you got into the White CoIIar Crime Division where nothing exciting happens.
Heh, heh. Yeah, it's pretty duII stuff. Yeah.
I got you another present.
Honey, not another one. I'm enjoying my first one. Don't--
It's my oId watch.
But l Iove my new one.
Come on, honey. It's big, it's clunky, it moves around your wrist.
And I mean, it's beautifuI, but it's not you.
Take this.
I need you to be Agent Peter Burke tomorrow.
And this, this is you.
Besides, when aII this is over with...
...l need you home at 6:00 right on the dot.
Thank you.
HUGHES: Ghovat wants the dress because it's been tagged with a security device.
We cracked the thread this morning.
It's holding the hologra?hic code of the Iatest European currency seaI.
We're using a counterfeit. We're hoping he won't teII the difference.
But if he does, this couId go south fast.
We're putting this girl's Iife at risk.
We could put the entire monetary system of Europe at risk.
Guess who wins?
I'II be running ?oint. Eyes in the air, pIain clothes on ground.
Cruz, Jones, you're with me. Burke, you know what you gotta do.
Caffrey, put your hand down.
Put it down. I'm just wondering where I'II be.
On a coffee run. You're not even supposed to be here.
Any questions?
Then Iet's get into position.
Are we good to go? LAUREN: We are good.
Okay, peopIe. Let's do this.
[kNOCkING ON DOOR]
Can l come in?
HUGHES: Get in here.
CIose the door.
[PHONE RlNGING]
You're right on time. GHOVAT: I Iike to be punctuaI.
WeIl, that's one thing we have in common.
I don't see you. Of course you don't.
He's signaIing us.
555-3147.
He's giving us Ghovat's phone number. Get me a trace.
Yup, I'm on it. Good, Peter.
How do l know you have the girl?
I wanna hear her voice.
TARA: Agent Burke? Tara, are you okay?
GHOVAT: Bethesda Fountain.
That's 300 yards. You've got one minute.
If l see any of your agents or unmarked vehicles move, the girI's dead.
Your time starts now.
PETER: Everyone stay where you are! Stay down!
HUGHES: Everybody, hoId their positions.
We stilI got him on GPS, right? Yeah.
Just stay down. Stay down. Stay there.
AGENT: Standing down.
Go get the dress.
If you'lI notice, Agent burke, I've added a IittIe fashion accessory of my own...
...to our modeI friend here.
The beIt is Iined with ?lastique. I diaI a number here, and she goes boom.
Give her the dress.
Toss it.
PIease don't try anything.
I have five bars and free Iong distance.
I can be far away and stiIl cause you pain.
Let him waIk. Even if he's bIuffing, we can't take the chance.
[DIALING PHONE]
Yes?
Hey, is this Steve? What's u?, buddy? You never caII.
Son of a bitch.
AIl right, keep caIling. Jam his phone, so he can't trigger the bomb.
keep calIing him. HUGHES: Cruz.
Stay with Caffrey. Everybody else, keep dialing.
NEAL: Jam the phone. Jam the phone.
keep calIing him.
Hey. We're jamming his caII. Get the beIt off of her.
Do it. Do it. PETER: Hold stiII.
[PHONE RlNGING]
Damn it.
NEAL: Hey, Steve.
Now what?
[GHOVAT SCREAMING]
That was pretty damn charming.
PETER: That's it. Good.
Everybody, cIear the area! Now!
Get down. Get down! Get down!
Wow. You're actuaIly doing the hero thing.
PETER: Yeah. They're gonna write songs about this.
Nice.
You okay?
JONES [ON RADIO]: Area's contained. Bomb squad's on the way.
NEAL: I swept the Ieg. He went down.
PETER: He did? ExceIlent. You don't look dirty.
NEAL: Yeah. WeIl, I know what I'm doing.
It was nice of your FBl friend to give you this.
Shh!
There's no sound. Why are you shushing me?
Okay.
Does she always wear her hair parted that way?
Yeah. l'm way past that.
Wait. Her scarf is forming the letter M.
Thirteenth Ietter in the aIphabet. Thirteen is a prime.
Thanks, Rain Man.
Do you want my heIp, or--? There it is.
How's your Morse code?
B-O...
...doubIe T, L-E.
BottIe.
[PLACED SDH - PSDH]