1 00:00:01,767 --> 00:00:02,834 [wind howling] 2 00:00:05,500 --> 00:00:07,000 This is it guys. 3 00:00:07,000 --> 00:00:11,266 We are now approaching a place called Sutro Ghost Town. 4 00:00:13,100 --> 00:00:14,767 One of the low-key factor-- 5 00:00:14,767 --> 00:00:16,934 [female voice] 6 00:00:17,900 --> 00:00:19,300 [bleep] 7 00:00:19,300 --> 00:00:21,100 -How did that just start? -What? 8 00:00:21,100 --> 00:00:24,000 -What'd she just say? -Drift with the tide? 9 00:00:24,000 --> 00:00:25,667 There's nothing on my phone. 10 00:00:25,667 --> 00:00:28,000 -We didn't touch... I don't understand. -It was like a female voice. 11 00:00:28,000 --> 00:00:31,266 -What's she say? -It sounded something like, "Drift with the tide?" 12 00:00:31,266 --> 00:00:35,667 Hey, guys. Just as we drove in, my phone, which is on a home screen, 13 00:00:35,667 --> 00:00:38,700 some lady's voice came through this 14 00:00:38,700 --> 00:00:40,100 and said something. 15 00:00:40,100 --> 00:00:41,266 Drift with the tide? 16 00:00:41,266 --> 00:00:43,200 -It was so weird. -[Jay] Something like that. 17 00:00:43,200 --> 00:00:46,233 My phone was just sitting there. There's no reason for that. 18 00:00:52,467 --> 00:00:56,300 [Zak] There are things in this world that we will never fully understand. 19 00:00:56,300 --> 00:00:58,200 [distorted] Understand. 20 00:00:58,200 --> 00:00:59,834 We want answers. 21 00:01:01,100 --> 00:01:04,266 We have worked years to build our credibility. 22 00:01:05,000 --> 00:01:06,367 Our reputation. 23 00:01:08,567 --> 00:01:13,166 Working along side the most renowned professionals in the field. 24 00:01:13,166 --> 00:01:16,266 Capturing ground-breaking proof of the paranormal. 25 00:01:16,266 --> 00:01:17,467 -It's working! -Whoa! 26 00:01:17,467 --> 00:01:18,734 I can't give an explanation. 27 00:01:20,567 --> 00:01:25,367 This is our evidence. Our Ghost Adventures. 28 00:01:30,800 --> 00:01:32,066 [Zak] Make the turn right here. 29 00:01:32,066 --> 00:01:34,467 We have to go through this gate. 30 00:01:34,467 --> 00:01:40,200 The main focus of this place in our investigation is the Sutro tunnel. 31 00:01:40,200 --> 00:01:45,166 Engineer Adolph Sutro, left San Francisco at 1860. 32 00:01:45,166 --> 00:01:47,100 Moved to Virginia City, Nevada 33 00:01:47,100 --> 00:01:52,166 and quickly added extreme wealth to his already successful career 34 00:01:52,166 --> 00:01:55,600 due to the silver ore in the Comstock lode. 35 00:01:55,600 --> 00:01:58,467 He then designed a concept for a drainage tunnel 36 00:01:58,467 --> 00:02:00,400 to eliminate the threat of flooding. 37 00:02:00,400 --> 00:02:03,166 As the focus on mine-workers safety 38 00:02:03,166 --> 00:02:05,967 following the disaster of the Yellow Jacket mine, 39 00:02:05,967 --> 00:02:08,000 the Sutro Tunnel was born. 40 00:02:08,000 --> 00:02:11,266 Despite Sutro efforts to improve workers' safety, 41 00:02:11,266 --> 00:02:13,066 which made him a hero to most, 42 00:02:13,066 --> 00:02:17,900 the amount of mysterious fires and deaths have led some to call 43 00:02:17,900 --> 00:02:20,200 the Sutro tunnel cursed. 44 00:02:20,200 --> 00:02:23,400 Which is exactly why we are here to investigate 45 00:02:23,400 --> 00:02:28,367 the countless reports of hauntings scattered throughout Sutro. 46 00:02:28,367 --> 00:02:30,500 You guys see the Sutro Tunnel? 47 00:02:30,500 --> 00:02:35,767 All the miner that died, all their spirits are said to use that as a portal. 48 00:02:35,767 --> 00:02:37,867 When they come out of that tunnel, 49 00:02:37,867 --> 00:02:40,867 these are the very buildings that they occupy. 50 00:02:40,867 --> 00:02:46,367 And that's what makes this such a fascinating and very scary investigation. 51 00:02:48,967 --> 00:02:54,000 There's no telling how many spirits of those miners 52 00:02:54,000 --> 00:02:57,100 have travelled through the Sutro Tunnel 53 00:02:57,100 --> 00:03:01,867 and what they now believe, is a portal to the spiritual dimension 54 00:03:01,867 --> 00:03:04,266 within these mines. 55 00:03:04,266 --> 00:03:06,900 It isn't just about those deaths. 56 00:03:06,900 --> 00:03:10,967 There was also 12 confirmed deaths 57 00:03:10,967 --> 00:03:14,567 during the construction of this portal. 58 00:03:14,567 --> 00:03:17,367 We first meet site manager Chris, 59 00:03:17,367 --> 00:03:20,367 who informs us that we have stepped onto grounds 60 00:03:20,367 --> 00:03:23,066 with many more deaths and graves 61 00:03:23,066 --> 00:03:27,767 that may be contributing to the hauntings in this ominous town. 62 00:03:27,767 --> 00:03:31,800 Over to our right there, there is a stake sticking out of the ground. 63 00:03:31,800 --> 00:03:35,867 Can you tell me what's eerie about that stake? 64 00:03:35,867 --> 00:03:37,967 [Chris] Well, we don't know exactly what's buried there. 65 00:03:37,967 --> 00:03:43,100 There's a marker. It says, "Tucker Highland and Lyon spelled L-Y-O-N." 66 00:03:43,100 --> 00:03:44,266 It says, "Died Mother's day." 67 00:03:46,100 --> 00:03:49,400 [Zak] So, there could be the body of a little baby there. 68 00:03:49,400 --> 00:03:50,767 [Chris] Yeah. 69 00:03:50,767 --> 00:03:53,166 -And nobody knows who put that stake there. -[Chris] No one knows. 70 00:03:53,166 --> 00:03:56,567 -[Zak] Just, yet another mystery here. -Yeah. 71 00:03:56,567 --> 00:04:00,967 [Zak] Chris now takes us to the site where a house burned down to the ground. 72 00:04:00,967 --> 00:04:05,634 And even though a vague impression of the foundation is all that remains 73 00:04:06,266 --> 00:04:08,367 the foundation is all we need. 74 00:04:08,367 --> 00:04:12,367 Embedded in that space could be the residue from the fear and pain 75 00:04:12,367 --> 00:04:15,634 that echo during the last breaths of life. 76 00:04:18,000 --> 00:04:21,567 Suddenly, Chris tells us that he wants to show us something. 77 00:04:21,567 --> 00:04:24,100 Something that he's never shown anyone before. 78 00:04:24,100 --> 00:04:25,967 This will be the very first time 79 00:04:25,967 --> 00:04:29,166 that this site and these unmarked graves are gonna be revealed. 80 00:04:29,166 --> 00:04:32,500 Not just on television, but to mean in general? 81 00:04:32,500 --> 00:04:33,700 Yeah. To everybody. 82 00:04:33,700 --> 00:04:36,767 [Zak] Just walking on this ground is electric. 83 00:04:36,767 --> 00:04:40,400 You can feel a vibration. A definite presence. 84 00:04:40,400 --> 00:04:43,467 -[Chris] So, these are the graves. -[Zak] Oh, wow. 85 00:04:43,467 --> 00:04:45,900 -[Zak] Here's... -[Chris] One, two, three, four, five, six, 86 00:04:45,900 --> 00:04:48,567 and this is where the foundation was of the house that burned down. 87 00:04:48,567 --> 00:04:51,500 [Zak] And this isn't the only fire that has occurred here. 88 00:04:51,500 --> 00:04:55,800 Right behind me is the foundation of an old mansion. 89 00:04:55,800 --> 00:04:57,300 Something started a fire. 90 00:04:57,300 --> 00:04:59,700 [Chris] Yeah. It did bring down in 1942. 91 00:04:59,700 --> 00:05:02,567 [Zak] The fire started while they were in the house, correct? 92 00:05:02,567 --> 00:05:03,400 [Chris] Correct. 93 00:05:03,400 --> 00:05:05,367 -Could have been arson. -Yeah. 94 00:05:05,367 --> 00:05:08,700 But, that means that this person wanted them to be burnt alive. 95 00:05:08,700 --> 00:05:09,834 [Chris] Yeah. 96 00:05:10,867 --> 00:05:15,166 What's interesting, too, is that our research indicated 97 00:05:15,166 --> 00:05:20,667 that it was believed that that entire family died in that fire. 98 00:05:20,667 --> 00:05:23,333 And these graves would support that information. 99 00:05:25,266 --> 00:05:27,400 When we drove past this building, 100 00:05:27,400 --> 00:05:30,300 is when this weird woman's voice came through my phone. 101 00:05:30,300 --> 00:05:33,266 [voice] ...rush in with the tide. 102 00:05:33,266 --> 00:05:34,567 What the [bleep] 103 00:05:34,567 --> 00:05:36,500 I immediately got this thought 104 00:05:36,500 --> 00:05:39,467 like, all these lost souls from these unmarked graves 105 00:05:39,467 --> 00:05:41,800 and all of the deaths from the Sutro Tunnel, 106 00:05:41,800 --> 00:05:43,767 that's where they reside. 107 00:05:43,767 --> 00:05:46,867 That's where they are. 108 00:05:46,867 --> 00:05:52,667 As we take our own steps in life, each closer to our own end, 109 00:05:52,667 --> 00:05:58,400 you almost, with time, become more and more connected to that spiritual side of you 110 00:05:58,400 --> 00:06:02,600 that will be born when that screen goes black. 111 00:06:02,600 --> 00:06:08,000 And for me, that spiritual connection started way earlier in life. 112 00:06:08,000 --> 00:06:12,166 When I saw a photo of this house, I locked eyes on it. 113 00:06:12,166 --> 00:06:14,867 And these buildings, they will talk to me. 114 00:06:14,867 --> 00:06:19,400 And when I saw this house, it said, "You need to come here." 115 00:06:19,400 --> 00:06:23,433 I'm here now to figure out what that message is. 116 00:06:24,867 --> 00:06:27,266 What's incredible about this location 117 00:06:27,266 --> 00:06:30,567 is that as we move closer to every structure, 118 00:06:30,567 --> 00:06:35,667 you can feel a disturbing and swirling energy emanating from its bones 119 00:06:35,667 --> 00:06:39,767 like an invisible fog that envelops your body. 120 00:06:39,767 --> 00:06:42,266 Tellin' you, there's just something about this house, you guys. 121 00:06:42,266 --> 00:06:45,667 I know a lot about that house. That house used to be mine. 122 00:06:45,667 --> 00:06:47,166 -Really? -Yeah. 123 00:06:47,166 --> 00:06:49,867 [Zak] Vietnam veteran, Greg Melton, 124 00:06:49,867 --> 00:06:53,266 felt something dark in one of the rooms in this house. 125 00:06:53,266 --> 00:06:56,266 Something so dark that he would stay far away from it. 126 00:06:57,500 --> 00:06:59,233 [Zak] Okay. On the... upper part. 127 00:07:01,467 --> 00:07:04,634 [Zak] Do you feel threatened by that energy when you're in there? 128 00:07:10,500 --> 00:07:12,467 [Zak] You know, we were just talking to Chris. 129 00:07:12,467 --> 00:07:14,900 He showed us a lot of different unmarked graves here. 130 00:07:14,900 --> 00:07:17,266 -And 12 men who died. -Hmm-hmm. 131 00:07:17,266 --> 00:07:22,367 You factor in how that tunnel is a central artery 132 00:07:22,367 --> 00:07:24,400 to that network of veins, 133 00:07:24,400 --> 00:07:28,767 and I feel as though that tunnel is a portal. 134 00:07:28,767 --> 00:07:30,433 [Greg] That port and slurry you have. 135 00:07:55,300 --> 00:07:57,400 [Zak] So, you've got a geo-magnetic source 136 00:07:57,400 --> 00:07:59,867 coming out of that mine at a nuclear level. 137 00:07:59,867 --> 00:08:03,400 Different mysterious death and unmarked graves, uh, 138 00:08:03,400 --> 00:08:06,000 and what you have is this house 139 00:08:06,000 --> 00:08:10,233 signifying a beacon of residence 140 00:08:10,967 --> 00:08:13,367 for those said spirits. 141 00:08:13,367 --> 00:08:15,066 This is where they go. 142 00:08:16,567 --> 00:08:19,967 [Zak] Greg then takes us to yet another foundation of a structure 143 00:08:19,967 --> 00:08:21,767 that no longer stands, 144 00:08:21,767 --> 00:08:25,066 and it just happens to be another mysterious discovery 145 00:08:25,066 --> 00:08:27,367 to add to our growing list, 146 00:08:27,367 --> 00:08:31,000 fueling the ominous aura of this faded town. 147 00:08:31,000 --> 00:08:34,967 So, Greg, what is significant about this spot you brought us to? 148 00:08:39,667 --> 00:08:41,333 [Zak] Where is the cabin now? 149 00:08:43,567 --> 00:08:45,166 -[Zak] That's weird. -That is weird. 150 00:08:45,166 --> 00:08:46,767 [Zak] How did it get burnt down? 151 00:08:48,166 --> 00:08:50,166 That house over there got burnt down. 152 00:08:50,166 --> 00:08:51,967 Your house got mysteriously burnt down. 153 00:08:54,066 --> 00:08:55,333 The Sutro curse? 154 00:08:58,367 --> 00:09:00,867 And nobody knows how the fires have started. 155 00:09:00,867 --> 00:09:03,967 [Zak] Greg now shares, the moment that started believing 156 00:09:03,967 --> 00:09:07,467 as well as supplying us with a possible source 157 00:09:07,467 --> 00:09:11,467 of who or what has started all the fires. 158 00:09:33,567 --> 00:09:36,100 -So, this happened multiple times? -[Greg] Yeah. 159 00:09:36,100 --> 00:09:37,066 It was like a film, though. 160 00:09:38,000 --> 00:09:39,166 [Zak] I'm beginning to think 161 00:09:39,166 --> 00:09:42,600 that this soldier is the root of all the destruction. 162 00:09:42,600 --> 00:09:44,700 It's territorial nature. 163 00:09:44,700 --> 00:09:47,967 Burning down every structure that people try to live in. 164 00:09:47,967 --> 00:09:51,567 Leaving unmarked graves all over this town's foundation. 165 00:09:51,567 --> 00:09:52,634 But why? 166 00:10:05,767 --> 00:10:08,634 The same exact spirit. That's compelling. 167 00:10:18,967 --> 00:10:21,667 That's proof. What more do you want? 168 00:10:21,667 --> 00:10:24,467 [Zak] This entity, hunting down its victims, 169 00:10:24,467 --> 00:10:27,467 did he follow Greg from the house to the cabin? 170 00:10:27,467 --> 00:10:30,700 Is he holding other entities in the Victorian house? 171 00:10:30,700 --> 00:10:33,533 Is that his chamber? And where is he now? 172 00:10:36,567 --> 00:10:38,800 [Zak] The storm has passed and we have a strong belief 173 00:10:38,800 --> 00:10:43,166 that this soldier is at the root of the hauntings and multiple fires. 174 00:10:44,600 --> 00:10:47,266 And that the souls he has taken for his own 175 00:10:47,266 --> 00:10:51,600 are locked away inside this chilling Victorian house. 176 00:10:51,600 --> 00:10:54,266 We will not continue to gather more information 177 00:10:54,266 --> 00:10:58,367 before we strategize a thorough investigation of this doomed town 178 00:10:58,367 --> 00:10:59,934 and the Sutro portal. 179 00:11:03,567 --> 00:11:07,700 We meet Nadine, who tells us she entered the Victorian house once 180 00:11:07,700 --> 00:11:11,100 and was confronted by a very aggressive spirit. 181 00:11:11,100 --> 00:11:12,266 What did they tell you? 182 00:11:12,266 --> 00:11:14,166 -It said, "[bleep] you." -[Zak] Okay. 183 00:11:18,066 --> 00:11:20,400 [Zak] I now make my way down to the carriage house 184 00:11:20,400 --> 00:11:25,567 where two women may have also encountered this same transient spirit. 185 00:11:28,000 --> 00:11:31,266 Collette and Claudia's experience support the information 186 00:11:31,266 --> 00:11:33,100 we have collected so far, 187 00:11:33,100 --> 00:11:35,567 adding weight to the possibility 188 00:11:35,567 --> 00:11:39,066 that this entity is everywhere it needs to be. 189 00:11:40,266 --> 00:11:43,100 I know that you both had experience 190 00:11:43,100 --> 00:11:44,767 -in this carriage house. -[Collette] Mmm-hmm. 191 00:11:44,767 --> 00:11:49,400 Uh, but I'm gonna send in Aaron and Billy blind 192 00:11:49,400 --> 00:11:52,367 -in to investigate this without knowing anything. -Okay. 193 00:11:52,367 --> 00:11:56,900 So, I don't wanna contaminate their investigation when they go inside. 194 00:11:56,900 --> 00:12:00,300 So, why don't... Can we move somewhere else while they enter in there 195 00:12:00,300 --> 00:12:03,300 -and do a preliminary investigation? -[Collette] Yeah. Sure. 196 00:12:03,300 --> 00:12:05,367 [Zak] Billy and Aaron cross the threshold 197 00:12:05,367 --> 00:12:07,767 to see if they can capture anything 198 00:12:07,767 --> 00:12:11,000 as I simultaneously discuss this building 199 00:12:11,000 --> 00:12:15,667 with hopes that this kind of attention stirs whatever lives within it. 200 00:12:15,667 --> 00:12:17,266 [Billy] All right, we're coming in. 201 00:12:18,066 --> 00:12:19,734 Whoa. Look at that flooring, man. 202 00:12:22,100 --> 00:12:26,300 Tell me a little bit about exactly what happened, uh, 203 00:12:26,300 --> 00:12:28,700 when both of you were in there. 204 00:12:28,700 --> 00:12:33,367 I was standing by in the big room by the wall, 205 00:12:33,367 --> 00:12:36,000 and there were scratches down the wall behind me. 206 00:12:36,000 --> 00:12:39,000 [Zak] What do you mean? That you could see the scratches on the wall... 207 00:12:39,000 --> 00:12:40,467 -[Claudia] No, I heard them. -[Zak] You heard them. 208 00:12:40,467 --> 00:12:45,467 Yes. Like, uh, two really loud breaths in my left ear. 209 00:12:49,066 --> 00:12:50,567 I felt pressure on me. 210 00:12:50,567 --> 00:12:52,266 -Like somebody is trying to move you. -Yeah. 211 00:12:52,266 --> 00:12:54,000 Like they're trying to, like, push me over. 212 00:12:54,000 --> 00:12:56,767 Oh, like, something is pushing me over. It was just weird. 213 00:12:56,767 --> 00:12:57,867 Just in this area though. 214 00:12:57,867 --> 00:13:00,567 So, what do you think was pushing you inside there. 215 00:13:00,567 --> 00:13:01,900 Like a male energy. 216 00:13:01,900 --> 00:13:04,233 -[Zak] So, a strong male presence. -[Collette] Yes. 217 00:13:06,000 --> 00:13:09,000 Did you not like that joke over there? Or how come... 218 00:13:09,000 --> 00:13:11,533 I felt that scary energy come upon me? 219 00:13:13,367 --> 00:13:15,867 And there somebody in here that doesn't want us in here? 220 00:13:15,867 --> 00:13:19,867 Were you, like, pushing on my body or somethin'? 221 00:13:19,867 --> 00:13:21,000 Play it back. Play it back. 222 00:13:21,000 --> 00:13:23,567 Did you not like that joke over there? Or how come... 223 00:13:23,567 --> 00:13:26,467 I felt that scary energy come upon me? 224 00:13:27,700 --> 00:13:28,467 [indistinct noises] 225 00:13:28,467 --> 00:13:30,767 -Oh, [bleep] -"Hey." 226 00:13:30,767 --> 00:13:33,800 It said, "Hey." Like, "Hey, what's up?" Or "Hey, this yourself." 227 00:13:33,800 --> 00:13:36,500 -Remember when you said "Hey" joke? -My joke was... 228 00:13:36,500 --> 00:13:39,200 Oh, my God. My joke was about "Hey." 229 00:13:39,200 --> 00:13:41,066 -[Aaron] Hey. -[Billy] Is that a horse joke? 230 00:13:41,066 --> 00:13:42,567 And you said... it said, hey. 231 00:13:42,567 --> 00:13:45,634 I felt that scary energy come upon me? 232 00:13:47,200 --> 00:13:48,200 [indistinct noise] 233 00:13:48,200 --> 00:13:50,567 -"Held. Tied" -What? 234 00:13:50,567 --> 00:13:52,266 "Held. Tied" 235 00:13:53,066 --> 00:13:54,266 [Aaron] Like captive? 236 00:13:54,266 --> 00:13:57,100 What if someone was held captive here? 237 00:13:57,100 --> 00:13:59,967 I feel like, we don't know what happened in this carriage house. 238 00:13:59,967 --> 00:14:02,000 Tied up. Held. 239 00:14:02,000 --> 00:14:04,066 [Zak] The guys and I reconvened to figure out 240 00:14:04,066 --> 00:14:06,066 what we need to accomplish 241 00:14:06,066 --> 00:14:10,500 and organize an efficient and intense investigation strategy. 242 00:14:10,500 --> 00:14:11,700 Well, uh... 243 00:14:14,367 --> 00:14:20,767 So, this tunnel, I mean, it's a very unique structure. 244 00:14:20,767 --> 00:14:25,500 And I'm just curious, Bill. Were you able to find more research? 245 00:14:25,500 --> 00:14:27,867 All these vertical black lines down, 246 00:14:27,867 --> 00:14:30,600 are vertical shafts owned by different mines. 247 00:14:30,600 --> 00:14:32,667 So, all these black lines are different. 248 00:14:32,667 --> 00:14:35,300 Different vertical shafts of different claims 249 00:14:35,300 --> 00:14:37,100 throughout all of Virginia City. 250 00:14:37,100 --> 00:14:42,166 They all connect to... the Sutro branch right here. 251 00:14:42,166 --> 00:14:44,867 And when they get to here, they come straight our way. 252 00:14:44,867 --> 00:14:46,700 This was a crazy statistic 253 00:14:46,700 --> 00:14:50,000 that basically fire, poisonous gas, explosions, 254 00:14:50,000 --> 00:14:55,266 cave-ins and other hazards killed or injured more than 900 miners... 255 00:14:55,266 --> 00:14:58,867 -[Zak] Wow. -...between 1863 and 1880. 256 00:14:58,867 --> 00:15:01,467 So, that's as much... as much as documentation 257 00:15:01,467 --> 00:15:03,000 -as we have right now. -Hmm-hmm. 258 00:15:03,000 --> 00:15:05,367 I'm gonna just go out on a limb here and say 259 00:15:05,367 --> 00:15:08,100 -that there were probably thousands. -Right. 260 00:15:08,100 --> 00:15:12,100 But, not only that, this network of mines is like... just... 261 00:15:12,100 --> 00:15:15,467 like veins in your body. 262 00:15:15,467 --> 00:15:18,800 And all those veins are literally passing 263 00:15:18,800 --> 00:15:22,867 right under all the buildings that we've investigated 264 00:15:22,867 --> 00:15:25,467 for the last, what, 18 years? 265 00:15:25,467 --> 00:15:29,700 So, I just have a feeling, like, it's all come down to this. 266 00:15:29,700 --> 00:15:33,166 And for the very first time, we are literally going to try 267 00:15:33,166 --> 00:15:39,467 to call upon all these thousands of spirits to greet us. 268 00:15:40,700 --> 00:15:44,667 [Zak] Now, it's time to go over our plan of attack. 269 00:15:44,667 --> 00:15:47,367 [Zak] Okay. So, what I'm thinking tonight 270 00:15:47,367 --> 00:15:53,367 is we definitely wire an ex-camera to the tunnel 271 00:15:53,367 --> 00:15:55,266 because we can't go in the tunnel. 272 00:15:55,266 --> 00:15:57,967 -We could still shoot through that gap in the gate. -[all] Yes. 273 00:15:57,967 --> 00:16:00,200 -Light it up really good and keep an eye there. -Yes. 274 00:16:00,200 --> 00:16:06,100 Okay. So, let's run another ex-camera to the old saloon warehouse. 275 00:16:06,100 --> 00:16:09,266 And as we do this, Bill you came up with an experiment. 276 00:16:09,266 --> 00:16:11,500 It's a double copper wire, 277 00:16:11,500 --> 00:16:14,967 that's gonna run from the gate directly inside 278 00:16:14,967 --> 00:16:17,066 -the old saloon warehouse. -Okay. 279 00:16:17,066 --> 00:16:19,767 It's gonna have a current constantly going through it. 280 00:16:19,767 --> 00:16:25,600 Okay. So, this red indicates our current of electricity. 281 00:16:25,600 --> 00:16:30,367 We're creating a roadway, a path, that we have designed, 282 00:16:30,367 --> 00:16:33,367 that we want all these spirits when they come out of the portal, 283 00:16:33,367 --> 00:16:35,500 we want them to travel to the saloon. 284 00:16:35,500 --> 00:16:40,767 We're opening ourselves up for all the spirits to come out of all those mines, 285 00:16:40,767 --> 00:16:42,800 to come out of all those buildings, 286 00:16:42,800 --> 00:16:45,867 the Washoe Club, the Bonanza, everything. 287 00:16:45,867 --> 00:16:51,467 So, everything now is just gonna fall down that funnel, come right here 288 00:16:51,467 --> 00:16:55,066 to the opening of that funnel which is the Sutro tunnel. 289 00:16:55,667 --> 00:16:58,000 And for the very first time 290 00:16:58,000 --> 00:17:01,500 we have an experiment where we are literally going to try 291 00:17:01,500 --> 00:17:06,166 to call upon all of these thousands of spirits. 292 00:17:06,166 --> 00:17:10,100 We are playing with a very, very dangerous portal. 293 00:17:10,100 --> 00:17:13,000 A portal, that I don't think, that we have ever faced 294 00:17:13,000 --> 00:17:16,967 in our entire ghost-investigating careers. 295 00:17:16,967 --> 00:17:19,967 Now, after all of this is said and done, 296 00:17:19,967 --> 00:17:21,900 there's one building left everybody. 297 00:17:21,900 --> 00:17:24,800 This right here is the Victorian. 298 00:17:24,800 --> 00:17:29,166 We have not entered the Victorian house since we have been here. 299 00:17:29,166 --> 00:17:31,800 We have not even walked inside that door. 300 00:17:31,800 --> 00:17:34,867 The Victorian house is where we're gonna end. 301 00:17:38,400 --> 00:17:40,967 [Zak] It is officially time to start our investigation 302 00:17:40,967 --> 00:17:42,400 of the Sutro tunnel 303 00:17:42,400 --> 00:17:46,867 and to see if we can call upon other spirits to occupy the structures. 304 00:17:46,867 --> 00:17:49,200 Aaron and I are gonna go to the mouth of the tunnel right now 305 00:17:49,200 --> 00:17:51,567 to use the paranormal PUCK-2. 306 00:17:51,567 --> 00:17:53,467 And we're also gonna play the saloon music 307 00:17:53,467 --> 00:17:55,900 to try and entice the spirits to come our way. 308 00:17:55,900 --> 00:17:57,900 Zak, let us know if you need anything. 309 00:17:57,900 --> 00:17:59,567 -Okay. -[Billy] On the Walkie. 310 00:17:59,567 --> 00:18:00,600 [Zak] All right. We'll be watching. 311 00:18:00,600 --> 00:18:02,533 -Okay. We're headed right now. -[Zak] Be careful. 312 00:18:10,600 --> 00:18:11,667 -[Aaron] Hey. -[Billy] What? 313 00:18:17,667 --> 00:18:19,567 -[Billy] Really? -Yes. Shh! 314 00:18:23,600 --> 00:18:25,867 So, as Jay and I are at nerve center, 315 00:18:25,867 --> 00:18:29,400 we've got a night-vision camera aimed inside of the tunnel. 316 00:18:29,400 --> 00:18:34,266 We've got IR binoculars, also aimed deeper into the tunnel. 317 00:18:34,266 --> 00:18:38,367 We're listening now. We're using a very sensitive microphone. 318 00:18:38,367 --> 00:18:40,667 We could hear the water flowing in the tunnel. 319 00:18:40,667 --> 00:18:43,600 And over here in the old saloon, 320 00:18:43,600 --> 00:18:46,800 we have a table with a EMF sphere on top of that. 321 00:18:46,800 --> 00:18:50,200 On the ground there, we also have another EMF detector. 322 00:18:50,200 --> 00:18:53,667 And then you can see the lantern light on the ground. 323 00:18:53,667 --> 00:18:55,967 That is the light that's at the end of the wire 324 00:18:55,967 --> 00:18:58,967 that goes all the way staked into the tunnel. 325 00:18:58,967 --> 00:19:01,467 That is our roadway for the spirits. 326 00:19:01,467 --> 00:19:03,300 We thought we'd go back in time to this period, 327 00:19:03,300 --> 00:19:05,767 and just have a doorway with some bells on it 328 00:19:05,767 --> 00:19:09,300 and see if those bells have any movement or if they jingle at all 329 00:19:09,300 --> 00:19:12,166 if a spirit manifests and comes from the tunnel. 330 00:19:12,166 --> 00:19:16,066 This stake is driven down into the moisture, the minerals, 331 00:19:16,066 --> 00:19:18,400 everything that is the Sutro tunnel. 332 00:19:18,400 --> 00:19:21,100 And it is connected to our line with current 333 00:19:21,100 --> 00:19:23,867 leading all the way back to the saloon in the warehouse. 334 00:19:25,266 --> 00:19:26,900 And now the lamp is on. 335 00:19:26,900 --> 00:19:31,200 And that lamp is only being powered by this battery right here 336 00:19:31,200 --> 00:19:33,800 with a stake driven into the ground as a ground. 337 00:19:33,800 --> 00:19:35,066 All right, Zak. 338 00:19:35,066 --> 00:19:38,166 You should see the lamp turn on inside the saloon right now. 339 00:19:38,166 --> 00:19:40,166 The lamp is illuminated. 340 00:19:40,166 --> 00:19:42,100 The path is clear. 341 00:19:42,100 --> 00:19:46,266 The line is electrified, and we're ready to try and draw these spirits out. 342 00:19:46,266 --> 00:19:48,500 I'm gonna play the music. 343 00:19:48,500 --> 00:19:51,500 Bill, before you do that, let's just use this connection on the Walkie here, 344 00:19:51,500 --> 00:19:53,767 if any spirts can hear me on the walkie-talkie 345 00:19:53,767 --> 00:19:59,166 as we're using this electro-magnetic frequency connection with our walkies. 346 00:19:59,166 --> 00:20:04,000 The pathway is active. You should be able to feel that energy 347 00:20:04,000 --> 00:20:08,200 and guide your way to a table where there is whiskey, 348 00:20:08,200 --> 00:20:11,166 where there is also two chairs. 349 00:20:11,166 --> 00:20:15,500 We ask you to travel along this active pathway. 350 00:20:15,500 --> 00:20:17,467 [Zak] As I am speaking to the spirts, 351 00:20:17,467 --> 00:20:21,467 we capture these strange heat signatures above the tunnel 352 00:20:21,467 --> 00:20:24,934 that appear to be like bursts or explosions. 353 00:20:28,900 --> 00:20:33,266 Right now we're are about to introduce some 1860s ragtime piano 354 00:20:33,266 --> 00:20:37,266 which is saloon music that these workers would have heard inside the saloons 355 00:20:37,266 --> 00:20:39,634 after a long day working in the mine. 356 00:20:41,100 --> 00:20:43,233 [classical piano music playing] 357 00:20:47,600 --> 00:20:48,967 -Did you feel that? -[Aaron] Yeah. 358 00:20:48,967 --> 00:20:51,000 Oh, it just feels like electrifying. 359 00:20:51,000 --> 00:20:53,000 It's almost like as soon as the music came on it. 360 00:20:53,000 --> 00:20:55,567 -[Aaron] Yeah, I feel it. Oh, my God. -Oh, my God. 361 00:20:55,567 --> 00:20:57,200 [Aaron] And the wind, bro. 362 00:20:57,200 --> 00:20:59,867 -[Billy] Wait. Hey, hey. -It's wind from the tunnel. 363 00:20:59,867 --> 00:21:02,066 Wait. Bro! 364 00:21:02,066 --> 00:21:04,500 -[Aaron] That was like goosebumps. -Yeah, yeah, yeah. 365 00:21:04,500 --> 00:21:06,400 And of a sudden, the wind came through the tunnel. 366 00:21:06,400 --> 00:21:09,100 And there's no wind that whooshed from the tunnel since we stood here. 367 00:21:09,100 --> 00:21:10,467 [Aaron] No, no. Hey. 368 00:21:10,467 --> 00:21:15,867 [Billy] If you're a miner inside these tunnels and you wanna come out, 369 00:21:15,867 --> 00:21:17,867 follow the music. 370 00:21:17,867 --> 00:21:22,266 We've got whiskey and cards over here in the saloon. 371 00:21:22,266 --> 00:21:25,767 [Zak] Just as Billy and Aaron turn on the old saloon music, 372 00:21:25,767 --> 00:21:29,200 Jay and I, incredibly, hear a door creak open, 373 00:21:29,200 --> 00:21:32,567 then footsteps on the floorboards in the old saloon. 374 00:21:32,567 --> 00:21:33,967 And you can see through the-- 375 00:21:33,967 --> 00:21:37,166 -[door creaking, footsteps approaching] -Footsteps! 376 00:21:38,567 --> 00:21:40,934 -There was a door opening and then footsteps. -[Jay chuckling] Yeah. 377 00:21:53,166 --> 00:21:56,266 [Zak] With what Billy and Aaron just felt at the tunnel, 378 00:21:56,266 --> 00:21:59,467 did a spirit quickly travel from there to here? 379 00:22:03,567 --> 00:22:05,767 -Zak, come in. -Go ahead. 380 00:22:05,767 --> 00:22:07,567 Oh, me and Aaron both got to tell you this. 381 00:22:07,567 --> 00:22:09,767 The second we turned that music on, man, 382 00:22:09,767 --> 00:22:13,200 it was like an electric shock just shot out of the mine. 383 00:22:13,200 --> 00:22:15,767 And there actually was, like, a gust of wind. 384 00:22:15,767 --> 00:22:19,667 It just felt like something ran through us and gave us, like, the goosebumps, man. 385 00:22:19,667 --> 00:22:21,367 It was pretty powerful. 386 00:22:21,367 --> 00:22:23,767 [Zak] The second you guys turned the music on, 387 00:22:23,767 --> 00:22:28,100 we heard a door open in the saloon and two footsteps after that. 388 00:22:28,100 --> 00:22:30,567 -[Aaron] Stop! -[Zak] And then right after that, 389 00:22:30,567 --> 00:22:33,266 Jay's camera died instantly. 390 00:22:33,266 --> 00:22:34,900 -Oh, and just-- -What? 391 00:22:34,900 --> 00:22:36,000 Battery already dead? 392 00:22:36,000 --> 00:22:37,500 What? 393 00:22:37,500 --> 00:22:38,467 It just went off. 394 00:22:38,467 --> 00:22:40,667 -We barely spent five minutes. -Yeah. 395 00:22:40,667 --> 00:22:42,266 Completely [bleep] died. 396 00:22:42,266 --> 00:22:43,867 Grab another battery, dude. 397 00:22:43,867 --> 00:22:45,767 -[Aaron] What? -Are you serious? 398 00:22:45,767 --> 00:22:48,767 [Zak] Now watch what happens to our thermal camera. 399 00:22:48,767 --> 00:22:52,266 The battery starts to instantly drain within seconds. 400 00:22:52,266 --> 00:22:53,967 [Zak] Look at the battery right there. 401 00:22:53,967 --> 00:22:55,567 What is going on right now, man? 402 00:22:55,567 --> 00:22:58,367 It's two cameras that it's pulling battery power from. 403 00:23:00,166 --> 00:23:01,467 [Billy] I would really like to try 404 00:23:01,467 --> 00:23:02,667 the paranormal PUCK kit. 405 00:23:02,667 --> 00:23:04,166 -Like five or six... -[Aaron] Let's do it. 406 00:23:04,166 --> 00:23:06,767 ...and see if there's any responses 407 00:23:06,767 --> 00:23:09,200 'cause we invoked something by turning that music on. 408 00:23:09,200 --> 00:23:12,700 [Zak] As Billy tries to initiate communication at the tunnel, 409 00:23:12,700 --> 00:23:17,266 I decide to also conduct an Ovilus session at nerve center. 410 00:23:17,266 --> 00:23:20,467 Hey, guys. I'm getting, uh, really strange messages here. 411 00:23:20,467 --> 00:23:24,000 "Starve, hang, sand, 412 00:23:24,000 --> 00:23:25,467 aggression." 413 00:23:25,467 --> 00:23:27,767 -[Aaron groans softly] Oh. -I know, right? 414 00:23:27,767 --> 00:23:34,100 It's weird. I feel, like, happy and excited at the same time like, uneasy. 415 00:23:34,100 --> 00:23:37,166 Hey, it's a rush of all emotions. 416 00:23:37,166 --> 00:23:40,667 It's happiness, sadness, scariness, all at once. 417 00:23:40,667 --> 00:23:44,700 It's just... whatever came out of this tunnel when we turned this music on, we both felt it 418 00:23:44,700 --> 00:23:46,867 and it ran through us, literally. 419 00:23:47,900 --> 00:23:49,567 -Maybe they're telling-- -Look, look, look. 420 00:23:49,567 --> 00:23:53,133 The plan is drunk crossover. 421 00:23:56,767 --> 00:24:01,700 Hey, we just heard a spirit say that the plan is to crossover and get drunk. 422 00:24:01,700 --> 00:24:02,967 No way! 423 00:24:02,967 --> 00:24:05,567 -What the [bleep] seriously? -[Aaron] Yeah, we have whiskey. 424 00:24:05,567 --> 00:24:07,467 Yeah we have whiskey and cards. 425 00:24:08,667 --> 00:24:09,567 [automated voice] Quickly. 426 00:24:09,567 --> 00:24:11,000 [chuckles softly] Quickly. 427 00:24:11,000 --> 00:24:13,667 [Aaron] Oh, quickly. They're like, "Oh, quickly. Let's get over there." 428 00:24:13,667 --> 00:24:15,567 We've got whiskey and cards. 429 00:24:15,567 --> 00:24:16,533 [automated voice] Fire. 430 00:24:17,767 --> 00:24:18,567 Fire? 431 00:24:18,567 --> 00:24:21,100 Oh, the house fire! 432 00:24:21,100 --> 00:24:23,934 Is there anything we should know? 433 00:24:24,700 --> 00:24:25,467 [automated voice] Burn. 434 00:24:25,467 --> 00:24:26,467 Look at that. 435 00:24:26,467 --> 00:24:28,700 Zak, I just typed in to the paranormal PUCK 2 436 00:24:28,700 --> 00:24:30,900 "is there anything we should know?" 437 00:24:30,900 --> 00:24:34,567 -Oh, my God. Burn. -And it came back instantly with "Burn." 438 00:24:34,567 --> 00:24:36,900 And what did it say before that? The fire. 439 00:24:36,900 --> 00:24:41,166 [Zak] Now, as Billy asks again if there's anything they should know, 440 00:24:41,166 --> 00:24:45,667 he receives the same word that I did on a different device. 441 00:24:45,667 --> 00:24:47,500 Thank you giving us responses that are-- 442 00:24:47,500 --> 00:24:50,100 -[automated voice] Drunk. -Drunk! Drunk. 443 00:24:50,100 --> 00:24:52,266 -[Aaron] What does it say... -Drunk! Drunk. 444 00:24:52,266 --> 00:24:55,000 Is there anything we should know and it says "Drunk." 445 00:24:55,000 --> 00:24:57,300 Dude, these spirits are intelligent 446 00:24:57,300 --> 00:24:59,500 and they are ready to go to the saloon, Zak. 447 00:24:59,500 --> 00:25:01,467 I say that we continue the music, 448 00:25:01,467 --> 00:25:03,867 -and me and Aaron can go to the saloon, right now. -[Aaron] Yeah. 449 00:25:03,867 --> 00:25:05,300 [Zak] It is obvious 450 00:25:05,300 --> 00:25:09,634 that these spirits want to quickly get to the saloon to get drunk. 451 00:25:10,867 --> 00:25:15,233 Who is in the saloon right now that we hear walking around? 452 00:25:16,567 --> 00:25:18,467 Judge Edison. 453 00:25:18,467 --> 00:25:22,800 So, Billy, play the music. Be the pied piper for the spirit. 454 00:25:22,800 --> 00:25:25,667 Go all the way to the saloon. We've been hearing noises there. 455 00:25:25,667 --> 00:25:29,066 And I just asked who's in the saloon. It said Judge Edison. 456 00:25:29,066 --> 00:25:32,100 -Wow. - [Zak] I'll meet you there with the XLS camera. 457 00:25:32,100 --> 00:25:33,667 [Zak] As, Billy and Aaron 458 00:25:33,667 --> 00:25:36,100 start playing the saloon music again, 459 00:25:36,100 --> 00:25:41,166 our Infrared binoculars shooting into the tunnel captures this strange mist. 460 00:25:54,266 --> 00:25:58,467 Okay. Right now, Billy. He's left the entrance of the tunnel. 461 00:25:58,467 --> 00:25:59,900 He's playing the saloon music. 462 00:25:59,900 --> 00:26:04,900 He's travelling to the saloon in the old building way over there. 463 00:26:04,900 --> 00:26:07,300 I'm gonna go meet him with XLS. 464 00:26:07,300 --> 00:26:09,166 But I just wanna document to you all 465 00:26:09,166 --> 00:26:13,000 that we got some incredible, Ovilus intelligent responses. 466 00:26:13,000 --> 00:26:18,000 Well, not only that, you can look outside. There is not a breath of wind. 467 00:26:18,000 --> 00:26:21,133 [classical piano music playing] 468 00:26:29,000 --> 00:26:30,600 What was that? 469 00:26:30,600 --> 00:26:32,100 It is, like, energized in here. 470 00:26:32,100 --> 00:26:34,500 Hey, and the PUCK is happening. 471 00:26:34,500 --> 00:26:36,567 [Billy] All right I told you we have some whiskey. 472 00:26:36,567 --> 00:26:39,166 Come and sit down right here. 473 00:26:39,166 --> 00:26:41,800 Pouring shots, if anyone wants any. 474 00:26:41,800 --> 00:26:46,567 [Zak] Judge Edison. Are you in here, Judge Edison? 475 00:26:51,066 --> 00:26:52,500 Oh... 476 00:26:52,500 --> 00:26:54,166 -[Zak] Do you feel that? -Oh. 477 00:26:54,166 --> 00:26:55,100 Zak, do you feel that? 478 00:26:55,100 --> 00:26:56,266 [Zak] What... What's wrong? 479 00:26:56,266 --> 00:26:58,233 [Zak] There's lights all of a sudden around his hand. 480 00:26:59,800 --> 00:27:00,634 [Zak] Whoa, whoa, whoa. 481 00:27:03,467 --> 00:27:04,867 [Zak] All of a sudden, 482 00:27:04,867 --> 00:27:08,867 I start mapping in what appears to be a figure laying on the table, 483 00:27:08,867 --> 00:27:10,867 almost as if it's drunk. 484 00:27:10,867 --> 00:27:13,100 And another one in the back door way. 485 00:27:13,100 --> 00:27:16,300 As Billy takes a shot of actual whiskey, 486 00:27:16,300 --> 00:27:20,467 you can see the spirit trying to grab the glass from him. 487 00:27:20,467 --> 00:27:24,100 [Zak] Billy, the figure looks like it's drunk lying on the table. 488 00:27:24,100 --> 00:27:26,467 -It is getting his drink. -[Aaron] Yeah. 489 00:27:26,467 --> 00:27:29,800 [Zak] Oh, my God. Drink. The other one just went away. 490 00:27:29,800 --> 00:27:31,266 Drink slowly. 491 00:27:31,266 --> 00:27:32,567 -Aaron. -[Aaron] Huh? 492 00:27:32,567 --> 00:27:35,767 [Zak] That figure looks like, it's just, like, [bleep] drunk. 493 00:27:35,767 --> 00:27:37,467 Zak, I feel [bleep] all around me. 494 00:27:37,467 --> 00:27:40,166 And a second ago, before I did that shot, 495 00:27:40,166 --> 00:27:42,100 I felt a lead weight on my arm. 496 00:27:42,100 --> 00:27:43,867 It just felt like someone's leaning on me. 497 00:27:43,867 --> 00:27:45,200 [Zak] He just went away. 498 00:27:45,200 --> 00:27:48,467 But there was one in the back doorway. Two spirits. 499 00:27:48,467 --> 00:27:52,367 The one on the table was just laid down on his back like he was drunk. 500 00:27:52,367 --> 00:27:55,467 And he, literally, reached his hand out to grab your glass 501 00:27:55,467 --> 00:27:56,800 -as you were drinking it. -[Aaron] Yeah. 502 00:27:56,800 --> 00:27:58,000 -Really? -[Zak] I guarantee you. 503 00:27:58,000 --> 00:28:00,500 And now, he's not there. I'm just showing you guys. 504 00:28:00,500 --> 00:28:02,100 There's nothing on the table. 505 00:28:02,100 --> 00:28:06,367 If anything, that would be false positively mapping in a figure. 506 00:28:06,367 --> 00:28:08,667 You can see, Billy's figure is mapped in. 507 00:28:08,667 --> 00:28:09,767 There's nothing else. 508 00:28:09,767 --> 00:28:13,000 Those figures that were there are no longer there. 509 00:28:13,000 --> 00:28:14,400 [Aaron] Wow. 510 00:28:14,400 --> 00:28:17,266 [Zak] Can you come through the bells? 511 00:28:17,266 --> 00:28:19,900 Walk through the doorway over to Billy. 512 00:28:19,900 --> 00:28:24,166 [Billy] Follow the path. I will pour more whiskey if you come here. 513 00:28:25,567 --> 00:28:26,867 Anybody wants to come over here, 514 00:28:26,867 --> 00:28:29,767 I'll give you a shot right now. I'll do one with you. Come on. 515 00:28:29,767 --> 00:28:32,166 [Zak] Whoa. What was that? 516 00:28:32,166 --> 00:28:33,867 Just saw these black anomalies fly. 517 00:28:33,867 --> 00:28:35,166 It's the first time I seen 'em. 518 00:28:35,166 --> 00:28:36,800 -[Billy] Really? -[Zak] Behind you. 519 00:28:36,800 --> 00:28:38,100 [Billy] That might be what I felt. 520 00:28:38,100 --> 00:28:40,934 Because it was a lead weight on me, man, earlier. 521 00:28:41,767 --> 00:28:43,667 More shot! 522 00:28:44,567 --> 00:28:45,667 [footsteps] 523 00:28:45,667 --> 00:28:47,300 [Zak] Whoa, whoa. 524 00:28:47,300 --> 00:28:49,934 -[Aaron] What was that? That was loud. -What the [bleep] was that? 525 00:28:50,867 --> 00:28:52,333 More shot! 526 00:28:54,367 --> 00:28:55,166 [Zak] Whoa. 527 00:28:56,900 --> 00:28:58,333 Whoa, whoa. 528 00:28:58,767 --> 00:28:59,900 What was that? 529 00:28:59,900 --> 00:29:02,900 -[Zak] Whoa, whoa, whoa. -What the [bleep] What is that? 530 00:29:02,900 --> 00:29:06,467 [Zak] I now captured the drunk spirit passed out on the ground. 531 00:29:06,467 --> 00:29:10,367 And it's at this time, that Aaron starts getting very frustrated 532 00:29:10,367 --> 00:29:11,767 and starts yelling at us. 533 00:29:11,767 --> 00:29:14,367 -[Zak] Are you on the ground? -[Aaron] Shh! 534 00:29:14,367 --> 00:29:17,266 Guys, stop! Shut up! 535 00:29:17,266 --> 00:29:21,200 There's a door opening and you guys are talking and yappin' and won't stop moving. 536 00:29:21,200 --> 00:29:23,600 -Exactly. -[Zak] Billy just keeps going. 537 00:29:23,600 --> 00:29:24,567 [Aaron] Jesus. 538 00:29:25,700 --> 00:29:26,934 What is that? 539 00:29:28,867 --> 00:29:30,667 Guys, there's nothing up here. 540 00:29:30,667 --> 00:29:32,467 [Zak] As Aaron is upstairs, 541 00:29:32,467 --> 00:29:36,100 Billy and I are across the room looking at the XLS camera 542 00:29:36,100 --> 00:29:38,867 when we all notice the bells start moving 543 00:29:38,867 --> 00:29:41,567 and one of the motion balls lights up. 544 00:29:41,567 --> 00:29:43,967 [Billy] Whoa! The light... The light lit up! Look, Zak! 545 00:29:43,967 --> 00:29:45,467 -[Zak] You hear that? -[Billy] Yes! The bells... 546 00:29:45,467 --> 00:29:46,667 [Billy] Did you [bleep] hear that? 547 00:29:46,667 --> 00:29:49,100 -[Aaron] The bells! The bells! -[Zak] And the balls! 548 00:29:49,100 --> 00:29:50,467 [Zak] I can see 'em moving from here. 549 00:29:50,467 --> 00:29:51,667 [Aaron] Whoa, I got it. Yes. 550 00:29:51,667 --> 00:29:52,900 -[Zak] Did you see 'em moving? -[Billy] They're moving. 551 00:29:52,900 --> 00:29:55,433 -[Aaron] I'm trying. -[Billy] They're [bleep] moving, dude. 552 00:29:56,133 --> 00:29:57,400 [Zak] I heard them jingle. 553 00:29:57,400 --> 00:29:59,033 I heard that from nerve. 554 00:29:59,033 --> 00:30:00,567 [Billy] Very good. Thank you. 555 00:30:00,567 --> 00:30:03,767 [Zak] As you can see that that board connects right underneath of the bells. 556 00:30:03,767 --> 00:30:04,867 -[Aaron] Yeah. -[Billy] Thank you. 557 00:30:04,867 --> 00:30:07,133 [Zak] So, whatever that was, it came through there, 558 00:30:07,133 --> 00:30:08,000 lit this bulb. 559 00:30:08,000 --> 00:30:09,033 Now I'm ice cold. 560 00:30:09,033 --> 00:30:10,166 [Billy] Dude, I'm telling you... 561 00:30:10,166 --> 00:30:12,233 [Zak] Whoa, I feel it's building. 562 00:30:12,233 --> 00:30:15,100 [Billy sighs wearily] That's what's... Whoa! [bleep] 563 00:30:15,100 --> 00:30:17,300 -It's a whirlwind over the whiskey. -[Zak] I know. 564 00:30:19,000 --> 00:30:21,600 They want me to drink another whiskey, dude. 565 00:30:21,600 --> 00:30:24,100 -[Zak] Bill, no. -[Billy] That's a weird impulse. 566 00:30:27,500 --> 00:30:28,533 [exhales] 567 00:30:29,934 --> 00:30:31,934 That is a weird impulse, man. 568 00:30:31,934 --> 00:30:34,166 [Zak] Billy starts acting very strange 569 00:30:34,166 --> 00:30:37,166 and has this sudden impulse to drink more whiskey. 570 00:30:37,166 --> 00:30:40,300 Hey. Out of all the times we've been ghost hunting and stuff, 571 00:30:40,300 --> 00:30:43,567 I've never had an impulse. I wanna drink that right now. 572 00:30:43,567 --> 00:30:45,800 I want another shot of this whiskey right now. 573 00:30:45,800 --> 00:30:48,000 -[Zak] Then, you're gonna be drunk. -It's the weirdest thing. 574 00:30:48,000 --> 00:30:49,333 It's not like I wanna do it. 575 00:30:50,567 --> 00:30:52,667 -Can I just do it? -[Zak] No. You might get drunk. 576 00:30:52,667 --> 00:30:54,367 -No. They're telling me we should do it. -[Zak] Billy. 577 00:30:54,367 --> 00:30:57,200 -Cheers. -[Zak] That'd be your third shot. 578 00:30:57,200 --> 00:30:59,100 You've never done this before in a lockdown. 579 00:30:59,100 --> 00:31:03,233 -[Billy] That's three. -That's three shots of whiskey you just did, bro. 580 00:31:03,233 --> 00:31:05,767 -It feels good. -[Zak] What? 581 00:31:05,767 --> 00:31:07,033 It feels good. 582 00:31:07,033 --> 00:31:09,233 -[Zak] You okay, Billy? -I feel charged right now. 583 00:31:09,233 --> 00:31:11,667 I just feel really, really good. 584 00:31:11,667 --> 00:31:15,033 Hey. I think this spirit is in him and channeling him. 585 00:31:15,033 --> 00:31:17,000 I was up there. And the way he came out saying, 586 00:31:17,000 --> 00:31:19,900 "I want that drink. I'm gonna have that drink. Take that drink." 587 00:31:19,900 --> 00:31:21,567 -[Zak] Yeah, dude. -Well, I'm never seen... 588 00:31:21,567 --> 00:31:24,834 [Zak] And now that you mentioned that, "You got drunk, we got drunk." 589 00:31:24,834 --> 00:31:29,266 Like, "What's the plan?" He goes, "The plan is to crossover and get drunk." 590 00:31:29,266 --> 00:31:30,867 When you were sitting here drinking, 591 00:31:30,867 --> 00:31:35,033 there was a spirit that, literally, was laying on the table grabbing you. 592 00:31:35,033 --> 00:31:40,467 And then, something within you shot throw that whiskey into this chair. 593 00:31:40,467 --> 00:31:41,834 -[Aaron] Yeah. -[Billy] Yeah. 594 00:31:41,834 --> 00:31:44,867 [Zak] And then, after that, another spirit showed up over there 595 00:31:44,867 --> 00:31:46,734 and in that doorway. 596 00:31:46,734 --> 00:31:48,600 -You have to be careful. -Listen I'm not-- 597 00:31:48,600 --> 00:31:52,600 -There's a spirit channeling you to taste that whiskey. -Okay. Okay. 598 00:31:52,600 --> 00:31:54,700 -You had three shots already. -I believe that. 599 00:31:54,700 --> 00:31:58,433 -And we don't need a drunk paranormal investigator. -I'm just saying. 600 00:32:00,367 --> 00:32:01,800 -[Zak] Do me a favor. -[Billy] Yeah. 601 00:32:01,800 --> 00:32:04,567 [Zak] When I was back there trying to keep open those doors, 602 00:32:04,567 --> 00:32:07,834 I swear to God, I saw something in this room back here. 603 00:32:07,834 --> 00:32:11,400 -Grab the polterpod and come over here. -[Aaron] Throw one here. 604 00:32:11,400 --> 00:32:13,867 Does my breath smell like anything to do with the party? 605 00:32:13,867 --> 00:32:14,800 [exhales] 606 00:32:14,800 --> 00:32:17,500 [Aaron] What the [bleep] does that mean dude? 607 00:32:17,500 --> 00:32:20,100 -Why did you... -Could you tell that I've been drinking? 608 00:32:20,100 --> 00:32:22,867 -[Aaron] No. I don't want your breath on me, bro. -[Zak] Hey. 609 00:32:22,867 --> 00:32:25,634 -Bill, pull yourself together. -I'm good. 610 00:32:25,634 --> 00:32:29,000 -No. Are you gonna be able to continue? -[Billy] Yes. I'm fine. 611 00:32:29,000 --> 00:32:31,200 -What are you doing trying to blow on him? -I was just... 612 00:32:31,200 --> 00:32:33,734 -Billy, over here. -It's just a check. We're just checking. 613 00:32:33,734 --> 00:32:35,934 No. Put your camera down for a second. 614 00:32:35,934 --> 00:32:38,567 [Zak] It is at this time, I feel it was necessary 615 00:32:38,567 --> 00:32:41,467 to conduct a field-sobriety test on Billy 616 00:32:41,467 --> 00:32:45,000 for the sake of integrity of our investigation. 617 00:32:45,000 --> 00:32:46,734 -[Zak] You see this line right here. -[Billy] Yeah. 618 00:32:46,734 --> 00:32:50,567 -[Zak] I want you to do this. Follow this line. -[Billy] Okay. 619 00:32:50,567 --> 00:32:52,467 -No, no. I see it. -[Zak] Heel to toe. 620 00:32:52,467 --> 00:32:55,066 -Follow that line. You see it? -[Billy] Yup. 621 00:32:58,834 --> 00:33:00,333 Straight as an arrow. 622 00:33:01,567 --> 00:33:04,300 [Zak] Billy successfully passes the test. 623 00:33:04,300 --> 00:33:09,000 So, we went to the room where XLS documented a figure in the back doorway. 624 00:33:10,100 --> 00:33:12,367 Can you turn on polterpod? 625 00:33:12,367 --> 00:33:14,667 -[Aaron] Oh, it's a dirt floor too. -[Billy] It's a dirt floor. 626 00:33:14,667 --> 00:33:17,634 -Oh, wow. -[Billy] Can you hear my voice? 627 00:33:17,900 --> 00:33:19,700 [static] 628 00:33:19,700 --> 00:33:21,300 [indistinct noise] 629 00:33:21,300 --> 00:33:23,667 -[Billy] Was that a scream? -What the [bleep] 630 00:33:23,667 --> 00:33:27,467 [Zak] We captured this terrifying, blood-curdling scream. 631 00:33:27,467 --> 00:33:29,300 [Billy] Can you hear my voice? 632 00:33:35,567 --> 00:33:36,600 [Billy] Was that a scream? 633 00:33:36,600 --> 00:33:37,567 What the [bleep] 634 00:33:38,500 --> 00:33:39,834 [Zak] Who's here from the mine? 635 00:33:39,834 --> 00:33:41,533 [static] 636 00:33:42,667 --> 00:33:43,967 [Zak] Speak. 637 00:33:45,000 --> 00:33:46,433 [indistinct noise] 638 00:33:46,767 --> 00:33:47,834 -What? -What? 639 00:33:47,834 --> 00:33:49,200 "Get out, man." 640 00:33:49,200 --> 00:33:53,333 [Zak] We hear what sounds like a man telling us, "Get out, man." 641 00:33:54,100 --> 00:33:55,533 [Zak] Speak. 642 00:33:59,367 --> 00:34:00,567 -What? -What? 643 00:34:00,567 --> 00:34:01,700 "Get out, man." 644 00:34:02,667 --> 00:34:03,600 [Zak] What's your name? 645 00:34:03,600 --> 00:34:06,667 -Whoa, whoa, whoa. -[Zak] Whoa, whoa, whoa. 646 00:34:06,667 --> 00:34:08,367 What the [bleep] 647 00:34:08,367 --> 00:34:11,166 It was like a bird flapping its wings at me. 648 00:34:11,166 --> 00:34:13,133 Just like air going whoa, whoa. 649 00:34:13,133 --> 00:34:14,400 [Billy] It was that intense? 650 00:34:14,400 --> 00:34:18,033 Dude, it was intense. I think I was being attacked by a bird. 651 00:34:18,033 --> 00:34:21,634 [Zak] As we start concluding our investigation in the saloon building, 652 00:34:21,634 --> 00:34:25,433 we capture this mist like anomaly shooting out of Aaron. 653 00:34:33,700 --> 00:34:37,800 It is at this time that we now make our way over to the Victorian house, 654 00:34:37,800 --> 00:34:41,233 where we will be entering for the very first time. 655 00:34:41,233 --> 00:34:43,100 [Zak] We are here at the Victorian house. 656 00:34:43,100 --> 00:34:46,367 This is the house where Greg, the Vietnam veteran, 657 00:34:46,367 --> 00:34:50,800 he said that he could not even go upstairs in the upper room on this side. 658 00:34:50,800 --> 00:34:54,100 There's a dark and sinister... the feeling was in there. 659 00:34:54,100 --> 00:34:58,300 There's countless reports of people seeing spirits in here. 660 00:34:58,300 --> 00:35:00,066 We don't know what to expect. 661 00:35:00,066 --> 00:35:01,900 -Stay out here for a second. -[Billy] Okay. 662 00:35:01,900 --> 00:35:04,767 -I'm gonna just do a quick sweep by myself. -[Billy] Okay. 663 00:35:06,133 --> 00:35:09,166 Damn. Dead vibes brewing in this porch. 664 00:35:15,567 --> 00:35:17,066 [Zak] Is anybody in here? 665 00:35:19,166 --> 00:35:20,834 Is anybody upstairs? 666 00:35:23,734 --> 00:35:24,700 [indistinct noise] 667 00:35:24,700 --> 00:35:26,300 Just heard a noise. 668 00:35:26,300 --> 00:35:27,634 [Zak] I start hearing noises 669 00:35:27,634 --> 00:35:29,367 coming from the upstairs room 670 00:35:29,367 --> 00:35:33,634 where Greg told us earlier he would always feel a negative energy. 671 00:35:33,634 --> 00:35:35,834 [Zak] Is anybody upstairs? 672 00:35:41,133 --> 00:35:42,233 Just heard a noise. 673 00:35:46,367 --> 00:35:48,367 Dude, I'm naturally scared. 674 00:35:48,367 --> 00:35:51,700 -Bill, remember that he said upstairs in that way? -[Billy] Yeah. 675 00:35:51,700 --> 00:35:53,367 There are all kinds of noises up there. 676 00:35:53,367 --> 00:35:55,300 [Zak] All of us now enter the home. 677 00:35:55,300 --> 00:35:57,700 And as we near the upstairs room, 678 00:35:57,700 --> 00:36:01,033 Aaron peaks around the corner to find this mirror and chair. 679 00:36:01,033 --> 00:36:04,967 And then, we capture this strange light anomaly on the hand rail. 680 00:36:12,834 --> 00:36:14,367 [knocking] 681 00:36:14,367 --> 00:36:17,634 -Knocking sounds? -[Zak] I've heard two knocks down there. 682 00:36:24,934 --> 00:36:26,533 Knocking sounds? 683 00:36:27,100 --> 00:36:28,634 [Zak] Oh, [bleep] 684 00:36:28,634 --> 00:36:30,133 [Aaron] Do you see what I'm talking about? 685 00:36:30,133 --> 00:36:31,300 [bleep] seriously. 686 00:36:31,300 --> 00:36:33,367 [Aaron] That is why it's so haunted, bro. 687 00:36:33,367 --> 00:36:36,166 There. He sits there. Portal. And looks out the window. 688 00:36:36,166 --> 00:36:37,767 -[Zak] This is weird. -[Billy] Let me see. 689 00:36:37,767 --> 00:36:38,834 What is it, Zak? 690 00:36:38,834 --> 00:36:40,200 This is where I was hearing the noises. 691 00:36:41,467 --> 00:36:44,100 [Zak] As I'm taking thermal stills in this room, 692 00:36:44,100 --> 00:36:48,867 I capture what appears to be the lower half of a figure hovering in midair. 693 00:36:48,867 --> 00:36:52,634 You can even make out what appears to be two short legs. 694 00:36:52,634 --> 00:36:55,867 And when I take a second picture in the exact same spot, 695 00:36:55,867 --> 00:36:57,166 the figure's gone. 696 00:36:58,467 --> 00:37:00,800 [indistinct noise] 697 00:37:00,800 --> 00:37:02,000 [Aaron] What was that? Do you hear that? 698 00:37:02,000 --> 00:37:03,200 [Billy] Like [imitating growls] 699 00:37:03,200 --> 00:37:06,000 -You heard that, right? -[Zak] A [bleep] deep growl. 700 00:37:06,000 --> 00:37:08,266 Yeah. [imitating growls] 701 00:37:08,266 --> 00:37:09,734 [Zak] You're probably in its area. 702 00:37:15,400 --> 00:37:16,900 What was that? 703 00:37:16,900 --> 00:37:20,367 [Zak] Is this the same growl Nadine heard when she was in the house. 704 00:37:20,367 --> 00:37:24,100 All of a sudden from behind us, we heard this growl. 705 00:37:24,100 --> 00:37:26,567 -[Zak] Bill, I think you should have a look at this. -[Billy] Yeah, let me see. 706 00:37:26,567 --> 00:37:28,100 [Zak] Get in here. 707 00:37:28,100 --> 00:37:31,100 Oh, my God. I got the weirdest chills when I just came through this threshold. 708 00:37:31,100 --> 00:37:33,367 This is the room he said he couldn't come in. 709 00:37:33,367 --> 00:37:36,800 Hey, I felt like something crawled through the back of my... my hair right here. 710 00:37:36,800 --> 00:37:38,133 [Zak] It's still here. 711 00:37:38,133 --> 00:37:40,934 [Zak whispering] That's the creepiest thing I've ever seen. 712 00:37:40,934 --> 00:37:43,834 -A chair facing that mirror, really? -[Aaron] Yeah. 713 00:37:43,834 --> 00:37:46,133 -I think it might be a portal. He just sits there. -[Billy] Whoa! 714 00:37:46,133 --> 00:37:48,600 -What? -Something just came out of the mirror. 715 00:37:48,600 --> 00:37:51,200 -[Zak] Shut the [bleep] up. -I swear to God. It was a [bleep] anomaly. 716 00:37:51,200 --> 00:37:52,467 [Zak] No way. 717 00:37:52,467 --> 00:37:55,467 I swear to God. An anomaly shot out of the mirror just now. 718 00:37:55,467 --> 00:37:57,567 -[Zak] [bleep] -[Billy] Grab your recorder, Zak. 719 00:37:57,567 --> 00:38:00,634 -[Zak] I'm not trying to... -[Billy] Stay in the room with us, right now. 720 00:38:01,800 --> 00:38:03,000 [Zak] All I'm gonna do 721 00:38:03,000 --> 00:38:07,100 is place this recorder in your chair right here, okay? 722 00:38:07,100 --> 00:38:10,266 Can you please talk to us? Is that where you sit? 723 00:38:11,500 --> 00:38:13,200 Can you talk to us? 724 00:38:15,700 --> 00:38:18,166 [Billy] Whoa. What was that, bro? 725 00:38:18,166 --> 00:38:20,000 -[bleep] Did you touch me? -[Zak] No. 726 00:38:20,000 --> 00:38:21,367 [Billy] What the [bleep] was that, dude? 727 00:38:21,367 --> 00:38:23,734 Grabbed the back of my [bleep] neck, right now. 728 00:38:23,734 --> 00:38:25,100 -[Aaron] Are you serious? -I swear to God. 729 00:38:25,100 --> 00:38:26,634 I thought you were [bleep] with me. 730 00:38:26,634 --> 00:38:28,166 -[Zak] No. -[Billy] You're not [bleep] with me? 731 00:38:28,166 --> 00:38:30,934 Something touched the back of my neck, right there. 732 00:38:30,934 --> 00:38:32,734 Near to that... Back of that closet. 733 00:38:32,734 --> 00:38:36,367 [Zak] The moment this anomaly manifests near the recorder, 734 00:38:36,367 --> 00:38:38,200 as if it was just speaking into it, 735 00:38:38,200 --> 00:38:40,166 Billy feels something touch him. 736 00:38:42,000 --> 00:38:44,500 What the [bleep] was that, bro? 737 00:38:44,500 --> 00:38:46,300 -Did you [bleep] touch me? -[Zak] No. 738 00:38:46,934 --> 00:38:48,233 -You okay? -[Billy] No. 739 00:38:49,000 --> 00:38:49,900 [bleep] me up, dude. 740 00:38:49,900 --> 00:38:52,166 [Aaron] It's probably a cigarette or cigar. 741 00:38:52,166 --> 00:38:53,700 -I smell that. -[Aaron] You do? 742 00:38:53,700 --> 00:38:55,300 Yes. Hold on. Hold on. 743 00:39:00,433 --> 00:39:02,667 [noise on the recorder] 744 00:39:05,767 --> 00:39:07,734 Jesus Christ. Listen to this. 745 00:39:18,100 --> 00:39:20,200 What the [bleep] is that, bro? 746 00:39:20,200 --> 00:39:22,200 I heard, "It's time to get out." And then, he got grabbed. 747 00:39:22,200 --> 00:39:23,100 Mmm-hmm. Listen. 748 00:39:23,100 --> 00:39:24,300 [indistinct noise] 749 00:39:30,166 --> 00:39:32,900 What the [bleep] is that, bro? 750 00:39:32,900 --> 00:39:34,467 [Zak] I have to leave the room. 751 00:39:34,467 --> 00:39:38,934 And as I go downstairs, Billy and Aaron use the ITC communication device 752 00:39:38,934 --> 00:39:43,934 and incredibly capture this female spirit saying, "You gotta go." 753 00:39:47,033 --> 00:39:48,266 [voice] You gotta go. 754 00:39:48,266 --> 00:39:49,667 -Whoa. -Whoa. 755 00:39:49,667 --> 00:39:51,333 [Billy] Or was that the woman again? 756 00:39:56,333 --> 00:39:57,700 -Whoa. -Whoa. 757 00:39:57,700 --> 00:39:59,200 [Billy] Or was that the woman again? 758 00:39:59,200 --> 00:40:01,200 [Zak] Now, this female speaks again. 759 00:40:01,200 --> 00:40:06,533 And I want you all to listen to how clear and disturbing she asks for help. 760 00:40:07,867 --> 00:40:09,266 [voice] Help me. 761 00:40:13,934 --> 00:40:17,166 [Zak] And now a male voice come through and tells us to go. 762 00:40:19,266 --> 00:40:20,367 [voice] Go. 763 00:40:21,200 --> 00:40:23,000 "Go. Go. Go." 764 00:40:28,834 --> 00:40:30,700 "Go. Go. Go." 765 00:40:33,300 --> 00:40:35,734 [Billy] Zak? You all right? 766 00:40:38,000 --> 00:40:39,800 [Billy] I didn't hear you go down the stairs. 767 00:40:39,800 --> 00:40:42,000 How long have you been standing right there? 768 00:40:42,000 --> 00:40:46,367 [Zak] There's something about this spot, man. 769 00:40:46,367 --> 00:40:50,367 It doesn't let go. I feel like I just don't wanna leave. 770 00:40:50,367 --> 00:40:53,200 [Zak] Watch as this anomaly approaches me. 771 00:40:53,200 --> 00:40:58,834 Then it's seen backing away as if what's affecting me has also affected it. 772 00:41:03,867 --> 00:41:05,533 [Zak] I felt very weird, though. 773 00:41:05,533 --> 00:41:09,000 And that area just really got on my nerve. 774 00:41:09,000 --> 00:41:09,800 [Aaron] It's all right. 775 00:41:10,367 --> 00:41:11,667 [Zak] Not personally. 776 00:41:12,533 --> 00:41:13,867 [indistinct moan] 777 00:41:15,266 --> 00:41:18,600 -What was that? -[Billy] Did you [bleep] just hear that, dude? 778 00:41:18,600 --> 00:41:20,700 [Zak] This is absolutely terrifying. 779 00:41:20,700 --> 00:41:25,233 We all hear a strange female moan come from the upstairs room. 780 00:41:25,233 --> 00:41:26,500 [Zak] Not personally. 781 00:41:32,900 --> 00:41:34,233 [Aaron] What was that? 782 00:41:35,600 --> 00:41:39,166 [Zak] This was one of the strangest rooms we have ever entered. 783 00:41:39,166 --> 00:41:41,800 This has been an incredible investigation. 784 00:41:41,800 --> 00:41:44,500 -This strange [bleep] -[Billy sighs] 785 00:41:52,100 --> 00:41:53,033 Did Zak leave? 786 00:41:53,033 --> 00:41:54,500 [Billy] Yeah. He left.