1 00:00:01,572 --> 00:00:03,003 (crowd chanting) TakeOver! WALL STREET! 2 00:00:03,003 --> 00:00:04,335 TakeOver! WALL STREET! TakeOver! WALL STREET! 3 00:00:04,335 --> 00:00:08,039 MAKE SURE YOU GET THE CROWD IN THE BACKGROUND, MARK. 4 00:00:08,039 --> 00:00:10,010 ANOTHER SHOT OF YOU AND THE CHANTING MASSES. 5 00:00:10,010 --> 00:00:11,342 I'M SO OVER THIS PROTEST. 6 00:00:11,342 --> 00:00:13,044 NEXT TIME WE'LL DO A PIECE 7 00:00:13,044 --> 00:00:14,385 ON BRAZILIAN RUNWAY MODELS, I PROMISE. 8 00:00:14,385 --> 00:00:16,087 GONNA HOLD YOU TO THAT. 9 00:00:16,087 --> 00:00:18,189 ALL RIGHT. LET'S ROLL THIS PUPPY. 10 00:00:18,189 --> 00:00:19,190 TakeOver! WALL STREET! TakeOver! WALL STREET! 11 00:00:19,190 --> 00:00:20,351 ROGER THAT. 12 00:00:20,351 --> 00:00:21,522 TakeOver! WALL STREET! 13 00:00:21,522 --> 00:00:23,294 HEY, RINGO! YOU'RE MESSING UP SOUND. 14 00:00:23,294 --> 00:00:25,096 HOW ABOUT YOU TAKE IT SOMEWHERE ELSE? 15 00:00:25,096 --> 00:00:26,397 TakeOver! WALL STREET! 16 00:00:26,397 --> 00:00:27,698 TakeOver! WALL STREET! 17 00:00:27,698 --> 00:00:29,400 OKAY, LIVE IN THREE... 18 00:00:29,400 --> 00:00:32,103 ...WALL STREET! TakeOver! WALL STREET! 19 00:00:32,103 --> 00:00:33,064 TakeOver! WALL STREET! 20 00:00:33,064 --> 00:00:34,405 I'M HERE AT BOYLAN PLAZA 21 00:00:34,405 --> 00:00:37,037 ON DAY 36 OF THE TakeOver! PROTEST. 22 00:00:37,037 --> 00:00:39,810 HUNDREDS HAVE GATHERED HERE AND IN OTHER CITIES 23 00:00:39,810 --> 00:00:41,312 ACROSS THE COUNTRY 24 00:00:41,312 --> 00:00:43,144 TO TAKE A STAND AGAINST WHAT THEY SAY 25 00:00:43,144 --> 00:00:45,146 IS GREED AND CORRUPTION. 26 00:00:45,146 --> 00:00:46,647 (explosion) 27 00:00:46,647 --> 00:00:49,680 (screaming) 28 00:00:49,680 --> 00:00:51,051 (woman) OH, MY GOD. 29 00:00:51,051 --> 00:00:52,483 (screaming continues) 30 00:00:52,483 --> 00:00:54,325 IF YOU JUST TUNED IN, 31 00:00:54,325 --> 00:00:56,327 THERE'S BEEN SOME KIND OF EXPLOSION 32 00:00:56,327 --> 00:00:59,390 ON THE SOUTHEAST SIDE OF THE BOYLAN PLAZA. 33 00:00:59,390 --> 00:01:02,663 WE DO NOT KNOW WHAT CAUSED THIS OR IF THERE ARE INJURIES, 34 00:01:02,663 --> 00:01:05,096 BUT I CAN SEE WHAT APPEAR TO BE PEOPLE 35 00:01:05,096 --> 00:01:07,568 ON THE GROUND, NOT MOVING. 36 00:01:07,568 --> 00:01:09,500 (screaming continues) 37 00:01:09,500 --> 00:01:11,502 (sirens wail) 38 00:01:11,502 --> 00:01:14,545 ♪♪♪ 39 00:01:16,547 --> 00:01:19,150 (Castle) THIS IS UNBELIEVABLE. 40 00:01:19,150 --> 00:01:22,153 ANY IDEA HOW MANY PEOPLE WERE KILLED? 41 00:01:22,153 --> 00:01:24,285 INITIAL REPORTS SAY FIVE DEAD, 42 00:01:24,285 --> 00:01:26,517 28 INJURED. THERE'S FEDS EVERYWHERE. 43 00:01:26,517 --> 00:01:28,088 YEAH, WELL, THAT'S NORMAL PROCEDURE 44 00:01:28,088 --> 00:01:30,090 IN THE EVENT OF A BOMB. 45 00:01:30,090 --> 00:01:33,093 THERE'S NOTHING NORMAL ABOUT THIS. 46 00:01:33,093 --> 00:01:35,126 DETECTIVE, DO THE POLICE KNOW WHO'S BEHIND THIS? 47 00:01:35,126 --> 00:01:36,797 DO THEY THINK THIS WAS A TERRORIST ATTACK? 48 00:01:36,797 --> 00:01:40,231 NO COMMENT. YOU'LL HAVE TO DEAL WITH PRESS RELATIONS. 49 00:01:40,231 --> 00:01:43,234 (reporters shouting indistinctly) 50 00:01:43,234 --> 00:01:46,707 ♪♪♪ 51 00:01:46,707 --> 00:01:48,179 (man) EXCUSE ME. 52 00:01:48,179 --> 00:01:50,381 OH, SORRY. NYPD. 53 00:01:50,381 --> 00:01:52,143 NYPD'S OVER THERE. 54 00:01:52,143 --> 00:01:53,484 (Beckett) THANKS. 55 00:01:53,484 --> 00:01:55,486 FBI HAS TAKEN JURISDICTION OF THE CRIME SCENE. 56 00:01:55,486 --> 00:01:56,817 (people speaking indistinctly) 57 00:01:56,817 --> 00:01:58,118 THANKS. 58 00:01:58,118 --> 00:01:59,790 COME ON, CASTLE. 59 00:01:59,790 --> 00:02:01,892 ♪♪♪ 60 00:02:01,892 --> 00:02:04,895 (emergency radio chatter) 61 00:02:04,895 --> 00:02:06,327 ♪♪♪ 62 00:02:06,327 --> 00:02:08,459 (Esposito) FBI TURNED YOU GUYS AWAY, TOO, HUH? 63 00:02:08,459 --> 00:02:10,201 YEAH, THEY WOULDN'T LET US PAST THE CRIME SCENE TAPE. 64 00:02:10,201 --> 00:02:11,362 WHAT'S GOING ON? 65 00:02:11,362 --> 00:02:12,603 GATES IS TALKING TO THE FEDS, 66 00:02:12,603 --> 00:02:13,764 TRYING TO GET A HANDLE ON THAT. 67 00:02:13,764 --> 00:02:15,436 WHAT DO WE KNOW ABOUT THE EXPLOSION, 68 00:02:15,436 --> 00:02:17,238 WHO SET IT OFF? 69 00:02:17,238 --> 00:02:18,439 WELL, IT PROBABLY WASN'T A SUICIDE BOMBER. 70 00:02:18,439 --> 00:02:19,770 I GOT A FRIEND WHO'S A MEDIC, SAID THAT THERE WERE 71 00:02:19,770 --> 00:02:21,312 NO EXPLOSIVE VESTS ON ANY OF THE BODIES. 72 00:02:21,312 --> 00:02:23,314 EVERYTHING ELSE IS JUST RUMOR AT THIS POINT. 73 00:02:23,314 --> 00:02:24,815 (speaks indistinctly) 74 00:02:24,815 --> 00:02:26,317 LISTEN UP, PEOPLE. 75 00:02:26,317 --> 00:02:28,779 WE'LL STILL PIECING TOGETHER WHAT HAPPENED HERE. 76 00:02:28,779 --> 00:02:31,552 BUT WHAT I CAN TELL YOU-- FBI AND HOMELAND SECURITY 77 00:02:31,552 --> 00:02:33,724 WILL BE TAKING POINT ON THIS INVESTIGATION. 78 00:02:33,724 --> 00:02:37,328 NYPD WILL ACT IN A SUPPORT CAPACITY. 79 00:02:37,328 --> 00:02:39,330 OUR FIRST ASSIGNMENT IS TO DETERMINE 80 00:02:39,330 --> 00:02:40,631 IF ANY OF THE VICTIMS WERE TARGETED 81 00:02:40,631 --> 00:02:42,293 BECAUSE OF THEIR INVOLVEMENT IN THE PROTEST. 82 00:02:42,293 --> 00:02:44,665 UNIFORMS ARE BRINGING FAMILIES TO THE PRECINCT AS WE SPEAK, 83 00:02:44,665 --> 00:02:48,699 SO... LET'S GO HOLD SOME HANDS AND DO OUR JOBS. 84 00:02:48,699 --> 00:02:50,941 (emergency radio chatter continues) 85 00:02:50,941 --> 00:02:52,273 (Beckett) MR. LEVINE, 86 00:02:52,273 --> 00:02:53,944 I UNDERSTAND THAT ONE OF THE VICTIMS, 87 00:02:53,944 --> 00:02:57,308 JESSE FRIEDMAN, WORKED CLOSELY WITH YOU. 88 00:02:57,308 --> 00:02:58,449 IT WAS MORE THAN THAT. 89 00:02:58,449 --> 00:03:01,181 HE WAS A FRIEND, A COMRADE IN ARMS, YOU KNOW? 90 00:03:01,181 --> 00:03:03,354 JESSE WAS A RECRUITER. 91 00:03:03,354 --> 00:03:04,815 WHEN ATTENDANCE DROPPED A FEW WEEKS BACK, 92 00:03:04,815 --> 00:03:06,517 EVEN I THOUGHT IT WAS TIME TO PACK UP, 93 00:03:06,517 --> 00:03:08,419 BUT JESSE JUST THREW MY FAVORITE QUOTE BACK AT ME. 94 00:03:08,419 --> 00:03:10,691 THE ONE ABOUT SINNING BY SILENCE. 95 00:03:10,691 --> 00:03:13,594 "TO SIN BY SILENCE WHEN WE SHOULD PROTEST 96 00:03:13,594 --> 00:03:17,398 MAKES... COWARDS OF MEN." 97 00:03:17,398 --> 00:03:19,199 (Ryan) WE KNOW THAT THIS IS DIFFICULT, 98 00:03:19,199 --> 00:03:21,201 BUT WHAT WAS YOUR HUSBAND'S INVOLVEMENT 99 00:03:21,201 --> 00:03:23,674 WITH THE TakeOver! MOVEMENT? 100 00:03:23,674 --> 00:03:27,238 MATT WASN'T INVOLVED. NEITHER AM I. 101 00:03:27,238 --> 00:03:30,511 (Esposito) SO WHY WERE YOU AT BOYLAN PLAZA? 102 00:03:30,511 --> 00:03:32,313 IT'S OUR FIRST TIME HERE. 103 00:03:32,313 --> 00:03:34,245 WE WANTED TO TAKE IN AS MUCH AS WE COULD. 104 00:03:35,616 --> 00:03:36,787 YOU'RE TOURISTS? 105 00:03:36,787 --> 00:03:38,289 WE'D JUST BEEN TO THE TOP 106 00:03:38,289 --> 00:03:40,251 OF THE EMPIRE STATE BUILDING. 107 00:03:40,251 --> 00:03:42,253 WE HAD AN EXTRA FEW MINUTES, SO WE DECIDED 108 00:03:42,253 --> 00:03:44,695 TO SEE WHAT THE PROTEST WAS ALL ABOUT. 109 00:03:44,695 --> 00:03:47,358 (sniffles) 110 00:03:47,358 --> 00:03:50,301 MATT AND I JUST BOUGHT A HOUSE. 111 00:03:50,301 --> 00:03:54,535 (voice breaking) WE WERE GOING TO START A FAMILY. 112 00:03:54,535 --> 00:03:57,308 WE HAD ALL THESE PLANS. 113 00:03:57,308 --> 00:04:00,311 WHAT AM I GONNA DO NOW? 114 00:04:02,242 --> 00:04:05,245 (indistinct conversations) 115 00:04:08,419 --> 00:04:10,381 YOU OKAY? 116 00:04:10,381 --> 00:04:11,882 YEAH, YEAH. 117 00:04:11,882 --> 00:04:13,424 IT'S JUST THIS CASE, YOU KNOW? 118 00:04:13,424 --> 00:04:14,525 IT KIND OF GETS TO YOU. 119 00:04:14,525 --> 00:04:16,787 HOW'D IT GO WITH THE REST OF THE FAMILIES? 120 00:04:16,787 --> 00:04:20,431 UM, ONE VICTIM WAS THE FIRST KID 121 00:04:20,431 --> 00:04:23,033 IN HIS FAMILY TO GO TO COLLEGE, 122 00:04:23,033 --> 00:04:25,996 AND THE OTHER WAS A MOTHER OF TWO, SO... 123 00:04:25,996 --> 00:04:28,869 ABOUT LIKE YOU'D EXPECT. 124 00:04:28,869 --> 00:04:31,442 NO ONE SEEMS TO HAVE BEEN TARGETED, THOUGH. 125 00:04:31,442 --> 00:04:33,644 SO THEIR DEATHS WERE RANDOM. 126 00:04:33,644 --> 00:04:37,277 YOU KNOW, MOST OF OUR VICTIMS, THEY... 127 00:04:37,277 --> 00:04:38,679 THEY DIE FOR A REASON. 128 00:04:38,679 --> 00:04:40,381 YOU KNOW, THERE'S A LOGIC BEHIND IT. 129 00:04:40,381 --> 00:04:43,013 IT'S A TWISTED LOGIC AT TIMES, 130 00:04:43,013 --> 00:04:45,386 BUT... AT LEAST IT MAKES SOME KIND OF SENSE. 131 00:04:45,386 --> 00:04:46,917 YEAH, BUT IN THIS CASE, 132 00:04:46,917 --> 00:04:48,419 THESE PEOPLE WERE JUST IN THE WRONG PLACE 133 00:04:48,419 --> 00:04:49,920 AT THE WRONG TIME. 134 00:04:49,920 --> 00:04:52,022 AND THEIR FUTURE AND ALL THEIR PLANS, 135 00:04:52,022 --> 00:04:54,365 EVERYTHING IS JUST GONE IN A FLASH. 136 00:04:58,469 --> 00:05:00,801 IT MAKES YOU THINK ABOUT ALL THOSE THINGS IN YOUR OWN LIFE 137 00:05:00,801 --> 00:05:03,303 THAT YOU DON'T WANT TO PUT OFF ANYMORE. 138 00:05:07,538 --> 00:05:10,310 (Esposito) YO. 139 00:05:10,310 --> 00:05:13,384 CAPTAIN'S GATHERING THE TROOPS. 140 00:05:15,486 --> 00:05:16,987 (Gates) NOW THAT IT APPEARS 141 00:05:16,987 --> 00:05:18,589 THAT THIS ATTACK WAS NOT DIRECTED 142 00:05:18,589 --> 00:05:20,921 AT ANY SPECIFIC INDIVIDUAL, 143 00:05:20,921 --> 00:05:23,023 WE'VE GOT A NEW ASSIGNMENT FROM THE FBI. 144 00:05:23,023 --> 00:05:24,855 WE ALL KNOW WHERE THE BOMB WENT OFF. 145 00:05:24,855 --> 00:05:26,627 (crowd shouting indistinctly) (explosion) 146 00:05:26,627 --> 00:05:28,899 IT WAS HERE, RIGHT NEXT TO THIS LAMPPOST. 147 00:05:28,899 --> 00:05:31,331 THE FBI JUST RECOVERED THIS PHOTO 148 00:05:31,331 --> 00:05:34,405 FROM A PROTESTER'S CELL PHONE. 149 00:05:34,405 --> 00:05:35,606 IT'S OF THE SAME LOCATION, 150 00:05:35,606 --> 00:05:37,007 TAKEN 47 SECONDS... 151 00:05:37,007 --> 00:05:38,369 (screaming) 152 00:05:38,369 --> 00:05:39,470 (speaks indistinctly) 153 00:05:39,470 --> 00:05:41,372 BEFORE THE EXPLOSION. 154 00:05:41,372 --> 00:05:42,943 THAT COULD ONLY MEAN ONE THING. 155 00:05:42,943 --> 00:05:45,446 THE BOMB WAS PLACED HERE BY SOMEONE 156 00:05:45,446 --> 00:05:47,518 WITHIN OUR 47-SECOND TIME PERIOD. 157 00:05:47,518 --> 00:05:50,381 OUR TASK IS TO INTERVIEW 158 00:05:50,381 --> 00:05:53,754 ALL WITNESSES WHO WERE PRESENT AT BOYLAN PLAZA. 159 00:05:53,754 --> 00:05:56,126 WE ARE LOOKING FOR ANYONE WHO SAW WHAT WENT ON 160 00:05:56,126 --> 00:05:58,429 BY THIS LAMPPOST BEFORE THE BLAST. 161 00:05:58,429 --> 00:06:00,961 SIR, THERE ARE OVER 300 NAMES ON THIS LIST. 162 00:06:00,961 --> 00:06:02,733 HOW DO YOU RECOMMEND THAT WE PROCEED? 163 00:06:02,733 --> 00:06:04,064 WE BRING IN MORE SHIFTS. 164 00:06:04,064 --> 00:06:06,467 SOMEONE ON THAT LIST 165 00:06:06,467 --> 00:06:09,770 SAW THE BOMB BEING PLANTED WITHIN OUR 47-SECOND WINDOW. 166 00:06:09,770 --> 00:06:13,644 WE FIND THAT PERSON, WE FIND THE BOMBER. 167 00:06:13,644 --> 00:06:24,154 (indistinct conversations) 168 00:06:28,388 --> 00:06:29,560 (indistinct conversations) 169 00:06:29,560 --> 00:06:31,622 THANK YOU FOR YOUR TIME. 170 00:06:31,622 --> 00:06:32,963 (indistinct conversations continue) 171 00:06:32,963 --> 00:06:35,526 WELL, THAT WAS UNHELPFUL. 172 00:06:35,526 --> 00:06:38,028 YEAH. I'M STARTING TO SENSE A PATTERN. 173 00:06:38,028 --> 00:06:40,070 YOU KNOW, THIS NEXT WOMAN SAYS 174 00:06:40,070 --> 00:06:42,733 THAT SHE WAS IN THE MIDDLE OF THE WHOLE THING. 175 00:06:42,733 --> 00:06:43,934 (woman) WE WERE RIGHT HERE. 176 00:06:43,934 --> 00:06:46,106 IT'S LIKE THE BOMB WENT OFF RIGHT NEXT TO US. 177 00:06:46,106 --> 00:06:47,478 WHO'S WE? 178 00:06:47,478 --> 00:06:48,639 ME AND MY SISTER NADIA. 179 00:06:48,639 --> 00:06:49,910 SHE'S OUT THERE RIGHT NOW WAITING. 180 00:06:49,910 --> 00:06:51,612 SHOULD I GO GET HER? 181 00:06:51,612 --> 00:06:53,444 UH, NO, ACTUALLY, IT'S BETTER IF WE JUST TALK ONE-ON-ONE. 182 00:06:53,444 --> 00:06:55,616 NOW WERE THE TWO OF YOU PARTICIPATING IN THE PROTESTS? 183 00:06:55,616 --> 00:06:57,818 DO I LOOK LIKE I'M IN THE 99%? 184 00:06:57,818 --> 00:07:00,621 NO. WE'D JUST LEFT THIS BRIDAL BOUTIQUE NEAR THE PLAZA. 185 00:07:00,621 --> 00:07:02,092 NADIA'S GETTING MARRIED IN JUNE. 186 00:07:02,092 --> 00:07:04,655 AND DID YOU NOTICE ANYONE STANDING NEAR THE LIGHT POST? 187 00:07:04,655 --> 00:07:06,527 I DON'T THINK SO. 188 00:07:06,527 --> 00:07:08,028 OKAY, WELL, I'M GONNA NEED YOU TO TELL US 189 00:07:08,028 --> 00:07:10,000 EVERYTHING THAT YOU REMEMBER FROM JUST BEFORE THE BOMBING, 190 00:07:10,000 --> 00:07:11,962 STARTING WITH WHERE YOU WERE. 191 00:07:11,962 --> 00:07:13,464 WE WERE AT THE COFFEE TRUCK, 192 00:07:13,464 --> 00:07:15,506 JUST TRYING TO FIGURE OUT OUR NEXT MOVE. 193 00:07:15,506 --> 00:07:16,667 (crowd chanting) TakeOver! WALL STREET! 194 00:07:16,667 --> 00:07:17,838 I'M A LITTLE SHOPPED OUT, NADIA. 195 00:07:17,838 --> 00:07:19,009 I MEAN, YOU TRIED ON 11 DRESSES. 196 00:07:19,009 --> 00:07:20,170 THEY MADE ME LOOK LIKE A STAY PUFT MARSHMALLOW. 197 00:07:20,170 --> 00:07:21,612 WE HAVE TO KEEP LOOKING. 198 00:07:21,612 --> 00:07:22,873 CAN WE LOOK FROM HOME 199 00:07:22,873 --> 00:07:24,044 ONLINE? 200 00:07:24,044 --> 00:07:25,876 I'M NOT BUYING MY WEDDING DRESS ON THE INTERNET. 201 00:07:25,876 --> 00:07:28,218 IT'S JUST TO GIVE US IDEAS. WE NEED TO REGROUP. 202 00:07:28,218 --> 00:07:30,981 YOU ARE THIS CLOSE TO BRIDEZILLA TERRITORY. 203 00:07:30,981 --> 00:07:33,724 OH, MAYBE I'LL WEAR JEANS TO MY WEDDING. 204 00:07:33,724 --> 00:07:35,225 MAYBE WE CAN HIRE THAT GUY AS THE BAND. 205 00:07:35,225 --> 00:07:37,087 (man) THAT'S MINE! GIVE THAT BACK! 206 00:07:37,087 --> 00:07:38,228 COULD YOU IMAGINE THE LOOK ON MOM'S-- 207 00:07:38,228 --> 00:07:39,960 (gasps) DAMN IT! 208 00:07:39,960 --> 00:07:42,933 WATCH WHERE YOU'RE GOING. THIS IS MY-- (explosion) 209 00:07:42,933 --> 00:07:44,995 THE FORCE OF IT KNOCKED US ON OUR ASSES. 210 00:07:44,995 --> 00:07:46,597 NADIA ALMOST GOT TRAMPLED. 211 00:07:46,597 --> 00:07:48,068 WAIT. CAN YOU GO BACK TO THE-- 212 00:07:48,068 --> 00:07:49,540 THE MIDDLE EASTERN MAN CARRYING THE BOX. 213 00:07:49,540 --> 00:07:52,943 YOU SAID THAT HE WAS SWEATY AND NERVOUS? 214 00:07:52,943 --> 00:07:54,044 AND WAS HE HEADED TOWARD THE LAMPPOST? 215 00:07:54,044 --> 00:07:56,106 YEAH. 216 00:07:56,106 --> 00:07:58,248 DO YOU REMEMBER HIS FACE WELL ENOUGH TO HELP US WITH A SKETCH? 217 00:07:58,248 --> 00:08:00,811 WEST SIDE WALLY, 218 00:08:00,811 --> 00:08:02,553 BACK BY POPULAR DEMAND. 219 00:08:02,553 --> 00:08:04,955 COME ON, KOJAK. YOU KNOW I PREFER WEST SIDE. 220 00:08:04,955 --> 00:08:06,617 (indistinct conversations) 221 00:08:06,617 --> 00:08:08,088 WEST SIDE THEN. 222 00:08:08,088 --> 00:08:11,522 UH, DID YOU EVER SEE THAT MAN AT THE PLAZA? 223 00:08:11,522 --> 00:08:13,163 NO. GUY'S NOT FAMILIAR. 224 00:08:13,163 --> 00:08:14,965 THEN AGAIN, LOTS OF PEOPLE, LOTS OF FACES. 225 00:08:14,965 --> 00:08:17,027 PLUS, I WAS OVER HERE. THAT'S MY USUAL SPOT. 226 00:08:17,027 --> 00:08:20,070 NOT BY THE COFFEE TRUCK. I DON'T CARE FOR THE SMELL. 227 00:08:20,070 --> 00:08:22,072 WELL, THAT PUTS YOU 50 FEET AWAY FROM WHERE THE BOMB WENT OFF. 228 00:08:22,072 --> 00:08:24,004 DID YOU HAVE A CLEAR VIEW OF THIS LAMPPOST? 229 00:08:24,004 --> 00:08:25,135 NOT REALLY, MAN. 230 00:08:25,135 --> 00:08:27,177 AND YOU KNOW I ALWAYS TRY TO HELP JOHNNY LAW. 231 00:08:27,177 --> 00:08:29,109 DID YOU NOTICE ANYTHING OUT OF THE ORDINARY 232 00:08:29,109 --> 00:08:30,811 IN THE MINUTE BEFORE THE EXPLOSION? 233 00:08:30,811 --> 00:08:32,512 ANYONE SUSPICIOUS? 234 00:08:32,512 --> 00:08:34,014 (crowd chanting) TakeOver! WALL STREET! 235 00:08:34,014 --> 00:08:36,687 TakeOver! WALL STREET! TakeOver! WALL STREET! 236 00:08:36,687 --> 00:08:38,619 AS A MATTER OF FACT, I DID. 237 00:08:41,221 --> 00:08:44,895 TakeOver! WALL STREET! TakeOver! WALL STREET! 238 00:08:44,895 --> 00:08:45,996 TakeOver! WALL STREET! 239 00:08:45,996 --> 00:08:49,600 (Beethoven's "Fifth Symphony" playing) 240 00:08:49,600 --> 00:08:52,162 TakeOver! WALL STREET! TakeOver! WALL STREET! 241 00:08:52,162 --> 00:08:54,635 WE'RE GOOD TO GO. 242 00:08:54,635 --> 00:08:56,967 TakeOver! WALL STREET! TakeOver! WALL STREET! 243 00:08:56,967 --> 00:08:58,538 TakeOver! WALL STREET! 244 00:08:58,538 --> 00:09:00,971 TakeOver! WALL STREET! TakeOver! WALL STREET! 245 00:09:00,971 --> 00:09:03,073 (music continues) 246 00:09:03,073 --> 00:09:04,845 STOP. 247 00:09:04,845 --> 00:09:06,146 LET ME UNDERSTAND THIS. YOU... 248 00:09:06,146 --> 00:09:07,648 YOU SAW BEETHOVEN, 249 00:09:07,648 --> 00:09:09,850 THE COMPOSER WHO'S BEEN DEAD FOR 200 YEARS, 250 00:09:09,850 --> 00:09:11,652 IN THE PLAZA THIS AFTERNOON? OH, YEAH. 251 00:09:11,652 --> 00:09:13,153 AND I BET THAT HALF-DEAF BASTARD 252 00:09:13,153 --> 00:09:15,826 IS BEHIND ALL THIS. 253 00:09:15,826 --> 00:09:17,988 (clears throat) WEST SIDE, ARE YOU ON ANY MEDICATIONS 254 00:09:17,988 --> 00:09:19,830 OF ANY KIND? 255 00:09:19,830 --> 00:09:21,932 I DON'T SEE HOW THAT'S RELEVANT. 256 00:09:21,932 --> 00:09:23,193 (Gates) WHAT DO YOU MEAN, WE HAVE NO LEADS? 257 00:09:23,193 --> 00:09:24,865 WHAT ABOUT THE MIDDLE EASTERN MAN? 258 00:09:24,865 --> 00:09:26,867 WE INTERVIEWED HIM. HE CLEARED. 259 00:09:26,867 --> 00:09:29,169 YEAH, THAT BOX HE WAS CARRYING-- FULL OF CHINESE TAKEOUT. 260 00:09:29,169 --> 00:09:31,171 MOST DANGEROUS THING IN THERE WAS M.S.G. 261 00:09:31,171 --> 00:09:34,144 LOOK, THE FACT IS, IS THAT WE INTERVIEWED 94 PEOPLE, 262 00:09:34,144 --> 00:09:36,206 AND WE'VE GOT NOTHING TO SHOW FOR IT. 263 00:09:36,206 --> 00:09:38,148 UH, THIS IS NOT THE NEWS I WAS HOPING FOR, 264 00:09:38,148 --> 00:09:41,051 ESPECIALLY SINCE THE FBI SENT THIS OVER. 265 00:09:41,051 --> 00:09:43,153 IT WAS E-MAILED TO TWO OTHER TakeOver! LOCATIONS 266 00:09:43,153 --> 00:09:45,155 IN NEW YORK AN HOUR AGO. 267 00:09:45,155 --> 00:09:46,757 "YOU WERE WARNED TO STOP THE PROTESTS. 268 00:09:46,757 --> 00:09:48,188 "YOU DIDN'T LISTEN. 269 00:09:48,188 --> 00:09:49,920 "START LISTENING NOW OR TODAY'S BOMBING 270 00:09:49,920 --> 00:09:52,192 WILL BE JUST THE BEGINNING." 271 00:09:52,192 --> 00:09:54,094 HE'S GONNA HIT ANOTHER PROTEST. 272 00:09:54,094 --> 00:09:55,225 THE FBI IS KEEPING THIS ONE UNDER WRAPS, 273 00:09:55,225 --> 00:09:57,197 BUT THE CLOCK IS STILL TICKING HERE. 274 00:09:57,197 --> 00:09:58,829 AND WHAT YOU'RE TELLING ME 275 00:09:58,829 --> 00:10:00,370 IS THAT WE'RE NO CLOSER TO GETTING THIS GUY 276 00:10:00,370 --> 00:10:02,232 THAN WE WERE WHEN THE BOMB WENT OFF? 277 00:10:02,232 --> 00:10:04,935 SIR, SOMEBODY ON THIS LIST SAW EXACTLY WHAT HAPPENED 278 00:10:04,935 --> 00:10:06,837 WITHIN THAT 47-SECOND WINDOW, 279 00:10:06,837 --> 00:10:08,939 BUT THE PROBLEM IS, IS THAT THEY'RE MIXED IN 280 00:10:08,939 --> 00:10:11,181 WITH ALL OF THESE PEOPLE THAT SAW ABSOLUTELY NOTHING. 281 00:10:11,181 --> 00:10:14,214 IT'S LIKE TRYING TO FIND WALDO IN A SEA OF WALDOS. 282 00:10:14,214 --> 00:10:18,218 I TAKE IT YOU HAVE A PROPOSAL TO FIX THAT. 283 00:10:18,218 --> 00:10:21,221 IF THE FBI WOULD LET US VIEW ALL VIDEO 284 00:10:21,221 --> 00:10:22,753 SHOT IN THE PLAZA, 285 00:10:22,753 --> 00:10:24,955 THEN MAYBE WE CAN FIGURE OUT WHO WAS CLOSEST TO THE BOMB, 286 00:10:24,955 --> 00:10:27,097 START PRIORITIZING THE INTERVIEWS. 287 00:10:27,097 --> 00:10:30,961 OKAY, I'LL GO DOWN THERE, DO MY BEST. 288 00:10:30,961 --> 00:10:33,133 AND IF THAT DOESN'T WORK, WE'LL LOOK TO PLAN "B." 289 00:10:33,133 --> 00:10:37,007 IN THE MEANTIME, KEEP WORKING ON THE LIST. 290 00:10:37,007 --> 00:10:38,709 (indistinct conversations) 291 00:10:38,709 --> 00:10:40,070 SHE DOESN'T SEEM VERY OPTIMISTIC 292 00:10:40,070 --> 00:10:41,371 ABOUT GETTING THAT FOOTAGE. 293 00:10:41,371 --> 00:10:44,945 YOU KNOW, THE WITNESSES THAT WERE CLOSEST TO THE BOMB 294 00:10:44,945 --> 00:10:46,346 AREN'T ON OUR LIST. 295 00:10:47,878 --> 00:10:50,881 MAYBE DEAD MEN DO TELL TALES. 296 00:10:50,881 --> 00:10:53,053 (Lanie) I JUST SAW A REPORTER IN RECEPTION. 297 00:10:53,053 --> 00:10:54,955 HAVE SECURITY GET HIM OUTTA HERE. 298 00:10:54,955 --> 00:10:58,158 I DON'T WANT HIM BOTHERING THE VICTIMS' FAMILIES. 299 00:10:58,158 --> 00:11:00,891 OH! SO NICE TO SEE A FRIENDLY FACE. 300 00:11:00,891 --> 00:11:03,133 FBI HAS BEEN UP IN MINE ALL NIGHT. 301 00:11:03,133 --> 00:11:04,835 ALL FROM THE EXPLOSION? 302 00:11:04,835 --> 00:11:06,136 THEY NEVER HAD A CHANCE. 303 00:11:06,136 --> 00:11:08,038 IF YOU'RE LOOKING FOR OFFICIAL CAUSE OF DEATH, 304 00:11:08,038 --> 00:11:09,900 IT'S MULTIPLE BLUNT FORCE TRAUMA. 305 00:11:09,900 --> 00:11:11,902 ACTUALLY, WE WERE WONDERING IF THERE'S ANYTHING ON THE BODIES 306 00:11:11,902 --> 00:11:13,203 THAT MIGHT LEAD US TO WHOEVER DID THIS. 307 00:11:13,203 --> 00:11:14,374 POSSIBLY. 308 00:11:14,374 --> 00:11:16,276 MEET JESSE FRIEDMAN. 309 00:11:16,276 --> 00:11:18,749 HE WAS THE RECRUITER FOR THE TakeOver! MOVEMENT. 310 00:11:18,749 --> 00:11:20,350 HE WAS ALSO THE GUY CLOSEST TO THE BLAST. 311 00:11:20,350 --> 00:11:23,683 AND WE FOUND BITS OF THIS EMBEDDED ALL OVER HIS SKIN. 312 00:11:23,683 --> 00:11:25,756 BLUE FABRIC? THE LAB I.D.'ed IT AS CANVAS. 313 00:11:25,756 --> 00:11:27,257 THEY ALSO FOUND HIGH CONCENTRATIONS 314 00:11:27,257 --> 00:11:29,089 OF EXPLOSIVE RESIDUE ON IT. 315 00:11:29,089 --> 00:11:31,822 THE CANVAS WAS PART OF WHATEVER CONTAINED THE BOMB. 316 00:11:31,822 --> 00:11:33,023 LOOKS THAT WAY. 317 00:11:33,023 --> 00:11:34,164 SO A DUFFEL OR A SUITCASE. 318 00:11:34,164 --> 00:11:35,425 THIS IS A HUGE BREAK. 319 00:11:35,425 --> 00:11:37,227 THAT MEANS WE'RE LOOKING FOR SOMEONE CARRYING A BLUE BAG. 320 00:11:37,227 --> 00:11:38,969 LET'S GO UPDATE CAPTAIN GATES. 321 00:11:38,969 --> 00:11:40,170 UH, CAN YOU JUST GIVE ME A MINUTE? 322 00:11:40,170 --> 00:11:42,332 (people speaking indistinctly) 323 00:11:42,332 --> 00:11:44,274 YEAH, SURE. 324 00:11:44,274 --> 00:11:48,178 (people continue speaking indistinctly) 325 00:11:49,840 --> 00:11:52,913 HEY, HONEY. HOW YOU DOING? 326 00:11:52,913 --> 00:11:55,185 YEAH, I JUST NEEDED A MINUTE. 327 00:11:55,185 --> 00:11:56,787 YOU LOOK EXHAUSTED. 328 00:11:56,787 --> 00:11:58,348 HOW LONG YOU BEEN HERE? 329 00:11:58,348 --> 00:12:00,420 I'M NOT SURE. IT'S BEEN SO CRAZY. 330 00:12:00,420 --> 00:12:02,052 (inhales and sighs) 331 00:12:02,052 --> 00:12:04,294 I'VE BEEN CATALOGING THE VICTIMS' PERSONAL EFFECTS. 332 00:12:04,294 --> 00:12:06,496 WELL, THAT CAN'T BE EASY. 333 00:12:06,496 --> 00:12:08,498 I WAS FINE. 334 00:12:08,498 --> 00:12:10,931 THEN I SAW HOW ONE OF THEM HAD ON THIS BRACELET-- 335 00:12:10,931 --> 00:12:12,732 A STRING WITH BEADS MADE BY A LITTLE KID-- 336 00:12:12,732 --> 00:12:14,765 AND IT--IT WAS LIKE THAT BRACELET I MADE YOU 337 00:12:14,765 --> 00:12:17,207 FOR FATHER'S DAY WHEN I WAS 6. 338 00:12:17,207 --> 00:12:18,839 DO YOU REMEMBER? 339 00:12:18,839 --> 00:12:21,141 REMEMBER? I STILL HAVE IT. 340 00:12:21,141 --> 00:12:23,113 (people speaking indistinctly) 341 00:12:23,113 --> 00:12:25,315 COME ON. LET'S GET YOU HOME. 342 00:12:25,315 --> 00:12:27,417 NO, I SHOULD STAY. THERE'S STILL WORK TO DO. 343 00:12:27,417 --> 00:12:29,119 AND IT'LL BE HERE TOMORROW. 344 00:12:29,119 --> 00:12:30,851 DR. PARISH SAID I HAD TO GET ALL THIS FINISHED BEFORE SHE-- 345 00:12:30,851 --> 00:12:32,382 LANIE WILL TELL YOU THE SAME THING. 346 00:12:34,254 --> 00:12:37,257 COME ON LET'S GET YOU OUTTA HERE. 347 00:12:37,257 --> 00:12:40,760 (people continue speaking indistinctly) 348 00:12:46,967 --> 00:12:48,238 TakeOver! WALL STREET. 349 00:12:48,238 --> 00:12:49,439 ALL RIGHT. LET'S ROLL THIS PUPPY. ROGER THAT. 350 00:12:49,439 --> 00:12:51,141 THAT WAS OUR VERY OWN LEANN WEST, 351 00:12:51,141 --> 00:12:54,304 ABOUT TO REPORT LIVE FROM BOYLAN PLAZA YESTERDAY. 352 00:12:54,304 --> 00:12:56,176 MOMENTS LATER, TRAGEDY STRUCK. 353 00:12:56,176 --> 00:12:58,278 BE AWARE, SOME OF THE IMAGES WE'RE ABOUT TO SHOW YOU 354 00:12:58,278 --> 00:13:00,350 MAY BE DISTURBING TO SOME VIEWERS. 355 00:13:00,350 --> 00:13:03,013 HUNDREDS HAVE GATHERED HERE AND IN OTHER CITIES 356 00:13:03,013 --> 00:13:04,554 ACROSS THE COUNTRY 357 00:13:04,554 --> 00:13:06,356 TO TAKE A STAND AGAINST WHAT THEY SAY 358 00:13:06,356 --> 00:13:09,159 IS GREED AND CORRUPTION-- (explosion) 359 00:13:09,159 --> 00:13:12,792 (screaming) 360 00:13:12,792 --> 00:13:14,124 (Leann) OH, MY GOD. 361 00:13:14,124 --> 00:13:15,295 OHH. 362 00:13:15,295 --> 00:13:17,267 SO FAR NO SUSPECTS HAVE BEEN NAMED IN THE BOMBING. 363 00:13:17,267 --> 00:13:18,468 THANK YOU. 364 00:13:18,468 --> 00:13:19,830 YOU'RE WELCOME. 365 00:13:19,830 --> 00:13:21,301 SO HOW'S OUR... 366 00:13:21,301 --> 00:13:23,203 HOW'S OUR GIRL DOING? 367 00:13:23,203 --> 00:13:26,406 SHE'S UPSTAIRS IN BED, ASLEEP. 368 00:13:26,406 --> 00:13:28,438 I WISH I COULD KEEP HER IN THERE. 369 00:13:28,438 --> 00:13:30,280 (mouths word) 370 00:13:30,280 --> 00:13:31,581 HONEY, DO YOU EVER WONDER 371 00:13:31,581 --> 00:13:33,443 WHY I NEVER VISITED YOU AT THE PRECINCT 372 00:13:33,443 --> 00:13:35,415 THE FIRST YEAR YOU WERE WORKING THERE? 373 00:13:35,415 --> 00:13:37,287 I ALWAYS THOUGHT IT WAS BECAUSE OF THE HARSH LIGHTING. 374 00:13:37,287 --> 00:13:40,450 (laughs) WELL, THAT WAS A CONSIDERATION. 375 00:13:40,450 --> 00:13:42,953 NO, I THOUGHT IF I-- IF I SAW YOU 376 00:13:42,953 --> 00:13:44,824 ACTING LIKE A COP, 377 00:13:44,824 --> 00:13:47,127 I'D START THINKING OF YOU AS A COP, 378 00:13:47,127 --> 00:13:48,458 AND I JUST... WHEW. 379 00:13:48,458 --> 00:13:52,102 THAT--THAT BROUGHT ON ALL MANNER OF NIGHTMARES. 380 00:13:52,102 --> 00:13:53,964 HOW DID YOU GET OVER IT? 381 00:13:53,964 --> 00:13:55,405 EVENTUALLY, YOU REALIZE, 382 00:13:55,405 --> 00:13:58,268 YOUR CHILDREN ARE GONNA MAKE CHOICES YOU DON'T LIKE. 383 00:13:58,268 --> 00:14:00,310 JUST A FACT OF LIFE. 384 00:14:00,310 --> 00:14:02,012 WELL, IF THE BOMBING PROVES ANYTHING, 385 00:14:02,012 --> 00:14:04,915 IT'S THAT BAD THINGS CAN HAPPEN NO MATTER WHAT YOU DO. 386 00:14:04,915 --> 00:14:09,549 NOBODY'S TOMORROW IS GUARANTEED. 387 00:14:09,549 --> 00:14:12,122 SO... HOW DO YOU 388 00:14:12,122 --> 00:14:13,884 PLAN TO ACT ON THIS REALIZATION? 389 00:14:13,884 --> 00:14:15,055 WHAT DO YOU MEAN? 390 00:14:15,055 --> 00:14:16,386 OH, YOU KNOW WHAT I MEAN. 391 00:14:16,386 --> 00:14:18,558 RICHARD, HOW MUCH LONGER ARE YOU GONNA DRAG YOUR HEELS 392 00:14:18,558 --> 00:14:21,291 BEFORE YOU TELL BECKETT HOW YOU FEEL? 393 00:14:21,291 --> 00:14:23,894 AND I MEAN WHILE SHE IS AWAKE, NOT LYING ON THE GROUND 394 00:14:23,894 --> 00:14:25,565 WITH A BULLET IN HER CHEST. 395 00:14:25,565 --> 00:14:26,937 YOU DON'T UNDERSTAND-- 396 00:14:26,937 --> 00:14:28,939 IT'S COMPLICATED, SO YOU SAY. 397 00:14:28,939 --> 00:14:31,401 ONLY IT'S NOT. 398 00:14:31,401 --> 00:14:34,104 IT'S NOT. 399 00:14:34,104 --> 00:14:37,908 NOBODY'S TOMORROWS ARE GUARANTEED, RIGHT? 400 00:14:37,908 --> 00:14:39,879 WOULDN'T IT BE BETTER TO TELL HER 401 00:14:39,879 --> 00:14:41,451 EVEN IF THE TIMING IS WRONG 402 00:14:41,451 --> 00:14:43,513 THAN NEVER TO TELL HER AT ALL? 403 00:14:46,386 --> 00:14:49,159 AND WHAT IF SHE ISN'T READY? 404 00:14:49,159 --> 00:14:51,391 THEN SHE NEVER WILL BE. 405 00:14:51,391 --> 00:14:53,563 THEN YOU MOVE ON. 406 00:14:57,297 --> 00:14:59,369 (mouths words) 407 00:14:59,369 --> 00:15:02,032 (indistinct conversations) 408 00:15:02,032 --> 00:15:03,603 HEY. 409 00:15:03,603 --> 00:15:05,605 HEY. THANKS. 410 00:15:05,605 --> 00:15:08,138 YEAH. YOU GOT A SEC? 411 00:15:08,138 --> 00:15:09,479 YEAH. WHAT'S UP? 412 00:15:09,479 --> 00:15:10,540 UM... 413 00:15:10,540 --> 00:15:12,912 I'VE BEEN THINKING... 414 00:15:12,912 --> 00:15:15,915 ABOUT THE VICTIMS AND... 415 00:15:15,915 --> 00:15:19,219 ALL THE OPPORTUNITIES THEY'LL NEVER HAVE... 416 00:15:19,219 --> 00:15:22,192 (indistinct conversations continue) 417 00:15:22,192 --> 00:15:25,395 AND I DON'T WANT THAT TO HAPPEN. 418 00:15:25,395 --> 00:15:27,357 (indistinct conversations continue) 419 00:15:27,357 --> 00:15:28,999 I'VE BEEN... 420 00:15:28,999 --> 00:15:30,400 (Ryan) BECKETT. 421 00:15:30,400 --> 00:15:32,002 (indistinct conversations continue) 422 00:15:32,002 --> 00:15:33,333 WE GOT SOMETHING. 423 00:15:33,333 --> 00:15:35,405 UM... 424 00:15:35,405 --> 00:15:38,468 IT'S OKAY. IT CAN WAIT TILL AFTER THE CASE. 425 00:15:38,468 --> 00:15:42,012 (indistinct conversations continue) 426 00:15:46,176 --> 00:15:47,717 DID YOU GET THE VIDEO FROM THE PLAZA? 427 00:15:47,717 --> 00:15:50,080 NOT YET, BUT WHAT I HAVE HERE IS EVEN BETTER. 428 00:15:50,080 --> 00:15:51,581 DATA FROM WIRELESS CARRIERS 429 00:15:51,581 --> 00:15:54,384 THAT SHOWS US ALL THE GPS-ACTIVATED CELL PHONES 430 00:15:54,384 --> 00:15:55,725 IN BOYLAN PLAZA. (beeps) 431 00:15:55,725 --> 00:15:57,587 (Ryan) THIS IS THE PLAZA YESTERDAY AT 4:32, 432 00:15:57,587 --> 00:15:59,289 RIGHT BEFORE THE EXPLOSION. 433 00:15:59,289 --> 00:16:02,132 EACH RED DOT REPRESENTS THE GPS POSITION OF A SPECIFIC PHONE. 434 00:16:02,132 --> 00:16:04,364 HOW DID YOU GET THIS? 435 00:16:04,364 --> 00:16:06,496 I CALLED IN A FAVOR FROM A FRIEND AT HOMELAND SECURITY. 436 00:16:06,496 --> 00:16:08,298 THAT IS A DAMN GOOD FRIEND. 437 00:16:08,298 --> 00:16:10,100 SO THEN IF THOSE RED DOTS REPRESENT CELL PHONES, 438 00:16:10,100 --> 00:16:11,601 CAN WE FIGURE OUT WHO THEY BELONG TO? 439 00:16:11,601 --> 00:16:13,473 THAT'S THE WHOLE IDEA. 440 00:16:13,473 --> 00:16:15,745 (Beckett) IF THIS SHOWS US WHO WAS CLOSEST TO THE BOMB, 441 00:16:15,745 --> 00:16:17,507 IT GIVES US OUR WITNESSES. 442 00:16:17,507 --> 00:16:19,509 (Gates) IT CAN EVEN SHOW US WHERE EVERYONE WAS IN REAL TIME. 443 00:16:19,509 --> 00:16:21,281 ADVANCE IT TO 4:32. 444 00:16:21,281 --> 00:16:22,482 (keyboard keys click) 445 00:16:22,482 --> 00:16:23,983 (beeps and chirps) 446 00:16:23,983 --> 00:16:24,984 (clicks keyboard key) 447 00:16:24,984 --> 00:16:27,587 (people speaking indistinctly) 448 00:16:27,587 --> 00:16:29,419 (woman) ...11 DRESSES. 449 00:16:29,419 --> 00:16:32,262 (Leann) WHAT THEY SAY IS GREED AND CORRUPTION-- 450 00:16:32,262 --> 00:16:34,024 (explosion) THE DOTS THAT DISAPPEARED, 451 00:16:34,024 --> 00:16:35,295 THAT'S THE EXPLOSION. 452 00:16:35,295 --> 00:16:36,426 WAIT A SECOND. YOU GUYS SEE THAT? 453 00:16:36,426 --> 00:16:37,567 THERE WAS-- 454 00:16:37,567 --> 00:16:39,269 RIGHT BEFORE THE BOMB WENT OFF. 455 00:16:39,269 --> 00:16:41,731 RYAN, COULD YOU TAKE IT BACK TEN SECONDS? 456 00:16:41,731 --> 00:16:43,503 (chirps) 457 00:16:43,503 --> 00:16:45,105 (people speaking indistinctly) 458 00:16:45,105 --> 00:16:47,277 THAT DOT RIGHT THERE. 459 00:16:47,277 --> 00:16:49,279 RIGHT BEFORE THE EXPLOSION, 460 00:16:49,279 --> 00:16:51,441 IT GOES TO THE BLAST SITE, 461 00:16:51,441 --> 00:16:53,113 WAITS FOR A SECOND, 462 00:16:53,113 --> 00:16:55,185 AND THEN RUSHES AWAY. 463 00:16:55,185 --> 00:16:57,447 PLAY IT AGAIN. 464 00:16:57,447 --> 00:16:58,488 (chirps) 465 00:16:58,488 --> 00:16:59,649 (people speaking indistinctly) 466 00:16:59,649 --> 00:17:01,421 (woman) YOU TRIED ON 11 DRESSES. 467 00:17:01,421 --> 00:17:03,593 THAT'S THE BOMBER. 468 00:17:03,593 --> 00:17:05,555 I JUST NEED TO PULL UP HIS I.D. 469 00:17:05,555 --> 00:17:06,756 (chirps and beeps) 470 00:17:06,756 --> 00:17:09,229 (Ryan) CELL PHONE'S REGISTERED TO AN ANDREW HAYNES. 471 00:17:09,229 --> 00:17:10,500 TELL ME WHERE HE IS RIGHT NOW. 472 00:17:10,500 --> 00:17:13,403 (clicks keyboard keys) 473 00:17:13,403 --> 00:17:14,564 (beeps) 474 00:17:14,564 --> 00:17:16,236 NO GPS SIGNAL. 475 00:17:16,236 --> 00:17:19,309 UH, HIS BATTERY'S EITHER DEAD OR HIS PHONE IS OFF. 476 00:17:19,309 --> 00:17:22,612 WAIT A MINUTE. HAYNES SOUNDS FAMILIAR. 477 00:17:26,216 --> 00:17:30,080 HE SHOWED UP IN THE PRECINCT 20 MINUTES AGO FOR AN INTERVIEW. 478 00:17:30,080 --> 00:17:31,681 THE BOMBER'S IN THE BUILDING? 479 00:17:35,825 --> 00:17:37,187 (Ryan) UNIs GAVE HIM A FULL BODY. 480 00:17:37,187 --> 00:17:38,288 NO WEAPONS. NO EXPLOSIVES. 481 00:17:38,288 --> 00:17:39,559 (Beckett) HE STILL THINKS HE'S HERE AS A WITNESS? 482 00:17:39,559 --> 00:17:41,060 (Esposito) WE TOLD HIM THE SEARCH WAS ROUTINE. 483 00:17:41,060 --> 00:17:43,363 (Castle) SO THIS IS ANDREW HAYNES. 484 00:17:43,363 --> 00:17:44,534 WHAT'S HIS STORY? 485 00:17:44,534 --> 00:17:46,166 HE HAS IT OUT FOR THE TakeOver! MOVEMENT. 486 00:17:46,166 --> 00:17:47,767 HE'S ORGANIZED COUNTERDEMONSTRATIONS, 487 00:17:47,767 --> 00:17:50,670 DISRUPTED THEIR RALLIES, HE'S EVEN HANDED OUT FLIERS 488 00:17:50,670 --> 00:17:52,642 SAYING HOW THEY SHOULD BE STOPPED BY ANY MEANS NECESSARY. 489 00:17:52,642 --> 00:17:54,404 HE WALKS THE WALK, TOO. HE WAS A SUSPECT IN THE BOMBING 490 00:17:54,404 --> 00:17:56,176 OF SOME GREENPEACE OFFICES A FEW YEARS BACK. 491 00:17:56,176 --> 00:17:57,607 (Beckett) ANYTHING TURN UP AT HIS PLACE? 492 00:17:57,607 --> 00:17:59,078 YEAH, A SMOKING GUN. 493 00:17:59,078 --> 00:18:02,182 UNIs FOUND RECEIPTS TO AN INTERNET CAFE WHERE HE GOES. 494 00:18:02,182 --> 00:18:03,683 NOW THEY TRACED THOSE E-MAIL THREATS 495 00:18:03,683 --> 00:18:05,185 BACK TO THAT CAFE AND HAYNES LOG-IN I.D. 496 00:18:05,185 --> 00:18:06,416 HE'S OUR GUY. 497 00:18:06,416 --> 00:18:08,118 SO THEN WHY IS HE STROLLING IN HERE 498 00:18:08,118 --> 00:18:09,519 JUST AS COOL AS COULD BE? 499 00:18:09,519 --> 00:18:11,161 MY GUESS-- HE'S PROUD OF WHAT HE'S DONE, 500 00:18:11,161 --> 00:18:12,792 CAN'T WAIT TO TELL SOMEONE ABOUT IT. 501 00:18:12,792 --> 00:18:14,724 WELL, THEN LET'S GIVE HIM THE OPPORTUNITY 502 00:18:14,724 --> 00:18:17,427 TO DO JUST THAT. 503 00:18:17,427 --> 00:18:19,098 (door opens) (Beckett) HI, MR. HAYNES. 504 00:18:19,098 --> 00:18:20,870 I'M DETECTIVE KATE BECKETT. 505 00:18:20,870 --> 00:18:22,202 THANK YOU SO MUCH FOR COMING IN. 506 00:18:22,202 --> 00:18:24,134 IT'S ABOUT TIME YOU BROUGHT ME IN HERE. 507 00:18:24,134 --> 00:18:25,435 IF I HAD TO RUB ELBOWS 508 00:18:25,435 --> 00:18:27,637 WITH THOSE WHINY LITTLE TROUBLEMAKERS... 509 00:18:27,637 --> 00:18:29,209 (chuckles and sniffs) I WAS GONNA DO SOMETHING DRASTIC. 510 00:18:29,209 --> 00:18:31,781 OH, YEAH, WELL, I WOULDN'T BLAME YOU. 511 00:18:31,781 --> 00:18:34,113 HEY, FREE THINKER. I RESPECT THAT. 512 00:18:34,113 --> 00:18:36,246 UM, YOU KNOW, MY PERSONAL FEELINGS ASIDE, 513 00:18:36,246 --> 00:18:37,547 I STILL HAVE TO INVESTIGATE THIS INCIDENT. 514 00:18:37,547 --> 00:18:40,320 YEAH, YOU KNOW, YOU--YOU GOTTA DOT YOUR I's, CROSS YOUR T's. 515 00:18:40,320 --> 00:18:41,791 I GET THAT. 516 00:18:41,791 --> 00:18:44,324 EXACTLY. SO I JUST HAVE TO ASK YOU A FEW QUESTIONS 517 00:18:44,324 --> 00:18:46,496 ABOUT WHAT YOU SAW JUST BEFORE THE BOMBING, 518 00:18:46,496 --> 00:18:47,897 STARTING WITH... 519 00:18:47,897 --> 00:18:49,829 WHERE YOU WERE. 520 00:18:49,829 --> 00:18:52,202 UM... 521 00:18:52,202 --> 00:18:54,334 I, UH, I-I WAS... 522 00:18:54,334 --> 00:18:56,236 (sniffs) I WAS, LIKE, RIGHT UP HERE. 523 00:18:56,236 --> 00:18:58,238 UM, SO THAT'S 524 00:18:58,238 --> 00:19:00,340 ABOUT 100 FEET FROM THE BLAST SITE? 525 00:19:00,340 --> 00:19:01,411 YEAH. 526 00:19:01,411 --> 00:19:02,812 AND WHAT WERE YOU DOING THERE? 527 00:19:02,812 --> 00:19:04,744 OH, I WAS, UH, PRETTY MUCH GETTING HASSLED. 528 00:19:04,744 --> 00:19:05,915 (crowd chanting) TakeOver! WALL STREET! 529 00:19:05,915 --> 00:19:07,647 HEY, NIMROD. HERE. EDUCATE YOURSELF. 530 00:19:07,647 --> 00:19:09,279 HERE. WHY DON'T YOU GIVE THIS A READ? 531 00:19:09,279 --> 00:19:10,420 HEY, GARANIMAL PANTS. 532 00:19:10,420 --> 00:19:13,152 QUIT THE PITY PARTY. GET A FREAKIN' JOB. 533 00:19:13,152 --> 00:19:16,186 PULL YOURSELF UP BY YOUR BOOTSTRAPS. HELLO. 534 00:19:16,186 --> 00:19:17,557 HEY! I'M TALKING TO YOU. 535 00:19:17,557 --> 00:19:19,229 KITTEN, CAN YOU TAKE-- 536 00:19:19,229 --> 00:19:20,360 WHAT'S YOUR PROBLEM? 537 00:19:20,360 --> 00:19:22,262 YOU DON'T LIKE WHAT I HAVE TO SAY? SORRY. 538 00:19:22,262 --> 00:19:23,733 HUH? CAN'T FACE THE TRUTH? 539 00:19:23,733 --> 00:19:26,196 (Beckett) I'M SORRY. JUST--JUST SO I'M CLEAR, SO... 540 00:19:26,196 --> 00:19:27,166 YOU WERE DEBATING WITH THE PROTESTERS 541 00:19:27,166 --> 00:19:28,438 UNTIL THAT BOMB WENT OFF? 542 00:19:28,438 --> 00:19:30,240 YEAH, I WAS TRYING TO GIVE 'EM A REALITY CHECK. 543 00:19:30,240 --> 00:19:31,501 I MEAN, YOU KNOW, THEY'RE ALL UP IN ARMS 544 00:19:31,501 --> 00:19:32,902 ABOUT THE GREEDY CORPORATION, 545 00:19:32,902 --> 00:19:35,174 AND WHO DO THEY THINK IS CREATING THE JOBS? 546 00:19:35,174 --> 00:19:37,247 YOU KNOW, THEY'RE A BUNCH OF SILVER-SPOON HYPOCRITES. 547 00:19:37,247 --> 00:19:38,708 I MEAN, HALF OF THEM, THEY DON'T-- 548 00:19:38,708 --> 00:19:40,450 THEY DON'T EVEN KNOW WHO THEY'RE PROTESTING AGAINST. 549 00:19:40,450 --> 00:19:41,681 RIGHT, AND STOPPING THEM 550 00:19:41,681 --> 00:19:43,182 WOULD ACTUALLY BE A SERVICE TO THIS COUNTRY. 551 00:19:49,419 --> 00:19:51,190 YEAH, IT'D BE ITEM NUMBER ONE 552 00:19:51,190 --> 00:19:53,192 ON ANY TRUE PATRIOT'S TO-DO LIST. 553 00:19:53,192 --> 00:19:55,325 AND YOU ARE A TRUE PATRIOT, AREN'T YOU, ANDREW? YOU'RE DAMN RIGHT ABOUT THAT. 554 00:19:55,325 --> 00:19:56,966 THAT'S WHY YOU PUT THAT BOMB IN THE PLAZA, 555 00:19:56,966 --> 00:19:58,898 TO DEFEND THE COUNTRY THAT YOU LOVE? 556 00:20:04,203 --> 00:20:06,536 WHAT ARE YOU TALKING ABOUT? 557 00:20:06,536 --> 00:20:07,877 COME ON, ANDREW. I DON'T WANT YOU 558 00:20:07,877 --> 00:20:10,610 TO HAVE TO SERVE ANY MORE TIME THAN YOU HAVE TO. 559 00:20:10,610 --> 00:20:12,712 WE KNOW THAT YOU WEREN'T WITH THOSE PROTESTERS. 560 00:20:12,712 --> 00:20:15,214 YOU WERE DOWN HERE, DROPPING OFF THE BOMB 561 00:20:15,214 --> 00:20:17,447 AND THEN RUNNING FOR COVER. BASED ON WHAT? 562 00:20:17,447 --> 00:20:18,618 WE TRACED YOUR PHONE. 563 00:20:18,618 --> 00:20:20,490 THE GPS PLACES YOU RIGHT THERE. 564 00:20:20,490 --> 00:20:22,392 YOU CAN'T PROVE IT WAS ME. I LOST MY PHONE YESTERDAY. 565 00:20:22,392 --> 00:20:24,354 REALLY? MM-HMM. 566 00:20:24,354 --> 00:20:27,397 OKAY, THEN MAYBE YOU CAN EXPLAIN THIS. 567 00:20:27,397 --> 00:20:28,558 (rustles papers) 568 00:20:28,558 --> 00:20:30,400 (closes folder) 569 00:20:30,400 --> 00:20:33,263 THREATENING E-MAILS THAT YOU SENT FROM AN INTERNET CAFE, 570 00:20:33,263 --> 00:20:35,265 PROMISING TO CONTINUE THOSE BOMBINGS 571 00:20:35,265 --> 00:20:38,808 UNTIL THE PROTESTS STOPPED. 572 00:20:38,808 --> 00:20:41,441 I'D LIKE TO TALK TO MY LAWYER. 573 00:20:41,441 --> 00:20:43,313 (sniffs) 574 00:20:43,313 --> 00:20:44,474 (clicks) 575 00:20:44,474 --> 00:20:46,376 (man) WHITE MALE, 576 00:20:46,376 --> 00:20:47,917 ANTISOCIAL LONER, EXTREME POLITICAL VIEWS-- 577 00:20:47,917 --> 00:20:49,349 HE'S A PERFECT FIT 578 00:20:49,349 --> 00:20:51,451 FOR THE PROFILE B.S.U. WORKED UP FOR US. 579 00:20:51,451 --> 00:20:53,683 WE'LL CONTINUE QUESTIONING HIM DOWNTOWN. 580 00:20:53,683 --> 00:20:56,286 WELL, ACCORDING TO MY PEOPLE, HE'S NOWHERE NEAR CONFESSING. 581 00:20:56,286 --> 00:20:58,728 WELL, HAVE THEM REINTERVIEW THE WITNESSES 582 00:20:58,728 --> 00:21:01,591 AND FIND US SOMEONE THAT SAW HAYNES PUT THAT BACKPACK DOWN. 583 00:21:01,591 --> 00:21:04,294 (people speaking indistinctly) 584 00:21:04,294 --> 00:21:06,366 YOU'RE WELCOME. 585 00:21:06,366 --> 00:21:07,537 (crowd chanting) TakeOver! WALL STREET! 586 00:21:07,537 --> 00:21:09,268 SO WE TALKED TO 20 WITNESSES ALONG HAYNES' GPS PATH, 587 00:21:09,268 --> 00:21:10,600 BUT NONE OF THEM CAN POSITIVELY I.D. HIM. 588 00:21:10,600 --> 00:21:12,602 WITH ALL THE CONFUSION, NO ONE'S EXACTLY SURE WHAT HAPPENED. 589 00:21:12,602 --> 00:21:14,374 YOU GUYS HAVE ANY LUCK? 590 00:21:14,374 --> 00:21:15,745 FOUR PEOPLE REMEMBER SEEING A GUY 591 00:21:15,745 --> 00:21:17,547 IN A BLACK TakeOver! HOODIE, 592 00:21:17,547 --> 00:21:19,349 BUT NOBODY REMEMBERS SEEING HIS FACE. 593 00:21:19,349 --> 00:21:20,850 A BLACK HOODIE DOESN'T GET US HOME, 594 00:21:20,850 --> 00:21:22,582 NOT WITH HALF THE PROTESTERS WEARING THEM. 595 00:21:22,582 --> 00:21:24,283 (Ryan) SOMEBODY HAD TO HAVE SEEN THIS GUY. 596 00:21:24,283 --> 00:21:25,885 THERE'S A PROTESTER WE HAVEN'T SPOKEN TO YET-- 597 00:21:25,885 --> 00:21:27,557 THE STREET DRUMMER. 598 00:21:27,557 --> 00:21:29,959 TakeOver! WALL STREET! 599 00:21:29,959 --> 00:21:32,021 AFTER THE CAMERAMAN ROUSTED HIM, 600 00:21:32,021 --> 00:21:34,464 THAT BRIDESMAID SAID HE RELOCATED... 601 00:21:34,464 --> 00:21:36,426 BY THE COFFEE TRUCK, 602 00:21:36,426 --> 00:21:38,027 WHICH WOULD PUT HIM RIGHT IN HAYNES' PATH. 603 00:21:38,027 --> 00:21:39,298 WHICH MEANS HE COULD'VE SEEN HAYNES' FACE. 604 00:21:39,298 --> 00:21:40,470 YEAH, BUT WE DON'T KNOW HIS NAME 605 00:21:40,470 --> 00:21:41,631 AND HE'S NOT ON OUR WITNESS LIST. 606 00:21:41,631 --> 00:21:43,403 HOW ARE WE GONNA FIND THIS GUY? 607 00:21:43,403 --> 00:21:46,075 YOU KNOW WHAT? HE'S A STREET PERFORMER. 608 00:21:46,075 --> 00:21:48,408 HE'S PROBABLY GOTTEN NUISANCE CITATIONS, WHICH MEANS, 609 00:21:48,408 --> 00:21:50,910 IF HE HAS, WE SHOULD BE ABLE TO I.D. HIM. 610 00:21:50,910 --> 00:21:52,782 ...WALL STREET. TakeOver! 611 00:21:52,782 --> 00:21:55,485 (African accent) I MAKE MUSIC. WHY DO YOU ARREST ME? 612 00:21:55,485 --> 00:21:57,487 WE'RE NOT ARRESTING YOU, MALIK. 613 00:21:57,487 --> 00:21:59,889 WE JUST NEED TO ASK YOU A FEW QUESTIONS ABOUT WHAT YOU SAW 614 00:21:59,889 --> 00:22:01,391 IN BOYLAN PLAZA YESTERDAY AFTERNOON. 615 00:22:01,391 --> 00:22:02,722 I KNOW NOTHING ABOUT THE BOMB. 616 00:22:02,722 --> 00:22:04,724 I AM AN INNOCENT MAN. AND WE BELIEVE YOU. 617 00:22:04,724 --> 00:22:06,396 BUT WE THINK THAT YOU MIGHT HAVE SEEN SOMETHING 618 00:22:06,396 --> 00:22:08,998 THAT'LL HELP US CATCH THE PERSON WHO DID THIS. 619 00:22:08,998 --> 00:22:12,902 I-I DON'T WANT TROUBLE. 620 00:22:12,902 --> 00:22:15,435 MALIK, YOUR VISA EXPIRED, DIDN'T IT? 621 00:22:15,435 --> 00:22:16,636 IS THAT WHAT'S WORRYING YOU? 622 00:22:16,636 --> 00:22:18,368 I CANNOT GO BACK TO MY COUNTRY. 623 00:22:18,368 --> 00:22:19,338 AND I WON'T MAKE YOU. 624 00:22:19,338 --> 00:22:20,840 I DON'T CARE ABOUT YOUR IMMIGRATION STATUS. 625 00:22:20,840 --> 00:22:22,472 WE JUST NEED TO KNOW 626 00:22:22,472 --> 00:22:25,445 EXACTLY WHAT YOU SAW JUST BEFORE THAT EXPLOSION. 627 00:22:25,445 --> 00:22:27,417 (people speaking indistinctly) 628 00:22:27,417 --> 00:22:29,649 I WILL TELL YOU WHAT I CAN. 629 00:22:29,649 --> 00:22:31,751 (people continue speaking indistinctly) 630 00:22:31,751 --> 00:22:33,383 OKAY. 631 00:22:33,383 --> 00:22:34,824 (crowd chanting) TakeOver! WALL STREET! 632 00:22:34,824 --> 00:22:36,986 (Castle) WHEN YOU WERE PLAYING BY THE COFFEE TRUCK, 633 00:22:36,986 --> 00:22:38,988 A MAN WALKED BY YOU WEARING A BLACK TakeOver! SWEATSHIRT. 634 00:22:38,988 --> 00:22:40,129 DO YOU REMEMBER SEEING HIM? 635 00:22:40,129 --> 00:22:41,831 YES. I SAW HIM. 636 00:22:41,831 --> 00:22:44,664 TakeOver! WALL STREET! TakeOver! WALL STREET! 637 00:22:44,664 --> 00:22:45,835 WAIT A MINUTE. 638 00:22:45,835 --> 00:22:47,366 ARE YOU SAYING 639 00:22:47,366 --> 00:22:48,668 THAT YOU SAW THE MAN WEARING THE TakeOver! SWEATSHIRT 640 00:22:48,668 --> 00:22:50,500 PUT DOWN A BLUE BACKPACK IN FRONT OF THE LAMPPOST? 641 00:22:50,500 --> 00:22:52,642 YES. DID YOU GET A GOOD LOOK AT HIS FACE? 642 00:22:52,642 --> 00:22:54,774 (gasps) DAMN IT! 643 00:22:54,774 --> 00:22:55,875 (crowd) TakeOver! WALL STREET! 644 00:22:57,407 --> 00:23:00,049 YOU'RE CERTAIN THE MAN YOU SAW LEAVING THE BACKPACK 645 00:23:00,049 --> 00:23:02,412 WAS HISPANIC AND IN HIS 20s? 646 00:23:02,412 --> 00:23:04,013 YES. 647 00:23:06,115 --> 00:23:07,417 I-I GAVE THE WRONG ANSWER? 648 00:23:07,417 --> 00:23:09,659 ARE YOU SURE THIS WASN'T THE PERSON? 649 00:23:09,659 --> 00:23:11,991 NO. THAT'S NOT HIM. 650 00:23:13,623 --> 00:23:14,794 (photo rustles) 651 00:23:14,794 --> 00:23:16,526 THE FBI HAS GOT THE WRONG GUY. 652 00:23:16,526 --> 00:23:20,430 WHICH MEANS THE REAL BOMBER IS STILL OUT THERE. 653 00:23:25,475 --> 00:23:26,606 IF ANDREW HAYNES DIDN'T PLANT THE BOMB, 654 00:23:26,606 --> 00:23:28,508 THEN WHY DID HE E-MAIL THOSE THREATS? 655 00:23:28,508 --> 00:23:30,680 WHY DOES HIS GPS SHOW HIM FLEEING THE SCENE? 656 00:23:30,680 --> 00:23:31,841 WE CAN'T ANSWER THAT YET, 657 00:23:31,841 --> 00:23:33,513 BUT OUR WITNESS GAVE A GOOD DESCRIPTION. 658 00:23:33,513 --> 00:23:35,715 IT WAS THIS MAN. 659 00:23:35,715 --> 00:23:37,487 HOW DO WE KNOW THIS GUY IS NOT MAKING THIS UP? 660 00:23:37,487 --> 00:23:38,818 LOOK, THE DETAILS OF THE BOMB 661 00:23:38,818 --> 00:23:40,590 HAVEN'T BEEN RELEASED TO THE PRESS YET, 662 00:23:40,590 --> 00:23:42,191 SO HOW WOULD OUR WITNESS KNOW ABOUT THE BLUE BACKPACK 663 00:23:42,191 --> 00:23:43,723 UNLESS HE ACTUALLY SAW IT? 664 00:23:45,595 --> 00:23:46,896 ALL RIGHT, YOU PEOPLE PURSUE THIS. 665 00:23:46,896 --> 00:23:48,427 SEE WHERE IT LEADS. 666 00:23:48,427 --> 00:23:50,099 BUT ANDREW HAYNES IS STILL OUR PRIME SUSPECT. 667 00:23:50,099 --> 00:23:52,131 AT LEAST UNTIL YOU CAN GIVE ME SOMETHING MORE 668 00:23:52,131 --> 00:23:54,804 THAN THE WORD OF A STREET MUSICIAN. 669 00:23:54,804 --> 00:23:56,966 IDENTIFYING THIS MAN, 670 00:23:56,966 --> 00:23:59,809 THAT IS NOW OUR TOP PRIORITY. 671 00:23:59,809 --> 00:24:00,970 ACCORDING TO OUR WITNESS, 672 00:24:00,970 --> 00:24:02,812 HE WAS WEARING A TakeOver! SWEATSHIRT, 673 00:24:02,812 --> 00:24:04,514 SO HE MIGHT BE PART OF THE MOVEMENT. 674 00:24:04,514 --> 00:24:06,816 SHOW THIS SKETCH AROUND, TALK TO OTHER PROTESTERS. 675 00:24:06,816 --> 00:24:09,619 IF HE WAS A REGULAR IN BOYLAN PLAZA, 676 00:24:09,619 --> 00:24:12,021 SOMEONE THERE MUST KNOW WHO HE IS. 677 00:24:12,021 --> 00:24:13,953 UH, NOT YOU, MR. CASTLE. 678 00:24:13,953 --> 00:24:15,454 (indistinct conversations) 679 00:24:15,454 --> 00:24:17,627 I HAVE A SPECIAL TASK FOR YOU. 680 00:24:17,627 --> 00:24:19,859 I HEAR THAT YOU'RE QUITE THE SPEED READER, 681 00:24:19,859 --> 00:24:21,631 AND IN THE TIME THAT I'VE KNOWN YOU, 682 00:24:21,631 --> 00:24:23,633 YOU'VE SHOWN, WELL... 683 00:24:23,633 --> 00:24:27,036 ON OCCASION, AN EXCEPTIONAL ATTENTION TO DETAIL. 684 00:24:27,036 --> 00:24:29,839 THAT'S THE FIRST TIME YOU'VE EVER PAID ME A COMPLIME-- 685 00:24:29,839 --> 00:24:31,541 GO ON. 686 00:24:31,541 --> 00:24:33,873 WE'VE CONDUCTED OVER A HUNDRED INTERVIEWS SO FAR, 687 00:24:33,873 --> 00:24:36,175 AND SOMEONE NEEDS TO REVIEW THEM SWIFTLY, 688 00:24:36,175 --> 00:24:39,148 LOOKING FOR INFORMATION THAT CAN HELP US I.D. OUR SUSPECT. 689 00:24:39,148 --> 00:24:42,552 AND, UH, I BELIEVE, YOU'RE MY BEST BET. 690 00:24:42,552 --> 00:24:46,686 (indistinct conversations continue) 691 00:24:46,686 --> 00:24:48,588 I THINK SHE'S FINALLY STARTING TO LIKE ME. 692 00:24:48,588 --> 00:24:51,490 NO, I'M NOT. 693 00:24:51,490 --> 00:24:55,264 (people continue speaking indistinctly) 694 00:24:55,264 --> 00:24:56,826 (whispers) WEARING HER DOWN. 695 00:25:00,630 --> 00:25:02,632 GOOD MORNING. MORNING. 696 00:25:02,632 --> 00:25:03,803 ANY BREAKS IN THE CASE? 697 00:25:03,803 --> 00:25:05,134 (sighs) NO. 698 00:25:05,134 --> 00:25:07,777 I'VE BEEN PORING OVER THESE WITNESS STATEMENTS 699 00:25:07,777 --> 00:25:09,709 LOOKING FOR CLUES ABOUT OUR BOMBER, 700 00:25:09,709 --> 00:25:11,040 BUT SO FAR, NOTHING. 701 00:25:11,040 --> 00:25:14,584 WELL, MAYBE THESE WILL BRING YOU SOME LUCK. 702 00:25:16,716 --> 00:25:18,748 THESE ARE EMERGENCY CHEERING-UP PANCAKES. 703 00:25:18,748 --> 00:25:20,990 I MEAN, THESE ARE USUALLY RESERVED FOR AFTER BREAKUPS 704 00:25:20,990 --> 00:25:23,653 OR "DANCING WITH THE STARS" ELIMINATIONS. 705 00:25:23,653 --> 00:25:25,655 WHAT'S THE OCCASION? WELL, AFTER THE OTHER DAY, 706 00:25:25,655 --> 00:25:27,997 I THOUGHT WE BOTH NEEDED SOME CHEERING UP. 707 00:25:27,997 --> 00:25:30,660 (sighs) 708 00:25:30,660 --> 00:25:32,832 YOU SHOULDN'T NEED CHEERING UP. 709 00:25:32,832 --> 00:25:34,133 YOU SHOULDN'T HAVE EVEN BEEN THERE. 710 00:25:34,133 --> 00:25:35,665 YOU SHOULD'VE BEEN WITH YOUR FRIENDS 711 00:25:35,665 --> 00:25:37,607 OR AT THE MOVIES. 712 00:25:37,607 --> 00:25:38,668 DAD, I'M 18. I KNOW. 713 00:25:38,668 --> 00:25:40,810 I KNOW. IT'S JUST... 714 00:25:40,810 --> 00:25:45,645 YOU'RE GONNA SEE PLENTY OF REALITY IN YOUR LIFETIME. 715 00:25:45,645 --> 00:25:47,647 I JUST WOULD LIKE YOU TO KEEP THE ROSE COLOR ON YOUR GLASSES 716 00:25:47,647 --> 00:25:49,278 FOR AS LONG AS POSSIBLE. 717 00:25:49,278 --> 00:25:53,853 BUT I'M TRYING NOT TO FOCUS ON THE UGLY SIDE OF IT, DAD. 718 00:25:53,853 --> 00:25:57,757 I-I'VE GOTTEN STRAIGHT A's, 719 00:25:57,757 --> 00:26:00,329 AWARDS, MORE TROPHIES THAN I CAN COUNT. 720 00:26:00,329 --> 00:26:02,331 THIS JOB IS THE FIRST THING 721 00:26:02,331 --> 00:26:05,064 THAT'S MADE ME FEEL LIKE I'M DOING SOMETHING IMPORTANT, 722 00:26:05,064 --> 00:26:06,836 VALUABLE. 723 00:26:06,836 --> 00:26:09,839 I MEAN, ISN'T THAT WHY YOU DO IT? 724 00:26:12,001 --> 00:26:14,203 YOU'RE A PRETTY SMART KID, YOU KNOW THAT? 725 00:26:14,203 --> 00:26:15,905 WELL... 726 00:26:15,905 --> 00:26:18,678 THEY SAY GENIUS... 727 00:26:18,678 --> 00:26:21,080 SKIPS A GENERATION. 728 00:26:21,080 --> 00:26:22,712 APPARENTLY, SO DOES FUNNY. 729 00:26:22,712 --> 00:26:24,253 EAT YOUR PANCAKE. 730 00:26:24,253 --> 00:26:26,656 RIGHT. 731 00:26:26,656 --> 00:26:30,319 (people speaking indistinctly) 732 00:26:35,695 --> 00:26:37,366 BECKETT. 733 00:26:39,198 --> 00:26:40,369 WHAT'S GOING ON? 734 00:26:40,369 --> 00:26:41,731 UM, NOTHING. 735 00:26:41,731 --> 00:26:43,673 I'M JUST THINKING ABOUT MY NEXT MOVE. 736 00:26:43,673 --> 00:26:44,834 I MAY HAVE IT FOR YOU. 737 00:26:44,834 --> 00:26:46,706 WE GOT A LINE ON THIS GUY. 738 00:26:46,706 --> 00:26:47,877 SOMEONE I.D.'ed THE SKETCH? 739 00:26:47,877 --> 00:26:49,038 YEAH, A PROTESTER NAMED JENNI KLEIN, 740 00:26:49,038 --> 00:26:50,710 SAYS SHE KNOWS THIS GUY AS BOBBY. 741 00:26:50,710 --> 00:26:51,941 AND THERE'S NO LAST NAME? 742 00:26:51,941 --> 00:26:54,814 NO, BUT THIS BOBBY INVITED HER OVER ONCE. 743 00:26:54,814 --> 00:26:56,746 SHE KNOWS WHERE HE LIVES. 744 00:27:02,291 --> 00:27:03,853 HEY, BOBBY. 745 00:27:03,853 --> 00:27:05,825 REMOVE THE BACKPACK 746 00:27:05,825 --> 00:27:07,797 AND PLACE IT ON THE GROUND, SLOWLY. 747 00:27:07,797 --> 00:27:08,858 THEN GET ON YOUR KNEES. 748 00:27:22,812 --> 00:27:25,044 JUST A BUNCH OF GYM CLOTHES AND SOME WATER BOTTLES. 749 00:27:25,044 --> 00:27:26,746 NOT LIKE LAST TIME, HUH, BOBBY? 750 00:27:27,777 --> 00:27:32,021 (handcuffs clicking) 751 00:27:32,021 --> 00:27:33,823 GET UP. 752 00:27:33,823 --> 00:27:35,725 (Beckett) ROBERT LOPEZ. 753 00:27:35,725 --> 00:27:37,757 THAT'S YOUR NAME. 754 00:27:37,757 --> 00:27:40,730 RIGHT, BOBBY? 755 00:27:42,161 --> 00:27:44,794 ACTUALLY, I KNOW QUITE A BIT ABOUT YOU. 756 00:27:44,794 --> 00:27:46,696 I KNOW WHERE YOU LIVE. 757 00:27:46,696 --> 00:27:48,037 I KNOW YOU DON'T HAVE A RECORD. 758 00:27:48,037 --> 00:27:50,299 I KNOW YOU'RE NOT A MEMBER OF ANY POLITICAL PARTY. 759 00:27:50,299 --> 00:27:53,002 AND AS SOON AS MY TEAM FINISHES SEARCHING YOUR PLACE, 760 00:27:53,002 --> 00:27:54,704 I'M GONNA KNOW EVEN MORE. 761 00:27:54,704 --> 00:27:57,376 SO EVENTUALLY, I'LL FIND OUT, BUT WHY DON'T YOU JUST TELL ME? 762 00:27:59,408 --> 00:28:03,082 WHY DID YOU PLANT THAT BOMB? 763 00:28:05,214 --> 00:28:08,758 (indistinct conversations) 764 00:28:12,461 --> 00:28:14,994 HEY. NO LUCK WITH THOSE WITNESS STATEMENTS. 765 00:28:14,994 --> 00:28:16,165 YOU GUYS CATCH A BREAK? 766 00:28:16,165 --> 00:28:17,867 BETTER YET, WE CAUGHT THE SUSPECT. 767 00:28:17,867 --> 00:28:19,068 AND I MISSED IT? WHERE IS HE? 768 00:28:19,068 --> 00:28:21,300 IN THE BOX WITH BECKETT. 769 00:28:21,300 --> 00:28:23,833 WOULD YOU LIKE ME TO REFRESH YOUR MEMORY? 770 00:28:23,833 --> 00:28:24,874 (slaps paper down) 771 00:28:24,874 --> 00:28:27,907 YOU WERE STANDING HERE BY THE LAMPPOST. 772 00:28:27,907 --> 00:28:29,879 YOU DROPPED THE BACKPACK 773 00:28:29,879 --> 00:28:31,741 AND THEN YOU STARTED RUNNING AS IT EXPLODED 774 00:28:31,741 --> 00:28:33,482 AND KILLED FIVE PEOPLE. 775 00:28:33,482 --> 00:28:34,814 I DIDN'T--I DIDN'T DO WHAT YOU'RE SAYING. 776 00:28:34,814 --> 00:28:36,916 WITNESSES SAW YOU DROP YOUR BACKPACK, BOBBY. 777 00:28:36,916 --> 00:28:38,047 IT WASN'T MINE. 778 00:28:38,047 --> 00:28:39,348 OH, SO YOU ADMIT TO HAVING IT? 779 00:28:39,348 --> 00:28:40,890 NO. THAT'S--THAT'S NOT WHAT I MEANT. 780 00:28:40,890 --> 00:28:41,851 YOU JUST SAID THAT IT WASN'T YOURS. 781 00:28:41,851 --> 00:28:43,022 YEAH, BECAUSE YOU GOT ME ALL CONFUSED-- 782 00:28:43,022 --> 00:28:44,723 DID YOU OR DIDN'T YOU HAVE IT? 783 00:28:44,723 --> 00:28:45,925 IT'S A SIMPLE QUESTION. 784 00:28:45,925 --> 00:28:47,757 I DON'T KNOW. 785 00:28:47,757 --> 00:28:49,058 WHO PUT YOU UP TO THIS, BOBBY? 786 00:28:49,058 --> 00:28:50,860 WHO GAVE YOU THAT BACKPACK? 787 00:28:50,860 --> 00:28:52,501 I DON'T--I DON'T KNOW. I DON'T REMEMBER. 788 00:28:52,501 --> 00:28:54,934 YOU DON'T REMEMBER? HOW DO YOU NOT REMEMBER? I WAS IN SHOCK. 789 00:28:54,934 --> 00:28:56,465 THE BOMB WENT OFF. EVERYONE WAS RUNNING AND SCREAMING-- 790 00:28:56,465 --> 00:28:58,067 OH, OKAY, OKAY, SO REMEMBER WHAT HAPPENED 791 00:28:58,067 --> 00:29:00,109 AFTER THE BOMB WENT OFF, BUT NOT BEFORE. 792 00:29:00,109 --> 00:29:01,871 IT MUST HAVE BEEN ONE OF THOSE 793 00:29:01,871 --> 00:29:02,842 TRAUMATIC AMNESIA THINGS. 794 00:29:02,842 --> 00:29:04,513 BOBBY... DON'T LIE TO ME. 795 00:29:04,513 --> 00:29:07,016 I'M TELLING YOU, IT WAS ALL A BIG BLANK. 796 00:29:07,016 --> 00:29:08,177 IT WAS THE TRAUMA. 797 00:29:08,177 --> 00:29:09,348 IT WAS NOT THE TRAUMA. 798 00:29:09,348 --> 00:29:10,820 YOU DON'T GET TO USE THAT EXCUSE. 799 00:29:10,820 --> 00:29:11,851 I SWEAR, I DON'T REMEMBER. 800 00:29:11,851 --> 00:29:13,422 THE HELL YOU DON'T REMEMBER. 801 00:29:13,422 --> 00:29:15,184 DO YOU WANT TO KNOW TRAUMA? 802 00:29:15,184 --> 00:29:17,787 I WAS SHOT IN THE CHEST AND I REMEMBER 803 00:29:17,787 --> 00:29:20,059 EVERY SECOND OF IT. 804 00:29:22,491 --> 00:29:24,263 AND SO DO YOU. 805 00:29:27,997 --> 00:29:30,269 ALL THIS TIME... 806 00:29:33,302 --> 00:29:35,274 YOU REMEMBERED? 807 00:29:46,085 --> 00:29:47,156 GUY'S STILL NOT TALKING? 808 00:29:47,156 --> 00:29:48,918 NOT YET. I'M GONNA LET HIM SWEAT FOR A BIT. 809 00:29:48,918 --> 00:29:51,020 WAS CASTLE HERE? 810 00:29:51,020 --> 00:29:52,321 YEAH, EARLIER. 811 00:29:52,321 --> 00:29:54,023 BUT HE SAID HE HAD TO GO. 812 00:29:54,023 --> 00:29:56,095 SAID THERE WAS SOMEWHERE HE NEEDED TO BE. 813 00:29:57,796 --> 00:29:59,128 (people speaking indistinctly) 814 00:29:59,128 --> 00:30:01,470 OH, RICHARD... 815 00:30:01,470 --> 00:30:03,833 A BOMB MEMORIAL? 816 00:30:03,833 --> 00:30:05,835 COME ON, HONEY. ISN'T THIS KIND OF MORBID? 817 00:30:05,835 --> 00:30:07,136 WELL, IT'S HOW I'M FEELING. 818 00:30:07,136 --> 00:30:08,838 SHE ISN'T DEAD. 819 00:30:08,838 --> 00:30:10,840 SHE MIGHT AS WELL BE. 820 00:30:10,840 --> 00:30:12,081 (sighs) 821 00:30:12,081 --> 00:30:13,512 I REALLY THOUGHT WE COULD HAVE A FUTURE TOGETHER. 822 00:30:13,512 --> 00:30:16,115 YOU KNOW, I WAS-- I WAS WILLING TO WAIT. 823 00:30:16,115 --> 00:30:18,147 (people continue speaking indistinctly) 824 00:30:18,147 --> 00:30:21,851 COME TO FIND OUT, IT'S ALL JUST A BIG JOKE. 825 00:30:21,851 --> 00:30:24,023 SHE KNEW. 826 00:30:24,023 --> 00:30:25,324 THIS WHOLE TIME, SHE REMEMBERED, 827 00:30:25,324 --> 00:30:28,097 AND SHE DIDN'T SAY ANYTHING... 828 00:30:28,097 --> 00:30:29,598 BECAUSE SHE WAS EMBARRASSED 829 00:30:29,598 --> 00:30:31,400 BECAUSE SHE DOESN'T FEEL THE SAME WAY. 830 00:30:31,400 --> 00:30:33,202 (sighs) 831 00:30:33,202 --> 00:30:35,034 I'M SUCH A FOOL. 832 00:30:35,034 --> 00:30:38,207 (people continue speaking indistinctly) 833 00:30:43,042 --> 00:30:45,244 WELL, COME ON. LET'S GO HOME. 834 00:30:45,244 --> 00:30:47,246 BREAK OUT SOME OF THE GOOD STUFF, OKAY? 835 00:30:47,246 --> 00:30:49,148 OH, I'D LOVE TO. I GOTTA BE GETTING BACK. 836 00:30:49,148 --> 00:30:50,319 BACK? 837 00:30:50,319 --> 00:30:52,281 WHY ON EARTH WOULD YOU GO BACK 838 00:30:52,281 --> 00:30:55,324 KNOWING HOW SHE FEELS, KNOWING THAT SHE LIED TO YOU-- 839 00:30:55,324 --> 00:30:58,487 NO, NO, NO, NO, THIS ISN'T ABOUT HER. THIS IS... 840 00:30:58,487 --> 00:31:00,159 THIS IS ABOUT THEM. 841 00:31:00,159 --> 00:31:03,893 YOU KNOW, IT'S ABOUT DOING SOMETHING REAL... 842 00:31:03,893 --> 00:31:06,865 SOMETHING THAT MATTERS. 843 00:31:06,865 --> 00:31:09,438 I'M NOT WILLING TO LET THAT GO. 844 00:31:09,438 --> 00:31:12,141 (people continue speaking indistinctly) 845 00:31:12,141 --> 00:31:14,143 RICHARD, LOVE IS NOT A SWITCH. 846 00:31:14,143 --> 00:31:16,345 YOU CAN'T JUST TURN IT OFF. 847 00:31:16,345 --> 00:31:20,109 YOU CAN'T WORK SIDE BY SIDE WITH HER AND NOT FEEL ANYTHING. 848 00:31:20,109 --> 00:31:23,212 (people continue speaking indistinctly) 849 00:31:23,212 --> 00:31:25,154 WATCH ME. 850 00:31:25,154 --> 00:31:28,117 (indistinct conversations) 851 00:31:31,460 --> 00:31:32,891 HEY. 852 00:31:32,891 --> 00:31:34,063 HEY. WHERE WERE YOU? 853 00:31:34,063 --> 00:31:36,265 JUST CLEARING MY HEAD. WHERE ARE WE ON BOBBY? 854 00:31:36,265 --> 00:31:38,197 UNIFORMS ARE SEARCHING HIS PLACE. 855 00:31:38,197 --> 00:31:40,970 WE'RE HOPING TO FIND SOMETHING THAT'LL BREAK HIM. 856 00:31:40,970 --> 00:31:44,103 (Esposito) FBI CALLED WITH AN UPDATE. 857 00:31:44,103 --> 00:31:45,404 THE DEVICE USED IN BOYLAN PLAZA 858 00:31:45,404 --> 00:31:47,636 WAS A PIPE BOMB, BUT HERE'S THE WEIRD PART-- 859 00:31:47,636 --> 00:31:49,908 IT WASN'T PACKED WITH NAILS, BALL BEARINGS, OR ANYTHING ELSE. 860 00:31:49,908 --> 00:31:51,580 THAT IS WEIRD. BOMBERS USUALLY ADD 861 00:31:51,580 --> 00:31:53,242 PROJECTILES TO MAXIMIZE DAMAGE. 862 00:31:53,242 --> 00:31:55,284 THAT'S NOT THE ONLY WAY TO MAXIMIZE DAMAGE. 863 00:31:55,284 --> 00:31:56,915 UH... 864 00:31:56,915 --> 00:31:58,487 SO WHAT WAS IT TRIGGERED BY, 865 00:31:58,487 --> 00:32:00,189 CELL PHONE, TRIP WIRE? 866 00:32:00,189 --> 00:32:01,991 A REMOTE, PROBABLY RIGGED FROM A GARAGE DOOR OPENER. 867 00:32:01,991 --> 00:32:04,293 BUT THE RANGE ON THOSE IS ONLY ABOUT 100 FEET. 868 00:32:04,293 --> 00:32:06,555 SO WHOEVER DETONATED IT WAS IN BOYLAN PLAZA. 869 00:32:06,555 --> 00:32:07,926 AND I BET YOU WILL FIND THAT GARAGE REMOTE 870 00:32:07,926 --> 00:32:09,028 IN BOBBY'S APARTMENT. 871 00:32:09,028 --> 00:32:11,130 UH, NO SUCH LUCK. BUT... 872 00:32:11,130 --> 00:32:12,501 WE DID FIND CREDIT CARDS 873 00:32:12,501 --> 00:32:14,933 WITH LOTS OF DIFFERENT NAMES ON THEM. 874 00:32:14,933 --> 00:32:17,136 AND WE FOUND SOME WALLETS 875 00:32:17,136 --> 00:32:18,637 AND SOME CELL PHONES, TOO. 876 00:32:18,637 --> 00:32:20,309 IN FACT, ONE OF THOSE CELL PHONES 877 00:32:20,309 --> 00:32:22,141 BELONGED TO ANDREW HAYNES. 878 00:32:22,141 --> 00:32:24,173 BOBBY'S A PICKPOCKET. 879 00:32:24,173 --> 00:32:26,145 YEAH, I PRETTY MUCH AM. 880 00:32:26,145 --> 00:32:28,617 THAT'S WHY YOU ATTENDED THE TakeOver! PROTESTS? 881 00:32:28,617 --> 00:32:31,480 ALL THOSE PEOPLE HANGING OUT, FULL OF PEACE AND BROTHERHOOD... 882 00:32:31,480 --> 00:32:33,322 (chanting) TakeOver! WALL STREET! 883 00:32:33,322 --> 00:32:34,653 TakeOver! WALL STREET! (man on megaphone) WALL STREET, 884 00:32:34,653 --> 00:32:36,185 WHAT DO WE WANT? TakeOver! WALL STREET! 885 00:32:36,185 --> 00:32:39,228 HEY, NIMROD. HERE. EDUCATE YOURSELF. 886 00:32:39,228 --> 00:32:40,689 HERE. EDUCATE-- 887 00:32:40,689 --> 00:32:43,232 TakeOver! WALL STREET! TakeOver! WALL STREET! 888 00:32:43,232 --> 00:32:45,194 (Castle) LIKE AN ALL-YOU-CAN-STEAL BUFFET. 889 00:32:45,194 --> 00:32:47,066 YOU GOT THAT RIGHT. 890 00:32:47,066 --> 00:32:48,437 WHY DIDN'T YOU JUST TELL ME THE TRUTH FROM THE START? 891 00:32:48,437 --> 00:32:50,639 AND WHAT, ADMIT TO A COP THAT LIKES ME FOR MURDER 892 00:32:50,639 --> 00:32:52,341 THAT I'M A THIEF? 893 00:32:52,341 --> 00:32:54,173 AMNESIA SEEMED LIKE THE BETTER PLAN. 894 00:32:54,173 --> 00:32:55,544 YEAH. 895 00:32:55,544 --> 00:32:58,047 SO YOU LIFTED ANDREW HAYNES' PHONE, 896 00:32:58,047 --> 00:33:00,049 WHICH IS WHY IT LOOKED AS IF HE PLANTED THE BOMB. 897 00:33:00,049 --> 00:33:01,610 WHO'S ANDREW HAYNES? DON'T WORRY ABOUT THAT. 898 00:33:01,610 --> 00:33:04,153 TALK TO ME ABOUT THE BACKPACK. HOW DID YOU GET IT? 899 00:33:04,153 --> 00:33:06,015 (Andrew) YOU KNOW, YOU PEOPLE, YOU'RE A VIRUS. (crowd chanting indistinctly) 900 00:33:06,015 --> 00:33:07,256 YOU'RE IRRESPONSIBLE. (Beethoven's "Fifth Symphony" playing) 901 00:33:07,256 --> 00:33:09,258 YOU'RE INFECTING THIS COUNTRY. 902 00:33:09,258 --> 00:33:10,989 HELLO. CAN YOU HEAR? 903 00:33:10,989 --> 00:33:13,192 YOU PROBABLY COULDN'T HEAR YOUR--DO YOU HABLAS ENGLISH? 904 00:33:13,192 --> 00:33:14,593 I LIFTED IT. 905 00:33:14,593 --> 00:33:17,726 IT WAS JUST LYING THERE BETWEEN TWO DUMPSTERS. 906 00:33:17,726 --> 00:33:19,268 HEY! HEY, THAT'S MINE. 907 00:33:19,268 --> 00:33:21,370 GIVE ME THAT. THAT'S MINE! GIVE THAT BACK. 908 00:33:21,370 --> 00:33:23,202 (chanting continues) HEY! 909 00:33:23,202 --> 00:33:24,473 HEY! HEY, HEY, THAT'S MY BAG. 910 00:33:24,473 --> 00:33:26,505 (crowd chanting) TakeOver! WALL STREET! 911 00:33:26,505 --> 00:33:29,708 COME BACK! TakeOver! WALL STREET! TakeOver! WALL STREET! 912 00:33:29,708 --> 00:33:31,310 COME BACK HERE. HEY, HEY, YOU. 913 00:33:31,310 --> 00:33:33,011 (woman) ...THIS CLOSE TO BRIDEZILLA TERRITORY. 914 00:33:33,011 --> 00:33:35,214 (Nadia) OH, MAYBE I'LL WEAR JEANS TO MY WEDDING. 915 00:33:35,214 --> 00:33:36,785 MAYBE WE CAN HIRE THAT GUY AS THE BAND. 916 00:33:36,785 --> 00:33:38,317 (gasps) 917 00:33:38,317 --> 00:33:40,189 DAMN IT! (crowd chanting indistinctly) 918 00:33:40,189 --> 00:33:41,350 (explosion) 919 00:33:41,350 --> 00:33:44,353 (screaming) 920 00:33:45,754 --> 00:33:47,656 I SWEAR, I... 921 00:33:47,656 --> 00:33:50,359 I DIDN'T KNOW A BOMB WAS IN IT. 922 00:33:50,359 --> 00:33:53,332 I WOULD NEVER HURT ANYONE. 923 00:33:53,332 --> 00:33:55,334 LOOK, YOU GOTTA BELIEVE ME. 924 00:33:57,066 --> 00:34:00,539 THE MAN WHO SAID THAT YOU TOOK HIS BACKPACK, 925 00:34:00,539 --> 00:34:02,471 IS THAT HIM? 926 00:34:02,471 --> 00:34:05,244 YEAH. THAT--THAT'S-- THAT'S THE GUY. 927 00:34:05,244 --> 00:34:06,315 (Castle) ARE YOU SURE? 928 00:34:06,315 --> 00:34:08,347 YEAH. 929 00:34:08,347 --> 00:34:09,478 YEAH, THAT'S HIM. 930 00:34:09,478 --> 00:34:11,350 THAT'S JESSE FRIEDMAN. 931 00:34:11,350 --> 00:34:12,721 HE'S ONE OF THE VICTIMS. 932 00:34:12,721 --> 00:34:15,824 AND HE'S A MEMBER OF THE MOVEMENT. 933 00:34:15,824 --> 00:34:17,186 THAT DOESN'T MAKE ANY SENSE. 934 00:34:17,186 --> 00:34:18,387 WHY WOULD HE ATTACK HIS OWN PEOPLE? 935 00:34:32,101 --> 00:34:33,772 (explosion) 936 00:34:40,849 --> 00:34:45,114 (screaming) 937 00:34:45,114 --> 00:34:46,785 (Beckett) OKAY. THANK YOU. (receiver clatters) 938 00:34:46,785 --> 00:34:49,488 SO UNIs SEARCHED JESSE FRIEDMAN'S PLACE. 939 00:34:49,488 --> 00:34:51,490 AND THEY FOUND RESEARCH ON HOW TO BUILD 940 00:34:51,490 --> 00:34:54,193 THE SAME DEVICE THAT WAS USED IN BOYLAN PLAZA. 941 00:34:54,193 --> 00:34:56,595 SO JESSE BLEW UP HIS OWN PROTEST? 942 00:34:56,595 --> 00:34:58,127 WHY WOULD HE DO THAT? 943 00:34:58,127 --> 00:35:01,099 MAYBE TO GET SYMPATHY FOR HIS MOVEMENT, PUBLICITY-- 944 00:35:01,099 --> 00:35:02,571 AND SINCE HE PLACED THE BOMB BETWEEN TWO DUMPSTERS... 945 00:35:02,571 --> 00:35:04,373 HE DIDN'T THINK THAT ANYONE WOULD GET HURT. 946 00:35:04,373 --> 00:35:05,874 THEN BOBBY STOLE THE BACKPACK. 947 00:35:05,874 --> 00:35:07,836 IF JESSE WAS WORRIED ABOUT SOMEONE GETTING HURT, 948 00:35:07,836 --> 00:35:09,738 WHY WOULD HE SET OFF THE BOMB? 949 00:35:09,738 --> 00:35:11,210 I DON'T THINK HE DID. 950 00:35:11,210 --> 00:35:13,212 THERE WAS NO REMOTE FOUND ON OR NEAR THE BODY, 951 00:35:13,212 --> 00:35:14,843 WHICH MEANS SOMEONE ELSE DETONATED IT. 952 00:35:14,843 --> 00:35:16,785 (Ryan) PROBABLY SOMEBODY HE KNEW. 953 00:35:16,785 --> 00:35:18,116 30 SECONDS BEFORE THE BLAST, 954 00:35:18,116 --> 00:35:20,118 JESSE GOT A CALL ON HIS CELL FROM A BURNER PHONE. 955 00:35:20,118 --> 00:35:22,291 THEN TWO SECONDS BEFORE THE BOMB WENT OFF, 956 00:35:22,291 --> 00:35:24,853 HE TRIED TO CALL THAT SAME PHONE BACK. 957 00:35:24,853 --> 00:35:26,195 (Beckett) SO THEN MAYBE JESSE HAD A PARTNER, 958 00:35:26,195 --> 00:35:28,126 AND THAT'S WHO TRIGGERED THE BOMB. 959 00:35:28,126 --> 00:35:30,759 YOU SAID THAT REMOTE HAD A RANGE OF ABOUT 100 FEET, RIGHT? 960 00:35:30,759 --> 00:35:32,130 MM-HMM. 961 00:35:32,130 --> 00:35:33,302 SO WHOEVER THE PARTNER WAS, 962 00:35:33,302 --> 00:35:34,633 HE MUST HAVE BEEN HERE SOMEWHERE, 963 00:35:34,633 --> 00:35:36,205 CLOSE TO THE BOMB BLAST, 964 00:35:36,205 --> 00:35:38,837 HIDDEN AMONG THE CROWD. 965 00:35:38,837 --> 00:35:40,909 WE NEED TO TAKE ANOTHER LOOK AT THE SEQUENCE OF EVENTS, 966 00:35:40,909 --> 00:35:43,212 PIECE TOGETHER THE WITNESS STATEMENTS. 967 00:35:43,212 --> 00:35:45,274 THE ANSWER IS IN THE STORY. 968 00:35:45,274 --> 00:35:47,176 SO LET'S START AT THE BEGINNING. 969 00:35:47,176 --> 00:35:48,847 (chanting) TakeOver! WALL STREET! 970 00:35:48,847 --> 00:35:50,419 TakeOver! WALL STREET! 971 00:35:50,419 --> 00:35:53,151 TakeOver! WALL STREET! TakeOver! WALL STREET! 972 00:35:53,151 --> 00:35:54,283 (Castle) LEANN AND HER CAMERAMAN ARE SETTING UP 973 00:35:54,283 --> 00:35:55,584 FOR THEIR LIVE BROADCAST. 974 00:35:55,584 --> 00:35:57,656 BE SURE YOU GET THE CROWD IN THE BACKGROUND, MARK. 975 00:35:57,656 --> 00:36:00,158 ANOTHER SHOT OF YOU AND THE CHANTING MASSES. 976 00:36:00,158 --> 00:36:01,290 I'M SO OVER THIS PROTEST. 977 00:36:01,290 --> 00:36:02,791 YEAH, NEXT TIME WE'LL DO A PIECE 978 00:36:02,791 --> 00:36:04,733 ON BRAZILIAN RUNWAY MODELS, I PROMISE. 979 00:36:04,733 --> 00:36:05,894 GONNA HOLD YOU TO THAT. 980 00:36:05,894 --> 00:36:07,466 ALL RIGHT. LET'S ROLL THIS PUPPY. 981 00:36:07,466 --> 00:36:08,637 TakeOver! WALL STREET! 982 00:36:08,637 --> 00:36:10,399 ROGER THAT. 983 00:36:10,399 --> 00:36:13,171 AT THE SAME TIME, BOBBY'S PROWLING THE PLAZA. 984 00:36:13,171 --> 00:36:15,444 HE SEES ANDREW HAYNES HARANGUING THE PROTESTERS. 985 00:36:15,444 --> 00:36:18,547 QUIT THE PITY PARTY. PULL YOURSELF UP BY THE BOOTSTRAPS. 986 00:36:18,547 --> 00:36:21,380 HEY, NIMROD. HERE. EDUCATE YOURSELF. 987 00:36:21,380 --> 00:36:22,911 HERE, WHY DON'T YOU GIVE THIS A READ? 988 00:36:22,911 --> 00:36:24,813 HEY, GARANIMAL PANTS. 989 00:36:24,813 --> 00:36:25,914 HE'S EASY PICKINGS. 990 00:36:25,914 --> 00:36:27,586 HERE, EDUC-- 991 00:36:27,586 --> 00:36:29,658 SO BOBBY RELIEVES HIM OF HIS PHONE. 992 00:36:29,658 --> 00:36:31,189 TakeOver! WALL STREET! 993 00:36:31,189 --> 00:36:32,791 EDUCATE YOURSELF, WOULD YOU? 994 00:36:32,791 --> 00:36:36,225 THEN BOBBY GOES LOOKING FOR HIS NEXT BUSINESS OPPORTUNITY. 995 00:36:36,225 --> 00:36:38,667 HE SPOTS THE BLUE BACKPACK UNATTENDED, 996 00:36:38,667 --> 00:36:40,599 CALLING OUT TO HIM. 997 00:36:40,599 --> 00:36:41,970 (crowd chanting indistinctly) 998 00:36:41,970 --> 00:36:44,202 SO HE GRABS IT, 999 00:36:44,202 --> 00:36:46,975 BLISSFULLY UNAWARE OF WHAT'S INSIDE. 1000 00:36:46,975 --> 00:36:48,307 (chanting continues) 1001 00:36:48,307 --> 00:36:50,239 HEY! HEY, THAT'S MINE. 1002 00:36:50,239 --> 00:36:51,510 BUT JESSE SEES HIM AND HE FLIPS OUT. 1003 00:36:51,510 --> 00:36:53,242 GIVE ME THAT. THAT'S MINE! 1004 00:36:53,242 --> 00:36:55,584 HEY! HEY! THAT'S MINE! GIVE THAT BACK! 1005 00:36:55,584 --> 00:36:57,846 TakeOver! WALL STREET! TakeOver! WALL STREET! 1006 00:36:57,846 --> 00:36:59,248 TakeOver! WALL STREET! 1007 00:36:59,248 --> 00:37:00,749 BOBBY DUCKS OUT OF SIGHT. JESSE PANICS. 1008 00:37:00,749 --> 00:37:03,622 THE BOMB IS ON THE MOVE. WHAT'S HE GONNA DO? 1009 00:37:03,622 --> 00:37:05,724 PEOPLE ARE IN DANGER. 1010 00:37:05,724 --> 00:37:07,296 HE GRABS A MAN IN A BLACK HOODIE, 1011 00:37:07,296 --> 00:37:08,827 THINKING IT'S THE THIEF. 1012 00:37:08,827 --> 00:37:10,499 WHAT'S YOUR PROBLEM? YOU DON'T LIKE WHAT I HAVE TO SAY? SORRY. 1013 00:37:10,499 --> 00:37:12,261 HUH? CAN'T FACE THE TRUTH? 1014 00:37:12,261 --> 00:37:13,602 BUT IT'S ANDREW HAYNES. 1015 00:37:13,602 --> 00:37:15,634 TakeOver! WALL STREET! TakeOver! WALL STREET! 1016 00:37:15,634 --> 00:37:17,306 BUT BY NOW, BOBBY'S DECIDED 1017 00:37:17,306 --> 00:37:18,407 TAKING THE BACKPACK WASN'T SUCH A GOOD IDEA. 1018 00:37:18,407 --> 00:37:20,769 TakeOver! WALL STREET! TakeOver! WALL STREET! 1019 00:37:20,769 --> 00:37:23,742 SO HE DITCHES IT AND KEEPS MOVING. 1020 00:37:23,742 --> 00:37:26,244 COULD YOU IMAGINE THE LOOK ON MOM'S FACE? (gasps) 1021 00:37:26,244 --> 00:37:27,716 BAM. DAMN IT! 1022 00:37:27,716 --> 00:37:29,278 THEY BUMP INTO EACH OTHER, 1023 00:37:29,278 --> 00:37:30,679 DRAWING THE ATTENTION OF THE STREET DRUMMER 1024 00:37:30,679 --> 00:37:32,881 WHO'S NOW BY THE COFFEE TRUCK. 1025 00:37:32,881 --> 00:37:35,324 TakeOver! WALL STREET! TakeOver! WALL STREET! 1026 00:37:35,324 --> 00:37:36,855 (keypad beeps) 1027 00:37:36,855 --> 00:37:38,787 (phone rings) 1028 00:37:38,787 --> 00:37:40,289 (female electronic voice) The subscriber you're trying 1029 00:37:40,289 --> 00:37:41,460 to reach is not available-- (explosion) 1030 00:37:41,460 --> 00:37:44,262 (screaming) 1031 00:37:44,262 --> 00:37:46,295 HE'S TOO LATE. 1032 00:37:46,295 --> 00:37:47,636 WELL, THAT'S A NICE STORY, BRO, 1033 00:37:47,636 --> 00:37:49,298 BUT IT STILL DOESN'T TELL US WHO JESSE'S PARTNER IS. 1034 00:37:49,298 --> 00:37:51,340 WELL, IT'S GOTTA BE WHOEVER JESSE WAS ON THE PHONE WITH 1035 00:37:51,340 --> 00:37:53,772 IN THE MINUTES BEFORE THE BOMB WENT OFF. 1036 00:37:53,772 --> 00:37:55,003 HOW LONG WAS THAT FIRST INCOMING CALL? 1037 00:37:55,003 --> 00:37:56,975 UH, EIGHT SECONDS. 1038 00:37:56,975 --> 00:37:58,847 SO THAT WAS PROBABLY THE "ALL SYSTEMS GO" CALL. 1039 00:37:58,847 --> 00:38:00,349 THEN AFTER THE BACKPACK WAS STOLEN, 1040 00:38:00,349 --> 00:38:02,811 JESSE TRIED TO MAKE AN "ALL SYSTEMS NOT GO" CALL 1041 00:38:02,811 --> 00:38:04,613 BUT HE DIDN'T GET THROUGH IN TIME. 1042 00:38:04,613 --> 00:38:06,014 (Beckett) DO ANY OF THE WITNESSES REMEMBER 1043 00:38:06,014 --> 00:38:07,516 WHO JESSE WAS HANGING OUT WITH? 1044 00:38:07,516 --> 00:38:09,458 NOT YET, BUT WE'RE STILL RECONSTRUCTING HIS MOVEMENTS 1045 00:38:09,458 --> 00:38:10,819 BASED ON STATEMENTS FROM HIS FRIENDS-- 1046 00:38:10,819 --> 00:38:12,361 WHOA. 1047 00:38:12,361 --> 00:38:14,963 A BEETHOVEN T-SHIRT. 1048 00:38:17,596 --> 00:38:19,598 A CALL-AND-RESPONSE. 1049 00:38:19,598 --> 00:38:22,331 I KNOW WHO JESSE'S PARTNER IS. 1050 00:38:22,331 --> 00:38:24,072 (Beethoven's "Fifth Symphony" playing) 1051 00:38:24,072 --> 00:38:26,375 (crowd chanting) TakeOver! WALL STREET! 1052 00:38:26,375 --> 00:38:28,377 (Castle) BOBBY REMEMBERED HEARING A BEETHOVEN RINGTONE 1053 00:38:28,377 --> 00:38:29,578 COMING FROM NEARBY 1054 00:38:29,578 --> 00:38:30,939 JUST BEFORE HE STOLE THE BACKPACK. 1055 00:38:30,939 --> 00:38:32,411 AND WEST SIDE WALLY SAID 1056 00:38:32,411 --> 00:38:35,043 BEETHOVEN SHOWED UP, CONDUCTING HIS "FIFTH SYMPHONY." 1057 00:38:35,043 --> 00:38:36,745 WE'RE GOOD TO GO. 1058 00:38:36,745 --> 00:38:38,517 THAT WAS ACTUALLY JESSE FRIEDMAN 1059 00:38:38,517 --> 00:38:40,419 WITH HIS BEETHOVEN T-SHIRT AND RINGTONE, 1060 00:38:40,419 --> 00:38:42,050 MAKING HIS "ALL SYSTEMS GO" CALL. 1061 00:38:42,050 --> 00:38:43,592 WE'RE GOOD TO GO. 1062 00:38:43,592 --> 00:38:46,395 WE KNOW HE WAS TALKING TO SOMEONE WITHIN 100 FEET 1063 00:38:46,395 --> 00:38:47,896 AND THAT CALL LASTED EIGHT SECONDS. 1064 00:38:47,896 --> 00:38:49,327 LONG ENOUGH FOR A CALL-AND-RESPONSE-- 1065 00:38:49,327 --> 00:38:52,401 A CALL-AND-RESPONSE TO THE ONE PERSON WHO COULD 1066 00:38:52,401 --> 00:38:54,433 BROADCAST THE EXPLOSION LIVE ON TELEVISION 1067 00:38:54,433 --> 00:38:56,605 AND BRING THE PUBLICITY THAT THE MOVEMENT NEEDED. 1068 00:38:56,605 --> 00:38:58,106 WE'RE GOOD TO GO. 1069 00:38:58,106 --> 00:39:00,369 ROGER THAT. 1070 00:39:00,369 --> 00:39:02,070 (music continues) 1071 00:39:02,070 --> 00:39:03,712 LIVE IN... 1072 00:39:03,712 --> 00:39:05,043 THREE... 1073 00:39:05,043 --> 00:39:07,946 (music continues) 1074 00:39:07,946 --> 00:39:10,649 I'M HERE AT BOYLAN PLAZA ON DAY 36 1075 00:39:10,649 --> 00:39:12,781 OF THE TakeOver! PROTEST. (beeps) 1076 00:39:12,781 --> 00:39:15,584 LEANN WEST WAS ON THE OTHER END OF THAT PHONE. 1077 00:39:15,584 --> 00:39:16,955 (crowd) TakeOver! WALL STREET! 1078 00:39:16,955 --> 00:39:18,086 ROGER THAT. (beeps) 1079 00:39:18,086 --> 00:39:19,458 NO, I WASN'T. 1080 00:39:19,458 --> 00:39:20,629 I WASN'T ON THE PHONE WITH ANYONE. 1081 00:39:20,629 --> 00:39:21,790 I WAS TALKING TO MY CAMERAMAN. 1082 00:39:21,790 --> 00:39:23,762 I ALREADY TOLD THE FBI THE WHOLE STORY. 1083 00:39:23,762 --> 00:39:25,764 YEAH, EXCEPT YOU LEFT OUT A FEW DETAILS. 1084 00:39:25,764 --> 00:39:27,436 LIKE THE FACT THAT YOU KNEW JESSE FRIEDMAN. 1085 00:39:27,436 --> 00:39:29,998 THE TWO OF YOU WENT TO HUDSON UNIVERSITY. 1086 00:39:29,998 --> 00:39:31,940 YEAH, SO DID A LOT OF PEOPLE. 1087 00:39:31,940 --> 00:39:34,803 WE'RE GUESSING THE TWO OF YOU REUNITED AT THE PROTEST. 1088 00:39:34,803 --> 00:39:36,645 YOU WENT OUT FOR DRINKS AND YOU HATCHED A PLAN. 1089 00:39:36,645 --> 00:39:39,047 HE WANTED MEDIA ATTENTION FOR THE MOVEMENT. 1090 00:39:39,047 --> 00:39:40,709 YOU WANTED TO GET PROMOTED TO THE ANCHOR DESK. 1091 00:39:40,709 --> 00:39:42,651 SO YOU SET UP YOUR CAMERAS AT THE PERFECT VANTAGE POINT. 1092 00:39:42,651 --> 00:39:44,382 YOU WAITED UNTIL YOU WENT LIVE 1093 00:39:44,382 --> 00:39:45,984 AND YOU DETONATED THAT BOMB. 1094 00:39:45,984 --> 00:39:47,486 WHAT? 1095 00:39:47,486 --> 00:39:49,788 THAT IS INSANE. 1096 00:39:49,788 --> 00:39:51,119 THIS IS RIDICULOUS, 1097 00:39:51,119 --> 00:39:52,621 AND I WILL NOT LISTEN TO ANOTHER WORD OF IT. 1098 00:39:52,621 --> 00:39:53,692 WE'RE DONE HERE. 1099 00:39:53,692 --> 00:39:55,894 DO YOU RECOGNIZE THAT? 1100 00:39:55,894 --> 00:39:58,396 THAT'S THE BURNER CELL THAT YOU USED TO CALL JESSE. 1101 00:39:58,396 --> 00:39:59,167 FOUND IT IN A STORM DRAIN 1102 00:39:59,167 --> 00:40:00,529 ABOUT TWO BLOCKS FROM BOYLAN PLAZA. 1103 00:40:00,529 --> 00:40:03,031 YOU KNOW WHAT ELSE WE FOUND IN THERE? 1104 00:40:04,833 --> 00:40:06,735 THE REMOTE YOU USED TO DETONATE THE BOMB. 1105 00:40:06,735 --> 00:40:08,607 SMALL ENOUGH TO HIDE IN THE PALM OF YOUR HAND. 1106 00:40:08,607 --> 00:40:10,138 IT'S GOT YOUR FINGERPRINTS ALL OVER IT, LEANN. 1107 00:40:10,138 --> 00:40:11,480 HOW DID YOU FIND THAT? 1108 00:40:11,480 --> 00:40:13,141 BY TRACKING YOUR MOVEMENTS AFTER THE EXPLOSION 1109 00:40:13,141 --> 00:40:15,183 USING YOUR PHONE'S GPS. 1110 00:40:17,486 --> 00:40:20,118 NO ONE WAS SUPPOSED TO GET HURT. 1111 00:40:20,118 --> 00:40:21,690 IT WAS JUST GONNA MAKE A LOT OF NOISE, 1112 00:40:21,690 --> 00:40:23,692 AND PEOPLE WOULD START RESPECTING ME AS A REPORTER, 1113 00:40:23,692 --> 00:40:25,624 BUT EVERYTHING JUST WENT WRONG. 1114 00:40:25,624 --> 00:40:26,795 WHY DIDN'T YOU COME FORWARD 1115 00:40:26,795 --> 00:40:27,996 ONCE YOU REALIZED WHAT YOU HAD DONE? 1116 00:40:27,996 --> 00:40:30,759 I THOUGHT ABOUT IT, BUT WHAT GOOD WOULD THAT DO? 1117 00:40:30,759 --> 00:40:33,502 I KEPT QUIET FOR JESSE. 1118 00:40:34,933 --> 00:40:37,536 I WANTED TO PROTECT HIS MEMORY. 1119 00:40:37,536 --> 00:40:39,037 ♪♪♪ 1120 00:40:39,037 --> 00:40:41,009 WELL, THAT'S WHAT YOUR FRIEND JESSE WOULD CALL 1121 00:40:41,009 --> 00:40:43,642 SINNING BY SILENCE. 1122 00:40:43,642 --> 00:40:45,213 IT'S NOT SMART. 1123 00:40:45,213 --> 00:40:47,516 IT'S NOT BRAVE. 1124 00:40:47,516 --> 00:40:49,077 IT'S JUST COWARDLY. 1125 00:40:49,077 --> 00:40:53,121 ♪♪♪ 1126 00:40:54,783 --> 00:40:58,557 THE FBI HAS TAKEN LEANN WEST INTO CUSTODY. 1127 00:40:58,557 --> 00:41:00,829 THIS WOMAN, WHOSE BLIND AMBITION 1128 00:41:00,829 --> 00:41:02,861 LED TO THE DEATH OF FIVE PEOPLE, 1129 00:41:02,861 --> 00:41:05,764 WILL GET WHAT SHE DESERVES. 1130 00:41:05,764 --> 00:41:07,866 I, UM... 1131 00:41:07,866 --> 00:41:10,539 I WANT TO THANK EACH OF YOU 1132 00:41:10,539 --> 00:41:12,070 FOR WHAT YOU DID TO MAKE THIS HAPPEN. 1133 00:41:12,070 --> 00:41:14,102 YOU, UH... 1134 00:41:14,102 --> 00:41:17,676 ALL PUT IN 110%, 1135 00:41:17,676 --> 00:41:19,578 MADE ME PROUD. 1136 00:41:19,578 --> 00:41:20,809 SO LET'S, UH... 1137 00:41:20,809 --> 00:41:23,481 GET OUTTA HERE, HEAD ON HOME, 1138 00:41:23,481 --> 00:41:25,253 AND CATCH UP ON SOME MUCH-NEEDED REST. 1139 00:41:25,253 --> 00:41:28,256 (indistinct conversations) 1140 00:41:28,256 --> 00:41:29,788 ♪♪♪ 1141 00:41:29,788 --> 00:41:32,160 YOU KNOW WHAT? I'M STILL KIND OF WIRED. 1142 00:41:32,160 --> 00:41:34,593 DO YOU GUYS WANT TO GO OUT FOR A DRINK? 1143 00:41:34,593 --> 00:41:36,094 OH, I'M SORRY. 1144 00:41:36,094 --> 00:41:37,926 YOU KNOW, IT FEELS LIKE A MONTH SINCE I'VE SEEN JENNY. 1145 00:41:37,926 --> 00:41:39,668 I SHOULD REALLY GET HOME. (Esposito) ME, TOO. 1146 00:41:39,668 --> 00:41:41,530 I'M TANKED. I'LL HOLLER AT YOU. 1147 00:41:41,530 --> 00:41:42,831 (indistinct conversations continue) 1148 00:41:42,831 --> 00:41:45,674 SO I GUESS IT'S JUST US. 1149 00:41:45,674 --> 00:41:47,576 YEAH. 1150 00:41:47,576 --> 00:41:50,779 YOU KNOW, NOW THAT THE CASE IS DONE... 1151 00:41:50,779 --> 00:41:53,511 WHAT DID YOU WANT TO TALK ABOUT? 1152 00:41:53,511 --> 00:41:57,546 ♪♪♪ 1153 00:41:57,546 --> 00:41:58,687 NOTHING. 1154 00:41:58,687 --> 00:42:01,189 NOTHING IMPORTANT ANYWAY. 1155 00:42:01,189 --> 00:42:03,291 I'M GONNA HEAD HOME. 1156 00:42:03,291 --> 00:42:04,653 NIGHT. 1157 00:42:04,653 --> 00:42:06,254 (indistinct conversations continue) 1158 00:42:06,254 --> 00:42:07,956 GOOD NIGHT. 1159 00:42:07,956 --> 00:42:10,959 (indistinct conversations continue) 1160 00:42:10,959 --> 00:42:14,803 ♪♪♪ 1161 00:42:17,566 --> 00:42:18,536 (elevator bell dings) 1162 00:42:18,536 --> 00:42:20,038 (doors open) 1163 00:42:20,038 --> 00:42:23,942 ♪♪♪