1 00:00:01,132 --> 00:00:04,335 (Eddie Vedder's "Longing to Belong" playing) 2 00:00:04,335 --> 00:00:06,077 (hisses) 3 00:00:29,029 --> 00:00:31,031 (chuckles) HEY. 4 00:00:31,031 --> 00:00:32,303 HEY. 5 00:00:32,303 --> 00:00:33,734 YOU GOT IN LATE LAST NIGHT. (sets down tray) 6 00:00:33,734 --> 00:00:35,136 CATCH A CASE? 7 00:00:35,136 --> 00:00:37,738 YEAH. OH. 8 00:00:37,738 --> 00:00:42,213 ACTUALLY, IT WAS THIS ONE. 9 00:00:42,213 --> 00:00:45,416 (sighs) SOMEONE BLEW UP AN APARTMENT DOWNTOWN. 10 00:00:45,416 --> 00:00:47,448 SERIOUSLY? AND YOU DIDN'T CALL ME? 11 00:00:47,448 --> 00:00:49,750 CASTLE, YOU SAID YOU HAD A CHAPTER DUE. 12 00:00:49,750 --> 00:00:51,252 YES, WHICH IS WRITER SPEAK 13 00:00:51,252 --> 00:00:53,284 FOR "ALL PROCRASTINATION'S WELCOME." 14 00:00:53,284 --> 00:00:56,087 SO WHAT WAS IT, A TERRORIST PLOT, A METH LAB? 15 00:00:56,087 --> 00:00:59,730 UM... THE CANVASS TURNED UP A DESCRIPTION OF A GUY 16 00:00:59,730 --> 00:01:01,692 FLEEING THE SCENE IN A SILVER HATCHBACK. 17 00:01:01,692 --> 00:01:04,235 AND WE CALLED IN FOR TRAFFIC CAM FOOTAGE... (cell phone beeps) 18 00:01:04,235 --> 00:01:06,337 WHICH IS PROBABLY ALREADY IN, SO I GOTTA GET GOING. 19 00:01:06,337 --> 00:01:07,598 OR... 20 00:01:07,598 --> 00:01:09,140 YOU COULD HAVE ESPOSITO CHECK THAT OUT. 21 00:01:09,140 --> 00:01:10,371 HE'S VERY GOOD AT IT. 22 00:01:10,371 --> 00:01:13,174 I FEEL LIKE I HAVEN'T SEEN YOU IN DAYS. 23 00:01:14,245 --> 00:01:17,148 YOU KNOW, I REALLY DO HAVE TO GET GOING, BUT-- 24 00:01:17,148 --> 00:01:18,449 BUT YOU'RE POWERLESS TO RESIST ME. 25 00:01:18,449 --> 00:01:19,780 YOU ALWAYS HAVE BEEN. 26 00:01:19,780 --> 00:01:21,312 REALLY? MM. 27 00:01:21,312 --> 00:01:22,613 DO YOU REMEMBER WHEN WE FIRST MET? 28 00:01:22,613 --> 00:01:24,315 I KINDA THOUGHT YOU WERE AN ASS. 29 00:01:24,315 --> 00:01:26,457 OH, I KNOW YOU PRETENDED YOU THOUGHT THAT. 30 00:01:26,457 --> 00:01:28,319 BUT COME ON. WE'RE TOGETHER NOW. 31 00:01:28,319 --> 00:01:29,490 YOU CAN ADMIT IT. 32 00:01:29,490 --> 00:01:31,462 YOU FELL FOR ME THE FIRST MOMENT YOU SAW ME. 33 00:01:31,462 --> 00:01:32,793 NO, I DIDN'T. 34 00:01:32,793 --> 00:01:34,825 PLEASE. YOU DID. 35 00:01:34,825 --> 00:01:36,197 YOU BELIEVE THAT, DON'T YOU? 36 00:01:36,197 --> 00:01:37,368 IT'S TRUE. 37 00:01:37,368 --> 00:01:38,329 (cell phone rings) 38 00:01:38,329 --> 00:01:39,600 OH, HOLD ON. (beeps) 39 00:01:39,600 --> 00:01:42,303 BECKETT. 40 00:01:42,303 --> 00:01:44,775 OKAY. I'LL BE RIGHT THERE. 41 00:01:44,775 --> 00:01:46,237 (beep) TRAFFIC CAM FOOTAGE 42 00:01:46,237 --> 00:01:48,108 TURNED UP A MATCH TO THE PLATES. 43 00:01:48,108 --> 00:01:49,280 WE GOT HIM. 44 00:01:49,280 --> 00:01:51,282 NICE. 45 00:01:52,513 --> 00:01:55,246 WAIT. WAIT, WAIT, WAIT. 46 00:01:55,246 --> 00:01:57,588 DID YOU SEE THE HEARTS? 47 00:01:57,588 --> 00:01:58,749 LET'S GO, CASTLE. 48 00:01:58,749 --> 00:02:01,292 TOOK ME, LIKE... SIX MINUTES. 49 00:02:01,292 --> 00:02:03,324 (sirens wailing) 50 00:02:03,324 --> 00:02:05,396 THE CAR'S LICENSE PLATE WAS REGISTERED TO ARCHIBALD FOSSE. (police radio chatter) 51 00:02:05,396 --> 00:02:07,528 HE LIVES ALONE IN A FOURTH-FLOOR APARTMENT. 52 00:02:07,528 --> 00:02:09,730 THIS ISN'T HIS FIRST RODEO, EITHER. 53 00:02:09,730 --> 00:02:11,432 HE GOT IN TROUBLE PLAYING THE PONIES 54 00:02:11,432 --> 00:02:14,435 SO HE TOOK OUT HIS BOOKIE WITH A CAR BOMB SIX YEARS AGO. 55 00:02:14,435 --> 00:02:15,866 SIX YEARS AND HE'S ALREADY OUT? 56 00:02:15,866 --> 00:02:17,468 WELL, HE WAS SUPPOSED TO DO 20 YEARS TO LIFE. 57 00:02:17,468 --> 00:02:19,540 BUT HIS CASE GOT OVERTURNED ON APPEAL THREE MONTHS AGO. 58 00:02:19,540 --> 00:02:20,871 ANY IDEA ABOUT THE MOTIVATION 59 00:02:20,871 --> 00:02:22,413 FOR LAST NIGHT'S BOMBING? 60 00:02:22,413 --> 00:02:24,415 NO, WE JUST I.D.'ed HIM 20 MINUTES AGO. 61 00:02:24,415 --> 00:02:26,317 THERE'S A LOT WE HAVE TO LEARN ABOUT HIM YET. 62 00:02:26,317 --> 00:02:28,349 YO, BECKETT. THIS IS DIEGO JIMINEZ. 63 00:02:28,349 --> 00:02:30,251 UNIFORMS INTERCEPTED HIM ON HIS WAY UP 64 00:02:30,251 --> 00:02:31,352 TO PAY MR. FOSSE A VISIT. 65 00:02:31,352 --> 00:02:32,423 HOW DO YOU KNOW HIM? 66 00:02:32,423 --> 00:02:33,824 I DON'T, REALLY. I'VE NEVER EVEN MET HIM. 67 00:02:33,824 --> 00:02:35,426 WE CONNECTED ON-LINE. 68 00:02:35,426 --> 00:02:36,627 I'M A COLLECTOR. 69 00:02:36,627 --> 00:02:38,559 HE SAID HE HAD SOME BASEBALL CARDS FROM THE '30s 70 00:02:38,559 --> 00:02:40,291 HE WANTED TO SELL. THAT'S ALL. 71 00:02:40,291 --> 00:02:41,632 WELL, WE KNOW THIS MUCH. 72 00:02:41,632 --> 00:02:43,934 IF DIEGO HAD AN APPOINTMENT, FOSSE'S PROBABLY IN THERE. 73 00:02:43,934 --> 00:02:45,936 POLICE! MOVE! MOVE! 74 00:02:45,936 --> 00:02:47,298 GO! GO! GO! 75 00:02:47,298 --> 00:02:48,499 NYPD! 76 00:03:06,387 --> 00:03:08,659 (dog barking) 77 00:03:08,659 --> 00:03:09,790 (radio clicks) 78 00:03:09,790 --> 00:03:11,662 RYAN, ESPO, HE'S COMING YOUR WAY. 79 00:03:14,795 --> 00:03:16,927 (sirens wailing) FREEZE! NYPD! 80 00:03:16,927 --> 00:03:18,299 HEY! HEY! HEY! HEY! HEY! 81 00:03:18,299 --> 00:03:19,530 (tires squeal) 82 00:03:19,530 --> 00:03:21,372 LET ME SEE YOUR HANDS. 83 00:03:21,372 --> 00:03:23,604 DROP IT! 84 00:03:23,604 --> 00:03:25,336 DROP IT NOW! (beeps) 85 00:03:25,336 --> 00:03:26,937 (chirping) WHAT IS THAT? 86 00:03:26,937 --> 00:03:29,310 WHY IS IT FLASHING? 87 00:03:29,310 --> 00:03:32,313 HUH? ANSWER ME! 88 00:03:32,313 --> 00:03:33,444 ANSWER ME! 89 00:03:33,444 --> 00:03:36,447 (chirping continues) 90 00:03:39,290 --> 00:03:42,323 (indistinct conversations) 91 00:03:42,323 --> 00:03:44,755 BASEBALL CARDS, JUST LIKE HE SAID. 92 00:03:44,755 --> 00:03:47,298 (radio clicks) (Esposito) Beckett, Castle, get outta there now. 93 00:03:47,298 --> 00:03:48,329 THE SUSPECT HAD SOME KIND OF DEVICE IN HIS POCKET. 94 00:03:48,329 --> 00:03:49,460 I THINK HE ARMED SOMETHING. 95 00:03:49,460 --> 00:03:51,302 (clicks) COPY THAT. EVERYONE OUT NOW. 96 00:03:51,302 --> 00:03:53,434 LET'S GO. YOU GUYS, OUT. (man) ALL RIGHT. YOU HEARD HER. 97 00:03:53,434 --> 00:03:55,266 (man speaks indistinctly) 98 00:03:55,266 --> 00:03:57,568 (click, whir, beep) 99 00:04:00,311 --> 00:04:02,343 WHAT WAS THAT? 100 00:04:02,343 --> 00:04:04,315 CASTLE... 101 00:04:05,646 --> 00:04:16,327 I THINK I'M STANDING ON A BOMB. 102 00:04:22,032 --> 00:04:23,464 (exhales deeply) 103 00:04:23,464 --> 00:04:25,265 HOW LONG DO YOU THINK WE'LL HAVE TO STAND HERE? 104 00:04:25,265 --> 00:04:26,437 (siren whoops) 105 00:04:26,437 --> 00:04:29,039 ONCE BOMB DISPOSAL FINISHES THEIR SWEEP, 106 00:04:29,039 --> 00:04:31,672 WE'LL KNOW IF THERE ARE ANY OTHER BOMBS YOU COULD STEP ON, 107 00:04:31,672 --> 00:04:33,003 OR IF I'M STANDING ON THE ONLY ONE. 108 00:04:33,003 --> 00:04:34,475 WE DON'T KNOW THAT YOU'RE STANDING ON A BOMB. 109 00:04:34,475 --> 00:04:35,646 IT COULD BE NOTHING. 110 00:04:35,646 --> 00:04:37,047 IT DIDN'T FEEL LIKE NOTHING. 111 00:04:37,047 --> 00:04:39,510 SOMETHING GAVE WAY UNDER MY FEET. 112 00:04:39,510 --> 00:04:41,011 IT FELT LIKE A TRIGGER PLATE. 113 00:04:41,011 --> 00:04:42,483 COULD BE A WONKY FLOORBOARD. 114 00:04:42,483 --> 00:04:43,954 WITH A METALLIC CLICK? 115 00:04:43,954 --> 00:04:46,016 LOOSE NAIL. THAT'S HOW FLOORBOARDS GET WONKY. 116 00:04:46,016 --> 00:04:47,918 WELL, I HOPE YOU'RE RIGHT. 117 00:04:47,918 --> 00:04:48,989 I'M RIGHT. 118 00:04:48,989 --> 00:04:50,691 I MEAN, THINK ABOUT IT. 119 00:04:50,691 --> 00:04:53,864 WHO PUTS A LIVE BOMB IN THEIR OWN APARTMENT? 120 00:04:53,864 --> 00:04:55,326 IT MAKES NO SENSE. 121 00:04:55,326 --> 00:04:57,297 (helicopter blades whirring) 122 00:04:57,297 --> 00:04:58,929 YOU HUNGRY? 123 00:04:58,929 --> 00:05:00,771 WHY? 124 00:05:00,771 --> 00:05:03,073 BECAUSE ANY MINUTE, SOMEONE'S GONNA COME THROUGH THAT DOOR 125 00:05:03,073 --> 00:05:04,775 AND GIVE US THE ALL CLEAR. 126 00:05:04,775 --> 00:05:07,037 AND THERE IS AN AMAZING DINER NOT THREE BLOCKS FROM HERE. 127 00:05:07,037 --> 00:05:08,939 YEAH? WELL, I DID MISS MY BREAKFAST THIS MORNING. 128 00:05:08,939 --> 00:05:10,341 YEAH. (chuckles) 129 00:05:10,341 --> 00:05:12,413 THEY MAKE THESE INCREDIBLE, FOAMY LATTES-- 130 00:05:12,413 --> 00:05:14,745 CUPS AS BIG AS YOUR HEAD-- 131 00:05:14,745 --> 00:05:17,918 AND A GOAT CHEESE OMELET TO DIE FOR. 132 00:05:17,918 --> 00:05:19,920 WHICH WOULD BE A POOR CHOICE OF WORDS 133 00:05:19,920 --> 00:05:21,992 IF YOU WERE STANDING ON A BOMB, BUT GUESS WHAT. 134 00:05:21,992 --> 00:05:23,323 YOU'RE NOT. 135 00:05:23,323 --> 00:05:24,495 (sighs) 136 00:05:24,495 --> 00:05:27,027 YOU KNOW, IF I HAVE TO BE, UH, STUCK... 137 00:05:27,027 --> 00:05:28,529 NOT STANDING ON A BOMB, 138 00:05:28,529 --> 00:05:31,061 THEN I'M GLAD I'M STUCK WITH YOU. 139 00:05:31,061 --> 00:05:32,102 I KNOW. 140 00:05:32,102 --> 00:05:33,634 CAPTAIN MAHONEY, BOMB DISPOSAL UNIT. 141 00:05:33,634 --> 00:05:34,935 WHICH ONE OF YOU IS DETECTIVE BECKETT? 142 00:05:34,935 --> 00:05:36,637 I'M DETECTIVE BECKETT. THIS IS CASTLE. 143 00:05:36,637 --> 00:05:37,938 CASTLE, YOU CAN RELAX. 144 00:05:37,938 --> 00:05:39,740 WE'VE X-RAYED THE ENTIRE APARTMENT 145 00:05:39,740 --> 00:05:40,911 FROM THE FLOOR BELOW. 146 00:05:40,911 --> 00:05:42,673 THERE ARE NO OTHER EXPLOSIVES. 147 00:05:42,673 --> 00:05:44,945 NO OTHER EXPLOSIVES? SO... 148 00:05:44,945 --> 00:05:48,018 DETECTIVE, I'M AFRAID YOU'VE STEPPED ON A SENSOR PLATE 149 00:05:48,018 --> 00:05:49,450 WIRED TO A DETONATOR. 150 00:05:49,450 --> 00:05:50,951 DEPRESSING THAT PLATE WAS SORT OF LIKE 151 00:05:50,951 --> 00:05:52,953 COCKING THE HAMMER OF A GUN. 152 00:05:52,953 --> 00:05:56,086 YOU TAKE YOUR WEIGHT OFF THERE, IT'S LIKE PULLING THE TRIGGER. 153 00:05:56,086 --> 00:05:58,959 SO IT'S VERY IMPORTANT THAT YOU DON'T MOVE 154 00:05:58,959 --> 00:06:01,492 UNTIL WE FIGURE OUT HOW TO DISARM IT. 155 00:06:07,498 --> 00:06:10,370 B.D.U. JUST CONFIRMED IT. BECKETT'S STANDING ON A BOMB. 156 00:06:10,370 --> 00:06:13,704 TRACE DETECTION ESTIMATES 10 KILOGRAMS OF R.D.X. 157 00:06:13,704 --> 00:06:14,975 ENOUGH TO TAKE OUT THE WHOLE BUILDING. 158 00:06:14,975 --> 00:06:16,907 SO WHAT'S THE PLAN? (exhales) 159 00:06:16,907 --> 00:06:18,409 SIR, TELL ME THERE'S A PLAN. 160 00:06:18,409 --> 00:06:20,511 THEY'RE WORKING ON IT. WHAT DO WE HAVE ON THAT BOMBER? 161 00:06:20,511 --> 00:06:21,982 LOOKS LIKE HIS MOTIVE WAS REVENGE. 162 00:06:21,982 --> 00:06:24,054 KELLY RUNTHER, THE WOMAN HE BLEW UP LAST NIGHT, 163 00:06:24,054 --> 00:06:25,986 TESTIFIED AGAINST HIM AT HIS ARSON TRIAL SIX YEARS AGO. 164 00:06:25,986 --> 00:06:28,058 THEN WHY WOULD HE BOOBY-TRAP HIS OWN APARTMENT? 165 00:06:28,058 --> 00:06:30,020 THE DEFENSE AT HIS TRIAL CENTERED ON ALLEGATIONS 166 00:06:30,020 --> 00:06:32,122 OF EVIDENCE TAMPERING BY POLICE, SO... 167 00:06:32,122 --> 00:06:33,724 HE'S GOT A VENDETTA AGAINST COPS. 168 00:06:33,724 --> 00:06:35,496 YES, SIR. HE WANTED THIS TO HAPPEN. 169 00:06:35,496 --> 00:06:38,128 WELL, WE'RE NOT GONNA LET IT. YOU GET HIM IN THE BOX. 170 00:06:38,128 --> 00:06:40,631 I WANT TO KNOW HOW TO DEACTIVATE THAT BOMB. 171 00:06:41,872 --> 00:06:44,975 WHAT MAKES YOU THINK IT CAN BE DEACTIVATED? 172 00:06:44,975 --> 00:06:46,637 YOU BETTER PRAY THAT IT CAN, 173 00:06:46,637 --> 00:06:48,509 BECAUSE THE PERSON STANDING ON IT, SHE'S A FRIEND OF MINE. 174 00:06:48,509 --> 00:06:50,010 NOT FOR LONG. 175 00:06:50,010 --> 00:06:51,512 (Ryan) THAT'S WHERE YOU'RE WRONG. 176 00:06:51,512 --> 00:06:52,983 SEE, YOU'RE GONNA HELP US. 177 00:06:52,983 --> 00:06:54,515 YOU KNOW HOW THE BOMB IS MADE. 178 00:06:54,515 --> 00:06:56,787 THE DETONATOR, THE FUSE, ALL THE OTHER LITTLE PARTS-- 179 00:06:56,787 --> 00:06:59,049 IF THEY CAN STOP ANY ONE OF THOSE PARTS FROM WORKING, 180 00:06:59,049 --> 00:07:00,190 THE BOMB FAILS. 181 00:07:00,190 --> 00:07:01,792 IT'S NOT GONNA FAIL. I'M NOT DONE YET. 182 00:07:01,792 --> 00:07:03,123 NONE OF THIS IS OVER. 183 00:07:03,123 --> 00:07:04,955 WELL, THEN YOU'RE GOING BACK TO JAIL A COP KILLER, 184 00:07:04,955 --> 00:07:06,557 AND THERE'S NOT A PRISON AROUND THAT'S GONNA-- 185 00:07:06,557 --> 00:07:09,099 YOU WANT TO SAVE YOUR FRIEND? I WANT A LAWYER. 186 00:07:09,099 --> 00:07:11,562 NOW. 187 00:07:14,965 --> 00:07:17,137 (hissing) (Mahoney) WE'RE ESTIMATING THE TRIGGER PLATE 188 00:07:17,137 --> 00:07:20,010 IS ABOUT 3 FEET BY 3 FEET. 189 00:07:20,010 --> 00:07:21,712 (hissing continues) 190 00:07:21,712 --> 00:07:23,914 SO NO ONE CROSSES THIS LINE. 191 00:07:23,914 --> 00:07:26,016 AND THE DISARMING PROCESS, HOW LONG DOES THAT USUALLY TAKE? 192 00:07:26,016 --> 00:07:27,878 WELL, THAT DEPENDS ON THE BOMB. 193 00:07:27,878 --> 00:07:30,150 WE STILL DON'T KNOW WHAT KIND OF DEVICE WE'RE DEALING WITH. 194 00:07:30,150 --> 00:07:32,222 SO WHAT ARE WE SUPPOSED TO DO IN THE MEANTIME, 195 00:07:32,222 --> 00:07:34,925 JUST--YOU CAN'T HAVE HER JUST STAND THERE. 196 00:07:34,925 --> 00:07:36,126 I'M OKAY, CASTLE. 197 00:07:36,126 --> 00:07:37,728 NO, YOU'RE NOT OKAY. YOU'RE STANDING... 198 00:07:37,728 --> 00:07:38,889 (mutters) UH... 199 00:07:38,889 --> 00:07:41,061 LOOK, YOU SAID, UH, 200 00:07:41,061 --> 00:07:43,133 STEPPING ON THE PLATE WAS LIKE COCKING THE HAMMER. 201 00:07:43,133 --> 00:07:44,965 STEPPING OFF THE PLATE WAS PULLING THE TRIGGER. 202 00:07:44,965 --> 00:07:48,068 WHAT IF WE REPLACED BECKETT WITH SOMETHING OF EQUAL WEIGHT? 203 00:07:48,068 --> 00:07:50,100 YOU KNOW, JUST THE OLD INDIANA JONES 204 00:07:50,100 --> 00:07:52,102 BAG OF SAND/GOLDEN IDOL TRICK. 205 00:07:52,102 --> 00:07:54,104 REMEMBER HOW THAT TURNED OUT? 206 00:07:54,104 --> 00:07:56,076 LOOK, THE PLATE SHE'S STANDING ON CAN SENSE 207 00:07:56,076 --> 00:07:58,509 EVEN MINOR FLUCTUATIONS IN PRESSURE. 208 00:07:58,509 --> 00:08:00,480 YOU TRY TO TRANSFER THE WEIGHT, YOU'LL SET OFF THE BOMB. 209 00:08:00,480 --> 00:08:03,013 PUT ANY KIND OF PROTECTIVE GEAR ON HER, YOU'LL SET OFF THE BOMB. 210 00:08:03,013 --> 00:08:05,015 SHE SHIFTS TOO QUICKLY FROM ONE FOOT TO THE OTHER-- 211 00:08:05,015 --> 00:08:06,717 SET OFF THE BOMB. I-I GET IT. 212 00:08:06,717 --> 00:08:08,659 THANK YOU. I'M SORRY I ASKED. 213 00:08:08,659 --> 00:08:10,791 SO WHAT ARE WE SUPPOSED TO DO, JUST STAND HERE? 214 00:08:10,791 --> 00:08:11,962 NOT YOU, MR. CASTLE. 215 00:08:11,962 --> 00:08:13,964 ALL NONESSENTIAL PERSONNEL MUST EVACUATE. 216 00:08:13,964 --> 00:08:15,025 OH, NO. 217 00:08:15,025 --> 00:08:16,567 I AM ESSENTIAL PERSONNEL. 218 00:08:16,567 --> 00:08:19,029 CASTLE, IT'S OKAY. 219 00:08:19,029 --> 00:08:21,201 WE'LL TAKE GOOD CARE OF HER. 220 00:08:21,201 --> 00:08:23,203 I GOT GUYS DOWNSTAIRS RIGHT NOW FIGURING THIS OUT. 221 00:08:23,203 --> 00:08:26,577 MEANTIME, DETECTIVE, SIT TIGHT. I'LL CHECK BACK WITH YOU SOON. 222 00:08:26,577 --> 00:08:28,779 I APPRECIATE IT. I'M STAYING. 223 00:08:30,010 --> 00:08:32,643 (sighs) CASTLE, PLEASE. 224 00:08:32,643 --> 00:08:34,114 THERE IS NO REASON TO PUT YOURSELF IN DANGER. 225 00:08:34,114 --> 00:08:35,816 THERE'S NOTHING THAT YOU CAN DO HERE. 226 00:08:35,816 --> 00:08:37,147 NOTHING? 227 00:08:37,147 --> 00:08:39,650 EXCUSE ME. WHO'S GONNA BE YOUR BOMB BUDDY? 228 00:08:39,650 --> 00:08:40,991 MY BOMB BUDDY? 229 00:08:40,991 --> 00:08:42,252 YOU HEARD WHAT HE SAID. 230 00:08:42,252 --> 00:08:44,254 YOU'RE GONNA BE STANDING HERE, MAYBE FOR HOURS. 231 00:08:44,254 --> 00:08:46,627 IF I DON'T STAY, WHO'S GONNA KEEP YOUR SPIRITS UP? 232 00:08:46,627 --> 00:08:48,999 WHO'S GONNA TAKE YOUR MIND OFF OF GETTING TIRED? 233 00:08:48,999 --> 00:08:51,261 CASTLE, I'M GONNA BE FINE. I FEEL FINE. 234 00:08:51,261 --> 00:08:52,863 THAT WOULD BE GREAT 235 00:08:52,863 --> 00:08:54,905 IF YOU WERE A RELIABLE JUDGE OF YOUR OWN FEELINGS, 236 00:08:54,905 --> 00:08:56,637 WHICH CLEARLY, YOU'RE NOT. 237 00:08:56,637 --> 00:08:57,968 WHAT DOES THAT MEAN? 238 00:08:57,968 --> 00:08:59,970 I'M SORRY. EXHIBIT "A"-- ACCORDING TO YOU, 239 00:08:59,970 --> 00:09:02,042 YOU FELT NOTHING FOR ME WHEN WE FIRST MET, 240 00:09:02,042 --> 00:09:03,974 (chuckles) WHICH WE BOTH KNOW-- 241 00:09:03,974 --> 00:09:05,115 ARE YOU AC-- 242 00:09:05,115 --> 00:09:06,977 OH, I GET IT. I KNOW WHAT YOU'RE DOING. 243 00:09:06,977 --> 00:09:08,018 WHAT? 244 00:09:08,018 --> 00:09:09,549 YOU KNOW WHAT, CASTLE? FORGET IT. 245 00:09:09,549 --> 00:09:11,081 I'M NOT GOING DOWN THAT PATH. YOU CAN JUST GO NOW. 246 00:09:11,081 --> 00:09:13,323 FINE, I'LL LEAVE IF YOU ADMIT TO ME 247 00:09:13,323 --> 00:09:17,127 YOU HAD FEELINGS FOR ME WHEN WE FIRST MET. 248 00:09:17,127 --> 00:09:21,561 FINE. I DID HAVE FEELINGS FOR YOU WHEN WE FIRST MET. 249 00:09:21,561 --> 00:09:22,963 I COULDN'T STAND YOU. 250 00:09:22,963 --> 00:09:25,135 DO YOU EVEN REMEMBER WHAT YOU WERE LIKE IN THE BEGINNING? 251 00:09:25,135 --> 00:09:26,997 WELL, APPARENTLY, I WAS IRRESISTIBLE. 252 00:09:26,997 --> 00:09:30,771 IRRESISTIBLE? ARE YOU JOKING? 253 00:09:30,771 --> 00:09:34,074 RICHARD CASTLE, YOU ARE UNDER ARREST 254 00:09:34,074 --> 00:09:36,206 FOR OBSTRUCTION OF JUSTICE. 255 00:09:36,206 --> 00:09:37,978 YOU FORGOT MAKING YOU LOOK BAD. 256 00:09:37,978 --> 00:09:39,279 CUFF HIM. COME ON. 257 00:09:39,279 --> 00:09:41,882 BONDAGE. MY SAFE WORD IS "APPLES." 258 00:09:41,882 --> 00:09:43,583 DO I LOOK LIKE A KILLER TO YOU? 259 00:09:43,583 --> 00:09:45,115 YES, YOU KILL MY PATIENCE. 260 00:09:45,115 --> 00:09:48,358 GUESS WHO'S GOT A DATE WITH A PROSTITUTE? 261 00:09:48,358 --> 00:09:50,190 SO MANY LONELY WOMEN APPROACHED ME 262 00:09:50,190 --> 00:09:52,823 THINKING I WAS THEIR TOM HANKS. I GOT LA-- CASTLE. 263 00:09:52,823 --> 00:09:54,164 DON'T MAKE ME SHOOT YOU. 264 00:09:54,164 --> 00:09:55,996 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? 265 00:09:55,996 --> 00:09:57,167 (whispers) I AM GONNA KILL YOU. 266 00:09:57,167 --> 00:09:58,268 (Beckett) DO I HAVE TO WAIT FOR HIM TO SIGN 267 00:09:58,268 --> 00:09:59,369 OR CAN I SHOOT HIM NOW? 268 00:09:59,369 --> 00:10:01,802 HOW SHALLOW ARE YOU? (whispers) VERY. 269 00:10:01,802 --> 00:10:03,904 CALL ME A MUSE AGAIN, AND I WILL BREAK BOTH YOUR LEGS. 270 00:10:03,904 --> 00:10:05,275 OKAY? OKAY. 271 00:10:05,275 --> 00:10:06,707 IN YOUR DREAMS. 272 00:10:06,707 --> 00:10:08,038 ACTUALLY, IN MY DREAMS, YOU'RE NEVER JEALOUS. 273 00:10:08,038 --> 00:10:10,380 IN MY DREAMS, YOU JUST JOIN IN--OOH. 274 00:10:10,380 --> 00:10:13,814 OKAY. IF YOU COULDN'T STAND ME WHEN WE FIRST MET, 275 00:10:13,814 --> 00:10:15,145 TELL ME THIS. 276 00:10:15,145 --> 00:10:17,217 WHY COULDN'T YOU KEEP YOUR HANDS OFF ME? 277 00:10:17,217 --> 00:10:20,250 WHAT ARE YOU EVEN TALKING ABOUT? 278 00:10:20,250 --> 00:10:22,893 OH, YOU KNOW WHAT I'M TALKING ABOUT. 279 00:10:24,124 --> 00:10:26,827 OKAY. 280 00:10:26,827 --> 00:10:28,158 OF COURSE. 281 00:10:28,158 --> 00:10:30,801 SURE. I'LL BE RIGHT THERE. 282 00:10:30,801 --> 00:10:32,362 (grunts) OW! 283 00:10:32,362 --> 00:10:33,764 OW! 284 00:10:33,764 --> 00:10:35,305 OW! (laughs) APPLES. APPLES. APPLES. 285 00:10:35,305 --> 00:10:37,738 (smacks) 286 00:10:37,738 --> 00:10:39,109 HOLD MY HAND. 287 00:10:39,109 --> 00:10:41,411 (clinks) 288 00:10:41,411 --> 00:10:43,073 (pants) 289 00:10:43,073 --> 00:10:45,075 (whimpers) 290 00:10:45,075 --> 00:10:47,347 THAT? CASTLE, THAT WAS CALLED SURVIVAL. 291 00:10:47,347 --> 00:10:49,780 WE WERE JUST HUDDLING FOR WARMTH. 292 00:10:49,780 --> 00:10:51,051 CUDDLING? HUDDLING. 293 00:10:51,051 --> 00:10:53,023 OR ONE COULD SEE IT AS A SMALL PART 294 00:10:53,023 --> 00:10:55,085 OF A LARGER PATTERN-- 295 00:10:55,085 --> 00:10:57,157 UNWANTED TOUCHING IN THE WORKPLACE. 296 00:10:57,157 --> 00:10:59,790 OH, SO YOU'RE BEING HARASSED? IS THAT IT? YOU KNOW, YOU'RE VERY LUCKY. 297 00:10:59,790 --> 00:11:02,693 A LESS UNDERSTANDING MAN WOULD PRESS CHARGES WITH ALL THE... 298 00:11:02,693 --> 00:11:05,135 INAPPROPRIATE THINGS YOU'VE SAID TO ME. 299 00:11:05,135 --> 00:11:06,366 REALLY? LIKE WHAT? 300 00:11:07,868 --> 00:11:10,270 OH, JEEZ. HOW DO YOU EVEN GET IN THAT POSITION? 301 00:11:10,270 --> 00:11:12,002 RIGHT? IT'S NOT EVEN POSSIBLE. I DON'T KNOW. 302 00:11:12,002 --> 00:11:13,844 OH, IT'S POSSIBLE. 303 00:11:13,844 --> 00:11:17,708 OKAY, GAUNTLET YOUR RIGHT FIST IN YOUR LEFT PALM. 304 00:11:17,708 --> 00:11:19,679 (gunshot) WHOA! SHOT TOO SOON. 305 00:11:19,679 --> 00:11:22,052 YOU KNOW, WE COULD ALWAYS JUST CUDDLE, CASTLE. 306 00:11:22,052 --> 00:11:23,013 DID YOU JUST USE THE WORD "VERITABLE"? 307 00:11:23,013 --> 00:11:24,184 YES, I DID. 308 00:11:24,184 --> 00:11:25,355 SEXY. 309 00:11:25,355 --> 00:11:27,087 YOU SHOULD HEAR ME SAY "FALLACIOUS." 310 00:11:27,087 --> 00:11:28,759 THE CLOSEST I EVER CAME TO TAKING AN ART CLASS 311 00:11:28,759 --> 00:11:30,721 WAS POSING FOR ONE AS A MODEL. WAIT. 312 00:11:30,721 --> 00:11:31,892 POSING IN? 313 00:11:31,892 --> 00:11:33,023 NOT A STITCH. 314 00:11:33,023 --> 00:11:34,264 (Beckett) WHAT'S THE MATTER, CASTLE? 315 00:11:34,264 --> 00:11:36,696 YOU AFRAID OF A LITTLE ROLE PLAY? 316 00:11:36,696 --> 00:11:39,329 THAT'S IT? THAT'S ALL YOU GOT? 317 00:11:39,329 --> 00:11:41,031 THERE'S MORE, BUT ON THINKING BACK, 318 00:11:41,031 --> 00:11:42,332 I WAS MOMENTARILY DISTRACTED 319 00:11:42,332 --> 00:11:44,304 BY YOUR DIZZYING ARRAY OF HAIRSTYLES OVER THE YEARS. 320 00:11:44,304 --> 00:11:46,036 ANYWAY... 321 00:11:46,036 --> 00:11:49,139 OH, CASTLE, ME IN A SWIMSUIT UNDER THE HOT... 322 00:11:49,139 --> 00:11:50,140 BLISTERING SUN? 323 00:11:50,140 --> 00:11:51,481 I'D BE HAPPY TO RUB LOTION ON YOU. 324 00:11:51,481 --> 00:11:53,013 YOU THINK THIS IS CRAZY, 325 00:11:53,013 --> 00:11:54,284 YOU SHOULD SEE SOME OF THE CLUBS I'VE BEEN TO. 326 00:11:54,284 --> 00:11:55,816 (Castle) YOU KNOW ANY GOOD TRICKS? 327 00:11:55,816 --> 00:11:58,148 I DO THIS ONE THING WITH ICE CUBES. 328 00:11:58,148 --> 00:11:59,089 (hands thud and squeak against glass) 329 00:11:59,089 --> 00:12:00,791 THERE IS ONE HOT... 330 00:12:00,791 --> 00:12:02,292 WILD... 331 00:12:02,292 --> 00:12:05,025 KINKY THING THAT I DO LIKE DOING. 332 00:12:05,025 --> 00:12:06,196 (thuds) 333 00:12:06,196 --> 00:12:09,259 PUTTING KILLERS BEHIND BARS. 334 00:12:09,259 --> 00:12:12,362 PLEASE, LET'S JUST STICK IT IN AND GET THIS OVER WITH. 335 00:12:12,362 --> 00:12:14,264 ♪♪♪ 336 00:12:14,264 --> 00:12:16,136 THAT'S NOT HOW I MEANT IT. 337 00:12:16,136 --> 00:12:18,869 I CAN'T HELP IT IF YOU GET OFF BY PUTTING THINGS IN MY MOUTH. 338 00:12:18,869 --> 00:12:20,170 SEE? LIKE THAT. 339 00:12:20,170 --> 00:12:22,142 I CAN'T EVEN-- IT'S UNCANNY. 340 00:12:22,142 --> 00:12:23,944 OH, LIKE YOU'VE NEVER BEEN INAPPROPRIATE. 341 00:12:23,944 --> 00:12:26,146 ME? MM-HMM. 342 00:12:26,146 --> 00:12:28,949 I'VE NEVER BEEN ANYTHING BUT A PERFECT GENTLEMAN. REALLY? 343 00:12:28,949 --> 00:12:30,120 YOU EVER HAVE ANY FUN? 344 00:12:30,120 --> 00:12:31,221 LET YOUR HAIR DOWN? 345 00:12:31,221 --> 00:12:33,083 DROP YOUR TOP? A LITTLE "COPS GONE WILD"? 346 00:12:33,083 --> 00:12:35,755 YOU DO KNOW I'M WEARING A GUN? OOH. 347 00:12:35,755 --> 00:12:37,027 YES, PLEASE. BEAT MY PANTS OFF IF YOU DARE. 348 00:12:37,027 --> 00:12:39,129 SEX? I'LL EXPLAIN HOW THAT WORKS LATER. 349 00:12:39,129 --> 00:12:40,230 SLUTTY NURSE. 350 00:12:40,230 --> 00:12:42,262 YOU'RE VERY GOOD AT BOSSING MEN AROUND. 351 00:12:42,262 --> 00:12:43,463 I FIND THAT HOT. 352 00:12:43,463 --> 00:12:45,095 LET ME TELL YOU SOMETHING ABOUT CRAZY PEOPLE-- 353 00:12:45,095 --> 00:12:48,098 THE SEX IS UNBELIEVABLE. 354 00:12:48,098 --> 00:12:50,100 DID YOU CALL TO TELL ME A BEDTIME STORY? 355 00:12:50,100 --> 00:12:52,102 I WOULD BE HAPPY TO LET YOU SPANK ME. 356 00:12:52,102 --> 00:12:53,773 WE'RE HANDCUFFED. 357 00:12:53,773 --> 00:12:54,875 KINKY. 358 00:12:54,875 --> 00:12:56,076 STRANGELY AROUSING. 359 00:12:56,076 --> 00:12:57,307 YOU BETTER NOT BE ENJOYING THIS, CASTLE. 360 00:12:57,307 --> 00:12:58,849 I'LL LET YOU KNOW IN A MINUTE. 361 00:12:58,849 --> 00:13:00,010 IF YOU ARE NOT COMFORTABLE IN A SWIMSUIT, 362 00:13:00,010 --> 00:13:01,181 YOU CAN JUST SKINNY-DIP. 363 00:13:01,181 --> 00:13:02,983 SO I WEAR BOXERS. WHAT DO YOU WEAR? 364 00:13:02,983 --> 00:13:05,285 THONG? CHEEKIES? 365 00:13:05,285 --> 00:13:06,817 BLOOMERS? 366 00:13:06,817 --> 00:13:08,118 GRANNY PANTIES? 367 00:13:08,118 --> 00:13:10,020 COMMANDO? 368 00:13:10,020 --> 00:13:13,463 AND TALK ABOUT UNWANTED TOUCHING? 369 00:13:13,463 --> 00:13:16,466 READY? YEP. 370 00:13:16,466 --> 00:13:18,428 (grunts) 371 00:13:18,428 --> 00:13:20,530 OKAY. I'M GONNA GO UP. 372 00:13:20,530 --> 00:13:23,333 READY? GRAB MY LEGS. 373 00:13:23,333 --> 00:13:24,504 (hands slap body) (gasps) 374 00:13:24,504 --> 00:13:26,176 CASTLE, I SAID "LEGS," OKAY? 375 00:13:26,176 --> 00:13:28,438 OH, LEGS. SORRY. (grunts) 376 00:13:28,438 --> 00:13:30,480 YEAH, BUT THAT'S SIMPLY BECAUSE YOUR LEGS ARE SO CLOSE 377 00:13:30,480 --> 00:13:32,843 TO YOUR... OTHER BITS. 378 00:13:32,843 --> 00:13:36,346 OH, YEAH. KEEP TELLING YOURSELF THAT, CASTLE. 379 00:13:36,346 --> 00:13:39,950 (siren wails) 380 00:13:41,291 --> 00:13:43,854 IT'S GONNA BE OKAY RIGHT? 381 00:13:43,854 --> 00:13:45,155 YEAH. THOSE GUYS DOWNSTAIRS, 382 00:13:45,155 --> 00:13:47,898 THEY'VE DONE THIS THOUSANDS OF TIMES. 383 00:13:54,134 --> 00:13:56,136 (beeping) 384 00:13:56,136 --> 00:13:59,039 (man) CAPTAIN MAHONEY. TACTICAL WANTS AN UPDATE. 385 00:13:59,039 --> 00:14:01,211 WELL, LACK OF ACCESS IS LIMITING OUR OPTIONS. 386 00:14:01,211 --> 00:14:03,213 WHAT'D YOU FIND OUT ABOUT THAT HANDHELD REMOTE HE HAD? 387 00:14:03,213 --> 00:14:04,915 IT DEFINITELY ACTIVATED THE BOMB. 388 00:14:04,915 --> 00:14:07,047 GOOD NEWS? TECH THINKS IT COULD DEACTIVATE IT AS WELL. 389 00:14:07,047 --> 00:14:09,149 BUT WE NEED THE RIGHT 5-DIGIT CODE. 390 00:14:09,149 --> 00:14:11,221 THAT'S, WHAT, A HUNDRED THOUSAND COMBINATIONS? 391 00:14:11,221 --> 00:14:13,223 YEAH, AND IT'S TAMPER PROOF. 392 00:14:13,223 --> 00:14:16,056 ENTER THE WRONG CODE, AND... 393 00:14:16,056 --> 00:14:18,588 (beeping continues) 394 00:14:18,588 --> 00:14:20,590 (man) MY CLIENT SAYS THAT 395 00:14:20,590 --> 00:14:22,492 HE'S WILLING TO GIVE YOU THE DISARM CODE, BUT... 396 00:14:22,492 --> 00:14:24,334 HE HAS SOME DEMANDS. 397 00:14:26,136 --> 00:14:27,167 FULL AMNESTY? 398 00:14:27,167 --> 00:14:29,039 YOU GOTTA BE KIDDING ME, RIGHT? 399 00:14:29,039 --> 00:14:30,440 THIS GUY KILLED SOMEONE LAST NIGHT. 400 00:14:30,440 --> 00:14:32,102 UH, ALLEGEDLY KILLED. 401 00:14:32,102 --> 00:14:33,273 LOOK, I KNOW. 402 00:14:33,273 --> 00:14:34,975 I-I TOLD HIM THAT YOU WOULDN'T GO FOR IT, 403 00:14:34,975 --> 00:14:36,907 BUT IF YOU HAVEN'T NOTICED, HE'S GOT A SCREW LOOSE. 404 00:14:36,907 --> 00:14:38,248 I CAN WORK ON THESE OTHER THINGS-- 405 00:14:38,248 --> 00:14:40,080 FOOD, CLOTHES, EVEN THE PHONE ISN'T IMPOSSIBLE, BUT-- 406 00:14:40,080 --> 00:14:41,912 HE SAID HE WON'T GO BACK TO PRISON. 407 00:14:41,912 --> 00:14:45,015 OKAY? HE WALKS OR HE WON'T HELP HER. 408 00:14:45,015 --> 00:14:46,216 BOYER, RIGHT? 409 00:14:46,216 --> 00:14:47,557 YEAH. 410 00:14:47,557 --> 00:14:49,059 YOU BEEN OUT OF LAW SCHOOL, WHAT, TWO, THREE YEARS? 411 00:14:49,059 --> 00:14:51,121 TEN MONTHS. 412 00:14:51,121 --> 00:14:52,392 TEN MONTHS? 413 00:14:52,392 --> 00:14:54,564 YEAH. OKAY, LISTEN TO ME. 414 00:14:54,564 --> 00:14:56,396 THAT DETECTIVE STANDING ON THAT BOMB, 415 00:14:56,396 --> 00:14:58,428 SHE NEEDS TO GET THROUGH THIS. 416 00:14:58,428 --> 00:15:00,200 YOU UNDERSTAND ME? 417 00:15:00,200 --> 00:15:02,232 LOOK, I-I SWEAR. I'M--I'M DOING WHAT I CAN. 418 00:15:02,232 --> 00:15:04,234 ALL RIGHT. I'LL TAKE THIS LIST TO THE D.A., 419 00:15:04,234 --> 00:15:07,107 BUT WE'RE GONNA NEED A PLAN "B." 420 00:15:11,211 --> 00:15:13,513 THE D.A.'s NOT GOING FOR IT, 421 00:15:13,513 --> 00:15:14,684 NOR SHOULD HE. 422 00:15:14,684 --> 00:15:16,686 TURNING THIS MADMAN LOOSE ON SOCIETY 423 00:15:16,686 --> 00:15:18,218 TO SAVE A SINGLE LIFE, 424 00:15:18,218 --> 00:15:19,289 EVEN HERS, 425 00:15:19,289 --> 00:15:21,291 IS AGAINST EVERYTHING WE STAND FOR. 426 00:15:21,291 --> 00:15:24,154 BECKETT--SHE'D BE THE FIRST TO AGREE WITH THAT. 427 00:15:24,154 --> 00:15:25,455 I'LL GO BACK TO THE LAWYER. 428 00:15:25,455 --> 00:15:27,457 SEE IF HE CAN GET THROUGH TO FOSSE. 429 00:15:31,661 --> 00:15:33,363 (Boyer) SO I TOLD HIM THAT 430 00:15:33,363 --> 00:15:35,365 THERE WAS A DEAL TO BE HAD, JUST NOT FOR AMNESTY-- 431 00:15:35,365 --> 00:15:36,536 AND? 432 00:15:36,536 --> 00:15:38,208 AND HE'S STILL INSISTING HE WALK. 433 00:15:38,208 --> 00:15:40,340 (sighs) I FIGURED I'D GIVE HIM A FEW MINUTES TO THINK 434 00:15:40,340 --> 00:15:41,671 AND TRY AGAIN. 435 00:15:41,671 --> 00:15:44,044 DETECTIVE, I SWEAR, I'M DOING EVERYTHING I CAN. 436 00:15:44,044 --> 00:15:45,215 THANKS. 437 00:15:45,215 --> 00:15:46,176 YEAH. 438 00:15:46,176 --> 00:15:48,078 YO, DO ME A FAVOR? 439 00:15:48,078 --> 00:15:50,120 WHY DON'T YOU KEEP JUNIOR OVER THERE BUSY FOR ME, 440 00:15:50,120 --> 00:15:51,251 WILL YOU? 441 00:15:51,251 --> 00:15:53,223 I'M GONNA GO SEE OUR BOY IN HOLDING. 442 00:15:53,223 --> 00:15:54,554 WHY? 443 00:15:54,554 --> 00:15:56,156 YOU WANT THAT CODE, RIGHT? 444 00:15:56,156 --> 00:15:58,088 JAVI, WHAT ARE YOU GONNA DO? 445 00:15:58,088 --> 00:15:59,990 THAT'S UP TO HIM. 446 00:16:10,070 --> 00:16:11,241 (gurgling) 447 00:16:11,241 --> 00:16:12,672 MEDIC! 448 00:16:12,672 --> 00:16:14,704 I NEED A MEDIC IN HOLDING NOW! 449 00:16:14,704 --> 00:16:17,207 (keys jangle) 450 00:16:23,213 --> 00:16:24,454 (emergency radio chatter) 451 00:16:24,454 --> 00:16:25,655 HOW IN THE HELL DID HE GET THAT PEN? 452 00:16:25,655 --> 00:16:27,017 THAT FRIGGIN' LAWYER GAVE IT TO HIM. 453 00:16:27,017 --> 00:16:28,188 HE WAS TRYING TO ENCOURAGE FOSSE 454 00:16:28,188 --> 00:16:29,359 TO COME UP WITH SOME ALTERNATE DEMANDS. 455 00:16:29,359 --> 00:16:31,091 AND INSTEAD HE JUST COST US ANY HOPE 456 00:16:31,091 --> 00:16:32,422 OF GETTING THAT DISARM CODE. 457 00:16:32,422 --> 00:16:34,224 THE GUY JUST GOT OUT OF PRISON A COUPLE OF MONTHS AGO. 458 00:16:34,224 --> 00:16:35,725 WHY WOULD HE START KILLING PEOPLE, 459 00:16:35,725 --> 00:16:37,227 AND WHY WOULD HE TAKE HIS OWN LIFE? 460 00:16:37,227 --> 00:16:38,568 I THINK I CAN ANSWER THAT. 461 00:16:38,568 --> 00:16:41,271 TURNS OUT... FOSSE HAD STAGE IV BRAIN CANCER. 462 00:16:41,271 --> 00:16:43,273 FOUND OUT LAST MONTH. HE WAS GONNA DIE ANYWAY. 463 00:16:43,273 --> 00:16:45,575 SO IF HE WAS DYING, WHY NOT TAKE HIS ENEMIES WITH HIM? 464 00:16:45,575 --> 00:16:47,437 EXACTLY, AND HIS ENEMIES WEREN'T LIMITED TO COPS 465 00:16:47,437 --> 00:16:49,339 AND LAST NIGHT'S BOMBING VICTIM. 466 00:16:49,339 --> 00:16:52,242 THERE WAS ANOTHER BOMBING LAST WEEK IN CONNECTICUT. 467 00:16:52,242 --> 00:16:54,284 THAT VICTIM WORKED FOR THE A.D.A. 468 00:16:54,284 --> 00:16:55,645 THAT PUT FOSSE IN JAIL SIX YEARS AGO. 469 00:16:55,645 --> 00:16:58,248 HEY, FOSSE SAID, "I'M NOT DONE YET." 470 00:16:59,449 --> 00:17:00,790 MAKE A LIST OF EVERYONE 471 00:17:00,790 --> 00:17:02,592 INVOLVED WITH THE PROSECUTION AT HIS TRIAL. 472 00:17:02,592 --> 00:17:04,594 WE NEED TO WARN THEM. THERE MAY BE OTHER BOMBS OUT THERE. 473 00:17:04,594 --> 00:17:07,057 AND GET ALL THE INFORMATION ON ANY FRAGMENTS 474 00:17:07,057 --> 00:17:09,229 THAT WERE RECOVERED FROM BOTH BOMBINGS. 475 00:17:09,229 --> 00:17:11,461 IF THOSE BOMBS WERE MADE WITH ANY COMMON COMPONENTS, 476 00:17:11,461 --> 00:17:14,434 IT COULD HELP B.D.U. DEACTIVATE THE DEVICE THAT BECKETT'S ON. 477 00:17:17,107 --> 00:17:18,268 (blinds clatter) 478 00:17:18,268 --> 00:17:19,269 (engine idling) 479 00:17:19,269 --> 00:17:20,540 (Mahoney) WITHOUT THE DISARM CODE, 480 00:17:20,540 --> 00:17:22,572 WE'RE GONNA NEED TO GET EYES ON THE DEVICE. 481 00:17:22,572 --> 00:17:23,813 WE USE A FIBER-OPTIC SCOPE... (blinds clatter) 482 00:17:23,813 --> 00:17:25,475 GO IN THROUGH THE CEILING DOWNSTAIRS. 483 00:17:25,475 --> 00:17:27,077 IS THAT DANGEROUS? 484 00:17:27,077 --> 00:17:29,119 WELL, WE'LL DO EVERYTHING WE CAN TO MINIMIZE THE RISK. 485 00:17:29,119 --> 00:17:31,321 WE'LL START ACROSS THE ROOM, SNAKE THE CABLE OVER. 486 00:17:31,321 --> 00:17:33,323 STILL, THERE'LL BE SOME VIBRATIONS. 487 00:17:33,323 --> 00:17:35,225 SO THERE'S ALWAYS A CHANCE THAT-- 488 00:17:35,225 --> 00:17:38,088 JUST DO IT. I CAN'T KEEP STANDING HERE FOREVER. 489 00:17:38,088 --> 00:17:39,389 ALL RIGHT. 490 00:17:39,389 --> 00:17:41,231 WE'LL GO AS QUICK AS WE CAN BUT AS SLOW AS WE HAVE TO. 491 00:17:41,231 --> 00:17:43,333 THANK YOU. 492 00:17:43,333 --> 00:17:45,765 CASTLE, LISTEN TO ME-- 493 00:17:45,765 --> 00:17:47,337 I'M NOT LEAVING. 494 00:17:47,337 --> 00:17:48,798 LOOK, I KNOW, BUT DEPENDING ON WHAT HAPPENS, 495 00:17:48,798 --> 00:17:50,740 THERE'S SOMETHING THAT I NEED YOU TO DO-- 496 00:17:50,740 --> 00:17:53,273 SOMETHING THAT I CAN'T DO MYSELF. 497 00:17:53,273 --> 00:17:55,175 YOU NEED ME TO HIDE YOUR PORN STASH 498 00:17:55,175 --> 00:17:56,446 SO YOUR DAD DOESN'T FIND IT? 499 00:17:56,446 --> 00:17:57,677 COULD YOU JUST BE SERIOUS FOR A SECOND, PLEASE? 500 00:17:57,677 --> 00:18:00,210 OKAY. WHAT? WHAT DO YOU NEED ME TO DO? 501 00:18:00,210 --> 00:18:02,081 (sighs deeply) 502 00:18:03,313 --> 00:18:04,814 NOT NOW, OKAY? 503 00:18:04,814 --> 00:18:06,316 JUST PROMISE ME YOU'LL DO IT. 504 00:18:06,316 --> 00:18:07,657 YEAH. OKAY, YEAH. 505 00:18:07,657 --> 00:18:09,359 BUT LOOK, YOU DON'T NEED TO BE THINKING LIKE THIS. 506 00:18:09,359 --> 00:18:10,660 I'M JUST--I'M TRYING TO BE REALISTIC, CASTLE. 507 00:18:10,660 --> 00:18:12,492 I'VE BEEN STANDING HERE FOR HOURS. 508 00:18:12,492 --> 00:18:14,494 AND I'M FEELING THE FATIGUE SET IN. 509 00:18:14,494 --> 00:18:15,825 DON'T THINK ABOUT IT. 510 00:18:15,825 --> 00:18:17,827 BEATING FATIGUE IS JUST, UM... 511 00:18:17,827 --> 00:18:19,329 IT'S MIND OVER BODY. 512 00:18:19,329 --> 00:18:23,333 ESCAPED P.O.W.s HAVE WALKED HUNDREDS OF MILES 513 00:18:23,333 --> 00:18:24,474 TO GAIN THEIR FREEDOM. 514 00:18:24,474 --> 00:18:26,776 POLAR EXPLORER ERNEST SHACKLETON 515 00:18:26,776 --> 00:18:29,339 RODE IN A LIFEBOAT 800 MILES TO SAVE HIS CREW, 516 00:18:29,339 --> 00:18:32,242 ALL BECAUSE OF... (clicks tongue) 517 00:18:32,242 --> 00:18:34,884 YOU CAN CONVINCE YOURSELF OF ALMOST ANYTHING. 518 00:18:34,884 --> 00:18:36,546 MUCH LIKE YOU CONVINCED YOURSELF 519 00:18:36,546 --> 00:18:38,648 YOU WEREN'T CRAZY ABOUT ME. 520 00:18:38,648 --> 00:18:40,790 CASTLE, I KNOW WHAT YOU'RE TRYING TO DO. 521 00:18:40,790 --> 00:18:42,452 YOU'RE TRYING TO TAKE MY MIND OFF OF IT. 522 00:18:42,452 --> 00:18:45,325 AND I APPRECIATE THAT, BUT DO WE REALLY HAVE TO-- 523 00:18:45,325 --> 00:18:47,357 AND BY THE WAY, YOU MAY HAVE CONVINCED YOURSELF, 524 00:18:47,357 --> 00:18:50,260 BUT... (chuckles) YOU WEREN'T FOOLING ANYONE ELSE-- 525 00:18:50,260 --> 00:18:52,502 NOT ME, AND CERTAINLY NOT YOUR FRIENDS. 526 00:18:52,502 --> 00:18:55,465 REALLY? 'CAUSE NO ONE EVER SAID ANYTHING TO ME. 527 00:18:56,736 --> 00:18:58,408 (Lanie) GIRL, I'M-A SMACK YOU. 528 00:18:58,408 --> 00:19:00,570 YOU WORK SIDE BY SIDE EVERY DAY. 529 00:19:00,570 --> 00:19:02,572 HE WRITES A SEX SCENE IN HIS BOOK ABOUT YOU 530 00:19:02,572 --> 00:19:04,644 THAT HAD ME REACHING FOR ICE WATER. 531 00:19:04,644 --> 00:19:06,416 NOW LITTLE MISS BRIDE SHOWS UP. 532 00:19:06,416 --> 00:19:08,278 DON'T TELL ME YOU'RE NOT THE LEAST BIT JEALOUS. 533 00:19:08,278 --> 00:19:09,479 OH, PLEASE. 534 00:19:09,479 --> 00:19:11,321 YOU HAVE BEEN INHALING TOO MANY AUTOPSY FLUIDS. 535 00:19:11,321 --> 00:19:14,854 HONEY, JUST BECAUSE YOU CAN'T SEE WHAT'S GOING ON 536 00:19:14,854 --> 00:19:16,856 DOESN'T MEAN EVERYONE ELSE DOESN'T SEE WHAT'S GOING ON! 537 00:19:16,856 --> 00:19:18,758 (singsongy) SHUT UP! 538 00:19:18,758 --> 00:19:20,390 HE'S INTO YOU, 539 00:19:20,390 --> 00:19:22,232 BUT YOU'RE DETERMINED NOT TO GIVE IN TO THESE FEELINGS 540 00:19:22,232 --> 00:19:23,563 THAT YOU CLEARLY HAVE FOR HIM. 541 00:19:23,563 --> 00:19:25,935 SO HE FANTASIZES ABOUT YOU THROUGH HIS WRITING. 542 00:19:25,935 --> 00:19:28,268 IT'S LITERALLY... (whispers) VERBAL MASTURBATION. 543 00:19:28,268 --> 00:19:29,769 (Madison) NO, NO, NO, NO, NO. I GET IT. 544 00:19:29,769 --> 00:19:32,402 YOU'RE HOT FOR CASTLE. 545 00:19:32,402 --> 00:19:33,943 YOU WANT TO MAKE LITTLE CASTLE BABIES. 546 00:19:33,943 --> 00:19:38,378 DESPITE YOUR LITTLE ACT, YOU'RE CRAZY ABOUT HIM. 547 00:19:38,378 --> 00:19:40,550 OH, WHAT? WAS THAT SUPPOSED TO BE SOME BIG SECRET? 548 00:19:40,550 --> 00:19:43,353 YES. 549 00:19:44,384 --> 00:19:45,555 NO. 550 00:19:46,916 --> 00:19:48,658 DO YOU THINK HE KNOWS? 551 00:19:52,862 --> 00:19:54,894 HE'S ALL YOURS. 552 00:19:56,296 --> 00:19:57,827 (chuckles) 553 00:20:06,276 --> 00:20:08,278 (Beckett) OKAY, OKAY. 554 00:20:08,278 --> 00:20:09,779 THEY MIGHT HAVE SAID SOMETHING, BUT-- 555 00:20:09,779 --> 00:20:11,241 UH-HUH. 556 00:20:11,241 --> 00:20:12,582 BUT THEY WERE COMPLETELY MISREADING THE SITUATION. 557 00:20:12,582 --> 00:20:15,385 OH. MUCH LIKE I MUST HAVE BEEN MISREADING THE SITUATION 558 00:20:15,385 --> 00:20:18,248 ALL THOSE TIMES YOU DRESSED UP IN REVEALING OUTFITS 559 00:20:18,248 --> 00:20:21,321 TO TRY AND, UH, TURN MY HEAD. 560 00:20:21,321 --> 00:20:22,752 (Billy Squier's "The Stroke" playing) 561 00:20:22,752 --> 00:20:24,894 ♪ NOW, EVERYBODY ♪ 562 00:20:24,894 --> 00:20:26,426 ♪ HAVE YOU HEARD? ♪ 563 00:20:26,426 --> 00:20:27,957 "NO ONE"... 564 00:20:27,957 --> 00:20:30,430 ♪ IF YOU'RE IN THE GAME ♪ 565 00:20:30,430 --> 00:20:32,532 ♪ THEN THE STROKE'S THE WORD ♪ 566 00:20:34,233 --> 00:20:36,606 ♪ DON'T TAKE NO RHYTHM ♪ 567 00:20:36,606 --> 00:20:39,309 ♪ DON'T TAKE NO STYLE ♪ 568 00:20:39,309 --> 00:20:41,611 ♪ GOT A THIRST FOR KILLIN' ♪ 569 00:20:41,611 --> 00:20:43,573 ♪ GRAB YOUR VILE ♪ 570 00:20:43,573 --> 00:20:45,445 (Castle) UNDERCOVER? I LIKE IT. 571 00:20:45,445 --> 00:20:47,477 YOU MIGHT WANT TO POP ONE MORE BUTTON, JUST IN CASE. 572 00:20:47,477 --> 00:20:50,920 ♪♪♪ 573 00:20:55,355 --> 00:20:58,328 ♪ SPREAD YOUR EAR POLLUTION ♪ 574 00:20:58,328 --> 00:21:00,259 ♪ BOTH FAR AND WIDE ♪ 575 00:21:00,259 --> 00:21:03,393 ♪ KEEP YOUR CONTRIBUTIONS ♪ 576 00:21:03,393 --> 00:21:07,867 ♪ BY YOUR SIDE, AND STROKE ME, STROKE ME ♪ 577 00:21:07,867 --> 00:21:09,939 (singers) ♪ STROKE! ♪ 578 00:21:09,939 --> 00:21:12,041 (Castle, lowered voice) IS IT JUST MY IMAGINATION, 579 00:21:12,041 --> 00:21:13,503 OR DID YOU CHANGE? 580 00:21:13,503 --> 00:21:15,945 CASTLE, COULD YOU GET SOME BACKUP, PLEASE? YEAH. 581 00:21:15,945 --> 00:21:18,378 THE ONLY REASON THAT I WAS DRESSED UP 582 00:21:18,378 --> 00:21:19,979 WAS TO GO UNDERCOVER. 583 00:21:19,979 --> 00:21:22,382 OH, I GUESS IT WAS JUST A COINCIDENCE THAT... 584 00:21:22,382 --> 00:21:25,415 EACH TIME, I JUST SO HAPPENED TO BE THERE. 585 00:21:25,415 --> 00:21:26,716 NO, IT WASN'T A COINCIDENCE, 586 00:21:26,716 --> 00:21:28,858 BECAUSE YOU WERE ALWAYS FOLLOWING ME AROUND. 587 00:21:28,858 --> 00:21:31,321 WHY? 'CAUSE YOU WERE INTO ME. 588 00:21:31,321 --> 00:21:32,522 ME INTO YOU? YEAH. 589 00:21:32,522 --> 00:21:35,825 MM. I-I ADMIT, I FOUND YOU NOT UNATTRACTIVE 590 00:21:35,825 --> 00:21:37,427 AND OCCASIONALLY... 591 00:21:37,427 --> 00:21:38,768 FUN TO BE AROUND. 592 00:21:38,768 --> 00:21:41,000 BUT INTO YOU? N-MM. 593 00:21:41,000 --> 00:21:43,673 NO. DEFINITELY NOT. 594 00:21:43,673 --> 00:21:45,835 OKAY, FINE. THEN WHY WERE YOU FOLLOWING ME AROUND? 595 00:21:45,835 --> 00:21:47,677 AND DON'T SAY THAT IT WAS RESEARCH, 596 00:21:47,677 --> 00:21:49,779 BECAUSE NO ONE BELIEVED THAT FOR A SECOND. 597 00:21:49,779 --> 00:21:51,080 YOU REALLY WANT TO KNOW? 598 00:21:51,080 --> 00:21:52,612 MM-HMM. 599 00:21:52,612 --> 00:21:54,514 (exhales) IT WAS BECAUSE I WAS... 600 00:21:54,514 --> 00:21:55,645 (sighs) 601 00:21:55,645 --> 00:21:58,548 (laughs) HAVING SO MUCH FUN PLAYING COP. 602 00:21:58,548 --> 00:22:01,090 ♪ PA NA NA NA NA NA NA NA, PA NA NA NA NA NA ♪ 603 00:22:01,090 --> 00:22:04,323 ♪ PA NA NA NA NA NA NA NA, PA NA NA NA NA NA ♪ 604 00:22:04,323 --> 00:22:05,425 ♪ DOO NA NA NA NA ♪ 605 00:22:05,425 --> 00:22:07,597 (thuds) OH! GOD! OHH. 606 00:22:07,597 --> 00:22:08,798 (grunts) 607 00:22:08,798 --> 00:22:10,059 (clicks) 608 00:22:10,059 --> 00:22:11,701 (squeaks and slaps) OH! 609 00:22:11,701 --> 00:22:13,433 ♪♪♪ 610 00:22:13,433 --> 00:22:15,605 DEAD BODY? (whispers) YES! 611 00:22:15,605 --> 00:22:16,766 DROP THE GUN, DIRTBAG! 612 00:22:16,766 --> 00:22:18,738 WHAT DID YOU CALL ME? D-DIRT-DIRTBAG. 613 00:22:18,738 --> 00:22:20,109 BOO-YAH. 614 00:22:20,109 --> 00:22:22,341 IS THERE A POLICE CODE FOR ZOMBIE ON THE LOOSE? 615 00:22:22,341 --> 00:22:23,443 (whispers) I LOVE THIS CASE. 616 00:22:23,443 --> 00:22:25,014 (woman) AAH! OHH! 617 00:22:25,014 --> 00:22:26,646 (woman grunts, indistinct shouting) 618 00:22:26,646 --> 00:22:27,977 SECRETS, MURDER, AND GAMBLING-- 619 00:22:27,977 --> 00:22:30,079 THREE OF MY FAVORITE PASTIMES. 620 00:22:30,079 --> 00:22:31,120 I GOT HIM! 621 00:22:31,120 --> 00:22:32,682 (thuds) I GOT HIM! 622 00:22:32,682 --> 00:22:34,424 BAM! SO YOU ADMIT THAT IT WAS YOU 623 00:22:34,424 --> 00:22:36,926 WHO VANDALIZED WILDER'S APARTMENT? CASTLE. 624 00:22:36,926 --> 00:22:38,728 I SOMETIMES FORGET I'M NOT ACTUALLY A COP. 625 00:22:38,728 --> 00:22:40,630 WANT ME TO BUST OUT JAKE AND THE FATMAN AGAIN? 626 00:22:40,630 --> 00:22:42,562 WHOO-HOO. WHOO. 627 00:22:42,562 --> 00:22:44,564 I'VE ALWAYS WANTED TO DO THAT! 628 00:22:44,564 --> 00:22:46,736 (taser whines) 629 00:22:46,736 --> 00:22:48,097 OHH! AHH! 630 00:22:48,097 --> 00:22:49,769 (electricity crackles) OHH! OH! 631 00:22:49,769 --> 00:22:51,401 DROP THE GUN OR I SWEAR TO GOD, I'LL-- 632 00:22:51,401 --> 00:22:53,403 ♪♪♪ 633 00:22:53,403 --> 00:22:54,944 TELL ME YOU SAW THAT! 634 00:22:54,944 --> 00:22:57,146 (grunts) SORRY! 635 00:22:57,146 --> 00:22:58,678 (grunts) (grunts) 636 00:22:58,678 --> 00:23:00,550 (grunts) (grunts) 637 00:23:00,550 --> 00:23:02,111 OH! 638 00:23:02,111 --> 00:23:03,713 (grunts) LITTLE HELP? 639 00:23:03,713 --> 00:23:04,914 THAT WAS AWESOME. 640 00:23:04,914 --> 00:23:06,856 I MEAN, WELL, OBVIOUSLY, IT WAS HORRIBLE, BUT-- 641 00:23:06,856 --> 00:23:08,387 I HATE THIS CASE. 642 00:23:08,387 --> 00:23:09,659 I KNOW. ISN'T IT GREAT? 643 00:23:09,659 --> 00:23:13,092 ♪♪♪ 644 00:23:13,092 --> 00:23:14,724 (blows air) 645 00:23:14,724 --> 00:23:16,065 PUT YOUR HANDS IN THE AIR 646 00:23:16,065 --> 00:23:17,166 AND GET ON YOUR KNEES WHILE YOU'RE AT IT! 647 00:23:17,166 --> 00:23:20,169 GENTLEMEN, IF I'VE LEARNED ONE THING, 648 00:23:20,169 --> 00:23:22,171 IT'S TO NOT LET A LITTLE THING LIKE MURDER 649 00:23:22,171 --> 00:23:24,634 GET IN THE WAY OF HAVING A GOOD TIME. 650 00:23:24,634 --> 00:23:26,836 THAT'S NOT WHY YOU WERE FOLLOWING ME AROUND. 651 00:23:26,836 --> 00:23:28,037 IT IS, TOO. 652 00:23:28,037 --> 00:23:30,179 AND ANYTHING ELSE YOU COME UP WITH IS... 653 00:23:30,179 --> 00:23:32,442 STRICTLY A PRODUCT OF YOUR IMAGINATION. 654 00:23:32,442 --> 00:23:33,613 WELL, IT'S OBVIOUS THAT YOU AND I 655 00:23:33,613 --> 00:23:34,844 ARE NOT GONNA RESOLVE THIS. 656 00:23:34,844 --> 00:23:37,146 SO YOU CONCEDE? 657 00:23:37,146 --> 00:23:38,988 (Esposito) SERIOUSLY? 658 00:23:38,988 --> 00:23:41,451 WHO LIKED WHO FIRST? (Beckett) That's right. 659 00:23:41,451 --> 00:23:44,654 WHO WAS INTO WHOM FIRST, ME OR CASTLE? You do realize 660 00:23:44,654 --> 00:23:46,155 THAT I'M BUSY TRYING TO SAVE YOUR LIFE? 661 00:23:46,155 --> 00:23:47,627 Just answer the question, 662 00:23:47,627 --> 00:23:49,198 ESPO, AND DON'T BE AFRAID TO HURT HIS FEELINGS. 663 00:23:49,198 --> 00:23:52,001 AND DON'T FORGET ABOUT HOW JEALOUS SHE GOT 664 00:23:52,001 --> 00:23:54,163 that time we worked that case at my ex-girlfriend's wedding. 665 00:23:54,163 --> 00:23:57,467 Or how jealous he got when I was with Demming. 666 00:23:57,467 --> 00:23:59,138 OR BEFORE THAT, HOW JEALOUS SHE GOT ABOUT ME 667 00:23:59,138 --> 00:24:00,570 and my ex-wife. WHO ARE YOU TALKING TO? 668 00:24:00,570 --> 00:24:01,711 Or how about when you wrote that sex scene... 669 00:24:01,711 --> 00:24:03,673 IT'S CASTLE AND BECKETT. in Nikki Heat? 670 00:24:03,673 --> 00:24:05,144 I THINK THEY'RE STARTING TO CRACK. CHECK IT OUT. (Beckett speaks indistinctly) 671 00:24:05,144 --> 00:24:07,877 (cell phone beeps) Or, uh, jealous about me and Serena Kaye, 672 00:24:07,877 --> 00:24:09,148 or Sophia from the CIA, 673 00:24:09,148 --> 00:24:11,180 or Agent Shaw from the FBI. 674 00:24:11,180 --> 00:24:13,152 (Beckett and Castle speaking indistinctly) YEAH, WOW. TOTALLY LOSING IT. 675 00:24:13,152 --> 00:24:15,054 LISTEN, I RAN DOWN THE BOMB FRAGMENTS 676 00:24:15,054 --> 00:24:16,556 FROM FOSSE'S PREVIOUS ATTACKS. 677 00:24:16,556 --> 00:24:18,227 THE COMPONENTS HE USED WERE COMPLETELY DIFFERENT. 678 00:24:18,227 --> 00:24:19,789 THEY'RE NOT GONNA BE ANY HELP 679 00:24:19,789 --> 00:24:21,160 IN DETERMINING WHAT THIS THIRD BOMB IS LIKE. 680 00:24:21,160 --> 00:24:23,733 SO IT'S UP TO B.D.U. NOW. YEAH. 681 00:24:23,733 --> 00:24:25,164 (whirs) 682 00:24:50,720 --> 00:24:53,192 OH, GOD. 683 00:24:53,192 --> 00:24:55,264 THERE'S A TIMER, TOO. 684 00:25:02,672 --> 00:25:04,634 SEEMS LIKE THE TIMER WAS ACTIVATED 685 00:25:04,634 --> 00:25:06,636 WHEN SHE STEPPED ON THAT TRIGGERING PLATE. 686 00:25:06,636 --> 00:25:09,138 OKAY. WELL, HOW MUCH TIME IS LEFT? 687 00:25:09,138 --> 00:25:12,912 30 MINUTES AND 47 SECONDS. (keypad beeping) 688 00:25:12,912 --> 00:25:14,544 UM... 689 00:25:14,544 --> 00:25:15,785 (beep) ALL RIGHT. UM... 690 00:25:15,785 --> 00:25:17,246 WELL... (beep) 691 00:25:17,246 --> 00:25:19,088 CAN WE DEACTIVATE IT BY THEN? 692 00:25:19,088 --> 00:25:20,289 WE'LL TRY. 693 00:25:20,289 --> 00:25:21,951 TROUBLE IS, OUR USUAL TARGETS-- 694 00:25:21,951 --> 00:25:23,893 THE FUSE, THE DETONATOR, THE TIMING PIN-- 695 00:25:23,893 --> 00:25:25,895 THEY'RE ALL SHIELDED BY A STEEL PLATE. 696 00:25:25,895 --> 00:25:27,226 WELL, THERE'S GOTTA BE SOMETHING WE CAN DO. 697 00:25:27,226 --> 00:25:29,198 WE COULD LINE THE FLOOR WITH ARMOR. 698 00:25:29,198 --> 00:25:31,300 I COULD JUST PUT ON ONE OF THOSE "HURT LOCKER" SUITS. 699 00:25:31,300 --> 00:25:33,232 I COULD TACKLE HER RIGHT OFF OF IT. 700 00:25:33,232 --> 00:25:34,904 CASTLE, IF THAT THING GOES OFF, 701 00:25:34,904 --> 00:25:36,606 THE WHOLE BUILDING'S GOING WITH IT. 702 00:25:36,606 --> 00:25:37,837 THERE'S NOT A SUIT IN THE WORLD THAT'S GONNA-- 703 00:25:37,837 --> 00:25:40,309 (Beckett) HEY, CASTLE. WHAT'S GOING ON? 704 00:25:40,309 --> 00:25:42,271 UH, BE RIGHT THERE. 705 00:25:42,271 --> 00:25:45,014 I PROMISE WE'LL DO ALL THAT WE CAN. 706 00:25:45,014 --> 00:25:46,616 BUT I URGE YOU TO BE REALISTIC-- 707 00:25:46,616 --> 00:25:49,719 OKAY, THANK YOU. CAPTAIN, THANK YOU. 708 00:25:52,652 --> 00:25:53,923 WHAT DID HE SAY? 709 00:25:53,923 --> 00:25:55,885 GOOD NEWS. THEY'VE ISOLATED THE BOMB. 710 00:25:55,885 --> 00:25:57,657 AND THEY'RE DEPLOYING THEIR BOMB DISPOSAL ROBOT. 711 00:25:57,657 --> 00:25:59,889 IT'S A NEW PROTOTYPE MODEL WITH ADVANCED A.I. 712 00:25:59,889 --> 00:26:02,992 THEY'VE HAD A LOT OF SUCCESS IN FIELD SIMULATIONS. IT'S... 713 00:26:02,992 --> 00:26:04,694 WHAT? 714 00:26:04,694 --> 00:26:06,966 A PROTOTYPE ROBOT? 715 00:26:06,966 --> 00:26:09,198 I CAN TELL WHEN YOU'RE LYING, CASTLE. 716 00:26:09,198 --> 00:26:10,569 YOU KNOW THAT. 717 00:26:10,569 --> 00:26:11,841 LIKE WHEN YOU SAID THAT YOU WERE... 718 00:26:11,841 --> 00:26:13,342 FOLLOWING ME JUST TO PLAY COP. 719 00:26:13,342 --> 00:26:15,144 NOW WHAT DID HE ACTUALLY SAY? 720 00:26:17,246 --> 00:26:18,978 THERE'S A TIMER ON THE BOMB. 721 00:26:21,280 --> 00:26:23,352 HOW LONG? 722 00:26:23,352 --> 00:26:24,854 ABOUT 30 MINUTES. 723 00:26:28,057 --> 00:26:29,889 (exhales) 724 00:26:29,889 --> 00:26:31,360 YEAH, WELL, IT'S PROBABLY JUST AS WELL. 725 00:26:31,360 --> 00:26:33,322 I CAN'T KEEP STANDING HERE ANYWAY. 726 00:26:33,322 --> 00:26:35,264 HEY, WE WILL GET YOU OUT OF THIS. 727 00:26:35,264 --> 00:26:36,866 AND WHAT MAKES YOU SO SURE? 728 00:26:36,866 --> 00:26:38,998 WE'VE BEEN IN BAD SITUATIONS BEFORE. 729 00:26:38,998 --> 00:26:41,631 (Dick Coonan) NOW HERE'S WHAT'S GONNA HAPPEN. 730 00:26:41,631 --> 00:26:44,073 WE'RE JUST GONNA STROLL ON OVER TO THE ELEVATOR, 731 00:26:44,073 --> 00:26:45,675 TOGETHER. 732 00:26:45,675 --> 00:26:49,739 YOU MAKE A SOUND, AND I'LL PUT A ROUND IN THIS MAN'S LIVER, 733 00:26:49,739 --> 00:26:51,310 AND HE WILL DIE SLOWLY. 734 00:26:51,310 --> 00:26:52,942 (alarm blaring) 735 00:26:52,942 --> 00:26:56,746 HOW CLOSE TO DEATH DO YOU WANT TO GET? 736 00:26:56,746 --> 00:26:58,147 (crackles) 737 00:26:58,147 --> 00:27:01,120 ♪♪♪ 738 00:27:01,120 --> 00:27:02,291 (Jerry Tyson) CASTLE! (Beckett grunts) 739 00:27:02,291 --> 00:27:03,622 ARE YOU WATCHING? 740 00:27:03,622 --> 00:27:05,054 I GOT YOUR GIRL! 741 00:27:05,054 --> 00:27:07,226 (growls) OHH! (pants) 742 00:27:07,226 --> 00:27:08,658 (gunfire) 743 00:27:08,658 --> 00:27:10,059 (gunshots) 744 00:27:10,059 --> 00:27:11,400 (engine revving) 745 00:27:11,400 --> 00:27:13,302 (tires squeal) 746 00:27:13,302 --> 00:27:14,363 (grunts) AH! 747 00:27:14,363 --> 00:27:16,405 (water rushes) 748 00:27:16,405 --> 00:27:18,267 (metal creaks) 749 00:27:18,267 --> 00:27:20,109 (Castle) I FEEL, IN SITUATIONS LIKE THIS, 750 00:27:20,109 --> 00:27:21,640 IT'S IMPORTANT TO HAVE FAITH. 751 00:27:21,640 --> 00:27:23,272 HELP! 752 00:27:23,272 --> 00:27:24,714 CASTLE! 753 00:27:26,676 --> 00:27:28,047 CASTLE, 754 00:27:28,047 --> 00:27:30,349 THANK YOU... 755 00:27:30,349 --> 00:27:32,351 FOR BEING THERE. 756 00:27:32,351 --> 00:27:33,883 (exhales) 757 00:27:33,883 --> 00:27:35,254 (pants) 758 00:27:35,254 --> 00:27:37,957 ALWAYS. 759 00:27:37,957 --> 00:27:40,790 YEAH, THERE IS SOMETHING ABOUT US 760 00:27:40,790 --> 00:27:42,862 THAT SEEMS TO DRAW IN TROUBLE. MM-HMM. 761 00:27:42,862 --> 00:27:46,395 BUT YOU'RE FORGETTING THE SCARIEST ONE OF THEM ALL. 762 00:27:46,395 --> 00:27:47,396 (door closes) 763 00:27:47,396 --> 00:27:49,839 (Martha) RICHARD, I'M HOME! 764 00:27:49,839 --> 00:27:52,041 (lowered voice) OH, MY GOD. AAH! 765 00:27:52,041 --> 00:27:54,173 DARLING, WE NEED TO TALK. 766 00:27:54,173 --> 00:27:55,444 HIDE. 767 00:27:55,444 --> 00:27:57,206 WHAT? HIDE. 768 00:27:57,206 --> 00:27:58,377 ARE YOU SERIOUS? GET IN THE CLOSET. 769 00:27:58,377 --> 00:27:59,879 NO, I'M NOT GOING IN THE CLOSET. 770 00:27:59,879 --> 00:28:01,180 GET IN THE CLOSET. OOH! 771 00:28:01,180 --> 00:28:02,982 WHAT'S GOING ON? 772 00:28:02,982 --> 00:28:04,383 I'M JUST... 773 00:28:04,383 --> 00:28:05,915 MAKING THE BED. 774 00:28:05,915 --> 00:28:07,386 OH. (blows air) 775 00:28:07,386 --> 00:28:10,289 THAT WAS TERRIFYING. 776 00:28:10,289 --> 00:28:11,861 BUT STILL, 777 00:28:11,861 --> 00:28:14,023 AS BAD AS THE SITUATION GETS, WE ALWAYS FIND A WAY OUT. 778 00:28:14,023 --> 00:28:15,294 OKAY, FINE. 779 00:28:15,294 --> 00:28:17,126 SO HOW ARE WE GONNA FIND OUR WAY OUT OF THIS ONE? 780 00:28:17,126 --> 00:28:20,269 I KEEP THINKING THE ANSWER IS IN FOSSE'S STORY. 781 00:28:20,269 --> 00:28:23,332 I MEAN, SOMETHING MUST HAVE SET HIM OFF. BUT WHAT? 782 00:28:23,332 --> 00:28:25,034 CASTLE, WHY DOES HIS STORY MATTER? 783 00:28:25,034 --> 00:28:26,405 THE STORY ALWAYS MATTERS. 784 00:28:26,405 --> 00:28:29,308 THAT'S ACTUALLY WHY WE MAKE SUCH A GREAT TEAM. 785 00:28:29,308 --> 00:28:30,379 YOU FIND THE EVIDENCE, 786 00:28:30,379 --> 00:28:32,041 EVIDENCE HELPS ME BUILD A STORY, 787 00:28:32,041 --> 00:28:34,884 THE STORY POINTS US TO THE SOLUTION. 788 00:28:34,884 --> 00:28:36,715 (elevator bell dings) THE KEY CARD. 789 00:28:36,715 --> 00:28:38,317 MIKE'S KEY CARD! 790 00:28:38,317 --> 00:28:39,919 SCARLETT GAVE IT TO HIM 791 00:28:39,919 --> 00:28:41,420 SO THAT THE TWO OF THEM COULD GO INTO BUSINESS TOGETHER. 792 00:28:41,420 --> 00:28:43,192 MAKING FOR ONE ANGRY BLACKMAILER. 793 00:28:43,192 --> 00:28:45,254 AND AS LONG AS HE'S ALIVE, HE'S A THREAT TO DAHL. 794 00:28:45,254 --> 00:28:46,455 SHE WAS IN ON IT FROM THE START. 795 00:28:46,455 --> 00:28:47,857 YES. HOW DID YOU KNOW? 796 00:28:47,857 --> 00:28:49,728 I WAS THINKING THE EXACT SAME THING. 797 00:28:49,728 --> 00:28:51,931 I THINK I FIGURED OUT WHO ZALMAN WAS PAID TO KILL. 798 00:28:51,931 --> 00:28:53,963 BILLIONAIRE PHILANTHROPIST CHRISTIAN DAHL? 799 00:28:53,963 --> 00:28:55,434 IT'S LIKE WE COULD BE TWINS. 800 00:28:55,434 --> 00:28:57,406 (both) I THINK I KNOW WHO THE KILLER IS. 801 00:28:57,406 --> 00:28:59,038 HIM. WHAT? 802 00:28:59,038 --> 00:29:00,209 HE LIED? 803 00:29:00,209 --> 00:29:01,410 THE CON IS STILL ON! 804 00:29:01,410 --> 00:29:02,812 THERE! 805 00:29:02,812 --> 00:29:04,313 I KNOW WHO THE KILLER IS! 806 00:29:04,313 --> 00:29:07,817 DO YOU TWO PRACTICE THIS WHEN WE'RE NOT AROUND? 807 00:29:07,817 --> 00:29:10,049 SEE? THE STORY-- 808 00:29:10,049 --> 00:29:11,350 IT'S OUR SECRET INGREDIENT. 809 00:29:11,350 --> 00:29:13,452 EXCEPT WHEN YOUR STORYTELLING DEVOLVES 810 00:29:13,452 --> 00:29:14,954 INTO WILD SPECULATION. 811 00:29:14,954 --> 00:29:16,285 THEN IT'S JUST MADDENING. 812 00:29:16,285 --> 00:29:18,958 HEY, THAT WILD SPECULATION 813 00:29:18,958 --> 00:29:21,961 ALMOST ALWAYS POINTS US TO OUR KILLER. 814 00:29:21,961 --> 00:29:24,463 YOU KNOW WHAT I DON'T GET, IS WHO WOULD STEAL A DEAD BODY? 815 00:29:24,463 --> 00:29:25,835 ORGAN HARVESTERS. 816 00:29:25,835 --> 00:29:27,166 CADAVERLESS MED STUDENTS. 817 00:29:27,166 --> 00:29:28,467 SATANISTS. 818 00:29:28,467 --> 00:29:30,900 MAD SCIENTISTS LOOKING TO CREATE THEIR OWN MONSTER. 819 00:29:30,900 --> 00:29:33,272 THE BULLET WAS MADE OF ICE. 820 00:29:33,272 --> 00:29:35,044 GUN-TOTING VIKING, THAT'S YOUR THEORY? 821 00:29:35,044 --> 00:29:37,246 OR HE'S A VAMPIRE. RECENTLY FIRED POSTAL WORKERS. 822 00:29:37,246 --> 00:29:38,908 HERE I AM, LOOKING FOR EVIDENCE, 823 00:29:38,908 --> 00:29:41,150 AND ALL I HAD TO DO WAS JUST MAKE SOMETHING UP. 824 00:29:41,150 --> 00:29:43,312 THE CLOCK WAS COMMISSIONED BY A SECRET SOCIETY 825 00:29:43,312 --> 00:29:44,914 TO COUNTDOWN THE END OF DAYS-- 826 00:29:44,914 --> 00:29:46,916 A SECRET SOCIETY OF SANTAS, 827 00:29:46,916 --> 00:29:48,517 WHO ARE THE GUARDIANS OF TIME. 828 00:29:48,517 --> 00:29:51,320 OH-HO! OH, THAT'S GOOD. 829 00:29:51,320 --> 00:29:53,062 DON'T SAY SPY. 830 00:29:53,062 --> 00:29:54,263 OR MOB HIT. 831 00:29:54,263 --> 00:29:56,295 MOB HIT OF A SPY? 832 00:29:56,295 --> 00:29:57,466 NINJA ASSASSIN. 833 00:29:57,466 --> 00:29:59,068 MAD DOCTORS AND B-MOVIE NAZIS. 834 00:29:59,068 --> 00:30:00,269 TIME-TRAVELING KILLER. 835 00:30:00,269 --> 00:30:01,931 MAYBE... 836 00:30:01,931 --> 00:30:03,372 ♪♪♪ 837 00:30:03,372 --> 00:30:04,904 NO, I GOT NOTHING. 838 00:30:04,904 --> 00:30:06,405 THE MUMMY HIMSELF HAS RISEN FROM THE GRAVE 839 00:30:06,405 --> 00:30:08,007 AND IS ROAMING NEW YORK SEEKING VENGEANCE. 840 00:30:08,007 --> 00:30:10,980 OOH. THAT'D BE COOL, IF IT WAS ACTUALLY A GHOST. 841 00:30:10,980 --> 00:30:13,182 DON'T RUIN MY STORY WITH YOUR LOGIC. 842 00:30:13,182 --> 00:30:15,184 (sighs) THE ACTUAL DVD WILL NOT KILL ME, ESPOSITO. 843 00:30:15,184 --> 00:30:17,586 IT WILL BE THE SPIRIT INSIDE THE DVD, 844 00:30:17,586 --> 00:30:19,218 JUST LIKE IN "THE RING." 845 00:30:19,218 --> 00:30:21,450 YEAH, THAT'S THE STUPIDEST THING YOU SAID YET. 846 00:30:21,450 --> 00:30:23,322 (Castle) SO A KILLER CYBORG SENT FROM THE FUTURE, 847 00:30:23,322 --> 00:30:25,354 RESISTANCE FIGHTERS INTERCEPT HIS COORDINATES, 848 00:30:25,354 --> 00:30:28,397 REDIRECT HIM INTO A PIZZA OVEN, SAVING HUMANITY. 849 00:30:28,397 --> 00:30:31,260 (whistles the "X-Files" theme) 850 00:30:31,260 --> 00:30:33,462 WHO NEEDS PROOF? WHAT A GREAT STORY. 851 00:30:33,462 --> 00:30:35,264 (coughs) MEN IN BLACK. (cough) 852 00:30:35,264 --> 00:30:38,307 THE PSYCHIC PREDICTED HER OWN MURDER? 853 00:30:38,307 --> 00:30:40,339 THE KILLER'S A ZOMBIE. (slaps) 854 00:30:40,339 --> 00:30:42,141 I SAID "ALMOST ALWAYS." 855 00:30:42,141 --> 00:30:43,913 BUT IN THIS CASE, WE'RE NOT TRYING TO CATCH OUR KILLER. 856 00:30:43,913 --> 00:30:45,844 FOSSE'S ALREADY DEAD. 857 00:30:45,844 --> 00:30:47,176 YOU KNOW WHAT BUGS ME? 858 00:30:47,176 --> 00:30:49,848 WHY WOULD A GUY ON A BOMBING SPREE 859 00:30:49,848 --> 00:30:51,850 BE WORRIED ABOUT SELLING HIS BASEBALL CARD COLLECTION? 860 00:30:51,850 --> 00:30:53,182 HE WOULDN'T. 861 00:30:53,182 --> 00:30:55,024 DO YOU THINK THAT FOSSE 862 00:30:55,024 --> 00:30:56,325 WAS TRYING TO LURE THE COLLECTOR HERE? 863 00:30:56,325 --> 00:30:58,287 YEAH, I'D SAY SO, SEEING AS HOW THIS RECEIPT SAYS 864 00:30:58,287 --> 00:31:01,060 HE JUST BOUGHT THIS COLLECTION A WEEK AGO. 865 00:31:01,060 --> 00:31:03,032 THAT CARD COLLECTOR WAS GOING DOWN TO THE STATION 866 00:31:03,032 --> 00:31:04,393 TO MAKE A STATEMENT, RIGHT? 867 00:31:04,393 --> 00:31:06,395 YES, YES. IF HE'S STILL THERE, MAYBE RYAN AND ESPOSITO 868 00:31:06,395 --> 00:31:08,397 CAN FIGURE OUT WHAT FOSSE WANTED WITH HIM. ALREADY ON IT. 869 00:31:08,397 --> 00:31:09,999 (Esposito) YOU'RE SURE YOU NEVER MET HIM BEFORE? 870 00:31:09,999 --> 00:31:11,300 NO PREVIOUS INTERACTIONS? (Diego) NO. 871 00:31:11,300 --> 00:31:12,601 HE FRIENDED ME ON FACEBOOK A FEW WEEKS AGO, 872 00:31:12,601 --> 00:31:14,143 SAW ME POSTING ABOUT SOME TRADING CARDS, 873 00:31:14,143 --> 00:31:16,175 SAID HE HAS SOME OLD ONES FOR ME TO TAKE A LOOK AT. 874 00:31:16,175 --> 00:31:18,377 HOW ABOUT ANY CONNECTION TO HIS TRIAL, EVEN INDIRECTLY? 875 00:31:18,377 --> 00:31:20,009 MAYBE YOUR JOB'S RELATED TO THE LEGAL FIELD SOMEHOW. 876 00:31:20,009 --> 00:31:22,051 I'M AN ADMINISTRATOR FOR N.Y.S.E.D. UP IN ALBANY. 877 00:31:22,051 --> 00:31:23,212 THIS IS THE FIRST TIME 878 00:31:23,212 --> 00:31:24,883 I'VE EVEN BEEN TO THE CITY IN YEARS. 879 00:31:24,883 --> 00:31:26,315 OKAY, WHAT ABOUT HIS VICTIMS, JEFFREY SKLAR, KELLY RUNTHER? 880 00:31:26,315 --> 00:31:27,516 ANY CONNECTION TO THEM? 881 00:31:27,516 --> 00:31:29,558 SORRY. I'VE NEVER SEEN THEM BEFORE. 882 00:31:29,558 --> 00:31:31,991 WHAT ABOUT THIS LIST OF NAMES CONNECTED TO THE FOSSE TRIAL? 883 00:31:31,991 --> 00:31:33,462 DO ANY OF THOSE NAMES LOOK FAMILIAR? 884 00:31:33,462 --> 00:31:35,624 LOOK AGAIN. WE'RE RUNNING OUT OF TIME. 885 00:31:35,624 --> 00:31:40,069 I WANT TO HELP. I DO. BUT I DON'T KNOW ANYTHING. 886 00:31:40,069 --> 00:31:42,331 YEAH. NO, I UNDER--I UNDERSTAND. THANK YOU, ESPOSITO. 887 00:31:42,331 --> 00:31:43,502 (cell phone beeps) 888 00:31:43,502 --> 00:31:46,505 DETECTIVE BECKETT. 889 00:31:46,505 --> 00:31:49,538 TEN MINUTES. I KNOW. 890 00:31:55,344 --> 00:31:57,346 IT'S OKAY, CAPTAIN. YOU DID EVERYTHING YOU COULD. 891 00:31:57,346 --> 00:31:58,948 WE ARE NOT GIVING UP. 892 00:31:58,948 --> 00:32:00,419 THERE'LL BE GUYS DOWN THERE WORKING ON THIS 893 00:32:00,419 --> 00:32:03,252 TILL THE LAST POSSIBLE MOMENT. 894 00:32:03,252 --> 00:32:06,255 BUT I HAVE TO WITHDRAW EVERYBODY ELSE, 895 00:32:06,255 --> 00:32:08,597 AND THAT INCLUDES YOU, CASTLE. COULD I JUST... 896 00:32:08,597 --> 00:32:11,400 COULD I HAVE A MOMENT ALONE WITH HIM, PLEASE? 897 00:32:11,400 --> 00:32:13,462 OF COURSE. 898 00:32:19,408 --> 00:32:22,241 IT'S TIME TO SAY GOOD-BYE. 899 00:32:22,241 --> 00:32:23,672 I'M NOT LEAVING. 900 00:32:23,672 --> 00:32:26,345 CASTLE, YOU PROMISED THAT YOU WOULD HELP ME WITH SOMETHING 901 00:32:26,345 --> 00:32:28,677 WHEN THE TIME CAME. 902 00:32:28,677 --> 00:32:30,549 THIS IS IT. 903 00:32:30,549 --> 00:32:33,382 BECKETT, NO. PLEASE, CASTLE. 904 00:32:33,382 --> 00:32:36,025 PLEASE DON'T MAKE THIS ANY HARDER THAN IT NEEDS TO BE. 905 00:32:39,388 --> 00:32:41,630 I-I WISH I COULD... 906 00:32:41,630 --> 00:32:43,162 KISS YOU. 907 00:32:43,162 --> 00:32:44,633 I WISH... 908 00:32:46,465 --> 00:32:48,097 SO MANY THINGS. 909 00:32:48,097 --> 00:32:49,268 NO. 910 00:32:49,268 --> 00:32:51,700 THERE'S NO REGRETS. 911 00:32:51,700 --> 00:32:55,644 ALL IN ALL, I THINK WE'VE HAD A GREAT RUN. 912 00:33:01,380 --> 00:33:04,353 YOU SHOULD GO. 913 00:33:10,489 --> 00:33:12,291 RICK. 914 00:33:15,124 --> 00:33:18,397 I LOVE YOU. 915 00:33:20,169 --> 00:33:23,432 I LOVE YOU, TOO. 916 00:33:33,582 --> 00:33:35,744 (exhales) 917 00:33:55,804 --> 00:33:57,536 (beeps) 918 00:33:57,536 --> 00:33:59,108 (keypad beeps) 919 00:33:59,108 --> 00:34:00,439 (auto dials) 920 00:34:00,439 --> 00:34:01,810 (phone rings, line clicks) 921 00:34:01,810 --> 00:34:03,812 (Jim) You've reached the voice mail of Jim Beckett. 922 00:34:03,812 --> 00:34:06,175 Please leave a message. (voice mail beeps) 923 00:34:06,175 --> 00:34:07,476 HEY, DAD, IT'S ME. 924 00:34:07,476 --> 00:34:10,779 I JUST WANTED TO HEAR YOUR VOICE AND... 925 00:34:10,779 --> 00:34:14,253 I WANTED TO TELL YOU THAT I LOVE YOU. 926 00:34:16,485 --> 00:34:18,627 OKAY, THAT'S ALL. 927 00:34:18,627 --> 00:34:20,489 BYE. 928 00:34:20,489 --> 00:34:22,391 (cell phone beeps) 929 00:34:25,434 --> 00:34:28,197 (exhales) 930 00:34:30,439 --> 00:34:32,671 (Montgomery) WE SPEAK FOR THE DEAD. 931 00:34:32,671 --> 00:34:35,544 THAT'S THE JOB. 932 00:34:35,544 --> 00:34:36,845 WE ARE ALL THEY'VE GOT 933 00:34:36,845 --> 00:34:40,349 ONCE THE WICKED ROB THEM OF THEIR VOICES. 934 00:34:40,349 --> 00:34:42,611 WE OWE THEM THAT. 935 00:34:42,611 --> 00:34:46,615 BUT WE DON'T OWE 'EM OUR LIVES. 936 00:34:46,615 --> 00:34:49,158 YOUR MOTHER ALWAYS SAID THAT LIFE 937 00:34:49,158 --> 00:34:52,621 NEVER DELIVERS ANYTHING THAT WE CAN'T HANDLE. 938 00:34:52,621 --> 00:34:55,324 (Castle) LET ME TAKE YOU SOMEPLACE, KATE. 939 00:34:55,324 --> 00:34:57,166 SOMEPLACE YOU'LL BE SAFE. 940 00:34:57,166 --> 00:34:59,428 I'LL NEVER BE SAFE. 941 00:34:59,428 --> 00:35:01,800 THERE ARE NO VICTORIES. 942 00:35:01,800 --> 00:35:03,502 THERE'S ONLY THE BATTLE. 943 00:35:03,502 --> 00:35:05,504 AND THE BEST THAT YOU COULD HOPE FOR 944 00:35:05,504 --> 00:35:08,537 IS THAT YOU FIND SOMEPLACE WHERE YOU CAN MAKE YOUR STAND. 945 00:35:08,537 --> 00:35:10,609 (Beckett) I WISH THAT I HAD SOMEONE 946 00:35:10,609 --> 00:35:13,582 WHO WOULD BE THERE FOR ME, AND I COULD BE THERE FOR HIM, 947 00:35:13,582 --> 00:35:16,185 AND WE COULD JUST DIVE INTO IT TOGETHER. 948 00:35:16,185 --> 00:35:17,586 (Beckett) EVEN ON THE WORST DAYS, 949 00:35:17,586 --> 00:35:20,649 THERE'S A POSSIBILITY FOR JOY. 950 00:35:20,649 --> 00:35:22,751 ♪♪♪ 951 00:35:22,751 --> 00:35:24,122 (gunshot) KATE! 952 00:35:24,122 --> 00:35:25,554 (grunts) (people screaming) 953 00:35:25,554 --> 00:35:27,796 (Beckett) I ALMOST DIED, 954 00:35:27,796 --> 00:35:30,629 AND ALL I COULD THINK ABOUT WAS YOU. 955 00:35:30,629 --> 00:35:33,362 I JUST WANT YOU. 956 00:35:33,362 --> 00:35:34,533 (siren wails) 957 00:35:34,533 --> 00:35:37,536 ♪♪♪ 958 00:35:37,536 --> 00:35:38,507 (siren wails) 959 00:35:38,507 --> 00:35:40,609 ♪♪♪ 960 00:35:40,609 --> 00:35:41,810 (Lanie) DON'T DIE ON ME! 961 00:35:41,810 --> 00:35:44,913 ♪♪♪ 962 00:35:44,913 --> 00:35:46,215 (man speaks indistinctly) (Lanie) COME ON! 963 00:35:46,215 --> 00:35:47,276 (man) SWITCH. WE GOT THIS. 964 00:35:47,276 --> 00:35:50,879 ♪♪♪ 965 00:35:50,879 --> 00:35:52,781 (woman) PULSE OX... (Josh) WE CAN'T WAIT. SET UP FOR INTUBATION. 966 00:35:52,781 --> 00:35:55,524 (monitor beeping erratically, people speaking indistinctly) 967 00:35:55,524 --> 00:35:57,486 (monitor emitting continuous tone) 968 00:35:57,486 --> 00:35:58,627 (voice breaking) KATE. 969 00:35:58,627 --> 00:36:00,659 I LOVE YOU. 970 00:36:00,659 --> 00:36:02,691 I LOVE YOU, KATE. 971 00:36:02,691 --> 00:36:06,365 (beeping) 972 00:36:06,365 --> 00:36:08,397 (Castle) HEY. WHAT ARE YOU DOING? 973 00:36:08,397 --> 00:36:09,868 NAPPING? 'CAUSE I CAN COME BACK LATER. 974 00:36:09,868 --> 00:36:11,570 CASTLE, WHAT ARE YOU DOING HERE? 975 00:36:11,570 --> 00:36:13,372 YOU PROMISED. 976 00:36:13,372 --> 00:36:14,503 YEAH, I PROMISED I'D LEAVE, 977 00:36:14,503 --> 00:36:16,205 BUT I DIDN'T PROMISE I WOULDN'T COME BACK. 978 00:36:16,205 --> 00:36:17,746 I GOT COFFEE--LATER-- FOR WHEN YOU'RE OFF THAT THING. 979 00:36:17,746 --> 00:36:19,608 NO, CASTLE, PLEASE. YOU HAVE TO LEAVE NOW. 980 00:36:19,608 --> 00:36:21,410 THERE'S NO REASON FOR BOTH OF US TO DIE. 981 00:36:21,410 --> 00:36:23,412 OH, I DIDN'T COME HERE TO DIE. I CAME HERE TO DEFUSE THE BOMB. 982 00:36:23,412 --> 00:36:24,513 THERE'S STILL A CHANCE. 983 00:36:24,513 --> 00:36:27,686 YES, A 1 IN 100,000 CHANCE. GREAT. 984 00:36:27,686 --> 00:36:29,518 WHILE THERE'S STILL A CHANCE, I'M NOT GIVING UP. 985 00:36:29,518 --> 00:36:30,789 CASTLE, LISTEN TO ME. 986 00:36:30,789 --> 00:36:32,491 I'VE ALREADY COME TO PEACE WITH THIS, 987 00:36:32,491 --> 00:36:34,523 AND THAT DOESN'T INCLUDE ALEXIS LOSING HER FATHER 988 00:36:34,523 --> 00:36:36,325 OR MARTHA HER SON. 989 00:36:36,325 --> 00:36:37,796 COME ON. WHAT AM I SUPPOSED TO DO, WALK OUT THE DOOR 990 00:36:37,796 --> 00:36:39,628 WHILE YOU'RE STANDING ALL THE WAY OVER THERE BY YOURSELF? 991 00:36:39,628 --> 00:36:41,400 YES. YES, THAT'S EXACTLY-- 992 00:36:41,400 --> 00:36:43,402 WAIT A SECOND. 993 00:36:43,402 --> 00:36:46,405 WHY ARE YOU STANDING ALL THE WAY OVER THERE? 994 00:36:46,405 --> 00:36:49,207 IF FOSSE SET THE BOMB FOR THE COPS, WHY NOT-- 995 00:36:49,207 --> 00:36:52,311 WHY NOT SET IT BY THE DOOR SO THEY'D HIT IS AS THEY CAME IN? 996 00:36:52,311 --> 00:36:54,243 UNLESS-- THIS WASN'T FOR COPS. 997 00:36:54,243 --> 00:36:56,415 THEN WHO WAS IT FOR? 998 00:36:56,415 --> 00:36:57,546 THE CARD COLLECTOR KID-- WHAT WAS HIS NAME? 999 00:36:57,546 --> 00:36:58,987 DIEGO. HE WAS ON HIS WAY UP HERE. 1000 00:36:58,987 --> 00:37:00,989 MAYBE FOSSE WAS TRYING TO LEVERAGE HIM FOR INFORMATION. 1001 00:37:00,989 --> 00:37:02,521 OKAY, GREAT. 1002 00:37:02,521 --> 00:37:04,523 SO, UH, WHAT'S NEAR WHERE YOU'RE STANDING? 1003 00:37:04,523 --> 00:37:06,325 THE ISLAND, CARDS, 1004 00:37:06,325 --> 00:37:07,656 COMPUTER. 1005 00:37:07,656 --> 00:37:09,328 CASTLE, I THINK I CAN REACH THAT COMPUTER FROM HERE. 1006 00:37:09,328 --> 00:37:11,360 YOU STAY THERE. I'LL--I'LL CHECK IT. 1007 00:37:11,360 --> 00:37:12,661 DO YOU THINK FOSSE WANTED DIEGO 1008 00:37:12,661 --> 00:37:13,902 TO LOOK SOMETHING UP? 1009 00:37:13,902 --> 00:37:15,264 MAYBE, BUT WHAT? 1010 00:37:15,264 --> 00:37:16,565 CHECKING THE BROWSER HISTORY--PORN... 1011 00:37:16,565 --> 00:37:17,906 (computer chirps) MORE PORN, 1012 00:37:17,906 --> 00:37:20,609 WEB SITES FOR A COUPLE OF P.I.s, 1013 00:37:20,609 --> 00:37:22,671 PeopleTracker.pro. 1014 00:37:22,671 --> 00:37:23,742 HE'S LOOKING FOR SOMEONE. 1015 00:37:23,742 --> 00:37:25,274 MAYBE IT WAS SOMEONE ELSE 1016 00:37:25,274 --> 00:37:26,975 THAT HE HELD RESPONSIBLE FOR PUTTING HIM IN PRISON. 1017 00:37:26,975 --> 00:37:28,647 YOU CAN FIND PRACTICALLY ANYONE WITH THE CLICK OF A MOUSE. 1018 00:37:28,647 --> 00:37:30,549 WHY HIRE A PRIVATE INVESTIGATOR? 1019 00:37:30,549 --> 00:37:32,281 I THINK I MIGHT HAVE AN ANSWER FOR YOU. 1020 00:37:32,281 --> 00:37:33,552 I WENT THROUGH THE LIST OF ALL THE PEOPLE 1021 00:37:33,552 --> 00:37:35,454 INVOLVED IN FOSSE'S TRIAL. 1022 00:37:35,454 --> 00:37:37,556 ONE WOMAN'S BEEN COMPLETELY SCRUBBED FROM THE SYSTEM. (chirps) 1023 00:37:37,556 --> 00:37:38,627 DRIVER'S LICENSE, 1024 00:37:38,627 --> 00:37:40,459 SOCIAL SECURITY NUMBER-- ALL GONE. 1025 00:37:40,459 --> 00:37:41,690 (Castle) Who was that? 1026 00:37:41,690 --> 00:37:43,892 DOROTHY NOVAK. 1027 00:37:43,892 --> 00:37:45,434 THE PROSECUTION'S MAIN WITNESS, 1028 00:37:45,434 --> 00:37:46,635 AND FOSSE'S GIRLFRIEND AT THE TIME. 1029 00:37:46,635 --> 00:37:48,637 THE D.A. JUST CONFIRMED, HIS OFFICE SET HER UP 1030 00:37:48,637 --> 00:37:51,269 WITH A NEW IDENTITY WHEN FOSSE GOT OUT THREE MONTHS AGO. 1031 00:37:51,269 --> 00:37:52,901 SHE WAS AFRAID FOSSE WOULD COME AFTER HER. 1032 00:37:52,901 --> 00:37:54,403 LOOKS LIKE SHE WAS RIGHT. 1033 00:37:54,403 --> 00:37:56,475 OKAY, BUT HOW IS THIS DIEGO JIMINEZ 1034 00:37:56,475 --> 00:37:58,547 SUPPOSED TO HELP FIND HER? Don't know. 1035 00:37:58,547 --> 00:38:00,509 HE WORKED AT THE N.Y.S.E.D. 1036 00:38:00,509 --> 00:38:02,511 (remote control beeping) NEW YORK STATE EDUCATION DEPARTMENT. 1037 00:38:02,511 --> 00:38:04,052 WAIT. 1038 00:38:04,052 --> 00:38:06,385 WERE THE FIRST TWO VICTIMS RELATED TO FOSSE'S GIRLFRIEND? 1039 00:38:06,385 --> 00:38:07,886 Yeah, the woman he killed last night 1040 00:38:07,886 --> 00:38:09,518 was the girlfriend's cousin. 1041 00:38:09,518 --> 00:38:10,859 AND THE FIRST VICTIM WORKED FOR THE D.A.'s OFFICE. 1042 00:38:10,859 --> 00:38:12,561 THEY HELPED RELOCATE HER. FOSSE DIDN'T WANT REVENGE. 1043 00:38:12,561 --> 00:38:14,022 HE WAS LOOKING FOR INFORMATION FROM THEM. 1044 00:38:14,022 --> 00:38:15,924 HE WANTED TO FIND OUT HIS GIRLFRIEND'S NEW IDENTITY. 1045 00:38:15,924 --> 00:38:17,666 HE WAS DESPERATE TO FIND THEM. 1046 00:38:17,666 --> 00:38:18,827 CASTLE. 1047 00:38:18,827 --> 00:38:20,729 RIGHT THERE WITH YOU. DOES SHE HAVE A KID? 1048 00:38:20,729 --> 00:38:22,701 YEAH. SHE GAVE BIRTH EIGHT MONTHS AFTER THE TRIAL. 1049 00:38:22,701 --> 00:38:24,373 How did you know? 1050 00:38:24,373 --> 00:38:26,004 IT'S HIS. HE DIDN'T FIND OUT ABOUT IT UNTIL HE GOT OUT. 1051 00:38:26,004 --> 00:38:28,006 AND THAT'S WHY HE LURED DIEGO HERE. 1052 00:38:28,006 --> 00:38:30,609 Diego had access to state school records. 1053 00:38:30,609 --> 00:38:33,342 HE WAS TRYING TO FIND HIS KID. IT WAS ALL ABOUT FI-- 1054 00:38:33,342 --> 00:38:34,643 THAT'S THE CODE. 1055 00:38:34,643 --> 00:38:35,944 IT HAS TO BE. 1056 00:38:35,944 --> 00:38:38,316 RYAN, SEE IF YOU CAN FIND THE KID'S NAME. 1057 00:38:38,316 --> 00:38:39,488 Working on it. 1058 00:38:39,488 --> 00:38:41,750 OKAY, WORK FAST, BUDDY. WE GOT TWO MINUTES. 1059 00:38:41,750 --> 00:38:43,452 IT'S A STORY THAT MAKES SENSE. 1060 00:38:43,452 --> 00:38:44,853 FOSSE WAS DESPERATE TO SEE HIS KID 1061 00:38:44,853 --> 00:38:46,555 JUST ONCE BEFORE HE DIES, 1062 00:38:46,555 --> 00:38:47,856 BUT THE MOTHER HAS HIDDEN THE CHILD AWAY. 1063 00:38:47,856 --> 00:38:49,628 SO FOSSE LASHED OUT, 1064 00:38:49,628 --> 00:38:51,630 DOING WHATEVER IT TOOK TO TRACK THEM DOWN. 1065 00:38:51,630 --> 00:38:52,931 TOLD YOU WE'D FIGURE THIS OUT. 1066 00:38:52,931 --> 00:38:54,633 CASTLE, THERE'S BARELY A MINUTE LEFT. 1067 00:38:54,633 --> 00:38:56,405 YOU'VE GOTTA GO. NOT YET. 1068 00:38:56,405 --> 00:38:58,537 PLEASE. IF HE FINDS THE NAME, I'LL TYPE IT IN MYSELF. 1069 00:38:58,537 --> 00:39:00,609 IF NOT-- HE'LL COME THROUGH. 1070 00:39:00,609 --> 00:39:03,912 (beeping continues) 1071 00:39:05,113 --> 00:39:06,975 HE HAS TO. 1072 00:39:06,975 --> 00:39:10,118 (beeping continues) 1073 00:39:15,454 --> 00:39:17,125 William. 1074 00:39:17,125 --> 00:39:18,587 THE KID'S NAME IS WILLIAM. 1075 00:39:18,587 --> 00:39:19,758 SEVEN LETTERS. 1076 00:39:19,758 --> 00:39:21,660 (beeping continues) 1077 00:39:21,660 --> 00:39:23,392 BILLY. 1078 00:39:23,392 --> 00:39:24,593 OR WILLY. 1079 00:39:24,593 --> 00:39:26,595 WHAT KIND OF MOTHER IS GONNA CALL HER KID WILLY 1080 00:39:26,595 --> 00:39:28,637 unless she wants his ass kicked every day at the playground? 1081 00:39:28,637 --> 00:39:30,499 GUYS, 15 SECONDS. 1082 00:39:30,499 --> 00:39:31,700 YOUR CALL, BECKETT. 1083 00:39:31,700 --> 00:39:33,602 BILLY. GO. 1084 00:39:33,602 --> 00:39:35,103 (keypad beeping) (whispers) B-I-L-L... 1085 00:39:35,103 --> 00:39:36,505 (beep) 1086 00:39:36,505 --> 00:39:38,577 (mouths letter) (chirps) 1087 00:39:38,577 --> 00:39:39,648 (beeping stops) 1088 00:39:39,648 --> 00:39:41,880 (alarm chimes) 1089 00:39:43,512 --> 00:39:45,153 (trigger plate whirs and clicks) 1090 00:39:45,153 --> 00:39:47,586 (pants) 1091 00:39:49,788 --> 00:39:51,790 (whispers) OH, GOD. 1092 00:39:51,790 --> 00:39:53,121 SHE'S OFF. 1093 00:39:53,121 --> 00:39:54,493 She's off. 1094 00:39:54,493 --> 00:39:55,864 YES. 1095 00:40:06,074 --> 00:40:08,637 WAIT, CASTLE. LISTEN... 1096 00:40:08,637 --> 00:40:11,179 THANK YOU FOR STAYING WITH ME. 1097 00:40:11,179 --> 00:40:13,712 ALWAYS. 1098 00:40:13,712 --> 00:40:15,784 (siren whoops) (mouths words) 1099 00:40:15,784 --> 00:40:16,945 (brakes squeak) 1100 00:40:16,945 --> 00:40:18,647 (tires squeal) 1101 00:40:22,591 --> 00:40:24,753 PERFECT TIMING. (chuckles) 1102 00:40:24,753 --> 00:40:26,124 (Esposito) YOU GOOD? 1103 00:40:26,124 --> 00:40:27,626 YEAH. DID SHE SEE? NO. 1104 00:40:27,626 --> 00:40:30,499 GLAD TO SEE YOU, DETECTIVE. EVEN YOU, MR. CASTLE. 1105 00:40:30,499 --> 00:40:31,900 I HAVE TO SAY, 1106 00:40:31,900 --> 00:40:34,162 I DON'T KNOW TOO MANY MEN WHO WOULD'VE DONE WHAT YOU DID. 1107 00:40:34,162 --> 00:40:35,804 NEITHER DO I. 1108 00:40:35,804 --> 00:40:38,907 (police radio chatter) 1109 00:40:38,907 --> 00:40:41,009 OH, FOR HEAVEN'S SAKE, DETECTIVE. 1110 00:40:41,009 --> 00:40:42,971 JUST KISS THE MAN. 1111 00:40:42,971 --> 00:40:44,643 (radio chatter continues) 1112 00:40:44,643 --> 00:40:46,515 SIR, YOU KNOW? 1113 00:40:46,515 --> 00:40:47,716 WHAT... 1114 00:40:47,716 --> 00:40:49,948 DO YOU THINK I'M AN IDIOT? 1115 00:40:49,948 --> 00:40:52,721 I NEEDED TO MAINTAIN PLAUSIBLE DENIABILITY, 1116 00:40:52,721 --> 00:40:54,152 WHICH I CAN CONTINUE 1117 00:40:54,152 --> 00:40:56,725 AS LONG AS YOU TWO BOTH ACT PROFESSIONALLY AT THE PRECINCT. 1118 00:40:56,725 --> 00:40:57,856 I KNOW I CAN. 1119 00:40:57,856 --> 00:40:59,558 BUT, CAPTAIN, SHE HAS A LONG HISTORY 1120 00:40:59,558 --> 00:41:00,859 OF COMING ON TO ME AT WORK-- 1121 00:41:00,859 --> 00:41:02,661 I DON'T THINK IT'LL BE A PROBLEM, SIR. 1122 00:41:02,661 --> 00:41:03,962 GOOD. 1123 00:41:03,962 --> 00:41:05,834 MEANWHILE, AS LONG AS WE'RE ON NEUTRAL GROUND HERE, 1124 00:41:05,834 --> 00:41:08,697 I'D SAY, UH, HE'S DESERVES IT. 1125 00:41:08,697 --> 00:41:09,668 WOULDN'T YOU? 1126 00:41:09,668 --> 00:41:11,740 (laughs) YES, SIR, I WOULD. 1127 00:41:11,740 --> 00:41:14,873 (indistinct conversations) 1128 00:41:14,873 --> 00:41:17,475 YOU KNOW, CASTLE, WHEN I WAS STANDING UP THERE, 1129 00:41:17,475 --> 00:41:20,579 I KEPT THINKING ABOUT ALL THE TIMES WE'VE KISSED. 1130 00:41:20,579 --> 00:41:23,712 AND I WAS TRYING TO DECIDE ON THE BEST ONE. 1131 00:41:25,483 --> 00:41:28,557 AND WHAT DO YOU THINK? 1132 00:41:28,557 --> 00:41:31,620 ♪♪♪ 1133 00:41:35,594 --> 00:41:36,665 MM. 1134 00:42:01,289 --> 00:42:04,593 I THINK WE'RE JUST GETTING STARTED. 1135 00:42:10,959 --> 00:42:13,962 (indistinct conversations)