1 00:00:01,502 --> 00:00:02,673 (playing rock 'n' roll music) 2 00:00:02,673 --> 00:00:05,076 (man) ♪ THOSE EYES ♪ 3 00:00:05,076 --> 00:00:07,608 ♪ THAT SMILE WAS MY DEMISE ♪ 4 00:00:07,608 --> 00:00:11,011 (man) TESTING. TESTING. ONE. TWO. THREE. TESTING. 5 00:00:11,011 --> 00:00:12,313 (feedback whines) 6 00:00:12,313 --> 00:00:13,644 DAMN IT! 7 00:00:13,644 --> 00:00:15,586 HANK, CAREFUL WITH THAT, MAN. 8 00:00:15,586 --> 00:00:17,048 SORRY, MAN. 9 00:00:17,048 --> 00:00:18,489 (man) YO, HERE IT IS! 10 00:00:18,489 --> 00:00:20,391 WHAT? THE REVIEW FROM LAST NIGHT'S SHOW. 11 00:00:20,391 --> 00:00:21,652 DO WE WANT TO HEAR IT? 12 00:00:21,652 --> 00:00:23,023 ONLY IF YOU LIKE BEING CALLED THE NEXT NIRVANA. 13 00:00:23,023 --> 00:00:24,024 YEAH, RIGHT. 14 00:00:24,024 --> 00:00:25,025 DUDE, HE'S NOT KIDDING. 15 00:00:25,025 --> 00:00:27,398 "HOLY SHEMP'S FUTURE IS NOW. 16 00:00:27,398 --> 00:00:29,300 "THEY'RE ABOUT TO EXPLODE, JUST LIKE 17 00:00:29,300 --> 00:00:32,203 ONE OF SINGER KEITH BLUE'S SIGNATURE SCREAMS." 18 00:00:32,203 --> 00:00:33,704 YEAH! 19 00:00:33,704 --> 00:00:36,407 WHOO! DID YOU HEAR THAT? WE'RE TAKING OFF, BABY! 20 00:00:36,407 --> 00:00:39,140 HEY, HEY, WHERE'S JAMES? THEY'RE COMPARING HIM TO THE EDGE. 21 00:00:39,140 --> 00:00:40,311 UH, HE'S PROBABLY STILL ASLEEP. 22 00:00:40,311 --> 00:00:42,213 LET'S GO WAKE HIS ASS UP! 23 00:00:42,213 --> 00:00:44,175 (man) IS THIS REAL? 24 00:00:44,175 --> 00:00:45,576 JIMMY! 25 00:00:45,576 --> 00:00:47,248 COME ON. THIS IS GONNA BE GOOD. 26 00:00:47,248 --> 00:00:49,620 WAKEY, WAKEY, JIMBO. I'M COMING IN WITH A CAMERA. 27 00:00:49,620 --> 00:00:51,652 COME ON. (laughs) 28 00:00:51,652 --> 00:00:53,284 COME ON. 29 00:00:53,284 --> 00:00:56,087 I SERIOUSLY HOPE HIS JUNK IS NOT FLAPPING IN THE BREEZE 30 00:00:56,087 --> 00:00:57,057 LIKE LAST TIME. 31 00:00:57,057 --> 00:00:58,389 COME ON. 32 00:00:58,389 --> 00:01:00,191 (whispers) YEAH, YEAH, COME ON. COME ON. COME ON. 33 00:01:00,191 --> 00:01:01,232 (people speaking indistinctly) 34 00:01:01,232 --> 00:01:02,393 OH, MY GOD. 35 00:01:02,393 --> 00:01:04,735 HELP! HELP! 36 00:01:04,735 --> 00:01:07,798 HELP ME! HELP ME! 37 00:01:07,798 --> 00:01:09,270 (police radio chatter) 38 00:01:09,270 --> 00:01:11,302 (sirens whooping) 39 00:01:11,302 --> 00:01:14,305 (radio chatter continues) 40 00:01:21,352 --> 00:01:23,083 RYAN, GET RID OF THE CAMERAS. 41 00:01:23,083 --> 00:01:25,486 YEAH, I'LL TAKE CARE OF IT. 42 00:01:25,486 --> 00:01:28,219 HEY, OFFICER, WE NEED TO LOSE THESE CAMERAS. 43 00:01:28,219 --> 00:01:29,860 YOU KNOW THAT. NO PRESS ALLOWED. 44 00:01:29,860 --> 00:01:33,164 UH, THEY'RE NOT PRESS. THEY'RE SHOOTING SOME KIND OF MOVIE. 45 00:01:33,164 --> 00:01:35,126 NO, THEY'RE--THEY'RE FILMING A DOCUMENTARY ABOUT THE BAND. 46 00:01:35,126 --> 00:01:36,297 AND YOU ARE? 47 00:01:36,297 --> 00:01:37,798 I'M--I'M HANK ROGERS. 48 00:01:37,798 --> 00:01:39,330 I'M ONE OF THE ROADIES. 49 00:01:39,330 --> 00:01:40,831 YOU KNEW THE VICTIM. ALL RIGHT. 50 00:01:40,831 --> 00:01:42,703 WELL, I'M GONNA NEED A STATEMENT, OKAY? 51 00:01:42,703 --> 00:01:44,775 (camera shutter clicking) ARE YOU KIDDING ME? THEY'RE IN HERE, TOO? 52 00:01:44,775 --> 00:01:46,477 I ASKED THEM TO LEAVE, 53 00:01:46,477 --> 00:01:48,479 BUT HE SAID THAT THE DIRECTOR TOLD HIM TO SHOOT ALL THIS. 54 00:01:48,479 --> 00:01:49,810 HOW'D YOU LIKE TO TRY TO FILM WITH A CRACKED LENS, HUH? 55 00:01:49,810 --> 00:01:51,182 ALL RIGHT. HUH? 56 00:01:51,182 --> 00:01:52,143 ESPO, JUST GO GET THEIR DIRECTOR. 57 00:01:52,143 --> 00:01:53,714 TELL HIM TO GET THE CREW OUT OF HERE. 58 00:01:53,714 --> 00:01:55,886 HEY, ESPOSITO. (mutters) 59 00:01:55,886 --> 00:01:58,219 SOMEONE DIDN'T GET THEIR COFFEE. 60 00:01:58,219 --> 00:01:59,520 WHAT'S THIS? 61 00:01:59,520 --> 00:02:02,523 THEY ARE MAKING A DOCUMENTARY ON THE BAND. 62 00:02:02,523 --> 00:02:04,725 YEAH, JUST IGNORE 'EM. 63 00:02:04,725 --> 00:02:07,358 RICHARD CASTLE, NOVELIST. 64 00:02:07,358 --> 00:02:10,130 MY LATEST, "FROZEN HEAT," IN STORES NOW. 65 00:02:10,130 --> 00:02:12,203 HAVE YOU MET, UH, NIKKI HEAT'S INSPIRATION-- 66 00:02:12,203 --> 00:02:13,334 DETECTIVE BECKETT? 67 00:02:13,334 --> 00:02:14,465 LANIE, WHAT ELSE DO WE KNOW? 68 00:02:14,465 --> 00:02:16,167 VICTIM IS JAMES SWAN. 69 00:02:16,167 --> 00:02:17,838 HE'S THE LEAD GUITARIST OF HOLY SHEMP. 70 00:02:17,838 --> 00:02:19,840 THEY MUST BE THREE STOOGES FANS. 71 00:02:19,840 --> 00:02:22,173 BASED ON LIVIDITY, 72 00:02:22,173 --> 00:02:26,177 I'D SAY THE TIME OF DEATH IS BETWEEN 12:00 AND 2:00 A.M. 73 00:02:26,177 --> 00:02:28,179 LOOK AT THAT. 74 00:02:28,179 --> 00:02:29,320 "OBSERVE." 75 00:02:29,320 --> 00:02:31,652 AN UNHEEDED CALL TO VIGILANCE. 76 00:02:31,652 --> 00:02:33,153 SO THAT'S THE MURDER WEAPON. 77 00:02:33,153 --> 00:02:35,155 (Castle) MM. IT'S A GIBSON LES PAUL. 78 00:02:35,155 --> 00:02:37,388 59 FLAME TOP IF I'M NOT MISTAKEN, 79 00:02:37,388 --> 00:02:39,290 AND I'M RARELY MISTAKEN. 80 00:02:39,290 --> 00:02:41,232 (slurps) 81 00:02:41,232 --> 00:02:42,493 (inhales sharply) 82 00:02:42,493 --> 00:02:44,335 THAT'S HOT. (inhales) 83 00:02:44,335 --> 00:02:45,496 TELL ME ABOUT THIS GUITAR. 84 00:02:45,496 --> 00:02:46,667 WELL, THE FLAME TOP IS HIS FAVORITE. 85 00:02:46,667 --> 00:02:48,399 UH, LAST NIGHT AFTER THE SHOW, 86 00:02:48,399 --> 00:02:50,841 I TUNED IT AND I DROPPED IT OFF AT HIS TRAILER. 87 00:02:50,841 --> 00:02:52,943 HE LIKES TO COMPOSE ON IT. 88 00:02:52,943 --> 00:02:54,875 ALL RIGHT. UH, WHAT TIME WAS THAT AT? 89 00:02:54,875 --> 00:02:56,847 IT WAS AROUND 11:30. 90 00:02:56,847 --> 00:02:59,250 ALL RIGHT. WAS, UH, HE ALONE AT THE TIME? 91 00:02:59,250 --> 00:03:00,511 YEAH. YEAH. 92 00:03:00,511 --> 00:03:02,213 WE CHATTED FOR A SECOND. 93 00:03:02,213 --> 00:03:04,255 HE'S ALWAYS REALLY NICE TO ME. 94 00:03:04,255 --> 00:03:06,357 IT WAS ALL ABOUT THE MUSIC WITH HIM. 95 00:03:06,357 --> 00:03:08,489 WAS THERE, UH, ANYONE HANGING OUTSIDE THE TRAILER, 96 00:03:08,489 --> 00:03:10,661 MAYBE SOMEONE YOU DIDN'T RECOGNIZE? 97 00:03:10,661 --> 00:03:12,363 I SAW A WHITE VAN. 98 00:03:12,363 --> 00:03:14,425 IT WENT AROUND THE BLOCK A COUPLE OF TIMES. 99 00:03:14,425 --> 00:03:16,297 OH, DID YOU GET A PLATE NUMBER? 100 00:03:16,297 --> 00:03:17,568 I'M SORRY. 101 00:03:17,568 --> 00:03:18,729 IT WAS DARK. 102 00:03:18,729 --> 00:03:20,931 ALL RIGHT. UM, DON'T GO ANYWHERE. 103 00:03:20,931 --> 00:03:22,773 (police radio chatter) 104 00:03:22,773 --> 00:03:23,934 (man) YEAH. NO, I-- 105 00:03:23,934 --> 00:03:26,206 YOU CAN'T PULL YOUR FUNDING. 106 00:03:26,206 --> 00:03:27,708 YO. YOU THE DIRECTOR? (camera shutter clicking) 107 00:03:27,708 --> 00:03:29,840 (whispers) YEAH. (normal voice) YEAH, NO. 108 00:03:29,840 --> 00:03:32,343 YOU--LOOK, WE ARE SITTING ON GOLD HERE. OKAY? 109 00:03:32,343 --> 00:03:34,445 THIS IS PART ROCK DOC PART, UH-- 110 00:03:34,445 --> 00:03:35,616 THIS IS A CRIME SCENE. 111 00:03:35,616 --> 00:03:37,288 YOU GOTTA GET THESE CAMERAS OUTTA HERE. 112 00:03:37,288 --> 00:03:38,549 ALL RIGHT. 113 00:03:38,549 --> 00:03:39,890 LOOK, I-I GOTTA GO. 114 00:03:39,890 --> 00:03:41,852 JUST CALL ME IF--IF YOU CAN GET THAT THING. 115 00:03:41,852 --> 00:03:43,223 (beeps) 116 00:03:43,223 --> 00:03:44,755 LOOK, YOU GOTTA HELP ME OUT HERE, OKAY? 117 00:03:44,755 --> 00:03:48,299 I-I'VE BEEN FOLLOWING THESE GUYS NONSTOP FOR THREE MONTHS. 118 00:03:48,299 --> 00:03:49,960 NOT ANYMORE. POLICE PROCEDURE. SORRY. 119 00:03:49,960 --> 00:03:51,802 AND IF YOU'VE BEEN FOLLOWING THE VICTIM 24/7, 120 00:03:51,802 --> 00:03:53,564 I'M GONNA NEED TO SEE THAT FOOTAGE. 121 00:03:53,564 --> 00:03:56,267 LOOK, DETECTIVE. 122 00:03:56,267 --> 00:03:58,769 LOOK... (sighs) I'M IN A SPOT HERE. 123 00:03:58,769 --> 00:04:01,642 OKAY, JAMES SWAN... 124 00:04:01,642 --> 00:04:03,314 WAS THAT BAND. 125 00:04:03,314 --> 00:04:06,477 WITH HIM GONE, NO ONE IS GONNA CARE ABOUT THESE GUYS 126 00:04:06,477 --> 00:04:08,419 OR WANT TO SEE THIS FILM. 127 00:04:08,419 --> 00:04:11,822 SO UNLESS I CAN REINVENT IT AS SOME KIND OF THRILLER, 128 00:04:11,822 --> 00:04:13,324 YOU KNOW, A HUNT FOR THE MURDERER-- 129 00:04:13,324 --> 00:04:14,455 PEOPLE LOVE THAT STUFF. 130 00:04:14,455 --> 00:04:17,257 LISTEN TO ME, A GUY'S DEAD HERE. 131 00:04:17,257 --> 00:04:18,729 (cell phone ringing) SO IF YOU DON'T GET RID OF THESE CAMERAS, 132 00:04:18,729 --> 00:04:20,391 I'M GONNA BREAK ONE OVER YOUR-- 133 00:04:20,391 --> 00:04:21,692 (beeps) ONE SECOND. SORRY. YEAH, GO AHEAD. 134 00:04:21,692 --> 00:04:23,594 OH, GREAT. 135 00:04:23,594 --> 00:04:24,895 OKAY, HANG ON. 136 00:04:24,895 --> 00:04:28,399 I'M GONNA GIVE YOU TO A DETECTIVE. YEAH. 137 00:04:28,399 --> 00:04:29,540 (camera shutter clicks) 138 00:04:29,540 --> 00:04:31,542 (people speaking indistinctly) 139 00:04:31,542 --> 00:04:34,345 (police radio chatter) 140 00:04:34,345 --> 00:04:35,706 HELLO. 141 00:04:35,706 --> 00:04:38,008 (Castle) THIS WAS A CRIME OF PASSION. 142 00:04:38,008 --> 00:04:39,680 THERE WAS AN ARGUMENT, THINGS GOT HEATED, 143 00:04:39,680 --> 00:04:41,482 THE KILLER GRABBED THE NEAREST HEAVY OBJECT, 144 00:04:41,482 --> 00:04:43,854 AND FELLED POOR MR. SWAN 145 00:04:43,854 --> 00:04:45,986 AT THE TRAGICALLY YOUNG AGE OF... 146 00:04:45,986 --> 00:04:47,758 HOW OLD WAS HE? 147 00:04:47,758 --> 00:04:48,919 27. 148 00:04:48,919 --> 00:04:50,421 WOW. ANOTHER ONE FOR THE CLUB. 149 00:04:50,421 --> 00:04:51,762 WHAT CLUB? 150 00:04:51,762 --> 00:04:53,364 THE 27 CLUB. (sighs) 151 00:04:53,364 --> 00:04:55,466 MEMBERSHIPS INCLUDE SOME OF THE GREATS-- 152 00:04:55,466 --> 00:04:58,429 JIMI HENDRIX, JIM MORRISON, JANIS JOPLIN. 153 00:04:58,429 --> 00:04:59,730 THE LIST IS EXTENSIVE. 154 00:04:59,730 --> 00:05:01,632 CASTLE, WE KIND OF NEED A DIFFERENT LIST, 155 00:05:01,632 --> 00:05:04,304 LIKE WHO MIGHT HAVE BEEN IN THIS TRAILER LAST NIGHT. 156 00:05:04,304 --> 00:05:05,506 (knocking) 157 00:05:05,506 --> 00:05:07,378 I THINK I KNOW WHERE TO START. 158 00:05:07,378 --> 00:05:08,739 (whispers) LANIE. 159 00:05:08,739 --> 00:05:11,011 (knocking continues) 160 00:05:11,011 --> 00:05:14,385 (whispers) GO, GO, GO, GO. GET OUTTA HERE. 161 00:05:14,385 --> 00:05:17,388 (knocking continues) 162 00:05:20,351 --> 00:05:21,752 (beeps) 163 00:05:22,953 --> 00:05:25,826 (sighs) OH, MY GOD. THANK YOU. 164 00:05:25,826 --> 00:05:27,798 (woman sighs) 165 00:05:27,798 --> 00:05:30,401 THE GUY WAS A TOTAL GENIUS. 166 00:05:30,401 --> 00:05:32,633 I FOLLOWED THE BAND FOR SIX MONTHS 167 00:05:32,633 --> 00:05:34,365 TRYING TO MEET HIM. 168 00:05:34,365 --> 00:05:36,937 A COUPLE WEEKS AGO, JAMES AND I GOT TOGETHER, 169 00:05:36,937 --> 00:05:38,509 AND EVERY NIGHT SINCE, 170 00:05:38,509 --> 00:05:39,870 I'D MEET HIM IN HIS TRAILER RIGHT AFTER THE SHOW. 171 00:05:39,870 --> 00:05:41,341 (police radio chatter) 172 00:05:41,341 --> 00:05:42,813 (sirens wailing) 173 00:05:42,813 --> 00:05:44,875 SO YOU WERE IN HIS TRAILER WHEN IT HAPPENED? 174 00:05:44,875 --> 00:05:47,347 I GUESS. I MEAN, I, UM, 175 00:05:47,347 --> 00:05:48,479 I-I DON'T REMEMBER ANYTHING. 176 00:05:48,479 --> 00:05:49,820 I'M SORRY. 177 00:05:49,820 --> 00:05:51,382 HOW CAN YOU NOT REMEMBER? 178 00:05:51,382 --> 00:05:53,684 I PASSED OUT. 179 00:05:53,684 --> 00:05:56,387 I GUESS I... 180 00:05:56,387 --> 00:05:58,459 PARTIED A LITTLE TOO HARD DURING THE SHOW. 181 00:05:58,459 --> 00:06:00,431 (voice breaks) I'M SORRY. I WANT TO HELP. 182 00:06:00,431 --> 00:06:02,393 LISTEN, MISS... BUTTERFLY. 183 00:06:02,393 --> 00:06:04,765 BUTTERFLY, THIS IS VERY IMPORTANT. 184 00:06:04,765 --> 00:06:07,798 DO YOU REMEMBER ANYTHING ABOUT THAT NIGHT? 185 00:06:07,798 --> 00:06:09,770 ANYTHING AT ALL? 186 00:06:09,770 --> 00:06:11,702 (Butterfly exhales deeply) 187 00:06:11,702 --> 00:06:14,104 IN HIS TRAILER... 188 00:06:14,104 --> 00:06:15,476 I HEARD A HORSE. 189 00:06:15,476 --> 00:06:17,508 (Castle) UM... 190 00:06:17,508 --> 00:06:19,510 A HORSE AS IN WHINNYING? 191 00:06:19,510 --> 00:06:20,781 NO. 192 00:06:20,781 --> 00:06:23,083 I HEARD THE SOUND OF HORSE HOOVES 193 00:06:23,083 --> 00:06:25,456 CRUNCHING IN THE SNOW. 194 00:06:25,456 --> 00:06:28,519 LIKE, CRUNCH, CRUNCH, CRUNCH-- 195 00:06:28,519 --> 00:06:30,821 OKAY, CAN WE, UH, JUST FOCUS ON WHAT HAPPENED 196 00:06:30,821 --> 00:06:32,993 JUST BEFORE YOU PASSED OUT? 197 00:06:32,993 --> 00:06:34,565 DID HE SEEM LIKE HE WAS UPSET? 198 00:06:34,565 --> 00:06:36,567 DID HE SEEM LIKE HE HAD BEEN FIGHTING WITH ANYONE? 199 00:06:36,567 --> 00:06:37,968 ACTUALLY, THE OPPOSITE. 200 00:06:37,968 --> 00:06:39,500 HE'D BEEN COMPLAINING A LOT 201 00:06:39,500 --> 00:06:40,901 ABOUT THE OTHER GUYS IN THE BAND RECENTLY, 202 00:06:40,901 --> 00:06:44,535 YOU KNOW, THE--THE ARGUMENTS AND THE TENSION. 203 00:06:44,535 --> 00:06:45,776 (sobs) 204 00:06:45,776 --> 00:06:48,709 (crying) BUT LAST NIGHT, 205 00:06:48,709 --> 00:06:51,582 HE--HE SEEMED HAPPY, YOU KNOW? 206 00:06:51,582 --> 00:06:55,586 LIKE--LIKE HE'D FOUND SOME KIND OF PEACE. 207 00:06:55,586 --> 00:06:57,718 (Beckett) I DON'T KNOW IF THAT GIRL COULD SWING A GUITAR 208 00:06:57,718 --> 00:06:59,520 WITH ENOUGH FORCE TO KILL ANYONE, 209 00:06:59,520 --> 00:07:01,051 BUT I STILL GOTTA CHECK HER CLOTHES FOR BLOOD SPATTER. 210 00:07:01,051 --> 00:07:03,554 I'M MORE INTERESTED IN WHAT THE BAND MEMBERS 211 00:07:03,554 --> 00:07:04,725 WERE FIGHTING ABOUT. 212 00:07:04,725 --> 00:07:06,056 HEY, WHAT ARE YOU GUYS DOING HERE? HUH? 213 00:07:06,056 --> 00:07:07,658 GET OUTTA HERE NOW. THIS IS A POLICE INVESTIGATION. 214 00:07:07,658 --> 00:07:09,660 YOU HAVE NO RIGHT TO BE HERE. 215 00:07:09,660 --> 00:07:12,563 UH, ACTUALLY, THAT'S NOT TRUE. 216 00:07:12,563 --> 00:07:13,764 (chuckles) 217 00:07:13,764 --> 00:07:16,006 (vacuum whirring) 218 00:07:19,039 --> 00:07:21,612 (Gates) I'M SORRY, DETECTIVE, BUT IT'S OUT OF MY HANDS. 219 00:07:21,612 --> 00:07:24,515 CITY HALL HAS DECIDED IT'S GOOD P.R. WAIT. WHAT ABOUT THE CASE? 220 00:07:24,515 --> 00:07:25,546 THEY'RE GONNA COMPROMISE THE INVESTIG-- 221 00:07:25,546 --> 00:07:27,618 I FEEL THE SAME WAY AS YOU DO, 222 00:07:27,618 --> 00:07:29,119 BUT A DECISION HAS BEEN MADE, 223 00:07:29,119 --> 00:07:30,981 AND I EXPECT YOU TO COMPLY WITH IT. 224 00:07:30,981 --> 00:07:33,854 FINE. THEN JUST HAVE THEM STAY OUT OF MY WAY. 225 00:07:33,854 --> 00:07:35,556 (people speaking indistinctly) 226 00:07:35,556 --> 00:07:37,227 (Esposito) I LIKE THE VICTIM. WE SHOULD PROBABLY CONTACT-- 227 00:07:37,227 --> 00:07:39,860 HI. UH... WELCOME. 228 00:07:39,860 --> 00:07:41,792 I'M CAPTAIN GATES, 229 00:07:41,792 --> 00:07:43,594 HEAD OF THE 12th PRECINCT. 230 00:07:43,594 --> 00:07:48,198 IN COOPERATION WITH THE NYPD's PUBLIC AFFAIRS DIVISION, 231 00:07:48,198 --> 00:07:51,642 I AM HAPPY TO GRANT YOU FULL ACCESS TO THE DEPARTMENT. 232 00:07:51,642 --> 00:07:53,944 I THINK YOU WILL FIND EVERYONE HERE 233 00:07:53,944 --> 00:07:58,178 MORE THAN ACCOMMODATING. 234 00:08:09,560 --> 00:08:11,562 WELCOME. 235 00:08:11,562 --> 00:08:12,793 WELCOME. 236 00:08:12,793 --> 00:08:14,124 (Castle) COME ON. WHAT'S THE BIG DEAL? 237 00:08:14,124 --> 00:08:15,666 IT'LL BE FUN. 238 00:08:15,666 --> 00:08:17,828 LOOK, CASTLE, WHAT I DO HERE, THIS IS... MINE. 239 00:08:17,828 --> 00:08:21,031 AND JUST BECAUSE THEY WANT TO INVADE MY PRIVACY, 240 00:08:21,031 --> 00:08:24,605 IT DOESN'T MEAN THAT I HAVE TO HELP THEM DO IT. 241 00:08:24,605 --> 00:08:26,036 OKAY. WELL, THAT MAY BE. 242 00:08:26,036 --> 00:08:29,840 BUT... THESE CAMERAS, THEY'RE NOT GOING ANYWHERE. 243 00:08:29,840 --> 00:08:31,511 THEY'RE GONNA SEE SOMETHING. 244 00:08:31,511 --> 00:08:36,587 I JUST WANT THEM TO SEE WHAT I SEE. 245 00:08:36,587 --> 00:08:37,918 HOLD ON. WHY DO YOU NEED OUR ALIBIS? 246 00:08:37,918 --> 00:08:40,090 BECAUSE WE UNDERSTAND THAT THERE WAS SOME TENSION 247 00:08:40,090 --> 00:08:42,192 BETWEEN MR. SWAN AND THE BAND. 248 00:08:42,192 --> 00:08:43,694 OF COURSE THERE WAS TENSION. 249 00:08:43,694 --> 00:08:45,095 YOU SPEND EVERY SECOND TOGETHER, IT'S NOT ALWAYS GONNA BE PRETTY. 250 00:08:45,095 --> 00:08:46,597 (man) WE'VE BEEN TOGETHER FOR FIVE YEARS. 251 00:08:46,597 --> 00:08:48,929 LIKE, IF YOU HAD ANY IDEA THE KIND OF CRAP 252 00:08:48,929 --> 00:08:50,701 THAT YOU GO THROUGH TRYING TO MAKE IT IN THIS BUSINESS... 253 00:08:50,701 --> 00:08:52,603 IT HAS A WAY OF BONDING PEOPLE. 254 00:08:52,603 --> 00:08:54,705 OR MAKING THEM REALLY, REALLY SICK OF EACH OTHER. 255 00:08:54,705 --> 00:08:56,166 HEY, WE LOOKED OUT FOR JAMES. 256 00:08:56,166 --> 00:08:57,668 HE WAS A MIDDLE-CLASS KID FROM OHIO. 257 00:08:57,668 --> 00:08:59,610 HE DIDN'T KNOW WHAT THE HELL HE WAS GETTING INTO WITH THIS LIFE. 258 00:08:59,610 --> 00:09:02,573 YEAH. WELL, WE'RE STILL GONNA NEED STATEMENTS 259 00:09:02,573 --> 00:09:05,115 ABOUT WHERE YOU WERE LAST NIGHT. 260 00:09:05,115 --> 00:09:06,947 FINE. I WAS IN MY TRAILER. 261 00:09:06,947 --> 00:09:08,819 I WENT THERE RIGHT AFTER THE SHOW. (man) ME, TOO. 262 00:09:08,819 --> 00:09:10,621 WE WERE ALL IN OUR TRAILERS. 263 00:09:10,621 --> 00:09:11,582 ALL RIGHT, WELL, WE HAVE REPORTS 264 00:09:11,582 --> 00:09:13,023 THAT THERE WAS A WHITE VAN IN THE AREA. 265 00:09:13,023 --> 00:09:14,625 DID JAMES EVER MENTION ANYTHING ABOUT THAT? 266 00:09:14,625 --> 00:09:16,627 NO. 267 00:09:16,627 --> 00:09:18,258 BUT HE DID THINK SOMEONE WAS FOLLOWING HIM. 268 00:09:18,258 --> 00:09:20,090 (Keith) YEAH, UH, IT WAS A MONTH AGO. 269 00:09:20,090 --> 00:09:21,261 RIGHT AROUND THE TIME WE PLAYED ITHACA. 270 00:09:21,261 --> 00:09:22,633 HE W--HE WAS ACTING ALL PARANOID. 271 00:09:22,633 --> 00:09:23,864 HE WAS TALKING ABOUT HIRING EXTRA SECURITY. 272 00:09:23,864 --> 00:09:25,636 DID HE SAY WHO HE WAS AFRAID OF? 273 00:09:25,636 --> 00:09:27,638 NO, BUT, UM, HE HADN'T BROUGHT IT UP RECENTLY, 274 00:09:27,638 --> 00:09:29,640 SO I JUST ASSUMED EVERYTHING WAS NORMAL 275 00:09:29,640 --> 00:09:31,742 UNTIL HE PULLED THAT STUNT YESTERDAY. YEAH. 276 00:09:31,742 --> 00:09:32,803 WHAT HAPPENED YESTERDAY? 277 00:09:32,803 --> 00:09:34,304 HE BLEW OFF OUR 1:00 BAND MEETING. 278 00:09:34,304 --> 00:09:36,747 WE DIDN'T SEE HIM AGAIN UNTIL SOUND CHECK AT 6:00. 279 00:09:36,747 --> 00:09:38,308 THE GUY NEVER MISSED A BAND MEETING. 280 00:09:38,308 --> 00:09:39,750 DID HE SAY WHERE HE WAS GOING? 281 00:09:39,750 --> 00:09:40,811 NO. 282 00:09:40,811 --> 00:09:42,052 BUT I DO KNOW THIS, 283 00:09:42,052 --> 00:09:43,814 THE CAMERA GUY THAT WAS FOLLOWING HIM 284 00:09:43,814 --> 00:09:46,016 SAID THAT JAMES DITCHED HIM ON PURPOSE. 285 00:09:46,016 --> 00:09:48,819 SO WHATEVER HE WAS DOING, HE DIDN'T WANT ANYONE TO KNOW. 286 00:09:48,819 --> 00:09:50,190 (door opens) 287 00:09:50,190 --> 00:09:52,062 YO. YOU GUYS GOT A SEC? 288 00:09:52,062 --> 00:09:53,323 (people speaking indistinctly) 289 00:09:53,323 --> 00:09:55,025 (Esposito) SO, UH, I'VE BEEN GOING THROUGH 290 00:09:55,025 --> 00:09:56,997 THE DOCUMENTARY FOOTAGE OF OUR VICTIM. (chirps) 291 00:09:56,997 --> 00:09:58,328 CHECK THIS OUT. 292 00:09:58,328 --> 00:09:59,830 (beeps) 293 00:09:59,830 --> 00:10:01,331 MOST GUYS WILL TELL YOU THAT 294 00:10:01,331 --> 00:10:03,273 THEY, UH, THEY LEARNED TO PLAY GUITAR THEMSELVES. 295 00:10:03,273 --> 00:10:05,375 BUT I HAD A MENTOR. 296 00:10:05,375 --> 00:10:07,037 AND... AND THE GUY WAS INCREDIBLE. 297 00:10:07,037 --> 00:10:09,309 YOU--MUCH BETTER THAN I'LL EVER BE. 298 00:10:09,309 --> 00:10:11,211 (man) WHAT'S HE THINK OF THE BAND? 299 00:10:11,211 --> 00:10:12,743 (people speaking indistinctly) 300 00:10:12,743 --> 00:10:15,385 YOU KNOW, WE LOST TOUCH A WAYS BACK. 301 00:10:15,385 --> 00:10:17,718 (beep) 302 00:10:17,718 --> 00:10:19,249 (chirp) 303 00:10:19,249 --> 00:10:20,891 THERE. YOU SEE THAT GUY? 304 00:10:20,891 --> 00:10:22,693 THAT WAS TAKEN OVER A MONTH AGO. 305 00:10:22,693 --> 00:10:23,694 THESE... 306 00:10:23,694 --> 00:10:26,296 ARE MORE RECENT. 307 00:10:26,296 --> 00:10:28,358 ALL RIGHT. 308 00:10:28,358 --> 00:10:30,060 B-- (whispering) JUST MOVE BACK A BIT. 309 00:10:30,060 --> 00:10:31,662 THERE WE GO. 310 00:10:31,662 --> 00:10:34,034 (normal voice) BOOM. BOOM. 311 00:10:34,034 --> 00:10:36,106 BOOM. BOOM. 312 00:10:36,106 --> 00:10:37,808 YEAH, IT LOOKS LIKE OUR VIC HAD A STALKER. 313 00:10:37,808 --> 00:10:38,809 CHECK OUT THIS ONE. 314 00:10:38,809 --> 00:10:40,811 THIS IS FROM YESTERDAY. 315 00:10:40,811 --> 00:10:42,713 LOOK WHAT HE'S LEANING AGAINST. 316 00:10:42,713 --> 00:10:44,715 A WHITE VAN. 317 00:10:44,715 --> 00:10:47,177 WE'VE GOT YOU NOW, YOU SON OF A BITCH. 318 00:10:47,177 --> 00:10:48,378 (exhales deeply) 319 00:10:50,781 --> 00:10:57,728 I'M SORRY. CAN I EVEN SAY SON OF A-- 320 00:11:01,832 --> 00:11:02,963 (Ryan) SO WE BLEW UP THE PICTURE OF THE WHITE VAN 321 00:11:02,963 --> 00:11:04,434 WIDE ENOUGH TO GET A LICENSE PLATE. 322 00:11:04,434 --> 00:11:06,366 IT'S REGISTERED TO AN ADDRESS SOMEWHERE AROUND HERE. 323 00:11:06,366 --> 00:11:07,898 MAKE A RIGHT UP AHEAD. 324 00:11:07,898 --> 00:11:09,039 NO, I'M GOING ANOTHER WAY. 325 00:11:09,039 --> 00:11:10,370 WHAT DO YOU MEAN? THERE'S ONLY ONE WAY. 326 00:11:10,370 --> 00:11:11,842 NO, THERE'S A DIFFERENT WAY. THERE'S A BACK WAY. 327 00:11:11,842 --> 00:11:13,003 THERE'S NO BACK WAY. 328 00:11:13,003 --> 00:11:13,974 TRUST ME. TRUST ME. 329 00:11:13,974 --> 00:11:16,106 I-I KNOW HOW THIS MIGHT LOOK, 330 00:11:16,106 --> 00:11:17,407 BUT WE ACTUALLY MAKE A PRETTY GOOD TEAM 331 00:11:17,407 --> 00:11:20,210 BECAUSE WE EACH HAVE, UH, DIFFERENT STRENGTHS. 332 00:11:20,210 --> 00:11:21,381 THAT'S TRUE. 333 00:11:21,381 --> 00:11:23,213 FOR EXAMPLE, I'M FORMER MILITARY, 334 00:11:23,213 --> 00:11:25,285 WHICH MAKES ME AN EXPERT MARKSMAN. 335 00:11:25,285 --> 00:11:27,287 I'M USUALLY FIRST THROUGH THE DOOR. 336 00:11:27,287 --> 00:11:29,860 WELL, YEAH, BUT SOMEBODY'S GOTTA KNOW WHICH DOOR TO GO THROUGH. 337 00:11:29,860 --> 00:11:32,292 I'M A LITTLE BIT MORE, UM, CIRCUMSPECT, 338 00:11:32,292 --> 00:11:33,864 UH, THAN MY PARTNER HERE. 339 00:11:33,864 --> 00:11:36,466 I'M KINDA LIKE THE--THE NERVE CENTER OF THE TEAM. 340 00:11:36,466 --> 00:11:37,798 BUT I'M DEFINITELY THE PHYSICAL ONE. 341 00:11:37,798 --> 00:11:38,969 I STAY IN SICK SHAPE. 342 00:11:38,969 --> 00:11:40,170 BOOM. HAVE YOU BEEN TO THE GUN SHOW? 343 00:11:40,170 --> 00:11:41,701 (chuckles) I'M JUST KIDDING. 344 00:11:41,701 --> 00:11:43,303 I'M JUST--SERIOUSLY, THOUGH, I'M IN SICK SHAPE. 345 00:11:43,303 --> 00:11:44,835 DUDE, WHAT'S WITH THE SHIRT? 346 00:11:44,835 --> 00:11:46,006 IT'S REALLY TIGHT. DID YOU CHANGE IT? 347 00:11:46,006 --> 00:11:49,840 I... I SPILLED SOMETHING ON IT. 348 00:11:49,840 --> 00:11:52,783 AH, HERE IT IS. 349 00:11:52,783 --> 00:11:54,244 (brakes squeak) 350 00:11:54,244 --> 00:11:56,186 (gear shift thunks) 351 00:11:56,186 --> 00:11:58,819 SLOW APPROACH. 352 00:12:03,353 --> 00:12:06,496 (whispers) STAY CLOSE. 353 00:12:10,130 --> 00:12:12,432 I THINK HE SAW US. 354 00:12:12,432 --> 00:12:17,037 (objects crashing and rattling) 355 00:12:17,037 --> 00:12:19,069 (grunts) I GOT THIS. 356 00:12:19,069 --> 00:12:22,072 (grunting) 357 00:12:23,273 --> 00:12:25,015 (groans) 358 00:12:25,015 --> 00:12:26,376 (pants) 359 00:12:26,376 --> 00:12:29,019 LET'S GO CHECK OUT THE VAN. 360 00:12:29,019 --> 00:12:31,151 (man grunting) 361 00:12:31,151 --> 00:12:33,053 (man) AAH! 362 00:12:33,053 --> 00:12:35,125 (handcuffs clicking) 363 00:12:35,125 --> 00:12:36,286 WHAT DO WE HAVE HERE? 364 00:12:36,286 --> 00:12:38,929 UH-OH. 365 00:12:40,290 --> 00:12:42,462 PRETTY SURE THAT AIN'T KETCHUP. 366 00:12:42,462 --> 00:12:44,164 HEY, IS THAT OUR STALKER? 367 00:12:44,164 --> 00:12:45,135 EX-STALKER. 368 00:12:45,135 --> 00:12:47,097 HE WON'T BE SEEING DAYLIGHT ANY TIME SOON. 369 00:12:47,097 --> 00:12:48,799 (Ryan) UH, L.T., COULD YOU PLEASE TAKE HIM 370 00:12:48,799 --> 00:12:50,100 TO AN INTERROGATION ROOM? THANK YOU. 371 00:12:50,100 --> 00:12:51,271 YOU SHOULD WATCH FROM OBSERVATION 372 00:12:51,271 --> 00:12:52,873 WHILE I TEAR THIS GUY APART. 373 00:12:52,873 --> 00:12:54,204 (people speaking indistinctly) 374 00:12:54,204 --> 00:12:56,206 SO, UH, WE LIKE THIS GUY? 375 00:12:56,206 --> 00:12:57,407 WE FOUND BLOODSTAINED OVERALLS IN HIS VAN. 376 00:12:57,407 --> 00:12:58,949 WE SENT 'EM TO BE TESTED 377 00:12:58,949 --> 00:13:00,410 TO SEE IF THEY MATCH THE BLOOD FROM OUR VIC. 378 00:13:00,410 --> 00:13:02,953 OH, THEY MATCH. TRUST ME, BRO. 379 00:13:02,953 --> 00:13:04,314 YOU WON'T HAVE TO WORRY ABOUT THIS CREEP 380 00:13:04,314 --> 00:13:05,515 HURTING ANYONE EVER AGAIN. 381 00:13:05,515 --> 00:13:07,187 THAT'S A GIFT FROM ME TO YOU. 382 00:13:07,187 --> 00:13:08,889 YOU'RE WELCOME, AMERICA. 383 00:13:08,889 --> 00:13:12,392 (people continue speaking indistinctly) 384 00:13:12,392 --> 00:13:14,064 HEY. HEY. 385 00:13:14,064 --> 00:13:15,165 (Esposito) A LOT OF NASTY THINGS IN YOUR VAN, JOE... 386 00:13:15,165 --> 00:13:16,326 I MISS ANYTHING? DUCT TAPE... 387 00:13:16,326 --> 00:13:17,968 NO. THEY'RE JUST GETTING STARTED. 388 00:13:17,968 --> 00:13:20,230 ROPE, GASOLINE. HEY. 389 00:13:20,230 --> 00:13:22,502 YOU WANTED TO DO NASTY THINGS TO JAMES SWAN. 390 00:13:22,502 --> 00:13:23,904 (Joe) I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 391 00:13:23,904 --> 00:13:25,075 OH, I THINK YOU DO. 392 00:13:25,075 --> 00:13:26,306 I'M GONNA GIVE YOU A SECOND... 393 00:13:26,306 --> 00:13:27,477 (taps folder) 394 00:13:27,477 --> 00:13:29,079 TO GET YOUR FACTS STRAIGHT. 395 00:13:29,079 --> 00:13:31,811 OOH, THE TIME-OUT. THAT'S A CLASSIC. 396 00:13:31,811 --> 00:13:35,085 INTERROGATION, IT'S REALLY AN ART FORM. 397 00:13:35,085 --> 00:13:38,048 I MEAN, DETECTIVE BECKETT HERE, SHE IS A MASTER. 398 00:13:38,048 --> 00:13:40,150 I HAVE WATCHED HER CRACK COUNTLESS CASES 399 00:13:40,150 --> 00:13:42,092 IN THIS VERY ROOM. 400 00:13:42,092 --> 00:13:43,854 YOU REMEMBER THAT GUY WHO KILLED HIS GARDENER 401 00:13:43,854 --> 00:13:45,325 BECAUSE HE CUT HIS ROSES TOO SHORT? 402 00:13:47,297 --> 00:13:49,129 (Ryan) FOUND YOUR OVERALLS. 403 00:13:49,129 --> 00:13:50,901 THEY HAD SWAN'S BLOOD ALL OVER 'EM. 404 00:13:50,901 --> 00:13:52,903 IT'S NOT HIS BLOOD. IT'S MY BLOOD. 405 00:13:52,903 --> 00:13:55,835 I CUT MYSELF WHEN I WAS WORKING ON MY VAN. 406 00:13:55,835 --> 00:13:57,607 OH, COME ON, JOE. WHAT, DO YOU THINK WE'RE STUPID? 407 00:13:57,607 --> 00:14:01,171 WE'VE GOT YOU ON VIDEO FOLLOWING HIM FOR WEEKS. 408 00:14:01,171 --> 00:14:03,974 WE'VE GOT YOUR VAN AT THE CRIME SCENE. 409 00:14:03,974 --> 00:14:07,317 SO WHY DON'T YOU CUT THE INNOCENT CRAP RIGHT NOW! 410 00:14:07,317 --> 00:14:09,349 YOU WANT ME TO ADMIT IT? I ADMIT IT. 411 00:14:09,349 --> 00:14:11,151 I FOLLOWED HIM. I DID. 412 00:14:11,151 --> 00:14:13,223 I WAS JUST PLANNING TO GRAB HIM. 413 00:14:13,223 --> 00:14:15,625 AND THAT'S WHEN YOUR PLAN WENT SIDEWAYS. (groans) 414 00:14:15,625 --> 00:14:18,228 (Esposito) YOU TRIED TO DRAG HIM TO YOUR VAN, 415 00:14:18,228 --> 00:14:19,389 BUT HE DIDN'T WANT TO GO. 416 00:14:19,389 --> 00:14:21,231 THAT'S NOT HOW IT HAPPENED. 417 00:14:21,231 --> 00:14:22,392 AND THAT'S WHEN YOU GOT MAD-- THAT'S NOT HOW IT HAPPENED! 418 00:14:22,392 --> 00:14:23,894 THAT'S WHEN YOU GOT MAD 419 00:14:23,894 --> 00:14:25,065 AND THAT'S WHEN YOU BUSTED HIS HEAD OPEN. 420 00:14:25,065 --> 00:14:27,297 I DIDN'T KILL ANYBODY. 421 00:14:27,297 --> 00:14:28,999 I JUST... 422 00:14:28,999 --> 00:14:30,300 (voice breaks) I JUST... 423 00:14:30,300 --> 00:14:33,273 (cries) I JUST WANT MY LITTLE GIRL. 424 00:14:34,644 --> 00:14:37,177 YOUR LITTLE GIRL? 425 00:14:38,408 --> 00:14:41,011 (exhales) MY DAUGHTER. 426 00:14:41,011 --> 00:14:43,053 SHE QUIT HER JOB TO BECOME A GROUPIE. 427 00:14:43,053 --> 00:14:45,085 THREW HER WHOLE LIFE AWAY. 428 00:14:45,085 --> 00:14:49,359 I WAS AFRAID SHE WAS GONNA GET PREGNANT... 429 00:14:49,359 --> 00:14:52,092 OR WORSE. 430 00:14:52,092 --> 00:14:54,194 ALL I WANTED TO DO WAS GRAB HIM. 431 00:14:54,194 --> 00:14:56,026 I WANTED TO SCARE HIM A LITTLE. 432 00:14:56,026 --> 00:14:57,467 I WANTED HIM TO STAY AWAY FROM HER. 433 00:14:57,467 --> 00:14:58,628 YOUR DAUGHTER? 434 00:14:58,628 --> 00:15:00,100 YES. 435 00:15:00,100 --> 00:15:02,602 I HAVEN'T SEEN HER IN WEEKS. 436 00:15:02,602 --> 00:15:05,305 I DON'T EVEN KNOW IF SHE'S ALIVE. 437 00:15:05,305 --> 00:15:08,108 DOES SHE GO BY THE NAME OF BUTTERFLY? 438 00:15:09,339 --> 00:15:10,510 YES. 439 00:15:10,510 --> 00:15:13,483 I THINK WE CAN HELP YOU FIND HER, 440 00:15:13,483 --> 00:15:16,386 IF IT'S OKAY WITH MY PARTNER. 441 00:15:16,386 --> 00:15:19,019 WELL, LOOKS LIKE OUR STALKER WAS TELLING THE TRUTH. 442 00:15:19,019 --> 00:15:23,253 PRELIM SHOWS THAT THE BLOOD ON HIS OVERALLS WAS HIS. 443 00:15:23,253 --> 00:15:24,294 SORRY, PARTNER. 444 00:15:24,294 --> 00:15:25,996 HUH. 445 00:15:25,996 --> 00:15:28,358 WELL, AT LEAST GRABBING THE GUY UP WASN'T A TOTAL BUST. 446 00:15:28,358 --> 00:15:31,401 I DON'T KNOW. IT SEEMS TO BE THE DEFINITION OF A TOTAL BUST. 447 00:15:31,401 --> 00:15:34,064 WELL, IT WOULD'VE BEEN IF HADN'T JUST SPOKEN TO HIM IN HOLDING. 448 00:15:34,064 --> 00:15:35,705 SEEING AS HOW HE WAS TAILING OUR VICTIM, 449 00:15:35,705 --> 00:15:38,538 HE KNEW EXACTLY WHERE SWAN WAS ON THE AFTERNOON OF HIS DEATH. 450 00:15:38,538 --> 00:15:40,240 GREAT. WHERE? 451 00:15:40,240 --> 00:15:41,311 HE WAS AT A BANK IN SoHo AND THEN HE WENT INTO 452 00:15:41,311 --> 00:15:42,472 A RESIDENTIAL BUILDING 453 00:15:42,472 --> 00:15:44,314 ON THE CORNER OF LAFAYETTE AND BROOME. 454 00:15:44,314 --> 00:15:45,945 YES, BUT WHY? 455 00:15:45,945 --> 00:15:49,319 SWAN ELUDED HIS CAMERAMAN TO GO ON A CLANDESTINE ERRAND, 456 00:15:49,319 --> 00:15:52,182 AN ERRAND SO IMPORTANT, HE MISSED A BAND MEETING. 457 00:15:52,182 --> 00:15:55,325 HE WAS ACTING ERRATICALLY, WENT TO THE BANK RIGHT BEFOREHAND. 458 00:15:55,325 --> 00:15:56,286 THIS ALL POINTS TO ONE THING. 459 00:15:56,286 --> 00:15:57,627 DRUGS. DR-DRUGS. 460 00:15:57,627 --> 00:15:58,989 (Beckett) THAT'S AN INTERESTING THEORY, 461 00:15:58,989 --> 00:16:00,160 BUT THAT IS PURE SPECULATION. 462 00:16:00,160 --> 00:16:01,461 ACTUALLY, IT'S NOT. 463 00:16:01,461 --> 00:16:03,263 PURE SPECULATION WOULD BE SWAN PURCHASING 464 00:16:03,263 --> 00:16:04,634 THERMONUCLEAR TECHNOLOGY 465 00:16:04,634 --> 00:16:06,296 TO HAVE A SCIENTIST MAKE HIM AN AMPLIFIER 466 00:16:06,296 --> 00:16:07,998 THAT WENT ALL THE WAY TO 12. 467 00:16:07,998 --> 00:16:09,299 THIS... (cell phone beeps) 468 00:16:09,299 --> 00:16:10,640 MUSICIANS BUYING DRUGS-- 469 00:16:10,640 --> 00:16:13,403 THAT'S JUST MONDAY MORNING CROSSWORD. 470 00:16:15,745 --> 00:16:18,678 I'LL PULL A LIST OF TENANTS, SEE IF ANYONE POPS. 471 00:16:18,678 --> 00:16:20,050 (cell phone chimes) 472 00:16:20,050 --> 00:16:22,282 LANIE'S GOT SOMETHING SHE WANTS US TO SEE. 473 00:16:22,282 --> 00:16:23,613 LANIE. WHO'S LANIE? 474 00:16:23,613 --> 00:16:25,415 (people speaking indistinctly) 475 00:16:25,415 --> 00:16:26,656 UH... 476 00:16:26,656 --> 00:16:30,320 UH, LANIE IS OUR MEDICAL EXAMINER. 477 00:16:30,320 --> 00:16:32,462 AND SHE WORKS AT THE MORGUE. 478 00:16:32,462 --> 00:16:36,366 AND SHE'S GOT INFORMATION THAT SHE WANTS US TO SEE, 479 00:16:36,366 --> 00:16:39,499 AND WE ARE KEEPING HER WAITING. 480 00:16:39,499 --> 00:16:41,331 STILL A LITTLE STIFF. CERTAINLY, SHE COULD TIGHTEN THAT UP, 481 00:16:41,331 --> 00:16:43,002 BUT SHE'S GETTING BETTER. 482 00:16:43,002 --> 00:16:44,334 (Lanie) THE VICTIM'S BLOOD PANELS CAME BACK. 483 00:16:44,334 --> 00:16:45,575 (Castle) LET ME GUESS. 484 00:16:45,575 --> 00:16:46,736 DRUGS. 485 00:16:46,736 --> 00:16:51,181 NOPE. THIS WAS ONE CLEAN-LIVING ROCK STAR. 486 00:16:51,181 --> 00:16:55,385 IN FACT, IT'S NOT WHAT HE PUT IN HIS BODY, 487 00:16:55,385 --> 00:16:56,646 IT'S WHAT HE DIDN'T. 488 00:16:56,646 --> 00:16:59,119 JAMES HAD NO ANTIBODIES FOR POLIO. 489 00:16:59,119 --> 00:17:01,121 HE NEVER HAD THE POLIO VACCINE? 490 00:17:01,121 --> 00:17:02,452 WAIT. EVERYONE BORN 491 00:17:02,452 --> 00:17:04,254 SINCE THE EARLY 1960s GOT THAT VACCINE. 492 00:17:04,254 --> 00:17:05,325 THAT'S WHAT I THOUGHT. 493 00:17:05,325 --> 00:17:08,258 HE ALSO HAD NO ANTIBODIES FOR TETANUS, MEASLES, 494 00:17:08,258 --> 00:17:11,361 WHOOPING COUGH-- ALL STANDARD IMMUNIZATIONS. 495 00:17:11,361 --> 00:17:12,432 WHAT ELSE? 496 00:17:12,432 --> 00:17:14,064 ISN'T THAT ENOUGH? 497 00:17:14,064 --> 00:17:16,136 LANIE, USUALLY IF YOU HAVE SOMETHING LIKE THIS FOR ME, 498 00:17:16,136 --> 00:17:18,338 YOU JUST CALL ME OVER THE PHONE. 499 00:17:18,338 --> 00:17:21,571 (scoffs) WELL, I THOUGHT IT WAS WORTH THE TRIP. 500 00:17:21,571 --> 00:17:24,444 (rustles paper) 501 00:17:27,447 --> 00:17:29,419 (Beckett) RYAN, CAN YOU LOOK INTO OUR VIC'S MEDICAL RECORDS? 502 00:17:29,419 --> 00:17:32,552 I WANNA FIND OUT WHY HE WAS NEVER VACCINATED. 503 00:17:32,552 --> 00:17:33,723 ON IT. 504 00:17:33,723 --> 00:17:35,425 OKAY, I THINK I FIGURED OUT 505 00:17:35,425 --> 00:17:37,056 WHY JAMES SWAN WENT TO THAT BUILDING. 506 00:17:37,056 --> 00:17:39,529 HE KNEW A GUY WHO LIVED THERE-- A SAM SPEAR. 507 00:17:39,529 --> 00:17:42,432 DUDE HAS AN OUTSTANDING LAWSUIT AGAINST OUR VIC. 508 00:17:42,432 --> 00:17:43,563 WHAT KIND OF A LAWSUIT? 509 00:17:43,563 --> 00:17:45,135 WELL, HE CLAIMS THAT JAMES 510 00:17:45,135 --> 00:17:46,466 STOLE ONE OF THE BAND'S SONGS FROM HIM, 511 00:17:46,466 --> 00:17:47,597 AND JAMES MUST HAVE THOUGHT HE HAD A CASE, 512 00:17:47,597 --> 00:17:49,299 BECAUSE WHEN HE STOPPED AT A BANK 513 00:17:49,299 --> 00:17:50,440 ON HIS WAY TO SEE THIS GUY, 514 00:17:50,440 --> 00:17:52,442 HE TOOK OUT 25 GRAND, CASH. 515 00:17:52,442 --> 00:17:53,573 (Castle) SOUNDS LIKE HE'S TRYING TO SETTLE OUT OF COURT. 516 00:17:53,573 --> 00:17:55,375 YEAH, AND I'M GUESSING IT DIDN'T PAN OUT. 517 00:17:55,375 --> 00:17:58,448 SAM SPEAR BOUGHT A TICKET TO LAST NIGHT'S SHOW. 518 00:17:58,448 --> 00:18:00,450 SO HE WAS AT THE THEATER RIGHT BEFORE SWAN WAS KILLED. 519 00:18:00,450 --> 00:18:03,213 TIME TO PAY THIS GUY A VISIT. 520 00:18:03,213 --> 00:18:05,255 NO. NO, NO, NO. I GOT THIS. 521 00:18:05,255 --> 00:18:07,086 YOU STAY HERE AND WORK ON YOUR LITTLE RESEARCH PROJECT, 522 00:18:07,086 --> 00:18:08,858 YOU BEING THE NERVE CENTER AND ALL. 523 00:18:08,858 --> 00:18:10,220 CASTLE. 524 00:18:10,220 --> 00:18:11,561 UH, YOU COMING? 525 00:18:11,561 --> 00:18:13,363 NO, I'M GOOD. 526 00:18:13,363 --> 00:18:15,425 (Castle) WAIT UP. 527 00:18:17,697 --> 00:18:19,229 IT'S NOT THIS ONE. 528 00:18:19,229 --> 00:18:20,400 (loud rock 'n' roll music playing) 529 00:18:20,400 --> 00:18:22,302 SPEAR'S IN 3-M. 530 00:18:22,302 --> 00:18:25,435 YOU KNOW, DETECTIVE BECKETT IS NOT AN UNFRIENDLY PERSON. 531 00:18:25,435 --> 00:18:27,237 SHE'S JUST GOT WALLS. 532 00:18:27,237 --> 00:18:28,608 (women speaking indistinctly) 533 00:18:28,608 --> 00:18:30,880 LET'S-- LET'S CALL THEM LAYERS. 534 00:18:30,880 --> 00:18:34,644 LAYERS UPON LAYERS OF UH, WELL, WALLS. 535 00:18:34,644 --> 00:18:36,486 BUT ONCE YOU SCALE THOSE WALLS... 536 00:18:36,486 --> 00:18:38,548 (snaps) THE EFFORT IS WORTH IT. 537 00:18:38,548 --> 00:18:40,790 (lowered voice) CASTLE. KEEP YOUR VOICE DOWN, PLEASE. 538 00:18:40,790 --> 00:18:43,753 (whispers) ALL RIGHT. I'VE ALREADY HAD ONE GUY BOLT ON ME TODAY. 539 00:18:43,753 --> 00:18:46,396 ELEMENT OF SURPRISE IS KEY. SEE, I CAN BE CIRCUMSPECT. 540 00:18:46,396 --> 00:18:48,498 FOLKS WOULD BE LOST WITHOUT ME. 541 00:18:48,498 --> 00:18:52,162 (laughs) HE WENT THE WRONG WAY. 542 00:18:52,162 --> 00:18:53,503 (gunshots) 543 00:18:53,503 --> 00:18:54,764 (woman) AAH! AAH! 544 00:18:54,764 --> 00:18:56,135 AAH! (gunshots continue) 545 00:18:56,135 --> 00:18:57,307 IT'S 3-M. SPEAR'S PLACE. 546 00:18:57,307 --> 00:18:58,668 (man) DROP YOUR WEAPON! YOU READY? 547 00:18:58,668 --> 00:19:00,370 LET HER GO RIGHT NOW... 548 00:19:00,370 --> 00:19:02,342 NYPD! NOBODY MOVES! 549 00:19:02,342 --> 00:19:03,513 (woman screams) 550 00:19:03,513 --> 00:19:04,814 (gunshots) 551 00:19:04,814 --> 00:19:06,176 (man) WHOA, WHOA, WHOA, WHOA. WHOA, WHOA, WHOA, WHOA! 552 00:19:06,176 --> 00:19:07,447 GET YOUR HANDS UP! YEAH. OH, YEAH, YEAH. 553 00:19:07,447 --> 00:19:08,818 LET ME SEE YOUR HANDS! 554 00:19:08,818 --> 00:19:10,180 WHAT IS THIS? 555 00:19:10,180 --> 00:19:11,351 DROP YOUR WEAPON! 556 00:19:11,351 --> 00:19:12,522 (woman screams) 557 00:19:12,522 --> 00:19:13,623 (gunshots) 558 00:19:13,623 --> 00:19:14,824 IT'S JUST A BAD MOVIE. 559 00:19:14,824 --> 00:19:16,186 I'M JUST COMPOSING THE SCORE. 560 00:19:16,186 --> 00:19:17,787 (woman) AAH! 561 00:19:17,787 --> 00:19:19,158 THIS IS ALL A MISUNDERSTANDING. 562 00:19:19,158 --> 00:19:20,330 LET'S REVIEW-- 563 00:19:20,330 --> 00:19:22,332 YOU SUED JAMES SWAN OVER A SONG, 564 00:19:22,332 --> 00:19:24,434 AND THEN HE CAME TO SEE YOU ABOUT IT YESTERDAY. 565 00:19:24,434 --> 00:19:26,796 A FEW HOURS LATER, HE WAS KILLED RIGHT AFTER HIS SHOW. 566 00:19:26,796 --> 00:19:28,598 WHAT? A SHOW THAT YOU ATTENDED. 567 00:19:28,598 --> 00:19:30,400 BUT WE WORKED ALL THAT OUT. 568 00:19:30,400 --> 00:19:32,342 I--HE WAS GONNA GIVE ME HALF THE PUBLISHING FOR THAT SONG. 569 00:19:32,342 --> 00:19:33,473 I WAS GONNA DROP THE COMPLAINT 570 00:19:33,473 --> 00:19:35,174 AS SOON AS THE PAPERS WERE SIGNED. 571 00:19:35,174 --> 00:19:36,806 THAT DOESN'T EXPLAIN THE 25 GRAND HE BROUGHT TO YOU. 572 00:19:36,806 --> 00:19:40,650 25--I-I-I DON'T KNOW ANYTHING ABOUT THAT. 573 00:19:40,650 --> 00:19:42,812 LOOK, HE WANTED ME TO WRITE FOR HIM. 574 00:19:42,812 --> 00:19:44,183 IT'D BE PRETTY STUPID 575 00:19:44,183 --> 00:19:45,715 TO KILL OFF AN EMPLOYER IN THIS JOB MARKET. 576 00:19:45,715 --> 00:19:47,417 YOU WERE WRITING SONGS FOR HIM? 577 00:19:47,417 --> 00:19:50,520 UH, YEAH. HERE. UH, LOOK. 578 00:19:50,520 --> 00:19:51,691 I-I ALREADY STARTED. 579 00:19:51,691 --> 00:19:52,862 I GOT PRETTY FAR ON THAT ONE. 580 00:19:52,862 --> 00:19:54,364 (Esposito whispers) LET ME SEE THAT. 581 00:19:54,364 --> 00:19:57,867 (normal voice) I DO LIKE THE VOCAL LINE ON THIS. 582 00:19:57,867 --> 00:19:59,429 YOU READ MUSIC? 583 00:19:59,429 --> 00:20:01,271 WHAT, YOU THINK, BECAUSE I'M A COP, I CAN'T SING? 584 00:20:01,271 --> 00:20:02,602 NO, I THINK YOU CAN'T SING BECAUSE I'VE HEARD YOU SING. 585 00:20:02,602 --> 00:20:03,733 THAT KARAOKE MACHINE WAS BUSTED. 586 00:20:03,733 --> 00:20:05,275 I'M GONNA SING FOR Y'ALL LATER. 587 00:20:05,275 --> 00:20:06,906 IF THIS WAS JUST ABOUT WRITING SONGS, 588 00:20:06,906 --> 00:20:08,338 WHY ALL THE SECRECY? 589 00:20:08,338 --> 00:20:10,610 HE NEVER SAID, BUT I HAD MY THEORIES, 590 00:20:10,610 --> 00:20:11,741 ESPECIALLY BECAUSE THIS NEW STUFF 591 00:20:11,741 --> 00:20:13,443 WAS SUCH A MUSICAL DEPARTURE FOR HIM, 592 00:20:13,443 --> 00:20:14,584 AS I'M SURE YOU NOTICED. 593 00:20:14,584 --> 00:20:15,915 YEAH--JUST ONE SEC. 594 00:20:15,915 --> 00:20:17,617 TAKING THE MUSIC IN A NEW DIRECTION, 595 00:20:17,617 --> 00:20:19,989 BUT HE DIDN'T WANT THE REST OF THE BAND TO KNOW. 596 00:20:19,989 --> 00:20:21,521 OF COURSE. 597 00:20:21,521 --> 00:20:22,852 SWAN WAS GOING SOLO. 598 00:20:22,852 --> 00:20:24,324 MAKES SENSE. 599 00:20:24,324 --> 00:20:25,555 THE DIRECTOR SAID THAT SWAN WAS THE CREATIVE FORCE 600 00:20:25,555 --> 00:20:26,726 BEHIND THE GROUP, 601 00:20:26,726 --> 00:20:28,258 THAT IF HE LEFT THE BAND, THEY WOULD FLOUNDER. 602 00:20:28,258 --> 00:20:29,599 WHAT IF ONE OF THE OTHER MEMBERS FOUND OUT 603 00:20:29,599 --> 00:20:30,730 AND CONFRONTED HIM? 604 00:20:30,730 --> 00:20:32,262 AND THEY ARGUED, AND THINGS GOT UGLY. 605 00:20:32,262 --> 00:20:33,563 RIGHT. HE WASN'T ABOUT TO STAY. 606 00:20:33,563 --> 00:20:35,435 AND THEY WEREN'T ABOUT TO LET HIM PLAY GEORGE MICHAEL 607 00:20:35,435 --> 00:20:36,636 TO THEIR ANDREW RIDGELEY. 608 00:20:36,636 --> 00:20:38,007 ANDREW WHO? EXACTLY. 609 00:20:38,007 --> 00:20:39,409 SO THEY PICK UP A GUITAR... 610 00:20:39,409 --> 00:20:40,570 (snaps fingers) 611 00:20:40,570 --> 00:20:42,412 AND WHAM! 612 00:20:42,412 --> 00:20:43,713 (electronic musical sting plays) 613 00:20:43,713 --> 00:20:45,575 IT'S WHAT I DO. 614 00:20:45,575 --> 00:20:46,876 THAT'S NOT BAD. 615 00:20:46,876 --> 00:20:47,977 IT GIVES IT WEIGHT. YEAH. 616 00:20:52,722 --> 00:20:55,785 (playing rock 'n' roll music) 617 00:21:01,831 --> 00:21:04,294 ♪ THOSE LIPS ♪ 618 00:21:04,294 --> 00:21:06,766 ♪ THOSE EYES ♪ 619 00:21:06,766 --> 00:21:10,670 ♪ THAT SMILE WAS MY DEMISE ♪ 620 00:21:10,670 --> 00:21:14,304 ♪ YOUR MOUTH MADE PROMISES ♪ 621 00:21:14,304 --> 00:21:18,508 ♪ BUT YOUR HEART WAS FILLED WITH LIES ♪ 622 00:21:18,508 --> 00:21:19,779 ♪ LIES ♪ 623 00:21:19,779 --> 00:21:23,753 ♪ EVERYTHING YOU SAID WAS LIES ♪ 624 00:21:23,753 --> 00:21:26,356 ♪ CALL ME WHEN YOU FINISH ♪ 625 00:21:26,356 --> 00:21:28,618 ♪ LIES ♪ 626 00:21:28,618 --> 00:21:32,322 ♪ EVERYTHING IS ALWAYS LIES ♪ 627 00:21:32,322 --> 00:21:33,763 ♪ WAKE UP ♪ 628 00:21:33,763 --> 00:21:34,994 (feedback whines) 629 00:21:34,994 --> 00:21:37,697 GOT YOURSELF A NEW GUITARIST. 630 00:21:37,697 --> 00:21:39,599 TRYING SOMEONE OUT, YEAH. 631 00:21:39,599 --> 00:21:40,930 (Castle) WELL, THAT WAS FAST. 632 00:21:40,930 --> 00:21:42,432 THOUGH I GUESS YOU HAD THIS AUDITION 633 00:21:42,432 --> 00:21:43,933 LINED UP ALREADY, DIDN'T YOU? 634 00:21:43,933 --> 00:21:45,074 WHAT ARE YOU TALKING ABOUT? 635 00:21:45,074 --> 00:21:46,606 COME ON, KEITH. 636 00:21:46,606 --> 00:21:49,078 YOU KNEW JAMES WAS GOING SOLO. 637 00:21:49,078 --> 00:21:50,480 IS THAT TRUE, MAN? 638 00:21:50,480 --> 00:21:52,382 NO, OF COURSE NOT. HOW WOULD I KNOW THAT? 639 00:21:52,382 --> 00:21:53,683 (Beckett) WE MET WITH A WOMAN FROM THE RECORD LABEL. 640 00:21:53,683 --> 00:21:55,885 SHE SAYS THAT SHE'S YOUR GIRLFRIEND. 641 00:21:55,885 --> 00:21:57,847 SHE SAID THAT SHE HAD A MEETING ON THE BOOKS 642 00:21:57,847 --> 00:21:59,889 WITH JAMES ABOUT MAKING SOME CHANGES 643 00:21:59,889 --> 00:22:03,393 AND THAT THERE WERE RUMORS THAT HE WANTED TO LEAVE THE BAND. 644 00:22:03,393 --> 00:22:06,426 (Castle) ALL THOSE YEARS, STRUGGLING SIDE BY SIDE. 645 00:22:06,426 --> 00:22:09,328 AND NOW SUCCESS FINALLY AT HAND, 646 00:22:09,328 --> 00:22:11,601 HE WANTED TO TAKE ALL THE GLORY FOR HIMSELF. 647 00:22:11,601 --> 00:22:14,333 I KNOW I'D BE MAD. 648 00:22:14,333 --> 00:22:15,465 I'M NOT GONNA STAND HERE AND LET YOU ACCUSE ME 649 00:22:15,465 --> 00:22:17,937 OF KILLING ONE OF MY BEST FRIENDS, ALL RIGHT? 650 00:22:17,937 --> 00:22:21,471 (clomping) 651 00:22:21,471 --> 00:22:23,613 YOU HEAR THAT SOUND? 652 00:22:23,613 --> 00:22:26,916 KIND OF LIKE HORSE HOOVES CRUNCHING ON SNOW? 653 00:22:26,916 --> 00:22:29,819 JUST LIKE WHAT BUTTERFLY HEARD IN SWAN'S TRAILER. 654 00:22:29,819 --> 00:22:31,120 (Beckett exhales) 655 00:22:31,120 --> 00:22:32,582 LOOK, WE KNOW HE'S GOT A TEMPER, 656 00:22:32,582 --> 00:22:33,883 SO IF WE CAN GET HIM ANGRY ENOUGH-- 657 00:22:33,883 --> 00:22:36,125 ACTUALLY, WHY DON'T YOU TALK TO KEITH YOURSELF? 658 00:22:36,125 --> 00:22:37,787 WHY? 659 00:22:37,787 --> 00:22:39,088 BECAUSE I WANT TO GIVE YOU ROOM TO OPERATE 660 00:22:39,088 --> 00:22:40,860 AND STRUT YOUR STUFF. 661 00:22:43,092 --> 00:22:45,094 YOU GOT THIS. 662 00:22:46,436 --> 00:22:48,097 SHE'S GOT THIS. 663 00:22:53,743 --> 00:22:55,805 REALLY, YOU GOTTA FILM THIS, TOO? 664 00:22:55,805 --> 00:22:57,407 THEY CAN FILM WHATEVER THEY WANT, KEITH. 665 00:22:57,407 --> 00:22:59,649 YOU SIGNED A RELEASE. 666 00:22:59,649 --> 00:23:01,651 YOU'RE LUCKY THE CAMERAS WEREN'T ROLLING 667 00:23:01,651 --> 00:23:03,112 WHEN YOU KILLED JAMES SWAN. 668 00:23:03,112 --> 00:23:05,154 LOOK, I ALREADY SAID, I DIDN'T KILL HIM. 669 00:23:05,154 --> 00:23:06,115 YEAH, AND YOU ALSO SAID 670 00:23:06,115 --> 00:23:07,657 THAT YOU DIDN'T KNOW THAT HE WAS GOING SOLO 671 00:23:07,657 --> 00:23:09,388 AND THAT YOU DIDN'T SEE HIM AFTER THE SHOW, 672 00:23:09,388 --> 00:23:12,962 BUT I HAVE A WITNESS THAT PLACES YOU IN HIS TRAILER 673 00:23:12,962 --> 00:23:14,594 AT THE TIME OF DEATH. 674 00:23:14,594 --> 00:23:17,166 (sighs) ALL RIGHT, LOOK, I DID GO TO HIS TRAILER. OKAY? 675 00:23:17,166 --> 00:23:18,568 BUT IT WAS LIKE YOU SAID. 676 00:23:18,568 --> 00:23:19,729 I HEARD RUMORS THAT HE WAS CUTTING OUT ON US. 677 00:23:19,729 --> 00:23:20,830 I WENT TO SEE IF IT WAS TRUE. 678 00:23:20,830 --> 00:23:22,472 AND THEN AFTER THAT, YOU LOST CONTROL. 679 00:23:22,472 --> 00:23:24,774 NO, WE JUST TALKED. OKAY? 680 00:23:24,774 --> 00:23:26,606 AND JAMES DENIED IT. HE SAID THAT HE WASN'T LEAVING. 681 00:23:26,606 --> 00:23:28,177 HE SAID HE WAS WORKING OUT SOMETHING 682 00:23:28,177 --> 00:23:29,479 THAT'D BE GOOD FOR ALL OF US. 683 00:23:29,479 --> 00:23:31,711 AND WHAT EXACTLY WAS THIS SOMETHING? 684 00:23:31,711 --> 00:23:34,413 (sighs) LOOK, I USED TO THINK I KNEW THAT DUDE, 685 00:23:34,413 --> 00:23:36,115 BUT HE HASN'T BEEN THE SAME SINCE ITHACA. 686 00:23:36,115 --> 00:23:37,547 I AM TELLING YOU, SOMETHING HAPPENED THERE. 687 00:23:37,547 --> 00:23:39,418 KEITH, I'M NOT TALKING ABOUT ITHACA. 688 00:23:39,418 --> 00:23:42,191 I AM TALKING ABOUT WHAT HAPPENED IN THAT TRAILER. 689 00:23:42,191 --> 00:23:43,553 WE TALKED. I LEFT. 690 00:23:43,553 --> 00:23:46,025 I WENT BACK TO MY TRAILER FOR THE REST OF THE NIGHT. 691 00:23:46,025 --> 00:23:47,857 I WAS WITH THIS GIRL. YOU CAN ASK HER. 692 00:23:47,857 --> 00:23:49,599 WHAT'S HER NAME? 693 00:23:49,599 --> 00:23:52,502 I DON'T REMEMBER HER NAME. 694 00:23:52,502 --> 00:23:53,603 A PHONE NUMBER THEN? 695 00:23:53,603 --> 00:23:55,965 ANYTHING SO I CAN GET AHOLD OF HER? 696 00:23:55,965 --> 00:23:57,667 THEY COME TO ME. 697 00:23:57,667 --> 00:24:00,970 KEITH, YOU'RE GONNA HAVE TO DO A LOT BETTER THAN THAT. 698 00:24:00,970 --> 00:24:02,772 (sighs) 699 00:24:04,073 --> 00:24:06,516 (laughs) 700 00:24:06,516 --> 00:24:09,048 OKAY. ALL RIGHT. 701 00:24:09,048 --> 00:24:11,080 I MAY NOT REMEMBER HER NAME... 702 00:24:12,582 --> 00:24:14,984 BUT I CAN PROVE THAT WE WERE TOGETHER THAT NIGHT. 703 00:24:14,984 --> 00:24:16,486 (moans) 704 00:24:16,486 --> 00:24:18,227 (grunts) 705 00:24:18,227 --> 00:24:20,490 MM. 706 00:24:20,490 --> 00:24:22,492 (Castle) WELL, THEY WERE TOGETHER, ALL RIGHT. 707 00:24:22,492 --> 00:24:25,795 TOMMY LEE'S GOT NOTHING ON THIS GUY. 708 00:24:25,795 --> 00:24:27,196 I LIKE TO CHECK ON THE CASE EVERY ONCE IN A WHILE. 709 00:24:27,196 --> 00:24:29,138 NO POINT IN CHAINING MYSELF TO THAT DESK 710 00:24:29,138 --> 00:24:31,701 WHEN ALL THE ACTION IS RIGHT OUT HERE. 711 00:24:31,701 --> 00:24:32,872 YOU WANT ACTION, CHECK THIS. 712 00:24:32,872 --> 00:24:34,674 HEY, HEY, HEY, HEY, HEY. 713 00:24:34,674 --> 00:24:36,776 THIS IS INAPPROPRIATE WORKPLACE BEHAVIOR. 714 00:24:36,776 --> 00:24:38,207 THIS IS EVIDENCE, SIR. 715 00:24:38,207 --> 00:24:41,050 OUR SUSPECT'S ALIBI HINGES ON THIS. 716 00:24:41,050 --> 00:24:42,982 OH. OH. 717 00:24:42,982 --> 00:24:44,714 (Beckett) SO DOES HIS STORY PAN OUT? 718 00:24:44,714 --> 00:24:46,586 YEAH, IT SEEMS LIKE HE'S COVERED 719 00:24:46,586 --> 00:24:48,257 FOR THE ENTIRE TIME-OF-DEATH WINDOW. 720 00:24:48,257 --> 00:24:50,259 (Gates) I HOPE YOU'RE NOT GOING ON THE TIME STAMP ON THIS VIDEO. 721 00:24:50,259 --> 00:24:51,761 THAT COULD BE FAKED, YOU KNOW? 722 00:24:51,761 --> 00:24:54,063 THAT'S NOT THE ONLY THING ON THIS VIDEO BEING FAKED. 723 00:24:54,063 --> 00:24:56,225 (Esposito) TV's ON IN THE BACKGROUND, SIR. 724 00:24:56,225 --> 00:24:57,567 AND THAT IS THE NEWS, WHICH MEANS 725 00:24:57,567 --> 00:24:59,498 I CAN VERIFY THE TIME STAMP USING THAT. 726 00:24:59,498 --> 00:25:00,269 OKAY. 727 00:25:00,269 --> 00:25:01,901 GOOD JOB, EVERYONE. 728 00:25:01,901 --> 00:25:03,533 KEEP IT UP. 729 00:25:03,533 --> 00:25:05,274 NO. TOO EASY. 730 00:25:05,274 --> 00:25:07,937 SO IT LOOKS LIKE WE'RE BACK TO SQUARE ONE, HUH? 731 00:25:07,937 --> 00:25:09,508 WELL, I WOULDN'T SAY THAT. 732 00:25:09,508 --> 00:25:11,541 I WAS LOOKING INTO OUR VIC'S MEDICAL RECORDS-- 733 00:25:11,541 --> 00:25:13,683 MY LITTLE, UH, RESEARCH PROJECT. 734 00:25:13,683 --> 00:25:16,145 TURNS OUT, HE HAS NO RECORDS. (clicks tongue) 735 00:25:16,145 --> 00:25:19,088 BIRTH, MEDICAL, STUDENT TRANSCRIPTS, NOTHING-- 736 00:25:19,088 --> 00:25:21,621 THE FIRST TIME JAMES SWAN POPS UP 737 00:25:21,621 --> 00:25:24,253 IS WHEN HE WAS 17 WHEN HE WAS HOSPITALIZED 738 00:25:24,253 --> 00:25:25,855 FOR A CAR ACCIDENT IN ITHACA, NEW YORK. 739 00:25:25,855 --> 00:25:28,157 WHY DOES ITHACA KEEP COMING UP? 740 00:25:28,157 --> 00:25:29,298 BECAUSE THAT'S WHERE HE'S FROM. 741 00:25:29,298 --> 00:25:31,961 I CHECKED THE ADDRESS IN THE E.R. RECORDS. 742 00:25:31,961 --> 00:25:33,763 TRACED IT TO A 20-ACRE COMPOUND 743 00:25:33,763 --> 00:25:36,005 OWNED BY THE CHURCH OF WORLDLY ENLIGHTENMENT. 744 00:25:36,005 --> 00:25:37,567 (Castle) WHOA, GUYS, WAIT A SECOND. 745 00:25:37,567 --> 00:25:39,939 I'VE HEARD ABOUT THIS PLACE. IT'S A CULT. 746 00:25:39,939 --> 00:25:41,571 THAT'S WHY HE DOESN'T HAVE ANY VACCINATIONS 747 00:25:41,571 --> 00:25:43,272 AND THAT'S WHY HE DOESN'T HAVE A FAMILY. 748 00:25:43,272 --> 00:25:44,644 HE GREW UP IN A CULT. 749 00:25:44,644 --> 00:25:45,975 THE ONLY WAY TO LEAVE WAS TO ESCAPE. 750 00:25:45,975 --> 00:25:47,546 THE COMPOUND IS WALLED 751 00:25:47,546 --> 00:25:49,879 AND THE CULT PRACTICES STRICT OBEDIENCE. 752 00:25:49,879 --> 00:25:53,022 EVERYONE TATTOOS THE WORD "SERVE" ON THEIR FOREARM. 753 00:25:53,022 --> 00:25:54,223 "SERVE." 754 00:25:54,223 --> 00:25:56,555 REMEMBER JAMES' TATTOO? 755 00:25:56,555 --> 00:25:57,727 "OBSERVE"? 756 00:25:57,727 --> 00:25:59,328 HE MUST HAVE ADDED THE "O" AND THE "B" 757 00:25:59,328 --> 00:26:00,990 SOMETIME AFTER HE GOT OUT. 758 00:26:00,990 --> 00:26:03,262 BUT WHEN THE BAND PLAYED ITHACA, MAYBE SOMEBODY RECOGNIZED HIM. 759 00:26:03,262 --> 00:26:04,594 (Beckett) WHICH IS WHY HE WAS AFRAID 760 00:26:04,594 --> 00:26:05,895 THAT SOMEONE WAS FOLLOWING HIM. 761 00:26:05,895 --> 00:26:07,236 JAMES HAD REASON TO BE AFRAID. 762 00:26:07,236 --> 00:26:09,599 JOHN CAMPBELL, THE CULT'S LEADER. 763 00:26:09,599 --> 00:26:11,671 THE GUY IS A TOTAL PSYCHO WITH A VIOLENT PAST. 764 00:26:11,671 --> 00:26:13,603 HE DID TEN YEARS FOR MURDER 765 00:26:13,603 --> 00:26:15,244 BEFORE STARTING THE WHOLE CHURCH SCAM. 766 00:26:15,244 --> 00:26:16,746 (Beckett) DO WE KNOW WHERE CAMPBELL IS NOW? 767 00:26:16,746 --> 00:26:18,247 (Ryan) WELL, I CAN TELL YOU WHERE HE WAS. 768 00:26:18,247 --> 00:26:19,578 I CHECKED PASSENGER MANIFESTS... 769 00:26:19,578 --> 00:26:20,650 LET ME SEE THAT. 770 00:26:20,650 --> 00:26:23,653 FOR ALL THE NEARBY AIRPORTS. 771 00:26:23,653 --> 00:26:25,584 HE FLEW INTO J.F.K. TWO DAYS AGO. 772 00:26:25,584 --> 00:26:26,616 YEAH. 773 00:26:26,616 --> 00:26:28,818 WAIT A SECOND. THAT'S THE DAY SWAN DIED. 774 00:26:30,219 --> 00:26:32,361 SO JOHN CAMPBELL WAS IN TOWN 775 00:26:32,361 --> 00:26:35,324 WITH A FEW DAYS TO KILL. 776 00:26:36,365 --> 00:26:38,067 SEE WHAT I DID THERE? 777 00:26:38,067 --> 00:26:39,368 THAT WAS GOOD. USE THAT. 778 00:26:39,368 --> 00:26:41,070 DON'T USE THE PART WHERE I SAID, "SEE WHAT I DID THERE?" 779 00:26:41,070 --> 00:26:42,371 CUT THAT OUT. DO A HARD FADE TO BLACK. 780 00:26:42,371 --> 00:26:44,073 (snaps fingers) MUSICAL STING. 781 00:26:44,073 --> 00:26:46,676 ♪ BA-DA-DA, BA-NA-NA-NA ♪ 782 00:26:50,780 --> 00:26:52,081 HEY. ARE WE CLOSE ON LOCATING CAMPBELL? 783 00:26:52,081 --> 00:26:53,913 WELL, HIS PICTURE IS OUT TO ALL PATROL CARS CITYWIDE. 784 00:26:53,913 --> 00:26:56,916 AND I'VE SENT HIS PHOTOGRAPH TO ALL THE HOTELS IN OUR DATABASE. 785 00:26:56,916 --> 00:26:58,948 YEAH, BUT THE TROUBLE IS, HE USES ALIASES 786 00:26:58,948 --> 00:27:00,650 IN ORDER TO STAY OFF THE D.E.A.'s RADAR. 787 00:27:00,650 --> 00:27:02,251 WELL, WHY'S THE D.E.A. INTERESTED? 788 00:27:02,251 --> 00:27:03,993 (Ryan) THE CHURCH OF WORLDLY ENLIGHTENMENT 789 00:27:03,993 --> 00:27:06,255 ISN'T JUST YOUR FRIENDLY NEIGHBORHOOD CULT. 790 00:27:06,255 --> 00:27:07,927 IT'S ALSO A 20-ACRE POT FARM, 791 00:27:07,927 --> 00:27:09,759 RUN BY THE 300-PLUS MEMBERS, 792 00:27:09,759 --> 00:27:11,701 ALL FOR CAMPBELL'S PERSONAL PROFIT. 793 00:27:11,701 --> 00:27:12,932 WHY DON'T THE FEDS SHUT HIM DOWN? 794 00:27:12,932 --> 00:27:14,333 THEY'VE TRIED. 795 00:27:14,333 --> 00:27:16,405 SOMETHING ABOUT FREEDOM OF RELIGIOUS EXPRESSION. 796 00:27:16,405 --> 00:27:17,636 CAN WE GET ANYTHING ELSE ON THE CULT 797 00:27:17,636 --> 00:27:19,038 THAT CAN HELP US FIND HIM? 798 00:27:19,038 --> 00:27:20,840 DETECTIVE BECKETT'S WORKING AN ANGLE RIGHT NOW, SIR. 799 00:27:20,840 --> 00:27:22,171 ... O'CLOCK. OKAY. 800 00:27:22,171 --> 00:27:23,342 (police radio chatter) 801 00:27:23,342 --> 00:27:25,114 (cell phone beeps) 802 00:27:25,114 --> 00:27:26,916 (speaks inaudibly) 803 00:27:26,916 --> 00:27:30,750 (radio chatter continues) 804 00:27:33,282 --> 00:27:35,384 (Esposito) HEY. 805 00:27:35,384 --> 00:27:36,726 (sighs) 806 00:27:36,726 --> 00:27:37,757 ANY LUCK? 807 00:27:37,757 --> 00:27:39,258 YEAH, I JUST GOT OFF THE PHONE WITH CULTWATCH, 808 00:27:39,258 --> 00:27:40,760 AND THEY'RE GONNA HOOK US UP WITH SOMEONE ELSE 809 00:27:40,760 --> 00:27:42,832 WHO ESCAPED CAMPBELL'S COMPOUND. 810 00:27:45,735 --> 00:27:47,837 (woman) I WAS A KID, 811 00:27:47,837 --> 00:27:49,438 DRIFTING. 812 00:27:49,438 --> 00:27:51,801 CAMPBELL PROMISED ME MEANING, 813 00:27:51,801 --> 00:27:53,202 A SPIRITUAL FOCUS. 814 00:27:53,202 --> 00:27:55,905 BUT IN RETURN, HE TOOK AWAY EVERYTHING. 815 00:27:55,905 --> 00:27:58,848 UH, CAROLINE, ARE YOU WORRIED ABOUT THESE CAMERAS, 816 00:27:58,848 --> 00:27:59,979 'CAUSE IF YOU WANT TO HAVE THEM GONE-- 817 00:27:59,979 --> 00:28:01,881 NO. MNH-MNH. 818 00:28:01,881 --> 00:28:06,015 I WANT THE WORLD TO KNOW WHAT A MONSTER THIS MAN IS. 819 00:28:06,015 --> 00:28:08,958 HOW DID CAMPBELL REACT WHEN JAMES SWAN ESCAPED? 820 00:28:08,958 --> 00:28:10,259 OH, HE WAS FURIOUS. 821 00:28:10,259 --> 00:28:11,690 HE USED TO LOVE JAMES. 822 00:28:11,690 --> 00:28:13,723 THAT'S WHY IT WAS SUCH A BETRAYAL WHEN HE LEFT. 823 00:28:13,723 --> 00:28:15,725 I HEARD CAMPBELL SWEAR HE'D GET REVENGE, 824 00:28:15,725 --> 00:28:17,296 NO MATTER HOW LONG IT TOOK. 825 00:28:17,296 --> 00:28:18,467 (knock on door) 826 00:28:18,467 --> 00:28:20,830 HEY, GUYS, I THINK I GOT SOMETHING. 827 00:28:20,830 --> 00:28:22,331 (Ryan) THE MANAGER OF THE WIDMARK HOTEL 828 00:28:22,331 --> 00:28:23,903 SAID THAT CAMPBELL CHECKED IN TWO DAYS AGO. 829 00:28:23,903 --> 00:28:25,404 DID YOU SEND A PATROL CAR? 830 00:28:25,404 --> 00:28:26,906 HE CHECKED OUT THE NEXT MORNING. 831 00:28:26,906 --> 00:28:29,278 BUT GUESS WHO CAME TO VISIT HIM SOON AFTER HE ARRIVED THERE. 832 00:28:29,278 --> 00:28:30,780 JAMES SWAN. 833 00:28:30,780 --> 00:28:31,941 (Beckett) WHEN? 834 00:28:31,941 --> 00:28:33,783 5:00 P.M. THE SAME NIGHT THAT SWAN WAS KILLED. 835 00:28:33,783 --> 00:28:36,145 HE KILLED JAMES. I KNEW IT. 836 00:28:36,145 --> 00:28:37,416 JAMES WAS RUNNING FROM CAMPBELL. 837 00:28:37,416 --> 00:28:39,288 WHY WOULD HE AGREE TO MEET WITH HIM? 838 00:28:39,288 --> 00:28:40,790 TO BUY HIS FREEDOM. 839 00:28:40,790 --> 00:28:42,952 LET ME GUESS. FOR $25,000? 840 00:28:42,952 --> 00:28:44,353 THAT'S RIGHT. 841 00:28:44,353 --> 00:28:45,795 DO YOU HAVE ANY IDEA WHERE WE COULD FIND CAMPBELL NOW? 842 00:28:45,795 --> 00:28:47,126 IF HE IS IN TOWN, 843 00:28:47,126 --> 00:28:49,398 HE MIGHT BE AT THIS YOUTH HOSTEL. 844 00:28:49,398 --> 00:28:51,460 HE RECRUITS THERE. 845 00:28:51,460 --> 00:28:53,002 THAT'S WHERE I FIRST MET HIM. 846 00:28:53,002 --> 00:28:55,164 ALL RIGHT. LET'S GO GET HIM. 847 00:28:55,164 --> 00:28:58,938 ♪♪♪ 848 00:29:01,240 --> 00:29:05,044 ♪♪♪ 849 00:29:05,044 --> 00:29:07,076 (indistinct conversations) 850 00:29:07,076 --> 00:29:10,379 EXCUSE ME. WHAT ARE YOU DOING? WHAT ARE THESE CAMERAS FOR? 851 00:29:10,379 --> 00:29:12,852 WE'RE LOOKING FOR JOHN CAMPBELL. 852 00:29:12,852 --> 00:29:14,884 ♪♪♪ 853 00:29:14,884 --> 00:29:16,886 UM... NO, SORRY. 854 00:29:16,886 --> 00:29:19,188 THERE'S NO ONE HERE BY THAT NAME. 855 00:29:19,188 --> 00:29:22,191 ♪♪♪ 856 00:29:22,191 --> 00:29:24,363 (woman) UH, EXCUSE ME. THAT'S A PRIVATE ROOM. 857 00:29:24,363 --> 00:29:26,896 AND YOU CAN'T GO BACK THERE. EXCUSE ME. (mouths words) 858 00:29:26,896 --> 00:29:28,367 MR. CAMPBELL. 859 00:29:28,367 --> 00:29:31,040 WE HAVE A FEW QUESTIONS ABOUT JAMES SWAN. 860 00:29:31,040 --> 00:29:33,803 ♪♪♪ 861 00:29:33,803 --> 00:29:35,905 MR. CAMPBELL, WHERE WERE YOU BETWEEN MIDNIGHT AND 2:00 A.M. 862 00:29:35,905 --> 00:29:38,247 THE NIGHT THAT JAMES SWAN WAS KILLED? 863 00:29:38,247 --> 00:29:40,379 I WAS IN MY HOTEL ROOM. 864 00:29:40,379 --> 00:29:42,111 CAN ANYONE VOUCH FOR THAT? 865 00:29:42,111 --> 00:29:43,512 WELL, I WAS MEDITATING. 866 00:29:43,512 --> 00:29:45,554 SOLITUDE'S A VERY IMPORTANT PART OF MY EVENING RITUAL. 867 00:29:45,554 --> 00:29:46,916 (Castle) SO THAT'D BE A NO. 868 00:29:46,916 --> 00:29:48,858 SO WHAT ARE YOU DOING IN TOWN? 869 00:29:48,858 --> 00:29:50,890 WORKING FOR MY CHURCH. 870 00:29:50,890 --> 00:29:53,422 FUND-RAISING, RECRUITING MOSTLY. 871 00:29:53,422 --> 00:29:55,194 (Castle) "FUND-RAISING"? 872 00:29:55,194 --> 00:29:56,866 INTERESTING TERM FOR MAKING JAMES SWAN 873 00:29:56,866 --> 00:29:58,797 PAY YOU FOR HIS FREEDOM. 874 00:29:58,797 --> 00:30:01,200 IT'S NO SECRET THAT JAMES AND I HAD MET. 875 00:30:01,200 --> 00:30:03,973 BUT HE CERTAINLY DIDN'T NEED TO BUY HIS FREEDOM. 876 00:30:03,973 --> 00:30:05,134 WE'RE ALL FREE. 877 00:30:05,134 --> 00:30:07,907 MR. CAMPBELL, WE KNOW THAT JAMES HAD 25 GRAND IN CASH 878 00:30:07,907 --> 00:30:09,578 WITH HIM WHEN HE WENT TO SEE YOU, 879 00:30:09,578 --> 00:30:12,581 AND THAT HE NO LONGER HAD THAT MONEY ONCE HE LEFT. 880 00:30:12,581 --> 00:30:14,413 JAMES MAY HAVE MADE A DONATION TO THE CHURCH, 881 00:30:14,413 --> 00:30:18,117 BUT I MAKE IT A POINT NOT TO DISCUSS THOSE MATTERS. 882 00:30:18,117 --> 00:30:20,950 OKAY, SO THEN WHY DON'T WE DISCUSS ITHACA? 883 00:30:20,950 --> 00:30:22,451 (mouths words) 884 00:30:22,451 --> 00:30:24,423 ABOUT A MONTH AGO, JAMES AND HIS BAND HAD A CONCERT THERE. 885 00:30:24,423 --> 00:30:25,995 AND HE SAID THAT AFTERWARDS, HE WAS CONCERNED 886 00:30:25,995 --> 00:30:27,496 THAT SOMEONE WAS COMING AFTER HIM. 887 00:30:27,496 --> 00:30:30,559 NOW I THINK THAT THAT SOMEONE WAS YOU. 888 00:30:30,559 --> 00:30:33,302 I'M SORRY, BUT I HAD NO IDEA JAMES WAS IN TOWN LAST MONTH. 889 00:30:33,302 --> 00:30:34,934 I DON'T THINK THAT'S ACCURATE. 890 00:30:34,934 --> 00:30:37,006 I THINK THAT YOU'RE UPSET WITH HIM FOR CUTTING THE CORD 891 00:30:37,006 --> 00:30:38,207 WITH YOUR CHURCH, 892 00:30:38,207 --> 00:30:39,838 AND SO YOU STARTED TRACKING HIM. THAT'S NOT TRUE. 893 00:30:39,838 --> 00:30:41,840 HE GAVE YOU A DONATION SO THAT YOU WOULD LEAVE HIM ALONE. 894 00:30:41,840 --> 00:30:43,212 THAT'S NOT TRUE. 895 00:30:43,212 --> 00:30:44,944 BUT THAT WASN'T ENOUGH, WAS IT? YOU WANTED REVENGE. 896 00:30:44,944 --> 00:30:46,115 NO. SO YOU FOLLOWED HIM TO HIS TRAILER... 897 00:30:46,115 --> 00:30:47,276 ENOUGH. 898 00:30:47,276 --> 00:30:49,879 AND THEN YOU KILLED HIM IN A FIT OF RAGE! 899 00:30:49,879 --> 00:30:51,080 ENOUGH! (smacks table) 900 00:30:53,883 --> 00:30:55,354 NOW IF YOU HAVE A SOLID CASE HERE, 901 00:30:55,354 --> 00:30:57,026 THEN ARREST ME. 902 00:30:57,026 --> 00:30:58,958 OTHERWISE, WE'RE DONE. 903 00:30:58,958 --> 00:31:00,960 YOU CONTACT ME AGAIN, 904 00:31:00,960 --> 00:31:04,063 AND I WILL SUE YOU FOR RELIGIOUS PERSECUTION. 905 00:31:04,063 --> 00:31:05,995 (chair clatters) 906 00:31:05,995 --> 00:31:07,166 (thuds) 907 00:31:13,973 --> 00:31:15,104 SIR, WE'RE SURE IT WAS CAMPBELL. 908 00:31:15,104 --> 00:31:16,445 HE HAD MOTIVE, 909 00:31:16,445 --> 00:31:17,977 AND HE MET WITH OUR VICTIM THE DAY THAT HE DIED. 910 00:31:17,977 --> 00:31:19,048 AND HE WAS LYING THROUGH HIS TEETH ABOUT ITHACA. 911 00:31:19,048 --> 00:31:20,879 THAT'S WHERE SWAN GOT ON HIS RADAR. 912 00:31:20,879 --> 00:31:22,051 DO YOU HAVE ANY PROOF OF THAT? 913 00:31:22,051 --> 00:31:23,452 NO, NOT YET, 914 00:31:23,452 --> 00:31:25,354 BUT WE'RE CHECKING PUBLIC RECORDS AND POLICE REPORTS 915 00:31:25,354 --> 00:31:26,885 FROM WHEN THE BAND WAS IN ITHACA 916 00:31:26,885 --> 00:31:28,157 TO SEE IF THERE'S A LINK TO CAMPBELL. 917 00:31:28,157 --> 00:31:30,659 WELL, I'M SURE THE D.E.A. WILL BE DELIGHTED 918 00:31:30,659 --> 00:31:33,162 IF YOU COULD HELP GET SOME INFOR-- (telephone rings) 919 00:31:33,162 --> 00:31:35,064 EXCUSE ME. YEAH. 920 00:31:35,064 --> 00:31:36,565 (beeps) 921 00:31:36,565 --> 00:31:38,097 GATES. 922 00:31:38,097 --> 00:31:39,528 OH. 923 00:31:39,528 --> 00:31:42,932 NO, NO, NO. DVDs WILL BE FINE. 924 00:31:42,932 --> 00:31:45,034 WELL, I APPRECIATE IT, MR. MITAS. 925 00:31:45,034 --> 00:31:46,375 OKAY. 926 00:31:46,375 --> 00:31:48,177 (receiver clatters) 927 00:31:48,177 --> 00:31:50,009 OUR FILM DIRECTOR. 928 00:31:50,009 --> 00:31:52,281 AS YOU KNOW, IT'S IMPORTANT THAT THIS PROJECT 929 00:31:52,281 --> 00:31:54,113 REFLECTS WELL ON THE PRECINCT... 930 00:31:54,113 --> 00:31:57,146 AS I'M SURE IT WILL. (chuckles) 931 00:31:57,146 --> 00:31:58,547 BUT WE DID HAVE 932 00:31:58,547 --> 00:32:01,150 A NUMBER OF OFFICERS WATCHING A SEX TAPE EARLIER. 933 00:32:01,150 --> 00:32:02,121 STILL... (mouths words) 934 00:32:02,121 --> 00:32:04,323 TO ENSURE THAT THE CONDUCT OF MY PEOPLE 935 00:32:04,323 --> 00:32:06,055 MEETS THE HIGHEST POSSIBLE STANDARD, 936 00:32:06,055 --> 00:32:08,327 MR. MITAS IS SENDING OVER ALL THE PRECINCT FOOTAGE 937 00:32:08,327 --> 00:32:09,498 FOR MY REVIEW. 938 00:32:09,498 --> 00:32:11,160 ALL OF THE FOOTAGE, SIR? 939 00:32:11,160 --> 00:32:12,931 IS THERE A PROBLEM, DETECTIVE? 940 00:32:12,931 --> 00:32:14,333 YEAH, NO, NO. OF COURSE NOT. 941 00:32:14,333 --> 00:32:16,405 OKAY. 942 00:32:17,636 --> 00:32:20,639 (speaking inaudibly) 943 00:32:26,175 --> 00:32:27,516 (blinds clatter and clank) 944 00:32:27,516 --> 00:32:28,677 (dial tone drones) 945 00:32:28,677 --> 00:32:30,049 WELL, SHE CONFIRMED IT. 946 00:32:30,049 --> 00:32:31,250 (Ryan) WELL, THAT'S THE MISSING PIECE. 947 00:32:31,250 --> 00:32:32,581 YOU SHOULD TELL BECKETT. 948 00:32:32,581 --> 00:32:34,053 YEAH. 949 00:32:37,156 --> 00:32:38,657 UNLESS YOU WANT TO. 950 00:32:38,657 --> 00:32:40,189 WELL... 951 00:32:40,189 --> 00:32:41,730 UH, NO, NO. YOU-- YOU BROUGHT IT HOME. 952 00:32:41,730 --> 00:32:44,994 NAH, BUT YOU WERE THE ONE WHO UNCOVERED THE WHOLE CULT THING. 953 00:32:44,994 --> 00:32:47,436 RIGHT? I MEAN, THIS GUY BROKE THE WHOLE CASE WIDE OPEN. 954 00:32:47,436 --> 00:32:49,168 YEAH, BUT THIS GUY WAS THE GUY 955 00:32:49,168 --> 00:32:51,500 WHO CAME UP WITH THE 25 GRAND, RIGHT? YEAH, BUT-- 956 00:32:51,500 --> 00:32:53,172 (Castle) HEY, TANGO AND CASH. 957 00:32:53,172 --> 00:32:56,045 IS THERE SOMETHING YOU GUYS WANT TO TELL US OR NOT? 958 00:32:56,045 --> 00:32:58,077 DO YOU WANNA... NAH, GO AHEAD. 959 00:32:58,077 --> 00:32:59,248 ALL RIGHT. YEAH. 960 00:32:59,248 --> 00:33:00,209 WELL, WE WERE GOING OVER POLICE RECORDS 961 00:33:00,209 --> 00:33:01,380 FOR THE NIGHT THAT OUR VIC WAS IN ITHACA, 962 00:33:01,380 --> 00:33:02,711 BUT WE FOUND SOMETHING ELSE. 963 00:33:02,711 --> 00:33:05,414 A MISSING PERSONS REPORT WAS FILED BY JOHN CAMPBELL 964 00:33:05,414 --> 00:33:07,086 THE DAY AFTER THE BAND LEFT TOWN. 965 00:33:07,086 --> 00:33:08,587 (Beckett) SOMEONE WENT MISSING FROM THE CULT? 966 00:33:08,587 --> 00:33:11,060 YEAH, A GUY NAMED BUCK COOPER. 967 00:33:11,060 --> 00:33:13,362 WE CHECKED WITH CAROLINE, OUR CULTWATCH CONTACT. 968 00:33:13,362 --> 00:33:15,524 IT TURNS OUT THAT BUCK WAS SWAN'S BEST FRIEND 969 00:33:15,524 --> 00:33:17,126 FROM HIS DAYS BACK IN THE CULT. 970 00:33:17,126 --> 00:33:20,129 SO THAT'S WHAT HAPPENED IN--IN ITHACA. 971 00:33:20,129 --> 00:33:22,171 I MEAN, SWAN WENT BACK TO THE COMPOUND 972 00:33:22,171 --> 00:33:23,502 TO BREAK OUT HIS FRIEND. 973 00:33:23,502 --> 00:33:25,274 THAT'S THE REAL REASON CAMPBELL WENT AFTER HIM. 974 00:33:25,274 --> 00:33:27,476 SO THE 25 GRAND WASN'T FOR SWAN'S FREEDOM. 975 00:33:27,476 --> 00:33:28,777 IT WAS FOR HIS FRIEND'S. 976 00:33:28,777 --> 00:33:31,710 THIS GUY'S TESTIMONY COULD HELP US NAIL CAMPBELL. 977 00:33:31,710 --> 00:33:33,712 WE'VE BEEN LOOKING FOR HIM, BUT HE'S NOT IN THE SYSTEM. 978 00:33:33,712 --> 00:33:36,745 BUT CAROLINE WAS SUPPOSED TO SEND OVER A PHOTO. 979 00:33:36,745 --> 00:33:38,317 (computer chirps) THERE IT IS. 980 00:33:38,317 --> 00:33:39,488 (beeps) 981 00:33:39,488 --> 00:33:40,649 (chirps) 982 00:33:40,649 --> 00:33:43,152 BOOM. CHECK IT OUT. WE KNOW THAT GUY. 983 00:33:43,152 --> 00:33:45,254 IT'S THE ROADIE I TALKED TO AT THE CRIME SCENE. 984 00:33:45,254 --> 00:33:46,695 WELL, THE KEY TO TAKING DOWN CAMPBELL 985 00:33:46,695 --> 00:33:48,227 HAS BEEN UNDER OUR NOSE THE WHOLE TIME. 986 00:33:48,227 --> 00:33:50,699 I KNOW I SHOULD'VE SAID SOMETHING EARLIER, 987 00:33:50,699 --> 00:33:53,802 IT'S JUST, JAMES TOLD ME TO KEEP MY HEAD DOWN, 988 00:33:53,802 --> 00:33:56,105 AND THEN ALL OF A SUDDEN, HE WAS DEAD. 989 00:33:56,105 --> 00:33:57,206 AND I DIDN'T KNOW WHAT TO DO. 990 00:33:57,206 --> 00:33:59,208 IT'S OKAY, BUCK. YOU'RE SAFE NOW. 991 00:33:59,208 --> 00:34:01,039 I OWE THAT MAN MY LIFE, 992 00:34:01,039 --> 00:34:03,172 AND NOW I'M NEVER GONNA GET A CHANCE TO REPAY HIM. 993 00:34:03,172 --> 00:34:06,515 ACTUALLY, YOU-- YOU MIGHT BE ABLE TO. 994 00:34:06,515 --> 00:34:10,319 YOU COULD HELP US NAIL CAMPBELL FOR HIS DEATH. 995 00:34:10,319 --> 00:34:12,521 I WISH I COULD, MA'AM. 996 00:34:12,521 --> 00:34:16,225 (sighs) LORD KNOWS, THAT MAN'S DONE SOME TERRIBLE THINGS. 997 00:34:16,225 --> 00:34:18,627 THE TROUBLE IS, KILLING JAMES ISN'T ONE OF 'EM. 998 00:34:21,260 --> 00:34:22,561 WHEN CAMPBELL TOOK THE MONEY FROM JAMES, 999 00:34:22,561 --> 00:34:24,763 HE PROMISED NOT TO BOTHER US ANYMORE. 1000 00:34:24,763 --> 00:34:26,265 I NEEDED TO HEAR THAT MYSELF. 1001 00:34:26,265 --> 00:34:29,238 I NEEDED TO LOOK HIM IN THE EYES. 1002 00:34:29,238 --> 00:34:31,340 YOU WERE WITH CAMPBELL WHEN JAMES WAS KILLED. 1003 00:34:31,340 --> 00:34:33,172 SO THEN CAMPBELL COULDN'T HAVE KILLED JAMES. 1004 00:34:33,172 --> 00:34:34,373 BUT THEN WHO DID? 1005 00:34:34,373 --> 00:34:35,804 I WISH I KNEW. 1006 00:34:38,747 --> 00:34:41,750 DID HE SAY ANYTHING TO YOU WHEN YOU WERE IN HIS TRAILER? 1007 00:34:41,750 --> 00:34:45,784 HE SAID THAT HE WAS READY TO MAKE THINGS RIGHT FOR ME. 1008 00:34:45,784 --> 00:34:48,357 (Castle) UH... MAKE THINGS RIGHT? 1009 00:34:48,357 --> 00:34:50,359 DIDN'T HE ALREADY DO THAT? 1010 00:34:50,359 --> 00:34:51,760 YEAH, I THOUGHT SO. 1011 00:34:51,760 --> 00:34:54,463 JAMES GOT ME OUT OF THE CULT. JAMES GOT ME AWAY FROM CAMPBELL. 1012 00:34:54,463 --> 00:34:56,665 HE EVEN GAVE ME A JOB IN HIS BAND. 1013 00:34:56,665 --> 00:34:58,667 ALL I EVER DID FOR THE GUY 1014 00:34:58,667 --> 00:35:01,300 WAS TEACH HIM HOW TO PLAY GUITAR. 1015 00:35:01,300 --> 00:35:02,871 YOU WERE HIS TEACHER? 1016 00:35:04,833 --> 00:35:06,375 (James) MOST GUYS WILL TELL YOU 1017 00:35:06,375 --> 00:35:07,506 THEY LEARNED TO PLAY GUITAR THEMSELVES, 1018 00:35:07,506 --> 00:35:10,309 BUT I HAD A MENTOR, AND... 1019 00:35:10,309 --> 00:35:11,440 AND THE GUY WAS INCREDIBLE. 1020 00:35:11,440 --> 00:35:13,712 YOU--MUCH BETTER THAN I'LL EVER BE. 1021 00:35:13,712 --> 00:35:15,314 (man) WHAT'S HE THINK OF THE BAND? 1022 00:35:15,314 --> 00:35:16,485 (people speaking indistinctly) 1023 00:35:16,485 --> 00:35:17,846 UH... 1024 00:35:17,846 --> 00:35:20,389 YOU KNOW, WE LOST TOUCH A WAYS BACK. 1025 00:35:20,389 --> 00:35:22,751 AND, UH... 1026 00:35:22,751 --> 00:35:24,853 SOMETIMES I WONDER WHAT HE'S UP TO. 1027 00:35:24,853 --> 00:35:26,895 (beeps) 1028 00:35:26,895 --> 00:35:28,257 DON'T YOU SEE? 1029 00:35:29,498 --> 00:35:31,400 EVERYTHING WE NEED TO SOLVE THIS MURDER 1030 00:35:31,400 --> 00:35:34,233 IS RIGHT THERE IN THAT CLIP. 1031 00:35:34,233 --> 00:35:35,634 DO A HARD FADE TO BLACK. 1032 00:35:35,634 --> 00:35:36,805 (snaps fingers) MUSICAL STING. 1033 00:35:36,805 --> 00:35:38,337 ♪♪♪ 1034 00:35:42,611 --> 00:35:44,513 BUCK COOPER WAS JAMES SWAN'S MUSICAL MENTOR, RIGHT? 1035 00:35:44,513 --> 00:35:46,275 THAT'S WHY, WHEN THE FILMMAKER ASKED JAMES ABOUT HIS PAST, 1036 00:35:46,275 --> 00:35:49,548 HE AUTOMATICALLY THOUGHT OF HIS GOOD FRIEND BUCK COOPER 1037 00:35:49,548 --> 00:35:51,450 AND HOW MUCH HE OWED HIM. 1038 00:35:51,450 --> 00:35:53,282 WHICH IS WHEN HE DECIDED TO RESCUE BUCK FROM THE COMPOUND 1039 00:35:53,282 --> 00:35:54,623 AND BRING HIM ON TOUR. 1040 00:35:54,623 --> 00:35:56,625 BUT BUCK AS A ROADIE DIDN'T SEEM FITTING. 1041 00:35:56,625 --> 00:35:57,926 I MEAN, HE WAS A BETTER MUSICIAN THAN JAMES WAS, 1042 00:35:57,926 --> 00:35:59,428 BY JAMES' OWN ACCOUNT. 1043 00:35:59,428 --> 00:36:00,729 (Beckett) THAT'S WHAT JAMES MEANT 1044 00:36:00,729 --> 00:36:02,591 WHEN HE TOLD BUCK HE WANTED TO MAKE THINGS RIGHT. 1045 00:36:02,591 --> 00:36:04,263 HE WAS TALKING ABOUT BRINGING BUCK INTO THE BAND. 1046 00:36:04,263 --> 00:36:05,594 EXACTLY. 1047 00:36:05,594 --> 00:36:08,437 THAT WAS THE CHANGE IN DIRECTION HE KEPT TALKING ABOUT. 1048 00:36:08,437 --> 00:36:10,569 IT'S WHY HE TOLD KEITH IT WOULD BE GOOD FOR ALL OF THEM, 1049 00:36:10,569 --> 00:36:12,441 BECAUSE BUCK IS A GREAT MUSICIAN. 1050 00:36:12,441 --> 00:36:14,473 ONLY SWAN DIDN'T REALLY MEAN ALL OF THEM, 1051 00:36:14,473 --> 00:36:17,746 BECAUSE IF BUCK WAS IN, THEN SOMEONE ELSE WAS OUT. BUT WHO? 1052 00:36:17,746 --> 00:36:19,578 ESPOSITO, DO YOU STILL HAVE THAT SHEET MUSIC 1053 00:36:19,578 --> 00:36:21,410 THAT, UH, SWAN COMMISSIONED FROM THE SONGWRITER? 1054 00:36:21,410 --> 00:36:22,681 IT'S RIGHT HERE. 1055 00:36:22,681 --> 00:36:23,652 PERFECT. 1056 00:36:23,652 --> 00:36:25,714 WORKING ON THE SONG A LITTLE. 1057 00:36:25,714 --> 00:36:27,456 SEE, THESE AREN'T RUN-OF-THE-MILL POWER CHORDS. 1058 00:36:27,456 --> 00:36:29,958 YOU'D HAVE TO BE PRETTY GOOD TO PLAY TH-- 1059 00:36:29,958 --> 00:36:32,661 ESPECIALLY THIS PART. 1060 00:36:40,299 --> 00:36:41,770 YEAH, I CAN PLAY THAT. 1061 00:36:41,770 --> 00:36:43,802 THAT'S GOOD NEWS, ZEKE. 1062 00:36:43,802 --> 00:36:47,976 BECAUSE WE JUST SO HAPPEN TO HAVE YOUR BASS GUITAR... 1063 00:36:47,976 --> 00:36:49,608 RIGHT HERE. 1064 00:36:49,608 --> 00:36:50,679 (whispers) THAT'S RIGHT IN MY FACE. A LITTLE LOWER. 1065 00:36:50,679 --> 00:36:51,780 (normal voice) THANK YOU, L.T. 1066 00:37:01,550 --> 00:37:03,622 (clears throat) 1067 00:37:10,729 --> 00:37:12,761 (sighs) 1068 00:37:14,303 --> 00:37:15,964 ALL RIGHT. FINE. I CAN'T PLAY IT. 1069 00:37:15,964 --> 00:37:17,636 THAT DOESN'T PROVE ANYTHING. 1070 00:37:17,636 --> 00:37:18,967 (Beckett) NO. 1071 00:37:18,967 --> 00:37:21,510 BUT THIS DOES. 1072 00:37:21,510 --> 00:37:23,712 THIS IS A DRY CLEANING TICKET THAT WE FOUND IN YOUR TRAILER 1073 00:37:23,712 --> 00:37:26,275 FOR CLOTHES THAT YOU DROPPED OFF YESTERDAY. 1074 00:37:26,275 --> 00:37:31,280 THERE ARE STILL FLECKS OF JAMES SWAN'S BLOOD ON THEM. 1075 00:37:34,783 --> 00:37:37,626 (chair clatters on floor) 1076 00:37:39,788 --> 00:37:40,929 DO YOU KNOW WHAT IT'S LIKE 1077 00:37:40,929 --> 00:37:42,931 TO PLAY ALL THOSE CRAPPY STREET FAIRS, 1078 00:37:42,931 --> 00:37:44,693 LIVE ON NOTHING BUT RAMEN NOODLES, 1079 00:37:44,693 --> 00:37:46,535 SLEEP IN A VAN FOR 14 MONTHS? 1080 00:37:46,535 --> 00:37:48,437 AND THEN HE CALLS ME TO HIS TRAILER AFTER THE SHOW 1081 00:37:48,437 --> 00:37:50,839 AND TELLS ME THAT I'M OUT? 1082 00:37:50,839 --> 00:37:52,541 I ADMIT, 1083 00:37:52,541 --> 00:37:53,842 I MIGHT NOT BE THE WORLD'S GREATEST BASS PLAYER, BUT-- 1084 00:37:53,842 --> 00:37:55,674 NO, BUT YOU SURE CAN HANDLE A GUITAR. 1085 00:37:55,674 --> 00:37:57,876 OH, COME ON, MAN! I DIDN'T MEAN TO KILL HIM. 1086 00:37:57,876 --> 00:37:59,678 WE'RE FINALLY ABOUT TO HIT IT BIG, 1087 00:37:59,678 --> 00:38:01,710 AND HE WANTS TO "PETE BEST" ME 1088 00:38:01,710 --> 00:38:03,682 FOR SOME ROADIE?! 1089 00:38:03,682 --> 00:38:04,853 I JUST-- 1090 00:38:04,853 --> 00:38:05,814 (throws chair) 1091 00:38:05,814 --> 00:38:08,317 UGH! I JUST LOST IT! 1092 00:38:08,317 --> 00:38:10,659 UGH! GOD! 1093 00:38:10,659 --> 00:38:12,661 (muffled voice) NO. 1094 00:38:15,394 --> 00:38:18,527 (whispering) YOU KNOW, PETE BEST WAS A DRUMMER. 1095 00:38:18,527 --> 00:38:22,631 I THINK STU SUTCLIFFE WOULD'VE BEEN A MORE APT COMPARISON. 1096 00:38:23,872 --> 00:38:27,305 I REALLY APPRECIATE WHAT YOU GUYS DID FOR JAMES. 1097 00:38:27,305 --> 00:38:30,539 AND I'M ALWAYS GONNA APPRECIATE THAT 1098 00:38:30,539 --> 00:38:33,842 AND... I KNOW HE DOES, TOO. 1099 00:38:35,944 --> 00:38:37,816 YOU KNOW, I, UH... 1100 00:38:37,816 --> 00:38:40,789 HAVE SOMETHING FOR YOU. 1101 00:38:40,789 --> 00:38:42,851 I THINK JAMES WOULD'VE WANTED YOU TO HAVE IT. 1102 00:38:42,851 --> 00:38:45,824 THE BASELINE IS A LITTLE TRICKY, 1103 00:38:45,824 --> 00:38:47,756 BUT I THINK YOU MIGHT BE ABLE TO HANDLE IT. 1104 00:38:47,756 --> 00:38:49,458 (people speaking indistinctly) 1105 00:38:49,458 --> 00:38:51,430 HEY. 1106 00:38:51,430 --> 00:38:52,731 SO IT'S TRUE ABOUT ZEKE? 1107 00:38:52,731 --> 00:38:55,333 YEAH, I'M AFRAID SO. 1108 00:38:55,333 --> 00:38:57,436 (exhales) THIS HAS NOT BEEN A GOOD WEEK. 1109 00:38:57,436 --> 00:38:59,668 HEY, UM, 1110 00:38:59,668 --> 00:39:04,413 I WANTED TO LET YOU KNOW, UH, WE NEED A NEW BASSIST, OBVIOUSLY, 1111 00:39:04,413 --> 00:39:05,914 AND I'M ON MY WAY TO MEET SOME GUYS RIGHT NOW, 1112 00:39:05,914 --> 00:39:08,817 BUT I GUESS JAMES THOUGHT YOU WERE PRETTY GOOD. 1113 00:39:08,817 --> 00:39:11,620 SO IF YOU WANT TO COME AUDITION... 1114 00:39:12,781 --> 00:39:14,453 (chuckles) 1115 00:39:14,453 --> 00:39:16,054 WELL, THANKS, KEITH. YEAH. 1116 00:39:16,054 --> 00:39:17,626 YEAH, MAN. (door opens) 1117 00:39:17,626 --> 00:39:19,488 (Gates) LISTEN UP, EVERYONE. 1118 00:39:19,488 --> 00:39:21,860 I, UH, JUST WANTED TO COMMEND ALL OF YOU 1119 00:39:21,860 --> 00:39:23,361 ON A JOB WELL DONE, 1120 00:39:23,361 --> 00:39:26,635 AS I ALWAYS DO AT THE END OF EVERY CASE. 1121 00:39:26,635 --> 00:39:28,937 IT'S WHAT MAKES CATCHING THE KILLER WORTHWHILE. 1122 00:39:28,937 --> 00:39:31,069 WHICH IS STRANGE, BECAUSE YOU THINK IT WOULD BE 1123 00:39:31,069 --> 00:39:33,141 CATCHING THE KILLER, BUT NO. IT'S... 1124 00:39:33,141 --> 00:39:34,473 (Beckett) UH, SIR. 1125 00:39:34,473 --> 00:39:35,804 UH, I'M SORRY, SIR, 1126 00:39:35,804 --> 00:39:38,407 ABOUT THE, UH, THE FOOTAGE THAT YOU WERE REVIEWING. 1127 00:39:38,407 --> 00:39:40,549 ARE YOU STILL WORKING ON THAT? 1128 00:39:40,549 --> 00:39:42,010 NO, I GOT THROUGH IT. 1129 00:39:42,010 --> 00:39:44,783 IN FACT, DETECTIVE BECKETT, MR. CASTLE, 1130 00:39:44,783 --> 00:39:47,986 MY OFFICE, PLEASE. 1131 00:39:58,827 --> 00:40:01,099 I'M SURE YOU BOTH KNOW WHY YOU'RE HERE. 1132 00:40:01,099 --> 00:40:03,532 SIR, IF YOU COULD JUST LET US EXPLAIN. OH, YOU'D BETTER. 1133 00:40:03,532 --> 00:40:05,904 BECAUSE I DON'T FIND THIS VERY FUNNY. 1134 00:40:07,976 --> 00:40:10,579 (Gates) I AM PROUD TO SAY THAT I HAVE THE, UH, 1135 00:40:10,579 --> 00:40:13,411 HIGHEST RATE OF SOLVING CRIMES HERE IN NEW YORK CITY. 1136 00:40:13,411 --> 00:40:14,913 THAT'S DUE TO-- IN NO SMALL PART-- 1137 00:40:14,913 --> 00:40:17,816 TO MY FINE POLICE OFFICERS AND DETECTIVES, 1138 00:40:17,816 --> 00:40:20,919 WHO TAKE THEIR WORK RATHER SERIOUSLY. 1139 00:40:20,919 --> 00:40:22,921 UH, THEY LIVE HERE AT THE PRECINCT. 1140 00:40:22,921 --> 00:40:24,923 THEY DEDICATE THEIR ENTIRE LIVES. 1141 00:40:24,923 --> 00:40:27,656 UH, WE ARE A CLOSE-KNIT FAMILY. 1142 00:40:27,656 --> 00:40:29,658 UM, I-I SEE THEM AS MY-- AS MY CHILDREN. WOULD YOU CALL THAT BEHAVIOR 1143 00:40:29,658 --> 00:40:31,860 APPROPRIATE FOR A POLICE PRECINCT? 1144 00:40:31,860 --> 00:40:33,502 UH, I... NO. 1145 00:40:33,502 --> 00:40:35,003 YOU'RE DAMN RIGHT. 1146 00:40:35,003 --> 00:40:37,706 JUST WHAT KIND OF P.R. DEBACLE ARE YOU TRYING TO INFLICT ON ME? 1147 00:40:37,706 --> 00:40:38,967 I'M SORRY, SIR. 1148 00:40:38,967 --> 00:40:40,839 THAT'S THE, UH, FOOTAGE THAT YOU'RE TALKING ABOUT? 1149 00:40:40,839 --> 00:40:42,741 THAT--THAT'S IT? THAT'S NOT ENOUGH? 1150 00:40:42,741 --> 00:40:44,673 IS THERE SOMETHING ELSE I SHOULD BE LOOKING FOR? 1151 00:40:44,673 --> 00:40:46,044 (chords playing on guitars) 1152 00:40:46,044 --> 00:40:47,616 LIKE SOMETHING ON THAT TAPE THEY SAY IS MISSING? 1153 00:40:47,616 --> 00:40:49,618 NO. NOT EVEN-- NO, NOTHING. WE-- NO, NO. 1154 00:40:49,618 --> 00:40:50,919 NO, THERE'S-- OH, FOR THE LOVE OF... 1155 00:40:50,919 --> 00:40:53,852 WHAT KIND OF FOOLISHNESS IS GOING ON OUT THERE? 1156 00:40:53,852 --> 00:40:55,223 (Keith) ♪ DA DA DA DA DA DA ♪ 1157 00:40:55,223 --> 00:40:56,885 I NEED TO VIEW ALL OF THIS TAPE. 1158 00:40:56,885 --> 00:40:58,887 YOU UNDERSTAND? ALL OF IT. 1159 00:40:58,887 --> 00:41:03,792 ♪ THINK OF ALL THE DREAMS WE'VE BEEN CHASING ♪ (mouths words) 1160 00:41:03,792 --> 00:41:05,934 ♪ DRIVING THROUGH THE SUNSHINE ♪ 1161 00:41:05,934 --> 00:41:08,737 (Keith and man) ♪ DRIVING THROUGH THE RAIN ♪ 1162 00:41:08,737 --> 00:41:10,839 ♪ BACK OUT ON THE ROAD ♪ 1163 00:41:10,839 --> 00:41:13,041 ♪ AGAIN ♪ 1164 00:41:13,041 --> 00:41:16,044 ♪ DRIVE AWAY, DRIVE AWAY ♪ 1165 00:41:16,044 --> 00:41:17,906 ♪ CAN'T YOU HEAR IT CALLING? ♪ 1166 00:41:17,906 --> 00:41:20,609 ♪ ROLL AWAY, ROLL AWAY ♪ 1167 00:41:20,609 --> 00:41:22,881 ♪ IT'S A BRAND-NEW DAWNING ♪ 1168 00:41:22,881 --> 00:41:25,183 ♪ DRIVE AWAY, DRIVE AWAY ♪ 1169 00:41:25,183 --> 00:41:28,156 ♪ CAN'T HEAR YOU IT CALLING? ♪ 1170 00:41:28,156 --> 00:41:30,188 ♪ ROLL AWAY, ROLL AWAY ♪ 1171 00:41:30,188 --> 00:41:34,192 ♪ IT'S A BRAND-NEW DAY ♪ 1172 00:41:34,192 --> 00:41:36,995 ♪ ANYONE CAN SEE MY HEART'S RACING ♪ 1173 00:41:36,995 --> 00:41:38,827 SEE, I TOLD YOU I COULD SING. 1174 00:41:38,827 --> 00:41:41,099 (Keith) ♪ BUT NOW THE WAIT IS OVER ♪ I TAUGHT HIM HOW TO DO THAT. 1175 00:41:41,099 --> 00:41:42,801 ♪ NOW THE WAIT IS OVER ♪ ♪ AND IT'S US AGAINST THE WORLD ♪ 1176 00:41:42,801 --> 00:41:44,172 ♪ AND IT'S US AGAINST THE WORLD ♪ 1177 00:41:44,172 --> 00:41:46,575 ♪ WHEN I THINK OF ALL THE TIME I'VE BEEN WASTING ♪ 1178 00:41:46,575 --> 00:41:48,907 ♪ I'VE BEEN WASTING ♪ 1179 00:41:48,907 --> 00:41:50,979 ♪ I NEVER WOULD'VE MADE IT... ♪ 1180 00:41:50,979 --> 00:41:52,641 COME ON. 1181 00:41:52,641 --> 00:41:55,984 LOOK, I KNOW I'M NOT THE EASIEST PERSON ON THE PLANET 1182 00:41:55,984 --> 00:41:57,115 TO GET TO KNOW, 1183 00:41:57,115 --> 00:41:58,817 BUT YOU GUYS HAVE BEEN PATIENT, 1184 00:41:58,817 --> 00:42:00,949 AND I'VE GOT SOMETHING TO SHOW YOU. 1185 00:42:00,949 --> 00:42:02,250 IT'S A SECRET. 1186 00:42:02,250 --> 00:42:03,952 ACTUALLY, CASTLE DOESN'T EVEN KNOW ABOUT IT. 1187 00:42:03,952 --> 00:42:05,924 IT'S--IT'S THIS PLACE THAT I LOVE TO GO TO, 1188 00:42:05,924 --> 00:42:07,626 AND ONCE YOU SEE IT, 1189 00:42:07,626 --> 00:42:10,058 I THINK YOU GUYS WILL UNDERSTAND ME A WHOLE LOT BETTER. 1190 00:42:10,058 --> 00:42:11,760 ♪ THAT WE'VE BEEN CHASING, YEAH ♪ 1191 00:42:11,760 --> 00:42:13,231 (Keith and Esposito) ♪ I NEVER WOULD'VE MADE IT ♪ 1192 00:42:13,231 --> 00:42:15,103 GO AHEAD. ALL THE WAY TO THE BACK. 1193 00:42:15,103 --> 00:42:16,104 ♪ ON MY OWN ♪ 1194 00:42:16,104 --> 00:42:17,636 TURN. 1195 00:42:17,636 --> 00:42:19,668 ♪ I NEVER WOULD'VE MADE IT HOME ♪ 1196 00:42:19,668 --> 00:42:20,839 (blows raspberry) 1197 00:42:20,839 --> 00:42:22,270 (cameraman) HEY! 1198 00:42:22,270 --> 00:42:24,012 HEY!