1 00:00:01,672 --> 00:00:03,003 (man) WELCOME TO "A NIGHT OF DANCE," 2 00:00:03,003 --> 00:00:04,505 AMERICA'S FAVORITE DANCE COMPETITION, 3 00:00:04,505 --> 00:00:06,137 WITH YOUR HOST-- 4 00:00:06,137 --> 00:00:08,139 BRAD MELVILLE! 5 00:00:08,139 --> 00:00:09,540 (cheers and applause) 6 00:00:09,540 --> 00:00:11,782 HEY, HEY, HEY! 7 00:00:11,782 --> 00:00:13,013 ♪♪♪ 8 00:00:13,013 --> 00:00:15,146 GOOD EVENING, AMERICA. 9 00:00:15,146 --> 00:00:16,447 IT'S DANCE-OFF TIME, 10 00:00:16,447 --> 00:00:18,749 AND THE THEME IS LATIN. 11 00:00:18,749 --> 00:00:21,092 AS ALWAYS, TONIGHT'S CHALLENGERS 12 00:00:21,092 --> 00:00:22,553 WERE HAND PICKED BY THE JUDGES. 13 00:00:22,553 --> 00:00:25,356 MAX, ARE YOU LOOKING FORWARD TO WATCHING 14 00:00:25,356 --> 00:00:26,697 THESE TWO RUMBA? 15 00:00:26,697 --> 00:00:28,699 I'M LOOKING FORWARD TO SANTINO REDEEMING HIMSELF 16 00:00:28,699 --> 00:00:31,062 FOR HIS SAMBA-INSPIRED SOLO DANCE LAST WEEK. 17 00:00:31,062 --> 00:00:33,104 (audience booing) PATHETIC. 18 00:00:33,104 --> 00:00:34,405 (French accent) IT WAS LIKE A TERRIBLE DREAM 19 00:00:34,405 --> 00:00:36,107 MY DOG WOULD HAVE 20 00:00:36,107 --> 00:00:39,170 AFTER EATING THE LEFTOVERS OF MY BRAZILIAN DINNER. 21 00:00:39,170 --> 00:00:40,471 (laughter) WELL, THEN. 22 00:00:40,471 --> 00:00:41,812 YOU KNOW OUR SEMIFINALISTS. 23 00:00:41,812 --> 00:00:45,176 OUR MATCHUP IS-- SANTINO VERSUS... 24 00:00:45,176 --> 00:00:46,747 ODETTE. (audience cheering) 25 00:00:46,747 --> 00:00:50,050 CAN THE ARROGANT BAD BOY BEST AMERICA'S SWEETHEART? 26 00:00:50,050 --> 00:00:51,552 LET'S GET RIGHT TO IT. 27 00:00:51,552 --> 00:00:53,354 TONIGHT'S ELIMINATION DANCE 28 00:00:53,354 --> 00:00:55,126 BETWEEN SANTINO AND ODETTE 29 00:00:55,126 --> 00:00:57,658 WILL MEAN THE END OF THE ROAD FOR ONE OF THEM. 30 00:00:57,658 --> 00:01:00,561 ONE WILL BE ELIMINATED ON MONDAY'S RESULTS SHOW. 31 00:01:00,561 --> 00:01:04,335 THE OTHER WILL BE GUARANTEED A SPOT IN THE FINAL TWO. 32 00:01:04,335 --> 00:01:06,237 LADIES AND GENTLEMEN-- 33 00:01:06,237 --> 00:01:09,100 SANTINO AND ODETTE! 34 00:01:09,100 --> 00:01:13,144 (instrumental version of "Copacabana" playing) 35 00:01:19,210 --> 00:01:21,312 (audience clapping rhythmically) 36 00:01:21,312 --> 00:01:24,285 ♪♪♪ 37 00:01:25,656 --> 00:01:28,259 ODETTE, ARE YOU IN THERE? 38 00:01:31,222 --> 00:01:33,093 AAH! 39 00:01:33,093 --> 00:01:34,865 (door opens) 40 00:01:34,865 --> 00:01:38,098 GUESS WHO I RAN INTO AT THE BEAUTY PARLOR TODAY? 41 00:01:38,098 --> 00:01:40,171 MOTHER, I'M AT A CRITICAL JUNCTURE AND-- 42 00:01:40,171 --> 00:01:41,632 OONA MARCONI. 43 00:01:41,632 --> 00:01:43,774 OONA MARCONI THE THEATER CRITIC? 44 00:01:43,774 --> 00:01:45,176 I THOUGHT I MIGHT INVITE HER TO DINNER 45 00:01:45,176 --> 00:01:48,809 ASK HER TO GIVE A LITTLE MENTION TO MY ACTING SCHOOL, 46 00:01:48,809 --> 00:01:51,142 PUT IT INTO ONE OF HER COLUMNS. 47 00:01:51,142 --> 00:01:52,643 IT WOULD BE INVALUABLE PUBLICITY. 48 00:01:52,643 --> 00:01:54,545 YES, WELL, THAT WOULD DEPEND ON THE MENTION. 49 00:01:54,545 --> 00:01:56,617 YOU AREN'T FORGETTING HER BLISTERING REVIEW... 50 00:01:56,617 --> 00:01:58,149 (sighs) OF YOUR PERFORMANCE 51 00:01:58,149 --> 00:02:00,151 OF MAGGIE IN "CAT ON A HOT TIN ROOF," ARE YOU? 52 00:02:00,151 --> 00:02:01,222 THAT WAS 1983. 53 00:02:01,222 --> 00:02:02,423 I THINK I'M OVER IT. 54 00:02:02,423 --> 00:02:04,425 "MARTHA RODGERS AS MAGGIE THE CAT 55 00:02:04,425 --> 00:02:07,158 "IS MORE OF A HELPLESS KITTEN, 56 00:02:07,158 --> 00:02:10,130 MEWING AND FLAPPING HER HANDS WHEN SHE DOESN'T GET HER WAY." 57 00:02:10,130 --> 00:02:11,562 YOU MEMORIZED IT? 58 00:02:11,562 --> 00:02:13,164 I COULDN'T HELP IT. 59 00:02:13,164 --> 00:02:14,605 YOU WALKED AROUND THE APARTMENT QUOTING IT FOR MONTHS. 60 00:02:14,605 --> 00:02:16,867 MOTHER, I'M JUST SAYING, 61 00:02:16,867 --> 00:02:19,170 MAYBE IT'S NOT A GOOD IDEA TO ASK 62 00:02:19,170 --> 00:02:20,641 AN IMPORTANT FAVOR OF SOMEONE WHO'S BEEN 63 00:02:20,641 --> 00:02:23,644 SO... UNKIND TO YOU IN THE PAST. 64 00:02:23,644 --> 00:02:26,317 THE OPERATIVE WORD HERE IS "PAST." 65 00:02:26,317 --> 00:02:29,180 I THINK I CAN RISE ABOVE. 66 00:02:29,180 --> 00:02:30,621 BESIDES, MY ACTING SCHOOL 67 00:02:30,621 --> 00:02:32,783 IS MORE IMPORTANT TO ME THAN SOME OLD GRUDGE. 68 00:02:32,783 --> 00:02:34,255 WELL, THAT'S VERY MATURE OF YOU, MOTHER. 69 00:02:34,255 --> 00:02:35,626 THANK YOU. 70 00:02:35,626 --> 00:02:38,729 "IF TENNESSEE WILLIAMS KNEW WHAT CRIMES MARTHA RODGERS 71 00:02:38,729 --> 00:02:40,731 "HAD COMMITTED AGAINST THIS AUDIENCE IN HIS NAME, 72 00:02:40,731 --> 00:02:43,334 HE WOULD HAVE HER ARRESTED FOR ASSAULT." 73 00:02:43,334 --> 00:02:44,435 (exhales) 74 00:02:44,435 --> 00:02:48,569 RISING ABOVE. 75 00:02:48,569 --> 00:02:50,941 (Beckett) COME ON, CASTLE. HOW MEAN CAN THIS CRITIC BE? 76 00:02:50,941 --> 00:02:53,404 I'M JUST AFRAID THAT SHE'S GONNA GET HER HEART BROKEN, YOU KNOW? 77 00:02:53,404 --> 00:02:54,745 I MEAN, YOU KNOW MY MOTHER. 78 00:02:54,745 --> 00:02:56,277 ON THE EXTERIOR, SHE'S A TOUGH COOKIE. 79 00:02:56,277 --> 00:02:58,349 BUT UNDERNEATH ALL THAT BRAVADO-- 80 00:02:58,349 --> 00:03:00,581 GOOEY CENTER. 81 00:03:00,581 --> 00:03:02,182 HEY, LANIE. (camera shutter clicks) 82 00:03:02,182 --> 00:03:03,484 SO WHO'S OUR VICTIM? 83 00:03:03,484 --> 00:03:04,885 ODETTE MORTON. 84 00:03:04,885 --> 00:03:06,887 'CAUSE OF DEATH IS A SINGLE G.S.W. TO THE HEART. 85 00:03:06,887 --> 00:03:09,560 PROBABLY A 9 MILLIMETER. SHE DIED INSTANTLY. (camera shutter clicking) 86 00:03:09,560 --> 00:03:11,222 THE BULLET WENT RIGHT THROUGH HER. 87 00:03:11,222 --> 00:03:12,863 WELL, UNLESS OUR KILLER USED A SILENCER 88 00:03:12,863 --> 00:03:14,495 SOMEONE MUST HAVE HEARD THE SHOT. 89 00:03:14,495 --> 00:03:15,826 NOT NECESSARILY. 90 00:03:15,826 --> 00:03:18,229 ACCORDING TO THE STAGE MANAGER, THIS AREA CLEARS OUT 91 00:03:18,229 --> 00:03:19,670 ONCE TAPING STARTS. 92 00:03:19,670 --> 00:03:21,932 PLUS THE OPENING PYROTECHNICS COULD'VE COVERED A GUNSHOT. 93 00:03:21,932 --> 00:03:23,274 WELL, THAT'S ASSUMING THAT SHE WAS SHOT 94 00:03:23,274 --> 00:03:24,675 JUST AS THE SHOW STARTED. 95 00:03:24,675 --> 00:03:25,836 IT LOOKS LIKE SHE WAS. 96 00:03:25,836 --> 00:03:27,238 YEAH, THE, UH, 97 00:03:27,238 --> 00:03:29,610 MAKEUP GIRL FINISHED WITH ODETTE AT 2:45, 98 00:03:29,610 --> 00:03:31,282 TAPING STARTS AT 3:00, 99 00:03:31,282 --> 00:03:33,344 AND SHE WAS DISCOVERED AT 3:04. 100 00:03:33,344 --> 00:03:35,386 19 MINUTES. THAT'S NOT A VERY BIG WINDOW. 101 00:03:35,386 --> 00:03:36,687 ALL RIGHT, SEE IF THE CREW SAW ANYONE NEAR THIS ROOM 102 00:03:36,687 --> 00:03:38,249 AROUND THAT TIME. 103 00:03:38,249 --> 00:03:39,219 YOU GOT IT. 104 00:03:39,219 --> 00:03:41,221 HEY, RYAN. CAN I GET A LIST 105 00:03:41,221 --> 00:03:42,723 OF ALL THE GUESTS THAT WERE INVITED TO TONIGHT'S TAPING 106 00:03:42,723 --> 00:03:44,224 ALONG WITH ANYONE THAT CHECKED IN AT SECURITY? 107 00:03:44,224 --> 00:03:45,726 UH, ALREADY ON IT, 108 00:03:45,726 --> 00:03:47,358 BUT THAT'S NOT THE ONLY WAY IN HERE. 109 00:03:47,358 --> 00:03:49,260 THERE'S AN EXIT DOOR TO THE ALLEY DOWN THE HALL. 110 00:03:49,260 --> 00:03:50,261 THE CREW GUYS LIKE TO PROP IT OPEN 111 00:03:50,261 --> 00:03:51,562 SO THEY CAN GO OUT FOR A SMOKE. 112 00:03:51,562 --> 00:03:53,003 SO EITHER OUR KILLER GOT LUCKY 113 00:03:53,003 --> 00:03:54,435 AND FOUND AN UNLOCKED DOOR... 114 00:03:54,435 --> 00:03:55,766 OR THIS WAS AN INSIDE JOB. 115 00:03:55,766 --> 00:03:57,308 (Lanie) THAT GETS MY VOTE. 116 00:03:57,308 --> 00:03:59,370 ODETTE WAS A LOCK TO WIN THIS THING. 117 00:03:59,370 --> 00:04:01,342 I BET IT WAS ONE OF HER BACKSTABBING RIVALS 118 00:04:01,342 --> 00:04:03,374 THAT DID THIS. 119 00:04:03,374 --> 00:04:04,315 WHAT? I WATCH THE SHOW. 120 00:04:04,315 --> 00:04:06,517 ODETTE WAS MY FAVORITE CONTESTANT. 121 00:04:06,517 --> 00:04:08,649 SHE WAS AN HEIRESS RAISED BY HER RICH GRANDPA, 122 00:04:08,649 --> 00:04:10,381 A PARTY GIRL HEADED DOWN THE WRONG PATH, 123 00:04:10,381 --> 00:04:11,952 THEN A BRUSH WITH DEATH MADE HER WAKE UP 124 00:04:11,952 --> 00:04:13,984 AND CHANGE HER BAD-GIRL WAYS. 125 00:04:13,984 --> 00:04:15,656 THAT'S A GREAT STORY. 126 00:04:15,656 --> 00:04:16,827 EXCEPT FOR THE ENDING. 127 00:04:16,827 --> 00:04:18,389 I GOTTA SAY, DR. PARISH. 128 00:04:18,389 --> 00:04:20,491 I NEVER FIGURED YOU FOR A FAN OF "A NIGHT OF DANCE." 129 00:04:20,491 --> 00:04:22,293 I'M NOT EXACTLY. 130 00:04:22,293 --> 00:04:23,794 IT'S JUST... 131 00:04:23,794 --> 00:04:25,366 WHEN I WAS YOUNG, MORE THAN ANYTHING, 132 00:04:25,366 --> 00:04:28,038 I WANTED TO BE A PRIMA BALLERINA. 133 00:04:28,038 --> 00:04:30,401 IF I WASN'T DANCING, I WAS THINKING ABOUT DANCING. 134 00:04:30,401 --> 00:04:31,472 SO WHAT HAPPENED? 135 00:04:31,472 --> 00:04:33,404 THE GIRLS CAME ALONG WHEN I WAS 13. 136 00:04:33,404 --> 00:04:35,876 NOT THAT MANY TOP-HEAVY BALLERINAS OUT THERE. 137 00:04:35,876 --> 00:04:37,308 WELL, I THINK THERE SHOULD BE. 138 00:04:37,308 --> 00:04:38,479 OF COURSE YOU DO. 139 00:04:38,479 --> 00:04:40,010 THAT'S NOT WHAT I MEANT. 140 00:04:40,010 --> 00:04:41,482 ALTHOUGH... 141 00:04:41,482 --> 00:04:43,314 DOES ODETTE HAVE ANY NEXT OF KIN? 142 00:04:43,314 --> 00:04:44,815 UM, PAUL MORTON, HER BROTHER. 143 00:04:44,815 --> 00:04:45,986 OKAY, GREAT. BRING HIM DOWN HERE. 144 00:04:45,986 --> 00:04:47,488 AND TALK TO THE REST OF THE CONTESTANTS. 145 00:04:47,488 --> 00:04:49,059 I WANT TO SEE IF ANYONE IS TAKING THIS COMPETITION 146 00:04:49,059 --> 00:04:51,061 JUST A LITTLE TOO SERIOUSLY. 147 00:04:51,061 --> 00:04:52,493 WE UNDERSTAND THAT YOU AND ODETTE 148 00:04:52,493 --> 00:04:54,325 WERE REHEARSING YOUR DANCE MOST OF THE DAY. 149 00:04:54,325 --> 00:04:55,566 HOW DID SHE SEEM? 150 00:04:55,566 --> 00:04:57,398 ON EDGE. WE BOTH WERE. 151 00:04:57,398 --> 00:04:59,570 I MEAN, ONE OF US WAS ABOUT TO BE ELIMINATED, 152 00:04:59,570 --> 00:05:02,433 WHICH IS WHY I CAN'T BELIEVE SHE JUST LEFT REHEARSAL AT 11:00 153 00:05:02,433 --> 00:05:03,574 AND TOOK OFF FOR HALF AN HOUR. 154 00:05:03,574 --> 00:05:05,336 TO DO WHAT? SHE WOULDN'T SAY. 155 00:05:05,336 --> 00:05:07,307 BUT EVERYTHING WAS RIDING ON THIS DANCE. 156 00:05:07,307 --> 00:05:08,739 SHE TOLD ME SHE HAD TO MEET A FRIEND. 157 00:05:08,739 --> 00:05:11,412 SHE ASKED ME TO COVER IF ANYONE WAS LOOKING FOR HER. 158 00:05:13,584 --> 00:05:15,646 UM... DO YOU HAVE ANY IDEA 159 00:05:15,646 --> 00:05:17,348 WHY SHE WAS BEING SO SECRETIVE? 160 00:05:17,348 --> 00:05:19,420 THE PRODUCERS DON'T LIKE US TO LEAVE THE STUDIO ON SHOW DAY. 161 00:05:19,420 --> 00:05:21,492 SO IT MUST HAVE BEEN IMPORTANT. 162 00:05:21,492 --> 00:05:22,993 WELL, THE NYPD THANKS YOU 163 00:05:22,993 --> 00:05:24,455 FOR YOUR COOPERATION. 164 00:05:25,626 --> 00:05:28,459 YOU, TOO. 165 00:05:29,830 --> 00:05:31,331 DAMN. 166 00:05:31,331 --> 00:05:32,363 DID YOU SEE THAT? MM-HMM. 167 00:05:32,363 --> 00:05:34,405 SHE ACTED LIKE I DIDN'T EVEN EXIST. 168 00:05:34,405 --> 00:05:36,837 YOU DON'T. NOT SINCE YOU PUT THAT RING ON YOUR FINGER. 169 00:05:36,837 --> 00:05:40,511 GET USED TO BEING INVISIBLE TO SINGLE WOMEN. 170 00:05:41,972 --> 00:05:45,476 I'VE NEVER SEEN HER HAPPIER THAN THESE PAST COUPLE MONTHS. 171 00:05:45,476 --> 00:05:47,378 I CAN'T BELIEVE THAT MY SISTER'S DEAD. 172 00:05:47,378 --> 00:05:49,880 WE UNDERSTAND SHE HAD SOME... 173 00:05:49,880 --> 00:05:51,382 DIFFICULTIES IN THE PAST. 174 00:05:51,382 --> 00:05:54,054 A FEW YEARS AGO, OUR GRANDFATHER PASSED AWAY, 175 00:05:54,054 --> 00:05:55,556 AND ODETTE TOOK IT HARD. 176 00:05:55,556 --> 00:05:56,887 UH, SHE QUIT SCHOOL, 177 00:05:56,887 --> 00:05:58,959 SHE BROKE OFF HER RELATIONSHIP WITH A NICE GUY, 178 00:05:58,959 --> 00:06:00,591 STARTED HANGING OUT WITH A BAD CROWD. 179 00:06:00,591 --> 00:06:01,732 WHAT KIND OF BAD CROWD? 180 00:06:01,732 --> 00:06:04,395 YOU KNOW, PARTIERS AND DRUGGIES. 181 00:06:04,395 --> 00:06:05,696 SHE WAS ARRESTED SEVERAL TIMES. 182 00:06:05,696 --> 00:06:08,469 BUT AFTER THE ACCIDENT, SHE LEFT ALL OF THAT BEHIND. 183 00:06:08,469 --> 00:06:09,800 THAT WAS HER BRUSH WITH DEATH? 184 00:06:09,800 --> 00:06:11,642 IT WAS A TRAIN DERAILMENT LAST YEAR. 185 00:06:11,642 --> 00:06:13,704 ODETTE WAS ON BOARD. 186 00:06:13,704 --> 00:06:16,447 SHE MADE IT OUT ALIVE, BUT IT SCARED THE HELL OUT OF HER. 187 00:06:16,447 --> 00:06:18,148 SHE TURNED HER LIFE AROUND. 188 00:06:18,148 --> 00:06:20,481 SIX MONTHS OF DANCE TRAINING, AND THE NEXT THING THAT I KNOW, 189 00:06:20,481 --> 00:06:22,382 SHE'S AUDITIONED FOR "A NIGHT OF DANCE" 190 00:06:22,382 --> 00:06:23,714 AND BEEN ACCEPTED. 191 00:06:23,714 --> 00:06:25,986 SHE FINALLY FOUND A DIRECTION IN LIFE. 192 00:06:25,986 --> 00:06:28,759 SHE WAS SO CLOSE TO REALIZING HER DREAM. 193 00:06:28,759 --> 00:06:30,461 WAS THERE ANYONE IN ODETTE'S OLD LIFE 194 00:06:30,461 --> 00:06:32,463 THAT COULD'VE COME BACK TO CAUSE TROUBLE FOR HER? 195 00:06:32,463 --> 00:06:33,724 NOT THAT I'M AWARE OF. 196 00:06:33,724 --> 00:06:36,497 WHAT ABOUT ON THE SHOW? ANYONE SHE DIDN'T GET ALONG WITH? 197 00:06:36,497 --> 00:06:38,569 UH, UH, SHE DID MENTION SOMEONE, 198 00:06:38,569 --> 00:06:39,900 ANOTHER CONTESTANT. 199 00:06:39,900 --> 00:06:41,902 I THINK SHE SAID HIS NAME WAS EDDIE. 200 00:06:43,133 --> 00:06:44,475 (people speaking indistinctly) 201 00:06:44,475 --> 00:06:45,776 (cell phone beeps) 202 00:06:45,776 --> 00:06:47,478 DETECTIVE BECKETT, THEY'RE WAITING FOR YOU. 203 00:06:47,478 --> 00:06:49,840 THANK YOU. 204 00:06:49,840 --> 00:06:51,181 DETECTIVE BECKETT, 205 00:06:51,181 --> 00:06:52,513 AS CO-CREATOR AND EXECUTIVE PRODUCER 206 00:06:52,513 --> 00:06:53,784 OF "NIGHT OF DANCE," 207 00:06:53,784 --> 00:06:55,916 I HAVE INSTRUCTED MY STAFF TO PROVIDE YOU 208 00:06:55,916 --> 00:06:57,588 WITH ANYTHING AND EVERYTHING YOU NEED 209 00:06:57,588 --> 00:06:59,690 TO HELP SOLVE THIS TERRIBLE MURDER. 210 00:06:59,690 --> 00:07:01,452 ANYTHING. ABSOLUTELY ANYTHING. 211 00:07:01,452 --> 00:07:02,523 (Beckett) THANKS. 212 00:07:02,523 --> 00:07:04,024 NOW ODETTE TOLD HER BROTHER THAT THERE WAS SOMEONE 213 00:07:04,024 --> 00:07:06,056 ON THE SHOW THAT SHE DIDN'T GET ALONG WITH. 214 00:07:06,056 --> 00:07:08,128 EDDIE GORDON, BUT HE'S NOT HERE ANYMORE. 215 00:07:08,128 --> 00:07:10,461 LAST WEEK, EDDIE AND ODETTE PERFORMED 216 00:07:10,461 --> 00:07:13,063 A BOB-FOSSE-INSPIRED NUMBER FOR THE ELIMINATION DANCE-OFF. 217 00:07:13,063 --> 00:07:15,105 WE VOTED AND SENT EDDIE HOME. 218 00:07:15,105 --> 00:07:16,837 HE WAS UPSET. 219 00:07:16,837 --> 00:07:19,009 HOW UPSET? WELL, YOU HAVE TO UNDERSTAND, 220 00:07:19,009 --> 00:07:20,511 ALL THE CONTESTANTS ARE CAST ON THIS SHOW 221 00:07:20,511 --> 00:07:22,112 TO TELL THEIR UNIQUE 222 00:07:22,112 --> 00:07:23,914 YET FAMILIAR STORIES. 223 00:07:23,914 --> 00:07:25,676 ODETTE WAS THE POOR LITTLE RICH GIRL, 224 00:07:25,676 --> 00:07:27,578 AND EDDIE WAS THE KID FROM THE WRONG SIDE OF THE TRACKS. 225 00:07:27,578 --> 00:07:30,751 WE CAST EDDIE TO BRING THE DRAMA. 226 00:07:30,751 --> 00:07:32,182 EDDIE BROUGHT THE DRAMA 227 00:07:32,182 --> 00:07:33,684 AND NOT JUST FOR THE CAMERAS. 228 00:07:33,684 --> 00:07:35,586 HE WAS FURIOUS WHEN WE SENT HIM PACKING. 229 00:07:35,586 --> 00:07:37,658 AND WE ALL GOT AN EARFUL ABOUT IT. 230 00:07:37,658 --> 00:07:39,459 OH, AND HE WAS SO RUDE. 231 00:07:39,459 --> 00:07:40,591 I HAD TO CALL SECURITY. 232 00:07:40,591 --> 00:07:41,932 WAS HE THREATENING? 233 00:07:41,932 --> 00:07:44,635 LET'S JUST SAY, I WAS RELIEVED WHEN HE WAS GONE. 234 00:07:44,635 --> 00:07:46,196 IRONIC, REALLY. 235 00:07:46,196 --> 00:07:47,568 HOW SO? 236 00:07:47,568 --> 00:07:48,769 WELL, ACCORDING TO THE RULES, 237 00:07:48,769 --> 00:07:50,470 WHEN A CONTESTANT IS UNABLE TO CONTINUE, 238 00:07:50,470 --> 00:07:51,942 THE LAST ELIMINATED DANCER RETURNS 239 00:07:51,942 --> 00:07:53,644 TO TAKE HIS OR HER PLACE. 240 00:07:53,644 --> 00:07:56,046 AND THAT DANCER IS EDDIE GORDON. 241 00:07:56,046 --> 00:07:57,878 (man) LET ME TELL YOU SOMETHING 242 00:07:57,878 --> 00:07:59,209 ABOUT MISS SWEET-AND-INNOCENT ODETTE. 243 00:07:59,209 --> 00:08:00,851 SHE THREW ME UNDER THE BUS TONIGHT. 244 00:08:00,851 --> 00:08:02,613 SHE BLEW OFF REHEARSALS ALL WEEK, 245 00:08:02,613 --> 00:08:05,155 THEN MESSED UP HER FOOTWORK AND BLAMES IT ON ME. 246 00:08:05,155 --> 00:08:06,517 WHERE I'M FROM, WE KNOW WHAT TO DO 247 00:08:06,517 --> 00:08:07,788 WITH LYING BITCHES LIKE THAT. 248 00:08:09,059 --> 00:08:12,122 THAT WAS EDDIE'S EXIT INTERVIEW. 249 00:08:12,122 --> 00:08:13,624 THE CONTESTANTS ARE ENCOURAGED BY PRODUCERS 250 00:08:13,624 --> 00:08:15,125 TO SPEAK FREELY. 251 00:08:15,125 --> 00:08:16,697 HE CERTAINLY TOOK THEIR ADVICE. 252 00:08:16,697 --> 00:08:18,799 EDDIE HAS GOT A RECORD BACK HOME IN ROCHESTER, 253 00:08:18,799 --> 00:08:21,131 AND ONE OF THE ASSISTANTS AT "A NIGHT OF DANCE" 254 00:08:21,131 --> 00:08:22,973 SAYS THEY REMEMBER SEEING HIM IN THE STUDIO 255 00:08:22,973 --> 00:08:24,675 THE AFTERNOON ODETTE WAS MURDERED. 256 00:08:24,675 --> 00:08:26,737 OKAY, SO EDDIE WAS ELIMINATED, 257 00:08:26,737 --> 00:08:28,539 BUT HE KNEW THAT IF ODETTE WAS OUT OF THE RUNNING, 258 00:08:28,539 --> 00:08:30,240 HE'D BE ASKED TO RETURN AND TAKE HER SLOT. 259 00:08:30,240 --> 00:08:33,614 SO HE WENT BACK AND ELIMINATED ODETTE... 260 00:08:33,614 --> 00:08:42,252 PERMANENTLY. 261 00:08:45,856 --> 00:08:46,997 B&E, ROBBERY-- 262 00:08:46,997 --> 00:08:49,159 YOU WERE PRETTY BUSY UP IN ROCHESTER, EDDIE. 263 00:08:49,159 --> 00:08:51,662 YEAH, BUT THAT WAS A LONG TIME AGO. 264 00:08:51,662 --> 00:08:53,864 WHEN I STARTED DANCING, I GAVE UP THUG LIFE. 265 00:08:53,864 --> 00:08:55,005 YEAH, WELL, THAT DIDN'T STOP YOU FROM GOING OFF 266 00:08:55,005 --> 00:08:56,607 ON THE JUDGES WHEN YOU WERE ELIMINATED. 267 00:08:56,607 --> 00:08:57,838 ME GOING HOME WAS THE WRONG CALL 268 00:08:57,838 --> 00:08:59,539 AND I SAID SO. 269 00:08:59,539 --> 00:09:01,241 MAYBE I SAID IT LOUD, BUT THAT DON'T MAKE ME NO KILLER. 270 00:09:01,241 --> 00:09:02,943 NOW THAT ODETTE CAN'T FINISH THE COMPETITION, 271 00:09:02,943 --> 00:09:05,315 THE LAST ELIMINATED CONTESTANT WILL BE ASKED TO RETURN, 272 00:09:05,315 --> 00:09:07,317 AND THAT'S YOU, EDDIE. 273 00:09:07,317 --> 00:09:08,849 LIKE MY DADDY USED TO SAY, 274 00:09:08,849 --> 00:09:10,050 THE UNIVERSE WORKS IN MYSTERIOUS WAYS. 275 00:09:10,050 --> 00:09:11,852 AND MAYBE YOU DECIDED TO GIVE THE UNIVERSE 276 00:09:11,852 --> 00:09:13,553 JUST A LITTLE SHOVE. 277 00:09:13,553 --> 00:09:17,087 SO WHAT WERE YOU DOING AT THE STUDIO ON SHOW DAY? 278 00:09:17,087 --> 00:09:18,929 I WENT BY EARLY TO SEE MY BOY SANTINO. 279 00:09:18,929 --> 00:09:20,591 GIVE HIM SUPPORT ON HIS BIG DAY. 280 00:09:20,591 --> 00:09:21,932 YOU GOT AN ANSWER FOR EVERYTHING, DON'T YOU, EDDIE? 281 00:09:21,932 --> 00:09:23,033 AND YOU KNOW WHAT ELSE YOU GOT? 282 00:09:23,033 --> 00:09:24,264 YOU GOT MOTIVE AND OPPORTUNITY. 283 00:09:24,264 --> 00:09:26,336 MAN, I WAS ACROSS TOWN WHEN THAT MESS HAPPENED, 284 00:09:26,336 --> 00:09:27,838 MEETING MY AGENT. 285 00:09:27,838 --> 00:09:30,801 BUT LAST WEEK, SOMETHING WAS GOING ON WITH ODETTE... 286 00:09:30,801 --> 00:09:33,944 SOMETHING THAT DIDN'T HAVE NOTHING TO DO WITH DANCING. 287 00:09:33,944 --> 00:09:35,906 WHAT DO YOU MEAN? SHE WAS OUT OF IT. 288 00:09:35,906 --> 00:09:37,608 MISSING EASY STEPS, 289 00:09:37,608 --> 00:09:38,909 SHE'D SAY SHE'S GOING TO THE LADIES ROOM, 290 00:09:38,909 --> 00:09:40,580 AND THEN BE GONE FOR HALF AN HOUR. 291 00:09:40,580 --> 00:09:41,912 WHAT DO YOU THINK SHE WAS DOING? 292 00:09:41,912 --> 00:09:43,113 I KNOW WHAT SHE WAS DOING. 293 00:09:43,113 --> 00:09:44,815 I SAW HER GO OUT THE BACK DOOR, 294 00:09:44,815 --> 00:09:46,586 MEET SOME GUY IN THE ALLEY. 295 00:09:46,586 --> 00:09:49,720 THEY TALKED REAL SERIOUS FOR A MINUTE, 296 00:09:49,720 --> 00:09:51,962 THEN SHE HANDED HIM A ROLL OF BILLS. 297 00:09:51,962 --> 00:09:53,624 LOOKED LIKE 3 GRAND EASY. 298 00:09:53,624 --> 00:09:54,925 YOU GET A GOOD ENOUGH LOOK AT THIS GUY? 299 00:09:54,925 --> 00:09:56,627 YOU THINK YOU CAN PROVIDE US WITH A SKETCH? 300 00:09:56,627 --> 00:09:59,029 YEAH. I CAN DO THAT. 301 00:09:59,029 --> 00:10:00,731 HEY. 302 00:10:00,731 --> 00:10:02,903 SO EDDIE GORDON SPOKE THE TRUTH. 303 00:10:02,903 --> 00:10:04,775 HE WAS MEETING WITH HIS AGENT WHEN ODETTE WAS SHOT. 304 00:10:04,775 --> 00:10:06,076 SO MAYBE HE WAS ALSO TELLING THE TRUTH 305 00:10:06,076 --> 00:10:07,908 ABOUT THE GUY HE SAW ODETTE WITH IN THE ALLEY. 306 00:10:07,908 --> 00:10:09,840 MM. WELL, HE GAVE US A SKETCH. 307 00:10:09,840 --> 00:10:11,011 PRETTY GENERIC, THOUGH. 308 00:10:11,011 --> 00:10:12,883 HANDSOME, CAUCASIAN, DARK HAIR. 309 00:10:12,883 --> 00:10:15,215 YOU KNOW, THAT MISSING HALF-HOUR WHEN ODETTE LEFT REHEARSAL 310 00:10:15,215 --> 00:10:16,917 THE DAY SHE WAS SHOT-- 311 00:10:16,917 --> 00:10:18,218 MAYBE SHE WAS WITH HIM. 312 00:10:18,218 --> 00:10:20,350 MM. I'LL HAVE UNIFORMS CIRCULATE THE SKETCH AROUND THE STUDIO, 313 00:10:20,350 --> 00:10:22,292 SEE IF ANYBODY RECOGNIZES HIM. 314 00:10:22,292 --> 00:10:24,024 OKAY, SO IF ODETTE HAD STRAIGHTENED UP 315 00:10:24,024 --> 00:10:25,656 AFTER THE TRAIN ACCIDENT, 316 00:10:25,656 --> 00:10:27,127 WHAT WAS SHE DOING BEHIND THE STAGE DOOR 317 00:10:27,127 --> 00:10:28,859 SECRETLY GIVING SOME GUY A ROLL OF BILLS? 318 00:10:28,859 --> 00:10:30,000 COULD BE A DRUG DEAL. 319 00:10:30,000 --> 00:10:31,862 MAYBE ODETTE WAS FALLING BACK INTO OLD HABITS. 320 00:10:31,862 --> 00:10:34,064 ANY RECENT WITHDRAWALS IN HER BANK STATEMENT? 321 00:10:34,064 --> 00:10:36,707 YEAH, NOT FOR THAT AMOUNT OF MONEY, BUT CHECK OUT... 322 00:10:36,707 --> 00:10:38,909 THESE CREDIT CARD PAYMENTS. 323 00:10:38,909 --> 00:10:41,712 FOR THE LAST SIX MONTHS, ODETTE'S CREDIT CARD SPENDING 324 00:10:41,712 --> 00:10:43,814 WAS PRETTY MUCH STEADY, AND THEN ABOUT A MONTH AGO, 325 00:10:43,814 --> 00:10:44,975 IT SUDDENLY SHOT UP. 326 00:10:44,975 --> 00:10:46,977 NO KIDDING. HER CARDS WERE MAXED OUT. 327 00:10:46,977 --> 00:10:48,779 OVER 100 GRAND IN CHARGES? 328 00:10:48,779 --> 00:10:50,150 WHAT WAS SHE SPENDING ALL THAT MONEY ON? 329 00:10:50,150 --> 00:10:52,783 (Beckett) THANK YOU FOR COMING IN, MR. LYNCHBERG. 330 00:10:52,783 --> 00:10:54,885 YOU WERE ODETTE'S BUSINESS MANAGER 331 00:10:54,885 --> 00:10:57,187 AS WELL AS THE EXECUTOR OF HER GRANDFATHER'S ESTATE? 332 00:10:57,187 --> 00:10:59,429 AND NOW I HAVE THE UNFORTUNATE TASK 333 00:10:59,429 --> 00:11:02,332 OF HANDLING ODETTE'S ESTATE AS WELL. 334 00:11:02,332 --> 00:11:05,035 AND WHO INHERITS HER SHARE OF THE FAMILY TRUST? 335 00:11:05,035 --> 00:11:07,798 PER ODETTE'S WISHES, IT GOES TO THE GRAHAM MORTON FOUNDATION. 336 00:11:07,798 --> 00:11:09,169 IT'S A CHARITABLE ORGANIZATION. 337 00:11:09,169 --> 00:11:11,171 YOU KNOW, I NOTICED A PRETTY BIG SPIKE 338 00:11:11,171 --> 00:11:13,143 IN HER SPENDING OVER THE LAST MONTH. 339 00:11:13,143 --> 00:11:15,776 DO YOU HAVE ANY IDEA WHAT THAT WAS ABOUT? I'M SURE YOU KNOW 340 00:11:15,776 --> 00:11:17,908 THAT AFTER ODETTE'S GRANDFATHER PASSED AWAY THREE YEARS AGO, 341 00:11:17,908 --> 00:11:20,050 SHE WENT THROUGH A BAD PERIOD. 342 00:11:20,050 --> 00:11:21,211 YEAH, HER BROTHER FILLED US IN-- 343 00:11:21,211 --> 00:11:22,682 PARTIES, DRUGS. 344 00:11:22,682 --> 00:11:24,785 OF PARTICULAR CONCERN TO ME DURING THAT TIME 345 00:11:24,785 --> 00:11:26,086 WAS HER SPENDING. 346 00:11:26,086 --> 00:11:29,259 ODETTE WOULD GET DRUNK AND SPONTANEOUSLY BUY A CAR 347 00:11:29,259 --> 00:11:32,362 OR PUT A BID DOWN ON A NEW APARTMENT. 348 00:11:32,362 --> 00:11:34,064 SHE PAID FOR HER FRIEND'S NOSE JOB-- 349 00:11:34,064 --> 00:11:35,365 JUST WHATEVER STRUCK HER FANCY. 350 00:11:35,365 --> 00:11:37,697 BUT THEN AFTER THE TRAIN ACCIDENT LAST YEAR, 351 00:11:37,697 --> 00:11:39,269 ALL THAT STOPPED. 352 00:11:39,269 --> 00:11:42,773 IT WAS, UH, REFRESHING TO THOSE OF US WHO CARED ABOUT HER. 353 00:11:42,773 --> 00:11:45,936 I WAS WORRIED THAT LAST MONTH'S CREDIT CARD CHARGES 354 00:11:45,936 --> 00:11:47,978 INDICATED THAT SHE MIGHT HAVE BEEN BACKSLIDING. 355 00:11:47,978 --> 00:11:49,810 WHAT WAS SHE BUYING? 356 00:11:49,810 --> 00:11:51,311 CLOTHING MOSTLY. 357 00:11:51,311 --> 00:11:53,914 THE BULK OF THE CHARGES WERE OVER TWO DAYS 358 00:11:53,914 --> 00:11:56,416 AT ONE PARTICULAR 5th AVENUE DEPARTMENT STORE. 359 00:11:56,416 --> 00:11:57,988 I'D LIKE TO SEE THE ORIGINAL RECEIPTS. 360 00:11:57,988 --> 00:11:59,319 OF COURSE. 361 00:11:59,319 --> 00:12:02,192 THIS IS THE WEIRDEST SPENDING SPREE I HAVE EVER SEEN. 362 00:12:02,192 --> 00:12:05,495 ODETTE SPENT TENS OF THOUSANDS OF DOLLARS ON CLOTHES, 363 00:12:05,495 --> 00:12:07,397 BUT NOTHING IN HER SIZE ACCORDING TO THESE RECEIPTS. 364 00:12:07,397 --> 00:12:08,959 EVERYTHING'S IN SIZE 4. 365 00:12:08,959 --> 00:12:11,001 AND I WENT THROUGH HER APARTMENT. 366 00:12:11,001 --> 00:12:12,002 I DIDN'T SEE 100 GRAND WORTH OF NEW CLOTHES. 367 00:12:12,002 --> 00:12:13,163 MAYBE SHE HID 'EM. 368 00:12:13,163 --> 00:12:14,905 SOUNDS TO ME LIKE THE OLD GAS CARD SCAM. 369 00:12:14,905 --> 00:12:16,506 WHAT DO YOU MEAN? 370 00:12:16,506 --> 00:12:18,008 YOUR PARENTS PUT YOU ON A STRICT ALLOWANCE, 371 00:12:18,008 --> 00:12:20,470 BUT THEY GIVE YOU A GAS CARD SO YOU CAN FILL YOUR CAR. 372 00:12:20,470 --> 00:12:21,972 WELL, YOU FILL YOUR FRIENDS CARS, 373 00:12:21,972 --> 00:12:24,174 AND THEY GIVE YOU CASH. 374 00:12:24,174 --> 00:12:25,515 SOME OF MY BUDDIES IN BOARDING SCHOOL 375 00:12:25,515 --> 00:12:27,377 NEARLY DOUBLED THEIR ALLOWANCE. 376 00:12:27,377 --> 00:12:28,748 UH-HUH. 377 00:12:28,748 --> 00:12:30,480 NOT ME, OF COURSE. 378 00:12:30,480 --> 00:12:32,983 THAT... 379 00:12:32,983 --> 00:12:34,925 DON'T TELL MY MOTHER. 380 00:12:34,925 --> 00:12:36,787 SO IF ODETTE NEEDED CASH IN A HURRY TO, 381 00:12:36,787 --> 00:12:38,358 SAY, MAYBE PAY OFF SOME GUY IN AN ALLEY... 382 00:12:38,358 --> 00:12:40,090 BUT THE MONTHLY STIPEND FROM HER FAMILY TRUST 383 00:12:40,090 --> 00:12:41,491 WASN'T ENOUGH TO COVER IT. 384 00:12:41,491 --> 00:12:42,993 SO SHE CHARGES THE CLOTHES, SELLS THEM TO HER FRIENDS, 385 00:12:42,993 --> 00:12:44,334 INSTANT CASH FLOW. 386 00:12:44,334 --> 00:12:45,866 WHICH IS STILL NOT ENOUGH. 387 00:12:45,866 --> 00:12:47,167 THE CARD'S MAXED OUT, THE MONEY TRAIN STOPS, 388 00:12:47,167 --> 00:12:50,140 AND SHE CAN'T MAKE PAYMENT TO WHOEVER SHE OWES. 389 00:12:50,140 --> 00:12:51,241 SHE ENDS UP DEAD. 390 00:12:51,241 --> 00:12:53,073 YEAH, BUT DO YOU GUYS THINK THAT ODETTE ACTUALLY HAD 391 00:12:53,073 --> 00:12:54,774 ONE SIZE 4 FRIEND 392 00:12:54,774 --> 00:12:57,507 WILLING TO PAY 100 GRAND FOR A BUNCH OF PEGGED JEANS 393 00:12:57,507 --> 00:13:00,780 AND A FAUX RABBIT PURSE? 394 00:13:00,780 --> 00:13:03,413 DID YOU SAY RABBIT? 395 00:13:03,413 --> 00:13:04,514 (people speaking indistinctly) 396 00:13:04,514 --> 00:13:06,516 JASMINE. 397 00:13:06,516 --> 00:13:08,118 WE NEED TO TALK. 398 00:13:09,289 --> 00:13:11,791 WHERE'D YOU GET THE BAG? 399 00:13:11,791 --> 00:13:12,963 A FRIEND GAVE IT TO ME. 400 00:13:12,963 --> 00:13:14,024 YOUR FRIEND ODETTE MORTON? 401 00:13:14,024 --> 00:13:16,126 WE TALKED TO THE SALESPERSON, JASMINE. 402 00:13:16,126 --> 00:13:17,497 SHE SAID THAT YOU WERE WITH ODETTE 403 00:13:17,497 --> 00:13:20,030 WHEN SHE DROPPED 100 GRAND ON CLOTHES FOR YOU. 404 00:13:20,030 --> 00:13:22,132 ODETTE WAS VERY GENEROUS. 405 00:13:22,132 --> 00:13:24,204 SHE'S ALSO VERY DEAD, AND I KNOW A BLACKMAIL SCHEME 406 00:13:24,204 --> 00:13:26,206 WHEN I HEAR ONE. MAYBE ODETTE HAD SOMETHING GOING ON IN HER LIFE 407 00:13:26,206 --> 00:13:27,838 SHE WANTED TO KEEP SECRET. 408 00:13:27,838 --> 00:13:29,179 YOU FOUND OUT ABOUT IT AND TOLD HER 409 00:13:29,179 --> 00:13:31,111 THAT THE PRICE FOR YOUR SILENCE WAS A CLOSET FULL OF FANCY DUDS. 410 00:13:31,111 --> 00:13:32,843 BUT WHY WOULD I KILL HER? 411 00:13:32,843 --> 00:13:34,814 MAYBE SHE COULDN'T GIVE ANYMORE, YOU GOT FRUSTRATED, 412 00:13:34,814 --> 00:13:35,986 YOU KILLED HER. 413 00:13:35,986 --> 00:13:37,217 MAYBE SHE DECIDED TO COME FORWARD HERSELF, 414 00:13:37,217 --> 00:13:38,488 ACCUSE YOU OF BLACKMAIL, 415 00:13:38,488 --> 00:13:39,990 YOU KILLED HER. 416 00:13:39,990 --> 00:13:41,451 JASMINE, THESE ARE JUST OFF THE TOP OF MY HEAD. 417 00:13:41,451 --> 00:13:43,323 WE CAN FINISH OFF THIS CONVERSATION AT THE PRECINCT. WAIT. 418 00:13:47,057 --> 00:13:48,899 LAST MONTH, I WAS HERE WORKING LATE, 419 00:13:48,899 --> 00:13:51,201 AND I HAPPENED TO SEE ODETTE WALK BY MY DESK REAL FAST, 420 00:13:51,201 --> 00:13:53,333 LIKE SHE WAS UPSET. NEXT THING I KNOW, 421 00:13:53,333 --> 00:13:55,235 HERE COMES BRAD MELVILLE, LIKE HE'S LOOKING FOR HER. 422 00:13:55,235 --> 00:13:57,467 (Castle) BRAD MELVILLE, THE SHOW'S HOST? 423 00:13:57,467 --> 00:13:59,009 WHY WOULD THE HOST OF "A NIGHT OF DANCE" 424 00:13:59,009 --> 00:14:00,140 BE LOOKING FOR A CONTESTANT? 425 00:14:00,140 --> 00:14:02,012 AREN'T THEY NOT SUPPOSED TO FRATERNIZE? 426 00:14:02,012 --> 00:14:03,113 THAT'S WHY I FOLLOWED HIM. 427 00:14:03,113 --> 00:14:04,414 BRAD AND ODETTE WERE IN THE STAIRWELL HAVING A FIGHT. 428 00:14:04,414 --> 00:14:05,575 ABOUT WHAT? 429 00:14:05,575 --> 00:14:07,247 I'M NOT COMPLETELY SURE. 430 00:14:07,247 --> 00:14:08,378 BUT WHEN I BLUFFED ODETTE 431 00:14:08,378 --> 00:14:09,920 THAT I WAS GOING TO TELL MAX ABOUT HER AND BRAD, 432 00:14:09,920 --> 00:14:11,221 SHE GOT REALLY NERVOUS. 433 00:14:11,221 --> 00:14:13,984 SHE OFFERED TO BUY ME SOME STUFF I WANTED IF I'D KEEP QUIET. 434 00:14:13,984 --> 00:14:15,555 AND I THOUGHT THAT SOUNDED LIKE A GOOD DEAL. 435 00:14:15,555 --> 00:14:18,088 BUT THAT'S IT. I WOULD'VE NEVER HURT ODETTE. 436 00:14:18,088 --> 00:14:20,630 YOU'LL HAVE TO PARDON ME IF I DON'T TAKE YOU AT YOUR WORD. 437 00:14:20,630 --> 00:14:23,133 LOOK, IF ANYONE HAD A REASON TO MURDER ODETTE, 438 00:14:23,133 --> 00:14:24,094 IT WAS BRAD. 439 00:14:24,094 --> 00:14:26,866 JUST LISTEN. I RECORDED THE TWO OF THEM. 440 00:14:26,866 --> 00:14:28,038 (beeps) 441 00:14:28,038 --> 00:14:29,399 (Brad) WE HAD A DEAL. 442 00:14:29,399 --> 00:14:30,941 (Odette) AND I'M WILLING TO STAND BY IT IF YOU ARE. 443 00:14:30,941 --> 00:14:32,272 I HAVE WORKED TOO HARD TO GET WHERE I AM. 444 00:14:32,272 --> 00:14:33,944 IF ANYONE FINDS OUT ABOUT THIS, ODETTE, 445 00:14:33,944 --> 00:14:36,146 I SWEAR, I'LL KILL YOU. 446 00:14:36,146 --> 00:14:37,447 (beep) 447 00:14:37,447 --> 00:14:39,179 IF MAX RENFRO FOUND OUT THAT BRAD MELVILLE 448 00:14:39,179 --> 00:14:40,580 WAS IN A RELATIONSHIP WITH ONE OF THE CONTESTANTS, 449 00:14:40,580 --> 00:14:41,952 WHAT WOULD HAPPEN? 450 00:14:41,952 --> 00:14:43,213 SHE'D BE THROWN OFF THE SHOW, 451 00:14:43,213 --> 00:14:44,184 AND HE'D BE FIRED. 452 00:14:44,184 --> 00:14:45,956 MOTIVE FOR MURDER, 453 00:14:45,956 --> 00:14:48,188 ANYONE? 454 00:14:48,188 --> 00:14:49,489 IF ANYONE FINDS OUT ABOUT THIS, ODETTE, 455 00:14:49,489 --> 00:14:51,191 I SWEAR, I'LL KILL YOU. (beeps) 456 00:14:51,191 --> 00:14:53,023 THAT IS COMPLETELY NOT WHAT IT SOUNDS LIKE. 457 00:14:53,023 --> 00:14:55,025 WHAT IT SOUNDS LIKE, BRAD, IS YOU THREATENING 458 00:14:55,025 --> 00:14:57,227 ODETTE MORTON'S LIFE A FEW WEEKS BEFORE SHE WAS MURDERED. 459 00:14:57,227 --> 00:14:59,069 BUT I WAS TRYING TO PROTECT HER. 460 00:14:59,069 --> 00:15:00,370 PROTECT HER HOW? 461 00:15:00,370 --> 00:15:03,073 I KNEW ABOUT ODETTE'S TROUBLED PAST-- 462 00:15:03,073 --> 00:15:04,634 THE DRUGS, THE D.U.I.s. 463 00:15:04,634 --> 00:15:07,007 BUT I ALSO BELIEVED HER WHEN SHE SAID SHE WAS CLEAN NOW 464 00:15:07,007 --> 00:15:09,239 AND THAT DANCING WAS ALL SHE CARED ABOUT. 465 00:15:09,239 --> 00:15:11,081 ARE YOU TRYING TO SAY THAT THAT WASN'T TRUE? 466 00:15:11,081 --> 00:15:12,382 WHAT I'M TRYING TO SAY IS, 467 00:15:12,382 --> 00:15:14,414 TWO MONTHS AGO, I WALKED INTO MAKEUP EARLY ONE MORNING, 468 00:15:14,414 --> 00:15:16,386 AND FOUND ODETTE SHOOTING UP. 469 00:15:18,548 --> 00:15:20,250 ARE YOU SURE ABOUT THIS? 470 00:15:20,250 --> 00:15:22,092 100% POSITIVE. 471 00:15:22,092 --> 00:15:23,223 IF MAX KNEW SHE WAS USING, 472 00:15:23,223 --> 00:15:25,255 SHE WOULD'VE BEEN ELIMINATED ON THE SPOT. 473 00:15:25,255 --> 00:15:26,596 BUT YOU NEVER TOLD MAX. 474 00:15:26,596 --> 00:15:28,298 ODETTE PROMISED SHE WOULD CLEAN UP. 475 00:15:28,298 --> 00:15:31,461 I GAVE HER A SECOND CHANCE, BUT I ALSO KEPT AN EYE ON HER. 476 00:15:31,461 --> 00:15:33,403 THEN A MONTH AGO, I CAUGHT HER AGAIN. 477 00:15:33,403 --> 00:15:36,306 I TOLD HER I WAS GOING TO MAX, THAT SHE WAS ON HER OWN. 478 00:15:36,306 --> 00:15:37,537 AND DID YOU? 479 00:15:37,537 --> 00:15:39,539 NO, BECAUSE ODETTE THREATENED ME. 480 00:15:39,539 --> 00:15:42,342 SHE SAID THAT IF I WENT TO MAX AND TOLD HIM WHAT I'D SEEN, 481 00:15:42,342 --> 00:15:44,344 THAT SHE'D GO TO HIM AND TELL HIM THAT I WAS THE ONE 482 00:15:44,344 --> 00:15:45,715 THAT LET HER OFF THE FIRST TIME. 483 00:15:45,715 --> 00:15:47,277 MAX WOULD'VE FIRED ME 484 00:15:47,277 --> 00:15:49,149 FOR KEEPING A SECRET THAT BIG FROM HIM. 485 00:15:49,149 --> 00:15:50,450 I'D BE OFF THE SHOW. 486 00:15:50,450 --> 00:15:53,323 I'D BE BRIAN DUNKLEMAN. 487 00:15:53,323 --> 00:15:54,554 WHO'S BRIAN DUNKLEMAN? 488 00:15:54,554 --> 00:15:56,156 EXACTLY. 489 00:15:56,156 --> 00:16:00,090 SO... IF ODETTE WENT DOWN, SHE WAS TAKING YOU WITH HER. 490 00:16:00,090 --> 00:16:02,662 (Ryan) BRAD WAS RIGHT ABOUT HER SHOOTING UP. 491 00:16:02,662 --> 00:16:04,364 FOUND THESE HIDDEN IN A FALSE BOTTOM 492 00:16:04,364 --> 00:16:06,066 UNDERNEATH HER JEWELRY BOX. NO WONDER C.S.U. MISSED IT 493 00:16:06,066 --> 00:16:08,098 WHEN THEY WENT THROUGH HER APARTMENT. COULD BE SPEED. 494 00:16:08,098 --> 00:16:09,399 YEAH, EXCEPT I JUST GOT OFF THE PHONE WITH LANIE, 495 00:16:09,399 --> 00:16:11,401 AND SHE SAID THAT PRELIMINARY TOX SCREEN RESULTS 496 00:16:11,401 --> 00:16:13,403 SHOW THAT ODETTE WASN'T USING DRUGS, 497 00:16:13,403 --> 00:16:16,406 AT LEAST NONE OF THE USUAL ONES. 498 00:16:16,406 --> 00:16:20,250 SO WHAT THE HELL IS IN THIS BOTTLE? 499 00:16:24,254 --> 00:16:25,715 (laughter) 500 00:16:25,715 --> 00:16:29,359 (British accent) AND SO I SAID TO SIR LAURENCE, "LARRY, THAT IS 501 00:16:29,359 --> 00:16:32,322 "THE SECOND BEST PERFORMANCE OF 'OTHELLO' I HAVE EVER SEEN. 502 00:16:32,322 --> 00:16:34,294 "BUT I'M AFRAID NO ONE CAN IMPROVE 503 00:16:34,294 --> 00:16:36,196 THE ORSON WELLES INTERPRETATION." 504 00:16:36,196 --> 00:16:38,228 "LARRY," I SAID, 505 00:16:38,228 --> 00:16:39,469 "YOU'VE SIMPLY BEEN OUTDONE." 506 00:16:39,469 --> 00:16:41,371 OH. (chuckles) 507 00:16:41,371 --> 00:16:43,333 WOW. WHAT DID, UH, OLIVIER SAY TO THAT? 508 00:16:43,333 --> 00:16:44,304 HE SAID... 509 00:16:44,304 --> 00:16:46,005 (imitates Laurence Olivier) "MY DEAR GIRL, 510 00:16:46,005 --> 00:16:47,577 YOU HAVE THE MAKINGS OF A THEATER CRITIC." 511 00:16:47,577 --> 00:16:49,579 (Martha and Castle laugh) 512 00:16:49,579 --> 00:16:50,740 (normal voice) AND SO HERE I AM. 513 00:16:50,740 --> 00:16:52,342 YES, INDEED, YOU ARE. 514 00:16:52,342 --> 00:16:54,084 OH, BY THE WAY, 515 00:16:54,084 --> 00:16:57,247 I DON'T KNOW IF I TOLD YOU THAT RECENTLY, 516 00:16:57,247 --> 00:17:00,590 I OPENED MY OWN ACTING SCHOOL. 517 00:17:00,590 --> 00:17:02,452 MARTHA. 518 00:17:02,452 --> 00:17:03,693 HOW WONDERFUL. 519 00:17:03,693 --> 00:17:05,155 THANK YOU. 520 00:17:05,155 --> 00:17:06,626 HOW GOOD OF YOU TO SHARE 521 00:17:06,626 --> 00:17:09,629 YOUR YEARS AND... YEARS OF EXPERIENCE 522 00:17:09,629 --> 00:17:11,561 WITH A NEW GENERATION. 523 00:17:11,561 --> 00:17:14,434 YES, WE ARE VERY PROUD. 524 00:17:14,434 --> 00:17:16,035 AND I WAS WONDERING, 525 00:17:16,035 --> 00:17:18,308 PERHAPS YOU MIGHT CONSIDER STOPPING BY 526 00:17:18,308 --> 00:17:20,340 AND SITTING IN ON A CLASS OR TWO, 527 00:17:20,340 --> 00:17:22,172 AND THEN IF YOU FELT SO INCLINED, 528 00:17:22,172 --> 00:17:24,644 MENTIONING OUR LITTLE SCHOOL 529 00:17:24,644 --> 00:17:28,318 IN ONE OF YOUR WONDERFUL COLUMNS. 530 00:17:28,318 --> 00:17:29,419 I'D BE HAPPY TO DO THAT. 531 00:17:29,419 --> 00:17:32,322 YOU JUST TELL ME WHERE AND WHEN. 532 00:17:32,322 --> 00:17:35,125 WELL, THAT'S LOVELY. 533 00:17:35,125 --> 00:17:37,157 I JUST HOPE YOU'RE NOT TEACHING YOUR STUDENTS 534 00:17:37,157 --> 00:17:39,058 YOUR LITTLE TRICK OF TILTING YOUR HEAD 535 00:17:39,058 --> 00:17:42,332 BEFORE DELIVERING AN IMPORTANT LINE OF DIALOGUE. 536 00:17:42,332 --> 00:17:44,294 (chuckles) I DON'T DO THAT. 537 00:17:44,294 --> 00:17:47,137 WELL, YOU DID IT WHEN YOU PLAYED MAGGIE THE CAT. 538 00:17:47,137 --> 00:17:49,699 OH, AND YOU FLUTTERED YOUR HANDS LIKE LITTLE BIRD WINGS. 539 00:17:49,699 --> 00:17:53,343 I KEPT WAITING FOR YOU TO TAKE OFF. 540 00:17:53,343 --> 00:17:55,275 WHO WANTS PIE? 541 00:17:55,275 --> 00:17:56,446 ALEXIS, WOULD YOU-- MM-HMM. 542 00:17:56,446 --> 00:17:57,607 THANK YOU. 543 00:17:57,607 --> 00:17:59,209 I BELIEVE THAT WAS THE YEAR 544 00:17:59,209 --> 00:18:01,581 THAT I WAS NOMINATED FOR A TONY. 545 00:18:01,581 --> 00:18:04,354 WELL, PERHAPS THE AMERICAN THEATRE WING 546 00:18:04,354 --> 00:18:06,556 IS MORE TOLERANT OF HEAD TILTING 547 00:18:06,556 --> 00:18:08,558 AND HAND FLUTTERING THAN I AM. 548 00:18:08,558 --> 00:18:10,420 (exhales) 549 00:18:10,420 --> 00:18:12,162 OH, MARTHA, I'M JUST TEASING. 550 00:18:12,162 --> 00:18:14,093 YOU CAN'T POSSIBLY 551 00:18:14,093 --> 00:18:17,397 STILL BE UPSET ABOUT THAT OLD REVIEW. 552 00:18:17,397 --> 00:18:19,429 LET'S NOT SAY ANYTHING WE'LL REGRET. 553 00:18:19,429 --> 00:18:21,571 THAT WAS NO REVIEW. THAT WAS A HATCHET JOB. 554 00:18:21,571 --> 00:18:24,304 IT WAS VICIOUS AND IT WAS UNCALLED FOR. 555 00:18:24,304 --> 00:18:26,376 AND IT WAS ALSO ACCURATE. 556 00:18:27,607 --> 00:18:29,609 (lowered voice) RISE ABOVE. RISE ABOVE. 557 00:18:29,609 --> 00:18:32,312 YOU KNOW WHAT, OONA? I RESCIND MY REQUEST. 558 00:18:32,312 --> 00:18:34,344 THERE IS NO WAY I WOULD ACCEPT YOUR ENDORSEMENT 559 00:18:34,344 --> 00:18:35,885 OF MY SCHOOL NOW 560 00:18:35,885 --> 00:18:37,447 IF YOU BEGGED ME. 561 00:18:37,447 --> 00:18:39,449 FAT CHANCE OF THAT. 562 00:18:39,449 --> 00:18:42,752 JUST REMEMBER, MARTHA, 563 00:18:42,752 --> 00:18:46,156 THOSE WHO CAN'T DO TEACH. 564 00:18:46,156 --> 00:18:48,628 AND THOSE WHO CAN'T TEACH 565 00:18:48,628 --> 00:18:50,500 BECOME THEATER CRITICS. 566 00:18:50,500 --> 00:18:51,501 HA! 567 00:18:51,501 --> 00:18:53,603 HA! 568 00:18:53,603 --> 00:18:55,535 (door opens and slams) 569 00:18:55,535 --> 00:18:56,706 GRAM. 570 00:18:56,706 --> 00:18:58,208 OH. 571 00:18:58,208 --> 00:18:59,339 OHH. 572 00:18:59,339 --> 00:19:01,571 COULD'VE BEEN WORSE. 573 00:19:01,571 --> 00:19:03,573 (Castle) IT COULDN'T HAVE BEEN WORSE. 574 00:19:03,573 --> 00:19:05,275 MY MOTHER EXPOSED HER GOOEY CENTER, 575 00:19:05,275 --> 00:19:06,746 AND OONA MARCONI DROVE A STAKE THROUGH IT. 576 00:19:06,746 --> 00:19:08,418 WELL, TELL HER, I FEEL HER PAIN. 577 00:19:08,418 --> 00:19:10,420 THANKS. I WILL. ANYTHING NEW ON THE CASE? 578 00:19:10,420 --> 00:19:12,382 YEAH, UNIs FOUND THE CAFE 579 00:19:12,382 --> 00:19:13,783 THAT ODETTE WENT TO AT 11:00 A.M. 580 00:19:13,783 --> 00:19:15,585 THE DAY THAT SHE WAS KILLED. 581 00:19:15,585 --> 00:19:17,387 SCORING DRUGS OFF HER MYSTERY MAN? 582 00:19:17,387 --> 00:19:19,559 MORE LIKE SCORING A FAT-FREE LATTE. 583 00:19:19,559 --> 00:19:22,362 SHE MET UP WITH A FRIEND FOR COFFEE. 584 00:19:22,362 --> 00:19:24,594 SUZANNE STEINER. 585 00:19:24,594 --> 00:19:25,935 A FRIEND? 586 00:19:25,935 --> 00:19:27,767 LEAVING THE STUDIO ON SHOW DAY WAS A VERY BIG DEAL. 587 00:19:27,767 --> 00:19:29,939 WHAT WAS SO IMPORTANT THAT IT COULDN'T WAIT? 588 00:19:29,939 --> 00:19:32,272 ACCORDING TO SUZANNE, SHE JUST WANTED TO TALK ABOUT OLD TIMES. 589 00:19:32,272 --> 00:19:33,543 HEY, WE GOT A FAX FROM THE LAB. 590 00:19:33,543 --> 00:19:34,704 THAT CLEAR VIAL OF LIQUID 591 00:19:34,704 --> 00:19:36,476 THAT WE FOUND AT ODETTE'S APARTMENT? 592 00:19:36,476 --> 00:19:37,577 IT WASN'T ILLEGAL DRUGS. 593 00:19:37,577 --> 00:19:38,578 IT'S INSULIN. 594 00:19:38,578 --> 00:19:39,849 ODETTE WAS DIABETIC? 595 00:19:39,849 --> 00:19:41,411 NOT ACCORDING TO HER DOCTOR. 596 00:19:41,411 --> 00:19:42,782 HE SAID HE HASN'T SEEN HER IN OVER A YEAR. 597 00:19:42,782 --> 00:19:44,684 WELL, MAYBE SHE DEVELOPED IT RECENTLY 598 00:19:44,684 --> 00:19:46,556 OR MAYBE SHE WENT TO A NEW DOCTOR. 599 00:19:46,556 --> 00:19:47,917 THEN WHY NOT JUST TELL BRAD MELVILLE THE TRUTH, 600 00:19:47,917 --> 00:19:50,390 THAT IT WASN'T SPEED, IT WAS INSULIN? 601 00:19:50,390 --> 00:19:52,562 AND WHY BOTHER BUYING JASMINE HALF OF 5th AVENUE 602 00:19:52,562 --> 00:19:54,964 TO KEEP IT QUIET? 603 00:19:54,964 --> 00:19:56,396 WELL, I THINK I CAN HELP WITH THAT. 604 00:19:56,396 --> 00:19:58,628 C.S.U. REPORT IS BACK ON ODETTE'S PLACE. 605 00:19:58,628 --> 00:20:00,330 THEY ONLY FOUND ONE SET OF PRINTS 606 00:20:00,330 --> 00:20:02,432 AND THEY WERE NOT ODETTE'S. 607 00:20:02,432 --> 00:20:05,405 THEY BELONG TO A WOMAN NAMED BARBRA LANDAU. 608 00:20:05,405 --> 00:20:06,806 WHO THE HELL IS BARBRA LANDAU? 609 00:20:06,806 --> 00:20:08,778 NOT SOMEONE WHO WOULD RUN IN ODETTE'S CIRCLES. 610 00:20:08,778 --> 00:20:10,280 SHE WAS RAISED IN FOSTER CARE 611 00:20:10,280 --> 00:20:11,641 AND WAS A HIGH SCHOOL DROPOUT. 612 00:20:11,641 --> 00:20:13,613 SO SHE WAS STAYING WITH ODETTE? 613 00:20:13,613 --> 00:20:15,485 WE NEED TO TALK TO HER. THAT'S GONNA BE TOUGH. 614 00:20:15,485 --> 00:20:17,887 OFFICIALLY, BARBRA LANDAU HAS BEEN DEAD FOR OVER A YEAR. 615 00:20:17,887 --> 00:20:19,819 HERE'S HER DEATH CERTIFICATE. 616 00:20:19,819 --> 00:20:21,721 SHE DIED OF BLUNT FORCE TRAUMA 617 00:20:21,721 --> 00:20:23,593 FROM INJURIES SUFFERED IN A TRAIN COLLISION. 618 00:20:23,593 --> 00:20:24,994 THAT'S RIGHT. 619 00:20:24,994 --> 00:20:27,927 THE SAME TRAIN COLLISION THAT ODETTE SURVIVED. 620 00:20:27,927 --> 00:20:29,899 OR DID SHE? 621 00:20:29,899 --> 00:20:31,961 YOU SEE THAT PICTURE OF ODETTE? 622 00:20:31,961 --> 00:20:34,464 WELL, THIS... 623 00:20:34,464 --> 00:20:37,567 IS BARBRA. 624 00:20:37,567 --> 00:20:38,768 THEY'RE IDENTICAL. 625 00:20:38,768 --> 00:20:40,009 BUT THAT'S IMPOSSIBLE. 626 00:20:40,009 --> 00:20:41,441 IMPOSSIBLE 627 00:20:41,441 --> 00:20:42,912 OR THE EXPLANATION TO EVERYTHING? 628 00:20:42,912 --> 00:20:46,376 THE DRAMATIC CHANGE IN ODETTE AFTER THE ACCIDENT, 629 00:20:46,376 --> 00:20:48,478 THE NEED TO HIDE BEING A DIABETIC, 630 00:20:48,478 --> 00:20:50,750 BECAUSE ODETTE WAS NOT A DIABETIC... 631 00:20:50,750 --> 00:20:53,553 ODETTE MORTON DIDN'T SURVIVE THAT TRAIN CRASH. 632 00:20:53,553 --> 00:20:54,754 BARBRA DID. 633 00:20:54,754 --> 00:20:57,427 AND LIKE A PHOENIX RISING FROM THE ASHES, 634 00:20:57,427 --> 00:21:00,360 BARBRA LANDAU WALKED AWAY FROM THE WRECKAGE OF THAT TRAIN 635 00:21:00,360 --> 00:21:02,492 AND STOLE ODETTE MORTON'S LIFE. 636 00:21:09,939 --> 00:21:11,641 TWIN GIRLS ARE BORN AND PUT UP FOR ADOPTION. 637 00:21:11,641 --> 00:21:13,643 ODETTE GOES TO A WEALTHY, LOVING FAMILY. 638 00:21:13,643 --> 00:21:15,545 BARBRA--NOT SO LUCKY. 639 00:21:15,545 --> 00:21:17,677 SHE GETS BOUNCED AROUND FROM ONE FOSTER HOME TO THE NEXT, 640 00:21:17,677 --> 00:21:19,849 ALWAYS KNOWING DEEP INSIDE 641 00:21:19,849 --> 00:21:21,911 THAT SHE WAS MEANT FOR SOMETHING BETTER. 642 00:21:21,911 --> 00:21:26,285 THEN ONE DAY, THE TWO OF THEM MEET ON A TRAIN BOUND FOR MIAMI. 643 00:21:26,285 --> 00:21:27,557 THE CONNECTION IS INSTANTANEOUS. 644 00:21:27,557 --> 00:21:28,758 IN TWO DAYS, 645 00:21:28,758 --> 00:21:30,360 THEY LEARN EVERYTHING THERE IS TO KNOW ABOUT EACH OTHER, 646 00:21:30,360 --> 00:21:31,691 AND BARBRA CAN'T HELP BUT THINK, 647 00:21:31,691 --> 00:21:34,594 IF ONLY I HAD LANDED IN THE LAP OF LUXURY LIKE ODETTE, 648 00:21:34,594 --> 00:21:37,667 I COULD'VE BEEN ANYTHING I WANTED TO BE. 649 00:21:37,667 --> 00:21:38,998 ARE YOU SUGGESTING THAT BARBRA 650 00:21:38,998 --> 00:21:40,600 PURPOSEFULLY CAUSED THE DERAILMENT 651 00:21:40,600 --> 00:21:41,931 TO TAKE OVER ODETTE'S LIFE? 652 00:21:41,931 --> 00:21:43,903 WITH WHAT, HER CRAZY WICCAN POWERS? 653 00:21:43,903 --> 00:21:45,935 OH... 654 00:21:45,935 --> 00:21:47,637 WOW, THAT WOULD BE AN INCREDIBLE TWIST, 655 00:21:47,637 --> 00:21:49,379 BUT NO, NO. 656 00:21:49,379 --> 00:21:50,680 THE ACCIDENT HAPPENS. 657 00:21:50,680 --> 00:21:52,442 ODETTE IS KILLED. 658 00:21:52,442 --> 00:21:53,883 BARBRA SURVIVES. 659 00:21:53,883 --> 00:21:56,586 AND IN THE MIDST OF ALL THE CHAOS AND RUBBLE, 660 00:21:56,586 --> 00:21:58,918 SHE SEES HER CHANCE. 661 00:21:58,918 --> 00:22:01,621 SHE SWITCHES IDENTIFICATION WITH ODETTE, 662 00:22:01,621 --> 00:22:03,593 AND SHE CHANGES HER DESTINY. 663 00:22:03,593 --> 00:22:06,055 IN ONE MOVE, BARBRA BUILDS HERSELF 664 00:22:06,055 --> 00:22:08,898 A BETTER FUTURE, A PERFECT LIFE. 665 00:22:08,898 --> 00:22:11,431 UNTIL SHE WAS MURDERED A YEAR LATER. 666 00:22:11,431 --> 00:22:13,963 YEAH, WELL, SEPARATED TWIN STORIES NEVER END HAPPILY, 667 00:22:13,963 --> 00:22:15,705 EXCEPT "THE PARENT TRAP." 668 00:22:15,705 --> 00:22:17,336 BLOOD TESTS ARE BACK. 669 00:22:17,336 --> 00:22:18,468 ODETTE AND BARBRA 670 00:22:18,468 --> 00:22:19,769 WERE NOT BIOLOGICALLY RELATED. 671 00:22:19,769 --> 00:22:22,442 AND BARBRA HAS NO LIVING FAMILY WE COULD FIND. 672 00:22:22,442 --> 00:22:23,773 (Castle) IF THEY'RE NOT RELATED, 673 00:22:23,773 --> 00:22:25,545 HOW CAN BARBRA LOOK SO MUCH LIKE ODETTE? 674 00:22:25,545 --> 00:22:26,816 (Esposito) I DON'T KNOW. 675 00:22:26,816 --> 00:22:29,619 BUT WE DO HAVE AN ADDRESS FOR HER FORMER PLACE OF EMPLOYMENT, 676 00:22:29,619 --> 00:22:30,780 A STRIP CLUB IN MIDTOWN. 677 00:22:30,780 --> 00:22:32,482 SEE, WE'VE BEEN OPERATING UNDER THE THEORY 678 00:22:32,482 --> 00:22:34,484 THAT ODETTE WAS MURDERED BECAUSE SHE WAS ODETTE. 679 00:22:34,484 --> 00:22:36,826 BUT WHAT IF SHE WAS MURDERED BECAUSE SHE WAS REALLY BARBRA? 680 00:22:36,826 --> 00:22:38,658 (Beckett) FIND OUT EVERYTHING YOU CAN ABOUT BARBRA. 681 00:22:38,658 --> 00:22:39,959 IN THE MEANTIME, 682 00:22:39,959 --> 00:22:42,592 I'M GONNA REINTERVIEW ODETTE'S BROTHER PAUL. 683 00:22:42,592 --> 00:22:44,093 IS HE A PERSON OF INTEREST NOW? 684 00:22:44,093 --> 00:22:45,935 I'M JUST HAVING TROUBLE BELIEVING THAT BARBRA MANAGED 685 00:22:45,935 --> 00:22:48,498 TO FOOL ODETTE'S OWN BROTHER FOR OVER A YEAR. 686 00:22:48,498 --> 00:22:50,640 HE'S GONNA HAVE TO CONVINCE ME THAT HE DIDN'T KNOW. 687 00:22:50,640 --> 00:22:53,443 WELL, THAT SOUNDS LIKE SOMETHING BETTER DONE 688 00:22:53,443 --> 00:22:54,674 ONE-ON-ONE, MANO A MANO. 689 00:22:54,674 --> 00:22:56,806 MEANTIME, I WANT TO TAKE A RIDE DOWNTOWN WITH THE BOYS, 690 00:22:56,806 --> 00:22:58,548 CHECK OUT THAT STRIP CLUB. SORRY, CASTLE. 691 00:22:58,548 --> 00:23:00,750 THREE'S A CROWD. 692 00:23:00,750 --> 00:23:04,684 (phone rings) 693 00:23:04,684 --> 00:23:06,015 WHAT'S UP? WHY YOU FREEZING OUT OUR BOY LIKE THAT? 694 00:23:06,015 --> 00:23:07,557 I WANT TO TRY AN EXPERIMENT. 695 00:23:07,557 --> 00:23:08,888 HAVING CASTLE ALONG WOULD MESS THINGS UP. 696 00:23:08,888 --> 00:23:12,592 (clears throat) HERE. 697 00:23:12,592 --> 00:23:13,763 WEAR MY WEDDING RING. 698 00:23:13,763 --> 00:23:15,124 WHAT? GET THAT THING AWAY FROM ME, MAN. 699 00:23:15,124 --> 00:23:16,496 IT'S A MOOD KILLER. 700 00:23:16,496 --> 00:23:17,727 JUST WEAR IT WHEN WE'RE AT THE CLUB. 701 00:23:17,727 --> 00:23:18,828 WHAT FOR? 702 00:23:18,828 --> 00:23:20,169 SEE, I BEEN TALKING TO ALL MY MARRIED GUY FRIENDS, 703 00:23:20,169 --> 00:23:21,701 THEY SAY THAT YOUR THEORY IS WAY OFF. 704 00:23:21,701 --> 00:23:22,902 WEARING A WEDDING RING 705 00:23:22,902 --> 00:23:25,735 GETS THEM MORE ATTENTION FROM WOMEN, NOT LESS. 706 00:23:25,735 --> 00:23:27,477 SO? SO WEAR THE RING. 707 00:23:27,477 --> 00:23:28,638 (elevator bell dings) 708 00:23:28,638 --> 00:23:29,779 I WANT TO SEE IF WOMEN STILL FLIRT WITH YOU 709 00:23:29,779 --> 00:23:31,511 AND IGNORE ME. 710 00:23:31,511 --> 00:23:33,583 SO YOU DIDN'T WANT CASTLE TO COME BECAUSE... 711 00:23:33,583 --> 00:23:36,586 (both) ALL THE WOMEN WOULD FLIRT WITH HIM. 712 00:23:36,586 --> 00:23:37,717 I WANT TO KNOW IF IT'S JUST THE RING 713 00:23:37,717 --> 00:23:39,589 THAT'S REPELLING MEMBERS OF THE FAIRER SEX. 714 00:23:39,589 --> 00:23:41,491 IT'S NOT THE RING, BRO. IT'S YOU. 715 00:23:41,491 --> 00:23:43,753 SEE, ONCE YOU'VE BEEN MARRIED FOR A LITTLE WHILE 716 00:23:43,753 --> 00:23:46,155 AND YOU'RE FEELING A LITTLE BORED AND UNSATISFIED, 717 00:23:46,155 --> 00:23:48,458 THE RING WILL GET YOU LOVE FROM THE LADIES. 718 00:23:48,458 --> 00:23:50,099 THEY'LL WANT TO TAKE YOU AWAY FROM ALL THAT 719 00:23:50,099 --> 00:23:52,131 SO THAT YOU CAN BE BORED AND UNSATISFIED WITH THEM. 720 00:23:52,131 --> 00:23:53,763 WHY NOT NOW? 721 00:23:53,763 --> 00:23:55,935 (chuckles) 'CAUSE NOW YOU'RE ALL BLISSFULLY HAPPY 722 00:23:55,935 --> 00:23:58,468 WITH YOUR WIFE AND WHATNOT. 723 00:23:58,468 --> 00:24:00,870 YOU HAVE THE STINK OF HONEYMOON PHASE ALL OVER YOU. 724 00:24:00,870 --> 00:24:02,712 NO WOMAN WANTS TO BE AROUND THAT. 725 00:24:02,712 --> 00:24:04,474 HOW LONG DOES IT LAST? 726 00:24:04,474 --> 00:24:06,075 WELL, IT'S HARD TO SAY. 727 00:24:06,075 --> 00:24:08,017 BUT KNOWING YOU AND JENNY, 728 00:24:08,017 --> 00:24:09,719 PROBABLY FOREVER. 729 00:24:09,719 --> 00:24:11,481 (bell dings, doors open) 730 00:24:11,481 --> 00:24:14,854 ♪♪♪ 731 00:24:17,056 --> 00:24:19,859 (men whistling, women speaking indistinctly) 732 00:24:19,859 --> 00:24:21,891 OH, YEAH, BARBIE. 733 00:24:21,891 --> 00:24:24,994 ALL SHE WANTED WAS TO BE A DANCER ON BROADWAY. 734 00:24:24,994 --> 00:24:26,996 SHE USED TO TALK ABOUT IT A LOT, HUH? 735 00:24:26,996 --> 00:24:28,698 MORE THAN THAT. 736 00:24:28,698 --> 00:24:30,800 SHE GOT A MAKEOVER, CHANGED HER HAIR, 737 00:24:30,800 --> 00:24:32,972 AND THEN TWO YEARS AGO, SHE GOT HER NOSE DONE 738 00:24:32,972 --> 00:24:35,805 EVEN THOUGH HER NOSE LOOKED FINE BEFORE. 739 00:24:35,805 --> 00:24:37,146 BACK IN THE DAY, 740 00:24:37,146 --> 00:24:38,878 DID BARBRA HAVE TROUBLE WITH ANYBODY, 741 00:24:38,878 --> 00:24:40,510 SAY A CUSTOMER, MAYBE A BOYFRIEND? 742 00:24:40,510 --> 00:24:42,982 BOYFRIEND, YEAH. JASON. 743 00:24:42,982 --> 00:24:45,154 COULD THIS BE HIM? 744 00:24:45,154 --> 00:24:46,516 THAT'S HIM. 745 00:24:46,516 --> 00:24:48,518 JASON BAGWELL. 746 00:24:48,518 --> 00:24:49,819 DO YOU KNOW WHERE WE CAN FIND JASON? 747 00:24:49,819 --> 00:24:51,991 HE LIVED OVER IN ALPHABET CITY. 748 00:24:51,991 --> 00:24:54,123 HE WAS ALWAYS RUNNING SOME SCAM, 749 00:24:54,123 --> 00:24:57,567 BORROWING MONEY FROM BARBRA FOR SOME NEW BUSINESS VENTURE 750 00:24:57,567 --> 00:24:59,028 AND NEVER PAYING HER BACK. 751 00:24:59,028 --> 00:25:00,900 BUT SHE LOVED HIM. 752 00:25:00,900 --> 00:25:02,632 CRAZY LOVE, YOU KNOW? 753 00:25:02,632 --> 00:25:03,973 OH, YEAH. I DO. 754 00:25:03,973 --> 00:25:05,204 (chuckles) 755 00:25:05,204 --> 00:25:06,876 WELL, YOU'VE BEEN VERY HELPFUL, SHANTELL. 756 00:25:06,876 --> 00:25:07,937 THANK YOU FOR YOUR TIME. 757 00:25:07,937 --> 00:25:10,039 IF YOU WANTED, YOU COULD COME BACK LATER. 758 00:25:10,039 --> 00:25:11,841 MY SHOW STARTS AT 8:00. 759 00:25:11,841 --> 00:25:12,982 I COULD PROBABLY-- 760 00:25:12,982 --> 00:25:14,814 HE'S GOTTA GET HOME TO THE LITTLE WOMAN, SHANTELL, 761 00:25:14,814 --> 00:25:16,515 BUT WE DO THANK YOU FOR YOUR TIME 762 00:25:16,515 --> 00:25:17,817 AND YOUR COOPERATION. 763 00:25:17,817 --> 00:25:19,919 ALL RIGHT. 764 00:25:19,919 --> 00:25:21,921 (woman) ♪ OOH, OOH ♪ 765 00:25:21,921 --> 00:25:23,553 WHAT'S WRONG WITH YOU, MAN? 766 00:25:23,553 --> 00:25:25,024 WHY YOU GOTTA THROW SALT IN MY GAME LIKE THAT? 767 00:25:25,024 --> 00:25:26,556 YOU CAN'T PICK UP ON HONEYS 768 00:25:26,556 --> 00:25:27,897 WHILE WEARING THE ETERNAL SYMBOL 769 00:25:27,897 --> 00:25:30,129 OF MY LOVE AND COMMITMENT TO JENNY. 770 00:25:30,129 --> 00:25:31,530 DID I JUST SAY THAT OUT LOUD? 771 00:25:31,530 --> 00:25:32,862 MM-HMM. 772 00:25:32,862 --> 00:25:34,003 (lowered voice) NO WONDER WOMEN WON'T FLIRT WITH ME. 773 00:25:34,003 --> 00:25:35,304 I'M A LOST CAUSE, 774 00:25:35,304 --> 00:25:37,837 A MAN IN LOVE WITH HIS WIFE. 775 00:25:37,837 --> 00:25:39,168 ENJOY IT, MY FRIEND. 776 00:25:39,168 --> 00:25:41,941 A LOT OF MEN WOULD SWITCH PLACES WITH YOU. 777 00:25:41,941 --> 00:25:44,774 NOT ME. MNH-MNH. OTHER MEN. 778 00:25:44,774 --> 00:25:46,876 GUYS. UNHAPPY SINGLE GUYS. 779 00:25:46,876 --> 00:25:48,017 YEAH, YEAH, YEAH. JUST GIVE ME MY RING BACK, 780 00:25:48,017 --> 00:25:49,979 AND YOU CAN GO GET SHANTELL'S PHONE NUMBER. 781 00:25:49,979 --> 00:25:51,120 (woman) ...YOU'RE NEXT UP. 782 00:25:51,120 --> 00:25:53,252 (people speaking indistinctly) 783 00:25:53,252 --> 00:25:56,325 WHAT THE... OW. 784 00:25:56,325 --> 00:25:58,057 WHAT? 785 00:25:58,057 --> 00:25:59,689 (pants) IT'S STUCK. 786 00:25:59,689 --> 00:26:01,861 ♪♪♪ 787 00:26:01,861 --> 00:26:04,093 THE GUYS ARE OUT PICKING UP BARBRA'S EX-BOYFRIEND. 788 00:26:04,093 --> 00:26:06,195 I THOUGHT I'D USE THE TIME TO FOLLOW UP 789 00:26:06,195 --> 00:26:08,267 ON WHAT THEY LEARNED AT THE CLUB. 790 00:26:08,267 --> 00:26:10,069 STARTING WITH THE FACT THAT BARBRA LANDAU 791 00:26:10,069 --> 00:26:11,741 DID GET PLASTIC SURGERY. 792 00:26:11,741 --> 00:26:13,843 HERE IS HER OLD D.M.V. PHOTO. 793 00:26:13,843 --> 00:26:15,274 SHE'S A PRETTY GIRL. EXACTLY. 794 00:26:15,274 --> 00:26:17,276 PLASTIC SURGERY DIDN'T MAKE HER LOOK MORE BEAUTIFUL. 795 00:26:17,276 --> 00:26:20,079 IT JUST MADE HER LOOK MORE LIKE ODETTE MORTON. 796 00:26:20,079 --> 00:26:23,252 YOU REMEMBER HER ACCOUNTANT SAMUEL LYNCHBERG TOLD YOU 797 00:26:23,252 --> 00:26:25,685 THAT ODETTE PAID FOR HER FRIEND'S NOSE JOB? 798 00:26:25,685 --> 00:26:27,256 AND YOU THINK BARBRA IS THAT FRIEND? 799 00:26:27,256 --> 00:26:28,788 YOU THINK THEY KNEW EACH OTHER? 800 00:26:28,788 --> 00:26:29,959 I KNOW IT. 801 00:26:29,959 --> 00:26:31,090 LYNCHBERG'S ASSISTANT CONFIRMED IT. 802 00:26:31,090 --> 00:26:33,092 ODETTE PAID FOR BARBRA'S SURGERY PLUS EXPENSES. 803 00:26:33,092 --> 00:26:35,665 AND I'M GUESSING YOU HAVE A THEORY AS TO WHY. 804 00:26:35,665 --> 00:26:37,867 YOU KNOW ODETTE LOVED TO PARTY. 805 00:26:37,867 --> 00:26:39,168 SPEAKING FROM PERSONAL EXPERIENCE, 806 00:26:39,168 --> 00:26:42,001 I CAN TELL YOU THAT ALL THAT CONSTANT CAROUSING 807 00:26:42,001 --> 00:26:44,073 DOES NOT COME WITHOUT CONSEQUENCES, 808 00:26:44,073 --> 00:26:47,136 LIKE ARRESTS, COMMUNITY SERVICE HOURS, 809 00:26:47,136 --> 00:26:48,978 WAKING UP IN A STRANGE HOTEL ROOM 810 00:26:48,978 --> 00:26:50,940 WITH SOME GIRL'S PANTIES ON YOUR HEAD. THAT'S... 811 00:26:50,940 --> 00:26:53,382 FORGET THAT PART. 812 00:26:53,382 --> 00:26:55,885 HERE IS ODETTE DOING HER COMMUNITY SERVICE HOURS 813 00:26:55,885 --> 00:26:59,018 FOR HER SECOND D.U.I. IN 2010. 814 00:26:59,018 --> 00:27:01,220 HERE'S ODETTE AT A BRIDAL SHOWER WITH FRIENDS. 815 00:27:01,220 --> 00:27:02,922 SO? 816 00:27:02,922 --> 00:27:04,253 SO ACCORDING TO THE TIME STAMPS, 817 00:27:04,253 --> 00:27:06,025 THESE PHOTOS WERE TAKEN ON THE SAME DAY 818 00:27:06,025 --> 00:27:07,626 WITHIN 20 MINUTES OF EACH OTHER. 819 00:27:07,626 --> 00:27:10,199 SO IT WAS REALLY BARBRA AT THE SOUP KITCHEN. 820 00:27:10,199 --> 00:27:11,731 ODETTE WOULD DO THE CRIME, 821 00:27:11,731 --> 00:27:13,763 BUT SHE DIDN'T WANT TO DO THE TIME. 822 00:27:13,763 --> 00:27:16,906 SO SHE CREATED A FAUX-DETTE TO DO HER DIRTY WORK FOR HER. 823 00:27:16,906 --> 00:27:19,168 A JOB THAT I BET PAID VERY WELL. 824 00:27:19,168 --> 00:27:21,010 MAYBE A WILD NIGHT ON THE TOWN 825 00:27:21,010 --> 00:27:22,712 BRINGS ODETTE TO THE STRIP CLUB, 826 00:27:22,712 --> 00:27:23,913 WHERE SHE SEES BARBRA-- 827 00:27:23,913 --> 00:27:25,244 ALL OF BARBRA-- 828 00:27:25,244 --> 00:27:27,046 AND SHE REALIZES, 829 00:27:27,046 --> 00:27:28,177 WITH A LITTLE WORK, 830 00:27:28,177 --> 00:27:30,219 BARBRA COULD BE THE PERFECT DOUBLE FOR HER, 831 00:27:30,219 --> 00:27:32,722 DOING ALL THE UNPLEASANT JOBS 832 00:27:32,722 --> 00:27:34,824 THAT ODETTE SIMPLY COULDN'T BE BOTHERED TO DO-- 833 00:27:34,824 --> 00:27:36,956 COMMUNITY SERVICE HOURS, DRUG TESTS-- 834 00:27:36,956 --> 00:27:38,427 AND WITH A LITTLE TRAINING AND SOME SURGICAL TWEAKS, 835 00:27:38,427 --> 00:27:39,959 BARBRA COULD DO EVEN MORE, 836 00:27:39,959 --> 00:27:41,360 LIKE MEETINGS WITH ODETTE'S BUSINESS MANAGER 837 00:27:41,360 --> 00:27:44,033 OR BORING LUNCHEONS WITH HER AUNT MARGARET. 838 00:27:44,033 --> 00:27:46,796 NOBODY IN ODETTE'S INNER CIRCLE COULD'VE KNOWN ABOUT THE RUSE, 839 00:27:46,796 --> 00:27:48,097 SO THAT WHEN THE TRAIN CRASHED, 840 00:27:48,097 --> 00:27:49,969 BARBRA SAW HER CHANCE TO GO FROM UNDERSTUDY TO LEADING LADY, 841 00:27:49,969 --> 00:27:51,140 AND SHE TOOK IT. 842 00:27:51,140 --> 00:27:52,371 OKAY, SO THAT EXPLAINS THE TRANSITION, 843 00:27:52,371 --> 00:27:54,003 BUT WE STILL DON'T KNOW WHO KILLED HER. 844 00:27:54,003 --> 00:27:55,274 MAYBE WE DO. 845 00:27:55,274 --> 00:27:57,907 IT WOULD HAVE TO BE SOMEONE THAT KNEW 846 00:27:57,907 --> 00:28:00,109 ODETTE WAS ACTUALLY BARBRA WHEN HE SAW HER ON TV, 847 00:28:00,109 --> 00:28:01,881 SOMEONE WHO WAS LOOKING 848 00:28:01,881 --> 00:28:03,753 TO CASH IN ON HER NEW LIFE... 849 00:28:03,753 --> 00:28:05,684 SOMEONE LIKE BARBRA'S BOYFRIEND JASON. 850 00:28:05,684 --> 00:28:08,017 (elevator bell dings) 851 00:28:08,017 --> 00:28:10,289 I'M TELLING YOU, THIS IS CRAZY. I DIDN'T KILL ANYBODY. 852 00:28:10,289 --> 00:28:12,962 (Beckett) HERE'S WHAT I THINK HAPPENED-- 853 00:28:12,962 --> 00:28:15,394 YOU REALIZED THAT BARBRA DIDN'T DIE 854 00:28:15,394 --> 00:28:17,066 IN THAT TRAIN ACCIDENT. 855 00:28:17,066 --> 00:28:18,227 SHE WAS ALIVE. 856 00:28:18,227 --> 00:28:20,229 AND LIVING AS ODETTE MORTON, WHICH MEANT SHE WAS VERY RICH. 857 00:28:20,229 --> 00:28:23,132 YOU KNEW HER SECRET, AND YOU WANTED TO BE RICH, TOO. 858 00:28:23,132 --> 00:28:24,303 BUT BARBRA WASN'T THE KIND OF GIRL 859 00:28:24,303 --> 00:28:25,835 TO CLAW HER WAY INTO THE GOOD LIFE 860 00:28:25,835 --> 00:28:27,977 AND THEN BE TAKEN ADVANTAGE OF BY THE LIKES OF YOU. 861 00:28:27,977 --> 00:28:29,408 SHE REJECTED YOU, AND SO YOU SHOT HER. 862 00:28:29,408 --> 00:28:32,081 SEE, THIS--THIS IS WHY I DIDN'T COME FORWARD. 863 00:28:32,081 --> 00:28:33,783 I KNEW YOU'D SUSPECT ME. 864 00:28:33,783 --> 00:28:36,045 WE SUSPECT PEOPLE WITH MOTIVE, JASON. 865 00:28:36,045 --> 00:28:38,017 (sighs) YOU'VE GOT IT WRONG. 866 00:28:38,017 --> 00:28:39,388 BARBRA CAME TO ME. 867 00:28:39,388 --> 00:28:42,091 TWO WEEKS AGO, SHE SHOWED UP ON MY DOORSTEP 868 00:28:42,091 --> 00:28:43,722 AND TOLD ME THE WHOLE STORY. 869 00:28:43,722 --> 00:28:45,294 BARBRA HAD EVERYTHING SHE COULD WANT-- 870 00:28:45,294 --> 00:28:47,026 A PERFECT LIFE. 871 00:28:47,026 --> 00:28:51,761 WHY WOULD SHE RISK IT ALL BY GETTING IN TOUCH WITH YOU? 872 00:28:51,761 --> 00:28:53,903 BECAUSE SHE MISSED ME. 873 00:28:55,765 --> 00:28:58,407 AND ODETTE'S LIFE WASN'T AS PERFECT 874 00:28:58,407 --> 00:29:00,169 AS BARBRA THOUGHT. 875 00:29:00,169 --> 00:29:01,871 BARBRA WAS LONELY, 876 00:29:01,871 --> 00:29:03,813 AND SHE WANTED TO GET BACK TOGETHER. 877 00:29:03,813 --> 00:29:06,115 SHE TOLD ME SHE HAD FOUND OUT SOME STUFF ABOUT ODETTE, 878 00:29:06,115 --> 00:29:08,147 UM, SECRETS FROM HER PAST. 879 00:29:08,147 --> 00:29:10,149 WHAT KIND OF SECRETS? I DON'T KNOW. 880 00:29:10,149 --> 00:29:11,750 BUT SHE SAID, IF ANYONE FOUND OUT, 881 00:29:11,750 --> 00:29:14,153 IT WOULD ALL BE OVER FOR HER. 882 00:29:14,153 --> 00:29:16,455 YOU THINK THIS SECRET GOT HER KILLED? 883 00:29:16,455 --> 00:29:18,858 SHE SAID SHE COULD USE IT TO HER ADVANTAGE. 884 00:29:18,858 --> 00:29:20,129 (sniffs) 885 00:29:20,129 --> 00:29:22,131 SHE JUST NEEDED MORE INFORMATION. 886 00:29:22,131 --> 00:29:24,193 INFORMATION WAS-- WAS LEVERAGE, 887 00:29:24,193 --> 00:29:25,795 IT WOULD PROTECT HER, 888 00:29:25,795 --> 00:29:27,136 BUT SHE HAD TO MOVE FAST. 889 00:29:28,497 --> 00:29:31,470 AND SHE DIDN'T MOVE FAST ENOUGH. 890 00:29:31,470 --> 00:29:34,143 BARBRA HAD BEEN DANCING SINCE SHE WAS A LITTLE KID, 891 00:29:34,143 --> 00:29:39,078 AND ALL SHE EVER WANTED WAS TO BE A STAR ON BROADWAY. 892 00:29:39,078 --> 00:29:41,150 AND SHE WAS SO CLOSE. 893 00:29:41,150 --> 00:29:43,052 SO IT WASN'T SOMETHING FROM HER OWN PAST 894 00:29:43,052 --> 00:29:44,854 THAT GOT BARBRA KILLED. 895 00:29:44,854 --> 00:29:46,385 IT WAS SOMETHING FROM ODETTE'S. 896 00:29:53,262 --> 00:29:54,423 OKAY, SO A WEEK BEFORE HER DEATH, 897 00:29:54,423 --> 00:29:56,065 BARBRA, AS ODETTE, IS ACTING ODD, 898 00:29:56,065 --> 00:29:57,326 SHE'S MISSING REHEARSALS-- 899 00:29:57,326 --> 00:29:58,998 SHE SEEKS OUT HER EX, 900 00:29:58,998 --> 00:30:01,200 TELLS HIM THAT ODETTE'S PERFECT LIFE ISN'T SO PERFECT 901 00:30:01,200 --> 00:30:02,972 AND THAT THERE'S SOMETHING IN ODETTE'S PAST 902 00:30:02,972 --> 00:30:04,203 THAT'S A PROBLEM. RIGHT. 903 00:30:04,203 --> 00:30:07,877 SO SHE NEEDS INFORMATION. SO WHERE DOES SHE GO? 904 00:30:07,877 --> 00:30:08,978 SUZANNE STEINER. 905 00:30:08,978 --> 00:30:10,479 REMEMBER, BARBRA MET HER FOR COFFEE THE DAY SHE DIED? 906 00:30:10,479 --> 00:30:12,041 SHE WANTED TO TALK TO SUZANNE ABOUT OLD TIMES. 907 00:30:12,041 --> 00:30:13,342 (woman) I'M NOT SURE 908 00:30:13,342 --> 00:30:15,344 WHAT HELP I CAN BE. 909 00:30:15,344 --> 00:30:17,586 ODETTE SEEMED FINE THE DAY THAT I SAW HER. 910 00:30:17,586 --> 00:30:19,118 MM-HMM. 911 00:30:19,118 --> 00:30:21,120 OH, I KEEP FORGETTING THAT SHE WASN'T ODETTE. 912 00:30:21,120 --> 00:30:23,923 OH, THE RESEMBLANCE WAS REMARKABLE. 913 00:30:23,923 --> 00:30:25,554 YOU SAID THAT SHE WANTED TO REMINISCE. 914 00:30:25,554 --> 00:30:27,056 HOW CLOSE WERE THE TWO OF YOU? 915 00:30:27,056 --> 00:30:28,958 WELL, MY DAD WAS THE BUTLER IN HER GRANDFATHER'S HOME 916 00:30:28,958 --> 00:30:30,529 FOR 20 YEARS, SO... 917 00:30:30,529 --> 00:30:32,131 WE PRACTICALLY GREW UP TOGETHER. 918 00:30:32,131 --> 00:30:33,462 AND WHAT DID SHE WANT TO TALK ABOUT? 919 00:30:33,462 --> 00:30:34,964 WELL, SHE ASKED ABOUT HER GRANDFATHER. 920 00:30:34,964 --> 00:30:36,405 WELL, ODETTE'S GRANDFATHER. 921 00:30:36,405 --> 00:30:37,566 MM-HMM. 922 00:30:37,566 --> 00:30:40,839 SHE TALKED ABOUT HOW CLOSE THEY HAD BEEN. 923 00:30:40,839 --> 00:30:42,972 AND THEN SHE ASKED ABOUT THE DAY THAT HE DIED. 924 00:30:42,972 --> 00:30:45,314 HE DIED IN HIS SLEEP, DIDN'T HE? YEAH. 925 00:30:45,314 --> 00:30:47,046 YEAH, HE WAS 98. 926 00:30:47,046 --> 00:30:49,278 IT WAS ODD THAT SHE ASKED, 927 00:30:49,278 --> 00:30:51,380 BECAUSE I WASN'T THERE, 928 00:30:51,380 --> 00:30:53,122 BUT SHE WAS-- 929 00:30:53,122 --> 00:30:56,085 ODETTE WAS-- ALONG WITH MY FATHER, 930 00:30:56,085 --> 00:30:58,027 AND WHEN I REMINDED HER OF THAT, 931 00:30:58,027 --> 00:30:59,989 SHE ASKED ABOUT MY DAD. 932 00:30:59,989 --> 00:31:03,092 SHE SAID SHE WANTED TO... CATCH UP WITH HIM. 933 00:31:03,092 --> 00:31:05,034 DO YOU KNOW IF THE TWO OF THEM EVER SPOKE? 934 00:31:05,034 --> 00:31:06,335 WELL, I GAVE HER HIS NUMBER, 935 00:31:06,335 --> 00:31:08,337 BUT I-I'M NOT SURE WHAT HAPPENED. 936 00:31:08,337 --> 00:31:10,569 MM. 937 00:31:10,569 --> 00:31:11,971 (grunts) 938 00:31:11,971 --> 00:31:14,303 MNH-MNH. IT'S NOT COMING OFF. 939 00:31:14,303 --> 00:31:16,505 IT'S LIKE IT SOLDERED ITSELF ONTO MY HAND. 940 00:31:16,505 --> 00:31:18,207 MAYBE IT'S POSSESSED, YOU KNOW, 941 00:31:18,207 --> 00:31:21,050 LIKE SOME KIND OF CURSED OBJECT FROM A STEPHEN KING STORY. 942 00:31:21,050 --> 00:31:22,912 HOW CAN I TELL MY WIFE THAT I'M NOT WEARING MY WEDDING RING 943 00:31:22,912 --> 00:31:24,383 BECAUSE I LENT IT TO ESPOSITO AS AN EXPERIMENT 944 00:31:24,383 --> 00:31:27,586 TO SEE IF STRIPPERS WOULD FLIRT WITH ME? 945 00:31:27,586 --> 00:31:29,158 MAYBE SHE'LL SEE THE HUMOR IN IT. 946 00:31:30,319 --> 00:31:32,021 NOT A CHANCE. YOU'RE A DEAD MAN. 947 00:31:32,021 --> 00:31:33,162 SO CHARLES CARSON, 948 00:31:33,162 --> 00:31:36,065 FORMER BUTLER TO ODETTE'S LATE GRANDFATHER. 949 00:31:36,065 --> 00:31:37,226 NO RECORD, 950 00:31:37,226 --> 00:31:38,928 BUT GET THIS-- 951 00:31:38,928 --> 00:31:41,030 HIS NAME RANG A BELL, SO I LOOKED UP 952 00:31:41,030 --> 00:31:42,571 THE GUEST LIST FROM WEDNESDAY'S TAPING, 953 00:31:42,571 --> 00:31:44,033 AND HE'S ON IT. 954 00:31:44,033 --> 00:31:47,206 ODETTE CALLED IN A LAST-MINUTE TICKET REQUEST FOR MR. CARSON. 955 00:31:47,206 --> 00:31:49,108 SO HE WAS AT THE SHOW. 956 00:31:49,108 --> 00:31:50,479 YES, SECURITY HAS HIM GOING THROUGH AT 2:15, 957 00:31:50,479 --> 00:31:52,411 BUT AFTER THAT, NO ONE REMEMBERS SEEING HIM. 958 00:31:52,411 --> 00:31:54,583 OKAY, SO SUZANNE SAID 959 00:31:54,583 --> 00:31:56,145 THAT FAUX-DETTE 960 00:31:56,145 --> 00:31:58,187 WANTED TO TALK ABOUT THE DAY HER GRANDFATHER DIED. 961 00:31:58,187 --> 00:32:01,190 WHAT IF THIS WAS THE SECRET THAT BARBRA WAS ON TO? 962 00:32:01,190 --> 00:32:02,952 WHAT IF GRAHAM MORTON DIDN'T DIE OF NATURAL CAUSES 963 00:32:02,952 --> 00:32:04,323 AND SHE FELT SOMEHOW CHARLES CARSON HERE 964 00:32:04,323 --> 00:32:05,995 HAD SOMETHING TO DO WITH IT? 965 00:32:05,995 --> 00:32:09,458 WE NEED TO SEE GRAHAM MORTON'S AUTOPSY REPORT. 966 00:32:09,458 --> 00:32:11,160 BASED ON MY READING OF THE CORONER'S REPORT, 967 00:32:11,160 --> 00:32:14,303 I CAN SEE WHY GRAHAM MORTON'S DEATH WAS RULED NATURAL CAUSES. 968 00:32:14,303 --> 00:32:15,464 HOWEVER-- 969 00:32:15,464 --> 00:32:17,306 OOH. THERE'S A HOWEVER. 970 00:32:17,306 --> 00:32:19,138 A VERY BIG HOWEVER. TELL 'EM. 971 00:32:19,138 --> 00:32:21,210 THERE WERE SOME ANOMALIES I FOUND SUSPICIOUS. 972 00:32:21,210 --> 00:32:23,142 EVIDENCE OF PETECHIAE IN BOTH EYES, 973 00:32:23,142 --> 00:32:26,015 FRESH BRUISING ON THE RIGHT SIDE OF MR. MORTON'S NOSE, 974 00:32:26,015 --> 00:32:27,446 WHICH COULD HAVE HAPPENED IF, SAY, 975 00:32:27,446 --> 00:32:30,519 SOMEONE WAS HOLDING A PILLOW OVER HIS FACE. 976 00:32:30,519 --> 00:32:33,222 ALL IN ALL, I THINK THERE'S AMPLE EVIDENCE 977 00:32:33,222 --> 00:32:36,025 THAT MR. MORTON WAS MURDERED. 978 00:32:36,025 --> 00:32:37,356 AMPLE. 979 00:32:37,356 --> 00:32:39,258 MURDERED. 980 00:32:39,258 --> 00:32:40,689 I AM JUST SO PROUD. 981 00:32:40,689 --> 00:32:42,731 DAD, WORK. (whispers) BOUNDARIES. RIGHT. 982 00:32:42,731 --> 00:32:45,264 ONE MORE THING. WHEN I REQUESTED THE FILE 983 00:32:45,264 --> 00:32:46,735 BE SENT OVER, THE CLERK TOLD ME 984 00:32:46,735 --> 00:32:48,737 THAT I WAS THE SECOND PERSON THIS WEEK TO ASK FOR IT. 985 00:32:48,737 --> 00:32:52,141 ODETTE MORTON WAS THERE ON TUESDAY. 986 00:32:52,141 --> 00:32:54,603 SO BARBRA REALIZED ODETTE'S GRANDFATHER WAS MURDERED 987 00:32:54,603 --> 00:32:56,305 AND MUST HAVE THOUGHT CARSON THE BUTLER 988 00:32:56,305 --> 00:32:58,007 HAD SOMETHING TO DO WITH IT. 989 00:32:58,007 --> 00:32:59,148 AND THEN WHEN CARSON FIGURED OUT THAT BARBRA KNEW TOO MUCH, 990 00:32:59,148 --> 00:33:00,579 HE KILLED HER. 991 00:33:00,579 --> 00:33:02,011 WE'RE GONNA BRING HIM IN FIRST THING IN THE MORNING. 992 00:33:02,011 --> 00:33:04,313 AND ARREST HIM FOR A DOUBLE MURDER. 993 00:33:09,718 --> 00:33:11,090 (Castle) GOOD MORNING. 994 00:33:11,090 --> 00:33:12,261 SPEAK FOR YOURSELF. 995 00:33:12,261 --> 00:33:13,592 OH, RICHARD. 996 00:33:13,592 --> 00:33:15,194 I REALLY MESSED UP. 997 00:33:15,194 --> 00:33:18,097 I JUST LET MY EGO GET THE BETTER OF ME, 998 00:33:18,097 --> 00:33:21,270 NOW OONA MARCONI IS NEVER GONNA ENDORSE MY SCHOOL. 999 00:33:21,270 --> 00:33:22,771 SHE'LL PROBABLY WRITE SOMETHING NEGATIVE 1000 00:33:22,771 --> 00:33:24,333 JUST OUT OF SPITE. 1001 00:33:24,333 --> 00:33:26,475 WELL, THERE IS A CHANCE YOU CAN STILL TURN THIS AROUND. 1002 00:33:26,475 --> 00:33:29,208 BUT ARE YOU WILLING TO APOLOGIZE TO SOMEONE 1003 00:33:29,208 --> 00:33:30,739 WHO DOESN'T REALLY DESERVE IT? 1004 00:33:30,739 --> 00:33:32,311 DARLING, I DON'T THINK A SIMPLE APOLOGY 1005 00:33:32,311 --> 00:33:34,012 IS GONNA GET ME OUT OF THIS. 1006 00:33:34,012 --> 00:33:37,216 THEN IN THE WISE WORDS OF DON VITO CORLEONE... 1007 00:33:37,216 --> 00:33:39,288 (imitates Marlon Brando) YOU NEED TO MAKE HER AN OFFER 1008 00:33:39,288 --> 00:33:42,121 SHE CAN'T REFUSE. 1009 00:33:42,121 --> 00:33:43,722 AND IF THERE'S ANYTHING-- (clears throat) 1010 00:33:43,722 --> 00:33:45,254 (normal voice) IF THERE'S ANYTHING I CAN DO TO HELP, 1011 00:33:45,254 --> 00:33:47,196 YOU LET ME KNOW. I WILL. 1012 00:33:47,196 --> 00:33:49,428 I WILL. 1013 00:33:53,232 --> 00:33:54,703 (Beckett) MR. CARSON, YOU WORKED FOR GRAHAM MORTON 1014 00:33:54,703 --> 00:33:56,205 FOR OVER 25 YEARS. 1015 00:33:56,205 --> 00:33:57,566 I UNDERSTAND THAT YOU WERE 1016 00:33:57,566 --> 00:34:00,139 VERY CLOSE WITH HIS GRANDKIDS. 1017 00:34:00,139 --> 00:34:02,171 WELL, AS--AS CLOSE AS ONE COULD BE 1018 00:34:02,171 --> 00:34:03,242 WHILE STILL MAINTAINING 1019 00:34:03,242 --> 00:34:06,075 THE EMPLOYER-SERVANT RELATIONSHIP. 1020 00:34:06,075 --> 00:34:08,147 SO WHEN THE VICTIM CALLED YOU AND INVITED YOU 1021 00:34:08,147 --> 00:34:10,679 TO THE "NIGHT OF DANCE" TAPING ON WEDNESDAY, 1022 00:34:10,679 --> 00:34:12,381 YOU SAID YES. I WAS DELIGHTED. 1023 00:34:12,381 --> 00:34:15,084 SHE ASKED ME TO MEET HER AFTERWARDS 1024 00:34:15,084 --> 00:34:17,286 AND SAID THAT SHE HAD A QUESTION FOR ME, 1025 00:34:17,286 --> 00:34:19,258 BUT OF COURSE, AS YOU KNOW, THEY CANCELED THE SHOW, 1026 00:34:19,258 --> 00:34:22,531 AND I DIDN'T FIND OUT UNTIL THE NEXT DAY WHAT HAD HAPPENED. 1027 00:34:22,531 --> 00:34:26,265 I HAD NO IDEA 1028 00:34:26,265 --> 00:34:28,537 THAT THAT GIRL WASN'T ODETTE 1029 00:34:28,537 --> 00:34:31,240 AND NO IDEA WHY SHE WANTED TO TALK TO ME. 1030 00:34:31,240 --> 00:34:35,444 SHE WANTED TO TALK TO YOU ABOUT THE DAY THAT GRAHAM MORTON DIED. 1031 00:34:35,444 --> 00:34:37,306 WHY WOULD SHE CARE ABOUT THAT? 1032 00:34:37,306 --> 00:34:38,477 IT SEEMS SHE HAD SOME EVIDENCE 1033 00:34:38,477 --> 00:34:42,181 THAT MR. MORTON DIDN'T DIE OF NATURAL CAUSES. 1034 00:34:42,181 --> 00:34:45,384 I DON'T UNDERSTAND. ARE YOU SAYING THAT HE WAS MURDERED? 1035 00:34:45,384 --> 00:34:48,257 YOU WERE AT THE HOUSE THAT DAY, WEREN'T YOU? 1036 00:34:48,257 --> 00:34:50,219 OH, GOOD LORD. YOU DON'T THINK THAT I HAD-- 1037 00:34:50,219 --> 00:34:52,090 YOU WERE THE PERSON CLOSEST TO HIM. 1038 00:34:52,090 --> 00:34:53,722 YOU HAD AMPLE OPPORTUNITY. 1039 00:34:53,722 --> 00:34:55,194 WE'VE SEEN THE WILL. 1040 00:34:55,194 --> 00:34:56,595 HE LEFT YOU A GENEROUS BEQUEST. 1041 00:34:58,327 --> 00:35:02,471 I WOULD NEVER HAVE HURT MR. MORTON. 1042 00:35:04,433 --> 00:35:07,836 BUT THAT WOMAN--THE WOMAN WHO PRETENDED TO BE ODETTE-- 1043 00:35:07,836 --> 00:35:10,239 SHE MIGHT BE RIGHT ABOUT HIS DEATH. 1044 00:35:10,239 --> 00:35:13,882 IN FACT, IT'S POSSIBLE THAT SHE BELIEVED THAT I KNEW SOMETHING. 1045 00:35:13,882 --> 00:35:15,244 TELL ME, 1046 00:35:15,244 --> 00:35:17,546 HOW DID MR. MORTON DIE? 1047 00:35:17,546 --> 00:35:20,319 WAS HE SMOTHERED? 1048 00:35:21,420 --> 00:35:23,292 WHY WOULD YOU ASK THAT? 1049 00:35:23,292 --> 00:35:25,294 THE MONTH HE DIED, THERE WAS TENSION IN THE HOUSEHOLD. 1050 00:35:25,294 --> 00:35:27,296 ODETTE WAS SEEING SOMEONE 1051 00:35:27,296 --> 00:35:29,698 OF WHOM MR. MORTON DID NOT APPROVE. 1052 00:35:29,698 --> 00:35:31,200 DO YOU KNOW WHO? 1053 00:35:31,200 --> 00:35:33,202 NO, BUT HE ORDERED HER TO BREAK IT OFF, 1054 00:35:33,202 --> 00:35:35,304 AND OF COURSE, THAT DAY ODETTE WAS CRYING, 1055 00:35:35,304 --> 00:35:36,905 SHE SPENT MOST OF THE MORNING IN HER ROOM. 1056 00:35:36,905 --> 00:35:41,310 AT ABOUT 1:00, MR. MORTON SAID THAT HE WANTED TO TAKE A NAP, 1057 00:35:41,310 --> 00:35:43,242 SO I CLEARED THE BED OF ALL THE PILLOWS. 1058 00:35:43,242 --> 00:35:45,444 HE PREFERRED A-A FLAT SURFACE. 1059 00:35:45,444 --> 00:35:46,615 NOW A FEW MOMENTS LATER, 1060 00:35:46,615 --> 00:35:48,447 THERE WAS A COMMOTION DOWN IN THE KITCHEN. 1061 00:35:48,447 --> 00:35:51,420 ODETTE HAD PUT A SANDWICH IN THE TOASTER OVEN TOO LONG, 1062 00:35:51,420 --> 00:35:53,282 AND IT HAD CAUSED A SMALL FIRE. 1063 00:35:53,282 --> 00:35:54,783 WE PUT IT OUT, 1064 00:35:54,783 --> 00:35:57,526 AND THEN I WENT BACK UPSTAIRS TO CHECK ON MR. MORTON, 1065 00:35:57,526 --> 00:35:59,288 AND HE WAS DEAD. 1066 00:35:59,288 --> 00:36:02,461 AND THAT'S WHEN I NOTICED IT. 1067 00:36:02,461 --> 00:36:03,532 NOTICED WHAT? 1068 00:36:03,532 --> 00:36:06,295 A PILLOW ON THE BED. 1069 00:36:06,295 --> 00:36:08,867 AND I WAS SURE THAT I HAD TAKEN THEM ALL OFF. 1070 00:36:08,867 --> 00:36:11,640 SO I TOLD ODETTE ABOUT IT, 1071 00:36:11,640 --> 00:36:13,872 BUT SHE SAID MY MIND WAS PLAYING TRICKS ON ME, 1072 00:36:13,872 --> 00:36:15,404 SO I LET IT GO. 1073 00:36:15,404 --> 00:36:17,246 MR. CARSON, WHEN YOU WERE IN THE KITCHEN, 1074 00:36:17,246 --> 00:36:20,479 WAS THERE EVER A MOMENT THAT ODETTE WAS OUT OF YOUR SIGHT? 1075 00:36:20,479 --> 00:36:21,410 NO. 1076 00:36:22,651 --> 00:36:24,513 I-I KNEW SHE WAS INNOCENT. 1077 00:36:24,513 --> 00:36:25,854 SHE WASN'T INNOCENT. 1078 00:36:25,854 --> 00:36:27,256 SHE WAS THE DISTRACTION. 1079 00:36:27,256 --> 00:36:28,617 ODETTE GOT YOU DOWN TO THE KITCHEN 1080 00:36:28,617 --> 00:36:30,859 WHILE HER ACCOMPLICE WENT AND MURDERED HER GRANDFATHER. 1081 00:36:30,859 --> 00:36:33,262 AND THEN WHEN BARBRA LANDAU FIGURED OUT THE TRUTH, 1082 00:36:33,262 --> 00:36:35,624 THE ACCOMPLICE MURDERED HER, TOO. 1083 00:36:43,602 --> 00:36:44,733 THANK YOU FOR COMING IN, MR. LYNCHBERG. 1084 00:36:44,733 --> 00:36:46,575 MR. LYNCHBERG, 1085 00:36:46,575 --> 00:36:48,807 BEING THE MORTON FAMILY FINANCIAL ADVISOR, 1086 00:36:48,807 --> 00:36:51,209 THAT MUST GIVE YOU PRETTY GOOD INSIGHT 1087 00:36:51,209 --> 00:36:52,541 INTO THEIR-- THEIR PERSONAL LIVES, RIGHT? 1088 00:36:52,541 --> 00:36:54,913 WELL, LOOKING AT WHAT PEOPLE SPEND THEIR MONEY ON, 1089 00:36:54,913 --> 00:36:56,785 YOU GET TO KNOW FOLKS PRETTY WELL. 1090 00:36:56,785 --> 00:36:59,488 AND HOW WELL DID YOU KNOW ODETTE? 1091 00:36:59,488 --> 00:37:02,621 AS WELL AS ANY OF MY CLIENTS. 1092 00:37:02,621 --> 00:37:04,853 BUT GIVEN THE LECTURES THAT I GAVE HER ABOUT HER LIFESTYLE, 1093 00:37:04,853 --> 00:37:06,555 MAYBE MORE SO. 1094 00:37:06,555 --> 00:37:09,227 WE UNDERSTAND, ABOUT THE TIME HER GRANDFATHER DIED, 1095 00:37:09,227 --> 00:37:10,529 ODETTE WAS DATING SOMEONE, 1096 00:37:10,529 --> 00:37:12,801 SOMEONE HER GRANDFATHER DIDN'T APPROVE OF. 1097 00:37:12,801 --> 00:37:14,503 MM. WELL, THAT'S NOT SURPRISING. 1098 00:37:14,503 --> 00:37:16,535 THE TWO OF THEM RARELY SAW EYE TO EYE. 1099 00:37:16,535 --> 00:37:18,807 THIS BOYFRIEND-- DO YOU REMEMBER WHO HE WAS? 1100 00:37:18,807 --> 00:37:20,869 NO. WHY? 1101 00:37:20,869 --> 00:37:22,641 WELL, BECAUSE WE THINK THAT HE CONSPIRED 1102 00:37:22,641 --> 00:37:24,343 WITH ODETTE TO KILL HER GRANDFATHER 1103 00:37:24,343 --> 00:37:25,574 AND THEN HE KILLED BARBRA 1104 00:37:25,574 --> 00:37:27,476 WHEN SHE WAS ON THE VERGE OF FIGURING IT ALL OUT. 1105 00:37:27,476 --> 00:37:28,617 YOU'RE SURE YOU DON'T REMEMBER? 1106 00:37:28,617 --> 00:37:29,778 MNH-MNH. 1107 00:37:29,778 --> 00:37:31,480 WELL, WE JUST SPOKE WITH ODETTE'S BROTHER, 1108 00:37:31,480 --> 00:37:32,821 AND HE REMEMBERS. 1109 00:37:32,821 --> 00:37:34,823 IN FACT, HE REMEMBERS IT BEING YOU. 1110 00:37:34,823 --> 00:37:37,726 HE SAID THAT THE TWO OF YOU WANTED TO GET MARRIED, 1111 00:37:37,726 --> 00:37:40,459 BUT ODETTE'S GRANDFATHER THREATENED TO CUT HER OFF. 1112 00:37:40,459 --> 00:37:42,461 NOW A GIRL LIKE ODETTE, 1113 00:37:42,461 --> 00:37:44,363 SHE COULD NEVER BE HAPPY LIVING OFF 1114 00:37:44,363 --> 00:37:47,966 A MEAGER 6-FIGURE SALARY LIKE YOURS. 1115 00:37:47,966 --> 00:37:49,738 SHE NEEDED TO INHERIT. 1116 00:37:49,738 --> 00:37:51,570 BUT THAT OLD MAN REFUSED TO DIE. 1117 00:37:51,570 --> 00:37:52,871 SO SHE CONVINCED YOU 1118 00:37:52,871 --> 00:37:55,974 TO GO UPSTAIRS AND SMOTHER HIM TO DEATH WITH A PILLOW 1119 00:37:55,974 --> 00:37:57,746 WHILE SHE CREATED A DISTRACTION IN THE KITCHEN. 1120 00:37:57,746 --> 00:37:59,277 PROBLEM SOLVED. 1121 00:37:59,277 --> 00:38:01,680 EXCEPT ONCE SHE HAD HER MONEY, 1122 00:38:01,680 --> 00:38:03,882 SHE LEFT YOU, WENT BACK TO HER PARTYING LIFESTYLE. 1123 00:38:03,882 --> 00:38:06,855 SHE USED YOU, BUT THERE WASN'T ANYTHING YOU COULD DO ABOUT IT. 1124 00:38:06,855 --> 00:38:09,688 AT LEAST NOT WITHOUT ADMITTING TO THE MURDER. 1125 00:38:09,688 --> 00:38:10,659 YOU CAN'T PROVE THAT. 1126 00:38:10,659 --> 00:38:12,020 HIS DEATH WASN'T EVEN RULED A HOMICIDE. 1127 00:38:12,020 --> 00:38:15,724 NO, BUT BARBRA LANDAU'S WAS. 1128 00:38:15,724 --> 00:38:18,627 UNIFORMS FOUND THIS 9 MILLIMETER 1129 00:38:18,627 --> 00:38:20,399 IN THE DUMPSTER BEHIND YOUR OFFICES. 1130 00:38:20,399 --> 00:38:21,670 BALLISTICS MATCH. 1131 00:38:21,670 --> 00:38:24,733 THIS IS THE SAME GUN THAT WAS USED TO KILL BARBRA LANDAU. 1132 00:38:24,733 --> 00:38:25,804 AND IT'S GOT... 1133 00:38:25,804 --> 00:38:26,975 (sets gun down) 1134 00:38:26,975 --> 00:38:29,508 YOUR FINGERPRINTS ALL OVER IT. 1135 00:38:37,486 --> 00:38:39,788 LAST MONTH, WHEN HER CREDIT CARD BILLS WERE SO HIGH, 1136 00:38:39,788 --> 00:38:42,721 I THOUGHT SHE WAS SLIPPING BACK INTO HER OLD WAYS. 1137 00:38:42,721 --> 00:38:44,853 I SAID TO HER, 1138 00:38:44,853 --> 00:38:46,955 "WE DIDN'T RISK EVERYTHING TO GET THIS MONEY 1139 00:38:46,955 --> 00:38:49,027 SO YOU COULD LET IT RUIN YOUR LIFE." 1140 00:38:49,027 --> 00:38:51,700 AND SHE LOOKED AT ME, AND... 1141 00:38:51,700 --> 00:38:53,001 I COULD TELL, 1142 00:38:53,001 --> 00:38:55,534 SHE HAD NO IDEA WHAT I WAS TALKING ABOUT. 1143 00:38:55,534 --> 00:38:57,566 IN THAT MOMENT, 1144 00:38:57,566 --> 00:38:59,738 I KNEW THAT SHE WASN'T MY ODETTE. 1145 00:38:59,738 --> 00:39:01,710 AND THAT'S HOW SHE GOT ON TO YOU. 1146 00:39:01,710 --> 00:39:03,642 SO THIS BARBRA TOLD ME THAT IF I KEPT HER SECRET, 1147 00:39:03,642 --> 00:39:05,474 SHE WOULD KEEP MINE. 1148 00:39:05,474 --> 00:39:06,845 SHE THOUGHT WE WERE EVEN. 1149 00:39:06,845 --> 00:39:10,719 SHE THOUGHT THAT SHE COULD JUST TAKE THE PLACE OF ODETTE. 1150 00:39:10,719 --> 00:39:12,981 I MEAN, WH-WHAT-- WHAT WAS I SUPPOSED TO DO, 1151 00:39:12,981 --> 00:39:14,983 JUST LET SOME DIRTY STRIPPER LIVE IN HER HOUSE 1152 00:39:14,983 --> 00:39:17,486 AND WEAR HER CLOTHES AND--AND BLACKMAIL ME? 1153 00:39:17,486 --> 00:39:19,788 ODETTE DESERVED BETTER. 1154 00:39:35,704 --> 00:39:36,675 WHAT'S GOING ON? 1155 00:39:36,675 --> 00:39:38,006 I WAS JUST THINKING 1156 00:39:38,006 --> 00:39:40,809 HOW WE RELY ON DREAMS TO KEEP US GOING IN LIFE 1157 00:39:40,809 --> 00:39:42,150 AND HOW SAD IT IS 1158 00:39:42,150 --> 00:39:43,882 WHEN THEY BECOME THE THINGS THAT TEAR US DOWN. 1159 00:39:43,882 --> 00:39:45,884 YEAH, WELL, THAT MIGHT BE THE CASE FOR BARBRA LANDAU, 1160 00:39:45,884 --> 00:39:48,086 BUT NOT FOR EVERYONE WITH DREAMS THAT DIDN'T COME TRUE. 1161 00:39:48,086 --> 00:39:50,689 (photo rustles) 1162 00:39:50,689 --> 00:39:52,390 I MEAN, TAKE LANIE FOR INSTANCE. 1163 00:39:52,390 --> 00:39:55,664 SHE WANTED TO BE A DANCER. SHE BECAME A DOCTOR. 1164 00:39:55,664 --> 00:39:57,395 THAT'S NOT SO BAD, IS IT? 1165 00:39:57,395 --> 00:39:59,598 HMM. WHAT ABOUT YOU? 1166 00:39:59,598 --> 00:40:00,669 I MEAN, I KNOW YOU BECAME A COP 1167 00:40:00,669 --> 00:40:01,930 BECAUSE YOUR MOTHER WAS MURDERED, 1168 00:40:01,930 --> 00:40:04,533 BUT THERE HAD TO BE SOMETHING BEFORE THAT. 1169 00:40:04,533 --> 00:40:07,536 WHAT DID LITTLE KATE BECKETT WANT TO BE WHEN SHE GREW UP? 1170 00:40:07,536 --> 00:40:08,837 AT STANFORD, I WAS PRE-LAW. 1171 00:40:08,837 --> 00:40:10,939 SO YOUR DREAM 1172 00:40:10,939 --> 00:40:12,881 WAS TO ARGUE A CASE BEFORE THE SUPREME COURT. 1173 00:40:12,881 --> 00:40:14,783 MM-HMM. YEP, I WAS ON MY WAY 1174 00:40:14,783 --> 00:40:17,185 TO BECOMING THE FIRST FEMALE CHIEF JUSTICE. 1175 00:40:17,185 --> 00:40:18,687 WOW. MM-HMM. 1176 00:40:18,687 --> 00:40:20,849 NOT BAD. 1177 00:40:20,849 --> 00:40:22,050 (chuckles) 1178 00:40:26,695 --> 00:40:28,827 (groans) AH, IT WON'T-- YEAH, YOU KNOW WHAT? 1179 00:40:28,827 --> 00:40:31,199 I'M LATE FOR MY STRIPPER DATE, MAN. 1180 00:40:31,199 --> 00:40:32,761 WHOA. NO, NO, NO. NO, NO, NO, NO. 1181 00:40:32,761 --> 00:40:34,863 I CANNOT GO HOME AGAIN WITHOUT THAT RING ON MY FINGER TONIGHT. 1182 00:40:34,863 --> 00:40:36,204 OUR COUCH HAS A LOOSE SPRING. MY BACK-- 1183 00:40:36,204 --> 00:40:37,806 DID YOU TRY SOAP? 1184 00:40:37,806 --> 00:40:39,107 YEAH. YEAH, THAT WAS, LIKE, THE FIRST THING WE DID. 1185 00:40:39,107 --> 00:40:40,739 COOKING SPRAY? I DIDN'T THINK ABOUT COOKING SPRAY. 1186 00:40:40,739 --> 00:40:41,870 WHERE AM I GONNA FIND COOKING SPRAY? 1187 00:40:41,870 --> 00:40:43,041 HERE. 1188 00:40:43,041 --> 00:40:45,844 (people speaking indistinctly) 1189 00:40:47,746 --> 00:40:49,548 IT'S LIKE SILK. 1190 00:40:49,548 --> 00:40:50,719 (closes drawer) 1191 00:40:50,719 --> 00:40:53,482 THAT MIGHT WORK. (grunts) 1192 00:40:53,482 --> 00:40:55,724 OH, YEAH. I THINK IT'S COMING. 1193 00:40:55,724 --> 00:40:56,825 YEAH? 1194 00:40:56,825 --> 00:40:57,856 (grunts) 1195 00:40:57,856 --> 00:41:01,059 (ring plinks and bounces) 1196 00:41:02,661 --> 00:41:05,494 AT LEAST IT'S OFF MY FINGER. 1197 00:41:07,235 --> 00:41:10,038 OONA, THANK YOU SO MUCH FOR STOPPING BY. 1198 00:41:10,038 --> 00:41:11,740 THANK YOU, MARTHA. 1199 00:41:11,740 --> 00:41:14,543 AND I'LL BE SURE TO FIND A FEW INCHES OF COLUMN SPACE 1200 00:41:14,543 --> 00:41:16,174 TO MENTION YOUR LITTLE SCHOOL. 1201 00:41:16,174 --> 00:41:18,206 OH, GOOD. THANK YOU. I REALLY APPRECIATE THAT DEAR. 1202 00:41:18,206 --> 00:41:19,748 OH, RICHARD, GOOD. 1203 00:41:19,748 --> 00:41:21,049 YOU'RE JUST IN TIME TO SAY GOOD-BYE TO OONA. 1204 00:41:21,049 --> 00:41:22,751 OH. HOW NICE TO SEE YOU AGAIN. 1205 00:41:22,751 --> 00:41:24,082 IT'S LOVELY TO SEE YOU AS WELL. 1206 00:41:24,082 --> 00:41:26,885 AND I, UH, LOOK FORWARD TO HEARING FROM YOU. 1207 00:41:26,885 --> 00:41:28,086 HEARING FROM-- 1208 00:41:28,086 --> 00:41:30,789 WELL, I KNOW YOU'RE IN A HURRY, DEAR, AND, UH, 1209 00:41:30,789 --> 00:41:32,521 I'LL CALL YOU. WE WILL HAVE LUNCH. 1210 00:41:32,521 --> 00:41:33,692 YES. 1211 00:41:33,692 --> 00:41:34,793 BYE-BYE. 1212 00:41:34,793 --> 00:41:36,224 ♪ AHH ♪ 1213 00:41:36,224 --> 00:41:38,567 ALL'S WELL THAT ENDS WELL. 1214 00:41:38,567 --> 00:41:40,699 MOTHER, WHY WOULD OONA MARCONI BE LOOKING FORWARD 1215 00:41:40,699 --> 00:41:42,170 TO HEARING FROM ME? 1216 00:41:42,170 --> 00:41:44,633 WELL, YOU DID SAY, IF THERE WAS ANY WAY THAT YOU COULD HELP-- 1217 00:41:44,633 --> 00:41:46,004 THAT YOU SHOULD LET ME KNOW. 1218 00:41:46,004 --> 00:41:49,277 EXACTLY WHAT DID YOU PROMISE HER WITHOUT ASKING ME FIRST? 1219 00:41:49,277 --> 00:41:51,610 THAT YOU WOULD READ HER NOVEL... 1220 00:41:51,610 --> 00:41:52,781 OH, MOTHER. 1221 00:41:52,781 --> 00:41:55,143 AND CRITIQUE IT AND GIVE IT TO YOUR PUBLISHER. 1222 00:41:55,143 --> 00:41:57,245 IT IS THE INSPIRING STORY 1223 00:41:57,245 --> 00:41:59,247 OF A YOUNG WOMAN'S JOURNEY FROM DEPARTMENT STORE CLERK 1224 00:41:59,247 --> 00:42:01,990 TO WORLD-RENOWNED BROADWAY STAR. 1225 00:42:01,990 --> 00:42:04,693 CHICK LIT? MOTHER THIS IS REALLY NOT MY-- 1226 00:42:04,693 --> 00:42:05,994 OH, AND, DARLING, 1227 00:42:05,994 --> 00:42:08,156 WHEN YOU GIVE HER YOUR THOUGHTS, DO BE KIND, 1228 00:42:08,156 --> 00:42:10,899 BECAUSE IT'S ALWAYS BEEN HER DREAM TO BE A NOVELIST. 1229 00:42:14,202 --> 00:42:15,864 BE KIND. 1230 00:42:15,864 --> 00:42:18,136 FOR YOU, MOTHER, 1231 00:42:18,136 --> 00:42:20,939 I CAN BE KIND.