1 00:00:01,532 --> 00:00:03,604 (ticking) 2 00:00:03,604 --> 00:00:06,637 (panting) 3 00:00:08,779 --> 00:00:10,181 (sofa scrapes floor) 4 00:00:10,181 --> 00:00:11,382 (pants) 5 00:00:11,382 --> 00:00:12,413 (keypad beeps) 6 00:00:12,413 --> 00:00:13,584 (man) 9-1-1, what's your emergency? 7 00:00:13,584 --> 00:00:15,516 YOU HAVE TO HELP ME. PLEASE. 8 00:00:15,516 --> 00:00:17,588 I ONLY HAVE A FEW SECONDS LEFT. 9 00:00:17,588 --> 00:00:18,649 Ma'am, what's your address? 10 00:00:18,649 --> 00:00:21,292 250 AVENUE C. PLEASE HURRY. 11 00:00:21,292 --> 00:00:22,793 We'll send help right away. 12 00:00:22,793 --> 00:00:24,495 Can you tell me what's happening? (gasps) 13 00:00:24,495 --> 00:00:25,726 (pants) 14 00:00:25,726 --> 00:00:28,059 Ma'am, I need to know what's going on. 15 00:00:28,059 --> 00:00:29,500 (electricity crackling) 16 00:00:29,500 --> 00:00:30,661 (gasps) OH, MY GOD. 17 00:00:30,661 --> 00:00:32,163 Ma'am, can you hear me? (panting) 18 00:00:32,163 --> 00:00:34,465 (crying) THE LIGHTS WENT OUT. 19 00:00:34,465 --> 00:00:36,507 IT'S COMING FOR ME. 20 00:00:36,507 --> 00:00:37,768 What's coming for you? 21 00:00:37,768 --> 00:00:39,510 (gasps and pants) 22 00:00:39,510 --> 00:00:41,142 Ma'am? 23 00:00:41,142 --> 00:00:43,114 Ma'am? I'M GONNA DIE. 24 00:00:43,114 --> 00:00:45,476 Ma'am? Ma'am, where are you? 25 00:00:45,476 --> 00:00:46,577 (clatters) 26 00:00:46,577 --> 00:00:48,519 Are you there? Hello. 27 00:00:48,519 --> 00:00:50,481 (woman screams) 28 00:00:50,481 --> 00:00:52,253 (woman screams) YOU HEAR THAT? 29 00:00:52,253 --> 00:00:55,526 THAT CALL CAME IN AT 11:59 FROM OUR VIC--VAL BUTLER. 30 00:00:55,526 --> 00:00:57,558 SHE'S AN AD EXEC DOWNTOWN. 31 00:00:57,558 --> 00:00:59,160 FIRST RESPONDERS CAME MOMENTS LATER. 32 00:00:59,160 --> 00:01:01,232 THAT DOOR WAS LOCKED AND THAT COUCH WAS IN FRONT OF IT. 33 00:01:01,232 --> 00:01:03,164 NO SIGN OF FORCED ENTRY. 34 00:01:03,164 --> 00:01:05,596 (Castle) WOW. 35 00:01:05,596 --> 00:01:07,798 (camera shutter clicks) SHE LOOKS LIKE SHE'S BEEN SCARED TO DEATH, LITERALLY. 36 00:01:07,798 --> 00:01:10,741 IS THAT BASED ON YOUR VAST MEDICAL EXPERIENCE, MR. CASTLE? 37 00:01:10,741 --> 00:01:12,443 NO, BASED ON THE FACT 38 00:01:12,443 --> 00:01:13,804 SHE LOOKS LIKE AN EDVARD MUNCH PAINTING. 39 00:01:13,804 --> 00:01:15,376 REALLY FREAKY. 40 00:01:15,376 --> 00:01:16,647 SO WHAT WAS THE CAUSE OF DEATH? (camera shutter clicks) 41 00:01:16,647 --> 00:01:19,310 WELL, THERE'S NO EXTERNAL TRAUMA, 42 00:01:19,310 --> 00:01:20,581 NO PUNCTURE OR STAB WOUNDS. 43 00:01:20,581 --> 00:01:22,113 ONCE I GET HER ON THE SLAB, 44 00:01:22,113 --> 00:01:24,615 I'LL KNOW MORE ABOUT HOW SHE DIED AND WHO DID IT. 45 00:01:24,615 --> 00:01:26,187 (Castle) IF IT WAS A WHO. 46 00:01:26,187 --> 00:01:27,558 MEANING? 47 00:01:27,558 --> 00:01:29,520 MEANING SHE SAID "IT'S COMING FOR ME." 48 00:01:29,520 --> 00:01:32,793 NOT "HE" OR "SHE," BUT "IT." 49 00:01:32,793 --> 00:01:34,325 LOOK AT WHAT SHE WAS RESEARCHING HERE-- 50 00:01:34,325 --> 00:01:35,496 "HOW TO KEEP AWAY EVIL," 51 00:01:35,496 --> 00:01:37,598 "HOW TO WARD OFF EVIL SPIRITS," 52 00:01:37,598 --> 00:01:39,130 A BOOK ON URBAN LEGENDS. 53 00:01:39,130 --> 00:01:41,602 OVER BY THE DOOR, HORSESHOES. 54 00:01:41,602 --> 00:01:43,374 I'VE CLOCKED TWO INDIAN WIND CHIMES, 55 00:01:43,374 --> 00:01:44,675 THERE AND THERE. 56 00:01:44,675 --> 00:01:47,338 THESE ARE THINGS USED TO WARD OFF EVIL SPIRITS, 57 00:01:47,338 --> 00:01:48,639 LIKE PERLMUTTER. 58 00:01:48,639 --> 00:01:49,540 I HEARD THAT. 59 00:01:49,540 --> 00:01:51,582 WHAT ARE YOU SAYING, CASTLE? 60 00:01:51,582 --> 00:01:53,644 OH, WAS THE BOOGEYMAN OUT TO GET HER? 61 00:01:53,644 --> 00:01:56,447 I'M SAYING MAYBE THAT'S WHAT SHE THOUGHT-- 62 00:01:56,447 --> 00:01:58,549 WHY SHE SAID "IT'S COMING FOR ME," 63 00:01:58,549 --> 00:02:00,621 WHY THE LIGHTS WENT OUT, 64 00:02:00,621 --> 00:02:04,355 WHY SHE INEXPLICABLY DIED, AND WHY SHE LOOKS SO SCARED. 65 00:02:04,355 --> 00:02:06,527 SHE WAS SCARED BECAUSE SHE WAS ABOUT TO BE KILLED 66 00:02:06,527 --> 00:02:07,858 BY AN ACTUAL PERSON. 67 00:02:07,858 --> 00:02:10,231 SO WE SHOULD SPEND OUR TIME LOOKING FOR THAT PERSON. 68 00:02:10,231 --> 00:02:12,403 LET'S SET UP A CANVASS AND TALK TO EVERYONE IN THE BUILDING 69 00:02:12,403 --> 00:02:14,235 THAT MIGHT HAVE SEEN OR HEARD SOMETHING. 70 00:02:14,235 --> 00:02:15,666 WH-WHAT HAPPENED TO VAL? 71 00:02:15,666 --> 00:02:17,438 WHAT'S GOING ON? 72 00:02:17,438 --> 00:02:19,710 (police radio chatter) 73 00:02:19,710 --> 00:02:21,642 I WORK NIGHTS 74 00:02:21,642 --> 00:02:24,245 AS A RESEARCH ASSISTANT AT THE COLLEGE. (camera shutter clicking) 75 00:02:24,245 --> 00:02:25,776 BUT I SHOULD'VE STAYED HOME LAST NIGHT. 76 00:02:25,776 --> 00:02:28,379 I KNEW SOMETHING WAS UP WITH HER. 77 00:02:28,379 --> 00:02:29,550 WHAT DO YOU MEAN? 78 00:02:29,550 --> 00:02:31,552 SHE'S BEEN WEIRD THE PAST COUPLE OF DAYS. 79 00:02:31,552 --> 00:02:34,825 SHE HADN'T BEEN EATING OR SLEEPING. 80 00:02:34,825 --> 00:02:37,688 SHE WAS REALLY PARANOID, ALWAYS LOCKING THE DOORS. 81 00:02:37,688 --> 00:02:38,929 DID SHE SAY WHAT WAS WRONG? 82 00:02:38,929 --> 00:02:40,561 I ASKED, 83 00:02:40,561 --> 00:02:43,294 BUT SHE SAID SHE DIDN'T WANT TO TALK ABOUT IT. 84 00:02:43,294 --> 00:02:44,765 AMANDA, DO YOU KNOW OF ANYONE 85 00:02:44,765 --> 00:02:46,767 THAT WOULD'VE WANTED TO HURT HER? 86 00:02:46,767 --> 00:02:49,640 HER EX-BOYFRIEND. 87 00:02:49,640 --> 00:02:51,542 (Ryan) BOYFRIEND'S NAME IS FREDDIE BAKER, 88 00:02:51,542 --> 00:02:52,673 31. 89 00:02:52,673 --> 00:02:54,375 QUITE THE RESUME-- RESISTING ARREST, 90 00:02:54,375 --> 00:02:55,606 ASSAULT AND BATTERY. 91 00:02:55,606 --> 00:02:56,777 SOUNDS LIKE A PRINCE. 92 00:02:56,777 --> 00:02:58,479 YEAH, VAL WISED UP, THOUGH. 93 00:02:58,479 --> 00:03:00,581 SHE FILED A RESTRAINING ORDER AGAINST HIM AFTER THEY BROKE UP. 94 00:03:00,581 --> 00:03:02,783 ESPOSITO IS CHECKING INTO WHERE HE WAS LAST NIGHT. 95 00:03:02,783 --> 00:03:04,655 SO WHAT DID WE GET FROM VAL'S FAMILY AND FRIENDS? 96 00:03:04,655 --> 00:03:05,956 JUST THAT THEY HADN'T HEARD FROM HER 97 00:03:05,956 --> 00:03:07,488 IN THE LAST THREE DAYS. 98 00:03:07,488 --> 00:03:08,589 SHE WASN'T RETURNING THEIR MESSAGES. 99 00:03:08,589 --> 00:03:09,920 THREE DAYS--THAT'S HOW LONG VAL'S ROOMMATE 100 00:03:09,920 --> 00:03:11,462 SAID SHE'D BEEN ACTING STRANGELY. 101 00:03:11,462 --> 00:03:13,664 YEAH, SO I DUG INTO THE LAST 72 HOURS OF HER LIFE. 102 00:03:13,664 --> 00:03:15,296 BESIDES A CREDIT CARD CHARGE 103 00:03:15,296 --> 00:03:16,627 FOR A TRAIN TICKET TO GREENWICH, 104 00:03:16,627 --> 00:03:17,898 THERE WAS NOTHING ELSE UNUSUAL. 105 00:03:17,898 --> 00:03:19,270 WHAT WAS SHE DOING IN GREENWICH? 106 00:03:19,270 --> 00:03:20,571 I'M STILL LOOKING INTO THAT, 107 00:03:20,571 --> 00:03:22,403 BUT AS FAR AS ABNORMALITIES FOR THE LAST FEW DAYS, 108 00:03:22,403 --> 00:03:23,704 THAT WAS IT. 109 00:03:23,704 --> 00:03:25,536 UH, NO, THERE'S MORE. THE WIND CHIME, 110 00:03:25,536 --> 00:03:27,708 THE HORSE SHOE, THE BOOK ON URBAN LEGENDS-- 111 00:03:27,708 --> 00:03:29,540 ALL BOUGHT ONLINE TWO DAYS AGO. 112 00:03:29,540 --> 00:03:31,242 ALMOST AS IF VAL THOUGHT 113 00:03:31,242 --> 00:03:33,414 SOME KIND OF EVIL SPIRIT WAS COMING FOR HER. 114 00:03:33,414 --> 00:03:34,585 CASTLE, WHAT SHE THOUGHT WAS GONNA HAPPEN 115 00:03:34,585 --> 00:03:35,616 VERSUS WHAT ACTUALLY HAPPENED 116 00:03:35,616 --> 00:03:37,217 ARE TWO COMPLETELY DIFFERENT THINGS. 117 00:03:37,217 --> 00:03:38,649 (Esposito) YEAH, BECAUSE IF VAL WAS A VICTIM OF ANYTHING, 118 00:03:38,649 --> 00:03:40,491 IT'S HER LOUSY TASTE IN MEN. 119 00:03:40,491 --> 00:03:41,722 CANVASS POPPED. 120 00:03:41,722 --> 00:03:43,424 ONE OF HER NEIGHBORS SAW FREDDIE IN THE BUILDING 121 00:03:43,424 --> 00:03:45,896 AND HOUR BEFORE HER DEATH. 122 00:03:45,896 --> 00:03:47,728 I WOULD NEVER HURT VAL. 123 00:03:47,728 --> 00:03:49,530 I LOVED HER. 124 00:03:49,530 --> 00:03:51,432 REALLY? THEN HOW DO YOU EXPLAIN THIS RESTRAINING ORDER 125 00:03:51,432 --> 00:03:52,763 THAT SHE FILED AGAINST YOU? 126 00:03:52,763 --> 00:03:54,465 WAS THAT A LOVE LETTER? 127 00:03:54,465 --> 00:03:55,806 A MISUNDERSTANDING. 128 00:03:55,806 --> 00:03:57,538 WELL, WE GOT A WITNESS THAT SAW YOU 129 00:03:57,538 --> 00:03:58,669 IN VAL'S APARTMENT LAST NIGHT, FREDDIE. 130 00:03:58,669 --> 00:04:00,571 BUT I DIDN'T KILL HER. 131 00:04:00,571 --> 00:04:02,573 YES, I WENT OVER THERE, 132 00:04:02,573 --> 00:04:04,775 BUT ONLY BECAUSE SHE BEGGED ME TO. 133 00:04:04,775 --> 00:04:06,317 DO YOU ACTUALLY EXPECT US TO BELIEVE 134 00:04:06,317 --> 00:04:08,279 THAT SHE INVITED YOU OVER TO HER APARTMENT 135 00:04:08,279 --> 00:04:09,880 AFTER SHE FILED A RESTRAINING ORDER? 136 00:04:09,880 --> 00:04:12,283 IT'S TRUE. SHE SAID SHE WANTED TO GET BACK TOGETHER. 137 00:04:12,283 --> 00:04:14,385 BUT WHEN I GOT THERE, ALL SHE DID WAS 138 00:04:14,385 --> 00:04:17,388 ACCUSE ME OF SENDING HER SOME PACKAGE. 139 00:04:17,388 --> 00:04:18,529 WHAT PACKAGE? 140 00:04:18,529 --> 00:04:19,790 I HAVE NO IDEA. 141 00:04:19,790 --> 00:04:22,663 BUT WHEN I TOLD HER I DIDN'T SEND HER ANYTHING, 142 00:04:22,663 --> 00:04:24,535 SHE STARTED FREAKING OUT. 143 00:04:24,535 --> 00:04:25,596 HOW WAS SHE FREAKING OUT? 144 00:04:25,596 --> 00:04:27,698 SHE KEPT SAYING, "IT'S REAL." 145 00:04:27,698 --> 00:04:29,870 WHAT'S REAL? 146 00:04:29,870 --> 00:04:31,372 I DON'T KNOW. 147 00:04:31,372 --> 00:04:33,574 SHE WASN'T MAKING... ANY SENSE. 148 00:04:33,574 --> 00:04:34,875 SHE KEPT ASKING ME 149 00:04:34,875 --> 00:04:37,778 IF I BELIEVED IN THE POWER OF EVIL. 150 00:04:40,811 --> 00:04:43,584 I DIDN'T WANT TO GET IN TROUBLE FOR BREAKING THE R.O., 151 00:04:43,584 --> 00:04:45,416 SO I GOT OUT OF THERE, WENT TO HANG OUT WITH FRIENDS. 152 00:04:45,416 --> 00:04:47,017 BUT WHEN I LEFT THAT APARTMENT, 153 00:04:47,017 --> 00:04:48,759 VAL WAS ALIVE. 154 00:04:48,759 --> 00:04:50,391 I SWEAR. 155 00:04:51,592 --> 00:04:54,024 FREDDIE'S ALIBI CHECKS OUT. 156 00:04:54,024 --> 00:04:55,866 FRIENDS CONFIRM THAT HE MET THEM AT 11:00. 157 00:04:55,866 --> 00:04:57,398 THEY HUNG OUT AT A CLUB TILL DAWN. 158 00:04:57,398 --> 00:04:58,729 SO HE'S NOT OUR GUY. 159 00:04:58,729 --> 00:05:00,771 WELL, I'LL JUST POINT OUT THAT VAL ASKED HIM 160 00:05:00,771 --> 00:05:03,334 IF HE BELIEVED IN THE POWER OF EVIL 161 00:05:03,334 --> 00:05:04,605 AND THEN WAS TALKING ABOUT HOW IT WAS "REAL." 162 00:05:04,605 --> 00:05:05,776 I HATE TO SAY IT-- 163 00:05:05,776 --> 00:05:07,378 THEN DON'T. 164 00:05:07,378 --> 00:05:10,010 DID C.S.U. FIND A PACKAGE AT HER APARTMENT? 165 00:05:10,010 --> 00:05:11,582 NO, BUT THEY WERE LOOKING FOR EVIDENCE OF THE MURDER 166 00:05:11,582 --> 00:05:12,713 NOT MAIL. 167 00:05:12,713 --> 00:05:14,415 SO MAYBE THAT'S WHAT FREAKED VAL OUT. 168 00:05:14,415 --> 00:05:15,586 SHE KNEW THAT 169 00:05:15,586 --> 00:05:17,888 THAT PACKAGE WAS COMING FROM HER KILLER. 170 00:05:17,888 --> 00:05:20,821 (Beckett) DID YOU FIND ANYTHING YET? 171 00:05:20,821 --> 00:05:22,092 (doors creak) 172 00:05:22,092 --> 00:05:24,795 YES, A CLOSET WITH MORE STILETTOS THAN YOURS. 173 00:05:24,795 --> 00:05:27,358 DIDN'T THINK IT WAS POSSIBLE. 174 00:05:27,358 --> 00:05:29,530 HOW ABOUT YOU? ANY LUCK? 175 00:05:29,530 --> 00:05:31,562 UH, YES. LOOKS LIKE THE PACKAGE SHE GOT 176 00:05:31,562 --> 00:05:33,904 CONTAINED A CD OR A DVD 177 00:05:33,904 --> 00:05:36,537 SO BE ON THE LOOKOUT FOR A DISC. 178 00:05:36,537 --> 00:05:39,039 DISC, GOT YA. 179 00:05:45,546 --> 00:05:46,717 (clicks mouse) 180 00:05:46,717 --> 00:05:48,879 (static crackles) 181 00:05:48,879 --> 00:05:50,781 (man, warped voice) HELP ME. 182 00:05:50,781 --> 00:05:51,952 (woman shrieks) 183 00:05:51,952 --> 00:05:53,424 (whooshing) 184 00:05:53,424 --> 00:05:54,725 (buzzing) 185 00:05:54,725 --> 00:05:56,587 (animal shrieks) 186 00:05:56,587 --> 00:05:58,559 UH, BECKETT? 187 00:05:58,559 --> 00:05:59,930 (lightning crackles) 188 00:05:59,930 --> 00:06:02,032 (bell tolls) 189 00:06:02,032 --> 00:06:03,894 (buzzes, girl laughs) 190 00:06:03,894 --> 00:06:04,995 (growling) 191 00:06:04,995 --> 00:06:07,037 BECKETT? (baby cries) 192 00:06:07,037 --> 00:06:08,068 CAN YOU COME HERE? 193 00:06:08,068 --> 00:06:10,641 (heart beating) 194 00:06:10,641 --> 00:06:11,602 (growls) 195 00:06:11,602 --> 00:06:12,773 (man) YOU SAW! 196 00:06:12,773 --> 00:06:14,104 MIDNIGHT ON THE THIRD DAY... 197 00:06:14,104 --> 00:06:15,576 YOU DIE! 198 00:06:15,576 --> 00:06:17,878 ARE YOU OKAY? DID YOU FIND SOMETHING? 199 00:06:19,550 --> 00:06:20,881 WHEN DID YOU SAY VAL GOT THAT PACKAGE? 200 00:06:20,881 --> 00:06:22,583 THREE DAYS BEFORE SHE DIED. 201 00:06:22,583 --> 00:06:25,055 THAT WAS MIDNIGHT ON THE THIRD DAY. 202 00:06:27,387 --> 00:06:30,461 SHE DIED BECAUSE SHE SAW THIS DISC. 203 00:06:30,461 --> 00:06:33,393 AND NOW I SAW IT, 204 00:06:33,393 --> 00:06:46,737 WHICH MEANS I'M NEXT. 205 00:06:47,838 --> 00:06:49,480 "LEGEND TELLS OF A MYSTERIOUS VIDEO 206 00:06:49,480 --> 00:06:51,141 "THAT CAN HARNESS THE FORCES OF EVIL FROM THE BEYOND. 207 00:06:51,141 --> 00:06:54,445 "THE DISC IS A HARBINGER OF GREAT MISFORTUNE, 208 00:06:54,445 --> 00:06:55,816 "MARKING ITS WATCHERS 209 00:06:55,816 --> 00:06:58,889 AND SENTENCING THEM TO CERTAIN AND UNAVOIDABLE DEATH." 210 00:06:58,889 --> 00:07:01,492 I SAW IT, JUST LIKE VAL DID. 211 00:07:01,492 --> 00:07:03,153 THAT'S WHY SHE SAID "IT'S COMING FOR ME." 212 00:07:03,153 --> 00:07:04,655 THAT'S HOW SHE KNEW WHEN SHE WAS GONNA DIE, 213 00:07:04,655 --> 00:07:06,156 WHY SHE WAS TRYING TO WARD OFF SPIRITS-- 214 00:07:06,156 --> 00:07:08,459 BECAUSE OF THE MESSAGE ON THAT DISC. 215 00:07:08,459 --> 00:07:09,900 HOW'S A DVD GONNA KILL YOU? 216 00:07:09,900 --> 00:07:11,802 IS IT GONNA COME AT YOU LIKE A NINJA STAR, CUT YOUR HEAD OFF? 217 00:07:11,802 --> 00:07:13,834 (sighs) THE ACTUAL DVD WILL NOT KILL ME, ESPOSITO. 218 00:07:13,834 --> 00:07:16,467 IT WILL BE THE SPIRIT INSIDE THE DVD, 219 00:07:16,467 --> 00:07:17,968 JUST LIKE IN "THE RING." 220 00:07:17,968 --> 00:07:19,740 (Ryan) OOH, OOH, THE ONE... 221 00:07:19,740 --> 00:07:20,941 WITH THE CREEPY WATERLOGGED LITTLE GIRL 222 00:07:20,941 --> 00:07:22,112 WHO CRAWLS OUT OF THE TV. 223 00:07:22,112 --> 00:07:23,874 I DIDN'T SLEEP FOR DAYS AFTER THAT MOVIE. 224 00:07:23,874 --> 00:07:26,647 YES, EXACTLY. THANK YOU. THAT MOVIE. 225 00:07:26,647 --> 00:07:28,048 IT'S FICTION. 226 00:07:28,048 --> 00:07:30,951 IT'S A HORROR STORY IN A BOOK ABOUT URBAN LEGENDS. 227 00:07:30,951 --> 00:07:32,122 YEAH, I MEAN, BECAUSE... 228 00:07:32,122 --> 00:07:34,224 THAT'S ALL IT IS, RIGHT? 229 00:07:34,224 --> 00:07:36,657 A LEGEND. 230 00:07:36,657 --> 00:07:38,058 (Castle) MANY LEGENDS ARE BASED IN TRUTH. 231 00:07:38,058 --> 00:07:39,560 I SAW THE VIDEO. 232 00:07:39,560 --> 00:07:42,563 AT MIDNIGHT IN THREE DAYS TIME, I WILL DIE. 233 00:07:42,563 --> 00:07:44,895 OH, CASTLE, THAT MESSAGE WASN'T FOR YOU. 234 00:07:44,895 --> 00:07:47,498 IT WAS A THREAT FOR VAL. AND IT WASN'T MADE BY SPIRITS. 235 00:07:47,498 --> 00:07:48,969 IT WAS MADE BY HER MURDERER. 236 00:07:48,969 --> 00:07:51,201 SO TRACING THE DISC TO WHOEVER SENT IT 237 00:07:51,201 --> 00:07:53,073 SHOULD LEAD US STRAIGHT TO HIM. 238 00:07:53,073 --> 00:07:54,675 ESPO. YEAH. 239 00:07:54,675 --> 00:07:57,147 THERE'S A P.O. BOX ON THIS AIRBILL. COULD YOU LOOK INTO IT? 240 00:07:57,147 --> 00:07:59,550 YEAH. AND, RYAN, WHY DON'T YOU TAKE A LOOK AT THIS DISC 241 00:07:59,550 --> 00:08:00,711 AND SEE-- 242 00:08:00,711 --> 00:08:02,883 OH, I'M--I'M SORRY, WHAT? 243 00:08:02,883 --> 00:08:04,484 ET TU, BRO? 244 00:08:04,484 --> 00:08:06,987 WHAT DID YOU SAY ABOUT THE STORY BEING A LEGEND? 245 00:08:06,987 --> 00:08:08,519 UM, WELL, UH, 246 00:08:08,519 --> 00:08:09,620 JENNY AND I, 247 00:08:09,620 --> 00:08:11,221 WE ARE TRYING TO MAKE A BABY, 248 00:08:11,221 --> 00:08:13,263 SO WE'RE ABIDING BY EVERY SUPERSTITION IN THE BOOK. 249 00:08:13,263 --> 00:08:16,066 OKAY. FINE. HERE, ESPO. 250 00:08:16,066 --> 00:08:17,898 OH, NAH. I C-- I CAN'T-- 251 00:08:17,898 --> 00:08:19,499 I CAN'T WATCH THAT. 252 00:08:19,499 --> 00:08:20,801 IF I WATCH THAT, IT'S GONNA MAKE MY PARTNER OUT 253 00:08:20,801 --> 00:08:22,132 TO BE A WIMP, 254 00:08:22,132 --> 00:08:23,273 AND I CAN'T HAVE THAT. 255 00:08:23,273 --> 00:08:24,905 THANKS, BRO. YEAH. 256 00:08:24,905 --> 00:08:26,737 THIS IS SO PATHETIC. 257 00:08:26,737 --> 00:08:27,878 FINE. I WILL WATCH IT. 258 00:08:27,878 --> 00:08:29,810 (people speaking indistinctly) 259 00:08:29,810 --> 00:08:31,812 WAIT. NO. WHAT ARE YOU DOING? 260 00:08:31,812 --> 00:08:33,544 CASTLE, I'M DOING MY JOB. 261 00:08:33,544 --> 00:08:34,514 SOMEONE HERE HAS TO. 262 00:08:34,514 --> 00:08:35,686 OKAY, THINK OF THE RISKS. 263 00:08:35,686 --> 00:08:37,017 YOU MAY NOT THINK THERE'S ANYTHING TO THIS, 264 00:08:37,017 --> 00:08:38,549 BUT WHAT IF YOU'RE WRONG? 265 00:08:38,549 --> 00:08:39,720 YOU KNOW, I APPRECIATE YOUR CONCERN, 266 00:08:39,720 --> 00:08:41,251 BUT IT'S JUST A DVD. 267 00:08:41,251 --> 00:08:43,523 YOU--YOU DON'T-- YOU CAN'T JUST PLAY IT. 268 00:08:43,523 --> 00:08:45,696 LET ME TAKE PRECAUTIONS HERE. 269 00:08:45,696 --> 00:08:47,858 DON'T WANT THE WHOLE PRECINCT SUFFERING MY FATE. 270 00:08:47,858 --> 00:08:49,059 (clatters) 271 00:08:53,834 --> 00:08:54,965 (mouths word) 272 00:08:56,967 --> 00:08:58,969 OKAY. OKAY. 273 00:08:58,969 --> 00:09:00,771 YOU WANT TO HOLD MY HAND? 274 00:09:00,771 --> 00:09:02,212 CASTLE, I'M NOT SCARED. 275 00:09:02,212 --> 00:09:03,914 WELL, I WASN'T ASKING FOR YOU. 276 00:09:03,914 --> 00:09:05,545 MM. 277 00:09:05,545 --> 00:09:06,747 ARE YOU READY? 278 00:09:06,747 --> 00:09:08,048 DOES IT MATTER? 279 00:09:08,048 --> 00:09:09,219 (beeps) 280 00:09:09,219 --> 00:09:10,581 (static crackles) 281 00:09:10,581 --> 00:09:12,983 (man, warped voice) HELP ME. 282 00:09:12,983 --> 00:09:14,154 (woman shrieks) 283 00:09:14,154 --> 00:09:15,786 (whooshing) 284 00:09:15,786 --> 00:09:17,057 (buzzing) 285 00:09:17,057 --> 00:09:18,558 (animal shrieks) WHAT ARE THOSE SOUNDS? 286 00:09:18,558 --> 00:09:20,330 RIGHT? IT GETS WORSE. (lightning crackles) 287 00:09:20,330 --> 00:09:22,032 (buzzes) 288 00:09:22,032 --> 00:09:24,134 (growling) 289 00:09:24,134 --> 00:09:25,596 WAIT FOR IT. (baby cries) 290 00:09:25,596 --> 00:09:27,237 (buzzing) 291 00:09:27,237 --> 00:09:29,139 (heart beating) 292 00:09:29,139 --> 00:09:30,300 (growls) 293 00:09:30,300 --> 00:09:31,271 (man) YOU SAW! 294 00:09:31,271 --> 00:09:33,303 MIDNIGHT ON THE THIRD DAY... 295 00:09:33,303 --> 00:09:35,646 YOU DIE! 296 00:09:35,646 --> 00:09:37,978 YOU'RE RIGHT. IT IS KINDA CREEPY. 297 00:09:37,978 --> 00:09:39,309 THANK YOU. 298 00:09:39,309 --> 00:09:41,011 BECAUSE THE KILLER MADE IT CREEPY, CASTLE. (beeps) 299 00:09:41,011 --> 00:09:44,054 MAYBE THESE IMAGES MEANT SOMETHING TO THE VICTIM, 300 00:09:44,054 --> 00:09:48,258 CLUES TO THE RELATIONSHIP BETWEEN HER AND THE KILLER. 301 00:09:48,258 --> 00:09:49,660 (remote beeps, clicks keyboard key) 302 00:09:49,660 --> 00:09:50,821 (video plays without audio) 303 00:09:50,821 --> 00:09:51,992 WAIT. (clicks keyboard key) 304 00:09:51,992 --> 00:09:53,093 GO BACK. 305 00:09:53,093 --> 00:09:54,264 (click) 306 00:09:54,264 --> 00:09:56,296 THAT ONE--THAT ONE THERE. THAT'S THE, UM... 307 00:09:56,296 --> 00:09:58,629 THAT'S THE TIBETAN WHEEL. SYMBOLIZES REBIRTH. 308 00:09:58,629 --> 00:10:00,000 (click) 309 00:10:00,000 --> 00:10:01,601 (video plays without audio) 310 00:10:01,601 --> 00:10:03,133 HANG ON. 311 00:10:03,133 --> 00:10:04,304 (click) 312 00:10:04,304 --> 00:10:06,036 THAT IS THE MASONIC COMPASS. THAT'S... 313 00:10:06,036 --> 00:10:09,209 THEY FELT IT REPRESENTED, UH, RESURRECTION. 314 00:10:09,209 --> 00:10:10,711 (click) YOUR POINT BEING? 315 00:10:10,711 --> 00:10:12,382 OH. 316 00:10:12,382 --> 00:10:15,085 REBIRTH? RESURRECTION? 317 00:10:15,085 --> 00:10:18,248 THIS VIDEO OBVIOUSLY RESURRECTS SOMETHING FROM THE GREAT BEYOND, 318 00:10:18,248 --> 00:10:19,389 SOMETHING DANGEROUS, 319 00:10:19,389 --> 00:10:21,221 SOMETHING... MURDEROUS. 320 00:10:21,221 --> 00:10:23,223 I MEAN, WHAT OTHER EXPLANATION CAN THERE BE? 321 00:10:23,223 --> 00:10:24,995 THERE ARE PLENTY OF EXPLANATIONS, CASTLE, 322 00:10:24,995 --> 00:10:26,997 AND NONE OF THEM ARE SUPERNATURAL. 323 00:10:26,997 --> 00:10:29,800 IN FACT, I BET PERLMUTTER HAS OUR CAUSE OF DEATH BY NOW. 324 00:10:29,800 --> 00:10:33,734 THOSE TOX AND AUTOPSY REPORTS SHOULD BE DONE. 325 00:10:33,734 --> 00:10:35,736 (chair clatters) 326 00:10:35,736 --> 00:10:37,768 (video plays without audio) 327 00:10:39,069 --> 00:10:40,741 AH, DETECTIVE BECKETT 328 00:10:40,741 --> 00:10:43,113 AND DEFECTIVE CASTLE. 329 00:10:43,113 --> 00:10:47,277 SO, PERLMUTTER, HOW WAS VAL BUTLER KILLED? 330 00:10:47,277 --> 00:10:50,150 IT APPEARS SHE DIED OF HEART FAILURE. 331 00:10:50,150 --> 00:10:51,651 AT 27? 332 00:10:51,651 --> 00:10:53,223 DID SHE HAVE HEART PROBLEMS? 333 00:10:53,223 --> 00:10:56,286 WELL, SHE CERTAINLY DID ONCE IT STOPPED BEATING. 334 00:10:56,286 --> 00:10:57,657 WHAT MADE IT STOP? 335 00:10:57,657 --> 00:10:59,890 IS IT POSSIBLE THAT SHE WAS POISONED 336 00:10:59,890 --> 00:11:01,732 OR O.D.'ed ON DRUGS? 337 00:11:01,732 --> 00:11:04,364 NOTHING SHOWED UP ON HER BLOOD PANELS. 338 00:11:04,364 --> 00:11:07,397 WHAT ABOUT WHAT CAUSED HER, UM... 339 00:11:07,397 --> 00:11:09,399 WELL, POSTMORTEM CONTRACTIONS OF THE FACIAL MUSCLES 340 00:11:09,399 --> 00:11:11,341 ARE NOT UNHEARD OF. 341 00:11:11,341 --> 00:11:12,672 YOU DON'T KNOW WHAT KILLED HER. 342 00:11:12,672 --> 00:11:14,344 I WOULDN'T SAY THAT. DO YOU HAVE A THEORY? 343 00:11:14,344 --> 00:11:15,305 NOT AT THE PRESENT TIME. 344 00:11:15,305 --> 00:11:16,707 THAT MEANS YOU DON'T KNOW. 345 00:11:16,707 --> 00:11:18,048 AND THE ONLY EXPLANATION 346 00:11:18,048 --> 00:11:19,710 IS THAT VAL FACED SOMETHING SO SCARY, 347 00:11:19,710 --> 00:11:21,712 IT STOPPED HER HEART AND FROZE HER FACE 348 00:11:21,712 --> 00:11:23,253 IN THE LAST EXPRESSION SHE HAD, TERROR. 349 00:11:23,253 --> 00:11:26,016 ADMIT IT. 350 00:11:26,016 --> 00:11:29,119 ALL I'LL SAY, MR. CASTLE, IS THAT FOR NOW, 351 00:11:29,119 --> 00:11:30,690 CAUSE OF DEATH IS UNKNOWN. 352 00:11:30,690 --> 00:11:32,022 UNKNOWN? 353 00:11:32,022 --> 00:11:33,794 HEAR THAT? 354 00:11:33,794 --> 00:11:35,325 NOT GOOD. 355 00:11:35,325 --> 00:11:36,466 WHAT ARE YOU DOING? 356 00:11:36,466 --> 00:11:38,068 CHECKING MY BUCKET LIST 357 00:11:38,068 --> 00:11:40,430 TO SEE HOW MANY THINGS I CAN GET DONE IN TWO DAYS. 358 00:11:40,430 --> 00:11:44,304 CAN EITHER ONE OF YOU INTRODUCE ME TO BILL SHATNER? 359 00:11:44,304 --> 00:11:46,006 YOU KNOW, FINDING WHO SENT THIS DISC 360 00:11:46,006 --> 00:11:48,038 SHOULD MAKE CASTLE FEEL A WHOLE LOT BETTER. 361 00:11:48,038 --> 00:11:49,880 YEAH, BUT WHAT IF THE WORST HAPPENS 362 00:11:49,880 --> 00:11:51,381 AND--AND CASTLE'S RIGHT? 363 00:11:51,381 --> 00:11:53,043 DO YOU THINK HE PUT ME IN HIS WILL? 364 00:11:53,043 --> 00:11:54,344 DUDE, UNCOOL. 365 00:11:54,344 --> 00:11:55,916 WHAT? 366 00:11:55,916 --> 00:11:57,317 I'M JUST WONDERING. 367 00:11:57,317 --> 00:11:59,389 I MEAN, CASTLE'S DEATH WOULD BE SAD AND ALL, 368 00:11:59,389 --> 00:12:01,721 BUT HIS FERRARI SURE WOULD LESSEN MY GRIEF. 369 00:12:01,721 --> 00:12:03,994 YOU DO REALIZE THAT EVEN PUTTING THAT OUT IN THE UNIVERSE 370 00:12:03,994 --> 00:12:05,255 IS BAD KARMA? 371 00:12:05,255 --> 00:12:07,227 PLEASE. CASTLE'S NOT GONNA DIE. 372 00:12:07,227 --> 00:12:09,359 WE'RE NOT DEALING WITH AN EVIL SPIRIT. 373 00:12:09,359 --> 00:12:12,232 WE'RE DEALING WITH A GUY WHO HAS A RETURN ADDRESS. UH-HUH. 374 00:12:12,232 --> 00:12:15,205 WHY DOES EVERYBODY KEEP ASKING ABOUT BOX 1135? 375 00:12:15,205 --> 00:12:16,807 WAIT. WHO ELSE HAS BEEN ASKING ABOUT IT? 376 00:12:16,807 --> 00:12:18,969 SOME BRUNETTE CHICK CAME IN HERE A COUPLE DAYS AGO. 377 00:12:18,969 --> 00:12:20,310 PROBABLY VAL. 378 00:12:20,310 --> 00:12:21,441 WHAT DID YOU TELL HER? 379 00:12:21,441 --> 00:12:22,813 NOTHING, BRUH. 380 00:12:22,813 --> 00:12:24,444 IT'S AGAINST COMPANY POLICY. 381 00:12:24,444 --> 00:12:27,077 WELL, I THINK THAT THIS TRUMPS COMPANY POLICY. 382 00:12:27,077 --> 00:12:28,748 SO WHO OWNS THE BOX? 383 00:12:28,748 --> 00:12:30,781 AH, THAT'S THE WEIRD THING. 384 00:12:30,781 --> 00:12:34,284 THE GUY WHO OWNS IT DIED, LIKE, THREE MONTHS AGO. 385 00:12:34,284 --> 00:12:36,286 SO HE COULDN'T HAVE SENT THAT PACKAGE 386 00:12:36,286 --> 00:12:40,360 UNLESS HE SENT IT FROM THE GREAT BEYOND. 387 00:12:40,360 --> 00:12:42,392 THE BOX WAS LAST RENTED BY AN ANDREW LEVINE, 388 00:12:42,392 --> 00:12:44,294 WHO DIED OF LIVER FAILURE THREE MONTHS AGO. 389 00:12:44,294 --> 00:12:45,796 SOMEHOW I DON'T THINK HE'S CONNECTED TO THIS CASE. 390 00:12:45,796 --> 00:12:47,297 SO THE KILLER COVERED HIS TRACKS. 391 00:12:47,297 --> 00:12:49,800 HE MUST HAVE WRITTEN A RANDOM P.O. BOX ON THE PACKAGING SLIP. 392 00:12:49,800 --> 00:12:50,901 OR-- 393 00:12:50,901 --> 00:12:53,373 NO. RYAN, THERE IS NO "OR." 394 00:12:53,373 --> 00:12:54,875 I'M JUST SAYING, MAYBE THE REASON 395 00:12:54,875 --> 00:12:56,376 WE CAN'T TRACE THIS PACKAGE'S ORIGIN 396 00:12:56,376 --> 00:12:58,048 IS BECAUSE IT WAS SENT FROM ANOTHER REALM. 397 00:12:58,048 --> 00:12:59,379 (sighs) 398 00:12:59,379 --> 00:13:01,181 RYAN'S RIGHT. IT WAS SENT FROM ANOTHER REALM. 399 00:13:01,181 --> 00:13:02,452 NEW JERSEY. 400 00:13:02,452 --> 00:13:05,285 I LOOKED INTO THE AIRBILL NUMBER ON VAL'S PACKAGE. 401 00:13:05,285 --> 00:13:07,087 TURNS OUT IT'S ONE IN A SEQUENCE OF AIRBILLS 402 00:13:07,087 --> 00:13:09,359 ALL SENT FROM THE SAME GUY-- 403 00:13:09,359 --> 00:13:10,520 JASON BENNETT. 404 00:13:10,520 --> 00:13:12,422 HE LIVES IN HOBOKEN. 405 00:13:12,422 --> 00:13:14,264 NYPD! 406 00:13:14,264 --> 00:13:16,867 (gun clicks) 407 00:13:18,128 --> 00:13:19,269 (lowered voice) HEY, BRO. 408 00:13:19,269 --> 00:13:20,831 YEAH. I JUST WANT YOU TO KNOW... 409 00:13:20,831 --> 00:13:22,802 (object cracks) 410 00:13:22,802 --> 00:13:24,134 I JUST THOUGHT YOU SHOULD KNOW 411 00:13:24,134 --> 00:13:26,036 THAT I REALLY VALUE OUR FRIENDSHIP. 412 00:13:26,036 --> 00:13:28,138 (lowered voice) OKAY. THANKS. 413 00:13:28,138 --> 00:13:30,310 IT'S PRICELESS TO ME. 414 00:13:30,310 --> 00:13:32,412 GREAT. 415 00:13:32,412 --> 00:13:35,345 BUT IF WE COULD PUT A PRICE ON IT, WHAT WOULD THAT BE? 416 00:13:35,345 --> 00:13:37,317 WHAT ARE YOU TALKING ABOUT? 417 00:13:37,317 --> 00:13:39,149 I JUST WANT TO KNOW HOW MUCH OUR FRIENDSHIP WOULD BE WORTH 418 00:13:39,149 --> 00:13:40,390 IF YOU WERE-- 419 00:13:40,390 --> 00:13:41,821 (normal voice) DEAD! 420 00:13:46,356 --> 00:13:47,958 WE GOT TO BENNETT TOO LATE. 421 00:13:47,958 --> 00:13:50,330 YEAH, UH, ABOUT TWO DAYS TOO LATE. 422 00:13:50,330 --> 00:13:52,162 THAT LOOKS LIKE ABOUT HOW LONG HE'S BEEN DEAD. 423 00:13:52,162 --> 00:13:53,503 HE COULDN'T HAVE KILLED VAL. 424 00:13:53,503 --> 00:13:56,036 AND HE GOT A PACKAGE 425 00:13:56,036 --> 00:13:58,338 WITH A DISC IN IT JUST LIKE VAL, FOUR DAYS AGO. 426 00:13:58,338 --> 00:14:00,340 THERE WAS A BLACKOUT HERE, TOO. 427 00:14:00,340 --> 00:14:02,442 SAME M.O., SAME FREAKY-ASS BODY. 428 00:14:02,442 --> 00:14:03,874 (Castle) THE THIRD DAY AT MIDNIGHT. 429 00:14:03,874 --> 00:14:06,076 I KNEW I SHOULDN'T HAVE LET YOU WATCH THAT DISC. 430 00:14:06,076 --> 00:14:09,149 NOW IN 48 HOURS... 431 00:14:09,149 --> 00:14:11,581 WE'LL BOTH BE DEAD. 432 00:14:20,290 --> 00:14:21,461 C.S.U. JUST FOUND A STACK OF AIRBILLS 433 00:14:21,461 --> 00:14:22,632 AT JASON'S PLACE. 434 00:14:22,632 --> 00:14:23,593 SO THEN THE KILLER USED ONE OF THEM 435 00:14:23,593 --> 00:14:24,965 TO SEND THE DISC TO VAL. 436 00:14:24,965 --> 00:14:26,466 MAYBE WE SHOULD MAKE A COPY OF THE DVD 437 00:14:26,466 --> 00:14:27,637 AND SEND IT TO SOMEONE ELSE. 438 00:14:27,637 --> 00:14:29,299 THAT'S HOW THEY SAVED PEOPLE IN "THE RING." 439 00:14:29,299 --> 00:14:31,571 YEAH, BUT ALL THOSE PEOPLE WHO GOT A COPY DIED. 440 00:14:31,571 --> 00:14:33,073 YEAH, YOU'D JUST BE PASSING THE BUCK OFF TO SOMEONE ELSE. 441 00:14:33,073 --> 00:14:34,244 THAT'S COLD, BRO. 442 00:14:34,244 --> 00:14:35,575 OKAY, DOES ANYONE HAVE A BETTER SOLUTION? 443 00:14:35,575 --> 00:14:36,977 BECAUSE WE NEED ONE, 444 00:14:36,977 --> 00:14:38,878 IF NOT FOR ME, AT LEAST FOR BECKETT. 445 00:14:38,878 --> 00:14:41,611 CASTLE, THAT'S SO SWEET. YOU WANT ME TO OUTLIVE YOU? 446 00:14:41,611 --> 00:14:43,353 OF COURSE. 447 00:14:43,353 --> 00:14:45,885 WHO ELSE IS GONNA TELL MY TALE OF SACRIFICE AND SELFLESSNESS? 448 00:14:45,885 --> 00:14:47,587 OKAY, WE WON'T BE TELLING ANYONE ANYTHING. 449 00:14:47,587 --> 00:14:49,419 WE'RE BOTH GONNA BE FINE. 450 00:14:49,419 --> 00:14:51,321 HOW CAN YOU SAY THAT WHEN WE HAVE NOT ONE 451 00:14:51,321 --> 00:14:53,223 BUT TWO DEAD DVD WATCHERS? 452 00:14:53,223 --> 00:14:55,225 THERE'S GOTTA BE A BETTER CONNECTION 453 00:14:55,225 --> 00:14:57,467 BETWEEN OUR TWO VICTIMS THAN THAT DISC. 454 00:14:57,467 --> 00:14:59,099 RYAN, CAN YOU CHECK IN WITH JASON'S FAMILY, 455 00:14:59,099 --> 00:15:00,900 SEE IF ANYONE RECOGNIZES VAL? 456 00:15:00,900 --> 00:15:02,172 YEAH. ON IT. 457 00:15:02,172 --> 00:15:04,034 ESPO, WHY DON'T YOU CROSS-REFERENCE THEIR RECORDS 458 00:15:04,034 --> 00:15:05,535 AND SEE IF THERE ARE ANY SIMILARITIES 459 00:15:05,535 --> 00:15:07,207 BETWEEN THE TWO OF THEM? 460 00:15:07,207 --> 00:15:09,109 YOU KNOW, IF THERE'S GONNA BE PICTURES OF US HANGING UP THERE, 461 00:15:09,109 --> 00:15:10,680 WE SHOULD REALLY PICK 'EM OUT NOW. 462 00:15:10,680 --> 00:15:12,212 YOU KNOW, CASTLE... 463 00:15:12,212 --> 00:15:14,214 (lowered voice) WE COULD ALWAYS USE THE PHOTO 464 00:15:14,214 --> 00:15:16,286 THAT I TOOK OF YOU IN BED THE OTHER NIGHT. 465 00:15:16,286 --> 00:15:18,118 I DON'T KNOW IF THAT'S HOW I WANT TO BE REMEMBERED. 466 00:15:18,118 --> 00:15:20,120 (normal voice) CASTLE, I WAS JOKING. 467 00:15:20,120 --> 00:15:21,591 THERE WILL BE NO PHOTOS OF US ON THAT MURDER BOARD. 468 00:15:21,591 --> 00:15:23,453 BY TOMORROW, WE ARE GONNA FIND A CONNECTION 469 00:15:23,453 --> 00:15:25,025 BETWEEN OUR TWO VICTIMS 470 00:15:25,025 --> 00:15:27,057 THAT WILL LEADS US STRAIGHT TO A FLESH-AND-BLOOD KILLER. 471 00:15:27,057 --> 00:15:28,628 IN THE MEANTIME... (inhales deeply) 472 00:15:28,628 --> 00:15:30,630 IT'S GETTING KINDA LATE, OKAY? 473 00:15:30,630 --> 00:15:32,702 SO WHY DON'T WE JUST CALL IT A NIGHT? 474 00:15:32,702 --> 00:15:34,464 YOU KNOW WHAT? ACTUALLY... 475 00:15:34,464 --> 00:15:36,136 (lowered voice) WE COULD GO BACK TO MY PLACE TONIGHT 476 00:15:36,136 --> 00:15:38,108 AND TAKE SOME MORE PHOTOS. 477 00:15:38,108 --> 00:15:39,939 (chuckles) WELL, I MIGHT BE CONVIN-- 478 00:15:39,939 --> 00:15:42,642 WHOA. WAIT A MINUTE. 479 00:15:42,642 --> 00:15:44,644 IN EVERY HORROR MOVIE I'VE EVER SEEN... 480 00:15:44,644 --> 00:15:47,117 (lowered voice) HAVING SEX PRETTY MUCH GUARANTEES 481 00:15:47,117 --> 00:15:48,278 WE WILL DIE. 482 00:15:48,278 --> 00:15:50,450 SO... FOR THE SAFETY OF US BOTH, 483 00:15:50,450 --> 00:15:52,222 I SAY WE JUST HOLD OFF. 484 00:15:52,222 --> 00:15:53,553 (whispering) ARE YOU SURE? 485 00:15:53,553 --> 00:15:55,025 I MEAN, THINK ABOUT IT, CASTLE. 486 00:15:55,025 --> 00:15:56,656 THIS COULD BE OUR LAST TIME. 487 00:15:56,656 --> 00:15:58,658 THAT'S--OKAY... 488 00:15:58,658 --> 00:16:00,160 (normal voice) WHAT YOU'RE DOING RIGHT NOW, 489 00:16:00,160 --> 00:16:01,591 THIS IS NOT HELPING. THIS-- 490 00:16:01,591 --> 00:16:04,594 I'M GONNA... REMOVE MYSELF FROM TEMPTATION. 491 00:16:04,594 --> 00:16:07,567 A GOOD NIGHT'S SLEEP WILL GIVE ME SOME PERSPECTIVE. 492 00:16:07,567 --> 00:16:08,738 (clanks) 493 00:16:24,684 --> 00:16:26,616 (keypad beeping) 494 00:16:26,616 --> 00:16:28,288 I--THIS IS... 495 00:16:28,288 --> 00:16:29,589 (clatters) 496 00:16:34,124 --> 00:16:36,296 (keypad beeping) 497 00:16:36,296 --> 00:16:38,028 (phone rings) 498 00:16:38,028 --> 00:16:39,369 (line clicks) (man) Hello. 499 00:16:39,369 --> 00:16:41,501 WES. HEY, IT'S RICK. 500 00:16:41,501 --> 00:16:43,403 JEEZ, RICK. IT'S AFTER MIDNIGHT. 501 00:16:43,403 --> 00:16:46,236 YEAH, SORRY. I JUST, UM, I NEED SOME ADVICE. 502 00:16:46,236 --> 00:16:48,638 IS STEPHEN KING BEATING YOU AT TEXAS HOLD'EM AGAIN? 503 00:16:48,638 --> 00:16:50,080 (chuckles) YEAH, RIGHT. 504 00:16:50,080 --> 00:16:52,382 NO, BUT, UM, THIS IS ACTUALLY ABOUT YOUR MOVIES. 505 00:16:52,382 --> 00:16:56,316 I MEAN, THE NAME WES CRAVEN IS SYNONYMOUS 506 00:16:56,316 --> 00:16:57,687 with horror. 507 00:16:57,687 --> 00:16:59,549 You've made a fortune scaring the crap out of people. 508 00:16:59,549 --> 00:17:00,720 "MY SOUL TO TAKE," 509 00:17:00,720 --> 00:17:01,791 ALL THE "NIGHTMARE ON ELM STREETS," 510 00:17:01,791 --> 00:17:03,223 TERRIFYING. 511 00:17:03,223 --> 00:17:04,724 SO YOU CALLED ME UP IN THE MIDDLE OF THE NIGHT 512 00:17:04,724 --> 00:17:06,296 TO JOIN MY FAN CLUB, WHAT? 513 00:17:06,296 --> 00:17:08,058 HA HA. NO. 514 00:17:08,058 --> 00:17:11,701 I KNOW THAT YOU'VE RESEARCHED EVIL SPIRITS 515 00:17:11,701 --> 00:17:14,734 WHO REACH OUT FROM THE BEYOND FOR ALL YOUR FILMS. 516 00:17:14,734 --> 00:17:16,206 OF COURSE. 517 00:17:16,206 --> 00:17:17,707 I WAS JUST WONDERING IF YOU KNEW 518 00:17:17,707 --> 00:17:20,440 HOW TO STOP THOSE PESKY SUCKERS. 519 00:17:20,440 --> 00:17:22,612 Is this you making your own movie? 520 00:17:22,612 --> 00:17:24,444 I MEAN, ARE YOU WRITING A HORROR SCREENPLAY? 521 00:17:24,444 --> 00:17:26,616 YES. 522 00:17:26,616 --> 00:17:29,048 I just thought I'd give you a little friendly competition. 523 00:17:29,048 --> 00:17:31,281 JUST GOT A LITTLE WRITER'S BLOCK IS ALL. 524 00:17:31,281 --> 00:17:32,752 OKAY, WHAT'S THE STORY? 525 00:17:32,752 --> 00:17:35,255 UM... RUGGEDLY HANDSOME HERO 526 00:17:35,255 --> 00:17:37,827 AND HIS NOTORIOUSLY PRACTICAL LADY FRIEND 527 00:17:37,827 --> 00:17:41,431 WATCH A DISC THAT'S KILLING ITS VIEWERS WITHIN THREE DAYS. 528 00:17:41,431 --> 00:17:44,134 REALLY? YOU DON'T THINK THAT'S A LITTLE DERIVATIVE? 529 00:17:44,134 --> 00:17:46,396 YES, BUT I AM 530 00:17:46,396 --> 00:17:48,238 HOPING TO DISTINGUISH THE ENDING, 531 00:17:48,238 --> 00:17:50,640 YOU KNOW, MAKE THE THIRD ACT A, UM, SURVIVAL TALE 532 00:17:50,640 --> 00:17:51,771 RATHER THAN A BLOODBATH. 533 00:17:51,771 --> 00:17:53,473 I JUST CAN'T... FIGURE OUT 534 00:17:53,473 --> 00:17:55,545 HOW TO GET MY HEROES OUT OF THIS MESS. 535 00:17:55,545 --> 00:17:57,847 So the key is always in the spirit's origin story. 536 00:17:57,847 --> 00:17:59,549 ONCE YOU HAVE THAT, 537 00:17:59,549 --> 00:18:01,381 YOU CAN START TO FIGURE OUT THE SPIRIT'S WEAKNESSES. 538 00:18:01,381 --> 00:18:04,754 IF IT'S USING THE DISC AS ITS PORTAL INTO OUR WORLD... 539 00:18:04,754 --> 00:18:06,586 THEN THE DISC WOULD CONTAIN CLUES 540 00:18:06,586 --> 00:18:08,458 AS TO THE SPIRIT'S STORY. 541 00:18:08,458 --> 00:18:10,590 WES, THANK YOU. 542 00:18:10,590 --> 00:18:13,092 THANK YOU. LISTEN, BUDDY, IT'S LATE. I GOTTA GO. 543 00:18:13,092 --> 00:18:14,624 (beeps) 544 00:18:14,624 --> 00:18:18,868 FRIENDLY COMPETITION, MY ASS. 545 00:18:22,302 --> 00:18:24,134 YOU GUYS HAVE GOTTA BE KIDDING ME. 546 00:18:24,134 --> 00:18:26,436 WE DIDN'T FIND A SINGLE CONNECTION BETWEEN OUR VICTIMS? 547 00:18:26,436 --> 00:18:27,737 NO, THE TWO WERE AS DIFFERENT AS NIGHT AND DAY. 548 00:18:27,737 --> 00:18:29,679 JASON WAS A RETIRED EX-ARMY DOC. 549 00:18:29,679 --> 00:18:31,811 VAL WAS A YOUNG MANHATTAN AD EXEC. 550 00:18:31,811 --> 00:18:33,643 VAL WAS BORN IN FLORIDA. JASON GREW UP IN IOWA. 551 00:18:33,643 --> 00:18:35,645 THEY DIDN'T SHARE ANY FRIENDS AND THEY WEREN'T FAMILY. 552 00:18:35,645 --> 00:18:38,688 AND NONE OF JASON'S RELATIVES RECOGNIZED VAL'S PHOTO? 553 00:18:38,688 --> 00:18:39,849 NO, AND NOBODY FROM VAL'S FAMILY 554 00:18:39,849 --> 00:18:41,221 HAD EVER SEEN OR HEARD OF JASON. 555 00:18:41,221 --> 00:18:42,552 WE'RE STILL LOOKING THROUGH THEIR RECORDS, 556 00:18:42,552 --> 00:18:43,753 BUT SO FAR, NOTHING. 557 00:18:43,753 --> 00:18:45,124 SO WE'RE AT A DEAD END? 558 00:18:45,124 --> 00:18:46,626 AH, MAYBE NOT. 559 00:18:46,626 --> 00:18:47,857 AFTER MUCH REFLECTION, 560 00:18:47,857 --> 00:18:49,559 I REALIZED THE KEY TO SOLVING THIS 561 00:18:49,559 --> 00:18:51,661 IS FIGURING OUT THE STORY ON THE DVD. 562 00:18:51,661 --> 00:18:53,663 TO THAT END, I CROWDSOURCED 563 00:18:53,663 --> 00:18:56,666 ONE OF THE IMAGES TO MY LEGION OF FOLLOWERS. 564 00:18:56,666 --> 00:18:58,738 AND SOMEONE RECOGNIZED IT? 565 00:18:58,738 --> 00:18:59,739 OH, YOU BETCHA. 566 00:18:59,739 --> 00:19:01,541 ACCORDING TO bedazzlecats39, 567 00:19:01,541 --> 00:19:03,543 YOU'RE LOOKING AT THE BRUNSWICK INN 568 00:19:03,543 --> 00:19:05,515 IN PORT CAMPBELL. 569 00:19:05,515 --> 00:19:07,177 (computer chirps) (Ryan) BINGO. 570 00:19:07,177 --> 00:19:09,579 VAL'S CREDIT CARD RECORDS SHOW THAT SHE SPENT A FEW NIGHTS 571 00:19:09,579 --> 00:19:11,581 AT THE BRUNSWICK INN IN NOVEMBER 2008. 572 00:19:11,581 --> 00:19:13,583 AND IT LOOKS LIKE JASON CRASHED THERE, TOO, 573 00:19:13,583 --> 00:19:15,525 ALSO IN NOVEMBER 2008. 574 00:19:15,525 --> 00:19:17,287 OKAY, SO BOTH OF OUR VICTIMS STAYED AT THAT INN 575 00:19:17,287 --> 00:19:18,628 AT THE SAME TIME. 576 00:19:18,628 --> 00:19:20,760 SO MAYBE THEY WERE HAVING AN AFFAIR. 577 00:19:20,760 --> 00:19:23,763 WELL, IN 2008, VAL WOULD'VE BEEN 24. 578 00:19:23,763 --> 00:19:26,236 JASON WOULD'VE BEEN 66. AN AFFAIR WOULD'VE BEEN-- 579 00:19:26,236 --> 00:19:28,298 GROSS. I WAS GONNA SAY UNLIKELY. 580 00:19:28,298 --> 00:19:29,569 (Esposito) IT DOESN'T LOOK LIKE AN AFFAIR. 581 00:19:29,569 --> 00:19:30,740 THEY STAYED IN SEPARATE ROOMS. 582 00:19:30,740 --> 00:19:32,272 WELL, THE VICTIMS WERE AT THE INN. 583 00:19:32,272 --> 00:19:33,373 THE INN WAS ON THE DISC. THERE'S GOTTA BE A CONNECTION. 584 00:19:33,373 --> 00:19:35,375 THE INN MUST BE THE PLACE 585 00:19:35,375 --> 00:19:38,278 WHERE SOME UNSPEAKABLE HORROR BEFELL THE SPIRITS. 586 00:19:38,278 --> 00:19:39,479 THINK ABOUT IT. 587 00:19:39,479 --> 00:19:41,251 "THE RING," "PSYCHO," "THE SHINING"-- 588 00:19:41,251 --> 00:19:43,453 IT'S WHEN WE GET TO THE CREEPY OLD MOTEL 589 00:19:43,453 --> 00:19:45,184 THAT EVERYTHING STARTS REALLY GOING SOUTH. 590 00:19:45,184 --> 00:19:48,288 SO THIS MUST THE LOCATION OF THE SPIRIT'S ORIGIN STORY. 591 00:19:48,288 --> 00:19:50,690 OR SOMEHOW VAL AND JASON CONNECTED WITH 592 00:19:50,690 --> 00:19:53,263 THE HUMAN KILLER AT THAT INN. 593 00:19:53,263 --> 00:19:54,694 MY VERSION'S BETTER. 594 00:19:54,694 --> 00:19:56,366 WHY DON'T YOU LOOK INTO THE BRUNSWICK INN? 595 00:19:56,366 --> 00:19:57,667 SEE IF THERE ANY RED FLAGS, PAST CRIMES. 596 00:19:57,667 --> 00:19:59,429 CASTLE AND I WILL GO TO PORT CAMPBELL 597 00:19:59,429 --> 00:20:00,770 AND SEE WHAT WE CAN FIND. 598 00:20:00,770 --> 00:20:02,872 MAYBE I SHOULD... STAY HERE. 599 00:20:02,872 --> 00:20:04,304 I MEAN, 600 00:20:04,304 --> 00:20:05,605 THE INN IS JUST ONE PIECE OF THE PUZZLE. 601 00:20:05,605 --> 00:20:08,708 I SHOULD REALLY CHECK THE OTHER IMAGES ON THE VIDEO, 602 00:20:08,708 --> 00:20:10,640 SEE WHAT I CAN FIGURE OUT. 603 00:20:10,640 --> 00:20:12,612 WHOA. YOU'RE VOLUNTEERING TO WATCH THAT THING AGAIN? 604 00:20:12,612 --> 00:20:15,445 YEAH. NOT LIKE I CAN GET ANY DEADER. 605 00:20:24,354 --> 00:20:26,326 HELLO. 606 00:20:26,326 --> 00:20:29,659 IT DOESN'T LOOK LIKE THERE'S ANYONE HERE. 607 00:20:29,659 --> 00:20:31,230 (dings) 608 00:20:31,230 --> 00:20:33,463 DOESN'T LOOK LIKE ANYONE'S BEEN HERE THIS CENTURY. UGH. 609 00:20:38,938 --> 00:20:44,274 YOU'RE NOT BUYING INTO CASTLE'S SPIRIT CRAZINESS, ARE YOU? 610 00:20:44,274 --> 00:20:47,447 NO. YOU THINK I'M AFRAID OF SOME OLD CAMPFIRE STORY? 611 00:20:47,447 --> 00:20:48,618 I'M A GROWN-ASS MAN. 612 00:20:48,618 --> 00:20:50,720 NEED HELP? 613 00:20:52,482 --> 00:20:54,554 JU-JUST SO YOU KNOW, 614 00:20:54,554 --> 00:20:57,287 UM, THAT WAS ME BEING STARTLED, NOT SCARED. 615 00:20:57,287 --> 00:20:58,958 (scoffs) 616 00:20:58,958 --> 00:21:00,690 YOU RUN THIS PLACE? 617 00:21:00,690 --> 00:21:02,532 41 YEARS NOW, BUT YOU'RE IN THE WRONG PLACE. 618 00:21:02,532 --> 00:21:04,534 WE'RE CLOSED FOR THE SEASON. 619 00:21:04,534 --> 00:21:05,965 WE JUST NEED TO ASK YOU 620 00:21:05,965 --> 00:21:07,667 A FEW QUESTIONS. 621 00:21:07,667 --> 00:21:09,799 UH, DO YOU RECOGNIZE THESE PEOPLE? 622 00:21:09,799 --> 00:21:12,342 VAL BUTLER AND JASON BENNETT-- THEY-- 623 00:21:12,342 --> 00:21:14,644 THEY STAYED HERE BACK IN 2008. 624 00:21:14,644 --> 00:21:17,607 LONG TIME AGO, 2008. SEEN A LOT OF FACES COME AND GO. 625 00:21:17,607 --> 00:21:19,609 THEY WOULD'VE BEEN HERE IN NOVEMBER. 626 00:21:19,609 --> 00:21:22,512 DO YOU REMEMBER ANYTHING UNUSUAL FROM THAT PERIOD? 627 00:21:22,512 --> 00:21:26,516 YOU WOULDN'T HAPPEN TO KNOW THEIR ROOM NUMBERS. 628 00:21:26,516 --> 00:21:28,988 YEAH, UH, 213 AND 313. 629 00:21:28,988 --> 00:21:31,461 THE 13s. 630 00:21:31,461 --> 00:21:33,693 THOSE ROOMS, THEY'RE NOT... 631 00:21:33,693 --> 00:21:36,396 NORMAL ROOMS. 632 00:21:36,396 --> 00:21:38,568 THEY'RE RESERVED FOR PEOPLE INVOLVED IN TRIALS 633 00:21:38,568 --> 00:21:39,869 AT THE COURTHOUSE, 634 00:21:39,869 --> 00:21:42,502 DOWN AT 1135 ELM. 635 00:21:42,502 --> 00:21:43,633 1135, THAT'S THE SAME NUMBER 636 00:21:43,633 --> 00:21:45,335 AS THE P.O. BOX ON THAT PACKAGE. 637 00:21:45,335 --> 00:21:46,706 THAT'S GOTTA BE IT, THEN. 638 00:21:46,706 --> 00:21:48,778 THE MURDERS HAVE TO BE CONNECTED TO A TRIAL 639 00:21:48,778 --> 00:21:51,341 HELD AT THE COURTHOUSE IN NOVEMBER OF '08. 640 00:21:51,341 --> 00:21:54,644 THERE WAS ONLY ONE TRIAL TOOK PLACE IN NOVEMBER '08. 641 00:21:54,644 --> 00:21:56,386 IT WAS A TERRIBLE THING. 642 00:21:56,386 --> 00:21:58,017 YOU REMEMBER A TRIAL FROM FIVE YEARS AGO? 643 00:21:58,017 --> 00:21:59,619 NO ONE HERE CAN FORGET. 644 00:21:59,619 --> 00:22:01,891 IT WAS THE TRIAL OF THE CENTURY. 645 00:22:01,891 --> 00:22:04,754 THAT MAN MURDERED HALF A DOZEN PEOPLE. 646 00:22:04,754 --> 00:22:07,727 WHO ARE YOU TALKING ABOUT? 647 00:22:07,727 --> 00:22:10,730 NIGEL MALLOY. 648 00:22:10,730 --> 00:22:13,763 THE SERIAL KILLER? 649 00:22:13,763 --> 00:22:15,705 (Ryan) THIS IS ALL ABOUT NIGEL MALLOY. 650 00:22:15,705 --> 00:22:17,036 IT MAKES PERFECT SENSE. 651 00:22:17,036 --> 00:22:18,638 THE CLOCK TOWER FROM THE DVD 652 00:22:18,638 --> 00:22:19,809 it's the same clock tower 653 00:22:19,809 --> 00:22:21,441 from the courthouse where he was tried. 654 00:22:21,441 --> 00:22:22,772 THE ROOFTOP AND THE ALLEY 655 00:22:22,772 --> 00:22:24,073 WERE THE SCENES OF HIS THIRD AND FOURTH MURDERS. 656 00:22:24,073 --> 00:22:25,445 YEAH, AND JASON AND VAL-- 657 00:22:25,445 --> 00:22:27,547 BOTH WITNESSES IN HIS 2008 MURDER TRIAL. 658 00:22:27,547 --> 00:22:29,048 (Beckett) Okay, so somehow 659 00:22:29,048 --> 00:22:30,580 NIGEL MALLOY MUST BE TAKING REVENGE 660 00:22:30,580 --> 00:22:32,422 AGAINST THE PEOPLE THAT TESTIFIED AGAINST HIM. 661 00:22:32,422 --> 00:22:33,583 Uh, yeah, 662 00:22:33,583 --> 00:22:34,884 THERE'S ONLY ONE PROBLEM. 663 00:22:34,884 --> 00:22:36,526 NIGEL MALLOY IS DEAD. 664 00:22:36,526 --> 00:22:38,928 He died in prison three years ago. 665 00:22:47,437 --> 00:22:48,668 NIGEL MALLOY--THEY CALLED HIM "THE GRIM REAPER." 666 00:22:48,668 --> 00:22:50,369 HIS SIGNATURE-- 667 00:22:50,369 --> 00:22:52,001 SEARING SYMBOLS LIKE THE ONES WE SAW IN THE VIDEO 668 00:22:52,001 --> 00:22:53,873 INTO THE FLESH OF HIS VICTIMS. 669 00:22:53,873 --> 00:22:55,675 TURNS OUT THAT VAL AND JASON 670 00:22:55,675 --> 00:22:58,377 WERE WITNESSES TO THE KIDNAPPING OF MALLOY'S FIRST VICTIM-- 671 00:22:58,377 --> 00:22:59,749 ESTHER ALONZO. 672 00:22:59,749 --> 00:23:00,910 HE ABDUCTED HER 673 00:23:00,910 --> 00:23:02,612 FROM AN AMUSEMENT PARK IN NEW JERSEY. 674 00:23:02,612 --> 00:23:05,955 TORTURED HER IN HIS BASEMENT FOR DAYS BEFORE KILLING HER. 675 00:23:05,955 --> 00:23:07,757 HE HAD THE LOCAL POLICE RUNNING AROUND IN CIRCLES. 676 00:23:07,757 --> 00:23:09,819 THEY EVEN ARRESTED THE WRONG GUY 677 00:23:09,819 --> 00:23:12,121 BEFORE CAPTURING HIM FIVE BODIES LATER. 678 00:23:12,121 --> 00:23:13,663 WELL, CONSIDERING HE DIED IN PRISON, 679 00:23:13,663 --> 00:23:15,665 I'D SAY HE HAS A PRETTY GOOD ALIBI 680 00:23:15,665 --> 00:23:16,866 FOR OUR TWO MURDERS. 681 00:23:16,866 --> 00:23:18,397 WH--UH-- IT'S GOTTA BE SOMEONE ELSE. 682 00:23:18,397 --> 00:23:19,869 DON'T BE SO SURE. 683 00:23:19,869 --> 00:23:22,602 TAKE A LOOK AT WHAT NIGEL MALLOY SAID 684 00:23:22,602 --> 00:23:23,933 IN AN INTERVIEW HE DID... 685 00:23:23,933 --> 00:23:25,174 (computer beeps) RIGHT BEFORE HE DIED. 686 00:23:25,174 --> 00:23:26,906 (woman) SO, MR. MALLOY, 687 00:23:26,906 --> 00:23:29,979 ARE YOU SAYING YOU ACTUALLY BELIEVE YOU CAN'T DIE? 688 00:23:29,979 --> 00:23:32,442 MY VICTIMS GAVE ME UNIQUE INSIGHT INTO DEATH, 689 00:23:32,442 --> 00:23:33,783 INTO ITS SECRETS. 690 00:23:33,783 --> 00:23:35,545 EVEN WHEN MY BODY PERISHES, 691 00:23:35,545 --> 00:23:37,717 MY ESSENCE WILL CONTINUE ON. 692 00:23:37,717 --> 00:23:39,689 I WILL CONTINUE ON. 693 00:23:39,689 --> 00:23:42,421 YOU SEE... 694 00:23:42,421 --> 00:23:44,994 DEATH IS JUST THE BEGINNING. 695 00:23:46,896 --> 00:23:48,558 (beep) 696 00:23:48,558 --> 00:23:51,060 WOW. THAT GUY GIVES A WHOLE NEW MEANING TO THE WORD "PSYCHO." 697 00:23:51,060 --> 00:23:52,932 WHAT IF HE DID... FIND A WAY 698 00:23:52,932 --> 00:23:55,004 TO LET HIS SPIRIT LIVE ON? 699 00:23:55,004 --> 00:23:56,836 LIKE THE KILLER IN THOSE CHUCKY MOVIES 700 00:23:56,836 --> 00:23:58,868 WHO TRANSFERRED HIS SPIRIT INTO THAT SPOOKY DOLL. 701 00:23:58,868 --> 00:24:00,870 EXACTLY, ONLY INSTEAD OF A DOLL, 702 00:24:00,870 --> 00:24:02,211 IT'S A DVD. 703 00:24:02,211 --> 00:24:04,814 THAT EXPLAINS THE MESSAGE "YOU SAW, YOU DIE." 704 00:24:04,814 --> 00:24:06,976 THE WITNESSES SAW HIS CRIMES SO THEY MUST DIE. 705 00:24:06,976 --> 00:24:08,478 WELL, THEN GIVEN THAT LOGIC, WE'D BOTH BE OKAY 706 00:24:08,478 --> 00:24:10,219 BECAUSE WE'RE NOT WITNESSES. 707 00:24:10,219 --> 00:24:12,952 BUT YOU'RE A COP. I'M A COP... HELPER. 708 00:24:12,952 --> 00:24:15,555 I MEAN, YOU DON'T THINK A CONVICTED SERIAL KILLER 709 00:24:15,555 --> 00:24:18,087 IS GONNA HAVE AN AX TO GRIND WITH THE NYPD? 710 00:24:18,087 --> 00:24:20,590 CASTLE, NIGEL MALLOY IS NOT INVOLVED. HE'S DEAD. 711 00:24:20,590 --> 00:24:23,493 BUT SOMEONE ELSE MIGHT BE ACTING ON HIS BEHALF. 712 00:24:23,493 --> 00:24:25,495 RYAN, TALK TO THE D.A. IN PORT CAMPBELL. 713 00:24:25,495 --> 00:24:27,096 LET'S LOCATE THOSE OTHER WITNESSES 714 00:24:27,096 --> 00:24:28,467 AND MAKE SURE THEY'RE SAFE. 715 00:24:28,467 --> 00:24:29,639 YEAH. 716 00:24:29,639 --> 00:24:30,970 THE COURT RECORDS WERE SEALED. 717 00:24:30,970 --> 00:24:32,702 HOW WOULD THE KILLER KNOW WHO THE WITNESSES WERE? 718 00:24:32,702 --> 00:24:34,003 UH, W-WAIT A MINUTE. 719 00:24:34,003 --> 00:24:37,006 UM, NIGEL MALLOY HAD A BROTHER. LEOPOLD. 720 00:24:37,006 --> 00:24:39,609 THE D.A. ACCUSED HIM OF HELPING DISPOSE OF THE BODIES. 721 00:24:39,609 --> 00:24:41,250 (Castle) YES, THE DEFENSE SAID... (keyboard keys clicking) 722 00:24:41,250 --> 00:24:43,983 THAT NIGEL HAD AN ALMOST HYPNOTIC HOLD OVER HIS BROTHER. (computer beeps) 723 00:24:43,983 --> 00:24:46,586 HE WAS FOUND NOT GUILTY BY REASON OF INSANITY, 724 00:24:46,586 --> 00:24:48,758 AND THEY SHIPPED HIM OFF TO AN ASYLUM. 725 00:24:48,758 --> 00:24:49,919 IS HE STILL THERE? 726 00:24:49,919 --> 00:24:50,960 I AM CHECKING. 727 00:24:50,960 --> 00:24:52,892 OOH, WAIT. THIS IS INTERESTING. 728 00:24:52,892 --> 00:24:54,063 WHAT? 729 00:24:54,063 --> 00:24:55,194 THE ASYLUM THAT THEY SENT HIM TO, 730 00:24:55,194 --> 00:24:56,726 IT'S IN GREENWICH. 731 00:24:56,726 --> 00:24:58,197 THAT'S WHERE VAL WENT THE DAY SHE GOT THE DVD. 732 00:24:58,197 --> 00:24:59,999 SHE WENT TO SEE LEOPOLD MALLOY. 733 00:24:59,999 --> 00:25:02,501 (thunderclap) 734 00:25:02,501 --> 00:25:03,673 (buzzer sounds) 735 00:25:03,673 --> 00:25:05,004 (door squeaking) 736 00:25:05,004 --> 00:25:07,076 UH, YES, THAT YOUNG LADY DID STOP BY A FEW DAYS AGO. 737 00:25:07,076 --> 00:25:08,237 DO YOU HAVE ANY IDEA 738 00:25:08,237 --> 00:25:09,779 WHAT THEY MIGHT HAVE TALKED ABOUT 739 00:25:09,779 --> 00:25:10,940 OR WHAT HE MIGHT HAVE SAID TO HER? 740 00:25:10,940 --> 00:25:12,041 I'M AFRAID NOT, DEAR. 741 00:25:12,041 --> 00:25:13,613 YOU'LL HAVE TO ASK MR. MALLOY YOURSELF. 742 00:25:13,613 --> 00:25:15,044 YOU KNOW, NOT FOR NOTHING, 743 00:25:15,044 --> 00:25:16,886 BUT... WHAT'S HE LIKE? 744 00:25:16,886 --> 00:25:18,648 I MEAN... 745 00:25:18,648 --> 00:25:22,021 ON A SCALE OF 1 TO HANNIBAL LECTER, 746 00:25:22,021 --> 00:25:23,793 WHAT ARE WE DEALING WITH HERE? 747 00:25:23,793 --> 00:25:24,954 I'M SORRY, 748 00:25:24,954 --> 00:25:26,255 BUT DOCTOR-PATIENT PRIVILEGE 749 00:25:26,255 --> 00:25:28,057 PROHIBITS US FROM CHARACTERIZING 750 00:25:28,057 --> 00:25:30,860 OR DESCRIBING OUR PATIENTS' BEHAVIOR. 751 00:25:30,860 --> 00:25:32,602 NO, THAT'S OKAY. WE UNDERSTAND. 752 00:25:32,602 --> 00:25:34,003 HERE WE ARE. 753 00:25:34,003 --> 00:25:35,865 LET'S GO OVER THE RULES. 754 00:25:35,865 --> 00:25:37,006 PLEASE DON'T HAND HIM ANY OBJECTS 755 00:25:37,006 --> 00:25:38,638 OR TAKE ANYTHING FROM HIM. 756 00:25:38,638 --> 00:25:40,539 DON'T STAND TOO CLOSE TO THE GLASS. 757 00:25:40,539 --> 00:25:42,742 AND IF YOU NEED ANY HELP, JUST PRESS THE RED BUTTON 758 00:25:42,742 --> 00:25:44,073 ON THE WALL BEHIND YOU. 759 00:25:44,073 --> 00:25:46,245 OKAY, NOW PLEASE JUST SIGN HERE 760 00:25:46,245 --> 00:25:49,048 ACKNOWLEDGING THAT YOU UNDERSTAND THE RULES. 761 00:25:49,048 --> 00:25:51,080 (beeps) (Castle) EW. (chuckles) 762 00:25:51,080 --> 00:25:52,181 (lock clicks) 763 00:25:52,181 --> 00:25:53,853 I FEEL LIKE I'M SIGNING MY LIFE AWAY. 764 00:25:53,853 --> 00:25:55,925 WELL, LET'S HOPE NOT. 765 00:25:57,186 --> 00:25:59,929 (door creaks) 766 00:25:59,929 --> 00:26:01,230 HI. THANK YOU. 767 00:26:01,230 --> 00:26:03,663 (keys jangle) 768 00:26:03,663 --> 00:26:04,994 (door closes) 769 00:26:04,994 --> 00:26:05,995 (lock clicks) 770 00:26:05,995 --> 00:26:08,998 (jangles keys) 771 00:26:08,998 --> 00:26:11,741 PLEASE... HAVE A SEAT. 772 00:26:11,741 --> 00:26:14,043 I SO RARELY RECEIVE VISITORS. 773 00:26:14,043 --> 00:26:15,905 (door closes, lock clicks) 774 00:26:15,905 --> 00:26:19,609 BUT YOU HAVE RECEIVED A VISITOR RECENTLY. 775 00:26:19,609 --> 00:26:22,011 VAL BUTLER. 776 00:26:22,011 --> 00:26:23,352 WHY WAS SHE HERE? 777 00:26:23,352 --> 00:26:25,114 OH, SWEET GIRL. 778 00:26:25,114 --> 00:26:27,657 SHE CAME TO ASK ME IF I'D SENT HER SOMETHING. 779 00:26:27,657 --> 00:26:29,018 AND DID YOU? 780 00:26:29,018 --> 00:26:30,319 HOW COULD I? 781 00:26:30,319 --> 00:26:32,962 I CAN'T SEND ANYTHING TO ANYONE. 782 00:26:32,962 --> 00:26:34,864 YOU COULD'VE JUST GOTTEN SOMEONE ELSE TO SEND IT TO HER, 783 00:26:34,864 --> 00:26:37,266 JUST LIKE YOU COULD'VE GOTTEN SOMEONE ELSE TO KILL HER. 784 00:26:39,028 --> 00:26:41,230 AND WHY WOULD I DO SUCH A THING? 785 00:26:41,230 --> 00:26:43,202 TO PERPETUATE THE MYTH 786 00:26:43,202 --> 00:26:46,275 OF YOUR BROTHER'S IMMORTALITY... 787 00:26:46,275 --> 00:26:48,307 OR TO AVENGE HIS DEATH. 788 00:26:49,939 --> 00:26:54,213 I AM NOT MY BROTHER'S KEEPER, DETECTIVE BECKETT. 789 00:26:56,285 --> 00:26:59,989 I NEVER WAS, AND I DON'T SHARE HIS MURDEROUS IMPULSES. 790 00:26:59,989 --> 00:27:02,852 YET, YOU'RE STILL IN HERE. 791 00:27:02,852 --> 00:27:04,053 FOR NOW. 792 00:27:04,053 --> 00:27:05,995 BUT WHEN MY APPEAL COMES THROUGH, WHO KNOWS? 793 00:27:05,995 --> 00:27:07,897 WE COULD ALL MEET ON THE STREET ONE DAY. 794 00:27:07,897 --> 00:27:10,359 ON THAT DAY, I MIGHT CROSS THE STREET. 795 00:27:10,359 --> 00:27:12,131 I'M NO DANGER TO ANYONE. 796 00:27:12,131 --> 00:27:14,704 I NEVER WAS. 797 00:27:14,704 --> 00:27:16,706 SO WHY WOULD I JEOPARDIZE MY APPEAL 798 00:27:16,706 --> 00:27:18,768 BY BEING PARTY TO A MURDER? 799 00:27:21,811 --> 00:27:25,174 BECAUSE YOU KNEW YOU COULD GET AWAY WITH IT. 800 00:27:25,174 --> 00:27:27,316 YOU'RE LOCKED UP. 801 00:27:27,316 --> 00:27:31,020 YOU HAVE THE PERFECT ALIBI. 802 00:27:32,922 --> 00:27:37,026 I HAVE THE PERFECT ALIBI BECAUSE I'M INNOCENT. 803 00:27:37,026 --> 00:27:39,058 I DON'T HAVE TV OR INTERNET ACCESS. 804 00:27:39,058 --> 00:27:42,061 I DON'T SEND OR RECEIVE MAIL. 805 00:27:42,061 --> 00:27:44,694 THE ONLY PERSONAL CONTACT I HAVE IS THROUGH VISITORS, 806 00:27:44,694 --> 00:27:47,997 AND VAL IS THE LAST ONE I'VE HAD IN YEARS. 807 00:27:47,997 --> 00:27:50,940 SO WHO COULD I HAVE SENT TO DISPATCH HER 808 00:27:50,940 --> 00:27:53,903 OR THE OTHER WITNESS? 809 00:27:53,903 --> 00:27:55,905 (Castle) UH, WELL, WE NEVER ACTUALLY 810 00:27:55,905 --> 00:27:57,747 SAID ANYTHING ABOUT THE OTHER WITNESS BEING KILLED. 811 00:27:57,747 --> 00:28:00,379 SO... HOW WOULD YOU KNOW ANYTHING ABOUT THAT? 812 00:28:04,814 --> 00:28:07,116 I THINK IT'S TIME FOR YOU TO GO. 813 00:28:07,116 --> 00:28:08,818 I HAVE NOTHING MORE TO SAY. 814 00:28:13,793 --> 00:28:15,264 LOOK, HE TOLD US EVERYTHING. 815 00:28:15,264 --> 00:28:17,827 THAT SLIPUP PROVES THAT HE'S BEEN TALKING WITH SOMEONE 816 00:28:17,827 --> 00:28:19,268 ABOUT THOSE MURDERS. 817 00:28:19,268 --> 00:28:20,429 THERE IS ONE OTHER WAY 818 00:28:20,429 --> 00:28:22,001 HE COULD'VE GOTTEN THAT INFORMATION. 819 00:28:22,001 --> 00:28:23,873 HE COULD BE TALKING TO HIS BROTHER. 820 00:28:23,873 --> 00:28:25,735 CASTLE, HE WAS TALKING WITH SOMEONE ON THE OUTSIDE. 821 00:28:25,735 --> 00:28:28,077 HE HASN'T BEEN COMMUNING WITH THE DEAD. 822 00:28:28,077 --> 00:28:30,039 WELL, WE CAN'T BE SURE, AND... 823 00:28:30,039 --> 00:28:31,340 WE'RE RUNNING OUT OF TIME. 824 00:28:31,340 --> 00:28:34,944 SO I'M GONNA SCRATCH OFF NUMBER 27 ON MY BUCKET LIST. 825 00:28:34,944 --> 00:28:36,445 YOU REMEMBER 826 00:28:36,445 --> 00:28:38,017 THAT, UH, BLUE PORCELAIN VASE 827 00:28:38,017 --> 00:28:39,318 YOU HAD ON YOUR DINING ROOM TABLE? 828 00:28:39,318 --> 00:28:40,950 YEAH, THE ONE THAT THE WIND BLEW OVER. 829 00:28:40,950 --> 00:28:42,091 YEAH, ABOUT THAT. 830 00:28:42,091 --> 00:28:44,824 I WAS PLAYING Wii TENNIS IN THE LIVING ROOM-- 831 00:28:44,824 --> 00:28:46,225 YOU BROKE MY VASE? 832 00:28:46,225 --> 00:28:47,456 VASE. 833 00:28:47,456 --> 00:28:49,398 VASE IS ACCEPTABLE, TOO. YOU KNOW WHAT? 834 00:28:49,398 --> 00:28:51,130 YOU CAN STOP WORRYING ABOUT THE SPIRITS GETTING TO YOU, 835 00:28:51,130 --> 00:28:52,962 BECAUSE I JUST MIGHT KILL YOU MYSELF. 836 00:28:52,962 --> 00:28:54,103 SERIOUSLY, YOU WANT TO SPEND 837 00:28:54,103 --> 00:28:55,835 OUR LAST DAY ON EARTH FIGHTING? 838 00:28:55,835 --> 00:28:58,007 (touch screen clicks, phone rings) 839 00:28:58,007 --> 00:28:59,308 (rings) RYAN. 840 00:28:59,308 --> 00:29:01,010 (Beckett) Hey, we need you to subpoena 841 00:29:01,010 --> 00:29:02,211 records from the asylum. 842 00:29:02,211 --> 00:29:03,913 SEE WHO LEOPOLD WAS IN CONTACT WITH 843 00:29:03,913 --> 00:29:06,015 BY PHONE OR OVER E-MAIL. 844 00:29:06,015 --> 00:29:07,316 YEAH, SURE, BUT JUST SO YOU KNOW, 845 00:29:07,316 --> 00:29:09,318 THERE'S BEEN A DEVELOPMENT. 846 00:29:09,318 --> 00:29:11,380 WHAT DO YOU MEAN? WHAT KIND OF A DEVELOPMENT? 847 00:29:11,380 --> 00:29:13,052 Well, while looking into 848 00:29:13,052 --> 00:29:14,353 THE MALLOYS, 849 00:29:14,353 --> 00:29:16,525 NIGEL'S NAME CAME UP ON A POLICE REPORT. 850 00:29:16,525 --> 00:29:18,087 WHAT KIND OF A REPORT? 851 00:29:18,087 --> 00:29:20,029 He was, um... 852 00:29:20,029 --> 00:29:22,391 REPORTED MISSING A FEW DAYS AGO. 853 00:29:22,391 --> 00:29:25,764 MISSING? THE GUY HAS BEEN DEAD FOR OVER THREE YEARS. 854 00:29:25,764 --> 00:29:28,397 Yeah, about that... 855 00:29:28,397 --> 00:29:30,099 the groundskeeper at the cemetery 856 00:29:30,099 --> 00:29:31,270 WHERE NIGEL IS BURIED 857 00:29:31,270 --> 00:29:34,043 NOTICED THAT HIS PLOT HAS BEEN DISTURBED. 858 00:29:34,043 --> 00:29:35,274 AS IN "DUG UP"? 859 00:29:35,274 --> 00:29:36,976 WELL, NOT JUST DUG UP. 860 00:29:36,976 --> 00:29:40,309 NIGEL MALLOY'S BODY HAS DISAPPEARED. 861 00:29:40,309 --> 00:29:42,181 (Castle) IT HASN'T DISAPPEARED. 862 00:29:42,181 --> 00:29:44,984 HE'S RISEN FROM THE GRAVE. 863 00:29:51,861 --> 00:29:53,392 ALL RIGHT. LET'S HEAR IT. 864 00:29:53,392 --> 00:29:55,794 HEAR WHAT? 865 00:29:55,794 --> 00:29:57,466 YOUR EXPLANATION FOR THIS. 866 00:29:57,466 --> 00:29:59,128 IF THERE'S ONE THING I CAN ALWAYS COUNT ON, 867 00:29:59,128 --> 00:30:01,000 IT'S YOU AND YOUR LOGIC SO... 868 00:30:01,000 --> 00:30:03,002 YOU WANT ME TO EXPLAIN 869 00:30:03,002 --> 00:30:05,074 THE DEAD SERIAL KILLER'S MISSING BODY? 870 00:30:05,074 --> 00:30:08,307 (people speaking indistinctly) 871 00:30:10,339 --> 00:30:12,041 I DON'T KNOW WHAT HAPPENED HERE 872 00:30:12,041 --> 00:30:13,542 YET. 873 00:30:13,542 --> 00:30:16,215 THAT'S IT? THAT'S ALL YOU'VE GOT? 874 00:30:16,215 --> 00:30:17,346 BUT I CAN ASSURE YOU THAT IT HAS NOTHING TO DO 875 00:30:17,346 --> 00:30:19,288 WITH NIGEL MALLOY RISING FROM THE DEAD. 876 00:30:19,288 --> 00:30:21,320 IT'S HIS BROTHER. 877 00:30:21,320 --> 00:30:24,253 LEOPOLD MALLOY IS BEHIND ALL OF THIS. 878 00:30:24,253 --> 00:30:25,955 YO. 879 00:30:25,955 --> 00:30:27,296 IT DOESN'T LOOK LIKE LEOPOLD HAS ANYTHING TO DO WITH THIS. 880 00:30:27,296 --> 00:30:28,827 NO, THAT CAN'T BE RIGHT. 881 00:30:28,827 --> 00:30:29,999 LOOK, THE GUY'S CRAZY, 882 00:30:29,999 --> 00:30:31,460 BUT HE WAS RIGHT ABOUT ONE THING. 883 00:30:31,460 --> 00:30:34,433 HE HAS NO PHONE, NO E-MAIL, AND NO VISITORS BESIDES VAL. 884 00:30:34,433 --> 00:30:35,965 THERE'S GOTTA BE SOME WAY OF PROVING 885 00:30:35,965 --> 00:30:37,236 THAT LEOPOLD'S BEHIND ALL THIS. 886 00:30:37,236 --> 00:30:38,537 I CAN'T TELL YOU HOW HE DID IT, 887 00:30:38,537 --> 00:30:40,539 BUT I CAN TELL YOU WHO'S NEXT. 888 00:30:40,539 --> 00:30:42,211 I CHECKED INTO THE COURT DOCUMENTS ON THE MALLOY TRIAL. 889 00:30:42,211 --> 00:30:43,612 I NOTICED A PATTERN. 890 00:30:43,612 --> 00:30:45,144 JASON WAS THE FIRST PERSON TO TESTIFY, 891 00:30:45,144 --> 00:30:46,245 AND HE WAS ALSO THE FIRST ONE TO DIE. 892 00:30:46,245 --> 00:30:47,576 A DAY LATER, VAL, 893 00:30:47,576 --> 00:30:49,278 THE SECOND PERSON WHO TESTIFIED, WAS KILLED. 894 00:30:49,278 --> 00:30:51,480 OKAY, SO THEY'RE BEING KILLED IN ORDER OF THEIR TESTIMONIES. 895 00:30:51,480 --> 00:30:53,152 WHO'S LUCKY NUMBER THREE? 896 00:30:53,152 --> 00:30:55,354 UH, MARK HELLER. I TALKED TO HIS GIRLFRIEND. 897 00:30:55,354 --> 00:30:57,186 HE RECEIVED A DISC THREE DAYS AGO. 898 00:30:57,186 --> 00:30:58,857 THAT MEANS HE'S DUE TO DIE TONIGHT AT MIDNIGHT. 899 00:30:58,857 --> 00:31:00,189 THAT'S IN FOUR HOURS. 900 00:31:00,189 --> 00:31:02,131 AND WHERE'S MARK HELLER NOW? THAT'S THE PROBLEM. 901 00:31:02,131 --> 00:31:03,362 HE WATCHED THE VIDEO AND HE FREAKED OUT. 902 00:31:03,362 --> 00:31:05,164 HE LEFT THE HOUSE. NOBODY KNOWS WHERE HE WENT. 903 00:31:05,164 --> 00:31:07,196 I MIGHT. HELLER'S FINANCIALS SHOW THAT 904 00:31:07,196 --> 00:31:09,138 HE BOUGHT GROCERIES AT A STORE OUTSIDE KINGSTON YESTERDAY. 905 00:31:09,138 --> 00:31:10,439 HIS FAMILY OWNS A CABIN UP THERE. 906 00:31:10,439 --> 00:31:11,971 THAT'S PROBABLY WHERE HE'S HOLED UP. 907 00:31:11,971 --> 00:31:14,173 OKAY, ESPOSITO YOU KEEP DIGGING INTO LEOPOLD. 908 00:31:14,173 --> 00:31:15,474 RYAN... (jangles keys) 909 00:31:15,474 --> 00:31:17,176 FIND THE OTHER WITNESSES. MAKE SURE THEY'RE SAFE. 910 00:31:17,176 --> 00:31:18,477 CASTLE AND I WILL HEAD OFF TO KINGSTON 911 00:31:18,477 --> 00:31:21,210 AND SEE IF WE CAN GET HELLER. 912 00:31:21,210 --> 00:31:22,651 UH, WE'RE GOING TO A CABIN 913 00:31:22,651 --> 00:31:24,213 IN THE WOODS IN THE MIDDLE OF NOWHERE? 914 00:31:24,213 --> 00:31:25,384 YEAH. SO? 915 00:31:25,384 --> 00:31:26,585 SO IT'S LIKE THE CO-ED 916 00:31:26,585 --> 00:31:28,217 CHECKING OUT THE STRANGE NOISE IN THE BASEMENT 917 00:31:28,217 --> 00:31:29,188 IN A SLASHER PIC. 918 00:31:29,188 --> 00:31:30,889 IT'S A RECIPE FOR DISASTER. 919 00:31:30,889 --> 00:31:33,062 IT'S NOT A SLASHER FLICK. IT'S A MURDER INVESTIGATION. 920 00:31:33,062 --> 00:31:34,593 AND I'M GOING UP TO THAT CABIN. 921 00:31:34,593 --> 00:31:36,325 SO YOU COMING OR WHAT? 922 00:31:36,325 --> 00:31:38,267 (elevator bell dings) WELL, I CAN'T LET YOU GO ALONE. 923 00:31:38,267 --> 00:31:39,528 (doors open) 924 00:31:39,528 --> 00:31:41,900 BUT I NEED TO MAKE A STOP FIRST. 925 00:31:41,900 --> 00:31:44,573 (clicks button) 926 00:31:44,573 --> 00:31:47,206 OKAY, SO I'VE GOT 927 00:31:47,206 --> 00:31:50,239 INCENSE, PALASPAS, BAGUA MIRROR. 928 00:31:50,239 --> 00:31:52,241 THIS IS A VERITABLE WAR CHEST FOR FIGHTING EVIL SPIRITS. 929 00:31:52,241 --> 00:31:53,412 IS THAT HOLY WATER? 930 00:31:53,412 --> 00:31:55,384 YEAH. WHERE'D YOU GET THAT FROM? 931 00:31:55,384 --> 00:31:57,516 A PRIEST BLESSED THIS FOR ME TWO YEARS AGO. 932 00:31:57,516 --> 00:31:59,218 AND Y-YOU JUST KEEP IT AROUND? 933 00:31:59,218 --> 00:32:02,151 KNEW IT WOULD COME IN HANDY ONE DAY. 934 00:32:02,151 --> 00:32:03,252 NOW... 935 00:32:03,252 --> 00:32:04,523 WHAT WEAPON DO YOU WANT? 936 00:32:04,523 --> 00:32:07,656 I THINK I'LL BE FINE WITH MY GUN. 937 00:32:07,656 --> 00:32:09,558 THERE'S NOT JUST ONE... TINY PART OF YOU 938 00:32:09,558 --> 00:32:11,500 THAT WONDERS IF I MIGHT BE RIGHT? 939 00:32:15,934 --> 00:32:18,207 (cell phone rings) 940 00:32:18,207 --> 00:32:19,368 (beeps) 941 00:32:19,368 --> 00:32:21,010 (Ryan, distorted voice) Hey, Beckett. 942 00:32:21,010 --> 00:32:22,271 RYAN? 943 00:32:22,271 --> 00:32:23,372 HEY, BECKETT? 944 00:32:23,372 --> 00:32:24,713 HEY, UH... (static crackling) 945 00:32:24,713 --> 00:32:27,116 RYAN, WH-- 946 00:32:27,116 --> 00:32:28,247 I THINK WE'RE IN A BAD AREA. 947 00:32:28,247 --> 00:32:29,948 I'M HAVING A HARD TIME HEARING YOU. 948 00:32:29,948 --> 00:32:31,380 OKAY, THEN I'LL MAKE IT QUICK. 949 00:32:31,380 --> 00:32:33,052 I JUST FINISHED WITH THE LAST OF THE REMAINING WITNESSES. 950 00:32:33,052 --> 00:32:34,423 NONE OF THEM GOT A DISC. 951 00:32:34,423 --> 00:32:36,585 SO THE KILLER ONLY TARGETED THE FIRST THREE WITNESSES. 952 00:32:36,585 --> 00:32:38,527 WELL, EITHER THAT OR HE HASN'T GOTTEN AROUND 953 00:32:38,527 --> 00:32:40,059 to the others yet. (crackling continues) 954 00:32:40,059 --> 00:32:42,091 DUDE, YOU'RE BREAKING UP. Uh, uh, hang on. 955 00:32:42,091 --> 00:32:43,632 YO, CHECK THIS OUT. 956 00:32:43,632 --> 00:32:45,464 LOOKS LIKE VAL, JASON, AND MARK HELLER 957 00:32:45,464 --> 00:32:47,596 HAD SOMETHING ELSE IN COMMON. HEY, BECKETT. 958 00:32:47,596 --> 00:32:50,339 (static crackling) We missed something. I-it's not what we think. 959 00:32:50,339 --> 00:32:52,041 There's someone else. 960 00:32:52,041 --> 00:32:53,202 BECKETT? BECKETT. 961 00:32:53,202 --> 00:32:55,304 (line buzzes) 962 00:32:55,304 --> 00:32:58,277 I CAN'T GET HIM BACK. I DON'T HAVE ANY RECEPTION. 963 00:33:00,409 --> 00:33:02,251 (turns engine off) 964 00:33:02,251 --> 00:33:04,583 (clicks seat belt release) THERE'S HELLER'S CAR. HE'S HERE. 965 00:33:06,355 --> 00:33:08,487 YEAH, I HAVEN'T GOT ANY BARS EITHER. (car door closes) 966 00:33:08,487 --> 00:33:11,090 (sighs) YEAH, WELL, WE ARE IN THE MIDDLE OF NOWHERE. 967 00:33:11,090 --> 00:33:13,022 CAN THIS GET ANY WORSE? 968 00:33:13,022 --> 00:33:14,323 A DEAD SERIAL KILLER HAS GONE MISSING, 969 00:33:14,323 --> 00:33:16,695 WE'VE BOTH SEEN A CURSED DISC, 970 00:33:16,695 --> 00:33:18,697 WE'RE AT A CABIN IN THE WOODS WITH NO CELL PHONE RECEPTION-- 971 00:33:18,697 --> 00:33:20,699 I DON'T NEED WES CRAVEN TO TELL ME HOW THIS ENDS. 972 00:33:20,699 --> 00:33:22,401 WELL, THINK ABOUT IT THIS WAY, CASTLE. 973 00:33:22,401 --> 00:33:24,303 IN ALL OF THOSE HORROR MOVIES, 974 00:33:24,303 --> 00:33:25,274 SOMEONE SURVIVES. 975 00:33:25,274 --> 00:33:27,206 YEAH, SOMEONE. ONE OF US. 976 00:33:27,206 --> 00:33:29,338 AND THE OTHER ONE IS CURSED WITH BEING CHARMING AND FUNNY. 977 00:33:29,338 --> 00:33:30,639 I DON'T THINK I NEED TO TELL YOU 978 00:33:30,639 --> 00:33:33,142 WHAT KIND OF CHANCES THE COMIC RELIEF GUY HAS. 979 00:33:33,142 --> 00:33:36,345 (heavy breathing) 980 00:33:36,345 --> 00:33:37,316 (knock on door) 981 00:33:37,316 --> 00:33:39,017 (Beckett) MARK HELLER. 982 00:33:40,689 --> 00:33:42,791 MARK HELLER? 983 00:33:45,194 --> 00:33:47,326 JEEZ. 984 00:33:47,326 --> 00:33:49,298 (lowered voice) CAN'T SAY I'M A FAN OF THE DECOR. 985 00:33:49,298 --> 00:33:52,101 YEAH, WELL, NEITHER AM I, BUT WE'RE JUST HERE TO-- 986 00:33:52,101 --> 00:33:54,503 UNLESS YOU LEAVE, YOU'RE GONNA DIE. 987 00:33:54,503 --> 00:33:57,506 MR. HELLER, I'M DETECTIVE BECKETT. NYPD. 988 00:33:57,506 --> 00:33:59,608 WELL, THEN YOU WON'T MIND SHOWING ME I.D. 989 00:34:04,773 --> 00:34:06,775 I CAN'T BE TOO CAUTIOUS, 990 00:34:06,775 --> 00:34:09,248 NOT WITH MALLOY WITNESSES DROPPING LIKE FLIES. 991 00:34:09,248 --> 00:34:11,150 LOOK, WE KNOW ABOUT THE DISC. 992 00:34:11,150 --> 00:34:12,451 WE'RE HERE TO TAKE YOU TO THE PRECINCT, 993 00:34:12,451 --> 00:34:13,752 WHERE WE CAN PROTECT YOU. 994 00:34:13,752 --> 00:34:15,254 YOU CAN'T PROTECT ME. 995 00:34:15,254 --> 00:34:16,655 HE'S BACK. 996 00:34:16,655 --> 00:34:18,357 LOOK, MARK, IF THE PATTERN HOLDS, 997 00:34:18,357 --> 00:34:20,759 YOU GOT TWO MINUTES BEFORE... 998 00:34:20,759 --> 00:34:23,532 YOU KNOW, SO LET'S TALK ABOUT THIS IN THE CAR. 999 00:34:23,532 --> 00:34:26,435 YOU KNOW, JUST BEING IN THE SAME COURTROOM AS MALLOY 1000 00:34:26,435 --> 00:34:29,138 WAS ENOUGH TO MAKE A GROWN MAN WET HIMSELF. 1001 00:34:29,138 --> 00:34:31,300 (twigs cracking) PSYCHO YAMMERING ABOUT DEATH AND REBIRTH 1002 00:34:31,300 --> 00:34:32,771 AND ALL THAT HOO-HA. 1003 00:34:32,771 --> 00:34:34,343 OKAY, HOO-HA WE COULD BE TALKING ABOUT-- 1004 00:34:34,343 --> 00:34:36,745 YOU KNOW, NEITHER ME NOR VAL NOR JASON 1005 00:34:36,745 --> 00:34:39,408 WANTED TO TESTIFY AGAINST HIM OR THE OTHER GUY. 1006 00:34:39,408 --> 00:34:40,549 WHAT DO YOU MEAN, THE OTHER GUY? 1007 00:34:40,549 --> 00:34:42,251 ARE YOU TALKING ABOUT LEOPOLD? 1008 00:34:42,251 --> 00:34:44,113 (electricity crackles) 1009 00:34:44,113 --> 00:34:46,255 (pants) OH, GOD. 1010 00:34:46,255 --> 00:34:48,157 TIME'S UP. 1011 00:34:55,494 --> 00:34:57,166 IT'S HERE. 1012 00:34:57,166 --> 00:34:58,497 DO YOU THINK IT'LL MATTER THAT WE STILL HAVE A DAY LEFT 1013 00:34:58,497 --> 00:34:59,798 OR WILL I BE LIKE A THREE BIRDS WITH ONE STONE THING? 1014 00:34:59,798 --> 00:35:01,530 WHERE ARE YOUR CIRCUIT BREAKERS? 1015 00:35:01,530 --> 00:35:02,831 OUTSIDE BY THE TOOLSHED. 1016 00:35:02,831 --> 00:35:04,533 OKAY. 1017 00:35:08,777 --> 00:35:10,439 SOMEONE'S OUT THERE. 1018 00:35:10,439 --> 00:35:11,710 SERIOUSLY? 1019 00:35:11,710 --> 00:35:12,881 WHAT'S IT LIKE? 1020 00:35:12,881 --> 00:35:15,644 IS IT, UH, GHASTLY, PALE, PISSED? 1021 00:35:15,644 --> 00:35:17,286 I CAN'T GET A GOOD LOOK AT HIS FACE. 1022 00:35:17,286 --> 00:35:18,587 DO YOU HAVE A BACK DOOR? 1023 00:35:18,587 --> 00:35:20,549 YEAH, YEAH. THROUGH THE KITCHEN. 1024 00:35:20,549 --> 00:35:22,591 OKAY, CASTLE, YOU KEEP AN EYE ON MARK. 1025 00:35:22,591 --> 00:35:23,722 I'M GONNA HEAD OUT BACK, 1026 00:35:23,722 --> 00:35:26,225 DOUBLE AROUND, SEE IF I CAN SURPRISE HIM. 1027 00:35:26,225 --> 00:35:27,396 (Castle) WHAT? WAIT. WE'RE SPLITTING UP? 1028 00:35:27,396 --> 00:35:29,127 YEAH. 1029 00:35:32,501 --> 00:35:35,564 (animal howls) 1030 00:35:42,671 --> 00:35:44,513 (brush rustling) 1031 00:35:44,513 --> 00:35:46,845 NYPD. HOLD IT RIGHT THERE. 1032 00:35:46,845 --> 00:35:50,319 (rustling continues) 1033 00:35:55,484 --> 00:35:57,356 (rustling stops) 1034 00:35:57,356 --> 00:36:00,359 (crickets chirping) 1035 00:36:03,292 --> 00:36:05,634 WHY CAN'T HE JUST LEAVE US ALONE? 1036 00:36:05,634 --> 00:36:07,536 WE SUFFERED SO MUCH ALREADY. 1037 00:36:07,536 --> 00:36:08,837 THE GUILT NEARLY KILLED THE THREE OF US. 1038 00:36:08,837 --> 00:36:10,369 WHY WOULD YOU HAVE GUILT 1039 00:36:10,369 --> 00:36:12,601 ABOUT GETTING A SERIAL KILLER CONVICTED? 1040 00:36:12,601 --> 00:36:16,174 BECAUSE THAT'S NOT THE WHOLE STORY. 1041 00:36:16,174 --> 00:36:20,178 WE ALL HAVE BLOOD ON OUR HANDS. 1042 00:36:20,178 --> 00:36:21,750 BLOOD? WHAT BLOOD? 1043 00:36:21,750 --> 00:36:23,912 MARK, TALK TO ME. I NEED TO KNOW. 1044 00:36:23,912 --> 00:36:25,514 WHAT BLOOD IS ON YOUR HANDS? 1045 00:36:25,514 --> 00:36:27,286 WHAT DOES IT MATTER? 1046 00:36:27,286 --> 00:36:28,887 HE'S COME BACK FOR US. WE'RE ALL GONNA DIE. 1047 00:36:28,887 --> 00:36:30,559 IT MATTERS BECAUSE IF YOU DID SOMETHING WRONG, 1048 00:36:30,559 --> 00:36:32,761 IT COULD BE THE KEY TO GETTING OUT OF THIS ALIVE. 1049 00:36:32,761 --> 00:36:35,894 (panting) 1050 00:36:35,894 --> 00:36:39,498 (brush rustling) 1051 00:36:39,498 --> 00:36:41,570 HEY! (pants) 1052 00:36:41,570 --> 00:36:43,602 GET OFF OF ME! LET ME GO! 1053 00:36:43,602 --> 00:36:45,574 (clicks) 1054 00:36:45,574 --> 00:36:47,276 YOU? 1055 00:36:47,276 --> 00:36:49,338 LEOPOLD'S NURSE. 1056 00:36:49,338 --> 00:36:50,509 LEOPOLD. 1057 00:36:50,509 --> 00:36:51,840 NO. IT WAS YOU. 1058 00:36:51,840 --> 00:36:53,442 NO. NO. 1059 00:36:53,442 --> 00:36:55,584 YOU'RE THE ONE THAT'S KILLING FOR HIM. NO, NO. 1060 00:36:55,584 --> 00:36:56,685 YOU DON'T UNDERSTAND. 1061 00:36:56,685 --> 00:36:58,387 THAT'S HOW HE GOT TO THE WITNESSES. 1062 00:36:58,387 --> 00:36:59,718 HE WAS USING YOU. 1063 00:36:59,718 --> 00:37:01,250 YOU DON'T GET IT. 1064 00:37:01,250 --> 00:37:03,392 I'M NOT HERE TO KILL HELLER. I'M HERE TO SAVE HIM. 1065 00:37:03,392 --> 00:37:04,523 WHAT ARE YOU EVEN TALKING ABOUT? 1066 00:37:04,523 --> 00:37:05,694 THAT'S WHY LEOPOLD SENT ME. 1067 00:37:05,694 --> 00:37:06,855 STEP BACK. OKAY. OKAY. 1068 00:37:06,855 --> 00:37:08,627 STEP BACK. ALL RIGHT. 1069 00:37:08,627 --> 00:37:09,798 HE KNEW THAT PEOPLE 1070 00:37:09,798 --> 00:37:11,860 WOULD THINK THAT HE WAS BEHIND THE MURDERS, 1071 00:37:11,860 --> 00:37:15,664 AND THEN HE WOULDN'T BE ABLE TO GET OUT OF THE ASYLUM. 1072 00:37:15,664 --> 00:37:18,607 I LOVE HIM. I WAS JUST TRYING TO PROTECT HIM. 1073 00:37:18,607 --> 00:37:19,908 WE KNEW WE HAD TO STOP THE MURDERS. 1074 00:37:19,908 --> 00:37:23,342 IT--IT'S NOT US. I SWEAR. 1075 00:37:23,342 --> 00:37:25,914 (pants) IF IT'S NOT YOU, THEN WHO IS IT? 1076 00:37:25,914 --> 00:37:28,417 I DON'T KNOW, BUT I WENT TO NIGEL'S GRAVE 1077 00:37:28,417 --> 00:37:29,718 JUST TO BE SURE. 1078 00:37:29,718 --> 00:37:31,420 I DUG IT UP. 1079 00:37:31,420 --> 00:37:33,652 HE WAS GONE. 1080 00:37:35,524 --> 00:37:37,025 NO. 1081 00:37:37,025 --> 00:37:39,588 EVIL SPIRITS DON'T KILL. 1082 00:37:39,588 --> 00:37:41,760 PEOPLE DO. 1083 00:37:41,760 --> 00:37:44,032 (Mark) BEFORE NIGEL, 1084 00:37:44,032 --> 00:37:45,934 THE POLICE ARRESTED SOMEONE ELSE-- 1085 00:37:45,934 --> 00:37:47,596 DAVID COLLIER. 1086 00:37:47,596 --> 00:37:49,598 GUY HAD A HISTORY OF MENTAL ILLNESS. 1087 00:37:49,598 --> 00:37:53,572 ME, VAL, AND JASON HAD TO PICK HIM OUT OF A LINEUP. 1088 00:37:53,572 --> 00:37:55,444 NONE OF US WERE SURE, 1089 00:37:55,444 --> 00:37:56,775 BUT THE POLICE, THEY... 1090 00:37:56,775 --> 00:37:59,848 THEY PRESSURED YOU INTO SAYING IT WAS COLLIER. 1091 00:38:01,550 --> 00:38:03,682 WHAT HAPPENED TO HIM? 1092 00:38:03,682 --> 00:38:05,454 HE COULDN'T TAKE IT-- 1093 00:38:05,454 --> 00:38:07,816 THE ACCUSATIONS, WHAT PEOPLE WERE SAYING. 1094 00:38:07,816 --> 00:38:09,818 HE SMASHED A LIGHTBULB IN HIS CELL 1095 00:38:09,818 --> 00:38:12,661 AND HE USED THE WIRE TO ELECTROCUTE HIMSELF. 1096 00:38:12,661 --> 00:38:15,894 SO HIS HEART STOPPED. 1097 00:38:15,894 --> 00:38:19,328 WHEN DID HE DIE? MARK, EXACTLY WHEN DID HE DIE? 1098 00:38:19,328 --> 00:38:21,370 AT MIDNIGHT, THIRD NIGHT HE WAS IN PRISON. 1099 00:38:21,370 --> 00:38:23,972 "YOU SAW. MIDNIGHT THIRD DAY, YOU DIE." 1100 00:38:23,972 --> 00:38:26,935 THIS ISN'T ABOUT NIGEL. IT'S ABOUT COLLIER. 1101 00:38:26,935 --> 00:38:28,637 MARK, YOU GOTTA THINK. 1102 00:38:28,637 --> 00:38:31,640 DID HE HAVE ANY FRIENDS, ANY RELATIVES? 1103 00:38:31,640 --> 00:38:33,782 YEAH, HE HAD A DAUGHTER. AMANDA. 1104 00:38:33,782 --> 00:38:36,815 VAL'S ROOMMATE'S NAME IS AMANDA. 1105 00:38:36,815 --> 00:38:39,317 (floorboard creaks) 1106 00:38:39,317 --> 00:38:41,520 (whispers) SOMEONE'S HERE. 1107 00:38:41,520 --> 00:38:44,693 (footsteps approach) 1108 00:38:44,693 --> 00:38:47,956 (floorboards creak) 1109 00:38:47,956 --> 00:38:50,959 (door creaks) 1110 00:38:52,631 --> 00:38:54,663 YOUR THREE DAYS ARE UP, MARK. 1111 00:38:54,663 --> 00:38:58,737 THE SAME THREE DAYS OF FEAR MY FATHER HAD. 1112 00:38:58,737 --> 00:39:00,539 (floorboard creaks) 1113 00:39:11,750 --> 00:39:13,522 (creaks) 1114 00:39:13,522 --> 00:39:14,923 STOP... 1115 00:39:14,923 --> 00:39:16,354 RIGHT THERE. 1116 00:39:16,354 --> 00:39:17,586 (crackles) 1117 00:39:17,586 --> 00:39:18,557 AH! OW! 1118 00:39:18,557 --> 00:39:20,429 AH! RIGHT IN MY EYES! 1119 00:39:20,429 --> 00:39:22,090 MY EYES! I CAN'T SEE. OH! THE GUN! 1120 00:39:22,090 --> 00:39:23,462 I CAN'T SEE. WHERE IS SHE? 1121 00:39:23,462 --> 00:39:25,133 (grunts) 1122 00:39:25,133 --> 00:39:26,435 (taser whining) 1123 00:39:26,435 --> 00:39:27,896 THIS IS FOR MY FATHER. 1124 00:39:27,896 --> 00:39:29,598 (Castle) AH. 1125 00:39:29,598 --> 00:39:30,969 (switch clicks) (Beckett) CASTLE! 1126 00:39:30,969 --> 00:39:32,871 (thuds) 1127 00:39:34,042 --> 00:39:35,704 (pants) SEE? (exhales) 1128 00:39:35,704 --> 00:39:39,548 TOLD YOU THIS HOLY WATER WOULD COME IN HANDY. 1129 00:39:41,980 --> 00:39:45,554 SO ACCORDING TO AMANDA'S PSYCH RECORDS, 1130 00:39:45,554 --> 00:39:48,717 SHE SUFFERED A MENTAL BREAK ABOUT A YEAR AGO. 1131 00:39:48,717 --> 00:39:50,859 THAT MUST BE WHEN SHE STARTED FIXATING ON REVENGE. 1132 00:39:50,859 --> 00:39:54,893 PLANNING TO PUNISH ALL THOSE WHO WRONGLY I.D.'ed HER DAD. 1133 00:39:54,893 --> 00:39:56,595 YOU KNOW, SHE MUST HAVE COZIED UP TO VAL 1134 00:39:56,595 --> 00:39:59,027 TO FIND OUT WHERE JASON AND MARK WERE. 1135 00:39:59,027 --> 00:40:02,000 AND... SHE USED THIS TO KNOCK THEM OUT. 1136 00:40:02,000 --> 00:40:03,401 THE MUG? 1137 00:40:03,401 --> 00:40:04,973 NO, THE TASER. 1138 00:40:04,973 --> 00:40:07,005 IT'S A MODIFIED TASER. 1139 00:40:07,005 --> 00:40:09,438 IT EMITS A DISORIENTING LIGHT AND AMPLIFIED VOLTAGE. 1140 00:40:09,438 --> 00:40:10,909 ENOUGH VOLTAGE TO STOP A HEART. 1141 00:40:10,909 --> 00:40:13,011 AND MAKE THE FACIAL MUSCLES CONTRACT. 1142 00:40:13,011 --> 00:40:14,543 I GUESS AMANDA WANTED THE PEOPLE RESPONSIBLE 1143 00:40:14,543 --> 00:40:15,684 FOR HER FATHER'S DEATH 1144 00:40:15,684 --> 00:40:17,145 TO SUFFER THE SAME WAY HE DID. 1145 00:40:17,145 --> 00:40:18,817 SO THREE DAYS OF FEAR 1146 00:40:18,817 --> 00:40:21,750 CAPPED UP WITH A DARK, HEART-STOPPING DEATH. 1147 00:40:21,750 --> 00:40:23,622 YEAH, BUT HOW DID SHE GET THE POWER TO GO OUT? 1148 00:40:23,622 --> 00:40:25,624 SHE USED THIS. 1149 00:40:25,624 --> 00:40:27,726 SHE ATTACHED IT TO THE CABIN'S CIRCUIT BREAKER. 1150 00:40:27,726 --> 00:40:29,858 IT EMITS A MAGNETIC CHARGE 1151 00:40:29,858 --> 00:40:31,860 THAT INTERFERES WITH THE SYSTEM. 1152 00:40:31,860 --> 00:40:33,201 SO... 1153 00:40:33,201 --> 00:40:34,533 I GUESS THAT THERE IS 1154 00:40:34,533 --> 00:40:36,605 A LOGICAL EXPLANATION FOR EVERYTHING. 1155 00:40:36,605 --> 00:40:37,566 OH, I DON'T KNOW. 1156 00:40:37,566 --> 00:40:38,907 WHAT ABOUT NIGEL? 1157 00:40:38,907 --> 00:40:40,969 HOW DID HIS BODY GO MISSING FROM HIS GRAVE? 1158 00:40:40,969 --> 00:40:42,210 (Ryan) I CAN ANSWER THAT. 1159 00:40:42,210 --> 00:40:44,212 TURNS OUT HE WAS NEVER BURIED. 1160 00:40:44,212 --> 00:40:46,214 HIS BODY DISAPPEARED FROM THE MORGUE 1161 00:40:46,214 --> 00:40:47,876 SHORTLY AFTER HIS DEATH. 1162 00:40:47,876 --> 00:40:49,578 THE POLICE DIDN'T WANT TO MAKE IT KNOWN, 1163 00:40:49,578 --> 00:40:51,149 SO THEY BURIED AN EMPTY COFFIN. 1164 00:40:51,149 --> 00:40:53,151 BUT HERE'S THE ODD THING-- 1165 00:40:53,151 --> 00:40:54,883 HIS BODY WAS NEVER FOUND. 1166 00:40:54,883 --> 00:40:57,155 SO... 1167 00:40:57,155 --> 00:40:59,688 HE COULD STILL BE OUT THERE... 1168 00:40:59,688 --> 00:41:01,089 SOMEWHERE. 1169 00:41:04,032 --> 00:41:06,595 (Esposito slurps) 1170 00:41:08,637 --> 00:41:10,799 (Beckett) OKAY, SO... 1171 00:41:10,799 --> 00:41:11,970 (clinks) 1172 00:41:11,970 --> 00:41:14,543 HERE'S TO A JOB WELL DONE. 1173 00:41:14,543 --> 00:41:18,607 AND NOW YOU CAN FINALLY GET RID OF THIS BUCKET... LIST 1174 00:41:18,607 --> 00:41:19,978 OF YOURS. 1175 00:41:19,978 --> 00:41:21,580 WHAT'S THAT LOOK FOR? 1176 00:41:21,580 --> 00:41:23,211 "BE WITH KATE"? 1177 00:41:23,211 --> 00:41:25,884 THAT'S YOUR NUMBER ONE? WHEN DID YOU WRITE THIS? 1178 00:41:25,884 --> 00:41:27,215 WHAT, LIKE THREE YEARS AGO? 1179 00:41:27,215 --> 00:41:29,618 OOH! I CAN CROSS THAT ONE OFF. 1180 00:41:29,618 --> 00:41:31,820 (huffs) 1181 00:41:33,922 --> 00:41:35,223 UM, UM... 1182 00:41:35,223 --> 00:41:36,795 UM... 1183 00:41:36,795 --> 00:41:38,767 SORRY. STILL ONE MINUTE TILL MIDNIGHT. 1184 00:41:38,767 --> 00:41:40,599 ARE YOU SERIOUS, CASTLE? 1185 00:41:40,599 --> 00:41:42,731 YES, I'M SERIOUS. I'M NOT TAKING ANY CHANCES. 1186 00:41:42,731 --> 00:41:44,933 THIS IS ONE DEADLINE I WANT TO MISS. 1187 00:41:44,933 --> 00:41:46,535 YOU KNOW, YOU'RE RIGHT. 1188 00:41:46,535 --> 00:41:48,076 IT WOULD BE A SHAME IF SOMETHING HAPPENED TO US 1189 00:41:48,076 --> 00:41:50,539 BECAUSE THERE'S ONE THING ON MY BUCKET LIST 1190 00:41:50,539 --> 00:41:52,510 THAT I WOULD LIKE TO ACCOMPLISH. 1191 00:41:52,510 --> 00:41:54,512 AND IT INVOLVES A LITTLE TRICK THAT I DO... 1192 00:41:54,512 --> 00:41:55,684 (ice clinks) 1193 00:41:55,684 --> 00:41:57,145 WITH ICE. 1194 00:41:57,145 --> 00:42:00,218 SEE, NOW THAT DEFINITELY SOUNDS WORTH LIVING FOR. 1195 00:42:01,720 --> 00:42:03,051 HEY, CASTLE... I JU-- 1196 00:42:03,051 --> 00:42:04,853 THE ICE IS MELTING. 1197 00:42:04,853 --> 00:42:06,024 OKAY, JU--I JUST-- 1198 00:42:06,024 --> 00:42:09,998 IN... THREE, TWO...