1 00:00:02,373 --> 00:00:04,205 (latch clicks) 2 00:00:36,036 --> 00:00:38,038 (beeps) AAH! 3 00:00:38,038 --> 00:00:39,370 (vests beeping) DAD... 4 00:00:39,370 --> 00:00:40,771 WHAT ARE YOU DOING? 5 00:00:40,771 --> 00:00:42,543 YOU HAVE 30 SECONDS TO SUIT UP. 6 00:00:42,543 --> 00:00:44,115 I-- 7 00:00:44,115 --> 00:00:45,416 THE GAME'S AFOOT. 8 00:00:45,416 --> 00:00:46,547 DAD-- 9 00:00:46,547 --> 00:00:48,319 WAIT. LET ME SAVOR THIS. 10 00:00:48,319 --> 00:00:50,351 I HAVEN'T GOTTEN THE DROP ON YOU SINCE YOU WERE 10. 11 00:00:50,351 --> 00:00:52,183 OH, THIS FEELS LIKE... 12 00:00:52,183 --> 00:00:53,684 (beeping continues) 13 00:00:53,684 --> 00:00:55,186 VICTORY. 14 00:00:55,186 --> 00:00:57,158 DAD, LOOK, I CAN'T, OKAY? 15 00:00:57,158 --> 00:00:59,090 I HAVE A BIG DECISION TO MAKE. 16 00:00:59,090 --> 00:01:01,332 WELL, HAVE YOU AT LEAST NARROWED IT DOWN? 17 00:01:01,332 --> 00:01:03,164 I MADE A LIST OF ALL THE CLASSES 18 00:01:03,164 --> 00:01:04,735 AND THE EXTRA CURRICULARS. 19 00:01:04,735 --> 00:01:06,437 AND THE BEST CHOICES SEEM TO BE 20 00:01:06,437 --> 00:01:08,068 OXFORD AND STANFORD. 21 00:01:08,068 --> 00:01:10,301 WHAT ABOUT COLUMBIA, N.Y.U., VASSAR? 22 00:01:10,301 --> 00:01:11,402 THEY'RE ALL TOO CLOSE. 23 00:01:11,402 --> 00:01:13,104 I'D COME HOME ALL THE TIME. 24 00:01:13,104 --> 00:01:15,246 I WANT TO CHALLENGE MYSELF, 25 00:01:15,246 --> 00:01:17,808 AND I'D GET SUCKED IN TO THINGS LIKE THIS. 26 00:01:17,808 --> 00:01:20,411 BUT THEN WHO'S GONNA PLAY WITH ME? 27 00:01:23,154 --> 00:01:25,486 I THINK IT'S TIME TO HOLSTER THE LASER GUNS 28 00:01:25,486 --> 00:01:28,459 AND BE ADULTS. 29 00:01:33,124 --> 00:01:34,665 (kisses) 30 00:01:42,803 --> 00:01:44,475 (zaps) 31 00:01:44,475 --> 00:01:45,736 (beep) 32 00:01:45,736 --> 00:01:47,778 (electronic female voice) GAME OVER. 33 00:01:47,778 --> 00:01:49,109 (Martha) OH, DARLING, 34 00:01:49,109 --> 00:01:50,611 IT'S JUST A GAME. 35 00:01:50,611 --> 00:01:52,143 NO, IT'S NOT. 36 00:01:52,143 --> 00:01:54,615 IT'S--IT'S A TIME-HONORED FAMILY TRADITION 37 00:01:54,615 --> 00:01:56,287 THAT WE'VE BEEN HONORING SINCE ALEXIS 38 00:01:56,287 --> 00:01:58,489 COULD WRAP HER LITTLE FINGER AROUND A TRIGGER. 39 00:01:58,489 --> 00:02:00,321 FIRST ONE TO 1,000 POINTS WINS, 40 00:02:00,321 --> 00:02:02,253 AND WE WERE SO CLOSE. 41 00:02:02,253 --> 00:02:03,454 WE... 42 00:02:03,454 --> 00:02:05,626 LASER TAGGED OUR WAY THROUGH HER PRETEEN YEARS, 43 00:02:05,626 --> 00:02:07,358 AND NOW SUDDENLY, 44 00:02:07,358 --> 00:02:09,200 SHE'S... TOO OLD TO PLAY. 45 00:02:09,200 --> 00:02:10,361 SHE'S GROWING UP. 46 00:02:10,361 --> 00:02:12,463 WELL, SHE DOESN'T HAVE TO. LOOK AT ME. 47 00:02:12,463 --> 00:02:13,864 (sighs) 48 00:02:13,864 --> 00:02:15,406 (cell phone buzzes) 49 00:02:15,406 --> 00:02:17,137 AH, WELL, IT SEEMS... (buzz) 50 00:02:17,137 --> 00:02:19,810 DETECTIVE BECKETT IS AVAILABLE FOR A PLAY DATE. 51 00:02:19,810 --> 00:02:21,172 MM. 52 00:02:21,172 --> 00:02:22,343 (buzz) 53 00:02:24,144 --> 00:02:25,576 REALLY? 54 00:02:25,576 --> 00:02:27,818 BECKETT AND I HAVE NOT BEEN EXACTLY 55 00:02:27,818 --> 00:02:30,251 HITTING IT OFF LATELY. 56 00:02:30,251 --> 00:02:31,482 UH-HUH. 57 00:02:31,482 --> 00:02:35,186 AND WHY DO YOU THINK THAT IS? 58 00:02:35,186 --> 00:02:37,728 OH, I-I'M SORRY. ARE YOU SAYING IT'S MY FAULT? 59 00:02:37,728 --> 00:02:39,760 CAVORTING WITH SOME AWFUL GANG DETECTIVE, 60 00:02:39,760 --> 00:02:43,234 SHOWING UP AT A CRIME SCENE WITH A STEWARDESS-- 61 00:02:43,234 --> 00:02:44,535 IF YOU WANT TO PUNISH BECKETT, 62 00:02:44,535 --> 00:02:46,437 AT LEAST LET HER KNOW WHY. 63 00:02:46,437 --> 00:02:48,239 I'M NOT PUNISHING HER. 64 00:02:48,239 --> 00:02:50,441 I'M... 65 00:02:50,441 --> 00:02:52,172 AM I? 66 00:02:52,172 --> 00:02:55,246 OH, DARLING, YOU'RE HURT. I UNDERSTAND THAT. 67 00:02:55,246 --> 00:02:58,949 BUT QUITE HONESTLY, THE TWO OF YOU CANNOT GO ON LIKE THIS. 68 00:03:02,913 --> 00:03:05,416 YOU KNOW WHAT, MOTHER? 69 00:03:05,416 --> 00:03:08,359 YOU'RE ABSOLUTELY RIGHT. 70 00:03:12,223 --> 00:03:13,764 WHERE ARE YOU GOING? 71 00:03:13,764 --> 00:03:15,266 TO A CRIME SCENE... (exhales) 72 00:03:15,266 --> 00:03:18,729 TO WORK MY LAST CASE WITH DETECTIVE BECKETT. 73 00:03:26,237 --> 00:03:27,207 (camera shutter clicking) 74 00:03:27,207 --> 00:03:28,379 YOU SAID YOU DIDN'T LIKE COFFEE. 75 00:03:28,379 --> 00:03:29,880 I LIKE VANILLA LATTES. 76 00:03:29,880 --> 00:03:31,242 HEY, GUYS. 77 00:03:31,242 --> 00:03:32,683 HEY. THANKS FOR CALLING. 78 00:03:32,683 --> 00:03:34,214 SURE. 79 00:03:34,214 --> 00:03:36,247 SO OUR VICTIM IS DAVID LOCK, 29. 80 00:03:36,247 --> 00:03:37,448 HE'S A CURRENCY TRADER 81 00:03:37,448 --> 00:03:38,949 IN A FOREIGN EXCHANGE OFFICE UPSTAIRS. 82 00:03:38,949 --> 00:03:41,392 LOOKS LIKE HE WAS HEADING INTO WORK WHEN IT HAPPENED. 83 00:03:41,392 --> 00:03:43,223 HIS BODY WAS FOUND BY HIS BOSS... (camera shutter clicking) 84 00:03:43,223 --> 00:03:44,555 AT AROUND 7:00 THIS MORNING. 85 00:03:44,555 --> 00:03:46,297 (Perlmutter) AH, 86 00:03:46,297 --> 00:03:48,799 OUR INTREPID HEROES HAVE ARRIVED. 87 00:03:48,799 --> 00:03:49,860 AND CASTLE. 88 00:03:49,860 --> 00:03:51,802 AH, PERLMUTTER. 89 00:03:51,802 --> 00:03:56,367 I WILL TREASURE THESE SPECIAL MOMENTS WE'VE SHARED. 90 00:03:56,367 --> 00:03:59,310 SO I TAKE IT THAT THIS IS MR. LOCK? 91 00:03:59,310 --> 00:04:02,513 IT APPEARS HE WAS SET UPON BY AN UNKNOWN ASSAILANT. 92 00:04:02,513 --> 00:04:04,575 TIME OF DEATH WAS ABOUT 4:00 A.M. 93 00:04:04,575 --> 00:04:05,916 CAUSE OF DEATH? 94 00:04:05,916 --> 00:04:08,779 WELL, PROBABLY BLUNT FORCE TRAUMA TO THE HEAD 95 00:04:08,779 --> 00:04:11,282 WHERE IT HIT THE CONCRETE. 96 00:04:11,282 --> 00:04:12,423 WALLET AND CASH? 97 00:04:12,423 --> 00:04:13,884 STILL INTACT, SO IT DEFINITELY WASN'T A MUGGING. 98 00:04:13,884 --> 00:04:17,428 A SAVAGE BEATING AT 4:00 A.M., THERE MUST BE SOME MOTIVE. 99 00:04:17,428 --> 00:04:19,730 IS THIS A BITE MARK ON HIS ARM? 100 00:04:19,730 --> 00:04:21,562 IT'S NOT JUST A BITE MARK. LOOK AT THE SKIN. 101 00:04:21,562 --> 00:04:23,434 YOU SEE HOW IT'S TORN? 102 00:04:23,434 --> 00:04:26,397 THE KILLER LATCHED ON AND SHOOK LIKE A PIT BULL 103 00:04:26,397 --> 00:04:27,768 TRYING TO TEAR OFF THE FLESH. 104 00:04:27,768 --> 00:04:29,900 THANKS. THINK WE GOT IT. 105 00:04:29,900 --> 00:04:31,742 ANYTHING ELSE? 106 00:04:31,742 --> 00:04:33,504 (Esposito) JUST THIS. 107 00:04:33,504 --> 00:04:35,676 IT WAS, UH, FOUND IN OUR VICTIM'S HAND. 108 00:04:35,676 --> 00:04:37,007 IT WAS PROBABLY TORN OFF THE KILLER'S SHIRT 109 00:04:37,007 --> 00:04:38,379 DURING THE STRUGGLE. 110 00:04:38,379 --> 00:04:39,710 THAT'S A LACE CUFF. 111 00:04:39,710 --> 00:04:41,812 HAND STITCHED, PEARL BUTTONS-- 112 00:04:41,812 --> 00:04:45,616 I'D SAY THIS WAS CIRCA 1870. 113 00:04:45,616 --> 00:04:47,318 I DID A LOT OF RESEARCH ON THE ERA. 114 00:04:47,318 --> 00:04:49,360 I WAS WRITING A BOOK, A COMEDY ABOUT THE CIVIL WAR. 115 00:04:49,360 --> 00:04:52,292 TURNS OUT... NOT SO FUNNY. 116 00:04:52,292 --> 00:04:53,924 YOU DON'T SAY? 117 00:04:53,924 --> 00:04:56,026 WHO WOULD BEAT A GUY TO DEATH WEARING A 150-YEAR-OLD SHIRT? 118 00:04:56,026 --> 00:04:57,768 YOU KNOW, THE BIGGER QUESTION IS, 119 00:04:57,768 --> 00:05:00,300 WHY WAS HE ATTACKED HERE WHERE HE WORKED? 120 00:05:00,300 --> 00:05:02,373 YOU MIGHT WANT TO ASK HIS BOSS-- 121 00:05:02,373 --> 00:05:04,675 MIKE MATTHEWS. 122 00:05:04,675 --> 00:05:06,377 (camera shutter clicks) I CAN'T BELIEVE IT. 123 00:05:06,377 --> 00:05:08,308 WE THINK THAT DAVID WAS KILLED 124 00:05:08,308 --> 00:05:09,440 AROUND 4:00 A.M. 125 00:05:09,440 --> 00:05:10,941 DO YOU HAVE ANY IDEA WHY HE WAS HERE SO EARLY? 126 00:05:10,941 --> 00:05:12,443 DAVID HANDLED THE ASIAN MARKETS, 127 00:05:12,443 --> 00:05:14,685 SO HE USUALLY GOT IN BY 4:00. 128 00:05:14,685 --> 00:05:16,387 (sighs) HE WAS A TERRIFIC KID. 129 00:05:16,387 --> 00:05:18,519 YOU KNOW, HE WAS HARD-WORKING, WELL-LIKED. 130 00:05:18,519 --> 00:05:20,591 AND WAS THAT THE CONSENSUS? 131 00:05:20,591 --> 00:05:21,922 WHAT DO YOU MEAN? 132 00:05:21,922 --> 00:05:24,455 I MEAN, DID HE HAVE ANY CONFLICTS WITH ANYONE AT WORK? 133 00:05:24,455 --> 00:05:26,957 ACTUALLY, YEAH, THERE WAS AN INCIDENT LAST WEEK. 134 00:05:26,957 --> 00:05:28,799 SOMEONE KEYED HIS CAR. 135 00:05:28,799 --> 00:05:29,960 WHO? 136 00:05:29,960 --> 00:05:31,331 DAVID THOUGHT IT WAS CHARLIE COLEMAN, 137 00:05:31,331 --> 00:05:32,363 ONE OF MY OTHER TRADERS. 138 00:05:32,363 --> 00:05:35,366 UH, THE TWO OF THEM WERE VYING FOR A PROMOTION, 139 00:05:35,366 --> 00:05:36,707 AND I WENT WITH DAVID. 140 00:05:36,707 --> 00:05:38,869 CHARLIE DIDN'T TAKE IT TOO WELL. 141 00:05:38,869 --> 00:05:41,111 WHAT TIME DOES CHARLIE USUALLY SHOW UP FOR WORK? 142 00:05:41,111 --> 00:05:43,113 4:00 A.M., SAME TIME AS DAVID. 143 00:05:43,113 --> 00:05:45,516 LOOK, CHARLIE'S... 144 00:05:45,516 --> 00:05:46,647 KIND OF AN ODDBALL, 145 00:05:46,647 --> 00:05:48,649 BUT I-I DON'T SEE HIM MIXED UP IN THIS. 146 00:05:48,649 --> 00:05:51,582 WE'RE GONNA NEED TO TALK TO HIM ANYWAY. 147 00:05:51,582 --> 00:05:53,884 THAT'S STRANGE. 148 00:05:53,884 --> 00:05:55,926 HIS CAR IS RIGHT THERE NEXT TO DAVID'S. 149 00:05:55,926 --> 00:05:57,428 WHY IS THAT STRANGE? 150 00:05:57,428 --> 00:06:00,631 BECAUSE CHARLIE NEVER CAME INTO THE OFFICE THIS MORNING. 151 00:06:00,631 --> 00:06:02,463 WHAT'S HIS ADDRESS? 152 00:06:02,463 --> 00:06:04,435 (Castle) THAT'S A SHAME. 153 00:06:04,435 --> 00:06:05,396 (elevator bell dings) 154 00:06:05,396 --> 00:06:06,897 THIS CASE HAD SOME REAL PROMISE. 155 00:06:06,897 --> 00:06:10,471 SAVAGE BITE MARKS, RECONSTRUCTION-ERA CLOTHING-- 156 00:06:10,471 --> 00:06:12,703 WE HAD SOME MYSTERY HERE, A WHIFF OF INTRIGUE. 157 00:06:12,703 --> 00:06:16,407 NOW WE'RE JUST SLAPPING CUFFS ON SOME DISGRUNTLED EMPLOYEE. 158 00:06:16,407 --> 00:06:17,948 (sighs) 159 00:06:17,948 --> 00:06:19,650 I JUST WANTED THIS ONE TO BE SPECIAL. 160 00:06:19,650 --> 00:06:20,881 YEAH, WELL, I'M SORRY 161 00:06:20,881 --> 00:06:22,883 IT'S NOT ENTERTAINING ENOUGH FOR YOU, CASTLE. 162 00:06:22,883 --> 00:06:25,055 CHARLIE COLEMAN, NYPD. OPEN UP. 163 00:06:25,055 --> 00:06:27,387 (man) STAY AWAY! IT ISN'T SAFE! 164 00:06:27,387 --> 00:06:29,019 STAND BACK. 165 00:06:29,019 --> 00:06:30,561 IT'S FOR YOUR OWN GOOD! 166 00:06:30,561 --> 00:06:32,523 DON'T COME IN! YOU CAN'T COME IN HERE! 167 00:06:32,523 --> 00:06:33,664 (grunts) (Castle) SORRY, CHARLIE. 168 00:06:33,664 --> 00:06:35,065 CHARLIE, ARE YOU OKAY? ANYONE HERE? 169 00:06:35,065 --> 00:06:36,396 NO, NO, NO, NO. GET BACK! 170 00:06:36,396 --> 00:06:37,698 GET AWAY FROM ME! 171 00:06:37,698 --> 00:06:39,399 LISTEN, WE JUST GOTTA ASK YOU A FEW QUESTIONS. 172 00:06:39,399 --> 00:06:40,971 YOU NEED TO LEAVE! YOU NEED TO LEAVE RIGHT NOW! 173 00:06:40,971 --> 00:06:42,633 IT'S NOT SAFE! 174 00:06:42,633 --> 00:06:44,535 RELAX, CHARLIE. RELAX. WE'RE COPS. 175 00:06:44,535 --> 00:06:46,176 YOU'RE A COP? YEAH. 176 00:06:46,176 --> 00:06:47,508 IS THAT YOUR GUN? 177 00:06:47,508 --> 00:06:48,579 YEAH. 178 00:06:48,579 --> 00:06:50,911 YOU NEED TO SHOOT ME. DO IT NOW! 179 00:06:50,911 --> 00:06:52,082 DO IT! 180 00:06:52,082 --> 00:06:53,814 (clenched teeth) DO IT! 181 00:06:53,814 --> 00:06:55,516 (panting) 182 00:06:55,516 --> 00:06:56,647 OKAY, CHARLIE, YOU FEELING BETTER? 183 00:06:56,647 --> 00:06:57,818 UH, YEAH. 184 00:06:57,818 --> 00:06:59,490 JUST GOTTA ASK YOU A FEW QUESTIONS 185 00:06:59,490 --> 00:07:01,722 ABOUT WHAT HAPPENED THIS MORNING WITH YOU AND DAVID. 186 00:07:01,722 --> 00:07:03,554 DID YOU SEE HIM IN THE PARKING STRUCTURE? 187 00:07:03,554 --> 00:07:05,055 YEAH, HE'D JUST PULLED IN. 188 00:07:05,055 --> 00:07:06,497 (grunts) I SAID HELLO. 189 00:07:06,497 --> 00:07:08,729 HE SAID HELLO. THE TWO OF US AREN'T REAL FRIENDLY. 190 00:07:08,729 --> 00:07:10,501 SO WE'VE HEARD. WHAT HAPPENED NEXT? 191 00:07:10,501 --> 00:07:12,503 AND THEN HE STOPPED... 192 00:07:12,503 --> 00:07:16,507 AND HE STARED RIGHT PAST ME WITH THIS WEIRD LOOK ON HIS FACE, 193 00:07:16,507 --> 00:07:18,509 AND THEN HE SAID, "WHAT THE HELL IS THAT?" 194 00:07:18,509 --> 00:07:19,510 WHAT THE HELL WAS IT? 195 00:07:19,510 --> 00:07:20,671 I COULDN'T TELL AT FIRST, 196 00:07:20,671 --> 00:07:21,842 'CAUSE SUDDENLY, IT WAS ALL OVER US. 197 00:07:21,842 --> 00:07:23,514 WAIT. YOU WERE ATTACKED, TOO? 198 00:07:23,514 --> 00:07:24,675 YEAH, BUT IT WAS MOSTLY AFTER DAVID. 199 00:07:24,675 --> 00:07:26,146 I MEAN, IT WAS JUST WAILING ON HIM. 200 00:07:26,146 --> 00:07:28,619 I ELBOWED IT IN THE HEAD, AND IT DIDN'T EVEN SLOW DOWN. 201 00:07:28,619 --> 00:07:29,750 OKAY, WHAT DO YOU MEAN BY "IT"? 202 00:07:29,750 --> 00:07:31,451 I CALLED 9-1-1. I TOLD THEM. THEY DIDN'T BELIEVE ME. 203 00:07:31,451 --> 00:07:32,853 NO ONE BELIEVES ME. 204 00:07:32,853 --> 00:07:35,556 JUST TELL US WHAT YOU SAW. 205 00:07:35,556 --> 00:07:38,028 AS LONG AS YOU PROMISE YOU'LL BELIEVE ME. 206 00:07:38,028 --> 00:07:39,089 YEAH, FINE. I PROMISE. 207 00:07:39,089 --> 00:07:40,531 (chain rattles) PROMISE... 208 00:07:40,531 --> 00:07:42,533 THAT YOU WILL USE YOUR GUN ON ME 209 00:07:42,533 --> 00:07:43,934 WHEN I START TO TURN. 210 00:07:43,934 --> 00:07:45,465 TURN? YEAH. 211 00:07:45,465 --> 00:07:46,867 WHAT DO YOU MEAN, TURN? 212 00:07:46,867 --> 00:07:49,870 THE THING THAT BIT ME... 213 00:07:49,870 --> 00:07:52,072 THAT KILLED DAVID... 214 00:07:56,547 --> 00:07:58,779 (voice breaks) IT WAS A ZOMBIE. 215 00:07:58,779 --> 00:08:01,181 A Z-ZOMBIE? 216 00:08:01,181 --> 00:08:03,183 (Charlie) It was a zombie. A freakin' zombie! 217 00:08:03,183 --> 00:08:04,615 (woman) Sir, can you repeat that? 218 00:08:04,615 --> 00:08:07,788 A zombie. The undead. Oh, man... with those dead eyes 219 00:08:07,788 --> 00:08:10,891 and flaps of rotting skin coming off its face. 220 00:08:10,891 --> 00:08:12,793 Uh, sir, this line is for emergencies only. 221 00:08:12,793 --> 00:08:14,124 Are you having an emergency? 222 00:08:14,124 --> 00:08:15,926 Yes! I am having a major emergency here. 223 00:08:15,926 --> 00:08:17,628 Don't you get it? 224 00:08:17,628 --> 00:08:19,670 This thing just killed someone, and it bit me! 225 00:08:19,670 --> 00:08:21,131 I'm gonna turn! I'm next. 226 00:08:21,131 --> 00:08:22,533 (clicks button, computer beeps) 227 00:08:22,533 --> 00:08:25,105 NOW CHARLIE MADE THIS 9-1-1 CALL 228 00:08:25,105 --> 00:08:26,807 MOMENTS AFTER THE ATTACK. 229 00:08:26,807 --> 00:08:28,939 DOES IT SOUND LIKE HE'S FAKING TO YOU? 230 00:08:28,939 --> 00:08:31,211 IT SOUNDS LIKE CHARLIE'S HAVING A PSYCHOTIC BREAK. 231 00:08:31,211 --> 00:08:33,644 WHAT IF HIS GUILT MADE HIM SNAP 232 00:08:33,644 --> 00:08:35,546 AND HE CREATED A FANTASY 233 00:08:35,546 --> 00:08:37,548 IN WHICH ZOMBIES KILLED DAVID AND NOT HIM? 234 00:08:37,548 --> 00:08:38,889 I'M NOT SO SURE. 235 00:08:38,889 --> 00:08:40,891 I MEAN, HIS VOICE DOES HAVE THAT AUTHENTIC RING 236 00:08:40,891 --> 00:08:43,523 OF PANTS-WETTING TERROR. 237 00:08:43,523 --> 00:08:44,925 YOU DO NOT BELIEVE IN CHARLIE'S STORY. 238 00:08:44,925 --> 00:08:46,256 I BELIEVE HE BELIEVES IT. 239 00:08:46,256 --> 00:08:47,598 OKAY, WELL, WHATEVER YOU BELIEVE, 240 00:08:47,598 --> 00:08:48,929 ALL OF THE EVIDENCE POINTS TO THE FACT 241 00:08:48,929 --> 00:08:50,260 THAT CHARLIE COLEMAN IS OUR KILLER. 242 00:08:50,260 --> 00:08:52,603 MAYBE NOT ALL THE EVIDENCE. 243 00:08:52,603 --> 00:08:55,666 C.S.U. ANALYZED THAT BITE MARK ON CHARLIE'S ARM. 244 00:08:55,666 --> 00:08:58,168 TURNS OUT THAT IT MATCHES THE BITE MARK ON OUR VICTIM. 245 00:08:58,168 --> 00:09:00,170 MAYBE CHARLIE BIT DAVID AND THEN HE BIT HIMSELF? 246 00:09:00,170 --> 00:09:01,742 I WAS THINKING THE SAME THING, BUT C.S.U. ALSO SAYS 247 00:09:01,742 --> 00:09:03,674 THAT THE BITE MARKS WEREN'T MADE BY CHARLIE'S TEETH. 248 00:09:03,674 --> 00:09:05,145 OH, WAIT, UM... 249 00:09:05,145 --> 00:09:06,577 SORRY. 250 00:09:06,577 --> 00:09:08,178 LET ME MAKE SURE I UNDERSTAND 251 00:09:08,178 --> 00:09:11,321 SO THAT I MIGHT PROPERLY RELISH THIS MOMENT. 252 00:09:11,321 --> 00:09:12,583 YOU'RE SAYING... 253 00:09:12,583 --> 00:09:14,985 THE EVIDENCE SHOWS THAT CHARLIE AND THE VICTIM 254 00:09:14,985 --> 00:09:20,631 BOTH WERE BITTEN BY AN AS-YET UNKNOWN THIRD PARTY. 255 00:09:20,631 --> 00:09:21,762 THAT'S WHAT I JUST SAID. 256 00:09:21,762 --> 00:09:24,264 PERHAPS EVEN A MINDLESS... 257 00:09:24,264 --> 00:09:25,996 SHUFFLING... 258 00:09:25,996 --> 00:09:27,267 UNDEAD THIRD PARTY. 259 00:09:27,267 --> 00:09:28,599 CASTLE, JUST STOP. 260 00:09:28,599 --> 00:09:30,901 THERE'S NO SUCH THING AS A ZOMBIE. 261 00:09:30,901 --> 00:09:32,172 (Ryan) GUYS... 262 00:09:33,744 --> 00:09:35,706 UH, YOU GOTTA SEE THIS. 263 00:09:35,706 --> 00:09:37,708 SO I WAS COMBING THROUGH SECURITY CAM FOOTAGE 264 00:09:37,708 --> 00:09:40,580 NEAR THE PARKING GARAGE, AND I FOUND THIS. 265 00:09:40,580 --> 00:09:41,912 (beeps) 266 00:09:41,912 --> 00:09:44,354 (chirps and beeps) 267 00:09:44,354 --> 00:09:46,286 TIME STAMP'S 4:06 A.M., 268 00:09:46,286 --> 00:09:47,788 WHICH FITS TIME OF DEATH. 269 00:09:47,788 --> 00:09:48,959 THAT'S OUR GUY. 270 00:09:48,959 --> 00:09:50,590 YEAH, BUT THAT'S NOT CHARLIE. 271 00:09:50,590 --> 00:09:51,892 (Beckett) WAIT. WHAT IS HE WEARING? 272 00:09:51,892 --> 00:09:53,894 THAT LOOKS LIKE 273 00:09:53,894 --> 00:09:56,026 AN OLD-FASHIONED SUIT. 274 00:09:56,026 --> 00:09:57,297 CIRCA 1870 AND... 275 00:09:57,297 --> 00:09:59,670 HIS SHIRT'S MISSING A CUFF. 276 00:09:59,670 --> 00:10:00,971 WHOA. 277 00:10:00,971 --> 00:10:02,973 HE ALMOST GOT HIT BY THAT TAXI. HE DIDN'T EVEN FLINCH. 278 00:10:02,973 --> 00:10:04,134 WELL, MAYBE THIS IS WHY. 279 00:10:04,134 --> 00:10:05,806 LOOK WHAT WE GET FROM THE OTHER ANGLE. 280 00:10:16,947 --> 00:10:19,149 (keyboard key clicks, computer beeps) 281 00:10:19,149 --> 00:10:21,922 MY FRIENDS... 282 00:10:24,094 --> 00:10:26,997 THAT... 283 00:10:26,997 --> 00:10:28,959 IS A ZOMBIE. 284 00:10:28,959 --> 00:10:30,801 (clicks pointer closed) 285 00:10:33,263 --> 00:10:40,711 OUR KILLER'S A ZOMBIE. 286 00:10:47,748 --> 00:10:49,750 WELL, YOU'RE RATHER UPBEAT CONSIDERING YOU SAID 287 00:10:49,750 --> 00:10:52,652 THIS WAS YOUR LAST CASE WITH BECKETT. 288 00:10:52,652 --> 00:10:55,055 THAT'S BECAUSE I AM GOING OUT WITH A BANG. 289 00:10:55,055 --> 00:10:56,957 I HAVE ONE WORD FOR YOU, MOTHER... 290 00:10:56,957 --> 00:10:58,188 MM-HMM. 291 00:10:58,188 --> 00:10:59,359 ZOMBIE. 292 00:10:59,359 --> 00:11:01,191 TOO MUCH MAKEUP? YOU LOOK LOVELY. 293 00:11:01,191 --> 00:11:02,332 I'M REFERRING TO OUR VICTIM 294 00:11:02,332 --> 00:11:04,094 BEING KILLED BY ONE OF THE WALKING UNDEAD. 295 00:11:04,094 --> 00:11:07,137 AND I MEAN THAT LITERALLY-- A ZOMBIE. 296 00:11:07,137 --> 00:11:11,101 SECURITY CAMERA CAUGHT HIM IN ALL HIS PUTREFYING GLORY. 297 00:11:11,101 --> 00:11:12,342 WHOO. 298 00:11:12,342 --> 00:11:15,145 I DON'T SUPPOSE YOU DOWNLOADED THIS VIDEO BY CHANCE? 299 00:11:15,145 --> 00:11:17,147 ABSOLUTELY NOT. THAT VIDEO'S POLICE PROPERTY. 300 00:11:17,147 --> 00:11:19,279 IT WOULD BE VERY, VERY WRONG OF ME TO... 301 00:11:19,279 --> 00:11:21,311 GET A SCREEN GRAB OF IT AND E-MAIL IT TO MYSELF. 302 00:11:21,311 --> 00:11:24,054 OOH. WELL, IT'LL BE OUR LITTLE SECRET, DARLING. 303 00:11:24,054 --> 00:11:25,385 I'M ACTUALLY SURPRISED 304 00:11:25,385 --> 00:11:26,917 AT YOUR INTEREST IN THIS CASE, MOTHER. 305 00:11:26,917 --> 00:11:28,058 WELL, I REALLY DO KNOW THE DIFFERENCE 306 00:11:28,058 --> 00:11:30,761 BETWEEN A FIRST-RATE MAKEUP JOB AND ACTUAL DECAY. 307 00:11:30,761 --> 00:11:31,922 (chuckles) 308 00:11:31,922 --> 00:11:33,063 YOU WANT TO SEE SOME REAL ZOMBIES, 309 00:11:33,063 --> 00:11:35,125 CHECK OUT THE RED CARPET AT THE TONY AWARDS. 310 00:11:35,125 --> 00:11:36,767 HMM. 311 00:11:36,767 --> 00:11:38,869 I THOUGHT I... 312 00:11:38,869 --> 00:11:41,331 I THOUGHT I PUT THIS AWAY. 313 00:11:46,436 --> 00:11:48,178 WHERE IS SHE? 314 00:11:48,178 --> 00:11:50,040 WHERE IS SHE? (beeping) 315 00:11:50,040 --> 00:11:51,842 (laughs evilly) (zaps) 316 00:11:51,842 --> 00:11:53,944 YOU WERE A FOOL TO BUY MY ACT YESTERDAY. 317 00:11:53,944 --> 00:11:56,286 AND NOW YOU'VE FALLEN RIGHT INTO MY TRAP. 318 00:11:56,286 --> 00:11:58,949 YOU WILL PAY DEARLY FOR YOUR TREACHERY. 319 00:11:58,949 --> 00:12:01,091 ET TU, MOTHER, FOR LURING ME HERE. 320 00:12:01,091 --> 00:12:02,793 WHY, WHATEVER DO YOU MEAN? 321 00:12:02,793 --> 00:12:05,025 MM. THAT'S MY GIRL. 322 00:12:05,025 --> 00:12:07,157 SO WHAT'S THIS ABOUT A ZOMBIE? 323 00:12:07,157 --> 00:12:10,160 (Charlie) OH, MY GOD. 324 00:12:10,160 --> 00:12:12,032 I TOLD YOU PEOPLE. THAT'S HIM. 325 00:12:12,032 --> 00:12:14,364 OH, SO VILE AND DISGUSTING-- 326 00:12:14,364 --> 00:12:16,807 THAT'S THE ZOMBIE THAT I SAW. 327 00:12:16,807 --> 00:12:18,809 WELL, WE'RE NOT EXACTLY SURE THAT HE'S A-- 328 00:12:18,809 --> 00:12:19,970 WHAT DO YOU MEAN, YOU'RE NOT SURE? 329 00:12:19,970 --> 00:12:21,441 WHAT ELSE COULD HE BE? 330 00:12:23,043 --> 00:12:25,145 THE POINT IS, THIS PUTS YOU IN THE CLEAR. 331 00:12:25,145 --> 00:12:27,377 WE'RE RELEASING YOU. 332 00:12:27,377 --> 00:12:29,179 (clears throat) 333 00:12:30,821 --> 00:12:32,953 I'M NOT SURE THAT'S A GOOD IDEA. 334 00:12:32,953 --> 00:12:34,284 CHARLIE, IF YOU WERE GOING TO TURN, 335 00:12:34,284 --> 00:12:36,887 YOU WOULD HAVE DONE IT BY NOW. 336 00:12:36,887 --> 00:12:39,429 THIS THING, HAVE YOU CAUGHT IT? 337 00:12:39,429 --> 00:12:42,192 NOT YET. REST ASSURED, WE WILL. 338 00:12:49,199 --> 00:12:51,071 I'LL JUST STAY HERE. 339 00:12:52,442 --> 00:12:54,044 HE WON'T LEAVE? 340 00:12:54,044 --> 00:12:56,046 CHARLIE'S PRETTY CONVINCED ABOUT THIS WHOLE ZOMBIE THING. 341 00:12:56,046 --> 00:12:58,448 YEAH, BUT THAT'S JUST-- THAT'S RIDICULOUS. 342 00:12:58,448 --> 00:12:59,910 OR IS IT? 343 00:12:59,910 --> 00:13:01,812 CHARLIE HAS NOT BEEN WRONG YET. 344 00:13:01,812 --> 00:13:03,313 MAYBE OUR KILLER IS PATIENT ZERO, 345 00:13:03,313 --> 00:13:05,215 OUT THERE RIGHT NOW ON THE STREETS OF NEW YORK, 346 00:13:05,215 --> 00:13:06,516 BUILDING AN ARMY OF THE UNDEAD. 347 00:13:06,516 --> 00:13:08,088 CASTLE, WHAT WE ARE LOOKING FOR 348 00:13:08,088 --> 00:13:09,489 IS NOT A ZOMBIE, 349 00:13:09,489 --> 00:13:11,521 BUT A VERY SMART CRIMINAL WHO MURDERED DAVID LOCK 350 00:13:11,521 --> 00:13:14,224 AND IS NOW MAKING OUR ONLY WITNESS LOOK CRAZY, 351 00:13:14,224 --> 00:13:16,166 AND HE ALSO DRESSED UP 352 00:13:16,166 --> 00:13:18,268 IN MAKEUP AND A COSTUME TO HIDE HIS IDENTITY. 353 00:13:18,268 --> 00:13:20,000 UNLESS THAT'S NOT A COSTUME OR MAKEUP. 354 00:13:20,000 --> 00:13:22,502 I MEAN, HE DOES LOOK LIKE A REAL ZOMBIE. 355 00:13:22,502 --> 00:13:23,573 (Esposito) A REAL ZOMBIE? 356 00:13:23,573 --> 00:13:26,376 I'M EMBARRASSED FOR YOU, BRO. 357 00:13:26,376 --> 00:13:27,908 (Beckett) OKAY, THEN EXPLAIN THIS-- 358 00:13:27,908 --> 00:13:29,239 WHY WOULD A ZOMBIE GO AFTER 359 00:13:29,239 --> 00:13:32,512 A CURRENCY TRADER AT 4:00 A.M. IN A GARAGE? 360 00:13:32,512 --> 00:13:35,045 THIS ONE'S EASY. 361 00:13:35,045 --> 00:13:36,346 THE MORE INTELLIGENT THE VICTIM, 362 00:13:36,346 --> 00:13:38,148 THE MORE DELICIOUS THE BRAINS. 363 00:13:39,219 --> 00:13:41,922 (Beckett) SO RETURNING TO THE LAND OF FACTS, 364 00:13:41,922 --> 00:13:43,854 WHAT DID YOU FIND AT THE CRIME SCENE CANVASS? 365 00:13:43,854 --> 00:13:45,225 (Esposito) NADA. 366 00:13:45,225 --> 00:13:47,227 ONLY IN NEW YORK COULD SOME GUY DRESS LIKE A FRIGGIN' ZOMBIE 367 00:13:47,227 --> 00:13:48,528 AND WALK DOWN THE STREET UNNOTICED. 368 00:13:48,528 --> 00:13:49,900 OH, I DID FIND A GAP 369 00:13:49,900 --> 00:13:52,102 IN OUR TIMELINE BEFORE THE MURDER. 370 00:13:52,102 --> 00:13:53,263 WHAT DO YOU MEAN? 371 00:13:53,263 --> 00:13:54,504 WELL, ACCORDING TO THE DOORMAN, THE VICTIM 372 00:13:54,504 --> 00:13:56,306 LEFT HIS APARTMENT AT 2:00 A.M. AND HE NEVER CAME BACK. 373 00:13:56,306 --> 00:13:58,238 HE WAS KILLED AT 4:00 A.M. WHAT WAS HE DOING FOR 2 HOURS? 374 00:13:58,238 --> 00:14:00,240 I DON'T KNOW, BUT HE DROVE THERE. 375 00:14:00,240 --> 00:14:02,242 HIS CREDIT CARD SHOWED THAT HE GASSED UP ON HOUSTON 376 00:14:02,242 --> 00:14:03,613 AT 2:44 A.M. 377 00:14:03,613 --> 00:14:05,145 ALL RIGHT. LET'S FIGURE OUT WHERE HE WENT. 378 00:14:05,145 --> 00:14:06,276 TROUBLE MIGHT HAVE FOLLOWED HIM TO THE GARAGE. 379 00:14:06,276 --> 00:14:07,477 OR A ZOMBIE DID. 380 00:14:07,477 --> 00:14:09,319 (Esposito) I'LL TELL YOU WHERE HE WENT. 381 00:14:09,319 --> 00:14:11,151 BOOTY CALL. 382 00:14:11,151 --> 00:14:13,984 TECH GUYS PULLED A TEXT MESSAGE OFF DAVID'S PHONE. 383 00:14:13,984 --> 00:14:15,355 HE SENT IT TO A CHICA THE NIGHT HE DIED 384 00:14:15,355 --> 00:14:17,587 WANTING TO HOOK UP WITH HER. 385 00:14:17,587 --> 00:14:18,989 DOES SHE HAVE A NAME? 386 00:14:18,989 --> 00:14:20,430 GRETA MASTROIANNI. 387 00:14:20,430 --> 00:14:23,363 (sighs) LOOK, I-- I DON'T UNDERSTAND. 388 00:14:23,363 --> 00:14:24,494 WHO WOULD DO SOMETHING LIKE THIS TO DAVID? 389 00:14:24,494 --> 00:14:25,996 DID YOU SEE HIM THAT NIGHT? 390 00:14:25,996 --> 00:14:28,238 WE KNOW THAT HE TEXTED YOU WANTING TO COME OVER. 391 00:14:28,238 --> 00:14:30,370 NO, I-I CALLED HIM AND TOLD HIM NOT TO. 392 00:14:30,370 --> 00:14:32,242 (people speaking indistinctly) 393 00:14:32,242 --> 00:14:34,404 I SPLIT UP WITH DAVID ABOUT A WEEK AGO. 394 00:14:34,404 --> 00:14:36,506 UM, HE WAS STILL TRYING TO HOLD ON. 395 00:14:36,506 --> 00:14:39,009 WHY'D YOU TWO SPLIT UP? 396 00:14:39,009 --> 00:14:41,381 I'M ENGAGED, UM... 397 00:14:41,381 --> 00:14:44,154 TO TOM-- TOM WILLIAMS. 398 00:14:44,154 --> 00:14:46,356 WE'VE BEEN TOGETHER FIVE YEARS. 399 00:14:46,356 --> 00:14:48,358 HOW DID DAVID FIGURE IN? 400 00:14:48,358 --> 00:14:49,659 I MET HIM WHEN I WAS 21, 401 00:14:49,659 --> 00:14:51,361 VISITING A COUSIN IN L.A. 402 00:14:51,361 --> 00:14:54,064 WE HAD AN INTENSE COUPLE OF WEEKS, YOU KNOW, 403 00:14:54,064 --> 00:14:56,396 THEN THREE MONTHS AGO, I RAN INTO HIM AT A COFFEE SHOP. 404 00:14:56,396 --> 00:14:59,329 AND DID YOUR FIANCE KNOW ABOUT THIS AFFAIR WITH DAVID? 405 00:14:59,329 --> 00:15:02,302 YEAH, HE FOUND, UH, E-MAILS ON MY COMPUTER LAST WEEK. 406 00:15:02,302 --> 00:15:03,433 AND HOW DID HE REACT TO THAT? 407 00:15:03,433 --> 00:15:05,375 HE WAS HURT, HE THREATENED TO LEAVE ME, 408 00:15:05,375 --> 00:15:07,507 AND THAT'S WHEN I REALIZED WHAT I WAS ABOUT TO LOSE, 409 00:15:07,507 --> 00:15:09,239 SO I BROKE IT OFF WITH DAVID 410 00:15:09,239 --> 00:15:11,441 AND BEGGED TOM TO GIVE ME ANOTHER CHANCE. 411 00:15:11,441 --> 00:15:12,912 AND HE DID. 412 00:15:12,912 --> 00:15:14,444 SO WHERE WAS TOM THAT NIGHT? 413 00:15:14,444 --> 00:15:16,586 HOME. WE WENT TO BED AROUND 11:00. 414 00:15:16,586 --> 00:15:18,148 AND HE WAS THERE ALL NIGHT? 415 00:15:19,549 --> 00:15:22,422 GRETA... WHERE WAS TOM AT 4:00 A.M.? 416 00:15:22,422 --> 00:15:24,024 LOOK, I DON'T KNOW, OKAY? 417 00:15:24,024 --> 00:15:25,495 I WOKE UP AROUND 2:30, AND HE WASN'T THERE. 418 00:15:25,495 --> 00:15:27,427 I FIGURED HE WAS WATCHING TV IN THE LIVING ROOM, 419 00:15:27,427 --> 00:15:29,429 BUT WHEN I GOT UP IN THE MORNING-- 420 00:15:29,429 --> 00:15:32,702 HE WASN'T IN THE APARTMENT. SO WHERE WAS HE ALL NIGHT? 421 00:15:32,702 --> 00:15:36,436 I SEE WHAT YOU'RE GETTING AT WITH THIS, OKAY? 422 00:15:36,436 --> 00:15:37,567 BUT TOM HAD NOTHING TO DO WITH IT. 423 00:15:37,567 --> 00:15:39,609 DID DAVID E-MAIL YOU FROM HIS OFFICE ACCOUNT? 424 00:15:39,609 --> 00:15:41,311 YEAH. 425 00:15:41,311 --> 00:15:42,942 WHY? 426 00:15:42,942 --> 00:15:44,444 BECAUSE THAT MEANS THAT YOUR FIANCE 427 00:15:44,444 --> 00:15:46,376 KNEW WHERE DAVID WORKED. 428 00:15:48,448 --> 00:15:51,521 LOOK, I CAN'T SAY I FEEL BAD THIS GUY IS DEAD. 429 00:15:51,521 --> 00:15:54,454 BUT I HAD NOTHING TO DO WITH IT. 430 00:15:54,454 --> 00:15:56,426 EVEN THOUGH HE WAS TRYING TO SNAKE YOUR FIANCEE? 431 00:15:56,426 --> 00:15:58,388 HE WAS OUT OF THE PICTURE. 432 00:15:58,388 --> 00:16:00,360 GRETA MADE HER CHOICE, AND SHE PICKED ME. 433 00:16:00,360 --> 00:16:04,294 YEAH, EXCEPT HE WOULDN'T TAKE NO FOR AN ANSWER. 434 00:16:04,294 --> 00:16:07,067 YOU KNOW, I BET YOU FOUND OUT THAT HE WAS TEXTING HER, 435 00:16:07,067 --> 00:16:09,639 AND YOU DECIDED TO MAKE HIM STOP TEXTING HER 436 00:16:09,639 --> 00:16:11,471 PERMANENTLY. 437 00:16:11,471 --> 00:16:13,503 WELL... YOU'RE WRONG. 438 00:16:13,503 --> 00:16:16,176 I NEVER TOUCHED THE DUDE. I NEVER EVEN MET HIM. 439 00:16:16,176 --> 00:16:18,608 YEAH, BUT IT HAD TO HAVE MADE YOU ANGRY. 440 00:16:21,251 --> 00:16:22,552 I-I WON'T LIE TO YOU. 441 00:16:22,552 --> 00:16:25,185 THIS WHOLE THING HAS BEEN TOUGH. 442 00:16:25,185 --> 00:16:27,257 BUT GRETA AND I ARE BUILDING A LIFE TOGETHER, 443 00:16:27,257 --> 00:16:29,089 AND I THINK WE'RE GONNA COME OUT OF IT STRONGER-- 444 00:16:29,089 --> 00:16:30,420 TOM, ABOUT HOW TALL ARE YOU? 445 00:16:30,420 --> 00:16:32,262 ABOUT 6'? 446 00:16:32,262 --> 00:16:33,493 6'2". 447 00:16:33,493 --> 00:16:35,665 SO ABOUT THE SAME HEIGHT AS THIS GUY, RIGHT? 448 00:16:35,665 --> 00:16:37,067 WHAT THE HELL IS THAT? 449 00:16:38,298 --> 00:16:40,070 COME ON. THAT'S NOT ME. 450 00:16:40,070 --> 00:16:42,272 WHEN YOU LEFT THE APARTMENT THAT NIGHT, 451 00:16:42,272 --> 00:16:44,474 WHERE WERE YOU FOR THE NEXT HOUR AND A HALF? 452 00:16:44,474 --> 00:16:46,206 DAVID WAS MISSING FOR THE SAME AMOUNT OF TIME-- 453 00:16:46,206 --> 00:16:47,507 2:30 TO 4:00 A.M. 454 00:16:47,507 --> 00:16:49,409 A-AT THE HUDSON LAW LIBRARY STUDYING. 455 00:16:49,409 --> 00:16:51,241 YOU WERE AT THE LIBRARY AT THAT HOUR? 456 00:16:51,241 --> 00:16:52,782 IT'S OPEN 24/7 DURING FINALS. 457 00:16:52,782 --> 00:16:54,484 YOU CAN ASK THE LIBRARIAN AND THE TEN OTHER PEOPLE 458 00:16:54,484 --> 00:16:55,545 WHO WERE STUDYING THERE. 459 00:16:55,545 --> 00:16:57,087 (thunks) 460 00:16:57,087 --> 00:16:58,788 I WILL. 461 00:16:58,788 --> 00:17:01,151 (door opens) 462 00:17:01,151 --> 00:17:02,322 (clatters) 463 00:17:02,322 --> 00:17:04,154 TOM'S ALIBI CHECKS OUT. 464 00:17:04,154 --> 00:17:08,558 HE WAS AT THE LAW LIBRARY BETWEEN 3:00 AND 6:00 A.M. 465 00:17:08,558 --> 00:17:10,630 I REALLY THOUGHT THAT HE WAS OUR MAN. 466 00:17:10,630 --> 00:17:12,632 AND IT'S NOT LIKE DAVID LOCK HAS ANY OTHER ENEMIES. 467 00:17:12,632 --> 00:17:14,334 I MEAN, WE ALREADY CONFIRMED THAT 468 00:17:14,334 --> 00:17:15,635 WITH HIS FRIENDS AND COWORKERS. 469 00:17:15,635 --> 00:17:18,708 WHAT ABOUT RECENTLY DECEASED FRIENDS AND COWORKERS? 470 00:17:18,708 --> 00:17:21,811 OKAY. WELL, WHATEVER OR WHOEVER THIS IS, 471 00:17:21,811 --> 00:17:25,575 CAN WE AT LEAST AGREE THAT HE LOOKS LIKE A ZOMBIE, 472 00:17:25,575 --> 00:17:28,618 HE DRESSES LIKE A ZOMBIE, AND HE ACTS LIKE A ZOMBIE? 473 00:17:28,618 --> 00:17:30,049 AND THAT HELPS US HOW? 474 00:17:30,049 --> 00:17:32,182 WE'RE LOOKING AT STANDARD MOTIVES HERE. 475 00:17:32,182 --> 00:17:35,225 BUT OUR KILLER ISN'T DRIVEN BY REVENGE, GREED, OR POWER, 476 00:17:35,225 --> 00:17:36,586 NOT IF HE THINKS HE'S A ZOMBIE. 477 00:17:36,586 --> 00:17:38,458 SO THEN BY THAT LINE OF THINKING, 478 00:17:38,458 --> 00:17:41,531 HIS MOTIVE IS A PRIMAL URGE TO KILL? 479 00:17:41,531 --> 00:17:43,193 REGARDLESS OF WHO THE VICTIM IS, HE KILLS AT RANDOM. 480 00:17:43,193 --> 00:17:44,534 PRECISELY. 481 00:17:44,534 --> 00:17:45,835 THEN HOW DO YOU PROPOSE THAT WE FIND A RANDOM KILLER 482 00:17:45,835 --> 00:17:47,437 IN A CITY OF EIGHT MILLION PEOPLE? 483 00:17:47,437 --> 00:17:49,239 (Ryan clears throat) MAYBE WE START 484 00:17:49,239 --> 00:17:51,571 WITH WHERE THE VICTIM WENT DURING THOSE MISSING TWO HOURS. 485 00:17:51,571 --> 00:17:52,772 DO TELL. 486 00:17:52,772 --> 00:17:54,374 WELL, THE LAB I.D.'ed A CHEMICAL FOUND RECENTLY DEPOSITED 487 00:17:54,374 --> 00:17:56,406 UNDER THE BOTTOM OF DAVID LOCK'S SHOES. 488 00:17:56,406 --> 00:17:57,547 WHAT KIND OF CHEMICAL? 489 00:17:57,547 --> 00:17:59,509 UH, I WON'T EVEN BEGIN TO TRY TO PRONOUNCE IT, 490 00:17:59,509 --> 00:18:01,251 BUT IT IS USED IN THREE FACTORIES 491 00:18:01,251 --> 00:18:02,482 IN NEW YORK AND NEW JERSEY. 492 00:18:02,482 --> 00:18:04,083 THE NIGHT THAT DAVID WAS KILLED, 493 00:18:04,083 --> 00:18:05,585 HE WENT TO A GAS STATION ON HOUSTON. 494 00:18:05,585 --> 00:18:07,417 WHICH ONE OF THOSE FACTORIES IS CLOSEST TO HOUSTON? 495 00:18:07,417 --> 00:18:08,588 THE ONE ON THE LOWER EAST SIDE, 496 00:18:08,588 --> 00:18:09,559 BUT IT'S BEEN CLOSED FOR OVER A YEAR. 497 00:18:09,559 --> 00:18:11,421 LET'S GO. 498 00:18:13,793 --> 00:18:17,597 WELL, WE KNOW NOW THIS IS, IN FACT, AN ABANDONED FACTORY... 499 00:18:17,597 --> 00:18:19,599 (siren wailing) IN A DESOLATE, 500 00:18:19,599 --> 00:18:21,271 GODFORSAKEN ALLEY. 501 00:18:21,271 --> 00:18:22,832 (objects breaking) IMAGINATION GETTING THE BETTER OF YOU, CASTLE? 502 00:18:22,832 --> 00:18:24,534 NO, NO. OF COURSE NOT. 503 00:18:24,534 --> 00:18:27,106 JUST WISH WE HAD MORE TO SHOW FOR OUR EFFORTS. THAT'S ALL. 504 00:18:27,106 --> 00:18:29,108 THE THING THAT I DON'T GET IS, 505 00:18:29,108 --> 00:18:31,481 WHY WOULD A CURRENCY TRADER LIKE DAVID LOCK COME DOWN HERE? 506 00:18:31,481 --> 00:18:33,483 IT JUST DOESN'T MAKE ANY SENSE. 507 00:18:33,483 --> 00:18:35,485 UNLESS HE HAD A DARK SIDE WE KNOW NOTHING ABOUT. 508 00:18:35,485 --> 00:18:36,816 LIKE WHAT? 509 00:18:36,816 --> 00:18:38,518 ALL I KNOW IS THAT NORMAL PEOPLE 510 00:18:38,518 --> 00:18:39,819 DON'T COME TO PLACES LIKE THIS AT 2:00 A.M. IN THE MORNING. 511 00:18:39,819 --> 00:18:41,591 IN FACT, I THINK I'VE SEEN ENOUGH. HAVEN'T YOU? 512 00:18:41,591 --> 00:18:44,524 WAIT. DO YOU HEAR THAT? (rustling) 513 00:18:44,524 --> 00:18:46,396 I'M NOT FALLING FOR THAT. 514 00:18:46,396 --> 00:18:48,228 NO, NO, NO, I'M SERIOUS. LISTEN. 515 00:18:48,228 --> 00:18:50,660 (rustling continues) FOOTSTEPS. 516 00:18:50,660 --> 00:18:51,631 YEAH. 517 00:18:51,631 --> 00:18:53,533 LOTS OF 'EM. 518 00:18:53,533 --> 00:18:54,534 (woman) OH, MY GOD! 519 00:18:54,534 --> 00:18:56,766 THEY'RE AFTER US! THEY'RE AFTER US! 520 00:18:56,766 --> 00:18:58,408 WHO IS? 521 00:18:58,408 --> 00:18:59,869 WHAT ARE YOU PEOPLE DOING? DON'T JUST STAND THERE! RUN! 522 00:18:59,869 --> 00:19:01,541 COME ON! 523 00:19:01,541 --> 00:19:03,573 WHAT THE HELL IS GOING ON? 524 00:19:04,644 --> 00:19:06,676 (growling) 525 00:19:06,676 --> 00:19:07,517 (clicks) 526 00:19:07,517 --> 00:19:09,619 (growling continues) 527 00:19:09,619 --> 00:19:12,622 THAT'S--THAT'S A ZOMBIE-- THAT'S A ZOMBIE HORDE. 528 00:19:12,622 --> 00:19:14,454 THERE'S NO SUCH THING AS ZOMBIES. 529 00:19:14,454 --> 00:19:16,586 I'M SURE I DON'T HAVE TO TELL YOU TO AIM FOR THE HEAD. 530 00:19:16,586 --> 00:19:19,559 BECKETT, THEY'RE BEHIND US. WE'RE SURROUNDED. 531 00:19:19,559 --> 00:19:22,161 OH, JEEZ. OH, JEEZ. 532 00:19:22,161 --> 00:19:23,693 YOU DON'T HAVE ENOUGH BULLETS. 533 00:19:23,693 --> 00:19:27,197 (growling and moaning) 534 00:19:31,271 --> 00:19:32,442 (growling and moaning) 535 00:19:32,442 --> 00:19:33,703 IT'S GROUND ZERO FOR WORLD WAR Z. 536 00:19:33,703 --> 00:19:35,375 GET BEHIND ME. 537 00:19:35,375 --> 00:19:37,877 WE'LL HAVE TO FIGHT OUR WAY OUT. 538 00:19:37,877 --> 00:19:39,349 UH, UH... 539 00:19:39,349 --> 00:19:41,311 THIS IS SO NOT COOL. 540 00:19:41,311 --> 00:19:42,452 THERE'S NO WAY THIS IS REAL. 541 00:19:42,452 --> 00:19:44,214 NYPD! 542 00:19:44,214 --> 00:19:46,616 STOP MOVING NOW. 543 00:19:46,616 --> 00:19:50,360 (mutters) AND STOP PRETENDING TO BE ZOMBIES. 544 00:19:50,360 --> 00:19:51,561 HEY, HEY, HEY, HEY, HEY. TAKE IT EASY. 545 00:19:51,561 --> 00:19:53,793 WE'RE JUST ZOMBIE WALKING HERE. 546 00:19:53,793 --> 00:19:55,765 YOU'RE WHAT? 547 00:19:55,765 --> 00:19:57,267 Z-ZOMBIE WALKING. 548 00:19:57,267 --> 00:19:58,568 IT'S LIKE AN AMPED UP FORM OF TAG. 549 00:19:58,568 --> 00:20:01,471 WE--WE DRESS UP LIKE ZOMBIES, AND WE CHASE THE NORMALS. 550 00:20:01,471 --> 00:20:02,972 THAT WOULD BE US. (chuckles) 551 00:20:02,972 --> 00:20:05,335 YEAH, YEAH, IF WE TAG 'EM, WE TURN 'EM, 552 00:20:05,335 --> 00:20:06,806 AND THEN THEY BECOME ZOMBIES, TOO. 553 00:20:06,806 --> 00:20:08,438 LOOK, IF THIS IS BECAUSE WE DIDN'T GET A PERMIT, I-- 554 00:20:08,438 --> 00:20:09,609 IT'S NOT! 555 00:20:09,609 --> 00:20:12,342 YOU'RE ALL COMING WITH ME. NOW. 556 00:20:12,342 --> 00:20:15,515 (walkers speaking indistinctly) HOW DID I NOT KNOW ABOUT THIS?! 557 00:20:15,515 --> 00:20:18,248 THIS IS OUTSTANDING. DID YOU DO THIS YOURSELF? 558 00:20:19,789 --> 00:20:20,950 UGH. 559 00:20:20,950 --> 00:20:23,693 BEING A FAN OF ZOMBIE LORE, I GET IT. 560 00:20:23,693 --> 00:20:26,626 BUT WHAT'S THE APPEAL OF BEING A ZOMBIE? 561 00:20:26,626 --> 00:20:27,797 LIKE LOOK AT THIS GUY. 562 00:20:27,797 --> 00:20:29,629 WHO WOULD WANT TO BE ALIVE IN A DECAYED, 563 00:20:29,629 --> 00:20:31,401 MINDLESS STATE? 564 00:20:31,401 --> 00:20:33,633 BEING A VAMPIRE-- THAT I UNDERSTAND. 565 00:20:33,633 --> 00:20:35,935 THAT'S THE ROMANTIC ROUTE TO IMMORTALITY. 566 00:20:35,935 --> 00:20:37,807 THE, UH, GENTLEMEN'S MONSTER, AS IT WERE. 567 00:20:37,807 --> 00:20:39,269 SPEAKING OF MONSTERS, 568 00:20:39,269 --> 00:20:40,770 NONE OF THESE ZOMBIES MATCH THE PHOTO 569 00:20:40,770 --> 00:20:42,272 OF OUR KILLER. 570 00:20:42,272 --> 00:20:44,414 MAYBE HE'S TRYING OUT A NEW LOOK. 571 00:20:44,414 --> 00:20:45,715 HOW ABOUT YOU? 572 00:20:45,715 --> 00:20:47,417 IF YOU COULD BE ANY SUPERNATURAL CREATURE, WHAT WOULD IT BE? 573 00:20:47,417 --> 00:20:49,319 VAN HELSING. NO QUESTION. 574 00:20:49,319 --> 00:20:51,651 MONSTER SLAYER. BEFITTING. 575 00:20:51,651 --> 00:20:53,283 AND IMAGINE, 576 00:20:53,283 --> 00:20:54,854 THE MONSTER THAT WE ARE HUNTING 577 00:20:54,854 --> 00:20:58,358 MIGHT BE IN THIS VERY ROOM. 578 00:20:58,358 --> 00:21:01,591 ALL RIGHT, LADIES, THANKS FOR YOUR HELP. 579 00:21:01,591 --> 00:21:03,593 I DON'T KNOW ABOUT THOSE SHOES WITH THAT TOP. 580 00:21:03,593 --> 00:21:06,666 I'M JUST SAYIN'. I'D HAVE WENT OPEN-TOED. 581 00:21:06,666 --> 00:21:08,368 ARE YOU GUYS HAVING MORE LUCK THAN WE ARE? 582 00:21:08,368 --> 00:21:09,599 (Esposito) NOT AT ALL. 583 00:21:09,599 --> 00:21:10,940 OH, AND GUESS WHAT. 584 00:21:10,940 --> 00:21:12,972 NONE OF THESE KNUCKLEHEADS ARE REAL ZOMBIES. 585 00:21:12,972 --> 00:21:15,405 I THINK WHAT MY COLLEAGUE MEANS TO SAY IS 586 00:21:15,405 --> 00:21:16,706 THAT NO ONE RECOGNIZED OUR ZOMBIE FROM THE VIDEO 587 00:21:16,706 --> 00:21:18,378 OR OUR VICTIM DAVID LOCK. 588 00:21:18,378 --> 00:21:20,510 IF DAVID WASN'T A PART OF THE ZOMBIE CROWD, 589 00:21:20,510 --> 00:21:22,812 THEN WHAT WAS HE DOING DOWN THERE? 590 00:21:22,812 --> 00:21:24,454 (man) HE DEFINITELY WASN'T PART OF OUR GROUP, 591 00:21:24,454 --> 00:21:26,285 I CAN TELL YOU THAT. 592 00:21:26,285 --> 00:21:28,788 WHAT ABOUT YOU? DO YOU RECOGNIZE HIM. 593 00:21:28,788 --> 00:21:31,921 WHAT? 594 00:21:31,921 --> 00:21:34,424 PAUL, ARE YOU HIGH RIGHT NOW? 595 00:21:34,424 --> 00:21:36,666 WHOA. WHOA. HEY NOW. 596 00:21:36,666 --> 00:21:39,469 UH... WHERE'S THAT... (laughs) 597 00:21:39,469 --> 00:21:40,770 COMING FROM? 598 00:21:40,770 --> 00:21:44,534 NO. NO, OF COURSE NOT. 599 00:21:46,005 --> 00:21:47,977 HELLO. (taps table) 600 00:21:47,977 --> 00:21:51,381 RIGHT. UM... 601 00:21:51,381 --> 00:21:53,743 YEAH, YEAH, I-I DON'T KNOW THIS DUDE. 602 00:21:53,743 --> 00:21:55,585 HE'S NOT A-A ZOMBIE 603 00:21:55,585 --> 00:21:58,618 OR A-A NORMAL. 604 00:21:58,618 --> 00:22:00,520 LISTEN, 605 00:22:00,520 --> 00:22:01,991 WILL THIS TAKE MUCH LONGER? 606 00:22:01,991 --> 00:22:03,353 I HAVE A CLASS IN THE MORNING. 607 00:22:03,353 --> 00:22:05,054 YOU'RE A STUDENT? A TEACHER. 608 00:22:05,054 --> 00:22:06,526 (both) REALLY? 609 00:22:06,526 --> 00:22:08,698 ASSISTANT PROFESSOR OF ANTHROPOLOGY. 610 00:22:08,698 --> 00:22:10,400 I BELIEVE OUR FASCINATION WITH ZOMBIES 611 00:22:10,400 --> 00:22:12,662 IS A CULTURAL PHENOMENON, 612 00:22:12,662 --> 00:22:14,934 A COMMENTARY ON THE INNER NUMBNESS OF MODERN LIFE. 613 00:22:14,934 --> 00:22:16,105 YEAH, OKAY. 614 00:22:16,105 --> 00:22:18,037 DO EITHER OF YOU RECOGNIZE THIS, 615 00:22:18,037 --> 00:22:21,040 UH, ZOMBIE? 616 00:22:21,040 --> 00:22:22,572 THAT'S KYLE. 617 00:22:22,572 --> 00:22:23,973 KYLE JENNINGS. 618 00:22:26,516 --> 00:22:29,048 NYPD! KYLE JENNINGS! 619 00:22:33,423 --> 00:22:35,024 IS THAT HIM? 620 00:22:35,024 --> 00:22:37,026 YEAH, THAT'S HIM. 621 00:22:38,558 --> 00:22:39,529 KYLE. 622 00:22:46,135 --> 00:22:47,397 HE'S DEAD. 623 00:22:47,397 --> 00:22:50,640 (Beckett) SO DO WE HAVE CAUSE OF DEATH? 624 00:22:50,640 --> 00:22:53,573 I ASSUME BY "WE," YOU MEAN ME. 625 00:22:53,573 --> 00:22:55,805 I'LL HAVE ANSWERS AFTER I CUT HIM OPEN. 626 00:22:55,805 --> 00:22:56,946 CHARMING. 627 00:22:56,946 --> 00:23:01,110 WE'RE ALL MEAT, CASTLE. GET OVER IT. 628 00:23:01,110 --> 00:23:04,383 WHAT I CAN TELL YOU IS, HIS TEETH MATCH THE BITE MARKS, 629 00:23:04,383 --> 00:23:06,055 AND THE BLOOD ON HIS CLOTHES CAME FROM THE VICTIM. 630 00:23:06,055 --> 00:23:07,857 KYLE JENNINGS IS YOUR KILLER. 631 00:23:07,857 --> 00:23:09,419 WELL, THE QUESTION IS, WHO KILLED HIM? 632 00:23:09,419 --> 00:23:11,621 ISN'T THAT ALWAYS THE QUESTION? 633 00:23:11,621 --> 00:23:13,423 UH, YOU KNOW, JUST-- 634 00:23:13,423 --> 00:23:15,124 (scoffs) WHAT IS IT, CASTLE? 635 00:23:15,124 --> 00:23:17,096 NO, I WAS JUST WONDERING, 636 00:23:17,096 --> 00:23:20,970 BEFORE THIS MAN DIED, HE WAS BEHAVING EXACTLY LIKE A ZOMBIE. 637 00:23:20,970 --> 00:23:23,573 IS THERE ANY MEDICAL WAY TO DETERMINE... 638 00:23:23,573 --> 00:23:26,105 IF HE ACTUALLY WAS... 639 00:23:27,907 --> 00:23:29,839 ONE? (scoffs) 640 00:23:29,839 --> 00:23:31,541 W-W-WHY IS HE IN MY MORGUE? 641 00:23:31,541 --> 00:23:33,643 THERE ARE NO ZOMBIES, CASTLE. 642 00:23:33,643 --> 00:23:35,615 THIS IS A MAN. HE WAS A LIVE MAN. 643 00:23:35,615 --> 00:23:36,846 NOW HE'S A DEAD MAN. 644 00:23:36,846 --> 00:23:39,088 END OF STORY. 645 00:23:39,088 --> 00:23:40,720 AAH! (Castle) OHH! 646 00:23:40,720 --> 00:23:42,151 (screaming) (objects clatter) 647 00:23:42,151 --> 00:23:44,494 (Castle) IT'S UNDEAD! 648 00:23:44,494 --> 00:23:45,755 (moans) UH, UH... 649 00:23:45,755 --> 00:23:47,727 OH! AH! 650 00:23:47,727 --> 00:23:49,599 AH! (grunting) 651 00:23:49,599 --> 00:23:51,661 CASTLE, CALL FOR BACKUP! 652 00:23:51,661 --> 00:23:53,533 (grunting continues) 653 00:23:53,533 --> 00:23:54,564 HOW--HOW DO I-- 654 00:23:54,564 --> 00:23:55,735 9. 9. 655 00:23:55,735 --> 00:23:58,007 9. 656 00:23:58,007 --> 00:24:01,541 IS THERE A POLICE CODE FOR ZOMBIE ON THE LOOSE? 657 00:24:05,875 --> 00:24:07,446 SO BASED ON THE LATEST REPORT FROM THE E.R., 658 00:24:07,446 --> 00:24:08,878 KYLE JENNINGS WAS TRANSFERRED UP TO I.C.U. 659 00:24:08,878 --> 00:24:10,750 HE IS STABLE BUT UNDER SEDATION. 660 00:24:10,750 --> 00:24:12,051 I'M TELLING YOU, THAT GUY WAS DEAD. 661 00:24:12,051 --> 00:24:15,054 REMIND ME NEVER TO CHOKE ON A CHICKEN BONE IN FRONT OF YOU. 662 00:24:15,054 --> 00:24:17,226 HEY, YOU CHECKED THAT GUY. SO DID THE PARAMEDICS. 663 00:24:17,226 --> 00:24:18,588 WHOA. YOU GUYS, I'M SURE 664 00:24:18,588 --> 00:24:20,159 THAT THERE'S A MEDICAL EXPLANATION FOR IT. 665 00:24:20,159 --> 00:24:21,931 OH, THERE'S AN EXPLANATION, ALL RIGHT. 666 00:24:21,931 --> 00:24:23,062 BESIDES THAT ONE. 667 00:24:23,062 --> 00:24:24,594 COME ON. YOU WERE THERE. YOU SAW IT. 668 00:24:24,594 --> 00:24:25,965 HE ROSE FROM THE DEAD. 669 00:24:25,965 --> 00:24:27,466 HE DIDN'T RISE FROM THE DEAD, CASTLE. 670 00:24:27,466 --> 00:24:29,639 HE WASN'T DEAD IN THE FIRST PLACE. 671 00:24:29,639 --> 00:24:31,070 (Esposito) YEAH, HE'S NOT A ZOMBIE, CASTLE. 672 00:24:31,070 --> 00:24:33,102 HE'S JUST A MURDERER. 673 00:24:33,102 --> 00:24:35,004 WELL, THEN WHAT WAS HIS MOTIVE FOR MURDER, 674 00:24:35,004 --> 00:24:36,806 DETECTIVE ESPOSITO? 675 00:24:36,806 --> 00:24:38,477 (people speaking indistinctly) 676 00:24:38,477 --> 00:24:39,979 KYLE SOLD INSURANCE. 677 00:24:39,979 --> 00:24:40,980 HE HAD NO CRIMINAL RECORD. 678 00:24:40,980 --> 00:24:43,112 THERE'S NO EVIDENCE HE EVEN KNEW OUR VICTIM. 679 00:24:43,112 --> 00:24:45,214 HE'S A HUMAN KILLER WITH A HUMAN MOTIVE. 680 00:24:45,214 --> 00:24:47,256 (telephone rings) OR HE'S A ZOMBIE KILLER WITH A ZOMBIE MOTIVE. 681 00:24:47,256 --> 00:24:48,618 (ring) 682 00:24:48,618 --> 00:24:49,959 BECKETT. 683 00:24:49,959 --> 00:24:52,121 (lowered voice) TASTY BRAINS. 684 00:24:52,121 --> 00:24:53,823 (lowered voice) YOU KNOW, CASTLE, DO YOU REALLY BELIEVE 685 00:24:53,823 --> 00:24:55,124 IN ALL THIS ZOMBIE STUFF, BECAUSE I-- 686 00:24:55,124 --> 00:24:57,967 I WOULD SWEAR ON MY NANA'S GRAVE THAT KYLE JENNINGS WAS DEAD. 687 00:24:57,967 --> 00:24:59,498 NO. 688 00:24:59,498 --> 00:25:01,500 YOU KNOW WHAT I DO BELIEVE IN? 689 00:25:01,500 --> 00:25:03,733 DRIVING BECKETT CRAZY. 690 00:25:03,733 --> 00:25:04,904 YEAH. 691 00:25:04,904 --> 00:25:06,205 I HAVE TO SAY, IT'S GOOD TO SEE YOU GUYS 692 00:25:06,205 --> 00:25:07,907 HITTING IT OFF AGAIN. 693 00:25:07,907 --> 00:25:09,108 (button clicks) 694 00:25:09,108 --> 00:25:10,810 WELL, CASTLE, LOOKS LIKE WE WILL GET OUR MOTIVE 695 00:25:10,810 --> 00:25:12,511 STRAIGHT FROM THE SOURCE. 696 00:25:12,511 --> 00:25:14,984 MR. KYLE JENNINGS IS OFFICIALLY AWAKE. 697 00:25:16,185 --> 00:25:18,948 KYLE, I'M DETECTIVE BECKETT. THIS IS MR. CASTLE. 698 00:25:18,948 --> 00:25:21,821 WHAT AM I DOING HERE? WHY ARE THERE COPS OUTSIDE? 699 00:25:21,821 --> 00:25:23,192 NO ONE'S TELLING ME ANYTHING. 700 00:25:23,192 --> 00:25:24,824 WHAT, WAS I MUGGED OR SOMETHING? 701 00:25:24,824 --> 00:25:26,796 WE NEED TO ASK YOU A FEW QUESTIONS ABOUT DAVID LOCK. 702 00:25:26,796 --> 00:25:28,898 WHO? THIS MAN. 703 00:25:28,898 --> 00:25:30,600 (monitor beeping rhythmically) 704 00:25:30,600 --> 00:25:31,731 I DON'T KNOW HIM. 705 00:25:31,731 --> 00:25:33,032 TWO NIGHTS AGO, HE WENT ON A ZOMBIE WALK. 706 00:25:33,032 --> 00:25:34,734 DID THE TWO OF YOU MEET THERE? 707 00:25:34,734 --> 00:25:35,905 I'M TELLING YOU, I'VE NEVER SEEN THE GUY BEFORE. 708 00:25:35,905 --> 00:25:37,266 WHAT IS THIS ABOUT? 709 00:25:37,266 --> 00:25:38,968 HE WAS MURDERED. 710 00:25:38,968 --> 00:25:40,269 BEATEN TO DEATH. 711 00:25:44,013 --> 00:25:46,816 WHAT HAPPENED AT THAT ZOMBIE WALK? 712 00:25:46,816 --> 00:25:48,748 I CAN'T REMEMBER. 713 00:25:48,748 --> 00:25:51,621 WELL, WHAT'S THE LAST THING YOU DO REMEMBER? 714 00:25:51,621 --> 00:25:55,224 UH, I... GOT DRESSED TO HEAD OVER THERE. 715 00:25:55,224 --> 00:25:57,587 THE NEXT THING I KNOW, I WOKE UP IN THE MORGUE. 716 00:25:57,587 --> 00:25:59,659 DID YOU DRINK OR DO DRUGS THAT NIGHT? 717 00:25:59,659 --> 00:26:02,061 I DON'T DO THAT STUFF. LOOK... 718 00:26:02,061 --> 00:26:03,132 I DIDN'T HURT ANYONE, OKAY? 719 00:26:03,132 --> 00:26:04,994 I WOULD NEVER DO THAT. 720 00:26:04,994 --> 00:26:07,797 I JUST-- I DON'T REMEMBER ANYTHING. 721 00:26:07,797 --> 00:26:09,038 WELL, THE VICTIM'S BLOOD 722 00:26:09,038 --> 00:26:10,299 WAS FOUND ON YOUR CLOTHES, 723 00:26:10,299 --> 00:26:12,101 BITE MARKS MATCH YOUR TEETH, 724 00:26:12,101 --> 00:26:14,573 THE CUFF OF YOUR SHIRT WAS CLUTCHED IN HIS HAND, 725 00:26:14,573 --> 00:26:17,076 AND A SECURITY CAMERA CAUGHT OUR KILLER ON TAPE. 726 00:26:17,076 --> 00:26:19,308 IS THAT YOU, KYLE? 727 00:26:23,913 --> 00:26:26,155 YES. 728 00:26:26,155 --> 00:26:27,687 THAT'S ME. 729 00:26:32,091 --> 00:26:34,023 I THINK YOU'RE GONNA NEED A LAWYER. 730 00:26:37,226 --> 00:26:38,928 (people speaking indistinctly) 731 00:26:38,928 --> 00:26:42,001 SO KYLE KILLED SOMEONE HE NEVER MET FOR NO REASON. 732 00:26:42,001 --> 00:26:43,302 IS THAT WHAT WE'RE SUPPOSED TO BELIEVE? 733 00:26:43,302 --> 00:26:45,174 WELL, ISN'T THAT WHAT YOU SAID ZOMBIES DO? 734 00:26:45,174 --> 00:26:47,006 IT IS WITH A SAD HEART, I SAY THAT 735 00:26:47,006 --> 00:26:48,307 THAT MAN IS NO ZOMBIE. 736 00:26:48,307 --> 00:26:50,009 OH, EVEN THOUGH HE ROSE FROM THE DEAD? 737 00:26:50,009 --> 00:26:51,881 IT'S COMMON KNOWLEDGE, WHEN YOU TURN INTO A ZOMBIE, 738 00:26:51,881 --> 00:26:53,212 YOU CANNOT TURN BACK. 739 00:26:53,212 --> 00:26:54,343 SO YOU CONCEDE TO THE FACT THAT 740 00:26:54,343 --> 00:26:56,215 THERE'S A MEDICAL EXPLANATION TO ALL OF THIS? 741 00:26:56,215 --> 00:26:57,817 I CONCEDE TO NOTHING 742 00:26:57,817 --> 00:27:00,219 EXCEPT THAT KYLE IS NOT TELLING US THE WHOLE STORY. 743 00:27:00,219 --> 00:27:03,192 YOU THINK HE REMEMBERS? 744 00:27:03,192 --> 00:27:06,195 WHEN A LIFE-ALTERING MOMENT OCCURS, 745 00:27:06,195 --> 00:27:09,128 PEOPLE REMEMBER. 746 00:27:11,230 --> 00:27:13,062 WELL, MAYBE IT'S TOO BIG TO DEAL WITH. 747 00:27:13,062 --> 00:27:14,303 MAYBE HE... 748 00:27:16,205 --> 00:27:17,967 CAN'T FACE IT JUST YET. 749 00:27:17,967 --> 00:27:20,069 WELL, YOU THINK HE EVER WILL BE? 750 00:27:20,069 --> 00:27:21,741 HOPEFULLY, 751 00:27:21,741 --> 00:27:23,112 IF HE FEELS SAFE. 752 00:27:23,112 --> 00:27:24,273 PERLMUTTER? 753 00:27:24,273 --> 00:27:25,815 (people speaking indistinctly) 754 00:27:25,815 --> 00:27:27,116 WHAT ARE YOU DOING HERE? 755 00:27:27,116 --> 00:27:31,120 I CAME TO TEND TO ONE OF MY PATIENTS--KYLE JENNINGS. 756 00:27:31,120 --> 00:27:35,054 UH... DO YOU THINK THAT'S SUCH A GOOD IDEA? 757 00:27:35,054 --> 00:27:36,355 I'LL HAVE YOU KNOW, I'M PERFECTLY CAPABLE 758 00:27:36,355 --> 00:27:37,887 OF TREATING LIVING PATIENTS. 759 00:27:37,887 --> 00:27:39,188 I SIMPLY PREFER NOT TO. 760 00:27:39,188 --> 00:27:40,890 I MADE AN EXCEPTION HERE 761 00:27:40,890 --> 00:27:43,933 BECAUSE THE RESULTS OF HIS BLOOD WORK ARE QUITE UNUSUAL. 762 00:27:43,933 --> 00:27:45,094 WHAT DO YOU MEAN? 763 00:27:45,094 --> 00:27:47,837 KYLE JENNINGS HAD SCOPOLAMINE IN HIS SYSTEM, 764 00:27:47,837 --> 00:27:51,240 WHICH, IN SMALL DOSES, IS USED TO TREAT MOTION SICKNESS. 765 00:27:51,240 --> 00:27:54,173 IN LARGER DOSES, IT ACTS ON THE CENTRAL NERVOUS SYSTEM 766 00:27:54,173 --> 00:27:57,847 TO PROMOTE COMPLIANT AND SUGGESTIBLE BEHAVIOR. 767 00:27:57,847 --> 00:28:00,279 EXACTLY HOW SUGGESTIBLE? 768 00:28:00,279 --> 00:28:02,011 YOU'LL BASICALLY DO WHATEVER YOU'RE TOLD. 769 00:28:02,011 --> 00:28:04,013 IT'S LIKE A DATE-RAPE DRUG, 770 00:28:04,013 --> 00:28:06,015 ONLY THE VICTIM REMAINS CONSCIOUS. 771 00:28:06,015 --> 00:28:08,017 AND WHEN THE DRUG WEARS OFF, 772 00:28:08,017 --> 00:28:10,159 YOU HAVE NO RECOLLECTION OF WHAT HAPPENED. 773 00:28:10,159 --> 00:28:13,062 IS IT POSSIBLE SOMEBODY SLIPPED KYLE THAT DRUG? 774 00:28:13,062 --> 00:28:14,463 I THINK IT'S HIGHLY PROBABLE THAT THEY DID. 775 00:28:14,463 --> 00:28:17,196 WHAT TIME DO YOU THINK HE WAS GIVEN THE SCOPOLAMINE? 776 00:28:17,196 --> 00:28:20,229 BETWEEN 2:45 AND 3:45 THE NIGHT OF THE MURDER. 777 00:28:20,229 --> 00:28:21,931 THAT'S WHEN HE WAS ON THAT ZOMBIE WALK. 778 00:28:21,931 --> 00:28:24,003 SOMEONE ON THE ZOMBIE WALK DRUGGED KYLE 779 00:28:24,003 --> 00:28:25,935 AND SENT HIM AFTER DAVID. 780 00:28:25,935 --> 00:28:27,807 KYLE'S INNOCENT. 781 00:28:32,141 --> 00:28:33,843 FAR FROM A RANDOM ACT 782 00:28:33,843 --> 00:28:35,014 OF ZOMBIE MAYHEM, 783 00:28:35,014 --> 00:28:37,186 THIS MURDER WAS FIENDISHLY DELIBERATE. 784 00:28:37,186 --> 00:28:38,447 IT WAS METICULOUSLY PLANNED... 785 00:28:38,447 --> 00:28:40,950 BY SOMEONE WITH A POWERFUL MOTIVE... 786 00:28:40,950 --> 00:28:42,121 WITH ACCESS TO THOSE DRUGS... 787 00:28:42,121 --> 00:28:43,793 WHO WAS ALSO AT OUR ZOMBIE WALK. 788 00:28:43,793 --> 00:28:45,124 BUT WE INTERVIEWED THOSE PEOPLE. 789 00:28:45,124 --> 00:28:46,255 THERE'S NO EVIDENCE THAT DAVID KNEW ANY OF THEM 790 00:28:46,255 --> 00:28:47,927 OR HAD ANYTHING TO DO WITH THE ZOMBIE SCENE. 791 00:28:47,927 --> 00:28:49,328 WELL, WE KNOW HE WAS DOWN THERE. 792 00:28:49,328 --> 00:28:50,760 HE HAD TO HAVE GONE THERE FOR A REASON. 793 00:28:50,760 --> 00:28:52,762 MAYBE OUR BEST BET IS TO WORK THIS THROUGH THE DRUG ANGLE. 794 00:28:52,762 --> 00:28:54,203 UH, I GOT STARTED ON THAT, 795 00:28:54,203 --> 00:28:56,235 AND I DID SOME RESEARCH ON SCOPOLAMINE. 796 00:28:56,235 --> 00:28:58,137 NICE. QUITE THE LIST OF SIDE EFFECTS, 797 00:28:58,137 --> 00:28:59,839 INCLUDING DROWSINESS, CONFUSION, SLURRED SPEECH, 798 00:28:59,839 --> 00:29:01,170 DEATH. 799 00:29:01,170 --> 00:29:02,511 IS IT AVAILABLE ON THE STREET? 800 00:29:02,511 --> 00:29:04,043 IT'S UNCOMMON, BUT IT'S OUT THERE, AND GET THIS-- 801 00:29:04,043 --> 00:29:06,245 USERS REFER TO IT AS "THE ZOMBIE DRUG." 802 00:29:06,245 --> 00:29:10,249 AND I KNOW JUST THE ZOMBIE TO TELL US ALL ABOUT IT. 803 00:29:12,151 --> 00:29:15,284 HEY, WHAT IS THIS? I ANSWERED ALL YOUR GUYS' QUESTIONS. 804 00:29:15,284 --> 00:29:18,227 WHEN YOU WERE HERE LAST TIME, WHAT WERE YOU ON? 805 00:29:18,227 --> 00:29:20,089 ON? 806 00:29:20,089 --> 00:29:22,231 WHAT DO YOU-- WHAT DO YOU MEAN? 807 00:29:22,231 --> 00:29:23,893 YOU WERE UNDER THE INFLUENCE, PAUL. 808 00:29:23,893 --> 00:29:26,135 HEAVILY UNDER THE INFLUENCE. 809 00:29:26,135 --> 00:29:27,496 WAS IT SCOPOLAMINE? 810 00:29:27,496 --> 00:29:29,168 WHOA. WHAT NOW? 811 00:29:29,168 --> 00:29:31,000 DO YOU USE THE ZOMBIE DRUG? 812 00:29:31,000 --> 00:29:33,772 I SUPPOSE THAT'S... 813 00:29:33,772 --> 00:29:35,304 POSSIBLE. 814 00:29:35,304 --> 00:29:36,445 DO ANY OF THE OTHER ZOMBIES USE IT? 815 00:29:36,445 --> 00:29:38,247 SOME DO. 816 00:29:38,247 --> 00:29:40,379 SOME SAY IT ENHANCES THE ZOMBIE EXPERIENCE. 817 00:29:40,379 --> 00:29:41,550 WHERE DID YOU GET IT? 818 00:29:41,550 --> 00:29:43,482 (sighs) A GUY DOWN THERE SELLS THE STUFF. 819 00:29:43,482 --> 00:29:45,254 WHO? WHAT'S HIS NAME? 820 00:29:45,254 --> 00:29:46,385 I DON'T KNOW. I NEVER ASKED. 821 00:29:46,385 --> 00:29:47,857 WELL, DESCRIBE HIM. 822 00:29:47,857 --> 00:29:50,219 DARK HAIR, TALL, OVER 6'. 823 00:29:50,219 --> 00:29:52,021 (rustles photo) IS THIS HIM? 824 00:29:54,093 --> 00:29:55,825 YEAH, THAT'S HIM. 825 00:29:56,996 --> 00:29:58,497 (Beckett) THANKS FOR COMING IN AGAIN, TOM. 826 00:29:58,497 --> 00:30:00,329 SURE. THOUGH I'M NOT SURE WHAT I CAN DO. 827 00:30:00,329 --> 00:30:01,871 I HEARD YOU CAUGHT THE GUY. 828 00:30:01,871 --> 00:30:03,372 YEAH, WELL, WE JUST NEEDED YOU TO HELP US 829 00:30:03,372 --> 00:30:04,874 TIE UP A FEW LOOSE ENDS. 830 00:30:04,874 --> 00:30:07,877 SO THIS IS OUR SUSPECT-- KYLE JENNINGS. 831 00:30:07,877 --> 00:30:09,238 YEAH, I REMEMBER FROM LAST TIME. 832 00:30:09,238 --> 00:30:11,410 NOW YOU SAID THAT YOU'VE NEVER SEEN HIM BEFORE. 833 00:30:11,410 --> 00:30:13,382 WELL... (chuckles) HE'D BE HARD TO MISS, RIGHT? 834 00:30:13,382 --> 00:30:16,345 YEAH, THAT'S FUNNY, 'CAUSE KYLE SAID HE SAW YOU. 835 00:30:16,345 --> 00:30:18,187 YEAH, HE SAYS YOU WERE AT THE ZOMBIE WALK. 836 00:30:18,187 --> 00:30:20,890 YOU NEVER TOLD US THAT YOU WERE A PART OF THE ZOMBIE SUBCULTURE. 837 00:30:20,890 --> 00:30:22,491 DETECTIVE, I'M PRE-LAW. 838 00:30:22,491 --> 00:30:24,423 I-I HAVE NO TIME FOR REGULAR CULTURE, 839 00:30:24,423 --> 00:30:26,125 LET ALONE SUBCULTURE. 840 00:30:26,125 --> 00:30:27,426 OH, TOM, YOU'RE TOO MODEST. 841 00:30:27,426 --> 00:30:29,128 A NUMBER OF ZOMBIES SANG YOUR PRAISES. 842 00:30:29,128 --> 00:30:31,260 YEAH, APPARENTLY, YOU'RE THE GO-TO GUY 843 00:30:31,260 --> 00:30:34,503 FOR THE REAL ZOMBIE EXPERIENCE WITH THE SCOPOLAMINE. 844 00:30:34,503 --> 00:30:36,265 THE WHAT? 845 00:30:36,265 --> 00:30:38,267 YOU'RE A KID FROM RIDGEWOOD, TOM. 846 00:30:38,267 --> 00:30:40,439 YOU DON'T EVEN HAVE A JOB. 847 00:30:40,439 --> 00:30:44,343 AND YET, YOU MANAGE TO AFFORD A REALLY NICE APARTMENT 848 00:30:44,343 --> 00:30:46,445 AND YOU'RE ABLE TO PAY YOUR TUITION. 849 00:30:46,445 --> 00:30:48,177 I-I TOOK OUT STUDENT LOANS. 850 00:30:48,177 --> 00:30:50,019 LOOK... 851 00:30:50,019 --> 00:30:52,381 I'M--I'M--I'M NOT A DRUG DEALER. 852 00:30:52,381 --> 00:30:54,053 YOU'RE TRYING TO GET AHEAD. 853 00:30:54,053 --> 00:30:56,125 YOU KNOW, MAKE A LIFE WITH GRETA. 854 00:30:56,125 --> 00:30:59,028 AND THEN SHE STEPS OUT WITH SOME WALL STREET DOUCHE 855 00:30:59,028 --> 00:31:00,960 WHO JUST WOULD NOT LET HER GO. 856 00:31:00,960 --> 00:31:03,392 DAVID WANTED TO SEE GRETA THE NIGHT THAT HE WAS KILLED. 857 00:31:03,392 --> 00:31:04,363 SHE SAID NO. 858 00:31:04,363 --> 00:31:06,065 WE CANVASSED THE AREA. 859 00:31:06,065 --> 00:31:09,298 HE WAS SEEN SITTING IN HIS CAR OUTSIDE OF YOUR APARTMENT. 860 00:31:09,298 --> 00:31:10,469 WHEN YOU LEFT THAT NIGHT, 861 00:31:10,469 --> 00:31:11,901 HE FOLLOWED YOU TO THE ZOMBIE WALK. 862 00:31:11,901 --> 00:31:13,442 I'M BETTING HE TOLD YOU HE WAS GONNA FIGHT FOR GRETA. 863 00:31:13,442 --> 00:31:15,174 HE WAS HANDSOME, HE HAD MONEY, 864 00:31:15,174 --> 00:31:16,475 THE TWO OF THEM HAD A HISTORY. 865 00:31:16,475 --> 00:31:18,207 I MEAN, YOU KNEW YOU COULDN'T COMPETE. 866 00:31:18,207 --> 00:31:19,348 YEAH, ESPECIALLY IF DAVID TOLD GRETA 867 00:31:19,348 --> 00:31:21,350 YOU'RE NOTHING BUT A LOW-LIFE DRUG DEALER. 868 00:31:21,350 --> 00:31:23,382 YOU HAD TO TAKE MATTERS INTO YOUR OWN HANDS. 869 00:31:23,382 --> 00:31:26,385 OR MORE SPECIFICALLY, KYLE'S HANDS. 870 00:31:26,385 --> 00:31:28,157 SO YOU HAD THIS BRILLIANT PLAN. 871 00:31:28,157 --> 00:31:30,489 YOU DOSED KYLE WITH SCOPOLAMINE, 872 00:31:30,489 --> 00:31:32,161 TOLD HIM TO KILL DAVID, 873 00:31:32,161 --> 00:31:34,493 THINKING, NOBODY WILL EVER FIGURE IT OUT. 874 00:31:34,493 --> 00:31:36,495 ACTUALLY, THAT LAST PART DIDN'T WORK OUT SO WELL. 875 00:31:36,495 --> 00:31:38,567 YEAH. 876 00:31:41,430 --> 00:31:43,332 ALL YOU HAVE 877 00:31:43,332 --> 00:31:46,905 IS THE WORD OF A FEW WHACKED OUT ZOMBIES. 878 00:31:46,905 --> 00:31:49,508 THAT'S NOT EVEN CLOSE TO PROBABLE CAUSE. 879 00:31:49,508 --> 00:31:52,441 YEAH, WELL, IT'S ALL I NEED TO KEEP YOU HERE FOR 24 HOURS. 880 00:31:52,441 --> 00:31:53,983 AND BY THEN, 881 00:31:53,983 --> 00:31:55,444 I WILL HAVE MY PROOF. 882 00:31:55,444 --> 00:31:58,287 (door opens) 883 00:31:58,287 --> 00:32:00,049 NO, YOU WON'T. 884 00:32:03,422 --> 00:32:06,225 HE'S RIGHT. WE'VE GOT NOTHING. 885 00:32:06,225 --> 00:32:08,197 "NOTHING" IS A STRONG WORD. 886 00:32:08,197 --> 00:32:11,300 THE ONLY PERSON THAT CAN LINK TOM TO THE KILLING IS KYLE, 887 00:32:11,300 --> 00:32:13,502 AND HE DOESN'T REMEMBER ANYTHING. 888 00:32:13,502 --> 00:32:15,464 AND ON TOP OF ALL OF THAT, 889 00:32:15,464 --> 00:32:18,567 THE EVIDENCE SHOWS THAT KYLE ALONE COMMITTED THE MURDER. 890 00:32:18,567 --> 00:32:21,510 WELL, WHEN YOU PUT IT LIKE THAT... 891 00:32:21,510 --> 00:32:24,413 YES, IT SOUNDS A LITTLE BLEAK. 892 00:32:24,413 --> 00:32:26,315 MAYBE THIS IS IT, 893 00:32:26,315 --> 00:32:30,049 WHAT EVERY HOMICIDE COP FEARS... 894 00:32:30,049 --> 00:32:31,680 THE PERFECT MURDER. 895 00:32:31,680 --> 00:32:34,553 NO. THIS IS NOT THE PERFECT MURDER. 896 00:32:34,553 --> 00:32:35,985 CAN'T BE. IT HAPPENS. 897 00:32:35,985 --> 00:32:37,586 NOT TO ME. NOT UNLESS I'VE WRITTEN IT. 898 00:32:37,586 --> 00:32:39,528 NO, WE'RE JUST MISSING SOMETHING. 899 00:32:39,528 --> 00:32:40,489 LIKE PROOF. 900 00:32:40,489 --> 00:32:42,161 WITHOUT IT, WE DID THE ONLY THING WE COULD. 901 00:32:42,161 --> 00:32:44,493 WE WENT AT TOM HEAD-ON. HE DIDN'T BLINK. 902 00:32:44,493 --> 00:32:47,066 WE'RE OUT OF MOVES. 903 00:32:47,066 --> 00:32:49,968 WE GOT ONE MOVE LEFT. 904 00:32:49,968 --> 00:32:52,441 WE WENT AT TOM HEAD-ON. 905 00:32:52,441 --> 00:32:54,673 NOW WE NEED TO GO AT HIM SIDEWAYS. 906 00:32:54,673 --> 00:32:57,176 AND I KNOW JUST WHAT TO DO. 907 00:33:04,213 --> 00:33:05,384 GRETA, I KNOW HOW YOU FEEL. 908 00:33:05,384 --> 00:33:06,555 YOU'RE IN LOVE WITH TOM, 909 00:33:06,555 --> 00:33:07,516 AND YOU WANT TO SEE THE BEST IN HIM. 910 00:33:07,516 --> 00:33:09,018 BUT YOU HAVE TO LOOK AT THE FACTS 911 00:33:09,018 --> 00:33:10,459 WHAT YOU'RE SAYING ISN'T TRUE. 912 00:33:10,459 --> 00:33:12,191 OKAY? NONE OF IT IS. 913 00:33:12,191 --> 00:33:13,662 WELL, THEN TAKE THE MONEY. 914 00:33:13,662 --> 00:33:16,565 HOW IS HE ABLE TO PAY FOR AN APARTMENT IN MANHATTAN? 915 00:33:16,565 --> 00:33:20,469 NOT BEING A DRUG DEALER, I'LL TELL YOU THAT MUCH. 916 00:33:20,469 --> 00:33:23,372 WHAT ABOUT THAT ENGAGEMENT RING? 917 00:33:23,372 --> 00:33:25,374 HOW CAN HE AFFORD THAT? 918 00:33:25,374 --> 00:33:29,478 HE--HE SAID IT WAS HIS GRANDMOTHER'S. 919 00:33:29,478 --> 00:33:31,180 GRETA, YOU ARE MY LAST CHANCE. 920 00:33:31,180 --> 00:33:33,042 IF YOU DON'T HELP ME, 921 00:33:33,042 --> 00:33:36,785 AN INNOCENT MAN IS GONNA GO TO PRISON FOR LIFE 922 00:33:36,785 --> 00:33:38,587 FOR DAVID'S MURDER. 923 00:33:51,029 --> 00:33:52,661 NO. 924 00:33:52,661 --> 00:33:54,363 TOM'S THE INNOCENT ONE. 925 00:33:54,363 --> 00:33:56,365 OKAY? 926 00:33:56,365 --> 00:33:58,767 YOU GOT YOUR KILLER, AND IT'S NOT MY FIANCE. 927 00:34:02,111 --> 00:34:04,473 (door opens) 928 00:34:04,473 --> 00:34:05,774 (door closes) 929 00:34:07,546 --> 00:34:10,048 I'M STILL WAITING ON THAT PROOF OF YOURS. 930 00:34:10,048 --> 00:34:12,581 NO? 931 00:34:12,581 --> 00:34:15,384 NOTHING? (clicks tongue) 932 00:34:15,384 --> 00:34:17,356 (groans) 933 00:34:17,356 --> 00:34:20,789 WELL, THANKS FOR THE HOSPITALITY. 934 00:34:20,789 --> 00:34:24,263 IS THERE A COMMENT CARD I COULD FILL OUT 935 00:34:24,263 --> 00:34:26,095 ABOUT THE LEVEL OF SERVICE I RECEIVED? 936 00:34:26,095 --> 00:34:28,367 (clatters) 937 00:34:28,367 --> 00:34:30,699 YOU'RE FREE TO GO. 938 00:34:30,699 --> 00:34:33,202 TAKE ADVANTAGE WHILE YOU CAN. 939 00:34:33,202 --> 00:34:35,204 YEAH, GRETA TOLD ME ABOUT YOUR LITTLE CONVERSATION. 940 00:34:35,204 --> 00:34:37,075 THAT WAS YOUR BIG PLAY, 941 00:34:37,075 --> 00:34:38,547 TO USE MY OWN FIANCEE AGAINST ME? 942 00:34:38,547 --> 00:34:41,250 SHE'S GONNA FIGURE OUT WHO YOU ARE SOONER OR LATER, 943 00:34:41,250 --> 00:34:43,352 SO WHAT ARE YOU GONNA DO ABOUT IT THEN? 944 00:34:43,352 --> 00:34:45,184 YO. 945 00:34:45,184 --> 00:34:46,615 KYLE JENNINGS MADE BAIL. 946 00:34:46,615 --> 00:34:47,786 GOT RELEASED A COUPLE OF HOURS AGO. 947 00:34:47,786 --> 00:34:49,558 WAIT. KYLE IS OUT? 948 00:34:49,558 --> 00:34:51,790 HIS BAIL WAS SET AT $1 MILLION. WHERE'D HE GET THE MONEY? 949 00:34:51,790 --> 00:34:53,492 TURNS OUT HE'S GOT AN UNCLE WHO'S GOT SOME SERIOUS DOUGH. 950 00:34:53,492 --> 00:34:55,364 I'D STEER CLEAR OF HIM IF I WAS YOU. 951 00:34:55,364 --> 00:34:56,665 WHAT KIND OF LIES DID YOU TELL HIM? 952 00:34:56,665 --> 00:34:59,698 WE DIDN'T TELL HIM ANYTHING, BUT KYLE'S A SMART GUY. 953 00:34:59,698 --> 00:35:01,200 HE'S GONNA DO THE MATH. 954 00:35:01,200 --> 00:35:02,671 I WANT POLICE PROTECTION. 955 00:35:02,671 --> 00:35:04,703 I THOUGHT YOU DIDN'T DO ANYTHING WRONG. 956 00:35:04,703 --> 00:35:07,536 I DIDN'T, BUT THANKS TO YOU, KYLE THINKS THAT I DID, 957 00:35:07,536 --> 00:35:08,737 AND NOW HE'S OUT THERE. 958 00:35:11,280 --> 00:35:12,681 (huffs) 959 00:35:12,681 --> 00:35:14,513 Y-YOU'RE RELEASING ME WITH KNOWLEDGE AND FORETHOUGHT 960 00:35:14,513 --> 00:35:16,345 THAT HE COULD ATTACK ME. 961 00:35:16,345 --> 00:35:17,816 IF HE DOES, 962 00:35:17,816 --> 00:35:21,590 THINK ABOUT THE LAWSUIT I'LL FILE AGAINST YOU. 963 00:35:24,693 --> 00:35:27,526 DETECTIVE ESPOSITO, PLEASE PROCESS MR. WILLIAMS 964 00:35:27,526 --> 00:35:30,259 AND THEN ESCORT HIM TO HIS APARTMENT, MAKE SURE IT'S CLEAR, 965 00:35:30,259 --> 00:35:33,662 AND THEN AFTER THAT, YOU ARE ON YOUR OWN. 966 00:35:36,134 --> 00:35:38,407 I'LL BE SURE TO CHECK "EXCELLENT SERVICE" 967 00:35:38,407 --> 00:35:40,739 ON THAT COMMENT CARD. 968 00:35:45,244 --> 00:35:48,317 (tires squealing) 969 00:36:03,762 --> 00:36:06,595 I WANT A PATROL CAR OUTSIDE THE BUILDING. 970 00:36:06,595 --> 00:36:08,637 YEAH, WELL, THAT'S NOT GONNA HAPPEN. 971 00:36:08,637 --> 00:36:11,240 I'M GONNA COME OVER AND LET YOU-- (man) AAH! 972 00:36:11,240 --> 00:36:13,842 GET DOWN! STAY IN THE CAR. 973 00:36:13,842 --> 00:36:15,874 (object clatters) NYPD! DROP THAT BAT AND SHOW ME YOUR HANDS. 974 00:36:15,874 --> 00:36:17,476 AAH! AH! 975 00:36:17,476 --> 00:36:20,249 (grunts) 976 00:36:22,411 --> 00:36:24,953 (growls) 977 00:36:24,953 --> 00:36:26,655 (growls) AAH! 978 00:36:26,655 --> 00:36:28,687 (panting) I KNOW WHAT YOU DID TO ME. 979 00:36:28,687 --> 00:36:29,918 NO, I DIDN'T. I-I DIDN'T. 980 00:36:29,918 --> 00:36:31,920 YOU MADE ME KILL A MAN AND NOW I'M GONNA DO THE SAME TO YOU! 981 00:36:31,920 --> 00:36:33,662 KYLE, NO, PLEASE. I... 982 00:36:33,662 --> 00:36:35,424 I'M VERY SORRY. 983 00:36:35,424 --> 00:36:36,595 YOU'RE LYING. 984 00:36:36,595 --> 00:36:37,726 NO, I AM. I SWEAR. 985 00:36:37,726 --> 00:36:39,268 HE WAS GONNA TAKE GRETA AWAY FROM ME. 986 00:36:39,268 --> 00:36:40,599 I HAD TO DO SOMETHING. 987 00:36:40,599 --> 00:36:41,870 (growling) 988 00:36:41,870 --> 00:36:43,732 I'M SORRY I USED YOU. 989 00:36:43,732 --> 00:36:46,535 JUST PLEASE DON'T... 990 00:36:46,535 --> 00:36:48,777 PLEASE DON'T-- DON'T HURT ME. 991 00:36:48,777 --> 00:36:50,609 (continues growling) 992 00:36:50,609 --> 00:36:51,710 AAH! 993 00:36:51,710 --> 00:36:53,842 OKAY. ENOUGH. 994 00:36:53,842 --> 00:36:54,813 (panting) 995 00:36:54,813 --> 00:36:56,285 (growls) 996 00:36:56,285 --> 00:36:58,287 HUH? 997 00:36:58,287 --> 00:36:59,648 (laughs) 998 00:36:59,648 --> 00:37:01,920 GOOD ACTOR, HUH? I HAD YOU GOING. 999 00:37:01,920 --> 00:37:03,622 TOM WILLIAMS, YOU ARE UNDER ARREST 1000 00:37:03,622 --> 00:37:04,923 FOR THE MURDER OF DAVID LOCK. 1001 00:37:04,923 --> 00:37:06,495 WAIT. HANG ON A SECOND. 1002 00:37:06,495 --> 00:37:08,757 JUST--KYLE... 1003 00:37:08,757 --> 00:37:10,899 WHAT--KYLE? 1004 00:37:14,803 --> 00:37:16,865 SORRY. 1005 00:37:16,865 --> 00:37:17,936 KYLE COULDN'T MAKE IT. 1006 00:37:17,936 --> 00:37:19,468 BUT HE, UH... 1007 00:37:19,468 --> 00:37:20,769 SENDS HIS REGARDS. 1008 00:37:20,769 --> 00:37:22,271 TURN AROUND. 1009 00:37:22,271 --> 00:37:24,313 TURN AROUND. 1010 00:37:24,313 --> 00:37:25,874 I'M GOTTA TELL YOU, BRO, 1011 00:37:25,874 --> 00:37:27,446 YOU COMING AT ME LIKE THAT... 1012 00:37:27,446 --> 00:37:28,847 (handcuffs click) 1013 00:37:28,847 --> 00:37:30,949 YOU ALMOST MADE ME A BELIEVER. 1014 00:37:30,949 --> 00:37:32,851 (growls) 1015 00:37:32,851 --> 00:37:34,553 STOP IT. 1016 00:37:34,553 --> 00:37:36,455 DON'T DO THAT. 1017 00:37:36,455 --> 00:37:37,886 YOU'RE CREEPING ME OUT. 1018 00:37:37,886 --> 00:37:41,560 (growls) 1019 00:37:41,560 --> 00:37:43,732 AH, YOU REALLY NAILED IT, KYLE. 1020 00:37:43,732 --> 00:37:46,535 YOUR COSTUME IS WHAT SOLD THAT BIT. 1021 00:37:46,535 --> 00:37:47,866 (Beckett) YEAH, AND BY HELPING US, 1022 00:37:47,866 --> 00:37:48,997 YOU'VE ACTUALLY HELPED YOURSELF. 1023 00:37:48,997 --> 00:37:50,539 THE D.A. IS LOOKING INTO 1024 00:37:50,539 --> 00:37:51,840 DISMISSING THE CHARGES AGAINST YOU 1025 00:37:51,840 --> 00:37:53,872 NOW THAT HE HAS TOM'S CONFESSION. 1026 00:37:53,872 --> 00:37:55,003 (sighs) 1027 00:37:55,003 --> 00:37:56,705 DETECTIVE, MR. CASTLE, 1028 00:37:56,705 --> 00:37:58,377 I-I DON'T KNOW HOW TO THANK YOU-- 1029 00:37:58,377 --> 00:38:01,480 UH, LET ME BORROW THE ZOMBIE OUTFIT 1030 00:38:01,480 --> 00:38:03,011 FOR ANOTHER DAY, WE'LL CALL IT EVEN. 1031 00:38:04,713 --> 00:38:05,854 YOU KNOW WHAT? KEEP IT. 1032 00:38:05,854 --> 00:38:07,856 MY ZOMBIE WALKING DAYS ARE OVER. 1033 00:38:07,856 --> 00:38:10,789 I JUST... WANT TO PUT ALL THIS BEHIND ME. 1034 00:38:18,827 --> 00:38:19,968 (exhales deeply) 1035 00:38:19,968 --> 00:38:22,771 HOW DOES SOMEBODY PUT SOMETHING LIKE THAT BEHIND THEM? 1036 00:38:22,771 --> 00:38:25,504 HE'S GONNA NEED THERAPY. 1037 00:38:25,504 --> 00:38:27,906 IT HELPS. 1038 00:38:27,906 --> 00:38:30,679 AT FIRST HE WON'T EVEN BE ABLE TO DEAL WITH IT. 1039 00:38:30,679 --> 00:38:32,411 IT'S GONNA TAKE EVERYTHING THAT HE'S GOT 1040 00:38:32,411 --> 00:38:34,082 TO JUST PUT ONE FOOT IN FRONT OF THE OTHER 1041 00:38:34,082 --> 00:38:36,745 AND GET THROUGH THE DAY. 1042 00:38:36,745 --> 00:38:39,818 I DIDN'T KNOW YOU WERE SEEING A THERAPIST. 1043 00:38:39,818 --> 00:38:42,090 YEAH, WELL, I DIDN'T WANT TO MAKE ANY EXCUSES. 1044 00:38:42,090 --> 00:38:44,953 I JUST WANTED TO... PUT IN THE TIME 1045 00:38:44,953 --> 00:38:46,655 AND DO THE WORK. 1046 00:38:46,655 --> 00:38:49,828 BUT I THINK I'M ALMOST WHERE I WANT TO BE NOW. 1047 00:38:49,828 --> 00:38:53,462 AND... WHERE IS THAT? 1048 00:38:55,564 --> 00:38:57,566 IN A PLACE WHERE I CAN FINALLY ACCEPT 1049 00:38:57,566 --> 00:38:59,608 EVERYTHING THAT HAPPENED THAT DAY. 1050 00:39:01,910 --> 00:39:04,913 EVERYTHING. 1051 00:39:04,913 --> 00:39:07,115 I THINK... 1052 00:39:07,115 --> 00:39:08,847 I UNDERSTAND. 1053 00:39:08,847 --> 00:39:14,623 AND, UM, THAT WALL THAT I WAS TELLING YOU ABOUT... 1054 00:39:14,623 --> 00:39:16,755 I THINK IT'S COMING DOWN. 1055 00:39:16,755 --> 00:39:19,888 WELL, I'D LIKE TO BE THERE WHEN IT DOES. 1056 00:39:19,888 --> 00:39:21,930 YEAH, I'D LIKE YOU TO BE THERE, TOO. 1057 00:39:21,930 --> 00:39:23,762 ONLY WITHOUT THE ZOMBIE MAKEUP. I DON'T KNOW. 1058 00:39:23,762 --> 00:39:25,594 I KIND OF THINK THAT THE ZOMBIE MAKEUP SUITS YOU, CASTLE. 1059 00:39:25,594 --> 00:39:26,895 YEAH, I MAKE IT WORK. 1060 00:39:26,895 --> 00:39:28,967 (laughs) 1061 00:39:28,967 --> 00:39:31,600 TOMORROW? 1062 00:39:31,600 --> 00:39:33,942 TOMORROW. 1063 00:39:50,058 --> 00:39:52,090 (latch clicks) 1064 00:40:06,775 --> 00:40:08,406 (screeches) 1065 00:40:08,406 --> 00:40:09,938 AAH! 1066 00:40:09,938 --> 00:40:11,109 (zaps) (gasps) 1067 00:40:11,109 --> 00:40:12,941 (vest powers down) 1068 00:40:12,941 --> 00:40:15,183 VICTORY IS MINE. 1069 00:40:15,183 --> 00:40:17,415 1,000... 1070 00:40:17,415 --> 00:40:18,917 POINTS. 1071 00:40:18,917 --> 00:40:20,919 AND THAT IS THE ICING 1072 00:40:20,919 --> 00:40:23,892 ON THE CAKE THAT HAS BEEN MY DAY. 1073 00:40:23,892 --> 00:40:25,053 (blows air) 1074 00:40:25,053 --> 00:40:26,925 THAT'S IT? 1075 00:40:26,925 --> 00:40:28,527 IT'S OVER? 1076 00:40:28,527 --> 00:40:32,000 (vests beeping) 1077 00:40:32,000 --> 00:40:34,002 (chuckles) WHAT? COME ON, ALEXIS. 1078 00:40:34,002 --> 00:40:36,034 IT'S JUST A GAME. (laughs) 1079 00:40:36,034 --> 00:40:37,836 A GAME WE STARTED WHEN I WAS 5, 1080 00:40:37,836 --> 00:40:39,137 AND IT'S OVER. 1081 00:40:39,137 --> 00:40:41,139 AND I'M GOING TO GRADUATE, LEAVE FOR COLLEGE, 1082 00:40:41,139 --> 00:40:44,012 AND I'LL BE THERE AND YOU'LL BE HERE, 1083 00:40:44,012 --> 00:40:46,044 AND WE CAN PLAY AT CHRISTMAS AND DURING THE SUMMER, 1084 00:40:46,044 --> 00:40:48,216 BUT... IT WON'T BE THE SAME, WILL IT? 1085 00:40:48,216 --> 00:40:50,218 NO. 1086 00:40:50,218 --> 00:40:52,881 BUT YOU KNOW WHAT? THINGS CHANGE. 1087 00:40:52,881 --> 00:40:56,555 AND CHANGE IS GOOD. 1088 00:40:56,555 --> 00:40:59,027 I CAN'T DO IT. 1089 00:40:59,027 --> 00:41:00,789 DO WHAT? 1090 00:41:00,789 --> 00:41:03,061 GO THAT FAR AWAY. 1091 00:41:03,061 --> 00:41:04,963 I WANT TO GO AWAY, BUT NOT THAT FAR. 1092 00:41:04,963 --> 00:41:06,695 AND I HATE MYSELF FOR IT, BECAUSE MY PERSONAL MOTTO IS, 1093 00:41:06,695 --> 00:41:07,936 "DO THE THING THAT YOU FEAR THE MOST," 1094 00:41:07,936 --> 00:41:10,068 BUT EVERY TIME I GET READY TO HIT THE SEND BUTTON 1095 00:41:10,068 --> 00:41:12,871 ON MY ACCEPTANCE TO OXFORD OR STANFORD, I... 1096 00:41:12,871 --> 00:41:15,103 I GET ALL SICK INSIDE. 1097 00:41:15,103 --> 00:41:16,144 (beeping continues) 1098 00:41:16,144 --> 00:41:18,607 WELL, YOU... FOLLOW YOUR HEART. 1099 00:41:18,607 --> 00:41:21,950 FOLLOW YOUR HEART, YOU CAN'T GO WRONG. 1100 00:41:21,950 --> 00:41:24,082 (beeping continues) 1101 00:41:24,082 --> 00:41:27,215 AND MY HEART IS TELLING ME... 1102 00:41:27,215 --> 00:41:28,857 GO TO COLUMBIA. 1103 00:41:30,118 --> 00:41:33,091 BUT HERE'S THE OTHER THING-- IF I DO THIS, 1104 00:41:33,091 --> 00:41:35,193 YOU HAVE TO PROMISE NOT TO DROP IN ON ME. 1105 00:41:35,193 --> 00:41:36,665 IF I DO THIS, 1106 00:41:36,665 --> 00:41:39,097 YOU HAVE TO GIVE ME MY SPACE. 1107 00:41:39,097 --> 00:41:41,499 DO YOU THINK YOU CAN DO THAT? 1108 00:41:41,499 --> 00:41:43,772 (beeping continues) 1109 00:41:43,772 --> 00:41:48,577 I THINK I CAN GIVE A SINCERE AND SOLEMN OATH 1110 00:41:48,577 --> 00:41:52,210 TO TRY. 1111 00:41:52,210 --> 00:41:53,912 THEN... 1112 00:41:53,912 --> 00:41:55,083 (zaps) (grunts) 1113 00:41:55,083 --> 00:41:57,015 (beeps) BEST TWO OUT OF THREE. 1114 00:41:58,116 --> 00:42:00,849 THIS ISN'T OVER. 1115 00:42:02,891 --> 00:42:04,993 (zombie voice) THIS ISN'T OVER. 1116 00:42:04,993 --> 00:42:06,655 (growls)