What's up, guys?
Guys, we are in Tempe, Arizona.
This industrial building,
this place used to be an old creamery.
It's over 130 years old.
But now it's a brewery.
In this back part over here, there is an old storage room.
The employees say that a very dark entity
resides in this area and it attacks them.
The current owner, Andy, told us
that there was a time that he was in the back here,
he looked up and saw a man standing there.
This man was a spirit.
This spirit was the former superintendent of the creamery.
This spirit told Andy
that there was an entity in the building
that tried to kill him.
There are things in this world that we will never fully understand.
[distorted echo] Understand.
[distorted] We want answers.
We have worked years to build our credibility.
Our reputation.
Working alongside the most renowned professionals in the field.
Capturing groundbreaking proof of the paranormal.
-It's working! -What is that?
I can't give you an explanation.
[Zak] This is our evidence.
Our Ghost Adventures.
As we take our first steps into the Four Peaks brewery
to begin our investigation.
Why am I having visions?
I suddenly feel something around me
which I need to warn the guys about.
I was just walking that way and I did a quick walk around.
I got, like, the most insane chills.
Just like energy wise.
Like something came up on me and was like, "What are you doing here?"
Do you feel like it was challenging you? Like it was aggressive?
It was strong "What the hell are you doing here?"
But I'll tell you right now, it's a whole other world back here past this hallway.
It was back there.
Now give me my thermal real quick.
We have to pause on interviews for a second.
I typically don't have visions at the level of what I just experienced.
There was brief moment there where I thought I was with somebody,
and I thought this person was talking to me. That's it.
And since Andy, the owner, once witnessed a full-bodied apparition...
It was like that.
I'm sensing that this massive industrial building is a wasps' nest of activity.
Look, if there's something here
that is malicious,
stop affecting the employees here.
[Aaron] I'm drawn to this area. I don't know why.
[Zak] And before we get consumed by it...
Billy and Aaron go through this way and meet me on the other side.
-[Aaron] All right. -[Zak] ...we need sweep the space for more clues.
This place is huge, man.
[Zak] Was somebody talking to me?
Is there somebody up here?
The deeper we go into this century old building,
I feel like I've lost my sense of place and time.
Can I ask who you are?
When suddenly, I get another response.
Oh, just now, for a second time,
I just, like, visualized somebody in here just screaming at us.
[screaming]
Screaming, "Get out of here! Get out of here!"
[yells]
[Zak] Can I ask who you are?
I know this is an old building.
But was this building built...
on something that it should not have been built on?
In 1892, this building was Tempe's first ice plant and creamery,
and for the next several decades, it served as such to various other companies
until the early 1950s.
But since it's infancy, a troubling amount
of tragedies seem to always surround this colossal factory,
signaling that maybe it should never have been built.
Almost a half century later, in the mid-1990s,
before Peaks' brewery took over this space
and has since expanded it's operation
throughout this entire massive 35,000 square foot structure
which has aggravated something.
But just a few years ago, an ancient discovery was made in Tempe
when remains of the Hohokam culture were excavated,
proving this building was constructed on land
this tribe once called their own,
and since then activity at the Four Peaks brewery has spiked.
Numerous employees report not only a dark energy affecting them,
but encounters with a kindred soul named Victor Vogel,
a former creamer manager, which has ignited a tug of war between these spirits.
That, in concert with the historic deaths seen here,
has caused a whirlwind of spiritual chaos
that's forced the owners to call us for help.
Carter, how long have you been working here?
I've been working here for almost four years,
but I've been coming here since I was about 16 years old.
So 20 years or so I've been coming here.
So are you familiar with the whole story of Andy, the owner,
how he had a conversation with a ghost?
Very familiar. Actually, I was one of the first people
I believe he told the story to in a long time.
[Andrew] No one was around. Late night shift.
I was sweeping and I look down, I saw these two shoes.
Kind of startled me, obviously. It scared the crap out of me, to be honest.
And there's this guy standing there.
Older guy, probably 65.
He was like, "Buddy, I used to work here."
And the old man cut him off and said, "I almost died
where your beer cooler is today."
He's like, "Where we're standing was a large cylindrical tank."
Said it was probably 15, 20 feet across and probably eight feet deep.
[voice over] Cooling the milk stops the growth of bacteria.
[Carter] Back when this was a creamery,
the large vats sat in the middle of the floor,
workers were adding curds and whey
and a large bladed mixer was turned on to chop it all up,
make it into cottage cheese.
One day when he was in there, cleaning out the tank, that big mixer turned on.
The old man said, "I dove to the bottom of the tank. I lay there for hours
screaming for someone to turn the blades off
that were just inches from my nose."
And it just stopped.
[Andrew] But the thing that really struck me was it was years later,
the historical society came by,
and they brought us these sort of reams and reams of information
about the creamery.
Like, I remember opening a page and looking down going...
"That's the guy."
Turns out his name was Vogel
and he was the manager here.
But hadn't aged a day.
The guy that I talked to, I don't know if that guy was real.
[Zak] Didn't the spirit of Victor Vogel tell Andy
that he believes someone or something tried to kill him?
-You're actually... Yes. -[Zak] Okay.
Is it possible that whatever pushed that button is the same thing
that's terrorizing employees to this day?
[Carter] It's very possible. Yes.
[Zak] Chon, Gonzo.
-You both work here. -[both] Yeah.
Are you both seeing things here? Phantasma?
-Yep. -Uh, spirits?
-Yeah. -Yeah.
[speaking Spanish]
[in English]
This one.
[Zak] That's right across the wall.
Uh, we've had people be pushed, especially recently.
Uh, the past few weeks, things have seem to have gotten a little more active.
-Okay. -Possibly because of people being more in the brewery
in the back area in what I term "their area".
[Zak] Tell me what happened in this spot.
Uh, so, exactly there's empty kegs that we put here.
I move them over to that wall right there.
As I pick one up to go move it,
I feel there's something that I can only guess is a hand on my back.
It feels like a try to shove me or push me.
And I turn around, nobody's there behind me at all.
[speaking Spanish]
[Carter] Uh, we did have a big tour guest experience
something like standing in this room.
Uh, it has some flaps in front of the kind of plasticky,
and we were talking about the different spirit in the building,
and someone said they saw someone walk past wearing a white dress shirt.
They said there was no legs or a face, it was just a white dress shirt walking past.
And I'd mentioned that we'd given Victor Vogel's family a tour of the building
and during that tour I did ask what he wore to work every day
and they said a white dress shirt.
So we definitely know he's still wandering around back here somewhere.
What is the most feared room or area?
That would be the 120 room as we call it.
The room with the largest fermentation tanks here in the building.
[Andy] There's another room beyond this that we call the closet.
We had a medium that went in there and what she said was like,
"This is the concentration. Like this is the area."
That's where we believe that Anthony lives.
Who is Anthony?
We don't if that's for sure his name.
What we do know is he does not like people in his space.
[speaking Spanish]
[in English]
[speaking Spanish]
-[in English] He will look for you and he will find you. -Yeah.
So what he does is he either runs up on you from the side and stands right here.
You have to move away.
-Or-- -That's what I felt when I was back there.
I felt something run up on me.
I feel like somebody's just constantly watching me.
The more you venture deeper in, I feel like it gets worse and worse.
[speaking Spanish]
Very interesting to hear you saying this now after I was distracted
and thought somebody was with me
when I was going back here and just checking lights out.
Amazingly, the visions I had upon first entering this brewery
have been confirmed by Carter and the staff.
Something came up on me and was like, "What are you doing here?"
Was the aggravated energy I experienced the entity the staff calls Anthony?
Is he actually one of the men who met death and dismemberment
from a nearby train accident over a century ago?
Or is this a manifestation of a vengeful ancient energy seeking retribution
for the desecration of its land?
At this point, it's time for us to find out.
[Zak] What we're gonna do right now...
There's a room back here that I'm told nobody will go into.
Everybody is afraid of "the room".
Before we try to discover this room
where this dark energy is known to reside,
there's a psychic medium that's arriving here,
and she allegedly won't go back there.
Refuses to go into the backroom.
What is it that you feel?
I walked up to... through that interior door past this one.
From what I could see, it was dark in there, but it was more like a closet,
and I just felt somebody in my face and he said, "Stay the [bleep] out."
"Stay the [bleep] out"?
I did try and communicate through the door,
but I did not go in there.
Okay, we are now getting ready to make the long trek back
to this scary room.
While we do this, I'm going to be wearing a chest-mounted camera,
Aaron has a whole spectrum still camera,
and a polaroid camera.
Billy will be operating the XLS camera.
My focus is to try to see if we can capture the spirit of Victor,
and see if he can help us and advise us
onto what else is haunting this place.
Victor, if you're here,
please join us.
With Pam once being threatened by this spirit,
she's our best chance at eliciting a response.
So she agrees to take the brave next step,
and this time go into the room this entity is said to reside.
Hold onto that.
And should it present itself...
-Shut the door, shut the door. Just go be in there with her. -[Billy] Okay.
[Zak] ...we're running multiple devices to safeguard Pam
and target this aggressor.
Who is in there with them?
"SYNN". That's weird.
It says "SYNN". S-Y-N-N.
-[Pam] He's tall. He's got grey hair. -[Billy] Okay.
[Pam] He's bearded.
And he's not nice.
This is the room he hangs in.
-[Billy] That room back there? -[Pam] Mmm-hmm.
What is inside with Pam and Billy?
Look!
Who's in there with them?
[Jay] "Contrition God?"
[Zak] It said "God".
But there's something else here, then make yourself known.
[whispers] "Palace plate".
That is so weird.
[Billy] Show yourself.
[Pam] Trying to get a name, but he won't talk to me.
Other than "Get out."
[Billy] Oh, wow, what was that?
-I'm really shaken. -[Pam] Yeah?
There's something that flew out of this room
the size of a basketball, a giant black ball,
that came out, went right to her face and then shot by.
I think what was in here is not in here anymore.
[Zak] Right now a spike of energy just surged through my body.
I think it's connected to Zak.
-[Billy] Probably. -If he's out there,
it's probably out there with him.
[Zak] It's transient and I feel like it's taunting me.
Calling me deeper into the brewery.
This energy feels eerie and familiar.
Like what I sensed during my earlier visions when we first arrived here.
-Billy? -[Billy] Yeah?
Bring that XLS here quick!
I'm connected to something and it isn't Victor Vogel's spirit.
I'm telling you, there's somebody like standing right here.
Hurry up.
It's negative and for that reason, I need his help.
Bill, Bill, Bill, I'm getting really, really bad vertigo right here, dude.
-[Billy] Are you serious? -Really, really bad.
Who is here with us right now?
Tell me your name.
[indistinct voice on device]
What is that?
Victor, I need you to tell us about the more darker spirit here.
Was something here try to kill you?
Was this place haunted when you worked here?
[indistinct voice on device]
-"Can't stand there"? -"It seems that way"?
[Zak] That was weird I felt like a jolt come through this.
Suddenly this energy begins to pull at me again.
I feel like it's calling me deeper into the brewery.
The only question is where?
I feel like he's taking... Like someone's taking me somewhere.
[indistinct voice on device] Next stop.
-"Next stop". -"Nex stop for".
-Yeah. -What is that?
-It goes "Next stop for". -Whoa, whoa, whoa, whoa, whoa.
I literally stop in my tracks and I am completely shocked.
Dude, I don't know what it was
but something I felt like I needed to come back here.
This seemingly random response that I received earlier on the Ovilus
now reveals itself.
And it said "plate palace."
-[Aaron] Whoa, and you're by the plates. -[Zak] And I'm by the plates.
Okay, you told me "plate."
For some weird reason, I came back in this area
that I've never been in and there's all these plates.
What is this door by the plates?
Is this the palace?
And that suspicion is confirmed
when a jolt of energy strikes me and then quickly recedes back into the room,
like a paranormal push.
-[Aaron] What is that? -[Zak] I don't know, dude.
[Aaron] Whoa, whoa. Get the [bleep] out.
-[Zak] Back up, back up, back up. -[Aaron] Get out.
[Zak] Clearly I've been warned not to enter into this room.
This is where it nests.
We found its domain or palace.
Or could "palace" be reference to the ancient land this brewery now sits on?
[Billy] Uh, Zak. Come here.
-Sitting in that chair. -[Zak] I told you, bro.
[Billy] Oh, my God.
[Zak] This entity suddenly appears threatened as it stands up
and expands its reach to the ceiling.
as if it's creating a barrier, cautioning us not to enter.
Out of the hour and a half we've been running this XLS,
have we documented any other figures in this entire massive 35,000 square foot building?
-No. -Until we get to the room...
-Yeah. -...where the Ovilus told me to go.
Go by the plate. "Plate palace".
Go to plate palace.
So then I feel something direct me back to this area we've never been before,
-and then something said, "Next stop". -"Next stop".
[indistinct voice on device]
So I stop, turn over here, and what is right there?
Plates.
The second that I open that room,
something came in there and then it retreated back.
I told you to come in with the XLS,
it mapped in on the chair
and then it left the chair and was climbing up to the ceiling.
Wow. That's called a sequence of events
and I feel completely fine now.
And I believe what we're documenting is concrete evidence
of the extremely negative entity that's terrorizing the current brewery staff.
And what's more disturbing
is we may have just found the source of what's terrorized other staff
who once worked in this building.
Like the former creamery manager, Victor Vogel,
whose spirit told Andy something once tried to kill him in this building.
In light of what just happened,
we immediately review our evidence.
Billy reveals to me something I was not initially aware of.
A startling piece of evidence that substantiates Pam's claims
and is the origins of how this sequence of events began.
I entered the room, I back up, I'm filming her in the open.
She's uncomfortable and then I'll just play this for you. You can...
-[Pam speaks indistinctly] -Flash.
Okay, wait. She's mapped in.
-Whoa, whoa! -Whoa!
[Billy] Okay.
-What the [bleep]? -There's a black ball of something
that clearly comes out of the scary room coincidentally.
And goes over her head, perfectly, down her shoulders.
[Zak] It goes over her head.
Never have I seen such a large anomaly on the XLS
that actually can be observed following and recognizing the contours
of a living person's body.
That's incredible.
This next voice reminds me of some of the EVPs
that were captured in the Washoe Club
-with that old timey kind of drawl, right? -[Zak] Yeah, yeah.
-[Zak on recording] Say your name. -[indistinct voice speaking]
"Boss ain't hitting on me."
-That's it! He heard it too. -He got it.
-He got it -Which means...
Which means what?
-It's a class A EVP if you can hear what it says. -[Zak] Yeah.
[voice on recording]
Everybody watching this right now,
turn your volume up.
Because there is some audio evidence here,
absolutely amazing evidence,
of the spirit of Victor Vogel.
I want you to pay very close attention
to what you're about to hear.
Was this place haunted when you worked here?
[Aaron] What?
[Zak] Was this place haunted when you worked here?
"Can't stand up."
-[Billy] It's plain as day. -"Can't stand up."
"Can't stand up," after we were told
-he was in that mixer. -Yeah.
And the blades were going over his head
and he couldn't do what?
-[Aaron] Stand up. -Couldn't stand up.
[Zak] Because he would have been killed.
-This is him. -[Billy] Wow.
This is his spirit,
-validating this. -[Billy] I think so. Yeah.
How much further is this gonna go
when for the first time, we were told, in decades,
this place is gonna be completely dark,
completely empty and only us inside?
Trying to open up ourselves and our communication devices
to the other side. Let's go.
Okay, guys, this is it.
We are now getting ready
to begin our lockdown investigation.
I'm gonna start out with a thermal camera.
I also have a full-spectrum camera on top of that.
We just received some absolutely incredible audio evidence
of who we believe to be Victor Vogel,
the same spirit
that was witnessed by the current owner.
And those messages that we got from Victor
was pure, intelligent communication.
And this building is literally on top of the original ruins
of an ancient civilization, the Hohokam,
that disappeared and mysteriously vanished
around the 15th century.
So there's a lot of energy in here.
And let's be very, very careful.
As this massive historic building is pitch black,
we have to be very careful
with every step we take.
Aaron, show 'em how dark it is.
[Aaron] This is the light of the monitor.
[Billy] It's pitch black in here.
[Zak] Victor, was that you that spoke to us?
You said that the boss ain't hittin' on you?
You said you can't stand up?
If you're at unrest or you're scared,
or you need something,
appear in front of me.
[Billy] Zak, this is that area
where the one employee was pushed.
-On this ramp. -Where you at?
-On this ramp. -What?
Okay, that's me.
Thought I saw a figure, guys, but that's just me.
It's reflecting off something. That's debunked.
Bro, I felt like an old, 90-year-old man.
When I was walking I was like, "Oh, my God, where's my cane?"
That was my thought.
-[Billy] Another barrel room. -[Aaron] Go in there.
[sighs]
[gasps]
There's someone walking around.
[Zak] I feel weird.
I don't feel right.
[Billy] I just heard talking right behind you.
[bleep]
[Billy] Hello?
[Zak] As I'm feeling strange,
we capture this disembodied "shh" sound.
I don't feel right.
[Billy] I just heard talking right behind you.
I just heard talking right behind you.
[bleep]
Hello?
Careful where you walk.
What was that?
-What was that? -What the [bleep] was that?
[Billy] You think that was that machine?
-It goes "sss, sss." -Yeah.
-Yeah, that's what I heard. -Like steam or something.
Probably.
[Zak] We now move on and discover
the caged-in tool area from earlier.
You were making noise in here.
We heard your voice.
Very clearly.
Tell us what turned on that machine.
That caused those blades that started going around.
We capture what sounds like a faint moan sound.
But as there is a lot of equipment,
we can't be 100% it's paranormal.
Tell us what turned on that machine.
That caused those blades that started going around.
[Aaron] Whoa.
Now that's...
-You didn't hear that? -No.
-[clattering] -[Zak] Whoa.
[Billy] What the [bleep] was that, dude?
-What the [bleep]? -Didn't you hear?
[Zak] Victor, are you inside here?
-Whoa. -[Aaron] What?
[Zak] What's right in front of me?
[Aaron] What'd you get?
[Zak] All of a sudden, I start capturing
what appears to be an unknown figure.
I see nothing that could be making this shape,
or an explainable reflective surface.
What's right in front of me?
As I continue to try to document
what appears to be a figure,
I can no longer find it.
I'm standing absolutely still.
-You can see that, right? -[Billy] Yeah.
-Aaron? -Yeah.
-You filming us? -Yeah.
-Bill, you're still, right? -[Billy] I'm still.
Doesn't make any sense at all.
I'm gonna turn these on.
These are four motion-activated balls.
You have to physically touch them
and move them for them to be activated.
They are not EMF.
I'm gonna turn them all on and I'm gonna place them
in here, random areas.
As I'm setting up the motion-activated balls,
we capture this strange light anomaly.
Victor, if you're in that room,
can you touch one of those balls?
I now use the DAS-ANC device
to see if Victor's spirit is here.
And as I do, we hear a voice
that to us sounds like "hello."
-[Billy] Hello! -[Zak] Hello.
[Billy] It just said it.
[Zak] Just said hello.
-[Billy] Hi! -Two spirits, "Hello," "Hi."
-What's your name? -[distorted voice] Friend.
[Zak] Is this a female spirit telling us
she's a friend?
"Hello," "Hi." What's your name?
That's your name?
[Aaron] No.
[Zak] No?
[Billy] We hear you.
[Zak] We now capture another unknown voice.
Can you make out what it's saying?
No?
[Billy] We hear you.
We hear you.
Go ahead, speak.
Where'd you go?
[Billy] Tell us your name.
-Doesn't wanna talk to you. -It doesn't.
Once I gave this to Billy,
no voices whatsoever. Not a single one.
I decide to set the ANC device on this table.
Then, as I start setting up this X-camera,
we all hear a loud unexplained bang
that terrifies us all.
I started getting dizzy.
I tried, like, doing the blowing your nose.
You know, the nose thing to pop your ears.
And then that combo with whatever's going on--
-[loud bang] -[Zak] Whoa!
[Billy] What the [bleep] was that, dude?
What the [bleep] was that?
[Aaron] What was that?
-[Zak] Two balls went off. -[Billy] Holy [bleep]
-Both of 'em. Get both of 'em. -I got it.
[Zak] During this moment, Aaron was talking to Billy
who was filming Aaron,
while I was still setting up this X-camera.
Whatever made this bang
did so with the intent to frighten us all.
[Aaron] That combo with whatever's going on--
-Whoa! -What the [bleep] was that?
...whatever's going on--
-Whoa! -What the [bleep] was that?
[Zak] Not only that, but at the same exact moment
this loud bang occurs,
two of our motion balls light up
in separate areas.
I was setting this camera up on that.
I heard a loud bang. But the crazy part is,
that ball lit up
-and the ball over there lit up. -Yeah.
Two different balls
lit up in different areas.
[Billy] At the same exact time.
[Zak] At the same exact time.
-How is that possible? -[Billy] I don't know.
So if that bang happened where one of those balls was,
it would have lit up one ball.
But if the shockwave
of that event
caused both those balls
to light up at the same time...
-[unexplained noise] -Listen!
[distorted noise from machine]
[Zak] This is absolutely incredible.
We now receive a spirit speaking
in the same voice, saying...
[Zak reading]
Is this in reference to the flashing balls?
Caused both those balls to light up at the same time.
-[unexplained noise] -Listen!
[Zak] Listen!
[Zak] Who did that?
[Billy] Do it again.
-Whoa, whoa, whoa. -That was something over there.
[Billy] Something over there.
Jay, we're out.
[unexplained noise]
-[Aaron] Whoa! -[Billy] Leave!
What was that?
[Zak] As we're getting ready to move from this spot,
a very deep voice tells us to leave,
at the same exact moment
that this light anomaly appears.
-[Aaron] Whoa! -[Billy] Leave!
What was that?
-[Aaron] Whoa! -[Billy] Leave!
What was that?
Hey, remember that black ball, the anomaly
-that was captured on XLS? -[Billy] Yeah.
-That wrapped around the psychic's head? -Yeah.
I think we should go back there.
-[Billy] For sure. -Let's go.
[Billy calls] We're leaving!
Mess with the bald guy.
[Aaron] Oh, God.
[Billy] Yeah, I don't like this room.
[Zak] As we near the back scary closet,
Billy wants me to go in there alone.
But I feel like my cloth mask
isn't sufficient asthma protection
for the airborne contaminants
in that dilapidated area of the building.
Listen, I'm gonna have you two
go back there in the back room.
I'm gonna go to join Jay real quick. I have an idea
-for a little experiment. -Hey, before you leave?
-Yeah? -Aaron and I had an idea
-we wanted to run by you. -What?
You're the only one that hasn't
-been back there yet. -Yeah, I know.
But the... the mask.
Just if you went in and...
[Zak] If I had a respirator...
Like, where the black thing came out,
-that would be cool if you went in there. -I know.
Just, like, get on back, go, "Okay, I've seen it,
I've, you know, been a part of this," like we have.
[Aaron] I mean, he's got a point.
-[Zak stutters] -[Aaron laughs]
Everyone else. Zak didn't go in there,
Zak should probably go in there.
[Zak] No, you're not gonna put me on the spot.
I'm holding a 50-pound camera with no strap.
That looks really heavy. Why don't you let me
-take that off your hands? -No, I'm good.
Well, it's heavy, well, it's heavy.
[Zak] I'm not gonna drop it.
So then you could go see.
'Cause you wanna see, right?
-[Zak] Yeah, no, I do. -Paranormal investigator.
It's just I would have to get a different mask
because there's a lot of mold and stuff.
[Billy] Well, I mean, the door's open,
so it's, like, exactly the same.
[Zak] We can sit here and debate all [stutters] night.
If you're too scared to go back there,
-then I'll go. -I've already been back there.
We just want you to see what it's like.
-[Zak] I was... I did see. -Step in.
-It's not a big deal. -Okay!
-I'm not scared. -Okay.
You guys thinking I'm scared, if that's what you're trying to get from me.
Okay, I'll hold.
[Zak] I'll go anywhere in here by myself.
-We'll take this. -I just don't wanna go back there
-because of... -Right.
There's mold and [bleep] in there.
-But the door's open. -I just need a different mask.
-Door's open, same air as in here. -Oh...
You know I have asthma, I'm sensitive.
I can't with just this little, puny, paper thing.
[Aaron] And yet again he gets out of it.
-No, I didn't. -Oh, I'm so sorry!
-[laughing] -Wow.
What the [bleep]?
-Dude, did you hear that? -Dude.
-What was that? -Hey.
Bill, you know what that sounded like?
I am not [bleep] kidding.
Like a dinosaur was just chilling somewhere
in a cage and got out.
It was like... [roars]
You could hear metal moving and [bleep].
-Whoa. -What the [bleep]?
-Dude, did you hear that? -Dude.
What was that?
[Aaron] Yeah.
[Zak] All right, listen, listen, listen.
Just go back in there.
I'm gonna go check in with Jay,
see what that sound was.
Okay? I'm going...
Don't, don't get...
We just heard a frickin' Tyrannosaurus rex, bro.
-Okay, we heard the roar... -I just heard some [bleep].
...of a [bleep]...
-[Billy laughs] -We just...
-We just heard the roar... -Did you guys hear?
Whoa, can I talk? Can I talk?
We just heard the [bleep] roar of a Tyrannosaurus rex.
And I'm gonna go that way in the darkness
and follow it.
While you two go on back here
in a little closet.
What sounds scarier, everybody? Go.
Here.
Whoa! Whoa! Whoa!
-What the [bleep]? -Dude, what?
-You gave me a heart attack. -Bro, bro, bro.
I was walking out there and I heard
a person walking right up on me.
I clearly heard a person
aggressively run up on me.
And incredibly, we capture the audio
on this X-camera.
-Make me proud. -Whoa!
Whoa! Whoa! Whoa!
I heard somebody running this way.
And again, that area.
Must be an area they don't want you in.
-Stopping us. -Yeah.
[Aaron] Zak, is my neck... Look at my neck.
It feels like it's burning.
Like I have burn marks on my neck right now.
I swear to God, look.
[Zak] Aaron tells me he feels his neck burning,
and what I discover is very disturbing.
-Holy [bleep]. -[Billy] What?
Look at Aaron's [bleep] neck, bro.
-He's got [bleep] scratch marks. -Oh, wow.
[Aaron] Is it bad? Take a picture.
-[Billy] Oh, yeah! -[Zak] This dude never gets scratched.
-Oh, my God. -Wait, wait, don't move.
Bend down, put your head down.
Look at this. You got one here. You see this one?
Going here, and then another one here.
-Holy [bleep]. -Right there.
[Aaron] It burns.
[Zak] Oh, my God.
-What the [bleep]? -Yeah.
Dude.
-Look at that. -It goes all the way down.
It burns. Right here is the worst pain.
And then it literally goes down my back.
[Zak] Look at the welt.
[Billy] Oh, wow, dude, you can really see the welts now.
[Zak] We start noticing that the scratch is welting up.
It feels like I'm bleeding down the back of my shirt.
Dude, I kept feeling something around my neck.
Almost pulling my shirt down.
[Zak] It's hard to...
It's hard to see it now.
You okay? You're, like, wheezing.
-What? -I hear wheezing.
I'm not wheezing.
[Zak] I hear these two wheezing sounds
and assume that it was Billy, but it's not.
It's hard to...
It's hard to see it now.
You okay? You're, like, wheezing.
What?
Whatever that thing was
that ran up on me is the thing that attacked Aaron.
-For sure. -Oh, for sure.
100%. It came in.
I kept feeling this thing, like, around my neck.
Like, it felt like...
Bill, you will hear me on camera going,
"There's something around my neck."
-What? -Hold on.
[Jay] We just lost the camera in the plate hallway.
It just totally went out.
There's no reason for that.
In the plate hallway?
[Jay on radio] Yeah, the plate hallway camera
-just totally went out. -Cool.
[Jay] All the other cameras are on.
I don't wanna... I don't wanna leave now.
[Zak] Let's go. Follow me.
We gotta go to the plate hallway
and check that camera, dude.
That's where that figure was. Let's go.
Let's go!
We immediately start making the long journey
to investigate the X-camera.
This is the X-camera that's positioned
by the plates.
Just where that room is where I felt
something negative come up to me and then retreat.
Where we captured that XLS figure
sitting in the chair, shot up from the ceiling
and then it tried climbing on the wall.
Is somebody back here? You disable our camera?
Are you mad that we're here?
You can see here we have an extended battery on here.
This would last us the whole night.
Screen's completely dead.
Jay, we're at the camera right now.
I need you to bring us a battery right now.
After what just happened, we're watching our backs.
Copy that.
[Billy] Jay, when did that go out?
You guys were looking at Aaron's scratches or something.
-Okay. -Whatever happened, it was right then.
[Zak] No way, really?
-It was the same time. -Hey, it's telling us
-where to go. -Yeah.
It called us here to change the battery.
-And it's right near the plate room. -Right.
Come here. Let's go in the back room.
[on radio] Hey, guys, this motor just stopped.
So now it's not only disabled
our camera, drained the battery,
but now it's disabled our motorized head.
-Yeah, look, he's trying to move. -[Aaron] GoPro.
Your GoPro just went off.
-[Billy] Did you hear that? -[Zak] What?
-It powered down. -There's no way.
[Zak] Our X-camera's battery unexplainably drains.
Something then disables the motorized head
that the camera sits on.
Now something turns my full-spectrum video camera off.
All right, let's go.
Weird chills as soon as I walked through this door.
It was like... [groans]
[Billy] I thought Zak was right behind me just now.
-[Zak] No. -What in the [bleep]?
I thought you were shooting right over my shoulder,
like someone was right here, and there's no one behind me.
Hey. I don't feel right.
I'm just letting you know that.
I can tell you guys are both completely out of it.
What do you gotta tell us? If you're affecting us,
obviously you can use my energy and talk
straight into this puppy.
I'm feeling hands on the back of my neck again.
Or on top of my head like this.
Who's the dark, dark energy here?
Scream! We wanna hear your [bleep] voice.
Getting tired of it.
Quit playing around.
[Zak] Upon review of the recorder,
Aaron captures a breathy, unintelligible sentence.
[on machine] Who's the dark, dark energy here?
Scream! We wanna hear your [bleep] voice.
Getting tired of it.
Quit playing around.
[machine crackling]
-Whoa! -Whoa, did you hear at the end?
Listen.
[on machine] Getting tired of it.
Quit playing around.
Whoa. It's all breathy.
[Zak] As we leave the area,
watch how the computer screens turn on then off.
And then the printer powers on then off.
[printer clicking]
[Zak] We now head back to the scary closet
where this anomaly wrapped around psychic Pam's head.
I'm gonna take a Puck. You see the Puck?
-What is your name? -[automated voice] Pam.
-Pam. Oh, my God! -What?
-Pam! -Did that just say Pam?
Threshold! Look!
The puck is in the threshold of the door!
-[Billy] And you know what else? -Look!
Pam is the name of the psychic
that we brought here.
And remember where I wouldn't pass the threshold.
And do you know what she said?
-She wouldn't either. -Get that.
[Billy] I got it. That's incredible.
[Zak] What are you gonna do to us?
Look. "Remove."
-[Billy] Stop. -[Aaron] No way.
[Zak reading]
What did you do to Aaron?
-Oh! -What?
What did you do to Aaron?
-Pushed. -[Billy] Pushed.
[Zak] As I begin typing "what do you look like,"
I receive this chilling response.
-What? -What do you look like?
[Billy] What the [bleep]?
[Zak] What do you want?
[automated voice] Dug.
-[Zak] Dug. Dig. -[Billy] Dug?
-Dig. -Their body.
You want us to dig?
-Underneath us. -They want it dug.
They want it dug.
If we dig, what will we find?
Seven what?
[automated voice speaking]
-[Zak] Oh-ho! -[Billy] Spirits!
"Seven what?" "Spirits."
-Don't move. Don't move. -[Aaron] Are you serious?
[Zak] The amount of intelligent spirit evidence
that we documented in one of Tempe's oldest buildings
has now become part of a very historic investigation for us.
It is a place where the current owner is going to
have to tell all of his employees
that when they are here working,
they will be alongside past employees
of the creamery,
and something else that is very aggressive.
Oh, my God.
[Aaron] What the [bleep]?