1
00:01:16,367 --> 00:01:19,400
( horns honking )

2
00:01:22,200 --> 00:01:24,633
( chattering )

3
00:01:47,633 --> 00:01:49,834
( whistles )

4
00:02:14,800 --> 00:02:17,233
( phone ringing )

5
00:02:17,233 --> 00:02:20,433
Recording:
This is Precious Ramotswe.

6
00:02:20,433 --> 00:02:23,967
Please leave a message
after the tone.

7
00:02:23,967 --> 00:02:25,300
( beeps )

8
00:02:25,300 --> 00:02:29,166
( trumpet
playing jazz )

9
00:02:39,867 --> 00:02:42,166
( jazz continues )

10
00:02:47,033 --> 00:02:49,100
KEEP TOMORROW FREE.

11
00:02:49,100 --> 00:02:52,233
AN OLD FRIEND WILL
BE COMING TO SEE YOU.

12
00:02:53,900 --> 00:02:56,734
( theme music playing )

13
00:03:14,700 --> 00:03:16,867
Rose:
AH, YOU ARE
UP AT LAST.

14
00:03:16,867 --> 00:03:19,233
IF THERE IS ONE THING
A MAN CANNOT STAND,

15
00:03:19,233 --> 00:03:20,767
IT IS CHANGE.

16
00:03:20,767 --> 00:03:23,567
AND RRA MATEKONI
IS NO DIFFERENT.

17
00:03:23,567 --> 00:03:25,333
( door closes )

18
00:03:25,333 --> 00:03:28,033
( water running )

19
00:03:28,033 --> 00:03:29,934
( water stops )

20
00:03:29,934 --> 00:03:33,233
YOU ARE LOOKING ROUND
HIS HOUSE FIRST.

21
00:03:33,233 --> 00:03:35,333
MAKE NO PROMISES.

22
00:03:35,333 --> 00:03:37,600
MAKE NO CONCESSIONS.

23
00:03:37,600 --> 00:03:39,633
AND WHEN HE COMES HERE,

24
00:03:39,633 --> 00:03:42,133
WE WILL BOWL HIM OVER
WITH DELIGHT.

25
00:03:42,133 --> 00:03:43,233
BOWL HIM OVER?

26
00:03:43,233 --> 00:03:45,433
ALL HIS FAVORITE FOODS
IN ONE HUGE SPREAD.

27
00:03:45,433 --> 00:03:48,734
HE WILL NOT BE ABLE
TO SAY NO.

28
00:03:53,333 --> 00:03:55,533
THERE WILL BE ONLY
ONE ANSWER TO THE QUESTION

29
00:03:55,533 --> 00:03:58,100
OF WHERE THE TWO OF YOU
SHOULD LIVE--

30
00:03:58,100 --> 00:04:00,633
#5 ZEBRA DRIVE!

31
00:04:01,900 --> 00:04:04,400
NOW LET ME GET ON.

32
00:04:17,767 --> 00:04:20,567
- SHE IS LATE.
- I AM NOT LATE!

33
00:04:20,567 --> 00:04:22,400
I AM NEVER LATE.

34
00:04:22,400 --> 00:04:24,500
I HAVE NEVER BEEN LATE
AND I NEVER WILL BE.

35
00:04:24,500 --> 00:04:26,000
I MEANT YOUR BOSS.

36
00:04:26,000 --> 00:04:29,066
SHE IS NOT LATE.

37
00:04:30,467 --> 00:04:34,333
SHE IS
OTHERWISE ENGAGED.

38
00:04:40,900 --> 00:04:43,066
( Mma Makutsi screams )

39
00:04:47,066 --> 00:04:50,867
Man on radio:
...top trumpet player,
Note Mokoti...

40
00:04:50,867 --> 00:04:53,567
FLORENCE, YOU'RE SUPPOSED
TO BE TIDYING THE HOUSE.

41
00:04:53,567 --> 00:04:55,667
MMA RAMOTSWE WILL
BE HERE ANY MINUTE!

42
00:04:55,667 --> 00:04:58,133
WHY ALL THE FUSS?
SHE HAS BEEN HERE BEFORE.

43
00:04:58,133 --> 00:04:59,934
THAT WAS DIFFERENT.

44
00:04:59,934 --> 00:05:01,300
HOW?

45
00:05:01,300 --> 00:05:04,367
BECAUSE...

46
00:05:07,000 --> 00:05:11,433
JUST GET THIS PLACE TIDY,
AND QUICK!

47
00:05:12,567 --> 00:05:14,467
SURE.

48
00:05:21,000 --> 00:05:23,000
SO THE CHALK,
THE CAKE TIN--

49
00:05:23,000 --> 00:05:25,100
THE COLORED CHALK;
NOT THE WHITE.

50
00:05:25,100 --> 00:05:27,233
THE CAKE TIN
AND THE CAKE!

51
00:05:27,233 --> 00:05:31,000
SO THE COLORED CHALK,
THE CAKE TIN AND THE CAKE.

52
00:05:31,000 --> 00:05:33,000
PETTY CASH?

53
00:05:38,433 --> 00:05:40,233
( key rattles )

54
00:05:43,166 --> 00:05:44,967
STILL THERE.

55
00:05:44,967 --> 00:05:47,767
SO THE THIRD BREAK-IN
AND THERE'S NO CASH STOLEN?

56
00:05:49,934 --> 00:05:52,166
MY BANANA STAPLER!

57
00:05:52,166 --> 00:05:53,867
SORRY--
YOUR BANANA WHAT?

58
00:05:53,867 --> 00:05:57,166
MY STAPLER,
SHAPED LIKE A--

59
00:05:57,166 --> 00:05:59,500
MY DIPLOMA.

60
00:06:01,633 --> 00:06:04,433
MY 97%...

61
00:06:05,400 --> 00:06:07,900
VANDALS! ANIMALS!

62
00:06:07,900 --> 00:06:11,333
WHO WOULD DO
A THING LIKE THIS?

63
00:06:11,333 --> 00:06:13,133
( glass rattles )

64
00:06:15,767 --> 00:06:18,200
YOU'D BETTER TELL
MMA RAMOTSWE.

65
00:06:18,200 --> 00:06:20,233
SHE IS NOT TO
BE DISTURBED.

66
00:06:20,233 --> 00:06:22,033
EVEN FOR THIS?

67
00:06:22,033 --> 00:06:25,533
SHE HAS A BIG
DECISION TO MAKE.

68
00:06:31,200 --> 00:06:32,800
- DUMELA.
- DUMELA, RRA.

69
00:06:32,800 --> 00:06:34,233
( laughs )

70
00:06:38,133 --> 00:06:41,934
WHAT DOES SHE DO
FOR HER MONEY,
THIS MAID OF YOURS?

71
00:06:43,133 --> 00:06:45,266
( flies buzzing )

72
00:06:50,233 --> 00:06:51,900
MMA.

73
00:06:51,900 --> 00:06:54,000
THAT MOP IS DRY.

74
00:07:07,600 --> 00:07:09,467
( laughs )

75
00:07:18,166 --> 00:07:20,600
THIS IS A VERY FINE ROOM.

76
00:07:20,600 --> 00:07:23,567
IT'S IMPORTANT TO HAVE
A SPECIAL ROOM

77
00:07:23,567 --> 00:07:24,900
FOR IMPORTANT VISITORS.

78
00:07:24,900 --> 00:07:28,934
DO YOU HAVE MANY
IMPORTANT VISITORS, RRA?

79
00:07:28,934 --> 00:07:30,867
I HAVE ONE TODAY.

80
00:07:33,834 --> 00:07:35,333
PLEASE LEAD ON.

81
00:07:37,967 --> 00:07:41,567
- THAT WAY?
- THAT IS THE NOT-SO-TIDY
PART OF THE HOUSE.

82
00:07:41,567 --> 00:07:43,500
OH!

83
00:07:56,533 --> 00:07:59,433
AHH, IT'S--

84
00:08:17,166 --> 00:08:18,900
MMA?

85
00:08:18,900 --> 00:08:20,533
AHEM,
FLORENCE?

86
00:08:20,533 --> 00:08:22,367
AHH SORRY, RRA.

87
00:08:22,367 --> 00:08:24,800
I DIDN'T HEAR YOU.
I WAS JUST TOO BUSY.

88
00:08:24,800 --> 00:08:26,567
THERE IS CERTAINLY
MUCH TO DO.

89
00:08:26,567 --> 00:08:28,367
THERE CERTAINLY IS.
YES.

90
00:08:28,367 --> 00:08:30,667
A HOUSE THIS DIRTY
NEEDS A LOT OF WORK.

91
00:08:30,667 --> 00:08:32,667
AND WHO ARE YOU TO SAY
THAT THIS HOUSE IS DIRTY?

92
00:08:32,667 --> 00:08:34,967
I HAVE SEEN FOR MYSELF
WHAT GOES ON HERE.

93
00:08:34,967 --> 00:08:36,567
LISTEN, MMA,

94
00:08:36,567 --> 00:08:39,233
NOW I HAVE WORKED FOR
THIS MAN FOR MANY YEARS.

95
00:08:39,233 --> 00:08:41,367
I HAVE COOKED FOR HIM,
I HAVE CLEANED

96
00:08:41,367 --> 00:08:43,400
AND I HAVE FED HIM
GOOD FOOD.

97
00:08:43,400 --> 00:08:44,734
HA!

98
00:08:45,667 --> 00:08:47,000
GOOD FOOD?

99
00:08:47,000 --> 00:08:49,033
WHO DOES SHE THINK
SHE IS,

100
00:08:49,033 --> 00:08:51,166
COMING INTO MY KITCHEN
AND SAYING ALL THESE THINGS?

101
00:08:51,166 --> 00:08:53,734
I AM HIS FIANCEE.

102
00:08:57,200 --> 00:09:00,333
FIANCEE?

103
00:09:00,333 --> 00:09:02,233
WITHOUT A WORD
TO ME?

104
00:09:02,233 --> 00:09:05,567
YOU CANNOT MARRY HER!
SHE WILL KILL YOU.

105
00:09:05,567 --> 00:09:07,767
SHE'S A GOOD WOMAN,
FLORENCE.

106
00:09:07,767 --> 00:09:09,934
AND IF YOU LIKE,

107
00:09:09,934 --> 00:09:11,400
WE CAN FIND YOU
ANOTHER JOB.

108
00:09:11,400 --> 00:09:14,133
- WHAT?
- MY COUSIN RUNS A HOTEL
NEAR THE BUS STATION.

109
00:09:14,133 --> 00:09:15,767
I AM NOT
A BUS-STATION MAID!

110
00:09:15,767 --> 00:09:18,800
- I'M A HIGH-CLASS MAID!
- YOU ARE A HIGH-CLASS CHEAT--

111
00:09:18,800 --> 00:09:21,567
ALL TALK
AND NO WORK.

112
00:09:21,567 --> 00:09:23,734
SHE WILL BREAK YOUR BED.

113
00:09:23,734 --> 00:09:26,567
YOU WILL DIE. THIS IS
GOING TO BE THE END FOR YOU.

114
00:09:26,567 --> 00:09:29,333
NO, MMA,  THIS IS
THE END FOR YOU.

115
00:09:31,233 --> 00:09:34,266
I WILL NOT GET PUSHED OUT

116
00:09:34,266 --> 00:09:37,033
BY THIS BED-BREAKER.

117
00:09:37,900 --> 00:09:40,233
FINE.
I WILL GO HOME.

118
00:09:40,233 --> 00:09:43,066
'MORROW
I WILL BE BACK.

119
00:09:43,066 --> 00:09:46,500
NNYAA!
I AM FLORENCE--
FLORENCE PEKO.

120
00:09:46,500 --> 00:09:49,700
I WILL SHOW YOU!
( shouts in Setswana )
WHERE'S MY BAG?

121
00:09:49,700 --> 00:09:51,100
WHERE ARE MY CIGARETTES?

122
00:09:51,100 --> 00:09:53,767
( speaks Setswana )

123
00:09:53,767 --> 00:09:55,467
HA!

124
00:09:56,367 --> 00:09:57,934
( door opens, slams )

125
00:09:57,934 --> 00:10:00,066
( phone ringing )

126
00:10:04,433 --> 00:10:07,333
I APOLOGIZE ON BEHALF
OF MY BAD-TEMPERED MAID.

127
00:10:07,333 --> 00:10:10,300
( ringing continues )

128
00:10:11,700 --> 00:10:13,667
ANSWER YOUR PHONE.

129
00:10:13,667 --> 00:10:16,233
THEN YOU WILL VISIT
MY HOUSE.

130
00:10:22,300 --> 00:10:24,066
HELLO?

131
00:10:24,066 --> 00:10:26,333
EE, MMA,
MMA POTOKWANE.

132
00:10:26,333 --> 00:10:28,633
EE, MMA,
THE PUMP.

133
00:10:28,633 --> 00:10:30,967
I SEE.

134
00:10:30,967 --> 00:10:33,900
- AGAIN?
- ( sighs )

135
00:10:33,900 --> 00:10:37,433
I'LL FIX THE PUMP AND
COME STRAIGHT TO YOUR HOUSE.

136
00:10:46,033 --> 00:10:47,967
PLEASE BE AS QUICK
AS YOU CAN.

137
00:10:47,967 --> 00:10:49,433
OKAY.

138
00:10:51,100 --> 00:10:54,066
INTRUDER ENTERS
PREMISES

139
00:10:54,066 --> 00:10:56,767
BY BREAKING WINDOW--

140
00:10:56,767 --> 00:11:00,700
INTRUDER OR INTRUDERS.

141
00:11:00,700 --> 00:11:04,400
HE/SHE-- THEY--

142
00:11:04,400 --> 00:11:08,300
THEN MAKE ASSESSMENT
OF VALUABLES

143
00:11:08,300 --> 00:11:11,533
AND MAKE OFF WITH
COLORED CHALK,

144
00:11:11,533 --> 00:11:14,200
CAKE TIN, CAKE...

145
00:11:15,433 --> 00:11:17,600
AND BANANA STAPLER...

146
00:11:21,400 --> 00:11:25,600
LEAVING MMA RAMOTSWE'S
DESK UNTOUCHED.

147
00:11:27,000 --> 00:11:29,867
( china clattering )

148
00:11:29,867 --> 00:11:31,867
SMASHING TEACUP

149
00:11:31,867 --> 00:11:34,100
IN FRUSTRATION...

150
00:11:34,100 --> 00:11:38,300
AND DIPLOMA IN ENVY.

151
00:11:44,900 --> 00:11:47,100
( all screaming )

152
00:11:47,100 --> 00:11:49,633
I TOLD YOU
HE WOULD COME.

153
00:12:00,066 --> 00:12:02,834
( all calling out )

154
00:12:03,800 --> 00:12:05,867
SHARE THEM WITH
EVERYONE, EH?

155
00:12:05,867 --> 00:12:08,166
IT IS MAKING
A VERY STRANGE NOISE--

156
00:12:08,166 --> 00:12:10,834
NOT LIKE THE STRANGE NOISES
IT HAS MADE BEFORE--

157
00:12:10,834 --> 00:12:13,400
LIKE AN ELEPHANT
WHEN IT TRUMPETS

158
00:12:13,400 --> 00:12:15,033
AND SHAKING LIKE A DOG.

159
00:12:15,033 --> 00:12:17,166
THE PUMP IS GETTING
VERY OLD NOW, MMA.

160
00:12:17,166 --> 00:12:19,066
MACHINERY DOESN'T
LAST FOREVER.

161
00:12:19,066 --> 00:12:21,567
THE CHILDREN NEEDS SHOES;
THEY NEED CLOTHES.

162
00:12:21,567 --> 00:12:25,433
I HAVE TO PAY FOR THE STUFF.
THERE'S NO MONEY FOR
A NEW PUMP.

163
00:12:25,433 --> 00:12:27,767
YOU AND THIS PUMP
ARE VERY OLD FRIENDS.

164
00:12:27,767 --> 00:12:30,300
BUT ONE DAY YOU'LL HAVE TO
WRITE A LETTER TO THE BRITISH:

165
00:12:30,300 --> 00:12:33,600
"DEAR BRITISH, HERE IS YOUR
PUMP WHICH YOU LEFT IN AFRICA.

166
00:12:33,600 --> 00:12:36,166
IT'S FINISHED NOW.
PLEASE COME AND PICK IT UP.

167
00:12:36,166 --> 00:12:37,400
THANK YOU."

168
00:12:37,400 --> 00:12:39,600
ONE DAY, RRA,
BUT NOT TODAY.

169
00:12:41,266 --> 00:12:43,100
AY, AHH.

170
00:12:44,600 --> 00:12:46,767
( sighs )

171
00:12:46,767 --> 00:12:49,767
- YOU KNOW, MMA--
- I HEAR YOU ARE ENGAGED
TO BE MARRIED.

172
00:12:49,767 --> 00:12:52,667
ONE OF OUR HOUSE MOTHERS
LIVES ACROSS THE ROAD

173
00:12:52,667 --> 00:12:54,934
FROM THE COUSIN OF
MMA RAMOTSWE'S BUTCHER.

174
00:12:56,233 --> 00:12:59,367
- YES.
- OH, CONGRATULATIONS, RRA.

175
00:12:59,367 --> 00:13:01,600
( chuckling )

176
00:13:01,600 --> 00:13:03,000
THANK YOU, MMA.

177
00:13:03,000 --> 00:13:05,800
- SHE'S A BEAUTIFUL LADY.
- SHE IS.

178
00:13:05,800 --> 00:13:10,033
AND YOU'LL BE NEEDING
A BEAUTIFUL BIG DIAMOND RING.

179
00:13:10,033 --> 00:13:11,600
MMM!

180
00:13:15,967 --> 00:13:19,266
( car approaching )

181
00:13:21,300 --> 00:13:23,300
( door closing )

182
00:13:23,300 --> 00:13:26,900
MMA, WHERE IS RRA MATEKONI?
IS HE NOT COMING?

183
00:13:26,900 --> 00:13:29,500
HE IS FIXING THE PUMP
AT THE ORPHANAGE.

184
00:13:29,500 --> 00:13:32,066
HE WILL BE HERE
VERY SOON.

185
00:13:32,066 --> 00:13:34,033
WHEW.

186
00:13:34,033 --> 00:13:37,033
JUST TIME FOR YOU
TO SMARTEN UP.

187
00:13:37,033 --> 00:13:40,066
ROSE, I AM
SMART ALREADY.

188
00:13:40,066 --> 00:13:42,433
NOW PLEASE GO BACK
TO WHAT YOU WERE DOING.

189
00:13:44,967 --> 00:13:46,166
( beeps )

190
00:13:46,166 --> 00:13:49,300
( jazz playing )

191
00:13:55,800 --> 00:13:57,900
Rra Buthelezi:
Leave tomorrow free.

192
00:13:57,900 --> 00:14:00,100
An old friend will
be coming to see you.

193
00:14:01,567 --> 00:14:03,467
ROSE?

194
00:14:03,467 --> 00:14:05,266
I AM NOT FEELING WELL.
YOU MUST GO.

195
00:14:05,266 --> 00:14:07,700
- BUT THE FOOD?
- I WILL DEAL WITH IT.

196
00:14:07,700 --> 00:14:09,500
THERE ARE STILL PANS
ON THE STOVE.

197
00:14:09,500 --> 00:14:10,967
I WILL TURN THEM OFF.

198
00:14:10,967 --> 00:14:13,700
WHAT IS IT?
WHAT HAPPENED?

199
00:14:13,700 --> 00:14:15,433
WE MUST BOWL HIM OVER.

200
00:14:15,433 --> 00:14:17,967
WE WILL BOWL HIM OVER
ANOTHER DAY.

201
00:14:23,000 --> 00:14:24,567
OH!

202
00:14:31,667 --> 00:14:33,734
NOTE! NOTE?

203
00:14:33,734 --> 00:14:35,700
Woman:
THERE WAS A CALL
FOR YOU, BOSS--

204
00:14:35,700 --> 00:14:38,533
A MR. PATEL
FROM KGALE HILL.

205
00:14:38,533 --> 00:14:40,600
THERE'S BEEN
ANOTHER BREAK-IN.

206
00:14:42,467 --> 00:14:44,266
- NOTE?
- ( grumbles )

207
00:14:44,266 --> 00:14:46,767
HE IS NOT
A MORNING PERSON.

208
00:14:50,600 --> 00:14:52,900
WHERE'S THE PHONE?

209
00:14:55,533 --> 00:14:57,633
( whirring )

210
00:15:05,433 --> 00:15:06,934
( wheels stop )

211
00:15:06,934 --> 00:15:08,900
( tires squeaking )

212
00:15:16,000 --> 00:15:18,033
MY NAME IS
MOTHOLELI, RRA.

213
00:15:18,033 --> 00:15:20,100
I HAVE BROUGHT YOU
SOME WATER.

214
00:15:20,100 --> 00:15:21,300
THANK YOU.

215
00:15:21,300 --> 00:15:23,400
FIXING THIS THING
IS HARD WORK.

216
00:15:23,400 --> 00:15:25,500
WERE THE CYLINDERS
CHOKED?

217
00:15:25,500 --> 00:15:28,300
YES, THEY WERE.

218
00:15:28,300 --> 00:15:31,633
WE HAVE A BOOK IN THE LIBRARY--
HOW THINGS WORK.

219
00:15:31,633 --> 00:15:33,734
YOU LIKE
MECHANICAL THINGS?

220
00:15:33,734 --> 00:15:35,166
I RELY ON THEM.

221
00:15:35,166 --> 00:15:36,834
( laughs )

222
00:15:36,834 --> 00:15:39,133
AND THE WHEEL
ON YOUR CHAIR,

223
00:15:39,133 --> 00:15:41,166
CAN YOU IDENTIFY
THE PROBLEM THERE?

224
00:15:41,166 --> 00:15:43,000
LACK OF OIL?

225
00:15:48,233 --> 00:15:50,467
LET'S SEE...

226
00:15:58,066 --> 00:16:00,633
YOU'RE A MODERN GIRL,
MOTHOLELI.

227
00:16:00,633 --> 00:16:05,166
DOES A MODERN LADY
REQUIRE A DIAMOND RING
IF SHE IS TO BE ENGAGED?

228
00:16:05,166 --> 00:16:06,567
SHE DOES.

229
00:16:06,567 --> 00:16:10,300
A DIAMOND RING FOR...
50,000 PULA.

230
00:16:10,300 --> 00:16:13,900
IT IS THE ONE THING ON WHICH
ALL LADIES AGREE.

231
00:16:16,300 --> 00:16:18,600
( car approaches )

232
00:16:22,467 --> 00:16:24,667
( car passes )

233
00:16:24,667 --> 00:16:27,433
( sighing )

234
00:16:39,467 --> 00:16:41,567
( pan sizzling )

235
00:16:47,734 --> 00:16:49,834
( loud knock
at door )

236
00:16:49,834 --> 00:16:52,133
( water running )

237
00:16:55,467 --> 00:16:57,500
EE, MMA.

238
00:16:57,500 --> 00:17:01,734
UH, WORKING ON THE PUMP
HAS LEFT ME A LITTLE UNKEMPT.

239
00:17:01,734 --> 00:17:06,300
AM I STILL ACCEPTABLE FOR
THE TOUR OF #5 ZEBRA DRIVE?

240
00:17:06,300 --> 00:17:08,200
RRA,  I AM NOT WELL.

241
00:17:08,200 --> 00:17:10,500
I THINK I'VE COME DOWN
WITH A VIRUS.

242
00:17:10,500 --> 00:17:12,934
I-- I NEED TO BE
IN ON MY OWN TODAY.

243
00:17:16,333 --> 00:17:18,867
- THAT'S NOT WHAT YOU NEED.
- NO?

244
00:17:18,867 --> 00:17:22,433
YOU NEED A BEAUTIFUL DIAMOND
ENGAGEMENT RING.

245
00:17:25,667 --> 00:17:26,767
OH!

246
00:17:28,133 --> 00:17:29,600
WHAT'S THE MATTER?

247
00:17:29,600 --> 00:17:31,734
( crying )

248
00:17:31,734 --> 00:17:35,500
YOU ARE SUCH A GOOD
GOOD MAN, J.L.B.

249
00:17:35,500 --> 00:17:37,900
AND YOU'RE A GOOD
GOOD LADY.

250
00:17:37,900 --> 00:17:40,367
DO YOU REALLY
THINK SO?

251
00:17:40,367 --> 00:17:42,533
I KNOW SO.

252
00:17:42,533 --> 00:17:46,266
I MADE SOME MISTAKES
IN MY PAST.

253
00:17:46,266 --> 00:17:48,300
WHO HAS NOT?

254
00:17:48,300 --> 00:17:51,800
TODAY ALL MISTAKES
ARE WASHED AWAY.

255
00:17:51,800 --> 00:17:54,400
WE'LL BUY THE RING
TO PROVE IT.

256
00:18:01,000 --> 00:18:02,367
HA.

257
00:18:04,033 --> 00:18:07,233
AND THEN I MUST COME
STRAIGHT HOME.

258
00:18:20,800 --> 00:18:22,667
AHH!

259
00:18:25,767 --> 00:18:28,467
'MORNING.

260
00:18:28,467 --> 00:18:31,834
( coughing )
OH, GOD.

261
00:18:31,834 --> 00:18:34,166
THERE IS SOMEONE
I THINK YOU SHOULD MEET.

262
00:18:34,166 --> 00:18:37,700
FIRST I HAVE TO EAT.
AND I HAVE TO EAT A LOT.

263
00:18:39,800 --> 00:18:43,667
AND THERE IS SOMETHING ELSE
I AM GOING TO NEED TOO.

264
00:18:49,633 --> 00:18:52,734
GET SOME BREAKFAST FOR
RRA MOKOTI.

265
00:18:52,734 --> 00:18:55,467
I'LL PICK HIM UP
IN HALF AN HOUR.

266
00:19:00,233 --> 00:19:03,133
NOTE MOKOTI,
HERE IN GABORONE?

267
00:19:03,133 --> 00:19:04,266
( enging dies )

268
00:19:04,266 --> 00:19:06,867
NO NEED TO WORRY
ABOUT HIM.

269
00:19:06,867 --> 00:19:08,633
HE IS HISTORY NOW.

270
00:19:14,734 --> 00:19:16,400
Rra Matekoni:
THIS LADY IS MMA RAMOTSWE

271
00:19:16,400 --> 00:19:17,934
AND SHE IS ENGAGED TO ME.

272
00:19:17,934 --> 00:19:20,867
I WISH TO BUY HER A RING
FOR THIS ENGAGEMENT--

273
00:19:20,867 --> 00:19:22,433
A DIAMOND RING--

274
00:19:22,433 --> 00:19:24,700
WITH A BOTSWANA DIAMOND
FROM OUR OWN MINES.

275
00:19:24,700 --> 00:19:27,667
AHA! I SAW YOU ARRIVE
LOOKING VERY HAPPY.

276
00:19:27,667 --> 00:19:31,433
YOU PARKED BESIDE MY CAR--
BUT NOT TOO CLOSE, I HOPE!

277
00:19:32,367 --> 00:19:33,934
YOU ARE A FORTUNATE MAN.

278
00:19:33,934 --> 00:19:37,834
NOT EVERY MAN CAN FIND SUCH
A CHEERFUL FAT WOMAN TO MARRY.

279
00:19:37,834 --> 00:19:41,000
THERE ARE MANY THIN HECTORING
WOMEN AROUND TODAY, HUH?

280
00:19:41,000 --> 00:19:42,533
I AM A VERY
LUCKY MAN.

281
00:19:42,533 --> 00:19:46,200
AND NOW YOU MUST BUY HER
A VERY BIG RING.

282
00:19:46,200 --> 00:19:48,567
A FAT WOMAN CANNOT WEAR
A TINY RING, HUH?

283
00:19:48,567 --> 00:19:51,233
WHAT DO YOU THINK
OF THOSE, MMA?

284
00:19:54,066 --> 00:19:55,400
THEY ARE BEAUTIFUL.

285
00:19:55,400 --> 00:19:57,400
- AHA.
- ARE THEY FROM BOTSWANA?

286
00:19:57,400 --> 00:20:00,200
ABSOLUTELY--
THE FINEST IN THE WORLD.

287
00:20:00,200 --> 00:20:02,533
- 90-- 90,000 PULA?
- MMM.

288
00:20:02,533 --> 00:20:04,834
I-- I AM NOT A LADY
TO WEAR A BIG RING.

289
00:20:04,834 --> 00:20:08,500
I-- I WAS HOPING FOR
A SMALL RING.

290
00:20:08,500 --> 00:20:12,000
I CAN DO DISCOUNTS--
10%.

291
00:20:12,000 --> 00:20:13,667
- UM...
- MAYBE 12%.

292
00:20:13,667 --> 00:20:16,667
THIS IS A BEAUTIFUL RING
FOR A BEAUTIFUL WOMAN.

293
00:20:16,667 --> 00:20:19,066
MMA,  I DIDN'T MEAN--

294
00:20:19,066 --> 00:20:21,133
YOU MUST HAVE WHICHEVER
RING YOU CHOOSE--

295
00:20:21,133 --> 00:20:22,533
HOW MUCH ARE THOSE?

296
00:20:22,533 --> 00:20:26,266
15%-- ESH!  YOU DRIVE
A HARD BARGAIN, MMA.

297
00:20:26,266 --> 00:20:29,000
I DON'T WANT THIS
OSTENTATIOUS RING.

298
00:20:30,567 --> 00:20:33,333
I WOULD LIKE...

299
00:20:34,266 --> 00:20:36,166
ONE OF THESE.

300
00:20:36,166 --> 00:20:39,433
UH, DIAMONDS LIKE THOSE
MAY BE EASILY MISSED.

301
00:20:39,433 --> 00:20:41,834
PEOPLE MAY NOT NOTICE
SUCH A DIAMOND AT ALL.

302
00:20:41,834 --> 00:20:44,600
I WILL NOTICE IT.
RRA MATEKONI WILL NOTICE IT,

303
00:20:44,600 --> 00:20:46,633
AND THAT IS ALL
THAT MATTERS.

304
00:20:47,567 --> 00:20:49,667
BRING THE RINGS.

305
00:20:57,266 --> 00:20:58,900
ARE THEY FROM BOTSWANA?

306
00:20:58,900 --> 00:21:02,200
AS BOTSWANA AS YOU OR ME.

307
00:21:05,000 --> 00:21:07,367
THE BREAK-INS ARE
MY CASE, MMA,

308
00:21:07,367 --> 00:21:09,867
BUT YOU SAID NOTHING
ABOUT THIS.

309
00:21:09,867 --> 00:21:12,033
YOU'RE NOT
PLAYING FAIR.

310
00:21:12,033 --> 00:21:16,066
LUCKILY I HAVE MY OWN
SOURCES OF INFORMATION.

311
00:21:16,066 --> 00:21:19,200
WE ARE PERFECTLY CAPABLE
OF HANDLING THIS OURSELVES.

312
00:21:19,200 --> 00:21:20,533
"WE"?

313
00:21:20,533 --> 00:21:23,467
WHERE IS
YOUR BOSS TODAY?

314
00:21:23,467 --> 00:21:26,133
THAT IS NONE
OF YOUR BUSINESS!

315
00:21:26,133 --> 00:21:30,166
IT'S STRANGE THAT
SHE'S NOT HERE IN A CRISIS.

316
00:21:30,166 --> 00:21:32,633
PUT THAT RIGHT BACK!

317
00:21:32,633 --> 00:21:34,066
GIVE IT TO ME.

318
00:21:35,367 --> 00:21:37,500
AHH!

319
00:21:37,500 --> 00:21:42,166
SO YOU CAN HANDLE THIS
YOURSELVES? ANY LEADS?

320
00:21:42,166 --> 00:21:44,266
FOR ALL I KNOW,
IT WAS YOU THAT BROKE IN HERE.

321
00:21:44,266 --> 00:21:46,133
TO STEAL YOUR
COLORED CHALKS?

322
00:21:46,133 --> 00:21:48,500
HOW DO YOU KNOW ABOUT
THE COLORED CHALKS?

323
00:21:48,500 --> 00:21:50,433
IT'S HERE IN
YOUR REPORT.

324
00:21:56,967 --> 00:21:59,367
I WOULD HAVE
BOUGHT YOU THE OTHER ONE.

325
00:21:59,367 --> 00:22:02,066
I'M VERY HAPPY
WITH THIS ONE.

326
00:22:02,066 --> 00:22:03,800
MMA?

327
00:22:05,200 --> 00:22:06,533
WHAT IS IT?

328
00:22:06,533 --> 00:22:09,567
I LOVE YOU.

329
00:22:10,834 --> 00:22:13,734
I AM VERY GLAD.

330
00:22:16,934 --> 00:22:19,834
I STILL HAVE A POCKETFUL
OF PULA.

331
00:22:19,834 --> 00:22:21,500
LET'S GO TO
THE PRESIDENT HOTEL

332
00:22:21,500 --> 00:22:23,867
- FOR A CELEBRATION LUNCH.
- ANOTHER TIME.

333
00:22:23,867 --> 00:22:27,133
OR ANOTHER TIME.
YES.

334
00:22:30,367 --> 00:22:32,600
IS EVERYTHING OKAY, MMA?

335
00:22:32,600 --> 00:22:35,000
EVERYTHING'S FINE.

336
00:22:35,000 --> 00:22:37,200
BUT I MUST
GO HOME NOW.

337
00:22:37,200 --> 00:22:40,433
THEN WE WILL VISIT
YOUR HOUSE NOW, AS WE PLANNED.

338
00:22:40,433 --> 00:22:43,000
ANOTHER TIME.

339
00:22:43,000 --> 00:22:45,300
OR ANOTHER TIME.

340
00:22:46,500 --> 00:22:48,333
YES.

341
00:23:09,867 --> 00:23:11,867
( beeps )

342
00:23:11,867 --> 00:23:13,834
Mma makutsi:
Mma, it's me.

343
00:23:13,834 --> 00:23:16,433
First of all,
do not panic.

344
00:23:16,433 --> 00:23:17,934
I am--

345
00:23:27,166 --> 00:23:29,133
COME ON IF YOU'RE COMING!

346
00:23:37,800 --> 00:23:40,767
( pounding on door )

347
00:23:40,767 --> 00:23:42,567
( pounding )

348
00:23:47,967 --> 00:23:50,800
( pounding continues )

349
00:23:53,100 --> 00:23:55,567
Rra Buthelezi:
WHEN I WAS A POLICEMAN
IN JOBURG,

350
00:23:55,567 --> 00:23:57,867
THERE WAS A MAN
CALLED JOHNNY DOLLARS.

351
00:23:57,867 --> 00:24:00,233
HE WAS A ONE-MAN
CRIME WAVE.

352
00:24:00,233 --> 00:24:02,066
EVERYBODY WAS
AFRAID OF HIM.

353
00:24:02,066 --> 00:24:03,834
WE KNEW WHAT
HE WAS UP TO,

354
00:24:03,834 --> 00:24:05,800
BUT WE COULD NEVER
MAKE IT STICK.

355
00:24:05,800 --> 00:24:08,700
- YOU REMEMBER
JOHNNY DOLLARS, NOTE?
- MM-HMM.

356
00:24:08,700 --> 00:24:11,900
EH, HE WOULD NEVER
ADMIT TO ANYTHING.

357
00:24:11,900 --> 00:24:14,433
AND THEN ONE DAY
SOMEONE TOLD ME

358
00:24:14,433 --> 00:24:17,867
THAT JOHNNY DOLLARS WAS
TERRIFIED OF HIS GRANDMOTHER.

359
00:24:17,867 --> 00:24:21,700
SHE DIDN'T LIKE THE WAY
HE HAD TURNED OUT.

360
00:24:21,700 --> 00:24:24,734
SO I ARRESTED HIM

361
00:24:24,734 --> 00:24:27,100
AND BROUGHT HIS
GRANDMOTHER TO HIS CELL.

362
00:24:27,100 --> 00:24:29,533
AND NOW HE'S DOING
25 YEARS.

363
00:24:29,533 --> 00:24:31,533
- GOOD FOR YOU.
- ( laughs )

364
00:24:31,533 --> 00:24:34,500
AND THE LOOK ON
JOHNNY DOLLARS' FACE

365
00:24:34,500 --> 00:24:36,333
WHEN I OPENED
THE CELL DOOR

366
00:24:36,333 --> 00:24:39,066
AND SHOWED HIM
HIS GRANDMOTHER--

367
00:24:39,066 --> 00:24:41,667
I SAW THAT SAME LOOK
ON YOUR FACE, MMA,

368
00:24:41,667 --> 00:24:45,033
WHEN I SAID THE NAME
NOTE MOKOTI TO YOU.

369
00:24:47,800 --> 00:24:49,900
WHAT DO YOU WANT?

370
00:24:51,066 --> 00:24:53,367
I HAVE A TALENT
FOR INTRODUCTIONS.

371
00:24:56,133 --> 00:24:58,266
PRECIOUS.

372
00:24:58,266 --> 00:25:00,066
NOTE.

373
00:25:00,066 --> 00:25:03,333
SO... YOU HAVE BECOME
SOMEONE AT LAST.

374
00:25:03,333 --> 00:25:04,834
NO THANKS TO YOU.

375
00:25:04,834 --> 00:25:07,166
DON'T BE SO SURE.

376
00:25:07,166 --> 00:25:09,066
YOU ARE NOT WELCOME HERE.

377
00:25:09,066 --> 00:25:12,900
AND WHAT WILL IT TAKE
TO MAKE ME GO AWAY?

378
00:25:12,900 --> 00:25:15,033
HMM?

379
00:25:24,200 --> 00:25:25,500
( drawer opening )

380
00:25:27,266 --> 00:25:29,467
YOU DIDN'T NEED TO GO
TO SO MUCH TROUBLE.

381
00:25:29,467 --> 00:25:31,233
LEAVE THAT ALONE.

382
00:25:33,400 --> 00:25:35,200
MMM.

383
00:25:40,800 --> 00:25:43,433
- ( jazz playing )
- SHE STILL HAS
YOUR RECORDS, NOTE.

384
00:25:43,433 --> 00:25:45,066
LEAVE MY THINGS ALONE!

385
00:25:45,066 --> 00:25:48,100
MR. BUTHELEZI TELLS ME
THAT YOU ARE ENGAGED
TO BE MARRIED.

386
00:25:48,100 --> 00:25:50,133
SEE HOW SHE TRIES
TO HIDE THE RING.

387
00:25:50,133 --> 00:25:53,734
BUT THERE IS ONE BIG
PROBLEM WITH THIS NEWFOUND
FREEDOM OF YOURS.

388
00:25:53,734 --> 00:25:56,266
I DO NOT RECALL US

389
00:25:56,266 --> 00:25:58,200
EVER GETTING A DIVORCE.

390
00:25:59,800 --> 00:26:02,166
MAYBE YOU HOPED
I WAS DEAD...

391
00:26:02,166 --> 00:26:05,333
OR THAT I HAD FORGOTTEN
I EVER MARRIED YOU.

392
00:26:05,333 --> 00:26:09,233
THERE HAVE BEEN SO MANY
OTHER GIRLS, AFTER ALL.

393
00:26:09,233 --> 00:26:11,500
HMM! WHAT CAN A MAN DO

394
00:26:11,500 --> 00:26:13,600
BUT SAY YES?

395
00:26:17,500 --> 00:26:20,633
OR DID YOU THINK THAT NOW
YOU ARE SO HIGH AND MIGHTY

396
00:26:20,633 --> 00:26:22,600
SOMEONE LIKE ME
DOES NOT COUNT--

397
00:26:22,600 --> 00:26:24,467
SOMEONE FROM
YOUR PAST,

398
00:26:24,467 --> 00:26:26,533
FROM THE BAD OLD DAYS?

399
00:26:26,533 --> 00:26:28,767
I AM NOT
THE SAME PERSON NOW.

400
00:26:28,767 --> 00:26:32,967
THAT GIRL YOU USED TO
SHOUT AT AND PUNCH,

401
00:26:32,967 --> 00:26:35,300
SHE IS GONE!

402
00:26:35,300 --> 00:26:37,233
THAT IS WHAT YOU
LIKE TO THINK.

403
00:26:37,233 --> 00:26:38,900
( glass shatters )

404
00:26:38,900 --> 00:26:41,433
THAT IS WHAT
YOU LIKE TO THINK.

405
00:26:41,433 --> 00:26:43,934
Rra Buthelezi:
ARE THE LOVEBIRDS
FIGHTING ALREADY?

406
00:26:43,934 --> 00:26:46,166
I WILL SEE YOU
AT THE GIG.

407
00:26:46,166 --> 00:26:48,967
HA. MOST TIMES PEOPLE
PAY TO HEAR ME,

408
00:26:48,967 --> 00:26:51,333
BUT WITH YOU,
IT WILL BE DIFFERENT.

409
00:26:51,333 --> 00:26:54,100
YOU WILL PAY TO
KEEP ME QUIET.

410
00:26:54,100 --> 00:26:56,533
AND THEN YOU WILL
GIVE ME THE DIVORCE?

411
00:26:56,533 --> 00:26:59,367
IN INSTALLMENTS.

412
00:27:01,533 --> 00:27:03,533
I CANNOT KEEP
PAYING YOU.

413
00:27:03,533 --> 00:27:04,934
I AM NOT
MADE OF MONEY.

414
00:27:04,934 --> 00:27:08,300
THE AGENCY
ACCOUNTS ARE IMPROVING.
I SAW THEM FOR MYSELF.

415
00:27:08,300 --> 00:27:10,633
NOTE.

416
00:27:10,633 --> 00:27:12,867
FOR OLD TIME'S SAKE,

417
00:27:12,867 --> 00:27:15,266
HAVE PITY.

418
00:27:20,033 --> 00:27:22,333
YOU BROUGHT HIM HERE
JUST FOR THIS.

419
00:27:22,333 --> 00:27:24,967
IT'S ALWAYS BEST TO DO
A LITTLE BACKGROUND RESEARCH.

420
00:27:24,967 --> 00:27:29,233
WHATEVER WOULD HE
THINK OF YOU, THIS
SIMPLE MECHANIC MAN,

421
00:27:29,233 --> 00:27:32,233
ACCEPTING HIS RING
UNDER FALSE PRETENSES,

422
00:27:32,233 --> 00:27:34,266
EVEN IF IT IS
A COUNTERFEIT?

423
00:27:34,266 --> 00:27:36,233
WHAT?

424
00:27:36,233 --> 00:27:38,967
CUBIC ZIRCONIUM--

425
00:27:38,967 --> 00:27:42,934
A FAKE DIAMOND
FOR A FAKE ENGAGEMENT.

426
00:28:01,266 --> 00:28:02,867
DUMELA, MMA.

427
00:28:02,867 --> 00:28:04,200
DUMELA, RRA.

428
00:28:04,200 --> 00:28:06,200
DID YOU DECIDE
WHOSE HOME TO LIVE IN?

429
00:28:06,200 --> 00:28:09,100
I THINK MMA RAMOTSWE HAS
A PRETTY GOOD IDEA.

430
00:28:09,100 --> 00:28:11,367
AND DID YOU
CELEBRATE AFTER?

431
00:28:11,367 --> 00:28:13,400
MMA RAMOTSWE
WAS UNWELL.

432
00:28:13,400 --> 00:28:15,200
UNWELL?

433
00:28:15,200 --> 00:28:16,800
WHAT HAPPENED HERE?

434
00:28:16,800 --> 00:28:21,100
WE ARE THE LATEST VICTIMS
IN THE KGALE HILL BREAK-INS.

435
00:28:23,567 --> 00:28:24,867
DOES SHE KNOW?

436
00:28:24,867 --> 00:28:26,767
I PHONED HER
AND LEFT A MESSAGE.

437
00:28:26,767 --> 00:28:28,667
AND NO REPLY?

438
00:28:32,900 --> 00:28:35,400
IT IS NOT AT ALL
LIKE MMA RAMOTSWE.

439
00:28:35,400 --> 00:28:38,100
SOMETHING IS NOT RIGHT.

440
00:28:38,100 --> 00:28:40,467
DO YOU THINK...

441
00:28:40,467 --> 00:28:41,834
WE WILL GO NOW.

442
00:28:41,834 --> 00:28:44,133
WE'LL BE VERY DIRECT

443
00:28:44,133 --> 00:28:46,433
AND GET TO THE BOTTOM
OF THIS.

444
00:28:49,100 --> 00:28:50,734
SHE IS NOT HERE.

445
00:28:50,734 --> 00:28:52,734
AND HER VAN IS GONE.

446
00:28:56,100 --> 00:29:00,600
Rose:
I KNEW SHE WAS NOT ILL,
BUT I MADE SOUP JUST IN CASE.

447
00:29:00,600 --> 00:29:03,467
SHE CANNOT LIE TO ME.

448
00:29:03,467 --> 00:29:04,800
NOT TO ME.

449
00:29:04,800 --> 00:29:07,100
SHE IS NOT HERSELF.
DO YOU AGREE?

450
00:29:07,100 --> 00:29:10,033
SHE'S A VERY
TROUBLED LADY.

451
00:29:10,033 --> 00:29:13,834
I COULD READ IT IN HER
FACE IN CAPITAL LETTERS.

452
00:29:13,834 --> 00:29:15,800
SOMETHING IS WRONG.

453
00:29:15,800 --> 00:29:17,266
WE THINK THE SAME.

454
00:29:17,266 --> 00:29:20,800
IT'S EVER SINCE SHE BECAME
ENGAGED TO YOU, RRA MATEKONI.

455
00:29:24,133 --> 00:29:26,934
DO YOU THINK SHE
HAS COLD FEET?

456
00:29:26,934 --> 00:29:29,000
MMA RAMOTSWE
IS VERY DEEP.

457
00:29:29,000 --> 00:29:31,367
THAT'S WHY SHE'S
A GOOD DETECTIVE.

458
00:29:31,367 --> 00:29:33,233
WHO KNOWS WHAT
SHE'S THINKING?

459
00:29:33,233 --> 00:29:35,166
( thunder rumbling )

460
00:29:35,166 --> 00:29:38,767
HAVE YOU GOT ANY IDEA
WHERE SHE COULD BE?

461
00:29:38,767 --> 00:29:40,433
I HAVE.

462
00:29:57,934 --> 00:29:59,533
DADDY?

463
00:30:01,500 --> 00:30:03,400
IT'S ME, PRECIOUS.

464
00:30:10,200 --> 00:30:13,533
I HAVE DONE
A FOOLISH THING, DAD.

465
00:30:13,533 --> 00:30:17,166
I HAVE AGREED TO MARRY
A GOOD MAN...

466
00:30:19,233 --> 00:30:23,400
WHEN I AM STILL
MARRIED TO A BAD ONE.

467
00:30:28,834 --> 00:30:31,100
WHY WOULD I DO THAT?

468
00:30:46,867 --> 00:30:48,900
Rra Matekoni:
I WILL STAY HERE.

469
00:30:50,033 --> 00:30:53,367
IT'S AS I THOUGHT:
SHE'S UNSURE ABOUT ME.

470
00:30:54,533 --> 00:30:56,967
SHE HAS NOTHING BUT
GOOD TO SAY ABOUT YOU.

471
00:30:56,967 --> 00:30:59,166
AND ABOUT NOTE MOKOTI,
NOTHING BUT BAD.

472
00:30:59,166 --> 00:31:02,066
- YES.
- SO WHY IS SHE STILL
PLAYING HIS RECORDS?

473
00:31:03,433 --> 00:31:06,967
PERHAPS SHE'S PUTTING
SOMETHING BEHIND HER

474
00:31:06,967 --> 00:31:08,467
ONCE AND FOR ALL.

475
00:31:08,467 --> 00:31:11,066
IT'S BECAUSE SHE HAS
SUCH STRONG FEELINGS FOR HIM.

476
00:31:11,066 --> 00:31:15,633
- STRONG FEELINGS OF HATRED.
- STRONG FEELINGS ARE
STRONG FEELINGS.

477
00:31:15,633 --> 00:31:19,233
- BUT FOR ME?
- STRONG FEELINGS OF LOVE.

478
00:31:19,233 --> 00:31:21,533
YOU HAVE HEARD HER
SAY THAT?

479
00:31:22,633 --> 00:31:24,066
WE ARE WASTING
TIME HERE, RRA.

480
00:31:24,066 --> 00:31:26,300
DID YOU HEAR HER SAY IT?

481
00:31:27,800 --> 00:31:31,633
IT IS NOT THE SORT
OF THING SHE WOULD
COME RIGHT OUT AND SAY.

482
00:31:56,934 --> 00:31:58,867
- MMA.
- MMA!

483
00:31:58,867 --> 00:32:00,567
THANK GOD
I HAVE FOUND YOU.

484
00:32:00,567 --> 00:32:03,000
EVERYONE IS VERY
WORRIED ABOUT YOU.

485
00:32:03,000 --> 00:32:04,600
WHO IS WORRIED?

486
00:32:04,600 --> 00:32:05,934
I AM WORRIED.

487
00:32:05,934 --> 00:32:08,066
AND-- AND B.K.

488
00:32:08,066 --> 00:32:10,133
AND RRA MATEKONI
AND YOUR MAID--

489
00:32:10,133 --> 00:32:11,633
WE ARE ALL WORRIED.

490
00:32:11,633 --> 00:32:13,667
WHERE IS
RRA MATEKONI NOW?

491
00:32:13,667 --> 00:32:16,300
HE WAS...

492
00:32:16,300 --> 00:32:18,300
VERY BUSY.

493
00:32:18,300 --> 00:32:20,533
THEN I CAN TELL YOU
WHAT IS THE MATTER.

494
00:32:24,300 --> 00:32:26,633
CEPHAS BUTHELEZI
TOLD ME

495
00:32:26,633 --> 00:32:29,367
MY DIAMOND RING
WAS A FAKE.

496
00:32:29,367 --> 00:32:31,734
HE WAS AT THE AGENCY

497
00:32:31,734 --> 00:32:34,734
STRUTTING ABOUT AND
TALKING RUBBISH.

498
00:32:34,734 --> 00:32:38,533
THAT MAN KNOWS NOTHING
ABOUT DIAMONDS OR DETECTION!

499
00:32:38,533 --> 00:32:40,900
YOU SHOULD HAVE COME
TO ME STRAIGHTAWAY, MMA.

500
00:32:40,900 --> 00:32:42,600
I CAN SEE THAT NOW.

501
00:32:42,600 --> 00:32:46,266
THIS--
THIS IS A LOVELY...

502
00:32:46,266 --> 00:32:48,467
LITTLE RING.

503
00:32:51,166 --> 00:32:54,166
NOT A WORD TO
RRA MATEKONI.

504
00:32:54,166 --> 00:32:57,233
MY LIPS
ARE SEALED.

505
00:33:17,533 --> 00:33:19,500
GOOD?

506
00:33:19,500 --> 00:33:22,266
MMM.
VERY GOOD.

507
00:33:22,266 --> 00:33:24,633
HEEE!

508
00:33:29,700 --> 00:33:32,033
YOU WORK HARD, RRA.

509
00:33:32,033 --> 00:33:34,900
YOU DESERVE A HEARTY MEAL.

510
00:33:34,900 --> 00:33:36,900
MMM.

511
00:33:36,900 --> 00:33:40,100
YOU DESERVE MANY THINGS
FOR ALL OF THE HARD WORK

512
00:33:40,100 --> 00:33:42,367
YOU'VE PUT IN
THROUGH ALL THE YEARS.

513
00:33:42,367 --> 00:33:45,200
AND YOU DON'T WANT TO
JUST THROW IT ALL AWAY

514
00:33:45,200 --> 00:33:48,467
JUST BECAUSE FOR
ONE LITTLE MOMENT

515
00:33:48,467 --> 00:33:50,133
YOU LET DOWN YOUR GUARD.

516
00:33:56,467 --> 00:34:00,233
THAT IS WHAT HAPPENS WITH
A WOMAN LIKE THAT, RRA.

517
00:34:00,233 --> 00:34:02,967
SHE GETS IN UNDER
YOUR GUARD

518
00:34:02,967 --> 00:34:05,533
AND BEFORE YOU KNOW IT,
BOOM!

519
00:34:06,867 --> 00:34:08,934
IT'S A VERY
GOOD DINNER, FLORENCE.

520
00:34:08,934 --> 00:34:10,567
- OH.
- BUT...

521
00:34:10,567 --> 00:34:12,633
CLEARLY YOU THINK
THAT I'M A PUSHOVER.

522
00:34:12,633 --> 00:34:13,800
YOU, RRA!
NO!

523
00:34:13,800 --> 00:34:15,433
LOOK AT ME YESTERDAY:

524
00:34:15,433 --> 00:34:17,500
AF-AFRAID TO TELL YOU
I WAS GETTING MARRIED,

525
00:34:17,500 --> 00:34:19,500
HIDING BEHIND MY
FIANCEE'S PETTICOATS.

526
00:34:19,500 --> 00:34:22,500
- OH, PLENTY OF ROOM THERE!
- THAT'S ENOUGH, FLORENCE.

527
00:34:24,033 --> 00:34:26,166
IT IS MY HOUSE

528
00:34:26,166 --> 00:34:28,100
AND I WILL
SET THE AGENDA.

529
00:34:30,100 --> 00:34:32,333
WHATEVER YOU SAY, RRA.

530
00:35:06,667 --> 00:35:08,433
( brakes squeal )

531
00:35:14,734 --> 00:35:17,200
( baboon screeching )

532
00:35:23,934 --> 00:35:27,567
Note:
MR. BUTHELEZI TELLS ME THAT
YOU ARE ENGAGED TO BE MARRIED.

533
00:35:31,767 --> 00:35:35,700
I DO NOT RECALL US
EVER GETTING A DIVORCE.

534
00:35:38,000 --> 00:35:41,100
YOU WILL PAY TO
KEEP ME QUIET.

535
00:35:48,633 --> 00:35:52,066
THERE HAVE BEEN SO MANY
OTHER GIRLS, AFTER ALL.

536
00:35:53,900 --> 00:35:56,100
SO MANY OTHER GIRLS.

537
00:36:01,133 --> 00:36:03,767
( recapping pen )

538
00:36:13,567 --> 00:36:16,200
( baboons screeching )

539
00:36:19,367 --> 00:36:22,633
( dog barking )

540
00:36:25,100 --> 00:36:27,000
( screeching,
glass shattering )

541
00:36:27,000 --> 00:36:30,433
- OH!
- ( alarm sounding )

542
00:36:32,200 --> 00:36:35,967
( bucket rattling )

543
00:36:39,934 --> 00:36:42,633
GO! GO!

544
00:36:50,900 --> 00:36:53,700
- ( screeching )
- ( banging )

545
00:37:01,066 --> 00:37:03,500
( laughs )

546
00:37:04,633 --> 00:37:06,500
( gasps )

547
00:37:12,633 --> 00:37:15,233
YOU THINK YOU SCARE ME?

548
00:37:15,233 --> 00:37:16,467
DO YOU?

549
00:37:16,467 --> 00:37:18,734
( screeches )

550
00:37:20,367 --> 00:37:22,100
I AM NOT AFRAID OF YOU.

551
00:37:22,100 --> 00:37:24,567
( squealing )

552
00:37:24,567 --> 00:37:27,667
MAYBE YOU SHOULD
BE AFRAID OF ME!

553
00:37:32,934 --> 00:37:34,600
EH!

554
00:37:36,734 --> 00:37:38,767
( phone ringing )

555
00:37:38,767 --> 00:37:41,533
( muttering )

556
00:37:42,867 --> 00:37:45,667
WHO IS THAT CALLING AT
THIS RIDICULOUS HOUR?

557
00:37:45,667 --> 00:37:47,200
Mma Ramotswe:
Mr. Patel?

558
00:37:47,200 --> 00:37:50,233
- MMA RAMOTSWE.
- I am sorry to call late,

559
00:37:50,233 --> 00:37:54,500
but I have solved the mystery
of the kgale hill break-ins.

560
00:37:54,500 --> 00:37:56,000
AHH.

561
00:38:08,300 --> 00:38:10,233
( buzzing )

562
00:38:15,700 --> 00:38:17,734
BIRTHS, MARRIAGES,
DEATHS?

563
00:38:17,734 --> 00:38:19,567
YES, PLEASE COME IN.

564
00:38:21,100 --> 00:38:24,033
THIS IS A CHECK
FOR HER WORK ON
THE CASE OF JACK,

565
00:38:24,033 --> 00:38:27,266
MY DAUGHTER'S
IMAGINARY BOYFRIEND--

566
00:38:27,266 --> 00:38:30,734
A FAT CHECK
AS PROMISED.

567
00:38:30,734 --> 00:38:34,934
AND THIS IS FOR
SOLVING THE MYSTERY OF
THE KGALE HILL BREAK-INS.

568
00:38:34,934 --> 00:38:39,000
SOMETHING WHICH THAT MAN,
BUTHELEZI, FAILED TO DO.

569
00:38:39,000 --> 00:38:42,633
QUIET RIGHT.
THAT IS TWICE HE HAS
LET ME DOWN.

570
00:38:42,633 --> 00:38:45,333
I'M A GREAT BELIEVER
IN SECOND CHANCES,

571
00:38:45,333 --> 00:38:47,900
BUT THIRD ONES ARE NOT
IN MY LEXICON.

572
00:38:47,900 --> 00:38:50,567
SO YOU WILL STICK
WITH THE LADIES?

573
00:38:53,300 --> 00:38:55,934
- I AM A LADIES' MAN.
- ( bead curtain rattles )

574
00:38:55,934 --> 00:38:57,734
- Rra Matekoni: DUMELA, MMA.
- DUMELA, RRA.

575
00:38:57,734 --> 00:39:00,567
- DUMELA, RRA.
- DUMELA, RRA.

576
00:39:00,567 --> 00:39:03,000
SHE IS NOT AT HOME
AND SHE'S NOT HERE.

577
00:39:03,000 --> 00:39:04,967
SHE IS FOLLOWING A LINE
OF INQUIRY.

578
00:39:04,967 --> 00:39:07,033
I WAS JUST SAYING, RRA,

579
00:39:07,033 --> 00:39:10,767
WHAT A GREAT JOB
THESE LADIES HAVE MADE
OF THIS PLACE.

580
00:39:10,767 --> 00:39:13,166
IT PUTS US MERE MEN
TO SHAME.

581
00:39:13,166 --> 00:39:15,734
VERY TRUE.

582
00:39:15,734 --> 00:39:19,000
YOU ARE IN A GOOD MOOD
THIS MORNING, RRA MATEKONI.

583
00:39:19,000 --> 00:39:21,567
I'M A MAN
ON A MISSION.

584
00:39:21,567 --> 00:39:24,633
YOU ARE CAN-DO LADIES.

585
00:39:24,633 --> 00:39:27,600
I'VE TAKEN THE DECISION
TO BE A CAN-DO MAN.

586
00:39:27,600 --> 00:39:31,233
I MUST PROVE
THAT I'M WORTHY OF
MMA RAMOTSWE'S LOVE.

587
00:39:31,233 --> 00:39:33,066
I KNOW HOW YOU
CAN DO THAT!

588
00:39:33,066 --> 00:39:35,333
I ALREADY HAVE A PLAN:
I'VE GOT TWO TICKETS--

589
00:39:35,333 --> 00:39:39,433
IT WILL GO
STRAIGHT TO THE HEART OF
MMA RAMOTSWE'S PROBLEMS.

590
00:39:49,166 --> 00:39:51,367
DID YOU FIND WHAT
YOU WERE LOOKING FOR?

591
00:39:51,367 --> 00:39:53,567
I FOUND WHAT I
HAD HOPED TO FIND

592
00:39:53,567 --> 00:39:56,567
AND I DID NOT FIND WHAT
I HAD HOPED NOT TO FIND.

593
00:39:58,166 --> 00:39:59,667
CRIMINAL RECORDS?

594
00:39:59,667 --> 00:40:01,166
YES YES.

595
00:40:09,500 --> 00:40:12,767
GOOD MORNING, RRA.
DID YOU SLEEP WELL?

596
00:40:12,767 --> 00:40:14,600
VERY WELL, MMA.
AND YOU?

597
00:40:14,600 --> 00:40:16,867
NO SLEEP FOR ME.
DO YOU KNOW WHY?

598
00:40:16,867 --> 00:40:19,066
WAS YOUR TINY RING
TOO SMALL FOR YOUR FINGER?

599
00:40:19,066 --> 00:40:21,133
MY RING WAS JUST
THE RIGHT SIZE.

600
00:40:21,133 --> 00:40:23,700
IT WAS NOT THAT THAT
KEPT ME AWAKE.

601
00:40:24,967 --> 00:40:26,834
I AM GLAD TO HEAR IT.

602
00:40:26,834 --> 00:40:30,400
I AM A DETECTIVE, RRA.
DID YOU KNOW THAT?

603
00:40:30,400 --> 00:40:31,934
NO.

604
00:40:31,934 --> 00:40:34,467
I MAKE IT MY BUSINESS
TO FIND THINGS OUT.

605
00:40:34,467 --> 00:40:36,533
SO I STAYED UP
VERY LATE

606
00:40:36,533 --> 00:40:40,033
AND FOUND OUT ALL ABOUT
CUBIC ZIRCONIUM.

607
00:40:41,500 --> 00:40:45,033
IN CASE YOU
DIDN'T KNOW, IT IS USED
AS A DIAMOND SIMULANT.

608
00:40:45,033 --> 00:40:47,133
AND WHAT IS THAT TO ME?

609
00:40:47,133 --> 00:40:48,600
I WILL TELL YOU:

610
00:40:48,600 --> 00:40:52,567
I CONTINUED MY RESEARCH
IN A VERY DIFFERENT
DIRECTION THIS MORNING

611
00:40:52,567 --> 00:40:57,266
AND I FOUND OUT ALL
ABOUT YOU, RRA.

612
00:40:57,266 --> 00:40:59,834
YOUR LIFE HAS BEEN
VERY EVENTFUL

613
00:40:59,834 --> 00:41:02,500
AND VERY WELL DOCUMENTED.

614
00:41:02,500 --> 00:41:04,667
GOOD DAY, MMA.

615
00:41:04,667 --> 00:41:07,767
SO I THOUGHT I WOULD
SIT HERE TODAY

616
00:41:07,767 --> 00:41:10,600
AND TELL ANYONE WHO
COMES ALONG

617
00:41:10,600 --> 00:41:13,700
THE STORY OF
KEBONE LEGODIMO,

618
00:41:13,700 --> 00:41:16,467
JEWELER AND JAILBIRD!

619
00:41:16,467 --> 00:41:18,934
- ONCE UPON A TIME--
- AHEM.

620
00:41:18,934 --> 00:41:21,900
--THERE WAS A--

621
00:41:34,400 --> 00:41:38,633
( sighs )
I WILL BE KEEPING A KEEN EYE

622
00:41:38,633 --> 00:41:41,500
ON YOUR BUSINESS PRACTICE.

623
00:41:51,166 --> 00:41:53,333
I'M HERE TO ASK YOU
OUT ON A DATE--

624
00:41:53,333 --> 00:41:56,467
- RRA, I--
- --TO THE NOTE MOKOTI
GIG THIS EVENING.

625
00:41:56,467 --> 00:41:59,367
I HAVE TWO TICKETS.
HE'S A FAMOUS JAZZ MUSICIAN,

626
00:41:59,367 --> 00:42:01,266
IN CASE YOU DIDN'T KNOW.

627
00:42:01,266 --> 00:42:04,700
ALSO, MMA,  I WOULD LIKE TO
GET YOUR RING ENGRAVED.

628
00:42:04,700 --> 00:42:07,433
COULD YOU LET ME HAVE IT
UNTIL THIS EVENING?

629
00:42:07,433 --> 00:42:09,567
OH.

630
00:42:10,667 --> 00:42:12,333
OF COURSE.

631
00:42:14,600 --> 00:42:17,300
I CANNOT STOP.

632
00:42:17,300 --> 00:42:19,066
HEY.

633
00:42:47,667 --> 00:42:51,100
- NOW WHAT?
- THIS RING, THAT'S WHAT.

634
00:42:51,100 --> 00:42:53,166
RRA,  I AM NOT DOING
ANYTHING THAT--

635
00:42:53,166 --> 00:42:57,100
YOU WILL DO AS YOU'RE TOLD
OR THERE'LL BE TROUBLE.

636
00:42:57,100 --> 00:42:59,467
REPLACE IT.

637
00:43:07,233 --> 00:43:10,867
( jazz playing )

638
00:43:23,166 --> 00:43:24,834
( music dies down )

639
00:43:24,834 --> 00:43:27,567
I THINK I'M PAYING
OVER THE ODDS HERE.

640
00:43:27,567 --> 00:43:29,400
HE'S MISSED HIS CUE.

641
00:43:29,400 --> 00:43:31,166
NOTE!

642
00:43:31,166 --> 00:43:32,367
NOTE!

643
00:43:34,834 --> 00:43:37,500
WHERE ARE YOU, MAN?
WE'RE ALL WAITING.

644
00:43:45,934 --> 00:43:49,033
( women chattering )

645
00:43:54,066 --> 00:43:58,467
RRA MATEKONI...
( speaks Setswana )

646
00:43:58,467 --> 00:44:00,567
AHH!

647
00:44:08,533 --> 00:44:11,200
- YOU CAME.
- OF COURSE.

648
00:44:11,200 --> 00:44:14,400
SOMETIMES IT'S BEST TO
FACE UP TO YOUR FEARS.

649
00:44:14,400 --> 00:44:16,300
THAT IS TRUE.

650
00:44:16,300 --> 00:44:18,667
I'M TALKING ABOUT
BOTH OF US.

651
00:44:23,700 --> 00:44:26,734
- YOU LOOK BEAUTIFUL.
- ( laughing ) THANK YOU.

652
00:44:26,734 --> 00:44:29,633
- YOU LOOK VERY HANDSOME.
- THANK YOU.

653
00:44:34,667 --> 00:44:36,834
- DUMELA, RRA.
- DUMELA, RRA.

654
00:44:36,834 --> 00:44:40,667
AHH, TWO TICKETS FOR
NEAR THE FRONT, PLEASE.

655
00:44:40,667 --> 00:44:43,633
NO NEED FOR A TICKET, MMA.
YOU'RE ON THE GUEST LIST.

656
00:44:43,633 --> 00:44:45,266
YOU WERE COMING ALREADY?

657
00:44:45,266 --> 00:44:47,266
NOT OUT OF CHOICE.

658
00:44:47,266 --> 00:44:49,533
AND MAY I ASK WHAT YOU
WERE COMING TO DO?

659
00:44:49,533 --> 00:44:53,133
IT IS A BUSINESS MATTER
WITH CEPHAS BUTHELEZI.

660
00:44:53,133 --> 00:44:54,934
NOT WITH NOTE?

661
00:44:54,934 --> 00:44:57,133
WITH HIM TOO.

662
00:44:58,333 --> 00:44:59,900
DUMELA, RRA.

663
00:45:01,500 --> 00:45:05,000
( man muttering )

664
00:45:19,734 --> 00:45:21,767
WERE YOU LOOKING
FOR ME, FLORENCE?

665
00:45:21,767 --> 00:45:23,734
OF COURSE I WAS.

666
00:45:30,200 --> 00:45:32,767
SO ARE YOU BUYING ME
A DRINK?

667
00:45:46,633 --> 00:45:49,000
IT'S GOOD TO DO THINGS
YOU DON'T NORMALLY DO.

668
00:45:49,000 --> 00:45:52,700
I WILL GO NOW AND
SPEAK TO NOTE.

669
00:45:52,700 --> 00:45:55,100
THEN I WILL COME
WITH YOU.

670
00:45:55,100 --> 00:45:56,767
THERE IS NO NEED
FOR THAT.

671
00:45:56,767 --> 00:46:00,367
MMA, I'M DETERMINED TO
BE MORE COURAGEOUS.

672
00:46:00,367 --> 00:46:05,000
IT WAS COURAGEOUS OF YOU
TO ASK ME TO MARRY YOU AGAIN

673
00:46:05,000 --> 00:46:06,867
AFTER I TURNED YOU DOWN.

674
00:46:06,867 --> 00:46:10,600
THEN I WILL BUILD
FROM THAT BASE.

675
00:46:18,600 --> 00:46:22,433
IT'S TIME TO SHOUT
YOUR LOVE FROM THE ROOFTOPS.

676
00:46:28,367 --> 00:46:30,000
NOTE?

677
00:46:31,700 --> 00:46:33,500
NOTE!

678
00:46:37,233 --> 00:46:40,000
YOU'VE COME TO MAKE GOOD
ON YOUR PROMISE.

679
00:46:40,000 --> 00:46:42,400
- WHERE IS HE?
- NEVER MIND ABOUT NOTE
FOR A MOMENT.

680
00:46:42,400 --> 00:46:44,667
I DON'T WANT TO
BE HERE A MOMENT
LONGER THAN NECESSARY.

681
00:46:44,667 --> 00:46:46,500
I HEARD YOU CRACKED
THE BREAK-INS CASE.

682
00:46:46,500 --> 00:46:48,000
MORE THAN I CAN
SAY FOR YOU.

683
00:46:48,000 --> 00:46:50,066
YOU ARE GOOD
AT YOUR JOB, MMA,

684
00:46:50,066 --> 00:46:52,333
BUT THE PREDATORS WILL
ALWAYS BE CIRCLING.

685
00:46:52,333 --> 00:46:55,166
MEN LIKE NOTE WILL ALWAYS
SEE YOU AS VULNERABLE.

686
00:46:55,166 --> 00:46:57,000
IT WAS YOU WHO
BROUGHT HIM HERE.

687
00:46:57,000 --> 00:46:59,834
TO PROVE THAT
LADY DETECTIVES NEED MEN.

688
00:46:59,834 --> 00:47:02,700
NOTE WILL BE BACK AGAIN
AND AGAIN.

689
00:47:02,700 --> 00:47:04,867
AND IN THE END,
HE WILL TAKE ALL YOU HAVE.

690
00:47:04,867 --> 00:47:07,633
AND YOU WILL STOP HIM?

691
00:47:07,633 --> 00:47:11,100
FOR A CONTROLLING INTEREST
IN YOUR AGENCY, YES, I WILL.

692
00:47:12,500 --> 00:47:15,400
WHEN YOU CAN'T EVEN GET IN
TO OPEN THE DOOR!

693
00:47:20,667 --> 00:47:24,133
NOTE, OPEN THE DOOR,
PLEASE.

694
00:47:24,133 --> 00:47:26,667
HE'S AN ARTIST, YOU KNOW?
HE HAS MOODS.

695
00:47:26,667 --> 00:47:28,600
NOTE?

696
00:47:28,600 --> 00:47:31,200
IT IS PRECIOUS RAMOTSWE.

697
00:47:33,834 --> 00:47:36,834
( door unlocking )

698
00:47:36,834 --> 00:47:39,934
( singing )

699
00:47:47,266 --> 00:47:48,834
LOCK IT AGAIN.

700
00:47:48,834 --> 00:47:52,166
NOTE.  RRA,
MY REPUTATION--
YOU'VE GOT TO--

701
00:47:52,166 --> 00:47:54,000
NOTE!

702
00:47:54,000 --> 00:47:56,100
I SAID LOCK IT AGAIN.

703
00:47:59,000 --> 00:48:00,934
DID YOU BRING
THE MONEY?

704
00:48:00,934 --> 00:48:02,800
I BROUGHT A CHECK.

705
00:48:02,800 --> 00:48:04,233
HOW MUCH?

706
00:48:04,233 --> 00:48:06,200
IT IS BLANK.

707
00:48:06,200 --> 00:48:08,266
THEN START
WRITING ZEROS.

708
00:48:08,266 --> 00:48:10,266
HMM?

709
00:48:12,133 --> 00:48:15,533
I NEED TO KNOW YOU WILL NOT
COME BACK TO ME AGAIN.

710
00:48:15,533 --> 00:48:17,367
IS THAT SO?

711
00:48:19,667 --> 00:48:23,166
OR DO YOU SOMETIMES WISH
THAT I HADN'T GONE AWAY?

712
00:48:25,700 --> 00:48:28,033
TAKE YOUR HAND OFF ME.

713
00:48:28,033 --> 00:48:29,934
WHEN YOUR NIGHTS ARE
LONG AND DARK...

714
00:48:29,934 --> 00:48:32,834
WHEN THE NIGHTS WERE LONG
AND DARK, YOU WERE NEVER THERE.

715
00:48:32,834 --> 00:48:35,467
WITH ME YOU TAKE THE ROUGH
WITH THE SMOOTH.

716
00:48:36,767 --> 00:48:39,900
I LOST MY BABY.

717
00:48:39,900 --> 00:48:41,967
THERE WOULD HAVE
BEEN OTHERS.

718
00:48:41,967 --> 00:48:44,967
THERE WOULD HAVE BEEN
OTHER BRUISES TOO.

719
00:48:44,967 --> 00:48:47,367
AND BROKEN BONES.

720
00:48:48,367 --> 00:48:51,900
I WAS GLAD WHEN
YOU WENT AWAY.

721
00:48:51,900 --> 00:48:53,734
NOW I'M HERE AGAIN.

722
00:48:53,734 --> 00:48:56,533
WANTING MONEY.

723
00:48:58,467 --> 00:49:00,333
JUST WRITE THE CHECK

724
00:49:00,333 --> 00:49:03,300
OR YOU WILL NEVER
MARRY YOUR CAR MECHANIC.

725
00:49:03,300 --> 00:49:05,967
THAT IS WHAT YOU'D
LIKE TO THINK.

726
00:49:10,667 --> 00:49:14,400
SO I WON'T HURT YOU NOW,
IS THAT WHAT YOU THINK?

727
00:49:14,400 --> 00:49:18,567
I'VE BEEN AFRAID OF YOU
FOR SO LONG, NOTE.

728
00:49:19,734 --> 00:49:22,533
FIRST IT WAS YOUR FISTS,

729
00:49:22,533 --> 00:49:25,767
AND THEN THAT
YOU MIGHT COME BACK.

730
00:49:27,333 --> 00:49:28,967
AND NOW YOU HAVE.

731
00:49:28,967 --> 00:49:31,567
I STILL HAVE
THOSE FISTS.

732
00:49:31,567 --> 00:49:34,233
BUT NOTHING ELSE.

733
00:49:36,533 --> 00:49:38,633
I DID SOME RESEARCH.

734
00:49:46,633 --> 00:49:51,200
NOTE, I DO NOT NEED
A DIVORCE FROM YOU.

735
00:49:54,600 --> 00:49:57,433
YOU WERE MARRIED
WHEN WE MET.

736
00:49:58,467 --> 00:50:00,867
YOU JUST FORGOT
TO TELL ME.

737
00:50:06,066 --> 00:50:08,133
YOU HAD NO RIGHT
TO MARRY ME,

738
00:50:08,133 --> 00:50:11,367
NO RIGHT TO
DO ANY OF IT!

739
00:50:11,367 --> 00:50:13,133
GET OUT.

740
00:50:23,166 --> 00:50:25,066
THIS IS WHY
YOU NEED MONEY?

741
00:50:26,967 --> 00:50:29,066
FOR THAT STUFF?

742
00:50:30,367 --> 00:50:32,433
HOW LONG HAVE YOU
BEEN TAKING IT?

743
00:50:32,433 --> 00:50:34,667
GET OUT!

744
00:50:34,667 --> 00:50:38,367
WHY WOULD YOU TAKE THAT WHEN
YOU HAVE WHAT YOU HAVE?

745
00:50:38,367 --> 00:50:40,834
WHAT DO I HAVE, HUH?

746
00:50:40,834 --> 00:50:42,867
NOTHING.
YOU JUST TOLD ME.

747
00:50:43,767 --> 00:50:46,266
YOU HAVE THIS--

748
00:50:46,266 --> 00:50:48,934
YOUR MUSIC,

749
00:50:48,934 --> 00:50:53,233
THE REASON WHY ALL THOSE
PEOPLE ARE HERE TONIGHT.

750
00:50:53,233 --> 00:50:55,934
AND WHAT ELSE?

751
00:50:57,867 --> 00:51:00,033
JUST THAT

752
00:51:01,300 --> 00:51:03,867
IS MORE THAN MOST.

753
00:51:28,633 --> 00:51:31,400
FOR THIS,

754
00:51:31,400 --> 00:51:33,500
NOT FOR THAT.

755
00:51:40,266 --> 00:51:42,700
EVERYBODY IS WAITING, NOTE.

756
00:52:17,200 --> 00:52:19,367
I DO NOT REMEMBER.

757
00:52:19,367 --> 00:52:21,333
I THINK YOU DO.

758
00:52:21,333 --> 00:52:24,867
I TOLD THEM YOU WERE
WITH ME ALL NIGHT LONG,

759
00:52:24,867 --> 00:52:27,367
AND THE CASE COLLAPSED.

760
00:52:27,367 --> 00:52:29,033
ALL NIGHT LONG?

761
00:52:29,033 --> 00:52:33,533
THAT I WOULD
HAVE REMEMBERED.

762
00:52:33,533 --> 00:52:35,834
SO NOW YOU OWE ME
A FAVOR.

763
00:52:35,834 --> 00:52:39,934
THERE'S THIS BIG WOMAN
WHO IS CAUSING ME A BIG PROBLEM.

764
00:52:39,934 --> 00:52:42,266
ME AND RRA MATEKONI HAVE
A GOOD THING GOING,

765
00:52:42,266 --> 00:52:44,800
AND SHE'S GOING TO
RUIN IT ALL.

766
00:52:44,800 --> 00:52:46,934
( jazz continues )

767
00:53:02,300 --> 00:53:06,667
YOU KNOW, WHEN I WAS
GROWING UP ON THE ORPHAN FARM,

768
00:53:06,667 --> 00:53:09,800
THIS MAN WAS ALWAYS THERE
TO HELP US OUT,

769
00:53:09,800 --> 00:53:12,767
AND HE NEVER CHARGED
A THEBE FOR HIS SERVICES.

770
00:53:12,767 --> 00:53:15,233
AND TODAY I CAN
RETURN THE FAVOR.

771
00:53:15,233 --> 00:53:17,166
WILL YOU PLEASE WELCOME
TO THE STAGE

772
00:53:17,166 --> 00:53:19,533
GABORONE'S
GREATEST MECHANIC,

773
00:53:19,533 --> 00:53:22,633
MR. J.L.B. MATEKONI?

774
00:53:22,633 --> 00:53:24,767
( all cheer )

775
00:53:28,133 --> 00:53:30,266
UH, LADIES AND GENTLEMEN,

776
00:53:30,266 --> 00:53:32,967
I WOULD LIKE TO
DEDICATE THIS GIG

777
00:53:32,967 --> 00:53:34,967
TO A VERY SPECIAL LADY

778
00:53:34,967 --> 00:53:38,667
AND AN OLD FRIEND OF THE MAN
YOU HAVE COME TO SEE

779
00:53:38,667 --> 00:53:41,133
PLAY HIS TRUMPET TONIGHT,

780
00:53:41,133 --> 00:53:43,700
MY FIANCEE,

781
00:53:43,700 --> 00:53:45,633
PRECIOUS RAMOTSWE...

782
00:53:47,066 --> 00:53:51,433
THE BEST DETECTIVE AND
THE FINEST LADY IN ALL BOTSWANA.

783
00:53:59,600 --> 00:54:03,000
( all cheering )

784
00:54:10,900 --> 00:54:14,266
LADIES AND GENTLEMEN,
ONE LUCKY MAN.

785
00:54:18,800 --> 00:54:22,533
ONE, TWO--
ONE TWO THREE FOUR.

786
00:54:46,967 --> 00:54:51,400
COME, WE HAVE FACED ENOUGH
DEMONS FOR ONE NIGHT.

787
00:55:14,834 --> 00:55:18,066
- WOW.
- NANDIRA?

788
00:55:18,066 --> 00:55:19,467
DUMELA, MMA.

789
00:55:19,467 --> 00:55:20,967
WE CANNOT STOP.
WE ARE LATE.

790
00:55:20,967 --> 00:55:24,133
DON'T BE LATE HOME
OR YOUR FATHER WILL
BE CALLING ME AGAIN.

791
00:55:24,133 --> 00:55:25,367
I WON'T.

792
00:55:25,367 --> 00:55:27,900
OH, AND MMA,
THIS IS JACK.

793
00:55:27,900 --> 00:55:29,767
HELLO.

794
00:55:55,767 --> 00:55:57,767
WHOO!

795
00:56:08,367 --> 00:56:10,667
( knock at door )

796
00:56:19,000 --> 00:56:22,300
( dogs barking )

797
00:56:22,300 --> 00:56:25,066
- HANDS UP!
- AHHH! HEY.

798
00:56:25,066 --> 00:56:28,233
LEANNYE! WHERE HAVE YOU BEEN?
I'VE BEEN WAITING SO LONG.

799
00:56:28,233 --> 00:56:30,166
COME HERE.

800
00:56:33,800 --> 00:56:36,433
OH, BABY.

801
00:57:05,867 --> 00:57:09,367
YOU REMEMBER, MMA,
I SAID I WAS GOING TO
BE MORE COURAGEOUS?

802
00:57:09,367 --> 00:57:11,600
I REMEMBER VERY WELL.

803
00:57:12,967 --> 00:57:17,100
I TOOK THE RING BACK
AND MADE HIM CHANGE IT
FOR A REAL ONE.

804
00:57:17,100 --> 00:57:19,500
MMA MAKUTSI TOLD YOU?

805
00:57:19,500 --> 00:57:22,900
AND I MADE HIM ENGRAVE IT,
FREE OF CHARGE.

806
00:57:37,133 --> 00:57:41,700
"FOR A REAL
BOTSWANA DIAMOND."

807
00:57:45,767 --> 00:57:47,667
IT'S BEAUTIFUL.

808
00:57:48,567 --> 00:57:50,333
THANK YOU.

809
00:58:06,367 --> 00:58:08,834
I LOVE YOU, J.L.B. MATEKONI.

810
00:58:12,700 --> 00:58:14,700
I AM VERY GLAD.

811
00:58:26,834 --> 00:58:28,967
( theme music playing )