1 00:00:01,172 --> 00:00:02,303 TESSA. 2 00:00:02,303 --> 00:00:04,105 I'M HOME. 3 00:00:08,779 --> 00:00:10,010 TESS. 4 00:00:10,010 --> 00:00:14,585 TESS, YOU HERE? 5 00:00:37,168 --> 00:00:38,369 AAH! 6 00:00:38,369 --> 00:00:39,740 AH! 7 00:00:39,740 --> 00:00:41,712 OH. (exhales) IT'S YOU. 8 00:00:41,712 --> 00:00:43,074 WHO'D YOU THINK IT WAS? 9 00:00:43,074 --> 00:00:44,575 I DON'T KNOW. I HEARD RUSTLING. 10 00:00:44,575 --> 00:00:46,177 AND YOU WERE GONNA FIGHT THEM OFF WITH THAT? 11 00:00:46,177 --> 00:00:48,579 THIS COULD BE VERY... 12 00:00:48,579 --> 00:00:50,681 OW! (foil clanks on floor) 13 00:00:50,681 --> 00:00:52,223 WHAT ARE YOU DOING HERE? 14 00:00:52,223 --> 00:00:53,354 I THOUGHT YOU WEREN'T COMING TILL NEXT WEEKEND. 15 00:00:53,354 --> 00:00:55,756 I HAD TO DO LAUNDRY. I RAN OUT OF CLOTHES. 16 00:00:55,756 --> 00:00:57,328 ALREADY? IT'S ONLY BEEN TWO WEEKS. 17 00:00:57,328 --> 00:00:59,760 NOT THAT I'M NOT THRILLED TO SEE YOU, 18 00:00:59,760 --> 00:01:01,632 BUT DON'T THEY HAVE WASHING MACHINES ON CAMPUS? 19 00:01:01,632 --> 00:01:02,793 THEY'RE NOT AS NICE. 20 00:01:02,793 --> 00:01:05,166 AND BY "NICE," YOU MEAN "FREE." 21 00:01:05,166 --> 00:01:07,168 PRETTY MUCH. RIGHT. 22 00:01:07,168 --> 00:01:10,171 UH, YOU'RE GOING TO NEED MORE ORANGE JUICE, BY THE WAY. 23 00:01:10,171 --> 00:01:11,402 THANK YOU. 24 00:01:11,402 --> 00:01:15,146 OH, AND, UM, I FINISHED THE ICE CREAM... TOO. 25 00:01:15,146 --> 00:01:18,179 AND... HOW LONG HAVE YOU BEEN HERE? 26 00:01:18,179 --> 00:01:19,180 TEN MINUTES. 27 00:01:19,180 --> 00:01:20,351 WOW. 28 00:01:20,351 --> 00:01:22,313 WELL, AS LONG AS YOU ARE HERE, 29 00:01:22,313 --> 00:01:24,255 HOW ABOUT A GUITAR HERO TOURNAMENT? 30 00:01:24,255 --> 00:01:26,857 I HAVE BEEN WRITING ALL WEEKEND. I COULD USE A BREAK. 31 00:01:26,857 --> 00:01:28,419 (electric guitar chords play) OH. 32 00:01:28,419 --> 00:01:30,161 ACTUALLY, I GOTTA GO. 33 00:01:30,161 --> 00:01:31,292 I'M MEETING SOME FRIENDS FOR A STUDY SESSION 34 00:01:31,292 --> 00:01:32,463 AND I'M ALREADY LATE. 35 00:01:32,463 --> 00:01:34,265 UH, WELL, WHAT ABOUT YOUR LAUNDRY? 36 00:01:34,265 --> 00:01:36,697 IT'S OKAY. I MEAN, I'LL GET IT LATER. 37 00:01:36,697 --> 00:01:37,868 BYE, DAD. 38 00:01:37,868 --> 00:01:39,230 BYE. 39 00:01:39,230 --> 00:01:40,671 I MEAN, SHE CAME HOME AT LEAST, RIGHT? 40 00:01:40,671 --> 00:01:43,274 YEAH, I JUST WISH IT WAS FOR MORE THAN LAUNDRY AND SUPPLIES. 41 00:01:43,274 --> 00:01:44,535 DID YOU GET SOME WRITING DONE? 42 00:01:44,535 --> 00:01:45,836 WITH MOTHER GONE, ARE YOU KIDDING? 43 00:01:45,836 --> 00:01:47,538 TWO CHAPTERS, BUT I GOTTA REWRITE THE CRIME SCENE. 44 00:01:47,538 --> 00:01:48,879 RIGHT NOW IT'S BORING. 45 00:01:48,879 --> 00:01:50,841 MAYBE THIS WILL INSPIRE YOU, CASTLE. 46 00:01:50,841 --> 00:01:52,643 PRETTY DAMN FREAKY. 47 00:01:52,643 --> 00:01:55,286 NAME'S TESSA HORTON, 29. 48 00:01:55,286 --> 00:01:57,148 ROOMMATE CAME HOME FROM A WEEKEND AWAY, 49 00:01:57,148 --> 00:01:58,789 FOUND HER UP THERE. 50 00:01:58,789 --> 00:02:00,391 (Castle) OOH, JEEZ. 51 00:02:00,391 --> 00:02:02,253 WHO PUTS A BODY ON A CEILING? 52 00:02:02,253 --> 00:02:04,325 BEATS ME, BUT I PROBABLY WON'T SLEEP FOR WEEKS. 53 00:02:04,325 --> 00:02:05,856 LOOKS LIKE SOMETHING OUT OF ONE OF YOUR BOOKS, RIGHT? 54 00:02:05,856 --> 00:02:07,198 CAUSE OF DEATH? 55 00:02:07,198 --> 00:02:09,200 LIGATURE MARKS AND PETECHIA SUGGEST STRANGULATION. 56 00:02:09,200 --> 00:02:10,861 WHAT ABOUT THIS WOUND ON HER FOREHEAD? 57 00:02:10,861 --> 00:02:12,233 (Esposito) WELL, IT'S NONLETHAL. 58 00:02:12,233 --> 00:02:13,664 GIVEN THE DETAIL, IT LOOKS LIKE IT WAS CARVED 59 00:02:13,664 --> 00:02:14,905 BY SOME KIND OF RAZOR. 60 00:02:14,905 --> 00:02:16,407 IT'S A SYMBOL OF SOME KIND. 61 00:02:16,407 --> 00:02:17,738 DO YOU RECOGNIZE IT? 62 00:02:17,738 --> 00:02:19,340 NO, BUT THE KILLER WENT THROUGH A LOT OF TROUBLE. 63 00:02:19,340 --> 00:02:20,541 IT MUST MEAN SOMETHING. 64 00:02:20,541 --> 00:02:22,613 IT'S NOT EASY HANGING A BODY, 65 00:02:22,613 --> 00:02:24,315 AND SHE'S AT LEAST 100 POUNDS. 66 00:02:24,315 --> 00:02:25,546 I CHECKED IN WITH C.S.U. 67 00:02:25,546 --> 00:02:27,678 THEY FOUND PRINTS IN THE HALLWAY, 68 00:02:27,678 --> 00:02:28,719 BUT THE APARTMENT IS SPOTLESS. 69 00:02:28,719 --> 00:02:29,880 LOOKS LIKE IT'S BEEN WIPED DOWN. 70 00:02:29,880 --> 00:02:31,552 THIS GUY CLEANED UP AFTER HIMSELF. 71 00:02:31,552 --> 00:02:33,554 HE DIDN'T MIND TAKING HIS TIME. 72 00:02:33,554 --> 00:02:35,486 SO THE KILLER KNEW THAT THE ROOMMATE WAS GONNA BE 73 00:02:35,486 --> 00:02:36,727 OUT OF TOWN. 74 00:02:36,727 --> 00:02:38,158 WHAT'S THE SECURITY LIKE IN THIS PLACE? 75 00:02:38,158 --> 00:02:39,490 BUZZER ON THE FRONT DOOR, 76 00:02:39,490 --> 00:02:41,292 NO DOORMAN OR SECURITY CAMERAS. 77 00:02:41,292 --> 00:02:42,393 BUT THERE'S NO SIGN OF A FORCED ENTRY, 78 00:02:42,393 --> 00:02:44,395 NO SIGN OF A STRUGGLE. 79 00:02:44,395 --> 00:02:45,836 SHE KNEW HIM. 80 00:02:45,836 --> 00:02:47,338 (camera shutter clicking) 81 00:02:47,338 --> 00:02:48,839 ALL RIGHT, CANVASS NEIGHBORING APARTMENTS 82 00:02:48,839 --> 00:02:50,671 FOR ANYONE THAT SAW OR HEARD ANYTHING, 83 00:02:50,671 --> 00:02:53,244 AND I WANT TO KNOW WHAT THIS SYMBOL MEANS. 84 00:02:53,244 --> 00:02:54,345 (click) 85 00:02:54,345 --> 00:02:55,906 YOU KNOW, IF TESSA KNEW OUR KILLER, 86 00:02:55,906 --> 00:02:57,478 IT'S POSSIBLE THAT HER ROOMMATE 87 00:02:57,478 --> 00:02:59,350 COULD SHED SOME LIGHT ON ALL OF THIS. 88 00:02:59,350 --> 00:03:03,354 EVERY TIME I CLOSE MY EYES, I SEE HER HANGING THERE. 89 00:03:03,354 --> 00:03:05,556 WHAT DID SHE DO FOR A LIVING? 90 00:03:05,556 --> 00:03:09,390 SHE WAS AN INSURANCE BROKER FOR COMMERCIAL REAL ESTATE. 91 00:03:09,390 --> 00:03:11,191 KURTZMAN INSURANCE. 92 00:03:11,191 --> 00:03:12,663 DID SHE HAVE A LOT OF FRIENDS? 93 00:03:12,663 --> 00:03:14,625 SHE WAS SHY... 94 00:03:14,625 --> 00:03:16,267 AND A WORKAHOLIC. 95 00:03:16,267 --> 00:03:18,198 I PRACTICALLY HAD TO DRAG HER OUT OF THE HOUSE. 96 00:03:18,198 --> 00:03:19,470 SO NO BOYFRIEND THEN? 97 00:03:22,202 --> 00:03:24,375 ACTUALLY, SHE DID START SEEING SOMEONE, 98 00:03:24,375 --> 00:03:25,506 MAYBE SIX WEEKS AGO. 99 00:03:25,506 --> 00:03:26,607 DO YOU KNOW WHO? 100 00:03:26,607 --> 00:03:28,279 THAT'S THE THING, SHE NEVER DID SAY. 101 00:03:28,279 --> 00:03:30,681 SHE... 102 00:03:30,681 --> 00:03:32,683 SHE ACTED LIKE IT WAS SOME BIG SECRET, 103 00:03:32,683 --> 00:03:34,214 LIKE MAYBE HE WAS MARRIED OR SOMETHING. 104 00:03:34,214 --> 00:03:36,887 BUT HE BOUGHT HER JEWELRY 105 00:03:36,887 --> 00:03:40,521 AND TOOK HER TO THESE FANCY DINNERS. 106 00:03:40,521 --> 00:03:43,894 SHE SAID NO ONE'S EVER TREATED HER THAT WAY BEFORE. 107 00:03:43,894 --> 00:03:46,297 DID SHE TELL YOU ANYTHING ELSE ABOUT HIM, 108 00:03:46,297 --> 00:03:48,228 THE WAY HE LOOKED, WHERE THEY MET? 109 00:03:48,228 --> 00:03:49,760 NO. 110 00:03:49,760 --> 00:03:52,733 ALL SHE SAID WAS HE WAS EVERY WOMAN'S FAIRY TALE-- 111 00:03:52,733 --> 00:03:54,905 RICH, HANDSOME, AND GENEROUS. 112 00:03:56,467 --> 00:03:58,809 (Castle) WELL, SOME FAIRY TALE. 113 00:03:58,809 --> 00:04:00,641 I'LL TELL YOU THIS MUCH, THERE'S A LOT MORE TO THIS STORY 114 00:04:00,641 --> 00:04:02,643 THAN AN AFFAIR WITH A MARRIED MAN. 115 00:04:02,643 --> 00:04:05,446 MAYBE, BUT WE WON'T KNOW WHAT UNTIL WE FIND HIM. 116 00:04:05,446 --> 00:04:07,618 GET ON HER PHONE RECORDS. SEE IF YOU CAN I.D. THIS GUY. 117 00:04:07,618 --> 00:04:09,450 YEAH. I'LL HAVE 'EM PULL HER E-MAILS, TOO. 118 00:04:09,450 --> 00:04:10,621 ANYTHING ON THAT SYMBOL YET? 119 00:04:10,621 --> 00:04:12,252 PUT A CALL INTO THE FEDS. 120 00:04:12,252 --> 00:04:13,984 THEY'RE RUNNING IT THROUGH THEIR DATABASE RIGHT NOW. 121 00:04:13,984 --> 00:04:17,328 (people speaking indistinctly) 122 00:04:17,328 --> 00:04:19,330 WHAT? 123 00:04:19,330 --> 00:04:22,333 THE WAY HE LEFT THE BODY, THE TIME IT TOOK-- 124 00:04:22,333 --> 00:04:23,694 WHOEVER DID THIS, 125 00:04:23,694 --> 00:04:25,336 HE LIKED IT. 126 00:04:27,338 --> 00:04:29,740 IF SHE HAD A BOYFRIEND, NOTHING HAPPENED THAT NIGHT. 127 00:04:29,740 --> 00:04:32,673 THERE ARE NO SIGNS OF SEXUAL ASSAULT OR ACTIVITY. 128 00:04:32,673 --> 00:04:34,505 DEATH WAS BY STRANGULATION. 129 00:04:34,505 --> 00:04:36,507 LOOKS LIKE A ROPE OR A SCARF. 130 00:04:36,507 --> 00:04:38,008 WERE YOU ABLE TO NARROW DOWN A TIME? 131 00:04:38,008 --> 00:04:40,581 SOMEWHERE BETWEEN 2:00 AND 3:00 A.M. SATURDAY MORNING. 132 00:04:40,581 --> 00:04:43,414 LIVIDITY AND POOLING INDICATE THE BODY WAS HUNG 133 00:04:43,414 --> 00:04:45,015 FROM THE CEILING POSTMORTEM. 134 00:04:45,015 --> 00:04:47,888 WHY WOULD HE HANG HER BODY AFTER HE KILLED HER? 135 00:04:47,888 --> 00:04:49,059 A RITUAL? 136 00:04:49,059 --> 00:04:50,361 THAT'S NOT ALL THAT'S WEIRD. 137 00:04:50,361 --> 00:04:52,493 STRANGULATION IS A VIOLENT ACT, 138 00:04:52,493 --> 00:04:55,065 BUT THERE WERE NO SIGNS THAT SHE FOUGHT BACK-- 139 00:04:55,065 --> 00:04:57,668 NO SKIN UNDER THE FINGERNAILS, NO BRUISING-- 140 00:04:57,668 --> 00:04:59,370 SO I DID SOME CHECKING. 141 00:04:59,370 --> 00:05:00,571 SHE WAS DRUGGED. 142 00:05:00,571 --> 00:05:04,304 LUNG TISSUE SUGGESTS EXPOSURE TO CHLOROFORM. 143 00:05:04,304 --> 00:05:06,507 ALSO... YOUR KILLER WAS CAREFUL. 144 00:05:06,507 --> 00:05:07,978 HE WAS WEARING GLOVES. 145 00:05:07,978 --> 00:05:09,340 HOW CAN YOU TELL? 146 00:05:09,340 --> 00:05:11,482 TRACES OF TALCUM POWDER ON THE BODY-- 147 00:05:11,482 --> 00:05:13,584 THE SAME TALC USED IN SURGICAL GLOVES 148 00:05:13,584 --> 00:05:16,587 OR THE EVIDENCE GLOVES THAT YOU USE AT THE CRIME SCENES. 149 00:05:16,587 --> 00:05:18,349 WHOEVER THIS PERSON IS, 150 00:05:18,349 --> 00:05:20,320 THEY KNEW EXACTLY WHAT THEY WERE DOING. 151 00:05:20,320 --> 00:05:22,022 HE'S DONE THIS BEFORE. 152 00:05:22,022 --> 00:05:23,594 (Beckett) RITUALISTIC KILLING, 153 00:05:23,594 --> 00:05:24,925 TAKES PLEASURE IN IT, 154 00:05:24,925 --> 00:05:27,097 SIGNIFICANT CARE EXHIBITED AT THE CRIME SCENE... 155 00:05:27,097 --> 00:05:29,400 ALL THE HALLMARKS OF A SERIAL KILLER. 156 00:05:29,400 --> 00:05:31,362 YEAH, BUT I'VE NEVER SEEN THIS M.O. 157 00:05:31,362 --> 00:05:32,332 HEY, BAD NEWS. 158 00:05:32,332 --> 00:05:34,034 THE FEDS STRUCK OUT ON THE SYMBOL. 159 00:05:34,034 --> 00:05:36,967 IT BEARS SOME SIMILARITIES TO SOME ANCIENT ALCHEMY SIGNS, 160 00:05:36,967 --> 00:05:38,469 BUT THEY'VE NEVER SEEN THIS ONE BEFORE. 161 00:05:38,469 --> 00:05:39,840 ANY LUCK ON THE PHONE RECORDS? 162 00:05:39,840 --> 00:05:41,341 NO, BUT SHE SPENT 163 00:05:41,341 --> 00:05:43,374 A LOT OF TIME ON THE PHONE TO A BLOCKED NUMBER. 164 00:05:43,374 --> 00:05:44,715 PHONE COMPANY TRACED IT 165 00:05:44,715 --> 00:05:46,717 TO AN UNLISTED BURNER PHONE WITH A STOLEN SIM. 166 00:05:46,717 --> 00:05:47,878 SO HE PLANNED AHEAD. 167 00:05:47,878 --> 00:05:49,049 YEAH. 168 00:05:49,049 --> 00:05:50,481 WHAT ABOUT HER E-MAILS? 169 00:05:50,481 --> 00:05:51,722 NOTHING FROM HER MYSTERY LOVER, 170 00:05:51,722 --> 00:05:53,053 SO I HAD THEM TAKE A LOOK AT HER HARD DRIVE. 171 00:05:53,053 --> 00:05:55,886 TURNS OUT PORTIONS OF IT HAVE BEEN SURGICALLY WIPED, 172 00:05:55,886 --> 00:05:56,987 LIKE SOMEONE COVERING THEIR TRACKS. 173 00:05:56,987 --> 00:05:58,128 SO WE'RE BACK TO SQUARE ONE. 174 00:05:58,128 --> 00:05:59,630 NOT NECESSARILY. 175 00:05:59,630 --> 00:06:02,132 UH, TESSA'S ROOMMATE SAID THAT HE GAVE HER SOME JEWELRY. 176 00:06:02,132 --> 00:06:04,395 MAYBE HE LEFT A FINGERPRINT ON ONE OF THOSE PIECES. 177 00:06:04,395 --> 00:06:06,867 I'LL HEAD TO HER PLACE, SEE WHAT I CAN FIND OUT. 178 00:06:06,867 --> 00:06:09,970 JEWELRY. I NEVER WOULD'VE THOUGHT OF THAT. 179 00:06:09,970 --> 00:06:12,372 I GUESS I'LL HAVE TO REMIND YOU WHEN MY BIRTHDAY'S COMING UP. 180 00:06:12,372 --> 00:06:13,704 WHY, DETECTIVE BECKETT, 181 00:06:13,704 --> 00:06:15,375 WAS THAT A HINT YOU JUST DROPPED? 182 00:06:15,375 --> 00:06:18,449 WHY, MR. CASTLE, I DO BELIEVE IT WAS. 183 00:06:18,449 --> 00:06:19,410 (whispers) SHAMELESS. 184 00:06:19,410 --> 00:06:21,081 YO, BECKETT, YOU GOT A SECOND? 185 00:06:21,081 --> 00:06:22,413 I NEED A WORD. 186 00:06:24,615 --> 00:06:26,617 OKAY. SO... (door closes) 187 00:06:26,617 --> 00:06:28,459 (sets cup down) WHAT'S UP? 188 00:06:28,459 --> 00:06:30,621 WE GOT THE C.S.U. REPORT BACK. MM-HMM. 189 00:06:30,621 --> 00:06:32,763 THE INSIDE OF TESSA'S APARTMENT WAS WIPED CLEAN. 190 00:06:32,763 --> 00:06:34,725 YEAH, WELL, WE EXPECTED THAT. 191 00:06:34,725 --> 00:06:36,427 YEAH, BUT WE DIDN'T EXPECT THIS. 192 00:06:36,427 --> 00:06:38,729 C.S.U. WERE ABLE TO PULL PRINTS OFF THE OUTSIDE DOORKNOB 193 00:06:38,729 --> 00:06:40,601 AND FROM AROUND THE DOOR FRAME. 194 00:06:40,601 --> 00:06:43,604 AND THEY FOUND A SET THAT DIDN'T MATCH TESSA'S OR HER ROOMMATE'S. 195 00:06:43,604 --> 00:06:44,835 WHEN THEY RAN IT, 196 00:06:44,835 --> 00:06:46,437 THEY FOUND A MATCH TO SOMEONE ELSE IN THE SYSTEM. 197 00:06:46,437 --> 00:06:48,439 OKAY. WHO? 198 00:06:48,439 --> 00:06:50,741 RICHARD CASTLE. 199 00:06:54,745 --> 00:06:56,186 UH... 200 00:06:56,186 --> 00:06:57,518 Y--UH, 201 00:06:57,518 --> 00:06:58,749 THAT CAN'T BE RIGHT. 202 00:06:58,749 --> 00:07:00,951 YOU KNOW WHAT? IT W--IT WAS PROBABLY JUST AN ACCIDENT. 203 00:07:00,951 --> 00:07:03,594 HE PROBABLY TOUCHED THEM ON HIS WAY IN 204 00:07:03,594 --> 00:07:05,556 BEFORE PUTTING HIS GLOVES ON. 205 00:07:05,556 --> 00:07:07,427 YEAH, I MEAN, THAT WOULD EXPLAIN IT, 206 00:07:07,427 --> 00:07:09,429 EXCEPT THAT C.S.U. COLLECTED THEM 207 00:07:09,429 --> 00:07:11,832 BEFORE EITHER OF YOU ARRIVED. 208 00:07:21,542 --> 00:07:22,943 ♪♪♪ 209 00:07:26,947 --> 00:07:28,118 ARE YOU SURE ABOUT THIS? 210 00:07:28,118 --> 00:07:29,079 LOOK FOR YOURSELF, BRO. 211 00:07:29,079 --> 00:07:31,051 CASTLE, THINK. IS IT POSSIBLE 212 00:07:31,051 --> 00:07:33,654 THAT YOU TOUCHED THE DOORKNOB OR THE FRAME ON YOUR WAY IN? 213 00:07:33,654 --> 00:07:36,957 IT WAS OPEN WHEN I CAME IN, BUT I GUESS I MUST HAVE. 214 00:07:36,957 --> 00:07:38,529 HAD YOU BEEN IN THAT BUILDING BEFORE? 215 00:07:38,529 --> 00:07:40,460 NOT BEFORE TODAY. 216 00:07:40,460 --> 00:07:41,792 WHAT ABOUT THE VICTIM? 217 00:07:41,792 --> 00:07:43,534 ARE YOU SURE YOU DIDN'T KNOW HER? 218 00:07:43,534 --> 00:07:44,695 JAVI. 219 00:07:44,695 --> 00:07:45,936 WHAT? 220 00:07:45,936 --> 00:07:47,067 YOU KNOW I HAVE TO ASK. 221 00:07:47,067 --> 00:07:47,998 NO, IT'S SIMPLE, OKAY? 222 00:07:47,998 --> 00:07:49,540 HE TOUCHED THE DOOR WHEN HE WALKED IN. 223 00:07:49,540 --> 00:07:50,941 C.S.U. GOT THE TIME FRAME WRONG. 224 00:07:50,941 --> 00:07:52,172 THAT'S THE ONLY EXPLANATION. 225 00:07:52,172 --> 00:07:53,644 UNLESS I'VE GOT AN EVIL TWIN. 226 00:07:53,644 --> 00:07:55,105 TWINS DON'T HAVE THE SAME FINGERPRINTS. 227 00:07:55,105 --> 00:07:57,207 IT'S A COMMON MISCONCEPTION. THIS WAS YOU. 228 00:07:57,207 --> 00:07:59,079 YEAH, I KNOW. I WAS JOKING. 229 00:07:59,079 --> 00:08:01,181 A CONTAMINATED CRIME SCENE IS NOT A JOKE. 230 00:08:01,181 --> 00:08:02,953 I'LL SQUARE THIS AWAY WITH C.S.U. 231 00:08:02,953 --> 00:08:04,855 YOU WATCH YOUR HANDS NEXT TIME, OKAY? 232 00:08:04,855 --> 00:08:06,216 SORRY. 233 00:08:08,218 --> 00:08:09,560 JUST BE CAREFUL. (cell phone rings) 234 00:08:09,560 --> 00:08:11,091 YEAH. YEAH, YEAH. 235 00:08:11,091 --> 00:08:12,623 (beeps) (sighs) BECKETT. 236 00:08:12,623 --> 00:08:13,794 (Ryan) So I've been through 237 00:08:13,794 --> 00:08:14,965 ALL OF TESSA'S BELONGINGS. 238 00:08:14,965 --> 00:08:16,096 NO SIGN OF ANY HIGH-END JEWELRY, 239 00:08:16,096 --> 00:08:18,198 BUT FROM THE EMPTY SPACES IN HER JEWEL BOX, 240 00:08:18,198 --> 00:08:19,730 there might be some pieces missing. 241 00:08:19,730 --> 00:08:21,632 HE TOOK BACK THE ONES HE GAVE HER. 242 00:08:21,632 --> 00:08:22,933 IT'S LIKE HE KNEW WHAT WE WERE LOOKING FOR. 243 00:08:22,933 --> 00:08:24,074 THIS GUY REALLY KNOWS HOW TO COVER HIS TRACKS. 244 00:08:24,074 --> 00:08:25,776 Oh, no, not all of them. 245 00:08:25,776 --> 00:08:27,077 CANVASS OF THE BUILDING TURNED UP A NEIGHBOR 246 00:08:27,077 --> 00:08:29,209 WHO CLAIMS HE SAW SOMEONE HEADING TO HER APARTMENT 247 00:08:29,209 --> 00:08:30,541 at 7:45 on Friday night. 248 00:08:30,541 --> 00:08:32,042 DID THE NEIGHBOR GET A GOOD LOOK AT HIM? 249 00:08:32,042 --> 00:08:33,213 WELL, HE GOT A CLEAR SHOT 250 00:08:33,213 --> 00:08:34,685 RIGHT THROUGH HIS FRONT DOOR PEEPHOLE. 251 00:08:34,685 --> 00:08:35,946 I'M BRINGING IN A SKETCH ARTIST RIGHT NOW. 252 00:08:35,946 --> 00:08:38,048 ALL RIGHT. GET IT OVER AS SOON AS IT'S DONE. 253 00:08:38,048 --> 00:08:39,550 THE ROOMMATE MIGHT BE ABLE TO I.D. HIM. 254 00:08:39,550 --> 00:08:40,551 YOU GOT IT. 255 00:08:40,551 --> 00:08:42,292 DETECTIVE. 256 00:08:42,292 --> 00:08:46,126 (police radio chatter) 257 00:08:46,126 --> 00:08:48,158 (camera shutter clicks) 258 00:08:48,158 --> 00:08:51,001 THE ROOMMATE IDENTIFIED HIM AS TESSA'S BOSS, 259 00:08:51,001 --> 00:08:53,233 LLOYD KURTZMAN, C.E.O. OF KURTZMAN INSURANCE BROKERAGE. 260 00:08:53,233 --> 00:08:54,605 ANY PRIORS? 261 00:08:54,605 --> 00:08:55,766 NOTHING MAJOR. 262 00:08:55,766 --> 00:08:56,937 HE'S GOT A COUPLE OF HARASSMENT SUITS, 263 00:08:56,937 --> 00:08:58,208 BUT HE DOES HAVE A SEALED JUVIE FILE. 264 00:08:58,208 --> 00:08:59,870 A JUVIE FILE? 265 00:08:59,870 --> 00:09:01,071 CALL JUDGE MARKAWAY. 266 00:09:01,071 --> 00:09:03,013 IF KURTZMAN WAS TORTURING PUPPIES AS A KID, 267 00:09:03,013 --> 00:09:04,745 I WANT TO KNOW. (mouths word) 268 00:09:04,745 --> 00:09:08,178 GOOD-LOOKING AND RICH, HUH? JUST LIKE TESSA'S MYSTERY MAN. 269 00:09:08,178 --> 00:09:11,081 AND LIKE TESSA'S MYSTERY MAN, HE'S MARRIED. 270 00:09:11,081 --> 00:09:13,754 SHE WAS SUCH A GLOWING PRESENCE. 271 00:09:13,754 --> 00:09:17,227 YOU COULDN'T HELP BUT NOTICE HER. 272 00:09:17,227 --> 00:09:18,929 YOU KNOW, IT'S HARD TO IMAGINE ANYONE WANTING TO KILL HER. 273 00:09:18,929 --> 00:09:20,691 I'M SURE IT IS. 274 00:09:20,691 --> 00:09:22,332 WERE THE TWO OF YOU CLOSE? 275 00:09:22,332 --> 00:09:23,934 AS CLOSE AS I AM TO ANY OF MY EMPLOYEES. 276 00:09:23,934 --> 00:09:25,996 AND WHEN WAS THE LAST TIME THAT YOU SAW HER? 277 00:09:25,996 --> 00:09:27,898 FRIDAY MORNING 278 00:09:27,898 --> 00:09:29,239 AT OUR STAFF MEETING. 279 00:09:29,239 --> 00:09:31,241 FRIDAY MORNING? ARE YOU SURE? 280 00:09:31,241 --> 00:09:33,203 YES. 281 00:09:33,203 --> 00:09:35,205 NOT FRIDAY EVENING? 282 00:09:35,205 --> 00:09:36,907 NO, UH-- 283 00:09:36,907 --> 00:09:41,351 SO YOU DIDN'T GO TO TESSA'S APARTMENT AT 7:45? 284 00:09:41,351 --> 00:09:43,113 (chuckles) 285 00:09:43,113 --> 00:09:45,185 HER--HER APARTMENT? NO, NO. 286 00:09:45,185 --> 00:09:46,857 THAT'S FUNNY. 287 00:09:46,857 --> 00:09:48,218 (paper rustles) WE, UM, WE HAVE A WITNESS 288 00:09:48,218 --> 00:09:52,262 THAT SAW YOU THERE THAT NIGHT. 289 00:09:55,225 --> 00:09:57,868 MR. KURTZMAN, WHERE WERE YOU FRIDAY NIGHT? 290 00:09:59,129 --> 00:10:01,231 UH, UM... 291 00:10:05,105 --> 00:10:08,008 I-I'D LIKE TO SPEAK TO MY LAWYER NOW. 292 00:10:10,741 --> 00:10:13,113 HE'S NOT TALKING. 293 00:10:13,113 --> 00:10:15,345 I GUESS A CONFESSION WAS TOO MUCH TO HOPE FOR. 294 00:10:15,345 --> 00:10:17,718 SOME STORY THAT MIGHT EXPLAIN IT ALL. 295 00:10:17,718 --> 00:10:19,389 YEAH, WE'VE GOT TEAMS AT HIS HOME AND HIS OFFICE. 296 00:10:19,389 --> 00:10:20,751 WE'LL KNOW MORE AFTER THE SEARCH, 297 00:10:20,751 --> 00:10:22,392 BUT ESPOSITO TALKED TO HIS WIFE, 298 00:10:22,392 --> 00:10:23,994 AND SHE SAID HE DIDN'T COME HOME THAT NIGHT. 299 00:10:23,994 --> 00:10:25,996 HE WAS WORKING LATE. 300 00:10:25,996 --> 00:10:28,258 I'M GUESSING HE WASN'T AT WORK. 301 00:10:28,258 --> 00:10:29,329 NO. 302 00:10:31,001 --> 00:10:32,202 I WONDER IF THERE WERE OTHERS 303 00:10:32,202 --> 00:10:33,934 OR IF SHE WAS THE FIRST, 304 00:10:33,934 --> 00:10:37,838 IF HER "GLOWING PRESENCE" AWAKENED SOMETHING INSIDE HIM. 305 00:10:39,239 --> 00:10:40,711 WHAT'S WRONG? 306 00:10:41,972 --> 00:10:43,313 IT'S... (sighs) 307 00:10:43,313 --> 00:10:45,275 IT'S JUST THAT CRIME SCENE. 308 00:10:45,275 --> 00:10:46,646 WHAT ABOUT IT? 309 00:10:46,646 --> 00:10:48,148 THE PERSON THAT KILLED TESSA WAS METICULOUS, 310 00:10:48,148 --> 00:10:51,752 BUT WHEN WE QUESTIONED KURTZMAN, HE GOT ALL FLUSTERED. 311 00:10:51,752 --> 00:10:53,283 SO? 312 00:10:53,283 --> 00:10:55,355 SO IF HE PUT THAT MUCH THOUGHT INTO KILLING HER, 313 00:10:55,355 --> 00:10:58,328 THEN WHY DIDN'T HE HAVE AN ALIBI PREPARED? 314 00:10:58,328 --> 00:11:00,260 PERHAPS BECAUSE HE WAS SO METICULOUS, 315 00:11:00,260 --> 00:11:02,793 HE DIDN'T EXPECT TO GET CAUGHT. 316 00:11:06,937 --> 00:11:10,801 (people speaking indistinctly) 317 00:11:10,801 --> 00:11:12,202 (Esposito) HEY. 318 00:11:12,202 --> 00:11:14,174 HEY. WHAT'D YOU FIND? 319 00:11:14,174 --> 00:11:15,345 WELL, THEY'RE STILL PROCESSING, 320 00:11:15,345 --> 00:11:17,708 BUT SO FAR THERE'S NOTHING AT HIS HOUSE OR OFFICE 321 00:11:17,708 --> 00:11:19,179 THAT CONNECTS KURTZMAN TO THE MURDER. 322 00:11:19,179 --> 00:11:20,751 DID YOU CHECK HIS E-MAILS? 323 00:11:20,751 --> 00:11:22,252 YEAH. THERE'S NO MYSTERIOUS DELETIONS FROM HIS HARD DRIVE, 324 00:11:22,252 --> 00:11:24,114 NO UNUSUAL ACTIVITY, 325 00:11:24,114 --> 00:11:25,255 NOTHING IN HIS PHONE RECORDS, EITHER. 326 00:11:25,255 --> 00:11:26,757 OKAY, WELL, THAT'S NOT A SURPRISE. 327 00:11:26,757 --> 00:11:27,918 I MEAN, IF HE'S DONE THIS BEFORE, 328 00:11:27,918 --> 00:11:29,089 HE KNOWS HOW TO COVER HIS TRACKS. 329 00:11:29,089 --> 00:11:30,290 WHAT ABOUT HIS JUVIE RECORD? 330 00:11:30,290 --> 00:11:32,092 A COUPLE OF FIGHTS, STOLE A NEIGHBOR'S CAR. 331 00:11:32,092 --> 00:11:34,124 NOTHING THAT EXPLAINS THIS. 332 00:11:34,124 --> 00:11:36,196 SO THEN ALL WE HAVE IS THE NEIGHBOR'S I.D.? 333 00:11:36,196 --> 00:11:38,028 THAT'S NOT ENOUGH TO MAKE A CASE. 334 00:11:38,028 --> 00:11:39,399 I THINK I MIGHT HAVE FOUND SOMETHING THAT CAN HELP, 335 00:11:39,399 --> 00:11:41,271 SOMETHING KURTZMAN MAY HAVE MISSED. 336 00:11:41,271 --> 00:11:42,372 A DIAMOND EARRING? 337 00:11:42,372 --> 00:11:43,433 WE FOUND IT IN THE COUCH. 338 00:11:43,433 --> 00:11:44,875 C.S.U. COULDN'T PULL A PRINT OFF IT, 339 00:11:44,875 --> 00:11:46,076 BUT YOU SEE THE DESIGN? 340 00:11:46,076 --> 00:11:48,408 THAT'S CUSTOM-- ERICA COURTNEY. 341 00:11:48,408 --> 00:11:50,040 AND YOU KNOW THIS HOW? 342 00:11:50,040 --> 00:11:52,382 I RECOGNIZED IT FROM WHEN JENNY AND I WENT RING SHOPPING. 343 00:11:52,382 --> 00:11:54,244 ANYWAY, I CALLED UP THE SHOWROOM. 344 00:11:54,244 --> 00:11:55,715 THEY CONFIRMED IT'S ONE OF THEIRS. 345 00:11:55,715 --> 00:11:57,247 AND DO THEY HAVE A RECORD OF WHO THEY SOLD IT TO? 346 00:11:57,247 --> 00:11:58,288 YEAH, I RAN THE NAME AND THE ADDRESS. 347 00:11:58,288 --> 00:11:59,449 THEY'RE BOTH FAKE. 348 00:11:59,449 --> 00:12:00,991 WHAT ABOUT THE CREDIT CARD INFO? 349 00:12:00,991 --> 00:12:02,953 WELL, BUYER PAID WITH A CASHIER'S CHECK. 12 GRAND. 350 00:12:02,953 --> 00:12:05,395 SO WE HAVE NO WAY OF TRACING HIM OR THE PAYMENT. 351 00:12:05,395 --> 00:12:07,397 NO, BUT THE STORE USES DIGITAL SURVEILLANCE, 352 00:12:07,397 --> 00:12:10,801 AND THEY JUST SENT OVER THE TAPES. 353 00:12:10,801 --> 00:12:14,034 (video playing without audio) 354 00:12:14,034 --> 00:12:16,466 HERE'S THE TIME CODE FOR OUR POINT OF SALE. 355 00:12:16,466 --> 00:12:18,008 THAT'S OUR GUY. 356 00:12:18,008 --> 00:12:19,309 (Esposito) LOOK AT HIS HEIGHT, 357 00:12:19,309 --> 00:12:20,911 BUILD, HAIR COLOR. 358 00:12:20,911 --> 00:12:22,312 THAT'S NOT KURTZMAN. 359 00:12:22,312 --> 00:12:25,215 THAT'S... CASTLE. 360 00:12:25,215 --> 00:12:26,446 (remote beeps) 361 00:12:29,249 --> 00:12:31,281 THERE'S ANOTHER EXPLANATION. 362 00:12:31,281 --> 00:12:32,853 LIKE WHAT? 363 00:12:32,853 --> 00:12:34,324 I DON'T KNOW, OKAY? IT'S SOMEBODY ELSE. 364 00:12:34,324 --> 00:12:35,755 SOMEONE THAT LOOKS LIKE CASTLE. 365 00:12:35,755 --> 00:12:38,528 WE FOUND HIS FINGERPRINTS AT THE CRIME SCENE. 366 00:12:38,528 --> 00:12:40,330 WE GOT HIM ON VIDEO BUYING JEWELRY FOR OUR VICTIM. 367 00:12:40,330 --> 00:12:41,832 IT CAN'T BE A COINCIDENCE. 368 00:12:41,832 --> 00:12:44,094 JAVI, WHAT ARE YOU SAYING, THAT CASTLE'S A KILLER? 369 00:12:44,094 --> 00:12:45,535 WHOA, WHOA, WHOA. NO, NO, NO. NONE OF US ARE SAYING THAT. 370 00:12:45,535 --> 00:12:47,037 ALL HE'S SAYING IS THAT 371 00:12:47,037 --> 00:12:49,469 IF IT WERE ANYONE ELSE, WE'D LOOK INTO IT. 372 00:12:49,469 --> 00:12:52,002 WE CAN START BY LOOKING AT HIS FINANCIALS, 373 00:12:52,002 --> 00:12:53,343 SEE IF THERE'S ANY UNUSUAL ACTIVITY 374 00:12:53,343 --> 00:12:55,445 AROUND THE TIME OF THE PURCHASE. 375 00:13:00,851 --> 00:13:02,012 FINE. 376 00:13:02,012 --> 00:13:03,413 BUT WE DO IT QUIETLY, 377 00:13:03,413 --> 00:13:05,215 AND HE NEVER FINDS OUT ABOUT IT. 378 00:13:11,361 --> 00:13:12,823 WHAT ARE YOU DOING? 379 00:13:12,823 --> 00:13:14,564 UH, JAVI, THERE'S SOMETHING YOU NEED TO KNOW. 380 00:13:14,564 --> 00:13:16,266 BECKETT AND CASTLE? 381 00:13:16,266 --> 00:13:17,998 W--UH--W-WHEN DID THEY START? 382 00:13:17,998 --> 00:13:20,030 I'M NOT SURE. 383 00:13:20,030 --> 00:13:21,431 BUT I KNOW THEY WERE TOGETHER THAT WEEKEND IN THE HAMPTONS. 384 00:13:21,431 --> 00:13:22,973 (beeping) WHY WOULDN'T SHE TELL US? 385 00:13:22,973 --> 00:13:24,474 I GUESS SHE WAS AFRAID GATES WOULD FIND OUT, 386 00:13:24,474 --> 00:13:27,137 USE NYPD REGS TO GIVE CASTLE THE BOOT. 387 00:13:27,137 --> 00:13:29,009 I WAS GONNA KEEP IT A SECRET MYSELF, 388 00:13:29,009 --> 00:13:31,011 BUT, AH, UNDER THE CIRCUMSTANCES... 389 00:13:31,011 --> 00:13:33,043 NORMALLY, I'D BE HAPPY FOR THEM. 390 00:13:33,043 --> 00:13:34,945 YEAH. HEY. 391 00:13:34,945 --> 00:13:36,446 YOU DON'T REALLY THINK 392 00:13:36,446 --> 00:13:38,118 THAT CASTLE HAD ANYTHING TO DO WITH THIS, DO YOU? 393 00:13:38,118 --> 00:13:40,120 NO. COME ON, MAN. HE'S MY FRIEND, TOO. 394 00:13:40,120 --> 00:13:41,821 (mouths word) 395 00:13:41,821 --> 00:13:43,994 THE BEST THING WE CAN DO IS TRY TO PROVE THIS EVIDENCE WRONG. 396 00:13:43,994 --> 00:13:45,155 YEAH. 397 00:13:45,155 --> 00:13:46,596 (clicks mouse) 398 00:13:46,596 --> 00:13:49,329 HEY, JAVI. 399 00:13:52,062 --> 00:13:54,534 (knock on door) 400 00:13:54,534 --> 00:13:56,536 WHOA. 401 00:13:56,536 --> 00:13:57,908 (laughs) WAIT A MINUTE. 402 00:13:57,908 --> 00:14:00,140 DID I THROW A PARTY AND FORGET AGAIN? 403 00:14:00,140 --> 00:14:01,611 IT'S NOT A PARTY. 404 00:14:01,611 --> 00:14:04,214 SEARCH WARRANT, GLOVES... 405 00:14:04,214 --> 00:14:05,415 OKAY, GUYS, 406 00:14:05,415 --> 00:14:08,448 I GET IT-- THE FINGERPRINT THING. 407 00:14:08,448 --> 00:14:10,620 I'M SORRY. LESSON LEARNED. YOU CAN ALL GO HOME. 408 00:14:10,620 --> 00:14:13,223 IT'S NOT A JOKE, BRO. 409 00:14:13,223 --> 00:14:15,055 TAKE HIM TO THE KITCHEN. 410 00:14:15,055 --> 00:14:17,387 THE KITCHEN? I JUST-- 411 00:14:17,387 --> 00:14:20,230 (police radio chatter) 412 00:14:20,230 --> 00:14:22,562 BECKETT. 413 00:14:22,562 --> 00:14:24,064 BECKETT, WHAT IS THIS? 414 00:14:24,064 --> 00:14:27,567 WE FOUND A PIECE OF JEWELRY IN TESSA'S APARTMENT 415 00:14:27,567 --> 00:14:30,901 AND WE TRACED IT BACK TO THE MAN THAT BOUGHT IT FOR HER. 416 00:14:30,901 --> 00:14:32,272 (radio chatter continues) 417 00:14:32,272 --> 00:14:34,404 CASTLE, IT WAS YOU. 418 00:14:34,404 --> 00:14:36,306 WHAT ARE YOU TALKING ABOUT? 419 00:14:36,306 --> 00:14:39,579 IT WAS PURCHASED WITH A CASHIER'S CHECK 420 00:14:39,579 --> 00:14:41,982 FOR $12,780. 421 00:14:41,982 --> 00:14:45,415 EARLIER THAT DAY, YOU WITHDREW THE SAME AMOUNT OF MONEY 422 00:14:45,415 --> 00:14:48,318 FROM YOUR POCKET ACCOUNT AS A CASHIER'S CHECK. 423 00:14:48,318 --> 00:14:50,620 YOU LOOKED INTO MY FINANCIALS? 424 00:14:50,620 --> 00:14:52,092 YOU'RE INVESTIGATING ME? 425 00:14:52,092 --> 00:14:54,164 CASTLE-- KATE, THIS IS NOT ME. 426 00:14:54,164 --> 00:14:55,525 AND I DIDN'T BUY ANY JEWELRY. 427 00:14:55,525 --> 00:14:57,497 I CERTAINLY DIDN'T USE A CASHIER'S CHECK. 428 00:14:57,497 --> 00:14:59,569 THEN YOU NEED TO EXPLAIN IT. 429 00:14:59,569 --> 00:15:02,202 THIS, THE WITHDRAWAL, THE FINGERPRINT-- 430 00:15:02,202 --> 00:15:04,504 YOU NEED TO TELL ME WHAT THE HELL'S GOING ON. 431 00:15:04,504 --> 00:15:06,576 UM... 432 00:15:06,576 --> 00:15:08,178 (Ryan) BECKETT. 433 00:15:08,178 --> 00:15:10,110 IN HERE. 434 00:15:10,110 --> 00:15:11,541 (closes folder) 435 00:15:17,687 --> 00:15:21,651 (Esposito and Ryan speak indistinctly) 436 00:15:21,651 --> 00:15:24,624 (radio chatter continues) 437 00:15:24,624 --> 00:15:26,456 WHAT IS IT? 438 00:15:28,528 --> 00:15:29,599 GUYS, WHAT IS IT? 439 00:15:31,501 --> 00:15:32,963 KATE. 440 00:15:34,264 --> 00:15:36,506 RICHARD CASTLE, 441 00:15:36,506 --> 00:15:39,209 YOU'RE UNDER ARREST FOR THE MURDER OF TESSA HORTON. 442 00:15:39,209 --> 00:15:41,141 TURN AROUND. 443 00:15:45,415 --> 00:15:47,417 (clicking) 444 00:15:47,417 --> 00:15:48,518 YOU HAVE THE RIGHT TO REMAIN SILENT. 445 00:15:48,518 --> 00:15:50,680 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU 446 00:15:50,680 --> 00:15:53,323 IN A COURT OF LAW. 447 00:15:58,158 --> 00:15:59,329 THE BAG IS PART OF A SET THAT HE OWNS. 448 00:15:59,329 --> 00:16:01,331 THE WIRE AND HOOKS ARE IDENTICAL 449 00:16:01,331 --> 00:16:03,663 TO THE ONES USED TO BIND THE VICTIM. 450 00:16:03,663 --> 00:16:05,135 THERE WAS ALSO A SHIRT INSIDE 451 00:16:05,135 --> 00:16:06,636 THAT HAD SOME BLOOD SPATTER ON IT. 452 00:16:06,636 --> 00:16:08,738 THE LAB SAYS IT'S A MATCH TO TESSA'S. 453 00:16:08,738 --> 00:16:10,170 WHAT'S HE SAYING? 454 00:16:10,170 --> 00:16:12,502 THAT HE'S NEVER SEEN ANY OF IT BEFORE IN HIS LIFE. 455 00:16:12,502 --> 00:16:14,644 SIR, HE'S NOT A KILLER. 456 00:16:14,644 --> 00:16:16,706 THEN HOW DO YOU EXPLAIN ALL OF THIS? 457 00:16:16,706 --> 00:16:19,309 THE EVIDENCE ISN'T THE WHOLE STORY. 458 00:16:19,309 --> 00:16:21,011 CASTLE'S TAUGHT ME THAT. 459 00:16:21,011 --> 00:16:23,713 YOU KNOW, I'M NOT ALWAYS A FAN OF MR. CASTLE'S, DETECTIVE, 460 00:16:23,713 --> 00:16:25,255 BUT EVEN I'M HAVING TROUBLE BELIEVING 461 00:16:25,255 --> 00:16:27,187 HE'D DO SOMETHING SO HEINOUS. 462 00:16:27,187 --> 00:16:28,758 SO THEN WHAT DO WE DO? 463 00:16:28,758 --> 00:16:30,490 OUR JOBS. 464 00:16:30,490 --> 00:16:32,722 CHECK HIS E-MAILS, COMPUTER FILES, AND PHONE RECORDS. 465 00:16:32,722 --> 00:16:34,524 IF HE WAS INVOLVED WITH THIS GIRL, 466 00:16:34,524 --> 00:16:36,326 THERE'S BOUND TO BE A RECORD. 467 00:16:36,326 --> 00:16:37,767 BECKETT, YOU TALK TO THE FAMILY, 468 00:16:37,767 --> 00:16:39,769 SEE IF ANYONE ELSE HAS ACCESS TO HIS PLACE. 469 00:16:39,769 --> 00:16:40,730 MM-HMM. 470 00:16:40,730 --> 00:16:42,472 SIR. 471 00:16:42,472 --> 00:16:44,134 THANK YOU. 472 00:16:44,134 --> 00:16:45,675 DON'T THANK ME YET, DETECTIVE. 473 00:16:45,675 --> 00:16:48,778 WE'RE GONNA FOLLOW THE EVIDENCE NO MATTER WHERE IT LEADS US. 474 00:16:54,013 --> 00:16:57,517 YOU GUYS, WHEN YOU LOOK THROUGH CASTLE'S PHONE RECORDS-- 475 00:16:57,517 --> 00:16:59,449 IT'S OKAY. 476 00:16:59,449 --> 00:17:00,620 WE KNOW. 477 00:17:00,620 --> 00:17:03,253 WE WON'T TELL GATES UNLESS WE HAVE TO. 478 00:17:03,253 --> 00:17:05,024 YOU KNOW? 479 00:17:05,024 --> 00:17:07,257 HOW? 480 00:17:07,257 --> 00:17:09,299 WELL, I MEAN, IT-- IT'S US, SO... 481 00:17:09,299 --> 00:17:11,461 WE DIDN'T SAY ANYTHING BECAUSE WE FIGURED 482 00:17:11,461 --> 00:17:13,633 IT WAS NOBODY'S BUSINESS, BUT WE GOTTA ASK, 483 00:17:13,633 --> 00:17:14,764 WERE YOU WITH HIM THAT NIGHT? 484 00:17:14,764 --> 00:17:16,606 NO. UH... 485 00:17:16,606 --> 00:17:18,808 HE, UH... 486 00:17:18,808 --> 00:17:20,770 I-I WAS SUPPOSED TO BE. 487 00:17:20,770 --> 00:17:23,413 HIS, UM, MOM WAS OUT OF TOWN, 488 00:17:23,413 --> 00:17:27,177 AND THEN HE SAID THAT HE NEEDED TIME TO WRITE. 489 00:17:35,255 --> 00:17:37,227 WHERE'S BECKETT? 490 00:17:37,227 --> 00:17:38,728 UNDER THE CIRCUMSTANCES, 491 00:17:38,728 --> 00:17:41,691 I THINK IT'S BEST IF I HANDLE THE INTERROGATION. 492 00:17:41,691 --> 00:17:43,633 COME ON, CAPTAIN. THIS IS INSANE. 493 00:17:43,633 --> 00:17:44,794 I DIDN'T DO ANYTHING. 494 00:17:44,794 --> 00:17:46,496 WELL, WE STILL NEED TO INVESTIGATE, 495 00:17:46,496 --> 00:17:47,797 AND YOU KNOW THAT, 496 00:17:47,797 --> 00:17:50,069 SO LET'S START WITH YOUR RELATIONSHIP TO THE VICTIM. 497 00:17:50,069 --> 00:17:51,771 OKAY. I DIDN'T HAVE ONE. 498 00:17:51,771 --> 00:17:54,144 THEN ANY IDEA HOW YOUR FINGERPRINTS ENDED UP 499 00:17:54,144 --> 00:17:55,375 AT THE CRIME SCENE? 500 00:17:55,375 --> 00:17:57,247 WELL, WE WENT OVER THAT. C.S.U. MADE A MISTAKE. 501 00:17:57,247 --> 00:17:58,548 THEY SAY THEY DIDN'T. 502 00:17:58,548 --> 00:18:00,250 CASTLE, IF YOU KNEW HER-- 503 00:18:00,250 --> 00:18:01,711 I DIDN'T KNOW HER. 504 00:18:01,711 --> 00:18:03,413 SHE WAS SEEING SOMEONE, 505 00:18:03,413 --> 00:18:05,755 SOMEONE HER ROOMMATE DESCRIBED AS HANDSOME AND RICH. 506 00:18:05,755 --> 00:18:07,857 I'M FLATTERED, BUT IT WASN'T ME. 507 00:18:07,857 --> 00:18:09,189 (man) DETECTIVE. 508 00:18:09,189 --> 00:18:10,660 HIS FAMILY'S HERE. 509 00:18:11,791 --> 00:18:13,163 (Martha) OH. 510 00:18:13,163 --> 00:18:14,864 WHERE'S RICHARD? WHAT'S GOING ON? 511 00:18:18,368 --> 00:18:20,570 OF COURSE IT HAS MY FINGERPRINTS ON IT. IT'S MY BAG. 512 00:18:20,570 --> 00:18:21,871 BUT I DIDN'T PUT THAT STUFF IN THERE. 513 00:18:21,871 --> 00:18:23,102 THEN WHO DID? 514 00:18:23,102 --> 00:18:24,704 (door closes) WHAT ABOUT KURTZMAN? 515 00:18:24,704 --> 00:18:26,536 WE KNOW HE WAS AT HER APARTMENT THAT NIGHT, 516 00:18:26,536 --> 00:18:27,877 AND HE LIED ABOUT IT. 517 00:18:27,877 --> 00:18:29,239 KURTZMAN ALIBIED OUT. 518 00:18:29,239 --> 00:18:31,841 WHAT? WHEN? 519 00:18:31,841 --> 00:18:32,882 AN HOUR AGO. 520 00:18:32,882 --> 00:18:35,415 HIS LAWYER GOT HIM TO COOPERATE. 521 00:18:35,415 --> 00:18:37,217 TURNS OUT, HE WAS LURED THERE. LURED? 522 00:18:37,217 --> 00:18:38,788 BY A TEXT MESSAGE TESSA SENT, 523 00:18:38,788 --> 00:18:40,720 ONLY IT WASN'T FROM TESSA. 524 00:18:40,720 --> 00:18:41,891 IT WAS FROM A BURNER PHONE. 525 00:18:41,891 --> 00:18:42,892 WHEN KURTZMAN SHOWED UP AT TESSA'S, 526 00:18:42,892 --> 00:18:44,654 SHE TOLD HIM THAT SHE DIDN'T SEND IT, 527 00:18:44,654 --> 00:18:46,656 SO SHE SENT HIM ON HIS WAY. 528 00:18:46,656 --> 00:18:48,458 WELL, THEN WHY DID HE LIE ABOUT IT? 529 00:18:48,458 --> 00:18:49,799 BECAUSE HE SPENT THE REST OF THE EVENING 530 00:18:49,799 --> 00:18:51,431 WITH A PAID COMPANION 531 00:18:51,431 --> 00:18:53,863 AND DIDN'T WANT HIS WIFE TO KNOW. 532 00:18:53,863 --> 00:18:56,406 (chair scrapes floor) 533 00:18:56,406 --> 00:18:57,807 SO... 534 00:18:57,807 --> 00:18:59,209 (scrapes) 535 00:18:59,209 --> 00:19:02,141 WHAT ABOUT YOU, MR. CASTLE? 536 00:19:02,141 --> 00:19:04,874 WHERE WERE YOU THE NIGHT OF THE MURDER? 537 00:19:07,777 --> 00:19:09,579 I WAS AT HOME WRITING. 538 00:19:09,579 --> 00:19:11,351 AND DID ANYONE SEE YOU THERE? 539 00:19:11,351 --> 00:19:13,453 NO, I WAS... 540 00:19:13,453 --> 00:19:14,854 ALONE. 541 00:19:14,854 --> 00:19:16,726 SO FOR THE RECORD, 542 00:19:16,726 --> 00:19:19,259 YOU'RE SAYING YOU HAVE NO ALIBI. 543 00:19:23,433 --> 00:19:25,435 I THINK I'D LIKE MY LAWYER NOW. 544 00:19:25,435 --> 00:19:26,836 (Martha) WELL, THIS IS MADNESS. 545 00:19:26,836 --> 00:19:28,198 THIS IS JUST MADNESS. 546 00:19:28,198 --> 00:19:31,241 IT'S TEMPORARY. WE JUST NEED TO FIND OUT THE TRUTH. 547 00:19:31,241 --> 00:19:32,902 NOW CAN ANYONE ELSE ACCESS YOUR APARTMENT? 548 00:19:32,902 --> 00:19:34,244 DOES ANYONE HAVE KEYS? 549 00:19:34,244 --> 00:19:35,905 WELL, ALICIA, THE HOUSEKEEPER. 550 00:19:35,905 --> 00:19:37,577 YEAH, BUT SHE'S BEEN WITH US FOR 15 YEARS. 551 00:19:37,577 --> 00:19:38,948 AND THERE'S A SECURITY SYSTEM. 552 00:19:38,948 --> 00:19:40,710 EVEN IF SOMEONE HAD A KEY, THE ALARM WOULD GO OFF. 553 00:19:40,710 --> 00:19:42,752 HAVE YOU NOTICED ANYONE OUT OF THE ORDINARY 554 00:19:42,752 --> 00:19:44,354 IN THE BUILDING LATELY-- A MAINTENANCE WORKER, 555 00:19:44,354 --> 00:19:46,886 DELIVERY MAN, ANYONE THAT COULD'VE BEEN CASING THE PLACE? 556 00:19:46,886 --> 00:19:48,858 NO, NO, NO, NO. NOTHING. 557 00:19:48,858 --> 00:19:51,221 (sighs) 558 00:19:51,221 --> 00:19:53,223 THANKS. I'LL BE HERE. 559 00:19:58,798 --> 00:19:59,869 HEY. 560 00:19:59,869 --> 00:20:02,201 HEY. 561 00:20:03,903 --> 00:20:05,835 CASTLE, WHOEVER IS BEHIND THIS, 562 00:20:05,835 --> 00:20:07,977 WHATEVER IS GOING ON, 563 00:20:07,977 --> 00:20:09,639 I WILL FIGURE THIS OUT. I PROMISE. 564 00:20:09,639 --> 00:20:11,841 I KNOW. 565 00:20:13,883 --> 00:20:16,416 IN THE MEANTIME, YOU HAVE SOME VISITORS. 566 00:20:16,416 --> 00:20:18,217 (Alexis) DAD. 567 00:20:18,217 --> 00:20:19,349 OH. 568 00:20:19,349 --> 00:20:21,951 OH, RICHARD. 569 00:20:21,951 --> 00:20:23,693 OH, DARLING. 570 00:20:27,557 --> 00:20:28,598 WHAT? 571 00:20:31,331 --> 00:20:33,232 TECH JUST FINISHED WITH CASTLE'S COMPUTER. 572 00:20:33,232 --> 00:20:37,236 PARTS OF IT HAD BEEN WIPED, JUST LIKE TESSA'S. 573 00:20:38,668 --> 00:20:41,010 WERE THEY ABLE TO RE-- RECOVER ANYTHING? 574 00:20:41,010 --> 00:20:43,973 THEY FOUND A FILE THAT HE HAD DELETED. 575 00:20:43,973 --> 00:20:46,976 IT WAS A STORY CONCEPT ABOUT HOW TO COMMIT THE PERFECT MURDER. 576 00:20:46,976 --> 00:20:50,420 BECKETT, THE CHARACTER GETS AWAY WITH IT 577 00:20:50,420 --> 00:20:52,482 BY STAGING A CRIME SCENE SO BIZARRE, 578 00:20:52,482 --> 00:20:56,025 THE COPS CAN'T SEE HE'S HIDING RIGHT UNDER THEIR NOSES. 579 00:20:56,025 --> 00:20:58,888 IT WAS LIKE A-A DRY RUN ON PAPER, 580 00:20:58,888 --> 00:21:00,890 ALL THE WAY DOWN TO THE WEIRD SYMBOL 581 00:21:00,890 --> 00:21:02,892 THAT WE FOUND ON THE VICTIM'S FOREHEAD. 582 00:21:02,892 --> 00:21:04,664 WE FOUND SOMETHING ELSE ON HIS DRIVE. 583 00:21:04,664 --> 00:21:07,437 E-MAILS... DOZENS OF 'EM, 584 00:21:07,437 --> 00:21:11,000 BETWEEN CASTLE AND THE VICTIM. 585 00:21:12,041 --> 00:21:14,644 BECKETT... 586 00:21:15,945 --> 00:21:17,847 THEY'VE BEEN HAVING AN AFFAIR. 587 00:21:27,286 --> 00:21:29,018 (voice breaking) THEY STARTED UP ABOUT EIGHT WEEKS AGO 588 00:21:29,018 --> 00:21:30,720 ACCORDING TO THOSE E-MAILS. 589 00:21:30,720 --> 00:21:34,424 HE MET HER AFTER ONE OF HIS... BOOK SIGNINGS, 590 00:21:34,424 --> 00:21:36,065 AND HE ASKED HER OUT FOR COFFEE, 591 00:21:36,065 --> 00:21:37,967 AND THAT WAS... 592 00:21:37,967 --> 00:21:39,669 THAT WAS JUST A COUPLE OF WEEKS 593 00:21:39,669 --> 00:21:41,701 AFTER WE STARTED SEEING EACH OTHER. 594 00:21:41,701 --> 00:21:43,002 OH, SWEETIE. 595 00:21:43,002 --> 00:21:45,805 HE TOLD HER THAT HE NEEDED TO KEEP IT A SECRET 596 00:21:45,805 --> 00:21:48,778 BECAUSE HE WAS WITH SOMEONE ELSE. 597 00:21:48,778 --> 00:21:52,311 AND THEN WHEN HE TRIED TO BREAK IT OFF ABOUT A WEEK AGO, 598 00:21:52,311 --> 00:21:54,984 SHE THREATENED TO GO AND TELL HIS GIRLFRIEND. 599 00:21:54,984 --> 00:21:57,887 HE OFFERED TO COME OVER TO HER APARTMENT 600 00:21:57,887 --> 00:21:59,989 TO TALK THINGS THROUGH, 601 00:21:59,989 --> 00:22:01,951 AND THAT WAS THE NIGHT OF THE MURDER. 602 00:22:01,951 --> 00:22:03,993 HE HAD MOTIVE. 603 00:22:03,993 --> 00:22:07,697 WHAT DID CASTLE SAY WHEN YOU TALKED TO HIM? 604 00:22:07,697 --> 00:22:11,100 HE SAID THAT THE E-MAILS WERE FAKED. 605 00:22:11,100 --> 00:22:13,102 HE SAID HE NEVER WROTE THAT STORY, 606 00:22:13,102 --> 00:22:17,737 AND THAT HE WAS BEING FRAMED. 607 00:22:17,737 --> 00:22:19,038 YOU SHOULD'VE SEEN HIM, LANIE. 608 00:22:19,038 --> 00:22:22,011 HE LOOKED LIKE A LITTLE BOY, HE WAS SO SCARED. 609 00:22:22,011 --> 00:22:24,714 (exhales deeply) 610 00:22:24,714 --> 00:22:27,747 I KNOW HIM, LANIE. 611 00:22:27,747 --> 00:22:30,079 HE IS... 612 00:22:30,079 --> 00:22:34,484 AN IMMATURE, EGOTISTICAL... 613 00:22:34,484 --> 00:22:37,427 SELF-CENTERED JACKASS SOMETIMES, 614 00:22:37,427 --> 00:22:39,689 BUT HE'S NOT THIS. 615 00:22:42,392 --> 00:22:44,694 ARE YOU SURE? 616 00:22:51,541 --> 00:22:53,002 (door clanks) 617 00:22:53,002 --> 00:22:56,776 (footsteps approach) 618 00:22:58,648 --> 00:23:01,110 THEY SAY DOGS CAN SMELL FEAR. 619 00:23:01,110 --> 00:23:04,784 DID YOU KNOW THAT SOME HUMANS CAN AS WELL? 620 00:23:06,155 --> 00:23:08,458 YOU REEK OF IT. 621 00:23:08,458 --> 00:23:10,690 TYSON. 622 00:23:10,690 --> 00:23:13,162 I PREFER 3XK. 623 00:23:13,162 --> 00:23:16,996 HOW LONG HAS IT BEEN SINCE I LEFT YOU 624 00:23:16,996 --> 00:23:18,928 AND DETECTIVE RYAN IN THAT MOTEL ROOM? 625 00:23:18,928 --> 00:23:21,971 SOMEBODY! HELP! SOMEBODY! I NEED SOME HELP IN HERE! 626 00:23:21,971 --> 00:23:23,603 THEY CAN'T HEAR YOU 627 00:23:23,603 --> 00:23:25,104 OR SEE YOU. 628 00:23:25,104 --> 00:23:27,607 I'M AFRAID I'M MUCH MORE THOROUGH THAN THAT. 629 00:23:27,607 --> 00:23:30,079 YOU DID THIS. 630 00:23:30,079 --> 00:23:31,481 YOU KILLED TESSA. 631 00:23:31,481 --> 00:23:35,414 SHE'S NOT MY TYPE. I PREFER BLONDES. 632 00:23:35,414 --> 00:23:36,185 REMEMBER? 633 00:23:36,185 --> 00:23:38,948 HERE'S A MUCH MORE BELIEVABLE STORY-- 634 00:23:38,948 --> 00:23:40,189 YOU KILLED TESSA. 635 00:23:40,189 --> 00:23:42,121 IT PRACTICALLY WRITES ITSELF. 636 00:23:42,121 --> 00:23:44,524 AFTER ALL, YOU COMMIT MURDER EVERY DAY IN YOUR MIND 637 00:23:44,524 --> 00:23:46,195 FOR YOUR BOOKS. 638 00:23:46,195 --> 00:23:48,828 IT'S NOT HARD TO IMAGINE THAT YOU'D EVENTUALLY... 639 00:23:48,828 --> 00:23:50,960 CROSS THE LINE. 640 00:23:50,960 --> 00:23:53,633 WHY ARE YOU DOING THIS, TYSON? 641 00:23:53,633 --> 00:23:55,164 FOUR YEARS, CASTLE. 642 00:23:55,164 --> 00:23:58,207 I GAVE UP FOUR YEARS 643 00:23:58,207 --> 00:24:00,209 OF MY LIFE 644 00:24:00,209 --> 00:24:01,941 PLANNING THE PERFECT VANISHING ACT 645 00:24:01,941 --> 00:24:04,443 SO THAT THE COPS WOULD STOP LOOKING FOR ME, 646 00:24:04,443 --> 00:24:05,875 SO THAT I COULD BEGIN AGAIN, 647 00:24:05,875 --> 00:24:07,446 COULD BEGIN KILLING AGAIN 648 00:24:07,446 --> 00:24:10,219 SO THAT I COULD TASTE THAT FEAR... 649 00:24:10,219 --> 00:24:12,051 AGAIN. 650 00:24:12,051 --> 00:24:14,584 FOUR YEARS. 651 00:24:14,584 --> 00:24:15,955 YOU RUINED IT. 652 00:24:15,955 --> 00:24:17,787 WELL, IF IT'S REVENGE YOU WANTED, 653 00:24:17,787 --> 00:24:19,088 WHY NOT JUST KILL ME? 654 00:24:19,088 --> 00:24:20,990 WHERE'S THE FUN IN THAT? 655 00:24:20,990 --> 00:24:24,063 OH, NO, NO, IT'S MORE FUN TO DESTROY YOU. 656 00:24:24,063 --> 00:24:26,696 WHY DO YOU THINK I LET YOU LIVE THAT NIGHT IN THE MOTEL? 657 00:24:26,696 --> 00:24:29,499 PEOPLE THINK IT'S KILLING THAT I LIKE, 658 00:24:29,499 --> 00:24:31,140 BUT MURDER'S JUST AN ACT. 659 00:24:31,140 --> 00:24:37,507 IT'S ALL ABOUT THE ANTICIPATION, THE PLANNING. 660 00:24:37,507 --> 00:24:41,611 WATCHING YOU AND YOUR DAUGHTER TAKING A WALK, 661 00:24:41,611 --> 00:24:44,784 YOU AND BECKETT MAKING LOVE... 662 00:24:46,255 --> 00:24:49,488 STANDING IN YOUR LIVING ROOM, 663 00:24:49,488 --> 00:24:51,861 BEING INSIDE YOUR LIFE, 664 00:24:51,861 --> 00:24:56,726 KNOWING THAT I'M GONNA TAKE IT ALL AWAY FROM YOU... 665 00:24:56,726 --> 00:24:59,268 THAT'S WHAT I LIKE. 666 00:24:59,268 --> 00:25:01,871 YOU WON'T GET AWAY WITH THIS. 667 00:25:01,871 --> 00:25:03,502 OH, PLEASE. 668 00:25:03,502 --> 00:25:06,205 WHAT ARE YOU GONNA DO, YOU GONNA TELL 'EM THAT I CAME HERE? 669 00:25:06,205 --> 00:25:08,077 YOU THINK THAT THEY'RE GONNA 670 00:25:08,077 --> 00:25:11,811 BELIEVE THE LIES OF A DESPERATE MAN? 671 00:25:11,811 --> 00:25:13,212 BECKETT WILL. 672 00:25:13,212 --> 00:25:17,246 WELL, EVEN IF SHE DOES... 673 00:25:17,246 --> 00:25:19,018 SHE CAN'T SAVE YOU. 674 00:25:19,018 --> 00:25:20,189 THERE'S NO TIME. 675 00:25:20,189 --> 00:25:21,691 WHEN THE D.A. FILES CHARGES TOMORROW, 676 00:25:21,691 --> 00:25:23,553 THEY'RE GONNA SEND YOU TO CENTRAL BOOKING-- 677 00:25:23,553 --> 00:25:25,725 THE TOMBS. 678 00:25:25,725 --> 00:25:27,056 I HAVE PEOPLE WAITING... 679 00:25:27,056 --> 00:25:28,558 FOR YOU. 680 00:25:28,558 --> 00:25:31,901 YOU WILL NOT LAST THE NIGHT. 681 00:25:33,563 --> 00:25:34,934 AND THAT'LL BE HER PUNISHMENT-- 682 00:25:34,934 --> 00:25:36,235 BELIEVING THAT YOU WERE INNOCENT, 683 00:25:36,235 --> 00:25:39,809 AND NOT BEING ABLE TO STOP IT. 684 00:25:39,809 --> 00:25:42,271 IT'LL HAUNT HER FOR THE REST OF HER LIFE. 685 00:25:43,943 --> 00:25:47,546 LUCKY FOR YOU... YOU'LL BE DEAD. 686 00:25:56,686 --> 00:25:59,288 (door clatters) 687 00:25:59,288 --> 00:26:01,260 (door closes) 688 00:26:06,596 --> 00:26:07,767 WE WENT THROUGH THE SURVEILLANCE FOOTAGE 689 00:26:07,767 --> 00:26:09,068 FROM LAST NIGHT. 690 00:26:09,068 --> 00:26:11,070 THERE'S NO EVIDENCE THAT JERRY TYSON WAS IN THE STATION, 691 00:26:11,070 --> 00:26:12,602 AND THERE IS NO EVIDENCE 692 00:26:12,602 --> 00:26:14,774 THAT THE SYSTEM HAD BEEN TAMPERED WITH. 693 00:26:14,774 --> 00:26:16,646 BECKETT, I SWEAR TO YOU, HE WAS HERE. 694 00:26:16,646 --> 00:26:18,608 CASTLE-- NO, I KNOW. I SOUND CRAZY. 695 00:26:18,608 --> 00:26:21,110 A DESPERATE STORY FROM A DESPERATE MAN, JUST... 696 00:26:21,110 --> 00:26:22,852 JUST LIKE HE WANTED. 697 00:26:22,852 --> 00:26:25,254 YOU'RE RIGHT, IT DOES SOUND DESPERATE. 698 00:26:26,986 --> 00:26:32,762 BUT IT'S THE FIRST TIME THAT THIS STORY HAS MADE SENSE. 699 00:26:34,794 --> 00:26:36,065 YOU BELIEVE ME? 700 00:26:36,065 --> 00:26:38,998 I NEVER STOPPED. 701 00:26:50,910 --> 00:26:52,842 HE'S GONNA KILL ME, KATE. 702 00:26:52,842 --> 00:26:55,785 I CAN'T RUN, I CAN'T HIDE. 703 00:26:56,886 --> 00:26:58,718 WHAT AM I SUPPOSED TO DO? 704 00:27:01,320 --> 00:27:02,822 I'M TELLING YOU, IT'S THE TRIPLE KILLER. 705 00:27:02,822 --> 00:27:04,994 STRANGULATION, MISDIRECTS, PLANTING EVIDENCE-- 706 00:27:04,994 --> 00:27:06,796 IT'S TYSON'S M.O. 707 00:27:06,796 --> 00:27:10,730 3XK TARGETED MULTIPLE VICTIMS, ALWAYS WOMEN, NEVER MEN. 708 00:27:10,730 --> 00:27:12,161 SO WHY THE CHANGE? 709 00:27:12,161 --> 00:27:13,833 REVENGE. THAT'S THE ONLY THING THAT EXPLAINS EVERYTHING. 710 00:27:13,833 --> 00:27:16,365 NO, NOT EVERYTHING. NOT THAT VIDEO OF CASTLE. 711 00:27:16,365 --> 00:27:18,007 YEAH, ACTUALLY, IT MIGHT. 712 00:27:18,007 --> 00:27:19,939 TYSON DID SOMETHING SIMILAR IN THE RUSSO CASE. 713 00:27:19,939 --> 00:27:21,871 HE USED A DOUBLE FOR THE CAMERAS TO THROW US OFF. 714 00:27:21,871 --> 00:27:23,743 SIR, THE D.A. HAS ALREADY FILED CHARGES. 715 00:27:23,743 --> 00:27:25,915 THEY'RE GONNA SEND HIM TO CENTRAL BOOKING TODAY. 716 00:27:25,915 --> 00:27:28,417 WE KNOW THAT WE CAN PROVE THIS. WE JUST NEED MORE TIME. 717 00:27:28,417 --> 00:27:31,350 YOU WANT THE D.A.'s OFFICE TO DO WHAT? 718 00:27:31,350 --> 00:27:34,423 ALL WE'RE ASKING FOR IS A DELAY UNTIL WE CAN SORT ALL THIS OUT. 719 00:27:34,423 --> 00:27:36,425 NO, WHAT YOU'RE ASKING FOR IS PREFERENTIAL TREATMENT 720 00:27:36,425 --> 00:27:37,757 FOR A MURDER SUSPECT. 721 00:27:37,757 --> 00:27:38,958 YOU WANT TO SORT THIS OUT, 722 00:27:38,958 --> 00:27:40,289 YOU SORT IT OUT AFTER HE'S ARRAIGNED. 723 00:27:40,289 --> 00:27:41,831 NO, I DON'T THINK YOU UNDERSTAND. 724 00:27:41,831 --> 00:27:42,932 THERE'S NOT GONNA BE AN AFTER. 725 00:27:42,932 --> 00:27:44,263 IF IT'S HIS SAFETY YOU'RE CONCERNED ABOUT, 726 00:27:44,263 --> 00:27:46,365 WE'RE PREPARED TO PUT HIM IN PROTECTIVE CUSTODY. 727 00:27:46,365 --> 00:27:48,237 DO YOU HAVE ANY IDEA WHO YOU'RE DEALING WITH? 728 00:27:48,237 --> 00:27:50,069 DO YOU EVEN KNOW WHAT JERRY TYSON 729 00:27:50,069 --> 00:27:53,002 HAS PROVEN HIMSELF CAPABLE OF? 730 00:27:53,002 --> 00:27:56,776 WHO DO YOU THINK MET WITH THE FAMILIES OF HIS VICTIMS 731 00:27:56,776 --> 00:27:57,947 AND HELD THEIR HANDS 732 00:27:57,947 --> 00:28:00,780 WHEN HE SLIPPED THROUGH YOUR FINGERS, DETECTIVE? 733 00:28:00,780 --> 00:28:02,952 I'M VERY AWARE OF WHAT 3XK IS CAPABLE OF. 734 00:28:02,952 --> 00:28:04,383 THEN YOU SHOULD KNOW 735 00:28:04,383 --> 00:28:06,385 THAT YOUR PROTECTIVE CUSTODY ISN'T WORTH A DAMN. 736 00:28:06,385 --> 00:28:09,889 IF HE WANTS TO KILL CASTLE, HE'S GONNA FIND A WAY TO DO IT. 737 00:28:09,889 --> 00:28:12,221 CAPTAIN GATES, ASIDE FROM YOUR 738 00:28:12,221 --> 00:28:15,224 UNSUBSTANTIATED CLAIM FROM A MURDER SUSPECT, 739 00:28:15,224 --> 00:28:17,466 CAN YOU OFFER THE D.A.'s OFFICE ONE SHRED OF EVIDENCE 740 00:28:17,466 --> 00:28:19,398 OF 3XK's INVOLVEMENT? 741 00:28:19,398 --> 00:28:21,931 NOT AT THIS TIME. 742 00:28:21,931 --> 00:28:24,403 THEN WE'RE DONE HERE. 743 00:28:24,403 --> 00:28:26,876 (Esposito) I'VE SPENT SOME TIME IN CENTRAL. 744 00:28:26,876 --> 00:28:28,037 I'VE SEEN THE TOMBS. 745 00:28:28,037 --> 00:28:30,309 THE WAY THEY STACK BODIES IN THOSE CELLS, 746 00:28:30,309 --> 00:28:31,741 IF THERE'S A BOUNTY ON CASTLE'S HEAD, 747 00:28:31,741 --> 00:28:32,882 PROTECTIVE CUSTODY AIN'T GONNA DO JACK. 748 00:28:32,882 --> 00:28:34,713 THAT'S ASSUMING TYSON PAID OFF A PRISONER. 749 00:28:34,713 --> 00:28:35,915 IT COULD BE A GUARD. 750 00:28:35,915 --> 00:28:38,748 SO WE CAN'T PROTECT HIM, NOT THERE. 751 00:28:43,222 --> 00:28:45,825 WE HAVE TO STOP THAT TRANSFER. 752 00:28:45,825 --> 00:28:48,758 WE NEED EVIDENCE THAT 3XK WAS INVOLVED. 753 00:28:48,758 --> 00:28:50,029 YEAH, BUT WE GOT NOTHING TO GO ON. 754 00:28:50,029 --> 00:28:52,862 OKAY, TO PULL THIS OFF, HE NEEDED ACCESS TO CASTLE'S LOFT. 755 00:28:52,862 --> 00:28:55,805 SO GET TEAMS OVER THERE AND TEAR THAT PLACE APART. 756 00:28:55,805 --> 00:28:57,306 FIND ME A FINGERPRINT, A HIDDEN MICROPHONE, 757 00:28:57,306 --> 00:29:00,309 A BROKEN WINDOW JAMB, ANYTHING THAT PUTS HIM THERE. 758 00:29:00,309 --> 00:29:02,471 TESSA WAS SEEING SOMEONE. IF IT WASN'T CASTLE... 759 00:29:02,471 --> 00:29:04,073 THEN MAYBE IT WAS TYSON. 760 00:29:04,073 --> 00:29:05,474 HIT HER OFFICE. 761 00:29:05,474 --> 00:29:07,376 LOOK FOR FILES, SCHEDULES, CLIENT LISTS. 762 00:29:07,376 --> 00:29:11,280 THERE'S GOTTA BE SOMETHING THAT TIES BACK TO HIM. 763 00:29:16,425 --> 00:29:18,888 HEY. 764 00:29:18,888 --> 00:29:20,960 I JUST HEARD FROM THE TEAM AT CASTLE'S LOFT. 765 00:29:20,960 --> 00:29:23,162 NOTHING YET. 766 00:29:23,162 --> 00:29:26,095 SO IT'S GONNA HAPPEN JUST LIKE TYSON SAID, HUH? 767 00:29:26,095 --> 00:29:28,437 I'M NOT GONNA BE ABLE TO SAVE HIM IN TIME. 768 00:29:28,437 --> 00:29:29,538 WELL, WE'RE NOT DONE YET. 769 00:29:32,001 --> 00:29:33,472 JAV... 770 00:29:35,204 --> 00:29:37,046 (lowered voice) HOW SECURE IS HOLDING? 771 00:29:37,046 --> 00:29:38,007 (lowered voice) WHAT? WHOA. 772 00:29:38,007 --> 00:29:39,548 YOU'RE NOT EVEN THINKING ABOUT THAT. 773 00:29:39,548 --> 00:29:40,910 WE'RE TALKING ABOUT HIS LIFE. WE CAN'T LET THEM TAKE HIM. 774 00:29:40,910 --> 00:29:41,881 ARE YOU CRAZY? IT WOULD NEVER WORK. 775 00:29:41,881 --> 00:29:43,052 YOU'LL NEVER EVEN GET OUT OF HOLDING. 776 00:29:43,052 --> 00:29:44,213 TYSON DID IT. 777 00:29:44,213 --> 00:29:45,815 BECAUSE NOBODY WAS LOOKING FOR HIM. 778 00:29:45,815 --> 00:29:47,857 HE HAD WEEKS TO PLAN IT, MAYBE EVEN LONGER. Y-- 779 00:29:47,857 --> 00:29:49,889 I KNOW HOW YOU FEEL ABOUT THE GUY. 780 00:29:49,889 --> 00:29:51,961 I LOVE HIM, TOO. 781 00:29:51,961 --> 00:29:53,792 BUT THERE'S NOTHING WE CAN DO. 782 00:29:53,792 --> 00:29:55,224 (Gates) BECKETT. 783 00:29:55,224 --> 00:29:58,027 THEY'RE HERE. 784 00:30:00,299 --> 00:30:02,972 (door clatters) 785 00:30:10,039 --> 00:30:12,011 (handcuffs clicking) THIS IS SO MUCH LESS FUN 786 00:30:12,011 --> 00:30:15,044 THAN THE OTHER NIGHT AT YOUR PLACE. 787 00:30:15,044 --> 00:30:18,117 DO YOU REMEMBER THE FIRST TIME YOU HANDCUFFED ME? 788 00:30:18,117 --> 00:30:20,920 WE WERE AT THE NEW YORK PUBLIC LIBRARY. 789 00:30:20,920 --> 00:30:22,591 REMEMBER HOW ANGRY YOU WERE 790 00:30:22,591 --> 00:30:25,194 THAT I WOULDN'T STOP INVESTIGATING THAT CASE? 791 00:30:25,194 --> 00:30:27,226 YEAH, I REMEMBER. 792 00:30:27,226 --> 00:30:30,860 WHAT I WOULDN'T GIVE TO BE THERE NOW. 793 00:30:33,903 --> 00:30:35,534 CASTLE... 794 00:30:35,534 --> 00:30:37,036 (whispering) THIS ISN'T OVER. 795 00:30:37,036 --> 00:30:39,368 I PROMISE YOU, I WILL GET YOU OUT. 796 00:30:39,368 --> 00:30:41,971 IT'S OKAY. 797 00:30:41,971 --> 00:30:43,973 WHATEVER HAPPENS, 798 00:30:43,973 --> 00:30:46,215 IT'S OKAY. 799 00:30:46,215 --> 00:30:48,948 (sighs) 800 00:31:03,362 --> 00:31:05,034 (elevator bell dings) 801 00:31:05,034 --> 00:31:07,436 (doors clatter) 802 00:31:19,508 --> 00:31:20,950 (dings) 803 00:31:22,111 --> 00:31:23,983 (doors close) 804 00:31:27,056 --> 00:31:28,357 I'M SORRY. 805 00:31:28,357 --> 00:31:31,060 DON'T BE SORRY. I DON'T NEED SORRY. 806 00:31:31,060 --> 00:31:32,361 I NEED TO FIND THIS SON OF A BITCH 807 00:31:32,361 --> 00:31:34,023 AND PUT HIM IN THE GROUND. 808 00:31:35,524 --> 00:31:36,895 DETECTIVE BECKETT. 809 00:31:36,895 --> 00:31:38,067 WHAT? 810 00:31:38,067 --> 00:31:40,399 WE'RE HERE TO TRANSPORT ONE OF YOURS TO CENTRAL-- 811 00:31:40,399 --> 00:31:42,571 A, UH, RICHARD CASTLE? 812 00:31:50,309 --> 00:31:51,580 YES. I'M LOOKING AT THE TRANSFER ORDER RIGHT HERE. 813 00:31:51,580 --> 00:31:53,112 NO, THE PAPERWORK SAYS THAT THE BADGE NUMBER... 814 00:31:53,112 --> 00:31:54,283 NO. ARE YOU SURE? 815 00:31:54,283 --> 00:31:55,414 WAS 8-7-1-3-2-4. 816 00:31:55,414 --> 00:31:57,486 (sighs) CENTRAL BOOKING SAYS HE NEVER ARRIVED. 817 00:31:57,486 --> 00:31:58,487 THEY DON'T KNOW WHERE IN THE HELL HE IS. 818 00:31:58,487 --> 00:32:00,519 RIGHT. OKAY. 819 00:32:00,519 --> 00:32:02,921 (receiver clatters) THE BADGE NUMBERS ON THE PAPERWORK DON'T EXIST. 820 00:32:02,921 --> 00:32:04,153 THEY WERE IMPOSTERS. 821 00:32:04,153 --> 00:32:06,325 IT'S GOTTA BE TYSON. HE SET THIS UP. 822 00:32:06,325 --> 00:32:07,656 HE ISN'T GONNA HAVE CASTLE KILLED. 823 00:32:07,656 --> 00:32:09,398 HE'S GONNA KILL HIM HIMSELF. 824 00:32:09,398 --> 00:32:11,030 WELL, THE D.A.'s CALLING IT A PRISONER ESCAPE. 825 00:32:11,030 --> 00:32:13,362 THEY'VE ISSUED AN A.P.B. AND INSTRUCTED ME 826 00:32:13,362 --> 00:32:14,333 TO BEGIN A MANHUNT. 827 00:32:14,333 --> 00:32:15,504 WHAT? THEY THINK CASTLE DID THIS? 828 00:32:15,504 --> 00:32:16,665 WELL, AS FAR AS THEY'RE CONCERNED, 829 00:32:16,665 --> 00:32:19,268 HE'S WELL-CONNECTED, KNOWS OUR PROCEDURE, 830 00:32:19,268 --> 00:32:20,569 AND HAS SUBSTANTIAL RESOURCES. 831 00:32:20,569 --> 00:32:23,342 THAT'S RIDICULOUS. 832 00:32:23,342 --> 00:32:25,344 YOU TWO KEEP WORKING THE TYSON ANGLE. 833 00:32:25,344 --> 00:32:26,675 I'VE GOT THIS. 834 00:32:26,675 --> 00:32:30,579 (lowered voice) RESOURCES. 835 00:32:30,579 --> 00:32:32,021 (speaks inaudibly) 836 00:32:32,021 --> 00:32:33,382 CAN YOU BELIEVE THAT? 837 00:32:33,382 --> 00:32:35,284 (raised voice) BRANDING CASTLE A FUGITIVE 838 00:32:35,284 --> 00:32:37,556 WHEN HE'S PROBABLY BEING HELD CAPTIVE BY A SERIAL KILLER? 839 00:32:37,556 --> 00:32:40,389 (normal voice) SO WHAT'S OUR NEXT... 840 00:32:40,389 --> 00:32:43,332 MOVE? 841 00:32:48,137 --> 00:32:51,970 (people speaking indistinctly) 842 00:33:03,482 --> 00:33:05,414 (sighs) 843 00:33:05,414 --> 00:33:07,056 (lowered voice) OH, THANK GOD YOU'RE OKAY. 844 00:33:07,056 --> 00:33:09,618 (lowered voice) THANK GOD YOU UNDERSTOOD MY MESSAGE. 845 00:33:09,618 --> 00:33:11,690 THE FIRST TIME THAT I CUFFED YOU-- 846 00:33:11,690 --> 00:33:14,693 WHAT YOU WOULDN'T GIVE TO BE BACK THERE NOW. 847 00:33:14,693 --> 00:33:16,225 COME ON. 848 00:33:16,225 --> 00:33:17,766 YEAH. 849 00:33:19,128 --> 00:33:21,330 I KNEW I COULDN'T CALL ONCE I LEFT. 850 00:33:21,330 --> 00:33:23,232 CASTLE, HOW DID YOU DO IT? HOW DID YOU ESCAPE? 851 00:33:23,232 --> 00:33:25,234 I'VE GOT A GREAT LAWYER. COME ON. 852 00:33:25,234 --> 00:33:27,206 SOMEONE OWNED ME A FAVOR. THE LESS YOU KNOW, THE BETTER. 853 00:33:27,206 --> 00:33:29,208 BUT THE GOOD NEWS IS, I'M STILL ALIVE. 854 00:33:29,208 --> 00:33:31,640 THE D.A. HAS BRANDED YOU A FUGITIVE. 855 00:33:31,640 --> 00:33:33,482 EVERY COP IN NEW YORK IS LOOKING FOR YOU. 856 00:33:33,482 --> 00:33:35,314 YES, WELL, THEY WON'T BE THE ONLY ONES 857 00:33:35,314 --> 00:33:36,515 AFTER THE 5:00 NEWS. 858 00:33:36,515 --> 00:33:39,518 AND BY NOW THEY'VE TAGGED MY PHONE, MY HOUSE, MY ACCOUNTS. 859 00:33:39,518 --> 00:33:41,450 I'M NOT GONNA LAST LONG OUT HERE. WE HAVE TO ACT QUICKLY. 860 00:33:41,450 --> 00:33:44,193 I'VE GOT TEAMS AT YOUR PLACE LOOKING FOR ANY TRACE OF TYSON. 861 00:33:44,193 --> 00:33:46,355 RYAN IS WADING THROUGH PAPERWORK AT TESSA'S OFFICE 862 00:33:46,355 --> 00:33:47,656 TO SEE IF THERE'S A CONNECTION. 863 00:33:47,656 --> 00:33:50,529 WELL, THAT COULD TAKE WEEKS. I THINK I GOT SOMETHING BETTER. 864 00:33:50,529 --> 00:33:52,101 SITTING IN HOLDING, I KEPT THINKING, 865 00:33:52,101 --> 00:33:54,463 HOW COULD HE POSSIBLY PULL THIS OFF? 866 00:33:54,463 --> 00:33:57,166 HOW COULD HE GET VIDEO OF ME BUYING THOSE EARRINGS? 867 00:33:57,166 --> 00:33:59,438 AND THEN IT HIT ME... 868 00:33:59,438 --> 00:34:01,440 "BROADWAY CASTING"? 869 00:34:01,440 --> 00:34:04,443 YOU WANT SOMEONE TO PLAY A ROLE, YOU CAST IT. 870 00:34:04,443 --> 00:34:06,515 LOOK AT THIS NOTICE FROM FOUR MONTHS AGO 871 00:34:06,515 --> 00:34:07,816 BY A CELEBRITY LOOKALIKE FIRM. 872 00:34:07,816 --> 00:34:09,548 "A PRIVATE BOOK CLUB PARTY." 873 00:34:09,548 --> 00:34:11,150 LOOK WHO THEY'RE LOOKING FOR. 874 00:34:11,150 --> 00:34:13,352 "JAMES PATTERSON, STEPHEN KING, J.K. ROWLING"... 875 00:34:13,352 --> 00:34:15,484 AND... ME. 876 00:34:17,156 --> 00:34:18,827 (woman) YEAH, WE PLACED THAT AD. 877 00:34:18,827 --> 00:34:21,660 SENT A COUPLE OF HEADSHOTS OVER TO THE CLIENT'S P.O. BOX, 878 00:34:21,660 --> 00:34:23,162 BUT NEVER HEARD BACK. 879 00:34:23,162 --> 00:34:24,733 SHOO. 880 00:34:24,733 --> 00:34:26,395 UH, COULD I GET THE ADDRESS? 881 00:34:26,395 --> 00:34:27,566 SURE. 882 00:34:27,566 --> 00:34:30,099 AND DID YOU SEND OVER ANY RICHARD CASTLES? 883 00:34:30,099 --> 00:34:31,340 LET ME CHECK. 884 00:34:31,340 --> 00:34:33,802 (keyboard keys click, computer beeps) 885 00:34:33,802 --> 00:34:35,174 JUST ONE. 886 00:34:35,174 --> 00:34:37,376 GREAT. WE'LL NEED HIS INFORMATION AS WELL. 887 00:34:37,376 --> 00:34:38,507 OKAY, THANKS. 888 00:34:38,507 --> 00:34:39,848 (cell phone beeps) 889 00:34:39,848 --> 00:34:42,281 SO THE P.O. BOX THE AGENCY SENT THE HEADSHOTS TO 890 00:34:42,281 --> 00:34:44,683 WAS PAID FOR IN CASH AND RENTED FOR A MONTH. 891 00:34:44,683 --> 00:34:46,685 THE OWNERS GAVE NO FORWARDING ADDRESS. 892 00:34:46,685 --> 00:34:48,157 IT'S A DEAD END. 893 00:34:48,157 --> 00:34:49,458 WELL, TYSON MIGHT BE A DEAD END, 894 00:34:49,458 --> 00:34:51,220 BUT RICHARD CASTLE ISN'T. 895 00:34:51,220 --> 00:34:52,491 LOOK, IT'S ME. 896 00:34:54,263 --> 00:34:56,865 YEAH, PEOPLE COME UP SOMETIMES, 897 00:34:56,865 --> 00:34:58,567 ASKING ME TO SIGN YOUR BOOKS. 898 00:34:58,567 --> 00:35:00,599 SO I FIGURED I'D SUBMIT. 899 00:35:00,599 --> 00:35:02,271 I NEVER HEARD BACK. 900 00:35:02,271 --> 00:35:04,473 YOU KNOW, UH, NOW THAT I'M UP CLOSE, 901 00:35:04,473 --> 00:35:05,774 I REALLY DON'T SEE IT. 902 00:35:05,774 --> 00:35:07,536 UH... SO, UH, 903 00:35:07,536 --> 00:35:08,677 I-IS THIS YOU? 904 00:35:08,677 --> 00:35:10,239 (photo rustles) 905 00:35:10,239 --> 00:35:11,540 YEAH. 906 00:35:11,540 --> 00:35:14,112 THAT WAS FOR A REALITY SHOW ON STORE SECURITY. 907 00:35:14,112 --> 00:35:16,845 IT WAS AN ODD GIG. THEY SENT ME IN TO BUY EARRINGS. 908 00:35:16,845 --> 00:35:19,518 AND WAS THIS MAN INVOLVED SOMEHOW? 909 00:35:19,518 --> 00:35:22,691 HE LOOKS A LITTLE LIKE THE SHOW'S PRODUCER. 910 00:35:22,691 --> 00:35:25,724 YOU WOULDN'T HAPPEN TO HAVE HIS CONTACT INFORMATION, 911 00:35:25,724 --> 00:35:27,125 WOULD YOU? 912 00:35:27,125 --> 00:35:28,397 WHAT DO YOU MEAN, HE'S WITH YOU? 913 00:35:28,397 --> 00:35:29,558 HOW DID HE ESCAPE? 914 00:35:29,558 --> 00:35:31,360 ESPO, NOT NOW. I NEED AN ADDRESS. 915 00:35:31,360 --> 00:35:33,532 All right, well, the address for the show's producer 916 00:35:33,532 --> 00:35:34,903 is another 917 00:35:34,903 --> 00:35:36,865 DEAD P.O. BOX, AND THE PHONE NUMBER'S DEFUNCT. 918 00:35:36,865 --> 00:35:39,168 OKAY, WHAT ABOUT HIS PAYCHECK? 919 00:35:39,168 --> 00:35:40,639 Well, I talked to the bank, 920 00:35:40,639 --> 00:35:42,871 AND THE CORPORATE ACCOUNT THAT CUT THE CHECK IS CLOSED. 921 00:35:42,871 --> 00:35:44,613 And the corporate contact, 922 00:35:44,613 --> 00:35:46,815 Joseph Vacher, well, doesn't seem to exist. 923 00:35:46,815 --> 00:35:49,718 YEAH, HE EXISTS, ALL RIGHT. OR AT LEAST HE USED TO. 924 00:35:49,718 --> 00:35:52,521 JOSEPH VACHER IS A FAMOUS FRENCH SERIAL KILLER 925 00:35:52,521 --> 00:35:53,652 FROM THE LATE 1800s. 926 00:35:53,652 --> 00:35:55,224 SO HE'S GOT A SENSE OF HUMOR. 927 00:35:55,224 --> 00:35:56,325 HAVE ANY OTHER CHECKS BEEN WRITTEN 928 00:35:56,325 --> 00:35:57,426 FROM THAT CORPORATE ACCOUNT? 929 00:35:57,426 --> 00:35:58,887 (keyboard keys click) 930 00:35:58,887 --> 00:36:01,530 YEAH, CUT TO A... 931 00:36:01,530 --> 00:36:02,631 KURTZMAN INSURANCE. 932 00:36:02,631 --> 00:36:05,234 TESSA WORKED FOR THEM. 933 00:36:05,234 --> 00:36:06,835 SO THERE'S NO MENTION OF VACHER IN HER POLICY FILES... 934 00:36:06,835 --> 00:36:08,197 (beeps) 935 00:36:08,197 --> 00:36:11,500 but there was an entry in her calendar. 936 00:36:11,500 --> 00:36:12,641 YEAH, HERE IT IS. 937 00:36:12,641 --> 00:36:15,444 SIX WEEKS AGO-- SITE VISIT WITH A J.V. 938 00:36:15,444 --> 00:36:16,875 WELL, THAT'S HIM. IT HAS TO BE. 939 00:36:16,875 --> 00:36:18,847 DID SHE WRITE ANYTHING ELSE WITH IT-- 940 00:36:18,847 --> 00:36:20,909 A PHONE NUMBER, E-MAILS, AN ADDRESS? 941 00:36:20,909 --> 00:36:23,181 NO PHONE NUMBER, BUT THERE IS AN ADDRESS. 942 00:36:23,181 --> 00:36:24,583 MAYBE WHERE THEY WENT FOR THE SITE VISIT. 943 00:36:24,583 --> 00:36:25,854 LOOKS LIKE IT'S IN NORTHERN MANHATTAN 944 00:36:25,854 --> 00:36:27,216 near the bridge. 945 00:36:27,216 --> 00:36:28,387 CASTLE, HE WAS POSING AS A BUILDING OWNER 946 00:36:28,387 --> 00:36:29,558 LOOKING FOR INSURANCE. 947 00:36:29,558 --> 00:36:31,260 HE PROBABLY FOUND AN EMPTY PROPERTY. 948 00:36:31,260 --> 00:36:32,591 COULD BE WORTH A LOOK. 949 00:36:32,591 --> 00:36:34,563 KEV, HOOK UP WITH ESPO AND MEET US THERE. 950 00:36:34,563 --> 00:36:36,194 You got it. 951 00:36:36,194 --> 00:36:37,366 (cell phone beeps) 952 00:36:37,366 --> 00:36:39,228 SOMEONE SAW THE NEWS. WE GOTTA GO. 953 00:36:47,736 --> 00:36:49,908 (car doors close) (Ryan) OWNER SAYS IT'S UNOCCUPIED. 954 00:36:49,908 --> 00:36:52,441 HASN'T BEEN A TENANT FOR NEARLY A YEAR. 955 00:36:52,441 --> 00:36:53,582 THEN WHO'S UP THERE? 956 00:36:53,582 --> 00:36:55,784 COULD BE SOMEONE OR IT COULD BE JUST A LIGHT. 957 00:36:57,686 --> 00:36:59,418 DID YOU JUST SEE THAT? ALL RIGHT, GUYS. LET'S MOVE. COME ON. 958 00:37:12,631 --> 00:37:15,704 (hinges squeak) 959 00:37:21,510 --> 00:37:23,342 IT WAS NOTHING. 960 00:37:23,342 --> 00:37:24,643 JUST A SHEET. 961 00:37:27,816 --> 00:37:30,248 YOU GUYS. 962 00:37:30,248 --> 00:37:31,750 OVER HERE. 963 00:37:47,296 --> 00:37:48,697 (Ryan) ONCE HE'D OBTAINED CASTLE'S PRINT FROM HIS LOFT, 964 00:37:48,697 --> 00:37:50,038 HE USED A BINDING AGENT AND SOME RUBBER CEMENT 965 00:37:50,038 --> 00:37:51,800 TO BUILD A LATEX MODEL OF HIS FINGERPRINT. 966 00:37:51,800 --> 00:37:53,001 SURVEILLANCE PHOTOS, 967 00:37:53,001 --> 00:37:55,374 ARCHITECTURAL PLANS FOR CASTLE'S LOFT... 968 00:37:55,374 --> 00:37:56,875 A PRECINCT MAP, 969 00:37:56,875 --> 00:37:58,807 INCLUDING THE LOCATIONS OF ALL OF OUR VIDEO CAMERAS-- 970 00:37:58,807 --> 00:38:01,009 HE ORCHESTRATED EVERYTHING RIGHT DOWN TO THE LAST DETAIL. 971 00:38:01,009 --> 00:38:02,681 HE EVEN IMPLICATED KURTZMAN 972 00:38:02,681 --> 00:38:05,354 TO MAKE IT LOOK LIKE CASTLE WAS COVERING HIS TRACKS. 973 00:38:05,354 --> 00:38:06,655 I DON'T GET IT. 974 00:38:06,655 --> 00:38:07,986 WHY GO THROUGH ALL THIS JUST TO SET YOU UP? 975 00:38:07,986 --> 00:38:09,958 BECAUSE DEATH ONLY TAKES A MOMENT. 976 00:38:09,958 --> 00:38:13,061 THE PREPARATION AND PAGEANTRY, THAT'S WHAT HE LOVES. 977 00:38:13,061 --> 00:38:14,423 (camera shutter clicking) 978 00:38:14,423 --> 00:38:15,994 WELL, MR. CASTLE, 979 00:38:15,994 --> 00:38:17,426 IT LOOKS LIKE YOU'RE OFF THE HOOK. 980 00:38:17,426 --> 00:38:18,927 I'VE SPOKEN TO THE D.A., 981 00:38:18,927 --> 00:38:20,769 AND THEY'LL BE DROPPING ALL CHARGES. 982 00:38:20,769 --> 00:38:22,471 THANK YOU, SIR. 983 00:38:22,471 --> 00:38:23,902 FOR THIS, AT LEAST. 984 00:38:23,902 --> 00:38:27,336 THERE'S STILL THE MATTER OF YOUR ESCAPE FROM CUSTODY. 985 00:38:27,336 --> 00:38:29,338 HOWEVER, UNDER THE CIRCUMSTANCES, 986 00:38:29,338 --> 00:38:32,911 I'M PRETTY SURE YOU CAN NEGOTIATE DOWN TO TIME SERVED. 987 00:38:32,911 --> 00:38:35,013 UH, DETECTIVE, WHY DON'T YOU TAKE HIM DOWN TO THE STATION, 988 00:38:35,013 --> 00:38:36,515 START THE PAPERWORK? 989 00:38:36,515 --> 00:38:37,686 YO. 990 00:38:37,686 --> 00:38:39,888 SO THE TACTICAL TEAM SEARCHED THE WHOLE BUILDING. 991 00:38:39,888 --> 00:38:41,049 NO SIGN OF HIM. 992 00:38:41,049 --> 00:38:42,551 WHEN C.S.U. FINISHES, 993 00:38:42,551 --> 00:38:45,023 FALL BACK AND PUT THE BUILDING UNDER SURVEILLANCE. 994 00:38:45,023 --> 00:38:46,895 WHAT IF HE'S ALREADY SEEN US AND HE DOESN'T COME BACK? 995 00:38:46,895 --> 00:38:48,927 EVERY COP IN THIS CITY 996 00:38:48,927 --> 00:38:50,499 IS LOOKING FOR HIM. 997 00:38:50,499 --> 00:38:52,461 HE WON'T GET FAR. 998 00:38:56,034 --> 00:38:58,006 (boat's horn blows) 999 00:38:58,006 --> 00:39:01,570 (bells dinging) 1000 00:39:05,814 --> 00:39:09,518 (dinging continues) 1001 00:39:09,518 --> 00:39:13,482 (motor whirring) 1002 00:39:13,482 --> 00:39:15,654 YOU OKAY? 1003 00:39:15,654 --> 00:39:18,427 YEAH. 1004 00:39:18,427 --> 00:39:20,989 JUST FINDING THAT STUFF OF TYSON'S... 1005 00:39:20,989 --> 00:39:23,031 IT SEEMS LUCKY. 1006 00:39:23,031 --> 00:39:25,734 YEAH, WELL, SOMETIMES LUCK IS ALL YOU NEED. 1007 00:39:25,734 --> 00:39:28,997 HE CAN'T HIDE NOW. WE'LL FIND HIM. 1008 00:39:28,997 --> 00:39:30,138 THANK YOU. 1009 00:39:30,138 --> 00:39:32,741 FOR WHAT? 1010 00:39:32,741 --> 00:39:33,972 BELIEVING IN ME. 1011 00:39:33,972 --> 00:39:36,905 I MEAN, GIVEN MY REPUTATION, MY HISTORY... 1012 00:39:36,905 --> 00:39:38,847 WHEN YOU SAW THOSE E-MAILS, 1013 00:39:38,847 --> 00:39:40,979 IT WOULD'VE BEEN REAL EASY NOT TO. 1014 00:39:40,979 --> 00:39:44,382 YEAH, WELL, THINGS HAVE NEVER BEEN EASY BETWEEN YOU AND ME. 1015 00:39:44,382 --> 00:39:45,954 (whirring continues) 1016 00:39:45,954 --> 00:39:48,657 MAYBE THAT'S WHAT MAKES IT ALL WORTH-- 1017 00:39:48,657 --> 00:39:51,990 (tires squealing) 1018 00:40:00,429 --> 00:40:02,731 IT'S TYSON. CASTLE, GET DOWN! 1019 00:40:02,731 --> 00:40:04,102 (gunshots) 1020 00:40:09,137 --> 00:40:10,679 UGH! 1021 00:40:17,446 --> 00:40:18,647 (thuds) 1022 00:40:21,750 --> 00:40:22,921 (clatters) 1023 00:40:22,921 --> 00:40:24,152 COME HERE, KATE. COME HERE. 1024 00:40:24,152 --> 00:40:25,754 CASTLE! 1025 00:40:25,754 --> 00:40:28,026 I GOT YOUR GIRL! (Beckett groans) 1026 00:40:28,026 --> 00:40:29,628 ARE YOU WATCHING? 1027 00:40:29,628 --> 00:40:31,059 I WANT YOU TO SEE THIS. 1028 00:40:32,901 --> 00:40:36,134 YOU THINK THAT I'D LET YOU LIVE AFTER EVERYTHING YOU'VE DONE? 1029 00:40:36,134 --> 00:40:38,106 CASTLE! 1030 00:40:38,106 --> 00:40:40,068 COME ON. I WANT YOU TO WATCH. 1031 00:40:40,068 --> 00:40:43,011 I WANT YOU TO WATCH AS I TAKE HER LIFE. 1032 00:40:49,077 --> 00:40:51,850 OVER HERE. 1033 00:40:51,850 --> 00:40:53,121 (grunts) OH! 1034 00:40:53,121 --> 00:40:54,883 (grunts, gunshots) 1035 00:40:56,555 --> 00:40:58,086 (water splashes) 1036 00:40:59,988 --> 00:41:02,991 (panting) 1037 00:41:14,202 --> 00:41:16,505 (sirens wailing) 1038 00:41:16,505 --> 00:41:19,107 (camera shutter clicking) 1039 00:41:19,107 --> 00:41:20,979 (helicopter blades whirring) 1040 00:41:20,979 --> 00:41:22,551 (man, amplified voice) MOVE THAT PERIMETER BACK ON THE BEACH 1041 00:41:22,551 --> 00:41:23,712 ANOTHER 4 OR 5. 1042 00:41:23,712 --> 00:41:25,554 (siren whoops) 1043 00:41:25,554 --> 00:41:28,587 (man) THE WATER'S PRETTY MURKY. HAVEN'T SEEN ANYTHING YET. 1044 00:41:28,587 --> 00:41:31,159 THEY STILL HAVEN'T FOUND THE BODY. 1045 00:41:31,159 --> 00:41:33,021 (camera shutter clicking) 1046 00:41:33,021 --> 00:41:34,192 THEY WON'T. 1047 00:41:34,192 --> 00:41:35,764 HE'S NOT DEAD. 1048 00:41:35,764 --> 00:41:37,225 CASTLE, WHAT ARE YOU SAYING? 1049 00:41:37,225 --> 00:41:39,227 THIS WAS NEVER ABOUT ME. 1050 00:41:39,227 --> 00:41:40,929 THIS WAS ABOUT HIM. 1051 00:41:40,929 --> 00:41:42,601 THOSE INITIALS IN HER DATE BOOK? 1052 00:41:42,601 --> 00:41:45,133 HE'S NOT THAT CARELESS. 1053 00:41:45,133 --> 00:41:47,135 HE WANTED US TO FIND THAT PLACE. 1054 00:41:47,135 --> 00:41:50,539 HE WANTED US ON THIS BRIDGE. 1055 00:41:50,539 --> 00:41:52,210 TESSA'S MURDER, THE FRAME UP-- 1056 00:41:52,210 --> 00:41:54,883 ALL OF IT WAS TO GET US HERE SO WE COULD HELP HIM DO 1057 00:41:54,883 --> 00:41:57,185 WHAT HE COULDN'T DO FOR HIMSELF-- 1058 00:41:57,185 --> 00:41:59,748 DISAPPEAR SO HE CAN START KILLING AGAIN. 1059 00:41:59,748 --> 00:42:02,150 YOU THINK HE PLANNED THIS? 1060 00:42:02,150 --> 00:42:05,023 HOW DOES A WANTED MAN STOP BEING WANTED? 1061 00:42:05,023 --> 00:42:07,095 (clicking continues) 1062 00:42:07,095 --> 00:42:10,528 IT HAS TO BE PUBLIC AND IT HAS TO BE FINAL. 1063 00:42:10,528 --> 00:42:12,601 DO YOU KNOW HOW CRAZY THAT SOUNDS? 1064 00:42:12,601 --> 00:42:15,003 NO ONE'S GONNA BE LOOKING FOR HIM ANYMORE. 1065 00:42:15,003 --> 00:42:16,534 (people speaking indistinctly) 1066 00:42:16,534 --> 00:42:18,066 YOU SHOT HIM. 1067 00:42:18,066 --> 00:42:20,609 HE'S DEAD. IT'S OVER. 1068 00:42:20,609 --> 00:42:23,612 (people continue speaking indistinctly) 1069 00:42:30,118 --> 00:42:33,582 FOR NOW.