1 00:00:03,404 --> 00:00:05,773 [ HORN HONKS, TIRES SCREECH ] 2 00:00:05,806 --> 00:00:08,008 OH, GOD! THERE HE IS! 3 00:00:08,776 --> 00:00:10,144 ALL RIGHT! 4 00:00:10,178 --> 00:00:11,379 WHICH ONE'S HOLDING? 5 00:00:11,412 --> 00:00:12,589 IT LOOKED TO ME LIKE ANT MADE THE SALE 6 00:00:12,613 --> 00:00:13,681 AND BIKER TOOK POSSESSION. 7 00:00:13,714 --> 00:00:15,216 IF ANT ISN'T HOLDING, 8 00:00:15,249 --> 00:00:16,560 THEN WHY THE HELL IS HE RUNNING SO FAST? 9 00:00:16,584 --> 00:00:19,187 [ HORNS HONKING ] 10 00:00:19,220 --> 00:00:20,288 JAIMIE! 11 00:00:37,538 --> 00:00:38,706 I'll TAKE ANT! 12 00:00:38,739 --> 00:00:41,442 YOU GO TO THE BIKER! HE TOOK POSSESSION! 13 00:00:53,654 --> 00:00:55,189 RUN DOWN THERE! 14 00:00:55,223 --> 00:00:56,824 Jaimie: CITIZEN! 15 00:00:58,159 --> 00:01:00,394 NOWHERE ELSE TO RUN, ANT. 16 00:01:00,428 --> 00:01:01,771 PUT YOUR HANDS WHERE I CAN SEE 'EM. 17 00:01:01,795 --> 00:01:04,465 PUT YOUR HANDS WHERE I CAN SEE 'EM! 18 00:01:04,498 --> 00:01:07,435 JUST RELAX, BIG GUY. WE'LL BE STRAIGHT. 19 00:01:07,468 --> 00:01:09,303 I AIN'T DONE NOTHIN'. 20 00:01:09,337 --> 00:01:10,704 I'M NOT SAYING YOU DID. 21 00:01:10,738 --> 00:01:12,640 BUT SINCE YOU RAN, WE NEED TO TALK. 22 00:01:12,673 --> 00:01:14,475 PUT THE DOPE ON THE GROUND. 23 00:01:14,508 --> 00:01:16,710 PUT YOUR HANDS BEHIND YOUR HEAD. 24 00:01:16,744 --> 00:01:18,746 THAT AIN'T MINE. I FOUND IT. 25 00:01:18,779 --> 00:01:20,314 WE'LL FIGURE THAT OUT LATER! 26 00:01:20,348 --> 00:01:21,491 I'M TELLING YOU THE TRUTH. THAT AIN'T MINE! 27 00:01:21,515 --> 00:01:22,883 LISTEN, ANT! 28 00:01:22,916 --> 00:01:24,694 WHAT YOU NEED TO WORRY ABOUT IS THIS GUN AND ME! 29 00:01:24,718 --> 00:01:27,521 NOW TURN AROUND AND PUT YOUR DAMN HANDS ON THE RAIL! 30 00:01:30,291 --> 00:01:32,360 WHO'S WITH JAIMIE? 31 00:01:33,794 --> 00:01:35,496 Carter: COME ON. 32 00:01:43,371 --> 00:01:44,738 I AIN'T GOING BACK! 33 00:01:47,208 --> 00:01:48,342 NOW, BITCH! 34 00:02:02,490 --> 00:02:03,857 [ GUN COCKS ] 35 00:02:03,891 --> 00:02:06,194 HE'S DONE. CHECK HIM. 36 00:02:08,496 --> 00:02:09,897 Dean: CODE FOUR. 37 00:02:10,964 --> 00:02:12,833 HE'S NOT GETTING UP. 38 00:02:48,302 --> 00:02:51,939 "TO A LONG AND PROSPEROUS RELATIONSHIP... 39 00:02:51,972 --> 00:02:53,173 ALEX." 40 00:03:04,752 --> 00:03:07,488 [ DOOR CLOSES IN DISTANCE ] 41 00:03:11,625 --> 00:03:13,327 OH, IT WAS YOU. 42 00:03:15,529 --> 00:03:17,265 WE THE FIRST ONES IN? 43 00:03:17,298 --> 00:03:18,266 YEAH. 44 00:03:18,299 --> 00:03:19,933 WHAT'S UP WITH YOU? 45 00:03:21,935 --> 00:03:24,838 UH, IT'S JUST, UM... 46 00:03:26,374 --> 00:03:27,741 [ SIGHS ] 47 00:03:27,775 --> 00:03:29,386 I'VE BEEN SEEING THIS WOMAN FROM THE VALLEY. 48 00:03:29,410 --> 00:03:32,980 AND UP TILL NOW, IT'S BEEN PRETTY COOL AND CASUAL. 49 00:03:33,013 --> 00:03:35,616 OH, SHE'S, UH... GOIN' "NEXT LEVEL" ON YOU, HUH? 50 00:03:35,649 --> 00:03:37,685 SHE BOUGHT ME A GIFT. 51 00:03:37,718 --> 00:03:38,986 [ CHUCKLES ] 52 00:03:39,019 --> 00:03:40,888 [ CLICKS TONGUE ] UH-OH. 53 00:03:40,921 --> 00:03:44,258 I MEAN, AM I SUPPOSED TO GET HER SOMETHING BACK, OR... 54 00:03:44,292 --> 00:03:46,527 I DON'T KNOW. YEAH. YOU LIKE HER? 55 00:03:46,560 --> 00:03:48,429 YEAH. YOU GOT TO GET HER SOMETHING. 56 00:03:48,462 --> 00:03:50,364 [ DOOR OPENS ] 57 00:03:50,398 --> 00:03:51,565 Alex: MORNING. 58 00:03:51,599 --> 00:03:52,833 MORNING. 59 00:03:52,866 --> 00:03:54,535 READY, GUYS? 60 00:03:54,568 --> 00:03:56,537 LET'S DO IT. 61 00:03:58,572 --> 00:04:02,343 FIRST UP, LET'S SAY ADIOS TO LIL ANT. 62 00:04:02,376 --> 00:04:03,577 [ SIGHS ] 63 00:04:03,611 --> 00:04:05,813 NOW, THE ONLY REASON WE WERE AFTER ANT 64 00:04:05,846 --> 00:04:07,881 WAS IN ORDER TO GET TO THIS GUY, 65 00:04:07,915 --> 00:04:10,484 A MID-LEVEL METH DEALER NAMED JUNE BUG. 66 00:04:10,518 --> 00:04:11,952 Alex: THE GOAL WAS TO BUST ANT, 67 00:04:11,985 --> 00:04:13,654 MAKE HIM ROLL OVER AND GIVE UP JUNE BUG. 68 00:04:13,687 --> 00:04:15,323 WAIT A MINUTE. WHAT AM I MISSING HERE? 69 00:04:15,356 --> 00:04:16,557 JUNE BUG'S SOME HAM-AND-EGGER. 70 00:04:16,590 --> 00:04:17,858 WHY ARE WE GOIN' AFTER HIM? 71 00:04:17,891 --> 00:04:19,660 BECAUSE HE'S THE ONLY ONE WHO CAN HELP US 72 00:04:19,693 --> 00:04:21,438 TAKE DOWN OUR REAL TARGET... A DUDE NAMED CAHILL. 73 00:04:21,462 --> 00:04:22,663 CAHILL AND HIS GUYS 74 00:04:22,696 --> 00:04:23,773 HAVE BEEN DRESSING UP AS D.E.A. AGENTS 75 00:04:23,797 --> 00:04:25,366 AND KNOCKING OFF DRUG DEALERS. 76 00:04:25,399 --> 00:04:27,067 SO FAR, THERE'S BEEN THREE HOMICIDES... 77 00:04:27,100 --> 00:04:28,969 TWO DEALERS, PLUS AN INNOCENT WITNESS. 78 00:04:29,002 --> 00:04:30,371 SO, CAHILL USES JUNE BUG 79 00:04:30,404 --> 00:04:31,839 TO, WHAT, RE-SELL THE STOLEN DOPE? 80 00:04:31,872 --> 00:04:33,541 THAT'S WHAT OUR INFORMANT TELLS US. 81 00:04:33,574 --> 00:04:35,676 CAN OUR C.I. GET US IN WITH JUNE BUG? WE CAN ASK. 82 00:04:35,709 --> 00:04:38,479 WOULDN'T IT BE EASIER TO JUST APPROACH THIS CAHILL GUY DIRECTLY? 83 00:04:38,512 --> 00:04:40,023 DEAN AND I CAN POSE AS USERS LOOKING TO MAKE A BUCK. 84 00:04:40,047 --> 00:04:41,782 CAHILL'S A PRO. 85 00:04:41,815 --> 00:04:43,527 I MEAN, HE'D BURN YOU AND DEAN AS COPS IN A HEARTBEAT. 86 00:04:43,551 --> 00:04:44,818 Alex: WHAT ABOUT ME OR JAIMIE? 87 00:04:44,852 --> 00:04:46,330 MAYBE A WOMAN WOULDN'T MAKE HIM AS NERVOUS. 88 00:04:46,354 --> 00:04:47,655 IT MAKES SENSE. 89 00:04:47,688 --> 00:04:50,057 WELL, WE COULD USE THAT AS A FALLBACK 90 00:04:50,090 --> 00:04:51,625 IF MY C.I. STRIKES OUT. 91 00:04:51,659 --> 00:04:52,826 WHY WAIT? 92 00:04:52,860 --> 00:04:54,362 THE BUREAU'S TAKING THIS PERSONALLY. 93 00:04:54,395 --> 00:04:55,905 WE DON'T LIKE WHEN CROOKS DRESS UP AS FEDS. 94 00:04:55,929 --> 00:04:57,998 I SAY WE GO FOR BOTH ANGLES. 95 00:05:03,704 --> 00:05:05,706 [ PAPER RUSTLING ] 96 00:05:07,040 --> 00:05:08,909 YOU OKAY? 97 00:05:08,942 --> 00:05:10,611 I'M FINE. 98 00:05:10,644 --> 00:05:12,112 YOU SURE? 99 00:05:12,145 --> 00:05:14,682 WHAT ARE YOU SAYING? 100 00:05:14,715 --> 00:05:17,385 I'M NOT CRAZY ABOUT PUTTING YOU BACK IN PLAY 101 00:05:17,418 --> 00:05:19,453 AFTER YOU GOT YOUR CLOCK CLEANED. 102 00:05:20,988 --> 00:05:23,457 LIKE I SAID, I'M FINE. 103 00:05:23,491 --> 00:05:24,725 ALL RIGHT. 104 00:05:24,758 --> 00:05:26,460 LET'S TALK ABOUT THE HEARING, THEN. 105 00:05:26,494 --> 00:05:27,495 RIGHT. 106 00:05:27,528 --> 00:05:29,463 THE SHOOTING BOARD. 107 00:05:29,497 --> 00:05:31,599 WHEN YOU'RE IN FRONT OF THESE GUYS, 108 00:05:31,632 --> 00:05:33,501 I WANT YOU TO PLAY THE VICTIM. 109 00:05:33,534 --> 00:05:35,369 TELL THEM THAT YOU WERE SCARED. 110 00:05:35,403 --> 00:05:36,770 WHY? 111 00:05:36,804 --> 00:05:38,739 BECAUSE THEY'LL BE LOOKING FOR JUSTIFICATION 112 00:05:38,772 --> 00:05:40,408 OF THE DEADLY FORCE THAT WAS USED. 113 00:05:40,441 --> 00:05:42,776 YOU START OFF WITH THE FACT THAT YOU... FELT OVERPOWERED, 114 00:05:42,810 --> 00:05:44,688 THAT YOU FEARED FOR YOUR LIFE, STATEMENTS LIKE THAT. 115 00:05:44,712 --> 00:05:47,681 IS THAT WHAT YOU THINK, THAT I WAS A SCARED, HELPLESS LITTLE GIRL? 116 00:05:47,715 --> 00:05:49,617 THE GUY TURNED THE TABLES ON ME, CARTER. 117 00:05:49,650 --> 00:05:51,084 IT COULD HAPPEN TO ANYONE. 118 00:05:51,118 --> 00:05:52,829 WHY SHOULD I PLAY THE VICTIM? I WASN'T EVEN THE SHOOTER. 119 00:05:52,853 --> 00:05:55,423 YOU DIDN'T PULL THE TRIGGER, BUT YOU CAUSED THE SHOOTING. 120 00:05:55,456 --> 00:05:58,859 YOU SPLIT PARTNERS AND CHASED AFTER LIL ANT BY YOURSELF. 121 00:05:58,892 --> 00:06:00,870 AND WHEN YOU FINALLY CAUGHT HIM AND HAD HIM AT GUNPOINT, 122 00:06:00,894 --> 00:06:02,029 YOU DIDN'T CALL FOR BACKUP. 123 00:06:02,062 --> 00:06:03,464 I'M NOT ARGUING ANY OF THAT. 124 00:06:03,497 --> 00:06:04,865 THEN WHAT'S YOUR POINT? 125 00:06:04,898 --> 00:06:07,000 I'M WILLING TO ADMIT THAT I MISJUDGED THE SITUATION. 126 00:06:07,034 --> 00:06:09,437 HELL, I-I'M WILLING TO ADMIT THAT I SCREWED UP. 127 00:06:09,470 --> 00:06:11,772 BUT TO SAY THAT I WAS SCARED... IT'S STRAIGHT-OUT A LIE. 128 00:06:11,805 --> 00:06:13,173 WELL, EVEN IF THAT WERE TRUE... 129 00:06:13,206 --> 00:06:14,575 "EVEN IF THAT WERE TRUE"? 130 00:06:14,608 --> 00:06:16,410 WHAT THE HELL IS THAT SUPPOSED TO MEAN? 131 00:06:16,444 --> 00:06:18,879 THERE'S NOTHING WRONG... WITH BEING SCARED, JAIMIE. 132 00:06:20,714 --> 00:06:22,149 IT HAPPENS. 133 00:06:23,484 --> 00:06:25,786 I WASN'T SCARED, CARTER. 134 00:06:25,819 --> 00:06:28,188 PETEY'S A PAID INFORMANT... 135 00:06:28,221 --> 00:06:30,858 MOSTLY NICKEL-AND-DIME STUFF, 136 00:06:30,891 --> 00:06:35,062 BUT HE KNOWS A LOT OF PLAYERS HERE IN FILIPINO TOWN. 137 00:06:35,095 --> 00:06:37,030 Ty: GOOD GUY? YEAH. 138 00:06:37,064 --> 00:06:41,835 YEAH, JUST... JUST DON'T GIVE HIM YOUR DAMN CELLPHONE NUMBER. 139 00:06:41,869 --> 00:06:43,871 THAT'S ALL. TRUST ME. 140 00:06:43,904 --> 00:06:46,940 HEY! "21 JUMP STREET" IN THE HOUSE! 141 00:06:46,974 --> 00:06:48,208 I LIKE THAT. 142 00:06:48,241 --> 00:06:51,579 HOW YOU DOIN'? WHAT IS THIS PLACE, PETE? 143 00:06:51,612 --> 00:06:54,147 I'M HOSTING KARAOKE CLUB, SON. 144 00:06:54,181 --> 00:06:56,183 I HELP OUT IN THE KITCHEN 145 00:06:56,216 --> 00:06:59,620 HERE AND THERE TOO, BUT IT'S ALL GOOD. 146 00:06:59,653 --> 00:07:02,890 IT GIVES ME A CHANCE TO SPEND SOME QUALITY TIME WITH MY PEOPLES. 147 00:07:02,923 --> 00:07:04,492 YOU FILIPINO? YEAH, DAWG. 148 00:07:04,525 --> 00:07:06,927 I PROBABLY WAS IN, LIKE, A PAST LIFE OR SOMETHIN'. 149 00:07:06,960 --> 00:07:08,028 HEY, YOU GUYS HUNGRY? 150 00:07:08,061 --> 00:07:09,763 YEAH, YOU'RE HUNGRY. COME ON. 151 00:07:09,797 --> 00:07:11,632 [ PETEY SPEAKING BROKEN TAGALOG ] 152 00:07:11,665 --> 00:07:13,734 DUDE, I CAN'T UNDERSTAND A WORD OF THAT. 153 00:07:13,767 --> 00:07:15,903 JUST TELL ME THE NUMBER NEXT TO THE DISH. 154 00:07:15,936 --> 00:07:17,571 [ SPEAKING BROKEN TAGALOG ] 155 00:07:18,572 --> 00:07:21,008 DUDE'S A FOOL. WE'LL ORDER LATER. WHATEVER! 156 00:07:21,041 --> 00:07:22,776 SO, WHAT'S CRACKIN'? 157 00:07:22,810 --> 00:07:24,220 WE, UH, MEETING 'CAUSE OF ANT GETTING WHACKED, HUH? 158 00:07:24,244 --> 00:07:25,946 YEAH, SO, WE NEED TO KNOW THE CHANCES 159 00:07:25,979 --> 00:07:28,115 OF GETTING THESE GUYS A FACE-TO-FACE WITH JUNE BUG. 160 00:07:28,148 --> 00:07:29,926 BUG DON'T LIKE DEALING WITH NEW PEOPLE DIRECTLY. 161 00:07:29,950 --> 00:07:31,995 WELL, I TOLD THESE GUYS YOU'VE DONE SOME WORK FOR ME BEFORE. 162 00:07:32,019 --> 00:07:33,597 IF ANYONE CAN MAKE THIS HAPPEN, IT'S YOU. 163 00:07:33,621 --> 00:07:35,222 Ty: SIMPLE, MAN... JUST TELL HIM. 164 00:07:35,255 --> 00:07:36,733 WE'RE BUYERS YOU KNOW FROM OUT OF TOWN 165 00:07:36,757 --> 00:07:37,925 YOU KNEW BACK IN THE DAY. 166 00:07:37,958 --> 00:07:40,227 A'IGHT. IT'S SIMPLE BUT STILL SOLID. 167 00:07:40,260 --> 00:07:41,895 GLAD YOU APPROVE. 168 00:07:41,929 --> 00:07:43,239 HEY, YO, SO, LET ME GET THIS STRAIGHT. 169 00:07:43,263 --> 00:07:44,765 I GET PAID FOR GOING UNDERCOVER ON BUG 170 00:07:44,798 --> 00:07:46,133 AND TAKING THIS CAHILL DUDE DOWN? 171 00:07:46,166 --> 00:07:47,935 NO, NO, NO, NO, NO. 172 00:07:47,968 --> 00:07:50,013 THEY WILL GO UNDERCOVER AND TAKE DOWN BUG AND CAHILL. 173 00:07:50,037 --> 00:07:52,773 YOU GET PAID TO MAKE THE INTRODUCTION, PETEY. 174 00:07:52,806 --> 00:07:55,609 NOTHING MORE. YOU HEAR ME? NOTHING... MORE. 175 00:07:55,643 --> 00:07:57,745 HEY. "INTRODUCTION." GOT IT. 176 00:07:57,778 --> 00:07:59,947 JUST GET JUNE BUG TO TAKE THE MEETING, ALL RIGHT? 177 00:07:59,980 --> 00:08:03,216 DONE AND DONE, CARTER. AIN'T NOTHIN' TO IT BUT TO DO IT, BABY. 178 00:08:03,250 --> 00:08:06,086 OH, YO... LET ME CALL MY PHONE, 179 00:08:06,119 --> 00:08:07,788 LOCK YOUR NUMBER IN, HOMIE. 180 00:08:10,591 --> 00:08:11,659 [ SIGHS ] 181 00:08:11,692 --> 00:08:13,594 A'IGHT, WE'RE GOOD. 182 00:08:13,627 --> 00:08:14,628 I WILL REGRET THAT. 183 00:08:14,662 --> 00:08:16,163 YOU HAVE NO IDEA. 184 00:08:16,196 --> 00:08:18,732 [ SLAPPING ARM ] 185 00:08:20,934 --> 00:08:22,603 THERE. 186 00:08:22,636 --> 00:08:23,871 SEE? 187 00:08:23,904 --> 00:08:27,741 NOW YOU GOT A FEW COLLAPSED VEINS... 188 00:08:27,775 --> 00:08:29,610 AND... 189 00:08:29,643 --> 00:08:32,179 [ GASPS ] GOD. SOME FRESH PUNCTURE WOUNDS. 190 00:08:32,212 --> 00:08:34,023 THAT'S WHAT THE REAL DEAL LOOKS LIKE RIGHT THERE. 191 00:08:34,047 --> 00:08:35,649 I KNOW WHAT IT LOOKS LIKE, DEAN. 192 00:08:35,683 --> 00:08:37,851 I WORKED NORTH HOLLYWOOD DIVISION, REMEMBER? 193 00:08:37,885 --> 00:08:40,053 I'VE DONE ARM CHARTS. I'VE ARRESTED ADDICTS. 194 00:08:40,087 --> 00:08:42,790 BUT YOU NEVER HAD TO PASS YOURSELF OFF AS ONE, HAVE YOU? 195 00:08:45,826 --> 00:08:47,895 YOU'RE A REAL SEXY CHICK... 196 00:08:47,928 --> 00:08:49,597 BUT YOU'RE HOOKED ON SMACK. 197 00:08:49,630 --> 00:08:51,999 SO IT'S NATURAL FOR YOU TO BE SELF-CONSCIOUS ABOUT IT, 198 00:08:52,032 --> 00:08:53,867 SO ACTUALLY, WHAT YOU HAVE TO DO... 199 00:08:53,901 --> 00:08:55,168 IS CONCEAL THIS, 200 00:08:55,202 --> 00:08:57,270 'CAUSE CAHILL'S GONNA PICK UP ON THAT. 201 00:08:57,304 --> 00:09:01,942 AND THAT... IS WHAT SEALS THE DEAL. 202 00:09:01,975 --> 00:09:03,043 THANK YOU. 203 00:09:04,778 --> 00:09:06,213 YOU SURE YOU'RE GONNA BE OKAY? 204 00:09:06,246 --> 00:09:09,149 EVERYBODY MAKES MISTAKES, DEAN. I'M FINE. 205 00:09:09,182 --> 00:09:11,652 TAKE IT EASY. I'M ON YOUR TEAM. 206 00:09:11,685 --> 00:09:14,554 I WANT YOU TO CATCH THIS GUY. 207 00:09:15,689 --> 00:09:17,157 AND YOU'RE GONNA CATCH THIS GUY. 208 00:09:23,731 --> 00:09:25,742 Ty: THINK JAIMIE'S HEAD IS STILL SCREWED ON STRAIGHT. 209 00:09:25,766 --> 00:09:27,167 AFTER WHAT HAPPENED THE OTHER NIGHT? 210 00:09:28,702 --> 00:09:30,838 YEAH, CHICKS ARE DIFFERENT THAN US, YOU KNOW? 211 00:09:30,871 --> 00:09:33,373 THEY TAKE THEIR LICKS... 212 00:09:33,406 --> 00:09:35,275 THEN THEY SUCK IT UP AND MOVE ON. 213 00:09:36,810 --> 00:09:38,045 YOU'RE RIGHT. 214 00:09:38,078 --> 00:09:41,014 THEY GET EMOTIONAL AS HELL AT FIRST. 215 00:09:41,048 --> 00:09:43,751 BUT THEN THEY MOVE ON, FAST. 216 00:09:43,784 --> 00:09:44,918 REAL FAST. 217 00:09:44,952 --> 00:09:47,788 YOU TALKING ABOUT MELISSA? 218 00:09:47,821 --> 00:09:49,823 [ CELLPHONE RINGS ] 219 00:09:52,025 --> 00:09:53,661 WHAT'S UP, PETEY? 220 00:09:53,694 --> 00:09:55,696 OH, THAT SOUNDS GREAT, MAN. 221 00:09:55,729 --> 00:09:58,265 YEAH, A LOT OF FUN. THANKS FOR THE OFFER. 222 00:09:58,298 --> 00:10:00,233 LOOK, MAN, WE'RE A LITTLE BUSY RIGHT NOW, OKAY? 223 00:10:00,267 --> 00:10:01,735 NO. NO, WE'RE NOT. 224 00:10:01,769 --> 00:10:03,170 DO I LIKE MOJITOS? 225 00:10:03,203 --> 00:10:04,738 NO, HE LOVES MOJITOS! 226 00:10:04,772 --> 00:10:06,249 UH, ACTUALLY I'M MORE OF A COGNAC MAN. 227 00:10:06,273 --> 00:10:07,875 ALL RIGHT, MAN. 228 00:10:07,908 --> 00:10:09,118 SOMEBODY GOT A DATE? HUH? SOMEBODY GOT A DATE? 229 00:10:09,142 --> 00:10:10,711 HE WILL NOT LEAVE ME ALONE. 230 00:10:10,744 --> 00:10:12,212 I FEEL LIKE I'M BEING STALKED. 231 00:10:13,947 --> 00:10:16,016 Alex: SO, ACCORDING TO YOUR INFORMANT, 232 00:10:16,049 --> 00:10:18,318 CAHILL AND HIS BOYS RUN THIS PLACE? 233 00:10:18,351 --> 00:10:21,088 UTILITIES ARE IN CAHILL'S NAME, SO YEAH. 234 00:10:21,121 --> 00:10:22,122 IT'S ALL GOOD. 235 00:10:22,155 --> 00:10:23,924 OKAY. JUST MAKING SURE. 236 00:10:23,957 --> 00:10:25,434 THE BUREAU CHIEF IS TAKING IT PERSONAL 237 00:10:25,458 --> 00:10:27,194 BECAUSE THEY'RE POSING AS D.E.A. AGENTS. 238 00:10:27,227 --> 00:10:29,062 YEAH. THEY ALSO WEAR SKI MASKS. 239 00:10:29,096 --> 00:10:31,732 BUT YOU DON'T SEE THE SWISS TAKING IT PERSONAL. 240 00:10:31,765 --> 00:10:36,103 DEAN, GET OUT ON FOOT, AND GET A BETTER EYE. 241 00:10:36,136 --> 00:10:37,771 YOU WANT HIM THAT CLOSE? 242 00:10:37,805 --> 00:10:39,907 WELL, IT'S CALLED "OFFICER SAFETY." 243 00:10:39,940 --> 00:10:42,175 I THINK EVEN YOU FEDS PRACTICE THAT, RIGHT? 244 00:10:42,209 --> 00:10:43,844 IT'S CALLED A DOUBLE STANDARD. 245 00:10:43,877 --> 00:10:45,178 WE TAKE THE RISK OF BEING BURNED 246 00:10:45,212 --> 00:10:46,780 BECAUSE YOU'RE WORRIED ABOUT JAIMIE. 247 00:10:46,814 --> 00:10:48,357 SHE TOOK AN ASS-BEATING YESTERDAY, ALEX. 248 00:10:48,381 --> 00:10:49,817 I JUST... 249 00:10:49,850 --> 00:10:52,285 I JUST WANT TO PLAY IT SAFE, THAT'S ALL. 250 00:11:07,768 --> 00:11:09,236 HOW YOU DOING, SWEETIE? 251 00:11:12,740 --> 00:11:14,341 YOU HAVIN' A GOOD DAY? 252 00:11:16,810 --> 00:11:18,311 HOW 'BOUT YOU HELP ME OUT A LITTLE? 253 00:11:19,880 --> 00:11:22,082 YOU KNOW WHERE CAN I SCORE SOMETHIN' TO PARTY WITH? 254 00:11:22,950 --> 00:11:24,151 HUH? 255 00:11:24,184 --> 00:11:25,786 WHAT, YOU DON'T HAVE AN ANSWER? 256 00:11:25,819 --> 00:11:27,354 HE CAN'T HELP YOU WITH THAT, OKAY? 257 00:11:27,387 --> 00:11:28,856 LEAVE HIM ALONE. 258 00:11:28,889 --> 00:11:30,329 OH, REALLY? WHAT ARE YOU, HIS LAWYER? 259 00:11:31,925 --> 00:11:33,160 YOU'RE MOVING?! 260 00:11:33,193 --> 00:11:36,029 OH. SAY SOMETHING WRONG, DID I? 261 00:11:36,063 --> 00:11:37,998 I BET IF I ASKED YOUR FAT ASS 262 00:11:38,031 --> 00:11:39,933 WHERE THE NEAREST BURGER JOINT WAS, 263 00:11:39,967 --> 00:11:41,802 THEN YOU'D HAVE AN ANSWER! 264 00:11:41,835 --> 00:11:42,836 HMM? 265 00:11:45,238 --> 00:11:46,974 GOD DAMN IT. 266 00:11:59,086 --> 00:12:00,220 YOU MIND? 267 00:12:00,253 --> 00:12:02,022 I DO. 268 00:12:02,055 --> 00:12:03,757 YOU SEE, I'M THE OWNER OF THIS PLACE, 269 00:12:03,791 --> 00:12:05,292 AND I LIKE TO KEEP IT NICE AND CLEAN. 270 00:12:05,325 --> 00:12:07,160 THE LAST THING I NEED IS THE TYPE OF HEAT 271 00:12:07,194 --> 00:12:08,929 A LITTLE JUNKIE LIKE YOU BRINGS WITH HER. 272 00:12:08,962 --> 00:12:10,798 [ SCOFFS ] MAN, ARE YOU A COP OR SOMETHING? 273 00:12:10,831 --> 00:12:12,341 I MEAN, IF YOU ARE, WE CAN WORK IT OUT. 274 00:12:12,365 --> 00:12:14,835 LAST THING I NEED IS ANOTHER CASE. 275 00:12:14,868 --> 00:12:17,470 HOW YOU WANT TO WORK IT OUT, THERE, HONEY? 276 00:12:18,839 --> 00:12:21,374 WELL, I AIN'T A HOOKER, SO DON'T EVEN THINK ABOUT THAT. 277 00:12:23,310 --> 00:12:24,978 YOU WANT A BUST? 278 00:12:25,012 --> 00:12:27,047 SOMEONE BIGGER THAN ME? 279 00:12:27,080 --> 00:12:28,381 YEAH, THAT'S RIGHT. 280 00:12:28,415 --> 00:12:31,018 THAT'S NO PROBLEMO. 281 00:12:31,051 --> 00:12:34,021 I GOT A FEW CONNECTS. THEY MOVE POUNDAGE. 282 00:12:34,054 --> 00:12:36,990 GIG LIKE THAT COULD GET A MAN PROMOTED. 283 00:12:42,930 --> 00:12:45,565 I AIN'T A COP, AND I AIN'T LOOKING TO GET PROMOTED, 284 00:12:45,598 --> 00:12:47,000 BUT I LIKE WHAT I SEE. 285 00:12:47,034 --> 00:12:48,969 MAYBE WE CAN WORK SOMETHING OUT. 286 00:12:49,002 --> 00:12:50,804 NOT A COP? 287 00:12:52,139 --> 00:12:54,341 SO THAT MEANS I GET A CUT OF THE ACTION, RIGHT? 288 00:12:54,374 --> 00:12:57,077 OF COURSE. 289 00:12:57,110 --> 00:12:59,947 [ SMACKS LIPS ] ALL RIGHT. 290 00:12:59,980 --> 00:13:02,182 WHY DON'T YOU GO BACK INSIDE 291 00:13:02,215 --> 00:13:04,551 AND LET ME FINISH UP HERE, HUH? 292 00:13:04,584 --> 00:13:08,055 I'll COME BACK TO THE BAR, AND WE CAN DISCUSS THE DETAILS. 293 00:13:10,223 --> 00:13:15,528 Jaimie: HE ONLY WANTS HIGH-END MARKS... 294 00:13:15,562 --> 00:13:16,964 NO NICKEL-AND-DIME DEALERS. 295 00:13:22,269 --> 00:13:25,238 BUT HE CAN MOVE DOPE THROUGH JUNE BUG IF HE HAS TO. 296 00:13:25,272 --> 00:13:27,574 Dean: DID HE CATCH SIGHT OF YOUR TRACKS? 297 00:13:27,607 --> 00:13:29,076 OH, YEAH. 298 00:13:29,109 --> 00:13:30,586 I SANK THE HOOK IN DEEP INTO THIS GUY. 299 00:13:30,610 --> 00:13:32,445 DON'T GET TOO COCKY, JAIMIE. 300 00:13:32,479 --> 00:13:35,382 SO LET'S GIVE CAHILL WHAT HE WANTS... A MONEY PAD. 301 00:13:35,415 --> 00:13:37,918 WELL, HE'S GONNA WANT A LOT OF DETAILS. 302 00:13:37,951 --> 00:13:40,053 ALL RIGHT, TELL HIM YOU HAVE A LINE 303 00:13:40,087 --> 00:13:42,089 ON A COURIER NAMED... FRANCISCO. 304 00:13:42,122 --> 00:13:44,424 ALEX AND I WILL POSE AS A MARRIED COUPLE 305 00:13:44,457 --> 00:13:46,626 BRINGING CASH IN FROM MIAMI. 306 00:13:46,659 --> 00:13:50,363 IN THE MEANTIME, STAY ON PETEY AND SET UP THAT MEETING WITH JUNE BUG. 307 00:13:50,397 --> 00:13:51,932 ALREADY DID IT. 308 00:13:51,965 --> 00:13:53,967 THE D-MAN AND I, TONIGHT AT THE KARAOKE JOINT. 309 00:13:54,001 --> 00:13:55,035 LOVE THAT. 310 00:13:55,068 --> 00:13:56,203 [ "LA BAMBA" PLAYING ] 311 00:13:56,236 --> 00:13:59,106 ♪ PARA BAILAR LA BAMBA 312 00:13:59,139 --> 00:14:01,174 ♪ SE NECESITA UNA POCA DE GRACIA ♪ 313 00:14:01,208 --> 00:14:03,410 ♪ UNA POCA DE GRACIA Y OTRA COSITA ♪ 314 00:14:03,443 --> 00:14:07,447 ♪ AY, ARRIBA, AY, ARRIBA, AY, ARRIBA IRE ♪ 315 00:14:07,480 --> 00:14:10,450 ♪ YO NO SOY MARINERO ♪ YO NO SOY MARINERO 316 00:14:10,483 --> 00:14:12,886 ♪ SOY CAPITAN, SOY CAPITAN, SOY CAPIT-A-AN ♪ 317 00:14:12,920 --> 00:14:14,221 [ CHEERS AND APPLAUSE ] 318 00:14:14,254 --> 00:14:15,989 OKAY, CAHILL JUST BOUNCED. 319 00:14:16,023 --> 00:14:18,525 OBVIOUSLY, IT'S A GOOD TIME TO MEET WITH BUG. 320 00:14:18,558 --> 00:14:20,093 CHILL, DAWG. 321 00:14:20,127 --> 00:14:22,195 HEY. IT'S DELICATE. APPEARANCES IS EVERYTHING. 322 00:14:22,229 --> 00:14:24,197 LET US TAKE CARE OF APPEARANCES. 323 00:14:24,231 --> 00:14:26,266 YOU JUST GET US IN FRONT OF HIM. 324 00:14:26,299 --> 00:14:28,235 I KNOW WHAT I'M DOIN'. A'IGHT? 325 00:14:31,604 --> 00:14:33,673 SEE? BUG'S CHECKING US OUT AS WE SPEAK. 326 00:14:33,706 --> 00:14:35,642 I ALREADY TOLD HIM 'BOUT YOU GUYS. 327 00:14:35,675 --> 00:14:38,979 THIS IS JUST THE DEAL WE HAVE TO DO TO MAKE HIM SEE THAT YOU'RE REAL. 328 00:14:39,012 --> 00:14:40,147 YOU KNOW WHAT I'M SAYIN'? 329 00:14:40,180 --> 00:14:42,415 [ PETEY SPEAKS BROKEN TAGALOG ] 330 00:14:42,449 --> 00:14:44,184 ARE YOU KIDDING ME? YOU BOUGHT A... 331 00:14:45,252 --> 00:14:46,486 THAT'S $500, MAN. 332 00:14:46,519 --> 00:14:48,288 I'M HOSTING THE KARAOKE STAGE, SON. 333 00:14:48,321 --> 00:14:50,958 IT'S A VERY IMPORTANT POSITION IN FILIPINO CULTURE. 334 00:14:50,991 --> 00:14:53,272 Y'ALL SEEN CHILLIN' WITH ME, YOU GOT TO LOOK LIKE PLAYERS. 335 00:14:54,094 --> 00:14:57,998 MAN... OKAY. I'M GOING TO THE BATHROOM. 336 00:14:59,532 --> 00:15:01,969 HEY. YO. 337 00:15:02,535 --> 00:15:05,372 YOU SEE THEM HONEYS WORKIN' THE DRINK WELL? 338 00:15:05,405 --> 00:15:06,506 WHAT ABOUT THEM, PETEY? 339 00:15:06,539 --> 00:15:07,975 THEY HOOKERS, SON! 340 00:15:08,008 --> 00:15:10,043 WE COULD BUST 'EM REAL EASY. 341 00:15:10,077 --> 00:15:11,511 [ SLIDES CHAIR ] 342 00:15:11,544 --> 00:15:13,146 OW! 343 00:15:13,180 --> 00:15:14,647 WHAT'S YOUR STORY? 344 00:15:14,681 --> 00:15:18,018 YOU WILIPINO? YOU A SNITCH? YOU A COP? 345 00:15:18,051 --> 00:15:20,287 OR YOU JUST SOME LYING PIECE OF GARBAGE 346 00:15:20,320 --> 00:15:23,023 TRYING TO PLAY EVERYBODY AGAINST THE MIDDLE? 347 00:15:23,056 --> 00:15:24,691 WHAT'S WITH THE HOSTILITY, DAWG? 348 00:15:24,724 --> 00:15:26,226 I'M FOR REAL, MAN. 349 00:15:26,259 --> 00:15:28,361 JUST ASK CARTER. HE'LL TELL YOU I'M STRAIGHT. 350 00:15:28,395 --> 00:15:29,729 I DID. 351 00:15:29,762 --> 00:15:32,199 HE AIN'T REALLY ECSTATIC ABOUT US WORKING WITH YOU. 352 00:15:32,232 --> 00:15:33,366 THAT'S GREAT. 353 00:15:33,400 --> 00:15:34,734 I GUESS ALL THE CHANCES I TAKE 354 00:15:34,767 --> 00:15:36,603 DON'T AMOUNT TO NOTHIN' IN YOUR EYES, HUH? 355 00:15:36,636 --> 00:15:38,972 I'M JUST SAYIN', MAN. SO JUST STREET TRASH? 356 00:15:39,006 --> 00:15:40,240 DON'T PLAY ME. 357 00:15:40,273 --> 00:15:42,642 PLAY YOU? MAN, NEVER. 358 00:15:42,675 --> 00:15:44,244 I SWEAR TO GOD. 359 00:15:44,277 --> 00:15:46,679 JUST SO YOU KNOW, MY GRANDFATHER WAS A COP. 360 00:15:46,713 --> 00:15:48,348 IT'S IN MY BLOOD. 361 00:15:48,381 --> 00:15:51,018 MY MOM'S TOLD ME, ALWAYS FOLLOW WHAT'S IN MY HEART. 362 00:15:51,051 --> 00:15:53,120 RIGHT NOW, HEART BLEEDS BLUE, BABY. 363 00:15:54,454 --> 00:15:55,755 OKAY, I'll TELL YOU WHAT. 364 00:15:55,788 --> 00:15:58,058 IF YOU MAKE IT HAPPEN WITH JUNE BUG, 365 00:15:58,091 --> 00:15:59,692 I'll SEE WHAT I CAN DO. 366 00:15:59,726 --> 00:16:02,329 ABOUT GETTING YOU A TEST FOR THE L.A.P.D. ENTRANCE EXAM. 367 00:16:04,031 --> 00:16:05,598 BUT IF YOU FAIL, PETEY, 368 00:16:05,632 --> 00:16:08,768 I NEVER WANT TO HEAR YOU BREATHE ANOTHER WORD ABOUT IT AGAIN. 369 00:16:08,801 --> 00:16:09,769 YOU GOT ME? 370 00:16:09,802 --> 00:16:12,072 THAT'S STRAIGHT, DAWG! 371 00:16:12,105 --> 00:16:14,274 THAT'S STRAIGHT-UP, MAN. 372 00:16:14,307 --> 00:16:16,509 I AIN'T NEVER HAD NOBODY DO SOMETHIN' LIKE THAT FOR ME. 373 00:16:16,543 --> 00:16:18,378 YOU'RE LIKE A BROTHER TO ME, YOU KNOW THAT? 374 00:16:18,411 --> 00:16:20,680 Dean: GET A ROOM. 375 00:16:22,282 --> 00:16:24,284 [ CHEERS AND APPLAUSE ] 376 00:16:26,553 --> 00:16:29,722 IT LOOKS LIKE LOU DIAMOND PHILLIPS FINISHED. 377 00:16:29,756 --> 00:16:31,591 [ SCOFFS ] WISHES HE WAS LOU DIAMOND. 378 00:16:33,726 --> 00:16:35,128 DAMN. OKAY. 379 00:16:35,162 --> 00:16:38,365 BUG'S WAVIN' AT ME. Y'ALL READY? 380 00:16:38,398 --> 00:16:40,200 DUMB QUESTION. 381 00:16:42,769 --> 00:16:44,404 OVER HERE. 382 00:16:46,639 --> 00:16:49,709 A'IGHT, TY, DEAN... LET'S GET UP ON STAGE. 383 00:16:49,742 --> 00:16:51,278 WHAT THE HELL ARE YOU DOING? 384 00:16:51,311 --> 00:16:53,446 HEY. A'IGHT. HEY. 385 00:16:53,480 --> 00:16:55,815 THANKS A LOT, LOU. [ SLOW-TEMPO ELECTRONIC MUSIC PLAYS ] 386 00:16:55,848 --> 00:16:57,650 THE ORIGINAL LOU. WHY DON'T YOU SIT DOWN. 387 00:16:57,684 --> 00:16:59,786 LET M.C. PETEY AND HIS BOYS SHOW YOU HOW IT'S DONE. 388 00:16:59,819 --> 00:17:01,388 YOU READY? 389 00:17:01,421 --> 00:17:03,590 [ CHEERS AND APPLAUSE ] YEAH, YOU'RE READY! 390 00:17:03,623 --> 00:17:06,559 [ MUSIC INTENSIFIES ] 391 00:17:27,680 --> 00:17:30,150 YOU ACTUALLY MAKE MONEY FROM THIS PLACE? 392 00:17:30,183 --> 00:17:31,818 I THOUGHT WE TALKED ABOUT THAT. 393 00:17:31,851 --> 00:17:33,653 I TAKE MONEY. I DON'T MAKE IT. 394 00:17:33,686 --> 00:17:34,687 [ SCOFFS LIGHTLY ] 395 00:17:34,721 --> 00:17:36,289 YOU JUST SLAM? 396 00:17:36,323 --> 00:17:38,558 DON'T WORRY ABOUT IT. I'M FINE. 397 00:17:38,591 --> 00:17:40,293 YOU COULD HAVE FOOLED ME. 398 00:17:40,327 --> 00:17:41,528 [ CHUCKLES SOFTLY ] 399 00:17:41,561 --> 00:17:43,130 LISTEN... YOU WANT TO HEAR WHAT I GOT, 400 00:17:43,163 --> 00:17:45,298 OR YOU WANT TO SIT HERE AND DISCUSS BAD HABITS? 401 00:17:45,332 --> 00:17:47,634 [ Singsong voice ] 'CAUSE I BET YOURS OUTNUMBER MINE. 402 00:17:47,667 --> 00:17:49,302 [ CHUCKLES ] 403 00:17:49,336 --> 00:17:52,339 AIN'T THAT THE TRUTH. LET ME HEAR WHAT YOU GOT. 404 00:17:52,372 --> 00:17:53,740 MM. 405 00:17:53,773 --> 00:17:56,543 THERE'S A MONEY DROP HAPPENING TOMORROW. 406 00:17:56,576 --> 00:17:59,212 GUY'S NAME IS FRANK TAYLOR. 407 00:17:59,246 --> 00:18:01,314 HE AND HIS OLD LADY ARE FLYIN' IN FROM MIAMI 408 00:18:01,348 --> 00:18:02,715 POSING AS A MARRIED TOURIST. 409 00:18:02,749 --> 00:18:04,751 AND ARE YOU READY TO HEAR THE GOOD PART? 410 00:18:06,619 --> 00:18:08,788 HE'S GONNA BE CARRYING AT LEAST A HUNDRED GRAND. 411 00:18:08,821 --> 00:18:10,790 THAT'S A NICE NUMBER. 412 00:18:10,823 --> 00:18:14,127 YEAH, I THOUGHT YOU'D LIKE THAT. 413 00:18:14,161 --> 00:18:15,562 I WANT AT LEAST HALF 414 00:18:15,595 --> 00:18:18,431 AND A LITTLE SOMETHING UP-FRONT TO KEEP ME MOTIVATED. 415 00:18:18,465 --> 00:18:20,167 HALF? [ CHUCKLES ] 416 00:18:20,200 --> 00:18:22,702 YOU GET 20% AND BE GLAD YOU GOT IT. 417 00:18:22,735 --> 00:18:23,836 40%. 418 00:18:25,705 --> 00:18:28,475 30%. 419 00:18:28,508 --> 00:18:30,210 CONSIDER THIS AN ADVANCE. 420 00:18:31,644 --> 00:18:33,213 [ CASH CRINKLES ] 421 00:18:33,246 --> 00:18:36,549 ALL RIGHT... WHEN THEY LAND AT A HOTEL... 422 00:18:36,583 --> 00:18:39,252 I'll CALL YOU WITH THE ADDRESS. 423 00:18:42,622 --> 00:18:44,424 ANSWER ME THIS. 424 00:18:44,457 --> 00:18:46,493 HOW EXACTLY WOULD A LITTLE JUNKIE LIKE YOU 425 00:18:46,526 --> 00:18:48,528 KNOW ABOUT A HIGH-CALIBER GUY LIKE THIS? 426 00:18:49,962 --> 00:18:51,631 MEN... 427 00:18:53,266 --> 00:18:54,767 MOST OF THEM RICH... 428 00:18:54,801 --> 00:18:57,136 DO WHAT I WANT, WHEN I WANT. 429 00:19:01,474 --> 00:19:06,613 I'll BET THEY DO. 430 00:19:11,918 --> 00:19:13,953 Petey: YO, DON'T EVEN SWEAT, DAWG. 431 00:19:13,986 --> 00:19:16,223 LAST NIGHT AT KARAOKE JUST WASN'T RIGHT. 432 00:19:16,256 --> 00:19:17,957 BUT I'M-A MAKE IT HAPPEN. I PROMISE. 433 00:19:17,990 --> 00:19:20,427 June Bug: WHAT YOU NEED, BOY? 434 00:19:20,460 --> 00:19:21,794 HEY, WHAT UP, BUG? 435 00:19:22,862 --> 00:19:24,664 WHY YOU KEEP PRESSING ME TO MEET THESE FOOLS? 436 00:19:24,697 --> 00:19:26,233 I'M TRYING TO MAKE YOU MONEY, HOMIE. 437 00:19:26,266 --> 00:19:27,876 THESE ARE THE TWO CATS I WAS TELLING YOU ABOUT. 438 00:19:27,900 --> 00:19:29,502 WE SLUNG A LITTLE CRYSTAL BACK IN THE DAY 439 00:19:29,536 --> 00:19:31,238 BEFORE THEY SET UP SHOP OUT OF STATE. 440 00:19:31,271 --> 00:19:33,473 SO WHAT DO THEY WANT WITH ME? I AIN'T IN THAT GAME. 441 00:19:33,506 --> 00:19:35,542 WHY? HE TELL YOU SOMETHING DIFFERENT? 442 00:19:35,575 --> 00:19:37,710 OH, COME ON, BUG. NO NEED FOR THE SMOKE SCREEN, MAN. 443 00:19:37,744 --> 00:19:39,812 THEY STRAIGHT. I PUT MY LIFE ON IT. 444 00:19:39,846 --> 00:19:41,214 [ CHUCKLES ] 445 00:19:41,248 --> 00:19:42,582 WELL, EVEN IF I WAS IN THAT GAME, 446 00:19:42,615 --> 00:19:44,384 I AIN'T LOOKING FOR NO NEW PARTNERS. 447 00:19:44,417 --> 00:19:46,353 OH, WE DON'T HAVE TO BE PARTNERS, BROTHER. 448 00:19:46,386 --> 00:19:47,620 WE'RE PARTNERS. 449 00:19:47,654 --> 00:19:49,222 THIS CAN BE A STRAIGHT-UP TRANSACTION... 450 00:19:49,256 --> 00:19:50,690 WE DO A LITTLE TASTE NOW, 451 00:19:50,723 --> 00:19:52,492 AND IF WE ALL GET COMFY AND COZY LATER, 452 00:19:52,525 --> 00:19:54,294 THEN WE CAN STEP IT UP TO THE NEXT LEVEL 453 00:19:54,327 --> 00:19:55,562 ON THE NEXT ORDER, JUNE BUG. 454 00:19:55,595 --> 00:19:57,230 I'M ALREADY ON THE NEXT LEVEL, MAN. 455 00:19:57,264 --> 00:19:58,531 AND I AIN'T LOOKIN' TO PULL UP 456 00:19:58,565 --> 00:20:00,333 TWO BROKE-ASS PLAYERS I DON'T EVEN KNOW. 457 00:20:00,367 --> 00:20:01,934 BESIDES, EVEN IF I WANT TO DO BUSINESS, 458 00:20:01,968 --> 00:20:04,404 YOU KNOW I GOT OTHER PRESSING ISSUES ON MY MIND RIGHT NOW. 459 00:20:04,437 --> 00:20:05,972 YEAH, YEAH, BUG'S BEEN WARRING 460 00:20:06,005 --> 00:20:07,850 WITH SOME FILIPINO GANGSTERS CALLED THE PENO RE-ALS. 461 00:20:07,874 --> 00:20:08,841 THEY JUST PUNKS. 462 00:20:08,875 --> 00:20:10,510 THEY JUST MAD 463 00:20:10,543 --> 00:20:12,321 BECAUSE PEOPLE LIKE THE QUALITY OF PRODUCT I BE MOVIN', 464 00:20:12,345 --> 00:20:13,846 NOT THAT BATHTUB MIX THEY BE SLINGIN'. 465 00:20:13,880 --> 00:20:15,715 WELL, ARE YOU INTERESTED IN SOME FIREPOWER? 466 00:20:15,748 --> 00:20:16,716 WE CAN GET YOU SOME GUNS. 467 00:20:16,749 --> 00:20:17,817 WHAT? 468 00:20:17,850 --> 00:20:19,252 [ GUN COCKS ] LIKE THIS? 469 00:20:19,286 --> 00:20:20,720 NO, NOT LIKE THAT. 470 00:20:20,753 --> 00:20:22,565 LIKE SOMETHING A LITTLE MORE SERIOUS THAN THAT. 471 00:20:22,589 --> 00:20:24,891 OH, YEAH? WHAT YOU GOT? 472 00:20:24,924 --> 00:20:26,426 WE GOT FULLY-AUTOS, MAN. 473 00:20:26,459 --> 00:20:28,261 FULLY-AUTOS? 474 00:20:28,295 --> 00:20:30,029 EVEN SUPPRESSORS IF YOU WANT TO PUT IN 475 00:20:30,062 --> 00:20:31,631 A LITTLE LOW-PROFILE WORK. 476 00:20:31,664 --> 00:20:33,600 WELL, MAYBE WE CA MAKE SOMETHING HAPPEN. 477 00:20:33,633 --> 00:20:35,668 WHAT KIND OF WEIGHT YOU LOOKING FOR IN RETURN? 478 00:20:35,702 --> 00:20:37,270 WELL, HOW ABOUT THIS? 479 00:20:37,304 --> 00:20:38,705 HOW ABOUT WE BRING YOU THE FIREPOWER 480 00:20:38,738 --> 00:20:40,673 AND YOU CAN TELL US WHAT TASTE THAT'LL GET US. 481 00:20:40,707 --> 00:20:42,275 YEAH. YEAH, I LIKE THAT. 482 00:20:42,309 --> 00:20:43,976 THAT'S A CLASSY MOVE RIGHT THERE. 483 00:20:44,010 --> 00:20:46,446 PETEY GOT MY NUMBER. 484 00:20:46,479 --> 00:20:48,481 WHY DON'T YOU TRY AND MAKE SOMETHING HAPPEN? 485 00:20:48,515 --> 00:20:49,582 YEAH, ALL RIGHT. 486 00:20:49,616 --> 00:20:51,318 HEY, MY MAN, 487 00:20:51,351 --> 00:20:54,287 D-DON'T MAKE THE MISTAKE OF POINTING THAT THING AT ME AGAIN. 488 00:20:55,722 --> 00:20:57,424 Cahill: YOU SURE THIS IS GOOD? 489 00:20:57,457 --> 00:20:59,526 YEAH, IT'S GOOD. 490 00:20:59,559 --> 00:21:02,295 IT'S A HOTEL IN VENICE. THEY'VE USED IT BEFORE. 491 00:21:02,329 --> 00:21:03,763 [ BILLIARD BALLS CLATTER ] 492 00:21:04,931 --> 00:21:06,366 WHAT'S UP? 493 00:21:07,334 --> 00:21:09,402 YOU LOOK NERVOUS. 494 00:21:09,436 --> 00:21:10,737 NERVOUS? NO. 495 00:21:10,770 --> 00:21:13,072 OH, I GUESS... I GUESS IT'S THE WITHDRAWALS. 496 00:21:13,105 --> 00:21:15,074 I DECIDED TO CUT BACK ON THE TAR. 497 00:21:15,107 --> 00:21:16,976 NOTHING TO WORRY ABOUT. 498 00:21:18,345 --> 00:21:21,714 WELL... 499 00:21:21,748 --> 00:21:24,484 TAKE A LITTLE BLAST OF THAT. IT'LL TAKE THE EDGE OFF. 500 00:21:25,585 --> 00:21:26,686 I NEVER MIX. 501 00:21:26,719 --> 00:21:29,356 SPEEDBALLIN' AIN'T MY THING. 502 00:21:30,690 --> 00:21:32,425 MM... 503 00:21:32,459 --> 00:21:35,895 [ CHUCKLES ] LOOK AT YOU. LOOK AT YOU. 504 00:21:35,928 --> 00:21:39,065 YOU'RE A GOOD-LOOKIN' GIRL. 505 00:21:39,098 --> 00:21:41,834 I'll BET YOU'RE A REAL PLEASER, HUH? 506 00:21:43,570 --> 00:21:47,039 TOO BAD YOUR... HEROIN'S GOT SUCH A GRIP ON YOU. 507 00:21:49,742 --> 00:21:51,778 [ SNIFFS SHARPLY ] 508 00:21:51,811 --> 00:21:55,682 YOU NEED A PLACE TO CRASH FOR A-A FEW HOURS? 509 00:21:55,715 --> 00:21:56,849 I GOT A... 510 00:21:56,883 --> 00:21:59,619 I GOT A ROOM IN THE BACK WITH A COUCH. 511 00:22:01,454 --> 00:22:02,989 I BET YOU DO. 512 00:22:04,056 --> 00:22:05,725 NAH, I'M NOT TIRED. 513 00:22:05,758 --> 00:22:07,627 JUST MAKE SURE I GET A TASTE OF THAT CASH 514 00:22:07,660 --> 00:22:08,895 WHEN YOU RIP THE GUY, HUH? 515 00:22:08,928 --> 00:22:10,497 OH, YEAH. 516 00:22:10,530 --> 00:22:12,899 YOU'LL GET A TASTE... IF THE MONEY'S THERE. 517 00:22:14,434 --> 00:22:16,903 AND I'll CUT YOUR THROAT IF IT'S NOT. 518 00:22:34,186 --> 00:22:35,555 HOW'D IT GO? 519 00:22:35,588 --> 00:22:36,656 GOOD. 520 00:22:36,689 --> 00:22:39,025 IS HE AS DANGEROUS AS THEY SAY? 521 00:22:39,058 --> 00:22:40,593 HEART OF PURE GOLD. 522 00:22:40,627 --> 00:22:42,995 OFFERED TO LET ME TAKE A NAP IN HIS BACK ROOM. 523 00:22:43,029 --> 00:22:44,464 SOUNDS ROMANTIC. 524 00:22:44,497 --> 00:22:45,732 [ CHUCKLES ] 525 00:22:45,765 --> 00:22:47,767 HOW ABOUT THE SHOOTING-TEAM REVIEW? 526 00:22:47,800 --> 00:22:49,836 DID YOU FOLLOW CARTER'S ADVICE? 527 00:22:49,869 --> 00:22:52,138 I TOLD THEM THE TRUTH, DEAN. 528 00:22:52,171 --> 00:22:54,073 I SAID THAT I SCREWED UP. 529 00:22:54,106 --> 00:22:57,109 AND I TOLD THEM I LET THE GUY GET TOO CLOSE 530 00:22:57,143 --> 00:22:59,512 AND I DIDN'T WAIT FOR BACK-UP. 531 00:22:59,546 --> 00:23:00,680 BUT THAT'S IT. 532 00:23:00,713 --> 00:23:03,082 I DIDN'T PLAY THE SCARED LITTLE GIRL, 533 00:23:03,115 --> 00:23:05,184 IF THAT'S WHAT YOU'RE ASKING. 534 00:23:05,217 --> 00:23:06,553 OKAY. 535 00:23:06,586 --> 00:23:09,922 I HOPE THAT WORKS OUT FOR YOU. 536 00:23:09,956 --> 00:23:13,159 YOU THINK I SCREWED UP FOR NOT FOLLOWING CARTER'S ADVICE? 537 00:23:13,192 --> 00:23:15,895 LOOK, CARTER'S BEEN AROUND THE BLOCK WITH INTERNAL AFFAIRS. 538 00:23:15,928 --> 00:23:17,597 WE BOTH KNOW THIS. 539 00:23:17,630 --> 00:23:20,099 HE KNOWS YOU GOT TO TELL THEM WHAT THEY WANT TO HEAR. 540 00:23:20,132 --> 00:23:23,636 IF YOU'RE WILLING TO ADMIT THAT YOU WERE SCARED, 541 00:23:23,670 --> 00:23:25,938 YOU GET A FREE PASS FOR PRACTICALLY ANYTHING. 542 00:23:25,972 --> 00:23:27,974 [ ENGINE TURNS OVER ] 543 00:23:33,880 --> 00:23:36,215 I LEFT SOMETHING FOR YOU ON THE DESK YESTERDAY. 544 00:23:36,248 --> 00:23:37,216 DID YOU GET IT? 545 00:23:37,249 --> 00:23:39,852 YEAH. YEAH. 546 00:23:39,886 --> 00:23:43,189 IT WAS NICE... REALLY NICE. 547 00:23:43,222 --> 00:23:44,824 [ CHUCKLES ] 548 00:23:46,192 --> 00:23:48,561 YOU KNOW, I, UH, MADE A RESERVATION 549 00:23:48,595 --> 00:23:52,064 AT THIS HOT, NEW... ITALIAN PLACE... 550 00:23:52,098 --> 00:23:56,068 IN HOLLYWOOD... SATURDAY NIGHT. 551 00:24:01,974 --> 00:24:03,743 IF YOU'RE INTERESTED. 552 00:24:03,776 --> 00:24:04,877 [ CHUCKLES ] 553 00:24:15,221 --> 00:24:16,923 HEY... WE KNOW CAHILL AND HIS BOYS 554 00:24:16,956 --> 00:24:18,625 WILL PROBABLY GET A LITTLE ROUGH. 555 00:24:18,658 --> 00:24:20,560 TRY NOT TO MAKE A MOVE 556 00:24:20,593 --> 00:24:22,170 UNLESS IT LOOKS LIKE WE'RE IN REAL TROUBLE. YOU GOT IT. 557 00:24:22,194 --> 00:24:23,839 THERE ARE GONNA BE TWO UNITS PARKED A FEW BLOCKS AWAY, 558 00:24:23,863 --> 00:24:25,207 SO AS SOON AS THEY LEAVE THAT ROOM, 559 00:24:25,231 --> 00:24:26,609 WE'RE GONNA RUN UP ON THEM IN THE PARKING LOT. 560 00:24:26,633 --> 00:24:27,800 ONLY IF HE HAS THE MONEY. 561 00:24:27,834 --> 00:24:29,268 IF WE DON'T GET HIM TO TAKE IT, 562 00:24:29,301 --> 00:24:30,813 ALL WE HAVE IS TRESPASSING AND A SIMPLE BURGLARY. 563 00:24:30,837 --> 00:24:32,171 I WANT A SOLID ROBBERY CASE HERE. 564 00:24:32,204 --> 00:24:33,706 IF WE PUT HIM BACK ON THE INSIDE, 565 00:24:33,740 --> 00:24:35,107 I WANT IT FOR LIFE, WITHOUT. 566 00:24:35,141 --> 00:24:36,843 WE'RE WITH YOU ON THAT. 567 00:24:53,626 --> 00:24:55,662 Cahill: D.E.A.! ON THE GROUND! 568 00:24:55,695 --> 00:24:57,530 KEEP YOUR HANDS WHERE I CAN SEE THEM! 569 00:24:57,564 --> 00:24:59,732 [ Hispanic accent ] WHAT THE HELL IS THIS? 570 00:25:07,006 --> 00:25:08,941 LOOK FOR A PLANE TICKET OR SOMETHING. 571 00:25:08,975 --> 00:25:10,810 THIS IS WAY TOO LIGHT. 572 00:25:10,843 --> 00:25:13,045 I THOUGHT YOU TWO WERE SUPPOSED TO BE HIGH-END. 573 00:25:13,079 --> 00:25:15,047 WHAT YOU DOING IN A RAT-HOLE LIKE THIS? 574 00:25:47,980 --> 00:25:50,049 GET HIM UP. 575 00:25:50,082 --> 00:25:52,652 GET HIM OVER HERE. 576 00:25:52,685 --> 00:25:54,721 EASY. 577 00:25:54,754 --> 00:25:56,589 YOU, GET OFF ME. 578 00:25:57,657 --> 00:25:59,025 GET YOUR HANDS... 579 00:26:00,627 --> 00:26:02,094 [ SCOFFS ] 580 00:26:02,128 --> 00:26:03,972 Cahill: NOW, WHAT'S THE DEAL? WHOSE MONEY IS THAT? 581 00:26:03,996 --> 00:26:06,274 ISN'T THIS THE PART WHERE YOU'RE SUPPOSED TO READ ME MY RIGHTS? 582 00:26:06,298 --> 00:26:08,635 I'M NOT SAYING ANYTHING UNLESS MY LAWYER IS PRESENT. 583 00:26:16,809 --> 00:26:19,979 IT'S OKAY, DARLING. IT'S OKAY. I PROMISE YOU. 584 00:26:20,012 --> 00:26:24,016 TODAY'S YOUR LUCKY DAY, FRANCISCO. 585 00:26:24,050 --> 00:26:25,351 WE DIDN'T FIND ANY DOPE, 586 00:26:25,384 --> 00:26:27,095 SO WE'RE NOT GONNA SWEAT YOU ABOUT THE MONEY. 587 00:26:27,119 --> 00:26:29,255 BUT I DON'T WANT TO SEE YOU TWO AROUND HERE AGAIN, 588 00:26:29,288 --> 00:26:30,256 YOU UNDERSTAND ME? 589 00:26:30,289 --> 00:26:31,758 LET'S GO, GUYS. 590 00:26:31,791 --> 00:26:33,893 OH, YOU'LL SEE ME AGAIN. YOU CAN COUNT ON THAT. 591 00:26:33,926 --> 00:26:36,863 IN FACT, I WANT YOUR NAME AND YOUR BADGE NUMBER, 592 00:26:36,896 --> 00:26:38,931 BECAUSE MY LAWYER LOVES FILING COMPLAINTS 593 00:26:38,965 --> 00:26:40,266 ON HEAVY-HANDED COPS LIKE YOU. 594 00:26:40,299 --> 00:26:41,968 SO YOU'LL DEFINITELY SEE US AGAIN. 595 00:26:42,001 --> 00:26:44,003 OH, YEAH? YOU'RE GONNA FILE A COMPLAINT, HUH? 596 00:26:44,036 --> 00:26:45,037 THAT'S RIGHT. 597 00:26:46,973 --> 00:26:49,208 COMPLAIN ABOUT THAT. 598 00:26:49,241 --> 00:26:51,077 LET'S GO, GUYS. 599 00:26:54,881 --> 00:26:57,216 WHERE ARE WE ON THE JUNE BUG THING? 600 00:26:57,249 --> 00:26:58,851 WE READY TO GO, OR WHAT? 601 00:26:58,885 --> 00:27:00,987 HE'S JUST WAITING ON OUR PHONE CALL. 602 00:27:01,020 --> 00:27:02,354 GOOD. LET'S GET THAT THING GOING. 603 00:27:02,388 --> 00:27:04,228 THE CAHILL ANGLE'S PROBABLY DEAD, ANYWAY, SO... 604 00:27:04,256 --> 00:27:05,858 [ CELLPHONE RINGS ] 605 00:27:05,892 --> 00:27:07,393 IT'S HIM... CAHILL. 606 00:27:08,427 --> 00:27:11,163 YO. YOU GOT MY MONEY, OR WHAT? 607 00:27:12,264 --> 00:27:13,264 WHY? 608 00:27:15,401 --> 00:27:17,003 HUH, YOU DON'T NEED TO GET PISSY WITH ME. 609 00:27:17,036 --> 00:27:18,413 I AIN'T THE ONE WHO SCREWED THIS UP. 610 00:27:18,437 --> 00:27:19,939 WELL, FINE. 611 00:27:19,972 --> 00:27:21,941 I'll COME BY TOMORROW. WE'LL TALK IT OUT. 612 00:27:21,974 --> 00:27:23,242 [ CELLPHONE SNAPS SHUT ] 613 00:27:23,275 --> 00:27:26,078 WHAT DO YOU MEAN YOU'LL COME BY TOMORROW? 614 00:27:26,112 --> 00:27:28,447 IT'S BETTER TO KEEP HIM ON THE HOOK THAN IGNORE HIM, RIGHT? 615 00:27:28,480 --> 00:27:30,392 THIS GUY IS DANGEROUS, JAIMIE. DO YOU UNDERSTAND THAT? 616 00:27:30,416 --> 00:27:32,084 I'M AWARE OF THAT! 617 00:27:32,118 --> 00:27:33,829 YOU NEED TO STEP BACK. USE A LITTLE CAUTION. 618 00:27:33,853 --> 00:27:34,963 ARE YOU TELLING ME TO SHUT THIS DOWN? 619 00:27:34,987 --> 00:27:36,723 I THINK IT'S BEST. 620 00:27:36,756 --> 00:27:38,701 YOU HAVE ALWAYS TOLD US NEVER TO SHUT DOWN A LEAD. 621 00:27:38,725 --> 00:27:40,002 UP UNTIL NOW, I HAVE NEVER HEARD YOU 622 00:27:40,026 --> 00:27:41,236 TELL ANYONE TO SHUT DOWN A LEAD. 623 00:27:41,260 --> 00:27:42,228 WELL, NOW I AM. 624 00:27:42,261 --> 00:27:43,863 IS THIS ABOUT CAHILL 625 00:27:43,896 --> 00:27:45,340 OR THE INCIDENT THAT HAPPENED WITH ANT THE OTHER DAY? 626 00:27:45,364 --> 00:27:46,465 NOBODY SAID THAT. 627 00:27:46,498 --> 00:27:48,067 NOBODY HAD TO. 628 00:27:48,100 --> 00:27:51,137 THIS ISN'T OPEN FOR DISCUSSION. 629 00:27:51,170 --> 00:27:53,005 UM, I JUST TALKED TO JUNE BUG. 630 00:27:53,039 --> 00:27:54,707 IT'S A GO. 631 00:27:54,741 --> 00:27:56,661 HE'S READY FOR US TO SELL HIM 10 SILENCED AR-15s. 632 00:27:57,509 --> 00:27:59,411 GOOD. 633 00:28:10,156 --> 00:28:11,758 Petey: HEY. HEY. 634 00:28:11,791 --> 00:28:13,760 YOU TWO JUST FOCUS ON THE GAME YOU'RE RUNNING. 635 00:28:13,793 --> 00:28:16,028 IF THINGS START TO GO SOUTH, I GOT US COVERED, A'IGHT? 636 00:28:16,062 --> 00:28:18,130 WHAT THE HELL ARE YOU THINKING, PETEY? 637 00:28:19,031 --> 00:28:20,032 GIVE ME THE GUN. 638 00:28:20,066 --> 00:28:21,133 COME ON, MAN! I... 639 00:28:23,970 --> 00:28:25,738 GIVE ME THE GUN, PETEY. 640 00:28:26,939 --> 00:28:28,140 WALK. 641 00:28:28,174 --> 00:28:30,042 [ TIRES SCREECH ] 642 00:28:30,076 --> 00:28:32,044 [ GUNFIRE ] 643 00:28:38,384 --> 00:28:40,486 [ TIRES SCREECH ] 644 00:28:56,035 --> 00:28:58,137 PUT THE GUN DOWN, JAIMIE. THEY'RE GONE. 645 00:29:00,206 --> 00:29:02,141 PUT THE GUN DOWN! 646 00:29:06,545 --> 00:29:08,414 I WASN'T GONNA SHOOT, CARTER. 647 00:29:10,149 --> 00:29:11,750 I WAS JUST RELOADING. 648 00:29:19,058 --> 00:29:20,893 JUNE BUG'S DEAD, AND SO IS THIS CASE 649 00:29:20,927 --> 00:29:22,995 IF WE DON'T TAKE ANOTHER CRACK AT CAHILL. 650 00:29:23,029 --> 00:29:25,164 THINK ABOUT WHAT YOU'RE ASKING ME TO AGREE TO. 651 00:29:25,197 --> 00:29:26,498 JAIMIE THINKS SHE CAN HANDLE HIM. 652 00:29:26,532 --> 00:29:28,801 RIGHT, SHE THINKS SHE CAN HANDLE HIM. 653 00:29:28,835 --> 00:29:31,013 I DON'T UNDERSTAND THIS OVERPROTECTIVE-FATHER ACT YOU'RE PULLING. 654 00:29:31,037 --> 00:29:32,071 YOU SAW HER TODAY. 655 00:29:32,104 --> 00:29:33,239 SHE WAS SHOOTING UP A STORM, 656 00:29:33,272 --> 00:29:35,007 PUT HERSELF IN FRONT OF THAT CAR. 657 00:29:35,041 --> 00:29:37,052 I MEAN, SHE'S GOING THROUGH SOME KIND OF "JANE WAYNE" STAGE, 658 00:29:37,076 --> 00:29:39,378 TRYING TO IMPRESS THE BOYS, SHOW US HOW TOUGH SHE IS. 659 00:29:39,411 --> 00:29:42,281 BUT I'M TELLING YOU RIGHT NOW... IF WE DON'T PUT A LEASH ON HER, 660 00:29:42,314 --> 00:29:44,316 IT'S GONNA GET HER OR SOMEONE ELSE KILLED. 661 00:29:44,350 --> 00:29:45,852 I PROMISE YOU THAT. 662 00:29:45,885 --> 00:29:47,329 SHE WAS AGGRESSIVE. I'll GIVE YOU THAT. 663 00:29:47,353 --> 00:29:49,188 BUT IT WAS ACCEPTABLE, MAYBE EVEN COMMENDABLE, 664 00:29:49,221 --> 00:29:51,090 GIVEN THE FACT THAT HER TEAM WAS UNDER FIRE. 665 00:29:51,123 --> 00:29:52,458 FACE IT, CARTER. 666 00:29:52,491 --> 00:29:54,036 SHE'S NO MORE AGGRESSIVE THAN YOU, DEAN, OR TY. 667 00:29:54,060 --> 00:29:55,962 SHE'S JUST A CHICK... A BAD-ASS, BALLSY CHICK. 668 00:29:55,995 --> 00:29:59,065 UM, EXCUSE US. I-I JUST TALKED TO PETEY. 669 00:29:59,098 --> 00:30:00,867 HE CLAIMS HE KNOWS THE GUY 670 00:30:00,900 --> 00:30:02,935 READY TO STEP UP AND TAKE JUNE BUG'S PLACE. 671 00:30:02,969 --> 00:30:05,905 GOOD. GET A NAME. WE NEED ANOTHER WAY BACK IN. 672 00:30:07,139 --> 00:30:08,607 THE BEST MOVE HERE 673 00:30:08,640 --> 00:30:10,609 IS TO LET JAIMIE TAKE ANOTHER CRACK AT CAHILL. 674 00:30:10,642 --> 00:30:12,578 I DISAGREE. LET ME PUT IT THIS WAY... 675 00:30:12,611 --> 00:30:16,048 THE ONLY MOVE IS TO LET JAIMIE TAKE ANOTHER CRACK AT CAHILL. 676 00:30:16,082 --> 00:30:18,317 [ SIGHS ] 677 00:30:21,553 --> 00:30:23,622 Petey: AH, THINGS BEEN REAL QUIET IN F-TOWN. 678 00:30:23,655 --> 00:30:25,324 EVERYBODY'S KEEPING A LOW PROFILE 679 00:30:25,357 --> 00:30:27,126 SINCE BUG GOT HIS BIRTHDAY SNATCHED. 680 00:30:27,159 --> 00:30:28,861 THAT BETTER INCLUDE YOU. 681 00:30:28,895 --> 00:30:30,538 DAMN STRAIGHT, SON. I'M THE KING OF LOW PROFILE. 682 00:30:30,562 --> 00:30:33,099 YO, PEOPLE DON'T EVEN NOTICE ME TILL I WANT 'EM TO. 683 00:30:33,132 --> 00:30:34,366 LIKE YESTERDAY... 684 00:30:34,400 --> 00:30:35,944 I MEAN, YOU GUYS SEEN HOW I, LIKE, LAID OUT, 685 00:30:35,968 --> 00:30:37,203 FAKED LIKE I WAS HIT. 686 00:30:37,236 --> 00:30:39,405 THAT'S CALLED "PLAYING STREET POSSUM," SON. 687 00:30:39,438 --> 00:30:41,007 I WAS JUST WAITING FOR THEM 688 00:30:41,040 --> 00:30:43,142 TO GET OUT ON FOOT, WALK UP ON ME. 689 00:30:43,175 --> 00:30:45,611 I WOULD HAVE BEEN LIKE, [ IMITATES MARTIAL ARTS NOISES ] 690 00:30:45,644 --> 00:30:48,314 NO, NO. THAT'S WHEN YOU PISSED YOUR PANTS, RIGHT? 691 00:30:48,347 --> 00:30:49,515 IT'S A GOOD MOVE. 692 00:30:49,548 --> 00:30:52,051 PISSED MY PANTS? Y-YOU SERIOUS, DAWG? 693 00:30:52,084 --> 00:30:54,220 HEY, IS THAT WHAT YOU THINK, TOO? 694 00:30:54,253 --> 00:30:56,522 I LAID IN A PUDDLE, A'IGHT? 695 00:30:56,555 --> 00:30:58,357 "PISSED MY PANTS." MAN, PLEASE. YOU'RE COPS. 696 00:30:58,390 --> 00:31:01,093 YOU NEED TO WORK ON YOUR POWER OF OBSERVATION. 697 00:31:01,127 --> 00:31:03,462 ON THE PHONE, YOU SAID SOMEBODY WAS READY TO STEP UP 698 00:31:03,495 --> 00:31:05,197 AND TAKE BUG'S PLACE WITH CAHILL. 699 00:31:05,231 --> 00:31:06,498 ME, DAWG. 700 00:31:06,532 --> 00:31:08,100 [ LAUGHS ] 701 00:31:08,134 --> 00:31:09,668 NO. 702 00:31:09,701 --> 00:31:11,337 WAIT... YOU? YEAH. 703 00:31:11,370 --> 00:31:13,672 I'M-A SLIDE UP ON CAHILL, GET IN REAL TIGHT WITH HIM, 704 00:31:13,705 --> 00:31:15,307 BAM, GIVE Y'ALL THE HOOK-UP. 705 00:31:15,341 --> 00:31:16,909 YOU OUT OF YOUR DAMN MIND? 706 00:31:16,943 --> 00:31:18,644 CAHILL WILL KILL YOU. 707 00:31:19,711 --> 00:31:21,280 SO LET ME GET THIS STRAIGHT. 708 00:31:21,313 --> 00:31:22,648 Y'ALL SAYIN' IF, LIKE... 709 00:31:22,681 --> 00:31:24,616 EVEN IF I'M NOT SCARED... 'CAUSE I'M NOT... 710 00:31:24,650 --> 00:31:26,585 YOU KNOW, YOU'RE, LIKE, 711 00:31:26,618 --> 00:31:28,054 ORDERING ME TO STAND DOWN, THOUGH? 712 00:31:28,087 --> 00:31:29,321 YEAH. YEAH. 713 00:31:29,355 --> 00:31:31,457 FINE, MAN. I DON'T NEED THE DISTRACTION. 714 00:31:31,490 --> 00:31:34,393 HEY, I CAN JUST FOCUS ON TAKING MY L.A.P.D. ENTRANCE EXAM, 715 00:31:34,426 --> 00:31:36,228 GETTING MY OW GOLD BADGE, SON. 716 00:31:37,329 --> 00:31:38,597 YOU KIDDING ME? 717 00:31:47,539 --> 00:31:49,341 Alex: WE ORIGINALLY SEIZED THIS PLACE. 718 00:31:49,375 --> 00:31:51,077 FROM AN ARMENIAN MONEY LAUNDERER. 719 00:31:51,110 --> 00:31:52,411 ANY CHANCE THAT CAHILL 720 00:31:52,444 --> 00:31:54,680 MIGHT BE FAMILIAR WITH THE GUY WHO OWNED IT? 721 00:31:54,713 --> 00:31:56,415 NONE. 722 00:31:56,448 --> 00:31:58,293 THE GUY WAS A SHUT-IN AND ONLY DEALT WITH ARMENIANS. 723 00:31:58,317 --> 00:32:01,053 WHEN WE SERVED THE WARRANT, HE WAS HIDING IN HERE. 724 00:32:01,087 --> 00:32:02,488 WE ALMOST MISSED HIM, 725 00:32:02,521 --> 00:32:04,623 BUT LUCKILY THE DOG ALERTED US ON THE BOOKCASE. 726 00:32:05,524 --> 00:32:07,126 IMPRESSIVE. 727 00:32:07,159 --> 00:32:09,095 THE GUY SPENT SOME SERIOUS MONEY ON THIS PLACE. 728 00:32:09,128 --> 00:32:11,630 WE CAN WIRE INTO THE EXISTING SECURITY SET-UP 729 00:32:11,663 --> 00:32:14,100 AND GET VIDEO OF THE WHOLE TRANSACTION. 730 00:32:14,133 --> 00:32:15,467 AND... 731 00:32:15,501 --> 00:32:18,270 IT WOULD BE A GREAT PLACE FOR A QUICKIE, HUH? 732 00:32:18,304 --> 00:32:21,507 OHH, I LIKE THE WAY YOU THINK, YOU NAUGHTY GIRL. 733 00:32:23,109 --> 00:32:24,443 SOMETIMES. 734 00:32:24,476 --> 00:32:27,646 I GOT TO GO DOWNTOWN AND GRAB THE FLASH MONEY... 735 00:32:27,679 --> 00:32:28,981 AGAIN. 736 00:32:29,015 --> 00:32:31,417 BE BACK IN AN HOUR. 737 00:32:31,450 --> 00:32:33,152 BIG TEASE. 738 00:32:33,185 --> 00:32:36,355 [ BILLIARD BALLS CLATTERING ] 739 00:32:47,033 --> 00:32:48,767 WHAT THE HELL WAS THAT ABOUT YESTERDAY?! 740 00:32:48,800 --> 00:32:50,636 HUH?! HUH?! YOU TRYING TO SET ME UP?! 741 00:32:50,669 --> 00:32:52,471 YOU WORKING FOR SOMEONE ELSE? 742 00:32:52,504 --> 00:32:53,572 JUST RELAX. 743 00:32:53,605 --> 00:32:55,374 IF I WAS TRYING TO SET YOU UP, 744 00:32:55,407 --> 00:32:57,276 WHY WOULD I BE HERE RIGHT NOW? 745 00:32:57,309 --> 00:32:59,278 HUH? 746 00:33:01,213 --> 00:33:02,614 [ SIGHS ] 747 00:33:02,648 --> 00:33:04,550 [ SNIFFS ] 748 00:33:04,583 --> 00:33:06,052 [ BREATHING HEAVILY ] 749 00:33:06,085 --> 00:33:08,287 NO, ANYBODY SHOULD BE PISSED, IT SHOULD BE ME. 750 00:33:08,320 --> 00:33:11,290 I GAVE YOU AN EASY HIT, AND YOU JUST WALKED AWAY FROM IT. 751 00:33:11,323 --> 00:33:13,059 NO, NO, NO. IT WASN'T RIGHT. 752 00:33:13,092 --> 00:33:14,326 IT SMELLED LIKE A SET-UP. 753 00:33:14,360 --> 00:33:16,362 SET-UP?! THAT WAS AN EASY MARK! 754 00:33:16,395 --> 00:33:19,365 WE COULD HAVE TAKEN HIM FOR OVER A HUNDRED GRAND. 755 00:33:19,398 --> 00:33:22,601 NOBODY'S SETTING YOU UP. YOUR PARANOIA'S OFF THE CHART. 756 00:33:22,634 --> 00:33:24,136 YEAH, MAYBE YOU SHOULDN'T CAPER 757 00:33:24,170 --> 00:33:25,704 WHEN YOU'RE GACKED OUT ON COKE. 758 00:33:25,737 --> 00:33:27,249 LISTEN... THERE WERE TWO GUYS IN THE ADJOINING ROOM, 759 00:33:27,273 --> 00:33:28,516 AND THEY DIDN'T LOOK LIKE OVERNIGHTERS. 760 00:33:28,540 --> 00:33:30,109 COPS? 761 00:33:30,142 --> 00:33:31,743 WELL, I AIN'T SURE. 762 00:33:34,446 --> 00:33:37,083 TWO M IN A HOTEL ROOM IN VENICE? 763 00:33:37,116 --> 00:33:39,318 COME ON, CAHILL. 764 00:33:39,351 --> 00:33:41,596 MAYBE IF YOU HAD STAYED AROUND AND WATCHED A LITTLE LONGER, 765 00:33:41,620 --> 00:33:43,455 YOU'D HAVE SEEN A LITTLE MAN-ON-MAN MASSAGE. 766 00:33:43,489 --> 00:33:45,091 NO, NO, NO, NO. 767 00:33:45,124 --> 00:33:46,625 I DON'T BUY THAT. 768 00:33:46,658 --> 00:33:47,726 WELL... 769 00:33:49,495 --> 00:33:53,332 THE GOOD NEWS IS, IT'S NOT A COMPLETE WASH. 770 00:33:53,365 --> 00:33:55,834 THE MIAMI COUPLE, THEY DELIVERED... 771 00:33:55,867 --> 00:33:58,270 AND I KNOW WHERE THEY DROPPED. 772 00:33:58,304 --> 00:33:59,738 NOW, HOW WOULD YOU KNOW THAT? 773 00:33:59,771 --> 00:34:01,640 IT'S ONE OF MY "GENTLEMEN" FRIENDS 774 00:34:01,673 --> 00:34:03,309 THAT'S COLLECTING THE PAPER. 775 00:34:03,342 --> 00:34:06,245 YOU GIVE ME HALF, I'll GIVE YOU THE ADDRESS. 776 00:34:06,278 --> 00:34:07,479 FINE. 777 00:34:08,647 --> 00:34:10,249 HALF. YEAH. 778 00:34:10,282 --> 00:34:12,518 WHATEVER YOU SAY, SWEETIE. 779 00:34:12,551 --> 00:34:15,221 BUT YOU'RE TAKING ME THERE RIGHT NOW. 780 00:34:15,254 --> 00:34:17,356 OH, NO, NO. [ CHUCKLES ] NO. 781 00:34:17,389 --> 00:34:21,093 WHAT IF HE'S OUT COLLECTING THE REST OF THE PAPER? 782 00:34:21,127 --> 00:34:23,562 NO, YOU NEED TO DO IT WHEN I SAY IT'S RIGHT. 783 00:34:23,595 --> 00:34:24,730 WHOA, WHOA. REALLY? 784 00:34:24,763 --> 00:34:26,432 YOU THINK I'M GONNA LET 785 00:34:26,465 --> 00:34:28,310 A LITTLE... A LITTLE JUNKIE LIKE YOU CALL THE SHOTS? 786 00:34:28,334 --> 00:34:29,868 NO, NO, NO. 787 00:34:29,901 --> 00:34:32,538 WE'RE DOING THIS MY WAY, AND WE'RE DOING IT RIGHT NOW. 788 00:34:32,571 --> 00:34:35,207 I THINK THAT'S A BAD MOVE ON YOUR PART, BUT... 789 00:34:35,241 --> 00:34:36,242 WHATEVER. 790 00:34:38,210 --> 00:34:39,578 [ SIGHS ] 791 00:34:39,611 --> 00:34:42,281 AT LEAST LET ME CALL THE GUY AND MAKE SURE HE'S HOME. 792 00:34:43,315 --> 00:34:44,816 FINE. 793 00:34:44,850 --> 00:34:47,819 BUT YOU DO IT IN FRONT OF ME, AND YOU MAKE IT SHORT. 794 00:34:47,853 --> 00:34:49,588 [ SIGHS ] 795 00:34:49,621 --> 00:34:50,789 FINE. 796 00:34:53,592 --> 00:34:56,628 [ CELLPHONE RINGING ] 797 00:34:56,662 --> 00:34:58,530 YEAH? YOU GO. 798 00:34:59,665 --> 00:35:00,632 HEY. 799 00:35:00,666 --> 00:35:02,134 Hi, baby. 800 00:35:02,168 --> 00:35:05,204 YEAH, UH, HEY. ARE YOU... ARE YOU AROUND? 801 00:35:05,237 --> 00:35:06,472 OH. NO. 802 00:35:06,505 --> 00:35:07,649 I WAS THINKING ABOUT, UH, COMING OVER 803 00:35:07,673 --> 00:35:08,774 AND HANGIN' OUT FOR A WHILE. 804 00:35:08,807 --> 00:35:11,377 I DON'T KNOW. A HALF-HOUR, TOPS? 805 00:35:11,410 --> 00:35:12,644 OKAY. SOUNDS GOOD. 806 00:35:12,678 --> 00:35:14,646 I'll, UH, SEE YOU WHEN YOU GET HERE. 807 00:35:14,680 --> 00:35:16,882 ALL RIGHT. BYE. 808 00:35:18,584 --> 00:35:20,519 OH, LET'S DO IT. 809 00:35:20,552 --> 00:35:23,455 I THINK HE'S FORCING HER TO GO THERE RIGHT NOW. 810 00:35:23,489 --> 00:35:24,699 CARTER AND ALEX AREN'T SET UP, MAN. 811 00:35:24,723 --> 00:35:26,158 I DON'T THINK THEY'RE READY. 812 00:35:26,192 --> 00:35:27,269 AND IF THEY GET THERE BEFORE WE'RE SET UP, 813 00:35:27,293 --> 00:35:28,694 THEN THERE'S NO DAMN CASE. 814 00:35:28,727 --> 00:35:30,405 YEAH, WELL, YOU'D BETTER CALL LIEUTENANT SHAW, 815 00:35:30,429 --> 00:35:32,564 'CAUSE GUESS WHAT... READY OR NOT, HERE THEY COME. 816 00:35:32,598 --> 00:35:34,900 WE'RE NOT GONNA GET A THIRD SHOT AT CAHILL. 817 00:35:34,933 --> 00:35:36,835 WE GOT TO GO TO THIS HOUSE NOW. 818 00:35:36,868 --> 00:35:38,704 THIS DOESN'T FEEL RIGHT, MAN. 819 00:35:38,737 --> 00:35:40,906 I THINK WE TAKE THEM DOWN NOW. 820 00:35:44,710 --> 00:35:46,645 SHE DIDN'T GIVE THE PANIC WORD, OKAY? 821 00:35:46,678 --> 00:35:48,647 SO SHE'S GOT TO HAVE IT UNDER CONTROL. 822 00:35:48,680 --> 00:35:49,881 I WANT TO TRUST YOU, DEAN, 823 00:35:49,915 --> 00:35:51,517 BUT SHE HAD EVERYTHING UNDER CONTROL 824 00:35:51,550 --> 00:35:52,951 WITH THE LIL ANT SITUATION, RIGHT? 825 00:35:52,984 --> 00:35:55,887 UNTIL HE KNOCKED HER ASS OUT AND THEN TOOK HER GUN. 826 00:35:57,256 --> 00:35:59,391 TY, SHE CAN HANDLE THIS, ALL RIGHT? 827 00:35:59,425 --> 00:36:00,426 COME ON. 828 00:36:02,228 --> 00:36:03,529 SHE'S GOT THIS. 829 00:36:03,562 --> 00:36:05,564 IF YOU SAY SO, PARTNER. 830 00:36:11,670 --> 00:36:15,474 HE JUST MOVED. I-I'M NOT SURE OF THE ADDRESS. 831 00:36:17,443 --> 00:36:19,745 Carter: ALL RIGHT, YOU NEED TO STAY ON HER REAL TIGHT. 832 00:36:19,778 --> 00:36:21,413 AND LET ME KNOW WHEN SHE'S CLOSE. 833 00:36:21,447 --> 00:36:22,548 OKAY, ROGER THAT. 834 00:36:26,485 --> 00:36:28,186 [ CELLPHONE BEEPS ] 835 00:36:30,589 --> 00:36:32,258 ALEX, HEY. 836 00:36:32,291 --> 00:36:34,426 YOU NEED TO GET HERE WITH THAT FLASH MONEY NOW. 837 00:36:42,501 --> 00:36:43,602 WHAT WAS THAT? 838 00:36:43,635 --> 00:36:45,237 IT'S AN INSIDE THING. 839 00:36:45,271 --> 00:36:47,005 SHE'S GONNA STALL CAHILL. COME ON. LET'S GO. 840 00:36:47,038 --> 00:36:48,507 HOPE YOU'RE RIGHT, BUDDY. 841 00:36:48,540 --> 00:36:49,980 CARTER WANTS US TO STAY TIGHT ON HER. 842 00:36:52,811 --> 00:36:55,414 WE'RE... GOOD. 843 00:37:01,820 --> 00:37:03,455 WHAT THE HELL HAPPENED? I DON'T KNOW. 844 00:37:03,489 --> 00:37:04,790 SHE PROMISED ME 845 00:37:04,823 --> 00:37:06,534 SHE'D JUST GET HIM THE ADDRESS AND WALK AWAY. 846 00:37:06,558 --> 00:37:08,503 HE MUST HAVE GOT EXCITED AND WANTED TO ACCELERATE THINGS. 847 00:37:08,527 --> 00:37:10,296 THIS THING'S MOVING WAY TOO FAST. 848 00:37:10,329 --> 00:37:12,764 YOU'RE THE ONE WHO WANTED TO PUT HER BACK IN PLAY RIGHT AWAY. 849 00:37:12,798 --> 00:37:14,533 I DID, BECAUSE IT MADE SENSE 850 00:37:14,566 --> 00:37:16,602 AND BECAUSE JAIMIE'S A HELL OF A COP. 851 00:37:16,635 --> 00:37:19,738 RIGHT BEHIND US. LET'S GO. MAKE YOURSELF SCARCE. 852 00:37:19,771 --> 00:37:21,640 IS THIS ALL OF IT? YEAH. 853 00:37:22,908 --> 00:37:24,876 YEAH. GO, GO, GO, GO. 854 00:37:24,910 --> 00:37:26,244 [ GUN COCKS ] 855 00:37:54,840 --> 00:37:56,074 WHOA. 856 00:37:56,107 --> 00:37:58,009 FORGOT TO LOCK THE DOOR THERE, BUDDY. 857 00:37:58,043 --> 00:38:00,346 Y-YOU SET ME UP, YOU DUMB LITTLE JUNKIE?! 858 00:38:00,379 --> 00:38:02,080 TAKE THE MONEY. PUT THE GIRL ON THE COUCH. 859 00:38:02,113 --> 00:38:04,916 MAKE IT LOOK LIKE A DRUG DEAL GONE BAD. 860 00:38:04,950 --> 00:38:06,385 YOU GUYS AREN'T COPS? 861 00:38:06,418 --> 00:38:08,520 OH, AFRAID NOT, SPORT. 862 00:38:08,554 --> 00:38:09,955 Carter: THIS ISN'T JUST A RIP. 863 00:38:09,988 --> 00:38:13,091 THEY'RE NOT WEARING MASKS. THIS IS A KILL. 864 00:38:13,124 --> 00:38:14,426 [ GUN COCKS ] 865 00:38:14,460 --> 00:38:16,362 L.A.P.D.! 866 00:38:16,395 --> 00:38:17,696 POLICE! [ GUNSHOT ] 867 00:38:17,729 --> 00:38:18,697 [ DEAN GRUNTS ] 868 00:38:18,730 --> 00:38:20,566 [ GUNFIRE ] 869 00:39:03,509 --> 00:39:05,777 YOU ALL RIGHT? 870 00:39:09,515 --> 00:39:11,617 Ty: AW, DON'T BE PISSED. IT'S JUST CRUTCHES. 871 00:39:11,650 --> 00:39:12,918 A COUPLE INCHES OVER, 872 00:39:12,951 --> 00:39:14,753 YOU'D HAVE BEEN SINGING FALSETTO, BROTHER. 873 00:39:14,786 --> 00:39:15,854 NOW GET REAL. 874 00:39:15,887 --> 00:39:17,389 Dean: INCHES? 875 00:39:17,423 --> 00:39:20,091 A COUPLE INCHES? 876 00:39:20,125 --> 00:39:22,761 COLLECTING WORKERS' COMP, MY FRIEND... 877 00:39:22,794 --> 00:39:24,430 VACATION... 878 00:39:34,873 --> 00:39:37,743 HEY, NEXT ROUND'S ON ME, ALL RIGHT? 879 00:39:39,478 --> 00:39:40,879 [ SIGHS ] 880 00:39:44,049 --> 00:39:46,151 NICE MONEY CLIP. 881 00:39:46,184 --> 00:39:47,553 YEAH. 882 00:39:47,586 --> 00:39:49,063 IT'S THE ONE THAT HEADQUARTERS SENT DOWN. 883 00:39:49,087 --> 00:39:51,022 IT'S THE CREW GIFT. ALEX PUT IT ON YOUR DESK. 884 00:39:51,056 --> 00:39:52,791 YOU GOT YOURS, RIGHT? WE ALL GOT ONE. 885 00:39:52,824 --> 00:39:53,792 YEAH. 886 00:39:53,825 --> 00:39:55,060 OF COURSE I DID. 887 00:39:59,865 --> 00:40:02,100 WE STILL ON FOR DINNER TOMORROW NIGHT? 888 00:40:04,202 --> 00:40:05,471 YEAH. 889 00:40:05,504 --> 00:40:07,673 I'M LOOKING FORWARD TO IT. 890 00:40:09,007 --> 00:40:10,842 YEAH, ME TOO. 891 00:40:13,912 --> 00:40:16,147 OOH! TIFFANY'S. 892 00:40:16,181 --> 00:40:17,616 YEAH. 893 00:40:17,649 --> 00:40:19,451 IT'S A GIFT FOR MY NIECE FOR HER GRADUATION. 894 00:40:25,957 --> 00:40:28,494 I'll BE BACK. 895 00:40:35,501 --> 00:40:37,603 SOMETHING ON YOUR MIND? 896 00:40:37,636 --> 00:40:38,604 YEAH. 897 00:40:38,637 --> 00:40:39,938 AND BELIEVE IT OR NOT, 898 00:40:39,971 --> 00:40:42,140 I'M NOT SO GREAT AT FIGURING OUT WOMEN. 899 00:40:42,173 --> 00:40:43,174 [ GASPS ] NO WAY. 900 00:40:45,677 --> 00:40:47,112 WHAT'S THIS? 901 00:40:47,145 --> 00:40:49,114 LIL ANT SHOOTING REVIEW. 902 00:40:49,147 --> 00:40:50,649 YOU'RE CLEAR. 903 00:40:50,682 --> 00:40:52,159 NOT ONLY THAT, I PUT YOU UP FOR COMMENDATION 904 00:40:52,183 --> 00:40:54,986 ON THE WAY YOU'VE HANDLED YOURSELF ON THIS CASE. 905 00:41:04,863 --> 00:41:07,733 HEY, WHAT UP, MY BROTHER FROM ANOTHER MOTHER? 906 00:41:07,766 --> 00:41:08,734 HEY. 907 00:41:08,767 --> 00:41:09,968 HEY, GUESS WHAT. 908 00:41:10,001 --> 00:41:11,670 I DAMN NEAR PASSED THAT TEST TODAY... 909 00:41:11,703 --> 00:41:13,138 ONLY MISSED IT BY 20 QUESTIONS. 910 00:41:13,171 --> 00:41:14,806 BUT DON'T YOU WORRY, TY. 911 00:41:14,840 --> 00:41:16,975 I CAN TRY AGAIN IN ANOTHER TWO MONTHS, 912 00:41:17,008 --> 00:41:17,976 A GUY TOLD ME. 913 00:41:18,009 --> 00:41:19,745 ALMOST, HUH? 914 00:41:19,778 --> 00:41:21,279 HEY, DON'T BE A HATER, MAN. 915 00:41:21,312 --> 00:41:23,749 ME AND TY, WE GONNA PARTNER UP SOON AS I PASS THAT TEST. 916 00:41:32,791 --> 00:41:34,693 HERE YOU GO. RIGGS AND MURTAUGH. 917 00:41:34,726 --> 00:41:36,728 SMILE.