1 00:00:05,505 --> 00:00:06,945 ♪ Something has changed within me ♪ 2 00:00:10,410 --> 00:00:13,346 ♪ Something is not the same ♪ 3 00:00:13,380 --> 00:00:15,682 - Are you ready? - Let's do it. 4 00:00:15,715 --> 00:00:16,783 Mm-hmm. 5 00:00:20,720 --> 00:00:22,822 Welcome to the spectacular Emerald City set 6 00:00:22,856 --> 00:00:24,691 from our brand-new movie, "Wicked." 7 00:00:24,724 --> 00:00:27,727 This magical place has been our home for more than a year, 8 00:00:27,761 --> 00:00:30,230 and tonight, finally, we're excited to share 9 00:00:30,263 --> 00:00:31,865 all of our "Wicked" secrets with you. 10 00:00:31,898 --> 00:00:33,142 Let's tell each other something 11 00:00:33,166 --> 00:00:34,406 we've never told anyone before. 12 00:00:34,434 --> 00:00:36,269 You might be a long-time "Wicked" fan, 13 00:00:36,302 --> 00:00:39,239 like us, or taking your very first outing to Oz. 14 00:00:39,272 --> 00:00:41,708 Either way, the entire cast is joining us tonight 15 00:00:41,741 --> 00:00:45,512 to reveal the incredible process that got us here. 16 00:00:45,545 --> 00:00:48,314 It is our wonderful Wizard of Oz, Jeff Goldblum. 17 00:00:48,348 --> 00:00:50,650 I didn't know they were going to be best friends. 18 00:00:51,918 --> 00:00:53,396 I happen to be genuinely self-absorbed 19 00:00:53,420 --> 00:00:54,630 - and deeply shallow. - Jonathan Bailey. 20 00:00:54,654 --> 00:00:57,223 - Hello! - Johnny Bailey. 21 00:00:57,257 --> 00:00:59,259 - Could I ask you... - Anything you want. 22 00:00:59,292 --> 00:01:01,594 - Just to move out the way? - Absolut... yeah. 23 00:01:01,628 --> 00:01:02,896 Bowen Yang. 24 00:01:02,929 --> 00:01:04,573 Choreographer said, "You're a dancer, Bowen." 25 00:01:04,597 --> 00:01:06,566 - And I believed him. - Marissa Bode. 26 00:01:06,599 --> 00:01:08,401 I'm like, "Yes, pick up the speed please." 27 00:01:08,435 --> 00:01:09,602 - Right. - "This is so fun." 28 00:01:09,636 --> 00:01:11,304 - Action! - I'm Boq. 29 00:01:11,338 --> 00:01:12,706 I'm from Munchkinland. 30 00:01:12,739 --> 00:01:13,940 Ethan Slater. 31 00:01:13,973 --> 00:01:15,709 So hard not to smile. 32 00:01:15,742 --> 00:01:18,778 And the iconic Michelle Yeoh. 33 00:01:18,812 --> 00:01:20,547 Yes, that was me. 34 00:01:20,580 --> 00:01:22,682 In this night of exclusives, 35 00:01:22,716 --> 00:01:24,517 we even filmed footage ourselves... 36 00:01:24,551 --> 00:01:26,453 The wizard will see you now. 37 00:01:26,486 --> 00:01:29,723 To share our most personal "Wicked" memories with you. 38 00:01:29,756 --> 00:01:31,491 Another day with Glinda. 39 00:01:31,524 --> 00:01:34,327 The dream of my entire life. 40 00:01:34,361 --> 00:01:35,595 And we even brought 41 00:01:35,628 --> 00:01:37,297 an exclusive first look from the film. 42 00:01:37,330 --> 00:01:40,166 "Wicked" is all about expecting the unexpected, 43 00:01:40,200 --> 00:01:42,869 and tonight is no different. 44 00:01:42,902 --> 00:01:44,771 - Should we have a little look? - Oh, please. 45 00:01:44,804 --> 00:01:46,506 What the heck? 46 00:01:52,479 --> 00:01:54,681 I am having a hard time wrapping my head 47 00:01:54,714 --> 00:01:56,425 around the fact that the time has finally come. 48 00:01:56,449 --> 00:01:57,484 I know. 49 00:01:57,517 --> 00:01:58,961 I mean, between the audition process 50 00:01:58,985 --> 00:02:00,787 and the prep and the rehearsal 51 00:02:00,820 --> 00:02:02,322 and everything and actually filming, 52 00:02:02,355 --> 00:02:04,724 it was, like, 2 and 1/2 years. 53 00:02:04,758 --> 00:02:06,626 - It's been... - That's a long time. 54 00:02:06,659 --> 00:02:08,194 Well, yeah. 55 00:02:08,228 --> 00:02:09,396 OK, so we can't assume 56 00:02:09,429 --> 00:02:11,631 that everybody knows what "Wicked" is 57 00:02:11,664 --> 00:02:13,366 or what the story of "Wicked" is, 58 00:02:13,400 --> 00:02:16,469 so we've done you a favor and put something together 59 00:02:16,503 --> 00:02:18,672 for you to understand just what we've been doing. 60 00:02:18,705 --> 00:02:20,874 Yes, we edited this last night. 61 00:02:24,244 --> 00:02:25,779 The story of "Wicked" is the story 62 00:02:25,812 --> 00:02:27,647 that you don't know from "The Wizard of Oz." 63 00:02:27,681 --> 00:02:30,684 How did the Wicked Witch become the Wicked Witch? 64 00:02:30,717 --> 00:02:36,423 The story of two girls who are very, very different. 65 00:02:36,456 --> 00:02:39,526 One of whom is beloved and popular, 66 00:02:39,559 --> 00:02:42,328 and she is who we come to know as... 67 00:02:42,362 --> 00:02:44,864 Glinda, Galinda the Good 68 00:02:44,898 --> 00:02:46,666 of the Upper Uplands. 69 00:02:46,700 --> 00:02:49,302 The other character is the green girl, 70 00:02:49,336 --> 00:02:52,839 not beloved, not loved even by her own family, 71 00:02:52,872 --> 00:02:56,810 who possesses, however, a kind of magic power 72 00:02:56,843 --> 00:02:59,579 that nobody else in Oz seems to possess. 73 00:02:59,612 --> 00:03:02,315 Who is what we end up knowing 74 00:03:02,349 --> 00:03:06,619 as the Wicked Witch, Elphaba. 75 00:03:06,653 --> 00:03:09,022 25 years ago, I first came across 76 00:03:09,055 --> 00:03:11,358 Gregory Maguire's novel, "Wicked." 77 00:03:11,391 --> 00:03:13,293 At the time, I was developing it as a film. 78 00:03:13,326 --> 00:03:16,696 Each screenplay felt, to me, that it was missing something. 79 00:03:16,730 --> 00:03:18,798 And then, one day, I got a phone call 80 00:03:18,832 --> 00:03:20,433 from Stephen Schwartz. 81 00:03:20,467 --> 00:03:22,635 Listen, I know you're trying to do this as a movie. 82 00:03:22,669 --> 00:03:25,071 I think it should start as a stage musical. 83 00:03:25,105 --> 00:03:27,707 I really feel I know how to do this. 84 00:03:27,741 --> 00:03:29,542 And the moment he said "music," 85 00:03:29,576 --> 00:03:31,378 a light bulb went off in my head. 86 00:03:31,411 --> 00:03:33,279 We put the show on Broadway. 87 00:03:33,313 --> 00:03:38,084 The songs, the sisterhood between Elphaba and Glinda, 88 00:03:38,118 --> 00:03:40,720 Glinda's comedy, seeing Kristin Chenoweth 89 00:03:40,754 --> 00:03:43,356 originate this role, seeing her on Broadway... 90 00:03:43,390 --> 00:03:45,558 I'd never heard anything or seen anything like it. 91 00:03:45,592 --> 00:03:48,495 I think the idea of turning the concept 92 00:03:48,528 --> 00:03:50,663 of what "The Wizard of Oz" was on its head 93 00:03:50,697 --> 00:03:52,866 and seeing it from someone else's point of view 94 00:03:52,899 --> 00:03:55,068 really shook me. 95 00:03:55,101 --> 00:03:56,903 When I first joined "Wicked," 96 00:03:56,936 --> 00:03:59,048 the number one thing was let's get the script in shape. 97 00:03:59,072 --> 00:04:01,074 How close was it going to be for the show? 98 00:04:01,107 --> 00:04:03,376 How cinematic could it be? 99 00:04:03,410 --> 00:04:06,413 But the real heavy lifting, 100 00:04:06,446 --> 00:04:08,415 the big thing that loomed all over us 101 00:04:08,448 --> 00:04:10,417 was you don't have a story 102 00:04:10,450 --> 00:04:14,654 if you don't have Glinda and Elphaba. 103 00:04:14,688 --> 00:04:16,890 So we went on the biggest casting search 104 00:04:16,923 --> 00:04:20,427 that I've ever been a part of across all continents, 105 00:04:20,460 --> 00:04:25,331 and it took us a long time to find the right people. 106 00:04:27,067 --> 00:04:31,938 Did you know deep, deep, deep in your heart and your gut 107 00:04:31,971 --> 00:04:34,374 that this was your role? 108 00:04:34,407 --> 00:04:35,818 I hoped, but I don't want to put that... 109 00:04:35,842 --> 00:04:37,410 - Yeah. - You know what I mean? 110 00:04:37,444 --> 00:04:38,854 I'm like, "Wake me up when it's over, 111 00:04:38,878 --> 00:04:41,581 "and if it happened, if it's real, 112 00:04:41,614 --> 00:04:42,749 let me know when it's real." 113 00:04:42,782 --> 00:04:44,517 - But I... - Right, yes. 114 00:04:44,551 --> 00:04:46,953 What was your process like, your audition process? 115 00:04:46,986 --> 00:04:49,756 The audition for me was, like, three hours 116 00:04:49,789 --> 00:04:53,993 of me singing and acting with two other actresses. 117 00:04:54,027 --> 00:04:55,795 It was a pretty emotional day. 118 00:04:55,829 --> 00:04:58,131 So I guess I threw everything into that audition. 119 00:05:06,006 --> 00:05:06,973 Whoo! 120 00:05:08,641 --> 00:05:10,410 Well, I had the opposite experience. 121 00:05:10,443 --> 00:05:11,821 I stalked Marc Platt for ten years... 122 00:05:12,879 --> 00:05:16,649 Wondering, when would an audition be possible? 123 00:05:16,683 --> 00:05:19,819 As I kind of got wind that it was coming closer and closer, 124 00:05:19,853 --> 00:05:23,089 I went to voice lessons and acting lessons and, every day, 125 00:05:23,123 --> 00:05:26,026 was trying to get ready because it's so different vocally 126 00:05:26,059 --> 00:05:27,193 from what I usually sing. 127 00:05:27,227 --> 00:05:29,429 ♪ Less fortunate than I ♪ 128 00:05:29,462 --> 00:05:30,964 ♪ And let's face it ♪ 129 00:05:30,997 --> 00:05:34,834 And I remember, by the end of my final test, 130 00:05:34,868 --> 00:05:37,504 my eyelashes were... 131 00:05:37,537 --> 00:05:38,881 Nowhere near where they should be. 132 00:05:38,905 --> 00:05:39,973 They were here. 133 00:05:40,006 --> 00:05:41,808 So I was like, "Thank you so much. 134 00:05:41,841 --> 00:05:44,644 Well... "and I stuck them on the mirror. 135 00:05:44,678 --> 00:05:47,414 I was like, "Well, bye. That's all, folks." 136 00:05:47,447 --> 00:05:49,516 I went to the car and collapsed. 137 00:05:49,549 --> 00:05:52,686 And then, from then, it was 3 and 1/2 weeks, I think. 138 00:05:52,719 --> 00:05:54,120 Yeah, actually hearing the words 139 00:05:54,154 --> 00:05:58,425 that the part was mine was beyond a dream come true. 140 00:05:58,458 --> 00:05:59,759 I finally get the call. 141 00:05:59,793 --> 00:06:02,629 And, Cynthia, I don't know what planet 142 00:06:02,662 --> 00:06:04,798 you came from, but we are so blessed 143 00:06:04,831 --> 00:06:06,966 to have you in the room every time 144 00:06:07,000 --> 00:06:09,502 we meet you, every time I get to talk to you. 145 00:06:09,536 --> 00:06:11,971 And there's utter disbelief. 146 00:06:12,005 --> 00:06:15,875 And we would love for you to be our Elphaba in "Wicked." 147 00:06:15,909 --> 00:06:18,111 I cover my eyes, and I cry my eyes out, 148 00:06:18,144 --> 00:06:20,046 because you just don't expect it to happen 149 00:06:20,080 --> 00:06:22,649 when it happens even if you know it might happen. 150 00:06:22,682 --> 00:06:23,959 - You know? - Mm-hmm, it's a wild feeling. 151 00:06:23,983 --> 00:06:25,485 Yeah. 152 00:06:25,518 --> 00:06:27,620 To wait so long, and finally the call came. 153 00:06:27,654 --> 00:06:29,889 We made you wait a long time 154 00:06:29,923 --> 00:06:31,591 for all your auditions and things, 155 00:06:31,624 --> 00:06:33,727 and you came in, you told us how much 156 00:06:33,760 --> 00:06:35,228 "Wicked" means to you. 157 00:06:35,261 --> 00:06:37,464 You've written letters... 158 00:06:37,497 --> 00:06:39,232 - Toulouse! - Toulouse, stop! Toulouse! 159 00:06:40,266 --> 00:06:41,935 Toulouse! 160 00:06:41,968 --> 00:06:43,579 My kid's running around, too, so it's all good. 161 00:06:43,603 --> 00:06:44,804 I'm sorry. 162 00:06:44,838 --> 00:06:46,182 Just like you, it's, like, that feeling 163 00:06:46,206 --> 00:06:47,750 - when all of a sudden... - All this to say... 164 00:06:47,774 --> 00:06:50,744 And you're like, "Hm, if I didn't get it, 165 00:06:50,777 --> 00:06:51,911 this is the meanest way..." 166 00:06:51,945 --> 00:06:53,613 It's the worst way to find out. 167 00:06:53,646 --> 00:06:55,815 "Someone could ever tell me ever." 168 00:06:55,849 --> 00:06:58,585 'Cause we want you to be our Glinda the Good 169 00:06:58,618 --> 00:07:01,187 in the "Wicked" freaking movie. 170 00:07:01,221 --> 00:07:06,893 I don't know what to say! 171 00:07:06,926 --> 00:07:10,296 Oh, my God, thank you so much! 172 00:07:10,330 --> 00:07:11,731 I love her so much! 173 00:07:11,765 --> 00:07:13,209 I'm going to take such good care of her! 174 00:07:13,233 --> 00:07:15,935 Thank you so much! 175 00:07:15,969 --> 00:07:17,947 I don't believe it still. Today, I don't believe it. 176 00:07:17,971 --> 00:07:20,273 - It's so crazy. - We actually did that. 177 00:07:20,306 --> 00:07:23,176 That's crazy. 178 00:07:23,209 --> 00:07:26,112 Thank God. Thank Oz. 179 00:07:26,146 --> 00:07:28,048 Thank goodness. 180 00:07:28,081 --> 00:07:29,616 Pink goes good with green. 181 00:07:29,649 --> 00:07:33,620 - Goes well with green. - It so does. 182 00:07:35,000 --> 00:07:41,074 Watch Online Movies and Series for FREE www.osdb.link/lm 183 00:07:48,368 --> 00:07:51,137 My Miss Elphaba. 184 00:07:52,906 --> 00:07:55,709 Look at you. 185 00:07:55,742 --> 00:08:00,814 Hm, you're beautiful. 186 00:08:00,847 --> 00:08:03,650 I think the thing people are so attracted to... 187 00:08:03,683 --> 00:08:06,086 - Yeah. - Is the story of sisterhood 188 00:08:06,119 --> 00:08:08,154 and best friendship and the laughter 189 00:08:08,188 --> 00:08:11,725 and the love and the connection there, 190 00:08:11,758 --> 00:08:14,194 but also what lies beneath it 191 00:08:14,227 --> 00:08:16,363 and the story that it tells on a bigger scale 192 00:08:16,396 --> 00:08:19,899 is so relevant and necessary today, 193 00:08:19,933 --> 00:08:22,002 and it's just so beautiful. 194 00:08:22,035 --> 00:08:25,839 Both of these characters have such differences in them, 195 00:08:25,872 --> 00:08:27,741 and they're both quirky in their own ways, 196 00:08:27,774 --> 00:08:30,343 but I think that that makes them really beautiful. 197 00:08:30,377 --> 00:08:31,911 Mm-hmm. 198 00:08:31,945 --> 00:08:33,913 I think there's a wonderful essence 199 00:08:33,947 --> 00:08:35,849 of trying to share with everyone 200 00:08:35,882 --> 00:08:39,819 that one's difference doesn't make them wrong or bad. 201 00:08:39,853 --> 00:08:41,287 It just makes them special. 202 00:08:41,321 --> 00:08:44,724 And I think that that's a bigger, wider idea 203 00:08:44,758 --> 00:08:46,960 that we can all share with the world, yeah. 204 00:08:46,993 --> 00:08:50,363 ♪ Something has changed within me ♪ 205 00:08:53,066 --> 00:08:55,001 She doesn't give a twig what anyone thinks. 206 00:08:55,035 --> 00:08:57,837 ♪ Something is not the same ♪ 207 00:08:57,871 --> 00:09:01,608 - Of course, she does. - She just pretends not to. 208 00:09:03,243 --> 00:09:07,247 Hi, I'm Michelle Yeoh, the influential headmistress, 209 00:09:07,280 --> 00:09:08,615 Madame Morrible. 210 00:09:08,648 --> 00:09:11,017 Listen! 211 00:09:11,051 --> 00:09:14,621 Still to come on "Defying Gravity," 212 00:09:14,654 --> 00:09:16,423 costumes, 213 00:09:16,456 --> 00:09:18,725 choreography, 214 00:09:18,758 --> 00:09:20,326 music, 215 00:09:20,360 --> 00:09:25,065 the Wonderful Wizard of Oz himself, Jeff Goldblum, 216 00:09:25,098 --> 00:09:27,967 and the dashing Jonathan Bailey. 217 00:09:28,001 --> 00:09:29,336 Johnny Bailey. 218 00:09:29,369 --> 00:09:30,970 Can I talk about "Wicked" too? 219 00:09:31,004 --> 00:09:34,741 So don't go anywhere as we raise the curtain 220 00:09:34,774 --> 00:09:38,345 on more secrets and surprises. 221 00:09:48,188 --> 00:09:49,923 Like, they don't even know that... 222 00:09:49,956 --> 00:09:52,792 they talk amongst themselves and don't hear the world. 223 00:09:52,826 --> 00:09:54,794 Like, we can talk about them out loud, 224 00:09:54,828 --> 00:09:58,164 and they don't even know what's happening in the outside world. 225 00:09:58,198 --> 00:10:00,433 Like, they have no idea that we're talking about them... 226 00:10:00,467 --> 00:10:01,935 Wait, what? 227 00:10:01,968 --> 00:10:03,312 Because they're just in their own world. 228 00:10:03,336 --> 00:10:04,938 What are you talking about? 229 00:10:04,971 --> 00:10:06,749 When you guys talk to each other, nobody exists. 230 00:10:07,841 --> 00:10:09,042 - Hello. - Johnny Bailey. 231 00:10:09,075 --> 00:10:10,744 - Good to see you. - Hello, ladies. 232 00:10:10,777 --> 00:10:12,012 - Jonathan. - Hi. 233 00:10:12,045 --> 00:10:13,189 Come and hang out with me over here. 234 00:10:13,213 --> 00:10:14,490 - Shut up. - By the Winkie machine. 235 00:10:14,514 --> 00:10:15,849 - County, yes, yes. - Yeah. 236 00:10:15,882 --> 00:10:17,717 I am the captain of the Winkie county. 237 00:10:18,918 --> 00:10:21,788 I'm Fiyero Tigelaar. 238 00:10:21,821 --> 00:10:24,457 - Winkie Country. - Oh, Oz. 239 00:10:27,327 --> 00:10:30,430 What is your relationship to "Wicked," 240 00:10:30,463 --> 00:10:32,174 what you felt when you saw it, all those things? 241 00:10:32,198 --> 00:10:33,266 First "Wicked" memory? 242 00:10:33,299 --> 00:10:35,035 Well, you know, the first time I saw it, 243 00:10:35,068 --> 00:10:37,137 I saw a preview when it first came over to London... 244 00:10:37,170 --> 00:10:38,505 Oh, wow. 245 00:10:38,538 --> 00:10:40,940 With Idina Menzel and Adam Garcia playing Fiyero. 246 00:10:40,974 --> 00:10:43,176 And, obviously, it was mind-blowing, 247 00:10:43,209 --> 00:10:47,013 but I remember specifically that Idina Menzel corpse 248 00:10:47,047 --> 00:10:49,349 and was giggling in a brilliant way, 249 00:10:49,382 --> 00:10:51,151 and I really enjoyed that. 250 00:10:51,184 --> 00:10:52,986 So that was my first introduction to it, 251 00:10:53,019 --> 00:10:55,121 and I feel like we've kept that going, that legacy, 252 00:10:55,155 --> 00:10:56,756 of giggling all the way through. 253 00:10:56,790 --> 00:10:58,358 My first experience was with the music 254 00:10:58,391 --> 00:11:00,393 - first before seeing the show. - Yeah. 255 00:11:00,427 --> 00:11:03,363 And I learned it all before I actually saw the show. 256 00:11:03,396 --> 00:11:05,298 And then, finally, for my 25th birthday, 257 00:11:05,331 --> 00:11:07,200 I took myself to see it by myself. 258 00:11:07,233 --> 00:11:09,302 - That's so cute. - I went on a solo date. 259 00:11:09,336 --> 00:11:11,338 So you would have been a bit younger. 260 00:11:11,371 --> 00:11:12,505 I was ten years old. 261 00:11:12,539 --> 00:11:14,841 I had the incredible privilege 262 00:11:14,874 --> 00:11:16,218 of seeing the original Broadway cast. 263 00:11:16,242 --> 00:11:18,545 I ended up being able to go backstage, 264 00:11:18,578 --> 00:11:20,880 and then I went to Kristen's dressing room, 265 00:11:20,914 --> 00:11:22,558 and she didn't do, like, a pause at the door 266 00:11:22,582 --> 00:11:24,384 and, like, a hello. She literally was like... 267 00:11:24,417 --> 00:11:26,219 "Oh, come in! Come in!" 268 00:11:27,153 --> 00:11:28,521 And she gave, like, me a wand. 269 00:11:28,555 --> 00:11:30,190 She gave me a little pink body wash. 270 00:11:30,223 --> 00:11:33,226 She said it was magical, and it may have been, actually. 271 00:11:33,259 --> 00:11:35,762 Her dog peed on the couch. I helped her clean it up. 272 00:11:35,795 --> 00:11:37,831 It was like a dream. 273 00:11:37,864 --> 00:11:40,100 - I'm so sorry, Miss. - We didn't see you there. 274 00:11:40,133 --> 00:11:44,137 You must have... blended with the foliage. 275 00:11:44,170 --> 00:11:45,772 Is this how you go through life, 276 00:11:45,805 --> 00:11:48,375 just running amok and trampling anyone in your path? 277 00:11:48,408 --> 00:11:49,376 No. 278 00:11:51,077 --> 00:11:53,346 No, sometimes I'm asleep. 279 00:11:53,380 --> 00:11:55,915 One thing from the original theater production 280 00:11:55,949 --> 00:11:58,251 that everyone loved is the sets. 281 00:11:58,284 --> 00:12:00,887 We're going to now have a look at how Nathan Crowley, 282 00:12:00,920 --> 00:12:02,322 our incredible production designer, 283 00:12:02,355 --> 00:12:04,424 created these extraordinary worlds 284 00:12:04,457 --> 00:12:06,026 that we existed in. 285 00:12:09,062 --> 00:12:11,064 Cinema to me has to be epic. 286 00:12:11,097 --> 00:12:12,065 If we're going to make "Wicked," 287 00:12:12,098 --> 00:12:13,466 it has to be cinematic. 288 00:12:13,500 --> 00:12:15,502 We have to do something the stage show can't do. 289 00:12:15,535 --> 00:12:17,404 We have to show this incredible world. 290 00:12:17,437 --> 00:12:18,614 We have to go behind the scenes 291 00:12:18,638 --> 00:12:19,906 and show everything. 292 00:12:22,075 --> 00:12:24,277 How do you make this fantastical place 293 00:12:24,310 --> 00:12:27,080 that we've never seen before? 294 00:12:27,113 --> 00:12:29,215 How do you find a way in visually? 295 00:12:29,249 --> 00:12:33,620 You have to make up your own version of it. 296 00:12:33,653 --> 00:12:35,955 Our version is, we build that. 297 00:12:35,989 --> 00:12:38,458 We build it. 298 00:12:38,491 --> 00:12:42,829 We knew that we wanted Oz to be immersive. 299 00:12:42,862 --> 00:12:45,131 Let's touch it. Let's feel it. 300 00:12:45,165 --> 00:12:49,302 We can actually go into the forest and climb a tree. 301 00:12:49,336 --> 00:12:53,273 We got to grow 9 million tulips. 302 00:12:53,306 --> 00:12:57,143 We got to build Munchkinland. 303 00:12:57,177 --> 00:13:00,080 We got to build the yellow brick road. 304 00:13:00,113 --> 00:13:01,981 Ah, this is the first time 305 00:13:02,015 --> 00:13:05,452 I've seen this train come into this city. 306 00:13:05,485 --> 00:13:07,196 Brilliant, that's the image I've been waiting for. 307 00:13:07,220 --> 00:13:09,289 Let's go back here and look at it. 308 00:13:09,322 --> 00:13:11,958 You want to touch the walls of the Emerald City, 309 00:13:11,991 --> 00:13:13,360 see your reflection in it. 310 00:13:13,393 --> 00:13:15,161 This is the throne room theater, 311 00:13:15,195 --> 00:13:18,631 and what you're standing under is the animatronic 312 00:13:18,665 --> 00:13:22,135 physical head that is going up here on these hydraulic rigs 313 00:13:22,168 --> 00:13:25,005 and is going to be puppeteered... 314 00:13:25,038 --> 00:13:29,676 I am Oz. 315 00:13:29,709 --> 00:13:31,211 Say something. 316 00:13:31,244 --> 00:13:32,421 - Say something. - What am I supposed to say? 317 00:13:32,445 --> 00:13:33,980 Anything. 318 00:13:34,014 --> 00:13:35,915 We have a lot of nature embedded in 319 00:13:35,949 --> 00:13:37,417 the production design. 320 00:13:37,450 --> 00:13:40,487 We really wanted Oz to be a place of deeper power, 321 00:13:40,520 --> 00:13:44,290 that there is synergy of nature that comes through, 322 00:13:44,324 --> 00:13:46,459 and part of that is this animal community. 323 00:13:46,493 --> 00:13:50,196 They work side-by-side with other human Ozians. 324 00:13:50,230 --> 00:13:52,565 They've been professors. They've been doctors. 325 00:13:52,599 --> 00:13:54,634 They've been students. 326 00:13:54,668 --> 00:13:58,204 We have this animal band that's playing in the Ozdust. 327 00:13:58,238 --> 00:14:00,540 There's also the beloved Doctor Dillamond. 328 00:14:00,573 --> 00:14:03,143 He has these gadgets that allow him to use 329 00:14:03,176 --> 00:14:05,578 a magnifying glass or sweep the floor. 330 00:14:05,612 --> 00:14:07,714 The tables are different shapes and sizes 331 00:14:07,747 --> 00:14:09,692 and different heights, and bowls are different ways 332 00:14:09,716 --> 00:14:11,217 for different animals to eat. 333 00:14:11,251 --> 00:14:13,687 They are a culture that is deeply embedded 334 00:14:13,720 --> 00:14:16,022 in the land of Oz, 335 00:14:16,056 --> 00:14:18,591 and all of this didn't just take production design. 336 00:14:18,625 --> 00:14:21,561 It took special effects. It took visual effects. 337 00:14:21,594 --> 00:14:24,564 That sense of detail makes you believe 338 00:14:24,597 --> 00:14:27,567 that Oz actually exists. 339 00:14:32,772 --> 00:14:34,207 Look what I found. 340 00:14:34,240 --> 00:14:35,651 Yeah, my pile of things that I'm stealing. 341 00:14:35,675 --> 00:14:37,077 Let's see. 342 00:14:37,110 --> 00:14:38,745 I'm excited to attempt to get through 343 00:14:38,778 --> 00:14:42,282 airport security with this. I will take... you can't... 344 00:14:42,315 --> 00:14:44,951 - I don't think I'll be stopped. - No, you should... 345 00:14:44,984 --> 00:14:46,195 - You know? - We have to take... 346 00:14:46,219 --> 00:14:47,454 - Yes, for sure. - These home. 347 00:14:47,487 --> 00:14:49,055 But it's, like, kind of emotional. 348 00:14:49,089 --> 00:14:50,433 Yeah, you become really attached to them. 349 00:14:50,457 --> 00:14:52,158 - I don't want to let go of it. - Yeah. 350 00:14:52,192 --> 00:14:53,602 Yeah, and we have Elphie's things here, 351 00:14:53,626 --> 00:14:57,230 these beautiful, beautiful hat and iconic broom. 352 00:14:57,263 --> 00:14:59,065 I wouldn't be surprised if you grew the tree 353 00:14:59,099 --> 00:15:01,101 and you etched it yourself. 354 00:15:01,134 --> 00:15:04,704 I knew that I wanted it to feel really organic. 355 00:15:04,738 --> 00:15:06,349 - How does that feel for you? - I love it. 356 00:15:06,373 --> 00:15:09,175 So John and I set about looking for, like, 357 00:15:09,209 --> 00:15:10,777 the roots of different trees. 358 00:15:10,810 --> 00:15:12,112 Mangroves, isn't it? 359 00:15:12,145 --> 00:15:13,385 Mangroves, that's right, yeah. 360 00:15:13,413 --> 00:15:14,981 Made it really easy for you to catch. 361 00:15:15,015 --> 00:15:16,449 Yes, well, the thing is, 362 00:15:16,483 --> 00:15:19,085 I got really used to, like, how to hold it 363 00:15:19,119 --> 00:15:20,587 and how to catch it if I needed to. 364 00:15:20,620 --> 00:15:23,089 - But she can catch a broom. - It can be anywhere. 365 00:15:23,123 --> 00:15:25,025 But I think I just got really attached to it. 366 00:15:25,058 --> 00:15:26,793 I sort of, like, understood it. 367 00:15:26,826 --> 00:15:28,294 I almost broke my nose on a broom. 368 00:15:28,328 --> 00:15:29,662 - This is true. - This is true. 369 00:15:29,696 --> 00:15:32,198 I was supposed to catch one. My face caught it. 370 00:15:32,232 --> 00:15:34,467 - That was a day. - Yeah, it was wild. 371 00:15:34,501 --> 00:15:36,369 You two on set, it's like a live wire 372 00:15:36,403 --> 00:15:39,406 and an earth wire together, and it's interesting. 373 00:15:39,439 --> 00:15:41,274 You see these two props here, 374 00:15:41,307 --> 00:15:43,443 and they're so reflective of this sort of 375 00:15:43,476 --> 00:15:45,311 special nature of both of you. 376 00:15:45,345 --> 00:15:48,248 We're so lucky to have these physically grounding pieces... 377 00:15:48,281 --> 00:15:50,684 Jess, is this your favorite one to put on me? 378 00:15:50,717 --> 00:15:52,628 When you put the costume on, when you put her shoes on, 379 00:15:52,652 --> 00:15:55,288 when you hold our things and wear our crowns, 380 00:15:55,321 --> 00:15:57,223 when we're supported by such brilliant artists 381 00:15:57,257 --> 00:15:58,591 who designed these pieces 382 00:15:58,625 --> 00:16:01,261 that just take it to the next level. 383 00:16:03,363 --> 00:16:05,465 So let's talk about the fact that obviously 384 00:16:05,498 --> 00:16:07,100 - it's pink and green... - Yes. 385 00:16:07,133 --> 00:16:09,102 But you were actually, literally, 386 00:16:09,135 --> 00:16:10,704 - green every day. - Very true. 387 00:16:10,737 --> 00:16:12,605 So I knew that if I looked at myself 388 00:16:12,639 --> 00:16:14,450 and didn't see the green, I don't think I could have 389 00:16:14,474 --> 00:16:16,509 made the connection to Elphaba as much as I did. 390 00:16:16,543 --> 00:16:19,479 And something happens when all of that green is on, 391 00:16:19,512 --> 00:16:22,349 the freckles go on, and the hair goes on, 392 00:16:22,382 --> 00:16:24,351 the makeup goes on, the eyes go on, 393 00:16:24,384 --> 00:16:27,854 and it's not me I'm looking at. It's her. 394 00:16:27,887 --> 00:16:30,156 But also, something happens when you walk into a room, 395 00:16:30,190 --> 00:16:32,058 especially when you have lots of 396 00:16:32,092 --> 00:16:33,526 background artists in the room, 397 00:16:33,560 --> 00:16:34,861 and the first time they meet you, 398 00:16:34,894 --> 00:16:36,463 - you're green. - Yeah. 399 00:16:36,496 --> 00:16:39,366 Something happens to the DNA in the space. 400 00:16:39,399 --> 00:16:40,633 - I agree. - The energy shifts. 401 00:16:40,667 --> 00:16:41,634 Yeah. 402 00:16:44,804 --> 00:16:47,640 - Oh! - You're green. 403 00:16:49,576 --> 00:16:51,211 I am. 404 00:16:51,244 --> 00:16:53,513 Coming up, our fellow Ozians 405 00:16:53,546 --> 00:16:55,548 will be reflecting on their time in Oz. 406 00:16:55,582 --> 00:16:56,583 Bowen Yang... 407 00:16:56,616 --> 00:16:57,851 - Hey. - Hi 408 00:16:57,884 --> 00:16:59,285 Marissa Bode... 409 00:16:59,319 --> 00:17:00,730 This is my younger sister, Nessarose. 410 00:17:00,754 --> 00:17:02,088 - And... - Boq Woodsman... 411 00:17:02,122 --> 00:17:04,224 - Ethan Slater. - Of Munchkinland. 412 00:17:04,257 --> 00:17:06,760 - So don't go flying off. - We'll be right back. 413 00:17:16,302 --> 00:17:18,838 - Everyone say hi. - Hi, honey. 414 00:17:18,872 --> 00:17:22,275 Sweetheart, you can take the girl out of Shiz, 415 00:17:22,308 --> 00:17:24,344 but you can't take the Shiz out of the girl. 416 00:17:24,377 --> 00:17:26,680 Oy vey, is that the truth. 417 00:17:26,713 --> 00:17:28,148 Welcome back. 418 00:17:28,181 --> 00:17:29,816 Now, as you know, a lot of our movie 419 00:17:29,849 --> 00:17:31,484 is set in the Emerald City, 420 00:17:31,518 --> 00:17:34,554 but our characters meet at dear old Shiz University. 421 00:17:34,587 --> 00:17:37,223 And that's where we're heading now. 422 00:17:42,462 --> 00:17:43,930 Welcome new students. 423 00:17:43,963 --> 00:17:48,702 And "congratulotions" for having been accepted to Shiz. 424 00:17:48,735 --> 00:17:52,539 We have nothing but the highest hopes 425 00:17:52,572 --> 00:17:54,541 for some of you. 426 00:17:59,179 --> 00:18:00,714 We're at Shiz! 427 00:18:00,747 --> 00:18:02,482 We're at our school. 428 00:18:02,515 --> 00:18:04,160 I don't know how familiar people are with the story, 429 00:18:04,184 --> 00:18:08,188 but Boq arrives at Shiz on the same day as everyone. 430 00:18:08,221 --> 00:18:10,824 You know, Boq sees Glinda and is so overwhelmed 431 00:18:10,857 --> 00:18:12,535 with this, like, love that he's feeling for her 432 00:18:12,559 --> 00:18:13,860 - right away. - I'm Boq. 433 00:18:13,893 --> 00:18:16,963 - This huge crush. - I'm from Munchkinland. 434 00:18:16,996 --> 00:18:18,498 Yes. 435 00:18:18,531 --> 00:18:21,201 And she redirects his energy towards Nessa, 436 00:18:21,234 --> 00:18:22,502 - which is... - Yes, terrible. 437 00:18:22,535 --> 00:18:23,970 - Go ask her right now? - Why not? 438 00:18:24,004 --> 00:18:25,338 She's right there. 439 00:18:25,372 --> 00:18:26,740 - Which is... - Not great. 440 00:18:26,773 --> 00:18:28,475 Just hard, but also is the beginning 441 00:18:28,508 --> 00:18:30,777 of this relationship between the two of them. 442 00:18:30,810 --> 00:18:32,345 Yeah. 443 00:18:32,379 --> 00:18:33,947 Well, it unfolds in a really fun way. 444 00:18:33,980 --> 00:18:36,316 I think you guys had the very challenging thing 445 00:18:36,349 --> 00:18:37,951 of selling, through the choreography, 446 00:18:37,984 --> 00:18:40,353 like, the courtship between Nessa and Boq. 447 00:18:40,387 --> 00:18:42,822 I actually have, like, some amazing videos 448 00:18:42,856 --> 00:18:45,859 on my phone of the two of us, but, like, early on. 449 00:18:45,892 --> 00:18:48,194 Like, I've done no choreography 450 00:18:48,228 --> 00:18:49,829 in my life, really. 451 00:18:49,863 --> 00:18:52,766 I'm so grateful that they hired a wheelchair dancer 452 00:18:52,799 --> 00:18:54,768 to help choreograph it because I feel like 453 00:18:54,801 --> 00:18:56,812 nobody knows better, like, how to move throughout the space. 454 00:18:56,836 --> 00:18:58,938 - She's amazing. - So amazing. 455 00:18:58,972 --> 00:19:00,707 I also dance in this film. 456 00:19:00,740 --> 00:19:02,842 ♪ Dear Galinda, you are just too good ♪ 457 00:19:02,876 --> 00:19:04,878 I had to sell the idea 458 00:19:04,911 --> 00:19:06,680 that we were, like, extensions of Glinda, 459 00:19:06,713 --> 00:19:08,391 right, that we were flanking her at all times. 460 00:19:08,415 --> 00:19:09,983 So we had to, like, be like Ari, 461 00:19:10,016 --> 00:19:12,385 in the choreography, at least. 462 00:19:12,419 --> 00:19:14,721 I passed you. Damn it! 463 00:19:15,855 --> 00:19:17,657 Christopher Scott, our choreographer, 464 00:19:17,691 --> 00:19:20,860 pulled one on me and said, "You're a dancer, Bowen." 465 00:19:20,894 --> 00:19:21,895 And I believed him. 466 00:19:21,928 --> 00:19:23,697 ♪ Nothing matters ♪ 467 00:19:23,730 --> 00:19:25,932 And then I realized that he did that to everybody. 468 00:19:25,965 --> 00:19:27,233 No, everybody was a dancer, 469 00:19:27,267 --> 00:19:28,544 and he really did make you believe. 470 00:19:28,568 --> 00:19:29,812 - He gave you the confidence... - Yeah. 471 00:19:29,836 --> 00:19:31,338 And the tools. 472 00:19:31,371 --> 00:19:33,440 Every part of the choreography told a story. 473 00:19:38,078 --> 00:19:42,549 Movement is such a huge part of the language in Oz. 474 00:19:42,582 --> 00:19:44,918 Movement is an expression of your feelings. 475 00:19:44,951 --> 00:19:47,921 When words aren't enough, what makes it feel like 476 00:19:47,954 --> 00:19:50,290 the best night of your life. 477 00:19:50,323 --> 00:19:54,027 To create a world through song, through dance, 478 00:19:54,060 --> 00:19:55,762 is really challenging. 479 00:19:55,795 --> 00:19:58,431 The story has influenced every piece of choreography. 480 00:19:58,465 --> 00:19:59,799 It becomes a language, 481 00:19:59,833 --> 00:20:02,469 and it becomes dialogue that they're having. 482 00:20:02,502 --> 00:20:04,971 How do we create this so it feels 483 00:20:05,005 --> 00:20:07,607 like it's of you, from you? 484 00:20:07,640 --> 00:20:11,711 How do we make it feel connected? 485 00:20:11,745 --> 00:20:14,280 But also finding beats to build in comedy? 486 00:20:14,314 --> 00:20:17,550 Respectfully, this might be the Glinda-fied version, 487 00:20:17,584 --> 00:20:20,653 and that was a fun balance to find. 488 00:20:20,687 --> 00:20:22,822 There was so much space given to come in 489 00:20:22,856 --> 00:20:24,891 and create something of your own. 490 00:20:24,924 --> 00:20:27,293 I've been seeing people come up with new ideas 491 00:20:27,327 --> 00:20:28,862 of how to play off of the architecture, 492 00:20:28,895 --> 00:20:31,331 and it just changes the way that you move your body. 493 00:20:31,364 --> 00:20:32,732 We find the spaces. 494 00:20:32,766 --> 00:20:34,467 We find the nooks and crannies 495 00:20:34,501 --> 00:20:37,470 that we work into our choreography, 496 00:20:37,504 --> 00:20:40,607 our blocking, our camera work. 497 00:20:40,640 --> 00:20:43,977 We had this massively huge set for Glinda's suite. 498 00:20:44,010 --> 00:20:47,013 It became this huge playground for Jon, me, and Chris 499 00:20:47,047 --> 00:20:50,650 to start to experiment with how to tell a story through dance. 500 00:20:50,684 --> 00:20:53,420 ♪ La, la, la, la ♪ 501 00:20:53,453 --> 00:20:54,888 So you've got these two women 502 00:20:54,921 --> 00:20:58,658 and then all these contraptions that open up. 503 00:20:58,692 --> 00:21:00,493 We did, a couple of times, remove things, 504 00:21:00,527 --> 00:21:03,329 like the roof of the set, so we could do bed shots, 505 00:21:03,363 --> 00:21:05,365 and we poked our crane through a couple of times 506 00:21:05,398 --> 00:21:07,867 through the front door and the balcony door. 507 00:21:07,901 --> 00:21:12,072 You know, telling this story through a beautiful shot 508 00:21:12,105 --> 00:21:13,940 that takes you from here to there, 509 00:21:13,973 --> 00:21:16,609 the nuances of the actors' performances, 510 00:21:16,643 --> 00:21:19,679 I've seen that grow so much. 511 00:21:19,713 --> 00:21:21,348 The camerawork, the lighting, 512 00:21:21,381 --> 00:21:24,784 and the choreography, it's unlimited creativity 513 00:21:24,818 --> 00:21:27,921 as long as it serves the story. 514 00:21:27,954 --> 00:21:29,689 Why not make it that when you're making 515 00:21:29,723 --> 00:21:31,491 the movie version of "Wicked"? 516 00:21:31,524 --> 00:21:34,027 Paint with all the colors of the rainbow. 517 00:21:35,395 --> 00:21:36,730 - We got that. - That was great. 518 00:21:36,763 --> 00:21:38,531 This is kind of an action movie. 519 00:21:38,565 --> 00:21:39,842 - There's, like, a lot of action. - Totally. 520 00:21:39,866 --> 00:21:41,077 So there's, like, stunt work happening. 521 00:21:41,101 --> 00:21:42,669 Yeah. 522 00:21:42,702 --> 00:21:44,480 And Marissa did more stunts than either of us. 523 00:21:44,504 --> 00:21:45,982 - Ooh, yeah. - I did do a lot of stunts. 524 00:21:46,006 --> 00:21:48,808 - Very fun for me, to be honest. - It was sick. 525 00:21:48,842 --> 00:21:51,411 Like, they were scared that I would be scared on the wires. 526 00:21:51,444 --> 00:21:53,546 They started off very slow. 527 00:21:53,580 --> 00:21:54,924 I'm like, "Yes, pick up the speed please." 528 00:21:54,948 --> 00:21:56,449 - Right. - "This is so fun." 529 00:21:56,483 --> 00:21:57,917 - Lock me in, let's go. - Yes. 530 00:21:57,951 --> 00:22:00,787 And by the end of it, I was zooming through the air. 531 00:22:00,820 --> 00:22:02,956 Action! 532 00:22:02,989 --> 00:22:05,692 I'm glad they didn't have a stunt double for me, like, 533 00:22:05,725 --> 00:22:07,169 or, like, had someone else do the stunts 534 00:22:07,193 --> 00:22:08,695 because I was like, "No, I want to." 535 00:22:08,728 --> 00:22:10,096 - I'm doing them. - Yeah. 536 00:22:10,130 --> 00:22:12,132 Ugh. 537 00:22:12,165 --> 00:22:13,833 Oh! 538 00:22:13,867 --> 00:22:14,968 Oh! 539 00:22:16,569 --> 00:22:18,471 The preparation for this was so much fun. 540 00:22:18,505 --> 00:22:20,907 Cynthia and I would do stunt training, 541 00:22:20,940 --> 00:22:23,743 different kinds of training because this film, 542 00:22:23,777 --> 00:22:25,412 it gets physical. 543 00:22:25,445 --> 00:22:27,180 Three, two, one, action. 544 00:22:27,213 --> 00:22:30,083 The action that we design is... 545 00:22:30,116 --> 00:22:33,920 you know, it primarily has to be emotionally based. 546 00:22:33,953 --> 00:22:36,690 Is it aggressive or is it vulnerable? 547 00:22:36,723 --> 00:22:40,093 You know, we have to do all of that within our body language. 548 00:22:40,126 --> 00:22:41,928 There are times when we have to do, 549 00:22:41,961 --> 00:22:44,531 working with the dancers and the parkour people 550 00:22:44,564 --> 00:22:46,566 and the stunt people, seeing what they could 551 00:22:46,599 --> 00:22:48,935 physically do and making it exciting. 552 00:22:48,968 --> 00:22:51,237 Some of the guys are going from one ladder to the next, 553 00:22:51,271 --> 00:22:53,740 you know, the wheels doing, like, a revolution 554 00:22:53,773 --> 00:22:56,910 and changing your weight and making it look effortless. 555 00:22:56,943 --> 00:23:01,681 Coming up with the most creative fight sequences 556 00:23:01,715 --> 00:23:03,450 that we could, like with the guards 557 00:23:03,483 --> 00:23:04,851 after the girls in the attic 558 00:23:04,884 --> 00:23:06,820 on their way up to the balloon. 559 00:23:06,853 --> 00:23:08,631 They're in it, and so the soldiers are climbing, 560 00:23:08,655 --> 00:23:11,091 and they're throwing sandbags at them to try to get them out, 561 00:23:11,124 --> 00:23:13,927 and eventually, it burns to the ground. 562 00:23:15,028 --> 00:23:17,864 And, of course, "Defying Gravity." 563 00:23:17,897 --> 00:23:19,099 Heave! 564 00:23:19,132 --> 00:23:21,901 I knew when I was going into this 565 00:23:21,935 --> 00:23:23,536 that stunts would be needed, 566 00:23:23,570 --> 00:23:25,939 and I knew that I wanted to do my own stunts. 567 00:23:28,174 --> 00:23:30,477 - And that takes balls. - Thank you. 568 00:23:30,510 --> 00:23:31,811 It takes balls. 569 00:23:31,845 --> 00:23:33,880 - Thanks, Mama Jo. - Honestly, well done. 570 00:23:33,913 --> 00:23:35,582 Thank you. 571 00:23:35,615 --> 00:23:39,019 We had a moment where I had to fly around on wires, 572 00:23:39,052 --> 00:23:41,287 and I could hear this little girl, 573 00:23:41,321 --> 00:23:42,822 and she's stood by the monitor, 574 00:23:42,856 --> 00:23:44,057 go... 575 00:23:44,090 --> 00:23:45,125 "Whoa!" 576 00:23:48,261 --> 00:23:52,499 It's one of the moments that made me understand 577 00:23:52,532 --> 00:23:54,200 why I do this. 578 00:23:57,704 --> 00:23:59,281 Some of my other favorite stunt memories 579 00:23:59,305 --> 00:24:01,841 were the moments that were in-between the stunts. 580 00:24:01,875 --> 00:24:04,010 This one jumping off the side. 581 00:24:04,044 --> 00:24:06,079 No, I had to be in a harness one time, 582 00:24:06,112 --> 00:24:08,190 and not to fly, just so that I didn't fall off the banister, 583 00:24:08,214 --> 00:24:10,884 but I didn't come close to falling off the banister. 584 00:24:10,917 --> 00:24:12,585 Only when we were not filming... 585 00:24:12,619 --> 00:24:13,987 Did she jump off the side of it. 586 00:24:14,020 --> 00:24:15,021 By accident. 587 00:24:15,055 --> 00:24:16,823 Oh! 588 00:24:16,856 --> 00:24:19,192 - Oh, no. - I might have. 589 00:24:19,225 --> 00:24:20,694 Sorry. I'm sorry. 590 00:24:20,727 --> 00:24:22,295 - All right, folks. - OK, folks. 591 00:24:22,328 --> 00:24:25,965 - Everyone gets so nervous. - Oh, God, I'm so sorry. 592 00:24:25,999 --> 00:24:27,701 So we would go home and text each other 593 00:24:27,734 --> 00:24:29,969 and be like, "Do you also have four missing nails..." 594 00:24:30,003 --> 00:24:31,705 "And bruises?" 595 00:24:31,738 --> 00:24:32,948 We have pictures of just, like, broken nails... 596 00:24:32,972 --> 00:24:34,240 What are these bruises from? 597 00:24:34,274 --> 00:24:36,776 And half-painted hands and bruises. 598 00:24:36,810 --> 00:24:38,845 - Not again! - Not again! 599 00:24:38,878 --> 00:24:40,947 - But I miss it. - We love it though. 600 00:24:40,980 --> 00:24:43,783 Coming up, the man, the legend, 601 00:24:43,817 --> 00:24:47,554 the wizard himself has just landed in Emerald City. 602 00:24:47,587 --> 00:24:49,589 - Nice to see you. - Nice to see you. 603 00:24:49,622 --> 00:24:52,792 Brace yourself for the quite impossible to describe, 604 00:24:52,826 --> 00:24:55,662 Jeff Goldblum, next. 605 00:25:05,138 --> 00:25:07,340 ♪ We're just two friends ♪ 606 00:25:07,374 --> 00:25:09,743 ♪ Two good friends ♪ 607 00:25:09,776 --> 00:25:13,113 ♪ Two best friends ♪ 608 00:25:13,146 --> 00:25:15,215 ♪ Sharing one wonderful ♪ 609 00:25:15,248 --> 00:25:18,118 ♪ One short ♪ 610 00:25:18,151 --> 00:25:20,286 The wizard will see you now. 611 00:25:20,320 --> 00:25:23,623 ♪ Day ♪ 612 00:25:23,656 --> 00:25:24,958 And look at this. 613 00:25:24,991 --> 00:25:26,960 It is our wonderful Wizard of Oz. 614 00:25:26,993 --> 00:25:29,362 - Jeff Goldblum. - Yes. 615 00:25:29,396 --> 00:25:30,964 - Hello. - Hello to you. 616 00:25:30,997 --> 00:25:32,766 - Oh! Thank you. - And hello to you. 617 00:25:32,799 --> 00:25:33,800 - Oop! - Oh. 618 00:25:33,833 --> 00:25:35,902 Butterfingers, butterfingers. 619 00:25:35,935 --> 00:25:37,270 Thank you, Wizard. 620 00:25:37,303 --> 00:25:39,039 Thank you very much for our gifts, there. 621 00:25:39,072 --> 00:25:40,974 - We love you so much. - We love you. 622 00:25:44,010 --> 00:25:45,712 You want to see something amazing? 623 00:25:45,745 --> 00:25:47,180 Yeah. 624 00:25:47,213 --> 00:25:50,884 This is all about our wonderful Wizard of Oz. 625 00:25:50,917 --> 00:25:53,019 Do you know how he got here? 626 00:25:53,053 --> 00:25:55,321 From the sky, in a balloon. 627 00:25:57,123 --> 00:26:01,961 Then he built a city made of emeralds. 628 00:26:01,995 --> 00:26:04,431 You want to know a secret? 629 00:26:04,464 --> 00:26:07,067 If you get to meet him... 630 00:26:09,769 --> 00:26:12,272 He grants your heart's desire. 631 00:26:12,305 --> 00:26:14,674 I am Oz. 632 00:26:18,044 --> 00:26:23,683 Uh, sorry about all that. I didn't mean to startle you. 633 00:26:25,085 --> 00:26:27,053 I'm a sucker for a lot of stories, 634 00:26:27,087 --> 00:26:28,655 including "Wizard of Oz." 635 00:26:28,688 --> 00:26:31,925 It never failed to enchant me and grip me. 636 00:26:31,958 --> 00:26:33,893 It's Jeff Goldblum. 637 00:26:33,927 --> 00:26:36,062 - I love this man. - Do you know that? 638 00:26:36,096 --> 00:26:37,940 Yesterday, I did a scene with the both of them, 639 00:26:37,964 --> 00:26:40,033 plus Michelle Yeoh. 640 00:26:40,066 --> 00:26:42,369 If I died right after that day's work, 641 00:26:42,402 --> 00:26:43,903 I'd be happy. 642 00:26:46,940 --> 00:26:49,876 We are so happy. 643 00:26:49,909 --> 00:26:53,947 You know, when I first went to the theater, 644 00:26:53,980 --> 00:26:56,383 it was a new show 20 years ago on Broadway. 645 00:26:56,416 --> 00:26:57,851 I was in New York. 646 00:26:57,884 --> 00:27:01,755 And that music, by the end of the show, 647 00:27:01,788 --> 00:27:05,025 suffice it to say, I was in an emotional 648 00:27:05,058 --> 00:27:08,228 - emergency-room condition. - Absolutely. 649 00:27:08,261 --> 00:27:11,831 I was kind of wailing, trying not to wail with people 650 00:27:11,865 --> 00:27:13,833 - leaving the theater around me. - Absolutely. 651 00:27:13,867 --> 00:27:15,335 Boo. 652 00:27:15,368 --> 00:27:16,903 And I think I wailed out, 653 00:27:16,936 --> 00:27:20,240 "I didn't know they were going to be best friends!" 654 00:27:20,273 --> 00:27:23,410 Well, cut to, 20 years later, this version. 655 00:27:23,443 --> 00:27:25,412 Those of you out there who, in a few days, 656 00:27:25,445 --> 00:27:28,848 may see this, and enjoy it in a big way. 657 00:27:28,882 --> 00:27:31,818 I knew you'd understand. 658 00:27:31,851 --> 00:27:34,087 That makes me... that makes me so happy. 659 00:27:34,120 --> 00:27:36,956 Well, that's what I love best, 660 00:27:36,990 --> 00:27:40,026 making people happy. 661 00:27:40,060 --> 00:27:42,996 Hey, can I mention, the whole production design 662 00:27:43,029 --> 00:27:44,364 - of this movie... - Yes. 663 00:27:44,397 --> 00:27:46,032 - Mm-hmm. - It's unusual, isn't it? 664 00:27:46,066 --> 00:27:48,868 It's a so-called practical set. 665 00:27:48,902 --> 00:27:50,270 And I've been here and there, 666 00:27:50,303 --> 00:27:53,840 and I've done these green-screen movies. 667 00:27:53,873 --> 00:27:56,042 Nothing like this. This is unusual. 668 00:27:56,076 --> 00:27:57,944 Nothing like it, and I think, on film, 669 00:27:57,977 --> 00:27:59,446 one will feel it. 670 00:27:59,479 --> 00:28:01,514 And certainly doing it, it supports 671 00:28:01,548 --> 00:28:03,950 and helps the actor. 672 00:28:03,983 --> 00:28:08,355 - Guards. - Bring her to me. 673 00:28:08,388 --> 00:28:10,323 The things that were made for this film, 674 00:28:10,357 --> 00:28:14,260 you can't even fathom how much work and how much detail. 675 00:28:14,294 --> 00:28:16,863 - Like the costumes. - It's just so brilliant. 676 00:28:21,501 --> 00:28:26,973 I was always reacting to what Nathan was coming up with 677 00:28:27,007 --> 00:28:30,010 as far as the architecture in the spaces. 678 00:28:30,043 --> 00:28:33,780 I was reflecting that in the silhouettes of the people 679 00:28:33,813 --> 00:28:35,448 and the textures of their clothing, 680 00:28:35,482 --> 00:28:38,184 in jewelry, on buttons. 681 00:28:38,218 --> 00:28:40,353 All of that was very specifically 682 00:28:40,387 --> 00:28:42,789 designed for this world. 683 00:28:42,822 --> 00:28:47,027 So we're tapping into all of these amazing, 684 00:28:47,060 --> 00:28:51,031 very talented artisans in creating this film 685 00:28:51,064 --> 00:28:54,501 so that we can get the most original look 686 00:28:54,534 --> 00:28:55,935 that we possibly can. 687 00:28:55,969 --> 00:29:00,974 Just a little more roll or something. 688 00:29:01,007 --> 00:29:03,543 It is a world of contrasts. 689 00:29:03,576 --> 00:29:07,514 With Elphaba, I used a lot of pleating and felting. 690 00:29:07,547 --> 00:29:12,419 I wanted to align her with the animal world. 691 00:29:12,452 --> 00:29:15,188 With Glinda, a world without worry. 692 00:29:15,221 --> 00:29:17,924 It was important for me to render her 693 00:29:17,957 --> 00:29:20,894 in that kind of quality as she aligns 694 00:29:20,927 --> 00:29:22,962 with this sensibility of good. 695 00:29:22,996 --> 00:29:25,031 You're beautiful. 696 00:29:25,065 --> 00:29:27,467 The costume goes from being an idea, 697 00:29:27,500 --> 00:29:30,270 which is the potential essence of a character, 698 00:29:30,303 --> 00:29:33,273 to being a realized garment. 699 00:29:33,306 --> 00:29:36,976 Once you have an actor in the costume, 700 00:29:37,010 --> 00:29:38,878 it attains a soul. 701 00:29:46,553 --> 00:29:48,221 Hey, I've taken out my device... 702 00:29:48,254 --> 00:29:49,522 Yes. 703 00:29:49,556 --> 00:29:52,158 Not just because I'm a nincompoop and addicted, 704 00:29:52,192 --> 00:29:54,327 which I am a little bit, but because I wanted 705 00:29:54,361 --> 00:29:55,895 to show you something. Look at this. 706 00:29:55,929 --> 00:29:57,364 - Look at this again. - Oh! 707 00:29:57,397 --> 00:29:59,065 - Look at the young... - That is crazy. 708 00:29:59,099 --> 00:30:00,567 Ariana Grande. 709 00:30:00,600 --> 00:30:02,869 Why do we both kind of look exactly the same still? 710 00:30:02,902 --> 00:30:04,270 - Well... - Just as excited. 711 00:30:04,304 --> 00:30:05,448 I don't know how much the same I look. 712 00:30:05,472 --> 00:30:06,539 You look, you know... 713 00:30:06,573 --> 00:30:08,208 - So happy. - Just as excited to be... 714 00:30:08,241 --> 00:30:12,012 That's me, myself and I after I've come off stage 715 00:30:12,045 --> 00:30:14,614 in Shubert Alley, famous Shubert Alley... 716 00:30:14,647 --> 00:30:16,659 - In "The Pillowman." - After doing "The Pillowman." 717 00:30:16,683 --> 00:30:18,051 I saw you twice in that. 718 00:30:18,084 --> 00:30:19,362 I stopped at the stage door twice. 719 00:30:19,386 --> 00:30:20,596 And you stopped at the stage door twice. 720 00:30:20,620 --> 00:30:22,088 You always took time. It was... 721 00:30:22,122 --> 00:30:23,623 Ugh, please look at how excited I am. 722 00:30:23,656 --> 00:30:25,158 I'm so sorry. 723 00:30:25,191 --> 00:30:26,602 Well, anyway, I love this picture so much. 724 00:30:26,626 --> 00:30:28,661 - We love you. - You made our time so special. 725 00:30:28,695 --> 00:30:30,096 You did. 726 00:30:30,130 --> 00:30:31,207 And I don't think you understand 727 00:30:31,231 --> 00:30:33,433 what you did to our hearts. 728 00:30:33,466 --> 00:30:35,468 Thank you for being the best wizard. 729 00:30:35,502 --> 00:30:40,173 Coming up, reimagining "Wicked's" iconic score 730 00:30:40,206 --> 00:30:41,708 for the big screen. 731 00:30:41,741 --> 00:30:46,012 And Jonathan has a surprise for Cynthia and Ariana, 732 00:30:46,046 --> 00:30:48,281 defying expectations with something 733 00:30:48,314 --> 00:30:50,450 they've never seen before. 734 00:30:50,483 --> 00:30:51,718 What the heck? 735 00:31:01,161 --> 00:31:03,396 Welcome back to our world of "Wicked." 736 00:31:03,430 --> 00:31:05,331 We are just casually discussing 737 00:31:05,365 --> 00:31:08,201 how much we love the music in this movie 738 00:31:08,234 --> 00:31:12,172 and what an honor it's been to sing these songs 739 00:31:12,205 --> 00:31:13,683 - and sing with each other. - Yes, very much. 740 00:31:13,707 --> 00:31:15,175 I am... 741 00:31:15,208 --> 00:31:16,519 Never singing with anyone else again. 742 00:31:16,543 --> 00:31:19,212 I have been so spoiled by the experience 743 00:31:19,245 --> 00:31:22,015 of hearing Cynthia Erivo sing... 744 00:31:22,048 --> 00:31:23,416 - Talk about yourself. - Every day. 745 00:31:23,450 --> 00:31:24,760 - What? Are you joking? - No, I'm sorry. 746 00:31:24,784 --> 00:31:25,752 I just have to say. 747 00:31:27,387 --> 00:31:33,387 ♪ My whole life long ♪ 748 00:31:33,626 --> 00:31:36,129 I have loved singing with you 749 00:31:37,731 --> 00:31:39,775 So it's probably one of the greatest pleasures of my life, 750 00:31:39,799 --> 00:31:43,169 to be able to sing with someone who, like, understands music 751 00:31:43,203 --> 00:31:45,071 - so implicitly the way you do. - I love you. 752 00:31:45,105 --> 00:31:46,215 - You really... - That's so kind. 753 00:31:46,239 --> 00:31:47,707 Yeah, this one, in "Popular," 754 00:31:47,741 --> 00:31:51,444 is running around the room, honestly at break speed. 755 00:31:51,478 --> 00:31:55,482 ♪ La, la, la, la ♪ 756 00:31:55,515 --> 00:31:58,518 Jumping up on things, hanging off a chandelier 757 00:31:58,551 --> 00:31:59,753 at one point. 758 00:31:59,786 --> 00:32:02,589 You in "Defying Gravity," you're upside-down 759 00:32:02,622 --> 00:32:05,358 and in the air and harnessed and belting like it's nothing, 760 00:32:05,392 --> 00:32:07,794 like it's absolutely nothing. I was standing there. 761 00:32:07,827 --> 00:32:09,295 I can tell you. 762 00:32:09,329 --> 00:32:14,067 She's swooping... flying in, landing perfectly. 763 00:32:14,100 --> 00:32:16,436 Perfect pitch every single... like, the most insane thing 764 00:32:16,469 --> 00:32:18,071 I've ever seen in my life. 765 00:32:18,104 --> 00:32:20,240 I think that both of us were doing ridiculous things 766 00:32:20,273 --> 00:32:23,243 in order to tell these stories through song. 767 00:32:23,276 --> 00:32:24,687 We do speak the same language though. 768 00:32:24,711 --> 00:32:26,579 - Yes, yes. - That's been fun too. 769 00:32:26,613 --> 00:32:30,250 We recorded rehearsal tracks, but then also sang live on set, 770 00:32:30,283 --> 00:32:31,494 which is something... we both were like, 771 00:32:31,518 --> 00:32:32,695 - "We're singing." - We're singing live. 772 00:32:32,719 --> 00:32:34,521 - We are singing. - That's it, yeah. 773 00:32:34,554 --> 00:32:36,399 But when we were recording the rehearsal tracks 774 00:32:36,423 --> 00:32:39,726 and the demos, I, like, took a stab at vocal producing. 775 00:32:39,759 --> 00:32:41,761 And I was like, "I think she's going to like 776 00:32:41,795 --> 00:32:44,531 this choice, this choice, this choice." 777 00:32:44,564 --> 00:32:46,166 And I called you and invited you over, 778 00:32:46,199 --> 00:32:47,510 - and you were like, "Great." - Yes, thank you. 779 00:32:47,534 --> 00:32:49,669 Yep, there we go. 780 00:32:49,703 --> 00:32:52,172 I hope you enjoy the work that we put into it. 781 00:32:52,205 --> 00:32:53,406 We sang everything. 782 00:32:53,440 --> 00:32:55,442 Absolutely everything. 783 00:32:55,475 --> 00:32:57,243 - Take a look. - Yes. 784 00:32:57,277 --> 00:33:02,148 ♪ Everyone deserves a chance to fly ♪ 785 00:33:02,182 --> 00:33:03,616 I can do it. It's good. 786 00:33:03,650 --> 00:33:05,685 Well, I think there are a couple of things 787 00:33:05,719 --> 00:33:09,389 that make "Wicked" an ideal subject 788 00:33:09,422 --> 00:33:10,790 for musicalization. 789 00:33:10,824 --> 00:33:14,194 ♪ I hope you're happy, I hope you're happy now ♪ 790 00:33:14,227 --> 00:33:17,230 ♪ I hope you're happy how you hurt your cause forever ♪ 791 00:33:17,263 --> 00:33:19,232 ♪ I hope you think you're clever ♪ 792 00:33:19,265 --> 00:33:20,567 ♪ I hope you're happy ♪ 793 00:33:20,600 --> 00:33:22,268 ♪ I hope you're happy too ♪ 794 00:33:22,302 --> 00:33:24,637 The characters have these inner thoughts 795 00:33:24,671 --> 00:33:27,140 that it's very difficult to dramatize 796 00:33:27,173 --> 00:33:28,775 if they're not singing them 797 00:33:28,808 --> 00:33:32,345 ♪ I can't imagine how ♪ 798 00:33:32,379 --> 00:33:35,281 ♪ I hope you're happy ♪ 799 00:33:35,315 --> 00:33:39,085 ♪ Right now ♪ 800 00:33:39,119 --> 00:33:42,622 One of the reasons why it was so important to do this live 801 00:33:42,655 --> 00:33:44,657 was not only because we're all theater people 802 00:33:44,691 --> 00:33:47,560 who wanted to so badly, but also because 803 00:33:47,594 --> 00:33:50,263 of the emotional element. 804 00:33:50,296 --> 00:33:54,334 We would be further connected to the words we were saying, 805 00:33:54,367 --> 00:33:57,370 the music we were hearing, the story we were telling, 806 00:33:57,404 --> 00:33:58,772 and to each other. 807 00:33:58,805 --> 00:33:59,915 There's no fight ♪ 808 00:33:59,939 --> 00:34:03,176 ♪ We cannot win ♪ 809 00:34:03,209 --> 00:34:06,446 ♪ Just you and I ♪ 810 00:34:06,479 --> 00:34:09,482 ♪ Defying gravity ♪ 811 00:34:09,516 --> 00:34:11,885 ♪ With you and I ♪ 812 00:34:11,918 --> 00:34:14,354 The people who created the show, 813 00:34:14,387 --> 00:34:16,156 they're excited about the music 814 00:34:16,189 --> 00:34:17,724 that we're bringing back, 815 00:34:17,757 --> 00:34:21,161 and it means so much to be able 816 00:34:21,194 --> 00:34:24,698 to experience that with them. 817 00:34:24,731 --> 00:34:27,567 "Wicked" was the first show I conducted on Broadway. 818 00:34:27,600 --> 00:34:29,436 And it's a 23-piece orchestra, 819 00:34:29,469 --> 00:34:32,439 and now this will be close to a hundred people 820 00:34:32,472 --> 00:34:33,707 playing together. 821 00:34:35,775 --> 00:34:38,812 It's about scaling up everything 822 00:34:38,845 --> 00:34:41,915 and making all of the musical moments 823 00:34:41,948 --> 00:34:43,883 really inhabit the world. 824 00:34:43,917 --> 00:34:48,321 This vision is going to be extraordinary on a big screen. 825 00:34:49,556 --> 00:34:52,359 ♪ Defying gravity ♪ 826 00:34:52,392 --> 00:34:54,894 ♪ I'm flying high ♪ 827 00:34:54,928 --> 00:34:57,897 ♪ Defying gravity ♪ 828 00:34:57,931 --> 00:35:02,669 ♪ And soon I'll match them in renown ♪ 829 00:35:04,404 --> 00:35:06,573 - Fantastic, fantastic. - Incredible. 830 00:35:06,606 --> 00:35:09,943 - Wow, that was really good. - Very cool. 831 00:35:09,976 --> 00:35:12,212 I'm really excited for everyone to see 832 00:35:12,245 --> 00:35:14,714 how all of these iconic things have been reimagined. 833 00:35:14,748 --> 00:35:15,982 And I think one of the things 834 00:35:16,016 --> 00:35:17,517 that has been reimagined so well 835 00:35:17,550 --> 00:35:20,186 is in the casting choices, honestly. 836 00:35:20,220 --> 00:35:21,955 Michelle Yeoh as Morrible is, like, 837 00:35:21,988 --> 00:35:23,790 such an inspired choice to me. 838 00:35:23,823 --> 00:35:26,192 Unreal, and, like, won the Oscar while we were filming. 839 00:35:26,226 --> 00:35:27,494 Yeah. 840 00:35:27,527 --> 00:35:28,704 Do you remember, like, she entered the space... 841 00:35:28,728 --> 00:35:30,263 Yes, wait, I have video of it. 842 00:35:30,296 --> 00:35:31,398 - Yeah. - Do you really? 843 00:35:31,431 --> 00:35:32,399 - I do, I do. - Here, here. 844 00:35:32,432 --> 00:35:34,334 Like, this is, like, Jon. 845 00:35:34,367 --> 00:35:37,337 - There it is! - That's a full-on Oscar. 846 00:35:37,370 --> 00:35:38,972 That's a full Oscar. 847 00:35:39,005 --> 00:35:41,441 Which was a really huge celebratory moment 848 00:35:41,474 --> 00:35:43,576 - for everyone. - For everyone. 849 00:35:43,610 --> 00:35:45,612 And she made it that way because she literally 850 00:35:45,645 --> 00:35:48,615 - flew to set the next day... - Whoo! 851 00:35:48,648 --> 00:35:49,983 It's got my name on it. 852 00:35:50,016 --> 00:35:51,518 After winning her Oscar 853 00:35:51,551 --> 00:35:53,920 and then, like, let everybody hold it, 854 00:35:53,953 --> 00:35:55,622 let everybody take pictures with it. 855 00:35:55,655 --> 00:35:58,358 I think it just shows how special all of this 856 00:35:58,391 --> 00:36:00,627 is to Michelle, too, like, going in the next day... 857 00:36:00,660 --> 00:36:02,362 - Yes. - To be a part of this. 858 00:36:02,395 --> 00:36:04,964 Just so cool. 859 00:36:04,998 --> 00:36:07,300 We're here today on the set, 860 00:36:07,334 --> 00:36:09,569 and it will be the last time that we're 861 00:36:09,602 --> 00:36:12,405 all together at the end of this massive journey. 862 00:36:12,439 --> 00:36:15,041 Do you remember, on day one, Jon Chu asked 863 00:36:15,075 --> 00:36:17,477 you both to look into camera and to give yourself 864 00:36:17,510 --> 00:36:18,921 a message to the future version of yourself. 865 00:36:18,945 --> 00:36:20,547 - Oh, my. - Yeah. 866 00:36:20,580 --> 00:36:21,891 - I don't remember what I said. - I remember it happening. 867 00:36:21,915 --> 00:36:23,492 No, I can't remember what I said either. 868 00:36:23,516 --> 00:36:24,927 - Should we have a little look? - Oh, no. 869 00:36:24,951 --> 00:36:26,486 Oh, dear. 870 00:36:26,519 --> 00:36:28,755 Anything to say to your future self? 871 00:36:28,788 --> 00:36:30,690 And you can say it to her right there. 872 00:36:30,724 --> 00:36:33,259 Oh, no, to my future self? 873 00:36:33,293 --> 00:36:37,397 Oh, my gosh. 874 00:36:37,430 --> 00:36:39,799 I hope you're happy. No. 875 00:36:39,833 --> 00:36:41,668 What do you have to say to your future self? 876 00:36:41,701 --> 00:36:43,536 - Right there. - All right. 877 00:36:43,570 --> 00:36:45,505 Hi, Cynthia. 878 00:36:45,538 --> 00:36:50,910 Um, I'm not sure if you thought you would be here at any point. 879 00:36:50,944 --> 00:36:54,381 This is a rare thing to be able to be doing. 880 00:36:54,414 --> 00:36:57,017 I've never felt this way before, 881 00:36:57,050 --> 00:36:59,853 as excited and positively nervous, 882 00:36:59,886 --> 00:37:04,657 in a good way, as I do ready and sure. 883 00:37:04,691 --> 00:37:06,659 And that's something I learned from Glinda. 884 00:37:06,693 --> 00:37:08,528 I hope that you've come to the end of this 885 00:37:08,561 --> 00:37:11,865 and you still feel really grateful 886 00:37:11,898 --> 00:37:15,702 and cling on tight to those around you 887 00:37:15,735 --> 00:37:18,505 who are in it with you still. 888 00:37:18,538 --> 00:37:21,541 And remember to keep them in your lives. 889 00:37:21,574 --> 00:37:23,410 - What the heck? - We're stuck with you. 890 00:37:23,443 --> 00:37:25,011 Don't worry. You've got us. 891 00:37:25,045 --> 00:37:27,347 - Thank you. - Oh, my. 892 00:37:27,380 --> 00:37:29,449 Well... 893 00:37:29,482 --> 00:37:33,853 That was actually really wonderful to see. 894 00:37:33,887 --> 00:37:36,756 Quite emotional for me because I feel like 895 00:37:36,790 --> 00:37:39,693 I am really grateful, and I got some new family members. 896 00:37:39,726 --> 00:37:41,127 - Me too. - Yeah. 897 00:37:41,161 --> 00:37:42,838 We will definitely keep each other in our lives. 898 00:37:42,862 --> 00:37:44,440 - We'll do a good job with that. - You're stuck. 899 00:37:44,464 --> 00:37:45,875 We've already done such a good job with it. 900 00:37:45,899 --> 00:37:48,835 - Stuck with me. - And we will continue to. 901 00:37:48,868 --> 00:37:51,905 Next, the moment we've all been waiting for, 902 00:37:51,938 --> 00:37:55,875 the curtain finally rises on a world exclusive 903 00:37:55,909 --> 00:37:59,412 from our new movie, "Wicked." 904 00:37:59,446 --> 00:38:02,582 So wait just a clock tick. 905 00:38:02,615 --> 00:38:04,384 We'll be right back. 906 00:38:15,562 --> 00:38:17,764 Hello, welcome back to Emerald City. 907 00:38:17,797 --> 00:38:19,366 So at the very beginning of this, 908 00:38:19,399 --> 00:38:21,634 we told you that this is a world of unexpected things. 909 00:38:21,668 --> 00:38:25,138 Well, here is an unexpected thing for you from us. 910 00:38:25,171 --> 00:38:27,574 Here is an exclusive look at a scene 911 00:38:27,607 --> 00:38:32,178 from our new film, "Wicked." 912 00:38:38,685 --> 00:38:41,788 ♪ What is this feeling, so sudden and new? ♪ 913 00:38:41,821 --> 00:38:44,457 ♪ I felt the moment I laid eyes on you ♪ 914 00:38:44,491 --> 00:38:47,527 - ♪ My pulse is rushing ♪ - ♪ My head is reeling ♪ 915 00:38:47,560 --> 00:38:49,029 ♪ Well, my face is flushing ♪ 916 00:38:49,062 --> 00:38:50,797 ♪ What is this feeling? ♪ 917 00:38:50,830 --> 00:38:53,733 ♪ Fervid as a flame ♪ 918 00:38:53,767 --> 00:38:57,003 ♪ Does it have a name? ♪ 919 00:38:57,037 --> 00:39:02,842 ♪ Yes ♪ 920 00:39:02,876 --> 00:39:06,880 ♪ Loathing, unadulterated loathing ♪ 921 00:39:06,913 --> 00:39:08,782 - ♪ For your face ♪ - ♪ Your voice ♪ 922 00:39:08,815 --> 00:39:10,183 ♪ Your clothing ♪ 923 00:39:10,216 --> 00:39:11,718 ♪ Let's just say ♪ 924 00:39:11,751 --> 00:39:14,020 ♪ I loathe it all ♪ 925 00:39:14,054 --> 00:39:15,522 ♪ Every little trait ♪ 926 00:39:15,555 --> 00:39:17,023 ♪ However small ♪ 927 00:39:17,057 --> 00:39:19,859 ♪ Makes my very flesh begin to crawl ♪ 928 00:39:19,893 --> 00:39:22,095 ♪ With simple utter loathing ♪ 929 00:39:22,128 --> 00:39:25,498 ♪ There's a strange exhilaration ♪ 930 00:39:25,532 --> 00:39:28,034 ♪ In such total detestation ♪ 931 00:39:28,068 --> 00:39:32,105 ♪ It's so pure, so strong ♪ 932 00:39:32,138 --> 00:39:35,141 ♪ Though I do admit it came on fast ♪ 933 00:39:35,175 --> 00:39:38,545 ♪ Still, I do believe that it can last ♪ 934 00:39:38,578 --> 00:39:40,613 ♪ And I will be loathing ♪ 935 00:39:40,647 --> 00:39:45,618 ♪ Loathing you my whole life long ♪ 936 00:39:45,652 --> 00:39:46,662 ♪ Dear Galinda ♪ 937 00:39:46,686 --> 00:39:48,488 ♪ You are just too good ♪ 938 00:39:48,521 --> 00:39:51,024 ♪ How do you stand it? I don't think I could ♪ 939 00:39:51,057 --> 00:39:52,826 ♪ She's a terror! She's a tartar! ♪ 940 00:39:52,859 --> 00:39:54,136 ♪ We don't mean to show a bias ♪ 941 00:39:54,160 --> 00:39:56,262 ♪ But, Galinda, you're a martyr ♪ 942 00:39:56,296 --> 00:39:57,731 Well... 943 00:39:57,764 --> 00:40:03,764 ♪ These things are sent to try us ♪ 944 00:40:11,778 --> 00:40:13,246 ♪ Poor Galinda ♪ 945 00:40:13,279 --> 00:40:17,484 ♪ Forced to reside with someone so disgusticified ♪ 946 00:40:17,517 --> 00:40:22,756 ♪ We just want to tell you, we're all on your side ♪ 947 00:40:22,789 --> 00:40:24,824 ♪ We share your loathing ♪ 948 00:40:24,858 --> 00:40:26,760 ♪ What is this feeling, so sudden and new? ♪ 949 00:40:26,793 --> 00:40:30,130 ♪ I felt the moment I laid eyes on you ♪ 950 00:40:30,163 --> 00:40:33,099 ♪ My pulse is rushing, my head is reeling ♪ 951 00:40:33,133 --> 00:40:34,634 ♪ We loathe it all! ♪ 952 00:40:34,668 --> 00:40:36,603 ♪ Oh, what is this feeling? ♪ 953 00:40:36,636 --> 00:40:37,913 ♪ Trait, however small ♪ 954 00:40:37,937 --> 00:40:40,774 ♪ Does it have a name? ♪ 955 00:40:40,807 --> 00:40:42,742 ♪ Yes ♪ 956 00:40:42,776 --> 00:40:45,545 ♪ Oh ♪ 957 00:40:45,578 --> 00:40:49,049 ♪ Loathing, there's a strange exhilaration ♪ 958 00:40:49,082 --> 00:40:52,118 - ♪ Loathing ♪ - ♪ In such total detestation ♪ 959 00:40:52,152 --> 00:40:54,287 - ♪ Loathing ♪ - ♪ It's so pure ♪ 960 00:40:54,320 --> 00:40:56,823 ♪ So strong ♪ 961 00:40:56,856 --> 00:40:59,225 ♪ Though I do admit it came on fast ♪ 962 00:40:59,259 --> 00:41:02,796 ♪ Still I do believe that it can last ♪ 963 00:41:02,829 --> 00:41:06,633 ♪ And I will be loathing for forever ♪ 964 00:41:06,666 --> 00:41:08,935 ♪ Loathing, truly ♪ 965 00:41:08,968 --> 00:41:11,971 ♪ Deeply loathing you ♪ 966 00:41:12,005 --> 00:41:16,976 - ♪ Loathing you ♪ - ♪ My whole life long ♪ 967 00:41:17,010 --> 00:41:19,646 ♪ Unadulterated loathing ♪ 968 00:41:19,679 --> 00:41:21,114 Oh! 969 00:41:24,084 --> 00:41:25,318 Boo! 970 00:41:28,021 --> 00:41:31,224 Thank you so much for visiting Oz with us tonight. 971 00:41:31,257 --> 00:41:32,992 Please go and see our movie "Wicked." 972 00:41:33,026 --> 00:41:37,063 - And from us to you... - Happy holidays. 973 00:41:37,097 --> 00:41:38,064 And goodbye. 974 00:41:38,098 --> 00:41:40,633 Hey, hey, hey. 975 00:41:40,667 --> 00:41:43,003 This is not "Ben-Hur." Hey! 975 00:41:44,305 --> 00:42:44,206 Advertise your product or brand here contact www.MY-SUBS.org today