1
00:00:36,031 --> 00:00:38,131
<i>Man's voice:
MY NAME IS LANCE CLAYTON.</i>

2
00:00:38,131 --> 00:00:41,365
<i>MY BIGGEST FEAR IN LIFE IS THAT
I'M GOING TO END UP ALL ALONE.</i>

3
00:00:41,365 --> 00:00:43,931
<i>I'M A WRITER.</i>

4
00:00:43,931 --> 00:00:46,663
<i>I'M A WRITER, BUT SO FAR
NOTHING I'VE WRITTEN</i>

5
00:00:46,663 --> 00:00:49,197
<i>HAS EVER BEEN PUBLISHED.</i>

6
00:00:49,197 --> 00:00:50,696
<i>ERNEST HEMINGWAY
ONCE SAID</i>

7
00:00:50,696 --> 00:00:54,230
<i>ALL HE WANTED TO DO WAS
WRITE ONE TRUE SENTENCE.</i>

8
00:00:54,230 --> 00:00:56,763
<i>HE ALSO TRIED TO SCRATCH
AN ITCH ON THE BACK OF HIS HEAD</i>

9
00:00:56,763 --> 00:00:58,263
<i>WITH A SHOTGUN.</i>

10
00:00:58,263 --> 00:01:01,896
<i>- ( game-show music playing )
- ( applause )</i>

11
00:01:01,896 --> 00:01:05,063
<i>I'VE ALWAYS DREAMED OF
BEING A FAMOUS AUTHOR,</i>

12
00:01:05,063 --> 00:01:07,429
<i>OF CREATING
AN IMPORTANT WORK...</i>

13
00:01:07,429 --> 00:01:10,396
<i>* OOH LA LA LA
LA LA LA LA *</i>

14
00:01:10,396 --> 00:01:11,996
<i>* LA LA LA LA LA LA</i>

15
00:01:11,996 --> 00:01:13,595
<i>* SAA LA LA LA LA
LA LA LA... *</i>

16
00:01:13,595 --> 00:01:16,262
<i>...SOMETHING THAT CONNECTED
WITH PEOPLE AND HELPED THEM</i>

17
00:01:16,262 --> 00:01:18,495
<i>AS THEY SUFFERED THROUGH
THE HUMAN CONDITION.</i>

18
00:01:18,495 --> 00:01:19,996
<i>* OOH LA LA LA...</i>

19
00:01:19,996 --> 00:01:22,862
<i>ALSO SOMETHING THAT MADE
A SHITLOAD OF CASH.</i>

20
00:01:22,862 --> 00:01:25,429
<i>( slot machine dinging,
coins dropping )</i>

21
00:01:25,429 --> 00:01:26,996
<i>( champagne cork popping )</i>

22
00:01:26,996 --> 00:01:28,996
<i>* OOH LA LA LA LA LA...</i>

23
00:01:28,996 --> 00:01:32,228
<i>( coins dropping )</i>

24
00:01:32,228 --> 00:01:35,062
<i>I'VE WRITTEN NOVELS,
BOOKS, MAGAZINE ARTICLES,</i>

25
00:01:35,062 --> 00:01:36,862
<i>AND EVEN
CHILDREN'S STORIES.</i>

26
00:01:36,862 --> 00:01:39,962
<i>- ALL HAVE BEEN REJECTED.
- ( printer humming )</i>

27
00:01:39,962 --> 00:01:43,295
<i>I DID SELL A FEW
GREETING CARDS ONCE, THOUGH.</i>

28
00:01:45,128 --> 00:01:46,661
<i>IT FELT PRETTY GOOD.</i>

29
00:01:46,661 --> 00:01:48,195
<i>I DON'T FIND
THE CREATIVE PROCESS</i>

30
00:01:48,195 --> 00:01:50,494
<i>IN ITSELF REWARDING ENOUGH.</i>

31
00:01:50,494 --> 00:01:54,561
<i>I HAVE TO BE HONEST--
I WANT TO REACH AN AUDIENCE.</i>

32
00:01:54,561 --> 00:01:57,060
<i>THIS IS MY FIFTH NOVEL.</i>

33
00:01:57,060 --> 00:02:00,261
<i>I'VE PROMISED MYSELF THAT
IF THIS ONE IS REJECTED,</i>

34
00:02:00,261 --> 00:02:01,861
<i>I'LL GIVE UP WRITING.</i>

35
00:02:14,227 --> 00:02:16,759
- ( knocking )
- COME ON, BOY, WE'RE LATE.

36
00:02:17,994 --> 00:02:20,760
HEY, BUDDY, I--

37
00:02:20,760 --> 00:02:22,293
<i>KYLE?</i>

38
00:02:22,293 --> 00:02:24,493
OH, FUC--
WHAT THE FUCK?

39
00:02:24,493 --> 00:02:27,560
- GOD! KYLE?
- D-DAD?

40
00:02:27,560 --> 00:02:29,726
- WHAT ARE YOU DOING?
- WHAT ARE YOU DOING?

41
00:02:29,726 --> 00:02:33,193
- GOD, I WAS COMING, YOU FAG!
- JESUS CHRIST.

42
00:02:33,193 --> 00:02:35,460
- I THOUGHT YOU WERE DEAD.
- DO YOU KNOCK? PLEASE!

43
00:02:35,460 --> 00:02:37,159
I KNOCKED.
OKAY, YEP.

44
00:02:37,159 --> 00:02:39,226
<i>- OUT!
- GOD, I--</i>

45
00:02:39,226 --> 00:02:41,226
- GET OUT OF MY ROOM!
- I'M OUT. I'M GOING.

46
00:02:41,226 --> 00:02:43,326
<i>- I'M OUT OF HERE.
- YOU EVER HEARD OF PRIVACY?</i>

47
00:02:43,326 --> 00:02:45,192
- YOU FREAK!
- YEAH, I'M THE WEIRD ONE.

48
00:02:45,192 --> 00:02:47,226
YEAH.OH, GOD.

49
00:02:47,226 --> 00:02:49,393
( sighs )
WHAT THE FUCK?

50
00:02:50,525 --> 00:02:53,459
<i>( rock music playing )</i>

51
00:02:56,524 --> 00:02:58,525
<i>DAD?</i>

52
00:03:00,292 --> 00:03:02,459
DAD?

53
00:03:02,459 --> 00:03:04,825
- DAD!
- OH, YEAH.RIGHT.

54
00:03:09,092 --> 00:03:12,124
<i>Radio: * What do you do?Where do you go? *</i>

55
00:03:12,124 --> 00:03:13,824
( turns off )

56
00:03:15,459 --> 00:03:17,458
YOU WERE UP EARLY.

57
00:03:19,757 --> 00:03:22,657
<i>- YOU'RE NOT FUNNY.
- OKAY.</i>

58
00:03:22,657 --> 00:03:24,590
WHAT A MONDAY.

59
00:03:25,957 --> 00:03:28,890
<i>* Somewhere else...</i>

60
00:03:28,890 --> 00:03:31,190
WHY ARE WE
LISTENING TO THIS?

61
00:03:31,190 --> 00:03:33,124
'CAUSE I LIKE
BRUCE HORNSBY.

62
00:03:34,458 --> 00:03:36,390
( turns off )

63
00:03:40,490 --> 00:03:42,256
STOP IT.

64
00:03:44,457 --> 00:03:46,522
BRUCE HORNSBY IS A FAG.

65
00:03:46,522 --> 00:03:48,257
HE'S GOT KIDS, KYLE.

66
00:03:48,257 --> 00:03:50,223
<i>- YOU HAVE A KID.
- MMM.</i>

67
00:03:50,223 --> 00:03:52,723
<i>- AND YOU'RE A FAG.
- WHY? BECAUSE I LIKE BRUCE HORNSBY?</i>

68
00:03:52,723 --> 00:03:54,789
- YEAH. - WELL, PUT ON SOME
MUSIC YOU LIKE.OKAY?

69
00:03:54,789 --> 00:03:56,290
NO, I FUCKING
HATE MUSIC.

70
00:03:56,290 --> 00:03:57,789
- YOU HATE MUSIC?
- YEAH.

71
00:03:57,789 --> 00:04:00,223
<i>- ALL MUSIC?
- YES.</i>

72
00:04:00,223 --> 00:04:03,356
THE ONLY THING QUEERER THAN
MUSIC ARE THE PEOPLE WHO LIKE IT.

73
00:04:03,356 --> 00:04:06,022
ALL MUSIC IS GAY NOW?
WHAT ABOUT HEAVY METAL?

74
00:04:06,022 --> 00:04:10,055
THAT'S PROBABLY THE FAGGIEST
OF ALL THE FAG MUSIC OUT THERE.

75
00:04:10,055 --> 00:04:12,189
KYLE, YOU COULD HAVE
DIED THIS MORNING.

76
00:04:12,189 --> 00:04:15,222
WELL...
OF EMBARRASSMENT.

77
00:04:15,222 --> 00:04:17,222
WHAT YOU'RE DOING
IS DANGEROUS.

78
00:04:17,222 --> 00:04:19,356
WHAT? BEATING OFF?

79
00:04:19,356 --> 00:04:22,189
NO NO-- NOT--
WE ALL HAVE NEEDS, KYLE.

80
00:04:22,189 --> 00:04:23,787
NEEDS? WHAT-- WHAT ARE YOU
TALKING ABOUT?

81
00:04:23,787 --> 00:04:25,288
MASTURBATION IS
NATURAL, OKAY?

82
00:04:25,288 --> 00:04:26,887
- YOU KNOW WHAT'S NOT NATURAL?
- WHAT?

83
00:04:26,887 --> 00:04:29,822
TALKING ABOUT JERKING OFF WITH
YOUR DAD, THAT'S NOT NATURAL.

84
00:04:29,822 --> 00:04:31,321
- SHIT.
- DON'T DO THAT, PLEASE, OKAY?

85
00:04:31,321 --> 00:04:33,654
- WHY?
- BECAUSE YOUR FEET ARE DIRTY.

86
00:04:34,721 --> 00:04:37,188
BECAUSE I SAID SO.

87
00:04:43,988 --> 00:04:46,288
( sighs )

88
00:04:47,821 --> 00:04:50,021
- WHOA, LET ME OUT HERE.
- LET ME PARK IN THE LOT.

89
00:04:50,021 --> 00:04:53,321
LANCE, I'M GONNA LOOK LIKE A DILLWEED
WALKING IN WITH YOU, ALL RIGHT?

90
00:04:53,321 --> 00:04:55,121
IT'S BAD FOR MY REP.

91
00:04:55,121 --> 00:04:56,721
DON'T CALL ME LANCE.

92
00:04:56,721 --> 00:04:59,653
IT'S YOUR NAME,
ISN'T IT? LANCE?

93
00:04:59,653 --> 00:05:03,087
<i>* WHAT DO YOU DO?
WHERE DO YOU GO? *</i>

94
00:05:03,087 --> 00:05:05,420
<i>* WHAT DO YOU SAY?</i>

95
00:05:05,420 --> 00:05:08,053
<i>* AND HOW DO YOU KNOW?</i>

96
00:05:08,053 --> 00:05:10,454
<i>* I'LL SAY WHO CARES *</i>

97
00:05:10,454 --> 00:05:12,453
<i>* WHEN PEOPLE STARE</i>

98
00:05:12,453 --> 00:05:16,786
<i>* I WILL MAKE MYSELF
INVISIBLE *</i>

99
00:05:16,786 --> 00:05:20,319
<i>* YES, I WILL,
YES, I WILL *</i>

100
00:05:20,319 --> 00:05:22,720
<i>* MM-HMM</i>

101
00:05:22,720 --> 00:05:24,853
<i>* MM-HMM</i>

102
00:05:24,853 --> 00:05:26,819
<i>* MM-HMM HMM...</i>

103
00:05:26,819 --> 00:05:29,087
SLOW DOWN, BOYS.

104
00:05:29,087 --> 00:05:31,585
<i>* WHEN I FEEL
LIKE A FREAK... *</i>

105
00:05:31,585 --> 00:05:33,353
'MORNING.

106
00:05:33,353 --> 00:05:38,052
<i>* WHEN I'M ON THE OTHER END
OF SOMEONE'S MEAN STREAK *</i>

107
00:05:38,052 --> 00:05:41,517
<i>* PEOPLE MAKE FUN,
I'VE GOT TO LOSE MYSELF... *</i>

108
00:05:41,517 --> 00:05:43,018
DANNY.

109
00:05:43,018 --> 00:05:46,951
<i>* TAKE MY THIN SKIN AND
MOVE IT SOMEWHERE ELSE *</i>

110
00:05:46,951 --> 00:05:50,618
<i>* I'M SETTING MYSELF UP
FOR THE FUTURE *</i>

111
00:05:50,618 --> 00:05:55,484
<i>* LOOKING FOR THE CHANCE THAT
SOMETHING GOOD MIGHT LIE AHEAD *</i>

112
00:05:57,118 --> 00:05:59,951
<i>* I GUESS I'M LOOKING FOR
THE POSSIBILITIES *</i>

113
00:05:59,951 --> 00:06:01,484
<i>* AND IN MY MIND</i>

114
00:06:01,484 --> 00:06:04,718
<i>* I'VE GOT THIS SKIN
I CAN SHED... *</i>

115
00:06:04,718 --> 00:06:06,385
<i>* WHAT DO YOU DO?</i>

116
00:06:06,385 --> 00:06:07,884
<i>* WHERE DO YOU GO?...</i>

117
00:06:07,884 --> 00:06:10,318
- GOOD MORNING, LANCE.
- 'MORNING PRINCIPAL ANDERSON.

118
00:06:10,318 --> 00:06:12,218
- WHAT WAS THAT?
- OH, PERSONAL MAIL,

119
00:06:12,218 --> 00:06:13,850
BUT I USED
MY OWN POSTAGE.

120
00:06:13,850 --> 00:06:16,117
- MMM. GOOD.
- RIGHT.

121
00:06:16,117 --> 00:06:18,050
MAY I SPEAK WITH YOU
FOR A MOMENT?

122
00:06:18,050 --> 00:06:19,817
SURE.

123
00:06:19,817 --> 00:06:22,217
YOUR POETRY COURSE,

124
00:06:22,217 --> 00:06:24,017
IT'S NOT VERY POPULAR.

125
00:06:24,017 --> 00:06:26,616
- NEITHER IS POETRY, SIR.
- MMM.

126
00:06:26,616 --> 00:06:28,816
BUT THE FEW WHO TAKE IT,
THEY GET A LOT OUT OF IT.

127
00:06:28,816 --> 00:06:30,783
YES YES,
I'M SURE THEY DO.

128
00:06:30,783 --> 00:06:33,049
BUT I AM SORRY--
IF YOUR CLASS ENROLLMENT

129
00:06:33,049 --> 00:06:35,816
DOESN'T IMPROVE BY NEXT SEMESTER,
WE'RE GOING TO HAVE TO DROP IT.

130
00:06:35,816 --> 00:06:38,283
WE'RE ONLY BUDGETED FOR
ONE ENGLISH ELECTIVE,

131
00:06:38,283 --> 00:06:41,849
AND MIKE LANE'S CREATIVE-WRITING
COURSE IS QUITE THE HIT.

132
00:06:41,849 --> 00:06:43,983
I JUST WANTED TO GIVE YOU
A HEADS UP.

133
00:06:43,983 --> 00:06:45,582
WELL, THANK YOU, SIR.

134
00:06:45,582 --> 00:06:48,816
<i>( jazz playing )</i>

135
00:06:48,816 --> 00:06:50,782
- HEY, WHAT'S GOING ON, MR. L?
- HEY, HOW YOU DOIN', MAN?

136
00:06:50,782 --> 00:06:52,316
- GOOD. HOW ARE YOU?
- READY FOR TONIGHT'S GAME?

137
00:06:52,316 --> 00:06:53,816
- YEAH, YOU GONNA BE THERE?
- I'LL BE THERE. OF COURSE.

138
00:06:53,816 --> 00:06:55,515
- GOOD. - THROW A TOUCHDOWN FOR ME,
ALL RIGHT?

139
00:06:55,515 --> 00:06:57,515
- OF COURSE!
- HEY, LANCELOT!

140
00:06:57,515 --> 00:06:59,316
- WHAT'S UP, BUDDY?
- NOT MUCH, MIKE.

141
00:06:59,316 --> 00:07:01,450
ALL RIGHT.

142
00:07:01,450 --> 00:07:03,481
'MORNING, MISS REED.

143
00:07:03,481 --> 00:07:05,582
- HELLO, MR. CLAYTON.
- HOW ARE YOU?

144
00:07:05,582 --> 00:07:07,614
- GOOD. HOW ARE YOU?
- MMM.

145
00:07:11,349 --> 00:07:13,048
AHH, MY FAVORITE.

146
00:07:13,048 --> 00:07:15,047
I THOUGHT TEACHERS WEREN'T
SUPPOSED TO HAVE FAVORITES.

147
00:07:15,047 --> 00:07:16,715
NOT FAVORITE STUDENTS.

148
00:07:22,480 --> 00:07:24,914
( giggles )
I'M A LUCKY GUY.

149
00:07:24,914 --> 00:07:27,014
HOW DOES A LUMP LIKE ME
GET A DAME LIKE YOU?

150
00:07:27,014 --> 00:07:29,247
DON'T INSULT MY TASTE.
I'M THE LUCKY GUY.

151
00:07:32,514 --> 00:07:34,414
YOU FINISHED?

152
00:07:34,414 --> 00:07:37,014
YEAH. I WANTED YOU TO BE
THE FIRST TO READ IT.

153
00:07:37,014 --> 00:07:38,181
I'M HONORED.

154
00:07:38,181 --> 00:07:39,480
REALLY?

155
00:07:39,480 --> 00:07:41,879
MAYBE I'LL TAKE YOU
SOMEPLACE FANCY FOR DINNER.

156
00:07:41,879 --> 00:07:44,880
HOW ABOUT YOU COME OVER TO MY
PLACE FOR SOMETHING HOT AND SPICY?

157
00:07:44,880 --> 00:07:46,480
IS THAT A DOUBLE ENTENDRE?

158
00:07:46,480 --> 00:07:48,513
- NO, I WAS JUST GOING TO
MAKE YOU MY CHILI. - OH.

159
00:07:48,513 --> 00:07:49,880
AND THEN BANG YOU.

160
00:07:49,880 --> 00:07:52,146
<i>- GREAT!
- ( footsteps )</i>

161
00:07:52,146 --> 00:07:54,213
YOU HAVE A VERY
PROFESSIONAL DAY, MISS REED.

162
00:07:54,213 --> 00:07:55,646
RIGHT BACK AT YOU,
MR. CLAYTON.

163
00:07:55,646 --> 00:07:58,546
- TAKE CARE.
- EXTREMELY PROFESSIONAL DAY.

164
00:07:58,546 --> 00:08:00,913
<i>( bell rings )</i>

165
00:08:00,913 --> 00:08:04,146
ANDREW, I WANT TO
SHOW YOU SOMETHING.

166
00:08:04,146 --> 00:08:06,646
WHAT IS IT?

167
00:08:06,646 --> 00:08:08,846
EW, IS THAT WOMAN
BEING CRAPPED ON?

168
00:08:08,846 --> 00:08:11,313
HAPPY BIRTHDAY.
IT'S FUCKING GERMAN SCHIZER PORN.

169
00:08:11,313 --> 00:08:13,511
ALL RIGHT, DUDE?
IT'S FUCKING HOT, RIGHT, YO?

170
00:08:13,511 --> 00:08:16,145
NO, DUDE, WHAT THE FUCK
IS WRONG WITH YOU, YO?

171
00:08:16,145 --> 00:08:17,745
NOTHING.

172
00:08:17,745 --> 00:08:20,279
YOU WOULDN'T SAY THAT IF
YOU LIVED IN EUROPE.

173
00:08:20,279 --> 00:08:23,611
I MEAN, THESE EUROPEANS ARE
MUCH MORE BROADMINDED THAN
THESE UPTIGHT AMERICANS.

174
00:08:23,611 --> 00:08:25,446
SHIT'S HUGE IN GERMANY.

175
00:08:25,446 --> 00:08:28,379
YEAH, WELL, WE'RE NOT IN EUROPE
AND I DON'T LIKE THAT KIND OF STUFF.

176
00:08:28,379 --> 00:08:30,644
YEAH, I KNOW,
THAT'S 'CAUSE YOU'RE A FAG.

177
00:08:30,644 --> 00:08:32,478
DUDE, IT'S GROSS.

178
00:08:32,478 --> 00:08:34,777
I'D DO IT...

179
00:08:34,777 --> 00:08:36,278
DO SOMEONE.

180
00:08:36,278 --> 00:08:37,978
- OH.
- I WOULD.

181
00:08:37,978 --> 00:08:40,178
I'D CHILI-DOG HER.

182
00:08:41,446 --> 00:08:43,044
HI, JENNIFER.

183
00:08:44,378 --> 00:08:47,279
COME ON, BABY, THAT PUSSY'S
NOT GONNA EAT ITSELF.

184
00:08:47,279 --> 00:08:49,311
WHAT THE FUCK
DID YOU JUST SAY?

185
00:08:49,311 --> 00:08:51,711
UH, NOTHING.

186
00:08:52,978 --> 00:08:54,244
YOU'RE A FUCKING PIG.

187
00:08:54,244 --> 00:08:57,278
WOW, OKAY.

188
00:08:57,278 --> 00:08:59,144
HOLD THAT.

189
00:08:59,144 --> 00:09:00,576
( grunts )

190
00:09:05,110 --> 00:09:07,177
<i>( crowd reacting )</i>

191
00:09:07,177 --> 00:09:10,543
- ( grunting )
- GET OFF ME, YOU DUMB JOCK!

192
00:09:10,543 --> 00:09:12,776
WHAT ARE YOU TALKING ABOUT?
I DON'T EVEN PLAY SPORTS.

193
00:09:12,776 --> 00:09:14,377
- YOU--
- HEY!

194
00:09:14,377 --> 00:09:17,508
COME ON, GUYS,
KNOCK IT OFF. KNOCK IT OFF.

195
00:09:17,508 --> 00:09:20,043
YEAH.
YEAH, THAT'S RIGHT, BITCH.

196
00:09:22,010 --> 00:09:23,775
OH, YOU'RE GONNA HELP ME UP?

197
00:09:23,775 --> 00:09:27,575
- COME ON.
- CAN'T YOU CONTROL THAT ANIMAL?

198
00:09:29,109 --> 00:09:31,242
NOW COME ON, TOUGH GUY,
LET'S GO.

199
00:09:31,242 --> 00:09:33,042
LET'S GO, GUYS.
COME ON.

200
00:09:34,642 --> 00:09:37,376
<i>Principal:
KYLE,</i>

201
00:09:37,376 --> 00:09:39,042
WHAT DID YOU SAY
TO JENNIFER?

202
00:09:39,042 --> 00:09:41,076
NOTHING.

203
00:09:42,508 --> 00:09:45,376
HE SAID THAT HER PUSSY
IS NOT GOING TO EAT ITSELF.

204
00:09:45,376 --> 00:09:47,076
DO YOU HEAR THAT?

205
00:09:47,076 --> 00:09:49,008
YOU ARE--
THAT IS RUDE.

206
00:09:49,008 --> 00:09:50,841
- AND YOU'RE A PERVERT.
- BE QUIET.

207
00:09:50,841 --> 00:09:52,675
KYLE, IS THAT
WHAT YOU SAID?

208
00:09:52,675 --> 00:09:54,241
NO.

209
00:09:55,308 --> 00:09:57,575
JENNIFER, CHRIS,
GET BACK TO CLASS.

210
00:09:57,575 --> 00:10:00,208
<i>KYLE, I NEED TO SPEAK
WITH YOU AND YOUR FATHER.</i>

211
00:10:09,140 --> 00:10:11,008
<i>KYLE,</i>

212
00:10:11,008 --> 00:10:13,041
RIGHT NOW YOU'RE
ON ACADEMIC PROBATION

213
00:10:13,041 --> 00:10:15,375
AND YOUR GRADES SHOW NO
SIGN OF IMPROVEMENT.

214
00:10:15,375 --> 00:10:16,975
<i>IF YOU DON'T
STRAIGHTEN UP,</i>

215
00:10:16,975 --> 00:10:19,175
I'M GOING TO HAVE TO
EXPEL YOU.

216
00:10:19,175 --> 00:10:22,506
- DO YOU UNDERSTAND?
- YES, MR. ANDERSON.

217
00:10:22,506 --> 00:10:24,840
I DO UNDERSTAND.

218
00:10:24,840 --> 00:10:28,207
NOW GET OUT OF HERE.
AND NO MORE TROUBLE.

219
00:10:28,207 --> 00:10:30,473
WAIT FOR ME OUTSIDE.

220
00:10:37,740 --> 00:10:39,740
LANCE,

221
00:10:39,740 --> 00:10:41,739
THIS ISN'T EASY FOR ME.

222
00:10:41,739 --> 00:10:43,605
<i>WHAT ISN'T EASY,
MR. ANDERSON?</i>

223
00:10:43,605 --> 00:10:45,340
HOW'S KYLE BEEN ACTING
AT HOME?

224
00:10:45,340 --> 00:10:48,473
I MEAN, DOES HE SEEM
NORMAL TO YOU?

225
00:10:48,473 --> 00:10:51,472
OH, YEAH.

226
00:10:51,472 --> 00:10:54,106
OH.YOU AND I BOTH KNOW
THAT SOMETIMES

227
00:10:54,106 --> 00:10:56,672
THESE THINGS TAKE
A LONG TIME TO SURFACE.

228
00:10:56,672 --> 00:10:58,472
WHAT THINGS?

229
00:10:58,472 --> 00:11:01,139
WELL, I THINK THAT KYLE'S
POOR GRADES AND ACTING OUT

230
00:11:01,139 --> 00:11:03,273
SHOW SIGNS OF A SERIOUS
DEVELOPMENT PROBLEM.

231
00:11:03,273 --> 00:11:05,339
HE BELONGS IN
A SPECIAL-NEEDS SCHOOL

232
00:11:05,339 --> 00:11:08,073
<i>WHERE HE CAN GET THE PROPER
ATTENTION AND CARE THAT HE REQUIRES.</i>

233
00:11:08,073 --> 00:11:09,738
- WHAT?
- THAT'S NOTHING TO BE ASHAMED OF.

234
00:11:09,738 --> 00:11:12,739
SIR, HE'S--
HE'S NOT SLOW.

235
00:11:12,739 --> 00:11:14,305
HE'S JUST BEING A PAIN.

236
00:11:14,305 --> 00:11:15,838
<i>GIVE HIM
ANOTHER CHANCE.</i>

237
00:11:15,838 --> 00:11:18,604
WELL, I HAVE.
I'VE GIVEN HIM MANY CHANCES.

238
00:11:18,604 --> 00:11:20,871
THAT'S TRUE.

239
00:11:26,470 --> 00:11:28,238
( sighs )

240
00:11:30,470 --> 00:11:33,137
ALL RIGHT.

241
00:11:33,137 --> 00:11:36,204
ALL RIGHT, BUT HE'D BETTER START
SHOWING SIGNS OF IMPROVEMENT

242
00:11:36,204 --> 00:11:39,570
AND QUICKLY. AND HE'S GOT TO STOP
DISTURBING THE OTHER STUDENTS.

243
00:11:39,570 --> 00:11:41,904
THANK YOU, SIR.
THANK YOU.

244
00:11:41,904 --> 00:11:43,603
THANK YOU.

245
00:11:44,904 --> 00:11:47,470
- YOU'RE GROUNDED.
- I'LL RUN AWAY.

246
00:11:47,470 --> 00:11:49,104
OH, AND LIVE
WITH YOUR MOTHER?

247
00:11:49,104 --> 00:11:50,804
AND HER BOY-TOY TODD?
THAT'S A GREAT IDEA.

248
00:11:50,804 --> 00:11:52,503
- I'LL TAKE AWAY YOUR COMPUTER.
- NO, YOU WON'T.

249
00:11:52,503 --> 00:11:54,769
YES, I WILL.
JESUS CHRIST, KYLE,

250
00:11:54,769 --> 00:11:56,903
WHAT DID I DO
TO DESERVE THIS?

251
00:11:56,903 --> 00:11:58,836
I DIDN'T ASK TO
BE BORN.

252
00:11:58,836 --> 00:12:01,602
NEITHER DID I.

253
00:12:01,602 --> 00:12:03,303
BOO HOO.

254
00:12:04,903 --> 00:12:07,103
<i>Woman:
YOU ARE SO FUNNY!</i>

255
00:12:07,103 --> 00:12:09,636
WAIT, READ FROM HERE.
STARTING THERE.

256
00:12:09,636 --> 00:12:11,903
- WHAT ARE YOU READING?
- "WE DON'T EXPERIENCE IT

257
00:12:11,903 --> 00:12:13,303
AS A RESTRICTION!"

258
00:12:13,303 --> 00:12:16,803
- WHAT'S THAT?
- OH, GOD, YOU ARE SO FUNNY.

259
00:12:16,803 --> 00:12:18,803
IT'S-- COME HERE.
GIVE IT TO ME.

260
00:12:18,803 --> 00:12:21,036
- OH, THIS IS EMBARRASSING.
- MIKE GOT PUBLISHED

261
00:12:21,036 --> 00:12:22,969
- IN "THE NEW YORKER."
- "NEW YORKER"!

262
00:12:22,969 --> 00:12:24,568
- HELLO!
- "THE NEW YORKER"?

263
00:12:24,568 --> 00:12:27,002
<i>Woman: IT'S ABOUT THE FIRST
ROBOTTHAT JOINS THE N.B.A.</i>

264
00:12:27,002 --> 00:12:30,035
<i>- IT'S LIKE A PARODY ABOUT RACISM.
- Miss Reed: RACISM.</i>

265
00:12:30,035 --> 00:12:32,202
- IT'S HYSTERICAL.
- NO, IT ISN'T.

266
00:12:32,202 --> 00:12:34,834
NO, IT IS SERIOUSLY
SO GOOD.

267
00:12:34,834 --> 00:12:36,868
CALLED "I, FORWARD."
GET IT?

268
00:12:36,868 --> 00:12:39,201
YEAH, LIKE "I, ROBOT."

269
00:12:39,201 --> 00:12:41,035
<i>- RIGHT, BUT "I, FORWARD."
- YEAH.</i>

270
00:12:41,035 --> 00:12:43,234
IT'S-- IT'S REALLY HARD
GETTING IN "THE NEW YORKER."

271
00:12:43,234 --> 00:12:44,634
- IT IS?
- YEAH, REALLY.

272
00:12:44,634 --> 00:12:46,169
IT'S THE FIRST THING
I SUBMITTED.

273
00:12:46,169 --> 00:12:47,934
<i>Woman: THAT'S AMAZ--
I'M AMAZED.</i>

274
00:12:47,934 --> 00:12:50,101
THE FIRST THING?
NO.

275
00:12:50,101 --> 00:12:52,467
THAT'S GREAT.
GOOD FOR YOU.

276
00:12:52,467 --> 00:12:55,134
- WHAT'S THAT? - MIKE GOT
PUBLISHED IN "THE NEW YORKER."

277
00:12:55,134 --> 00:12:56,934
YOU DON'T SAY!
MAY I SEE IT?

278
00:12:56,934 --> 00:12:58,800
- SURE.
- IT'S ABOUT RACISM.

279
00:12:58,800 --> 00:13:01,566
HOT DOG! NOW DON'T GO
GETTING TOO FAMOUS ON US.

280
00:13:01,566 --> 00:13:03,335
- ( all laughing )
- WHAT'S THAT?

281
00:13:03,335 --> 00:13:05,134
MIKE PUBLISHED AN ARTICLE
IN "THE NEW YORKER."

282
00:13:05,134 --> 00:13:07,300
- TAKE A LOOK AT THAT.
- HO HO!

283
00:13:07,300 --> 00:13:09,901
RIGHT ON.
YOU DOG, YOU DOG!

284
00:13:09,901 --> 00:13:12,134
- YEAH!
- ( all cheering )

285
00:13:12,134 --> 00:13:13,934
THIS SHOULD BE READ
AT ASSEMBLY.

286
00:13:13,934 --> 00:13:15,435
NOW THAT IS
A GREAT IDEA.

287
00:13:15,435 --> 00:13:17,300
MIKE, WOULD YOU READ IT
AT THE ASSEMBLY?

288
00:13:17,300 --> 00:13:19,200
IF YOU TWIST MY ARM,
ALL RIGHT.

289
00:13:19,200 --> 00:13:20,599
( all cheering )

290
00:13:20,599 --> 00:13:21,900
MAY I TAKE THIS
WITH ME?

291
00:13:21,900 --> 00:13:23,566
- YEAH, SURE.
- CAN I READ IT AFTER HIM?

292
00:13:23,566 --> 00:13:25,033
THAT'S AWESOME.
CONGRATULATIONS.

293
00:13:25,033 --> 00:13:26,699
HEY, BLOW MY WHISTLE.
COME ON-- "THE NEW YORKER"!

294
00:13:26,699 --> 00:13:28,932
FOR "THE NEW YORKER"!
YEAH!

295
00:13:28,932 --> 00:13:31,499
<i>( all cheering )</i>

296
00:13:31,499 --> 00:13:34,966
WOW, I CANNOT WAIT
TO GET MY OWN COPY.

297
00:13:36,966 --> 00:13:39,232
"NEW YORKER."
IT'S NOT A NATIONAL,

298
00:13:39,232 --> 00:13:41,865
- BUT THAT'S AMAZING.
- NO.

299
00:13:41,865 --> 00:13:43,966
ACTUALLY, IT IS
A NATIONAL MAGAZINE.

300
00:13:43,966 --> 00:13:45,465
- IT'S NATIONAL.
- REALLY?

301
00:13:45,465 --> 00:13:47,299
WHOA, I DIDN'T KNOW THAT.

302
00:13:47,299 --> 00:13:48,465
MMM.

303
00:13:48,465 --> 00:13:49,698
HOW'S KYLE?

304
00:13:49,698 --> 00:13:51,699
GREAT.

305
00:13:51,699 --> 00:13:54,099
RAISING A SON
IS SO HARD.

306
00:13:54,099 --> 00:13:57,131
DON'T GET ME WRONG, MY HUNTER IS THE
BEST THING THAT EVER HAPPENED TO ME.

307
00:13:57,131 --> 00:13:59,299
BUT MAN, CAN HE
BE A HANDFUL.

308
00:13:59,299 --> 00:14:01,532
- HOW OLD IS HE?
- TWO, GOING ON 20.

309
00:14:01,532 --> 00:14:03,165
OH, GOD.

310
00:14:03,165 --> 00:14:04,432
THE KID'S A PLAYER.

311
00:14:04,432 --> 00:14:06,065
WELL, I WONDER WHERE
HE GETS THAT FROM.

312
00:14:06,065 --> 00:14:07,998
- I HAVE NO IDEA.
- ( laughs )

313
00:14:07,998 --> 00:14:10,265
HOW'S HE DEALING WITH
THE SEPARATION?

314
00:14:10,265 --> 00:14:12,165
REAL WELL.

315
00:14:12,165 --> 00:14:14,664
I DIDN'T KNOW
YOU WERE SEPARATED.

316
00:14:14,664 --> 00:14:16,730
YEAH.
IT'S BEEN TOUGH,

317
00:14:16,730 --> 00:14:20,398
BUT HIS MOTHER AND I WERE
SUPPOSED TO MAKE A BABY TOGETHER.

318
00:14:20,398 --> 00:14:22,697
WE JUST WEREN'T SUPPOSED
TO LIVE TOGETHER.

319
00:14:22,697 --> 00:14:24,864
- THAT'S SO SAD.
- YEAH.

320
00:14:24,864 --> 00:14:27,098
THANKS.

321
00:14:27,098 --> 00:14:29,764
HOW OFTEN
DO YOU SEE HIM?

322
00:14:29,764 --> 00:14:31,630
EVERY OTHER WEEKEND.

323
00:14:31,630 --> 00:14:34,730
THEY'RE NOT KIDDING WHEN
THEY SAY THAT RAISING A CHILD

324
00:14:34,730 --> 00:14:37,463
IS THE TOUGHEST JOB
YOU'LL EVER LOVE.

325
00:14:37,463 --> 00:14:40,130
MMM. WELL, YOU SOUND
LIKE A GREAT DAD.

326
00:14:40,130 --> 00:14:42,530
AH, WELL,

327
00:14:42,530 --> 00:14:44,563
I TRY MY BEST.

328
00:14:44,563 --> 00:14:46,264
( chuckles )

329
00:14:46,264 --> 00:14:49,529
( laughing )

330
00:14:54,729 --> 00:14:56,495
( rockets firing )

331
00:14:58,129 --> 00:14:59,662
HI, ANDREW.

332
00:14:59,662 --> 00:15:01,363
HEY.

333
00:15:01,363 --> 00:15:03,595
I ENJOY OUR LITTLE CHATS.

334
00:15:04,896 --> 00:15:07,129
<i>Woman's voice:
Oh, yeah.</i>

335
00:15:07,129 --> 00:15:09,561
- KYLE?
- HI-- HI, DAD.

336
00:15:09,561 --> 00:15:12,129
<i>- WHAT ARE YOU DOING?
- WHAT? NOTHING.</i>

337
00:15:12,129 --> 00:15:13,828
WHAT'S ANDREW DOING HERE?

338
00:15:13,828 --> 00:15:15,928
WHAT, ANDR-- DON'T
BOTHER ANDREW, ALL RIGHT?

339
00:15:15,928 --> 00:15:18,728
- HE HAS ASTHMA. - THEN HE
SHOULDN'T BE HAVING MILK PRODUCTS.

340
00:15:18,728 --> 00:15:21,895
- WHAT? - LISTEN, YOU'RE GROUNDED.
SEND HIM HOME.

341
00:15:21,895 --> 00:15:24,795
I CAN'T SEND HIM HOME,
DAD!

342
00:15:24,795 --> 00:15:26,528
GOD, MAN, YOU NEVER
LISTEN TO ME.

343
00:15:26,528 --> 00:15:28,295
I TOLD YOU,
HE DOESN'T HAVE A FATHER

344
00:15:28,295 --> 00:15:30,028
AND HE HAS A MOTHER
WHO'S AN ALCOHOLIC.

345
00:15:30,028 --> 00:15:31,861
KYLE, SEND HIM HOME.
YOU DON'T GET TO HAVE FRIENDS OVER.

346
00:15:31,861 --> 00:15:33,895
FINE, YOU KNOW WHAT?
YOU CAN SEND HIM HOME.

347
00:15:33,895 --> 00:15:35,961
I'M NOT GONNA DO THAT
TO THIS GUY.

348
00:15:35,961 --> 00:15:38,493
OKAY? YOU DON'T CARE ABOUT
ANYONE BUT YOURSELF.

349
00:15:38,493 --> 00:15:40,162
- KYLE?
- YOU'RE SO-- WHAT?

350
00:15:40,162 --> 00:15:43,128
- WHAT DO YOU WANT?
- DO YOU WANT TO DO SOME HOMEWORK?

351
00:15:43,128 --> 00:15:45,194
<i>I WOULD LOVE TO,
BUT I CAN'T.</i>

352
00:15:45,194 --> 00:15:46,827
YOU HAVE TO GO HOME.

353
00:15:46,827 --> 00:15:48,361
WHY?

354
00:15:48,361 --> 00:15:51,227
OH, WELL, THAT'S A QUESTION
FOR MY FATHER.

355
00:15:51,227 --> 00:15:53,294
FINE, ANDREW CAN STAY.
YOU CAN DO HOMEWORK.

356
00:15:53,294 --> 00:15:54,660
OH, YOU CAN STAY NOW!
YOU CAN--

357
00:15:54,660 --> 00:15:56,127
GO ON, GET IN.
SHUT UP.

358
00:15:56,127 --> 00:15:58,026
OH, YOU'RE GONNA TELL ME
TO SHUT UP NOW.

359
00:15:58,026 --> 00:15:59,726
- YEAH, I AM.
- PRICK.

360
00:15:59,726 --> 00:16:01,560
<i>( distant dog barking )</i>

361
00:16:01,560 --> 00:16:03,559
MR. CLAYTON, DO YOU
HAVE ANYTHING TO EAT?

362
00:16:03,559 --> 00:16:05,161
SURE, ANDREW.

363
00:16:06,327 --> 00:16:08,492
UH, I'M A VEGETARIAN.

364
00:16:10,260 --> 00:16:13,160
( laughs )

365
00:16:13,160 --> 00:16:15,160
HERE YOU GO, ANDREW.
IT'S JUST CHEESE.

366
00:16:15,160 --> 00:16:16,658
I HOPE YOU'RE OKAY
WITH THAT.

367
00:16:16,658 --> 00:16:18,458
- BE CAREFUL.IT'S HOT.
- THANKS, MR. CLAYTON.

368
00:16:18,458 --> 00:16:19,993
KYLE, LET'S SEE
HOW MUCH YOU'VE GOT HERE.

369
00:16:19,993 --> 00:16:23,626
ON, ONLINE.
WELL, "FARMERS RELIED ON GOOD SOIL,

370
00:16:23,626 --> 00:16:25,992
WORKER ANIMALS,
SUNSHINE AND...

371
00:16:25,992 --> 00:16:27,427
PERSPIRATION."

372
00:16:27,427 --> 00:16:28,992
YOU MEAN LIKE SWEAT?

373
00:16:28,992 --> 00:16:31,693
NO, PERSPIRATION--
WHEN IT RAINS!

374
00:16:31,693 --> 00:16:33,826
UH, THAT'S--
THAT'S PRECIPITATION.

375
00:16:33,826 --> 00:16:35,892
- ( Andrew exhaling )
- NO, I MEANT "SWEAT."

376
00:16:35,892 --> 00:16:37,192
OH.

377
00:16:37,192 --> 00:16:39,625
IT'S HOT. YOU WANT
SOMETHING TO DRINK, ANDREW?

378
00:16:39,625 --> 00:16:40,758
NO.

379
00:16:40,758 --> 00:16:42,025
YOU OKAY?

380
00:16:42,025 --> 00:16:43,658
I'M TRYING TO WRITE.

381
00:16:43,658 --> 00:16:45,225
- SORRY.
- PLEASE.

382
00:16:45,225 --> 00:16:47,224
- ( cell phone ringing )
- HELLO?

383
00:16:47,224 --> 00:16:48,625
<i>- Lance: Hey.
- HI.</i>

384
00:16:48,625 --> 00:16:50,924
<i>As soon as I finish helping
Kyle with his homework,</i>

385
00:16:50,924 --> 00:16:54,224
I'M COMING OVER TO YOUR HOUSE AND
PUTTING MY PENIS IN YOUR VAGINA.

386
00:16:54,224 --> 00:16:55,558
( laughs )

387
00:16:55,558 --> 00:16:57,558
THAT'S A SINGLE ENTENDRE.

388
00:16:57,558 --> 00:16:59,557
OH, I SHOULD HAVE
CALLED YOU EARLIER.

389
00:16:59,557 --> 00:17:01,958
I DIDN'T GET TO THE STORE
SO I DIDN'T MAKE CHILI.

390
00:17:01,958 --> 00:17:04,624
OH.WELL, I'LL
TAKE YOU OUT TO DINNER.

391
00:17:04,624 --> 00:17:06,325
OH, I DON'T KNOW IF
THAT'S A GOOD IDEA.

392
00:17:06,325 --> 00:17:08,325
I MEAN, WE REALLY SHOULDN'T GO
OUT WHERE STUDENTS MIGHT SEE US.

393
00:17:08,325 --> 00:17:11,258
WELL, YOU KNOW WHAT? I'LL PICK UP
SOME TAKEOUT AND BRING IT OVER.

394
00:17:11,258 --> 00:17:15,457
OH, WOULD YOU JUST HATE ME IF WE
DID THIS TOMORROW NIGHT INSTEAD?

395
00:17:15,457 --> 00:17:18,358
I'M JUST NOT FEELING THAT GREAT,
AND IT'S ALREADY KIND OF LATE.

396
00:17:18,358 --> 00:17:22,123
NO. NO, TOMORROW
NIGHT'LL BE GREAT.

397
00:17:22,123 --> 00:17:23,325
<i>Okay.</i>

398
00:17:23,325 --> 00:17:25,457
ARE YOU SURE YOU'RE
NOT MAD AT ME?

399
00:17:25,457 --> 00:17:27,390
NO, NOT AT ALL.

400
00:17:27,390 --> 00:17:28,623
<i>Okay.</i>

401
00:17:28,623 --> 00:17:30,257
THEN GOOD NIGHT, SUGAR.

402
00:17:30,257 --> 00:17:31,390
<i>Good night, Popsicle.</i>

403
00:17:36,923 --> 00:17:38,023
( sighs )

404
00:17:40,755 --> 00:17:43,057
LET'S SEE HOW YOU'RE DOING
ON THAT REPORT, HUH?

405
00:17:44,324 --> 00:17:46,622
- IT'S GOOD.
- YEAH.

406
00:17:46,622 --> 00:17:48,289
SEE, KYLE?

407
00:17:48,289 --> 00:17:50,022
WHAT ARE YOU DOING?

408
00:17:50,022 --> 00:17:52,056
- COOL DOWN.
- OH.

409
00:17:52,056 --> 00:17:54,189
WHAT TIME DO YOU
HAVE TO BE HOME, ANDREW?

410
00:17:54,189 --> 00:17:55,389
IT DOESN'T MATTER.

411
00:17:55,389 --> 00:17:57,122
WELL, YOU KNOW, IT'S
JUST 9:30.

412
00:17:57,122 --> 00:17:59,289
WE CAN GO TO A VIDEO STORE,
GET A MOVIE.

413
00:17:59,289 --> 00:18:02,356
ARE YOU STUPID?
I HATE WATCHING MOVIES.

414
00:18:02,356 --> 00:18:04,388
YOU USED TO LIKE WATCHING
MOVIES WHEN YOU WERE A KID.

415
00:18:04,388 --> 00:18:06,389
YEAH, ONLY 'CAUSE
YOU WANTED ME TO.

416
00:18:06,389 --> 00:18:08,822
MOVIES ARE FOR LOSERS
AND ART FAGS.

417
00:18:08,822 --> 00:18:11,621
OH.
WHAT WOULD YOU LIKE TO DO?

418
00:18:11,621 --> 00:18:13,988
UM...

419
00:18:13,988 --> 00:18:16,789
CAN ANDREW AND I PLAY "DOOM"
ON MY COMPUTER?

420
00:18:17,854 --> 00:18:19,821
YEAH.

421
00:18:19,821 --> 00:18:21,754
JUST "DOOM,"
NOTHING ELSE.

422
00:18:27,355 --> 00:18:28,721
I LIKE YOUR DAD.

423
00:18:28,721 --> 00:18:30,087
MY DAD?

424
00:18:30,087 --> 00:18:31,921
HE'S A FUCKING IDIOT.

425
00:18:33,322 --> 00:18:35,354
<i>Boy:
"INSANITY LAUGHS</i>

426
00:18:35,354 --> 00:18:38,920
<i>UNDER PRESSURE WE'RE CRACKING</i>

427
00:18:38,920 --> 00:18:42,753
CAN'T WE GIVE OURSELVES
ONE MORE CHANCE?

428
00:18:42,753 --> 00:18:45,620
WHY CAN'T WE GIVE LOVE

429
00:18:45,620 --> 00:18:47,552
<i>ONE MORE CHANCE?</i>

430
00:18:48,853 --> 00:18:51,653
WHY CAN'T WE GIVE LOVE

431
00:18:51,653 --> 00:18:54,153
GIVE LOVE

432
00:18:55,852 --> 00:18:57,720
GIVE LOVE..."

433
00:18:57,720 --> 00:18:59,353
<i>STOP.</i>

434
00:18:59,353 --> 00:19:01,353
JASON, YOU DIDN'T
WRITE THAT.

435
00:19:01,353 --> 00:19:04,485
THAT'S A QUEEN/BOWIE SONG:
"UNDER PRESSURE."

436
00:19:04,485 --> 00:19:06,353
<i>WHAT WERE YOU THINKING?</i>

437
00:19:06,353 --> 00:19:08,585
I DIDN'T THINK
YOU KNEW THAT ONE.

438
00:19:08,585 --> 00:19:10,485
JASON, I'M WHITE.

439
00:19:10,485 --> 00:19:12,152
- OH, BOY.
- SIT DOWN.

440
00:19:12,152 --> 00:19:13,519
THANK YOU.

441
00:19:15,086 --> 00:19:18,419
GUYS, WHY ARE YOU HERE IF
YOU'RE NOT GONNA EVEN TRY?

442
00:19:18,419 --> 00:19:21,584
POETRY IS ABOUT SAYING
SOMETHING FROM YOUR HEART,

443
00:19:21,584 --> 00:19:24,285
SOMETHING PERSONAL.
OKAY?

444
00:19:24,285 --> 00:19:25,551
YES, GINGER?

445
00:19:25,551 --> 00:19:28,285
I HAVE SOMETHING
THAT'S KIND OF PERSONAL.

446
00:19:28,285 --> 00:19:30,018
GREAT. GO AHEAD.

447
00:19:38,484 --> 00:19:41,152
"IT WAS RAINING
YESTERDAY AFTERNOON

448
00:19:41,152 --> 00:19:44,917
WATER DRIPPING OFF THE LILAC
BUSHES MY MOTHER LOVES

449
00:19:44,917 --> 00:19:48,784
AND AS I SAT AND WATCHED THE BLOOD
POUR OUT FROM BETWEEN MY LEGS

450
00:19:48,784 --> 00:19:51,217
<i>AND FELT THE PAIN
OF MOTHERHOOD MYSELF</i>

451
00:19:51,217 --> 00:19:54,151
I WONDERED IF IT WOULD HAVE
BEEN A BOY OR A GIRL"

452
00:19:59,917 --> 00:20:01,318
THANK YOU.

453
00:20:02,483 --> 00:20:05,318
THAT WAS VERY PERSONAL.

454
00:20:06,983 --> 00:20:09,384
THANKS.

455
00:20:09,384 --> 00:20:12,117
IF YOU EVER NEED TO TALK
TO SOMEONE, I'M HERE.

456
00:20:12,117 --> 00:20:14,716
WHY?

457
00:20:14,716 --> 00:20:17,250
<i>- ( kids laughing )
- ( bell rings )</i>

458
00:20:17,250 --> 00:20:19,449
<i>Woman singing:
* YES, IT'S A GOOD DAY *</i>

459
00:20:19,449 --> 00:20:21,050
<i>* FOR SINGING A SONG</i>

460
00:20:21,050 --> 00:20:22,816
<i>* AND IT'S A GOOD DAY *</i>

461
00:20:22,816 --> 00:20:24,116
<i>* FOR MOVING ALONG</i>

462
00:20:24,116 --> 00:20:25,683
<i>* YES, IT'S A GOOD DAY *</i>

463
00:20:25,683 --> 00:20:27,716
<i>* HOW COULD ANYTHING
BE WRONG? *</i>

464
00:20:27,716 --> 00:20:30,350
<i>* A GOOD DAY FROM
MORNING TILL NIGHT *</i>

465
00:20:30,350 --> 00:20:32,816
<i>* AND IT'S A GOOD DAY *</i>

466
00:20:32,816 --> 00:20:34,349
<i>* FOR SHINING YOUR SHOES</i>

467
00:20:34,349 --> 00:20:36,083
<i>* AND IT'S A GOOD DAY... *</i>

468
00:20:36,083 --> 00:20:37,916
HELLO, LAMB CHOP.

469
00:20:37,916 --> 00:20:40,049
HELLO, HONEYDEW MELON.

470
00:20:40,049 --> 00:20:41,748
WHAT'S WRONG?

471
00:20:41,748 --> 00:20:43,182
NOTHING.

472
00:20:43,182 --> 00:20:44,782
SOMETHING'S BOTHERING YOU.

473
00:20:44,782 --> 00:20:47,215
DO YOU LIKE MIKE?

474
00:20:47,215 --> 00:20:49,316
WHAT ARE YOU TALKING ABOUT?

475
00:20:49,316 --> 00:20:51,215
DON'T GET MAD. I MEAN,
I KNOW WE'VE NEVER TALKED

476
00:20:51,215 --> 00:20:53,481
ABOUT NOT SEEING
ANYONE ELSE.

477
00:20:53,481 --> 00:20:56,149
I'M SORRY I SAID THAT.

478
00:20:56,149 --> 00:20:57,447
I--

479
00:20:59,714 --> 00:21:01,415
ARE WE STILL ON FOR DINNER?

480
00:21:01,415 --> 00:21:05,281
<i>* I'VE GOT A GAL
THAT'S ALWAYS LATE *</i>

481
00:21:05,281 --> 00:21:08,048
<i>* EVERY TIME WE HAVE
A DATE *</i>

482
00:21:08,048 --> 00:21:10,581
<i>* BUT I LOVE HER</i>

483
00:21:10,581 --> 00:21:13,614
<i>* YES, I LOVE HER</i>

484
00:21:15,614 --> 00:21:19,547
<i>* I'M GONNA WALK RIGHT UP
TO HER GATE *</i>

485
00:21:19,547 --> 00:21:22,047
<i>* AND SEE IF I CAN
GET IT STRAIGHT *</i>

486
00:21:22,047 --> 00:21:25,446
<i>* 'CAUSE I WANT HER *</i>

487
00:21:25,446 --> 00:21:28,681
<i>* I'M GONNA ASK HER *</i>

488
00:21:28,681 --> 00:21:33,013
<i>* I'M GONNA SAY,
"IS YOU IS OR IS YOU AIN'T *</i>

489
00:21:33,013 --> 00:21:34,913
<i>* MY BABY?</i>

490
00:21:36,746 --> 00:21:41,147
<i>* THE WAY YOU'RE ACTING
LATELY MAKES ME DOUBT..." *</i>

491
00:21:41,147 --> 00:21:43,346
( phone ringing )

492
00:21:43,346 --> 00:21:46,012
<i>- HELLO?
- Miss Reed: Hello, jerk.</i>

493
00:21:46,012 --> 00:21:48,012
I AM SO SORRY.

494
00:21:48,012 --> 00:21:49,813
YEAH, YOU'RE
A REAL SHITBIRD.

495
00:21:49,813 --> 00:21:51,313
DON'T LET IT
HAPPEN AGAIN.

496
00:21:51,313 --> 00:21:53,346
I AM SUCH A JERK.

497
00:21:53,346 --> 00:21:55,478
AND IT WILL NEVER
HAPPEN AGAIN.

498
00:21:55,478 --> 00:21:57,645
<i>( laughing )</i>

499
00:21:57,645 --> 00:22:00,379
<i>* MMM, A WOMAN
IS A CREATURE... *</i>

500
00:22:00,379 --> 00:22:02,812
<i>- HELLO?
- IN HERE!</i>

501
00:22:02,812 --> 00:22:05,146
<i>* THAT HAS ALWAYS BEEN
STRANGE *</i>

502
00:22:05,146 --> 00:22:07,578
<i>* JUST WHEN YOU'RE
SURE OF ONE *</i>

503
00:22:07,578 --> 00:22:11,712
<i>* YOU FIND SHE'S GONE
AND MADE A CHANGE... *</i>

504
00:22:11,712 --> 00:22:13,645
OH, GREAT.
THANKS.

505
00:22:13,645 --> 00:22:15,278
<i>* IS YOU IS OR
IS YOU AIN'T... *</i>

506
00:22:15,278 --> 00:22:16,678
THAT'S GREAT.

507
00:22:16,678 --> 00:22:18,313
IT'S AN INTERESTING PIECE.

508
00:22:18,313 --> 00:22:20,778
- YEAH? YOU'RE AN INTERESTING PIECE.
- OH!

509
00:22:23,178 --> 00:22:25,412
( both moaning )

510
00:22:26,878 --> 00:22:29,145
THIS IS JUST
LIKE HIGH SCHOOL, RIGHT?

511
00:22:29,145 --> 00:22:31,910
AH. EXCEPT I DIDN'T HAVE
ANY GIRLFRIENDS IN HIGH SCHOOL.

512
00:22:31,910 --> 00:22:33,911
OH, WELL, THOSE GIRLS
WERE IDIOTS.

513
00:22:33,911 --> 00:22:35,678
I WOULD HAVE
BEEN YOUR GIRLFRIEND.

514
00:22:35,678 --> 00:22:37,144
OH.

515
00:22:37,144 --> 00:22:39,044
IF WE HAD A TIME MACHINE,

516
00:22:39,044 --> 00:22:40,743
LET'S SEE--

517
00:22:40,743 --> 00:22:42,078
MMM...

518
00:22:42,078 --> 00:22:44,743
I'D BE IN HIGH SCHOOL
AND YOU'D BE A FETUS.

519
00:22:44,743 --> 00:22:46,677
- I THINK THAT'S--
- NO, THAT'S NOT COOL.

520
00:22:46,677 --> 00:22:48,010
NO, NOT COOL.

521
00:22:48,010 --> 00:22:50,077
( both muttering )

522
00:22:50,077 --> 00:22:51,144
ALA LA LA LA.

523
00:22:51,144 --> 00:22:52,443
<i>Girl:
WEEKEND SUMMARY:</i>

524
00:22:52,443 --> 00:22:54,609
WE DID NOTHING,
FOLLOWED BY NOTHING,

525
00:22:54,609 --> 00:22:56,543
WITH A GRAND FINALE
OF NOTHING.

526
00:22:56,543 --> 00:22:59,176
ABOUT TIME, FELTER.

527
00:22:59,176 --> 00:23:01,542
I THINK THEY'RE DOING IT.

528
00:23:01,542 --> 00:23:03,077
WHAT?

529
00:23:03,077 --> 00:23:05,575
YOU-- YOU THINK
THAT THEY'RE FUCKING?

530
00:23:05,575 --> 00:23:07,210
ANDREW, ANDREW, LOOK,

531
00:23:07,210 --> 00:23:09,743
YOU HAVE TO KNOW THAT FUCKING
PUSSY IS VIRGIN SHIT, ALL RIGHT?

532
00:23:09,743 --> 00:23:12,176
WHEN I'M WITH A BITCH,
I JUST GO STRAIGHT FOR THE BROWN-EYE.

533
00:23:12,176 --> 00:23:13,176
WHAT?

534
00:23:13,176 --> 00:23:15,343
I STICK MY COCK
IN HER ASSHOLE.

535
00:23:15,343 --> 00:23:18,474
I GOT THAT PART, BUT
YOU'VE NEVER BEEN WITH A WOMAN.

536
00:23:18,474 --> 00:23:19,776
FUCK YOU.

537
00:23:19,776 --> 00:23:21,276
KYLE, I'M ALWAYS WITH YOU.
I KNOW.

538
00:23:21,276 --> 00:23:22,876
NO, YOU'RE NOT
ALWAYS WITH ME.

539
00:23:22,876 --> 00:23:24,143
- YES, I AM.
- NO, YOU'RE NOT.

540
00:23:25,509 --> 00:23:27,309
LOSER.

541
00:23:27,309 --> 00:23:29,343
OH, YOU'RE FUCKING FUCKED!

542
00:23:29,343 --> 00:23:32,574
- YOU'RE FUCKING--
- LET IT GO, KYLE. THEY'RE NOT WORTH IT.

543
00:23:32,574 --> 00:23:35,242
"AHA," YEAH. THAT'S RIGHT,
LAUGH IT UP, YOU FUCKING WHORES.

544
00:23:39,608 --> 00:23:43,242
<i>( Kyle moans )
DON'T BE SHY.</i>

545
00:23:43,242 --> 00:23:45,574
THERE YOU GO.

546
00:23:45,574 --> 00:23:48,041
AHH, YEAH.

547
00:23:48,041 --> 00:23:50,074
<i>OH.</i>

548
00:23:50,074 --> 00:23:51,674
<i>Lance:
HEY, BUDDY, WHAT YOU DOIN'?</i>

549
00:23:51,674 --> 00:23:54,275
I'M DOING MY HOMEWORK.
WHAT DOES IT LOOK LIKE I'M DOING?

550
00:23:54,275 --> 00:23:55,207
OH.

551
00:23:57,142 --> 00:23:58,807
<i>WHAT?</i>

552
00:23:58,807 --> 00:24:01,341
NOTHING.
NEED A HAND?

553
00:24:01,341 --> 00:24:04,041
YOU KNOW,
YOUR REPORT, OR...

554
00:24:04,041 --> 00:24:07,408
NO. NO, IT'S-- NO.

555
00:24:07,408 --> 00:24:08,807
OKAY.

556
00:24:08,807 --> 00:24:11,640
HEY, LISTEN, I'M GOING
ON A DATE TONIGHT.

557
00:24:11,640 --> 00:24:14,640
AND IF YOU'RE HUNGRY, I COULD
FIX YOU SOME FOOD BEFORE I GO.

558
00:24:14,640 --> 00:24:16,640
YOU'RE GOING ON A DATE
WITH WHO?

559
00:24:16,640 --> 00:24:18,373
<i>WELL, NO ONE'S
SUPPOSED TO KNOW</i>

560
00:24:18,373 --> 00:24:20,506
BECAUSE IT COULD CAUSE
PROBLEMS AT SCHOOL.

561
00:24:20,506 --> 00:24:22,006
CLAIRE.

562
00:24:22,006 --> 00:24:24,173
CLAIRE?

563
00:24:24,173 --> 00:24:25,873
DO I KNOW THIS CLAIRE?

564
00:24:25,873 --> 00:24:27,940
MISS REED. HMM?

565
00:24:27,940 --> 00:24:31,306
( laughs ) REALLY? YOU'RE GOING
OUT WITH THE T.I.L.F., THAT'S GREAT.

566
00:24:31,306 --> 00:24:32,739
- THE WHAT?
- T.I.L.F.--

567
00:24:32,739 --> 00:24:35,139
- "TEACHER I'D LIKE TO FUCK."
- NICE MOUTH.

568
00:24:35,139 --> 00:24:37,471
HEY, IT'S JUST WHAT THE OTHER
KIDS AT SCHOOL CALL HER.

569
00:24:37,471 --> 00:24:39,240
<i>WHAT DO YOU THINK
ABOUT MISS REED?</i>

570
00:24:39,240 --> 00:24:42,439
WELL, SHE'S GOT A HOT BODY,
HELMET'S OKAY.

571
00:24:42,439 --> 00:24:44,805
- DO HER FROM BEHIND.
- HEY, COME ON NOW!

572
00:24:44,805 --> 00:24:47,039
KYLE, WHEN DID YOU BECOME
SUCH A PERVERT?

573
00:24:47,039 --> 00:24:48,538
YOU SOUND LIKE
YOUR UNCLE PETE.

574
00:24:48,538 --> 00:24:50,105
THERE'S MORE TO
A WOMAN THAN THAT.

575
00:24:50,105 --> 00:24:51,672
WHAT DO YOU THINK ABOUT
HER PERSONALITY?

576
00:24:51,672 --> 00:24:54,905
OH, UM, NAH.

577
00:24:54,905 --> 00:24:57,239
SHE'S PRETTY STUCK UP
AND SHE'S A PHONY.

578
00:24:57,239 --> 00:24:59,938
WHY DO I EVEN
TELL YOU THESE THINGS?

579
00:25:05,838 --> 00:25:07,339
( phone beeps )

580
00:25:07,339 --> 00:25:09,204
<i>( ringing )</i>

581
00:25:09,204 --> 00:25:10,838
<i>- Hello?
- HEY.</i>

582
00:25:10,838 --> 00:25:13,904
- HI.
- WE STILL ON FOR SOME VITTLES?

583
00:25:13,904 --> 00:25:16,138
OH, I'M SO SORRY
I DIDN'T CALL YOU SOONER.

584
00:25:16,138 --> 00:25:18,238
MY MOTHER IS HAVING
A NERVOUS BREAKDOWN.

585
00:25:18,238 --> 00:25:21,704
<i>Her dog got burnt
by a hair crimper.</i>

586
00:25:21,704 --> 00:25:24,870
THEY WERE PLAYING FETCH OR
SOMETHING-- SHE'S FUCKING BANANAS.

587
00:25:24,870 --> 00:25:26,037
<i>Ahh.</i>

588
00:25:26,037 --> 00:25:28,204
I'M SO SORRY ABOUT TONIGHT.

589
00:25:28,204 --> 00:25:29,837
<i>You're not mad,
are you?</i>

590
00:25:29,837 --> 00:25:31,137
MMM, NOT AT ALL.

591
00:25:31,137 --> 00:25:33,938
OKAY, GOOD NIGHT, CUPCAKES.

592
00:25:33,938 --> 00:25:35,903
GOOD NIGHT,
WATERMELON SHERBET.

593
00:25:43,803 --> 00:25:47,736
<i>* WHEN I GET HIGH</i>

594
00:25:47,736 --> 00:25:52,170
<i>* THIS WORLD'S SO NICE *</i>

595
00:25:52,170 --> 00:25:55,969
<i>* WHEN I GET HIGH</i>

596
00:25:55,969 --> 00:25:59,736
<i>* IT'S PARADISE... *</i>

597
00:25:59,736 --> 00:26:02,236
<i>( woman coughing )</i>

598
00:26:02,236 --> 00:26:04,902
YOUR POT
SMELLS LIKE SHIT.

599
00:26:04,902 --> 00:26:07,802
- OH. OH, SORRY.
- THAT'S OKAY.

600
00:26:07,802 --> 00:26:10,303
- WOULD YOU LIKE SOME?
- ARE YOU KIDDING?

601
00:26:10,303 --> 00:26:13,069
- I CAN BARELY BREATHE.
- ( inhaler spurts )

602
00:26:13,069 --> 00:26:15,102
OH, I'M REALLY SORRY.
OH.

603
00:26:15,102 --> 00:26:17,635
<i>( coughing )</i>

604
00:26:17,635 --> 00:26:19,801
HOWEVER,

605
00:26:19,801 --> 00:26:22,368
IF YOU WERE TO OFFER ME
SOME POT BROWNIES,

606
00:26:22,368 --> 00:26:23,868
I WOULDN'T SAY NO.

607
00:26:23,868 --> 00:26:26,435
- REALLY?
- YEAH.

608
00:26:26,435 --> 00:26:29,935
TONIGHT WHEN YOU'RE
GETTING CHANGED,

609
00:26:29,935 --> 00:26:32,601
WOULD YOU MIND PULLING
YOUR BEDROOM DRAPES?

610
00:26:32,601 --> 00:26:34,200
WHY?

611
00:26:34,200 --> 00:26:36,334
I THINK MY SON WATCHES YOU.

612
00:26:36,334 --> 00:26:37,868
GET OUT OF HERE.

613
00:26:37,868 --> 00:26:40,800
NO NO. I THINK
HE WATCHES YOU CHANGE.

614
00:26:40,800 --> 00:26:42,800
YOUR SON?

615
00:26:42,800 --> 00:26:44,035
<i>MM-HMM.</i>

616
00:26:44,035 --> 00:26:45,667
I THOUGHT HE
WAS A ZOMBIE.

617
00:26:45,667 --> 00:26:47,466
I WISH.
I LIKE ZOMBIES.

618
00:26:47,466 --> 00:26:49,833
OH, YEAH, YOU DO?
ME TOO. I DO.

619
00:26:49,833 --> 00:26:51,368
<i>- REALLY?
- YEAH.</i>

620
00:26:51,368 --> 00:26:53,633
OH, I LIKE THE EARLY ZOMBIE MOVIES
LIKE "NIGHT OF THE LIVING DEAD."

621
00:26:53,633 --> 00:26:55,167
ME TOO.

622
00:26:55,167 --> 00:26:57,167
<i>OH, YEAH, DON'T WATCH
THAT ONE ALONE.</i>

623
00:26:57,167 --> 00:26:58,867
- I DON'T LIKE THE NEW ONES.
- NO.

624
00:26:58,867 --> 00:27:01,367
- ZOMBIES ARE TOO FAST, YOU KNOW?
- YEAH, TOO FAST. YEAH.

625
00:27:01,367 --> 00:27:04,466
I BELIEVE LIKE SIMON PEGG SAID,
"THE DEATH IS AN IMPEDIMENT,

626
00:27:04,466 --> 00:27:05,933
NOT AN ENERGY DRINK."

627
00:27:05,933 --> 00:27:08,166
<i>( laughing )</i>

628
00:27:08,166 --> 00:27:10,599
<i>( funk music playing )</i>

629
00:27:31,498 --> 00:27:32,599
WHAT YOU DOING?

630
00:27:32,599 --> 00:27:35,465
JESUS, DAD.
YOU ALMOST MADE ME CRAP.

631
00:27:35,465 --> 00:27:38,998
DID YOU GET YOUR
HOMEWORK DONE?

632
00:27:38,998 --> 00:27:40,999
YEAH, A LONG TIME AGO.

633
00:27:40,999 --> 00:27:42,166
YEAH.

634
00:27:42,166 --> 00:27:44,599
<i>- YEAH.
- WHAT--</i>

635
00:27:44,599 --> 00:27:46,631
<i>ARE YOU STONED?</i>

636
00:27:46,631 --> 00:27:47,998
NO.

637
00:27:47,998 --> 00:27:50,531
SERIOUSLY, YOU SMELL LIKE POT.
ARE YOU SMOKING POT?

638
00:27:50,531 --> 00:27:52,364
- NO.
- YOU CAN TELL ME.

639
00:27:52,364 --> 00:27:54,797
<i>- NO.
- YOU'RE NOT USING GRASS?</i>

640
00:27:54,797 --> 00:27:57,299
NO, YOU DON'T USE GRASS.
NO.

641
00:27:57,299 --> 00:27:59,299
<i>THEN WHAT'S--
WHAT'S THAT SMELL?</i>

642
00:27:59,299 --> 00:28:00,864
WHAT SMELL?

643
00:28:00,864 --> 00:28:03,798
IT'S PROBABLY A SKUNK OUTSIDE
OR SOMETHING, YOU KNOW.

644
00:28:03,798 --> 00:28:05,398
OH YEAH, SURE,
A SKUNK.

645
00:28:05,398 --> 00:28:06,931
HEY, YOU KNOW WHAT?

646
00:28:06,931 --> 00:28:09,164
WHY DON'T WE DO
SOMETHING TOGETHER TOMORROW?

647
00:28:09,164 --> 00:28:10,964
WHY?
'CAUSE YOU FEEL BAD?

648
00:28:10,964 --> 00:28:12,764
YEAH.NO.

649
00:28:12,764 --> 00:28:16,398
I MEAN, IT'D BE JUST FUN TO DO
SOMETHING TOGETHER, YOU KNOW?

650
00:28:16,398 --> 00:28:17,630
- OKAY.
- MMM.

651
00:28:17,630 --> 00:28:19,930
YEAH.YEAH,
LIKE BUILD A ROCKET.

652
00:28:19,930 --> 00:28:21,629
SURE, IF YOU WANT TO.

653
00:28:21,629 --> 00:28:23,663
THAT'S RETARDED.

654
00:28:23,663 --> 00:28:25,398
YEAH.

655
00:28:25,398 --> 00:28:26,997
YEAH.

656
00:28:26,997 --> 00:28:29,829
- WHAT DO YOU WANT TO DO?
- NOTHING.

657
00:28:29,829 --> 00:28:32,496
OH, COME ON NOW, KYLE, YOU MUST
BE PASSIONATE ABOUT SOMETHING.

658
00:28:32,496 --> 00:28:34,063
- YOU WANT TO KNOW WHAT I LIKE?
- YEAH.

659
00:28:34,063 --> 00:28:35,763
- I LIKE LOOKING AT VAGINAS...
- AHH.

660
00:28:35,763 --> 00:28:36,996
...ALL DAY LONG.

661
00:28:36,996 --> 00:28:39,562
( laughs )

662
00:28:39,562 --> 00:28:42,130
<i>- THERE YOU GO.
- YEAH.</i>

663
00:28:42,130 --> 00:28:45,828
BUT MAYBE DO SOMETHING
NON-VAGINA RELATED.

664
00:28:45,828 --> 00:28:48,629
YOU KNOW, OUTSIDE
THE VAGINA.

665
00:28:48,629 --> 00:28:52,030
OKAY, UH,
WE COULD GO TO THE MALL.

666
00:28:52,030 --> 00:28:54,363
OKAY. AND THEN
WE'LL CATCH A MOVIE.

667
00:28:54,363 --> 00:28:56,696
YEAH, SURE,
AT THE MALL, YOU KNOW?

668
00:28:56,696 --> 00:28:59,695
AND THEN WE'LL MAYBE
LOOK FOR A NEW COMPUTER.

669
00:28:59,695 --> 00:29:01,296
NO NO,
WE'LL JUST HANG.

670
00:29:01,296 --> 00:29:03,827
DAD, DID I TELL YOU THAT
WE HAD TO BUY A NEW COMPUTER?

671
00:29:03,827 --> 00:29:06,229
NO, I SAID-- IF YOU
WERE LISTENING TO ME--

672
00:29:06,229 --> 00:29:08,362
THAT WE COULD LOOK
FOR A NEW COMPUTER, OKAY?

673
00:29:08,362 --> 00:29:10,627
AND THEN WE'LL GO
TO YOUR MOVIE.

674
00:29:10,627 --> 00:29:13,762
OKAY. BUT WE'RE NOT
BUYING A NEW COMPUTER.

675
00:29:13,762 --> 00:29:15,961
YEAH, ALL RIGHT.
SOUNDS FUN.

676
00:29:15,961 --> 00:29:17,761
THIS ISN'T
THE BIGGEST SCREEN.

677
00:29:17,761 --> 00:29:19,627
JESUS CHRIST,
HOW ABOUT A "THANK YOU"?

678
00:29:19,627 --> 00:29:22,194
ARE YOU ON YOUR PERIOD
OR SOMETHING?

679
00:29:22,194 --> 00:29:23,627
<i>CAN I NOT SAY ANYTHING?</i>

680
00:29:25,527 --> 00:29:29,395
HEY, ISN'T THAT-- ISN'T THAT
MIKE WITH MISS REED?

681
00:29:29,395 --> 00:29:30,827
YEAH, IT IS.

682
00:29:30,827 --> 00:29:32,395
DUDE, I WOULDN'T LET
MY BITCH TREAT ME THAT WAY.

683
00:29:32,395 --> 00:29:35,061
- YOU DON'T HAVE A "BITCH."
- HOW DO YOU KNOW?

684
00:29:35,061 --> 00:29:36,927
- HI, KYLE.
- HEY.

685
00:29:36,927 --> 00:29:38,826
- MR. CLAYTON.
- HELLO, ANDREW.

686
00:29:38,826 --> 00:29:40,694
OH, WOW, SO HE
GOT IT FOR YOU.

687
00:29:40,694 --> 00:29:44,327
- SWEET. - NOT THAT SWEET.
IT'S NOT THE BIGGEST ONE.

688
00:29:44,327 --> 00:29:47,693
WHAT-- DAD, WE'RE GONNA
GO HOME AND HOOK THIS UP.

689
00:29:47,693 --> 00:29:49,060
WHAT ABOUT GOING TO
THE MOVIES?

690
00:29:49,060 --> 00:29:51,394
DAD, WE'LL GO
TO DINNER LATER!

691
00:29:51,394 --> 00:29:53,226
OKAY, FINE.

692
00:29:54,426 --> 00:29:56,625
UH, WHAT ARE YOU
GONNA DO, MR. CLAYTON?

693
00:29:56,625 --> 00:29:59,160
OH, PROBABLY GO TO THE MOVIES
BY MYSELF, ANDREW.

694
00:29:59,160 --> 00:30:01,027
ANDREW!

695
00:30:01,027 --> 00:30:03,193
WHAT ARE YOU DOING?

696
00:30:04,592 --> 00:30:07,026
<i>YOU'RE CARRYING THAT
THE REST OF THE WAY.</i>

697
00:30:07,026 --> 00:30:08,825
WHAT, ARE YOU GONNA CRY?

698
00:30:08,825 --> 00:30:10,326
FUCKING PUSSY.

699
00:30:10,326 --> 00:30:11,892
GOD DAMN IT.

700
00:30:22,425 --> 00:30:24,126
<i>( cell phone ringing )</i>

701
00:30:26,658 --> 00:30:29,091
- HELLO?
- HEY, IT'S ME.

702
00:30:29,091 --> 00:30:31,692
WHAT DID YOU DO TODAY?

703
00:30:31,692 --> 00:30:35,158
<i>I was with Mike.
He was having a breakdown about his divorce.</i>

704
00:30:35,158 --> 00:30:37,591
HE WAS DEPRESSED 'CAUSE
HE HAD TO GO TO THIS WEDDING,

705
00:30:37,591 --> 00:30:41,157
SO I WENT WITH HIM TO THE MALL AND
HELPED HIM PICK UP A SUIT TO WEAR.

706
00:30:41,157 --> 00:30:43,191
I KNOW,
I SAW YOU TWO THERE.

707
00:30:43,191 --> 00:30:45,658
YOU DID?
WHY DIDN'T YOU SAY HI?

708
00:30:45,658 --> 00:30:49,091
I DON'T KNOW.
IT SEEMED WEIRD.

709
00:30:49,091 --> 00:30:51,257
DOES IT BOTHER YOU
THAT I HAVE MALE FRIENDS?

710
00:30:51,257 --> 00:30:54,158
NO, IT BOTHERS ME YOU KEEP
OUR RELATIONSHIP SECRET

711
00:30:54,158 --> 00:30:56,024
AND YOU'RE OUT
IN PUBLIC WITH HIM.

712
00:30:56,024 --> 00:30:59,190
OKAY.
WHAT ARE YOU DOING TONIGHT, HMM?

713
00:30:59,190 --> 00:31:01,925
LET'S GO OUT.
WE'LL GO OUT SOMEPLACE FANCY,

714
00:31:01,925 --> 00:31:03,857
SOMEPLACE THE WORLD
CAN SEE US.

715
00:31:03,857 --> 00:31:06,890
HOW ABOUT
OUTBACK STEAKHOUSE?

716
00:31:06,890 --> 00:31:09,190
OH.

717
00:31:09,190 --> 00:31:11,157
ANYONE WHO'S ANYBODY
WILL BE THERE.

718
00:31:11,157 --> 00:31:13,089
YOU KNOW, WE CAN HAVE
AUSSIETIZERS...

719
00:31:13,089 --> 00:31:16,456
YOU KNOW, WAIT, I CAN'T.
I PROMISED KYLE I'D TAKE HIM OUT.

720
00:31:16,456 --> 00:31:18,024
LET ME TAKE
BOTH OF YOU OUT.

721
00:31:18,024 --> 00:31:20,023
<i>- IT'LL BE MY TREAT.
- Really?</i>

722
00:31:20,023 --> 00:31:23,589
OH.
THAT'S SO NICE.

723
00:31:27,089 --> 00:31:29,889
<i>- HEY, KYLE.
- I'M IN HERE.</i>

724
00:31:31,923 --> 00:31:33,722
WHY DO YOU ALWAYS
TIP OVER THIS PHOTO?

725
00:31:33,722 --> 00:31:36,390
<i>'CAUSE I HATE IT.
I LOOK INBRED.</i>

726
00:31:36,390 --> 00:31:37,688
I THINK YOU LOOK HANDSOME.

727
00:31:37,688 --> 00:31:39,756
WE'RE GOING OUT TO DINNER
TONIGHT WITH CLAIRE.

728
00:31:39,756 --> 00:31:41,621
WHAT? NO.

729
00:31:41,621 --> 00:31:43,088
- NO, WE'RE NOT.
- OH, COME ON.

730
00:31:43,088 --> 00:31:45,022
I THOUGHT SHE WAS
SEEING MR. LANE.

731
00:31:45,022 --> 00:31:47,722
NO NO, THEY'RE JUST FRIENDS
AND SHE'S TRYING TO HELP HIM
OUT THROUGH A TOUGH TIME.

732
00:31:47,722 --> 00:31:49,323
WHY AM I EXPLAINING
THIS TO YOU, KYLE?

733
00:31:49,323 --> 00:31:50,888
DAD, OKAY, LOOK,

734
00:31:50,888 --> 00:31:53,421
IT'S BAD ENOUGH BEING SEEING
WITH A TEACHER AS A DAD,

735
00:31:53,421 --> 00:31:55,655
BUT BEING SEEN WITH
TWO TEACHERS IS AIDS.

736
00:31:55,655 --> 00:31:57,222
OKAY, GET DRESSED.
PUT ON SOMETHING NICE.

737
00:31:57,222 --> 00:31:59,755
IF YOU DON'T ACT RIGHT AT DINNER,
I'LL STAB YOU IN THE FACE.

738
00:32:03,354 --> 00:32:05,487
SO WHAT DO YOU LIKE
TO DO, KYLE?

739
00:32:05,487 --> 00:32:07,921
NOTHING.

740
00:32:07,921 --> 00:32:11,021
NOTHING?
YOU MUST LIKE TO DO SOMETHING.

741
00:32:11,021 --> 00:32:13,054
NO.

742
00:32:14,420 --> 00:32:16,354
KYLE JUST GOT A NEW MONITOR
FOR HIS COMPUTER.

743
00:32:16,354 --> 00:32:18,987
SO WHAT DO YOU LIKE
TO DO ON THE COMPUTER?

744
00:32:18,987 --> 00:32:21,686
OH, WELL, YOU KNOW,
IT'S FUNNY YOU ASK.

745
00:32:21,686 --> 00:32:23,486
<i>- I LIKE--
- GAMES, MOSTLY.</i>

746
00:32:24,820 --> 00:32:28,221
- KYLE, WHO ARE YOU TEXTING?
- ANDREW.

747
00:32:28,221 --> 00:32:30,419
WHY DON'T YOU GIVE IT A BREAK
WHILE WE'RE EATING, SON?

748
00:32:30,419 --> 00:32:31,786
NO, I CAN'T DO THAT.
IT'S IMPORTANT.

749
00:32:31,786 --> 00:32:33,586
PUT IT AWAY.

750
00:32:34,953 --> 00:32:36,620
( chuckles )

751
00:32:40,920 --> 00:32:42,920
SO, KYLE,

752
00:32:42,920 --> 00:32:45,153
DO YOU HAVE A GIRLFRIEND?

753
00:32:45,153 --> 00:32:48,753
I'M NOT GONNA TALK TO YOU
ABOUT MY PERSONAL AFFAIRS.

754
00:32:50,786 --> 00:32:52,352
- OKAY.
- OOH.

755
00:32:52,352 --> 00:32:53,618
WATCH OUT.

756
00:32:53,618 --> 00:32:55,586
ARE YOU GUYS
DOING IT?

757
00:32:59,485 --> 00:33:01,818
YEAH, ALL THE TIME.
NON-STOP.

758
00:33:01,818 --> 00:33:03,852
I'M HURTING RIGHT NOW.

759
00:33:03,852 --> 00:33:06,585
( laughs )

760
00:33:06,585 --> 00:33:08,751
LET'S NOT MAKE ME
THROW UP.

761
00:33:11,617 --> 00:33:14,085
SO DO YOU PLAY SPORTS?

762
00:33:14,085 --> 00:33:16,985
NO NO. I'M A BIG SPAZ LIKE MY DAD.

763
00:33:16,985 --> 00:33:20,118
WELL, I WAS ON THE DIVE TEAM
IN COLLEGE.

764
00:33:20,118 --> 00:33:22,518
DIVING IS NOT REALLY
A SPORT, IT'S FALLING.

765
00:33:25,984 --> 00:33:27,151
I'M SORRY.

766
00:33:27,151 --> 00:33:30,550
<i>NO OFFENSE.
IT'S JUST FUNNY.</i>

767
00:33:30,550 --> 00:33:32,984
HEY, WHY DON'T WE RENT
A MOVIE AFTER DINNER?

768
00:33:32,984 --> 00:33:35,784
SURE, AS LONG AS
IT'S NOT HORROR.

769
00:33:35,784 --> 00:33:37,951
- REALLY?
- I DO NOT LIKE HORROR.

770
00:33:37,951 --> 00:33:40,218
ZOMBIES? ARE YOU
OKAY WITH ZOMBIES?

771
00:33:40,218 --> 00:33:42,083
- NO.
- OH.

772
00:33:42,083 --> 00:33:45,350
DO YOU LIKE MUSICALS?
I LOVE MUSICALS.

773
00:33:46,784 --> 00:33:48,783
BOB FOSSE WAS A GREAT
DIRECTOR.

774
00:33:48,783 --> 00:33:52,050
HE DID "SWEET CHARITY"
AND "ALL THAT JAZZ."

775
00:33:52,050 --> 00:33:55,183
- "CABARET." - ONE OF THE GREAT
NAZI MUSICALS OF ALL TIME.

776
00:33:55,183 --> 00:33:57,050
BESIDES "THE SOUND
OF MUSIC," YOU KNOW?

777
00:33:57,050 --> 00:33:59,683
THEN HE DID "STAR 80."
THAT WAS NOT A MUSICAL, BUT...

778
00:33:59,683 --> 00:34:02,449
- I ONLY LIKE THE MUSICALS.
- OH, WELL.

779
00:34:02,449 --> 00:34:04,384
- ME TOO.
- "WILLY WONKA."

780
00:34:04,384 --> 00:34:06,050
WHICH ONE?

781
00:34:06,050 --> 00:34:08,716
<i>- Lance: WELL, GENE WILDER.
- ( beeping )</i>

782
00:34:08,716 --> 00:34:10,317
- I LIKE JOHNNY DEPP.
- OH.

783
00:34:10,317 --> 00:34:11,917
- YEAH.
- MM-HM.

784
00:34:11,917 --> 00:34:13,882
<i>- BUT, YOU KNOW WHAT?
I LIKE GENE WILDER... - ( beeps )</i>

785
00:34:13,882 --> 00:34:18,616
- ...IN "YOUNG...
- Both: FRANKENSTEIN."

786
00:34:18,616 --> 00:34:21,448
<i>"WHAT HUMP?"</i>

787
00:34:21,448 --> 00:34:23,548
DID YOU SEE IT?

788
00:34:23,548 --> 00:34:25,682
- NO.
- OH, YOU SHOULD.

789
00:34:25,682 --> 00:34:28,116
- IT'S AMAZING.
- REALLY WONDERFUL.

790
00:34:28,116 --> 00:34:29,681
YEAH.
EVERYBODY'S SEEN IT.

791
00:34:29,681 --> 00:34:32,115
<i>- I'M SURE.
- YEAH.</i>

792
00:34:32,115 --> 00:34:34,881
- NIGHT, MISS REED.
- GOOD NIGHT, KYLE.

793
00:34:34,881 --> 00:34:37,447
DO YOU THINK YOU'RE GONNA
HIT THAT SHIT TONIGHT?

794
00:34:37,447 --> 00:34:40,614
- SHUT UP! - COME ON, DUDE.
THAT SHIT'S TIGHT, DUDE.

795
00:34:40,614 --> 00:34:42,149
SERIOUSLY, IF YOU
DON'T NAIL HER--

796
00:34:42,149 --> 00:34:43,981
HEY HEY,
IF YOU DON'T NAIL HER, DUDE, YOU'RE--

797
00:34:43,981 --> 00:34:45,714
- YOU'RE AN ASSHOLE.
- WILL YOU STOP IT?

798
00:34:45,714 --> 00:34:47,714
<i>DON'T ACT LIKE YOU DON'T THINK
ABOUT PUSSY ALL THE TIME TOO.</i>

799
00:34:47,714 --> 00:34:49,248
<i>- I KNOW YOU DO.
- KYLE.</i>

800
00:34:49,248 --> 00:34:51,348
<i>YOU'RE DROPPING ME
OFF FIRST, I GET IT.</i>

801
00:34:51,348 --> 00:34:53,747
<i>- YOU WANT ME TO GO. - I JUST WANNA
SAY GOOD NIGHT TO HER ALONE.</i>

802
00:34:53,747 --> 00:34:55,546
- OKAY?
- WITH YOUR COCK.

803
00:34:55,546 --> 00:34:57,282
KYLE,
YOU RUIN EVERYTHING.

804
00:34:57,282 --> 00:34:59,215
WOULD YOU JUST
SHUT THE FUCK UP?

805
00:34:59,215 --> 00:35:02,514
JESUS, MAN. YOU FUCKING NEED
TO GET LAID. GO OVER THERE.

806
00:35:02,514 --> 00:35:04,315
I'LL BE RIGHT BACK.

807
00:35:04,315 --> 00:35:06,513
ALL RIGHT. DON'T DO ANYTHING
I WOULDN'T DO, OKAY?

808
00:35:06,513 --> 00:35:10,247
SHORT OF KILLING HER,
THAT LEAVES ME A LOT OF ROOM.

809
00:35:10,247 --> 00:35:12,446
HEY, BABY.

810
00:35:12,446 --> 00:35:14,214
SEE YOU TOMORROW,
KYLE.

811
00:35:14,214 --> 00:35:16,213
NIGHT, WHORE.

812
00:35:21,113 --> 00:35:23,613
HEY.

813
00:35:23,613 --> 00:35:25,513
- THAT WAS FUN.
- THE KISS?

814
00:35:25,513 --> 00:35:27,146
- MM-HMM.
- I'LL SHOW YOU SOMETHING, COME ON.

815
00:35:27,146 --> 00:35:28,946
- NOT TONIGHT.
- WOW.

816
00:35:28,946 --> 00:35:30,545
ARE YOU SHOOTING
ME DOWN?

817
00:35:30,545 --> 00:35:32,979
LISTEN, I'D LOVE TO STAY,
BUT I PROMISED KYLE I'D BE RIGHT BACK.

818
00:35:32,979 --> 00:35:35,346
KYLE DOESN'T LIKE ME.

819
00:35:35,346 --> 00:35:37,213
OH NO.
HE LIKES YOU A LOT.

820
00:35:37,213 --> 00:35:38,712
- NO.
- MM-HMM.

821
00:35:38,712 --> 00:35:39,979
HE TOLD ME THAT
WHEN I DROPPED HIM OFF.

822
00:35:39,979 --> 00:35:41,712
- HE DID?
- YEAH.

823
00:35:41,712 --> 00:35:43,445
HE SAID I WAS
A LUCKY GUY.

824
00:35:43,445 --> 00:35:46,245
NO, I'M THE LUCKY GUY.

825
00:35:47,779 --> 00:35:49,046
I GOTTA GO.

826
00:35:49,046 --> 00:35:51,312
OH, COME ON.
HE'S ALMOST AN ADULT.

827
00:35:51,312 --> 00:35:53,279
- YEAH.
- MM-HMM.

828
00:35:53,279 --> 00:35:56,444
WHOA.

829
00:35:56,444 --> 00:35:58,711
HOW ARE YOU GONNA DRIVE
HOME WITH THAT BONER, HUH?

830
00:35:58,711 --> 00:36:01,345
I DON'T KNOW. THERE'S A STICK-SHIFT
JOKE THERE SOMEWHERE

831
00:36:01,345 --> 00:36:03,811
BUT I CAN'T FIND IT 'CAUSE ALL
THE BLOOD'S LEAVING MY BRAIN.

832
00:36:06,145 --> 00:36:09,677
- SLEEP WELL.
- HEY.

833
00:36:10,944 --> 00:36:14,677
OH, THAT'S SWEET.
MMM.

834
00:36:14,677 --> 00:36:18,077
<i>- I'LL CALL YOU TOMORROW.
- OH.BOO.</i>

835
00:36:18,077 --> 00:36:20,543
- YOU'RE MEAN.
- GOOD NIGHT, SWEET PEA.

836
00:36:20,543 --> 00:36:21,911
GOOD NIGHT,
CREAM CHEESE.

837
00:36:26,744 --> 00:36:28,677
YOU KNOW I--
OH!

838
00:36:28,677 --> 00:36:30,110
<i>- HMM?
- DAMN YOU.</i>

839
00:36:30,110 --> 00:36:31,111
YOU SURE?

840
00:36:38,378 --> 00:36:39,876
I'M BACK.

841
00:36:42,710 --> 00:36:46,011
KYLE.

842
00:36:46,011 --> 00:36:47,743
HEY, KYLE.

843
00:36:47,743 --> 00:36:50,976
OH, KYLE.
I TOLD YOU TO STOP DOING THAT.

844
00:37:05,509 --> 00:37:07,441
KYLE?

845
00:37:24,875 --> 00:37:28,842
<i>* DON'T BE AFRAID *</i>

846
00:37:28,842 --> 00:37:33,408
<i>* IT'S ONLY LOVE *</i>

847
00:37:33,408 --> 00:37:37,574
<i>* DON'T BE AFRAID *</i>

848
00:37:37,574 --> 00:37:42,308
<i>* IT'S ONLY LOVE *</i>

849
00:37:42,308 --> 00:37:46,540
<i>* DON'T BE AFRAID *</i>

850
00:37:46,540 --> 00:37:50,874
<i>* IT'S ONLY LOVE *</i>

851
00:37:50,874 --> 00:37:55,073
<i>* DON'T BE AFRAID *</i>

852
00:37:55,073 --> 00:37:58,641
<i>* IT'S ONLY LOVE *</i>

853
00:38:00,240 --> 00:38:04,473
<i>* LOVE IS SIMPLE</i>

854
00:38:15,673 --> 00:38:20,939
<i>* LOVE IS SIMPLE</i>

855
00:38:31,538 --> 00:38:36,072
<i>* LOVE IS SIMPLE</i>

856
00:39:05,470 --> 00:39:08,838
<i>* DON'T BE AFRAID *</i>

857
00:39:08,838 --> 00:39:14,070
<i>* YOU'RE ALREADY DEAD *</i>

858
00:39:14,070 --> 00:39:17,937
<i>* DON'T BE AFRAID *</i>

859
00:39:17,937 --> 00:39:22,703
<i>* YOU'RE ALREADY DEAD *</i>

860
00:39:22,703 --> 00:39:26,337
<i>* DON'T BE AFRAID *</i>

861
00:39:26,337 --> 00:39:31,336
<i>* YOU'RE ALREADY DEAD *</i>

862
00:39:31,336 --> 00:39:35,137
<i>* DON'T BE AFRAID *</i>

863
00:39:35,137 --> 00:39:39,569
<i>* YOU'RE ALREADY DEAD *</i>

864
00:39:40,636 --> 00:39:45,069
<i>* LOVE IS SIMPLE</i>

865
00:39:55,270 --> 00:39:59,936
<i>* LOVE IS SIMPLE</i>

866
00:40:10,102 --> 00:40:15,234
<i>* LOVE IS SIMPLE</i>

867
00:40:24,500 --> 00:40:28,800
<i>* LOVE IS SIMPLE</i>

868
00:40:40,599 --> 00:40:44,933
<i>* LA LA LA LA LA</i>

869
00:40:47,300 --> 00:40:52,300
<i>* LA LA LA LA LA</i>

870
00:40:55,066 --> 00:40:59,633
<i>* LA LA LA LA LA</i>

871
00:41:02,233 --> 00:41:06,733
<i>* LA LA LA LA LA</i>

872
00:41:07,832 --> 00:41:14,132
<i>* LA LA LA LA LA.</i>

873
00:41:39,199 --> 00:41:41,299
WELCOME BACK, LANCE.

874
00:41:41,299 --> 00:41:43,298
HI.

875
00:41:43,298 --> 00:41:45,530
- ARE YOU OKAY?
- YEAH.

876
00:41:45,530 --> 00:41:48,198
IF YOU NEED MORE TIME OFF,
TAKE IT.

877
00:41:48,198 --> 00:41:50,563
NOBODY HERE WOULD
FAULT YOU FOR THAT.

878
00:41:50,563 --> 00:41:52,597
NO, I'M OKAY.
THANKS.

879
00:42:06,131 --> 00:42:08,230
GINGER.

880
00:42:09,297 --> 00:42:11,063
HEY, MIKE.

881
00:42:11,063 --> 00:42:13,562
IT'S GOOD TO HAVE
YOU BACK, LANCELOT.

882
00:42:13,562 --> 00:42:15,063
THANKS.

883
00:42:31,364 --> 00:42:32,729
MR. CLAYTON.

884
00:42:32,729 --> 00:42:34,829
ANDREW.

885
00:42:34,829 --> 00:42:37,462
HOW ARE YOU DOING?

886
00:42:37,462 --> 00:42:40,129
OKAY.
I'M REALLY SORRY.

887
00:42:40,129 --> 00:42:42,162
THANKS.

888
00:42:42,162 --> 00:42:44,162
AND I'M SORRY
ABOUT MY MOM.

889
00:42:44,162 --> 00:42:46,761
- WHY?
- 'CAUSE SHE THREW UP IN YOUR PLANTER

890
00:42:46,761 --> 00:42:48,995
AT THAT THING AT YOUR
HOUSE AFTER THE FUNERAL.

891
00:42:48,995 --> 00:42:50,428
I WONDERED
WHO DID THAT.

892
00:42:50,428 --> 00:42:52,229
SHE DRINKS TOO MUCH.

893
00:42:52,229 --> 00:42:53,961
I KNOW.

894
00:42:53,961 --> 00:42:55,628
DON'T WORRY, ANDREW.

895
00:42:55,628 --> 00:42:57,694
IT MEANT A LOT TO ME
THAT YOU CAME.

896
00:42:57,694 --> 00:42:59,694
THANKS, MR. CLAYTON.
MR. CLAYTON.

897
00:42:59,694 --> 00:43:03,195
SOMETHING DOESN'T
MAKE SENSE TO ME.

898
00:43:03,195 --> 00:43:04,694
WHAT, ANDREW?

899
00:43:04,694 --> 00:43:07,561
DID KYLE SEEMED
THAT BUMMED OUT TO YOU?

900
00:43:07,561 --> 00:43:09,527
WHAT DO YOU MEAN?

901
00:43:09,527 --> 00:43:11,228
TO DO WHAT HE DID.
HE JUST--

902
00:43:11,228 --> 00:43:14,527
IT'S JUST, HE DIDN'T
SEEM THAT SAD.

903
00:43:16,195 --> 00:43:19,460
ANDREW, KYLE WAS
A COMPLEX GUY.

904
00:43:19,460 --> 00:43:22,593
YEAH,
I'LL SAY.

905
00:43:44,226 --> 00:43:45,593
HEY.

906
00:43:45,593 --> 00:43:47,126
HEY.

907
00:43:50,093 --> 00:43:52,193
HOW ARE YOU?

908
00:43:52,193 --> 00:43:54,059
I'M OKAY.

909
00:43:54,059 --> 00:43:55,859
GOOD.

910
00:43:57,659 --> 00:44:01,092
I WANT TO APOLOGIZE THAT I HAVEN'T
BEEN THERE MORE FOR YOU.

911
00:44:01,092 --> 00:44:04,959
IT'S JUST THAT
I DON'T DO DEATH WELL.

912
00:44:04,959 --> 00:44:06,958
DON'T WORRY ABOUT IT,
YOU KNOW, I--

913
00:44:06,958 --> 00:44:10,092
I'VE BEEN KIND OF A ZOMBIE
LATELY ANYWAY.

914
00:44:10,092 --> 00:44:11,993
I'M REALLY SORRY.

915
00:44:11,993 --> 00:44:13,625
PLEASE DON'T BE MAD.

916
00:44:13,625 --> 00:44:15,359
I'M NOT.

917
00:44:16,557 --> 00:44:18,758
LET'S DO SOMETHING SOON,
ALL RIGHT?

918
00:44:18,758 --> 00:44:20,658
ALL RIGHT.

919
00:44:23,690 --> 00:44:26,124
CHEER UP, PUMPKIN.

920
00:44:26,124 --> 00:44:27,924
I LIKE YOU.

921
00:44:27,924 --> 00:44:29,892
THANKS.

922
00:44:38,924 --> 00:44:40,358
<i>( door closes )</i>

923
00:44:40,358 --> 00:44:42,790
<i>Anderson: HARDLY ANYONE
CAMETO THE FUNERAL.</i>

924
00:44:42,790 --> 00:44:44,523
I FELT BAD.
I SHOULD HAVE GONE.

925
00:44:44,523 --> 00:44:47,223
DON'T BLAME YOURSELF.
IT WAS A WEEKDAY.

926
00:44:47,223 --> 00:44:48,857
<i>( door opens )</i>

927
00:44:50,923 --> 00:44:52,323
LANCE,

928
00:44:52,323 --> 00:44:54,323
<i>THIS IS MR. PENTOLA.</i>

929
00:44:54,323 --> 00:44:55,623
- MR. PENTOLA.
- DR. PENTOLA.

930
00:44:55,623 --> 00:44:57,190
<i>OH, DOCTOR.</i>

931
00:44:57,190 --> 00:45:00,156
NICE TO MEET YOU, MR. CLAYTON.
I'M VERY SORRY FOR YOUR LOSS.

932
00:45:00,156 --> 00:45:01,291
THANK YOU.

933
00:45:01,291 --> 00:45:03,623
DR. PENTOLA
IS A THERAPIST.

934
00:45:03,623 --> 00:45:06,190
WE CALLED HIM IN
BECAUSE WE WERE AFRAID

935
00:45:06,190 --> 00:45:09,823
KYLE'S DEATH MAY
TRIGGER OTHER SUICIDES.

936
00:45:09,823 --> 00:45:11,656
HE'S A GRIEF COUNSELOR.

937
00:45:11,656 --> 00:45:13,056
OH.

938
00:45:13,056 --> 00:45:14,455
<i>BEFORE WE BEGIN,</i>

939
00:45:14,455 --> 00:45:16,189
I'VE READ A LOT OF
SUICIDE NOTES,

940
00:45:16,189 --> 00:45:19,688
AND THIS ONE SEEMED...

941
00:45:19,688 --> 00:45:21,556
<i>DEEP.</i>

942
00:45:21,556 --> 00:45:23,155
REALLY?

943
00:45:23,155 --> 00:45:25,055
<i>I NEED TO ASK YOU
A QUESTION.</i>

944
00:45:25,055 --> 00:45:27,655
AND I WANT YOU TO BE
COMPLETELY HONEST WITH ME.

945
00:45:27,655 --> 00:45:29,721
OF COURSE.

946
00:45:29,721 --> 00:45:32,022
DID KYLE HAVE ANY FRIENDS?

947
00:45:32,022 --> 00:45:33,554
EXCUSE ME?

948
00:45:33,554 --> 00:45:35,554
WELL, IT'S JUST
NO ONE'S COME TO SEE ME.

949
00:45:35,554 --> 00:45:37,189
YOU'D HAVE TO KNOW KYLE.

950
00:45:37,189 --> 00:45:39,188
WELL, I SHOULDN'T SAY
NO ONE.

951
00:45:39,188 --> 00:45:41,854
A COUPLE OF KIDS CAME IN WITH
AGE- APPROPRIATE DEPRESSION,

952
00:45:41,854 --> 00:45:43,221
EATING DISORDERS.

953
00:45:43,221 --> 00:45:45,021
ONE KID CAME IN
WITH HEAD LICE.

954
00:45:45,021 --> 00:45:46,288
I KNOW HIM.

955
00:45:46,288 --> 00:45:48,321
NOT REALLY MY AREA
OF EXPERTISE.

956
00:45:48,321 --> 00:45:51,188
BUT NO ONE'S COME TO TALK
ABOUT KYLE.

957
00:45:51,188 --> 00:45:53,188
HMM.

958
00:45:53,188 --> 00:45:56,653
- OH.
- WHO WERE HIS FRIENDS?

959
00:45:57,921 --> 00:46:00,754
- ANDREW TROUTMEN.
- AND WHO ELSE?

960
00:46:02,554 --> 00:46:04,454
THAT'S IT.

961
00:46:04,454 --> 00:46:08,354
KYLE WAS KIND
OF A LONER.

962
00:46:08,354 --> 00:46:10,254
A LONE WOLF.

963
00:46:10,254 --> 00:46:13,786
UH, I'LL HAVE TO
ASK ANDREW

964
00:46:13,786 --> 00:46:15,621
TO COME AND SEE ME.

965
00:46:15,621 --> 00:46:18,053
AND, LANCE, THAT GOES
FOR YOU TOO.

966
00:46:18,053 --> 00:46:21,020
IF YOU NEED TO TALK, IF YOU WANNA
GET ANYTHING OFF YOUR CHEST,

967
00:46:21,020 --> 00:46:22,786
<i>PLEASE, JUST COME
AND SEE ME.</i>

968
00:46:22,786 --> 00:46:24,220
OF COURSE, DOC,
I WILL.

969
00:46:25,887 --> 00:46:27,354
THANK YOU, LANCE.

970
00:46:27,354 --> 00:46:28,853
<i>YOU'RE WELCOME,
MR. ANDERSON.</i>

971
00:46:32,319 --> 00:46:34,386
ALL RIGHT, GUYS,
WHO WANTS TO READ NEXT?

972
00:46:34,386 --> 00:46:36,187
- RIGHT HERE!
- ALL RIGHT.

973
00:46:36,187 --> 00:46:37,919
WHO'S GONNA
GIVE ME $20?

974
00:46:37,919 --> 00:46:39,852
- All: OH.
- OH, COME ON NOW.

975
00:46:39,852 --> 00:46:42,685
<i>- ( laughing )
- Mike: ALL RIGHT. OKAY.</i>

976
00:46:44,385 --> 00:46:46,052
JASON.

977
00:46:53,452 --> 00:46:54,619
GO AHEAD.

978
00:46:58,484 --> 00:47:01,219
"NEGRO?

979
00:47:01,219 --> 00:47:03,352
I MAY BE YOUNG
BUT I'M NOT YOUR BOY

980
00:47:03,352 --> 00:47:06,085
<i>I WON'T PICK YOUR COTTON
OR PICK UP YOUR DISHES</i>

981
00:47:06,085 --> 00:47:09,284
YEAH, I SING,
I DANCE

982
00:47:09,284 --> 00:47:12,383
BUT I DO IT WITH THE DIGNITY
OF MY ANCESTORS

983
00:47:12,383 --> 00:47:14,817
I AM NOT YOUR MONKEY"

984
00:47:17,251 --> 00:47:18,584
RIGHT ON.

985
00:47:21,284 --> 00:47:23,384
STAY BLACK, Y'ALL.

986
00:47:25,550 --> 00:47:28,017
ANYBODY ELSE
HAVE THEIR HAIKU?

987
00:47:42,550 --> 00:47:45,350
( sobbing )

988
00:48:19,848 --> 00:48:22,414
( beeps )

989
00:48:22,414 --> 00:48:24,815
<i>( ringing )</i>

990
00:48:24,815 --> 00:48:26,781
<i>- Claire: Hello?
- HEY, SWEET TARTS.</i>

991
00:48:26,781 --> 00:48:29,047
<i>- Hey.
- HOW ARE YOU?</i>

992
00:48:29,047 --> 00:48:32,214
- WHAT ARE YOU DOING?
- I'M WATCHING MIKE PLAY BASKETBALL.

993
00:48:32,214 --> 00:48:33,413
OH.

994
00:48:35,513 --> 00:48:37,847
- YOU OKAY?
- OH, YEAH.

995
00:48:37,847 --> 00:48:39,780
<i>- You sure?
- OH, YEAH.</i>

996
00:48:39,780 --> 00:48:41,513
<i>- ( gasps ) OH MY GOD!
- WHAT?</i>

997
00:48:41,513 --> 00:48:44,282
I GOTTA GO.
MIKE JUST WON THE BASKETBALL GAME.

998
00:48:44,282 --> 00:48:45,947
<i>( cheering )</i>

999
00:48:45,947 --> 00:48:47,348
YEAH, MIKE!

1000
00:48:59,613 --> 00:49:01,180
<i>- HI.
- HI.</i>

1001
00:49:01,180 --> 00:49:03,512
I MADE YOU SOMETHING.

1002
00:49:03,512 --> 00:49:04,579
WHAT?

1003
00:49:04,579 --> 00:49:07,746
- THOSE BROWNIES.
- OH.

1004
00:49:07,746 --> 00:49:09,613
- OH.
- YEAH.

1005
00:49:09,613 --> 00:49:11,613
WELL, I'LL COME OVER
AND HAVE SOME.

1006
00:49:11,613 --> 00:49:13,879
I WAS THINKING MAYBE I COULD COME
IN AND WE'D EAT THEM TOGETHER.

1007
00:49:13,879 --> 00:49:15,247
NO, I CAN'T.

1008
00:49:15,247 --> 00:49:17,013
- WHY NOT?
- I'M BUSY.

1009
00:49:17,013 --> 00:49:18,813
BONNIE, I REALLY NEED
TO TALK TO SOMEBODY.

1010
00:49:18,813 --> 00:49:21,212
I DON'T LIKE PEOPLE
IN MY APARTMENT.

1011
00:49:21,212 --> 00:49:24,146
MY APARTMENT IS A LITTLE
SAD RIGHT NOW, YOU KNOW?

1012
00:49:26,312 --> 00:49:30,112
IF I-- IF I LET YOU IN,
YOU CAN'T TELL ANYBODY.

1013
00:49:30,112 --> 00:49:32,246
<i>- OKAY.
- OKAY.</i>

1014
00:49:32,246 --> 00:49:35,445
SO...

1015
00:49:35,445 --> 00:49:37,645
- BROWNIES, HUH?
- YEAH.

1016
00:49:37,645 --> 00:49:39,879
- COME IN.
- AH.

1017
00:49:44,744 --> 00:49:48,878
PLEASE, DON'T TELL
ANYBODY, OKAY?

1018
00:49:48,878 --> 00:49:51,311
BECAUSE I-- I DON'T WANNA
GET THROWN OUT OF HERE.

1019
00:49:51,311 --> 00:49:53,677
- OH, I PROMISE.
- THANKS.

1020
00:49:53,677 --> 00:49:56,179
I-I KNOW
IT'S A FIRE HAZARD

1021
00:49:56,179 --> 00:49:59,311
AND I KNOW IT'S NOT
RATIONAL, BUT...

1022
00:49:59,311 --> 00:50:03,544
I FEEL THAT IF I
THROW ANYTHING OUT,

1023
00:50:03,544 --> 00:50:05,743
SOMETHING TERRIBLE
WILL HAPPEN.

1024
00:50:05,743 --> 00:50:07,477
- NO, I UNDERSTAND THAT.
- GOOD.

1025
00:50:17,310 --> 00:50:19,476
WHAT'S WRONG, SWEETIE?

1026
00:50:22,377 --> 00:50:25,277
I KNOW MY SON WAS
A JERK, BUT I MISS HIM.

1027
00:50:25,277 --> 00:50:27,475
HEY.

1028
00:50:27,475 --> 00:50:29,576
- OF COURSE YOU DO.
- MMM.

1029
00:50:29,576 --> 00:50:31,344
IT'LL GET BETTER.

1030
00:50:31,344 --> 00:50:34,943
IT DOESN'T FEEL LIKE IT
RIGHT NOW.

1031
00:50:34,943 --> 00:50:36,643
DO YOU KNOW THAT

1032
00:50:36,643 --> 00:50:39,843
I HAVE READ EVERY ONE
OF YOUR BOOKS?

1033
00:50:39,843 --> 00:50:41,309
HOW?

1034
00:50:41,309 --> 00:50:42,909
HOW?

1035
00:50:42,909 --> 00:50:44,609
YOU THREW 'EM OUT.

1036
00:50:44,609 --> 00:50:46,375
OH, YEAH.

1037
00:50:46,375 --> 00:50:49,276
YOU ARE VERY TALENTED.

1038
00:50:49,276 --> 00:50:50,575
REALLY?

1039
00:50:50,575 --> 00:50:53,076
HONEST.
YOU HAVE A GIFT.

1040
00:50:53,076 --> 00:50:56,076
AND YOU CAN'T GIVE UP.

1041
00:50:56,076 --> 00:50:57,575
I WON'T.

1042
00:50:57,575 --> 00:50:58,975
LISTEN,

1043
00:50:58,975 --> 00:51:02,309
THEY'RE GONNA HAVE A ZOMBIE
MARATHON ON TELEVISION

1044
00:51:02,309 --> 00:51:05,441
AND I CORDIALLY

1045
00:51:05,441 --> 00:51:07,009
INVITE YOU, SIR.

1046
00:51:07,009 --> 00:51:08,875
OH, WELL, BLESS YOU,
MADAM.

1047
00:51:08,875 --> 00:51:10,674
- UH-HUH.
- IT'S A DATE.

1048
00:51:10,674 --> 00:51:11,875
GOOD.

1049
00:51:11,875 --> 00:51:14,009
DON'T FORGET THE BROWNIES.

1050
00:51:14,009 --> 00:51:16,041
- I WON'T FORGET.
- NO.

1051
00:51:19,474 --> 00:51:21,641
YOUR DOG'S STARING
AT ME.

1052
00:51:22,708 --> 00:51:24,275
WHAT DOG?

1053
00:51:26,007 --> 00:51:27,374
( laughs )

1054
00:51:27,374 --> 00:51:29,740
I GOT YA.

1055
00:51:32,107 --> 00:51:33,841
- LANCE!
- OH.

1056
00:51:33,841 --> 00:51:36,040
- I'M GLAD I CAUGHT YOU.
- WHAT'S UP?

1057
00:51:36,040 --> 00:51:39,907
YOU KNOW THAT WHILE WE
RESPECT INDIVIDUAL PRIVACY,

1058
00:51:39,907 --> 00:51:43,173
WE ALSO RESPECT FREEDOM OF SPEECH
AND EXPRESSION HERE AT SCHOOL?

1059
00:51:43,173 --> 00:51:45,639
- YEAH.
- WELL, ONE OF THE KIDS ON THE PAPER

1060
00:51:45,639 --> 00:51:48,440
WENT ONLINE AND THEY FOUND
KYLE'S POLICE REPORT--

1061
00:51:48,440 --> 00:51:52,140
THE REPORT OF HIS DEATH.
AND NOW THEY'VE GONE AND
PUBLISHED HIS SUICIDE NOTE.

1062
00:51:52,140 --> 00:51:54,940
- OH MY GOD.
- YEAH.I JUST FOUND OUT ABOUT IT.

1063
00:51:54,940 --> 00:51:57,405
I THOUGHT YOU SHOULD KNOW
IT'S ALL OVER CAMPUS.

1064
00:51:57,405 --> 00:51:59,839
- REALLY?
- YEAH.

1065
00:51:59,839 --> 00:52:02,106
YOU-- ARE YOU GONNA BE ALL RIGHT?

1066
00:52:02,106 --> 00:52:04,139
SURE.

1067
00:52:04,139 --> 00:52:06,404
I'M REALLY SORRY
ABOUT THIS, LANCE.

1068
00:52:06,404 --> 00:52:08,672
IT'S THAT GODDAMN
FIRST AMENDMENT, HUH?

1069
00:52:08,672 --> 00:52:10,073
YEAH.

1070
00:52:15,771 --> 00:52:17,806
<i>Lance's voice:
"TO ALL THOSE I HATE,</i>

1071
00:52:17,806 --> 00:52:20,671
<i>I DON'T KNOW WHY
I'M WRITING THIS.</i>

1072
00:52:20,671 --> 00:52:24,371
<i>YOU NEVER CARED ABOUT WHAT I
THOUGHT OR FELT WHILE I WAS ALIVE.</i>

1073
00:52:24,371 --> 00:52:26,038
<i>BESIDES YOU'RE ALL
TOO SHALLOW</i>

1074
00:52:26,038 --> 00:52:28,205
<i>TO COMPREHEND
THE PAIN I FEEL."</i>

1075
00:52:28,205 --> 00:52:31,239
<i>* I HOPE
I BECOME A GHOST *</i>

1076
00:52:31,239 --> 00:52:34,571
<i>* I HOPE I CAN SEE
THE END OF TIME *</i>

1077
00:52:34,571 --> 00:52:37,638
<i>* I HOPE I BECOME
A GHOST *</i>

1078
00:52:37,638 --> 00:52:40,805
<i>* AND MAKE SURE
THE FUTURE TURNS OUT FINE *</i>

1079
00:52:40,805 --> 00:52:44,005
<i>* I HOPE
I BECOME A GHOST *</i>

1080
00:52:44,005 --> 00:52:47,338
<i>* OH, WHEN THE WORLD
IS SAID AND DONE *</i>

1081
00:52:47,338 --> 00:52:50,670
<i>* THE STARS WILL BECOME
SO CLOSE *</i>

1082
00:52:50,670 --> 00:52:53,971
<i>* AND THERE WILL BE NOWHERE
THAT I CAN'T RUN *</i>

1083
00:52:53,971 --> 00:52:57,670
<i>* OOH OOH OOH OOH</i>

1084
00:53:20,803 --> 00:53:24,070
<i>* I HOPE
I BECOME A GHOST *</i>

1085
00:53:24,070 --> 00:53:27,070
<i>* AND WATCH ALL MY
GRANDCHILDREN GROWING OLD *</i>

1086
00:53:27,070 --> 00:53:29,903
<i>* SOME THEY WILL
REMEMBER ME *</i>

1087
00:53:29,903 --> 00:53:33,103
<i>* AND OTHERS THROUGH THE
STORIES THEY'VE BEEN TOLD *</i>

1088
00:53:33,103 --> 00:53:36,435
<i>* NOW I DON'T INTEND
TO FRIGHTEN YOU *</i>

1089
00:53:36,435 --> 00:53:39,668
<i>* I JUST WANNA SEE
IF WHAT I THINK IS TRUE *</i>

1090
00:53:39,668 --> 00:53:42,602
<i>* 'CAUSE THEN AND ONLY THEN
WE'LL KNOW *</i>

1091
00:53:42,602 --> 00:53:46,002
<i>* IF IT WAS WORTH
TO BECOME A GHOST *</i>

1092
00:53:46,002 --> 00:53:50,302
<i>* OOH OOH OOH OOH</i>

1093
00:53:57,567 --> 00:54:03,367
<i>* THERE'S NOTHING
SAD ABOUT IT *</i>

1094
00:54:03,367 --> 00:54:08,767
<i>* THERE'S
NOTHING SAD ABOUT IT... *</i>

1095
00:54:13,268 --> 00:54:15,766
<i>Lance's voice:
"WHICH BRINGS METO YOU, DAD.</i>

1096
00:54:15,766 --> 00:54:17,834
<i>Lance and Kyle's voices:
DON'T BLAME YOURSELF.</i>

1097
00:54:17,834 --> 00:54:21,733
<i>YOU TRIED HARD AND WERE THE
BEST DAD A KID COULD WANT.</i>

1098
00:54:21,733 --> 00:54:25,100
<i>I BLAME ME DOING THIS
ON A DEFECT IN ME...</i>

1099
00:54:25,100 --> 00:54:28,267
<i>Kyle's voice:
IN MY SOUL.</i>

1100
00:54:28,267 --> 00:54:30,234
<i>I'M SORRY."</i>

1101
00:54:37,932 --> 00:54:41,366
<i>* NOW THAT I'VE BECOME
A GHOST *</i>

1102
00:54:43,399 --> 00:54:48,132
<i>* I DON'T GET TO LAUGH
WITH FRIENDS LIKE YOU *</i>

1103
00:54:48,132 --> 00:54:53,067
<i>* THERE'S NOTHING SAD
ABOUT IT *</i>

1104
00:54:53,067 --> 00:54:58,199
<i>* THERE'S NOTHING
SAD ABOUT IT. *</i>

1105
00:55:00,765 --> 00:55:01,998
I LOVE YOU, DAD.

1106
00:55:09,232 --> 00:55:13,131
HAS ANYONE SEEN
CARL OR STEVEN?

1107
00:55:13,131 --> 00:55:14,365
MM-HMM.

1108
00:55:14,365 --> 00:55:16,932
OH, YOU HAVE?
SO THEY'RE IN SCHOOL?

1109
00:55:16,932 --> 00:55:19,232
YEAH, I SAW 'EM
THIS MORNING.

1110
00:55:21,898 --> 00:55:24,431
FIRST OF ALL I WANT TO THANK
YOU ALL FOR BEING HERE,

1111
00:55:24,431 --> 00:55:26,298
<i>ESPECIALLY THE NEWCOMERS.</i>

1112
00:55:26,298 --> 00:55:28,464
IT MEANS A LOT TO ME.

1113
00:55:28,464 --> 00:55:30,964
WHO HAS EXPERIENCE
WITH WRITING POETRY?

1114
00:55:30,964 --> 00:55:33,630
- YES, HEATHER.
- CAN I ASK A QUESTION?

1115
00:55:33,630 --> 00:55:34,997
SURE.

1116
00:55:34,997 --> 00:55:37,964
WHAT WAS KYLE'S
FAVORITE BAND?

1117
00:55:37,964 --> 00:55:39,164
UH...

1118
00:55:39,164 --> 00:55:41,463
HE LIKED
BRUCE HORNSBY.

1119
00:55:41,463 --> 00:55:43,663
<i>YES, RAY?</i>

1120
00:55:43,663 --> 00:55:45,430
DID HE LISTEN
TO ANY METAL?

1121
00:55:45,430 --> 00:55:48,064
- A LITTLE OZZY.
- I KNEW IT.

1122
00:55:48,064 --> 00:55:51,430
ANYBODY HAVE ANY QUESTIONS
ABOUT POETRY OR...

1123
00:55:51,430 --> 00:55:52,462
<i>YES, JASON?</i>

1124
00:55:52,462 --> 00:55:54,331
DID THE BOY KNOW JESUS
BEFORE HE WENT?

1125
00:55:54,331 --> 00:55:57,097
WELL, I WOULD SAY
HE WAS AN AGNOSTIC.

1126
00:55:57,097 --> 00:55:59,596
BUT I THINK HE WAS
SPIRITUAL IN HIS OWN WAY.

1127
00:55:59,596 --> 00:56:01,196
YEAH-- YES, HEATHER?

1128
00:56:01,196 --> 00:56:02,429
WHAT'S HIS SIGN?

1129
00:56:02,429 --> 00:56:05,230
OH, HE WAS BORN
APRIL 18TH, SO--

1130
00:56:05,230 --> 00:56:07,263
ARIES.

1131
00:56:07,263 --> 00:56:09,963
I CAN'T BELIEVE
YOU DIDN'T KNOW THAT.

1132
00:56:09,963 --> 00:56:12,996
YOU KNOW, ANYBODY KNOW
EZRA POUND?

1133
00:56:12,996 --> 00:56:15,262
<i>LAWRENCE FERLINGHETTI?</i>

1134
00:56:17,695 --> 00:56:20,863
YOU KNOW
WHAT KYLE REALLY LIKED?

1135
00:56:20,863 --> 00:56:22,394
EMILY DICKINSON.

1136
00:56:22,394 --> 00:56:24,163
WHAT BAND IS THAT?

1137
00:56:24,163 --> 00:56:26,229
IT WASN'T A BAND.
SHE WAS A POET.

1138
00:56:26,229 --> 00:56:29,494
<i>- SHE HOT?
- UM, SHE WAS A VICTORIAN.</i>

1139
00:56:29,494 --> 00:56:32,561
IF YOU LIKE YOUR BUTTONED-DOWN GIRL,
SHE WAS ONE OF 'EM.

1140
00:56:32,561 --> 00:56:35,028
<i>- NICE.
- ( bell ringing )</i>

1141
00:56:35,028 --> 00:56:36,494
<i>- MR. CLAYTON.
- PETER.</i>

1142
00:56:36,494 --> 00:56:39,861
<i>- CAN I TALK TO YOU?
- SURE.</i>

1143
00:56:39,861 --> 00:56:41,528
IT'S ABOUT KYLE'S NOTE.

1144
00:56:41,528 --> 00:56:43,528
IT-- IT AFFECTED ME
A LOT.

1145
00:56:43,528 --> 00:56:47,561
WELL, IT SEEMED TO AFFECT
A LOT OF STUDENTS.

1146
00:56:47,561 --> 00:56:49,827
- I'M NOT HAPPY, MR. CLAYTON. - MM-HMM.

1147
00:56:49,827 --> 00:56:52,861
I'M LIVING A LIE.
I'M GAY.

1148
00:56:52,861 --> 00:56:54,861
AND KYLE'S SUICIDE NOTE,

1149
00:56:54,861 --> 00:56:57,894
IT'S HELPED ME GET THE
COURAGE TO COME OUT FINALLY.

1150
00:56:57,894 --> 00:57:00,127
WELL, ARE YOU SURE
YOU WANT TO DO THAT?

1151
00:57:00,127 --> 00:57:02,294
I'M MISUNDERSTOOD TOO,
JUST LIKE HE WAS.

1152
00:57:02,294 --> 00:57:04,359
I JUST WANT TO BE HAPPY.

1153
00:57:04,359 --> 00:57:07,327
GOOD FOR YOU, PETER.
I-I WISH YOU THE BEST.

1154
00:57:07,327 --> 00:57:09,026
THANK YOU.

1155
00:57:13,994 --> 00:57:16,328
HEY, MR. CLAYTON.

1156
00:57:16,328 --> 00:57:17,794
- MR. CLAYTON.
- GINGER.

1157
00:57:17,794 --> 00:57:19,993
KYLE WAS RIGHT.
EMILY DICKINSON'S GREAT.

1158
00:57:19,993 --> 00:57:21,893
ISN'T SHE?

1159
00:57:21,893 --> 00:57:23,526
- MR. CLAYTON?
- YES.

1160
00:57:23,526 --> 00:57:26,960
- I WROTE ANOTHER POEM.
- CAN'T WAIT TO HEAR IT, HEATHER.

1161
00:57:26,960 --> 00:57:30,060
- JOHN.DOCTOR.
- HEY.

1162
00:57:30,060 --> 00:57:31,759
CLAIRE.

1163
00:57:31,759 --> 00:57:34,491
MR. C., WHAT'S UP?

1164
00:57:36,793 --> 00:57:40,959
"MILKY WHITE SKIN
AND HAIR SO BROWN

1165
00:57:40,959 --> 00:57:43,893
I WISH I HAD KNOWN
HOW BAD YOU HURT

1166
00:57:43,893 --> 00:57:46,558
I COULD HAVE HELD YOU
WHILE YOU CRIED

1167
00:57:46,558 --> 00:57:48,758
YOU WERE TOO SWEET
TO STAY

1168
00:57:48,758 --> 00:57:50,525
IN THIS HARSH WORLD

1169
00:57:50,525 --> 00:57:53,892
BUT I WILL ALWAYS
KEEP YOU CLOSE TO MY HEART

1170
00:57:53,892 --> 00:57:57,658
<i>- MY ANGEL IN CARGO PANTS"
- Boy: OH, WOW.</i>

1171
00:57:57,658 --> 00:58:00,891
<i>( applauding )</i>

1172
00:58:13,624 --> 00:58:16,691
HE WAS SUCH
A SWEET KID.

1173
00:58:16,691 --> 00:58:18,891
AND KIND.

1174
00:58:20,691 --> 00:58:23,690
OH, PLEASE.
THEY'RE EVERYWHERE.

1175
00:58:23,690 --> 00:58:25,690
( sighs )
AS A FATHER,

1176
00:58:25,690 --> 00:58:28,824
I DON'T KNOW WHAT I'D DO IF
HUNTER DID SOMETHING LIKE THIS.

1177
00:58:28,824 --> 00:58:30,757
MY HEART REALLY GOES
OUT TO YOU, LANCE.

1178
00:58:30,757 --> 00:58:32,423
THANKS.

1179
00:58:32,423 --> 00:58:34,957
IT'S SO SAD. I DIDN'T KNOW HE
WAS SUCH A GOOD WRITER.

1180
00:58:34,957 --> 00:58:37,723
<i>DID HE WRITE
ANYTHING ELSE?</i>

1181
00:58:39,656 --> 00:58:42,423
YEAH, HE DID.

1182
00:58:42,423 --> 00:58:45,823
I KNOW IT'S REALLY PERSONAL,
BUT DO YOU THINK I COULD READ IT?

1183
00:58:45,823 --> 00:58:48,656
WELL, IF YOU CAME OVER
TO MY APARTMENT.

1184
00:58:48,656 --> 00:58:51,589
I JUST DON'T WANT HIS STUFF OUT THERE,
YOU KNOW, FLOATING AROUND.

1185
00:58:51,589 --> 00:58:53,922
SURE.
HOW ABOUT TONIGHT?

1186
00:58:53,922 --> 00:58:55,189
GREAT.

1187
00:58:59,889 --> 00:59:01,889
MY PLAYOFF GAME'S
TONIGHT.

1188
00:59:04,789 --> 00:59:06,789
ALL RIGHT.
NOT THE LIP.

1189
00:59:06,789 --> 00:59:08,355
YOU KNOW I CAN'T
TAKE THE LIP.

1190
00:59:08,355 --> 00:59:10,056
OH, THANKS, MIKE.

1191
00:59:11,889 --> 00:59:13,488
WHAT TIME?

1192
00:59:13,488 --> 00:59:16,989
I'M GONNA NEED A LITTLE TIME BECAUSE
YOU KNOW, I HAVEN'T CLEANED.

1193
00:59:16,989 --> 00:59:18,789
YEAH, I UNDERSTAND.

1194
00:59:18,789 --> 00:59:22,955
- WELL, 8:00?
- THAT'S GREAT.

1195
00:59:29,921 --> 00:59:31,921
GOOD LUCK TONIGHT.

1196
00:59:33,088 --> 00:59:34,487
THANKS.

1197
00:59:36,087 --> 00:59:37,754
IF YOU THINK THIS
IS A BAD IDEA--

1198
00:59:37,754 --> 00:59:39,955
NO NO NO.
NOT AT ALL.

1199
00:59:39,955 --> 00:59:42,453
I FOUND SOMETHING
KYLE WROTE

1200
00:59:42,453 --> 00:59:45,954
AND I REALLY THINK
YOU NEED TO HEAR IT.

1201
00:59:45,954 --> 00:59:47,920
OKAY.

1202
01:00:01,820 --> 01:00:04,652
THIS IS FROM HIS JOURNAL.

1203
01:00:04,652 --> 01:00:08,552
"I WENT OUT TO DINNER WITH
MY DAD AND CLAIRE TONIGHT.

1204
01:00:10,253 --> 01:00:12,053
I'M SO HAPPY FOR HIM,

1205
01:00:12,053 --> 01:00:14,853
BUT AT THE SAME TIME
SEEING THEM TOGETHER

1206
01:00:14,853 --> 01:00:17,686
ONLY PROVES THAT I'LL
NEVER BE HAPPY.

1207
01:00:17,686 --> 01:00:21,519
I KNOW I'LL NEVER FIND
A WOMAN LIKE HER--

1208
01:00:21,519 --> 01:00:25,153
<i>SO PRETTY,
SO PERFECT.</i>

1209
01:00:25,153 --> 01:00:28,652
SHE SEEMS TO COMPLETE HIM.

1210
01:00:32,285 --> 01:00:35,019
I HOPE THEY MAKE IT.

1211
01:00:35,019 --> 01:00:37,285
I HOPE THEY LAST.

1212
01:00:37,285 --> 01:00:40,285
I HOPE I'M LEAVING
MY DAD IN GOOD HANDS.

1213
01:00:42,651 --> 01:00:44,685
NO ONE COULD EVER GET ME.

1214
01:00:47,651 --> 01:00:49,818
I DON'T EVEN GET ME."

1215
01:00:51,651 --> 01:00:53,219
OH.

1216
01:00:53,219 --> 01:00:56,517
I DIDN'T KNOW ANYONE
COULD FEEL THAT WAY ABOUT ME.

1217
01:00:56,517 --> 01:00:58,885
HE DID LIKE ME.
HE REALLY DID.

1218
01:00:58,885 --> 01:01:00,550
<i>HE DID.
HE REALLY DID.</i>

1219
01:01:00,550 --> 01:01:02,818
I THOUGHT YOU WERE LYING
TO MAKE ME FEEL BETTER.

1220
01:01:02,818 --> 01:01:05,450
NO.
I'D NEVER DO THAT.

1221
01:01:05,450 --> 01:01:06,684
<i>- REALLY?
- REALLY.</i>

1222
01:01:17,851 --> 01:01:20,050
( moaning )

1223
01:01:32,416 --> 01:01:34,050
MR. CLAYTON.

1224
01:01:34,050 --> 01:01:36,250
- GOOD MORNING, HEATHER.
- YES.

1225
01:01:36,250 --> 01:01:37,950
GOOD MORNING.

1226
01:01:37,950 --> 01:01:41,050
DO YOU HAVE ANYTHING
OF KYLE'S?

1227
01:01:41,050 --> 01:01:42,250
WHAT?

1228
01:01:42,250 --> 01:01:44,883
THAT I COULD HAVE?

1229
01:01:44,883 --> 01:01:46,816
- NO.
- OH.

1230
01:01:47,883 --> 01:01:49,715
WAIT A SECOND.

1231
01:01:53,682 --> 01:01:55,582
HERE YOU GO.

1232
01:01:55,582 --> 01:01:57,082
BRUCE HORNSBY?

1233
01:01:57,082 --> 01:02:00,682
THAT WAS HIS FAVORITE.

1234
01:02:00,682 --> 01:02:02,381
THANK YOU.

1235
01:02:20,281 --> 01:02:23,248
I NEED TO TALK
ABOUT LAST NIGHT.

1236
01:02:23,248 --> 01:02:25,447
YEAH, I NEED TO TALK
ABOUT LAST NIGHT TOO.

1237
01:02:25,447 --> 01:02:28,048
- YEAH.
- ( sighs )

1238
01:02:28,048 --> 01:02:30,981
I'M TIRED OF HIDING
OUR RELATIONSHIP.

1239
01:02:38,680 --> 01:02:40,546
MMM.

1240
01:03:01,546 --> 01:03:04,113
- DAN.
- LANCE.

1241
01:03:04,113 --> 01:03:07,213
- GINGER.
- MR. CLAYTON, LOOK AT THIS.

1242
01:03:07,213 --> 01:03:08,946
OH.

1243
01:03:12,712 --> 01:03:14,712
HEATHER.

1244
01:03:14,712 --> 01:03:16,412
HEY, MR. C.

1245
01:03:18,145 --> 01:03:19,445
OH, PETER.

1246
01:03:19,445 --> 01:03:21,712
- DON'T LEAVE ME HANGING.
- OH.

1247
01:03:21,712 --> 01:03:23,946
I DON'T KNOW IF KYLE
EVER TOLD YOU,

1248
01:03:23,946 --> 01:03:25,612
BUT HE AND I WERE
KINDA BROS.

1249
01:03:25,612 --> 01:03:27,611
I'M GONNA WIN THIS GAME
TONIGHT IN HIS HONOR.

1250
01:03:27,611 --> 01:03:29,445
GREAT, PETER.

1251
01:03:43,044 --> 01:03:45,111
<i>Andrew:
MR. CLAYTON?</i>

1252
01:03:45,111 --> 01:03:46,312
ANDREW.

1253
01:03:46,312 --> 01:03:48,744
IT DOESN'T SEEM RIGHT,
DOES IT?

1254
01:03:48,744 --> 01:03:50,577
WHAT DOESN'T SEEM RIGHT?

1255
01:03:50,577 --> 01:03:52,376
HOW EVERYONE IS ACTING.

1256
01:03:52,376 --> 01:03:54,311
<i>LIKE THEY LIKED KYLE.</i>

1257
01:03:54,311 --> 01:03:56,443
NO, IT DOESN'T.

1258
01:03:56,443 --> 01:03:58,577
<i>YOU KNOW WHAT ELSE
IS WEIRD?</i>

1259
01:03:58,577 --> 01:04:02,110
- WHAT?
- KYLE'S SUICIDE NOTE.

1260
01:04:02,110 --> 01:04:03,977
IN WHAT WAY?

1261
01:04:03,977 --> 01:04:06,476
THAT STUFF ABOUT BEING
AN INSIGNIFICANT MOLECULE

1262
01:04:06,476 --> 01:04:09,243
BOUNCING AROUND IN A
MEANINGLESS GODLESS UNIVERSE.

1263
01:04:09,243 --> 01:04:12,876
DON'T TAKE THIS THE WRONG WAY,
BUT KYLE WAS...

1264
01:04:12,876 --> 01:04:14,909
WHAT?

1265
01:04:14,909 --> 01:04:16,944
KINDA DUMB.

1266
01:04:16,944 --> 01:04:19,143
HA.NO.

1267
01:04:19,143 --> 01:04:22,243
KYLE WAS ACTUALLY
SMART, ANDREW.

1268
01:04:22,243 --> 01:04:25,442
YOU KNOW, HE JUST PRETENDED
TO BE DUMB, EVEN AROUND YOU

1269
01:04:25,442 --> 01:04:28,375
SO, YOU KNOW, PEOPLE
WOULDN'T PICK ON HIM.

1270
01:04:28,375 --> 01:04:30,441
YEAH, MAYBE.

1271
01:04:30,441 --> 01:04:33,342
<i>- Heather: IT'S MINE!
- Ginger: LET GO, YOU CRAZY--</i>

1272
01:04:33,342 --> 01:04:34,843
HEY!

1273
01:04:34,843 --> 01:04:36,408
OH! GET OFF!

1274
01:04:36,408 --> 01:04:37,943
YOU DIDN'T EVEN
LIKE KYLE!

1275
01:04:37,943 --> 01:04:39,474
YOU DIDN'T LIKE KYLE!

1276
01:04:39,474 --> 01:04:41,408
SHUT UP, WHORE!

1277
01:04:51,075 --> 01:04:53,975
BRUCE HORNSBY?

1278
01:04:53,975 --> 01:04:56,208
<i>Lance:
I NEED TO TALK TO SOMEONE.</i>

1279
01:04:56,208 --> 01:04:57,675
THAT'S WHY I'M HERE.

1280
01:04:58,842 --> 01:05:00,574
I FEEL TERRIBLE.

1281
01:05:00,574 --> 01:05:02,574
SUICIDE LEAVES
MANY VICTIMS.

1282
01:05:02,574 --> 01:05:04,740
DON'T BEAT YOURSELF UP.

1283
01:05:04,740 --> 01:05:07,108
KYLE MAY HAVE BEEN SUFFERING
FROM A CHEMICAL IMBALANCE.

1284
01:05:07,108 --> 01:05:09,807
AND I KNOW THAT THE NOTE
BEING PUBLISHED

1285
01:05:09,807 --> 01:05:11,874
HAS CAUSED YOU SOME
DISTRESS,

1286
01:05:11,874 --> 01:05:15,473
BUT IN MANY WAYS IT'S BEEN
A VERY POSITIVE THING.

1287
01:05:15,473 --> 01:05:17,540
<i>STUDENTS ARE
COMING TO SEE ME.</i>

1288
01:05:17,540 --> 01:05:19,507
<i>IT'S THE BREAKTHROUGH
I'VE BEEN WAITING FOR.</i>

1289
01:05:19,507 --> 01:05:21,841
WHO KNOWS HOW MANY
OF THESE KIDS

1290
01:05:21,841 --> 01:05:24,940
I CAN HELP BECAUSE THEY'RE
REACHING OUT FOR THE FIRST TIME?

1291
01:05:26,208 --> 01:05:28,440
YOU HAVE TO REMEMBER
THE PART WHERE KYLE WRITES:

1292
01:05:28,440 --> 01:05:30,506
"I LOVE YOU, DAD."

1293
01:05:32,041 --> 01:05:34,240
BUT WHAT IF HE DIDN'T
REALLY FEEL THAT WAY?

1294
01:05:34,240 --> 01:05:36,406
BUT HE DID.

1295
01:05:36,406 --> 01:05:39,840
LANCE, SUICIDE

1296
01:05:39,840 --> 01:05:42,372
IS A PERMANENT SOLUTION

1297
01:05:42,372 --> 01:05:44,672
TO TEMPORARY PROBLEMS.

1298
01:05:44,672 --> 01:05:46,705
AND WHO KNOWS

1299
01:05:46,705 --> 01:05:49,471
HOW MANY KIDS WE WON'T LOSE
BECAUSE OF THAT NOTE?

1300
01:05:50,573 --> 01:05:52,472
<i>KEEP YOUR CHIN UP KNOWING</i>

1301
01:05:52,472 --> 01:05:55,738
<i>THAT KYLE MAY HAVE NOT
DIED IN VAIN.</i>

1302
01:05:57,906 --> 01:06:01,572
<i>* IN LIGHT OF ALL
I'VE LEARNED SO FAR *</i>

1303
01:06:01,572 --> 01:06:04,338
<i>* I DON'T BELIEVE
I'M SO STRANGE *</i>

1304
01:06:04,338 --> 01:06:07,438
<i>* IN SPITE OF ALL
THIS TIME I SPEND *</i>

1305
01:06:07,438 --> 01:06:10,072
<i>* CALLING THE AIR
BY A NAME *</i>

1306
01:06:10,072 --> 01:06:13,104
<i>* WHEN THE FIRST LIGHT
GOES OVER THE TREES *</i>

1307
01:06:13,104 --> 01:06:15,637
<i>* HE WILL BE
SINGING WITH ME *</i>

1308
01:06:15,637 --> 01:06:18,805
<i>* AND IF I FEEL LIKE
SINGING ALONE *</i>

1309
01:06:18,805 --> 01:06:21,637
<i>* HE ALWAYS
LEAVES ME BE *</i>

1310
01:06:21,637 --> 01:06:24,404
<i>* I'M SHAKING
MY SHADOW HAND *</i>

1311
01:06:24,404 --> 01:06:27,271
<i>* AS THE SUN MOVES
ROUND THE BEND *</i>

1312
01:06:27,271 --> 01:06:30,171
<i>* WITH AN IMAGINARY MAN</i>

1313
01:06:30,171 --> 01:06:36,038
<i>* AND WE'LL MAKE-BELIEVE
AROUND AND AROUND AGAIN *</i>

1314
01:06:36,038 --> 01:06:39,104
<i>* I'M SHAKING
MY SHADOW HAND... *</i>

1315
01:06:45,469 --> 01:06:46,837
<i>Lance:
DR. PENTOLA.</i>

1316
01:06:46,837 --> 01:06:48,570
LANCE, YOU DON'T LOOK
SO GOOD.

1317
01:06:48,570 --> 01:06:50,504
WELL, I HAD KIND OF
A ROUGH WEEKEND.

1318
01:06:50,504 --> 01:06:52,204
I DID A LOT OF SOUL
SEARCHING

1319
01:06:52,204 --> 01:06:54,703
AND I THOUGHT ABOUT WHAT
YOU SAID ABOUT KYLE'S NOTE

1320
01:06:54,703 --> 01:06:56,469
AND THE EFFECT
ON THE OTHER KIDS,

1321
01:06:56,469 --> 01:06:58,802
AND...

1322
01:06:58,802 --> 01:07:00,802
THIS IS KYLE'S JOURNAL.

1323
01:07:00,802 --> 01:07:02,770
I BROUGHT IT TO YOU
TO READ.

1324
01:07:02,770 --> 01:07:05,870
I WANT YOU TO READ IT, AND IF YOU THINK
IT'LL BE OF VALUE TO THE OTHER KIDS,

1325
01:07:05,870 --> 01:07:08,204
I WANNA PUBLISH IT
AND HAND IT OUT TO THEM.

1326
01:07:09,969 --> 01:07:13,304
- I'LL SEE IF I CAN'T GIVE IT A LOOK.
- OH, THANKS.

1327
01:07:16,335 --> 01:07:18,969
Lance:
WELL?

1328
01:07:18,969 --> 01:07:21,268
( sighs )

1329
01:07:22,434 --> 01:07:24,235
IT'S SO SAD.

1330
01:07:24,235 --> 01:07:25,602
YEAH.

1331
01:07:25,602 --> 01:07:27,835
I MEAN, KYLE WAS SUCH

1332
01:07:27,835 --> 01:07:30,634
A STRONG POWERFUL WRITER.

1333
01:07:30,634 --> 01:07:33,501
SO TORTURED.

1334
01:07:33,501 --> 01:07:35,202
YES, HE WAS.

1335
01:07:37,434 --> 01:07:40,334
WHAT ARE YOU
GONNA CALL IT?

1336
01:07:40,334 --> 01:07:43,601
I WAS THINKING
"I AM WHAT I HATE."

1337
01:07:43,601 --> 01:07:45,001
WHAT?

1338
01:07:45,001 --> 01:07:49,401
"I AM WHAT I HATE."
KYLE WROTE THAT IN CHAPTER SIX.

1339
01:07:49,401 --> 01:07:50,967
OH.

1340
01:07:50,967 --> 01:07:53,334
- REALLY?
- YEAH.

1341
01:07:53,334 --> 01:07:55,333
I DON'T LIKE IT
AT ALL.

1342
01:07:55,333 --> 01:07:56,634
WHY?

1343
01:07:58,768 --> 01:08:01,667
- TO ME, A BETTER TITLE...
- MM-HMM.

1344
01:08:01,667 --> 01:08:04,867
...WOULD BE
"YOU DON'T KNOW ME."

1345
01:08:04,867 --> 01:08:06,234
- OH.
- YOU KNOW?

1346
01:08:06,234 --> 01:08:09,234
BECAUSE
WE DIDN'T KNOW HIM.

1347
01:08:11,600 --> 01:08:13,733
BUT HE DIDN'T WRITE
THAT THOUGH, I MEAN...

1348
01:08:13,733 --> 01:08:15,866
YEAH, BUT
HE FELT THAT.

1349
01:08:15,866 --> 01:08:18,200
<i>- YOU'RE INFERRING THAT FROM HIM.
- YES.</i>

1350
01:08:18,200 --> 01:08:20,332
OH.

1351
01:08:20,332 --> 01:08:23,300
"I AM WHAT I HATE" DOESN'T
MAKE SENSE AS A TITLE.

1352
01:08:25,500 --> 01:08:29,066
GIVE ME A KISS.
AW.

1353
01:08:32,566 --> 01:08:34,866
- COME HERE.
- OH.

1354
01:08:36,933 --> 01:08:39,965
<i>* EVERYBODY WANTS
TO BE A GENIUS *</i>

1355
01:08:42,299 --> 01:08:45,464
<i>* YOU'RE NOT THE ONLY ONE *</i>

1356
01:08:45,464 --> 01:08:48,431
<i>* WITH ALL THINGS THAT
YOU MIGHT DO *</i>

1357
01:08:48,431 --> 01:08:51,565
<i>* WHICH ONE OF THEM
WILL YOU GET TO? *</i>

1358
01:08:51,565 --> 01:08:54,465
<i>* TOMORROW WHEN
YOU WAKE UP *</i>

1359
01:08:54,465 --> 01:08:57,165
<i>* THEN YOU'LL SHOW THEM *</i>

1360
01:09:02,098 --> 01:09:05,165
<i>* NOBODY WANTS
TO BREAK YOUR HEART *</i>

1361
01:09:07,630 --> 01:09:10,630
<i>* YOU DO IT ON YOUR OWN</i>

1362
01:09:10,630 --> 01:09:13,331
<i>* THERE'S NOTHING WRONG
WITH YOU TODAY *</i>

1363
01:09:13,331 --> 01:09:17,064
<i>* NOTHING YOU HAD
THAT THEY TOOK AWAY *</i>

1364
01:09:17,064 --> 01:09:20,231
<i>* BUT ALL THE TIME
YOU'VE WAITED FOR *</i>

1365
01:09:20,231 --> 01:09:22,430
<i>* WHAT IS OWED TO YOU</i>

1366
01:09:22,430 --> 01:09:25,764
<i>* YOU WANNA FIGHT,
THEY WILL FIGHT YOU BLUE *</i>

1367
01:09:25,764 --> 01:09:29,630
<i>* YOU WANNA LIE,
WHO WILL LIE WITH YOU? *</i>

1368
01:09:29,630 --> 01:09:32,763
<i>* YOU'RE THE ONLY ONE
WAITING FOR A SIGN *</i>

1369
01:09:34,931 --> 01:09:38,729
<i>* SO YOU'RE THE ONLY ONE *</i>

1370
01:09:38,729 --> 01:09:40,797
<i>* SO YOU'RE
THE ONLY ONE *</i>

1371
01:09:50,696 --> 01:09:55,163
<i>* EVERYONE'S HAD
SOME SITUATION *</i>

1372
01:09:55,163 --> 01:09:59,197
<i>* KEEP IT TO YOURSELF</i>

1373
01:09:59,197 --> 01:10:01,863
<i>* THERE'S NO NEED TO ANSWER
QUESTIONS *</i>

1374
01:10:01,863 --> 01:10:05,795
<i>* YOUR LIES HAVE SPOILED
TWO CONFESSIONS *</i>

1375
01:10:05,795 --> 01:10:08,129
<i>* AND ALL THE TIME
YOU'VE WAITED *</i>

1376
01:10:08,129 --> 01:10:10,995
<i>* WON'T COME BACK TO YOU *</i>

1377
01:10:10,995 --> 01:10:14,895
<i>* YOU WANNA FIGHT,
THEY WILL FIGHT YOU BLUE *</i>

1378
01:10:14,895 --> 01:10:18,262
<i>* YOU WANNA LIE,
WHO WILL LIE WITH YOU? *</i>

1379
01:10:18,262 --> 01:10:21,728
<i>* YOU'RE THE ONLY ONE
WAITING FOR A SIGN... *</i>

1380
01:10:21,728 --> 01:10:23,528
( inaudible )

1381
01:10:23,528 --> 01:10:26,861
<i>* SO YOU'RE THE ONLY ONE *</i>

1382
01:10:26,861 --> 01:10:29,094
<i>* SO YOU'RE
THE ONLY ONE *</i>

1383
01:10:29,094 --> 01:10:32,828
<i>* EVERYBODY WANTS TO BE
A GENIUS. *</i>

1384
01:10:32,828 --> 01:10:34,794
( moaning )

1385
01:10:34,794 --> 01:10:36,994
EVERYBODY LOVES THE BOOK.

1386
01:10:36,994 --> 01:10:38,928
YES, THEY DO.

1387
01:10:38,928 --> 01:10:41,627
- YOU DID THE RIGHT THING.
- YEAH.YEAH.

1388
01:10:41,627 --> 01:10:43,128
FUCK ME.

1389
01:10:43,128 --> 01:10:45,593
- I AM.
- HARDER.

1390
01:10:47,726 --> 01:10:50,093
NO NO NO.
FROM BEHIND.

1391
01:10:50,093 --> 01:10:52,028
OKAY.OKAY.

1392
01:10:55,228 --> 01:10:56,726
<i>- LIKE THAT?
- YEAH.</i>

1393
01:10:56,726 --> 01:10:58,127
<i>- OKAY.
- TO THE LEFT.</i>

1394
01:10:58,127 --> 01:11:00,893
TO THE LEFT.
MY LEFT.MY LEFT.

1395
01:11:00,893 --> 01:11:02,993
OKAY.
YEAH!

1396
01:11:02,993 --> 01:11:04,493
YEAH.
DON'T STOP.

1397
01:11:04,493 --> 01:11:08,260
DON'T STOP.
DON'T STOP!

1398
01:11:08,260 --> 01:11:09,892
<i>- STOP! STOP.STOP.
- OKAY. SORRY.</i>

1399
01:11:09,892 --> 01:11:11,560
<i>- PULL MY HAIR.
- LIKE THAT?</i>

1400
01:11:11,560 --> 01:11:13,326
<i>- NOT-- NOT SO HARD.
- OH, OKAY.</i>

1401
01:11:13,326 --> 01:11:15,926
ARE YOU READY FOR
OUR UNDEAD MARATHON?

1402
01:11:15,926 --> 01:11:18,159
<i>Lance: Well, that's the thing.
Something came up.</i>

1403
01:11:18,159 --> 01:11:20,325
<i>KIND OF AN EMERGENCY.
I CAN'T MAKE IT.</i>

1404
01:11:20,325 --> 01:11:23,358
<i>- Sorry.
- OH.NO, IT'S OKAY.</i>

1405
01:11:23,358 --> 01:11:25,659
<i>- CAN I TAKE A RAIN CHECK?
- OH YEAH, DEAR.GOOD.</i>

1406
01:11:25,659 --> 01:11:27,759
YEAH, LISTEN I--
I HOPE EVERYTHING'S OKAY.

1407
01:11:27,759 --> 01:11:29,559
<i>Oh, yeah.
It's just a small emergency.</i>

1408
01:11:29,559 --> 01:11:33,524
- OKAY.SEE YOU.
- SORRY.BYE.

1409
01:11:33,524 --> 01:11:35,725
<i>Mike: EVERYTHING OKAYTHERE, PAL?</i>

1410
01:11:35,725 --> 01:11:36,925
YEAH, GREAT.

1411
01:11:36,925 --> 01:11:39,391
- HERE YOU GO.
- THANKS.

1412
01:11:39,391 --> 01:11:41,424
YOU KNOW WHAT LINE
REALLY BLEW ME AWAY,

1413
01:11:41,424 --> 01:11:43,225
IS WHEN KYLE WROTE:

1414
01:11:43,225 --> 01:11:46,691
"AMERICA IS ONE OF THE FINEST
COUNTRIES ANYONE EVER STOLE."

1415
01:11:46,691 --> 01:11:48,858
THAT WAS BRILLIANT.

1416
01:11:48,858 --> 01:11:51,224
HE REMINDS ME
OF MY HUNTER.

1417
01:11:52,858 --> 01:11:54,691
LANCE, I HAVE
A CONFESSION TO MAKE.

1418
01:11:54,691 --> 01:11:57,324
I LURED YOU OUT HERE
UNDER FALSE PRETENSES.

1419
01:11:57,324 --> 01:11:59,658
I NEED TO ASK YOU
SOMETHING.

1420
01:11:59,658 --> 01:12:02,890
WOULD IT BE ALL RIGHT WITH YOU
IF WE RENAMED THE LIBRARY

1421
01:12:02,890 --> 01:12:05,624
THE KYLE CLAYTON
MEMORIAL LIBRARY?

1422
01:12:05,624 --> 01:12:07,990
BUT YOU WERE GONNA PUT HIM
IN A SPECIAL-NEEDS CLASS.

1423
01:12:09,191 --> 01:12:10,825
YEAH.

1424
01:12:10,825 --> 01:12:13,090
YEAH, AND I FEEL
REALLY BAD ABOUT THAT.

1425
01:12:13,090 --> 01:12:15,356
- OH.
- HE WASN'T SLOW.

1426
01:12:15,356 --> 01:12:17,356
OBVIOUSLY
HE WAS BRILLIANT.

1427
01:12:17,356 --> 01:12:19,957
HE WAS JUST BORED.

1428
01:12:19,957 --> 01:12:22,057
YOU KNOW, WE HAD HIM
TOTALLY WRONG.

1429
01:12:22,057 --> 01:12:25,890
I JUST HOPE TO GOD THAT OUR MISTAKE
DIDN'T HAVE ANYTHING TO DO WITH--

1430
01:12:25,890 --> 01:12:27,990
WELL, WITH
WHAT HAPPENED.

1431
01:12:27,990 --> 01:12:29,422
I'M PRETTY SURE
IT DIDN'T.

1432
01:12:29,422 --> 01:12:30,589
THANKS, LANCE.

1433
01:12:30,589 --> 01:12:32,689
<i>YOUR SAYING THAT
MEANS A LOT.</i>

1434
01:12:32,689 --> 01:12:35,789
<i>THIS TRIBUTE WILL BE AN
INSPIRATION TO OTHER STUDENTS</i>

1435
01:12:35,789 --> 01:12:37,756
<i>AND IT'LL HELP KEEP
KYLE'S MEMORY ALIVE.</i>

1436
01:12:37,756 --> 01:12:41,322
SURE, SIR.
WYATT.

1437
01:12:41,322 --> 01:12:43,822
THANKS, LANCE.
THANKS.

1438
01:12:47,789 --> 01:12:50,256
OH!

1439
01:12:50,256 --> 01:12:53,656
JUST LIKE MY PROM NIGHT,
NOTHING WENT IN THE HOLE.

1440
01:12:56,055 --> 01:12:58,189
NO, IT'S GOOD.
IT'S GONNA BE A TASTEFUL DEDICATION.

1441
01:12:58,189 --> 01:12:59,655
VERY TASTEFUL.

1442
01:13:01,822 --> 01:13:03,721
<i>- ( cell phone ringing )
- ( beeps )</i>

1443
01:13:03,721 --> 01:13:05,453
HELLO?

1444
01:13:09,487 --> 01:13:11,022
YOU'RE KIDDING ME.

1445
01:13:11,022 --> 01:13:12,922
THANK YOU SO MUCH.

1446
01:13:12,922 --> 01:13:15,721
- WOW.
- WHAT?

1447
01:13:15,721 --> 01:13:18,854
PENTOLA-- HE SENT
KYLE'S JOURNAL TO DR. DANA.

1448
01:13:18,854 --> 01:13:20,688
SHE LOVES IT. SHE WANTS ME
TO BE ON THE SHOW.

1449
01:13:20,688 --> 01:13:22,221
SHE'S GONNA FLY ME
TO L.A.

1450
01:13:22,221 --> 01:13:24,921
- WHAT'S DR. DANA?
- SHE'S LIKE OPRAH.

1451
01:13:26,154 --> 01:13:28,453
WELL, SHE'S NOT
AS BIG AS OPRAH.

1452
01:13:30,487 --> 01:13:32,486
I MEAN, IT'S A GOOD SHOW,
YOU KNOW?

1453
01:13:32,486 --> 01:13:34,387
WOMEN SEEM TO
REALLY LIKE IT.

1454
01:13:37,254 --> 01:13:39,187
<i>( knocking on door )</i>

1455
01:13:45,319 --> 01:13:47,854
<i>- ANDREW.
- ARE YOU BUSY, MR. CLAYTON?</i>

1456
01:13:47,854 --> 01:13:50,288
OH, NO NO.
JUST PACKING FOR MY TRIP.

1457
01:13:50,288 --> 01:13:52,586
YEAH, THAT TV SHOW.

1458
01:13:52,586 --> 01:13:54,786
"DR. DANA."

1459
01:13:56,419 --> 01:13:57,952
WHAT'S UP?

1460
01:13:57,952 --> 01:13:59,352
I FEEL BAD.

1461
01:13:59,352 --> 01:14:02,153
I WISH I KNEW
HE WAS THAT DEPRESSED.

1462
01:14:02,153 --> 01:14:04,019
YOU AND ME BOTH.

1463
01:14:04,019 --> 01:14:06,351
YOU KNOW WHAT'S STRANGE
ABOUT THE BOOK?

1464
01:14:06,351 --> 01:14:07,553
WHAT?

1465
01:14:07,553 --> 01:14:10,985
KYLE NEVER TALKS
ABOUT VAGINAS, ANAL SEX,

1466
01:14:10,985 --> 01:14:13,385
FISTING, FELCHING
OR RIM JOBS.

1467
01:14:13,385 --> 01:14:16,752
IT IS A LITTLE LIGHT ON THE
FELCHING AREA, YOU'RE RIGHT.

1468
01:14:16,752 --> 01:14:20,518
BUT I THINK IT'S THERE,
ANDREW, IN ITS OWN WAY.

1469
01:14:20,518 --> 01:14:24,318
I WAS HIS BEST FRIEND.
THE BOOK IS SO SMART AND SAD.

1470
01:14:24,318 --> 01:14:26,451
HE NEVER TALKED
WITH ME LIKE THAT.

1471
01:14:26,451 --> 01:14:29,684
<i>I WISH HE DID. MAYBE HE WOULDN'T
HAVE DONE WHAT HE DID.</i>

1472
01:14:29,684 --> 01:14:31,852
DON'T BLAME YOURSELF,
ANDREW.

1473
01:14:31,852 --> 01:14:34,151
ONE THING I KNOW,
HE LIKED YOU.

1474
01:14:34,151 --> 01:14:35,785
THEN WHY DIDN'T HE
TALK TO ME?

1475
01:14:35,785 --> 01:14:37,384
<i>WHAT DO YOU WANT ME
TO TELL YOU, ANDREW?</i>

1476
01:14:37,384 --> 01:14:38,952
MAYBE IT'S LIKE
I TOLD YOU BEFORE,

1477
01:14:38,952 --> 01:14:40,951
HE WAS SUPER SMART.
HE DIDN'T WANT PEOPLE TO KNOW

1478
01:14:40,951 --> 01:14:42,751
BECAUSE HE WAS AFRAID
OF BEING TREATED DIFFERENTLY.

1479
01:14:42,751 --> 01:14:45,350
BUT IT DOESN'T MAKE SENSE.
HE WAS ALREADY TREATED LIKE A FREAK.

1480
01:14:45,350 --> 01:14:47,918
IF HE WAS THAT SMART HE WOULD
HAVE LOVED TO RUB THEIR NOSES IN IT.

1481
01:14:47,918 --> 01:14:50,517
OH, JESUS CHRIST, ANDREW.
WHY CAN'T YOU LET IT GO, OKAY?

1482
01:14:50,517 --> 01:14:52,951
NO WONDER
YOUR MOTHER DRINKS.

1483
01:14:52,951 --> 01:14:55,918
YOU KNOW ONE OF THE LAST
THINGS KYLE SAID TO ME?

1484
01:14:55,918 --> 01:14:58,917
HE SAID THAT YOU'RE
A STUPID FUCKING IDIOT.

1485
01:14:58,917 --> 01:15:00,950
<i>HAVE A GOOD TIME
ON YOUR TV SHOW.</i>

1486
01:15:00,950 --> 01:15:02,818
KYLE'S STILL DEAD.

1487
01:15:02,818 --> 01:15:04,383
ANDREW.

1488
01:15:07,050 --> 01:15:09,550
ARE YOU ALMOST READY?
I THINK WE SHOULD GET GOING.

1489
01:15:09,550 --> 01:15:11,616
<i>Claire: I THINK YOU SHOULD
KEEPYOUR PANTS ON.</i>

1490
01:15:11,616 --> 01:15:13,448
I THINK YOU SHOULD PUT
YOUR PANTS ON.

1491
01:15:13,448 --> 01:15:15,149
<i>I'M NOT GOING
TO WEAR PANTS.</i>

1492
01:15:15,149 --> 01:15:17,682
OH.
I'M REALLY NERVOUS.

1493
01:15:17,682 --> 01:15:19,082
<i>YEAH, YOU SHOULD BE.</i>

1494
01:15:19,082 --> 01:15:20,782
MMM.
THANKS.

1495
01:15:20,782 --> 01:15:22,916
I'M USING BACKWARD
PSYCHOLOGY.

1496
01:15:22,916 --> 01:15:25,682
IT'S NOT WORKING.
I HAVE TO PEE AGAIN.

1497
01:15:25,682 --> 01:15:27,649
<i>( knocking on door )</i>

1498
01:15:31,216 --> 01:15:33,348
- HELLO.
- MR. CLAYTON,

1499
01:15:33,348 --> 01:15:36,216
I DON'T WANNA BE RUDE
BUT THE SHOW CALLED AGAIN

1500
01:15:36,216 --> 01:15:39,049
- AND WE REALLY SHOULD BE LEAVING.
- OKAY, THANK YOU VERY MUCH.

1501
01:15:40,882 --> 01:15:42,982
BABY, THAT WAS THE DRIVER.
HE SAID THE SHOW CALLED.

1502
01:15:42,982 --> 01:15:44,848
WE GOTTA GET GOING,
OKAY?

1503
01:15:44,848 --> 01:15:47,282
- ( sighs ) - OH, YOU LOOK GORGEOUS.
LET'S GET GOING, COME ON.

1504
01:15:47,282 --> 01:15:49,815
- DOES THIS MAKE MY ASS LOOK BIG?
- NO NO. NOT AT ALL.

1505
01:15:49,815 --> 01:15:52,048
- YOU CAN'T SEE YOUR ASS.
- WHAT DO YOU MEAN?

1506
01:15:52,048 --> 01:15:54,882
- I MEAN--
- SO YOU'RE SAYING I DON'T HAVE AN ASS?

1507
01:15:54,882 --> 01:15:57,915
I'M SAYING YOUR ASS IS THERE,
BUT IT'S NOT TOO MUCH.

1508
01:15:57,915 --> 01:15:59,880
- I'M CHANGING AGAIN.
- NO.

1509
01:16:01,915 --> 01:16:03,681
YOU KNOW,
SWEETHEART,

1510
01:16:03,681 --> 01:16:06,182
I REALLY SHOULD GET OVER THERE SO
I COULD SIT DOWN WITH THE PRODUCER

1511
01:16:06,182 --> 01:16:07,681
AND GO OVER WITH WHAT
I'M GONNA SAY.

1512
01:16:07,681 --> 01:16:09,214
THAT WOULD
REALLY HELP ME A LOT.

1513
01:16:09,214 --> 01:16:10,480
- ALL RIGHT.
- OKAY.

1514
01:16:10,480 --> 01:16:12,446
- WHAT DO YOU THINK?
- FABULOUS.

1515
01:16:12,446 --> 01:16:14,182
- I REALLY--
- NOPE.

1516
01:16:14,182 --> 01:16:15,747
I LIKE THAT DRESS.

1517
01:16:15,747 --> 01:16:20,114
SOMETIMES PEOPLE ON THE WAY,
THEY THROW UP IN MY CAR.

1518
01:16:20,114 --> 01:16:21,747
- YEAH?
- YEAH.

1519
01:16:21,747 --> 01:16:23,914
OKAY, LET'S GO.

1520
01:16:23,914 --> 01:16:27,313
- YOU LOOK PRETTY.
- THANK YOU.YOU'RE SO SWEET.

1521
01:16:27,313 --> 01:16:30,380
THANKS.
WHICH ONE OF YOU IS ON THE SHOW?

1522
01:16:30,380 --> 01:16:32,047
- I AM.
- OH.

1523
01:16:32,047 --> 01:16:34,214
- NO, YOU'RE GONNA DO GREAT.
- THANKS.

1524
01:16:34,214 --> 01:16:37,046
HI, LANCE CLAYTON
FOR THE "DR. DANA" SHOW.

1525
01:16:37,046 --> 01:16:38,946
- HI, GUYS.
- DR. P.

1526
01:16:38,946 --> 01:16:41,612
LANCE, HI.
JERRY KLEIN-- WE SPOKE ON THE PHONE.

1527
01:16:41,612 --> 01:16:43,479
- MM-HMM.
- WE CAN LET THEM IN.

1528
01:16:43,479 --> 01:16:46,146
FOLLOW ME. WE CAN GO RIGHT IN.
WE'RE RUNNING A LITTLE LATE.

1529
01:16:46,146 --> 01:16:48,079
- YOU GUYS HIT SOME TRAFFIC, HUH?
- OH YEAH.

1530
01:16:48,079 --> 01:16:49,646
- AH, WONDERFUL.
- THIS IS CLAIRE, MY GIRLFRIEND.

1531
01:16:49,646 --> 01:16:51,345
- HI, CLAUDIA. JERRY KLEIN.
- CLAIRE.

1532
01:16:51,345 --> 01:16:53,913
WE'RE NOT GONNA HAVE TIME
TO GO THROUGH THE NOTES

1533
01:16:53,913 --> 01:16:55,444
IN THE GREENROOM
AS WE PLANNED,

1534
01:16:55,444 --> 01:16:56,979
- SO WE'RE GONNA DO IT IN MAKEUP.
- MAKEUP?

1535
01:16:56,979 --> 01:16:58,945
- AND THAT'S THIS WAY. CLAUDIA?
- CLAIRE.

1536
01:16:58,945 --> 01:17:01,345
THANK YOU SO MUCH FOR SENDING THE
PHOTOS OF KYLE. THEY'RE BEAUTIFUL.

1537
01:17:01,345 --> 01:17:03,112
- AND ALSO THE BOOK.
- I SENT THE BOOK.

1538
01:17:03,112 --> 01:17:04,912
IS SHE GONNA BE HOLDING
UP THE BACK OF THE BOOK?

1539
01:17:04,912 --> 01:17:07,078
THAT'S A DIRECTOR QUESTION.
I'M A SEGMENT PRODUCER.

1540
01:17:07,078 --> 01:17:09,179
HOW DO WE KNOW
WHEN THE CAMERA IS ON ME?

1541
01:17:09,179 --> 01:17:11,678
YOU'RE GONNA BE IN THE
FRIENDS- AND-FAMILY SECTION.

1542
01:17:11,678 --> 01:17:13,478
<i>- ( audience applauding )
- COULD YOU GRAB A SEAT?</i>

1543
01:17:13,478 --> 01:17:15,012
OKAY, YEAH.
SURE.

1544
01:17:15,012 --> 01:17:17,912
I JUST HAVE A COUPLE OF
ISSUES TO DISCUSS WITH LANCE.

1545
01:17:17,912 --> 01:17:20,112
- LANCE, DO YOU HAVE QUESTIONS?
- NO NO.

1546
01:17:20,112 --> 01:17:21,511
- LOOK OVER HERE, PLEASE.
- GOOD.GOOD.

1547
01:17:21,511 --> 01:17:24,344
SO, LANCE, IF YOU SHOULD START
TO TALK ABOUT YOUR SON...

1548
01:17:24,344 --> 01:17:25,677
- MM-HMM.
- ...AND BEGIN TO CRY...

1549
01:17:25,677 --> 01:17:27,377
- YEAH.
- ...OR WELL UP...

1550
01:17:27,377 --> 01:17:29,510
- OKAY. - ...JUST GO WITH IT.
DON'T BE ASHAMED, OKAY?

1551
01:17:29,510 --> 01:17:30,877
- YEAH.
- AND IF YOU CRY...

1552
01:17:30,877 --> 01:17:32,444
- MM-HMM.
- ...LOOK UP.

1553
01:17:32,444 --> 01:17:33,911
- NO, LOOK DOWN, PLEASE.
- OH.

1554
01:17:33,911 --> 01:17:35,544
- DON'T LOOK DOWN.LOOK UP.
- CAN YOU LOOK DOWN?

1555
01:17:35,544 --> 01:17:37,310
- DON'T TUCK YOUR CHIN.
- OH.

1556
01:17:37,310 --> 01:17:39,777
AND ABOVE ALL,
DON'T BE NERVOUS.

1557
01:17:39,777 --> 01:17:41,610
LANCE, HI.

1558
01:17:41,610 --> 01:17:43,877
- LOOK THIS WAY, PLEASE.
- I DON'T MEAN TO BUG YOU RIGHT NOW.

1559
01:17:43,877 --> 01:17:45,977
MY NAME IS BERT GREEN.
I'M WITH WITH McKENNA ARTIST.

1560
01:17:45,977 --> 01:17:48,544
- HI, BERT.
- YOUR SON'S MEMOIR IS SO STRONG.

1561
01:17:48,544 --> 01:17:51,310
MY GOD, IT'S SO MOVING.
MY HEART GOES OUT TO YOU.

1562
01:17:51,310 --> 01:17:52,843
MM-HMM.

1563
01:17:52,843 --> 01:17:54,911
- OH, THANK YOU. - HAVE YOU
BEEN TALKING TO PUBLISHERS?

1564
01:17:54,911 --> 01:17:56,776
- NO. - BECAUSE I HONESTLY
THINK THIS COULD BE

1565
01:17:56,776 --> 01:17:58,210
THE BIGGEST POSTHUMOUS
AUTOBIOGRAPHY

1566
01:17:58,210 --> 01:17:59,743
SINCE "THE DIARY
OF ANNE FRANK," HONESTLY.

1567
01:17:59,743 --> 01:18:00,843
- REALLY?
- OH MY GOD.

1568
01:18:00,843 --> 01:18:03,509
YOU KNOW
WHAT SHE'S DONE FOR...

1569
01:18:03,509 --> 01:18:05,376
YES.
YEAH, THAT'S HUGE.

1570
01:18:05,376 --> 01:18:07,509
LOOK, I'M GONNA GET OUT
OF YOUR HAIR RIGHT NOW.

1571
01:18:07,509 --> 01:18:08,976
BUT IF ANY OF THIS
INTERESTS YOU,

1572
01:18:08,976 --> 01:18:10,408
- GIVE ME A CALL, OKAY?
- OKAY.

1573
01:18:10,408 --> 01:18:12,177
JUST GIVE ME A RING.
IT'S GREAT TO MEET YOU.

1574
01:18:12,177 --> 01:18:15,209
GREAT TO MEET YOU.
GO OUT THERE AND KILL 'EM.

1575
01:18:15,209 --> 01:18:17,709
- DO IT.
- OKAY.

1576
01:18:17,709 --> 01:18:21,675
- NOW I'M NERVOUS.
- OH, GREAT.

1577
01:18:21,675 --> 01:18:23,276
- IT'S GO TIME, ALL RIGHT?
- OKAY.

1578
01:18:23,276 --> 01:18:25,942
SO AGAIN, LANCE,
I'M SO SORRY FOR YOUR LOSS.

1579
01:18:25,942 --> 01:18:28,408
AND LET'S HAVE
A GREAT SHOW.

1580
01:18:28,408 --> 01:18:30,009
<i>( audience applauding )</i>

1581
01:18:35,842 --> 01:18:39,374
MY GUEST TODAY
IS MR. LANCE CLAYTON.

1582
01:18:39,374 --> 01:18:43,641
LANCE'S 15-YEAR-OLD SON KYLE
TRAGICALLY TOOK HIS OWN LIFE.

1583
01:18:43,641 --> 01:18:46,175
BUT FROM THIS TERRIBLE
STORY OF LOSS

1584
01:18:46,175 --> 01:18:48,275
AROSE ONE OF HOPE.

1585
01:18:48,275 --> 01:18:52,407
HERE HE IS TO SHARE THIS POWERFUL
STORY, MR. LANCE CLAYTON.

1586
01:18:55,440 --> 01:18:57,440
THANKS SO MUCH
FOR JOINING US.

1587
01:18:57,440 --> 01:19:00,008
- THANK YOU, DOCTOR.
- WE KNOW IT TAKES GREAT
COURAGE FOR YOU TO DO THIS.

1588
01:19:00,008 --> 01:19:02,473
- THANK YOU.
- THANK YOU SO MUCH.

1589
01:19:02,473 --> 01:19:04,706
<i>NOW, LANCE--</i>

1590
01:19:04,706 --> 01:19:07,073
<i>IS IT ALL RIGHT
IF I CALL YOU LANCE?</i>

1591
01:19:07,073 --> 01:19:08,207
YES, THAT'S MY NAME.

1592
01:19:08,207 --> 01:19:10,973
( woman giggles )

1593
01:19:10,973 --> 01:19:14,940
ONE OF THE MOST DIFFICULT THINGS
IS FOR A PARENT TO LOSE A CHILD.

1594
01:19:14,940 --> 01:19:17,839
YES.YES IT IS.

1595
01:19:17,839 --> 01:19:20,274
TELL US ABOUT
YOUR SON KYLE.

1596
01:19:28,406 --> 01:19:30,207
IT'S DIFFICULT,
ISN'T IT?

1597
01:19:30,207 --> 01:19:33,072
YEAH.

1598
01:19:33,072 --> 01:19:35,772
HE WAS A SWEET BOY.

1599
01:19:39,006 --> 01:19:41,505
KIND.

1600
01:19:45,173 --> 01:19:47,105
I'M SORRY.
HE WAS A SWEET BOY.

1601
01:19:47,105 --> 01:19:49,471
( laughs )

1602
01:19:54,371 --> 01:19:57,638
- I'M SORRY. - BUT THERE WAS
A LOT BREWING UNDERNEATH?

1603
01:19:57,638 --> 01:20:01,671
<i>THE TRAGEDY IS I DIDN'T
KNOW UNTIL HIS DEATH</i>

1604
01:20:01,671 --> 01:20:04,205
HOW SAD HE WAS
OR PROFOUND.

1605
01:20:05,404 --> 01:20:08,337
<i>- MMM.
- ( laughing )</i>

1606
01:20:08,337 --> 01:20:10,304
HERE'S A TISSUE
FOR YOU.

1607
01:20:10,304 --> 01:20:13,704
<i>PROFOUND.
INDEED PROFOUND.</i>

1608
01:20:13,704 --> 01:20:15,004
INDEED.

1609
01:20:15,004 --> 01:20:17,638
"YOU DON'T KNOW ME."

1610
01:20:17,638 --> 01:20:19,670
THIS IS SO BEAUTIFULLY
WRITTEN.

1611
01:20:19,670 --> 01:20:22,504
I JUST--
YOU KNOW, THE THING IS,

1612
01:20:22,504 --> 01:20:25,837
I DIDN'T KNOW-- I'M SO PROUD OF HIM.
HE WAS A GREAT WRITER.

1613
01:20:25,837 --> 01:20:28,937
<i>YES, THIS IS REALLY
REMARKABLE WORK.</i>

1614
01:20:28,937 --> 01:20:31,303
<i>NO MATTER WHAT PAGE
I TURN TO,</i>

1615
01:20:31,303 --> 01:20:35,303
THERE'S SOMETHING HERE
THAT REALLY MOVES ME.

1616
01:20:35,303 --> 01:20:37,402
<i>- I WANT TO READ THIS.
- OKAY.</i>

1617
01:20:37,402 --> 01:20:41,271
"IS IT MORE IMPORTANT
FOR ME TO BE A GOOD PERSON

1618
01:20:41,271 --> 01:20:44,369
<i>OR TO BE THOUGHT OF
AS A GOOD PERSON?</i>

1619
01:20:44,369 --> 01:20:47,270
<i>I'M SO SICK
OF LIVING A LIFE IN FEAR</i>

1620
01:20:47,270 --> 01:20:50,103
<i>OF BEING FOUND OUT
FOR THE PHONY I AM,</i>

1621
01:20:50,103 --> 01:20:53,103
<i>A LIFE WHERE I DON'T TRUST
ANYONE'S INTENTIONS,</i>

1622
01:20:53,103 --> 01:20:56,536
<i>INCLUDING MY OWN."</i>

1623
01:20:56,536 --> 01:20:58,069
WOW, THAT IS REALLY DEEP.

1624
01:20:58,069 --> 01:21:02,102
HARD TO IMAGINE THAT IT WAS
WRITTEN BY A 15-YEAR-OLD.

1625
01:21:02,102 --> 01:21:05,169
- HE WAS AN OLD SOUL.
- MMM.

1626
01:21:05,169 --> 01:21:08,701
YOU KNOW, I'M NOT GONNA PRETEND
THAT I KNOW WHAT'S GOING ON

1627
01:21:08,701 --> 01:21:10,601
IN THE MIND
OF A TEENAGER.

1628
01:21:10,601 --> 01:21:12,869
ALL I'M SAYING IS,
KYLE MADE A MISTAKE.

1629
01:21:12,869 --> 01:21:14,935
IF YOU'RE THAT DEPRESSED,

1630
01:21:14,935 --> 01:21:17,802
REACH OUT TO SOMEONE.

1631
01:21:17,802 --> 01:21:21,168
AND REMEMBER, SUICIDE
IS A PERMANENT SOLUTION

1632
01:21:21,168 --> 01:21:22,735
TO TEMPORARY PROBLEMS.

1633
01:21:22,735 --> 01:21:27,035
- YOU WANT MY JOB?
- NO.PLEASE, DANA, NO. THANK YOU.

1634
01:21:27,035 --> 01:21:30,468
AGAIN, THE BOOK,
"YOU DON'T KNOW ME."

1635
01:21:30,468 --> 01:21:32,767
<i>AND MY GUEST HAS BEEN
LANCE CLAYTON.</i>

1636
01:21:32,767 --> 01:21:35,734
<i>- ( audience applauding )
- THANK YOU.</i>

1637
01:21:35,734 --> 01:21:38,102
YOU WERE SO GOOD!

1638
01:21:38,102 --> 01:21:40,634
THANKS, DOLL.

1639
01:21:40,634 --> 01:21:43,367
AND I'M SO GLAD
YOU USED MY TITLE.

1640
01:21:43,367 --> 01:21:44,901
IT'S A GREAT TITLE.

1641
01:21:44,901 --> 01:21:46,367
( phone ringing )

1642
01:21:46,367 --> 01:21:48,168
HELLO?

1643
01:21:48,168 --> 01:21:49,967
LANCE, HI.
IT'S BERT GREEN.

1644
01:21:49,967 --> 01:21:52,634
<i>- HI. - You were so great on "Dr. Dana."</i>

1645
01:21:52,634 --> 01:21:54,566
OH, THANKS, BERT.

1646
01:21:54,566 --> 01:21:57,566
IT WAS LIKE-- IT WAS LIKE
WATCHING A BALLET.

1647
01:21:57,566 --> 01:21:59,966
<i>Hey, do you have time
to meet tomorrow?</i>

1648
01:21:59,966 --> 01:22:01,900
<i>Because there's a number
of publishers</i>

1649
01:22:01,900 --> 01:22:04,399
WHO ARE DYING

1650
01:22:04,399 --> 01:22:07,766
- TO MEET WITH YOU.
- WELL, REALLY, NO.

1651
01:22:07,766 --> 01:22:09,866
ACTUALLY WE HAVE
TO HEAD BACK TOMORROW.

1652
01:22:09,866 --> 01:22:13,066
THEY'RE DEDICATING THE SCHOOL
LIBRARY IN KYLE'S HONOR.

1653
01:22:13,066 --> 01:22:15,432
GOOD FOR HIM.
I MEAN, GOOD FOR YOU.

1654
01:22:15,432 --> 01:22:17,166
THAT'S GOOD.

1655
01:22:17,166 --> 01:22:19,766
HEY, LET'S DO IT SOON.

1656
01:22:19,766 --> 01:22:22,032
<i>Because this book is hot.</i>

1657
01:22:22,032 --> 01:22:25,698
<i>It's like a volcano
on the sun.</i>

1658
01:22:25,698 --> 01:22:27,899
WOW.
THAT'S A LOT OF HEAT.

1659
01:22:27,899 --> 01:22:29,365
<i>I'm gonna get a hold
of you soon.</i>

1660
01:22:29,365 --> 01:22:31,398
OKAY? BYE.

1661
01:23:02,731 --> 01:23:03,930
LANCE, LANCE.

1662
01:23:03,930 --> 01:23:05,730
OH, GOD.
I'M GLAD I CAUGHT YOU.

1663
01:23:05,730 --> 01:23:07,497
OH, YOUR BOOK
IS ON FIRE.

1664
01:23:07,497 --> 01:23:08,930
- OH.
- IT IS.

1665
01:23:08,930 --> 01:23:11,098
THIS IS--
THIS IS BILL TOBIN.

1666
01:23:11,098 --> 01:23:12,597
- HI.
- FROM SIMON & SIMON.

1667
01:23:12,597 --> 01:23:14,763
- CARL KLIENMAN FROM
HOWARD PUBLISHING. - HI.

1668
01:23:14,763 --> 01:23:17,963
AND THIS IS GEORGE KENNY,
FROM KAUFMANN PRESS.

1669
01:23:17,963 --> 01:23:19,963
THEY LOVE YOUR BOOK
AND THEY WANNA MEET WITH YOU.

1670
01:23:19,963 --> 01:23:21,963
- IT'S TRUE.
- REALLY.

1671
01:23:21,963 --> 01:23:23,863
WE'RE NOT GONNA BOTHER
WITH THAT RIGHT NOW.

1672
01:23:23,863 --> 01:23:26,897
THEY'RE GONNA HAVE A CHANCE TO TALK
WITH YOU AFTER THE DEDICATION, OKAY?

1673
01:23:26,897 --> 01:23:28,196
- GOOD.
- OKAY?

1674
01:23:28,196 --> 01:23:32,797
AND THEY ALSO WANT
A BOOK OF YOURS TOO.

1675
01:23:33,863 --> 01:23:36,362
- THAT'S AMAZING.
- YEAH.

1676
01:23:36,362 --> 01:23:38,495
- OKAY.
- SEE YOU IN THERE.

1677
01:23:43,428 --> 01:23:46,362
I'M SO PROUD OF YOU,
LAMB CHOP.

1678
01:23:46,362 --> 01:23:47,896
THANKS.

1679
01:23:54,162 --> 01:23:56,362
MR. CLAYTON.

1680
01:23:56,362 --> 01:23:57,829
BRUCE HORNSBY.

1681
01:23:57,829 --> 01:23:59,895
WE WROTE MR. HORNSBY
AND HE CAME.

1682
01:23:59,895 --> 01:24:01,896
HEY, MAN, WHEN I HEARD
WHAT A FAN KYLE WAS

1683
01:24:01,896 --> 01:24:03,928
I THOUGHT,
HOW CAN I SAY NO?

1684
01:24:03,928 --> 01:24:05,162
<i>All:
AW.</i>

1685
01:24:05,162 --> 01:24:07,228
<i>- THANKS.
- Girl: GOD, HE'S SO SWEET.</i>

1686
01:24:17,327 --> 01:24:19,061
<i>Girl:
BRUCE HORNSBY.</i>

1687
01:24:24,262 --> 01:24:27,228
I'D LIKE TO DEDICATE
THIS SONG TO MY BIGGEST FAN,

1688
01:24:27,228 --> 01:24:31,326
<i>- KYLE CLAYTON.
- ( applauding )</i>

1689
01:24:31,326 --> 01:24:34,161
<i>( playing piano )</i>

1690
01:24:45,560 --> 01:24:49,026
<i>* ANOTHER SONG
CAME AND WENT *</i>

1691
01:24:49,026 --> 01:24:52,161
<i>* LIKE THE TIMES
THAT WE SPENT *</i>

1692
01:24:52,161 --> 01:24:55,227
* HIDING OUT
FROM THE RAIN *

1693
01:24:55,227 --> 01:24:58,592
* UNDER THE CARNIVAL TENT

1694
01:24:59,793 --> 01:25:02,325
* I LAUGHED
AND SHE'D SMILE *

1695
01:25:02,325 --> 01:25:05,260
* IT WOULD LAST
FOR A WHILE *

1696
01:25:05,260 --> 01:25:07,592
* YOU DON'T KNOW
WHAT YOU GOT *

1697
01:25:07,592 --> 01:25:11,626
<i>* TILL YOU LOSE IT
ALL AGAIN *</i>

1698
01:25:11,626 --> 01:25:14,458
<i>* LISTEN TO
THE MANDOLIN RAIN *</i>

1699
01:25:14,458 --> 01:25:17,525
<i>* LISTEN TO THE MUSIC
ON THE LAKE *</i>

1700
01:25:17,525 --> 01:25:20,993
<i>* LISTEN TO
MY HEART BREAK *</i>

1701
01:25:20,993 --> 01:25:24,225
<i>* EVERY TIME
SHE RUNS AWAY *</i>

1702
01:25:24,225 --> 01:25:27,491
<i>* LISTEN TO
THE BANJO WIND *</i>

1703
01:25:27,491 --> 01:25:31,125
* A SAD SONG
DRIFTING LOW *

1704
01:25:31,125 --> 01:25:33,458
* LISTEN TO
THE TEARS ROLL *

1705
01:25:33,458 --> 01:25:37,758
<i>* DOWN MY FACE
AS SHE TURNS TO GO *</i>

1706
01:25:37,758 --> 01:25:40,825
<i>* LISTEN TO THE TEARS
AS THEY ROLL *</i>

1707
01:25:40,825 --> 01:25:44,290
<i>* DOWN MY FACE
AS SHE TURNS TO GO. *</i>

1708
01:25:54,322 --> 01:25:57,557
MR. CLAYTON,

1709
01:25:57,557 --> 01:26:00,624
I WANT YOU TO KNOW THAT

1710
01:26:00,624 --> 01:26:03,924
I'VE ALWAYS FELT
NOT ENOUGH.

1711
01:26:03,924 --> 01:26:05,923
MY DAD

1712
01:26:05,923 --> 01:26:08,856
RIDES ME
ALL THE TIME.

1713
01:26:08,856 --> 01:26:10,524
HE CALLS ME A LOSER.

1714
01:26:12,456 --> 01:26:15,123
I ALMOST KILLED MYSELF

1715
01:26:15,123 --> 01:26:17,421
UNTIL KYLE'S NOTE
AND BOOK CAME OUT.

1716
01:26:19,090 --> 01:26:21,422
IT SAVED MY LIFE.

1717
01:26:23,388 --> 01:26:26,455
I KNOW HE'S LOOKING
DOWN ON YOU SO PROUD.

1718
01:26:30,223 --> 01:26:32,023
THANKS, PETE.

1719
01:26:35,256 --> 01:26:37,189
<i>( applause )</i>

1720
01:26:40,789 --> 01:26:43,388
THANK YOU,
BRUCE HORNSBY.

1721
01:26:44,855 --> 01:26:47,822
<i>WELCOME STUDENTS,
FACULTY</i>

1722
01:26:47,822 --> 01:26:50,121
<i>AND GUESTS.</i>

1723
01:26:50,121 --> 01:26:52,121
TODAY

1724
01:26:52,121 --> 01:26:54,888
WE CELEBRATE KYLE.

1725
01:26:56,855 --> 01:26:59,354
KYLE HAS SHOWN US
SO MANY THINGS;

1726
01:26:59,354 --> 01:27:01,554
HOW FLEETING THE TIME

1727
01:27:01,554 --> 01:27:03,755
WE SPEND ON THIS EARTH
REALLY IS.

1728
01:27:03,755 --> 01:27:07,221
<i>KYLE DID NOT DIE IN VAIN.</i>

1729
01:27:07,221 --> 01:27:08,487
<i>THROUGH HIS BOOK</i>

1730
01:27:08,487 --> 01:27:11,754
<i>AND THROUGH OUR HEARTS
HE WILL LIVE ON.</i>

1731
01:27:13,554 --> 01:27:16,620
TODAY WE DEDICATE
THIS LIBRARY

1732
01:27:16,620 --> 01:27:19,154
IN HIS SPIRIT.

1733
01:27:19,154 --> 01:27:22,088
A TRIBUTE TO HIS DEEP
INTELLIGENCE

1734
01:27:22,088 --> 01:27:26,220
<i>AND TO THE PROFOUND IMPACT
HE MADE ON ALL OF US</i>

1735
01:27:26,220 --> 01:27:29,418
<i>IN THE BRIEF TIME WE WERE
FORTUNATE ENOUGH TO KNOW HIM.</i>

1736
01:27:32,053 --> 01:27:34,586
AND NOW TO ACCEPT
THIS HONOR ON HIS BEHALF,

1737
01:27:34,586 --> 01:27:36,820
I GIVE YOU HIS FATHER

1738
01:27:36,820 --> 01:27:38,920
<i>MR. LANCE CLAYTON.</i>

1739
01:27:38,920 --> 01:27:40,653
( crowd cheering )

1740
01:28:32,584 --> 01:28:35,018
YOU GUYS
DIDN'T LIKE KYLE.

1741
01:28:35,018 --> 01:28:38,018
BUT THAT'S OKAY,
I DIDN'T EITHER.

1742
01:28:39,950 --> 01:28:42,416
I LOVED HIM.

1743
01:28:42,416 --> 01:28:44,850
HE WAS MY SON,

1744
01:28:46,316 --> 01:28:48,283
BUT HE WAS ALSO
A DOUCHE BAG.

1745
01:28:52,817 --> 01:28:56,450
HE WASN'T VERY SMART

1746
01:28:56,450 --> 01:28:58,683
AND HE DIDN'T KILL
HIMSELF.

1747
01:29:02,482 --> 01:29:05,483
KYLE DIED ACCIDENTALLY
WHILE MASTURBATING.

1748
01:29:10,681 --> 01:29:12,949
<i>I MADE IT LOOK LIKE
A SUICIDE</i>

1749
01:29:12,949 --> 01:29:15,949
AND I WROTE
A SUICIDE NOTE.

1750
01:29:20,849 --> 01:29:24,082
I ALSO WROTE HIS JOURNAL.
THANK YOU.

1751
01:29:39,615 --> 01:29:41,414
THANKS.

1752
01:29:41,414 --> 01:29:44,915
YOU ARE AN ASSHOLE.

1753
01:29:44,915 --> 01:29:46,615
YEAH.

1754
01:29:46,615 --> 01:29:48,815
<i>Lance's voice:
I USED TO THINK THE WORSTTHING IN LIFE</i>

1755
01:29:48,815 --> 01:29:50,948
<i>WAS TO END UP ALL ALONE.</i>

1756
01:29:50,948 --> 01:29:53,347
<i>IT'S NOT.</i>

1757
01:29:53,347 --> 01:29:55,781
<i>THE WORST THING IN LIFE
IS ENDING UP WITH PEOPLE</i>

1758
01:29:55,781 --> 01:29:58,248
<i>WHO MAKE YOU FEEL
ALL ALONE.</i>

1759
01:29:58,248 --> 01:30:02,213
<i>* PRESSURE PUSHING DOWN
ON ME *</i>

1760
01:30:02,213 --> 01:30:06,046
<i>* PRESSING DOWN ON YOU,
NO MAN ASKED FOR *</i>

1761
01:30:06,046 --> 01:30:08,214
<i>* UNDER PRESSURE</i>

1762
01:30:08,214 --> 01:30:10,613
<i>* THAT BURNS
A BUILDING DOWN *</i>

1763
01:30:10,613 --> 01:30:12,846
<i>* SPLITS A FAMILY IN TWO</i>

1764
01:30:12,846 --> 01:30:15,513
<i>* PUTS PEOPLE ON STREETS</i>

1765
01:30:15,513 --> 01:30:17,646
<i>* UM BA BA BE</i>

1766
01:30:17,646 --> 01:30:19,646
<i>* UM BA BA BE</i>

1767
01:30:19,646 --> 01:30:23,279
<i>* DE DAY DA,
EE DAY DA *</i>

1768
01:30:23,279 --> 01:30:25,613
<i>* IT'S THE TERROR
OF KNOWING *</i>

1769
01:30:25,613 --> 01:30:28,180
<i>* WHAT THIS WORLD
IS ABOUT *</i>

1770
01:30:28,180 --> 01:30:32,112
<i>* WATCHING SOME GOOD FRIENDS
SCREAMING, "LET ME OUT" *</i>

1771
01:30:32,112 --> 01:30:36,512
<i>* PRAY TOMORROW
GETS ME HIGHER *</i>

1772
01:30:36,512 --> 01:30:40,612
<i>* PRESSURE ON PEOPLE,
PEOPLE ON STREETS *</i>

1773
01:30:40,612 --> 01:30:44,179
<i>* DAY DAY DE MM HM</i>

1774
01:30:44,179 --> 01:30:47,678
<i>* DA DA DA BA BA
OKAY *</i>

1775
01:30:50,345 --> 01:30:52,377
<i>* CHIPPIN' AROUND *</i>

1776
01:30:52,377 --> 01:30:54,811
<i>* KICK MY BRAINS
AROUND THE FLOOR *</i>

1777
01:30:54,811 --> 01:30:58,344
<i>* THESE ARE THE DAYS
IT NEVER RAINS BUT IT POURS *</i>

1778
01:30:58,344 --> 01:31:02,544
<i>* EE DO BA BE
EE DA BA BA BA *</i>

1779
01:31:02,544 --> 01:31:06,246
<i>* UM BO BO BE LAP</i>

1780
01:31:06,246 --> 01:31:09,844
<i>* PEOPLE ON STREETS,
EE DA DE DA DE *</i>

1781
01:31:09,844 --> 01:31:14,544
<i>* PEOPLE ON STREETS,
EE DA DE DA DE DA DE DA *</i>

1782
01:31:14,544 --> 01:31:18,277
<i>* IT'S THE TERROR OF KNOWING
WHAT THIS WORLD IS ABOUT *</i>

1783
01:31:18,277 --> 01:31:23,111
<i>* WATCHING SOME GOOD FRIENDS
SCREAMING, "LET ME OUT" *</i>

1784
01:31:23,111 --> 01:31:27,476
<i>* PRAY TOMORROW
GETS ME HIGHER HIGH HIGH *</i>

1785
01:31:27,476 --> 01:31:31,510
<i>* PRESSURE ON PEOPLE,
PEOPLE ON STREETS *</i>

1786
01:31:33,711 --> 01:31:38,643
<i>* TURNED AWAY FROM IT ALL
LIKE A BLIND MAN *</i>

1787
01:31:38,643 --> 01:31:42,209
<i>* SAT ON A FENCE
BUT IT DON'T WORK *</i>

1788
01:31:42,209 --> 01:31:44,542
<i>* KEEP COMING UP
WITH LOVE *</i>

1789
01:31:44,542 --> 01:31:46,743
<i>* BUT IT'S SO SLASHED
AND TORN *</i>

1790
01:31:46,743 --> 01:31:51,309
<i>* WHY?
WHY? WHY? *</i>

1791
01:31:57,809 --> 01:32:01,876
<i>* LOVE LOVE LOVE
LOVE LOVE *</i>

1792
01:32:01,876 --> 01:32:05,408
<i>* INSANITY LAUGHS UNDER
PRESSURE WE'RE BREAKING *</i>

1793
01:32:05,408 --> 01:32:09,176
<i>* CAN'T WE GIVE OURSELVES
ONE MORE CHANCE? *</i>

1794
01:32:09,176 --> 01:32:13,208
<i>* WHY CAN'T WE GIVE LOVE
THAT ONE MORE CHANCE? *</i>

1795
01:32:13,208 --> 01:32:18,307
<i>* WHY CAN'T WE GIVE LOVE
GIVE LOVE GIVE LOVE GIVE LOVE *</i>

1796
01:32:18,307 --> 01:32:22,075
<i>* GIVE LOVE GIVE LOVE GIVE LOVE
GIVE LOVE GIVE LOVE *</i>

1797
01:32:22,075 --> 01:32:27,341
<i>* 'CAUSE LOVE'S
SUCH AN OLD-FASHIONED WORD *</i>

1798
01:32:27,341 --> 01:32:31,406
<i>* AND LOVE DARES
YOU TO CARE *</i>

1799
01:32:31,406 --> 01:32:37,774
<i>* FOR THE PEOPLE ON THE EDGE
OF THE NIGHT *</i>

1800
01:32:37,774 --> 01:32:42,774
<i>* AND LOVE DARES
YOU TO CHANGE OUR WAY *</i>

1801
01:32:42,774 --> 01:32:47,508
<i>* OF CARING
ABOUT OURSELVES *</i>

1802
01:32:47,508 --> 01:32:51,907
<i>* THIS IS OUR
LAST DANCE *</i>

1803
01:32:51,907 --> 01:32:55,840
<i>* THIS IS OUR LAST DANCE</i>

1804
01:32:55,840 --> 01:32:59,907
<i>* THIS IS OURSELVES</i>

1805
01:32:59,907 --> 01:33:02,040
<i>* UNDER PRESSURE</i>

1806
01:33:04,006 --> 01:33:06,206
<i>* UNDER PRESSURE</i>

1807
01:33:08,739 --> 01:33:10,806
<i>* PRESSURE.</i>

1808
01:33:27,140 --> 01:33:30,038
I KNEW YOU
WROTE THE BOOK.

1809
01:33:34,806 --> 01:33:36,271
I LIKED IT.

1810
01:33:36,271 --> 01:33:39,172
<i>- REALLY?
- YOU'RE A GOOD WRITER.</i>

1811
01:33:39,172 --> 01:33:41,239
I THINK
YOU SHOULD KEEP WRITING.

1812
01:33:42,705 --> 01:33:44,370
THANKS, ANDREW.
I WILL.

1813
01:33:46,038 --> 01:33:47,805
HEY, ANDREW.

1814
01:33:47,805 --> 01:33:50,104
- WHAT ARE YOU DOING?
- NOTHING.

1815
01:33:50,104 --> 01:33:52,637
DO YOU WANT SOMETHING
TO EAT?

1816
01:33:52,637 --> 01:33:54,938
I'D LIKE THAT
VERY MUCH, SIR.

1817
01:33:54,938 --> 01:33:56,570
I'M VEGETARIAN.

1818
01:33:56,570 --> 01:33:58,604
I KNOW.