1 00:00:02,103 --> 00:00:03,104 (British accent) LET'S KEEP THIS GOING, PEOPLE! 2 00:00:03,104 --> 00:00:05,276 THIS IS A BIG NIGHT FOR US. 3 00:00:05,276 --> 00:00:08,779 YOU! GET IT TOGETHER, MAN. FOCUS! 4 00:00:08,779 --> 00:00:10,111 YES, CHEF. 5 00:00:10,111 --> 00:00:11,782 TABLE 21. ORDER IN. APPETIZER. 6 00:00:11,782 --> 00:00:14,585 ONE TUNA CRUDO. ONE PORK BELLY. 7 00:00:14,585 --> 00:00:16,717 TWO SALMONS. ONE SQUAB. ONE QUAIL. 8 00:00:16,717 --> 00:00:18,219 (sizzling) 9 00:00:18,219 --> 00:00:19,550 LOVELY. 10 00:00:19,550 --> 00:00:21,192 OFF IT GOES. 11 00:00:21,192 --> 00:00:23,524 (indistinct conversations) 12 00:00:23,524 --> 00:00:25,226 (spritzes) 13 00:00:25,226 --> 00:00:28,229 (indistinct conversations continue) 14 00:00:35,406 --> 00:00:38,069 (British accent) AH, LOOK. HERE WE ARE. 15 00:00:38,069 --> 00:00:39,210 (man) HERE YOU ARE. 16 00:00:39,210 --> 00:00:41,672 (woman) EXCUSE ME. THERE YOU GO. 17 00:00:41,672 --> 00:00:44,145 (man) ENJOY. 18 00:00:44,145 --> 00:00:47,078 WELL, BON APPETIT, EVERYONE. 19 00:00:47,078 --> 00:00:48,679 (indistinct conversations) 20 00:00:48,679 --> 00:00:51,152 SO, ERIC, HOW WOULD ANOTHER $20 MILLION 21 00:00:51,152 --> 00:00:53,624 FOR MexiSolar SIT WITH YOU? 22 00:00:53,624 --> 00:00:55,456 ONCE I'VE SEEN THAT FACTORY. 23 00:00:55,456 --> 00:00:57,558 ENOUGH BUSINESS. EAT. DRINK. 24 00:00:57,558 --> 00:00:59,530 BE MERRY FOR ONCE IN YOUR LIFE. 25 00:00:59,530 --> 00:01:02,133 HUH? (chuckles) 26 00:01:02,133 --> 00:01:04,365 MY GOD, THIS FOOD IS SUBLIME. 27 00:01:04,365 --> 00:01:05,696 I SHOULD HOPE SO. 28 00:01:05,696 --> 00:01:07,298 THIS IS THE TOUGHEST RESERVATION IN THE CITY. 29 00:01:07,298 --> 00:01:08,599 (woman chuckles) 30 00:01:13,574 --> 00:01:16,207 (grunts) 31 00:01:16,207 --> 00:01:17,448 ARTHUR? (groans) 32 00:01:17,448 --> 00:01:18,609 (silverware clatters) 33 00:01:18,609 --> 00:01:19,780 (gasps) 34 00:01:19,780 --> 00:01:21,081 SOMEONE CALL 9-1-1. 35 00:01:21,081 --> 00:01:24,155 NOW YOU'RE DEAD SO YOU CAN SUCK IT. 36 00:01:24,155 --> 00:01:26,187 (gunfire) OH, YOU WANT MORE? 37 00:01:26,187 --> 00:01:27,518 COME GET IT, BUDDY. 38 00:01:27,518 --> 00:01:31,492 'CAUSE I GOT SOMETHING SPECIAL FOR YOU. 39 00:01:31,492 --> 00:01:34,265 (sexy voice) AND I GOT SOMETHING SPECIAL FOR YOU... 40 00:01:34,265 --> 00:01:36,427 TOO. 41 00:01:36,427 --> 00:01:38,169 (breathy exhale) 42 00:01:38,169 --> 00:01:40,371 WELL, THAT'S NOT LOOKIN' TOO GOOD. 43 00:01:40,371 --> 00:01:43,234 (normal voice) WHAT? CASTLE... 44 00:01:43,234 --> 00:01:44,375 WELL, THEN STICK YOUR HEAD OUT, PATEL, 45 00:01:44,375 --> 00:01:45,776 AND GET PONED LIKE A REAL MAN. 46 00:01:45,776 --> 00:01:48,108 (gunfire continues) WHO IS PATEL? 47 00:01:48,108 --> 00:01:49,480 HE'S THIS KID FROM INDIA. 48 00:01:49,480 --> 00:01:51,242 HE'S BEEN THRASHING ME FOR WEEKS, BUT NOT TONIGHT. 49 00:01:51,242 --> 00:01:52,783 TONIGHT I AM BRINGING IT. 50 00:01:52,783 --> 00:01:54,315 IT STINGS, DOESN'T IT? 51 00:01:54,315 --> 00:01:55,486 (lowered voice) YEAH, IT KINDA DOES. 52 00:01:55,486 --> 00:01:57,148 (normal voice) CASTLE. WHAT? 53 00:01:57,148 --> 00:02:00,151 WOULD YOU RATHER PLAY WITH A KID IN AN IMAGINARY WORLD 54 00:02:00,151 --> 00:02:01,892 OR WITH... 55 00:02:01,892 --> 00:02:04,555 (sexy voice) IN THE REAL WORLD. (inhales) 56 00:02:04,555 --> 00:02:07,358 I W-- (gunfire continues) 57 00:02:07,358 --> 00:02:10,331 I, UH, UH... 58 00:02:10,331 --> 00:02:12,503 (normal voice) OH, MY GOD. WHAT? 59 00:02:12,503 --> 00:02:15,536 OH, MY GOD. YOU ACTUALLY HAVE TO THINK ABOUT THIS? NO. 60 00:02:15,536 --> 00:02:16,707 (gunshot) 61 00:02:16,707 --> 00:02:19,170 (man screams) 62 00:02:19,170 --> 00:02:20,671 NO. I DON'T HAVE TO THINK ABOUT IT. 63 00:02:20,671 --> 00:02:22,443 (slaps thighs) COME ON OVER HERE. 64 00:02:22,443 --> 00:02:24,375 ARE YOU KIDDING ME? WHAT? 65 00:02:24,375 --> 00:02:25,776 YOU KNOW WHAT? FORGET IT. 66 00:02:25,776 --> 00:02:27,548 SERIOUSLY, I DIED ON PURPOSE FOR YOU. WHATEVER. 67 00:02:27,548 --> 00:02:29,680 COME ON. WHAT. 68 00:02:29,680 --> 00:02:31,522 NO, I-- IT'S NOT MY MOM. 69 00:02:31,522 --> 00:02:33,254 (whispers) IT'S WORSE. 70 00:02:33,254 --> 00:02:35,256 (normal voice) YEAH, SEE YOU THURSDAY. 71 00:02:35,256 --> 00:02:37,157 I'M SORRY. YOU KNOW HOW I GET WHEN I'M GAMING. 72 00:02:37,157 --> 00:02:39,230 I WAS--I WAS IN THE ZONE. I WAS LIKE GRETZKY. 73 00:02:39,230 --> 00:02:41,362 WELL, AT LEAST GRETZKY KNEW HOW TO SCORE. 74 00:02:41,362 --> 00:02:43,163 OUCH. OKAY. 75 00:02:43,163 --> 00:02:44,795 LOOK, I'M--AGAIN, I'M VERY, VERY SORRY. 76 00:02:44,795 --> 00:02:46,237 DO YOU FORGIVE ME? 77 00:02:46,237 --> 00:02:48,239 YOU KNOW, CASTLE, IT WASN'T TOO LONG AGO 78 00:02:48,239 --> 00:02:50,671 WHEN ME WEARING A SEXY OUTFIT WOULD GET... 79 00:02:50,671 --> 00:02:53,944 AN IMMEDIATE RESPONSE FROM YOU. 80 00:02:53,944 --> 00:02:54,905 (indistinct conversations) WHAT ARE YOU SAYING, 81 00:02:54,905 --> 00:02:56,277 THAT I'M TAKING YOU FOR GRANTED? 82 00:02:56,277 --> 00:02:57,608 I DON'T KNOW, CASTLE. ARE YOU? 83 00:02:57,608 --> 00:03:00,281 HEY, GUYS. VICTIM'S OVER HERE. 84 00:03:00,281 --> 00:03:01,452 (camera shutter clicking) 85 00:03:01,452 --> 00:03:02,883 (Ryan) NAME IS ARTHUR FELDER, 54. 86 00:03:02,883 --> 00:03:04,685 HE'S A WEALTHY VENTURE CAPITALIST. 87 00:03:04,685 --> 00:03:07,858 WITNESS SAID THAT HE TOOK ONE BITE OF HIS SQUAB 88 00:03:07,858 --> 00:03:10,591 AND DID A NOSE DIVE INTO HIS PLATE. 89 00:03:10,591 --> 00:03:12,623 OKAY, SO THIS WAS NOT AN ALLERGIC REACTION? 90 00:03:12,623 --> 00:03:13,964 THERE'S NO SIGN OF ANAPHYLAXIS, 91 00:03:13,964 --> 00:03:16,427 BUT HIS ENLARGED PUPILS AND EXCESSIVE SALIVA 92 00:03:16,427 --> 00:03:18,469 SUGGEST A FOREIGN SUBSTANCE. 93 00:03:18,469 --> 00:03:19,900 HE WAS POISONED. IT LOOKS THAT WAY, 94 00:03:19,900 --> 00:03:21,402 BUT I WON'T KNOW FOR SURE UNTIL I RUN A TOX SCREEN. 95 00:03:21,402 --> 00:03:22,973 SO HOW MANY PEOPLE HAD ACCESS TO THE FOOD 96 00:03:22,973 --> 00:03:24,905 BEFORE IT WAS DELIVERED? (speaking inaudibly) 97 00:03:24,905 --> 00:03:25,906 ESPOSITO'S CHECKING ON THAT RIGHT... NOW. 98 00:03:25,906 --> 00:03:27,838 IS THAT ERIC VAUGHN? 99 00:03:27,838 --> 00:03:30,641 UH, YEAH. HE WAS PART OF THE VICTIM'S DINNER PARTY. 100 00:03:30,641 --> 00:03:32,443 HE'S THAT BILLIONAIRE INVENTOR, RIGHT? YEAH. 101 00:03:32,443 --> 00:03:35,746 INVENTOR, INNOVATOR, AND NUMBER EIGHT ON MY L.S.L. L.S.L.? 102 00:03:35,746 --> 00:03:37,848 LAST SUPPER LIST. 103 00:03:37,848 --> 00:03:39,820 YOU AND A TABLE OF 12, ANYONE FROM HISTORY. 104 00:03:39,820 --> 00:03:41,322 WHAT IS MINE, YOU ASK? I'M GLAD YOU DID. 105 00:03:41,322 --> 00:03:43,994 IN ORDER, IT IS LINCOLN, EINSTEIN, IAN FLEMING, 106 00:03:43,994 --> 00:03:45,996 JOHN LENNON, JOAN OF ARC, 107 00:03:45,996 --> 00:03:47,258 SINATRA... 108 00:03:47,258 --> 00:03:48,599 (scoffs) 109 00:03:48,599 --> 00:03:50,301 AND YOU, OF COURSE. 110 00:03:50,301 --> 00:03:51,662 TOO LATE, CASTLE. 111 00:03:51,662 --> 00:03:54,635 (camera shutter clicking) 112 00:03:54,635 --> 00:03:56,006 SO WHO MADE THE RESERVATION? 113 00:03:56,006 --> 00:03:57,608 I DID, ABOUT A WEEK AGO. (speaking indistinctly) 114 00:03:57,608 --> 00:03:58,769 DID ANYONE ELSE KNOW 115 00:03:58,769 --> 00:04:00,010 THAT MR. FELDER WOULD BE HERE TONIGHT? 116 00:04:00,010 --> 00:04:01,412 UH, HIS OFFICE, 117 00:04:01,412 --> 00:04:03,574 BUT I HAVE NO IDEA WHO THEY MIGHT HAVE TOLD. 118 00:04:03,574 --> 00:04:05,416 UH, MR. VAUGHN? 119 00:04:05,416 --> 00:04:07,278 (police radio chatter) 120 00:04:07,278 --> 00:04:08,749 (Eric) OKAY... (exhales) EXCUSE ME? 121 00:04:08,749 --> 00:04:10,521 ...AS YOU CAN. HEY. 122 00:04:10,521 --> 00:04:11,982 FANTASTIC. THANK YOU. ALL RIGHT. (beeps) 123 00:04:11,982 --> 00:04:13,984 THIS IS A MURDER INVESTIGATION. 124 00:04:13,984 --> 00:04:15,886 I'M GONNA NEED YOUR FULL ATTENTION. 125 00:04:15,886 --> 00:04:18,258 I'M SO SORRY. THAT WAS MY PILOT. 126 00:04:18,258 --> 00:04:19,730 ARTHUR'S FAMILY'S IN THE CARIBBEAN. 127 00:04:19,730 --> 00:04:23,294 I WAS ARRANGING FOR MY PLANE TO BRING THEM HOME. 128 00:04:23,294 --> 00:04:24,595 OH. YEAH. 129 00:04:24,595 --> 00:04:27,037 WELL, THAT'S VERY GENEROUS OF YOU, MR. VAUGHN. 130 00:04:27,037 --> 00:04:28,539 NO, PLEASE, CALL ME ERIC. AND YOU ARE? 131 00:04:28,539 --> 00:04:29,940 UH, I'M DETECTIVE KATE BECKETT. 132 00:04:29,940 --> 00:04:31,542 AND I AM RICHARD CASTLE. 133 00:04:31,542 --> 00:04:32,973 OH, THE WRITER? 134 00:04:32,973 --> 00:04:34,345 YEAH. 135 00:04:34,345 --> 00:04:35,546 MY MOTHER LOVES YOUR NOVELS. 136 00:04:35,546 --> 00:04:36,807 OH, I'LL GET HER AN AUTOGRAPHED COPY. 137 00:04:36,807 --> 00:04:38,048 SO HOW WELL DID YOU KNOW OUR VICTIM? 138 00:04:38,048 --> 00:04:40,050 WE'D BEEN DOING BUSINESS FOR MANY YEARS. 139 00:04:40,050 --> 00:04:41,952 BUT, UH, WE WEREN'T CLOSE, I'M AFRAID. 140 00:04:41,952 --> 00:04:43,654 ANY IDEA WHO WOULD WANT HIM DEAD? 141 00:04:43,654 --> 00:04:46,917 NONE. UH, THIS-- THIS WHOLE THING IS TERRIBLE. 142 00:04:46,917 --> 00:04:48,058 (Esposito) HEY, BECKETT. 143 00:04:48,058 --> 00:04:49,820 EXCUSE ME. OF COURSE. 144 00:04:49,820 --> 00:04:50,961 SO NORMALLY ONLY A HANDFUL OF WAITSTAFF 145 00:04:50,961 --> 00:04:53,293 HANDLE EACH ENTREE, BUT IN THIS CASE, 146 00:04:53,293 --> 00:04:54,425 IT COULD'VE BEEN SOMEBODY FROM THE OUTSIDE. 147 00:04:54,425 --> 00:04:55,926 THERE WAS A KITCHEN DOOR PROPPED OPEN, 148 00:04:55,926 --> 00:04:57,598 AND C.S.U. FOUND THIS WAITER'S VEST 149 00:04:57,598 --> 00:04:59,330 STASHED IN A DUMPSTER. 150 00:04:59,330 --> 00:05:01,071 OKAY, HAVE UNIs CANVASS THE AREA, 151 00:05:01,071 --> 00:05:02,032 AND I'M GONNA WANT TO INTERVIEW 152 00:05:02,032 --> 00:05:03,474 ALL OF THE KITCHEN STAFF AS WELL. 153 00:05:03,474 --> 00:05:04,935 RIGHT. 154 00:05:07,608 --> 00:05:09,309 (speaks indistinctly) 155 00:05:09,309 --> 00:05:10,080 YES. 156 00:05:16,547 --> 00:05:17,988 WHAT? 157 00:05:17,988 --> 00:05:21,452 LOOKS AS THOUGH VAUGHN IS ON YOUR LIST AS WELL. 158 00:05:21,452 --> 00:05:22,953 OH. THE THINGS YOU NOTICE 159 00:05:22,953 --> 00:05:24,825 WHEN YOU'RE PAYING ATTENTION, CASTLE. 160 00:05:24,825 --> 00:05:27,027 (indistinct conversations) 161 00:05:27,027 --> 00:05:28,899 (man) YEAH, I'VE BEEN A BUSBOY THERE FOR TWO YEARS. 162 00:05:28,899 --> 00:05:30,401 SO WHERE WERE YOU AT 8:20? 163 00:05:30,401 --> 00:05:32,963 8:20? UM, I WAS AT A BACK SINK SCRAPING DISHES. 164 00:05:32,963 --> 00:05:35,566 ALL RIGHT. UM, DID YOU HAPPEN TO SEE 165 00:05:35,566 --> 00:05:37,007 ANYONE IN THE KITCHEN THAT YOU DIDN'T RECOGNIZE? 166 00:05:37,007 --> 00:05:38,939 YEAH, YOU KNOW, SOMEONE BRUSHED PAST ME. 167 00:05:38,939 --> 00:05:40,641 UH, I DIDN'T GET A GOOD LOOK, 168 00:05:40,641 --> 00:05:41,942 BUT I REMEMBER THINKING THAT HE WASN'T FAMILIAR. 169 00:05:41,942 --> 00:05:43,414 CAN YOU DESCRIBE HIM? 170 00:05:43,414 --> 00:05:47,117 NOT REALLY. HE WAS SHORT, DARK HAIR, MAYBE. 171 00:05:47,117 --> 00:05:49,049 UH, THINGS MOVE FAST IN THE KITCHEN, 172 00:05:49,049 --> 00:05:51,522 SO I ONLY CAUGHT HIM OUT OF THE CORNER OF MY EYE. 173 00:05:51,522 --> 00:05:53,353 TELL ME ABOUT THAT BACK DOOR. IS IT ALWAYS OPEN? 174 00:05:53,353 --> 00:05:54,955 I-IT SHOULDN'T BE. (Esposito) HEY. 175 00:05:54,955 --> 00:05:56,857 SO IT LOOKS LIKE OUR VICTIM-- ARTHUR FELDER-- 176 00:05:56,857 --> 00:05:58,589 WASN'T THE MOST FUZZIEST OF GUYS. 177 00:05:58,589 --> 00:06:00,831 HE MADE HIS FORTUNE IN HOSTILE TAKEOVERS. 178 00:06:00,831 --> 00:06:01,992 A COUPLE OF WEEKS AGO, 179 00:06:01,992 --> 00:06:03,133 HE SHUT DOWN A CHEMICAL PLANT IN NEWARK 180 00:06:03,133 --> 00:06:04,565 AND SOLD IT OFF FOR PARTS. 181 00:06:04,565 --> 00:06:06,997 IT SAYS HERE THAT 200 PEOPLE LOST THEIR JOBS. 182 00:06:06,997 --> 00:06:08,399 YEAH, AND ACCORDING TO HIS ASSISTANT, 183 00:06:08,399 --> 00:06:10,000 THEY GOT QUITE A FEW DEATH THREATS 184 00:06:10,000 --> 00:06:11,371 AFTER THEY ANNOUNCED THE CLOSING. 185 00:06:11,371 --> 00:06:13,974 CORPORATE RAIDER SHUTTERS A CHEMICAL PLANT 186 00:06:13,974 --> 00:06:17,107 AND ENDS UP EATING CROW, OR IN THIS CASE, POISONED SQUAB. 187 00:06:17,107 --> 00:06:19,950 IT'S POETIC, DIABOLICALLY SPEAKING. 188 00:06:19,950 --> 00:06:22,553 OKAY, CASTLE AND I WILL TALK TO LANIE 189 00:06:22,553 --> 00:06:23,714 TO SEE IF THERE'S ANY CONNECTION 190 00:06:23,714 --> 00:06:25,015 BETWEEN THE POISON AND THE PLANT. 191 00:06:25,015 --> 00:06:26,457 IN THE MEANTIME, WHY DON'T YOU GUYS 192 00:06:26,457 --> 00:06:27,818 GO THROUGH THE LIST OF PEOPLE THAT MADE THREATS 193 00:06:27,818 --> 00:06:29,119 AND SEE IF ANYONE WAS IN THE VICINITY 194 00:06:29,119 --> 00:06:30,891 OF THE RESTAURANT? 195 00:06:30,891 --> 00:06:32,723 RIGHT ON. 196 00:06:32,723 --> 00:06:34,865 SORRY. IT'S NOT A MATCH FOR ANY OF THE CHEMICALS 197 00:06:34,865 --> 00:06:36,527 MANUFACTURED BY THAT PLANT. 198 00:06:36,527 --> 00:06:37,998 SO WHAT WAS HE POISONED WITH? 199 00:06:37,998 --> 00:06:40,671 SOMETHING EXOTIC ENOUGH NOT TO SHOW UP ON A CHEM 200 00:06:40,671 --> 00:06:42,533 AND UNKNOWN TOXIN EVALUATION. 201 00:06:42,533 --> 00:06:44,535 I'M RUNNING FURTHER TESTS, BUT ALL I CAN SAY FOR SURE 202 00:06:44,535 --> 00:06:46,877 IS THAT IT WAS SOME SORT OF PARALYZING AGENT. 203 00:06:46,877 --> 00:06:49,780 SPEAKING OF PARALYZING AGENT... 204 00:06:49,780 --> 00:06:52,112 CAN I JUST SAY, ERIC VAUGHN?! 205 00:06:52,112 --> 00:06:53,984 SEE, CASTLE? 206 00:06:53,984 --> 00:06:55,486 LOOK, HE'S ON EVERYBODY'S LIST. 207 00:06:55,486 --> 00:06:56,987 YES, YES, HE'S QUITE IMPRESSIVE. 208 00:06:56,987 --> 00:06:58,689 AND HANDSOME. 209 00:06:58,689 --> 00:07:00,451 AND DON'T FORGET RICH. AND THAT ACCENT? 210 00:07:00,451 --> 00:07:01,952 OOH, HONEY. (whispers) OH, I KNOW. 211 00:07:01,952 --> 00:07:03,123 (high-pitched voice) ALL RIGHT! 212 00:07:03,123 --> 00:07:04,094 (normal voice) OKAY. (clears throat) 213 00:07:04,094 --> 00:07:05,626 I ADMIT, ALL RIGHT, 214 00:07:05,626 --> 00:07:07,928 JUST AS LESSER MEN ASPIRE TO BE ME, 215 00:07:07,928 --> 00:07:09,930 HE'S WHO THE MEs OF THE WORLD ASPIRE TO BE, OKAY? 216 00:07:09,930 --> 00:07:12,903 BUT THAT IS NOT GONNA HELP US SOLVE ARTHUR FELDER'S MURDER. 217 00:07:12,903 --> 00:07:15,065 FINDING OUT WHAT HE WAS POISONED WITH WILL. 218 00:07:15,065 --> 00:07:16,567 WELL, I CAN TELL YOU THIS, 219 00:07:16,567 --> 00:07:19,069 WHATEVER THE POISON WAS, WAS CHEMICALLY SYNTHESIZED 220 00:07:19,069 --> 00:07:21,071 AND INCREDIBLY FAST-ACTING. 221 00:07:21,071 --> 00:07:22,613 THE MUSHROOMS HE WAS EATING 222 00:07:22,613 --> 00:07:24,615 NEVER EVEN MADE IT TO HIS STOMACH. 223 00:07:24,615 --> 00:07:27,047 THANK YOU. WAIT. MUSHROOMS? 224 00:07:27,047 --> 00:07:28,619 I SAW THE MENU. 225 00:07:28,619 --> 00:07:30,450 THE MUSHROOMS WERE SERVED WITH THE QUAIL, NOT THE SQUAB. 226 00:07:30,450 --> 00:07:32,483 YOU'RE RIGHT. 227 00:07:32,483 --> 00:07:34,925 BUT RYAN SAID THAT FELDER HAD THE SQUAB. 228 00:07:34,925 --> 00:07:36,126 (man) YEAH, IT'S MY HANDWRITING. 229 00:07:36,126 --> 00:07:37,457 AND IT'S RIGHT HERE ON THE TICKET. 230 00:07:37,457 --> 00:07:38,889 MR. FELDER ORDERED THE SQUAB. 231 00:07:38,889 --> 00:07:40,090 WELL, WE HAVE REASON TO BELIEVE 232 00:07:40,090 --> 00:07:41,161 THAT HE ACTUALLY ATE THE QUAIL. 233 00:07:41,161 --> 00:07:43,994 THE POISONED QUAIL, LUCAS. 234 00:07:43,994 --> 00:07:46,136 HOW DID HE END UP WITH IT? 235 00:07:46,136 --> 00:07:48,238 OH, NO. I-I MUST HAVE MADE A MISTAKE. 236 00:07:48,238 --> 00:07:50,601 I'M STILL LEARNING THE SPRING MENU, 237 00:07:50,601 --> 00:07:52,102 AND THE QUAIL WITH THE MUSHROOMS 238 00:07:52,102 --> 00:07:54,104 LOOKS A LOT LIKE THE SQUAB WITH THE ARTICHOKE HEARTS. 239 00:07:54,104 --> 00:07:55,475 AND CHEF WAS SCREAMING. 240 00:07:55,475 --> 00:07:56,747 SO YOU MIXED UP THE ORDERS. 241 00:07:56,747 --> 00:07:58,649 OH, GOD. 242 00:07:58,649 --> 00:08:01,552 OKAY, IF FELDER ORDERED THE SQUAB, 243 00:08:01,552 --> 00:08:03,814 THEN WHO ORDERED THE QUAIL? 244 00:08:03,814 --> 00:08:04,985 YEAH, HERE IT IS. 245 00:08:04,985 --> 00:08:07,187 THE QUAIL WAS SUPPOSED TO GO TO ERIC VAUGHN. 246 00:08:09,259 --> 00:08:11,962 FELDER WASN'T THE INTENDED TARGET. 247 00:08:11,962 --> 00:08:19,630 THEY WERE TRYING TO KILL VAUGHN. 248 00:08:19,630 --> 00:08:24,735 ♪♪♪ 249 00:08:25,936 --> 00:08:27,638 YOU MEAN TO SAY, THAT POISON WAS MEANT FOR ME? 250 00:08:27,638 --> 00:08:28,839 IT SEEMS THAT WAY. 251 00:08:28,839 --> 00:08:30,541 OH, GOOD GOD. 252 00:08:30,541 --> 00:08:31,912 WHAT AM I GONNA TELL ARTHUR'S WIFE? 253 00:08:31,912 --> 00:08:33,243 MR. VAUGHN-- 254 00:08:33,243 --> 00:08:34,785 ERIC, PLEASE. 255 00:08:34,785 --> 00:08:38,889 ERIC. UM, LOOK, I UNDERSTAND YOUR CONCERN, 256 00:08:38,889 --> 00:08:40,891 BUT RIGHT NOW, I THINK WE NEED TO FOCUS ON YOU. 257 00:08:40,891 --> 00:08:42,723 NOW DO YOU KNOW OF ANYONE THAT WOULD WANT YOU DEAD? 258 00:08:42,723 --> 00:08:44,755 NO, BUT YOU DON'T GET TO WHERE I AM 259 00:08:44,755 --> 00:08:46,096 WITHOUT MAKING ENEMIES, 260 00:08:46,096 --> 00:08:48,759 WHEN ONE OF MY INNOVATIONS SUCCEEDS, 261 00:08:48,759 --> 00:08:50,731 IT OFTEN MEANS THAT SOMEONE ELSE'S FAILS. 262 00:08:50,731 --> 00:08:51,832 AND BEING HIGH PROFILE, 263 00:08:51,832 --> 00:08:53,533 PEOPLE TEND TO WANT THINGS FROM ME 264 00:08:53,533 --> 00:08:55,205 OR GET ANGRY FOR THINGS THAT I CAN'T CONTROL. 265 00:08:55,205 --> 00:08:57,167 WELL, IT SOUNDS LIKE BEING ERIC VAUGHN 266 00:08:57,167 --> 00:08:58,839 HAS ITS PRICE. 267 00:08:58,839 --> 00:09:01,011 (exhales) DON'T GET ME WRONG. I'M NOT COMPLAINING. 268 00:09:01,011 --> 00:09:05,015 I'M SURE YOU FACE MUCH TOUGHER SITUATIONS EVERY DAY. 269 00:09:05,015 --> 00:09:07,017 WELL, YOU KNOW, WHEN SOMEONE IS TRYING TO KILL YOU, 270 00:09:07,017 --> 00:09:09,049 I THINK THAT YOU HAVE EVERY RIGHT TO COMPLAIN. 271 00:09:12,783 --> 00:09:14,655 SO WHAT ABOUT RECENTLY? 272 00:09:14,655 --> 00:09:15,986 HAVE YOU RECEIVED ANY THREATS? 273 00:09:15,986 --> 00:09:17,628 NOT THAT I'M AWARE OF. 274 00:09:17,628 --> 00:09:19,630 BUT IF MY PEOPLE DON'T THINK IT'S SERIOUS, 275 00:09:19,630 --> 00:09:21,161 THEY OFTEN DON'T BOTHER TO TELL ME. 276 00:09:21,161 --> 00:09:23,263 MY ASSISTANT PETRA CAN GET YOU THE FILE. 277 00:09:23,263 --> 00:09:25,235 WE'LL NEED AS MUCH BACKGROUND AS SHE CAN GIVE US-- 278 00:09:25,235 --> 00:09:27,237 DISGRUNTLED EMPLOYEES, ANGRY COMPETITORS, 279 00:09:27,237 --> 00:09:28,799 LAWSUITS, THINGS LIKE THAT. 280 00:09:28,799 --> 00:09:30,300 UH, WHATEVER YOU NEED. 281 00:09:30,300 --> 00:09:32,673 DETECTIVE, 282 00:09:32,673 --> 00:09:35,075 WHOEVER DID THIS IS STILL OUT THERE. 283 00:09:35,075 --> 00:09:38,308 IT WOULDN'T BE CRAZY TO ASSUME THEY MIGHT TRY AGAIN. 284 00:09:38,308 --> 00:09:41,111 NO. UH, NO, IT WOULDN'T. 285 00:09:41,111 --> 00:09:44,314 UM, LOOK, I CAN ASSIGN SOME UNIFORMED OFFICERS TO YOU, 286 00:09:44,314 --> 00:09:46,917 BUT I THINK, UNTIL WE FIGURE OUT WHO'S BEHIND THIS, 287 00:09:46,917 --> 00:09:50,290 YOU MIGHT CONSIDER HIRING PRIVATE SECURITY. 288 00:09:52,022 --> 00:09:53,894 (espresso machine hisses) AND THERE YOU GO. 289 00:09:53,894 --> 00:09:55,866 (laughs) WHAT IS THIS? 290 00:09:55,866 --> 00:09:57,828 IT'S JUST ME NOT TAKING YOU FOR GRANTED. 291 00:09:57,828 --> 00:09:59,029 OH. 292 00:09:59,029 --> 00:10:00,831 SO WHAT DID YOU TALK ABOUT THERE, YOU AND VAUGHN? 293 00:10:00,831 --> 00:10:02,172 OH, WE WERE JUST GOING OVER THE INVESTIGATION, 294 00:10:02,172 --> 00:10:05,305 TALKING OUT THE NEXT FEW S-- 295 00:10:05,305 --> 00:10:07,107 WAIT A MINUTE. IS THIS-- 296 00:10:07,107 --> 00:10:08,739 ARE YOU... 297 00:10:08,739 --> 00:10:10,340 IS THIS YOU BEING JEALOUS? 298 00:10:10,340 --> 00:10:11,812 (huffs and mutters) 299 00:10:11,812 --> 00:10:13,784 JEALOUS? 300 00:10:13,784 --> 00:10:15,846 YES. 301 00:10:15,846 --> 00:10:17,948 THE GUY WON A MacARTHUR GENIUS AWARD. 302 00:10:17,948 --> 00:10:19,790 DO YOU KNOW WHO THEY GIVE THOSE AWARDS TO? 303 00:10:19,790 --> 00:10:21,151 GENIUSES. OKAY? 304 00:10:21,151 --> 00:10:23,053 HE'S GOT ONE COMPANY BRINGING CLEAN WATER TO AFRICA 305 00:10:23,053 --> 00:10:25,956 AND ANOTHER ONE THAT MIGHT ACTUALLY CURE CANCER. 306 00:10:25,956 --> 00:10:27,858 SO, YES, WHEN YOU'RE IN A ROOM WITH HIM ALONE, 307 00:10:27,858 --> 00:10:29,830 I'M A LITTLE JEALOUS. 308 00:10:29,830 --> 00:10:31,131 I SAW--I SAW HOW YOU LOOKED AT HIM. 309 00:10:31,131 --> 00:10:33,804 OH, MY GOSH. CASTLE. IT'S ERIC VAUGHN. 310 00:10:33,804 --> 00:10:35,806 HE WAS VOTED ONE OF THE HUNDRED 311 00:10:35,806 --> 00:10:37,808 MOST INTERESTING PEOPLE ON THE PLANET. 312 00:10:37,808 --> 00:10:39,339 OF COURSE I'M GONNA SWOON A LITTLE, 313 00:10:39,339 --> 00:10:40,711 JUST LIKE YOU WOULD 314 00:10:40,711 --> 00:10:41,842 IF BAR REFAELI WALKED THROUGH THE DOOR. 315 00:10:41,842 --> 00:10:43,173 BUT IT'S MEANINGLESS. 316 00:10:43,173 --> 00:10:45,846 YEAH, YOU'RE RIGHT. IT'S JUST... 317 00:10:45,846 --> 00:10:47,347 THE GUY'S SO IMPRESSIVE. 318 00:10:47,347 --> 00:10:50,320 BUT HE'S NOT YOU. 319 00:10:50,320 --> 00:10:52,122 BESIDES, THE GUY COULD GET ANY WOMAN HE WANTS. 320 00:10:52,122 --> 00:10:53,824 HE'S NOT INTERESTED IN ME. 321 00:10:53,824 --> 00:10:55,655 (chuckling) RIGHT? 322 00:10:55,655 --> 00:10:57,157 I KNOW. 323 00:10:57,157 --> 00:10:58,789 OKAY. 324 00:10:58,789 --> 00:11:00,360 I SPOKE WITH THE COMMISSIONER, 325 00:11:00,360 --> 00:11:02,733 AND HE'S AGREED TO PROVIDE VAUGHN WITH A PROTECTIVE DETAIL. 326 00:11:02,733 --> 00:11:04,865 UH, GREAT. I ACTUALLY HAVE A FEW UNIFORMS 327 00:11:04,865 --> 00:11:06,236 THAT I'D LIKE TO RECOMMEND FOR DUTY. 328 00:11:06,236 --> 00:11:08,899 NO. MR. VAUGHN HAS REQUESTED YOU. 329 00:11:08,899 --> 00:11:10,440 HE WHAT NOW? 330 00:11:10,440 --> 00:11:13,443 SIR, I'M A HOMICIDE DETECTIVE, NOT SOME BODYGUARD. 331 00:11:13,443 --> 00:11:15,005 TRUST ME, I KNOW. 332 00:11:15,005 --> 00:11:16,777 BUT THIS COMES DIRECTLY FROM THE COMMISSIONER. 333 00:11:16,777 --> 00:11:19,049 WHY DOESN'T VAUGHN JUST HIRE A PRIVATE ARMY? 334 00:11:19,049 --> 00:11:20,751 HE CAN AFFORD THAT. 335 00:11:20,751 --> 00:11:22,382 I DON'T KNOW WHY, MR. CASTLE. 336 00:11:22,382 --> 00:11:24,254 I JUST KNOW WHAT MY ORDERS ARE. 337 00:11:24,254 --> 00:11:27,317 HE WANTS DETECTIVE BECKETT AND ONLY BECKETT. 338 00:11:27,317 --> 00:11:28,759 MM. 339 00:11:28,759 --> 00:11:30,320 CAN HE EVEN DO THAT? 340 00:11:30,320 --> 00:11:32,723 I THINK HE JUST DID. 341 00:11:34,925 --> 00:11:36,767 (Esposito) BECKETT'S HANGING WITH VAUGHN? 342 00:11:36,767 --> 00:11:38,428 OH, HELL, YEAH, YOU SHOULD BE WORRIED. 343 00:11:38,428 --> 00:11:40,831 HIS HIT LIST INCLUDES HALF OF "MAXIM'S" HOT 100. 344 00:11:40,831 --> 00:11:42,402 OH, AND UNLIKE YOU, 345 00:11:42,402 --> 00:11:44,034 HIS HELICOPTER DOESN'T NEED A REMOTE CONTROL. 346 00:11:44,034 --> 00:11:46,807 DON'T LISTEN TO HIM, CASTLE. BECKETT'S LOYAL TO YOU. 347 00:11:46,807 --> 00:11:48,408 SHE'S NOT GONNA BE SEDUCED BY HIS CHARMS. 348 00:11:48,408 --> 00:11:50,811 REALLY? SO YOU'D LET JENNY HANG WITH HIM THEN? 349 00:11:50,811 --> 00:11:52,182 HELL, NO. I WOULDN'T LET JENNY NEAR THAT GUY. 350 00:11:52,182 --> 00:11:53,283 THANKS. 351 00:11:53,283 --> 00:11:56,386 OKAY, BUT... I'M NOT WORRIED. 352 00:11:56,386 --> 00:11:57,788 I'M NOT. OKAY? I JUST-- 353 00:11:57,788 --> 00:11:59,319 I CAN'T BELIEVE THAT THE DEPARTMENT 354 00:11:59,319 --> 00:12:01,451 IS FORCING HER TO HANG OUT WITH SOME WOMANIZING RICH GUY 355 00:12:01,451 --> 00:12:03,854 AGAINST HER WILL. 356 00:12:03,854 --> 00:12:05,155 YEAH. UNBELIEVABLE. 357 00:12:05,155 --> 00:12:06,456 YEAH, SHE'S NEVER DONE THAT. 358 00:12:06,456 --> 00:12:07,898 YOU KNOW WHAT WE NEED TO DO? 359 00:12:07,898 --> 00:12:09,760 WE NEED TO SOLVE THIS CASE, AND FAST. 360 00:12:09,760 --> 00:12:11,001 OKAY? THE SOONER WE CATCH THIS KILLER, 361 00:12:11,001 --> 00:12:12,763 THE SOONER WE GET HER AWAY FROM VAUGHN. 362 00:12:12,763 --> 00:12:14,765 WHERE ARE WE ON THAT WAITER VEST WE FOUND IN THE ALLEY? 363 00:12:14,765 --> 00:12:17,267 C.S.U. WAS CHECKING FOR TRACE EVIDENCE. NO FIBERS. 364 00:12:17,267 --> 00:12:18,769 AND THEY COULDN'T PULL ANY PRINTS OFF THE BUTTONS. 365 00:12:18,769 --> 00:12:19,910 NO. HAVE 'EM DO IT AGAIN. 366 00:12:19,910 --> 00:12:21,812 WHOEVER WORE THAT VEST IS OUR KILLER. 367 00:12:21,812 --> 00:12:23,143 I KNOW. WE HAVE DONE THIS BEFORE. HAVE YOU? 368 00:12:23,143 --> 00:12:24,744 CASTLE! CHILL. 369 00:12:24,744 --> 00:12:26,316 WE MAY HAVE ANOTHER LEAD. 370 00:12:26,316 --> 00:12:27,848 UNIFORMS PICKED UP A HOMELESS GUY 371 00:12:27,848 --> 00:12:29,449 IN THE SAME ALLEY RIGHT WHERE THAT VEST WAS FOUND. 372 00:12:29,449 --> 00:12:30,821 HE MAY HAVE SEEN SOMETHING. 373 00:12:30,821 --> 00:12:32,282 WELL, THEN WHY AREN'T WE TALKING TO HIM? 374 00:12:32,282 --> 00:12:35,085 BECAUSE AT THE MOMENT, HE IS STUPID DRUNK. SEEING DOUBLE. 375 00:12:35,085 --> 00:12:37,187 WE'LL HAVE A BETTER CHANCE OF A DESCRIPTION ONCE HE SOBERS UP. 376 00:12:37,187 --> 00:12:39,790 I'M ON IT. WHAT DO YOU MEAN, YOU'RE ON IT? 377 00:12:39,790 --> 00:12:42,292 WHERE ARE YOU GOING? TO MAKE HIM THE BEST DAMN CUP OF COFFEE HE'S EVER HAD. 378 00:12:44,334 --> 00:12:45,796 (Beckett) THIS IS A BIG MISTAKE. 379 00:12:45,796 --> 00:12:47,838 THE BEST WAY FOR ME TO KEEP YOU ALIVE 380 00:12:47,838 --> 00:12:49,840 IS TO GET OUT THERE AND CATCH THE GUY 381 00:12:49,840 --> 00:12:50,841 THAT'S BEHIND THIS. 382 00:12:50,841 --> 00:12:52,302 YOU UNDERESTIMATE YOURSELF, DETECTIVE. 383 00:12:52,302 --> 00:12:53,804 I'M QUITE SURE YOU CAN DO BOTH. 384 00:12:53,804 --> 00:12:55,976 AND ARE YOU WILLING TO BET YOUR LIFE ON THAT? 385 00:12:55,976 --> 00:12:57,407 YOU DON'T EVEN KNOW ME. 386 00:12:57,407 --> 00:12:58,849 I KNOW ENOUGH. 387 00:12:58,849 --> 00:13:00,150 YOU GRADUATED AT THE TOP OF YOUR CLASS. 388 00:13:00,150 --> 00:13:01,852 YOU'RE THE YOUNGEST WOMAN 389 00:13:01,852 --> 00:13:04,014 IN THE HISTORY OF THE NYPD TO MAKE DETECTIVE. 390 00:13:04,014 --> 00:13:05,355 YOU HAVE THE HIGHEST CLOSURE RATE 391 00:13:05,355 --> 00:13:06,556 OF ANYONE IN THE DEPARTMENT. 392 00:13:06,556 --> 00:13:08,188 AND EARLIER THIS YEAR, 393 00:13:08,188 --> 00:13:10,160 YOU BUCKED EVERY PROTOCOL TO SAVE A SENATOR'S LIFE. 394 00:13:10,160 --> 00:13:11,421 (exhales) 395 00:13:11,421 --> 00:13:13,824 DO YOU HAVE ANY IDEA HOW REMARKABLE YOU ARE? 396 00:13:14,965 --> 00:13:16,927 YOU DON'T, DO YOU? 397 00:13:16,927 --> 00:13:20,400 IF ANYONE CAN KEEP ME SAFE, IT'S YOU. 398 00:13:20,400 --> 00:13:22,572 GOOD AFTERNOON, ERIC. 399 00:13:22,572 --> 00:13:24,174 WE'VE PUT EXTRA SECURITY IN PLACE, 400 00:13:24,174 --> 00:13:25,876 BUT WE HAVE TO TALK ABOUT MexiSolar. 401 00:13:25,876 --> 00:13:26,837 DETECTIVE BECKETT, 402 00:13:26,837 --> 00:13:28,939 DAVID ANDERSON, MY ATTORNEY. 403 00:13:28,939 --> 00:13:30,110 THE DETECTIVE IS LOOKING AFTER ME, 404 00:13:30,110 --> 00:13:31,811 SO MAKE SURE SHE HAS EVERYTHING SHE NEEDS. 405 00:13:31,811 --> 00:13:33,113 IF HE GIVES YOU ANY TROUBLE, 406 00:13:33,113 --> 00:13:35,015 WE CAN PUT HIM ON INVESTOR CONFERENCE CALLS ALL DAY. 407 00:13:35,015 --> 00:13:36,216 I MIGHT TAKE YOU UP ON THAT. 408 00:13:36,216 --> 00:13:37,918 (chuckles) 409 00:13:37,918 --> 00:13:40,390 ERIC, IT'S IMPORTANT TO KEEP MexiSolar R&D MOVING 410 00:13:40,390 --> 00:13:42,152 IF WE WANT TO LAUNCH Q-3. DETECTIVE. 411 00:13:42,152 --> 00:13:44,494 I PUT TOGETHER SUMMARIES OF OUR ENTIRE PORTFOLIO OF COMPANIES... 412 00:13:44,494 --> 00:13:46,026 (David and Eric speaking indistinctly) PER YOUR REQUEST, 413 00:13:46,026 --> 00:13:48,328 ALONG WITH ANY COMPLAINTS AGAINST THEM OR MR. VAUGHN. 414 00:13:48,328 --> 00:13:50,230 BRIEFING IN AN HOUR? (cell phone rings) 415 00:13:50,230 --> 00:13:52,262 YEAH, THAT WOULD BE GREAT. THANKS. 416 00:13:52,262 --> 00:13:53,603 HEY, LANIE. WHAT'S UP? 417 00:13:53,603 --> 00:13:55,305 Your cause of death. 418 00:13:55,305 --> 00:13:58,338 The poison was a chemically synthesized, 419 00:13:58,338 --> 00:13:59,839 WEAPONIZED AGENT, 420 00:13:59,839 --> 00:14:02,342 SIMILAR TO THE ORGANIC COMPOUND SAXITOXIN. 421 00:14:02,342 --> 00:14:04,014 SAXITOXIN? 422 00:14:04,014 --> 00:14:06,016 Mm-hmm. It usually occurs 423 00:14:06,016 --> 00:14:07,948 IN SHELLFISH, BUT NOT THIS VERSION. 424 00:14:07,948 --> 00:14:12,122 Whoever created this had access to a pretty sophisticated lab, 425 00:14:12,122 --> 00:14:13,984 AND THIS ONE'S BEEN SUPERCHARGED. 426 00:14:13,984 --> 00:14:16,286 THANKS. Speaking of supercharged, 427 00:14:16,286 --> 00:14:18,558 IS IT TRUE THAT YOU'RE WITH ERIC VAUGHN? 428 00:14:18,558 --> 00:14:20,390 I mean, Kate I know 429 00:14:20,390 --> 00:14:22,562 YOU LOVE CASTLE AND ALL, BUT, GIRLFRIEND-- 430 00:14:22,562 --> 00:14:24,394 BYE, LANIE. (beeps) 431 00:14:24,394 --> 00:14:25,595 BYE. 432 00:14:25,595 --> 00:14:27,237 (imitating British accent) HELLO THERE, LANIE. 433 00:14:27,237 --> 00:14:28,568 I'M ERIC VAUGHN. 434 00:14:28,568 --> 00:14:32,242 AH, AND I THINK YOU'RE ABSOLUTELY RAVISHING. 435 00:14:32,242 --> 00:14:33,403 SAXITOXIN? 436 00:14:33,403 --> 00:14:34,905 YEAH, ARE YOU FAMILIAR WITH IT? 437 00:14:34,905 --> 00:14:37,177 THE VAUGHN ALLIANCE PARTNERED WITH A UNIVERSITY LAB 438 00:14:37,177 --> 00:14:39,479 TO DEVELOP A NEXT-GENERATION ANTIDOTE 439 00:14:39,479 --> 00:14:41,581 TO THAT ENTIRE CLASS OF NEUROTOXINS. 440 00:14:41,581 --> 00:14:43,113 AND HAVE YOU HAD TROUBLES 441 00:14:43,113 --> 00:14:46,416 WITH ANYONE ASSOCIATED WITH THE LAB? 442 00:14:46,416 --> 00:14:48,458 CINDY. 443 00:14:48,458 --> 00:14:49,889 WHO'S CINDY? 444 00:14:49,889 --> 00:14:53,393 (sighs) CINDY PARALTI. SHE'S OUR LEAD RESEARCHER. 445 00:14:55,065 --> 00:14:56,396 A FEW MONTHS AGO, 446 00:14:56,396 --> 00:14:58,268 WE WERE PRESENTING AT A CONFERENCE IN SINGAPORE. 447 00:14:58,268 --> 00:14:59,499 WE HAD A FEW DRINKS, AND-- 448 00:14:59,499 --> 00:15:01,901 AND IT ENDED BADLY. I GET IT. 449 00:15:01,901 --> 00:15:04,334 ACTUALLY, IT STARTED BADLY. 450 00:15:04,334 --> 00:15:06,006 SHE EXPRESSED SOME DEEP-SEATED FEELINGS FOR ME, 451 00:15:06,006 --> 00:15:07,677 ONES THAT I DIDN'T SHARE, 452 00:15:07,677 --> 00:15:09,940 SO WHEN I DECLINED, SHE TOOK IT HARD. 453 00:15:09,940 --> 00:15:11,341 HE IS BEING POLITE. 454 00:15:11,341 --> 00:15:13,343 SHE WENT "FATAL ATTRACTION" FOR A COUPLE OF WEEKS. 455 00:15:13,343 --> 00:15:15,645 AND YOU STILL WORK WITH HER? 456 00:15:15,645 --> 00:15:18,088 (sighs) SHE'S A VERY TALENTED RESEARCHER. 457 00:15:18,088 --> 00:15:22,592 DETECTIVE, WE'RE ALL MISLED BY OUR HEARTS SOMETIMES. 458 00:15:22,592 --> 00:15:24,694 IT SHOULDN'T END A CAREER. 459 00:15:24,694 --> 00:15:27,927 IT SHOULDN'T END A LIFE, EITHER. 460 00:15:27,927 --> 00:15:29,699 SO WHERE DOES CINDY LIVE? 461 00:15:29,699 --> 00:15:31,331 BY THE UNIVERSITY LABS IN LOWER MANHATTAN. 462 00:15:31,331 --> 00:15:35,165 SO IN THE CITY... NEAR THE RESTAURANT. 463 00:15:35,165 --> 00:15:38,208 AND WITH ACCESS TO SAXITOXIN. 464 00:15:38,208 --> 00:15:40,710 I HAVE A PhD IN CHEMISTRY FROM M.I.T. 465 00:15:40,710 --> 00:15:42,512 OF COURSE I'VE HEARD OF SAXITOXIN. 466 00:15:42,512 --> 00:15:44,114 PRETTY DANGEROUS STUFF, CINDY. 467 00:15:44,114 --> 00:15:45,545 YOU EVER WORK WITH ANY OF IT? 468 00:15:45,545 --> 00:15:47,577 WE DO, AS DO A LOT OF OTHER LABS. 469 00:15:47,577 --> 00:15:49,579 MS. PARALTI, WE UNDERSTAND THAT YOU AND ERIC VAUGHN 470 00:15:49,579 --> 00:15:51,481 HAD A PERSONAL FALLING OUT. 471 00:15:51,481 --> 00:15:53,723 YEAH. SO? 472 00:15:53,723 --> 00:15:55,685 SO ANY HARD FEELINGS? 473 00:15:55,685 --> 00:15:58,958 IT WAS PAINFUL, BUT I GOT OVER IT. 474 00:15:58,958 --> 00:16:01,491 DID YOU? BECAUSE THAT HASN'T BEEN YOUR PATTERN. 475 00:16:01,491 --> 00:16:03,733 YOU'VE HAD RESTRAINING ORDERS FILED AGAINST YOU 476 00:16:03,733 --> 00:16:05,565 BY THREE EX-BOYFRIENDS. 477 00:16:05,565 --> 00:16:07,237 YOU'VE KEYED CARS, SLASHED TIRES. 478 00:16:07,237 --> 00:16:09,469 STRAIGHT OUT OF A CARRIE UNDERWOOD SONG. 479 00:16:09,469 --> 00:16:10,640 YEAH, BUT YOU KNOW WHAT 480 00:16:10,640 --> 00:16:11,601 CARRIE UNDERWOOD NEVER SANG ABOUT? 481 00:16:11,601 --> 00:16:12,972 WHAT'S THAT? 482 00:16:12,972 --> 00:16:14,304 USING A CHEMICALLY ENHANCED NEUROTOXIN 483 00:16:14,304 --> 00:16:15,605 TO POISON A GUY IN A RESTAURANT. 484 00:16:15,605 --> 00:16:17,507 SEE, ERIC VAUGHN, HE SURVIVED. 485 00:16:17,507 --> 00:16:19,609 BUT ONE OF THE OTHER PEOPLE HE WAS WITH WASN'T SO LUCKY. 486 00:16:19,609 --> 00:16:22,012 SOMEONE TRIED TO KILL ERIC? 487 00:16:23,713 --> 00:16:25,715 NO. I WOULD NEVER. 488 00:16:25,715 --> 00:16:26,756 MS. PARALTI, 489 00:16:26,756 --> 00:16:28,558 YOU HAD ACCESS TO THE TOXIN. 490 00:16:28,558 --> 00:16:30,090 WHERE WERE YOU LAST NIGHT, CINDY? 491 00:16:30,090 --> 00:16:32,692 AT THE OPERA. "MADAME BUTTERFLY." 492 00:16:32,692 --> 00:16:34,224 YOU CAN CHECK. 493 00:16:34,224 --> 00:16:37,697 (rattling) 494 00:16:37,697 --> 00:16:39,769 I GOT SOMETHING. (pants) 495 00:16:42,432 --> 00:16:44,434 OKAY, SO AFTER TWO CUPS OF COFFEE, A LATTE, 496 00:16:44,434 --> 00:16:46,106 AND THREE ESPRESSOS, OUR HOMELESS FRIEND-- 497 00:16:46,106 --> 00:16:47,607 MR. HAZELTON OVER THERE-- FINALLY SOBERED UP. 498 00:16:47,607 --> 00:16:49,609 HE SAID HE SAW WHO STASHED THE VEST IN THE DUMPSTER. 499 00:16:49,609 --> 00:16:51,611 HE SAID THE FELLOW WAS DRESSED IN A BUSBOY UNIFORM. 500 00:16:51,611 --> 00:16:53,083 (Esposito) WAIT A MINUTE. 501 00:16:53,083 --> 00:16:54,484 ARE YOU SAYING IT WASN'T SOMEONE FROM THE OUTSIDE? 502 00:16:54,484 --> 00:16:56,046 IT WAS SOMEONE WHO WORKED AT IAGO? 503 00:16:56,046 --> 00:16:58,188 RIGHT. SO I SHOWED HIM PHOTOS OF ALL THE IAGO EMPLOYEES, 504 00:16:58,188 --> 00:16:59,749 AND HE FINGERED THIS GUY. 505 00:16:59,749 --> 00:17:01,621 CORY HARRISON. 506 00:17:01,621 --> 00:17:03,653 WAIT A SECOND. I SPOKE WITH THIS GUY. 507 00:17:03,653 --> 00:17:05,195 HE TRIED TO PIN IT ON SOMEBODY ELSE. 508 00:17:05,195 --> 00:17:06,696 WELL, THEN HE'S LYING, TRYING TO MAKE IT LOOK LIKE 509 00:17:06,696 --> 00:17:08,528 IT WAS SOMEONE FROM THE OUTSIDE WHEN IT WAS HIM ALL ALONG. 510 00:17:08,528 --> 00:17:10,400 WHY WOULD HE WANT TO POISON VAUGHN? LET'S ASK HIM. 511 00:17:10,400 --> 00:17:11,801 COFFEE? (both) NO. 512 00:17:11,801 --> 00:17:13,333 I SHOULD PROBABLY STOP, TOO. 513 00:17:13,333 --> 00:17:14,564 ONE MORE. 514 00:17:20,310 --> 00:17:21,671 (sighs) 515 00:17:33,683 --> 00:17:35,385 NYPD! 516 00:17:35,385 --> 00:17:36,826 POLICE! 517 00:17:42,162 --> 00:17:43,593 OVER HERE. 518 00:17:48,398 --> 00:17:50,340 LOOKS LIKE SOMEONE GOT HERE FIRST. 519 00:17:57,507 --> 00:17:58,808 (police radio chatter, camera shutter clicking) 520 00:17:58,808 --> 00:18:00,650 (sneezes) 521 00:18:00,650 --> 00:18:02,582 OOH. GOOSE DOWN ALLERGY? 522 00:18:02,582 --> 00:18:04,384 I'LL LIVE, UNLIKE CORY HARRISON. 523 00:18:04,384 --> 00:18:05,755 (clicking continues) 524 00:18:05,755 --> 00:18:08,188 KILLER CLEARLY USED A PILLOW AS A POOR-MAN'S SILENCER. 525 00:18:08,188 --> 00:18:10,190 NO SIGN OF FORCED ENTRY, EITHER. 526 00:18:10,190 --> 00:18:11,491 MAYBE HE KNEW HIS KILLER. 527 00:18:11,491 --> 00:18:13,793 HE ALSO KNEW WHAT WAS COMING. 528 00:18:13,793 --> 00:18:16,166 I FOUND DEFENSIVE WOUNDS ON MR. HARRISON'S WRISTS. 529 00:18:16,166 --> 00:18:18,198 BUT THAT'S ALL I'M GONNA FIND. 530 00:18:18,198 --> 00:18:19,829 SOMEONE WASHED HIS HANDS WITH BLEACH. 531 00:18:19,829 --> 00:18:22,332 DISPOSING OF D.N.A. AND TRACE EVIDENCE? 532 00:18:22,332 --> 00:18:24,434 SHOOTER SOUNDS LIKE A PRO. 533 00:18:24,434 --> 00:18:27,177 YEP, AND I THINK I KNOW WHY HE WAS HERE. 534 00:18:27,177 --> 00:18:29,479 (Gates) THE LAB CONFIRMS IT. (door closes) 535 00:18:29,479 --> 00:18:31,641 THE BOTTLE IN CORY HARRISON'S APARTMENT 536 00:18:31,641 --> 00:18:33,243 CONTAINS THE TOXIN THAT KILLED FELDER. 537 00:18:33,243 --> 00:18:35,285 SO SOMEONE WAS USING HIM TO SPIKE VAUGHN'S FOOD, 538 00:18:35,285 --> 00:18:36,486 AND THEN GOT RID OF HIM. 539 00:18:36,486 --> 00:18:37,817 WHICH MEANS SOMEWHERE IN HARRISON'S LIFE-- 540 00:18:37,817 --> 00:18:39,419 HIS FAMILY, FINANCIALS, OR WORK-- 541 00:18:39,419 --> 00:18:41,391 THERE'S THE KEY TO WHOEVER'S BEHIND ALL OF THIS. 542 00:18:41,391 --> 00:18:43,423 MAYBE SOMEONE AT THE RESTAURANT KNEW WHAT HE WAS UP TO. 543 00:18:43,423 --> 00:18:45,155 WE SHOULD GO BACK THERE. MM-HMM. 544 00:18:45,155 --> 00:18:46,826 NO, YOU AND THE BOYS CAN GO BACK THERE, MR. CASTLE. 545 00:18:46,826 --> 00:18:48,428 BECKETT'S GOING TO THE FAIRWYCK HOTEL. 546 00:18:48,428 --> 00:18:50,200 WHAT'S AT THE FAIRWYCK? 547 00:18:50,200 --> 00:18:51,361 ERIC VAUGHN. 548 00:18:51,361 --> 00:18:52,832 AS LONG AS WE HAVE A KILLER RUNNING AROUND, 549 00:18:52,832 --> 00:18:54,904 I NEED HIM SOMEWHERE SAFE. 550 00:18:54,904 --> 00:18:56,406 HE BOOKED THE PRESIDENTIAL SUITE, 551 00:18:56,406 --> 00:18:58,137 AND FROM NOW UNTIL THE TIME WE CATCH 552 00:18:58,137 --> 00:18:59,409 WHOEVER'S BEHIND ALL THIS, 553 00:18:59,409 --> 00:19:01,271 YOU'RE STAYING THERE WITH HIM. 554 00:19:01,271 --> 00:19:02,572 IN THE PRESIDENTIAL SUITE? 555 00:19:02,572 --> 00:19:04,674 UH, SIR, ARE YOU S-SERIOUS? 556 00:19:04,674 --> 00:19:06,916 YOU WANT ME TO BABYSIT THIS GUY? 557 00:19:06,916 --> 00:19:08,248 HE'S INSISTING. 558 00:19:08,248 --> 00:19:10,580 APPARENTLY, YOU MADE QUITE AN IMPRESSION. 559 00:19:10,580 --> 00:19:12,182 UH, SIR, I-- 560 00:19:12,182 --> 00:19:13,823 DETECTIVE, I KNOW HOW YOU FEEL, 561 00:19:13,823 --> 00:19:16,326 BUT WHOEVER KILLED THAT BUSBOY WAS A PRO, 562 00:19:16,326 --> 00:19:17,857 WHICH MEANS HE MAY STRIKE AGAIN, 563 00:19:17,857 --> 00:19:19,559 AND I AM NOT GOING TO LOSE 564 00:19:19,559 --> 00:19:20,890 ONE OF THE WORLD'S MOST INFLUENTIAL MEN 565 00:19:20,890 --> 00:19:23,193 ON MY WATCH. 566 00:19:26,866 --> 00:19:29,699 (door opens) 567 00:19:29,699 --> 00:19:30,900 (door closes) 568 00:19:33,603 --> 00:19:35,445 YOU KNOW, IT'S ONE THING TO FOLLOW HIM AROUND, 569 00:19:35,445 --> 00:19:37,947 BUT QUITE ANOTHER TO BE SHACKING UP WITH HIM. 570 00:19:37,947 --> 00:19:40,280 CASTLE, I AM NOT SHACKING UP WITH HIM. 571 00:19:40,280 --> 00:19:41,881 I'M JUST DOING MY JOB. 572 00:19:41,881 --> 00:19:44,214 RIGHT. 573 00:19:45,685 --> 00:19:47,417 YOU DON'T TRUST ME. 574 00:19:47,417 --> 00:19:49,559 OH, NO. OF COURSE I TRUST YOU. 575 00:19:49,559 --> 00:19:51,221 NO, YOU DON'T. THAT'S WHAT THIS IS ALL ABOUT. 576 00:19:51,221 --> 00:19:52,722 OTHERWISE, THIS WOULDN'T BE AN ISSUE. 577 00:19:52,722 --> 00:19:54,824 SHALL WE? 578 00:19:57,927 --> 00:19:59,499 YES. 579 00:20:07,837 --> 00:20:09,409 A COFFEE BREAK AT A TIME LIKE THIS? 580 00:20:09,409 --> 00:20:10,580 REALLY, GUYS? 581 00:20:10,580 --> 00:20:11,911 WHAT'S YOUR PROBLEM, BRO? 582 00:20:11,911 --> 00:20:13,283 LOOK, YOU NEED TO CALL JENNY, 583 00:20:13,283 --> 00:20:14,784 AND YOU NEED TO CALL WHOEVER IT IS YOU CALL, 584 00:20:14,784 --> 00:20:16,516 BECAUSE WE ARE NOT GOING HOME UNTIL WE SOLVE THIS MURDER. 585 00:20:16,516 --> 00:20:17,847 ALL RIGHT? 586 00:20:17,847 --> 00:20:20,590 LET'S GET TO THAT RESTAURANT AND GET SOME ANSWERS. 587 00:20:20,590 --> 00:20:21,921 MM. 588 00:20:21,921 --> 00:20:24,454 SERIOUSLY, GUYS. I MEAN IT. 589 00:20:32,832 --> 00:20:34,364 WOW. 590 00:20:34,364 --> 00:20:37,006 THIS IS THE NICEST SAFE HOUSE I'VE EVER SEEN. 591 00:20:37,006 --> 00:20:38,508 WELL, IF SOMEONE'S TRYING TO KILL YOU, 592 00:20:38,508 --> 00:20:39,839 YOU MIGHT AS WELL MAKE THE MOST OF IT, EH? 593 00:20:39,839 --> 00:20:41,911 (sets bag down) 594 00:20:43,913 --> 00:20:46,816 (sets coat down) 595 00:20:46,816 --> 00:20:48,918 I SHOULD GET TO WORK. 596 00:20:57,727 --> 00:20:59,028 APOLOGIES TO NOVATECH, 597 00:20:59,028 --> 00:21:01,961 AND LET'S CANCEL THE MexiSolar TRIP UNTIL SUMMER. 598 00:21:01,961 --> 00:21:03,993 THANKS, PETRA. (cell phone beeps) 599 00:21:03,993 --> 00:21:06,336 WHEN WERE YOU LAST IN CONTACT WITH JEFF SUSSMAN? 600 00:21:06,336 --> 00:21:08,037 IT'S NOT SUSSMAN. 601 00:21:08,037 --> 00:21:09,799 BUT YOU FIRED HIM, 602 00:21:09,799 --> 00:21:12,302 AND HE WAS CONVICTED OF EMBEZZLING. 603 00:21:12,302 --> 00:21:13,973 THAT SOUNDS LIKE A SUSPECT TO ME. 604 00:21:13,973 --> 00:21:16,506 LOOK, THE GUY SCREWED UP AND PAID FOR IT. 605 00:21:16,506 --> 00:21:19,278 BUT I SET HIS MOTHER UP IN AN ASSISTED-LIVING FACILITY. 606 00:21:19,278 --> 00:21:20,950 JEFF WAS VERY GRATEFUL. 607 00:21:20,950 --> 00:21:22,482 IT'S NOT HIM. 608 00:21:22,482 --> 00:21:25,355 (knock on door) 609 00:21:25,355 --> 00:21:26,816 ARE YOU EXPECTING ANYONE? 610 00:21:26,816 --> 00:21:28,988 I TOOK THE LIBERTY OF ORDERING SOME ROOM SERVICE. 611 00:21:36,396 --> 00:21:38,598 GOOD EVENING, MA'AM. MAY I COME IN? 612 00:21:38,598 --> 00:21:39,969 UH, ACTUALLY, NO. SORRY. 613 00:21:39,969 --> 00:21:41,371 HEY. 614 00:21:41,371 --> 00:21:43,773 LISTEN, GIVEN THE WAY THAT FELDER WAS KILLED, 615 00:21:43,773 --> 00:21:47,006 I WOULD PREFER IF MY PEOPLE OVERSAW THE FOOD PREPARATION. 616 00:21:47,006 --> 00:21:49,308 MAY I AT LEAST GRAB THE CHAMPAGNE? 617 00:21:49,308 --> 00:21:51,080 IT IS SEALED. 618 00:21:51,080 --> 00:21:54,514 YEAH. OKAY, FINE. 619 00:21:54,514 --> 00:21:55,885 EXCUSE ME. 620 00:21:55,885 --> 00:21:57,046 HERE. 621 00:21:57,046 --> 00:21:58,548 OOH. 622 00:21:58,548 --> 00:22:00,750 (glasses clink) THANK YOU, SIR. 623 00:22:03,993 --> 00:22:05,955 I'LL MAKE SURE THAT WE GET YOU SOME FOOD UP HERE. 624 00:22:05,955 --> 00:22:07,897 THAT'S OKAY. WE HAVE THE ESSENTIALS. 625 00:22:07,897 --> 00:22:09,359 (chuckles) 626 00:22:09,359 --> 00:22:10,860 POUR YOU A GLASS? 627 00:22:10,860 --> 00:22:12,762 OH, NO, THANK YOU. I'M ON DUTY. 628 00:22:13,963 --> 00:22:15,905 YOU TAKE YOUR WORK SERIOUSLY. 629 00:22:15,905 --> 00:22:17,907 I LIKE THAT ABOUT YOU. 630 00:22:17,907 --> 00:22:19,909 IT MAKES ME FEEL SAFE. 631 00:22:19,909 --> 00:22:21,671 (pops) OHH! OHH! 632 00:22:21,671 --> 00:22:22,842 (groans) OH, MY GOD! 633 00:22:22,842 --> 00:22:23,943 AAH. 634 00:22:23,943 --> 00:22:25,375 NO. 635 00:22:25,375 --> 00:22:26,846 (laughs) ARE YOU OKAY? 636 00:22:26,846 --> 00:22:28,448 YES. I THINK YOU'RE GONNA HAVE TO PROTECT ME FROM MYSELF. 637 00:22:28,448 --> 00:22:29,879 (laughs) 638 00:22:29,879 --> 00:22:32,982 OKAY. UM, I'M GONNA GO AND GET YOU SOME ICE, OKAY? 639 00:22:32,982 --> 00:22:34,654 OHH. 640 00:22:34,654 --> 00:22:36,926 YOU KNOW WHAT? I'M GLAD CORY'S DEAD. 641 00:22:36,926 --> 00:22:39,929 AFTER WHAT HAPPENED, THE BLOODY HEALTH DEPARTMENT SHUT ME DOWN. 642 00:22:39,929 --> 00:22:41,861 I MEAN, IF I'D KNOWN WHAT HE DID, I'D HAVE KILLED HIM MYSELF. 643 00:22:41,861 --> 00:22:43,893 YEAH, EXCEPT WE THINK 644 00:22:43,893 --> 00:22:45,895 WHOEVER PUT HIM UP TO POISONING YOUR FOOD 645 00:22:45,895 --> 00:22:47,497 WAS THE ONE WHO KILLED HIM. 646 00:22:47,497 --> 00:22:49,769 YOU WANT REVENGE? HELP US FIND HIS KILLER. 647 00:22:49,769 --> 00:22:51,501 WHAT DO YOU WANT TO KNOW? 648 00:22:51,501 --> 00:22:52,872 DID YOU NOTICE ANYTHING UNUSUAL ABOUT CORY 649 00:22:52,872 --> 00:22:54,644 THE DAY OF THE POISONING? 650 00:22:54,644 --> 00:22:55,945 YEAH. THE SON OF A BITCH WAS LATE. 651 00:22:55,945 --> 00:22:57,076 I'M SORRY. THAT'S IT? 652 00:22:57,076 --> 00:22:59,609 YOU DON'T UNDERSTAND. NO ONE'S LATE, EVER. 653 00:22:59,609 --> 00:23:01,050 IT'S ONE OF MY RULES. 654 00:23:01,050 --> 00:23:02,582 I MEAN, I SHOULD'VE FIRED HIM ON THE SPOT. 655 00:23:02,582 --> 00:23:03,753 WHY DIDN'T YOU? 656 00:23:03,753 --> 00:23:06,015 THE LOOK IN HIS EYES. 657 00:23:06,015 --> 00:23:07,987 IT WAS LIKE HE'D SEEN A GHOST. 658 00:23:07,987 --> 00:23:10,420 SOMETHING HAPPENED TO HIM THAT DAY. 659 00:23:10,420 --> 00:23:11,961 SOMETHING BAD. 660 00:23:14,964 --> 00:23:16,065 HERE. 661 00:23:16,065 --> 00:23:18,468 THAT SHOULD HELP WITH THE SWELLING. 662 00:23:18,468 --> 00:23:20,129 YES, BUT, UH, NOT MY PRIDE. 663 00:23:20,129 --> 00:23:22,071 (chuckles) 664 00:23:22,071 --> 00:23:23,433 YOU KNOW, WITH YOUR BEDSIDE MANNER, 665 00:23:23,433 --> 00:23:24,604 YOU COULD'VE BEEN A DOCTOR. 666 00:23:24,604 --> 00:23:26,976 ME? NO, NO. 667 00:23:26,976 --> 00:23:29,479 A LAWYER, MAYBE. I WAS, UH, IN PRE-LAW. 668 00:23:29,479 --> 00:23:31,010 I COULD'VE REPRESENTED YOU 669 00:23:31,010 --> 00:23:32,812 IN YOUR CASE AGAINST THE CORK. 670 00:23:32,812 --> 00:23:35,445 (chuckles) 671 00:23:35,445 --> 00:23:37,617 BUT INSTEAD, YOU BECAME A COP. 672 00:23:37,617 --> 00:23:38,848 WHY? 673 00:23:40,520 --> 00:23:42,522 UH, SOMEONE CLOSE TO ME WAS KILLED, 674 00:23:42,522 --> 00:23:44,624 AND THAT JUST... 675 00:23:44,624 --> 00:23:46,856 CHANGED THINGS AND CHANGED ME. 676 00:23:46,856 --> 00:23:48,998 MM. 677 00:23:48,998 --> 00:23:51,160 YOU KNOW, I WAS SUPPOSED TO BE AN ARCHITECT. 678 00:23:51,160 --> 00:23:52,932 NO, SERIOUSLY. 679 00:23:52,932 --> 00:23:54,964 BUT MY SISTER DIED WHEN I WAS IN COLLEGE-- 680 00:23:54,964 --> 00:23:56,205 HEART DEFECT. 681 00:23:56,205 --> 00:23:57,907 SO I DROPPED OUT 682 00:23:57,907 --> 00:24:00,610 AND INVENTED A NEW HEART VALVE. 683 00:24:00,610 --> 00:24:03,012 THAT WAS MY FIRST PATENT. 684 00:24:03,012 --> 00:24:07,947 IT'S AMAZING HOW FATE CHANGES LIVES, ISN'T IT? 685 00:24:11,120 --> 00:24:12,682 I SHOULD GET BACK TO WORK. 686 00:24:12,682 --> 00:24:14,824 AT LEAST HAVE A GLASS OF CHAMPAGNE. 687 00:24:14,824 --> 00:24:17,887 I MEAN, I HAVE SUFFERED FOR IT, AFTER ALL. 688 00:24:17,887 --> 00:24:20,029 (sighs) OKAY, FINE. 689 00:24:20,029 --> 00:24:21,991 YOU KNOW WHAT? YOU PUT IT THAT WAY... 690 00:24:21,991 --> 00:24:23,763 BUT JUST HALF A GLASS, OKAY? 691 00:24:23,763 --> 00:24:25,595 GO ON. THREE-QUARTERS. 692 00:24:25,595 --> 00:24:26,766 (laughs) 693 00:24:26,766 --> 00:24:27,897 (chuckles) YEAH. 694 00:24:27,897 --> 00:24:29,238 (pours champagne) 695 00:24:29,238 --> 00:24:30,940 (exhales) 696 00:24:30,940 --> 00:24:32,241 WE TALKED TO CORY HARRISON'S GIRLFRIEND. 697 00:24:32,241 --> 00:24:33,943 ACCORDING TO HER, HE WAS IN A GOOD MOOD 698 00:24:33,943 --> 00:24:35,244 WHEN HE LEFT HER APARTMENT YESTERDAY MORNING. 699 00:24:35,244 --> 00:24:36,906 THEN SOMETHING MUST HAVE HAPPENED 700 00:24:36,906 --> 00:24:38,207 BETWEEN HOME AND THE RESTAURANT. 701 00:24:38,207 --> 00:24:39,909 IN FACT, SOMETHING DID. 702 00:24:39,909 --> 00:24:41,811 WE TOOK A LOOK AT CORY'S ROUTINE. 703 00:24:41,811 --> 00:24:43,613 PRETTY MUCH EVERY MORNING, HE LEFT HIS APARTMENT, 704 00:24:43,613 --> 00:24:45,254 PICKED UP HIS DAUGHTER, TOOK HER TO PRESCHOOL. 705 00:24:45,254 --> 00:24:47,256 THEN HE'D WALK TO THE BUS STOP, WHERE HE'D CATCH THE 10-X 706 00:24:47,256 --> 00:24:49,158 FROM STATEN ISLAND INTO THE CITY. 707 00:24:49,158 --> 00:24:50,860 AH. GREAT, CAPTAIN, YOU'RE HERE. DID YOU TELL HER? 708 00:24:50,860 --> 00:24:52,021 I DID TELL HER. 709 00:24:52,021 --> 00:24:54,023 OKAY, THIS IS THE SECURITY VIDEO FOOTAGE 710 00:24:54,023 --> 00:24:55,865 FROM THE BUS SHELTER YESTERDAY. 711 00:24:55,865 --> 00:24:57,026 SHOW HER THE... YEAH. 712 00:24:57,026 --> 00:24:58,097 SHOW HER THE... (beeps) 713 00:24:58,097 --> 00:24:59,569 THANK YOU. 714 00:24:59,569 --> 00:25:01,601 THERE'S OUR BUSBOY CORY TALKING TO SOME GUY. 715 00:25:01,601 --> 00:25:04,033 AND THAT IS THE 10-X BUS, 716 00:25:04,033 --> 00:25:06,005 BUT CORY DOES NOT GET ON. 717 00:25:06,005 --> 00:25:07,276 HE IS LATE FOR WORK. 718 00:25:07,276 --> 00:25:09,839 HE RISKS GETTING FIRED JUST TO TALK TO THIS GUY. 719 00:25:09,839 --> 00:25:10,980 WELL, WHAT DO WE KNOW ABOUT HIM? 720 00:25:10,980 --> 00:25:12,742 NOTHING. WE CAN'T GET A GOOD LOOK AT HIM. 721 00:25:12,742 --> 00:25:13,983 IT'S LIKE HE KNOWS WHERE THE CAMERA IS. 722 00:25:13,983 --> 00:25:15,645 RIGHT, BUT THIS IS WHERE IT GETS INTERESTING. 723 00:25:15,645 --> 00:25:16,946 HOW DO I... THAT ONE. 724 00:25:16,946 --> 00:25:18,217 THAT ONE? (beeps) 725 00:25:18,217 --> 00:25:20,219 (chirps) 726 00:25:20,219 --> 00:25:21,721 (beep) 727 00:25:21,721 --> 00:25:23,893 WAIT. THAT'S THE BOTTLE OF POISON. 728 00:25:23,893 --> 00:25:26,055 RIGHT, AND AFTER HE USED IT TO POISON THE FOOD, 729 00:25:26,055 --> 00:25:28,297 I'M BETTING THIS GUY CAME BACK AND SHOT HIM 730 00:25:28,297 --> 00:25:30,059 TO TIE UP LOOSE ENDS. 731 00:25:30,059 --> 00:25:31,230 (beeps and chirps) 732 00:25:31,230 --> 00:25:32,962 (chirp) 733 00:25:32,962 --> 00:25:35,565 HE'S YOUR KILLER. 734 00:25:41,771 --> 00:25:43,212 LOOK, I WISH I COULD HELP YOU, 735 00:25:43,212 --> 00:25:44,674 BUT, UH, I SIMPLY JUST DON'T KNOW HIM. 736 00:25:44,674 --> 00:25:46,175 (sighs) RYAN, WE GOTTA GO OVER THAT VIDEO AGAIN. 737 00:25:46,175 --> 00:25:48,848 THERE'S GOTTA BE SOMETHING IN IT THAT'LL HELP US FIGURE OUT 738 00:25:48,848 --> 00:25:50,079 WHO HE IS. 739 00:25:53,823 --> 00:25:55,985 UH, EXCUSE ME. 740 00:26:03,793 --> 00:26:05,034 (lowered voice) LOOKS AS THOUGH YOU TWO 741 00:26:05,034 --> 00:26:06,195 WERE ENJOYING YOURSELVES. 742 00:26:06,195 --> 00:26:08,237 (exhales deeply, lowered voice) CASTLE-- 743 00:26:08,237 --> 00:26:09,268 WHAT ABOUT PAJAMAS-- 744 00:26:09,268 --> 00:26:11,701 HOMELY FLANNEL OR SKIMPY SLEEP SHORTS? 745 00:26:11,701 --> 00:26:13,202 OH, MY GOSH. YOU'RE SOUNDING LIKE MY DAD 746 00:26:13,202 --> 00:26:14,744 DROPPING ME OFF AT SUMMER CAMP. 747 00:26:14,744 --> 00:26:17,847 DID THEY SERVE CHAMPAGNE AT YOUR SUMMER CAMP? 748 00:26:17,847 --> 00:26:19,578 I WAS BEING POLITE. 749 00:26:19,578 --> 00:26:21,210 CASTLE, DO YOU THINK I WANT THIS? 750 00:26:21,210 --> 00:26:22,782 DO YOU THINK I ASKED TO BE HERE? 751 00:26:22,782 --> 00:26:24,113 I THINK YOU'RE MAKING THE BEST OF IT. 752 00:26:24,113 --> 00:26:25,815 (whispers) YOU KNOW I WOULD RATHER BE WITH YOU. 753 00:26:25,815 --> 00:26:27,116 WELL, THEN MAYBE I SHOULD STAY 754 00:26:27,116 --> 00:26:28,658 AND WE CAN PROTECT HIM TOGETHER. 755 00:26:28,658 --> 00:26:29,919 (normal voice) NO, I AM NOT LETTING YOU DO THIS. 756 00:26:29,919 --> 00:26:31,220 I'M NOT LETTING YOU TURN THIS INVESTIGATION 757 00:26:31,220 --> 00:26:34,593 INTO SOME KIND OF A TWISTED COMPETITION. 758 00:26:34,593 --> 00:26:36,095 LOOK... 759 00:26:36,095 --> 00:26:37,797 DON'T MAKE THIS HARDER THAN IT NEEDS TO BE. 760 00:26:37,797 --> 00:26:39,699 PLEASE. OKAY. 761 00:26:39,699 --> 00:26:41,871 BUT ONLY BECAUSE YOU SAID PLEASE. 762 00:26:46,175 --> 00:26:48,778 (Esposito) SINCE WE CAN'T GET A CLEAN LOOK AT THIS GUY'S FACE, 763 00:26:48,778 --> 00:26:49,939 I'M HOPING THERE'S SOME OTHER WAY 764 00:26:49,939 --> 00:26:51,110 WE MIGHT BE ABLE TO I.D. HIM. 765 00:26:51,110 --> 00:26:52,141 FORTUNATELY, WE'RE ALL MUCH MORE 766 00:26:52,141 --> 00:26:54,143 THAN OUR FACES, DETECTIVE. 767 00:26:54,143 --> 00:26:57,116 HARRISON'S DRIVER'S LICENSE LISTS HIM AT 5'10". 768 00:26:57,116 --> 00:27:00,189 THAT OTHER GUY LOOKS LIKE HE'S 6'2". 769 00:27:00,189 --> 00:27:02,091 POSTURE IS AN INDICATION OF SPINE CURVATURE. 770 00:27:02,091 --> 00:27:04,193 I'D SAY IT PUTS HIM IN HIS EARLY 40s. 771 00:27:04,193 --> 00:27:06,856 WATCH HIS HAND. (beeps, video fast-forwards) 772 00:27:06,856 --> 00:27:08,227 (beep) HE MAKES TWO DISTINCT MOVEMENTS. 773 00:27:08,227 --> 00:27:10,159 FIRST HE GRABS MR. HARRISON'S ARM, 774 00:27:10,159 --> 00:27:12,832 THEN HE PASSES HIM THE POISON SPRAY. 775 00:27:12,832 --> 00:27:15,164 HE'S LEFT-HANDED. (beep) 776 00:27:15,164 --> 00:27:17,206 AND LOOK AT HIS NECK. (chirps) 777 00:27:17,206 --> 00:27:18,908 THAT'S A BANDAGE. 778 00:27:18,908 --> 00:27:20,239 MAYBE COVERING UP A RECENT INJURY 779 00:27:20,239 --> 00:27:21,210 OR A TATTOO. 780 00:27:21,210 --> 00:27:22,872 YEAH. (Ryan) HEY. 781 00:27:22,872 --> 00:27:24,814 SO I THINK I KNOW HOW THIS GUY 782 00:27:24,814 --> 00:27:26,245 GOT CORY TO POISON THE FOOD. 783 00:27:26,245 --> 00:27:27,276 DON'T SAY MONEY. I'VE BEEN THROUGH HIS FINANCIALS. 784 00:27:27,276 --> 00:27:28,647 THERE'S NOTHING THERE. 785 00:27:28,647 --> 00:27:30,079 MIGHT BE SOMETHING A LOT MORE PERSONAL. 786 00:27:30,079 --> 00:27:32,651 I CANVASSED THE PRESCHOOL THAT CORY'S DAUGHTER ATTENDS. 787 00:27:32,651 --> 00:27:33,983 A TEACHER RECOGNIZED HIM 788 00:27:33,983 --> 00:27:35,224 WHEN I SHOWED HER THE SCREENGRAB. 789 00:27:35,224 --> 00:27:36,686 REMEMBERS SEEING HIM 790 00:27:36,686 --> 00:27:37,987 HANGING AROUND THE SCHOOL THE DAY BEFORE. 791 00:27:37,987 --> 00:27:39,128 SO YOU THINK HE THREATENED TO HURT THE DAUGHTER 792 00:27:39,128 --> 00:27:40,659 IF CORY DIDN'T POISON THE FOOD? 793 00:27:40,659 --> 00:27:42,291 IT MIGHT EXPLAIN WHY HE WAS SO UPSET 794 00:27:42,291 --> 00:27:43,392 WHEN HE GOT TO THE RESTAURANT. 795 00:27:43,392 --> 00:27:44,864 WHERE ARE WE ON BALLISTICS? 796 00:27:44,864 --> 00:27:46,295 SLUG FROM THE CRIME SCENE IS PRETTY MANGLED, 797 00:27:46,295 --> 00:27:48,367 BUT IT'S A POSSIBLE MATCH TO ANOTHER ONE IN THE SYSTEM. 798 00:27:48,367 --> 00:27:50,139 WE SHOULD KNOW MORE IN A FEW HOURS. 799 00:27:51,941 --> 00:27:53,272 OKAY, DAD. 800 00:27:53,272 --> 00:27:55,074 THE BOX SAID SOMETHING ABOUT 801 00:27:55,074 --> 00:27:58,147 A SOOTHING INFUSION OF CALMING HERBS. 802 00:27:58,147 --> 00:27:59,408 (knife clicking against cutting board) 803 00:27:59,408 --> 00:28:01,250 ANYWAY, IT'S A CALM TEA, AND YOU NEED TO CALM DOWN. 804 00:28:01,250 --> 00:28:02,952 HOW AM I SUPPOSED TO CALM DOWN? 805 00:28:02,952 --> 00:28:04,383 IT'S ERIC VAUGHN. 806 00:28:04,383 --> 00:28:06,716 DAD, BECKETT IS OVER THE MOON FOR YOU. 807 00:28:06,716 --> 00:28:08,417 SO GIVE HER A LITTLE CREDIT, HUH? 808 00:28:08,417 --> 00:28:11,120 IT'S NO DIFFERENT THAN WHEN SHE WAS PROTECTING SENATOR BRACKEN. 809 00:28:11,120 --> 00:28:12,822 YEAH, YOU'RE RIGHT. 810 00:28:12,822 --> 00:28:14,864 OH! EXCEPT FOR THE FACT THAT WHEN IT WAS BRACKEN, 811 00:28:14,864 --> 00:28:16,325 THEY WEREN'T HAVING A SLUMBER PARTY 812 00:28:16,325 --> 00:28:17,767 AT A FANCY HOTEL. 813 00:28:17,767 --> 00:28:19,168 AND LET'S FACE IT. 814 00:28:19,168 --> 00:28:21,771 COMPARED TO BRACKEN, ERIC VAUGHN IS LIKE GEORGE CLOONEY. 815 00:28:21,771 --> 00:28:22,932 (Martha) OH, NO. 816 00:28:22,932 --> 00:28:24,774 ERIC VAUGHN'S WAY SEXIER THAN CLOONEY. 817 00:28:24,774 --> 00:28:26,736 (knife clicks) (chuckles) 818 00:28:26,736 --> 00:28:28,177 WHAT? HE IS. 819 00:28:28,177 --> 00:28:30,279 YES, AND BECKETT IS PROTECTING HIM 820 00:28:30,279 --> 00:28:31,941 AT THE FAIRWYCK AS WE SPEAK. 821 00:28:31,941 --> 00:28:33,282 OOPS. 822 00:28:33,282 --> 00:28:35,414 I WAS JUST REMINDING DAD THAT BECKETT IS A PROFESSIONAL 823 00:28:35,414 --> 00:28:37,216 AND TOTALLY COMMITTED TO THEIR RELATIONSHIP. 824 00:28:37,216 --> 00:28:39,018 EH, WELL... 825 00:28:39,018 --> 00:28:41,290 NOT TOTALLY COMMITTED. 826 00:28:41,290 --> 00:28:42,491 WHAT DO YOU MEAN? 827 00:28:42,491 --> 00:28:45,094 WELL, THERE ISN'T A RING ON HER FINGER, IS THERE? 828 00:28:45,094 --> 00:28:46,355 I-- 829 00:28:46,355 --> 00:28:49,759 TECHNICALLY, SHE'S NOT REALLY COMMITTED AT ALL. 830 00:28:49,759 --> 00:28:51,931 TA. 831 00:28:51,931 --> 00:28:54,804 (door opens) 832 00:28:54,804 --> 00:28:55,965 (door closes) 833 00:28:55,965 --> 00:28:57,907 I'M GONNA NEED MORE OF THAT TEA. 834 00:28:57,907 --> 00:29:00,169 HEY, BECKETT, BALLISTICS GOT MULTIPLE MATCHES 835 00:29:00,169 --> 00:29:02,812 ON THE GUN USED IN CORY HARRISON'S MURDER, 836 00:29:02,812 --> 00:29:03,973 connecting the weapon 837 00:29:03,973 --> 00:29:05,314 to four killings outside the state. 838 00:29:05,314 --> 00:29:07,076 OKAY, SO WHERE WERE THOSE OTHER MURDERS? 839 00:29:07,076 --> 00:29:08,217 Detroit, Chicago, 840 00:29:08,217 --> 00:29:09,919 LAS VEGAS, AND MEMPHIS. 841 00:29:09,919 --> 00:29:12,081 THERE WAS NEVER ENOUGH EVIDENCE, BUT A NAME DID COME UP. 842 00:29:12,081 --> 00:29:13,522 WHO? (Ryan) Thomas Barber. 843 00:29:13,522 --> 00:29:14,884 42. 844 00:29:14,884 --> 00:29:16,455 USED TO BE A BUTTON MAN WITH LINKS 845 00:29:16,455 --> 00:29:17,987 to organized crime in Chicago. 846 00:29:17,987 --> 00:29:19,358 According to his file, he's a freelancer now. 847 00:29:19,358 --> 00:29:21,330 I'LL TEXT YOU HIS PHOTO. 848 00:29:21,330 --> 00:29:23,262 SO IS THIS THE SAME GUY THAT WE SAW ON THE BUS STOP VIDEO? 849 00:29:23,262 --> 00:29:26,235 (remote beeps) (Esposito) Yep. He's a match for height, age, 850 00:29:26,235 --> 00:29:28,197 AND PLACEMENT OF A CREEPY NECK TATTOO. All right. 851 00:29:28,197 --> 00:29:29,368 PUT AN A.P.B. OUT FOR HIM 852 00:29:29,368 --> 00:29:31,200 AND START CHECKING PLANE AND TRAIN MANIFESTS, 853 00:29:31,200 --> 00:29:33,442 ALONG WITH ANY OTHER TRANSPORTATION SYSTEMS 854 00:29:33,442 --> 00:29:35,544 INTO THE CITY, AND KEEP IN MIND, 855 00:29:35,544 --> 00:29:38,107 THIS GUY IS A GUN FOR HIRE, SO WE FIND HIM, 856 00:29:38,107 --> 00:29:40,149 WE'RE GONNA FIND WHOEVER PUT HIM UP TO THIS. 857 00:29:40,149 --> 00:29:42,181 ON IT. KEEP YOU POSTED. Okay. 858 00:29:42,181 --> 00:29:44,113 (sets cell phone down) 859 00:29:44,113 --> 00:29:45,484 IT'S GONNA BE FINE. 860 00:29:45,484 --> 00:29:47,056 I KNOW IT IS. 861 00:29:47,056 --> 00:29:48,187 I'VE WORKED WITH THE BEST, 862 00:29:48,187 --> 00:29:49,889 AND YOU'D RUN CIRCLES AROUND ANY OF THEM 863 00:29:49,889 --> 00:29:51,290 BEFORE YOUR FIRST CUP OF COFFEE. 864 00:29:51,290 --> 00:29:53,192 I FEEL COMPLETELY SAFE IN YOUR CARE. 865 00:29:53,192 --> 00:29:55,094 AFTER KNOWING ME FOR JUST TWO DAYS? 866 00:29:55,094 --> 00:29:58,067 NO, AFTER KNOWING YOU FOR TWO MINUTES. 867 00:29:58,067 --> 00:30:00,169 (sighs) 868 00:30:01,500 --> 00:30:05,875 SO YOU THINK YOU GOT ME FIGURED OUT, HUH? 869 00:30:05,875 --> 00:30:07,837 EXCEPT FOR ONE THING. 870 00:30:07,837 --> 00:30:10,880 ARE YOU AND CASTLE... 871 00:30:16,515 --> 00:30:18,187 YES. 872 00:30:18,187 --> 00:30:20,319 IS IT SERIOUS? 873 00:30:22,191 --> 00:30:25,454 YES. YEAH, YOU COULD SAY IT'S SERIOUS. 874 00:30:25,454 --> 00:30:28,097 BUT THE TRUTH IS, YOU DON'T REALLY KNOW. 875 00:30:28,097 --> 00:30:30,199 OTHERWISE, YOU WOULDN'T HAVE HESITATED. 876 00:30:30,199 --> 00:30:31,901 NO, IT'S JUST, UH... 877 00:30:31,901 --> 00:30:34,864 WE'VE NEVER REALLY TALKED ABOUT IT. THAT'S ALL. 878 00:30:34,864 --> 00:30:37,266 WHY NOT? 879 00:30:37,266 --> 00:30:39,338 WE JUST HAVEN'T. 880 00:30:39,338 --> 00:30:40,940 THEN HE'S A FOOL. 881 00:30:40,940 --> 00:30:42,241 NO, IT'S, UH... 882 00:30:44,343 --> 00:30:46,876 IT'S JUST, IT'S--IT'S COMPLICATED. 883 00:30:46,876 --> 00:30:48,347 KATE, 884 00:30:48,347 --> 00:30:50,249 THERE'S NOTHING COMPLICATED ABOUT MEETING A WOMAN LIKE YOU 885 00:30:50,249 --> 00:30:52,251 AND KNOWING WHAT TO DO. 886 00:31:00,229 --> 00:31:02,631 NO. 887 00:31:02,631 --> 00:31:04,633 (gunshot) AAH! GET DOWN! 888 00:31:04,633 --> 00:31:06,165 (gunshots) 889 00:31:12,271 --> 00:31:13,502 (camera shutter clicks) 890 00:31:13,502 --> 00:31:15,204 (police radio chatter) 891 00:31:15,204 --> 00:31:16,375 (elevator bell dings) OKAY, PACK IT UP-- 892 00:31:16,375 --> 00:31:17,907 HEY, BECKETT. 893 00:31:17,907 --> 00:31:19,278 HEY, CASTLE. I'M FINE. 894 00:31:19,278 --> 00:31:20,609 (ding) OKAY. 895 00:31:20,609 --> 00:31:22,581 (Ryan) ALL RIGHT. THANKS, CAPTAIN. (cell phone beeps) 896 00:31:22,581 --> 00:31:24,313 VAUGHN'S ALREADY BACK AT THE PRECINCT. 897 00:31:24,313 --> 00:31:26,455 GATES WANTS TO KEEP HIM THERE UNTIL WE FIND A NEW SAFE HOUSE. 898 00:31:26,455 --> 00:31:28,387 YEAH, PREFERABLY ONE WITHOUT WINDOWS 899 00:31:28,387 --> 00:31:30,059 THAT SNIPERS CAN SHOOT THROUGH. 900 00:31:30,059 --> 00:31:32,891 IT LOOKS LIKE THE SHOT CAME FROM THE HOTEL ACROSS THE STREET. 901 00:31:32,891 --> 00:31:34,964 UNIFORMS ARE CANVASSING FOR BARBER, BUT SO FAR, NOTHING. 902 00:31:34,964 --> 00:31:36,295 I DON'T UNDERSTAND. 903 00:31:36,295 --> 00:31:37,526 HOW DID HE EVEN KNOW YOU AND VAUGHN WERE HERE? 904 00:31:37,526 --> 00:31:39,068 WELL, MAYBE HE'S BEEN WATCHING US 905 00:31:39,068 --> 00:31:41,070 SINCE VAUGHN SURVIVED THE ATTEMPT AT THE RESTAURANT. 906 00:31:41,070 --> 00:31:42,671 HEY, BECKETT, I HATE TO DO THIS TO YOU, 907 00:31:42,671 --> 00:31:44,273 BUT I NEED TO TAKE YOUR STATEMENT. 908 00:31:44,273 --> 00:31:45,474 NO, THAT'S FINE. 909 00:31:45,474 --> 00:31:47,306 ALL RIGHT, UH, WHERE WERE YOU STANDING 910 00:31:47,306 --> 00:31:49,338 WHEN THE FIRST SHOT CAME? 911 00:31:49,338 --> 00:31:50,539 UH... 912 00:31:50,539 --> 00:31:53,012 I WAS... 913 00:31:53,012 --> 00:31:54,313 RIGHT OVER HERE. 914 00:31:56,485 --> 00:31:58,547 OKAY, AND, UM, 915 00:31:58,547 --> 00:32:00,049 WHERE WAS VAUGHN? 916 00:32:00,049 --> 00:32:01,550 RIGHT THERE. 917 00:32:01,550 --> 00:32:04,923 RIGHT, UH... HERE? 918 00:32:04,923 --> 00:32:06,355 YEAH. OH. 919 00:32:06,355 --> 00:32:10,099 WHY WAS HE STANDING SO CLOSE? 920 00:32:10,099 --> 00:32:12,501 I DON'T UNDERSTAND. THAT WOULD... (clicks) 921 00:32:12,501 --> 00:32:15,404 WAIT A MINUTE. IF HE WAS STANDING THERE... 922 00:32:15,404 --> 00:32:17,436 THEN THE BULLET WOULD'VE GONE 923 00:32:17,436 --> 00:32:20,709 RIGHT THROUGH HIS HEAD. 924 00:32:20,709 --> 00:32:22,341 HOW DID BARBER MISS? 925 00:32:22,341 --> 00:32:25,674 WELL, BEFORE THE FIRST SHOT, VAUGHN STUMBLED. 926 00:32:25,674 --> 00:32:27,716 (clicks) 927 00:32:27,716 --> 00:32:29,948 STUMBLED? 928 00:32:29,948 --> 00:32:33,052 KIDS AND OLD PEOPLE STUMBLE. HOW DID HE STUMBLE? 929 00:32:33,052 --> 00:32:34,453 I DON'T KNOW. HE JUST DID. 930 00:32:34,453 --> 00:32:36,986 SO HE ATE THE WRONG ENTREE 931 00:32:36,986 --> 00:32:39,158 AND AVOIDED BEING POISONED, 932 00:32:39,158 --> 00:32:41,290 AND THEN HE STUMBLED AT JUST THE RIGHT MOMENT 933 00:32:41,290 --> 00:32:43,362 TO AVOID BEING SHOT BY AN ASSASSIN 934 00:32:43,362 --> 00:32:45,034 THROUGH A WINDOW. 935 00:32:45,034 --> 00:32:47,496 NOBODY'S THAT LUCKY. 936 00:32:47,496 --> 00:32:49,968 WHAT'S GOING ON HERE, KATE? 937 00:32:49,968 --> 00:32:52,241 HE KISSED ME. OKAY, CASTLE? 938 00:32:52,241 --> 00:32:53,702 HE WHAT? 939 00:32:53,702 --> 00:32:56,575 (click) I THINK I HAVE ALL I NEED HERE. 940 00:32:56,575 --> 00:32:58,407 LOOK, I'M NOT GONNA LIE TO YOU. 941 00:32:58,407 --> 00:32:59,678 WE WERE TALKING ABOUT YOU, 942 00:32:59,678 --> 00:33:01,180 WE WERE TALKING ABOUT RELATIONSHIPS, 943 00:33:01,180 --> 00:33:02,351 AND THEN HE KISSED ME. 944 00:33:02,351 --> 00:33:04,753 BUT IT DIDN'T MEAN ANYTHING, 945 00:33:04,753 --> 00:33:06,215 AT LEAST NOT TO ME. 946 00:33:06,215 --> 00:33:07,356 WELL, IF HE KISSED YOU, 947 00:33:07,356 --> 00:33:11,690 WHY WOULDN'T YOU JUST PUSH HIM AWAY? 948 00:33:11,690 --> 00:33:13,362 OH. 949 00:33:14,563 --> 00:33:17,096 WHICH IS... 950 00:33:17,096 --> 00:33:18,497 WHY HE'S NOT DEAD. 951 00:33:18,497 --> 00:33:20,669 (Esposito) YO. 952 00:33:20,669 --> 00:33:22,331 THE FRONT DESK CLERK FROM THE HOTEL ACROSS THE STREET 953 00:33:22,331 --> 00:33:24,133 POSITIVELY IDENTIFIED THOMAS BARBER. 954 00:33:24,133 --> 00:33:25,434 SAID HE WAS STAYING UNDER AN ASSUMED NAME. 955 00:33:25,434 --> 00:33:26,735 ANY SIGN OF HIM? 956 00:33:26,735 --> 00:33:28,537 NO, BUT THE PHONE RECORDS FROM HIS ROOM 957 00:33:28,537 --> 00:33:31,140 SHOW THAT HE MADE SEVERAL CALLS TO A SINGLE NUMBER. 958 00:33:31,140 --> 00:33:33,242 YOU'LL NEVER GUESS WHO BARBER WAS CALLING. 959 00:33:34,483 --> 00:33:35,714 MS. PARALTI, 960 00:33:35,714 --> 00:33:37,216 SOME ADDITIONAL INFORMATION HAS COME TO LIGHT 961 00:33:37,216 --> 00:33:39,648 SINCE YOU WERE LAST HERE. 962 00:33:39,648 --> 00:33:41,750 LIKE THE FACT THAT YOUR FATHER 963 00:33:41,750 --> 00:33:44,223 WAS IN FINANCIAL DIRE STRAIGHTS 964 00:33:44,223 --> 00:33:46,655 TO THE TUNE OF $75,000. 965 00:33:46,655 --> 00:33:49,598 HE NEARLY LOST THE FAMILY FARM, AND THEN SUDDENLY... 966 00:33:49,598 --> 00:33:51,100 HE DIDN'T. 967 00:33:51,100 --> 00:33:53,031 WHAT DOES THAT HAVE TO DO WITH ANYTHING? 968 00:33:53,031 --> 00:33:54,263 WELL, IT MAY EXPLAIN 969 00:33:54,263 --> 00:33:57,206 WHY YOU DID SOMETHING YOU OTHERWISE WOULDN'T. 970 00:33:57,206 --> 00:33:59,338 LIKE TURN OVER A LETHAL DOSE OF NEUROTOXIN 971 00:33:59,338 --> 00:34:02,511 IN EXCHANGE FOR THE MONEY TO PAY OFF THAT DEBT. 972 00:34:02,511 --> 00:34:05,774 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 973 00:34:11,350 --> 00:34:12,721 WHAT'S THIS? 974 00:34:12,721 --> 00:34:15,424 THE RECORDS OF PHONE CALLS MADE BY THOMAS BARBER, 975 00:34:15,424 --> 00:34:16,555 A CONTRACT KILLER. 976 00:34:17,786 --> 00:34:19,358 PHONE CALLS THAT HE MADE TO YOU. 977 00:34:19,358 --> 00:34:21,290 (inhales) 978 00:34:22,431 --> 00:34:23,662 (exhales) 979 00:34:23,662 --> 00:34:25,364 LOOK, PLEASE, I... 980 00:34:25,364 --> 00:34:27,466 I DIDN'T KNOW HE WAS GONNA HURT ANYONE. 981 00:34:27,466 --> 00:34:29,738 HE TOLD ME HE WAS FROM A RIVAL LAB, 982 00:34:29,738 --> 00:34:32,101 THAT THEY WANTED THE PATENT FIRST. 983 00:34:32,101 --> 00:34:35,604 I WAS MAD AT ERIC, A-- 984 00:34:35,604 --> 00:34:37,146 AND I NEEDED THE MONEY. 985 00:34:37,146 --> 00:34:39,108 WHERE DID YOU MEET? WE DIDN'T. 986 00:34:39,108 --> 00:34:40,649 WE TALKED ON THE PHONE, 987 00:34:40,649 --> 00:34:43,752 AND I DROPPED THE VIAL AT A PREARRANGED PLACE. 988 00:34:43,752 --> 00:34:45,414 HOW DID YOU GET PAID? 989 00:34:45,414 --> 00:34:47,756 HE TOLD ME TO SET UP AN OFFSHORE ACCOUNT. 990 00:34:47,756 --> 00:34:51,520 THE DAY AFTER THE DROP, THE MONEY JUST APPEARED. 991 00:34:53,422 --> 00:34:55,264 HEY, GUYS, GET THIS. 992 00:34:55,264 --> 00:34:57,426 THE MONEY ARRIVED VIA A WIRE TRANSFER. 993 00:34:57,426 --> 00:34:59,428 WITH CINDY'S COOPERATION, 994 00:34:59,428 --> 00:35:01,400 WE WERE ABLE TO TRACK IT TO A MEXICAN ENERGY COMPANY 995 00:35:01,400 --> 00:35:02,531 CALLED MexiSolar. 996 00:35:02,531 --> 00:35:05,334 I HEARD ERIC TALK ABOUT THIS. 997 00:35:05,334 --> 00:35:06,505 WHAT DOES A MEXICAN SOLAR COMPANY 998 00:35:06,505 --> 00:35:07,836 HAVE TO DO WITH ERIC VAUGHN? HE OWNS IT. 999 00:35:07,836 --> 00:35:09,838 IN FACT, THE NIGHT THAT ARTHUR FELDER WAS POISONED, 1000 00:35:09,838 --> 00:35:11,880 HE AND ERIC VAUGHN WERE ARRANGING 1001 00:35:11,880 --> 00:35:13,512 A SITE VISIT TO THE COMPANY 1002 00:35:13,512 --> 00:35:14,743 BECAUSE FELDER WANTED TO DOUBLE-UP HIS INVESTMENT. 1003 00:35:14,743 --> 00:35:16,114 SO WHATEVER'S GOING ON, 1004 00:35:16,114 --> 00:35:17,586 IT HAS TO INVOLVE THIS COMPANY. 1005 00:35:17,586 --> 00:35:18,847 YEAH, BUT, BECKETT, THERE'S MORE. 1006 00:35:18,847 --> 00:35:20,349 THE PERSON WHO AUTHORIZED THE WIRE TRANSFER 1007 00:35:20,349 --> 00:35:22,351 INTO CINDY'S ACCOUNT WAS ERIC VAUGHN. 1008 00:35:22,351 --> 00:35:24,653 IT LOOKS LIKE HE'S BEHIND THIS WHOLE THING. 1009 00:35:24,653 --> 00:35:26,395 THAT CAN'T BE RIGHT. 1010 00:35:26,395 --> 00:35:28,427 (Esposito) YO. I JUST GOT OFF THE PHONE 1011 00:35:28,427 --> 00:35:30,128 WITH THE CONSULATE IN TIJUANA. 1012 00:35:30,128 --> 00:35:31,530 THIS COMPANY--MexiSolar-- 1013 00:35:31,530 --> 00:35:32,901 IT DOESN'T EXIST. 1014 00:35:32,901 --> 00:35:35,604 THEY SHUT DOWN THE FACTORY IN MEXICALI MONTHS AGO. 1015 00:35:35,604 --> 00:35:37,906 WHAT? THIS IS MAKING NO SENSE. 1016 00:35:37,906 --> 00:35:40,309 AU CONTRAIRE, MY FRIENDS. 1017 00:35:40,309 --> 00:35:42,871 FOR THE FIRST TIME, THIS IS MAKING PERFECT SENSE. 1018 00:35:42,871 --> 00:35:44,373 MexiSolar... 1019 00:35:44,373 --> 00:35:46,515 (clunks) IS A SCAM. 1020 00:35:46,515 --> 00:35:48,517 ERIC VAUGHN'S BEEN USING IT TO FLEECE HIS INVESTORS. 1021 00:35:48,517 --> 00:35:50,579 CASTLE, VAUGHN IS WORTH A BILLION DOLLARS. 1022 00:35:50,579 --> 00:35:52,851 HE'S NOT GONNA BE RUNNING SCAMS. 1023 00:35:52,851 --> 00:35:54,223 (laughs) OH, BECKETT. 1024 00:35:54,223 --> 00:35:55,784 THAT'S WHAT THEY SAID ABOUT BERNIE MADOFF. 1025 00:35:55,784 --> 00:35:58,327 AND LIKE MADOFF, IT'S QUITE POSSIBLE 1026 00:35:58,327 --> 00:36:00,489 VAUGHN'S ENTIRE EMPIRE IS A HOUSE OF CARDS. 1027 00:36:00,489 --> 00:36:04,463 IF FELDER WAS GOING TO VISIT THE MexiSolar FACTORY, 1028 00:36:04,463 --> 00:36:05,594 HE'D HAVE FOUND OUT ABOUT THE SCAM. 1029 00:36:05,594 --> 00:36:07,296 THE HOUSE OF CARDS WOULD COLLAPSE. 1030 00:36:07,296 --> 00:36:09,167 ERIC VAUGHN COULDN'T HAVE THAT. 1031 00:36:09,167 --> 00:36:10,499 AND WHAT BETTER WAY TO GET AWAY WITH MURDER 1032 00:36:10,499 --> 00:36:13,402 THAN BY MAKING YOURSELF LOOK TO BE THE INTENDED TARGET? 1033 00:36:13,402 --> 00:36:14,373 DON'T YOU SEE? 1034 00:36:14,373 --> 00:36:17,406 THIS ENTIRE THING IS A CHARADE. 1035 00:36:17,406 --> 00:36:19,848 (people speaking indistinctly) 1036 00:36:19,848 --> 00:36:21,450 HE'S OUR KILLER. 1037 00:36:21,450 --> 00:36:23,952 HE PLAYED US. 1038 00:36:23,952 --> 00:36:25,654 WELL, MOSTLY YOU. 1039 00:36:35,924 --> 00:36:38,767 OF ALL THE CONFESSIONS OVER ALL THE YEARS, 1040 00:36:38,767 --> 00:36:40,529 THIS ONE... 1041 00:36:40,529 --> 00:36:43,272 IS GOING TO HOLD A SPECIAL PLACE IN MY HEART. 1042 00:36:46,235 --> 00:36:48,677 CASTLE, I'M GOING IN THERE... 1043 00:36:48,677 --> 00:36:49,808 ALONE. 1044 00:36:49,808 --> 00:36:51,340 BUT WE'RE A TEAM, 1045 00:36:51,340 --> 00:36:54,212 AND THE UNIVERSE DEMANDS THAT I SEE HIM CRUMBLE. 1046 00:36:54,212 --> 00:36:56,685 NO, THIS ONE HAS TO BE ABOUT PUTTING VAUGHN AWAY 1047 00:36:56,685 --> 00:36:58,317 AND NOTHING ELSE. 1048 00:36:58,317 --> 00:37:00,749 AND DON'T WORRY. HE WILL CRUMBLE. 1049 00:37:02,751 --> 00:37:04,393 LEAVE THE BLINDS OPEN. 1050 00:37:04,393 --> 00:37:08,527 (keypad beeping) 1051 00:37:08,527 --> 00:37:11,660 I'M NOT SURE WHICH I SHOULD BE MORE DISTURBED ABOUT, 1052 00:37:11,660 --> 00:37:13,362 THAT SOMEONE TRIED TO SHOOT MY HEAD OFF 1053 00:37:13,362 --> 00:37:15,464 OR THAT YOU PUSHED ME AWAY WHEN I KISSED YOU. 1054 00:37:15,464 --> 00:37:17,866 UH, YEAH, LET'S-- LET'S TALK ABOUT THAT, 1055 00:37:17,866 --> 00:37:19,638 ABOUT THESE ATTEMPTS ON YOUR LIFE, 1056 00:37:19,638 --> 00:37:21,340 ABOUT MexiSolar. 1057 00:37:21,340 --> 00:37:23,612 MexiSolar? YOUR COMPANY. 1058 00:37:23,612 --> 00:37:25,444 THE ONE THAT DOESN'T EXIST. 1059 00:37:25,444 --> 00:37:26,775 OF COURSE IT EXISTS. 1060 00:37:26,775 --> 00:37:28,617 I SHOULD KNOW, I FOUNDED IT AND INVESTED MILLIONS. 1061 00:37:28,617 --> 00:37:31,780 RIGHT, SO DID ARTHUR FELDER. $30 MILLION, TO BE EXACT. 1062 00:37:31,780 --> 00:37:34,683 AND NOW IT'S ALL GONE. 1063 00:37:37,656 --> 00:37:38,787 WHAT IS THIS, A JOKE? 1064 00:37:38,787 --> 00:37:40,659 IT'S NOT A JOKE. THAT'S MexiSolar. 1065 00:37:40,659 --> 00:37:41,930 NO, NO, THIS IS CRAZY. 1066 00:37:41,930 --> 00:37:43,462 THE COMPANY'S COMPLETELY SOLVENT. 1067 00:37:43,462 --> 00:37:44,793 OUR FACTORY IS STATE-OF-THE-ART. 1068 00:37:44,793 --> 00:37:47,696 I'VE SEEN CASH FLOW REPORTS, SIGNED CONTRACTS. 1069 00:37:47,696 --> 00:37:49,368 YOU MEAN LIKE THESE? 1070 00:37:49,368 --> 00:37:50,699 THEY'RE FRAUDULENT. 1071 00:37:50,699 --> 00:37:52,371 THAT'S NOT POSSIBLE. 1072 00:37:52,371 --> 00:37:53,902 HOW IS IT NOT POSSIBLE? YOU SIGNED THEM. 1073 00:37:53,902 --> 00:37:56,505 LOOK, MY STAFF GIVE ME DOZENS OF DOCUMENTS 1074 00:37:56,505 --> 00:37:57,976 TO SIGN EVERY DAY. 1075 00:37:57,976 --> 00:37:59,808 IT'S YOUR COMPANY. YES. 1076 00:37:59,808 --> 00:38:03,812 BUT I DON'T OVERSEE THE DAY TO DAY. 1077 00:38:03,812 --> 00:38:06,485 THEN WHO DOES? 1078 00:38:07,716 --> 00:38:09,718 THAT IS QUITE A STORY, DETECTIVE. 1079 00:38:09,718 --> 00:38:11,660 OH, IT IS. IT'S GOT EVERYTHING-- 1080 00:38:11,660 --> 00:38:13,892 LARCENY, BETRAYAL, MURDER, 1081 00:38:13,892 --> 00:38:16,765 AND YOU LOOTING MILLIONS FROM MexiSolar. 1082 00:38:16,765 --> 00:38:18,897 (Beckett) BUT SINCE YOU HAD ERIC VAUGHN SIGNING OFF 1083 00:38:18,897 --> 00:38:20,298 ON ALL OF THE REPORTS, 1084 00:38:20,298 --> 00:38:22,571 NO ONE TOOK A HARD LOOK AT THE COMPANY. 1085 00:38:22,571 --> 00:38:24,433 UNTIL ARTHUR FELDER WANTED TO SEE WHERE HIS MONEY WAS GOING. 1086 00:38:24,433 --> 00:38:25,734 AND YOU COULDN'T HAVE THAT, COULD YOU? 1087 00:38:25,734 --> 00:38:28,607 (chuckles) UH, YOU THINK I KILLED ARTHUR FELDER? 1088 00:38:28,607 --> 00:38:30,739 YES, BUT IT WAS VAUGHN THAT YOU WANTED DEAD. 1089 00:38:30,739 --> 00:38:32,641 YOU KNEW THAT THE PAPER TRAIL WOULD MAKE IT LOOK LIKE 1090 00:38:32,641 --> 00:38:34,343 HE HAD EMBEZZLED MONEY FROM THE COMPANY. 1091 00:38:34,343 --> 00:38:35,884 SO YOU HIRED A HIT MAN, 1092 00:38:35,884 --> 00:38:37,816 EXCEPT HE KILLED THE WRONG GUY. OOPS. 1093 00:38:37,816 --> 00:38:40,389 YOU HAVE NO PROOF OF ANY OF THIS. 1094 00:38:40,389 --> 00:38:41,720 DON'T BE SO SURE. 1095 00:38:41,720 --> 00:38:43,692 THE BANK THAT TRANSFERRED THE MONEY TO CINDY PARALTI 1096 00:38:43,692 --> 00:38:45,524 CAPTURED AN I.P. ADDRESS, 1097 00:38:45,524 --> 00:38:49,458 AND THEY TRACED IT BACK TO YOUR COMPUTER. 1098 00:38:50,659 --> 00:38:51,960 IT'S OVER, DAVID. 1099 00:38:51,960 --> 00:38:54,803 (exhales) 1100 00:38:54,803 --> 00:38:58,767 LOOK, I DIDN'T STEAL THAT MONEY. 1101 00:38:58,767 --> 00:39:03,672 I JUST MADE SOME BETS WITH IT THAT UNDERPERFORMED. 1102 00:39:03,672 --> 00:39:05,974 I-I-I TOOK THE NEW MexiSolar FUNDING, AND I DOUBLED DOWN. 1103 00:39:05,974 --> 00:39:08,817 I MEAN, THAT'S WHAT ERIC WOULD HAVE DONE. 1104 00:39:08,817 --> 00:39:10,579 (scoffs) 1105 00:39:10,579 --> 00:39:11,920 DAMN IT. 1106 00:39:11,920 --> 00:39:16,555 THE HOLE JUST GETTING DEEPER AND DEEPER. 1107 00:39:16,555 --> 00:39:19,658 IT ALL WOULD'VE COME OUT, AND IT WOULD'VE MEANT PRISON. 1108 00:39:22,431 --> 00:39:24,463 I HAD NO CHOICE. 1109 00:39:26,895 --> 00:39:30,068 (indistinct conversations) 1110 00:39:30,068 --> 00:39:32,370 IT'S AMAZING HOW YOU CAN KNOW SOMEONE FOR TEN YEARS 1111 00:39:32,370 --> 00:39:34,673 AND NEVER REALLY KNOW THEM AT ALL... 1112 00:39:34,673 --> 00:39:36,975 AND KNOW SOMEONE FOR A FEW DAYS, AND... 1113 00:39:36,975 --> 00:39:38,907 FEEL LIKE YOU KNOW THEM SO WELL. 1114 00:39:41,550 --> 00:39:43,552 WELL, YOU WILL BE HAPPY TO KNOW 1115 00:39:43,552 --> 00:39:45,484 THAT THE FEDS CAUGHT THOMAS BARBER 1116 00:39:45,484 --> 00:39:48,857 TRYING TO CROSS THE CANADIAN BORDER, SO... 1117 00:39:48,857 --> 00:39:50,619 IT'S OVER. 1118 00:39:51,660 --> 00:39:54,793 YEAH. I SUPPOSE IT IS. 1119 00:39:57,165 --> 00:39:59,067 TAKE CARE, ERIC. 1120 00:39:59,067 --> 00:40:02,471 YOU, TOO, KATE. 1121 00:40:02,471 --> 00:40:05,574 (elevator bell dings) 1122 00:40:05,574 --> 00:40:07,536 (doors clatter) 1123 00:40:12,441 --> 00:40:14,443 LEAVING? 1124 00:40:18,517 --> 00:40:20,549 YOU KNOW... (sighs) 1125 00:40:20,549 --> 00:40:22,951 THAT'S AN EXTRAORDINARY WOMAN YOU HAVE THERE. 1126 00:40:24,693 --> 00:40:26,695 (ding) I KNOW. 1127 00:40:26,695 --> 00:40:29,658 DO YOU? 1128 00:40:38,006 --> 00:40:39,708 (footsteps approach) 1129 00:40:39,708 --> 00:40:40,769 WHAT IS IT, CASTLE? 1130 00:40:40,769 --> 00:40:43,712 I WAS REALLY COMFORTABLE ON THAT COUCH. 1131 00:40:43,712 --> 00:40:45,213 THERE'S SOMETHING I NEED TO DO, 1132 00:40:45,213 --> 00:40:48,817 SOMETHING THAT... YOU NEED TO SEE. 1133 00:40:48,817 --> 00:40:49,918 WAIT. (snaps) 1134 00:40:49,918 --> 00:40:51,620 NO, CA--I DIDN'T SAY 1135 00:40:51,620 --> 00:40:53,682 THAT I NEVER WANT YOU TO PLAY YOUR GAME AGAIN. 1136 00:40:53,682 --> 00:40:56,224 NO, I KNOW. DON'T WORRY. I HAVE MORE CORDS. 1137 00:40:56,224 --> 00:40:58,627 THIS IS JUST SYMBOLIC. BUT YOU'RE RIGHT. 1138 00:40:58,627 --> 00:41:00,458 I'VE BEEN TAKING YOU FOR GRANTED. 1139 00:41:00,458 --> 00:41:02,460 BUT NO LONGER. TONIGHT... 1140 00:41:02,460 --> 00:41:04,462 IT'S ALL ABOUT ME. 1141 00:41:04,462 --> 00:41:06,895 SHOULDN'T IT BE ABOUT ME? NOPE. 1142 00:41:06,895 --> 00:41:08,997 'CAUSE TONIGHT IT'S ALL ABOUT ME... 1143 00:41:08,997 --> 00:41:10,168 (remote beeps) 1144 00:41:10,168 --> 00:41:12,871 GIVING YOU... 1145 00:41:12,871 --> 00:41:16,745 A ROMANTIC FULL-BODY MASSAGE. 1146 00:41:24,182 --> 00:41:25,784 CASTLE. 1147 00:41:25,784 --> 00:41:26,855 YEAH? 1148 00:41:28,957 --> 00:41:31,089 WHERE ARE WE GOIN'? 1149 00:41:31,089 --> 00:41:33,722 TO THE BEDROOM. 1150 00:41:33,722 --> 00:41:36,695 COME ON. YOU'RE GONNA LOVE THIS.