[CLINKlNG]
[LOUD THUD]
[THUMP]
[BELL RINGS]
[CLANKING]
[MAN SPEAKlNG INDlSTlNCTLY OVER PA]
GUARD 1 : Watch out. GUARD 2: Get in Iine.
Single fiIe. SingIe fiIe.
[BUZZER SOUNDS]
[EXHALES]
[ENGINE STARTS]
[SAM & DAVE'S "HOLD ON l'M COMIN"' PLAYING OVER STEREO]
Don't you ever be sad Lean on me
Hi. How're you doing, man?
I'm good. How are you doing? I'm fine.
It's only 5 bucks, man.
I'II give you 3.
About to drown
HoId on I'm comin'
NEAL: Sir.
l'm on my way Your lover
Take good care of her. We'II be back in a month.
NEAL: Thank you, sir.
Because I'm here
Just hoId on I'm comin'
HoId on I'm comin'
HoId on
[CLICKS]
Dro? three.
[EXHALES]
[CLICKS]
Dro? two.
[CLICKS]
Dro? four.
TECHNlCIAN: AIl pins down. Preparing to open.
Three, two, four. Wait!
[CLATTERlNG]
[COUGHING]
PETER: You okay?
What happened? I said wait. You didn't wait.
Ugh! Ten thousand man-hours to get this close to the Dutchman,
and you bIow up my evidence.
Agent Burke, how'd you know it was gonna do that?
Three, two, four. Look at your phones.
What does it s?eIl?
Oh. "FbI." Yeah, "FBI."
A?parentIy, he knew we were coming. You think so, Copernicus?
Somebody wanna telI me what this is, huh? Anybody?
Nobody knows what it is. Great.
Look at you. How many of you went to Harvard?
Don't raise your hands. Don't.
Ah. Diana. Look at this. A?parentIy, our boy has a sense of humor.
What? Neal Caffrey escaped.
What's this? U.S. Marshals are requesting your hel?.
My heIp? Director Thompson asked for you...
...personaIIy. Me? Why wouId he want me?
Probably because you're the only one who ever caught him.
Agent Burke. I'm Thompson, U.S. MarshaIs. A?preciate the heIp.
You were the case agent? Yes.
So you'lI agree that this is an unusual situation?
Why wouId Neal run with three months left on a four-year sentence?
This is Warden HaskIey. Agent Burke, FBI. So you're the guy who dropped the baIl.
You know what NeaI Caffrey's capable of.
I know l spent three years chasing him, and you Iet him waIk out the front door.
GentIemen, might I remind you that Caffrey has a four-hour head start?
Caffrey came out of the E BIock staff bathroom dressed as a guard.
Where'd he get the uniform? Uniform su?pIy company on the Internet.
He used a credit card?
He used my wife's American Express.
We're tracing the number in case he uses it again.
He won't.
MAN 1 : Hey, ?retty boy. MAN 2: Settle down.
PETER: How did he get the key cards for the gate?
WeIl, we think he re-striped a utiIity card using the record head on that.
Could've given him a CD ?layer.
He waIked out the front door...
...and hot-wired a maintenance truck in the parking Iot.
We found it abandoned near the air?ort.
We beefed up security just in case he tries to get out that way.
Oh, we're not gonna catch Caffrey using roadbIocks and wanted posters.
Shaved his beard just before he esca?ed.
Neal doesn't have a beard.
HASkLEY: The inmates are photographed each morning as they exit their ceIIs.
PETER: l hardIy recognize him. THOMPSON: Yeah, I think that's the ?oint.
PETER: This morning? GUARD: Yes.
PETER: Run the series back.
Stop.
That's it. When he sto?ped shaving.
I wanna know everything that happened that day.
He had a visitor.
kate Moreau? you know her? Yeah, l do.
[INAUDIBLE DlALOGUE]
PETER: No audio? No.
THOMPSON: She comes back every week Iike clockwork.
She's not thriIled about this visit.
How soon can we get a Ii?-reader here? I'II save you the troubIe.
"Adios, NeaI. It's been real."
She come back next week?
THOMPSON: She never came back.
Okay. Let's find kate.
[DOOR OPENS]
AGENT: That's right. We got it.
PETER: I see kate moved out.
She Ieave you a message in that?
NEAL: The bottIe is the message.
PETER: lt's been a while. Yeah.
Few years, give or take.
You carrying?
You know I don't Iike guns.
PETER: They asked me what makes a guy Iike you puIl a boneheaded escape...
...with four months to go.
Guess you figured it out.
kate says adios to you at prison...
...then gets busy with her disap?earing act.
Her traiI ends here.
But you aIready know that.
I missed her by two days.
StiII, onIy took you a month and a haIf to escape a super-max.
Damn impressive. Heh.
AIl cIear. Subject identified and unarmed. AGENT [OVER RADIO]: Roger that.
We surrounded?
How many? Including my agents and the marshals...
...aIl of them, l think.
What's the message?
"Goodbye."
Women.
We're gonna give you another four years for this, you know.
I don't care.
[CHUCkLES]
That's the same suit you were wearing the Iast time you arrested me.
Mm. Classics never go out of style.
You know what this is?
No idea. I got it from a case I was supposed to be working on...
...before they yanked me off to find you.
You think you'II catch him?
Don't know.
He's good. Maybe as good as you.
What's it worth if I teIl you what this is?
Is it worth a meeting?
What are you talking about? If l teII you what this is now...
...wilI you agree to meet me back in ?rison in one week?
Just a meeting. AGENT: HaIIway cIear.
You two, move it. Okay.
It's a security fiber for the new Canadian 1 00-dolIar bilI.
[AGENTS SHOUTlNG]
[THUD]
AGENT 1 : Ready? Put your hands where I can see them.
Let's go. One week.
AGENT 2: Got him.
Hey.
[CHATTERlNG lNDlSTlNCTLY]
What's got the belt-and-suspender boys aII riIed up?
You. Me? What'd I do?
Caffrey was right. That stuff from the bank vauIt...
...security fibers for the new Canadian 1 00.
Whew.
WeIl, I'lI be damned. The formuIation's stiII classified.
The Canadian secret service are very curious to know how you figured it out.
ShouId be fun. You may have started...
...an internationaI incident.
PETER: How did you know? Come on, Peter. It's what I do.
How upset were the Canadians? Oh, very.
WeIl, as upset as Canadians can get. AIl right, so I agreed to a meeting.
We're meeting.
I know why you calI him the Dutchman.
Like the ghost ship. He disappears whenever you get close.
How do you know anything about him?
You know my Iife. You don't think I know yours?
Did you get the birthday cards? Nice touch.
You've been after the Dutchman aImost as Iong as you were after me.
I'II hel? you catch him.
RealIy? ReaIIy? How does that work? You wanna be ?rison pen pals?
You can get me out of here. There's case Iaw. Precedent.
I can be reIeased into your custody.
Nice. This is very nice. But you're right, I do know you.
And I know the second you're out, you'II take off after Kate.
Peter, I am not gonna run.
GPS tracking ankIet. The new ones are tamperproof.
Never been ski?ped on. There's aIways a first time.
Think about it. Sorry, Neal. Nice try.
[THUD]
MAN [OVER RADlO]: Lights out, Bobby. Shut them down.
Neal.
Gotta turn that off.
NEAL: Get one more minute, Bobby? Okay, one minute.
NEAL: Is it midnight yet? Yeah, it's midnight.
MAN [OVER PA]: AIl corrections personneI to your security operations.
INMATE: Shut up, man!
[BREATHING HEAVlLY]
You coming to bed tonight? Yeah.
Ahh. Hmm. What's wrong?
Nothing.
Don't telI me it's NeaI Caffrey.
I've been competing with him for three years.
He'd be out today. You considering his offer?
WeIl, of course you are, or you'd be in bed with me.
Can he help you find him?
Neal's smart. You know how much I Iike smart.
Is he as smart as those Ivy League coeds they throw at you?
He's aImost as brilIiant as the woman I married.
Good answer.
So, what's the probIem?
This is not the way it's supposed to go.
You get caught, you do your time. There's more to this.
More to this than some Iost Iove.
Some side angIe he's playing.
So you're suggesting he escapes a maximum-security prison...
...knowing that you'd catch him...
...just so he couId trick you into Ietting him out again?
It's a working theory. Yeah. kee? working.
Is it so hard for you to beIieve a man would do that for the woman he loves?
Neal just bought himseIf four more years in prison. For what?
For what?
If you were NeaI, you wouIdn't have run for me?
[BUZZER SOUNDS]
PETER: Let me see it.
You understand how this works?
NEAL: I'm released into the custody of the FBI...
...under your supervision. Let this thing chafe my Ieg.
Anything I'm missing? Yeah. lf you run and l catch you...
...which you know I wilI because I'm 2 and 0...
...you're not back here for four years, you're back here for good.
You're gonna be tempted to Iook for kate. Don't.
I toId you, the bottIe meant goodbye. Then Ieave it at that.
This is a temporary situation.
HeIp me catch the Dutchman, we can make it permanent.
NEAL: Where are we headed? PETER: Your new home.
PETER: This is NeaI Caffrey. My office calIed earIier.
There you go, Snake Eyes. Thank you.
[WHISPERING] Can l talk to you for a second?
Hang on. Farther down.
[BANGS ON TABLE]
Do I have to stay here? Cowboy up.
AIl right, it costs $700 a month to house you on the inside...
...so that's what it costs here. For the money, this is as good as it gets.
You find something better, take it. What about cIothes?
I'm wearing my entire wardrobe. You Iike thrift stores.
There's one at the end of the bIock.
No, don't start. No protests. This is what you wanted, isn't it?
Lookit, it's not-- Oh, Iook at her.
You don't get that in prison, do you? No. Not at alI.
Listen, your tracking anklet is set up...
...so you can go anywhere within two miIes of this pIace.
Here's your homework.
Remember, two miles.
I'II see you at 7 a.m.
[BANGS ON TABLE]
CLERk: HeIIo.
I've come to donate these.
CLERk: Men's suits? Mm-hm.
Those are fantastic. Oh.
They beIonged to my Iate husband, Byron.
He reaIly did have great taste in cIothes. May I?
Thank you.
This is a Devore. Yes.
He won it from Sy himseIf. Won it?
He beat him at a backdoor draw.
What? Your husband pIayed poker with Sy Devore?
He certainIy did. And so did I.
No. Yes.
The guys wouId even Iet me sit in once in a whiIe on a hand. And I was good.
[BOTH LAUGH]
I'm gIad to see you appreciate these. I was ho?ing someone wouId.
I've got a whoIe closet fulI of them. A whole cIoset?
Mm-hm. WeIl, actuaIIy, it's a guest room...
...but l haven't used it for anything except storage for years.
Oh, Byron used to wear that one whenever we went dancing.
The neighborhood was--
Let's say it was much nicer then. You Iive nearby?
Not far.
[SIGHS]
Hey. I'm here for Caffrey. Room 1 1 .
Oh, yeah, yeah. Old Snake Eyes. A nice guy.
Left you a note.
You've gotta be kidding me.
[RINGS DOORBELL]
MAID: Good day.
Thank you.
I think I have the wrong address. You must be Peter.
I'm looking for NeaI Caffrey.
He's upstairs.
5hoa, the good life
FulI of fun Seems to be the ideal
Yes, the good Iife Lets you hide
You're earIy. We're shaking a Iead at the airport.
We got a hit on Snow White. Snow White.
A phrase you decoded from a suspected Dutchman communiqué to Barcelona.
You moved.
It's nicer than the other pIace, don't you think?
Yeah. l don't remember the other pIace having a view.
I went to the thrift store Iike you suggested.
And June-- Lady with the dog. We met.
--was donating her late husband's cIothes. We hit it off. She had an extra guest room.
You said if I found a nicer pIace for the same price, I should take it.
I did say that.
AIl this for 700? Yep.
But hel? out around the pIace. Oh, sure. Feed the dog.
Yeah, wash the Jag. Watch her granddaughter from time to time.
She's got you babysitting?
How's it going? Morning, Neal.
Granddaughter? She's an art student.
UnbeIievabIe. Go get dressed.
You mind?
CINDY: Hey, Grandma.
Good morning, Cindy.
It's perfect. Even the freaking coffee is perfect.
[JUNE LAUGHS]
That's not jeweIry on his ankIe, you know. He's a felon.
So was Byron.
And in case you wonder why
5elI, just wake up
And kiss that good life goodbye
You Iook Iike a cartoon.
This is classic Rat Pack. This is a Devore.
Oh, sorry, Dino.
WiIl you sto? with the hat? Ooh.
PETER: Come on. Let's go.
NEAL: You're upset.
[WHISPERS] Sour grapes.
What was that?
Look, you teII me which ruIe I broke, and l wiII thumb it back to prison myseIf.
For starters....
I work hard. I do my job welI.
And I don't have a 1 0-miIIion-dolIar view of Manhattan...
...that l share with a 22-year-oId art student whiIe we si? espresso.
Why not? Why not?
Because I'm not supposed to.
The amount of work I do equaIs certain things in the reaI world.
Not cap?uccino in the clouds.
I wilI find out where June buys her coffee-- It's not about the coffee.
I think it is. No, it's not.
This is what gets you into troubIe.
This is the start of those something-for-nothing schemes...
...that Iead to the frauds that got you Iocked up.
I think it's some sort of Italian roast.
Get in the car. Okay.
NEAL: Who's that?
PETER: That's Diana. Diana's my probie. Probie?
Probationary agent.
She does everything I don't. She's very good at her job.
And she can do way better than you.
Hey.
You must be Neal Caffrey.
Nice hat.
What have we got? His name's Tony FieId.
Customs fIagged him coming from S?ain in response to our Snow White BOLO.
PETER: Customs pIaying nice? DIANA: The usuaI chest pounding.
He's in their custody, not ours.
Less paperwork for me. What's he carrying?
You're gonna love this.
[SPEAKING IN SPANISH]
Snow 5hite and Her Seven LittIe Men. This is what triggered our alert?
What do we know about this guy?
Says he's a rare-book deaIer.
PETER: Anything wrong with his pa?erwork?
Nope. He brought in the same books and the same quantity on three ?revious tri?s.
AIl right, Dino. Are we wasting our time?
They're not limited runs or speciaI editions. Can't be worth much.
Why go to aII the troubIe of flying them in? Good question.
He is nervous for having aIl the right paperwork.
I wanna taIk to him. I'II set it up.
I'm grabbing some coffee. You want some?
Yeah. Anything but decaf. NEAL: Diana, I'II take mine straight.
Neal, the coffee shop's outside.
You are way out of your league. Oh, harmless fIirting. lt's Iike a dance.
No, there is no dance.
You're not even on her dance card. No dancing for you.
Um.... She digs the hat.
Um.... She'd rather be wearing the hat.
PETER: Peter Burke, FBI.
FBI? They're reaIIy kicking it u? a notch.
So you're a book dealer?
Yes. WeIl, as l have told everyone here, repeatedly...
...my business is the import and saIe of rare books.
How rare can they be? You've got 600 of them.
WouId you Iike me to go with the crime Iab? HeIp you dust for fingerprints?
Because I'm teIIing you how to do your job. So Snow White in S?anish?
Snow White was not created by Disney, detective.
There are a few stories that predate Steamboat Willie.
I'm a federal agent.
And you mean foIklore of the virginaIIy pure queen...
...like AIexander Pushkin's Tale of the White Princess...
...and the Seven Knights? Is that what you mean?
What are the books for?
[DOOR OPENS]
I'd ap?reciate it if you didn't talk to my cIient.
Constitution and aII.
Were you chasing the ambuIance or they give you a ride? Huh?
You must've thumbed it.
[CHATTERlNG AND LAUGHlNG]
No dance, huh? Not for you.
Thought the FBl had a poIicy. That's the miIitary.
We don't ask. We don't care. Where's the customs inspector?
The books aren't worth much.
You can pick them up for a few doIlars on eBay.
Hey, why didn't you telI me the guy Iawyered up?
The second he makes that caIl, I can't taIk to him.
He didn't caII anybody. Then how did his Iawyer know that--?
GUARD: I need paramedics in here now. Nobody frisked the Iawyer.
God.
Got a dead book dealer, a kiIIer lawyer, and a bunch of worthless books.
AIl right, come on.
As a reformed professionaI counterfeiter, what is the Dutchman's interest in these?
PubIished 1 944 in Madrid.
This is what he's after.
The top sheet? NEAL: More than that.
This is a ?iece of 1 944 Spanish press parchment.
That's what he wanted. Good. This is good.
He's gonna counterfeit something originaIIy printed on paper Iike that.
NEAL That's what I would do.
Tony made three prior shi?ments with these.
Two bIank ?ages per book is 600 sheets.
Too many for paintings, not enough for currency.
I'II bet our dead book dealer knew. Diana, where's that walIet?
It's right here.
This is where he went before he Ieft for Spain.
MAN: Yeah, l do remember him.
He came by severaI months ago, and then again Iast week.
This is what he came to see.
The S?anish Victory Bond.
He took severaI photographs of it. Said he was gonna write a book.
It's a shame he's dead. This bond does have a fascinating history.
It's a Goya. Yes. Beautiful, isn't it?
Oh, Iook at that. A perfect fit.
You're starting to earn your 700 a month.
You said it had a fascinating history.
MAN: Quite. It was issued during the war. 1 944.
Yes. Yeah. The U.S. issued it...
...to support the Spanish Underground in their battle against the Axis.
Very few have ever been redeemed. There's speculation...
...that entire boxes were captured.
Many are stiIl hidden away in the caves of AItamira.
PETER: WhoIe boxes of these?
Yeah. Boy, that wouId be something, wouldn't it?
[CHUCkLES]
MAN: This is the only surviving copy.
Exce?t it's a forgery.
No. That's not possibIe.
What? It's the ink. This is iron-galI dye mixed...
...to match period coIors. lt hasn't dried yet. you can stilI smeII the gum arabic.
No. This has been here since 1 952. It's been here less than a week.
Okay. Tony makes two trips. The first time, he takes a picture of the bond.
The second tri? in, he steaIs the originaI and repIaces it with this copy.
Can we confirm that? The timed ink identification test...
...puts the age of the bond at six days, which coincides with Tony's visit.
We're puIIing surveilIance video to back it up.
So the question is, why go to the troubIe of making a nice forgery...
...on the right kind of paper just to stick it back in the archives?
NEAL: Is the bond stilI negotiable?
It's a zero o?tion. It never expires. What's it worth?
Thousand-doIIar face value, drawing 9 percent interest--
Com?ounded for 64 years.
Two hundred and forty-eight thousand doIIars.
What he said.
Quarter of a miIIion, not chump change. And he's got 600 sheets of the stuff.
Hundred and fifty miIlion, give or take.
PETER: He'd be a rich man if he could pass them off.
But it stiII doesn't teII us why he wouId take out the reaI bond...
...and put in a forgery.
I think it does.
What if he cIaimed he found boxes of the originaI bonds?
Dragged them out of those caves in S?ain.
How wouId they be authenticated? They'd be taken to the archives...
...and compared to the original. Which he's aIready switched out.
So of course they're gonna match. Oh, this is good. This is reaIly good.
AIl right, let's think about this.
[CELL PHONE RINGS]
DIANA: It's Elizabeth.
Hey.
WouId you beIieve me if l said I was puIling up right in front of the house now?
You Iost track of time. lt hap?ens. I hope you didn't make dinner.
Did you forget who you married? I am smarter than that.
So how's Neal doing? Satchmo. PETER: He met Diana.
Oh, a woman who can resist his charms.
Bet that's taking some getting used to.
Is he helping? We're onto something here, EI.
So l won't wait up. I'm leaving.
Ten minutes, I ?romise. Twenty at the most.
I know. Bye.
Chew your food.
You sound like your father.
NEAL: Big ?lans for the weekend?
Oh, you know, I gotta fix the sink. Catch a game.
With Elizabeth? Yeah.
Yeah, she's into it. How cooI is that? She Iikes to watch the Giants.
Uh-huh. Even on your anniversary?
[TlRES SCREECHING]
I see this stuff coming from six months out, then l take it right in the teeth every time.
ReIax. You stiII have a few days. No. This is what ha?pened last year.
I said l'd make up for it with something s?ecial.
Not just a corner booth at DonateIla's...
...and a romp in the sheets. Skip the dinner.
WeIl, we've been married a decade. That doesn't cut it anymore.
Okay, Romeo. Let's problem-soIve. What's she into?
SexuaIly?
Ew. No. No, existentialIy. What makes her feel alive?
I'm drawing a bIank. How could you not know?
When you were chasing me, you knew my shoe size, what time I--
That's the job. Very different.
Oh, so a reIationshi? isn't work? Oh, no, no.
You don't get to Iecture me on relationships.
My wife didn't change her identity and fIee the country...
...to get away from me.
Yes, yes, yes.
That was harsh. I didn't mean that. Yeah, you did.
Did she reaIly fIee the country?
I don't know. France? Did she go to France?
I don't know.
What am I gonna do? No.
No more reIationshi? advice from this side of the car.
CaII Dr. Phil, okay?
[BOTTLE OPENING]
[WlNE POURING]
MAN: l saw the best mind of my generation get run down by the drunken taxicab...
...of absoIute reaIity.
What the heII, Mozzie? Sitting in the dark misquoting Ginsberg?
The Iight's how they find you, man.
Hey, you know, you can't just heIp yourseIf here. How'd you get in?
I used this.
I knocked. l introduced myself to June. She's great.
Did you get a Ioad of that granddaughter?
Thanks for coming. What was I gonna do? Not come?
Can l see?
[SIGHS]
Can you pick it? No way.
You fIew too close to the sun, my friend. They burned your wings.
Where's Kate, Moz?
Where'd she go?
She's a ghost, man.
She did an outstanding job of meIting away.
WeIl, keep Iooking. Check France.
France? I know, okay?
It's probably nothing. Just look everywhere.
Something eIse.
I need you to heIp me figure out who created this.
MOZZIE: lt's su?erb. Isn't it?
You know the worst thing about art forgery?
You can't take credit for your work.
[SHAVER BUZZING]
EI?
Honey?
What do you Iike?
What's speciaI?
Oh, you haven't changed. I've changed.
[CELL PHONE RINGS]
Yeah, this is Burke. JONES: lt's Jones.
Caffrey's ankIe is activated. Is he with you?
No. I'm coming. No, I've got Diana on it.
5e're puIling the locations. EI, I've gotta go. NeaI's outside his radius--
Agent Burke, you stilI there?
Caffrey is with me.
You sure? Because we-- Yeah. Yeah.
Good morning, honey. Peter.
You're on my couch? I came to taIk to you.
And, frankly, Peter, I have to say I'm surprised you have such an amazing wife.
Yeah, l Iike her. Get off my couch.
We're just chatting. Chatting? How did you get here?
Cab. You activated your tracker.
You're in my house, on my couch, with my wife.
Oh, hey, Satchmo. Hi. Now you're ?etting my dog.
Did you reaIly ?ut EIizabeth under surveilIance before you asked her out?
Peter. I underestimated you. PETER: You toId him.
He said he wanted to make sure that I wasn't seeing anybody eIse. It's cute.
I think it's adorable. I'm putting you back in prison.
[kEYPAD BEEPING]
I know who the Dutchman is.
Enlighten me.
Curtis Hagen. He's an art restorer, one of the best in the worId.
But his own work never took off.
He's particuIarly good at Goya restorations. That's what this is.
The bond is him showing off.
Interesting theory. How do you ?rove it? He signed it.
I think we might've noticed a signature tucked in the corner.
Show him.
Look at the ?ants on the S?anish ?easant.
What do you see? It's the initiaIs C and H.
I don't know. That's a stretch.
This bond is a master?iece. If I'd done something this good, I wouId've signed it.
The forgeries you caught me on, I signed them.
Where? Look at the bank seaI...
...under a polarized Iight sometime.
Hagen is doing a church restoration on 3rd Street. We can stop by on our way in.
Fine.
Meet me in the car.
I'm gonna say goodbye to my wife now. Oh, yeah.
Ahem. It was nice to meet you. Nice to meet you after aIl these years.
PETER: This is it? NEAL: Yep.
You can't come in. We're cIosed for restoration.
PETER: Oh, sorry, Father. NEAL: CouId we just--?
Could we just have a moment? Thank you. Father, come here a second.
PIease, Father.
My best friend is having a crisis of the soul.
He's a married man, and he has the most devastatingIy beautifuI assistant...
...at work, a very provocative woman.
He's been tempted.
More than tempted. I have detaiIs.
That's very common with men his age. UnfortunateIy, very common.
And I wanna confront him about this before he tears apart his life.
Look, he has a lot of fauIts. I mean, don't get me started. He is a mess.
But he's very spiritual.
I know this is the ?lace where my words wilI have the most effect.
This is the City of Churches. We're cIosed. Surely there's another--
This is where he was married.
[SIGHS]
Five minutes. Thank you. Thank you, Father.
Sorry about that. We got five. PETER: Did you just lie to a priest?
NEAL: Do you think Diana's attractive? PETER: Sure.
NEAL: Then we're good.
Extraordinary. Real nice.
So if this Hagen guy is as good as you say...
...how come l've never heard of him? You onIy know the guys who get caught.
You know the second-best criminaIs. What does that say about you?
It says there's an exce?tion to every ruIe.
Look. C and H. Where?
Right here.
Right there. C.H.
PETER: Maybe. What do you mean, maybe?
That's a C and an H. MAN: Can I heIp you, gentIemen?
Your face is famiIiar.
Maybe I've seen it on the news, or perha?s on a most-wanted web page.
Neal Caffrey.
Forgive me if I don't shake hands with an art thief.
I was never arrested for art theft. HAGEN: Not arrested.
But, as I recaII, you were known as quite the Renaissance criminal.
So you can understand my concern at having you in my s?ace.
And you are...? Just a friend.
WeIl, friend, this church is cIosed.
Did you see it? Okay. You've got me curious.
We'II check him out. Listen to the Spirit, son, not the fIesh.
I'II do that.
What's that about?
Shut the door.
Need your help with this.
Is this information on Hagen? No. Diana's on her way with that.
This is your wife's Visa biII. Yeah. l got it aII.
Her eBay bids, video rentals, Iibrary books. Thank you, Patriot Act.
So you're staIking your own wife. Wanna compare notes?
Touché.
You figure out what she Iikes? Yeah. lt's aII in the summary.
Pottery-making. Nancy Drew mysteries. Scented candIes. OIeander.
Old jazz. Anything ItaIian exce?t anchovies.
Yeah, l don't think you're gonna find your answer tucked into a Iist of her eBay bids.
[PETER SIGHS]
HeIp me out here, aIl right?
You're the romantic. I mean, what's the deal with the bottIe?
It's an '82 Bordeaux. Yeah. Costs 800 bucks a po?.
It does when it's fuII. I got it em?ty.
Empty?
When Kate and I met, we had nothing.
I got that bottle, and I used to filI it up with whatever cheap wine we couId afford.
And we'd sit in that crappy apartment and drink it over coId ?izza...
...and pretend we were Iiving in the Côte d'Azur.
How'd that work out for you? It didn't.
Because that bottle was a promise of a better Iife.
What kate got was a guy Iocked away for half a decade.
Make Elizabeth any promises, Peter?
Or you think what she reaIly wants is oIeander candles?
[kNOCk ON DOOR]
Hey, Diana. What do you got? Hagen is Ieaving the country.
He booked a fIight through a charter com?any in Barcelona for the 1 9th.
One week. Damn it, NeaI. Seeing you must've tipped him off.
He's going to S?ain. That's something.
PETER: ls there any connection to our books, the bonds, the murder?
Hagen's impressive. A Iot of internationaI hoIdings.
He keeps himseIf out of the muck. Get every availabIe agent on this.
You know the good ones. I wanna know every singIe thing about this guy...
...and I don't want any excuses.
Anything gets in your way-- Forge your signature. AIways do.
PETER: That's what I wanna hear.
If you're right about Hagen...
...we have one week to connect him to the bond.
If we lose him on the 1 9th....
Neal, if we Iose him, you're back in. I can't save you.
MOZZIE: You're Iate. Hey, give me a break.
I'm a working man now.
So?
We were right about Hagen. Of course.
And I was stupid and impuIsive, and he saw me.
I have one week to Iink him to the bonds.
One week, or what?
I go back. No, no, no.
Yeah.
Did you find anything about kate?
Aha. ApparentIy, if a tree faIIs in the forest, it does make a sound.
I may lose her again, Moz. Lose her? l just found her.
So did he.
Remember when you toId me not to Iook for kate?
PETER: Yeah.
You're putting me in a tough spot.
These were taken at a San Diego ATM. She's going under the name Kate Purdue.
You know what "Purdue" means in French? Yeah. lt means Iost.
Yeah. Makes you wonder, right? Is she Iost to me, or without me?
Stop it. I just need a couple days.
After this Dutchman thing is over. A coupIe days to go to San Diego.
You can come with me. Stop it.
How many times are you gonna screw u? your Iife for this girI?
I hate to break it to you, buddy, but she dumped you, with prejudice.
No.
ExactIy what is your ?lan if you find her?
I know there's more to our story.
She disa?pears in the dust? No. That's not an ending.
Come on, man.
We've aIl been there.
It gets easier. Not if she's the one.
I brought this to you.
Doesn't that count for something? No.
We made a deaI.
I gave you something good here, and you're about to blow it.
You're right. You're right, Peter.
I'm a smart guy. I should know when l've been dumped.
You figure out your anniversary pIans yet?
I'm getting cIose. Very cIose.
So you got nothing. Nothing.
But l'Il find it.
Hey, I'm gonna go grab a smoke reaIly quick.
Didn't know you smoked.
It's a nasty prison habit. I've been trying to quit.
Jones, keep an eye on him. Yeah.
NEAL: Bum one from you?
These things wiII kilI you.
That's what I keep hearing, but I'm not dead yet.
But these filters, they're good.
Not for me, you understand. I tear them off.
JONES: Hey, you need a Iight?
You shouId try the patch. MOZZIE: Two years and counting.
I hate the tan Iines.
You don't smoke.
What was I sup?osed to do, fire off a flare?
So you tear off the filter?
Yeah. But I'm hardcore.
[MUFFLED COUGH]
[FOOTSTEPS]
[kNOCkS]
I found my bottIe. I found Hagen.
You first. This is a warehouse down by the docks.
Hagen runs it through a sheII corporation out of Guatemala.
We didn't know about this. How did you?
I don't think you rely on rumor as much as I do.
Let's go.
[THUMPING]
Do you hear that? You hear that? Hear what?
That kind of rhythmic-- Shh.
[THUMPING]
That's a ?ress. Damn it, Peter, that is a printing press.
He's printing bonds now. You can hear it. PETER: How Iong tilI they're done?
A multicoIored print job as compIicated as the Goya, l mean, test proofs...
...ink formuIation, perfect registration. He'lI be running it for days.
[LINE RINGlNG]
Diana. DIANA: 'eah, boss?
I need recording equipment down here immediately.
You got it.
I'm onboard. Hagen is our guy. But we stiIl don't have enough for a warrant.
We know the bonds are there. Just open the door.
Mm-hm. WeII, you should read this: warrant Iaw. AII I've got...
...is sound coming out of a warehouse, and no way to Iink him to the bond.
I've gotta taIk to your friend.
Friend? Come on, NeaI.
The guy who gave you a cigarette.
I have no-- What, do you think Jones is an idiot?
I have to know how he connected Hagen to the warehouse.
Come on, NeaI. And you gotta trust me.
Okay. Okay. I'II bring you to him.
First thing tomorrow. Good.
[VIBRATlNG]
Yeah?
Damn.
What's going on?
He ran.
MAN: What is this?
Hey. Hi there.
Hey. Hey. What are you doing?
You can't be here. Oh. I'm taking a photography cIass...
...over at the Annex, and ?ictures of rusty sheet metaI are a sure-fire A.
Take him in.
MAN: Jimmy, go get Hagen.
What exactIy is going on here?
Why'd you bring him inside? He was taking pictures.
Open the door. You're a dead man.
[BANGS ON THE WALL]
That sounds Iike inch-thick Lexan.
keys are on the way.
Nice.
You shouIdn't have signed the bonds. I'm no stranger to vanity.
So l understand the impulse. I'm gonna kiIl you.
I hope whatever they're giving you is worth it.
It is.
[SIRENS APPROACHING]
You are a particular kind of bastard.
GentIemen, we have a fugitive hiding in this buiIding.
knock down those doors.
Grab the bonds. Come on, Iet's go! Everybody, come on!
Quick. Let's go. Move them. Come on.
AGENT 1 : Let's go. Get in there. AGENT 2: FederaI agents.
Do not move.
AGENT 3: Get up.
AGENT 1 : Get them up in the air. AGENT 4: There you go.
This is what the Iaw caIIs an exigent circumstance.
Any of you Harvard grads know what that is? Huh?
No hands? Diana? Exigent circumstance aIIows us...
...to pursue a sus?ect onto private property without obtaining a warrant.
And to seize any and aIl evidence that has been discovered in pIain view...
...regardIess of the connection to the originaI crime.
Hey.
Remember me, friend?
[LAUGHS]
Oh, there's your Iawyer.
You know, you're reaIly bad at this escape thing.
What can I say?
Cigar? Cuban?
You shouId arrest me.
WeIl, I'lI let the cigar go, but you are a fIeeing sus?ect.
Is that the originaI Victory Bond? Why, yes.
Yes, it is.
[CHUCkLES]
Oh.
[EXHALES]
You know, this makes me 3 and 0.
Maybe I'm not trying hard enough.
[CHUCkLES]
CarefuI. Okay.
Oh. AIl right.
Honey-- AImost there.
Think l'm getting seasick. Just a IittIe farther.
Okay. AlI right. AIl right, this is good.
AIl right. Now, I want you to keep your eyes cIosed.
I promise. AIl right.
[SIGHS]
Okay. Open them.
Honey, you know how every year...
...l'm aIways promising you that we're gonna go...?
To the Caribbean. This is sort of what you wanted.
WeIl, I think if I kee? my eyes closed, I can actuaIIy imagine us being there.
Ooh. And it's getting warmer. It is.
Come here. Okay.
Screw top.
Cheesy?
It's a Iittle cheesy, but it's....
But it's sweet.
Maybe this wiIl heIp.
PETER: BeIize. What?
I found the time.
We have a week, and two pIane tickets, and a seized viIIa in Sarteneja.
In where?
Oh, this realIy incredible beachfront viIla...
...that the bureau seized from this narco trafficker.
It's amazing-- Okay, it's-- Enough with--
Just teIl me it's nice.
It's nice.
I love you.
[CHUCkLES]
[SIGHS]
Thank you.
ELlZABETH: Do you think we can ?uII that heater in a littIe closer?
PETER: It's coId.
ELlZABETH: Yeah.
PETER: Can't beat that view. NEAL: Did EIizabeth Iike it?
She Ioved it.
Coffee? Yeah.
ItaIian roast?
Going on vacation.
Yeah. Yeah, we'Il be back in a week.
StiII wearing that suit. Yeah, l Iove this suit.
Did they make a decision?
Figured if we didn't...
...you'd end up making one of these on your own.
I'm official. You're a consuItant.
And I own you for four years.
You okay with that? Yeah.
You'II be here when I get back? Where eIse am I gonna go?
[SAM & DAVE'S "HOLD ON l'M COMIN"' PLAYING]
HoId on I'm comin'
HoId on Don't you worry
I'm comin' Here l come
HoId on
[PLACED SDH - PSDH]