1 00:00:01,272 --> 00:00:03,204 (pants) 2 00:00:05,005 --> 00:00:07,007 (animal howls) 3 00:00:07,007 --> 00:00:08,079 (twig snaps) 4 00:00:08,079 --> 00:00:09,080 (gasps) 5 00:00:09,080 --> 00:00:12,343 (rustling) 6 00:00:12,343 --> 00:00:16,016 (panting) 7 00:00:22,253 --> 00:00:26,057 (continues panting) 8 00:00:28,299 --> 00:00:30,131 (grunts) OH! 9 00:00:30,131 --> 00:00:32,103 (pants) 10 00:00:32,103 --> 00:00:34,235 AAH! 11 00:00:34,235 --> 00:00:37,268 SHE SCREAMED AS THE PAIN RIPPED THROUGH HER, 12 00:00:37,268 --> 00:00:40,311 AND IN BETWEEN EACH LABORED BREATH, SHE THOUGHT, 13 00:00:40,311 --> 00:00:42,313 THERE IS NO WAY IN HELL I AM HAVING THIS BABY 14 00:00:42,313 --> 00:00:45,146 ON A SUBWAY TRAIN IN THE BRONX. 15 00:00:45,146 --> 00:00:46,217 (exhales) 16 00:00:46,217 --> 00:00:47,418 DID YOU GET ALL THAT? 17 00:00:47,418 --> 00:00:49,320 SO YOU ACTUALLY GAVE BIRTH TO YOUR SON ON THE METRO? 18 00:00:49,320 --> 00:00:51,051 NO. 19 00:00:51,051 --> 00:00:52,253 SHE DIDN'T. 20 00:00:52,253 --> 00:00:54,385 SHE ALSO DIDN'T RUN A MARATHON THE WEEK BEFORE SHE HAD ME 21 00:00:54,385 --> 00:00:56,257 OR BEAT UP A MUGGER WHILE NINE MONTHS PREGNANT. 22 00:00:56,257 --> 00:00:58,259 IT'S CALLED DRAMATIC LICENSE, DARLING. 23 00:00:58,259 --> 00:01:00,261 ACTUALLY, IT'S CALLED WILD EXAGGERATION. 24 00:01:00,261 --> 00:01:02,062 DRAMATIC LICENSE APPLIES TO WRITING. 25 00:01:02,062 --> 00:01:03,164 AND THAT'S WHAT I'M DOING. 26 00:01:03,164 --> 00:01:04,295 THIS IS MARCUS, 27 00:01:04,295 --> 00:01:06,397 THIS FABULOUS YOUNG PLAYWRIGHT I TOLD YOU ABOUT, 28 00:01:06,397 --> 00:01:08,439 WHO'S HELPING ME PUT TOGETHER MY ONE-WOMAN SHOW. 29 00:01:08,439 --> 00:01:10,341 MR. CASTLE, I'M A HUGE FAN. 30 00:01:10,341 --> 00:01:12,443 JUST BEING IN THIS OFFICE IS A DREAM COME TRUE. 31 00:01:12,443 --> 00:01:14,175 FOR ME, TOO. FOR ME, TOO. 32 00:01:14,175 --> 00:01:15,346 ONLY IN MY DREAMS, I'M... 33 00:01:15,346 --> 00:01:17,348 USUALLY BY MYSELF. 34 00:01:17,348 --> 00:01:20,351 WE JUST FELT THAT THIS ROOM HAD THE BEST CREATIVE JUJU. 35 00:01:20,351 --> 00:01:22,153 OH, IT DOES. IT DOES. 36 00:01:22,153 --> 00:01:23,414 YEAH, I WROTE 20 BEST SELLERS IN HERE. 37 00:01:23,414 --> 00:01:26,157 RIGHT, RIGHT. 38 00:01:26,157 --> 00:01:28,189 I'D LIKE TO WRITE ANOTHER ONE. 39 00:01:28,189 --> 00:01:30,191 NOW. 40 00:01:30,191 --> 00:01:32,163 OH, CAN'T IT WAIT, DEAR? 41 00:01:32,163 --> 00:01:34,295 WE'RE JUST PUTTING THE FINAL TOUCHES ON ACT ONE-- 42 00:01:34,295 --> 00:01:37,228 YOU KNOW, WHERE I OVERCOME THE CHALLENGES OF BEING 43 00:01:37,228 --> 00:01:39,400 A SINGLE, WORKING MOTHER. 44 00:01:39,400 --> 00:01:41,332 (cell phone rings) (chuckles) YOU KNOW YOU'RE 45 00:01:41,332 --> 00:01:42,473 WRITING A WORK OF FICTION, RIGHT? 46 00:01:42,473 --> 00:01:44,175 (rings and beeps) 47 00:01:44,175 --> 00:01:46,106 CASTLE. 48 00:01:46,106 --> 00:01:49,180 FIRST ALEXIS IS INTERNING FOR LANIE. THANK YOU. 49 00:01:49,180 --> 00:01:51,242 NOW MY MOTHER IS TAKING OVER MY OFFICE. 50 00:01:51,242 --> 00:01:53,244 I FEEL LIKE MY WHOLE LIFE IS BEING INVADED. 51 00:01:53,244 --> 00:01:55,246 YOU'LL GET USED TO IT. I DID. 52 00:01:55,246 --> 00:01:57,488 (camera shutter clicking) IT IS NOT THE SAME THING. 53 00:01:57,488 --> 00:02:00,391 OKAY, IT'S SIMILAR, JUST MUCH LESS INVASIVE. 54 00:02:00,391 --> 00:02:02,253 HEY, LANIE. 55 00:02:02,253 --> 00:02:03,394 SO WHAT DO WE GOT HERE? 56 00:02:03,394 --> 00:02:05,125 THAT'S A GOOD QUESTION. 57 00:02:05,125 --> 00:02:06,357 I CAN TELL YOU THIS MUCH-- 58 00:02:06,357 --> 00:02:08,199 BASED ON BODY TEMP AND LIVIDITY, 59 00:02:08,199 --> 00:02:10,401 OUR VICTIM DIED BETWEEN 10:00 AND MIDNIGHT. 60 00:02:10,401 --> 00:02:12,132 CLAW MARKS? 61 00:02:12,132 --> 00:02:13,264 SHE WAS ATTACKED BY AN ANIMAL? 62 00:02:13,264 --> 00:02:16,136 WELL, SHE WAS RUNNING FROM SOMETHING. 63 00:02:16,136 --> 00:02:17,338 SHE'S GOT DIRT ON HER FEET. 64 00:02:17,338 --> 00:02:19,170 WHAT ANIMAL IN CENTRAL PARK 65 00:02:19,170 --> 00:02:20,511 COULD MAUL A PERSON TO DEATH? 66 00:02:20,511 --> 00:02:22,513 I'M NOT EVEN SURE THAT'S WHAT HAPPENED. 67 00:02:22,513 --> 00:02:25,446 THESE LACERATIONS LOOK SHALLOW, NONLETHAL, 68 00:02:25,446 --> 00:02:27,348 BUT I WON'T KNOW EXACTLY WHAT KILLED HER 69 00:02:27,348 --> 00:02:29,220 UNTIL I GET HER BACK TO THE MORGUE. 70 00:02:29,220 --> 00:02:30,351 DO YOU HAVE AN I.D.? 71 00:02:30,351 --> 00:02:32,152 NO WALLET OR PURSE, SO WE DON'T KNOW WHO SHE IS. 72 00:02:32,152 --> 00:02:33,324 UM... 73 00:02:33,324 --> 00:02:35,186 (people speaking indistinctly) 74 00:02:35,186 --> 00:02:36,527 (camera shutter clicking) 75 00:02:36,527 --> 00:02:39,330 ISN'T IT OBVIOUS? I MEAN, AM I THE ONLY ONE SEEING THIS? 76 00:02:39,330 --> 00:02:41,161 WHAT? 77 00:02:41,161 --> 00:02:44,265 RED CLOAK, IN THE WOODS, ANIMAL ATTACK. 78 00:02:44,265 --> 00:02:46,437 SHE'S LITTLE RED RIDING HOOD. 79 00:02:46,437 --> 00:02:48,168 GREAT, CASTLE. 80 00:02:48,168 --> 00:02:50,241 I'LL CALL IN AN A.P.B. FOR THE BIG BAD WOLF. 81 00:02:50,241 --> 00:02:52,303 YOU HAVE A BETTER THEORY? 82 00:02:52,303 --> 00:02:53,544 (police radio chatter, camera shutter clicks) 83 00:02:53,544 --> 00:02:55,506 HEY, RYAN. 84 00:02:55,506 --> 00:02:57,378 DO YOU THINK YOU COULD CALL DISPATCH, 85 00:02:57,378 --> 00:02:59,179 SEE IF THERE ANY REPORTS OF A VIOLENT ANIMAL 86 00:02:59,179 --> 00:03:00,311 RUNNING AROUND THE PARK? 87 00:03:00,311 --> 00:03:02,283 LIKE A WOLF, A BIG BAD ONE? 88 00:03:02,283 --> 00:03:03,354 REALLY? 89 00:03:03,354 --> 00:03:06,186 THAT IS EXACTLY HOW I PICTURED HER. 90 00:03:06,186 --> 00:03:07,258 IT'S FREAKY. 91 00:03:07,258 --> 00:03:09,320 MY OLDER SISTER USED TO READ ME THAT STORY. 92 00:03:09,320 --> 00:03:11,562 OKAY, WHEN YOU'RE DONE RELIVING YOUR CHILDHOOD MEMORIES, 93 00:03:11,562 --> 00:03:13,364 DO YOU ALSO THINK THAT YOU COULD CANVASS THE AREA 94 00:03:13,364 --> 00:03:15,366 FOR WITNESSES AND ANYONE THAT MIGHT KNOW HER NAME? 95 00:03:15,366 --> 00:03:18,269 AND I BET YOU IT'S NOT GONNA BE LITTLE RED RIDING HOOD. 96 00:03:18,269 --> 00:03:19,400 ON IT. 97 00:03:19,400 --> 00:03:21,572 (Castle) "'ALL THE BETTER TO EAT YOU WITH.' 98 00:03:21,572 --> 00:03:24,375 "NO SOONER HAD THE WOLF SAID THESE WORDS 99 00:03:24,375 --> 00:03:25,536 "WHEN HE LEAPED UP AND GOBBLED DOWN 100 00:03:25,536 --> 00:03:27,378 POOR LITTLE RED RIDING HOOD." 101 00:03:27,378 --> 00:03:29,310 WELL, THE GOOD NEWS IS, THE WOLF CAN TALK. (beeps) 102 00:03:29,310 --> 00:03:31,412 SO IF WE CAN FIND HIM, WE MIGHT BE ABLE TO GET A CONFESSION. 103 00:03:31,412 --> 00:03:33,213 YEAH, EXCEPT IN THE ORIGINAL STORY, 104 00:03:33,213 --> 00:03:35,316 THE WOLF DOESN'T KILL LITTLE RED RIDING HOOD. 105 00:03:35,316 --> 00:03:37,318 THE HUNTSMAN CUTS HER OUT OF THE WOLF'S STOMACH, 106 00:03:37,318 --> 00:03:38,519 AND THEN SHE KILLS THE WOLF. 107 00:03:38,519 --> 00:03:40,321 SOMEONE'S A BROTHERS GRIMM FAN. 108 00:03:40,321 --> 00:03:41,522 OH, YEAH. THEY DIDN'T SUGARCOAT IT. 109 00:03:41,522 --> 00:03:43,324 THEY UNDERSTOOD THAT FAIRY TALES 110 00:03:43,324 --> 00:03:44,525 ARE PRETTY MUCH HORROR STORIES. 111 00:03:44,525 --> 00:03:47,428 EXACTLY, WHICH IS WHY WE ALL NEED THEM 112 00:03:47,428 --> 00:03:48,559 TO GRAPPLE WITH THE UNKNOWN, 113 00:03:48,559 --> 00:03:50,361 WHICH IS WHY THEY TAP INTO OUR PRIMAL FEARS, 114 00:03:50,361 --> 00:03:53,334 LIKE BEING ALONE IN THE WOODS OR GETTING EATEN BY MONSTERS. 115 00:03:53,334 --> 00:03:55,336 THEY'RE NOT HORROR STORIES. THEY'RE LIFE LESSONS. 116 00:03:55,336 --> 00:03:57,468 IF YOU DO THE RIGHT THING, YOU GET TO LIVE HAPPILY EVER AFTER. 117 00:03:57,468 --> 00:03:59,310 BUT ONLY IN FAIRY TALES. 118 00:03:59,310 --> 00:04:00,471 SPEAKING OF FAIRY TALES, TURNS OUT THAT OUR VICTIM 119 00:04:00,471 --> 00:04:01,612 REALLY WAS RED RIDING HOOD. 120 00:04:01,612 --> 00:04:04,375 ARE YOU DRINKING CASTLE'S KOOL-AID NOW? 121 00:04:04,375 --> 00:04:05,516 NO, I MEAN THAT SHE WAS 122 00:04:05,516 --> 00:04:07,318 ACTUALLY WEARING A RED RIDING HOOD COSTUME. 123 00:04:07,318 --> 00:04:08,519 IT SAID SO RIGHT ON THE LABEL. 124 00:04:08,519 --> 00:04:10,321 OH, OKAY. SO THEN WHY WAS SHE WEARING IT 125 00:04:10,321 --> 00:04:11,522 IN THE MIDDLE OF THE WOODS AT NIGHT? 126 00:04:11,522 --> 00:04:12,623 ON HER WAY TO GRANDMOTHER'S HOUSE? 127 00:04:12,623 --> 00:04:14,525 MM. I DOUBT IT. 128 00:04:14,525 --> 00:04:16,256 HER GRANDMOTHER LIVES IN TALLAHASSEE. 129 00:04:16,256 --> 00:04:17,328 OH, GREAT. SO YOU GOT AN I.D.? 130 00:04:17,328 --> 00:04:18,459 YEAH. HER PRINTS POPPED IN THE D.M.V. DATABASE. 131 00:04:18,459 --> 00:04:20,491 HER NAME'S AMY MORGAN. 132 00:04:20,491 --> 00:04:21,592 HER SISTER LESLIE'S ON HER WAY IN. 133 00:04:21,592 --> 00:04:23,394 (woman) I DON'T UNDERSTAND. 134 00:04:23,394 --> 00:04:26,297 ARE YOU SAYING AMY WAS ATTACKED BY SOME KIND OF ANIMAL? 135 00:04:26,297 --> 00:04:28,539 DO EITHER OF YOU HAVE ANY IDEA WHY SHE WAS IN THE PARK? 136 00:04:28,539 --> 00:04:30,541 AMY NEVER WENT THERE. SHE DIDN'T HAVE TIME. 137 00:04:30,541 --> 00:04:32,343 SHE WAS TOO BUSY. 138 00:04:32,343 --> 00:04:33,474 DOING WHAT? 139 00:04:33,474 --> 00:04:35,476 SH-SHE WAS AN ATTORNEY FOR SAMPSON-BRIGGS 140 00:04:35,476 --> 00:04:36,607 IN LITIGATION. 141 00:04:36,607 --> 00:04:39,350 THEY WORKED HER, LIKE, A HUNDRED HOURS A WEEK. 142 00:04:39,350 --> 00:04:40,481 DID SHE HAVE A BOYFRIEND, 143 00:04:40,481 --> 00:04:42,313 ANYONE THAT SHE WOULD'VE BEEN WITH LAST NIGHT? 144 00:04:42,313 --> 00:04:43,454 AMY'S SINGLE. 145 00:04:43,454 --> 00:04:45,416 SHE LIVES ALONE. 146 00:04:45,416 --> 00:04:49,289 UM... SHE'S VERY DRIVEN. 147 00:04:49,289 --> 00:04:50,421 (voice breaking) WAS. 148 00:04:50,421 --> 00:04:52,623 SHE WAS. 149 00:04:52,623 --> 00:04:55,566 DO EITHER OF YOU KNOW WHY SHE WOULD BE WEARING THIS? 150 00:04:59,400 --> 00:05:00,501 WHAT IS IT, A CAPE? 151 00:05:00,501 --> 00:05:03,303 IT'S A RED RIDING HOOD CLOAK. 152 00:05:03,303 --> 00:05:04,405 SHE WAS WEARING THAT? 153 00:05:04,405 --> 00:05:05,576 MM-HMM. 154 00:05:05,576 --> 00:05:07,578 I KNOW AMY'S CLOSET. 155 00:05:07,578 --> 00:05:08,639 THIS WAS NOT HERS. 156 00:05:08,639 --> 00:05:11,482 I MEAN, EVEN HER SWEATPANTS WERE PRADA. 157 00:05:11,482 --> 00:05:12,643 WELL, MAYBE SHE WAS GOING TO A PARTY. 158 00:05:12,643 --> 00:05:14,445 DID SHE MENTION ANY PARTIES? 159 00:05:14,445 --> 00:05:17,348 I'M TELLING YOU, SHE WOULD NEVER WEAR A THING LIKE THIS. 160 00:05:17,348 --> 00:05:18,689 LESLIE, DID YOUR SISTER EVER TELL YOU 161 00:05:18,689 --> 00:05:23,424 ABOUT ANYTHING UNUSUAL GOING ON AT WORK OR IN HER PERSONAL LIFE? 162 00:05:23,424 --> 00:05:24,625 I DON'T KNOW. 163 00:05:24,625 --> 00:05:26,627 I HADN'T HEARD FROM HER ALL WEEK. 164 00:05:26,627 --> 00:05:29,329 AND WAS THAT OUT OF THE ORDINARY? 165 00:05:29,329 --> 00:05:30,561 YES. WE USUALLY TALKED EVERY DAY, 166 00:05:30,561 --> 00:05:32,563 AND WHEN SHE DIDN'T CALL, I JUST ASSUMED 167 00:05:32,563 --> 00:05:35,466 SHE WAS BUSY WITH A CASE OR SOMETHING, BUT... (sniffles) 168 00:05:35,466 --> 00:05:38,409 MAYBE THERE WAS SOMETHING ELSE GOING ON. 169 00:05:39,710 --> 00:05:41,712 (Beckett) OKAY, BYE. (receiver clatters) 170 00:05:41,712 --> 00:05:44,415 HEY. THANK YOU. SO THAT WAS RYAN. 171 00:05:44,415 --> 00:05:47,347 HE JUST LEFT ANIMAL CONTROL, AND THERE WAS 172 00:05:47,347 --> 00:05:49,650 ONLY ONE RECENT REPORT OF AN ANIMAL LOOSE IN THE PARK-- 173 00:05:49,650 --> 00:05:51,722 A BEAGLE NAMED FRED. 174 00:05:51,722 --> 00:05:54,555 WELL, EITHER FRED IS ONE VICIOUS BEAGLE 175 00:05:54,555 --> 00:05:56,587 OR THIS MYSTERY HAS JUST DEEPENED. 176 00:05:56,587 --> 00:05:59,430 HOW DOES A HIGH-POWERED LAWYER 177 00:05:59,430 --> 00:06:02,393 END UP DEAD IN A RED RIDING HOOD COSTUME? 178 00:06:05,536 --> 00:06:08,499 AMY WORKED LONG HOURS UNDER HIGH PRESSURE, RIGHT? 179 00:06:08,499 --> 00:06:10,501 WHAT IF SHE HAD A SECRET WAY OF LETTING OFF STEAM 180 00:06:10,501 --> 00:06:12,443 THAT EVEN HER SISTER DIDN'T KNOW ABOUT? 181 00:06:12,443 --> 00:06:13,674 LIKE WHAT? 182 00:06:13,674 --> 00:06:17,478 THERE'S THIS WHOLE ADULT ROLE-PLAYING SUBCULTURE 183 00:06:17,478 --> 00:06:20,651 OBSESSED WITH FAIRY TALES. 184 00:06:20,651 --> 00:06:22,713 NO, NOT THAT KIND OF ADULT ROLE PLAY, 185 00:06:22,713 --> 00:06:25,385 ALTHOUGH, THERE IS THAT ONE, TOO. 186 00:06:25,385 --> 00:06:26,617 AND YOU KNOW THIS HOW? 187 00:06:26,617 --> 00:06:28,388 DID A LITTLE RESEARCH. 188 00:06:28,388 --> 00:06:29,660 (chuckles) 189 00:06:29,660 --> 00:06:30,721 BO PEEP. 190 00:06:30,721 --> 00:06:32,463 ANYWAY, THESE PEOPLE 191 00:06:32,463 --> 00:06:33,724 GET DRESSED IN THE OUTFITS, THEY PLAY THE CHARACTERS, 192 00:06:33,724 --> 00:06:35,596 THEY EVEN REENACT THE STORIES. 193 00:06:35,596 --> 00:06:37,428 MAYBE THAT'S WHAT AMY WAS DOING 194 00:06:37,428 --> 00:06:40,531 WHEN EVERYTHING WENT HORRIBLY AND TRAGICALLY WRONG. 195 00:06:40,531 --> 00:06:42,573 CASTLE, THAT IS A SURPRISINGLY REASONABLE 196 00:06:42,573 --> 00:06:43,734 AND GROUNDED THEORY. 197 00:06:43,734 --> 00:06:45,636 YEAH. 198 00:06:45,636 --> 00:06:47,578 FRANKLY, I'M A LITTLE DISAPPOINTED IN MYSELF. 199 00:06:47,578 --> 00:06:48,739 WE ALL ARE, BRO. 200 00:06:48,739 --> 00:06:50,781 SO I WAS GOING OVER AMY'S FINANCIALS 201 00:06:50,781 --> 00:06:52,713 FOR ANY UNUSUAL ACTIVITY. 202 00:06:52,713 --> 00:06:56,416 4 DAYS AGO, SHE TOOK OUT $50,605 203 00:06:56,416 --> 00:06:58,649 FROM HER SAVINGS, ALL IN CASH. 204 00:06:58,649 --> 00:07:00,491 $50,605? 205 00:07:00,491 --> 00:07:02,693 THAT'S AN ODD AMOUNT FOR A WITHDRAWAL, 206 00:07:02,693 --> 00:07:04,495 ESPECIALLY IN CASH. 207 00:07:04,495 --> 00:07:05,596 YEAH, NOT ONLY THAT, 208 00:07:05,596 --> 00:07:06,797 BUT THE 50K, IT'S NOT IN HER APARTMENT, 209 00:07:06,797 --> 00:07:08,759 AND I CAN'T TIE IT TO ANY RECENT PURCHASES. 210 00:07:08,759 --> 00:07:10,430 CONTACT HER BANK. 211 00:07:10,430 --> 00:07:11,502 SEE IF THEY KNOW WHY SHE MADE THAT WITHDRAWAL. 212 00:07:11,502 --> 00:07:12,563 AS YOU WISH. 213 00:07:12,563 --> 00:07:13,604 (cell phone chirps) 214 00:07:13,604 --> 00:07:14,735 OH, LANIE'S GOT NEWS FOR US. 215 00:07:14,735 --> 00:07:16,467 OH, I'VE GOT NEWS, ALL RIGHT, 216 00:07:16,467 --> 00:07:17,638 BUT I'M NOT SURE YOU'RE GONNA LIKE IT. 217 00:07:17,638 --> 00:07:19,570 I FOUND HAIRS LIKE THIS ONE 218 00:07:19,570 --> 00:07:21,542 IN A WOUND ON THE VICTIM'S ARM. 219 00:07:21,542 --> 00:07:23,514 IT DIDN'T COME FROM HER, SO I RAN D.N.A. 220 00:07:23,514 --> 00:07:24,645 DID WE GET A MATCH? 221 00:07:24,645 --> 00:07:26,747 THE HAIR ISN'T HUMAN. IT'S WOLF HAIR. 222 00:07:26,747 --> 00:07:28,479 OOH. 223 00:07:28,479 --> 00:07:29,720 SIMMER DOWN, CASTLE. I'M NOT DONE WITH THE STORY. 224 00:07:29,720 --> 00:07:31,752 SORRY. WHAT'S THE REST OF IT? 225 00:07:31,752 --> 00:07:33,754 WELL, FROM THE DEPTH AND THE LENGTH OF THE GASHES, 226 00:07:33,754 --> 00:07:37,457 IT LOOKS LIKE THE MARKS WERE MADE BY ONLY ONE CLAW. 227 00:07:37,457 --> 00:07:39,530 A ONE-LEGGED WOLF? 228 00:07:39,530 --> 00:07:41,532 I DON'T THINK IT'S A WOLF AT ALL. 229 00:07:41,532 --> 00:07:42,633 BUT THE HAIR AND THE CLAW? 230 00:07:42,633 --> 00:07:43,834 THE KILLER WANTED US TO THINK IT WAS A WOLF 231 00:07:43,834 --> 00:07:45,666 TO THROW US OFF. 232 00:07:45,666 --> 00:07:47,568 WHICH WOULD EXPLAIN WHY THERE ARE NO BITE MARKS 233 00:07:47,568 --> 00:07:48,699 ON THE BODY. 234 00:07:48,699 --> 00:07:50,701 THE GASHES WERE INFLICTED BY A HUMAN KILLER 235 00:07:50,701 --> 00:07:52,503 USING A WOLF CLAW. 236 00:07:52,503 --> 00:07:54,775 SO THEN WHAT'S THE REAL CAUSE OF DEATH? 237 00:07:54,775 --> 00:07:56,476 WELL, I FOUND TWO FRESH NEEDLE MARKS, 238 00:07:56,476 --> 00:07:57,548 BOTH ON THE VICTIM'S BACK, 239 00:07:57,548 --> 00:07:59,610 SO SHE DIDN'T PUT THEM THERE HERSELF. 240 00:07:59,610 --> 00:08:00,851 SO SHE WAS DRUGGED? 241 00:08:00,851 --> 00:08:02,683 IS THERE ANY SIGNS OF SEXUAL ASSAULT? 242 00:08:02,683 --> 00:08:04,484 NO, BUT TOX RESULTS 243 00:08:04,484 --> 00:08:05,716 TURNED UP KETAMINE AND OXYCODONE. 244 00:08:05,716 --> 00:08:08,659 I'M THINKING OUR GUY SEDATED HER WITH THE KETAMINE 245 00:08:08,659 --> 00:08:10,490 THEN DRESSED HER IN THE COSTUME, 246 00:08:10,490 --> 00:08:11,692 BUT THE DOSE DIDN'T QUITE KNOCK HER OUT. 247 00:08:11,692 --> 00:08:13,493 SO SHE TRIED TO RUN AWAY FROM HER KILLER... 248 00:08:13,493 --> 00:08:14,665 AND WHEN HE CAUGHT HER, 249 00:08:14,665 --> 00:08:17,598 HE DOSED HER WITH OXY, AND IT WAS LIGHTS OUT. 250 00:08:18,799 --> 00:08:20,701 (Beckett) THE DRUGS, THE CLAW-- 251 00:08:20,701 --> 00:08:22,773 THIS IS MURDER, PLANNED AND PREMEDITATED. 252 00:08:22,773 --> 00:08:25,536 I MEAN, THE KILLER STAGED THE CRIME SCENE 253 00:08:25,536 --> 00:08:27,578 TO EVOKE IMAGES OF LITTLE RED RIDING HOOD. 254 00:08:27,578 --> 00:08:28,839 YEAH, BUT WHY WOULD HE DO THAT? 255 00:08:28,839 --> 00:08:30,781 WELL, I'M LESS CONCERNED ABOUT WHY. 256 00:08:30,781 --> 00:08:32,843 WHAT I'M WONDERING IS WHO. 257 00:08:32,843 --> 00:08:35,786 SO THE KILLER MUST HAVE LURED AMY INTO THE PARK. 258 00:08:35,786 --> 00:08:37,848 WHICH MEANS HE'S SOMEONE THAT SHE KNEW AND TRUSTED. 259 00:08:37,848 --> 00:08:40,621 YEAH, LIKE RED RIDING HOOD TRUSTED HER CUTE LITTLE GRANNY. 260 00:08:40,621 --> 00:08:42,593 YEAH. RYAN, WHAT DID AMY'S COWORKERS TELL YOU? 261 00:08:42,593 --> 00:08:44,595 UH, THAT, UH, SHE DEFINITELY 262 00:08:44,595 --> 00:08:45,796 WASN'T HERSELF LATELY. 263 00:08:45,796 --> 00:08:47,828 SAID SHE'D BEEN ACTING AGITATED SINCE SHE MISSED 264 00:08:47,828 --> 00:08:49,700 A MANDATORY 1:00 STAFF MEETING LAST FRIDAY. 265 00:08:49,700 --> 00:08:50,901 SAID IT WAS FOR PERSONAL REASONS. 266 00:08:50,901 --> 00:08:52,863 THAT'S THE SAME TIME THAT AMY STOPPED CALLING HER SISTER. 267 00:08:52,863 --> 00:08:54,865 RYAN, CAN YOU LOOK INTO HER E-MAILS AND PHONE CALLS? 268 00:08:54,865 --> 00:08:56,737 I WANT TO KNOW WHAT WAS GOING ON WITH HER. 269 00:08:56,737 --> 00:08:57,808 YEP. 270 00:08:57,808 --> 00:08:58,869 YO, BECKETT. 271 00:08:58,869 --> 00:09:00,741 THERE'S SOMETHING YOU NEED TO SEE. 272 00:09:00,741 --> 00:09:02,873 (siren wails) 273 00:09:02,873 --> 00:09:04,775 (camera shutter clicks) RIGHT OVER THERE. 274 00:09:04,775 --> 00:09:05,916 (police radio chatter) 275 00:09:05,916 --> 00:09:07,748 (camera shutter clicking) 276 00:09:07,748 --> 00:09:10,821 IS THAT WHAT I THINK IT IS IN HER HAND? 277 00:09:10,821 --> 00:09:12,823 A POISONED APPLE. 278 00:09:13,884 --> 00:09:16,787 (click) 279 00:09:17,858 --> 00:09:20,661 (click) 280 00:09:20,661 --> 00:09:21,932 SHE'S SNOW WHITE. 281 00:09:21,932 --> 00:09:23,594 IT LOOKS LIKE WE'VE GOT 282 00:09:23,594 --> 00:09:32,572 A FAIRY-TALE KILLER ON OUR HANDS. 283 00:09:36,576 --> 00:09:37,778 (speaks indistinctly) 284 00:09:37,778 --> 00:09:39,610 (Esposito) YO, BECKETT. 285 00:09:39,610 --> 00:09:40,751 EXCUSE ME. 286 00:09:40,751 --> 00:09:42,713 HER MedicAlert BRACELET GOT US AN I.D. 287 00:09:42,713 --> 00:09:44,655 SHE'S KRISTINA CURTIS, 25. 288 00:09:44,655 --> 00:09:45,716 LIVES ON THE UPPER EAST SIDE. 289 00:09:45,716 --> 00:09:46,787 DOES SHE HAVE NEXT OF KIN? 290 00:09:46,787 --> 00:09:48,659 YEAH, HER HUSBAND. HIS NAME'S NOAH CURTIS. 291 00:09:48,659 --> 00:09:50,260 OKAY, I NEED YOU GUYS TO TAKE POINT ON THE INTERVIEW. 292 00:09:50,260 --> 00:09:51,792 FIND OUT WHAT HE KNOWS ABOUT THIS, 293 00:09:51,792 --> 00:09:53,664 AND LET'S SEE IF KRISTINA WAS CONNECTED TO THE OTHER VICTIM. 294 00:09:53,664 --> 00:09:55,265 YOU KNOW, IF OUR KILLER'S DRESSING HIS VICTIMS 295 00:09:55,265 --> 00:09:56,667 IN THESE COSTUMES, 296 00:09:56,667 --> 00:09:58,268 I BET WE CAN I.D. THE MANUFACTURER 297 00:09:58,268 --> 00:09:59,730 AND FIND OUT WHERE HE GOT 'EM. 298 00:09:59,730 --> 00:10:01,331 THAT'S A GOOD IDEA. YOU RUN WITH IT. 299 00:10:01,331 --> 00:10:02,602 (camera shutter clicking) 300 00:10:02,602 --> 00:10:04,374 (Castle) AH, HERE IT IS. "WHITE AS SNOW, 301 00:10:04,374 --> 00:10:05,776 RED AS BLOOD, BLACK AS EBONY." 302 00:10:05,776 --> 00:10:07,377 THIS GUY IS QUOTING DIRECTLY 303 00:10:07,377 --> 00:10:09,279 FROM GRIMM'S ORIGINAL "SNOW WHITE." 304 00:10:09,279 --> 00:10:12,342 SO OUR VICTIMS AREN'T REENACTING THE FAIRY TALES, 305 00:10:12,342 --> 00:10:13,684 THE KILLER IS. 306 00:10:13,684 --> 00:10:15,716 ONLY THIS WOMAN DIDN'T DIE FROM A POISONED APPLE. 307 00:10:15,716 --> 00:10:18,719 SHE HAS THE SAME INJECTION MARKS AS AMY MORGAN. 308 00:10:18,719 --> 00:10:20,651 DO YOU HAVE TIME OF DEATH? 309 00:10:20,651 --> 00:10:22,622 BETWEEN 5:00 AND 7:00 A.M. THIS MORNING. 310 00:10:22,622 --> 00:10:24,354 SO HE KILLS RED RIDING HOOD, 311 00:10:24,354 --> 00:10:25,756 THEN SIX HOURS LATER, HE STRIKES AGAIN? 312 00:10:25,756 --> 00:10:27,357 THAT'S A PRETTY QUICK TURNAROUND. 313 00:10:27,357 --> 00:10:28,699 IT'S ALL THE MARKINGS OF A SERIAL KILLER. 314 00:10:28,699 --> 00:10:29,830 YEAH, BUT TECHNICALLY, 315 00:10:29,830 --> 00:10:31,702 YOU HAVE TO MURDER THREE TIMES TO BE A SERIAL KILLER. 316 00:10:31,702 --> 00:10:33,333 YEAH, WELL, LET'S MAKE SURE HE NEVER GETS THERE. 317 00:10:33,333 --> 00:10:34,735 (snaps glove) 318 00:10:34,735 --> 00:10:36,867 (Esposito) WHEN DID YOU LAST SEE YOUR WIFE, MR. CURTIS? 319 00:10:36,867 --> 00:10:39,339 JUST BEFORE 5:00 A.M. WHEN SHE-- 320 00:10:39,339 --> 00:10:40,410 SHE LEFT FOR HER JOG. 321 00:10:40,410 --> 00:10:41,812 SHE--SHE GAVE ME A KISS GOOD-BYE. 322 00:10:41,812 --> 00:10:43,714 THAT WAS THE LAST TIME I SAW HER. 323 00:10:43,714 --> 00:10:46,877 I-I-I CAN'T-- I CAN'T BELIEVE SHE'S GONE. 324 00:10:46,877 --> 00:10:49,680 (Ryan) MR. CURTIS, THIS RUN SHE TOOK, 325 00:10:49,680 --> 00:10:50,821 WHO ELSE KNEW SHE WAS GOING? 326 00:10:50,821 --> 00:10:52,883 OTHER JOGGERS IN THE PARK, I GUESS. 327 00:10:52,883 --> 00:10:55,756 SHE--SHE WENT EVERY MORNING, EVEN IN THE SNOW. 328 00:10:55,756 --> 00:10:57,657 SHE--SHE NEVER MISSED A DAY. 329 00:10:57,657 --> 00:10:59,659 SHE HAVE PROBLEMS WITH ANY OF THE OTHER JOGGERS? 330 00:10:59,659 --> 00:11:01,692 NO, NOT THAT SHE TOLD ME. 331 00:11:01,692 --> 00:11:03,864 DID SHE EVER MENTION BEING FOLLOWED OR WATCHED? 332 00:11:03,864 --> 00:11:05,866 ARE YOU SAYING SOMEONE WAS STALKING HER? 333 00:11:05,866 --> 00:11:07,768 UNDER THE CIRCUMSTANCES, 334 00:11:07,768 --> 00:11:09,369 THIS DOESN'T LOOK LIKE A RANDOM ATTACK. 335 00:11:09,369 --> 00:11:10,871 WHAT DID YOUR WIFE DO FOR A LIVING? 336 00:11:10,871 --> 00:11:12,903 SHE OWNED AN ART GALLERY 337 00:11:12,903 --> 00:11:14,674 ON FIFTH AVENUE. 338 00:11:14,674 --> 00:11:16,406 IT WAS FAMILY OWNED. SHE TOOK IT OVER FROM HER DAD. 339 00:11:16,406 --> 00:11:19,679 DID YOU EVER SEE THIS WOMAN BEFORE 340 00:11:19,679 --> 00:11:20,881 OR HEARD THE NAME AMY MORGAN? 341 00:11:20,881 --> 00:11:22,913 NO, I DON'T THINK SO. WHY? WHO IS SHE? 342 00:11:22,913 --> 00:11:24,755 SHE'S ANOTHER VICTIM, MR. CURTIS. 343 00:11:24,755 --> 00:11:27,858 COULD SHE BE AN ACQUAINTANCE OF KRISTINA'S? 344 00:11:30,861 --> 00:11:33,764 I DON'T RECOGNIZE HER. I'M SORRY. 345 00:11:33,764 --> 00:11:36,696 DID YOU NOTICE ANYTHING UNUSUAL ABOUT KRISTINA LATELY, 346 00:11:36,696 --> 00:11:39,800 HER--HER STATE OF MIND, MAYBE SOMETHING SHE SAID OR DID? 347 00:11:39,800 --> 00:11:42,702 THERE WAS SOMETHING STRANGE LAST WEEK. 348 00:11:42,702 --> 00:11:43,774 (sighs) 349 00:11:43,774 --> 00:11:45,375 WE WERE SUPPOSED TO HAVE LUNCH ON FRIDAY. 350 00:11:45,375 --> 00:11:47,377 BUT SHE DIDN'T SHOW. 351 00:11:47,377 --> 00:11:49,910 SHE CALLED LATER TO SAY SHE WENT TO THE ART GALLERY 352 00:11:49,910 --> 00:11:51,441 FOR A LAST-MINUTE EMERGENCY. 353 00:11:51,441 --> 00:11:53,443 LAST FRIDAY? WAS YOUR LUNCH AT 1:00 P.M.? 354 00:11:53,443 --> 00:11:55,916 YEAH. YEAH, IT WAS. 355 00:11:55,916 --> 00:11:57,818 W-WHY? 356 00:12:00,390 --> 00:12:01,922 (Ryan) KRISTINA LIED TO HER HUSBAND 357 00:12:01,922 --> 00:12:03,754 ABOUT WHY SHE MISSED THEIR LUNCH. 358 00:12:03,754 --> 00:12:04,955 SHE WASN'T AT THE ART GALLERY LAST FRIDAY. 359 00:12:04,955 --> 00:12:06,827 THEY DON'T KNOW WHERE SHE WAS. 360 00:12:06,827 --> 00:12:08,929 OKAY, SO BOTH OF OUR VICTIMS WERE UNACCOUNTED FOR 361 00:12:08,929 --> 00:12:11,832 AT EXACTLY THE SAME TIME SHORTLY BEFORE THEY GOT KILLED. 362 00:12:11,832 --> 00:12:12,903 (cell phone rings) 363 00:12:12,903 --> 00:12:13,964 SO WHERE DID THEY GO? 364 00:12:13,964 --> 00:12:15,766 YEAH, STILL WORKING ON IT. EXCUSE ME. 365 00:12:15,766 --> 00:12:16,907 MM-HMM. YEAH, RYAN HERE. 366 00:12:16,907 --> 00:12:18,438 MAYBE THEY KNEW EACH OTHER. 367 00:12:18,438 --> 00:12:19,910 NO, THEIR FAMILY SAID THEY DIDN'T KNOW EACH OTHER. 368 00:12:19,910 --> 00:12:21,972 THEY HAD COMPLETELY DIFFERENT CAREERS, 369 00:12:21,972 --> 00:12:23,974 AND THEY LIVED IN DIFFERENT PARTS OF TOWN. 370 00:12:23,974 --> 00:12:26,746 IT SEEMS LIKE THEIR LIVES NEVER REALLY INTERSECTED. 371 00:12:26,746 --> 00:12:28,919 MM, UNTIL THEY BOTH DIED AT THE HAND OF THE SAME KILLER. 372 00:12:28,919 --> 00:12:31,421 SO WHY THESE TWO WOMEN AND WHY FAIRY TALES? 373 00:12:31,421 --> 00:12:33,483 DID THE KILLER HAVE SOME KIND OF A RANDOM OBSESSION 374 00:12:33,483 --> 00:12:36,456 OR WAS THERE A DEEPER MEANING BEHIND ALL OF IT? 375 00:12:36,456 --> 00:12:37,988 WELL, I THINK HE'S TRYING TO TELL A STORY WITH THESE BODIES. 376 00:12:37,988 --> 00:12:39,759 I JUST DON'T KNOW WHAT IT IS YET. 377 00:12:39,759 --> 00:12:40,891 MAYBE IT'S ABOUT MONEY. 378 00:12:40,891 --> 00:12:42,492 TURNS OUT KRISTINA RAIDED HER TRUST ACCOUNT. 379 00:12:42,492 --> 00:12:44,464 GUESS HOW MUCH SHE TOOK OUT? 380 00:12:44,464 --> 00:12:47,437 $50,605. 381 00:12:47,437 --> 00:12:49,539 SO BOTH VICTIMS GO AWOL ON FRIDAY 382 00:12:49,539 --> 00:12:51,501 AND BOTH PULL OUT THE EXACT SAME AMOUNT OF CASH. 383 00:12:51,501 --> 00:12:52,772 THAT'S NOT A COINCIDENCE. 384 00:12:52,772 --> 00:12:53,874 THAT IS A CONNECTION. 385 00:12:53,874 --> 00:12:55,505 CAN YOU GET AHOLD OF KRISTINA'S FAMILY, 386 00:12:55,505 --> 00:12:56,907 SEE IF THEY KNOW WHY SHE MIGHT HAVE NEEDED THAT MONEY? 387 00:12:56,907 --> 00:12:58,478 YEAH, I'LL REACH OUT TO THE HUSBAND. 388 00:12:58,478 --> 00:12:59,950 THANKS. RYAN, WHAT DID YOU FIND OUT? 389 00:12:59,950 --> 00:13:01,952 I THINK I MIGHT HAVE FOUND THE PATHWAY TO OUR KILLER. (beeps) 390 00:13:01,952 --> 00:13:03,954 THOSE SNOW WHITE AND RED RIDING HOOD OUTFITS-- 391 00:13:03,954 --> 00:13:05,455 THEY WERE MADE BY THE SAME MANUFACTURER. 392 00:13:05,455 --> 00:13:06,817 DO YOU KNOW WHERE THEY WERE SOLD? 393 00:13:06,817 --> 00:13:08,819 I'M STILL WAITING FOR A LIST OF STORES 394 00:13:08,819 --> 00:13:10,460 THAT CARRY THE COSTUMES, BOTH ONLINE AND BRICK AND MORTAR. 395 00:13:10,460 --> 00:13:11,922 WE SHOULD HAVE SOME ANSWERS BY THE MORNING. 396 00:13:13,924 --> 00:13:15,795 (Martha) THIS JUST DOESN'T FEEL RIGHT, MARCUS. 397 00:13:15,795 --> 00:13:16,967 MOVE THAT CHAIR OVER THERE. 398 00:13:16,967 --> 00:13:18,568 OH, RICHARD. YOUR TIMING IS PERFECT. 399 00:13:18,568 --> 00:13:20,570 WE COULD USE YOUR HELP. 400 00:13:20,570 --> 00:13:21,972 MOVING MY FURNITURE WHERE I DON'T WANT IT TO GO? 401 00:13:21,972 --> 00:13:23,573 IT'S JUST TEMPORARY. 402 00:13:23,573 --> 00:13:25,505 WE'RE HAVING A STAGED READING OF MY ONE-WOMAN SHOW, 403 00:13:25,505 --> 00:13:26,806 HERE, TOMORROW NIGHT. 404 00:13:26,806 --> 00:13:28,008 AH, IT'S TOO BAD YOU DON'T HAVE AN ACTING STUDIO 405 00:13:28,008 --> 00:13:29,940 TO DO THIS KIND OF THING IN. 406 00:13:29,940 --> 00:13:31,842 OH, WAIT. YOU DO. 407 00:13:31,842 --> 00:13:33,483 THE LITTLE BLACK BOX THEATER IS NOT RIGHT FOR THIS, DEAR. 408 00:13:33,483 --> 00:13:35,485 IT NEEDS SOMETHING MUCH MORE INTIMATE. 409 00:13:35,485 --> 00:13:36,917 IT'LL BE VERY AVANT-GARDE. 410 00:13:36,917 --> 00:13:38,488 EXACTLY. 411 00:13:38,488 --> 00:13:40,550 NOW I THINK THIS CHAIR SHOULD BE HERE, MARCUS. 412 00:13:40,550 --> 00:13:42,853 I WANT TO CREATE A... 413 00:13:42,853 --> 00:13:43,994 (lowered voice) SWEETIE, COULDN'T YOU HAVE DONE SOMETHING 414 00:13:43,994 --> 00:13:45,525 TO DISCOURAGE THIS? 415 00:13:45,525 --> 00:13:47,827 (lowered voice) I TRIED, DAD, BUT SHE MADE ME STAGE MANAGER. 416 00:13:47,827 --> 00:13:49,599 LOOK, IT'S NOT AS BAD AS YOU THINK. 417 00:13:49,599 --> 00:13:51,831 JUST 20 OR 30 PEOPLE... AH-- 418 00:13:51,831 --> 00:13:54,604 AND WE'LL PUT EVERYTHING BACK. THIS PLAY MEANS A LOT TO GRAM, 419 00:13:54,604 --> 00:13:56,606 AND IT'S ACTUALLY REALLY GOOD. 420 00:13:56,606 --> 00:13:59,609 NOW I UNDERSTAND THINGS ABOUT HER I NEVER DID BEFORE, 421 00:13:59,609 --> 00:14:01,041 AND ABOUT YOU, TOO. 422 00:14:01,041 --> 00:14:02,873 (Martha speaking indistinctly) 423 00:14:02,873 --> 00:14:04,014 ABOUT ME? 424 00:14:04,014 --> 00:14:05,515 (Martha) NO, NO, NO, NO. 425 00:14:05,515 --> 00:14:06,977 THIS--THIS SPACE NEEDS TO BE BIGGER. 426 00:14:06,977 --> 00:14:08,518 AN ACTOR NEEDS SPACE. 427 00:14:08,518 --> 00:14:09,980 "RICHARD ALWAYS HAD A DARK IMAGINATION. 428 00:14:09,980 --> 00:14:12,522 "HE WAS DESTINED EITHER TO BECOME A SERIAL KILLER 429 00:14:12,522 --> 00:14:13,984 OR A MYSTERY WRITER." MOTHER, REALLY? 430 00:14:13,984 --> 00:14:15,585 OH, IT'S JUST A SLIGHT EXAGGERATION. 431 00:14:15,585 --> 00:14:18,528 AND ACCORDING TO THIS, YOU'RE RESPONSIBLE FOR LAUNCHING 432 00:14:18,528 --> 00:14:20,891 MY WRITING CAREER BY... 433 00:14:20,891 --> 00:14:22,592 YOU SLEPT WITH MY FIRST PUBLISHER? 434 00:14:22,592 --> 00:14:24,064 MR. CASTLE, I'M SURE YOUR TALENT 435 00:14:24,064 --> 00:14:25,896 WOULD'VE GOTTEN YOU THERE EVENTUALLY. 436 00:14:25,896 --> 00:14:27,537 MY TALENT DID GET ME THERE. 437 00:14:27,537 --> 00:14:30,540 I DIDN'T GET PUBLISHED BECAUSE OF HER. 438 00:14:30,540 --> 00:14:33,543 TECHNICALLY, I SLEPT WITH HIM AFTER YOUR BOOK WAS OUT. 439 00:14:33,543 --> 00:14:35,645 THIS IS JUST TO BE MORE SALACIOUS. 440 00:14:35,645 --> 00:14:38,548 WASN'T HE PRACTICALLY MY AGE? 441 00:14:38,548 --> 00:14:39,950 HONEY, YOU KNOW I'VE ALWAYS LOVED YOUNGER MEN. 442 00:14:39,950 --> 00:14:42,052 THEY HAVE SO MUCH ENERGY, ENOUGH TO KEEP UP WITH ME... 443 00:14:42,052 --> 00:14:43,653 MOST OF THE TIME. 444 00:14:43,653 --> 00:14:45,555 I'M GONNA... 445 00:14:45,555 --> 00:14:46,987 ERASE THAT IMAGE FROM MY MIND 446 00:14:46,987 --> 00:14:48,618 WITH A BOTTLE OF SCOTCH. 447 00:14:48,618 --> 00:14:50,020 OH, DARLING, 448 00:14:50,020 --> 00:14:52,662 I INVITED BECKETT TO THE READING TOMORROW NIGHT, 449 00:14:52,662 --> 00:14:55,095 SO YOU TWO MIGHT WANT TO MAKE A DATE OF IT. 450 00:14:56,626 --> 00:14:57,998 (Beckett) WHAT WAS I SUPPOSED TO DO, 451 00:14:57,998 --> 00:14:59,069 SAY NO? 452 00:14:59,069 --> 00:15:00,130 YES. 453 00:15:00,130 --> 00:15:01,972 WHY ARE YOU SO AGAINST YOUR MOM'S PLAY? 454 00:15:01,972 --> 00:15:03,673 BECAUSE SHE'S REWRITING HISTORY-- 455 00:15:03,673 --> 00:15:04,935 MY HISTORY. 456 00:15:04,935 --> 00:15:06,906 TRUST ME, I LIVED THROUGH IT. 457 00:15:06,906 --> 00:15:09,579 SHE'S MAKING IT SOUND LIKE IT'S HER OWN PERSONAL FAIRY TALE. 458 00:15:09,579 --> 00:15:12,642 OH, SO YOU DON'T LIKE IT WHEN SOMEONE WRITES 459 00:15:12,642 --> 00:15:14,114 THEIR OWN VERSION OF YOUR LIFE? 460 00:15:14,114 --> 00:15:15,615 INTERESTING. 461 00:15:15,615 --> 00:15:17,087 OKAY, ARE YOU REFERRING TO THE NIKKI HEAT BOOKS? 462 00:15:17,087 --> 00:15:18,648 BECAUSE THIS IS COMPLETELY DIFFERENT. 463 00:15:18,648 --> 00:15:19,919 HOW IS IT DIFFERENT? 464 00:15:19,919 --> 00:15:21,921 WELL, FOR ONE THING, I'M NOT CLAIMING 465 00:15:21,921 --> 00:15:23,693 THAT WHAT I WRITE IS ACTUALLY TRUE. 466 00:15:23,693 --> 00:15:25,125 WELL, I DON'T THINK SHE IS EITHER. 467 00:15:25,125 --> 00:15:26,656 COME ON, CASTLE, YOU SAID SO YOURSELF, 468 00:15:26,656 --> 00:15:29,159 EVERYONE NEEDS A FAIRY TALE. 469 00:15:29,159 --> 00:15:31,931 WHAT'S THE HARM IN LETTING YOUR MOM HAVE ONE OF HER OWN? 470 00:15:31,931 --> 00:15:33,133 OKAY, LET'S--LET'S CHANGE THE SUBJECT 471 00:15:33,133 --> 00:15:36,006 TO SOMETHING LESS LIKELY TO GIVE ME AN ULCER. 472 00:15:36,006 --> 00:15:39,109 HOW ABOUT THAT MYSTERIOUS $50,605? 473 00:15:39,109 --> 00:15:40,170 OKAY. 474 00:15:40,170 --> 00:15:42,172 UM, WELL, WE TALKED TO PRETTY MUCH EVERYONE 475 00:15:42,172 --> 00:15:43,974 CLOSE TO AMY AND KRISTINA, 476 00:15:43,974 --> 00:15:46,616 AND NO ONE SEEMS TO KNOW WHY THEY PULLED OUT THAT MONEY. 477 00:15:46,616 --> 00:15:48,718 WHAT ABOUT WHERE THEY WERE AT 1:00 P.M. ON FRIDAY? 478 00:15:48,718 --> 00:15:50,680 NOTHING POPPED ON AMY'S E-MAIL 479 00:15:50,680 --> 00:15:52,082 OR PHONE CALLS, 480 00:15:52,082 --> 00:15:54,624 AND THE TECHS ARE STILL GOING THROUGH KRISTINA'S COMPUTER. 481 00:15:54,624 --> 00:15:56,026 (Ryan) HEY, GUYS. 482 00:15:56,026 --> 00:15:57,187 I THINK WE MIGHT HAVE CAUGHT A BREAK. 483 00:15:57,187 --> 00:15:59,990 WE TRACKED DOWN THAT WEB SITE THAT SOLD THE COSTUMES. 484 00:15:59,990 --> 00:16:01,161 THE RED RIDING HOOD CLOAK AND THE SNOW WHITE DRESS 485 00:16:01,161 --> 00:16:02,732 WORN BY OUR VICTIMS WERE SHIPPED OUT EIGHT DAYS AGO. 486 00:16:02,732 --> 00:16:04,064 TO WHOM? DO YOU HAVE A NAME? 487 00:16:04,064 --> 00:16:05,135 YEAH, JAMIE ISAACSON. 488 00:16:05,135 --> 00:16:06,636 LIVES AT 11th STREET AND 7th AVENUE. 489 00:16:06,636 --> 00:16:08,068 AND HE DIDN'T JUST ORDER TWO COSTUMES. 490 00:16:08,068 --> 00:16:09,969 THERE WAS A THIRD IN THE SHIPMENT AS WELL, 491 00:16:09,969 --> 00:16:11,041 FOR SLEEPING BEAUTY. 492 00:16:11,041 --> 00:16:12,642 (Castle) SLEEPING BEAUTY? 493 00:16:12,642 --> 00:16:13,673 HE'S GONNA KILL AGAIN. 494 00:16:13,673 --> 00:16:16,006 NOT IF WE GET TO HIM FIRST. 495 00:16:22,612 --> 00:16:24,284 (knock on door) 496 00:16:24,284 --> 00:16:25,485 JAMIE ISAACSON, NYPD. 497 00:16:25,485 --> 00:16:26,656 OPEN UP. 498 00:16:28,388 --> 00:16:29,589 KICK IT. YEAH. 499 00:16:30,620 --> 00:16:32,592 (man) GO, GO, GO, GO! 500 00:16:32,592 --> 00:16:34,294 (guns click) 501 00:16:37,597 --> 00:16:40,430 ROOM CLEAR. 502 00:16:40,430 --> 00:16:41,471 (man) ROOM CLEAR. 503 00:16:45,405 --> 00:16:46,576 ALL THESE FREAKY DOLLS-- 504 00:16:46,576 --> 00:16:48,438 JUST HOW I PICTURED THIS GUY'S LAIR. 505 00:16:49,679 --> 00:16:51,411 EVER SINCE CHUCKY, 506 00:16:51,411 --> 00:16:53,383 I HAVEN'T BEEN ABLE TO LOOK AT A DOLL. 507 00:16:53,383 --> 00:16:55,515 (man) DETECTIVES! 508 00:16:55,515 --> 00:16:58,588 (clattering) 509 00:17:02,552 --> 00:17:05,625 DID YOU HAVE TO KNOCK DOWN MY DOOR? 510 00:17:05,625 --> 00:17:07,597 MA'AM, WE ANNOUNCED OURSELVES. 511 00:17:07,597 --> 00:17:09,399 I WAS COMING. 512 00:17:09,399 --> 00:17:12,432 I DON'T MOVE AS FAST AS I USED TO. 513 00:17:12,432 --> 00:17:15,335 MA'AM, DO YOU KNOW A JAMIE ISAACSON? 514 00:17:15,335 --> 00:17:19,469 OF COURSE I KNOW A JAMIE ISAACSON. 515 00:17:19,469 --> 00:17:21,541 I'M JAMIE ISAACSON. 516 00:17:23,343 --> 00:17:24,674 Y-- 517 00:17:24,674 --> 00:17:27,577 CANDY? IT'S VERY GOOD. 518 00:17:27,577 --> 00:17:29,349 NO, THANKS. 519 00:17:29,349 --> 00:17:30,680 MRS. ISAACSON, DOES ANYONE ELSE LIVE HERE? 520 00:17:30,680 --> 00:17:33,683 NO, DEARIE, NOBODY ELSE LIVES HERE, 521 00:17:33,683 --> 00:17:37,527 JUST ME AND MY FRIENDS. 522 00:17:37,527 --> 00:17:39,459 (Esposito) DO YOU HAVE ANY FAMILY WHO CHECKS ON YOU, 523 00:17:39,459 --> 00:17:40,730 HEALTH CARE WORKERS? 524 00:17:40,730 --> 00:17:43,633 OTHER MORE, UM, HUMAN FRIENDS? 525 00:17:43,633 --> 00:17:46,566 WELL, MOSTLY, IT'S JUST US. WHY? 526 00:17:46,566 --> 00:17:48,598 DID YOU RECEIVE A PACKAGE IN THE MAIL LAST WEEK, 527 00:17:48,598 --> 00:17:49,669 MRS. ISAACSON? 528 00:17:49,669 --> 00:17:52,572 OH, I RECEIVE PACKAGES ALL THE TIME. 529 00:17:52,572 --> 00:17:56,506 MOLLY AND ABIGAIL ARE NEW ARRIVALS. 530 00:17:56,506 --> 00:17:57,647 AREN'T THEY GORGEOUS? 531 00:17:57,647 --> 00:17:59,379 YES, THEY ARE. 532 00:17:59,379 --> 00:18:00,710 WHAT ABOUT A DELIVERY OF FAIRY-TALE COSTUMES? 533 00:18:00,710 --> 00:18:02,652 FAIRY-TALE COSTUMES? 534 00:18:02,652 --> 00:18:04,454 ACCORDING TO OUR RECORDS, 535 00:18:04,454 --> 00:18:06,556 YOU ORDERED THREE FROM A WEB SITE LAST WEEK. 536 00:18:06,556 --> 00:18:07,757 WELL, THAT'S JUST RIDICULOUS. 537 00:18:07,757 --> 00:18:10,660 WHAT WOULD I DO WITH FAIRY-TALE COSTUMES? 538 00:18:10,660 --> 00:18:12,522 CAN'T IMAGINE. 539 00:18:12,522 --> 00:18:14,664 SO YOU DIDN'T ORDER ANY COSTUMES FROM THE INTERNET? 540 00:18:14,664 --> 00:18:16,496 DO I LOOK LIKE SOMEONE WHO'S IN THE HABIT 541 00:18:16,496 --> 00:18:17,697 OF WASTING MONEY? 542 00:18:17,697 --> 00:18:19,599 I-I'M ON A FIXED INCOME. 543 00:18:19,599 --> 00:18:21,601 WELL, I HAPPENED TO NOTICE THAT YOU DON'T HAVE 544 00:18:21,601 --> 00:18:23,403 A DOORMAN FOR THIS BUILDING. 545 00:18:23,403 --> 00:18:24,734 SO WHERE ARE YOUR PACKAGES LEFT? 546 00:18:24,734 --> 00:18:27,537 BY THE MAILBOX IN THE LOBBY. 547 00:18:27,537 --> 00:18:28,678 MRS. ISAACSON, 548 00:18:28,678 --> 00:18:31,781 DID YOU NOTICE ANY, UH, UNUSUAL CHARGES 549 00:18:31,781 --> 00:18:33,583 ON YOUR CREDIT CARD? 550 00:18:33,583 --> 00:18:35,485 ANYONE HAVE ACCESS TO IT? 551 00:18:35,485 --> 00:18:38,688 WELL, NOT UNLESS THEY'RE DIGGING FOR GOLD. 552 00:18:38,688 --> 00:18:41,451 CAN'T BE TOO SAFE THESE DAYS. 553 00:18:41,451 --> 00:18:43,493 YEAH. 554 00:18:43,493 --> 00:18:45,625 SO U.P.S. CONFIRMS THAT A PACKAGE OF COSTUMES 555 00:18:45,625 --> 00:18:47,427 WAS DROPPED OFF 556 00:18:47,427 --> 00:18:49,599 AT MRS. ISAACSON'S LOBBY, BUT NOBODY SIGNED FOR IT, 557 00:18:49,599 --> 00:18:51,461 PER BUYER'S INSTRUCTIONS. 558 00:18:51,461 --> 00:18:52,702 (Ryan) HERE'S SOME MORE BAD NEWS-- 559 00:18:52,702 --> 00:18:54,704 NO SECURITY CAMERAS INSIDE THE LOBBY OR OUTSIDE. 560 00:18:54,704 --> 00:18:56,436 AND FROM WHAT WE COULD TELL, 561 00:18:56,436 --> 00:18:57,567 THE BUILDING'S NOT TERRIBLY SECURE. 562 00:18:57,567 --> 00:18:58,638 OUR KILLER PROBABLY KNEW THAT. 563 00:18:58,638 --> 00:18:59,809 THAT'S WHY HE USED IT AS A DELIVERY DROP. 564 00:18:59,809 --> 00:19:01,611 WELL, IF HE KNEW THE OLD LADY'S CREDIT CARD NUMBER, 565 00:19:01,611 --> 00:19:02,672 MAYBE HE KNEW HER. 566 00:19:02,672 --> 00:19:04,544 COULD BE. COULD BE HE JUST FOUND 567 00:19:04,544 --> 00:19:05,775 HER CREDIT CARD STATEMENTS IN THE TRASH. 568 00:19:05,775 --> 00:19:07,577 IT'S OLD SCHOOL, BUT IT'S EFFECTIVE. 569 00:19:07,577 --> 00:19:08,718 YOU GUYS, FOR ALL WE KNOW, 570 00:19:08,718 --> 00:19:10,820 HE'S TARGETING SLEEPING BEAUTY AS WE SPEAK. 571 00:19:10,820 --> 00:19:13,523 YO. I GOT SOMETHING. 572 00:19:13,523 --> 00:19:16,486 THAT MISSING HOUR OF KRISTINA'S AT LUNCH TIME LAST FRIDAY? 573 00:19:16,486 --> 00:19:19,589 TECH FOUND A MAP SEARCH ON HER TABLET THAT DAY AT 12:50 P.M.-- 574 00:19:19,589 --> 00:19:20,790 WALKING DIRECTIONS TO GLASSMAN'S CAFE 575 00:19:20,790 --> 00:19:22,532 ON THE UPPER WEST SIDE. 576 00:19:22,532 --> 00:19:23,663 OKAY, GREAT. YOU GUYS GO TO THE CAFE. 577 00:19:23,663 --> 00:19:25,465 SEE IF YOU CAN FIGURE OUT WHO SHE WAS MEETING WITH. 578 00:19:25,465 --> 00:19:26,636 ON IT. 579 00:19:26,636 --> 00:19:28,598 IN THE MEANTIME, I'M GONNA GET AHOLD OF UNIFORMS 580 00:19:28,598 --> 00:19:30,600 AND ASK THEM TO DOUBLE FOOT PATROLS IN PARKS. 581 00:19:30,600 --> 00:19:32,702 ONLY HE'S NOT GONNA STRIKE AT A PARK THIS TIME. 582 00:19:32,702 --> 00:19:34,704 IN THE GRIMM STORIES, RED RIDING HOOD AND SNOW WHITE 583 00:19:34,704 --> 00:19:35,845 WERE FOUND IN THE WOODS, 584 00:19:35,845 --> 00:19:37,707 BUT SLEEPING BEAUTY... 585 00:19:37,707 --> 00:19:39,509 WAS FOUND IN HER BEDROOM. 586 00:19:39,509 --> 00:19:40,710 RIGHT. (receiver clatters) 587 00:19:40,710 --> 00:19:42,712 GREAT. SO THAT NARROWS IT DOWN TO SEVERAL MILLION APARTMENTS, 588 00:19:42,712 --> 00:19:44,584 AND THAT IS JUST IN MANHATTAN. 589 00:19:44,584 --> 00:19:46,786 IT DOESN'T MAKE SENSE. 590 00:19:46,786 --> 00:19:48,658 WHAT DOESN'T MAKE ANY SENSE? 591 00:19:48,658 --> 00:19:49,789 HIS MOTIVE. 592 00:19:49,789 --> 00:19:51,521 ALL SERIAL KILLERS ARE EXPRESSING 593 00:19:51,521 --> 00:19:52,862 SOME PSYCHOLOGICAL IMPULSE. 594 00:19:52,862 --> 00:19:54,664 SOMEWHERE DEEP DOWN, 595 00:19:54,664 --> 00:19:57,627 THERE'S A TWISTED LOGIC TO THEIR INSANITY. 596 00:19:57,627 --> 00:19:59,499 OKAY. KEEP GOING. 597 00:19:59,499 --> 00:20:00,630 IN THE ORIGINAL GRIMM'S TALES, 598 00:20:00,630 --> 00:20:01,831 RED RIDING HOOD, SNOW WHITE, SLEEPING BEAUTY-- 599 00:20:01,831 --> 00:20:03,703 THEY ALL END UP NEAR DEATH, 600 00:20:03,703 --> 00:20:05,805 BUT WERE SAVED AT THE LAST MINUTE. 601 00:20:05,805 --> 00:20:07,677 IT'S LIKE HE'S TRYING 602 00:20:07,677 --> 00:20:09,579 TO TAKE AWAY OUR VICTIMS' HAPPY ENDINGS. 603 00:20:09,579 --> 00:20:11,811 RIGHT. NOT ONLY THAT, BUT HE COULD'VE ORDERED ANY COSTUME, 604 00:20:11,811 --> 00:20:12,882 BUT HE PICKED THESE. 605 00:20:12,882 --> 00:20:14,884 HE TOOK GREAT CARE IN THE DETAILS-- 606 00:20:14,884 --> 00:20:16,816 THE WOLF'S CLAW, THE APPLE. 607 00:20:16,816 --> 00:20:20,520 HE CHOSE THESE CHARACTERS FOR A REASON. 608 00:20:20,520 --> 00:20:21,791 HE CHOSE THESE WOMEN FOR A REASON. 609 00:20:21,791 --> 00:20:23,853 I JUST... HAVEN'T FIGURED IT OUT YET. 610 00:20:23,853 --> 00:20:25,895 WELL, WHATEVER IT IS, IT HAS TO BE CONNECTED 611 00:20:25,895 --> 00:20:28,598 TO THE CASH THAT THEY WITHDREW. 612 00:20:28,598 --> 00:20:30,630 MAYBE HE'S CHOOSING WOMEN WITH HEALTHY BANK ACCOUNTS. 613 00:20:30,630 --> 00:20:31,701 BANK. 614 00:20:31,701 --> 00:20:32,862 SORRY? 615 00:20:32,862 --> 00:20:34,864 KRISTINA AND AMY BOTH WITHDREW THE SAME AMOUNT OF MONEY. 616 00:20:34,864 --> 00:20:37,667 MAYBE OUR SLEEPING BEAUTY DID AS WELL. 617 00:20:37,667 --> 00:20:38,868 THE I.R.S. REQUIRES BANKS 618 00:20:38,868 --> 00:20:40,770 TO REPORT ANY TRANSACTIONS OVER $10,000, 619 00:20:40,770 --> 00:20:42,912 SO THEY WOULD HAVE A RECORD OF IT. EXACTLY. 620 00:20:42,912 --> 00:20:44,714 YEAH, SHE WAS HERE. 621 00:20:44,714 --> 00:20:46,776 IT WAS LAST FRIDAY, DURING THE LUNCH RUSH, 622 00:20:46,776 --> 00:20:48,748 RIGHT AFTER I SPILLED KETCHUP ON MY NEW JEANS. 623 00:20:48,748 --> 00:20:50,850 THEY WERE 70% OFF-- AMAZING SALE. 624 00:20:50,850 --> 00:20:52,822 WAS SHE BY HERSELF? 625 00:20:52,822 --> 00:20:54,654 NO, IT WAS A PARTY OF THREE. 626 00:20:54,654 --> 00:20:56,886 THREE? DO YOU REMEMBER WHO ELSE SHE WAS WITH? 627 00:20:56,886 --> 00:20:58,588 TWO OTHER WOMEN. 628 00:20:58,588 --> 00:21:00,830 I'VE NEVER BEEN QUESTIONED BY COPS BEFORE. 629 00:21:00,830 --> 00:21:01,931 YOU MIND IF I TWEET ABOUT THIS? 630 00:21:01,931 --> 00:21:03,863 UH, YEAH, YES, WE-- WE DO MIND. 631 00:21:04,894 --> 00:21:06,636 THIS ONE OF THE WOMEN? 632 00:21:07,637 --> 00:21:08,668 YEAH. 633 00:21:08,668 --> 00:21:09,939 ARE THEY CRIMINALS OR SOMETHING? 634 00:21:09,939 --> 00:21:12,642 'CAUSE I WAS GETTING MORE OF AN UPPER EAST SIDE VIBE. 635 00:21:12,642 --> 00:21:14,844 NO, BUT THIS THIRD WOMAN MAY BE IN DANGER, 636 00:21:14,844 --> 00:21:17,747 SO WE NEED TO IDENTIFY HER AS SOON AS POSSIBLE. 637 00:21:17,747 --> 00:21:18,848 DO YOU REMEMBER IF SHE MAYBE PAID WITH A CREDIT CARD, 638 00:21:18,848 --> 00:21:19,909 MAYBE YOU CAUGHT HER NAME? 639 00:21:19,909 --> 00:21:21,651 NOPE. THEY PAID CASH. 640 00:21:21,651 --> 00:21:23,813 WAS ANYONE ELSE WITH THEM, A-A MAN? 641 00:21:23,813 --> 00:21:25,585 NO. 642 00:21:25,585 --> 00:21:26,716 DID YOU NOTICE ANYONE WATCHING THEM? 643 00:21:26,716 --> 00:21:27,857 SOME OF THE OTHER CUSTOMERS, 644 00:21:27,857 --> 00:21:29,889 BUT ONLY BECAUSE THEY WERE ARGUING. ABOUT WHAT? 645 00:21:29,889 --> 00:21:31,861 I DON'T KNOW. I KIND OF TRIED TO EAVESDROP, 646 00:21:31,861 --> 00:21:32,962 BUT EVERY TIME I WENT OVER THERE, 647 00:21:32,962 --> 00:21:34,664 THEY GAVE ME THE DEATH STARE. 648 00:21:34,664 --> 00:21:35,725 WHATEVER THEY WERE TALKING ABOUT, 649 00:21:35,725 --> 00:21:37,767 THEY DIDN'T WANT ME TO HEAR. 650 00:21:37,767 --> 00:21:38,928 OKAY, SO THE I.R.S. SEARCH 651 00:21:38,928 --> 00:21:40,870 REVEALS TEN DIFFERENT CASH TRANSACTIONS 652 00:21:40,870 --> 00:21:43,803 BETWEEN $50,000 AND $60,000 FOR THAT DAY. (beeping) 653 00:21:43,803 --> 00:21:46,806 TWO BELONG TO OUR RED RIDING HOOD AND SNOW WHITE. 654 00:21:46,806 --> 00:21:48,908 THAT LEAVES US EIGHT. 655 00:21:48,908 --> 00:21:51,611 FIVE OF THEM WERE MADE BY MALES, 656 00:21:51,611 --> 00:21:52,812 LEAVING... 657 00:21:52,812 --> 00:21:54,814 (beeps) THREE WOMEN. 658 00:21:54,814 --> 00:21:55,915 JESSICA HARPER, CHARLOTTE BOYD, 659 00:21:55,915 --> 00:21:57,887 AND DANA WILSON. 660 00:21:57,887 --> 00:21:58,948 WELL, HARPER AND WILSON ARE IN THEIR 50s. 661 00:21:58,948 --> 00:22:00,650 THEY DON'T FIT THE PROFILE. 662 00:22:00,650 --> 00:22:01,851 WHICH LEAVES US... (clicks keyboard key) 663 00:22:01,851 --> 00:22:03,693 (beep) CHARLOTTE BOYD. 664 00:22:03,693 --> 00:22:04,824 (telephone rings) 665 00:22:04,824 --> 00:22:05,895 BECKETT. 666 00:22:05,895 --> 00:22:06,996 (Ryan) Hey, we were able to confirm 667 00:22:06,996 --> 00:22:08,758 that Kristina was here with Amy Morgan 668 00:22:08,758 --> 00:22:09,929 AND A THIRD WOMAN LAST FRIDAY. 669 00:22:09,929 --> 00:22:11,931 We think she might be our killer's third target. 670 00:22:11,931 --> 00:22:13,002 We didn't get an I.D., 671 00:22:13,002 --> 00:22:14,804 but we did get a pretty good description. 672 00:22:14,804 --> 00:22:17,737 LET ME GUESS--IN HER 20s, BROWN HAIR, BROWN EYES, 673 00:22:17,737 --> 00:22:19,769 exotic looking. YEAH. HOW'D YOU KNOW? 674 00:22:19,769 --> 00:22:20,840 CHARLOTTE ISN'T ANSWERING. 675 00:22:20,840 --> 00:22:21,911 HER NAME'S CHARLOTTE BOYD. 676 00:22:21,911 --> 00:22:22,972 RYAN, I'M GONNA TEXT YOU HER ADDRESS. 677 00:22:22,972 --> 00:22:24,744 JUST MEET US OVER THERE. 678 00:22:37,727 --> 00:22:38,788 (thumps door) 679 00:22:38,788 --> 00:22:39,859 (clicks) 680 00:22:39,859 --> 00:22:41,661 (hinge squeaks) 681 00:23:07,887 --> 00:23:09,889 BECKETT! 682 00:23:09,889 --> 00:23:11,060 CASTLE? 683 00:23:15,995 --> 00:23:17,967 CALL AN AMBULANCE. SHE'S STILL ALIVE. 684 00:23:17,967 --> 00:23:19,969 (exhales) 685 00:23:26,776 --> 00:23:27,837 OKAY, YEAH. 686 00:23:27,837 --> 00:23:29,038 JUST KEEP ME POSTED ON HER STATUS. THANKS. 687 00:23:29,038 --> 00:23:30,780 (beeps) SO THAT WAS THE E.R. 688 00:23:30,780 --> 00:23:33,012 CHARLOTTE IS STABLE BUT STILL UNCONSCIOUS. 689 00:23:33,012 --> 00:23:34,844 KETAMINE AND OXYCODONE? 690 00:23:34,844 --> 00:23:35,985 YEAH, AND WITH THAT TREATMENT, HER HEART COULD'VE STOPPED. 691 00:23:35,985 --> 00:23:37,116 THE DOCTOR SAID WE GOT THERE JUST IN TIME. 692 00:23:37,116 --> 00:23:39,018 JUST LIKE IN THE FAIRY TALE. 693 00:23:39,018 --> 00:23:40,950 SO, WHAT, YOU'RE PRINCE CHARMING NOW? 694 00:23:40,950 --> 00:23:42,091 WELL, IF THE SHOE FITS... 695 00:23:42,091 --> 00:23:43,753 NAH. 696 00:23:43,753 --> 00:23:45,825 I'M JUST GLAD WE HAD A HAPPY ENDING. 697 00:23:45,825 --> 00:23:47,757 WELL, IT WON'T BE A HAPPY ENDING UNTIL EVIL IS VANQUISHED 698 00:23:47,757 --> 00:23:48,998 AND LOCKED IN THE DUNGEON. 699 00:23:48,998 --> 00:23:50,059 WE'RE CLOSING IN ON HIM. 700 00:23:50,059 --> 00:23:51,901 YEAH, BUT HE'S STILL A STEP AHEAD. 701 00:23:51,901 --> 00:23:54,834 I'M HOPING THAT HE LEFT SOME KIND OF EVIDENCE BEHIND. 702 00:23:54,834 --> 00:23:55,905 YO. 703 00:23:55,905 --> 00:23:57,036 WE'VE DONE A FULL SWEEP. 704 00:23:57,036 --> 00:23:58,908 NO SIGN OF THE $50,605. 705 00:23:58,908 --> 00:24:00,910 A LUXURY CONDO AND THAT MUCH MONEY-- 706 00:24:00,910 --> 00:24:02,842 WHAT DOES THIS GIRL DO FOR A LIVING? 707 00:24:02,842 --> 00:24:03,913 SHE WORKED FOR A REAL ESTATE FIRM 708 00:24:03,913 --> 00:24:05,074 AS A HIGH-END BROKER. 709 00:24:05,074 --> 00:24:06,876 IF YOU DIDN'T HAVE $10 MIL TO PLUNK DOWN ON AN APARTMENT, 710 00:24:06,876 --> 00:24:07,977 SHE WASN'T YOUR GIRL. 711 00:24:07,977 --> 00:24:09,979 OKAY, SO WE GOT THREE WOMEN, 712 00:24:09,979 --> 00:24:11,851 ALL IN THEIR 20s, ALL SUCCESSFUL, 713 00:24:11,851 --> 00:24:13,853 ALL HAVE A SECRET MEETING LAST FRIDAY 714 00:24:13,853 --> 00:24:17,126 AND THEN PULL THE EXACT SAME AMOUNT OF CASH OUT OF THE BANK. 715 00:24:17,126 --> 00:24:19,128 MAYBE THEY WERE GOING IN ON SOMETHING, POOLING THEIR MONEY. 716 00:24:19,128 --> 00:24:21,030 I THINK WE CAN SAFELY RULE OUT LOTTO TICKETS. 717 00:24:21,030 --> 00:24:22,832 NO, THERE'S GOTTA BE SOMETHING THAT WE'RE MISSING. 718 00:24:22,832 --> 00:24:24,163 THERE'S SOMETHING THAT LINKS THE THREE OF THEM TOGETHER. 719 00:24:24,163 --> 00:24:25,935 (Ryan) HEY, GUYS. LOOK AT THIS. 720 00:24:25,935 --> 00:24:28,067 I FOUND IT AT THE BOTTOM OF ONE OF CHARLOTTE'S DRAWERS. 721 00:24:28,067 --> 00:24:30,139 WE GOT OUR CONNECTION. 722 00:24:30,139 --> 00:24:33,102 (Beckett) AMY, CHARLOTTE, AND KRISTINA-- 723 00:24:33,102 --> 00:24:34,143 OUR THREE VICTIMS. 724 00:24:34,143 --> 00:24:36,005 ALL DRESSED AS FAIRY-TALE CHARACTERS. 725 00:24:36,005 --> 00:24:37,106 YEAH, DRESSED AS THE SAME CHARACTERS 726 00:24:37,106 --> 00:24:38,878 THAT OUR KILLER DRESSED THEM AS. 727 00:24:38,878 --> 00:24:41,110 CHECK OUT THE DATE. 728 00:24:41,110 --> 00:24:43,012 "05/06/05." 729 00:24:43,012 --> 00:24:45,084 THAT'S SEVEN YEARS AGO. 730 00:24:45,084 --> 00:24:46,956 YEAH, IT'S ALSO THE AMOUNT OF MONEY THEY WITHDREW. 731 00:24:46,956 --> 00:24:48,988 YEAH, 50,605 BUCKS. 732 00:24:48,988 --> 00:24:52,021 YEAH, AND, UH, CHECK OUT THE BACK. 733 00:24:52,021 --> 00:24:54,063 "WHO'S THE GUILTIEST OF THEM ALL? 734 00:24:54,063 --> 00:24:56,966 IF YOU PAY, YOU'LL LIVE TO SEE ANOTHER DAY." 735 00:24:56,966 --> 00:24:58,097 THEY WERE BEING BLACKMAILED? 736 00:24:58,097 --> 00:25:00,099 OKAY, SO SOMETHING HAPPENED ON THAT DATE 737 00:25:00,099 --> 00:25:01,170 THAT CONNECTS THEM ALL. 738 00:25:01,170 --> 00:25:03,172 SOMETHING THAT LED TO THEIR MURDERS. 739 00:25:03,172 --> 00:25:05,104 SO WHO'S THE GUY TAKING THE PHOTO? 740 00:25:05,104 --> 00:25:07,006 (Beckett) MAYBE HE CAN TELL US WHAT HAPPENED. 741 00:25:07,006 --> 00:25:09,078 C.S.U. ONLY FOUND ONE SET OF PRINTS ON THE PHOTO-- 742 00:25:09,078 --> 00:25:11,010 CHARLOTTE'S-- BUT THEY WERE ABLE TO DETERMINE 743 00:25:11,010 --> 00:25:13,012 THAT IT WAS DEVELOPED WITHIN THE LAST TWO WEEKS. 744 00:25:13,012 --> 00:25:14,844 HOW CAN THEY DO THAT? 745 00:25:14,844 --> 00:25:15,915 WELL, IT'S MACHINE PROCESSED, 746 00:25:15,915 --> 00:25:17,116 LIKE, YOU KNOW, FROM A DRUG STORE? 747 00:25:17,116 --> 00:25:19,188 AND THERE'S A CONTROL CODE AUTO PRINTED ON THE BACK. 748 00:25:19,188 --> 00:25:21,050 CAN WE USE THE CODE TO FIGURE OUT WHERE IT WAS PROCESSED? 749 00:25:21,050 --> 00:25:22,992 YEAH, ALREADY ON IT. (sighs) 750 00:25:22,992 --> 00:25:24,994 HOPEFULLY, THAT'LL GET US WHO ORDERED THE PRINTS. 751 00:25:24,994 --> 00:25:26,896 THIS PHOTO WAS TAKEN SEVEN YEARS AGO. 752 00:25:26,896 --> 00:25:28,998 WHY IS IT SURFACING NOW? 753 00:25:28,998 --> 00:25:30,199 YO. YOU WERE RIGHT ABOUT THE DATE. 754 00:25:30,199 --> 00:25:31,901 SOMETHING DID HAPPEN THAT NIGHT. 755 00:25:31,901 --> 00:25:33,032 THERE'S EVEN A POLICE REPORT. 756 00:25:33,032 --> 00:25:35,034 I DON'T SUPPOSE THE REPORT I.D.s OUR PRINCE CHARMING. 757 00:25:35,034 --> 00:25:36,936 SURE DOES. HIS NAME'S OWEN THOMAS. 758 00:25:36,936 --> 00:25:38,908 BUT HE CAN'T BE OUR SUSPECT. 759 00:25:38,908 --> 00:25:40,069 HE'S DEAD. 760 00:25:40,069 --> 00:25:43,072 HE WAS KILLED 7 YEARS AGO-- MAY 6, 2005. 761 00:25:43,072 --> 00:25:44,143 5/06/05. 762 00:25:44,143 --> 00:25:45,975 THE NIGHT THAT THE PHOTO WAS TAKEN. 763 00:25:45,975 --> 00:25:47,877 IT'S ALSO THE SAME NIGHT THAT OWEN ATTENDED 764 00:25:47,877 --> 00:25:49,148 AN UNDERGROUND RAVE, FAIRY-TALE THEMED. 765 00:25:49,148 --> 00:25:51,150 HE WAS LAST SEEN ALIVE AT 10:45. 766 00:25:51,150 --> 00:25:54,153 BUT THIS PICTURE WAS TAKEN AT 11:23. 767 00:25:54,153 --> 00:25:55,955 HOW DID HE DIE? 768 00:25:55,955 --> 00:25:58,057 INTERNAL BLEEDING COMPLICATED WITH HIGH DOSES 769 00:25:58,057 --> 00:25:59,188 OF KETAMINE AND OXYCODONE. 770 00:25:59,188 --> 00:26:00,960 THAT EXPLAINS OUR KILLER'S M.O. 771 00:26:00,960 --> 00:26:02,261 OKAY, SO HE'S HIGH ON CLUB DRUGS, 772 00:26:02,261 --> 00:26:04,093 BUT WHAT CAUSED THE INTERNAL BLEEDING? 773 00:26:04,093 --> 00:26:05,164 A CAR. 774 00:26:05,164 --> 00:26:06,265 HIS BODY WAS FOUND ON THE SIDE OF THE ROAD. 775 00:26:06,265 --> 00:26:07,997 M.E. WROTE IT UP AS A HIT AND RUN. 776 00:26:07,997 --> 00:26:09,939 THERE WERE NO WITNESSES, 777 00:26:09,939 --> 00:26:11,270 SO THE TRAIL WENT COLD, THEY NEVER SOLVED THE CASE. 778 00:26:11,270 --> 00:26:13,242 (snaps fingers) IT'S "I KNOW WHAT YOU DID LAST SUMMER." 779 00:26:13,242 --> 00:26:14,904 "WHO'S THE GUILTIEST OF THEM ALL?" 780 00:26:14,904 --> 00:26:16,075 THE KILLER THINKS THAT ONE OF THESE WOMEN 781 00:26:16,075 --> 00:26:17,206 IS RESPONSIBLE FOR HIS DEATH. 782 00:26:17,206 --> 00:26:19,008 MAYBE THEY ARE. 783 00:26:19,008 --> 00:26:20,950 THIS PHOTO PROVES THAT THEY WERE THE LAST ONES TO SEE HIM ALIVE, 784 00:26:20,950 --> 00:26:22,912 YET NONE OF THEM GAVE STATEMENTS TO THE COPS. 785 00:26:22,912 --> 00:26:24,113 BUT WHY ARE THE MURDERS HAPPENING NOW, 786 00:26:24,113 --> 00:26:26,015 SEVEN YEARS LATER? WELL, MAYBE AFTER ALL THESE YEARS, 787 00:26:26,015 --> 00:26:27,957 SOMEONE FOUND THIS PHOTO. 788 00:26:27,957 --> 00:26:30,059 ESPOSITO, CAN YOU LOOK INTO OWEN'S FAMILY AND FRIENDS? 789 00:26:30,059 --> 00:26:32,121 SOMEONE MIGHT BE TRYING TO GET PAYBACK FOR HIS DEATH. 790 00:26:32,121 --> 00:26:33,192 (cell phone rings) YOU GOT IT. 791 00:26:33,192 --> 00:26:34,263 (beeps) BECKETT. 792 00:26:34,263 --> 00:26:36,025 YEAH. WE'LL BE RIGHT THERE. (beep) 793 00:26:36,025 --> 00:26:38,067 SLEEPING BEAUTY JUST WOKE UP. 794 00:26:38,067 --> 00:26:39,128 (knock on door) 795 00:26:39,128 --> 00:26:40,930 CHARLOTTE? 796 00:26:40,930 --> 00:26:44,003 I'M DETECTIVE BECKETT. THIS IS MR. CASTLE. 797 00:26:44,003 --> 00:26:48,107 DO YOU FEEL WELL ENOUGH TO ANSWER A FEW QUESTIONS? 798 00:26:48,107 --> 00:26:49,278 (exhales) 799 00:26:49,278 --> 00:26:50,940 YEAH. 800 00:26:50,940 --> 00:26:52,281 (clears throat) 801 00:26:52,281 --> 00:26:54,213 WHAT CAN YOU TELL US ABOUT THE ATTACK? 802 00:26:54,213 --> 00:26:55,284 (door closes) 803 00:26:55,284 --> 00:26:57,216 I WAS AT MY COMPUTER, 804 00:26:57,216 --> 00:26:59,088 JUST LISTENING TO MUSIC, 805 00:26:59,088 --> 00:27:01,190 AND... THE NEXT THING YOU KNOW, 806 00:27:01,190 --> 00:27:03,122 I'M BEING PUSHED TO THE FLOOR. 807 00:27:03,122 --> 00:27:05,024 DID YOU SEE WHO DID IT? 808 00:27:05,024 --> 00:27:06,225 NO. 809 00:27:06,225 --> 00:27:09,158 THEY'RE SAYING--THEY'RE SAYING I WAS DRUGGED. 810 00:27:09,158 --> 00:27:12,231 WHY WOULD SOMEONE DO THIS TO ME? 811 00:27:12,231 --> 00:27:14,303 CHARLOTTE, I THINK YOU KNOW WHY. 812 00:27:14,303 --> 00:27:19,969 ALL THREE OF YOU RECEIVED A COPY OF THIS PHOTO. 813 00:27:19,969 --> 00:27:23,172 AMY AND KRISTINA WEREN'T AS LUCKY AS YOU. 814 00:27:23,172 --> 00:27:25,114 THEY DIDN'T MAKE IT. 815 00:27:26,315 --> 00:27:28,147 (crying) OH, MY GOD. 816 00:27:28,147 --> 00:27:31,320 BUT WE DID WHAT HE ASKED. WE PAID HIM. 817 00:27:31,320 --> 00:27:33,352 WHAT DOES HE HAVE ON YOU? 818 00:27:33,352 --> 00:27:35,354 WHAT HAPPENED TO OWEN THAT NIGHT? 819 00:27:41,290 --> 00:27:42,361 CHARLOTTE? 820 00:27:44,333 --> 00:27:47,296 IT WAS JUST SOME STUPID... 821 00:27:47,296 --> 00:27:49,999 FAIRY-TALE RAVE. 822 00:27:49,999 --> 00:27:54,043 UM, WE WERE JUST LOOKING TO DANCE AND... HAVE FUN. 823 00:27:54,043 --> 00:27:56,175 AND OWEN HAD SCORED SOME "SPECIAL K." 824 00:27:56,175 --> 00:27:58,247 THAT HIT IS PRETTY HARD, 825 00:27:58,247 --> 00:28:00,179 BUT KRISTINA HAD SOME OF HER MOM'S OXY 826 00:28:00,179 --> 00:28:02,281 AND SAID IT WOULD EVEN US OUT. 827 00:28:02,281 --> 00:28:04,183 SOMEHOW WE ENDED UP IN AMY'S CAR, 828 00:28:04,183 --> 00:28:07,286 AND THAT'S WHERE THIS PICTURE WAS TAKEN. 829 00:28:09,018 --> 00:28:11,220 HOW DID OWEN END UP ON THE SIDE OF THE ROAD? 830 00:28:11,220 --> 00:28:14,023 HE WAS HAVING SOME SERIOUSLY BAD HALLUCINATIONS, 831 00:28:14,023 --> 00:28:15,324 JUST... 832 00:28:15,324 --> 00:28:18,167 SCREAMING AND--AND GRABBING US. 833 00:28:18,167 --> 00:28:21,030 SO WE PULLED THE CAR OVER, AND WE MADE HIM GET OUT. 834 00:28:21,030 --> 00:28:24,103 WE JUST FIGURED, HE'D WALK BACK TO THE RAVE. 835 00:28:24,103 --> 00:28:26,105 BUT IT WAS ALL OVER THE NEWS THE NEXT MORNING 836 00:28:26,105 --> 00:28:28,307 THAT... THAT THERE HAD BEEN A HIT AND RUN 837 00:28:28,307 --> 00:28:29,408 AND THAT HE'D BEEN KILLED. 838 00:28:29,408 --> 00:28:32,311 AND WHY DIDN'T YOU COME FORWARD? 839 00:28:32,311 --> 00:28:35,184 OH, WE WERE JUST KIDS THEN. 840 00:28:35,184 --> 00:28:39,218 WE WERE SCARED OUT OF OUR MINDS. YOU-- 841 00:28:39,218 --> 00:28:42,291 YOU HAVE TO UNDERSTAND, WE HAD A LOT TO LOSE. 842 00:28:42,291 --> 00:28:45,124 WE CAME FROM GOOD FAMILIES, WE'D BEEN ACCEPTED INTO COLLEGE, 843 00:28:45,124 --> 00:28:47,396 WE... WE MADE A PACT 844 00:28:47,396 --> 00:28:49,198 AND WE SAID, WE-- 845 00:28:49,198 --> 00:28:52,231 WE WOULDN'T TELL ANYONE WHAT HAPPENED THAT NIGHT... 846 00:28:52,231 --> 00:28:57,066 AND THAT WE'D NEVER SEE EACH OTHER AGAIN. 847 00:28:57,066 --> 00:28:59,068 LOOK, I'M NOT EXCUSING HOW WE HANDLED IT. 848 00:28:59,068 --> 00:29:01,140 WE WERE... STUPID, 849 00:29:01,140 --> 00:29:04,373 BUT... WE DIDN'T DO ANYTHING. 850 00:29:04,373 --> 00:29:06,315 WELL, SOMEONE THINKS YOU DID. 851 00:29:08,147 --> 00:29:09,348 WHAT DID YOU DO WITH THE MONEY? 852 00:29:11,120 --> 00:29:14,083 THE NOTE SAID TO PUT IT IN A DUMPSTER 853 00:29:14,083 --> 00:29:16,285 AT BLEECKER AND THOMPSON. 854 00:29:16,285 --> 00:29:18,287 WE DIDN'T WANT SOME SCANDAL MESSING UP OUR LIVES, 855 00:29:18,287 --> 00:29:20,089 SO WE DID IT. 856 00:29:20,089 --> 00:29:23,262 (voice breaking) WE PAID. 857 00:29:23,262 --> 00:29:25,464 SO WHY DID HE COME AFTER US? 858 00:29:28,167 --> 00:29:31,100 OKAY, THE CORNER OF BLEECKER AND THOMPSON-- 859 00:29:31,100 --> 00:29:34,143 THERE ARE NO SECURITY CAMERAS AT THE DROP SITE, 860 00:29:34,143 --> 00:29:36,105 AND SO FAR, NO WITNESSES. 861 00:29:36,105 --> 00:29:37,206 HE COVERED HIS BASES. 862 00:29:37,206 --> 00:29:39,308 I KNOW. IT'S REALLY STARTING TO PISS ME OFF. 863 00:29:39,308 --> 00:29:42,111 YEAH, AND YOU GET CUTE WHEN YOU GET ANGRY. 864 00:29:42,111 --> 00:29:43,412 BUT NOT WHEN YOU GET ANGRY WITH ME. 865 00:29:43,412 --> 00:29:45,114 YO. 866 00:29:45,114 --> 00:29:46,385 SO I TOOK A LOOK AT OWEN'S FAMILY. 867 00:29:46,385 --> 00:29:48,257 I THINK I FOUND SOMEONE WITH MOTIVE. 868 00:29:48,257 --> 00:29:49,388 TURNS OUT HE HAS AN OLDER BROTHER, 869 00:29:49,388 --> 00:29:50,459 AND APPARENTLY, THEY WERE CLOSE. 870 00:29:50,459 --> 00:29:52,261 ANY CONNECTION TO OUR VICTIMS? 871 00:29:52,261 --> 00:29:53,322 OH, YEAH. 872 00:29:53,322 --> 00:29:55,394 SEE FOR YOURSELF. 873 00:29:55,394 --> 00:29:59,198 WAIT. THAT'S LESLIE'S HUSBAND DARREN. 874 00:29:59,198 --> 00:30:01,270 SO OWEN'S BROTHER IS MARRIED TO OUR FIRST VICTIM'S SISTER? 875 00:30:01,270 --> 00:30:02,401 WHAT ARE THE ODDS, RIGHT? 876 00:30:02,401 --> 00:30:04,403 MAYBE DARREN SOMEHOW FOUND OUT THAT HIS WIFE'S SISTER 877 00:30:04,403 --> 00:30:06,505 WAS RESPONSIBLE FOR HIS BROTHER OWEN'S DEATH. 878 00:30:06,505 --> 00:30:08,377 WELL, MAYBE THE FAMILIES JUST KNEW EACH OTHER SOCIALLY. 879 00:30:08,377 --> 00:30:10,209 IT DOESN'T MEAN THAT DARREN'S OUR KILLER. 880 00:30:10,209 --> 00:30:11,410 OH, THAT DOESN'T, BUT THIS MIGHT. 881 00:30:11,410 --> 00:30:13,442 C.S.U. TRACKED DOWN WHERE THE PHOTO WAS PROCESSED. 882 00:30:13,442 --> 00:30:15,244 IT'S FROM A ROLL OF FILM, 883 00:30:15,244 --> 00:30:17,316 AND THE GUY WHO DROPPED IT OFF HAD THREE COPIES MADE. 884 00:30:17,316 --> 00:30:19,348 AND DOES THE GUY'S DESCRIPTION MATCH DARREN'S? 885 00:30:19,348 --> 00:30:21,420 EVEN BETTER. THEY HAD SECURITY CAMERAS. 886 00:30:21,420 --> 00:30:23,492 (rustles) 887 00:30:23,492 --> 00:30:25,494 (Beckett) IT'S HIM. 888 00:30:30,329 --> 00:30:32,161 I GOT HERE AS FAST AS I COULD. SO IS THERE ANY NEWS? 889 00:30:32,161 --> 00:30:34,303 DID YOU FIND OUT WHO DID THIS TO MY SISTER? 890 00:30:35,404 --> 00:30:38,067 UH, FIRST LET ME ASK, 891 00:30:38,067 --> 00:30:40,339 WHAT WAS AMY'S RELATIONSHIP WITH YOUR HUSBAND'S BROTHER-- 892 00:30:40,339 --> 00:30:42,141 OWEN? 893 00:30:42,141 --> 00:30:44,073 THEY WERE HIGH SCHOOL FRIENDS. 894 00:30:44,073 --> 00:30:46,045 WE ALL WERE. 895 00:30:46,045 --> 00:30:48,177 WHAT DOES THIS HAVE TO DO WITH AMY? 896 00:30:48,177 --> 00:30:50,149 OWEN DIED YEARS AGO. 897 00:30:50,149 --> 00:30:52,051 YOU EVER SEE THIS BEFORE? 898 00:30:54,053 --> 00:30:56,055 NO. 899 00:30:57,186 --> 00:30:58,257 (sighs) 900 00:30:58,257 --> 00:30:59,428 THAT'S AMY, 901 00:30:59,428 --> 00:31:01,430 AND THAT'S OWEN. 902 00:31:01,430 --> 00:31:03,292 THESE TWO I DON'T KNOW. 903 00:31:03,292 --> 00:31:06,135 IT'S FROM THE NIGHT THAT HE WAS KILLED. 904 00:31:06,135 --> 00:31:08,267 OKAY. 905 00:31:08,267 --> 00:31:12,101 YOUR HUSBAND DARREN HAD IT PRINTED UP TWO WEEKS AGO. 906 00:31:12,101 --> 00:31:13,302 DO YOU HAVE ANY IDEA HOW HE GOT IT? 907 00:31:13,302 --> 00:31:15,304 LAST MONTH, 908 00:31:15,304 --> 00:31:17,276 WE WERE CLEANING OUT MY DAD'S ATTIC 909 00:31:17,276 --> 00:31:21,080 AND FOUND A CAMERA WITH A ROLL OF FILM INSIDE. 910 00:31:22,381 --> 00:31:26,415 DARREN THOUGHT IT WOULD BE FUN TO SEE WHAT WAS ON IT. 911 00:31:26,415 --> 00:31:31,090 YOU--YOU DON'T THINK HE HAD ANYTHING TO DO WITH AMY... 912 00:31:32,361 --> 00:31:34,093 DO YOU? 913 00:31:34,093 --> 00:31:35,424 (Darren) I DON'T KNOW WHAT YOU GUYS ARE TALKING ABOUT. 914 00:31:35,424 --> 00:31:37,226 I DIDN'T BLACKMAIL ANYBODY. 915 00:31:37,226 --> 00:31:41,100 ALL RIGHT, SO THEN YOU DON'T RECOGNIZE THIS PHOTO? 916 00:31:41,100 --> 00:31:43,132 ABSOLUTELY NOT. 917 00:31:43,132 --> 00:31:44,333 AND THEN... 918 00:31:44,333 --> 00:31:46,305 THIS ISN'T YOU, IS IT, DARREN? 919 00:31:48,377 --> 00:31:51,440 (Castle) I CAN ONLY IMAGINE HOW YOU MUST HAVE FELT. 920 00:31:51,440 --> 00:31:54,483 AFTER ALL THESE YEARS, REALIZING YOUR OWN SISTER-IN-LAW 921 00:31:54,483 --> 00:31:56,445 MIGHT BE INVOLVED IN YOUR BROTHER'S DEATH. 922 00:31:56,445 --> 00:31:59,188 WE FOUND THE CASH IN YOUR STORAGE LOCKER IN QUEENS-- 923 00:31:59,188 --> 00:32:02,351 $151,815. 924 00:32:02,351 --> 00:32:05,124 WHICH, BY WILD COINCIDENCE, 925 00:32:05,124 --> 00:32:08,357 IS EXACTLY $50,605 TIMES 3. 926 00:32:09,498 --> 00:32:12,131 (exhales) 927 00:32:12,131 --> 00:32:13,462 OWEN WAS HIGH. 928 00:32:13,462 --> 00:32:15,304 HE WAS MESSED UP. 929 00:32:15,304 --> 00:32:16,505 THEY KNEW THAT, AND WHAT DID THEY DO? 930 00:32:16,505 --> 00:32:18,507 THEY LEFT HIM THERE. 931 00:32:18,507 --> 00:32:21,270 THEY LEFT HIM, AND HE DIED LIKE ROAD KILL. 932 00:32:21,270 --> 00:32:22,411 YOU COULD'VE GONE TO THE POLICE. 933 00:32:22,411 --> 00:32:24,443 BECAUSE THEY DID SUCH A BANG-UP JOB 934 00:32:24,443 --> 00:32:26,245 THE FIRST TIME AROUND? 935 00:32:26,245 --> 00:32:27,476 I JUST WANTED THEM TO PAY 936 00:32:27,476 --> 00:32:29,478 SOMETHING FOR WHAT THEY DID. 937 00:32:29,478 --> 00:32:31,420 I WAS EVEN GONNA USE THE MONEY 938 00:32:31,420 --> 00:32:33,382 TO SET UP A SCHOLARSHIP FUND IN OWEN'S NAME. 939 00:32:33,382 --> 00:32:35,524 (Beckett laughs) REALLY, A SCHOLARSHIP FUND? 940 00:32:35,524 --> 00:32:37,526 AND WHAT'S YOUR SPIN ON MURDER? 941 00:32:37,526 --> 00:32:39,428 (Castle) THE MONEY WASN'T ENOUGH. 942 00:32:39,428 --> 00:32:41,260 YOU WANTED REVENGE. 943 00:32:41,260 --> 00:32:43,492 YOU WANTED THEM TO DIE LIKE YOUR BROTHER, 944 00:32:43,492 --> 00:32:45,334 DRESSED IN FAIRY-TALE COSTUMES, 945 00:32:45,334 --> 00:32:47,436 O.D.'ing ON THE SAME DRUGS HE DID. 946 00:32:47,436 --> 00:32:50,339 WHAT? NO. 947 00:32:50,339 --> 00:32:53,242 I DON'T KNOW WHO KILLED THEM, BUT IT WASN'T ME. 948 00:32:53,242 --> 00:32:54,473 THAT'S GONNA BE TOUGH TO BELIEVE, DARREN. 949 00:32:54,473 --> 00:32:57,276 YOU HAD MOTIVE, YOU BLAMED THEM FOR OWEN'S DEATH, 950 00:32:57,276 --> 00:33:00,179 AND YOU JUST ADMITTED TO BLACKMAILING THEM. 951 00:33:03,412 --> 00:33:05,354 I WANT A LAWYER. 952 00:33:08,417 --> 00:33:10,319 OF COURSE YOU DO. 953 00:33:11,490 --> 00:33:14,293 DARREN DOESN'T NEED A LAWYER. 954 00:33:14,293 --> 00:33:16,395 HE NEEDS A MIRACLE. 955 00:33:16,395 --> 00:33:18,497 HIS WIFE TOLD RYAN THAT 956 00:33:18,497 --> 00:33:21,470 HE WASN'T AT THE HOUSE WHEN THE MURDERS WERE COMMITTED. 957 00:33:21,470 --> 00:33:23,302 SO THAT'S IT THEN. 958 00:33:23,302 --> 00:33:25,274 YEAH, FOR THIS CASE. 959 00:33:25,274 --> 00:33:29,238 WE DID EVERYTHING BUT TIE A BOW ON IT FOR THE D.A. 960 00:33:29,238 --> 00:33:30,439 (Ryan) RIGHT THIS WAY, MS. MORGAN. 961 00:33:30,439 --> 00:33:33,582 (indistinct conversations) 962 00:33:36,585 --> 00:33:39,388 IS IT TRUE, DARREN? 963 00:33:39,388 --> 00:33:40,549 (voice breaking) IS IT TRUE? 964 00:33:40,549 --> 00:33:42,551 LOOK ME IN THE EYES AND TELL ME IT'S NOT TRUE! 965 00:33:42,551 --> 00:33:44,293 NO, BABE. I DIDN'T HURT ANYONE. 966 00:33:44,293 --> 00:33:46,225 YOU BLACKMAILED MY SISTER! 967 00:33:46,225 --> 00:33:48,327 YOU LIED TO ME. YOU-- NO, L-LISTEN. 968 00:33:48,327 --> 00:33:50,429 I'M TELLING YOU THE TRUTH, OKAY? I DIDN'T KILL ANYONE. 969 00:33:50,429 --> 00:33:51,560 I JUST WANTED THEM TO PAY. 970 00:33:51,560 --> 00:33:53,362 WHO WOULD DO IT THEN? YOU HAD THE PICTURE. 971 00:33:53,362 --> 00:33:55,264 NO, NO! BABE, I SWEAR-- OH, MY GOD. IT WAS YOU! 972 00:33:55,264 --> 00:33:57,406 I SWEAR. I SWEAR. BABE-- YOU KNOW WHAT? YOU NEED TO GET AWAY FROM ME... 973 00:33:57,406 --> 00:33:58,467 BABE-- RIGHT NOW! 974 00:33:58,467 --> 00:34:00,269 LISTEN. YOU'VE JUST GOTTA STAY... 975 00:34:00,269 --> 00:34:01,470 LES-- AWAY. 976 00:34:01,470 --> 00:34:03,442 (cries) 977 00:34:06,515 --> 00:34:08,617 MURDER DOES MORE DAMAGE TO THE LIVING THAN TO THE DEAD. 978 00:34:08,617 --> 00:34:11,520 YEAH, ALL BECAUSE OF A TERRIBLE SECRET. 979 00:34:11,520 --> 00:34:13,352 WELL, SECRETS ARE LIKE TIME BOMBS. 980 00:34:13,352 --> 00:34:14,483 YEAH, EVENTUALLY, THEY... 981 00:34:14,483 --> 00:34:16,255 EXPLODE. 982 00:34:16,255 --> 00:34:17,556 (indistinct conversations) 983 00:34:17,556 --> 00:34:19,428 YOU KNOW, CASTLE, 984 00:34:19,428 --> 00:34:20,629 I'M NOT SAYING THAT I CONDONE WHAT DARREN DID, 985 00:34:20,629 --> 00:34:22,361 BUT I DO UNDERSTAND IT. 986 00:34:22,361 --> 00:34:25,534 YEAH. NO, I UNDERSTAND WANTING REVENGE. 987 00:34:25,534 --> 00:34:27,596 THE WAY HE WENT ABOUT IT DOESN'T ADD UP, THOUGH. 988 00:34:27,596 --> 00:34:29,268 WHAT DO YOU MEAN? 989 00:34:29,268 --> 00:34:30,469 WELL, BLACKMAIL 990 00:34:30,469 --> 00:34:32,401 IS REVENGE FROM A DISTANCE. 991 00:34:32,401 --> 00:34:33,642 MURDER IS UP CLOSE AND PERSONAL. 992 00:34:33,642 --> 00:34:35,574 IT DOESN'T MAKE SENSE HE WOULD DO BOTH. 993 00:34:35,574 --> 00:34:37,306 DON'T UNDERESTIMATE HIM. 994 00:34:37,306 --> 00:34:39,378 I MEAN, THE ONLY REASON THAT HE COPPED TO BLACKMAIL 995 00:34:39,378 --> 00:34:40,609 WAS TO AVOID MURDER CHARGES. 996 00:34:40,609 --> 00:34:42,311 AND LIKE ANY PSYCHOPATH, 997 00:34:42,311 --> 00:34:43,512 HE'S A GREAT ACTOR. 998 00:34:43,512 --> 00:34:45,584 OH, SPEAKING OF... PSYCHOPATHS OR ACTORS? 999 00:34:45,584 --> 00:34:47,616 I-I WAS THINKING ABOUT YOUR MOM. OH, SO A LITTLE OF BOTH. 1000 00:34:47,616 --> 00:34:49,418 I THINK WE CAN MAKE THE PLAY. 1001 00:34:49,418 --> 00:34:50,519 REALLY? 1002 00:34:50,519 --> 00:34:53,522 SO YOU WANT TO VENTURE INTO THE DARK, SCARY WOODS? 1003 00:34:53,522 --> 00:34:55,364 DON'T WORRY, CASTLE. I GOT A GUN. 1004 00:34:55,364 --> 00:34:56,625 I'LL PROTECT YOU FROM THE BIG BAD WOLF. 1005 00:34:56,625 --> 00:34:59,468 YOU'D USE YOUR GUN ON MY MOTHER? 1006 00:34:59,468 --> 00:35:01,330 I'M TOUCHED. 1007 00:35:01,330 --> 00:35:02,501 THANK YOU. 1008 00:35:04,503 --> 00:35:08,377 (people speaking indistinctly) 1009 00:35:08,377 --> 00:35:09,508 AH, THANK YOU. 1010 00:35:09,508 --> 00:35:11,610 OH, WOW, CASTLE. THIS IS QUITE THE SOIREE. 1011 00:35:11,610 --> 00:35:13,382 YEAH, IT'S A FAMILY TRAIT. 1012 00:35:13,382 --> 00:35:15,444 WE TEND TO GO BIG. CHEERS. 1013 00:35:15,444 --> 00:35:16,445 (clinks) CHEERS. 1014 00:35:18,317 --> 00:35:19,548 (mouths words) 1015 00:35:19,548 --> 00:35:21,350 WOULD YOU EXCUSE ME A MOMENT? 1016 00:35:21,350 --> 00:35:23,452 YEAH. 1017 00:35:23,452 --> 00:35:24,523 HEY. 1018 00:35:24,523 --> 00:35:26,595 HEY. YOU CAME. 1019 00:35:26,595 --> 00:35:29,328 OH, IT MEANS SO MUCH TO ME, DARLING. 1020 00:35:29,328 --> 00:35:30,399 SHE WAS WORRIED YOU WOULDN'T MAKE IT. 1021 00:35:30,399 --> 00:35:31,660 BREAK A LEG, MOTHER. 1022 00:35:31,660 --> 00:35:33,602 WE HAVE A SCHEDULE TO KEEP. CURTAIN IN TWO MINUTES. 1023 00:35:33,602 --> 00:35:36,335 (sighs) I CAN'T GET THIS BOW STRAIGHT. 1024 00:35:36,335 --> 00:35:37,536 ALLOW ME. ALLOW ME. 1025 00:35:37,536 --> 00:35:38,667 (exhales) 1026 00:35:38,667 --> 00:35:40,609 OH, MAYBE I SHOULD HAVE ALEXIS DO IT. 1027 00:35:40,609 --> 00:35:43,412 I MEAN, HOW MANY BOWS HAVE YOU TIED IN YOUR LIFETIME? 1028 00:35:43,412 --> 00:35:44,543 WELL, I TIE MY SHOES EVERY DAY. 1029 00:35:44,543 --> 00:35:45,674 IF YOU REMEMBER, YOU TAUGHT ME. 1030 00:35:45,674 --> 00:35:48,417 YEAH, YEAH, TRUE. 1031 00:35:48,417 --> 00:35:49,718 THE BOW. 1032 00:35:49,718 --> 00:35:52,351 THE BOW WAS TIED INCORRECTLY. 1033 00:35:52,351 --> 00:35:55,354 WELL, I TOLD YOU, WE SHOULD'VE HAD ALEXIS DO IT. 1034 00:35:55,354 --> 00:35:57,556 NOT YOUR BOW. THE OTHER BOW. THE ONE ON HER COSTUME. 1035 00:35:57,556 --> 00:35:59,528 WE ARRESTED THE WRONG MAN. 1036 00:36:03,662 --> 00:36:05,334 WHAT? I-I DON'T UNDERSTAND. 1037 00:36:05,334 --> 00:36:06,365 SO YOU'RE SAYING DARREN DIDN'T DO IT? 1038 00:36:06,365 --> 00:36:07,536 WELL, HE'S GUILTY OF BLACKMAIL, 1039 00:36:07,536 --> 00:36:08,667 BUT THAT'S AS FAR AS IT GOES. 1040 00:36:08,667 --> 00:36:10,399 SO WHAT IF THE KILLER'S STILL OUT THERE? 1041 00:36:10,399 --> 00:36:11,470 WHAT IF HE COMES AFTER ME? 1042 00:36:11,470 --> 00:36:12,541 (Beckett) HE WON'T. 1043 00:36:12,541 --> 00:36:15,374 WE HAVE OFFICERS OUTSIDE 24/7. 1044 00:36:15,374 --> 00:36:16,575 WE'LL FIND HIM, CHARLOTTE. 1045 00:36:16,575 --> 00:36:18,377 WE JUST, UM, 1046 00:36:18,377 --> 00:36:19,578 WE NEED A BIT OF YOUR HELP. 1047 00:36:19,578 --> 00:36:21,510 OF COURSE. WHATEVER I CAN DO. 1048 00:36:21,510 --> 00:36:23,682 WELL, WE THINK THAT THE KEY 1049 00:36:23,682 --> 00:36:26,485 TO FINDING THE REAL KILLER 1050 00:36:26,485 --> 00:36:28,687 IS THROUGH UNDERSTANDING EXACTLY WHAT HAPPENED 1051 00:36:28,687 --> 00:36:30,589 THE NIGHT OF OWEN'S DEATH. 1052 00:36:30,589 --> 00:36:32,491 CAN YOU ANSWER A FEW QUESTIONS? 1053 00:36:32,491 --> 00:36:34,423 Y-YEAH. I MEAN, I GUESS SO, 1054 00:36:34,423 --> 00:36:36,425 THOUGH I'M PRETTY SURE I TOLD YOU EVERYTHING I KNOW. 1055 00:36:36,425 --> 00:36:38,367 WELL, LAST TIME WE SPOKE, YOU SAID THAT EVERYONE 1056 00:36:38,367 --> 00:36:39,568 WAS IN AMY'S CAR? 1057 00:36:39,568 --> 00:36:40,599 RIGHT. 1058 00:36:40,599 --> 00:36:41,630 AND WHO WAS DRIVING? 1059 00:36:41,630 --> 00:36:43,702 SHE WAS. WHY? 1060 00:36:43,702 --> 00:36:45,734 WELL, WE DID A LITTLE CHECKING. 1061 00:36:45,734 --> 00:36:47,436 THE DAY AFTER OWEN DIED, 1062 00:36:47,436 --> 00:36:48,677 AMY BROUGHT HER CAR TO A BODY SHOP. 1063 00:36:48,677 --> 00:36:50,639 SHE HAD A BROKEN GRILLE AND A DENTED BUMPER. 1064 00:36:50,639 --> 00:36:54,413 ANY IDEA HOW SHE GOT THOSE DENTS? 1065 00:36:54,413 --> 00:36:56,585 CHARLOTTE, WHAT REALLY HAPPENED THAT NIGHT? 1066 00:36:56,585 --> 00:36:59,388 DID OWEN TRY TO GET BACK INTO THE CAR? 1067 00:36:59,388 --> 00:37:00,649 MAYBE AMY PANICKED, 1068 00:37:00,649 --> 00:37:04,693 ACCIDENTALLY HITTING HIM AS SHE DROVE AWAY? 1069 00:37:04,693 --> 00:37:07,596 (woman speaking indistinctly over p.a.) 1070 00:37:07,596 --> 00:37:09,398 CHARLOTTE? 1071 00:37:09,398 --> 00:37:10,459 (inhales deeply) 1072 00:37:10,459 --> 00:37:11,730 (voice breaking) I BEGGED AMY TO GO BACK. 1073 00:37:11,730 --> 00:37:14,403 KRISTINA AND I BOTH DID. 1074 00:37:14,403 --> 00:37:15,734 WE BEGGED HER, BUT SHE JUST KEPT DRIVING. 1075 00:37:15,734 --> 00:37:17,706 SHE DIDN'T MEAN TO HURT HIM. 1076 00:37:17,706 --> 00:37:20,569 IT WAS JUST AN ACCIDENT. 1077 00:37:20,569 --> 00:37:24,473 THAT'S THE TRUTH. THAT'S WHAT REALLY HAPPENED. 1078 00:37:24,473 --> 00:37:25,514 IS IT? 1079 00:37:25,514 --> 00:37:27,416 (rustles photos) 1080 00:37:27,416 --> 00:37:28,777 TAKE A LOOK 1081 00:37:28,777 --> 00:37:31,420 AT HOW THE BOWS 1082 00:37:31,420 --> 00:37:35,584 ARE TIED ON THE VICTIMS' COSTUMES. 1083 00:37:35,584 --> 00:37:37,656 WHAT ABOUT THEM? 1084 00:37:37,656 --> 00:37:39,728 WELL, THE KILLER TIED THESE BOWS 1085 00:37:39,728 --> 00:37:41,560 AFTER THE VICTIMS WERE DRUGGED. 1086 00:37:41,560 --> 00:37:43,562 SEE HOW THEY LOOK, 1087 00:37:43,562 --> 00:37:47,436 HOW THE LOOPS ARE PLEASINGLY HORIZONTAL? 1088 00:37:47,436 --> 00:37:52,641 NOW... LOOK AT THE BOW ON YOUR SLEEPING BEAUTY OUTFIT. 1089 00:37:52,641 --> 00:37:55,604 SEE HOW THE LOOPS ARE VERTICAL? 1090 00:37:55,604 --> 00:37:56,805 IT'S A LITTLE WEIRD. 1091 00:37:56,805 --> 00:37:58,707 I MEAN, IF THE KILLER TIED ALL THREE BOWS, 1092 00:37:58,707 --> 00:38:00,779 WHY WOULD YOURS BE DIFFERENT? 1093 00:38:00,779 --> 00:38:03,582 IT'S BECAUSE YOU TIED 1094 00:38:03,582 --> 00:38:04,783 ALL THREE BOWS. 1095 00:38:04,783 --> 00:38:08,457 THIS ONE IS DIFFERENT BECAUSE YOU TIED IT ON YOURSELF 1096 00:38:08,457 --> 00:38:09,658 BEHIND YOUR BACK. 1097 00:38:09,658 --> 00:38:11,620 NO. I WAS ATTACKED. 1098 00:38:11,620 --> 00:38:13,462 I AM A VICTIM. 1099 00:38:13,462 --> 00:38:15,564 YET, YOUR DOCTOR SAID YOU RECEIVED 1100 00:38:15,564 --> 00:38:17,566 HALF THE DOSE OF OXY THAT THE OTHER GIRLS GOT, 1101 00:38:17,566 --> 00:38:18,827 A NONLETHAL DOSE. 1102 00:38:18,827 --> 00:38:20,629 HOW SOON AFTER WE PULLED UP 1103 00:38:20,629 --> 00:38:22,771 OUTSIDE OF YOUR BUILDING DID YOU GIVE YOURSELF THAT SHOT? 1104 00:38:22,771 --> 00:38:23,832 THIS IS CRAZY. 1105 00:38:23,832 --> 00:38:25,834 WHY WOULD I FAKE AN ATTACK ON MYSELF? 1106 00:38:25,834 --> 00:38:27,576 SO NO ONE WOULD SUSPECT YOU 1107 00:38:27,576 --> 00:38:29,508 OF SILENCING THE ONLY TWO WITNESSES TO YOUR CRIME. 1108 00:38:29,508 --> 00:38:30,639 WHAT ARE YOU TALKING ABOUT? 1109 00:38:30,639 --> 00:38:32,811 AT THE TIME, KRISTINA AND AMY 1110 00:38:32,811 --> 00:38:34,843 WERE WILLING TO BURY YOUR SECRET, 1111 00:38:34,843 --> 00:38:36,615 BUT THEN... 1112 00:38:36,615 --> 00:38:39,488 THIS PHOTO SHOWED UP. 1113 00:38:39,488 --> 00:38:40,649 I MEAN, HOW LONG COULD YOU EXPECT THEM 1114 00:38:40,649 --> 00:38:41,790 TO KEEP THE SECRET, 1115 00:38:41,790 --> 00:38:43,592 ESPECIALLY SINCE YOU WERE AT FAULT? 1116 00:38:43,592 --> 00:38:45,724 ALL YOU COULD THINK ABOUT WAS THE SCANDAL-- 1117 00:38:45,724 --> 00:38:49,498 JAIL, HOW IT WOULD RUIN YOUR LIFE-- 1118 00:38:49,498 --> 00:38:52,501 ALL BECAUSE KRISTINA AND AMY KNEW THE TRUTH. 1119 00:38:52,501 --> 00:38:53,602 CHARLOTTE, 1120 00:38:53,602 --> 00:38:57,506 YOU WERE BEHIND THE WHEEL IN AMY'S CAR. 1121 00:38:57,506 --> 00:38:58,667 IT WAS YOU 1122 00:38:58,667 --> 00:39:01,570 THAT HIT AND KILLED OWEN. 1123 00:39:01,570 --> 00:39:04,513 NO, AMY WAS DRIVING. I TOLD YOU. 1124 00:39:04,513 --> 00:39:07,816 THEN WHY DID YOU PAY FOR THE CAR REPAIRS? 1125 00:39:07,816 --> 00:39:10,549 WE HAVE THE RECEIPT. 1126 00:39:12,751 --> 00:39:16,525 (woman speaking indistinctly over p.a.) 1127 00:39:21,530 --> 00:39:24,793 YOU DON'T KNOW WHAT HAPPENED THAT NIGHT. 1128 00:39:24,793 --> 00:39:26,765 YOU CAN'T PROVE THAT I HIT OWEN, 1129 00:39:26,765 --> 00:39:30,569 AND YOU CAN'T PROVE THAT I KILLED AMY OR KRISTINA. 1130 00:39:32,671 --> 00:39:34,603 YES, I CAN. 1131 00:39:34,603 --> 00:39:36,675 YOUR FIRM HANDLED THE REVERSE MORTGAGE 1132 00:39:36,675 --> 00:39:39,648 OF AN OLD WOMAN NAMED JAMIE ISAACSON. 1133 00:39:39,648 --> 00:39:42,681 SHE PAID CLOSING COSTS WITH HER CREDIT CARD. 1134 00:39:42,681 --> 00:39:44,613 THAT'S THE SAME CREDIT CARD 1135 00:39:44,613 --> 00:39:48,587 THAT YOU USED TO PAY FOR ALL THREE COSTUMES. 1136 00:39:49,758 --> 00:39:51,620 CHARLOTTE BOYD, YOU ARE UNDER ARREST 1137 00:39:51,620 --> 00:39:53,692 FOR THE MURDERS OF AMY MORGAN... (door opens) 1138 00:39:53,692 --> 00:39:54,923 KRISTINA CURTIS, 1139 00:39:54,923 --> 00:39:58,767 AND THE WRONGFUL DEATH OF OWEN THOMAS. 1140 00:39:58,767 --> 00:40:00,569 (door closes) 1141 00:40:01,770 --> 00:40:03,902 THE BOWS? 1142 00:40:03,902 --> 00:40:05,834 SERIOUSLY? 1143 00:40:05,834 --> 00:40:08,877 (scoffs) 1144 00:40:08,877 --> 00:40:12,581 (Castle) SHE'S ACTUALLY THE PERFECT FAIRY-TALE VILLAIN. 1145 00:40:12,581 --> 00:40:13,642 LIKE THE BIG BAD WOLF, 1146 00:40:13,642 --> 00:40:14,713 SHE DISGUISED HERSELF AS AN INNOCENT, 1147 00:40:14,713 --> 00:40:16,645 BUT LIKE SNOW WHITE'S EVIL STEPMOTHER, 1148 00:40:16,645 --> 00:40:18,617 SHE WAS WILLING TO DO ANYTHING, EVEN KILL, 1149 00:40:18,617 --> 00:40:19,818 TO PROTECT HER IMAGE. 1150 00:40:19,818 --> 00:40:21,620 AFTER ALL THESE YEARS, 1151 00:40:21,620 --> 00:40:22,951 MAYBE OWEN'S FAMILY CAN HAVE SOME CLOSURE ABOUT HIS DEATH. 1152 00:40:22,951 --> 00:40:24,693 YEAH, BUT AT WHAT COST? 1153 00:40:24,693 --> 00:40:25,824 TWO WOMEN ARE DEAD, 1154 00:40:25,824 --> 00:40:26,955 DARREN'S STILL BEING CHARGED WITH BLACKMAIL, 1155 00:40:26,955 --> 00:40:28,727 AND I'M SURE HIS MARRIAGE IS OVER. 1156 00:40:28,727 --> 00:40:30,729 WELL, AND THAT'S WHY WE NEED FAIRY TALES 1157 00:40:30,729 --> 00:40:31,930 IN THE FACE OF TOO MUCH REALITY, 1158 00:40:31,930 --> 00:40:34,663 TO REMIND US THAT HAPPY ENDINGS ARE STILL POSSIBLE. 1159 00:40:34,663 --> 00:40:35,734 (cell phone chimes) 1160 00:40:35,734 --> 00:40:36,805 ALL RIGHT. SEE YOU IN THE MORNING. 1161 00:40:36,805 --> 00:40:38,607 LATER. (Esposito) VALE. 1162 00:40:38,607 --> 00:40:39,738 SPEAKING OF FAIRY TALES, 1163 00:40:39,738 --> 00:40:41,870 MY MOTHER IS READY TO GIVE HER ENCORE PERFORMANCE. 1164 00:40:41,870 --> 00:40:43,842 TIME TO GO BACK INTO THE WOODS? 1165 00:40:43,842 --> 00:40:45,774 STILL GOT YOUR GUN? (chuckles) 1166 00:40:45,774 --> 00:40:48,617 IT WAS THE OPPORTUNITY 1167 00:40:48,617 --> 00:40:49,778 OF A LIFETIME-- 1168 00:40:49,778 --> 00:40:51,720 THE CHANCE TO ORIGINATE THE ROLE 1169 00:40:51,720 --> 00:40:53,752 OF THE WICKED WITCH ON BROADWAY. 1170 00:40:53,752 --> 00:40:55,754 BUT IT WOULD MEAN BEING AWAY FROM HOME 1171 00:40:55,754 --> 00:40:57,956 SIX NIGHTS A WEEK, TWO MATINEES. 1172 00:40:57,956 --> 00:41:00,629 HUH. WHAT WAS I TO DO? 1173 00:41:00,629 --> 00:41:02,631 (whispers) REALIZE THAT NONE OF IT EVER HAPPENED? 1174 00:41:02,631 --> 00:41:05,694 FRANCIS BACON ONCE WROTE, 1175 00:41:05,694 --> 00:41:07,736 "HE THAT HATH CHILDREN 1176 00:41:07,736 --> 00:41:11,670 HATH GIVEN HOSTAGES TO FORTUNE." 1177 00:41:11,670 --> 00:41:14,743 WELL, IF I WAS A HOSTAGE, THEN MY SON RICHARD 1178 00:41:14,743 --> 00:41:15,904 WAS MY CAPTOR, 1179 00:41:15,904 --> 00:41:18,677 MY ENSLAVER. 1180 00:41:18,677 --> 00:41:19,908 HEY, I'M RIGHT HERE. 1181 00:41:19,908 --> 00:41:23,852 I TURNED DOWN THE ROLE, TURNED MY BACK ON FORTUNE. 1182 00:41:23,852 --> 00:41:25,013 AND... 1183 00:41:25,013 --> 00:41:27,716 IT WAS THE BEST CAREER MOVE I EVER MADE, 1184 00:41:27,716 --> 00:41:30,719 FOR AN EVEN GREATER ROLE CAME MY WAY... 1185 00:41:30,719 --> 00:41:31,960 A PART-- 1186 00:41:31,960 --> 00:41:36,024 PERHAPS THE GREATEST ROLE THAT I HAVE EVER PLAYED-- 1187 00:41:36,024 --> 00:41:37,866 THAT... 1188 00:41:37,866 --> 00:41:40,769 OF MOTHER. 1189 00:41:40,769 --> 00:41:42,731 THAT'S SWEET. 1190 00:41:42,731 --> 00:41:44,673 YOU'RE RIGHT. THAT IS SWEET. 1191 00:41:44,673 --> 00:41:45,734 SHH. 1192 00:41:45,734 --> 00:41:46,975 (whispers) SORRY. 1193 00:41:46,975 --> 00:41:48,907 NOW IF RICHARD 1194 00:41:48,907 --> 00:41:52,781 HAD ONLY BEEN ABLE TO EMBRACE THE ROLE OF SON 1195 00:41:52,781 --> 00:41:55,013 WITH THE SAME LEVEL OF COMMITMENT. 1196 00:41:55,013 --> 00:41:57,946 (normal voice) AND INTO THE WOODS WE GO.