1 00:00:03,404 --> 00:00:04,805 - GOOD MORNING, BEN. - OH! 2 00:00:04,838 --> 00:00:07,175 - OH. SORRY. - SORRY. 3 00:00:07,208 --> 00:00:08,176 - DID I SCARE YOU? - NO. 4 00:00:08,209 --> 00:00:09,310 - I JUST WANTED TO REMIND YOU 5 00:00:09,343 --> 00:00:10,811 OF THE ART SHOW THAT'S HAPPENING TONIGHT 6 00:00:10,844 --> 00:00:12,413 AT THE COMMUNITY CENTER. 7 00:00:12,446 --> 00:00:13,681 IT'S GONNA BE A LOT OF FUN. 8 00:00:13,714 --> 00:00:15,116 - GREAT. GREAT. - YEAH. 9 00:00:15,149 --> 00:00:16,250 - WELL, THAT SOUNDS COOL. 10 00:00:16,284 --> 00:00:18,086 THAT SOUNDS LIKE SOMETHING THAT'LL BE A BIG SUCCESS, 11 00:00:18,119 --> 00:00:19,153 YOU KNOW? 12 00:00:19,187 --> 00:00:21,189 I MEAN, LIKE EVERYTHING THAT YOU, UH--THAT YOU PUT 13 00:00:21,222 --> 00:00:24,158 YOUR--YOUR--YOUR PAWS ON-- YOUR FINGERS. 14 00:00:24,192 --> 00:00:26,160 - LESLIE KNOPE! BEN WYATT. 15 00:00:26,194 --> 00:00:27,628 BEN, GREAT NEWS-- 16 00:00:27,661 --> 00:00:29,297 DO YOU REMEMBER THE WOMAN I TOLD YOU ABOUT 17 00:00:29,330 --> 00:00:31,099 FROM THE COUNTY COMMISSIONER'S OFFICE? 18 00:00:31,132 --> 00:00:33,601 - UM, VAGUELY. - SURE YOU DO--CINDY MILLER. 19 00:00:33,634 --> 00:00:36,137 ANYWAY, SHE'S AGREED TO GO OUT ON A DATE WITH YOU. 20 00:00:36,170 --> 00:00:39,273 - OH, YOU ASKED HER OUT FOR ME? 21 00:00:39,307 --> 00:00:40,774 - AND YOU'RE GONNA LOVE HER. 22 00:00:40,808 --> 00:00:44,178 SHE IS INTERESTING, SMART, AND BEAUTIFUL, INSIDE AND OUT. 23 00:00:44,212 --> 00:00:46,447 INNER BEAUTY IS VERY IMPORTANT. 24 00:00:46,480 --> 00:00:49,717 AND OUTER BEAUTY IS ALSO VERY IMPORTANT. 25 00:00:49,750 --> 00:00:50,818 - I THOUGHT YOU HAD A RULE 26 00:00:50,851 --> 00:00:54,155 ABOUT INTER-GOVERNMENT RELATIONSHIPS. 27 00:00:54,188 --> 00:00:55,223 - OH, DON'T WORRY. 28 00:00:55,256 --> 00:00:57,258 HER DEPARTMENT IS COMPLETELY SEPARATE FROM OURS. 29 00:00:57,291 --> 00:01:00,161 THIS ISN'T ANYTHING LIKE YOUR AFFAIR WITH TOM HAVERFORD. 30 00:01:00,194 --> 00:01:02,163 - WE WEREN'T--YOU--YOU-- - I'M SORRY. 31 00:01:02,196 --> 00:01:04,198 WHO ARE YOU CALLING? - [on phone] CINDY MILLER. 32 00:01:04,232 --> 00:01:05,733 - CINDY MILLER! CHRIS TRAEGER. 33 00:01:05,766 --> 00:01:07,401 GUESS WHO IS STANDING IN THIS ROOM 34 00:01:07,435 --> 00:01:09,137 WITH ME RIGHT NOW. - OH, UM... 35 00:01:09,170 --> 00:01:11,805 - BEN WYATT. BEN, SAY HELLO. 36 00:01:11,839 --> 00:01:14,175 - UH, HI, CINDY. SORRY. 37 00:01:14,208 --> 00:01:16,844 - HI. NO APOLOGY NECESSARY. 38 00:01:16,877 --> 00:01:18,512 IT'S JUST CHRIS BEING CHRIS. 39 00:01:21,915 --> 00:01:23,417 - HOW ARE YOU DOING? 40 00:01:23,451 --> 00:01:24,818 - OOH, SPARKS ARE FLYING! 41 00:01:24,852 --> 00:01:26,754 I MAY HAVE TO CALL THE FIRE DEPARTMENT. 42 00:01:26,787 --> 00:01:27,821 THAT'S A GOVERNMENT JOKE. 43 00:01:27,855 --> 00:01:30,124 I LOVE SETTING PEOPLE UP. 44 00:01:30,158 --> 00:01:31,625 HERE'S MY SECRET-- 45 00:01:31,659 --> 00:01:34,462 I DETERMINE SOMEONE'S BEST QUALITIES, 46 00:01:34,495 --> 00:01:38,098 AND THEN I FIND SOMEONE ELSE WITH COMPATIBLE QUALITIES. 47 00:01:40,934 --> 00:01:43,137 AND I BRING THEM TOGETHER. 48 00:01:43,171 --> 00:01:46,140 [triumphant music] 49 00:01:46,174 --> 00:01:54,182 * 50 00:02:03,191 --> 00:02:06,260 - UGH. GOD, THIS SUCKS. 51 00:02:06,294 --> 00:02:08,629 - OH. WHY DON'T YOU JUST GO HOME FOR THE REST OF THE DAY? 52 00:02:08,662 --> 00:02:10,831 - I CAN'T GO HOME, 'CAUSE I HAVE THIS ART-SHOW OPENING 53 00:02:10,864 --> 00:02:12,466 AT THE COMMUNITY CENTER. 54 00:02:12,500 --> 00:02:13,934 AND I CAN'T STAY HERE BECAUSE I SEE BEN. 55 00:02:13,967 --> 00:02:17,405 AND I CAN'T DATE BEN BECAUSE OF CHRIS' STUPID RULES. 56 00:02:17,438 --> 00:02:19,873 I FEEL SO... - POWERLESS. 57 00:02:19,907 --> 00:02:22,543 - YEAH. I'M LIKE THAT LIGHTBULB-- 58 00:02:22,576 --> 00:02:26,480 WEAK, FLICKERING, BARELY GIVING OFF ANY LIGHT, 59 00:02:26,514 --> 00:02:28,616 UNABLE TO MAKE OUT WITH THE LIGHTBULB 60 00:02:28,649 --> 00:02:30,284 I WANT TO MAKE OUT WITH. 61 00:02:30,318 --> 00:02:32,420 - YOU KNOW WHAT MIGHT MAKE YOU FEEL BETTER? 62 00:02:32,453 --> 00:02:34,588 - A HUG? - PAXIL. 63 00:02:34,622 --> 00:02:36,190 DO YOU WANT ME TO GET YOU A PRESCRIPTION? 64 00:02:36,224 --> 00:02:37,625 - UGH. 65 00:02:37,658 --> 00:02:40,461 - HEY, TOM, UH, QUESTION FOR YOU-- 66 00:02:40,494 --> 00:02:42,496 DO YOU KNOW ANYONE WHO'S LOOKING FOR A ROOMMATE? 67 00:02:42,530 --> 00:02:44,932 - HOW HOT? - I--WHAT? 68 00:02:44,965 --> 00:02:47,935 - HOW HOT IS THE WOMAN THAT'S LOOKING FOR A PLACE TO STAY? 69 00:02:47,968 --> 00:02:49,937 - NO, IT'S ME. I'M LOOKING. - OH, COME ON, THAT'S NOT FAIR. 70 00:02:49,970 --> 00:02:51,805 YOU SHOULDN'T HAVE LED ME TO BELIEVE 71 00:02:51,839 --> 00:02:53,541 IT WAS A BEAUTIFUL WOMAN. - I DIDN'T. 72 00:02:53,574 --> 00:02:54,608 I'VE BEEN STAYING 73 00:02:54,642 --> 00:02:57,645 AT THE PAWNEE SUPERSUITES MOTEL FOR SEVEN MONTHS. 74 00:02:57,678 --> 00:02:59,213 IT'S A CHARMING LITTLE INN 75 00:02:59,247 --> 00:03:01,749 WITH WONDERFULLY RANDOM WAKE-UP CALLS, 76 00:03:01,782 --> 00:03:03,884 DELIGHTFULLY UNSTABLE TEMPERATURES, 77 00:03:03,917 --> 00:03:06,954 AND, AS OF YESTERDAY, BEDBUGS. 78 00:03:06,987 --> 00:03:09,890 "FOUR STARS!" SAYS NOBODY. 79 00:03:09,923 --> 00:03:11,892 - I WISH I COULD HELP YOU OUT, BENIHANA, BUT I CAN'T. 80 00:03:11,925 --> 00:03:12,826 I HAVE A ONE-BEDROOM. 81 00:03:12,860 --> 00:03:14,662 I CAN'T HAVE A DUDE SLEEPING ON MY COUCH 82 00:03:14,695 --> 00:03:16,630 IF AND WHEN I BRING HOME A LADY. - MM. 83 00:03:16,664 --> 00:03:18,666 - I HAVE A RITUAL, AND IT STARTS ON THE COUCH. 84 00:03:18,699 --> 00:03:19,833 - ECCH. - WE SIT DOWN. 85 00:03:19,867 --> 00:03:21,602 - OKAY. YEP. - CLAP MY HANDS. 86 00:03:21,635 --> 00:03:23,003 - LIGHTS DIM. - I UNDERSTAND. 87 00:03:23,036 --> 00:03:23,704 - BOYZ II MEN... - PLEASE STOP. 88 00:03:23,737 --> 00:03:25,639 - FADES IN. - NOPE. NOPE. 89 00:03:25,673 --> 00:03:27,775 YOU DON'T NEED TO EXPLAIN THE RITUAL--I'M GOOD. 90 00:03:27,808 --> 00:03:29,277 - OH, YOU KNOW WHO MIGHT BE ABLE TO HELP 91 00:03:29,310 --> 00:03:30,944 A HOMELESS DUDE, SUCH AS YOURSELF? 92 00:03:30,978 --> 00:03:32,513 - THIS IS AWESOMELY PERFECT. 93 00:03:32,546 --> 00:03:34,815 BURLY JUST MOVED IN WITH HIS RICH GIRLFRIEND, 94 00:03:34,848 --> 00:03:36,484 AND WE NEED HELP WITH THE RENT. 95 00:03:36,517 --> 00:03:37,918 - WE HAVE A COUPLE HOUSE RULES, THOUGH. 96 00:03:37,951 --> 00:03:39,587 - YEAH, SURE. OF COURSE. 97 00:03:39,620 --> 00:03:40,554 - YOU CAN'T USE THE FRONT DOOR. 98 00:03:40,588 --> 00:03:42,290 YOU HAVE TO CLIMB IN THROUGH THE BACK WINDOW. 99 00:03:42,323 --> 00:03:43,857 NO PERSONAL PHONE CONVERSATIONS. 100 00:03:43,891 --> 00:03:45,293 IF YOU EVER SPEAK TO ME IN SPANISH, 101 00:03:45,326 --> 00:03:46,927 PLEASE USE THE FORMAL USTED. 102 00:03:46,960 --> 00:03:48,996 AND NO ELECTRICITY AFTER 6:00 P.M. 103 00:03:49,029 --> 00:03:51,332 - [laughs] SHE'S JOKING. 104 00:03:51,365 --> 00:03:52,800 - OKAY. 105 00:03:52,833 --> 00:03:54,535 - YOU CAN USE AS MUCH FREE ELECTRICITY AS YOU WANT. 106 00:03:54,568 --> 00:03:56,003 IT'S FREE. - COUPLE MORE RULES-- 107 00:03:56,036 --> 00:03:57,405 IF YOU EVER WATCH A SAD MOVIE, 108 00:03:57,438 --> 00:03:58,739 YOU HAVE TO WEAR MASCARA 109 00:03:58,772 --> 00:04:00,508 SO WE CAN SEE WHETHER OR NOT YOU'VE BEEN CRYING. 110 00:04:00,541 --> 00:04:02,876 THERE'S NO NOISE ALLOWED ON MONDAYS 111 00:04:02,910 --> 00:04:04,712 AND NO TV AFTER BREAKFAST. 112 00:04:04,745 --> 00:04:07,815 - [laughs] SHE IS LYING AGAIN. 113 00:04:07,848 --> 00:04:09,883 - SHE IS-- 'CAUSE IT'S HARD TO TELL. 114 00:04:09,917 --> 00:04:10,951 - NO. WE LEAVE THE TV ON ALL DAY LONG 115 00:04:10,984 --> 00:04:13,020 SO BURGLARS THINK THAT WE'RE HOME WHEN WE'RE NOT, 116 00:04:13,053 --> 00:04:15,556 WHICH IS MY IDEA THAT I'M TRYING TO PATENT. 117 00:04:15,589 --> 00:04:20,694 SO YOU WANT TO MOVE IN TONIGHT? 118 00:04:20,728 --> 00:04:24,298 - YEAH. SURE. THAT'D BE GREAT. 119 00:04:24,332 --> 00:04:26,967 - YOU WANT MY GUM? - MM-HMM. 120 00:04:30,671 --> 00:04:33,441 - UGH. RON, CAN YOU MAKE THE OPENING REMARKS? 121 00:04:33,474 --> 00:04:35,843 I-I JUST-- I'M NOT IN THE MOOD. 122 00:04:35,876 --> 00:04:37,778 - NEITHER AM I, EVER. 123 00:04:37,811 --> 00:04:40,314 WHAT'S WRONG WITH YOU? YOU LIVE FOR THIS KIND OF STUFF. 124 00:04:40,348 --> 00:04:41,782 - I DON'T HAVE IT IN ME RIGHT NOW. 125 00:04:41,815 --> 00:04:43,917 RON, PLEASE, DO IT FOR ME. 126 00:04:43,951 --> 00:04:45,853 MAKE THE SPEECH. RON. PLEASE. PLEASE. 127 00:04:45,886 --> 00:04:46,954 GIVE THE SPEECH, RON. - NO. 128 00:04:46,987 --> 00:04:48,389 - YES. PLEASE. RON. - NO. 129 00:04:48,422 --> 00:04:49,490 - PLEASE. PLEASE GIVE THE SPEECH. 130 00:04:49,523 --> 00:04:50,891 PLEASE GIVE THE SPEECH. - NO, I WON'T. 131 00:04:50,924 --> 00:04:52,726 - YES. YES. YES. YES... - NO WAY. 132 00:04:52,760 --> 00:04:54,428 - PLEASE. PLEASE. PLEASE... - NO. 133 00:04:54,462 --> 00:04:56,830 - YES. YES. YES. - ALL RIGHT! DAMN IT, WOMAN. 134 00:04:56,864 --> 00:04:59,933 OKAY, EVERYONE, SHUT UP 135 00:04:59,967 --> 00:05:02,470 AND LOOK AT ME! 136 00:05:02,503 --> 00:05:04,938 WELCOME TO VISIONS OF NATURE. 137 00:05:04,972 --> 00:05:06,940 THIS ROOM HAS SEVERAL PAINTINGS IN IT. 138 00:05:06,974 --> 00:05:08,876 SOME ARE BIG. SOME ARE SMALL. 139 00:05:08,909 --> 00:05:11,011 PEOPLE DID THEM, AND THEY ARE HERE NOW. 140 00:05:11,044 --> 00:05:12,880 I BELIEVE THAT AFTER THIS IS OVER, 141 00:05:12,913 --> 00:05:14,815 THEY'LL BE HUNG IN GOVERNMENT BUILDINGS. 142 00:05:14,848 --> 00:05:17,918 WHY THE GOVERNMENT IS INVOLVED IN AN ART SHOW IS BEYOND ME. 143 00:05:17,951 --> 00:05:19,620 I ALSO THINK IT'S POINTLESS 144 00:05:19,653 --> 00:05:22,456 FOR A HUMAN TO PAINT SCENES OF NATURE 145 00:05:22,490 --> 00:05:24,925 WHEN THEY COULD JUST GO OUTSIDE AND STAND IN IT. 146 00:05:24,958 --> 00:05:27,728 ANYWAY, PLEASE DO NOT MISINTERPRET THE FACT 147 00:05:27,761 --> 00:05:30,964 THAT I AM TALKING RIGHT NOW AS GENUINE INTEREST IN ART 148 00:05:30,998 --> 00:05:33,501 AND ATTEMPT TO DISCUSS IT WITH ME FURTHER. 149 00:05:33,534 --> 00:05:35,135 END OF SPEECH. 150 00:05:35,168 --> 00:05:37,037 - AND THIS IS THE TV ROOM. 151 00:05:37,070 --> 00:05:40,508 - OH, MY GOD. 152 00:05:40,541 --> 00:05:42,376 - YEAH, IT'S A MESS. 153 00:05:42,410 --> 00:05:44,912 [loud crunch] 154 00:05:50,818 --> 00:05:52,453 - COULD YOU THROW THAT IN THE TRASH CAN? 155 00:05:52,486 --> 00:05:54,755 - I WAS JUST HERE, LIKE, THREE WEEKS AGO FOR YOUR WEDDING. 156 00:05:54,788 --> 00:05:56,023 WHAT HAPPENED? 157 00:05:56,056 --> 00:05:56,957 - I DON'T KNOW. BURLY MOVED OUT. 158 00:05:56,990 --> 00:05:58,959 HE WAS THE ONE THAT DID ALL THE CLEANING 159 00:05:58,992 --> 00:06:00,528 AND THROWING AWAY AND STUFF. 160 00:06:00,561 --> 00:06:01,895 - WAIT, HE MOVED OUT, LIKE, A WEEK AGO. 161 00:06:01,929 --> 00:06:03,764 YOU GUYS MADE THIS MESS IN A WEEK? 162 00:06:03,797 --> 00:06:05,433 - WELL, I ALWAYS THINK APRIL'S GONNA CLEAN UP. 163 00:06:05,466 --> 00:06:08,569 - AND I NEVER CLEAN UP. - IT'S CUTE, RIGHT? 164 00:06:08,602 --> 00:06:10,904 - NO. - YES, IT IS. 165 00:06:10,938 --> 00:06:12,406 [marbles rolling] 166 00:06:12,440 --> 00:06:16,577 - ARE YOU GUYS FRYING MARBLES? 167 00:06:16,610 --> 00:06:17,978 - WE WERE CHECKING TO SEE IF THE FIRE ALARM WORKED. 168 00:06:18,011 --> 00:06:19,046 - IT DOESN'T. 169 00:06:19,079 --> 00:06:21,915 - THE BIGGEST CHALLENGE TO PICKING 170 00:06:21,949 --> 00:06:24,017 THE PERFECT ROOMMATE 171 00:06:24,051 --> 00:06:26,920 IS FINDING SOMEONE WHO'S WILLING TO PAY 172 00:06:26,954 --> 00:06:29,923 MORE THAN THEIR SHARE OF RENT WITHOUT KNOWING IT. 173 00:06:29,957 --> 00:06:31,992 - I THINK WE FOUND THAT IN BEN. 174 00:06:32,025 --> 00:06:35,796 [soft chatter] 175 00:06:35,829 --> 00:06:38,499 - YOU FORGOT TO PAINT A PAINTING, SON. 176 00:06:38,532 --> 00:06:40,033 - SO FOR MY PAINTING, 177 00:06:40,067 --> 00:06:42,870 I CHOSE ONE OF MY VERY FAVORITE GREEK MYTHS-- 178 00:06:42,903 --> 00:06:47,207 THE CENTAUR GODDESS DYAPHENA SLAYING A GREAT STAG. 179 00:06:47,240 --> 00:06:50,711 - IT'S, UH, STUNNING. - IT'S BREATHTAKING, JERRY. 180 00:06:50,744 --> 00:06:53,914 - YEAH. REALLY IS. - WOW. THANKS, GUYS. 181 00:06:53,947 --> 00:06:56,784 - HEY, LESLIE, YOU SHOULD REALLY COME OVER HERE AND LOOK 182 00:06:56,817 --> 00:06:57,785 AT JERRY'S PAINTING. 183 00:06:57,818 --> 00:06:59,520 - OH. OH, MY GOD. 184 00:07:01,789 --> 00:07:03,824 THAT'S ME. IS THAT ME? 185 00:07:03,857 --> 00:07:07,961 - WHAT? [chuckles] NO. 186 00:07:07,995 --> 00:07:09,830 OH, JEEZ, IT DOES LOOK LIKE YOU. 187 00:07:09,863 --> 00:07:11,164 - YOU'RE JUST REALIZING THAT NOW? 188 00:07:11,198 --> 00:07:13,033 - THAT'S WHAT YOU SEE WHEN YOU CLOSE YOUR EYES 189 00:07:13,066 --> 00:07:15,703 AT NIGHT, JERRY-- TOPLESS LESLIE GLUED TO A HORSE. 190 00:07:15,736 --> 00:07:16,904 [laughs] 191 00:07:16,937 --> 00:07:18,739 - OKAY, LESLIE, I AM JUST SO, SO SORRY. 192 00:07:18,772 --> 00:07:20,741 DYAPHENA-- SHE IS THIS POWERFUL GODDESS. 193 00:07:20,774 --> 00:07:23,176 AND I'VE BEEN THINKING A LOT ABOUT POWERFUL WOMEN. 194 00:07:23,210 --> 00:07:26,614 AND SUBCONSCIOUSLY, I PAINTED YOU. 195 00:07:26,647 --> 00:07:28,048 I'M SORRY. I'M GONNA TAKE IT RIGHT DOWN. 196 00:07:28,081 --> 00:07:31,585 - NO. LEAVE IT UP. 197 00:07:31,619 --> 00:07:33,721 I LOVE IT. 198 00:07:33,754 --> 00:07:35,155 I DON'T KNOW HOW TO EXPLAIN IT. 199 00:07:35,188 --> 00:07:38,058 EVERY TIME I LOOK AT IT, I JUST THINK TO MYSELF, 200 00:07:38,091 --> 00:07:40,828 "WHAT CAN'T THAT CENTAUR WOMAN DO?" 201 00:07:40,861 --> 00:07:43,030 BESIDES RIDE AN ESCALATOR AND DRIVE A CAR. 202 00:07:43,063 --> 00:07:48,769 ART CAN BE SO MAGNIFICENT. 203 00:07:48,802 --> 00:07:50,538 - OH, MY GOD. THE BABY IS TOM. 204 00:07:50,571 --> 00:07:51,705 - WHAT? 205 00:07:51,739 --> 00:07:54,775 - THIS IS EASILY MY FAVORITE PAINTING EVER. 206 00:07:54,808 --> 00:07:57,244 - WHAT THE HELL, JERRY? LOOK AT MY POTBELLY. 207 00:07:57,277 --> 00:08:00,013 I LOOK LIKE A PREGNANT BABY! AND WHY AM I SO SCARED? 208 00:08:00,047 --> 00:08:01,815 ALL RIGHT, WE GOT TO TAKE THIS DOWN NOW. 209 00:08:01,849 --> 00:08:02,916 - NO, THIS PAINTING ISN'T GOING ANYWHERE, TOM. 210 00:08:02,950 --> 00:08:04,084 IT'S STAYING RIGHT HERE. 211 00:08:04,117 --> 00:08:06,854 HELLO, FELLOW LOVER OF THE ARTS. 212 00:08:06,887 --> 00:08:09,189 WELCOME TO THE PAINTING. 213 00:08:09,222 --> 00:08:11,925 - WHAT--IS THAT YOU? 214 00:08:11,959 --> 00:08:15,128 LOOKS HOT. - THANK YOU. 215 00:08:15,162 --> 00:08:18,966 - THIS GUY'S IN IT TOO. HE'S THE LITTLE FAT BABY. 216 00:08:18,999 --> 00:08:21,735 - COOL. - YEAH. 217 00:08:21,769 --> 00:08:23,771 - WHAT'S GOING ON OVER HERE? [laughter] 218 00:08:23,804 --> 00:08:25,773 - BABY ROLLS? 219 00:08:29,910 --> 00:08:32,680 - OH, WE'VE BEEN TRYING TO GET THAT LIGHT FIXED FOR MONTHS. 220 00:08:32,713 --> 00:08:35,215 THANK YOU. - THANK HER. 221 00:08:35,248 --> 00:08:36,917 - GOOD MORNING, TOM. 222 00:08:36,950 --> 00:08:38,652 - SHE MARCHED INTO MY OFFICE THIS MORNING 223 00:08:38,686 --> 00:08:40,854 AND TOLD ME SHE WOULDN'T LEAVE UNTIL I GOT THIS DONE. 224 00:08:40,888 --> 00:08:43,691 - HMM. WELL, I'M GLAD SOMEONE'S FEELING GOOD. 225 00:08:43,724 --> 00:08:46,994 THEY'RE GONNA HANG THAT PAINTING IN A PUBLIC BUILDING 226 00:08:47,027 --> 00:08:48,896 WHERE ANYBODY CAN SEE IT. 227 00:08:48,929 --> 00:08:51,765 IN ONE BRUSHSTROKE, JERRY HAS KILLED 228 00:08:51,799 --> 00:08:53,901 THE JAY-Z VIBE THAT'S TAKEN ME YEARS TO CULTIVATE 229 00:08:53,934 --> 00:08:56,670 AND REPLACED IT WITH A FAT, BROWN, BABY VIBE, 230 00:08:56,704 --> 00:08:58,305 WHICH IS NOT AS COOL OF A VIBE. 231 00:08:58,338 --> 00:09:00,674 - HEY, APHRODITE, CHRIS NEEDS YOU IN HIS OFFICE. 232 00:09:00,708 --> 00:09:02,275 - HMM. 233 00:09:02,309 --> 00:09:04,945 WHEN YOU'RE DONE WITH THE LIGHT, FIX THE PRINTER. 234 00:09:04,978 --> 00:09:06,614 - I DON'T KNOW HOW TO FIX PRINTERS. 235 00:09:06,647 --> 00:09:08,582 - LEARN IT. 236 00:09:08,616 --> 00:09:13,086 - LESLIE, SHOULD I GO TOO? - THIS ISN'T ABOUT YOU, JERRY. 237 00:09:13,120 --> 00:09:15,656 - IT'S MY PAINTING. 238 00:09:15,689 --> 00:09:17,090 - WHY AM I UPSET? 239 00:09:17,124 --> 00:09:19,026 UH, LET'S START WITH GOVERNMENT-FUNDED 240 00:09:19,059 --> 00:09:20,694 ANIMAL PORN. 241 00:09:20,728 --> 00:09:22,295 - OH, I'M NOT SURE THAT'S FAIR. 242 00:09:22,329 --> 00:09:24,131 - I WANT IT DESTROYED, AND I WANT A STATEMENT 243 00:09:24,164 --> 00:09:27,067 FROM THIS OFFICE APOLOGIZING FOR AN OBSCENE DEPICTION 244 00:09:27,100 --> 00:09:28,235 OF BESTIALITY. 245 00:09:28,268 --> 00:09:30,003 - BE--BESTIALITY? 246 00:09:30,037 --> 00:09:31,805 IT IS A PICTURE OF A CENTAUR-- 247 00:09:31,839 --> 00:09:33,974 A BEAUTIFUL HALF PERSON, HALF HORSE. 248 00:09:34,007 --> 00:09:35,843 - AND HOW DID IT GET LIKE THAT? 249 00:09:35,876 --> 00:09:39,880 WHO HAD SEX WITH WHAT AND GAVE BIRTH TO WHICH? 250 00:09:39,913 --> 00:09:42,783 - MISS LANGMAN, WE HEAR YOU, WE UNDERSTAND YOU, 251 00:09:42,816 --> 00:09:44,718 AND WE ARE GOING TO DO WHATEVER WE CAN 252 00:09:44,752 --> 00:09:46,854 TO COME TO A SOLUTION. 253 00:09:46,887 --> 00:09:48,956 - DESTROY IT. 254 00:09:48,989 --> 00:09:51,925 - DESTROY IT? I MEAN, IS SHE SERIOUS? 255 00:09:51,959 --> 00:09:54,327 DO YOU FIND THIS PERSONALLY OFFENSIVE? 256 00:09:54,361 --> 00:09:56,196 - NOT PERSONALLY, NO. 257 00:09:56,229 --> 00:09:58,098 NO, PERSONALLY, I ENJOY A GOOD ARTISTIC DEPICTION 258 00:09:58,131 --> 00:09:59,767 OF THE HUMAN FORM. 259 00:09:59,800 --> 00:10:01,769 I'VE DABBLED IN NUDE SCULPTURE. 260 00:10:01,802 --> 00:10:02,903 I'VE POSED NUDE. 261 00:10:02,936 --> 00:10:05,739 IN COLLEGE, I WAS IN A NUDE PRODUCTION OF CATS. 262 00:10:05,773 --> 00:10:06,907 - MM. 263 00:10:06,940 --> 00:10:08,208 - BUT I AM NOT IN THE NUDE NOW, AM I? 264 00:10:08,241 --> 00:10:09,810 BECAUSE WE'RE IN A GOVERNMENT BUILDING. 265 00:10:09,843 --> 00:10:11,011 AND THAT WOULD BE INAPPROPRIATE, 266 00:10:11,044 --> 00:10:13,346 WHICH IS WHAT I THINK MARCIA IS SAYING. 267 00:10:13,380 --> 00:10:15,182 SO TAKE CARE OF THE SITUATION. 268 00:10:15,215 --> 00:10:17,918 - THAT PAINTING IS NOT GONNA BE DESTROYED. 269 00:10:17,951 --> 00:10:20,320 EVERY GREAT WORK OF ART CONTAINS A MESSAGE. 270 00:10:20,353 --> 00:10:24,024 AND THE MESSAGE OF THIS PAINTING IS, "GET OUT OF MY WAY 271 00:10:24,057 --> 00:10:28,696 UNLESS YOU WANT AN ARROW IN YOUR ASS, MARCIA." 272 00:10:28,729 --> 00:10:31,198 - MORNING, ROOMIE. HOW'D YOU SLEEP? 273 00:10:31,231 --> 00:10:34,167 - WELL, THERE WERE NO BEDBUGS. ALSO NO BED. 274 00:10:34,201 --> 00:10:36,436 I'M GONNA GO BUY A BED. 275 00:10:36,469 --> 00:10:38,171 - FORK. - I'M SORRY... 276 00:10:38,205 --> 00:10:41,308 ARE YOU EATING TURKEY CHILI OFF OF A FRISBEE? 277 00:10:41,341 --> 00:10:44,912 - [laughs] IT'S PRETTY CUTE, RIGHT? 278 00:10:44,945 --> 00:10:48,015 - NO. DO YOU KNOW WHAT "CUTE" MEANS? 279 00:10:48,048 --> 00:10:49,917 - WHAT HAVE YOU GOT AGAINST TURKEY CHILI FOR BREAKFAST? 280 00:10:49,950 --> 00:10:52,252 - WHAT HAVE YOU GUYS GOT AGAINST WASHING DISHES? 281 00:10:52,285 --> 00:10:53,921 - WE DON'T HAVE ANY DISHES, OKAY? 282 00:10:53,954 --> 00:10:55,823 BURLY TOOK THEM ALL WHEN HE LEFT. 283 00:10:55,856 --> 00:10:57,758 NOW I BET YOU FEEL LIKE A JERK. 284 00:10:57,791 --> 00:11:01,061 - OH, GOD. OKAY, I MIGHT NEED TO NOT STAY HERE ANYMORE. 285 00:11:01,094 --> 00:11:02,095 - NO. SORRY, DUDE. 286 00:11:02,129 --> 00:11:04,297 WE ALREADY SPENT YOUR MONEY ON A NEW XBOX 360 287 00:11:04,331 --> 00:11:05,899 AND MORE FRISBEES TO EAT OFF OF. 288 00:11:05,933 --> 00:11:06,967 YOU GOT TO STAY. - OH, GOD. 289 00:11:07,000 --> 00:11:09,937 OKAY. ALL RIGHT. HERE'S THE DEAL-- 290 00:11:09,970 --> 00:11:11,705 [takeout box crumples] 291 00:11:11,739 --> 00:11:14,207 WE'RE GONNA CLEAN THIS PLACE UP, OKAY? 292 00:11:14,241 --> 00:11:17,010 AND THEN I'M GOING TO TEACH YOU HOW TO BE ADULTS. 293 00:11:17,044 --> 00:11:20,213 - COOL. WE'LL GET TO BE ADULTS. 294 00:11:20,247 --> 00:11:24,017 - GEE, GOLLY, THANKS, MISTER. 295 00:11:24,051 --> 00:11:25,786 - FORK. 296 00:11:25,819 --> 00:11:27,320 - HELLO, I'M PERD HAPLEY 297 00:11:27,354 --> 00:11:29,857 AND WELCOME TO YA' HEARD? WITH PERD. 298 00:11:29,890 --> 00:11:32,025 TODAY'S SHOW BEGINS NOW. 299 00:11:32,059 --> 00:11:34,895 IS THIS ART, OR IS IT PORNOGRAPHY? 300 00:11:34,928 --> 00:11:36,930 HERE TO ANSWER THIS QUESTION 301 00:11:36,964 --> 00:11:38,899 IS PARKS AND RECREATION DEPUTY DIRECTOR LESLIE KNOPE. 302 00:11:38,932 --> 00:11:41,368 - PERD, IT IS A BEAUTIFUL WORK OF ART. 303 00:11:41,401 --> 00:11:43,871 GOVERNMENTS SHOULD NOT BE IN THE BUSINESS OF CENSORSHIP, 304 00:11:43,904 --> 00:11:46,740 ESPECIALLY WHEN A PAINTING IS AS AWESOME AS THIS ONE. 305 00:11:46,774 --> 00:11:48,275 - BUT THIS IS WHERE THE CONTROVERSY 306 00:11:48,308 --> 00:11:51,078 OF THIS STORY GETS EVEN MORE CONTROVERSIAL. 307 00:11:51,111 --> 00:11:53,046 YOU ARE THE SUBJECT OF THIS PAINTING-- 308 00:11:53,080 --> 00:11:55,949 HALF WOMAN, HALF HORSE, 309 00:11:55,983 --> 00:11:58,786 WITH WHAT SOME WOULD SAY ARE HUMAN BREASTS. 310 00:11:58,819 --> 00:12:00,320 - I AM NOT THE SUBJECT. 311 00:12:00,353 --> 00:12:04,825 THE SUBJECT IS STRONG AND EMPOWERED WOMEN EVERYWHERE. 312 00:12:04,858 --> 00:12:07,995 BUT IT--IT DOES LOOK A LITTLE BIT LIKE ME. 313 00:12:08,028 --> 00:12:10,931 - LESLIE, FOR OUR VIEWERS AT HOME WHO MIGHT NOT KNOW, 314 00:12:10,964 --> 00:12:12,265 ARE CENTAURS REAL? 315 00:12:12,299 --> 00:12:16,036 - NO. - YOU ABSOLUTELY SURE? 316 00:12:16,069 --> 00:12:17,938 - OKAY. SO YOU ALWAYS SEPARATE YOUR LIGHTS 317 00:12:17,971 --> 00:12:19,206 FROM YOUR DARKS. 318 00:12:19,239 --> 00:12:20,540 - THAT'S RACIST. 319 00:12:20,573 --> 00:12:21,975 - AND THEN YOU GET YOUR LAUNDRY D-- 320 00:12:22,009 --> 00:12:23,210 WHERE'S YOUR LAUNDRY DETERGENT? 321 00:12:23,243 --> 00:12:25,478 - RIGHT. HERE WE ARE. [mumbles] 322 00:12:25,512 --> 00:12:28,248 - OKAY. THIS IS, UH, BUBBLE BATH. 323 00:12:28,281 --> 00:12:31,518 YOU GUYS--YOU WASH YOUR CLOTHES IN BUBBLE BATH? 324 00:12:31,551 --> 00:12:33,987 - EH, BUBBLE BATH, CLOTHES SOAP, SAME THING. 325 00:12:34,021 --> 00:12:35,288 - NO, IT'S NOT. 326 00:12:35,322 --> 00:12:38,859 - WELL, THEY BOTH MAKE BUBBLES, SO... 327 00:12:38,892 --> 00:12:41,494 - IT WAS NEVER OUR INTENTION TO OFFEND ANYONE. 328 00:12:41,528 --> 00:12:44,965 I GUESS SOME PEOPLE OBJECT TO POWERFUL DEPICTIONS 329 00:12:44,998 --> 00:12:46,867 OF AWESOME LADIES. - OKAY. 330 00:12:46,900 --> 00:12:49,336 ALSO JOINING US TODAY IS A DIFFERENT PERSON, 331 00:12:49,369 --> 00:12:51,805 PORNOGRAPHIC FILM ACTRESS BRANDI MAXXXX. 332 00:12:51,839 --> 00:12:53,106 - PLEASURE TO BE HERE. 333 00:12:53,140 --> 00:12:56,076 - BRANDI, YOU'VE STARRED IN OVER 200 ADULT FILMS, 334 00:12:56,109 --> 00:12:57,978 SOME WHICH ARE VERY GOOD. 335 00:12:58,011 --> 00:12:59,379 WHEN'D YOU GET IN THE BUSINESS? 336 00:12:59,412 --> 00:13:00,480 - LAST YEAR. - FANTASTIC. 337 00:13:00,513 --> 00:13:04,952 NOW, THIS PAINTING RIGHT HERE-- ART OR PORNOGRAPHY? 338 00:13:04,985 --> 00:13:07,287 - PERD, I THINK THIS WHOLE DEBATE IS RIDICULOUS. 339 00:13:07,320 --> 00:13:09,589 WHAT LESLIE AND I DO IS OBVIOUSLY ART. 340 00:13:09,622 --> 00:13:11,424 - OH, HANG ON. 341 00:13:11,458 --> 00:13:14,895 UM, THERE'S A BIG DIFFERENCE BETWEEN AN OIL PAINTING 342 00:13:14,928 --> 00:13:17,130 OF A GREEK MYTH AND A PORNOGRAPHIC MOVIE. 343 00:13:17,164 --> 00:13:18,398 - IT'S OKAY, LESLIE. I GOT THIS ONE. 344 00:13:18,431 --> 00:13:19,332 - WHAT? 345 00:13:19,366 --> 00:13:20,467 - WHAT LESLIE AND I WANT PEOPLE TO KNOW 346 00:13:20,500 --> 00:13:23,003 IS YOU SHOULD BE ABLE TO HAVE SEX ANYWHERE YOU WANT 347 00:13:23,036 --> 00:13:24,371 AND SHOW IT ANYWHERE YOU WANT, 348 00:13:24,404 --> 00:13:25,906 WHETHER IT'S GIRL-ON-GIRL ACTION, 349 00:13:25,939 --> 00:13:28,942 BONDAGE, OR WHAT HAVE YOU. 350 00:13:28,976 --> 00:13:30,243 - OKAY. HANG ON. 351 00:13:30,277 --> 00:13:32,512 PORNOGRAPHY IS VERY DIFFICULT TO DEFINE. 352 00:13:32,545 --> 00:13:33,947 UM, IN FACT, IT WAS JUSTICE STEWART 353 00:13:33,981 --> 00:13:35,949 WHO ONCE SAID, "I CAN'T DEFINE PORNOGRAPHY, 354 00:13:35,983 --> 00:13:37,951 BUT I KNOW IT WHEN I SEE IT." 355 00:13:37,985 --> 00:13:39,953 - BRANDI, HOW WOULD YOU DEFINE PORNOGRAPHY? 356 00:13:39,987 --> 00:13:41,922 - FOR ME, IT'S WHEN THE PENIS GOES IN. 357 00:13:47,094 --> 00:13:49,362 - ALL RIGHT, WE NEED TO DO SOME BASIC ORGANIZATION. 358 00:13:49,396 --> 00:13:52,532 WHERE DO YOU PUT YOUR BILLS WHEN THEY COME? 359 00:13:52,565 --> 00:13:56,103 - I READ THE MAGAZINES AND GIVE THE REST TO ANDY. 360 00:13:56,136 --> 00:13:59,439 - WHICH I ORGANIZE INTO A PILE OR STACK 361 00:13:59,472 --> 00:14:00,974 THAT I PUT INTO THE FREEZER. 362 00:14:01,008 --> 00:14:06,279 - WHY? - SO THEY WON'T GET LOST. 363 00:14:06,313 --> 00:14:08,381 BINGO. 364 00:14:12,285 --> 00:14:14,387 - OKAY, YOU HAVE TO PAY THESE. 365 00:14:14,421 --> 00:14:16,489 - GOOD THING I DIDN'T LOSE THEM. 366 00:14:16,523 --> 00:14:20,160 - OKAY, NEW LESSON-- BASIC FINANCE. 367 00:14:20,193 --> 00:14:24,531 I'M GONNA TEACH YOU HOW TO BALANCE A CHECKBOOK. 368 00:14:24,564 --> 00:14:28,969 OKAY, I AM GOING TO TEACH YOU HOW TO OPEN A BANK ACCOUNT. 369 00:14:31,071 --> 00:14:33,140 - BANK ACCOUNT. GOOD. 370 00:14:33,173 --> 00:14:34,942 - BRANDI, I'M THOMAS HAVERFORD. 371 00:14:34,975 --> 00:14:36,176 I JUST WANTED TO SAY I THOUGHT YOU MADE 372 00:14:36,209 --> 00:14:37,577 SOME EXCELLENT POINTS UP THERE. 373 00:14:37,610 --> 00:14:39,679 I TOTALLY AGREE WITH YOU THAT PEOPLE SHOULD BE ALLOWED 374 00:14:39,712 --> 00:14:41,214 TO HAVE SEX IN PUBLIC PLACES. 375 00:14:41,248 --> 00:14:42,950 - YOU LOOK FAMILIAR TO ME. 376 00:14:42,983 --> 00:14:46,219 - HMM, MAYBE YOU'VE SEEN ME DOWN AT THE SNAKEHOLE LOUNGE. 377 00:14:46,253 --> 00:14:47,320 I'M A PART-OWNER THERE. 378 00:14:47,354 --> 00:14:48,521 - THAT'S YOU IN THE PAINTING. 379 00:14:48,555 --> 00:14:52,092 YOU'RE THE FAT BABY! 380 00:14:52,125 --> 00:14:54,594 AWW...THAT'S SO CUTE. 381 00:14:54,627 --> 00:14:56,997 - OH, YOU'RE INTO THAT? - NO. 382 00:14:57,030 --> 00:14:59,299 - DAMN IT, JERRY. 383 00:14:59,332 --> 00:15:00,633 - IMAGINE MY HORROR. 384 00:15:00,667 --> 00:15:02,569 I'M HANGING UPSIDE-DOWN WITH MY GRAVITY BOOTS 385 00:15:02,602 --> 00:15:04,004 WATCHING PERD. 386 00:15:04,037 --> 00:15:05,305 I SEE YOU WITH YOUR PAINTING. 387 00:15:05,338 --> 00:15:08,275 AND I AM STARTLED AND DISAPPOINTED. 388 00:15:08,308 --> 00:15:10,243 - WELL, I DID NOT KNOW THAT BRANDI WAS GONNA OFFER ME 389 00:15:10,277 --> 00:15:11,945 A ROLE IN HER NEXT FILM. 390 00:15:11,979 --> 00:15:13,680 - I URGE YOU NOT TO TAKE THAT ROLE. 391 00:15:13,713 --> 00:15:15,382 - I'M NOT GOING TO TAKE THE ROLE. 392 00:15:15,415 --> 00:15:17,050 - THAT'S GOOD TO HEAR, BECAUSE, RECENTLY, 393 00:15:17,084 --> 00:15:20,220 YOU'VE BEEN A LITTLE UNPREDICTABLE. 394 00:15:20,253 --> 00:15:21,721 - I'M SORRY THAT I'M TRYING TO DEFEND 395 00:15:21,754 --> 00:15:23,556 A BEAUTIFUL WORK OF ART. 396 00:15:23,590 --> 00:15:25,225 - THANK YOU, LESLIE. - STAND DOWN, JERRY. 397 00:15:25,258 --> 00:15:27,394 THIS ISN'T YOUR FIGHT. - YOU'VE LEFT ME NO CHOICE. 398 00:15:27,427 --> 00:15:30,330 I'VE CONVENED A MEETING OF THE PUBLIC ARTS COMMISSION, 399 00:15:30,363 --> 00:15:32,365 AND WE WILL ABIDE BY THEIR DECISION. 400 00:15:32,399 --> 00:15:34,301 - FINE WITH ME. 401 00:15:34,334 --> 00:15:37,004 PUBLIC ART COMMISSION, FILLED WITH HIPPIES 402 00:15:37,037 --> 00:15:39,306 WHO LOVE PUBLIC ART AND SOMETIMES WEED. 403 00:15:39,339 --> 00:15:41,441 JACKPOT. 404 00:15:44,077 --> 00:15:45,345 - I WOULD JUST LIKE TO INTRODUCE MYSELF. 405 00:15:45,378 --> 00:15:46,579 MY NAME IS CHRIS TRAEGER, 406 00:15:46,613 --> 00:15:50,650 AND I AM A BIG FAN OF ART. 407 00:15:50,683 --> 00:15:56,189 - [clears throat] COUNCIL, I AM NOT OPPOSED TO PORNOGRAPHY. 408 00:15:56,223 --> 00:15:58,058 IN FACT, YOU COULD SAY I'M DEFINITELY FOR IT. 409 00:15:58,091 --> 00:15:59,993 IF I HAD MY LAPTOP WITH ME RIGHT NOW, 410 00:16:00,027 --> 00:16:01,628 I WOULD SHOW YOU A WELL-HIDDEN FOLDER 411 00:16:01,661 --> 00:16:03,330 WITH GIGABYTES OF PROOF. 412 00:16:03,363 --> 00:16:09,169 HOWEVER, THIS...THING... IS...DISGUSTING... 413 00:16:09,202 --> 00:16:11,104 AND WRONG. 414 00:16:11,138 --> 00:16:13,140 - PLEASE LET THE RECORD REFLECT THAT THE FAT BABY 415 00:16:13,173 --> 00:16:14,641 IS REFERRING TO THE PAINTING. 416 00:16:14,674 --> 00:16:18,645 - HEY! I AM NOT A FAT BABY. I'M A SMALL, SLENDER MAN-- 417 00:16:18,678 --> 00:16:21,248 SIMILAR TO ACTOR TAYE DIGGS. 418 00:16:21,281 --> 00:16:24,251 SO LET THE RECORD REFLECT THAT-- 419 00:16:24,284 --> 00:16:26,186 THAT I LOOK LIKE TAYE DIGGS. 420 00:16:26,219 --> 00:16:29,122 - [clears throat] MEMBERS OF THE PUBLIC ART COMMISSION, 421 00:16:29,156 --> 00:16:31,158 GOOD AFTERNOON, AND GOOD ART. 422 00:16:31,191 --> 00:16:35,628 [all chuckle] 423 00:16:35,662 --> 00:16:38,265 - EVERY GREAT SOCIETY HAS ALWAYS SUPPORTED 424 00:16:38,298 --> 00:16:39,566 ARTISTIC EXPRESSION. 425 00:16:39,599 --> 00:16:41,134 THE ROMANS... - PERVERTS. 426 00:16:41,168 --> 00:16:43,236 - THE GREEKS... - GAY PERVERTS. 427 00:16:43,270 --> 00:16:44,504 - TO GREAT SOCIETIES IN EUROPE. 428 00:16:44,537 --> 00:16:46,273 - EUROPEANS. 429 00:16:46,306 --> 00:16:48,775 - THERE ARE SOME MEMBERS OF THIS COMMUNITY 430 00:16:48,808 --> 00:16:50,677 THAT WOULD LIKE TO DEMONIZE THIS PAINTING. 431 00:16:50,710 --> 00:16:52,079 AND WHEN THEY DO, 432 00:16:52,112 --> 00:16:55,282 THEY IN FACT DEMONIZE ART ITSELF. 433 00:16:55,315 --> 00:16:59,152 WHAT IS OR ISN'T ART IS UP TO EVERY FREE-THINKING AMERICAN 434 00:16:59,186 --> 00:17:02,189 TO DECIDE ON THEIR OWN. 435 00:17:02,222 --> 00:17:05,792 UH, YEAH, IT'S IN THE BAG. 436 00:17:05,825 --> 00:17:08,061 - WE'VE DECIDED THAT THE PAINTING 437 00:17:08,095 --> 00:17:09,529 SHOULD BE DESTROYED. 438 00:17:09,562 --> 00:17:11,231 - YEAH! BURN IT! - WHOO! 439 00:17:11,264 --> 00:17:13,166 - WHAT? ARE YOU SERIOUS? 440 00:17:13,200 --> 00:17:15,168 YOU'RE SUPPOSED TO BE IN FAVOR OF PUBLIC ART. 441 00:17:15,202 --> 00:17:17,370 - YEAH, WELL, THERE ARE NIPPLES IN IT, 442 00:17:17,404 --> 00:17:20,340 SO IT JUST SEEMS LIKE WE OUGHT TO BE SAFE AND DESTROY IT. 443 00:17:22,609 --> 00:17:27,647 - OKAY. HERE IS A LIST OF ERRANDS 444 00:17:27,680 --> 00:17:30,617 AND THINGS THAT HUMAN ADULTS NEED. 445 00:17:30,650 --> 00:17:32,285 ALSO, I'M GIVING YOU AN ADVANCE 446 00:17:32,319 --> 00:17:33,320 ON NEXT MONTH'S RENT. 447 00:17:33,353 --> 00:17:35,555 AND I WANT YOU GUYS TO GO TO BED BATH & BEYOND 448 00:17:35,588 --> 00:17:37,124 AND BUY EVERYTHING ON THAT LIST. 449 00:17:37,157 --> 00:17:39,526 - OR WE COULD BUY A Wii. 450 00:17:39,559 --> 00:17:41,228 - YOU CAN HANDLE THIS. 451 00:17:41,261 --> 00:17:43,196 - I DON'T KNOW, MAN. 452 00:17:43,230 --> 00:17:44,531 WHY DON'T YOU JUST DO IT? 453 00:17:44,564 --> 00:17:48,135 - NO, I CAN'T. I--I...HAVE A DATE. 454 00:17:48,168 --> 00:17:50,303 - OOH, WHAT'S HIS NAME? 455 00:17:50,337 --> 00:17:51,104 - IT'S ACTUALLY NOT-- 456 00:17:51,138 --> 00:17:53,606 UH, CHRIS SET IT UP. NEVER MIND. 457 00:17:53,640 --> 00:17:56,176 THE POINT IS, STICK TO THE LIST, AND YOU'LL DO GREAT. 458 00:17:56,209 --> 00:17:59,246 I HAVE TOTAL FAITH IN YOU. 459 00:17:59,279 --> 00:18:02,382 THERE'S, LIKE, A 30% CHANCE THEY'LL BOTH DIE. 460 00:18:02,415 --> 00:18:04,217 - SO HOW DO YOU WANT TO DO THIS? 461 00:18:04,251 --> 00:18:06,186 BURN IT PUBLICLY OR BURN IT PRIVATELY, 462 00:18:06,219 --> 00:18:07,454 AND I PUT THE FOOTAGE ON MY BLOG OR...? 463 00:18:07,487 --> 00:18:08,421 - YOU'VE MADE YOUR POINT, OKAY? 464 00:18:08,455 --> 00:18:11,291 LOOK, THIS PAINTING IS VERY IMPORTANT TO ME. 465 00:18:11,324 --> 00:18:13,226 IT DOESN'T NEED TO HANG IN A GOVERNMENT BUILDING. 466 00:18:13,260 --> 00:18:16,296 JUST LET ME TAKE IT HOME, AND I'LL KEEP IT THERE. 467 00:18:16,329 --> 00:18:18,131 WHAT DO YOU SAY? 468 00:18:18,165 --> 00:18:20,867 - I SAY THIS PAINTING IS GOING TO BURN-- 469 00:18:20,900 --> 00:18:24,571 FIRST HERE, THEN IN HELL. 470 00:18:24,604 --> 00:18:25,805 DO I NEED TO GET THIS VALIDATED? 471 00:18:25,838 --> 00:18:27,474 - I DON'T--I DON'T KNOW. - NO? 472 00:18:27,507 --> 00:18:28,608 OKAY, THEN, GREAT. 473 00:18:28,641 --> 00:18:30,210 I'M JUST GONNA PULL MY CAR AROUND, 474 00:18:30,243 --> 00:18:32,379 AND YOU CAN LOAD IT IN THE BACK. 475 00:18:32,412 --> 00:18:34,614 - NO. 476 00:18:34,647 --> 00:18:39,286 - HEY! COME BACK HERE! - MAKE ME, STAG! I AM DYAPHENA! 477 00:18:39,319 --> 00:18:41,688 - THIS PLACE IS AMAZING. 478 00:18:41,721 --> 00:18:43,856 - OH, MY GOD, THEY HAVE A THING THAT MAKES SHERBET. 479 00:18:43,890 --> 00:18:45,325 WE NEED FIVE OF THOSE! 480 00:18:45,358 --> 00:18:47,260 - NO, WE NEED TO STICK WITH WHAT'S ON THE LIST. 481 00:18:47,294 --> 00:18:49,196 - FIRST THINGS FIRST, OVEN MITTS. 482 00:18:49,229 --> 00:18:50,763 WHERE ARE THE OVEN MITTS? 483 00:18:50,797 --> 00:18:54,367 - OH, MY GOD. THEY HAVE ALL THE AS-SEEN-ON-TV STUFF. 484 00:18:54,401 --> 00:18:56,936 - NUH-UH. - SHAKE WEIGHT, IRON GYM... 485 00:18:56,969 --> 00:18:58,705 MIRACLE HAND REPAIR, BIG TOP COOKIE, 486 00:18:58,738 --> 00:19:00,340 PILLOW PET, SLAP CHOP. - HONEY. 487 00:19:00,373 --> 00:19:04,377 - OH, MY GOD. - HONEY, HONEY, LISTEN TO ME. 488 00:19:04,411 --> 00:19:06,279 GET IT ALL. 489 00:19:06,313 --> 00:19:08,215 GRAB EVERYTHING THAT WE'VE SEEN IT ON TV 490 00:19:08,248 --> 00:19:09,749 AND PUT IT IN THIS CART RIGHT NOW. 491 00:19:09,782 --> 00:19:12,685 IRON GYM-- I AM GONNA GET SO BUFF. 492 00:19:12,719 --> 00:19:13,953 - OH, MY GOD. MARSHMALLOW SHOOTER. 493 00:19:13,986 --> 00:19:15,288 - MARSHMALLOW SHOOTER! GET TWO. 494 00:19:15,322 --> 00:19:16,356 - WAIT, WHAT ABOUT THE MAGIC BULLET? 495 00:19:16,389 --> 00:19:18,525 - YEAH. I'VE SEEN THAT. 496 00:19:18,558 --> 00:19:21,961 [rapid knocking] 497 00:19:21,994 --> 00:19:23,896 - OH, HI. - HI. 498 00:19:23,930 --> 00:19:25,832 - I WAS AT A MEETING AROUND THE CORNER, 499 00:19:25,865 --> 00:19:28,701 AND SOME PEOPLE WANTED TO DESTROY THIS PAINTING, 500 00:19:28,735 --> 00:19:30,370 SO I BROUGHT IT HERE. 501 00:19:30,403 --> 00:19:32,239 WHERE'S ANDY AND APRIL? 502 00:19:32,272 --> 00:19:34,541 - THEY'RE OUT SHOPPING. 503 00:19:34,574 --> 00:19:39,212 - WHAT ARE YOU DOING HERE? - I MOVED INTO THE SPARE ROOM. 504 00:19:39,246 --> 00:19:40,613 - REALLY? 505 00:19:40,647 --> 00:19:42,382 - YEAH. - HUH. 506 00:19:42,415 --> 00:19:46,553 CAN I COME IN? - YEAH. YEAH. SURE. OF COURSE. 507 00:19:46,586 --> 00:19:48,255 WHY DO THEY WANT TO DESTROY IT? 508 00:19:48,288 --> 00:19:51,958 - WELL, IT'S A PAINTING OF ME AS A CENTAUR. 509 00:19:51,991 --> 00:19:53,760 - OKAY. - AND IT'S A NUDE. 510 00:19:53,793 --> 00:19:55,462 - OH. 511 00:19:55,495 --> 00:19:57,597 - JUST BASICALLY, LIKE, THE "CHESTAL" REGION. 512 00:19:57,630 --> 00:19:59,466 - UH-HUH. - MOSTLY. 513 00:19:59,499 --> 00:20:01,301 YOU DON'T HAVE TO LOOK AT IT IF YOU DON'T WANT TO. 514 00:20:01,334 --> 00:20:02,335 - NO, NO, NO. - IT'S VERY CLASSY. 515 00:20:02,369 --> 00:20:04,371 - YEAH, NO, I'M SURE IT IS. [cell phone rings] 516 00:20:04,404 --> 00:20:06,739 - OH, MAN. IT'S CHRIS. GOT TO TAKE THIS. 517 00:20:06,773 --> 00:20:08,341 - OKAY. - HI, CHRIS. 518 00:20:08,375 --> 00:20:10,543 - LESLIE KNOPE, YOU NEED TO BRING THAT PAINTING BACK. 519 00:20:10,577 --> 00:20:11,344 - WHAT PAINTING? 520 00:20:11,378 --> 00:20:12,912 - LESLIE, YOU HAVE THE PAINTING, 521 00:20:12,945 --> 00:20:13,846 AND YOU NEED TO BRING IT BACK IN. 522 00:20:13,880 --> 00:20:15,648 I THINK I'VE BEEN PRETTY FAIR WITH YOU. 523 00:20:15,682 --> 00:20:17,250 AND I'M STARTING TO FEEL ANGRY. 524 00:20:17,284 --> 00:20:18,451 AND I DON'T LIKE FEELING ANGRY. 525 00:20:18,485 --> 00:20:19,652 MY HEART IS RACING. 526 00:20:19,686 --> 00:20:21,521 IT'S GOING LITERALLY 45 BEATS A MINUTE. 527 00:20:21,554 --> 00:20:22,589 - I'M SORRY. 528 00:20:22,622 --> 00:20:24,457 IF I COULD JUST EXPLAIN TO YOU MY POINT OF VIEW-- 529 00:20:24,491 --> 00:20:25,992 - YOU WILL BRING THAT PAINTING IN TOMORROW MORNING 530 00:20:26,025 --> 00:20:27,594 AND SURRENDER IT TO MARCIA LANGMAN. 531 00:20:27,627 --> 00:20:30,597 AND THAT'S THAT. DO YOU UNDERSTAND ME, MADAM? 532 00:20:30,630 --> 00:20:33,266 - YES. 533 00:20:36,903 --> 00:20:40,807 - OOH. MIGHTY PUTTY. - [chuckles] 534 00:20:42,942 --> 00:20:44,444 WHAT ARE WE DOING? 535 00:20:44,477 --> 00:20:46,313 WE DIDN'T GET A SINGLE THING THAT BEN TOLD US TO. 536 00:20:46,346 --> 00:20:48,581 - SURE WE DID. WE GOT THE MARSHMALLOW SHOOTER. 537 00:20:48,615 --> 00:20:51,050 - THAT'S--I DON'T THINK THAT'S ON THE LIST. 538 00:20:51,083 --> 00:20:54,020 - BUT I WANT IT. - I WANT IT TOO. 539 00:20:54,053 --> 00:20:56,823 BUT I ALSO KIND OF WANT MY OWN FORK... 540 00:20:56,856 --> 00:20:57,690 JUST 'CAUSE YOU EAT REALLY SLOW, 541 00:20:57,724 --> 00:21:02,662 WHICH IS CUTE, BUT ALSO SUPER ANNOYING. 542 00:21:02,695 --> 00:21:04,964 - FINE. - WHAT? WHAT'S WRONG? 543 00:21:04,997 --> 00:21:08,801 - NOTHING. IT'S JUST ADULTS ARE BORING, AND I HATE THEM. 544 00:21:08,835 --> 00:21:10,737 AND I DON'T WANT TO BUY ALL THIS STUPID, BORING, 545 00:21:10,770 --> 00:21:12,505 ADULT STUFF AND BECOME BORING ADULTS. 546 00:21:12,539 --> 00:21:13,840 - HEY, LISTEN TO ME. 547 00:21:13,873 --> 00:21:15,842 YES, WE'RE GONNA GET A DISH RACK, 548 00:21:15,875 --> 00:21:18,478 AND SHOWER CURTAINS, AND A CUTTING BOARD. 549 00:21:18,511 --> 00:21:19,879 BUT IF YOU THINK FOR ONE SECOND 550 00:21:19,912 --> 00:21:22,048 I'M NOT ALSO GONNA GET THAT MARSHMALLOW SHOOTER 551 00:21:22,081 --> 00:21:24,351 SO THAT I CAN SHOOT YOU IN THE FACE WITH MARSHMALLOWS 552 00:21:24,384 --> 00:21:25,518 WHEN YOU'RE ASLEEP, 553 00:21:25,552 --> 00:21:31,358 THEN YOU'RE THE DUMBEST WOMAN I KNOW. 554 00:21:31,391 --> 00:21:32,725 - YOU'RE GONNA MAKE ME CRY. 555 00:21:33,960 --> 00:21:36,796 - YOU'RE A LEVELHEADED PERSON. WHAT DO I DO HERE? 556 00:21:36,829 --> 00:21:38,565 - WELL, I DON'T KNOW. 557 00:21:38,598 --> 00:21:40,400 I MEAN, IT IS ONE OF THE BASIC RULES OF GOVERNMENT 558 00:21:40,433 --> 00:21:42,034 THAT YOU SHOULDN'T OFFEND PEOPLE. 559 00:21:42,068 --> 00:21:44,437 - YEAH. I GUESS YOU'RE RIGHT. 560 00:21:44,471 --> 00:21:49,742 I JUST--I'M SO ANNOYED BY ALL THESE RULES LATELY. 561 00:21:49,776 --> 00:21:51,844 - ME TOO. - HA HA. 562 00:21:51,878 --> 00:21:53,913 HEY, LESLIE. WHAT ARE YOU DOING HERE? 563 00:21:53,946 --> 00:21:57,850 - HEY. UM, WELL, I, UM, I STOLE A PAINTING. 564 00:21:57,884 --> 00:22:00,052 AND, UM, I WAS HOPING YOU GUYS WOULD HELP ME HIDE IT. 565 00:22:00,086 --> 00:22:02,522 - I LIKE IT. IT'S VERY SIMPLE. 566 00:22:02,555 --> 00:22:05,392 - NO, IT'S ON THE OTHER SIDE. 567 00:22:05,425 --> 00:22:08,761 - OH, MY GOD. IS THAT YOU AS A NAKED HORSE? 568 00:22:08,795 --> 00:22:10,863 - DOES IT LOOK LIKE ME? I DON'T EVEN-- 569 00:22:10,897 --> 00:22:13,800 - LESLIE, I MEAN, NOT TO BE INAPPROPRIATE OR ANYTHING, 570 00:22:13,833 --> 00:22:15,502 'CAUSE YOU'RE MY BOSS AND MY FRIEND, 571 00:22:15,535 --> 00:22:17,904 BUT I WOULD TOTALLY HIT THAT. 572 00:22:17,937 --> 00:22:19,806 - SO WOULD I. - YOU GUYS ARE SWEET. 573 00:22:19,839 --> 00:22:22,742 OKAY. I SHOULD GO AND HIT THE ROAD WITH THIS. 574 00:22:22,775 --> 00:22:24,677 AND, UM... - OKAY. 575 00:22:24,711 --> 00:22:26,446 - I'LL SEE YOU LATER. - BYE. 576 00:22:26,479 --> 00:22:27,747 - BYE, LESLIE. 577 00:22:27,780 --> 00:22:29,549 SO HOW'D WE DO? 578 00:22:29,582 --> 00:22:32,118 - I DON'T KNOW. DOES THIS ANSWER YOUR QUESTION? 579 00:22:39,626 --> 00:22:42,529 - NO. DID YOU BUY PLATES? 580 00:22:42,562 --> 00:22:43,763 - OH, PLATES. 581 00:22:46,198 --> 00:22:48,801 - LESLIE, WHAT ARE YOU DOING? 582 00:22:48,835 --> 00:22:49,869 - SAY GOOD-BYE TO DYAPHENA. 583 00:22:49,902 --> 00:22:52,772 I HAVE TO TURN HER OVER TO STUPID MARCIA LANGMAN. 584 00:22:52,805 --> 00:22:56,943 - REALLY? OH. - WHAT? 585 00:22:56,976 --> 00:22:57,910 - I MEAN, TO BE HONEST, 586 00:22:57,944 --> 00:22:59,779 THAT SEEMS LIKE THE KIND OF THING I WOULD DO. 587 00:22:59,812 --> 00:23:02,915 AND I DIDN'T THINK YOU WOULD GIVE IN. 588 00:23:02,949 --> 00:23:04,484 - COME WITH ME. 589 00:23:07,119 --> 00:23:09,121 - HEY, MAN. - ROOMIE! 590 00:23:09,155 --> 00:23:11,824 DUDE, IT'S SUPER FUN TO EAT CEREAL 591 00:23:11,858 --> 00:23:13,826 FROM A BOWL WITH A SPOON. 592 00:23:13,860 --> 00:23:15,662 THANK YOU FOR THAT. - NO PROBLEM. 593 00:23:15,695 --> 00:23:16,929 THOUGH, YOU KNOW, YOU'RE NOT SUPPOSED TO 594 00:23:16,963 --> 00:23:18,565 BRING YOUR DISHES INTO WORK, RIGHT? 595 00:23:18,598 --> 00:23:20,467 - HA HA. GOOD ONE. 596 00:23:20,500 --> 00:23:21,734 - I'M SERIOUS. 597 00:23:21,768 --> 00:23:23,836 - WHAT'S GOING ON BETWEEN YOU AND LESLIE? 598 00:23:23,870 --> 00:23:25,538 I NOTICED A WEIRD VIBE WHEN WE CAME IN THE ROOM. 599 00:23:25,572 --> 00:23:27,507 - NOTHING. I MEAN, WE'RE FRIENDS-- 600 00:23:27,540 --> 00:23:32,144 JUST REGULAR FRIENDSHIP... DEVELOP--DEVELOPMENT. 601 00:23:32,178 --> 00:23:34,013 - COME ON, ROOMIE, YOU CAN TELL ME. 602 00:23:34,046 --> 00:23:35,214 I KNOW THERE'S SOMETHING. 603 00:23:35,247 --> 00:23:38,851 I BET YOU I CAN GUESS WHAT IT IS. 604 00:23:38,885 --> 00:23:40,720 SHE STOLE MONEY FROM YOU. 605 00:23:40,753 --> 00:23:43,856 - WHAT? NO, NO, ANDY, 606 00:23:43,890 --> 00:23:46,526 SHE DID NOT. 607 00:23:46,559 --> 00:23:48,094 I THINK WE LIKE EACH OTHER. 608 00:23:48,127 --> 00:23:51,864 BUT CHRIS HAS THIS VERY STRICT RULE-- 609 00:23:51,898 --> 00:23:53,099 CO-WORKERS CAN'T DATE. 610 00:23:53,132 --> 00:23:55,902 SO, YOU KNOW, IT'S NOT EVEN AN OPTION. 611 00:23:55,935 --> 00:23:58,104 - WOW. - YEAH. 612 00:23:58,137 --> 00:24:00,607 - WELL, FIRST OF ALL, LESLIE-- SHE'S, LIKE, THE COOLEST EVER. 613 00:24:00,640 --> 00:24:01,874 YOU'VE CHOSEN WELL. 614 00:24:01,908 --> 00:24:03,610 AND SECONDLY, HEY, MAN, IF IT'S GONNA HAPPEN... 615 00:24:03,643 --> 00:24:05,612 IT'S GONNA HAPPEN. 616 00:24:05,645 --> 00:24:07,046 LOOK AT ME AND APRIL. 617 00:24:07,079 --> 00:24:09,782 IF YOU'RE ANYTHING LIKE US, 618 00:24:09,816 --> 00:24:13,720 THREE WEEKS FROM NOW, YOU'LL BE MARRIED, MY FRIEND. 619 00:24:15,087 --> 00:24:17,624 - I'M GLAD YOU FINALLY CAME TO YOUR SENSES. 620 00:24:17,657 --> 00:24:20,760 I KNOW THAT'S NOT AN EASY JOURNEY FOR YOU TO MAKE. 621 00:24:20,793 --> 00:24:25,031 - LET'S TAKE A LOOK AT IT FIRST, SHALL WE? 622 00:24:25,064 --> 00:24:26,999 - WHOA! IT LOOKS AMAZING! 623 00:24:27,033 --> 00:24:29,936 - I HAD THE ARTIST PAINT OVER THE ORIGINAL. 624 00:24:29,969 --> 00:24:32,271 FEEL FREE TO DESTROY IT. - NO. 625 00:24:32,304 --> 00:24:33,105 - BUT I THINK YOU'LL FIND 626 00:24:33,139 --> 00:24:35,675 NO ONE COULD POSSIBLY BE OFFENDED, 627 00:24:35,708 --> 00:24:37,777 UNLESS, OF COURSE, THEY HAVE A PROBLEM 628 00:24:37,810 --> 00:24:39,612 WITH CENTAURS HAVING MODERN HAIRCUTS. 629 00:24:42,048 --> 00:24:43,783 THERE WERE MANY KINDS OF GREEK GODDESSES. 630 00:24:43,816 --> 00:24:46,886 SOME WERE LOVERS. SOME WERE WARRIORS. 631 00:24:46,919 --> 00:24:50,189 AND SOME WERE TRICKSTERS. 632 00:24:51,958 --> 00:24:54,794 - I AM SO GLAD THAT THIS GOT RESOLVED, 633 00:24:54,827 --> 00:24:57,229 BECAUSE I HATE BEING ANGRY. 634 00:24:57,263 --> 00:24:58,865 - HMM. - BEN! 635 00:24:58,898 --> 00:24:59,932 COME IN HERE. - OKAY. 636 00:24:59,966 --> 00:25:01,968 - HOW DID YOUR DATE WITH CINDY GO? 637 00:25:02,001 --> 00:25:04,637 - UH, YOU KNOW, SHE WASN'T REALLY MY TYPE. 638 00:25:04,671 --> 00:25:06,973 - SHE'S A TALL BRUNETTE. YOU ALWAYS LIKE TALL BRUNETTES. 639 00:25:07,006 --> 00:25:09,141 - WELL, NOT EXCLUSIVELY. 640 00:25:09,175 --> 00:25:10,710 - HISTORICALLY, YES, EXCLUSIVELY. 641 00:25:10,743 --> 00:25:12,178 - HE SAID HE DIDN'T LIKE HER, SO IT'S OVER. 642 00:25:12,211 --> 00:25:14,981 - OKAY, WELL, I'M GONNA KEEP TRYING, 643 00:25:15,014 --> 00:25:18,017 BECAUSE YOU ARE INCREDIBLE. - THANK YOU. 644 00:25:18,050 --> 00:25:20,252 - AND YOU DESERVE SOMEONE AMAZING 645 00:25:20,286 --> 00:25:23,790 AND SMART AND BEAUTIFUL. 646 00:25:23,823 --> 00:25:26,826 - THANK YOU. - A REAL GODDESS. 647 00:25:26,859 --> 00:25:29,862 - EXACTLY. - MM. 648 00:25:29,896 --> 00:25:33,165 - HEY...WHAT ABOUT SHELLY, FROM THE HEALTH-FOOD STORE? 649 00:25:33,199 --> 00:25:34,033 - I DON'T KNOW WHO THAT IS. 650 00:25:34,066 --> 00:25:35,334 - HER BROTHER DIED CLIMBING EVEREST? 651 00:25:35,367 --> 00:25:36,335 - GREAT. 652 00:25:36,368 --> 00:25:37,336 - INTERESTING, RIGHT? - NO. 653 00:25:37,369 --> 00:25:39,338 - NICE JOB, JERRY. 654 00:25:39,371 --> 00:25:41,040 - YOU LOOK LIKE ENRIQUE IGLESIAS. 655 00:25:41,073 --> 00:25:43,676 - JUST WISH I HAD MORE TIME. - WHY? 656 00:25:43,710 --> 00:25:44,977 THIS IS AMAZING. 657 00:25:45,011 --> 00:25:48,047 IT LOOKS LIKE ME, AND I LOOK AWESOME. 658 00:25:48,080 --> 00:25:49,849 - IS YOUR PENIS BETWEEN THE FRONT ARMS 659 00:25:49,882 --> 00:25:51,851 OR THE BACK LEGS? 660 00:25:51,884 --> 00:25:54,854 - YEAH, WHERE'S YOUR PENIS? - DAMN IT, JERRY! 661 00:25:57,356 --> 00:26:00,226 - GAIL... I KNOW JERRY IS YOUR HUSBAND. 662 00:26:00,259 --> 00:26:03,029 LOOK, I CAN PROMISE YOU THERE'S ABSOLUTELY NOTHING 663 00:26:03,062 --> 00:26:04,631 GOING ON BETWEEN US. 664 00:26:04,664 --> 00:26:07,900 NO, NO, I DID NOT POSE FOR THAT PAINTING. 665 00:26:07,934 --> 00:26:09,201 BUT THANK YOU FOR THINKING I DID. 666 00:26:09,235 --> 00:26:12,338 OKAY, WELL...SURE. HOLD ON. 667 00:26:12,371 --> 00:26:15,708 - GAIL, SWEETHEART, YOU HAVE NOTHING TO WORRY ABOUT. 668 00:26:15,742 --> 00:26:16,809 OKAY? 669 00:26:16,843 --> 00:26:19,746 I'M NOT GAY, NEITHER IS JERRY, 670 00:26:19,779 --> 00:26:20,780 AND I DIDN'T POSE FOR HIM. 671 00:26:20,813 --> 00:26:22,649 I PROMISE YOU, HON, 672 00:26:22,682 --> 00:26:25,752 JERRY ONLY HAS EYES FOR YOU. 673 00:26:25,785 --> 00:26:27,253 AND POUND CAKE. AM I RIGHT? 674 00:26:27,286 --> 00:26:30,790 [laughing]