1 00:00:01,432 --> 00:00:04,705 (Pink Martini's "Lilly" playing) 2 00:00:06,677 --> 00:00:09,540 ♪ LILLY COMES WHEN YOU START TO CALL HER ♪ 3 00:00:09,540 --> 00:00:13,144 ♪ LILLY RUNS WHEN YOU LOOK AWAY ♪ 4 00:00:13,144 --> 00:00:16,016 ♪ LILLY LEAVES KISSES ON YOUR COLLAR ♪ 5 00:00:16,016 --> 00:00:19,150 ♪ LILLY, LILLY, LILLY, STAY ♪ 6 00:00:19,150 --> 00:00:22,193 LADIES AND GENTLEMEN, THE MOMENT IS ALMOST UPON US. 7 00:00:22,193 --> 00:00:26,397 AS WORLD-RENOWNED TRAINER FRANCISCO PILAR 8 00:00:26,397 --> 00:00:29,029 TAKES ONE LAST LOOK AT THE FINALISTS, 9 00:00:29,029 --> 00:00:32,463 ONLY ONE QUESTION REMAINS. 10 00:00:32,463 --> 00:00:34,735 WHO WILL BE THIS YEAR'S BEST IN SHOW? 11 00:00:34,735 --> 00:00:36,337 (people shouting indistinctly, camera shutters clicking) 12 00:00:36,337 --> 00:00:37,738 (man) I'M HERE IN THE AUDIENCE... HI! 13 00:00:37,738 --> 00:00:39,740 WITH REALITY TV STAR KAY CAPPUCCIO 14 00:00:39,740 --> 00:00:42,113 AND HER MANAGER AND BOYFRIEND-- REGGIE STARR. 15 00:00:42,113 --> 00:00:44,115 KAY, WHEN ARE YOU AND REGGIE GETTING MARRIED? 16 00:00:44,115 --> 00:00:45,076 OH-- UH-- 17 00:00:45,076 --> 00:00:47,178 (laughs) WILL IT HAPPEN ON THE SHOW? 18 00:00:47,178 --> 00:00:49,820 I JUST WANNA SAY HI TO ALL MY FANS OUT THERE 19 00:00:49,820 --> 00:00:53,084 AND REMIND THEM THAT NEXT MONTH, 20 00:00:53,084 --> 00:00:54,385 MY NEW SCENT HITS STORES-- 21 00:00:54,385 --> 00:00:57,088 KAY CAPPUCCIO'S GUILTY PLEASURE. 22 00:00:57,088 --> 00:01:00,461 MAKE SURE HE'S GUILTY OF WANTING YOU. 23 00:01:00,461 --> 00:01:02,263 (man, amplified voice) FRANCISCO IS READY 24 00:01:02,263 --> 00:01:04,135 TO REVEAL HIS DECISION. 25 00:01:04,135 --> 00:01:06,197 ONE. (crowd oohing and ahhing) 26 00:01:06,197 --> 00:01:07,498 TWO. 27 00:01:07,498 --> 00:01:09,100 THREE. 28 00:01:09,100 --> 00:01:12,103 (man, amplified voice) AND THERE YOU HAVE IT, FOLKS. 29 00:01:12,103 --> 00:01:15,146 THIS YEAR'S SUNFARE KENNEL BEST IN SHOW 30 00:01:15,146 --> 00:01:17,848 IS THE ONE, THE ONLY... (barks) 31 00:01:17,848 --> 00:01:19,750 BUTTONS? 32 00:01:19,750 --> 00:01:22,353 YOU HAVE A FRIEND NAMED BUTTONS, A HUMAN FRIEND? 33 00:01:22,353 --> 00:01:25,116 HER MOM CALLED HER THAT WHEN SHE WAS LITTLE, AND IT STUCK. 34 00:01:25,116 --> 00:01:26,587 (chuckles) AND NOW SO IS SHE. 35 00:01:26,587 --> 00:01:29,320 BUTTONS AND I BONDED OVER BEING REJECTED FROM STANFORD, 36 00:01:29,320 --> 00:01:31,822 IN FACT, WE APPLIED TO A LOT OF THE SAME SCHOOLS, 37 00:01:31,822 --> 00:01:33,824 SO WE WERE PLANNING TO VISIT A FEW CAMPUSES TOGETHER 38 00:01:33,824 --> 00:01:35,696 THIS WEEKEND, MAKE A ROAD TRIP OUT OF IT. AH. 39 00:01:35,696 --> 00:01:37,498 WHOA. OKAY, WHOA. 40 00:01:37,498 --> 00:01:39,200 WHERE ARE YOU STAYING? WHO'S DRIVING? 41 00:01:39,200 --> 00:01:40,601 AND WHO IS CHAPERONING? 42 00:01:40,601 --> 00:01:42,603 WE WERE GOING TO TAKE YOUR FERRARI 43 00:01:42,603 --> 00:01:46,177 AND HOOK UP WITH SOME BOYS WE MET ON craigslist. 44 00:01:46,177 --> 00:01:47,838 NOT COOL. (Martha) HONEY, 45 00:01:47,838 --> 00:01:49,880 DON'T BE SUCH A KILLJOY. 46 00:01:49,880 --> 00:01:52,543 I'M SURE BUTTONS' MOTHER IS GOING ALONG. 47 00:01:52,543 --> 00:01:54,285 SHE IS AND SHE'S VERY RESPONSIBLE. UH-HUH. 48 00:01:54,285 --> 00:01:56,247 YEAH, EXCEPT WHEN IT COMES TO PICKING NICKNAMES. 49 00:01:56,247 --> 00:01:58,189 LOOK, IF YOU WANT, I COULD HAVE MRS. DUTTON 50 00:01:58,189 --> 00:02:00,151 STOP BY TO MEET YOU WHEN SHE PICKS ME UP. 51 00:02:00,151 --> 00:02:01,792 YEAH, I THINK THAT'D BE O-- 52 00:02:01,792 --> 00:02:03,454 HER LAST NAME IS DUTTON? 53 00:02:03,454 --> 00:02:06,257 YOUR FRIEND'S NAME IS BUTTONS DUTTON? 54 00:02:06,257 --> 00:02:07,728 THAT IS UNFORTUNATE. 55 00:02:07,728 --> 00:02:09,600 WHAT'S SO WRONG WITH THAT? (cell phone rings) 56 00:02:09,600 --> 00:02:10,901 OH, COME ON. IT'D BE LIKE CALLING ME RASTLE 57 00:02:10,901 --> 00:02:12,203 OR TASSEL... (rings and beeps) 58 00:02:12,203 --> 00:02:13,704 OR NO-HASSLE CASTLE. 59 00:02:13,704 --> 00:02:14,865 HEY. 60 00:02:14,865 --> 00:02:17,808 NO, I WAS JUST MAKING A POINT. 61 00:02:17,808 --> 00:02:19,870 (lowered voice) PLEASE DON'T CALL ME THAT. 62 00:02:19,870 --> 00:02:21,542 (Esposito) THE VICTIM 63 00:02:21,542 --> 00:02:23,674 IS FRANCISCO PILAR, JUDGE OF THE DOG SHOW. 64 00:02:23,674 --> 00:02:25,776 WE FOUND HIM HERE IN HIS DRESSING ROOM. 65 00:02:25,776 --> 00:02:28,148 HE STILL HAD CASH ON HIM, PLUS HIS WALLET, PHONE, 66 00:02:28,148 --> 00:02:29,650 AND A KEY CARD OF SOME KIND. 67 00:02:29,650 --> 00:02:31,151 IS THE CAUSE OF DEATH WHAT IT LOOKS LIKE? 68 00:02:31,151 --> 00:02:35,386 YEP. SOMEONE PUT A LEASH AROUND HIS NECK AND PULLED. 69 00:02:35,386 --> 00:02:36,787 DO YOU GUYS HAVE AN ESTIMATED TIME OF DEATH? 70 00:02:36,787 --> 00:02:39,159 I PUT TOGETHER A WINDOW-- EXCUSE ME? 71 00:02:39,159 --> 00:02:40,491 YOU'RE DOING MY JOB NOW? 72 00:02:40,491 --> 00:02:42,162 I DIDN'T KNOW YOU WENT TO MEDICAL SCHOOL. 73 00:02:42,162 --> 00:02:45,296 BUT GO AHEAD, DR. ESPOSITO. 74 00:02:45,296 --> 00:02:49,340 OKAY. THE LAST GUY TO SEE FRANCISCO ALIVE, 75 00:02:49,340 --> 00:02:51,171 UH, LEFT THIS ROOM AT 5:15 76 00:02:51,171 --> 00:02:52,673 TO GO GET HIM SOME DINNER. 77 00:02:52,673 --> 00:02:54,605 THEN MR. GREENE FOUND HIM LIKE THIS 20 MINUTES LATER. 78 00:02:54,605 --> 00:02:57,278 OKAY. THANKS. 79 00:02:57,278 --> 00:02:58,479 (camera shutter clicking) 80 00:02:58,479 --> 00:03:00,751 (police radio chatter) 81 00:03:00,751 --> 00:03:01,912 HI. 82 00:03:01,912 --> 00:03:03,284 HI. ADAM GREENE. 83 00:03:03,284 --> 00:03:04,685 I'M THE SUNFARE SHOW ORGANIZER. 84 00:03:04,685 --> 00:03:06,787 MR. GREENE, HOW WELL DID YOU KNOW OUR VICTIM--FRANCISCO? 85 00:03:06,787 --> 00:03:09,860 UH, FRANCISCO'S BEEN OUR JUDGE FOR ALMOST TWO DECADES. 86 00:03:09,860 --> 00:03:12,363 NO ONE CARED ABOUT DOGS MORE THAN HE DID. 87 00:03:12,363 --> 00:03:14,725 DID HE HAVE ANY FAMILY THAT WE COULD TALK TO? 88 00:03:14,725 --> 00:03:16,827 ROYAL WAS HIS FAMILY. 89 00:03:16,827 --> 00:03:18,599 OH, THAT'S A HANDSOME POOCH. 90 00:03:18,599 --> 00:03:20,601 FRANCISCO LOVED HIM VERY MUCH. 91 00:03:20,601 --> 00:03:22,303 THE TRUTH IS, 92 00:03:22,303 --> 00:03:25,276 HE GOT ALONG WITH DOGS A LOT BETTER THAN THEIR OWNERS. 93 00:03:25,276 --> 00:03:26,777 SO DOG WHISPERER, CHECK. 94 00:03:26,777 --> 00:03:28,509 PEOPLE WHISPERER, NOT SO MUCH. 95 00:03:28,509 --> 00:03:31,282 DID HE HAVE ANY PROBLEMS WITH ANY OF THE OWNERS? 96 00:03:31,282 --> 00:03:33,213 WHAT ARE YOU SUGGESTING? 97 00:03:33,213 --> 00:03:34,515 JUST THAT HE WAS KILLED ABOUT A HALF AN HOUR 98 00:03:34,515 --> 00:03:36,216 AFTER HE GAVE OUT BEST IN SHOW. 99 00:03:36,216 --> 00:03:38,849 I'LL ADMIT, SHOW DOG OWNERS CAN BE PASSIONATE PEOPLE, 100 00:03:38,849 --> 00:03:40,891 BUT NOT TO THIS EXTENT. 101 00:03:40,891 --> 00:03:42,723 (Castle) SOMEBODY WRAPPED THAT LEASH AROUND HIS NECK. 102 00:03:42,723 --> 00:03:44,725 (Beckett) WE'LL NEED A LIST OF THE NAMES 103 00:03:44,725 --> 00:03:46,757 OF ALL OF THE CONTESTANTS, ALONG WITH ANYONE 104 00:03:46,757 --> 00:03:48,259 THAT MIGHT HAVE HAD ACCESS TO THIS ROOM. 105 00:03:48,259 --> 00:03:50,461 OF COURSE. 106 00:03:50,461 --> 00:03:52,833 (growls) 107 00:03:52,833 --> 00:03:54,835 ISN'T THIS FRANCISCO PILAR'S DOG? 108 00:03:54,835 --> 00:03:56,767 YES, THAT'S ROYAL. 109 00:03:56,767 --> 00:03:58,609 WE THOUGHT IT BEST TO KEEP HIM OUT OF THE ROOM. 110 00:03:58,609 --> 00:03:59,740 WHY IS HE DOING THAT? 111 00:03:59,740 --> 00:04:01,342 HE WAS DOING THE SAME THING BY THE BODY 112 00:04:01,342 --> 00:04:02,313 WHEN WE FOUND HIM. 113 00:04:02,313 --> 00:04:04,975 MAYBE SOME SORT OF GRIEVING PROCESS. 114 00:04:04,975 --> 00:04:06,317 I'LL GET YOU THAT LIST OF NAMES. 115 00:04:06,317 --> 00:04:08,479 (Beckett) THANK YOU. 116 00:04:08,479 --> 00:04:10,451 (Castle) SO THE DOG WAS AT THE CRIME SCENE 117 00:04:10,451 --> 00:04:11,822 AT THE TIME OF THE MURDER. 118 00:04:11,822 --> 00:04:13,324 WHAT DO YOU WANT US TO DO, BRING HIM IN FOR QUESTIONING? 119 00:04:13,324 --> 00:04:14,985 I'M JUST SAYING, WOULD MAN'S BEST FRIEND 120 00:04:14,985 --> 00:04:17,828 STAND IDLY BY WHILE HIS MASTER WAS ATTACKED? 121 00:04:17,828 --> 00:04:19,360 AND IF HE DID INTERVENE, 122 00:04:19,360 --> 00:04:21,532 MAYBE HE GOT D.N.A. OR TRACE EVIDENCE ON HIM 123 00:04:21,532 --> 00:04:23,834 THAT COULD LEAD TO OUR KILLER. 124 00:04:23,834 --> 00:04:25,336 MAY HAVE A LEAD OF MY OWN. 125 00:04:25,336 --> 00:04:28,439 ONE OF THE LOSING CONTESTANTS JUST FILED THIS APPEAL 126 00:04:28,439 --> 00:04:30,701 OF FRANCISCO'S DECISION-- A GUY NAMED DAVID HERNAND. 127 00:04:30,701 --> 00:04:32,303 THEY SAID HE WAS SO ANGRY 128 00:04:32,303 --> 00:04:34,545 THAT THE VEIN IN HIS FOREHEAD WAS VISIBLY THROBBING. 129 00:04:34,545 --> 00:04:37,848 APPARENTLY, DOG SHOWS ARE THIS GUY'S WHOLE LIFE. 130 00:04:37,848 --> 00:04:39,510 (whining) WAS I UPSET ABOUT FRANCISCO'S DEATH? 131 00:04:39,510 --> 00:04:40,681 SURE. 132 00:04:40,681 --> 00:04:42,012 (whimpering) 133 00:04:42,012 --> 00:04:43,814 I WAS MORE UPSET ABOUT HIS CHOICE FOR BEST IN SHOW. 134 00:04:43,814 --> 00:04:46,417 THAT RIBBON BELONGED TO MY MAX. 135 00:04:46,417 --> 00:04:47,588 (dogs barking) 136 00:04:47,588 --> 00:04:49,620 MR. HERNAND, CAN YOU ACCOUNT FOR YOUR WHEREABOUTS 137 00:04:49,620 --> 00:04:51,522 BETWEEN 5:15 AND 5:35? 138 00:04:51,522 --> 00:04:53,594 YEAH, I WAS RIGHT HERE AT MY GROOMING STATION 139 00:04:53,594 --> 00:04:55,396 FILING MY APPEAL-- OH, I DIDN'T KILL HIM. 140 00:04:55,396 --> 00:04:56,997 OKAY? 141 00:04:56,997 --> 00:04:58,769 (whimpering) GIVEN EVERYTHING HE WAS INTO, 142 00:04:58,769 --> 00:05:01,301 I'D SAY, HE BROUGHT IT ON HIMSELF. 143 00:05:01,301 --> 00:05:03,434 AND WHAT EXACTLY WAS HE INTO? 144 00:05:03,434 --> 00:05:05,336 WELL, RUMOR HAS IT... (dogs barking and whimpering) 145 00:05:05,336 --> 00:05:07,378 (whispering) HE WAS ON THE TAKE. 146 00:05:07,378 --> 00:05:10,341 ARE YOU SAYING, HE WAS TAKING BRIBES TO FIX DOG SHOWS? 147 00:05:10,341 --> 00:05:12,312 BETTING ON DOG SHOWS-- IT'S A BIG BUSINESS. 148 00:05:12,312 --> 00:05:14,645 AND HE WAS SEEN WITH SOME PRETTY SHADY CHARACTERS. 149 00:05:14,645 --> 00:05:16,487 (normal voice) PEOPLE WITH TIES TO VEGAS. 150 00:05:16,487 --> 00:05:17,818 THAT'S A SERIOUS ALLEGATION. 151 00:05:17,818 --> 00:05:19,550 DO YOU HAVE ANY PROOF TO BACK IT UP? 152 00:05:19,550 --> 00:05:21,452 YOU WANT PROOF? 153 00:05:25,696 --> 00:05:27,628 (whines) JUST LOOK AT THAT MUTT. 154 00:05:29,099 --> 00:05:30,501 NOW BACK TO MY MAX. 155 00:05:30,501 --> 00:05:32,332 NOW THE MUTT. 156 00:05:32,332 --> 00:05:33,964 THAT'S ALL THE PROOF I NEED. 157 00:05:33,964 --> 00:05:37,337 (Beckett) REALLY? THERE'S BIG MONEY RIDING ON DOG SHOWS? 158 00:05:37,337 --> 00:05:38,469 IT'S ACTUALLY KIND OF INGENIOUS. 159 00:05:38,469 --> 00:05:40,511 YOU KNOW, EVERYONE'S GOT FOOTBALL, BASKETBALL, 160 00:05:40,511 --> 00:05:42,012 HORSE RACING UNDER A MICROSCOPE, 161 00:05:42,012 --> 00:05:44,344 LOOKING FOR THE SLIGHTEST HINT OF IMPROPRIETY. 162 00:05:44,344 --> 00:05:45,776 WHO'S LOOKING AT DOG SHOWS? 163 00:05:45,776 --> 00:05:47,117 I'M GONNA HAVE RYAN LOOK INTO IT 164 00:05:47,117 --> 00:05:48,779 ALONG WITH HERNAND'S ALIBI. 165 00:05:48,779 --> 00:05:50,781 WHATEVER YOU'RE TALKING ABOUT, IT CAN WAIT. 166 00:05:50,781 --> 00:05:52,483 MA'AM, PLEASE TELL DETECTIVE BECKETT 167 00:05:52,483 --> 00:05:53,624 WHAT YOU TOLD ME? 168 00:05:53,624 --> 00:05:55,125 I WAS BACKSTAGE AFTER THE SHOW 169 00:05:55,125 --> 00:05:57,388 WHEN I SAW A WOMAN LEAVE FRANCISCO'S DRESSING ROOM. 170 00:05:57,388 --> 00:05:59,530 CAN YOU DESCRIBE HER? 171 00:05:59,530 --> 00:06:00,631 EVEN BETTER. 172 00:06:00,631 --> 00:06:02,132 I TOOK A VIDEO WITH MY PHONE. 173 00:06:02,132 --> 00:06:03,964 SHE WAS WEARING A HOOD AND SUNGLASSES, 174 00:06:03,964 --> 00:06:06,597 BUT I RECOGNIZED HER INSTANTLY. 175 00:06:06,597 --> 00:06:08,399 IT WAS KAY CAPPUCCIO. 176 00:06:08,399 --> 00:06:09,970 THE REALITY TELEVISION STAR? 177 00:06:09,970 --> 00:06:11,402 (door opens) 178 00:06:12,943 --> 00:06:14,675 (Esposito) CHECK THE TIME STAMP. 179 00:06:14,675 --> 00:06:26,016 RIGHT IN THE MIDDLE OF OUR TIME-OF-DEATH WINDOW. 180 00:06:30,090 --> 00:06:31,562 HERE'S WHAT I DON'T GET-- 181 00:06:31,562 --> 00:06:32,963 WHY WOULD KAY CAPPUCCIO WANT TO KILL FRANCISCO PILAR? 182 00:06:32,963 --> 00:06:34,765 HERE'S WHAT I DON'T GET-- HOW DOES THIS WOMAN 183 00:06:34,765 --> 00:06:36,597 HAVE HER OWN PERFUME LINE, 184 00:06:36,597 --> 00:06:39,069 AN ARMY OF PAPARAZZI OUTSIDE OF HER APARTMENT, 185 00:06:39,069 --> 00:06:41,071 MILLIONS OF TWITTER FOLLOWERS, 186 00:06:41,071 --> 00:06:42,773 DOZENS OF MAGAZINE COVERS, 187 00:06:42,773 --> 00:06:45,506 ALL WITH NO DISCERNABLE TALENT TO ACCOUNT FOR IT? 188 00:06:45,506 --> 00:06:48,739 EVEN MORE PERPLEXING, WHY IN ALMOST EVERY PHOTO 189 00:06:48,739 --> 00:06:49,880 IS SHE POSED LIKE THIS? 190 00:06:49,880 --> 00:06:51,742 (photographers shout indistinctly) OH, GUYS. 191 00:06:51,742 --> 00:06:53,644 SORRY. NO TIME FOR PHOTOS. (camera shutters clicking) 192 00:06:53,644 --> 00:06:55,045 OKAY, MAYBE JUST ONE. 193 00:06:55,045 --> 00:06:56,587 (man) SMILE. 194 00:06:56,587 --> 00:06:57,988 HEY, THAT'S NOT JASON BATEMAN. 195 00:06:57,988 --> 00:06:59,520 (man) WHAT? 196 00:06:59,520 --> 00:07:00,791 (man scoffs) 197 00:07:00,791 --> 00:07:01,922 THAT'S GETTIN' OLD. 198 00:07:01,922 --> 00:07:03,954 (Fefe Dobson's "Watch Me Move" playing) 199 00:07:03,954 --> 00:07:06,697 (baby-talk voice) HELLO. YOU ARE SO KISSY. 200 00:07:06,697 --> 00:07:08,158 (clicking continues) 201 00:07:08,158 --> 00:07:10,060 (normal voice) I THINK SHE NEEDS TO TEE-TEE. 202 00:07:10,060 --> 00:07:12,062 THANK YOU SO MUCH. 203 00:07:12,062 --> 00:07:13,964 PHOEBE, GIVE ME ROOM, PLEASE. 204 00:07:13,964 --> 00:07:17,167 ♪ WHEN I WALK, I WALK STRAIGHT UP WITH EMOTION ♪ 205 00:07:17,167 --> 00:07:19,770 ♪ WHEN YOU SEE MY HIPS SHAKE, BABY, LOOK FOR COVER ♪ 206 00:07:19,770 --> 00:07:22,813 YOU TWO MUST BE THE, UH, SOFT DRINK PEOPLE, RIGHT? 207 00:07:22,813 --> 00:07:24,775 ACTUALLY, NO. WE ARE NYPD. 208 00:07:24,775 --> 00:07:27,478 WE'RE HERE TO SPEAK WITH KAY CAPPUCCIO. 209 00:07:27,478 --> 00:07:28,779 OH, MY BAD. 210 00:07:28,779 --> 00:07:30,621 UH... WHY DON'T YOU JUST GRAB A SQUAT RIGHT OVER THERE? 211 00:07:30,621 --> 00:07:31,782 EXCUSE ME? 212 00:07:31,782 --> 00:07:33,223 PHOEBE WILL BRING YOU A GOJI BERRY JUICE. 213 00:07:33,223 --> 00:07:35,626 YOU KNOW WHAT? I THINK I HAVE A BETTER IDEA. 214 00:07:35,626 --> 00:07:37,828 EVERYBODY, TAKE FIVE. 215 00:07:37,828 --> 00:07:39,660 (Reggie) WHOA. HOLD ON A SECOND. 216 00:07:39,660 --> 00:07:41,061 KAY CAPPUCCIO DOESN'T HAVE FIVE TO SPARE. 217 00:07:41,061 --> 00:07:43,463 HOW ABOUT 15 TO 20? 218 00:07:43,463 --> 00:07:45,596 AND THAT GOJI BERRY JUICE SOUNDS DELIGHTFUL. 219 00:07:45,596 --> 00:07:46,737 SURE, I KNEW FRANCISCO. 220 00:07:46,737 --> 00:07:49,099 I HIRED HIM TO DO TWO WEEKS OF BEHAVIOR TRAINING 221 00:07:49,099 --> 00:07:50,801 WITH MY DOG. (slurps) 222 00:07:50,801 --> 00:07:52,803 OUR SHOW'S GONNA START SHOOTING AGAIN SOON, 223 00:07:52,803 --> 00:07:54,505 AND LOLITA HAS SOME MINOR AGGRESSION ISSUES 224 00:07:54,505 --> 00:07:55,946 I WANTED TAKEN CARE OF. 225 00:07:55,946 --> 00:07:57,548 THIS LITTLE CHARMER? MM-HMM. 226 00:07:57,548 --> 00:07:58,879 I FIND IT HARD TO BELIEVE-- 227 00:07:58,879 --> 00:08:01,712 (snarls and barks) 228 00:08:01,712 --> 00:08:02,753 (snarls) 229 00:08:02,753 --> 00:08:04,755 I ASSUME YOU ASKED FOR YOUR MONEY BACK. 230 00:08:04,755 --> 00:08:06,857 (growls and barks) I NEVER PAID HIM. 231 00:08:06,857 --> 00:08:08,889 HE BROUGHT HER BACK YESTERDAY MORNING 232 00:08:08,889 --> 00:08:10,791 AFTER JUST A FEW DAYS, 233 00:08:10,791 --> 00:08:12,623 SAID HE DIDN'T WANT TO WORK WITH ME. 234 00:08:12,623 --> 00:08:14,194 SO ARE WE DONE HERE? 235 00:08:14,194 --> 00:08:16,897 'CAUSE I HAVE FITTINGS, A COUPLE OF ENDORSEMENT MEETINGS, 236 00:08:16,897 --> 00:08:18,769 LIKE THREE RED CARPETS I HAVE TO SHOW UP AT-- 237 00:08:18,769 --> 00:08:21,101 AND I'VE GOT A WITNESS THAT PLACES YOU 238 00:08:21,101 --> 00:08:23,774 AT THE MURDER SCENE, SO SIT DOWN. 239 00:08:23,774 --> 00:08:26,106 SURE. 240 00:08:27,608 --> 00:08:29,279 NOW WHY DID YOU GO TO SEE FRANCISCO 241 00:08:29,279 --> 00:08:31,582 AFTER THE DOG SHOW LAST NIGHT? 242 00:08:31,582 --> 00:08:33,013 I WANTED AN EXPLANATION AS TO WHY 243 00:08:33,013 --> 00:08:34,945 HE WOULDN'T TRAIN LOLITA. 244 00:08:34,945 --> 00:08:36,246 AND WHAT DID HE TELL YOU? 245 00:08:36,246 --> 00:08:40,020 I WOULD SO MUCH RATHER NOT GO INTO IT. 246 00:08:40,020 --> 00:08:42,623 WE'VE GOT A VIDEO OF YOU LEAVING FRANCISCO'S DRESSING ROOM 247 00:08:42,623 --> 00:08:44,124 RIGHT AROUND THE TIME OF THE MURDER. 248 00:08:44,124 --> 00:08:47,558 SO NOT GOING INTO IT IS NOT AN OPTION. 249 00:08:47,558 --> 00:08:48,729 FINE. 250 00:08:48,729 --> 00:08:50,030 WE DIDN'T TALK ABOUT ANYTHING, 251 00:08:50,030 --> 00:08:52,703 BECAUSE HE WAS ALREADY DEAD. 252 00:08:54,034 --> 00:08:56,106 YOU FOUND THE BODY? YEAH. 253 00:08:56,106 --> 00:08:57,708 AND YOU DIDN'T CALL 9-1-1? 254 00:08:57,708 --> 00:08:59,970 NO, I DID AS SOON AS I GOT INTO THE LIMO. 255 00:08:59,970 --> 00:09:01,311 NO HARM, NO FOUL, RIGHT? 256 00:09:01,311 --> 00:09:03,674 YOU FLED A CRIME SCENE. 257 00:09:03,674 --> 00:09:04,945 ALL RIGHT. (chuckles) 258 00:09:04,945 --> 00:09:06,747 HAVE YOU HEARD THE PHRASE 259 00:09:06,747 --> 00:09:08,849 "THERE'S NO SUCH THING AS BAD PRESS"? 260 00:09:08,849 --> 00:09:10,921 HAVING YOUR PICTURE TAKEN WITH A DEAD GUY 261 00:09:10,921 --> 00:09:12,623 IS THE EXCEPTION. 262 00:09:12,623 --> 00:09:14,755 I HAVE TO BE SO CAREFUL WITH MY IMAGE. 263 00:09:14,755 --> 00:09:16,887 MY IMAGE IS ALL THAT I HAVE. 264 00:09:16,887 --> 00:09:18,659 YEAH. NO, WE WERE JUST TALKING ABOUT THAT. 265 00:09:18,659 --> 00:09:19,990 (Beckett) MS. CAPPUCCIO, 266 00:09:19,990 --> 00:09:22,092 WHEN FRANCISCO BROUGHT YOUR DOG BACK, 267 00:09:22,092 --> 00:09:23,864 WAS HE ACTING UNUSUAL AT ALL? 268 00:09:23,864 --> 00:09:25,195 OH, I DIDN'T SEE HIM. 269 00:09:25,195 --> 00:09:26,897 HE SHOWED UP IN THE MIDDLE OF MY 10:00 A.M. WORKOUT. 270 00:09:26,897 --> 00:09:29,199 I WAS HERE, SO I TOOK LOLITA. 271 00:09:29,199 --> 00:09:31,001 BUT YOU'RE RIGHT. THE GUY WAS ACTING WEIRD. 272 00:09:31,001 --> 00:09:32,973 HE KEPT SAYING, "WHO IS SHE WORKING FOR? 273 00:09:32,973 --> 00:09:34,705 I KNOW SHE'S WORKING FOR SOMEBODY." 274 00:09:34,705 --> 00:09:36,807 HE SEEMED REALLY PARANOID. 275 00:09:36,807 --> 00:09:38,809 DO YOU HAVE ANY IDEA WHAT HE WAS TALKING ABOUT? 276 00:09:38,809 --> 00:09:39,950 NO CLUE. 277 00:09:39,950 --> 00:09:41,882 THAT'S WHY I WENT TO GO TALK WITH HIM. 278 00:09:41,882 --> 00:09:45,015 OKAY. WELL, I GUESS, THEN, WE ARE DONE... 279 00:09:45,015 --> 00:09:46,216 FOR NOW. 280 00:09:46,216 --> 00:09:47,788 JUST, UH, STAY AVAILABLE 281 00:09:47,788 --> 00:09:48,889 FOR QUESTIONING. 282 00:09:48,889 --> 00:09:50,220 OH, MY GOD. LIKE I'M GONNA GO ANYWHERE? 283 00:09:50,220 --> 00:09:51,892 I CAN'T TAKE ONE STEP WITHOUT A MILLION PEOPLE 284 00:09:51,892 --> 00:09:53,994 TAKING MY PICTURE. 285 00:09:56,596 --> 00:09:58,128 MM. 286 00:09:58,128 --> 00:09:59,830 WELL, IT'S NO MYSTERY 287 00:09:59,830 --> 00:10:01,902 WHY SOMEONE WOULDN'T WANT TO BE IN BUSINESS WITH KAY. 288 00:10:01,902 --> 00:10:03,033 BUT WHY DID FRANCISCO 289 00:10:03,033 --> 00:10:05,275 THINK THAT SHE WAS WORKING FOR SOMEONE? 290 00:10:05,275 --> 00:10:07,377 (Castle) ESPECIALLY SINCE HER WHOLE LIFE IS ABOUT NOT WORKING. 291 00:10:07,377 --> 00:10:09,640 AND WHAT MADE HIM SO PARANOID ABOUT HER? 292 00:10:09,640 --> 00:10:11,281 MAYBE HE HAD SOMETHING TO HIDE. LOOKS LIKE THERE MIGHT BE 293 00:10:11,281 --> 00:10:13,113 SOME TRUTH TO THOSE RUMORS THAT THE FIX WAS IN. 294 00:10:13,113 --> 00:10:15,215 (Esposito) YEAH, I'VE BEEN GOING THROUGH FRANCISCO'S FINANCIALS. 295 00:10:15,215 --> 00:10:16,987 HE MADE A BUNCH OF CASH DEPOSITS 296 00:10:16,987 --> 00:10:19,650 OVER THE LAST YEAR-- 10 GRAND A POP. 297 00:10:19,650 --> 00:10:21,822 SO WE WENT BACK AND LOOKED AT THE LAST FEW SHOWS HE JUDGED. 298 00:10:21,822 --> 00:10:23,924 OUR BOY HAD A THING FOR LONG SHOTS. 299 00:10:23,924 --> 00:10:25,996 THE LINE AT VEGAS ON YESTERDAY'S SUNFARE WINNER 300 00:10:25,996 --> 00:10:26,927 WAS 50 TO 1. 301 00:10:26,927 --> 00:10:28,298 A REAL UNDERDOG. 302 00:10:28,298 --> 00:10:30,260 WELL, WHAT DOESN'T MAKE ANY SENSE IS, 303 00:10:30,260 --> 00:10:33,133 IF HE WAS TAKING THE BRIBES, WHY WOULD THEY KILL HIM? 304 00:10:33,133 --> 00:10:34,264 MAYBE HE WANTED OUT 305 00:10:34,264 --> 00:10:35,806 OR MORE MONEY. 306 00:10:35,806 --> 00:10:37,708 HIS CALENDAR SAID HE HAD WEEKLY APPOINTMENTS 307 00:10:37,708 --> 00:10:39,169 WITH A THERAPIST-- A DR. PATTY BARKER. 308 00:10:39,169 --> 00:10:41,271 THEY HAD A SESSION THE DAY HE DIED. 309 00:10:41,271 --> 00:10:42,843 MAYBE SHE CAN FILL IN SOME GAPS. 310 00:10:42,843 --> 00:10:44,344 OKAY, LET'S BRING HER IN. (Ryan) MM-HMM. 311 00:10:44,344 --> 00:10:45,916 (Lanie) BROUGHT YOU GUYS A LITTLE VISITOR. 312 00:10:45,916 --> 00:10:48,178 (baby-talk voice) OH, LOOK WHO IT IS. IT'S ROYAL. 313 00:10:48,178 --> 00:10:49,880 LOOK AT YOU. YOU'RE ADORABLE. 314 00:10:49,880 --> 00:10:51,051 OKAY, ADORABLE. 315 00:10:51,051 --> 00:10:52,152 WE SWABBED HIS MOUTH FOR HUMAN D.N.A., 316 00:10:52,152 --> 00:10:53,954 BUT I DON'T HAVE HIGH HOPES. 317 00:10:53,954 --> 00:10:55,926 EVEN IF THERE WERE SOME, ALL THAT SLOBBERING-- 318 00:10:55,926 --> 00:10:58,088 IT'S PROBABLY LONG GONE. (Royal whines) 319 00:10:58,088 --> 00:11:00,030 HEY, WHAT ARE WE GONNA DO WITH ROYAL? 320 00:11:00,030 --> 00:11:01,862 I MEAN, FRANCISCO DIDN'T HAVE ANY FAMILY. 321 00:11:01,862 --> 00:11:04,194 (Lanie) I DIDN'T HAVE THE HEART TO CALL ANIMAL CONTROL. 322 00:11:04,194 --> 00:11:05,736 JENNY'S FRIEND RUNS A RESCUE. 323 00:11:05,736 --> 00:11:07,397 OR... WE COULD KEEP HIM HERE AT THE PRECINCT. 324 00:11:07,397 --> 00:11:09,169 I MEAN, WE COULD USE A MASCOT. 325 00:11:09,169 --> 00:11:10,370 I THOUGHT THAT'S WHAT YOU WERE. 326 00:11:10,370 --> 00:11:11,902 THAT--WHAT'S THAT? (snaps fingers) 327 00:11:11,902 --> 00:11:13,073 (makes kissing noises) WHAT'S THAT, BUDDY? 328 00:11:13,073 --> 00:11:14,905 ESPOSITO'S SENSE OF HUMOR FELL DOWN A WELL 329 00:11:14,905 --> 00:11:17,007 AND CAN'T GET OUT? THAT--THAT'S NOT... 330 00:11:17,007 --> 00:11:18,949 PLEASE. THAT'S NOT TRUE. 331 00:11:18,949 --> 00:11:20,280 (panting) 332 00:11:20,280 --> 00:11:22,983 OKAY, FINE, BUT ONLY UNTIL WE FIND HIM A SUITABLE HOME. 333 00:11:22,983 --> 00:11:25,115 THEN YOU BETTER FIND OUT WHAT KIND OF FOOD HE EATS, 334 00:11:25,115 --> 00:11:27,057 BECAUSE HE'S NOT TOUCHING THE STUFF I PUT OUT. 335 00:11:27,057 --> 00:11:28,018 WELL, THERE'S GOTTA BE SOME FOOD FOR HIM 336 00:11:28,018 --> 00:11:29,459 AT FRANCISCO'S PLACE. 337 00:11:29,459 --> 00:11:31,892 WHO WANTS TO MAKE A RUN FOR IT? TO GO GET DOG FOOD? 338 00:11:31,892 --> 00:11:32,923 CASTLE. RYAN. 339 00:11:32,923 --> 00:11:34,795 ESPOSITO. 340 00:11:34,795 --> 00:11:36,096 WELL... 341 00:11:36,096 --> 00:11:38,098 SHALL WE SETTLE THIS LIKE MEN? 342 00:11:38,098 --> 00:11:39,930 (clears throat) ALL RIGHT. 343 00:11:39,930 --> 00:11:42,272 (Ryan clears throat) 344 00:11:42,272 --> 00:11:44,134 (people speaking indistinctly) 345 00:11:44,134 --> 00:11:45,976 MM. 346 00:11:45,976 --> 00:11:48,038 TWO OUTTA THREE? 347 00:11:49,039 --> 00:11:51,081 WHEW. SNIP. 348 00:11:51,081 --> 00:11:53,784 OH, HE'S BEEN MY PATIENT FOR YEARS. 349 00:11:53,784 --> 00:11:56,947 I SEE HIM WHENEVER HIS TRAVEL ALLOWS FOR IT. 350 00:11:56,947 --> 00:11:59,449 DR. BARKER, WHAT KIND OF ISSUES WAS HE DEALING WITH? 351 00:11:59,449 --> 00:12:01,752 DID HE EVER EXHIBIT SIGNS OF PARANOIA? 352 00:12:01,752 --> 00:12:04,094 NO. THE OCCASIONAL BOUT OF DEPRESSION, 353 00:12:04,094 --> 00:12:06,426 WHICH THEN LED TO LOW SELF-ESTEEM, 354 00:12:06,426 --> 00:12:09,059 WHICH LED TO BINGE EATING, UH... 355 00:12:09,059 --> 00:12:10,200 AN EATING PROBLEM? 356 00:12:10,200 --> 00:12:12,032 YOU WOULDN'T KNOW IT TO LOOK AT HIM. 357 00:12:12,032 --> 00:12:13,333 OH, HIS DIET WAS HORRIBLE. 358 00:12:13,333 --> 00:12:15,735 OH, SCRAPS FROM THE GARBAGE, 359 00:12:15,735 --> 00:12:18,508 DEAD BIRDS, EVEN HIS OWN FECES. 360 00:12:20,040 --> 00:12:23,844 WE'RE NOT TALKING ABOUT FRANCISCO HERE, ARE WE? 361 00:12:23,844 --> 00:12:27,948 OH, Y-YOU THOUGHT I WAS FRANCISCO'S THERAPIST? 362 00:12:27,948 --> 00:12:28,979 (chuckles) YEAH. 363 00:12:28,979 --> 00:12:30,851 (laughs) H-HEAVENS NO, NO. 364 00:12:30,851 --> 00:12:34,224 MY PATIENT IS ROYAL. 365 00:12:34,224 --> 00:12:37,757 WELL, I AM A CANINE THERAPIST. (laughs) 366 00:12:37,757 --> 00:12:39,089 YEAH. 367 00:12:39,089 --> 00:12:41,191 BE PRETTY CRAZY FOR ME TO TREAT PEOPLE. (laughs) 368 00:12:41,191 --> 00:12:43,033 (laughs) PEOPLE? THAT WOULD BE CRAZY. 369 00:12:43,033 --> 00:12:44,394 (both laugh) 370 00:12:44,394 --> 00:12:46,196 UH, DR. BARK-- 371 00:12:46,196 --> 00:12:49,099 MRS. BARKER, HOW DID FRANCISCO SEEM TO YOU 372 00:12:49,099 --> 00:12:51,041 AT ROYAL'S LAST APPOINTMENT? 373 00:12:51,041 --> 00:12:53,103 WELL, ACTUALLY, HE CANCELED IT. 374 00:12:53,103 --> 00:12:54,805 DID HE SAY WHY? 375 00:12:54,805 --> 00:12:56,106 JUST THAT SOMETHING HAD COME UP 376 00:12:56,106 --> 00:12:58,448 AND HE HAD TO BE SOMEWHERE IN A HURRY. 377 00:12:58,448 --> 00:13:00,780 OKAY, THAT'S... 378 00:13:00,780 --> 00:13:02,983 ACTUALLY HELPFUL. 379 00:13:02,983 --> 00:13:04,815 WELL... 380 00:13:04,815 --> 00:13:06,156 WELL, UM, THANK YOU. 381 00:13:06,156 --> 00:13:07,487 WE'LL CONTACT YOU IF WE NEED ANYTHING FURTHER. 382 00:13:07,487 --> 00:13:10,460 (Barker) HOW-- HOW IS ROYAL DOING? 383 00:13:10,460 --> 00:13:12,162 IS IT TRUE THAT HE WAS AT THE CRIME SCENE, 384 00:13:12,162 --> 00:13:13,864 THAT HE WITNESSED THE MURDER? 385 00:13:13,864 --> 00:13:15,265 WE THINK SO, YES. 386 00:13:15,265 --> 00:13:17,167 THERE MAY BE THINGS HE SAW, 387 00:13:17,167 --> 00:13:20,000 THINGS HE'S TRYING TO COMMUNICATE ABOUT THE CRIME. 388 00:13:20,000 --> 00:13:24,234 IF YOU LET ME SEE HIM, I CAN TRY TO FIND OUT WHAT HE KNOWS. 389 00:13:25,876 --> 00:13:27,177 (lowered voice) YOU KNOW, FRANCISCO HAD 390 00:13:27,177 --> 00:13:29,209 A LOT OF FAITH IN HER. MIGHT BE WORTH A FEW MINUTES. 391 00:13:29,209 --> 00:13:31,141 (cell phone rings) (lowered voice) OF YOUR TIME, SURE. 392 00:13:31,141 --> 00:13:33,213 (beeps) (normal voice) I'LL GET HIM. 393 00:13:33,213 --> 00:13:34,384 BECKETT. 394 00:13:34,384 --> 00:13:35,545 (Ryan) Found enough dog food 395 00:13:35,545 --> 00:13:37,487 to keep Royal fat and happy for a while. 396 00:13:37,487 --> 00:13:39,149 FOUND SOMETHING ELSE TASTY, TOO-- 397 00:13:39,149 --> 00:13:41,051 ELECTRONIC BUG SWEEPER. 398 00:13:41,051 --> 00:13:42,522 LOOKS NEW. To detect 399 00:13:42,522 --> 00:13:44,224 EAVESDROPPING DEVICES? Mm-hmm. 400 00:13:44,224 --> 00:13:45,455 PARANOIA OR NOT, 401 00:13:45,455 --> 00:13:47,357 FRANCISCO THOUGHT HE WAS UNDER SURVEILLANCE. 402 00:13:47,357 --> 00:13:51,101 OKAY, SO FRANCISCO WAS WORRIED THAT HE WAS BEING BUGGED. 403 00:13:51,101 --> 00:13:53,103 AND THEN YESTERDAY, SOMEWHERE AROUND 11:00 A.M., 404 00:13:53,103 --> 00:13:55,535 HE RUNS OFF, RIGHT AROUND THE TIME THAT KAY'S ASSISTANT 405 00:13:55,535 --> 00:13:57,367 SAID THAT HE STARTED ACTING PARANOID. 406 00:13:57,367 --> 00:13:59,109 THEN A FEW HOURS LATER, HE'S MURDERED. 407 00:13:59,109 --> 00:14:01,311 SO THEN WHERE THE HELL DID HE GO? 408 00:14:01,311 --> 00:14:04,274 YOU KNOW, WE'VE GOT FRANCISCO'S CELL PHONE IN EVIDENCE. 409 00:14:04,274 --> 00:14:06,176 IF THE GPS WAS TURNED ON, 410 00:14:06,176 --> 00:14:09,019 IT MIGHT TELL US EXACTLY WHERE HE WENT. 411 00:14:09,019 --> 00:14:11,281 (Barker) YES, THAT'S RIGHT. 412 00:14:11,281 --> 00:14:12,883 I KNOW. OH. 413 00:14:12,883 --> 00:14:14,854 I KNOW YOU ARE. 414 00:14:14,854 --> 00:14:17,988 OH, THE POOR THING IS JUST TRAUMATIZED. 415 00:14:17,988 --> 00:14:19,289 HOW WAS HE WHEN YOU FOUND HIM? 416 00:14:19,289 --> 00:14:22,162 UH, THEY SAID THAT HE WAS PAWING AT THE GROUND. 417 00:14:22,162 --> 00:14:23,493 UH, THE MAN FROM SUNFARE 418 00:14:23,493 --> 00:14:25,595 SAID THAT WAS A SIGN OF BEREAVEMENT? 419 00:14:25,595 --> 00:14:27,337 ROYAL, ROYAL, 420 00:14:27,337 --> 00:14:29,339 LOOK AT WHAT I'M DOING. 421 00:14:31,571 --> 00:14:33,143 (whines) THAT'S RIGHT. 422 00:14:33,143 --> 00:14:34,474 I-I KNOW IT IS. 423 00:14:34,474 --> 00:14:36,176 HE WAS TRYING TO TELL YOU SOMETHING, 424 00:14:36,176 --> 00:14:38,248 SOMETHING IMPORTANT. 425 00:14:38,248 --> 00:14:40,250 REALLY? YOU CAN TELL ALL THAT FROM... 426 00:14:40,250 --> 00:14:42,582 (whining) ROYAL, LOOK AT ME. 427 00:14:42,582 --> 00:14:46,186 I KNOW. I KNOW YOU'RE HURT. 428 00:14:46,186 --> 00:14:47,988 YOU'RE CONFUSED. 429 00:14:47,988 --> 00:14:50,490 YOU'RE DEALING WITH ABANDONMENT ISSUES. 430 00:14:50,490 --> 00:14:52,192 OH. 431 00:14:52,192 --> 00:14:54,194 THERE'S A LOT TO BREAK THROUGH HERE. 432 00:14:54,194 --> 00:14:55,966 THIS COULD TAKE SOME TIME. 433 00:14:55,966 --> 00:14:57,397 (whines) 434 00:14:57,397 --> 00:14:59,269 TELL ME... 435 00:14:59,269 --> 00:15:03,233 DID FRANCISCO EVER OBSERVE YOU DURING YOUR SESSIONS? 436 00:15:03,233 --> 00:15:06,036 NO. HE WAITED OUTSIDE. WHY? 437 00:15:06,036 --> 00:15:08,038 NO REASON. 438 00:15:08,038 --> 00:15:09,379 (moans and whines) 439 00:15:12,983 --> 00:15:14,914 ACCORDING TO HIS PHONE, 440 00:15:14,914 --> 00:15:17,187 THIS IS THE PLACE FRANCISCO WENT YESTERDAY 441 00:15:17,187 --> 00:15:19,219 BEFORE THE DOG SHOW. 442 00:15:19,219 --> 00:15:21,992 MAYBE IT WAS TO MEET HIS GAMBLING CONTACTS. 443 00:15:21,992 --> 00:15:23,493 COULDN'T HE JUST DO THIS OVER THE PHONE? 444 00:15:23,493 --> 00:15:25,395 NOT IF HE WAS BEING BUGGED. 445 00:15:25,395 --> 00:15:28,959 (rattles door) 446 00:15:28,959 --> 00:15:30,460 HEY. HMM? 447 00:15:30,460 --> 00:15:32,332 REMEMBER WHAT ELSE FRANCISCO HAD IN HIS POCKET? 448 00:15:35,305 --> 00:15:37,307 (panel chirps and beeps, lock clicks) 449 00:15:56,326 --> 00:15:58,358 WHAT IS THIS PLACE? 450 00:15:58,358 --> 00:16:01,391 IT LOOKS LIKE SOME KIND OF A KENNEL. 451 00:16:01,391 --> 00:16:04,534 YEAH, I SEE THE... CAGES. 452 00:16:04,534 --> 00:16:06,236 BUT WHERE ARE THE... 453 00:16:06,236 --> 00:16:09,239 (growling) 454 00:16:11,301 --> 00:16:12,302 SHEPHERDS. 455 00:16:12,302 --> 00:16:15,645 (growling continues) 456 00:16:15,645 --> 00:16:17,347 (Esposito) OKAY, LISTEN, 457 00:16:17,347 --> 00:16:19,679 A FRIEND OF MINE HAD ONE OF THESE. 458 00:16:19,679 --> 00:16:21,681 THEY SMELL FEAR. 459 00:16:21,681 --> 00:16:23,653 SO DON'T FLINCH. 460 00:16:23,653 --> 00:16:26,216 WHATEVER YOU DO, DON'T... 461 00:16:26,216 --> 00:16:28,258 (barking) RUN! 462 00:16:28,258 --> 00:16:30,660 (continue barking) 463 00:16:35,365 --> 00:16:36,526 (dogs barking) 464 00:16:36,526 --> 00:16:37,767 (Beckett) AAH! 465 00:16:37,767 --> 00:16:39,529 LET'S GO! AAH! 466 00:16:39,529 --> 00:16:41,601 BECKETT, GO! MOVE! 467 00:16:41,601 --> 00:16:43,073 AAH! (panting) 468 00:16:43,073 --> 00:16:44,674 OHH! COME ON! 469 00:16:44,674 --> 00:16:46,736 AAH! OKAY. 470 00:16:46,736 --> 00:16:48,238 (barking continues) 471 00:16:48,238 --> 00:16:51,381 (dogs whining) 472 00:16:53,313 --> 00:16:56,446 WHAT THE HELL ARE YOU DOING IN MY WAREHOUSE?! 473 00:16:56,446 --> 00:16:58,188 (panting) DETECTIVES BECKETT 474 00:16:58,188 --> 00:17:00,350 AND ESPOSITO, NYPD. 475 00:17:00,350 --> 00:17:01,691 YOU GOT A WARRANT? 476 00:17:01,691 --> 00:17:02,792 (pants) WHO ARE YOU? 477 00:17:02,792 --> 00:17:06,126 JACK PATTERSON. I WORK FOR FRANCISCO PILAR. 478 00:17:06,126 --> 00:17:08,628 DID ANYWAY. WHAT DO YOU WANT? 479 00:17:08,628 --> 00:17:10,630 WE'RE INVESTIGATING HIS MURDER. 480 00:17:10,630 --> 00:17:14,364 (pants) WHAT THE HELL IS THIS PLACE? 481 00:17:14,364 --> 00:17:16,766 FRANCISCO WAS BREEDING A NEW TYPE OF DESIGNER DOG-- 482 00:17:16,766 --> 00:17:19,038 (dogs whining) THE PILAR RETRIEVER. 483 00:17:19,038 --> 00:17:21,040 I MANAGED THE OPERATION WHEN HE WAS TRAVELING. (yawns) 484 00:17:21,040 --> 00:17:22,542 IT'S A REAL TRAGEDY. 485 00:17:22,542 --> 00:17:25,475 GUY SPENDS HIS WHOLE LIFE DEVELOPING A DOG. 486 00:17:25,475 --> 00:17:27,547 HE WAS ALMOST READY TO UNVEIL IT, TOO. 487 00:17:27,547 --> 00:17:29,519 HOW WELL DID YOU KNOW FRANCISCO? 488 00:17:29,519 --> 00:17:31,151 (Esposito) YEAH, DID HE HAVE A GAMBLING HOBBY, 489 00:17:31,151 --> 00:17:32,622 POSSIBLY TOOK SOME BRIBES FROM THE WRONG PEOPLE? 490 00:17:32,622 --> 00:17:34,484 FRANCISCO DIDN'T HAVE HOBBIES. 491 00:17:34,484 --> 00:17:36,086 HIS WHOLE LIFE WAS HIS WORK, 492 00:17:36,086 --> 00:17:37,527 AND IT WAS HONEST WORK. 493 00:17:37,527 --> 00:17:38,658 YEAH, WELL, THE THING IS, 494 00:17:38,658 --> 00:17:40,560 FRANCISCO MADE A BUNCH OF MAJOR CASH DEPOSITS 495 00:17:40,560 --> 00:17:42,061 INTO AN ACCOUNT. 496 00:17:42,061 --> 00:17:45,195 LET ME GUESS. 10 GRAND EACH, RIGHT? 497 00:17:45,195 --> 00:17:47,167 WORD WAS LEAKING OUT ABOUT THE PILAR RETRIEVER. 498 00:17:47,167 --> 00:17:49,169 PEOPLE WERE STOPPING FRANCISCO AT DOG SHOWS, 499 00:17:49,169 --> 00:17:52,342 GIVING HIM CASH JUST TO RESERVE A PUP FROM THE FIRST LITTER. 500 00:17:52,342 --> 00:17:54,404 ANY IDEA WHY HE RUSHED OVER HERE YESTERDAY? 501 00:17:54,404 --> 00:17:55,775 ACTUALLY, YEAH. 502 00:17:55,775 --> 00:17:58,278 HE SHOWED UP WITH A BUG DETECTOR AND STARTED SWEEPING THE PLACE. 503 00:17:58,278 --> 00:18:01,251 WHY WOULD ANYONE WANT TO PUT A KENNEL UNDER SURVEILLANCE? 504 00:18:01,251 --> 00:18:02,612 I DON'T KNOW. 505 00:18:02,612 --> 00:18:03,753 WELL, HIS BREEDING AND TRAINING METHODS 506 00:18:03,753 --> 00:18:05,315 WERE CLOSELY GUARDED SECRETS, 507 00:18:05,315 --> 00:18:07,317 AND THE PILAR RETRIEVER WAS MAKING HIS COMPETITORS 508 00:18:07,317 --> 00:18:08,758 VERY NERVOUS. 509 00:18:08,758 --> 00:18:10,820 ANYONE SPECIFIC? 510 00:18:10,820 --> 00:18:12,822 IT SOUNDED CRAZY AT THE TIME, 511 00:18:12,822 --> 00:18:15,495 BUT HE THOUGHT ONE OF HIS DOG TRAINING CLIENTS WAS IN BUSINESS 512 00:18:15,495 --> 00:18:17,627 WITH SOMEONE WHO WAS TRYING TO INFILTRATE OUR OPERATION. 513 00:18:17,627 --> 00:18:21,171 AND DID HE TELL YOU WHICH CLIENT? 514 00:18:21,171 --> 00:18:22,832 (Castle) KAY CAPPUCCIO? 515 00:18:22,832 --> 00:18:24,534 WHY WOULD SHE STEAL FRANCISCO'S SECRETS? 516 00:18:24,534 --> 00:18:26,536 WELL, WE DON'T KNOW FOR SURE THAT SHE DID. 517 00:18:26,536 --> 00:18:28,708 IN FACT, WE DON'T KNOW THAT HE WAS ACTUALLY BUGGED 518 00:18:28,708 --> 00:18:30,140 BY ANYONE. 519 00:18:30,140 --> 00:18:31,381 WELL, WE DO NOW. 520 00:18:31,381 --> 00:18:33,213 FRANCISCO'S SWEEPER HAS A MEMORY, 521 00:18:33,213 --> 00:18:36,316 AND IT TRIPPED TO A LISTENING DEVICE YESTERDAY MORNING. 522 00:18:36,316 --> 00:18:38,188 THE SAME TIME HE CONFRONTED KAY'S PEOPLE 523 00:18:38,188 --> 00:18:39,749 AND ASKED WHO SHE WAS WORKING FOR. 524 00:18:39,749 --> 00:18:41,251 THIS CAN'T BE A COINCIDENCE. 525 00:18:41,251 --> 00:18:43,122 IT ALL HAPPENED ON THE SAME DAY HE WAS KILLED. 526 00:18:43,122 --> 00:18:44,794 YOU KNOW, I GOT A FEELING THAT KAY CAPPUCCIO 527 00:18:44,794 --> 00:18:46,456 KNOWS A LOT MORE THAN SHE'S LETTING ON. 528 00:18:46,456 --> 00:18:48,198 WE'RE GONNA HAVE TO TALK TO HER AGAIN. 529 00:18:48,198 --> 00:18:50,129 AND THIS TIME... 530 00:18:50,129 --> 00:18:51,631 SHE'S COMING TO US. 531 00:18:51,631 --> 00:18:53,132 (elevator bell dings) 532 00:18:53,132 --> 00:18:56,206 ♪♪♪ 533 00:18:58,868 --> 00:19:00,810 (electronic male voice) ♪ WHOA, WHOA, WHOA ♪ 534 00:19:02,712 --> 00:19:05,575 ♪♪♪ 535 00:19:05,575 --> 00:19:07,717 RIGHT THIS WAY, MS. CAPPUCCIO. 536 00:19:07,717 --> 00:19:09,379 (Lolita whines) 537 00:19:09,379 --> 00:19:10,480 JUST HER. 538 00:19:10,480 --> 00:19:12,452 ♪♪♪ 539 00:19:12,452 --> 00:19:14,584 ♪ WHOA, WHOA ♪ 540 00:19:14,584 --> 00:19:17,227 (whimpering) 541 00:19:17,227 --> 00:19:20,290 ♪♪♪ 542 00:19:20,290 --> 00:19:24,264 (beeping) 543 00:19:24,264 --> 00:19:26,796 ♪♪♪ 544 00:19:26,796 --> 00:19:28,498 (beeping continues) 545 00:19:28,498 --> 00:19:30,670 (Beckett) I DON'T REALLY WATCH REALITY TELEVISION, 546 00:19:30,670 --> 00:19:32,402 MS. CAPPUCCIO. WOULD YOU LIKE TO KNOW WHY? 547 00:19:32,402 --> 00:19:34,774 (Lolita sputters) 548 00:19:34,774 --> 00:19:35,775 (baby-talk voice) YOU WANT KISSES? 549 00:19:35,775 --> 00:19:38,278 (makes kissing sounds) KISSES. (giggles) 550 00:19:38,278 --> 00:19:39,779 (Lolita whines) 551 00:19:39,779 --> 00:19:43,683 BECAUSE I USUALLY FIND THAT IT'S NOT ALL THAT REAL. 552 00:19:43,683 --> 00:19:45,615 AND I DON'T LIKE THINGS OR PEOPLE 553 00:19:45,615 --> 00:19:48,518 WHO PRESENT FICTION AS TRUTH. 554 00:19:48,518 --> 00:19:51,261 IN FACT, I FIND IT TO BE A WASTE OF TIME. 555 00:19:51,261 --> 00:19:53,763 OKAY, IS THIS WHY YOU BROUGHT ME DOWN HERE, 556 00:19:53,763 --> 00:19:55,795 TO INSULT MY SHOW? 557 00:19:55,795 --> 00:19:57,327 THIS ISN'T ABOUT YOUR SHOW. 558 00:19:57,327 --> 00:19:59,299 I WANT TO KNOW WHAT REALLY HAPPENED WITH FRANCISCO. 559 00:19:59,299 --> 00:20:00,630 THIS TIME, THE TRUTH. 560 00:20:00,630 --> 00:20:01,971 I TOLD YOU THE TRUTH. 561 00:20:01,971 --> 00:20:03,533 WELL, ACCORDING TO YOUR ASSISTANT, 562 00:20:03,533 --> 00:20:05,805 FRANCISCO ASKED YOU WHO YOU WERE WORKING FOR. 563 00:20:05,805 --> 00:20:07,277 WHAT DOES THAT MEAN? 564 00:20:07,277 --> 00:20:08,838 I TOLD YOU, I HAVE NO IDEA. 565 00:20:08,838 --> 00:20:09,979 REALLY? 566 00:20:09,979 --> 00:20:11,811 NO IDEA THAT HE WAS STARTING A BREEDING VENTURE 567 00:20:11,811 --> 00:20:14,384 THAT HIS COMPETITORS WERE JUST DYING TO KNOW ABOUT? 568 00:20:14,384 --> 00:20:16,886 TELL ME, DOES THE PHRASE "CORPORATE ESPIONAGE" 569 00:20:16,886 --> 00:20:18,688 MEAN ANYTHING TO YOU? 570 00:20:18,688 --> 00:20:20,490 NO. 571 00:20:20,490 --> 00:20:21,821 (whimpers) 572 00:20:21,821 --> 00:20:24,794 NO, SERIOUSLY. I HAVE NO IDEA WHAT IT MEANS. 573 00:20:24,794 --> 00:20:27,226 (door opens) 574 00:20:27,226 --> 00:20:29,399 COULD I, UH, SEE YOU GUYS FOR A SECOND? 575 00:20:29,399 --> 00:20:31,331 (people speaking indistinctly) 576 00:20:31,331 --> 00:20:32,532 (Lolita whines) 577 00:20:32,532 --> 00:20:33,803 SHE SET OFF THE SWEEPER. 578 00:20:33,803 --> 00:20:34,964 WHAT? 579 00:20:34,964 --> 00:20:36,836 THE BUG SWEEPER WAS ON MY DESK. 580 00:20:36,836 --> 00:20:38,338 WHEN SHE WALKED BY, IT WENT OFF. 581 00:20:38,338 --> 00:20:39,909 YOU THINK SHE'S WEARING A WIRE? 582 00:20:39,909 --> 00:20:41,871 DUDE, LOOK AT THAT OUTFIT. 583 00:20:41,871 --> 00:20:43,242 WHERE IS SHE GONNA PUT A WIRE? 584 00:20:43,242 --> 00:20:44,974 WELL, IF I HAD TO BE CREATIVE, I'D GUESS-- 585 00:20:44,974 --> 00:20:46,316 THAT'S RHETORICAL. 586 00:20:46,316 --> 00:20:47,677 WE WENT INTO THE TECH ROOM 587 00:20:47,677 --> 00:20:49,649 TO ISOLATE THE FREQUENCY THAT THE BUG WAS TRANSMITTING ON, 588 00:20:49,649 --> 00:20:51,851 AND WE FOUND, UH, WELL... 589 00:20:51,851 --> 00:20:52,822 SHOW 'EM. 590 00:20:52,822 --> 00:20:54,324 ALL RIGHT. 591 00:20:54,324 --> 00:20:55,485 (clicks keyboard key) 592 00:20:55,485 --> 00:20:57,026 (baby-talk voice) OH, SWEET BABY. 593 00:20:57,026 --> 00:20:58,728 MOMMY'S GONNA GET YOU HOME SO SOON. 594 00:20:58,728 --> 00:21:00,290 BOOBS? 595 00:21:00,290 --> 00:21:02,031 (speaking indistinctly) NOT JUST ANY BOOBS, HER BOOBS. 596 00:21:02,031 --> 00:21:04,594 IT'S ON THE COLLAR. 597 00:21:04,594 --> 00:21:07,597 THERE'S A CAMERA IN ONE OF THE JEWELS IN THE DOG'S COLLAR. 598 00:21:07,597 --> 00:21:09,439 YOU SAID SHE TAKES THAT DOG WITH HER WHEREVER SHE GOES? 599 00:21:09,439 --> 00:21:10,600 MM-HMM. 600 00:21:10,600 --> 00:21:12,001 WHICH MEANS THAT FRANCISCO 601 00:21:12,001 --> 00:21:14,003 PROBABLY WASN'T THE INTENDED TARGET OF THE SURVEILLANCE. 602 00:21:14,003 --> 00:21:15,445 KAY CAPPUCCIO IS. 603 00:21:17,006 --> 00:21:18,848 (makes kissing noises) 604 00:21:22,612 --> 00:21:24,384 (Lolita whines) 605 00:21:24,384 --> 00:21:27,417 I CANNOT BELIEVE THAT SOMEONE HAS BEEN WATCHING ME. 606 00:21:27,417 --> 00:21:29,489 MS. CAPPUCCIO, WHEN YOU SAY THAT YOUR DOG 607 00:21:29,489 --> 00:21:30,620 GOES WITH YOU EVERYWHERE-- 608 00:21:30,620 --> 00:21:31,961 OH, MY GOD. 609 00:21:31,961 --> 00:21:33,523 HE COULD'VE SEEN ME IN THE SHOWER. 610 00:21:33,523 --> 00:21:37,427 HE COULD HAVE SEEN ME AND REGGIE IN BED TOGETHER. 611 00:21:37,427 --> 00:21:39,529 HE COULD'VE SEEN ME WITHOUT MY MAKEUP. 612 00:21:39,529 --> 00:21:42,001 (whispers) I FEEL SO VIOLATED. 613 00:21:42,001 --> 00:21:45,705 LOOK, THE PAPARAZZI ARE AGGRESSIVE, 614 00:21:45,705 --> 00:21:47,637 BUT WIRING A DOG COLLAR, 615 00:21:47,637 --> 00:21:49,339 THAT'S A LOT OF EFFORT TO GO THROUGH 616 00:21:49,339 --> 00:21:50,880 JUST TO GET SOME CELEBRITY VIDEO. 617 00:21:50,880 --> 00:21:52,482 (normal voice) OH, WELL, I MEAN, 618 00:21:52,482 --> 00:21:53,743 IT'S NOT JUST 619 00:21:53,743 --> 00:21:55,615 I MEAN, T.M.Z.'s OFFERED, LIKE, A MILLION BUCKS 620 00:21:55,615 --> 00:21:57,487 FOR THE FIRST NAKED PICTURE OF ME. 621 00:21:57,487 --> 00:21:59,919 YOU ASK ME, THAT NUMBER'S ON THE LOW SIDE. 622 00:21:59,919 --> 00:22:01,991 YOU ARE TOO SWEET. 623 00:22:01,991 --> 00:22:03,593 THANK YOU. 624 00:22:03,593 --> 00:22:05,895 A MILLION DOLLARS IS A PRETTY POWERFUL INCENTIVE. 625 00:22:05,895 --> 00:22:07,096 YEAH. 626 00:22:07,096 --> 00:22:08,898 WHEN DID YOU GET THAT COLLAR? 627 00:22:08,898 --> 00:22:10,630 UM, A FEW WEEKS AGO. 628 00:22:10,630 --> 00:22:12,762 THE CAMERA WOULD'VE HAD TO BE INSTALLED SINCE THEN, 629 00:22:12,762 --> 00:22:14,664 WHICH WOULD MEAN THEY WOULD NEED ACCESS TO YOUR DOG. 630 00:22:14,664 --> 00:22:16,736 LOLITA IS BARELY EVER OUT OF MY SIGHT. 631 00:22:16,736 --> 00:22:19,509 ONLY WHEN SHE GOES ON HER WALK 632 00:22:19,509 --> 00:22:20,940 OR TO THE GROOMER'S. 633 00:22:20,940 --> 00:22:22,542 OKAY, WE'RE GONNA NEED THE NAMES OF ALL OF THOSE PEOPLE 634 00:22:22,542 --> 00:22:23,673 ALONG WITH YOUR HOUSE STAFF. 635 00:22:23,673 --> 00:22:25,014 WE'RE GONNA WANT TO RUN BACKGROUND CHECKS 636 00:22:25,014 --> 00:22:26,376 ON ALL OF THEM. 637 00:22:26,376 --> 00:22:28,017 MEANTIME, WE SHOULD KEEP THE COLLAR-CAM ACTIVE. 638 00:22:28,017 --> 00:22:30,019 WE DON'T WANT WHOEVER'S BEHIND THIS TO KNOW WE'RE ON TO THEM. 639 00:22:30,019 --> 00:22:31,981 RIGHT, WHICH MEANS, JUST GO ABOUT YOUR REGULAR ROUTINE. 640 00:22:31,981 --> 00:22:33,783 JUST TRY TO KEEP YOUR PRIVATE MOMENTS... 641 00:22:33,783 --> 00:22:35,555 MORE PRIVATE. 642 00:22:38,127 --> 00:22:40,630 (Beckett) LOOK, IF KAY WAS THE ACTUAL TARGET 643 00:22:40,630 --> 00:22:41,791 OF THE SURVEILLANCE, 644 00:22:41,791 --> 00:22:44,634 WHAT DOES ANY OF THIS HAVE TO DO WITH FRANCISCO'S MURDER? 645 00:22:44,634 --> 00:22:46,536 WHAT IF... 646 00:22:46,536 --> 00:22:49,669 FRANCISCO DISCOVERS THE COLLAR IS RIGGED, 647 00:22:49,669 --> 00:22:51,771 HE RETURNS THE DOG TO KAY, BUT DOESN'T GET A CHANCE 648 00:22:51,771 --> 00:22:54,143 TO CONFRONT HER ABOUT IT AT THE TIME, 649 00:22:54,143 --> 00:22:56,406 BUT WHOEVER'S MONITORING THE FEED 650 00:22:56,406 --> 00:22:57,547 HOPING TO SEE HER NAKED 651 00:22:57,547 --> 00:23:00,550 HEARS KAY SAY THAT SHE INTENDS TO TALK TO FRANCISCO 652 00:23:00,550 --> 00:23:01,881 AFTER THE SHOW? 653 00:23:01,881 --> 00:23:03,583 SO THEN THEY KILLED HIM TO KEEP HIM QUIET? 654 00:23:03,583 --> 00:23:05,585 WELL, THIS IS PAPARAZZI WE'RE TALKING ABOUT. 655 00:23:05,585 --> 00:23:08,387 I COULD SEE ONE OF THOSE SCUM KILLING FOR A FAT PAYCHECK. 656 00:23:08,387 --> 00:23:10,389 SO IF WE FIND WHOEVER BUGGED THAT COLLAR, 657 00:23:10,389 --> 00:23:12,622 THEN WE MIGHT BE ABLE TO FIND OUR KILLER. 658 00:23:12,622 --> 00:23:14,894 WELL, WE COULD GO THROUGH RECENT PHOTOS OF KAY, 659 00:23:14,894 --> 00:23:17,497 YOU KNOW, FROM TABLOIDS, GOSSIP WEB SITES, 660 00:23:17,497 --> 00:23:19,499 AND SEE IF SHE CAN IDENTIFY ANY OF THEM 661 00:23:19,499 --> 00:23:20,630 AS BEING FROM THE COLLAR-CAM. 662 00:23:20,630 --> 00:23:21,971 AND THEN THERE MIGHT BE A TRAIL 663 00:23:21,971 --> 00:23:23,503 THAT LEADS BACK TO THE GUILTY PARTY. 664 00:23:23,503 --> 00:23:24,634 SO WE'RE GONNA HAVE TO FIND SOMEBODY 665 00:23:24,634 --> 00:23:26,776 TO PULL ALL THOSE PHOTOS-- I'LL DO IT. 666 00:23:26,776 --> 00:23:30,640 GOT A LITTLE CASE OF, UH, PUPPY LOVE THERE, ESPOSITO? 667 00:23:30,640 --> 00:23:33,112 (chuckles) YOU DO REALIZE THAT SHE'S GOT A SERIOUS BOYFRIEND, RIGHT? 668 00:23:33,112 --> 00:23:34,944 WHO... REGGIE? 669 00:23:34,944 --> 00:23:36,085 (scoffs) 670 00:23:36,085 --> 00:23:37,787 HE WAS A BACK-UP DANCER IN A FITNESS VIDEO. 671 00:23:37,787 --> 00:23:39,118 I MEAN, I DON'T EVEN KNOW 672 00:23:39,118 --> 00:23:40,720 WHAT SHE'S DOING WITH THAT KNUCKLEHEAD. 673 00:23:40,720 --> 00:23:42,892 NO. (mutters indistinctly) 674 00:23:42,892 --> 00:23:44,053 (laughs) 675 00:23:44,053 --> 00:23:45,825 AW. LOOKS LIKE ESPOSITO... (whines) 676 00:23:45,825 --> 00:23:48,498 ISN'T THE ONLY FRUSTRATED DOG IN THE PRECINCT. 677 00:23:48,498 --> 00:23:49,799 WHO CLOSED HIM UP IN THERE? 678 00:23:49,799 --> 00:23:51,531 OH, HE NEEDED TO TAKE A NAP, 679 00:23:51,531 --> 00:23:52,862 BUT HE CAN'T STAY THERE OVERNIGHT. 680 00:23:52,862 --> 00:23:54,564 I COULD TAKE HIM HOME WITH ME. 681 00:23:54,564 --> 00:23:56,806 ALEXIS IS GONE FOR THE WEEKEND, AND I COULD USE THE COMPANY. 682 00:23:56,806 --> 00:23:59,208 OR... I COULD TAKE HIM HOME. 683 00:23:59,208 --> 00:24:01,871 I MEAN, I'VE BEEN THINKING ABOUT GETTING A DOG. 684 00:24:01,871 --> 00:24:04,844 THIS MIGHT BE A GREAT CHANCE AT A TRIAL RUN. 685 00:24:04,844 --> 00:24:06,476 OH. 686 00:24:06,476 --> 00:24:08,648 YEAH. ALL RIGHT. THEN I GUESS YOU CAN TAKE HIM. 687 00:24:08,648 --> 00:24:10,019 (whines) (Beckett) I MEAN, I-- 688 00:24:10,019 --> 00:24:11,721 I MEAN, I DON'T--I DON'T WANT YOU TO FEEL LONELY. 689 00:24:11,721 --> 00:24:13,583 I COULD FLIP YOU FOR IT. 690 00:24:13,583 --> 00:24:14,724 NO ROSHAMBO? 691 00:24:14,724 --> 00:24:15,885 WELL, I MEAN, THAT WOULD PUT YOU 692 00:24:15,885 --> 00:24:17,226 AT AN UNFAIR DISADVANTAGE. 693 00:24:17,226 --> 00:24:18,588 I'M PRETTY GOOD-- 694 00:24:18,588 --> 00:24:20,660 OH, COME ON, CASTLE. LET'S GO. ALL RIGHT. 695 00:24:20,660 --> 00:24:22,732 JUST SO YOU KNOW, THERE'S STRATEGIES IN THIS GAME 696 00:24:22,732 --> 00:24:24,193 THAT, UH... 697 00:24:25,635 --> 00:24:26,736 (whines) 698 00:24:26,736 --> 00:24:27,667 TWO OUT OF THREE? MM-HMM. 699 00:24:29,769 --> 00:24:30,870 THREE OUT OF FIVE? 700 00:24:30,870 --> 00:24:32,672 SURE. 701 00:24:34,704 --> 00:24:37,747 YOU KNOW, THERE IS ANOTHER WAY THAT WE CAN GO ABOUT THIS. 702 00:24:39,609 --> 00:24:40,850 (whines) 703 00:24:40,850 --> 00:24:44,614 (knock on door) 704 00:24:44,614 --> 00:24:45,655 (whines) 705 00:24:45,655 --> 00:24:48,117 (laughs) 706 00:24:49,619 --> 00:24:52,261 CASTLE, YOU WERE SUPPOSED TO BE HERE OVER AN HOUR AGO. 707 00:24:52,261 --> 00:24:54,263 IT'S CALLED "SHARED" CUSTODY, 708 00:24:54,263 --> 00:24:56,696 NOT "SHOW UP WHEN YOU WANT" CUSTODY. 709 00:24:56,696 --> 00:24:58,698 YEAH, I THOUGHT I HAD EVERYTHING TOGETHER, 710 00:24:58,698 --> 00:25:00,770 BUT AT THE LAST MINUTE, I COULD NOT FIND MR. SQUEAKY. 711 00:25:00,770 --> 00:25:01,731 (squeaks) 712 00:25:01,731 --> 00:25:03,002 SO DON'T WORRY ABOUT FEEDING HIM. 713 00:25:03,002 --> 00:25:04,874 I HAD A RIB EYE I COULDN'T FINISH. 714 00:25:04,874 --> 00:25:06,075 (Royal whines) 715 00:25:06,075 --> 00:25:07,807 YOU FED HIM A STEAK? 716 00:25:07,807 --> 00:25:08,938 YEAH. DON'T WORRY. WE WORKED IT OFF. 717 00:25:08,938 --> 00:25:10,540 HE PLAYED, UH, FETCH IN THE HALL, 718 00:25:10,540 --> 00:25:12,041 AND THEN WE WATCHED SOME "BEVERLY HILLS CHIHUAHUA." 719 00:25:12,041 --> 00:25:13,583 BOY, THIS GUY-- 720 00:25:13,583 --> 00:25:15,585 THIS GUY IS A SNUGGLER. 721 00:25:15,585 --> 00:25:17,817 AND I BET YOU LET HIM SIT ON YOUR COUCH, DIDN'T YOU? 722 00:25:17,817 --> 00:25:19,248 UM... 723 00:25:19,248 --> 00:25:20,920 NO, IT'S OKAY. YOU CAN BE THE FUN ONE. 724 00:25:20,920 --> 00:25:22,752 I'LL JUST BE THE BAD GUY, 725 00:25:22,752 --> 00:25:24,193 BECAUSE THERE IS NO WAY THAT YOU ARE SHEDDING 726 00:25:24,193 --> 00:25:25,625 ALL OVER MY COUCH. 727 00:25:25,625 --> 00:25:26,896 OH, NO. HE'S PERFECTLY HAPPY RIGHT THERE. 728 00:25:26,896 --> 00:25:29,298 OH, AND HE LOVES IT WHEN YOU RUB HIM RIGHT BETWEEN THE EYES. 729 00:25:29,298 --> 00:25:31,300 JUST LITTLE CIRCLES WITH YOUR THUMB, JUST LIKE THIS. 730 00:25:31,300 --> 00:25:33,833 NOT TOO HARD, JUST... 731 00:25:42,772 --> 00:25:44,213 CASTLE-- 732 00:25:44,213 --> 00:25:46,846 YEAH, THERE'S... YOU GET IT. 733 00:25:46,846 --> 00:25:48,147 YEAH. UM, ALL RIGHT. 734 00:25:48,147 --> 00:25:50,650 YOU GUYS HAVE FUN. 735 00:25:50,650 --> 00:25:52,021 DON'T MISS ME TOO MUCH. 736 00:25:52,021 --> 00:25:54,854 THE DOG, NOT YOU. 737 00:25:54,854 --> 00:25:55,825 (door opens) 738 00:25:55,825 --> 00:25:56,986 (chuckles) 739 00:25:56,986 --> 00:25:58,157 (door closes) 740 00:26:05,665 --> 00:26:07,867 (whines) 741 00:26:07,867 --> 00:26:09,769 (whine) 742 00:26:17,346 --> 00:26:18,778 OKAY, COME ON. 743 00:26:18,778 --> 00:26:20,910 (toy squeaks) RIGHT HERE. 744 00:26:20,910 --> 00:26:22,612 (high-pitched voice) COME ON. RIGHT HERE. 745 00:26:22,612 --> 00:26:25,184 COME ON. (laughs) YOU'RE SO CUTE. 746 00:26:26,886 --> 00:26:28,187 (Kay) I NEVER THOUGHT I WOULD SAY THIS, 747 00:26:28,187 --> 00:26:30,359 BUT I AM SO SICK OF LOOKING AT MYSELF RIGHT NOW. 748 00:26:30,359 --> 00:26:32,591 I CAN'T EVEN IMAGINE HOW YOU MUST FEEL. 749 00:26:32,591 --> 00:26:34,724 DON'T WORRY ABOUT ME. 750 00:26:34,724 --> 00:26:35,865 WHAT ABOUT... (beeps) 751 00:26:35,865 --> 00:26:37,697 THAT ONE? (chirps) 752 00:26:37,697 --> 00:26:40,369 UM, THAT IS WHAT I WORE ON THURSDAY. 753 00:26:40,369 --> 00:26:42,732 SO THAT MEANS LOLITA WAS OFF AT THE GROOMER'S, SO, NO. 754 00:26:42,732 --> 00:26:44,704 THE COLLAR COULDN'T HAVE TAKEN THIS PICTURE. 755 00:26:44,704 --> 00:26:46,005 I CAN'T BELIEVE YOU CAN IDENTIFY 756 00:26:46,005 --> 00:26:48,177 WHAT DAY OF THE YEAR IT IS JUST FROM WHAT YOU'RE WEARING. 757 00:26:48,177 --> 00:26:49,909 AND PEOPLE SAY I'M TALENTLESS. 758 00:26:49,909 --> 00:26:51,911 DON'T LISTEN TO THOSE HATERS. 759 00:26:51,911 --> 00:26:53,843 HOW MANY OF THEM CAN SAY THEY GOT 760 00:26:53,843 --> 00:26:55,645 THEIR OWN COSMETICS LINE, HUH? 761 00:26:55,645 --> 00:26:56,746 (beep) 762 00:26:56,746 --> 00:26:57,947 (chirp) HOW ABOUT THIS ONE? 763 00:26:57,947 --> 00:26:59,749 NO. GOD. I REMEMBER THAT DAY. 764 00:26:59,749 --> 00:27:01,050 THERE WAS THIS CREEP PHOTOGRAPHER 765 00:27:01,050 --> 00:27:03,953 HIDDEN DOWN BETWEEN TWO CARS. 766 00:27:03,953 --> 00:27:05,855 (sighs) 767 00:27:05,855 --> 00:27:07,857 THIS IS DEPRESSING. 768 00:27:07,857 --> 00:27:09,128 DON'T WORRY. WE'LL CATCH THE GUY. 769 00:27:09,128 --> 00:27:11,630 NO, I MEAN, MY LIFE. IT'S... 770 00:27:11,630 --> 00:27:13,002 SHOPPING 771 00:27:13,002 --> 00:27:16,165 AND PARTYING AND MORE SHOPPING. 772 00:27:16,165 --> 00:27:18,838 AND IT IS BAD ENOUGH THAT PEOPLE FIGHT TO TAKE PICTURES OF ME 773 00:27:18,838 --> 00:27:22,812 DOING ALL THIS DUMB STUFF, BUT... (sighs) 774 00:27:22,812 --> 00:27:26,115 DO YOU REALLY THINK THAT FRANCISCO 775 00:27:26,115 --> 00:27:28,347 WAS MURDERED BECAUSE OF IT? 776 00:27:28,347 --> 00:27:29,849 WELL, IF HE WAS, 777 00:27:29,849 --> 00:27:31,150 IT DOESN'T MAKE IT YOUR FAULT. 778 00:27:31,150 --> 00:27:32,852 (sighs) 779 00:27:32,852 --> 00:27:34,724 DID HE HAVE A FAMILY? 780 00:27:34,724 --> 00:27:35,925 NO. 781 00:27:35,925 --> 00:27:37,426 IT WAS JUST HIM AND HIS DOG. 782 00:27:37,426 --> 00:27:40,289 OH, WELL, I GUESS WE WEREN'T SO DIFFERENT THEN. 783 00:27:40,289 --> 00:27:41,791 WHAT ARE YOU TALKING ABOUT? 784 00:27:41,791 --> 00:27:44,063 YOU, UH, WELL, YOU HAVE... REGGIE, 785 00:27:44,063 --> 00:27:46,796 PHOEBE, ALL YOUR FRIENDS. 786 00:27:46,796 --> 00:27:49,438 LOOK AT ALL THESE PICTURES. 787 00:27:49,438 --> 00:27:51,901 YOU'RE NEVER ALONE. 788 00:27:53,973 --> 00:27:56,906 PICTURES CAN BE REALLY DECEIVING. 789 00:28:01,981 --> 00:28:03,152 (beep) 790 00:28:03,152 --> 00:28:04,954 (chirp) WAIT. 791 00:28:04,954 --> 00:28:06,856 THIS ONE. THIS ONE? 792 00:28:06,856 --> 00:28:08,017 IT'S FROM A HIGH ANGLE. 793 00:28:08,017 --> 00:28:09,719 NO, NO, THIS IS FROM LAST WEEK. 794 00:28:09,719 --> 00:28:11,821 THIS IS THE DAY THAT LOLITA GOT OFF HER LEASH, 795 00:28:11,821 --> 00:28:13,422 AND SHE CLIMBED UP THIS HILL, 796 00:28:13,422 --> 00:28:15,194 AND THIS WOULD'VE BEEN HER EXACT VANTAGE POINT. 797 00:28:15,194 --> 00:28:17,967 NOW ALL I GOTTA DO IS CALL "CELEBRITY REPORT," 798 00:28:17,967 --> 00:28:18,998 AND THEY OUGHTA LEAD ME RIGHT TO... 799 00:28:18,998 --> 00:28:20,269 MARCUS HIATT. 800 00:28:20,269 --> 00:28:21,831 ALL THE PICTURES I.D.'ed FROM THE COLLAR-CAM 801 00:28:21,831 --> 00:28:23,372 CAN BE TRACED BACK TO HIM. 802 00:28:23,372 --> 00:28:25,474 HE WAS OUTSIDE KAY'S PLACE WITH THE REST OF THE PAPARAZZI. 803 00:28:25,474 --> 00:28:27,376 THE GUY'S A FULL-ON STALKERAZZI. 804 00:28:27,376 --> 00:28:30,309 HARASSMENT, TRESPASSING, EVEN B&E-- 805 00:28:30,309 --> 00:28:31,841 SEEMS LIKE THERE'S NOTHING THIS GUY WON'T DO 806 00:28:31,841 --> 00:28:33,012 TO GET THAT BIG-MONEY SHOT. 807 00:28:33,012 --> 00:28:34,483 AND WE KNOW HE HAD OPPORTUNITY FOR THE MURDER 808 00:28:34,483 --> 00:28:37,016 BECAUSE HE WAS ISSUED CREDENTIALS TO THAT DOG SHOW. 809 00:28:37,016 --> 00:28:38,888 WONDER WHERE HE MIGHT BE NOW. 810 00:28:44,193 --> 00:28:45,724 (knock on window) 811 00:28:56,005 --> 00:28:57,967 (Castle) WHO IS YOUR CABLE SERVICE PROVIDER? 812 00:28:57,967 --> 00:28:59,869 BECAUSE I DO NOT GET THIS CHANNEL. 813 00:28:59,869 --> 00:29:01,470 COME HERE. 814 00:29:01,470 --> 00:29:02,842 (grunts) 815 00:29:07,376 --> 00:29:08,848 (Beckett) YOU RECOGNIZE YOUR WORK, MARCUS? 816 00:29:08,848 --> 00:29:10,349 KAY CAPPUCCIO DID, AND SO DID THAT SCANDAL RAG YOU SOLD IT TO. 817 00:29:10,349 --> 00:29:11,480 HOW'D YOU GET ACCESS TO THE DOG? 818 00:29:11,480 --> 00:29:12,822 DID YOU PAY SOMEONE OFF? 819 00:29:12,822 --> 00:29:14,824 YOU GUYS ARE WAY OFF BASE HERE, ALL RIGHT? 820 00:29:14,824 --> 00:29:16,285 LOOK, IT'S NOT WHAT YOU THINK. 821 00:29:16,285 --> 00:29:17,526 NO? 'CAUSE I THINK YOU KNEW 822 00:29:17,526 --> 00:29:19,528 THAT IF FRANCISCO TOLD KAY ABOUT THE COLLAR, 823 00:29:19,528 --> 00:29:21,530 SHE'D GO STRAIGHT TO THE FBI. 824 00:29:21,530 --> 00:29:23,863 AND YOU SAW YOUR WHOLE WORLD CRASHING DOWN AROUND YOU. 825 00:29:23,863 --> 00:29:25,865 I DID NOT KILL THAT FRANCISCO GUY. 826 00:29:27,766 --> 00:29:30,199 (Beckett) MARCUS, WE JUST CAUGHT YOU WATCHING THE FEED. WHO'S A GOOD BOY, HUH? 827 00:29:30,199 --> 00:29:32,241 WHO'S A GOOD BOY? IS MARCUS A GOOD BOY? LOOK, ALL RIGHT... 828 00:29:32,241 --> 00:29:33,943 (whining) (whispering) NO, HE'S NOT A GOOD BOY. 829 00:29:33,943 --> 00:29:35,805 HE'S A BAD BOY. 830 00:29:35,805 --> 00:29:37,106 (whines) ...HER CELL PHONE, 831 00:29:37,106 --> 00:29:38,878 MAYBE, UH, FIND SOME NUDE PICTURES OF HER OR SOMETHING. 832 00:29:38,878 --> 00:29:40,880 BUT THEN OUTTA NOWHERE, I PICK UP THAT VIDEO FEED-- 833 00:29:40,880 --> 00:29:43,252 KAY CAPPUCCIO DROPPING HER BATHROBE 834 00:29:43,252 --> 00:29:45,054 AND JUMPING IN TO THE SHOWER. 835 00:29:45,054 --> 00:29:47,286 LOOK, I KNOW THEY SAY SHE'S GOT NO TALENT, 836 00:29:47,286 --> 00:29:48,457 BUT LET ME TELL YOU SOMETHING, BROTHER, 837 00:29:48,457 --> 00:29:49,819 THAT GIRL'S GOT MORE TALENT THAN A-- 838 00:29:49,819 --> 00:29:51,821 HEY! WATCH YOUR MOUTH. 839 00:29:51,821 --> 00:29:54,063 DO YOU ACTUALLY EXPECT US TO BELIEVE 840 00:29:54,063 --> 00:29:56,065 THAT YOU ACCIDENTALLY CAME ACROSS THAT FEED? 841 00:29:56,065 --> 00:29:57,396 LOOK, I DIDN'T KNOW WHERE IT WAS COMING FROM, 842 00:29:57,396 --> 00:29:58,797 AND REALLY, I DIDN'T CARE. 843 00:29:58,797 --> 00:30:00,830 I WAS SITTING ON A GOLD MINE, 844 00:30:00,830 --> 00:30:02,271 ONLY I DIDN'T HAVE THE EQUIPMENT 845 00:30:02,271 --> 00:30:03,833 TO RECORD IT AT FIRST. 846 00:30:03,833 --> 00:30:05,074 SO I SCRAMBLED TO GET IT SET UP, 847 00:30:05,074 --> 00:30:06,575 BUT LATER THAT DAY, THEY SHIPPED THE DOG OFF 848 00:30:06,575 --> 00:30:08,807 TO THAT DAMN TRAINER. 849 00:30:08,807 --> 00:30:11,210 WELL, THAT'S A GREAT STORY, MARCUS. 850 00:30:11,210 --> 00:30:13,812 LOOK... 851 00:30:13,812 --> 00:30:16,245 IF YOU WANT TO FIND WHO KILLED HIM, 852 00:30:16,245 --> 00:30:18,848 FIND WHO HE'S DOING BUSINESS WITH. 853 00:30:18,848 --> 00:30:21,590 AND I'M NOT TALKING ABOUT HIS DOG TRAINING BUSINESS EITHER. 854 00:30:21,590 --> 00:30:23,592 THEN WHAT ARE YOU TALKING ABOUT? 855 00:30:23,592 --> 00:30:26,896 I DROVE BACK THERE TO CHECK ON THE SIGNAL, ALL RIGHT? 856 00:30:26,896 --> 00:30:28,327 THOUGHT MAYBE I COULD FIND OUT 857 00:30:28,327 --> 00:30:30,199 WHEN THE DOG WAS GOING BACK TO KAY. 858 00:30:30,199 --> 00:30:33,062 THE THINGS I HEARD THAT FRANCISCO GUY TALKING ABOUT? 859 00:30:33,062 --> 00:30:35,434 YEAH, HE WAS INTO SOME SKETCHY STUFF. 860 00:30:35,434 --> 00:30:37,106 REALLY, BRO? 861 00:30:37,106 --> 00:30:39,838 YOU'RE GONNA SIT HERE AND CALL SOMEONE ELSE SKETCHY? 862 00:30:39,838 --> 00:30:41,140 LISTEN TO WHAT I'M SAYING, ALL RIGHT? 863 00:30:41,140 --> 00:30:44,213 THE GUY WAS TALKING ABOUT SHIPMENTS FROM ARGENTINA, 864 00:30:44,213 --> 00:30:46,515 GETTING PAST CUSTOMS, 865 00:30:46,515 --> 00:30:48,948 STREET VALUES. 866 00:30:50,980 --> 00:30:52,351 DRUGS? 867 00:30:52,351 --> 00:30:53,883 YEAH, IT SEEMS TO FIT HIS TRAVEL. 868 00:30:53,883 --> 00:30:55,024 IN ADDITION TO HIS INTERNATIONAL TRIPS, 869 00:30:55,024 --> 00:30:57,186 MADE A LOT OF FLIGHTS TO BOSTON, NEW ORLEANS, SEATTLE, 870 00:30:57,186 --> 00:30:58,888 LONG BEACH, MIAMI. 871 00:30:58,888 --> 00:31:00,229 ALL PORT CITIES. EXACTLY. 872 00:31:00,229 --> 00:31:02,261 THE INTERNATIONAL TRAVEL TO JUDGE DOG SHOWS-- 873 00:31:02,261 --> 00:31:03,963 THAT'S A PERFECT COVER. 874 00:31:03,963 --> 00:31:05,965 SO OUR DOG TRAINER IS A DRUG COURIER. 875 00:31:05,965 --> 00:31:07,636 NO WONDER HE WAS SO PARANOID ABOUT BEING BUGGED. 876 00:31:07,636 --> 00:31:09,498 THEN THAT WAREHOUSE THAT WE SAW... 877 00:31:09,498 --> 00:31:11,000 BREEDING FACILITY, MY ASS. 878 00:31:11,000 --> 00:31:12,942 THE PILAR RETRIEVER? 879 00:31:12,942 --> 00:31:14,503 PRETTY GOOD STORY, RIGHT? 880 00:31:14,503 --> 00:31:16,345 HEY, I HAD TO GET YOU OUTTA THERE SOMEHOW. 881 00:31:16,345 --> 00:31:17,977 MR. PATTERSON, I DON'T THINK YOU UNDERSTAND 882 00:31:17,977 --> 00:31:20,379 HOW SERIOUS THIS IS. 883 00:31:20,379 --> 00:31:23,452 WE'RE IN THE PROCESS OF OBTAINING A WARRANT. 884 00:31:23,452 --> 00:31:26,115 WE'RE GONNA SEARCH THAT WAREHOUSE FROM TOP TO BOTTOM. 885 00:31:26,115 --> 00:31:27,616 AND WE GOT A PRETTY GOOD IDEA 886 00:31:27,616 --> 00:31:29,058 OF WHAT WE'RE GONNA FIND IN THERE. 887 00:31:29,058 --> 00:31:31,260 WELL, I'LL TELL YOU EXACTLY WHAT YOU'LL FIND-- 888 00:31:31,260 --> 00:31:33,122 SUITCASES WITH FALSE BOTTOMS 889 00:31:33,122 --> 00:31:34,964 FOR SMUGGLING DRUGS THROUGH CUSTOMS, 890 00:31:34,964 --> 00:31:37,967 ABOUT 2 KILOS OF PURE ARGENTINEAN HEROIN, 891 00:31:37,967 --> 00:31:40,629 AND THE BEST DRUG-SNIFFING DOGS WE'VE EVER HAD. 892 00:31:40,629 --> 00:31:42,131 (sighs) 893 00:31:42,131 --> 00:31:45,274 MY NAME'S NOT JACK PATTERSON. 894 00:31:45,274 --> 00:31:47,906 KENNY WEIZER. U.S. CUSTOMS AGENT. 895 00:31:47,906 --> 00:31:49,078 YOU GOT ANY COFFEE? 896 00:31:50,579 --> 00:31:52,011 UM... 897 00:31:52,011 --> 00:31:54,513 SO FRANCISCO WAS TRAINING DRUG-SNIFFING DOGS? 898 00:31:54,513 --> 00:31:56,315 HIS METHODS WERE AMAZING. 899 00:31:56,315 --> 00:31:57,586 PERSONALLY HANDLED DEPLOYMENT 900 00:31:57,586 --> 00:31:58,687 WHEREVER WE THOUGHT THE SHIPMENT WAS COMING IN. 901 00:31:58,687 --> 00:32:00,950 WHICH EXPLAINS ALL THAT TRAVEL TO THOSE PORT CITIES, 902 00:32:00,950 --> 00:32:03,322 AND THE PAYMENTS, AND THE SECRECY. 903 00:32:03,322 --> 00:32:06,055 YEAH, SORRY ABOUT GIVING YOU THE RUNAROUND AT THE WAREHOUSE, 904 00:32:06,055 --> 00:32:08,027 BUT WHEN YOU'RE DEALING WITH THE CARTELS, 905 00:32:08,027 --> 00:32:09,358 YOU CAN'T BE TOO CAREFUL. 906 00:32:09,358 --> 00:32:11,400 OH, SO THAT'S WHY YOU GAVE US KAY CAPPUCCIO'S NAME, 907 00:32:11,400 --> 00:32:13,062 BECAUSE YOU THOUGHT SHE BUGGED FRANCISCO. 908 00:32:13,062 --> 00:32:15,064 YEAH, WE COULDN'T REALLY LAUNCH AN INVESTIGATION 909 00:32:15,064 --> 00:32:17,366 WITHOUT TIPPING OUR HAND TO THE VASQUEZ OPERATION. 910 00:32:17,366 --> 00:32:19,038 SO I FIGURED, I'D TELL YOU WHAT I KNOW, 911 00:32:19,038 --> 00:32:20,539 SEE WHERE YOU COULD GET. 912 00:32:20,539 --> 00:32:22,371 VASQUEZ--THAT'S OUT OF ARGENTINA, RIGHT? MM-HMM. 913 00:32:22,371 --> 00:32:24,573 THAT'S A HUGE HEROIN SMUGGLING FAMILY. 914 00:32:24,573 --> 00:32:26,015 AGENT WEIZER, 915 00:32:26,015 --> 00:32:28,017 WHAT ARE FRANCISCO'S DOGS TRAINED TO DO 916 00:32:28,017 --> 00:32:29,548 WHEN THEY SMELL DRUGS? 917 00:32:29,548 --> 00:32:31,680 THEY PAW AT THE GROUND. WHY? 918 00:32:31,680 --> 00:32:33,222 BECAUSE THAT'S WHAT ROYAL WAS DOING. 919 00:32:33,222 --> 00:32:35,024 SO I GUESS THAT DOG THERAPIST WAS RIGHT. 920 00:32:35,024 --> 00:32:36,155 HE WAS TRYING TO TELL US SOMETHING. 921 00:32:36,155 --> 00:32:37,556 HE SMELLED DRUGS ON OUR KILLER. MM-HMM. 922 00:32:37,556 --> 00:32:39,958 WELL, THAT MAKES SENSE. THE VASQUEZ CARTEL HAD 923 00:32:39,958 --> 00:32:41,560 A HELL OF A LOT TO GAIN FROM FRANCISCO'S DEATH. 924 00:32:41,560 --> 00:32:44,163 HIS PROGRAM WAS COSTING THEM A FORTUNE 925 00:32:44,163 --> 00:32:45,494 IN INTERCEPTED SHIPMENTS. 926 00:32:45,494 --> 00:32:47,696 WHICH IS WHY THEY WANTED EYES AND EARS ON FRANCISCO. 927 00:32:47,696 --> 00:32:50,299 THEY WANTED TO FIGURE OUT HOW THE CUSTOMS' OPERATION WORKED. 928 00:32:50,299 --> 00:32:52,341 BUT ONCE FRANCISCO REALIZED HE WAS UNDER SURVEILLANCE, 929 00:32:52,341 --> 00:32:54,073 THEY KNEW HE WAS ON TO THEM. 930 00:32:54,073 --> 00:32:56,075 SO THEY GOT SOMEONE TO FINISH HIM OFF. 931 00:32:56,075 --> 00:32:57,406 PROBABLY THE SAME PERSON 932 00:32:57,406 --> 00:32:59,578 WHO WIRED KAY CAPPUCCIO'S DOG COLLAR. 933 00:32:59,578 --> 00:33:01,010 (Castle) WHOEVER WIRED UP THAT DOG COLLAR 934 00:33:01,010 --> 00:33:02,651 HAD TO HAVE THREE THINGS. 935 00:33:02,651 --> 00:33:05,284 ONE--ACCESS TO THE DOG, 936 00:33:05,284 --> 00:33:09,718 TWO--KNOWLEDGE THAT FRANCISCO WOULD BE TRAINING THAT DOG, 937 00:33:09,718 --> 00:33:12,691 THREE--SOME CONNECTION 938 00:33:12,691 --> 00:33:14,993 TO THE VASQUEZ CARTEL. 939 00:33:14,993 --> 00:33:17,626 THE INTERSECTION OF THESE THREE CIRCLES 940 00:33:17,626 --> 00:33:19,768 HOLDS THE IDENTITY OF OUR KILLER. 941 00:33:19,768 --> 00:33:21,130 (whining) 942 00:33:21,130 --> 00:33:23,001 HE'S DOING THAT THING AGAIN. 943 00:33:23,001 --> 00:33:24,633 YEAH, BUT I DON'T HAVE ANY HEROIN ON ME, CASTLE. 944 00:33:24,633 --> 00:33:27,306 WELL, WHY WOULD HE REACT LIKE THAT UNLESS... 945 00:33:27,306 --> 00:33:29,508 BECKETT, ARE YOU WEARING PERFUME? 946 00:33:29,508 --> 00:33:32,441 AND JUST FOR FUTURE REFERENCE, I AM PARTIAL TO FRACAS. 947 00:33:32,441 --> 00:33:35,314 LISTEN, DON'T FLATTER YOURSELF, OKAY? 948 00:33:35,314 --> 00:33:37,015 I JUST SPRITZED SOME OF THIS STUFF 949 00:33:37,015 --> 00:33:38,787 THAT KAY SENT OVER IN THE GIFT BASKET. (whines) 950 00:33:38,787 --> 00:33:41,150 WHY WOULD HE REACT TO THAT? 951 00:33:41,150 --> 00:33:45,094 BECAUSE THE MAIN INGREDIENT IS ESSENCE OF POPPY FLOWER. 952 00:33:45,094 --> 00:33:47,156 AND HEROIN IS MADE FROM MORPHINE, 953 00:33:47,156 --> 00:33:49,328 WHICH COMES FROM THE OPIUM POPPY. 954 00:33:49,328 --> 00:33:51,600 GUYS, WHAT IF, AT THE CRIME SCENE, 955 00:33:51,600 --> 00:33:53,302 HE WAS PAWING NOT AT DRUGS, 956 00:33:53,302 --> 00:33:55,764 BUT AT THE SCENT OF THAT PERFUME. 957 00:33:55,764 --> 00:33:57,266 YEAH, BUT THIS PERFUME HASN'T EVEN COME OUT YET. 958 00:33:57,266 --> 00:33:59,438 I MEAN, WHO WOULD BE WEARING IT? 959 00:33:59,438 --> 00:34:01,039 ONLY ONE PERSON. 960 00:34:01,039 --> 00:34:03,142 NOT KAY. WELL, SHE WAS AT THE CRIME SCENE. 961 00:34:03,142 --> 00:34:04,773 CASTLE, WE'RE NOT TALKING ABOUT PAPARAZZI AND CELEBRITIES. 962 00:34:04,773 --> 00:34:06,775 WE'RE DEALING WITH A DRUG CARTEL. 963 00:34:06,775 --> 00:34:08,577 OKAY, WELL, LET'S REMEMBER WHAT WE'RE LOOKING FOR. 964 00:34:08,577 --> 00:34:10,819 ONE--ACCESS TO THE DOG. CHECK. 965 00:34:10,819 --> 00:34:13,452 TWO--KNOWLEDGE THAT FRANCISCO WAS TRAINING THE DOG. 966 00:34:13,452 --> 00:34:15,154 CHECK. 967 00:34:15,154 --> 00:34:17,126 ONLY THING WE'RE MISSING IS A CONNECTION TO THE CARTEL. 968 00:34:17,126 --> 00:34:19,228 UH, GUYS, I THINK I MIGHT HAVE OUR LINK. (cell phone beeps) 969 00:34:19,228 --> 00:34:23,061 KAY CAPPUCCIO SHOT A COMMERCIAL IN ARGENTINA SIX MONTHS AGO. 970 00:34:24,093 --> 00:34:25,694 SO? 971 00:34:25,694 --> 00:34:27,236 ARGENTINA'S A BIG COUNTRY. 972 00:34:27,236 --> 00:34:29,168 IT DOESN'T MEAN THAT SHE'S CONNECTED TO THE VASQUEZ FAMILY. 973 00:34:29,168 --> 00:34:30,669 (Ryan) BUT THIS DOES. 974 00:34:30,669 --> 00:34:33,402 SHE STAYED AT THE COMPOUND OF JUNIOR VASQUEZ, 975 00:34:33,402 --> 00:34:35,444 FIRST LIEUTENANT OF THE CARTEL. 976 00:34:35,444 --> 00:34:37,176 SHE'S THE ONE. 977 00:34:53,292 --> 00:34:54,463 (Kay) I JUST WANNA SAY HI 978 00:34:54,463 --> 00:34:55,624 TO ALL MY FANS OUT THERE. 979 00:34:55,624 --> 00:34:57,126 SAY HI, LOLITA. 980 00:34:57,126 --> 00:34:59,598 AND I WANT TO REMIND YOU GUYS THAT MY NEW SCENT 981 00:34:59,598 --> 00:35:01,500 HITS STORES NEXT MONTH. 982 00:35:01,500 --> 00:35:04,833 KAY CAPPUCCIO'S GUILTY PLEASURE-- 983 00:35:04,833 --> 00:35:08,437 MAKE SURE HE'S GUILTY OF WANTING YOU. 984 00:35:08,437 --> 00:35:10,309 (chirps) 985 00:35:11,710 --> 00:35:13,142 GUILTY PLEASURE 986 00:35:13,142 --> 00:35:14,283 OR JUST GUILTY? 987 00:35:14,283 --> 00:35:16,315 WHAT DOES THIS VIDEO HAVE TO DO WITH ANYTHING? 988 00:35:16,315 --> 00:35:19,218 THIS WAS ABOUT 15 MINUTES BEFORE YOU WENT BACKSTAGE 989 00:35:19,218 --> 00:35:21,119 TO FRANCISCO PILAR'S DRESSING ROOM. 990 00:35:21,119 --> 00:35:22,191 SO? 991 00:35:22,191 --> 00:35:23,492 SO WE HAVE REASON TO SUSPECT 992 00:35:23,492 --> 00:35:26,124 THAT OUR KILLER WAS WEARING YOUR PERFUME. 993 00:35:26,124 --> 00:35:29,127 WELL, THAT'S IMPOSSIBLE. IT WASN'T EVEN OUT YET. 994 00:35:29,127 --> 00:35:30,829 I'M THE ONLY PERSON THAT HAD IT. 995 00:35:30,829 --> 00:35:33,732 DOES SHE REALIZE SHE JUST INCRIMINATED HERSELF? 996 00:35:33,732 --> 00:35:36,835 I SAID SHE WAS NICE. I DIDN'T SAY ANYTHING ABOUT SMART. 997 00:35:36,835 --> 00:35:38,707 CUSTOMS AGENT WEIZER'S ON THE PHONE 998 00:35:38,707 --> 00:35:40,569 FOR DETECTIVE ESPOSITO. 999 00:35:40,569 --> 00:35:41,910 THANKS. 1000 00:35:43,412 --> 00:35:45,174 WHAT WAS THAT ABOUT? 1001 00:35:45,174 --> 00:35:46,475 I ASKED HIM TO CALL ME IF HE FOUND 1002 00:35:46,475 --> 00:35:48,146 ANY DEFINITIVE KAY CAPPUCCIO CONNECTION 1003 00:35:48,146 --> 00:35:49,648 TO THE VASQUEZ FAMILY. 1004 00:35:52,281 --> 00:35:54,753 (indistinct conversations) 1005 00:35:54,753 --> 00:35:56,525 HEY. 1006 00:35:56,525 --> 00:35:58,227 YOU KNOW WHEN THEY'RE GONNA BE DONE IN THERE? 1007 00:35:58,227 --> 00:35:59,558 WE GOT A REPORTER FROM "VANITY FAIR" 1008 00:35:59,558 --> 00:36:00,889 COMING BY THE HOUSE LATER. 1009 00:36:00,889 --> 00:36:02,691 THEY'RE GIVING HER THE COVER. 1010 00:36:02,691 --> 00:36:04,162 I DON'T KNOW, BRO. 1011 00:36:04,162 --> 00:36:06,695 BUT, UM, GOOD LUCK WITH THAT. 1012 00:36:06,695 --> 00:36:09,698 (indistinct conversations continue) 1013 00:36:13,942 --> 00:36:15,304 (beeps) 1014 00:36:15,304 --> 00:36:16,445 ESPOSITO. 1015 00:36:16,445 --> 00:36:18,907 WHAT'S YOUR RELATIONSHIP WITH JUNIOR VASQUEZ? 1016 00:36:18,907 --> 00:36:21,450 JUNIOR? HE IS SUCH A SWEETHEART. 1017 00:36:21,450 --> 00:36:23,582 UM, THEY HAVE "KEEPING UP WITH CAPPUCCIO" 1018 00:36:23,582 --> 00:36:25,284 IN ARGENTINA, SO HE'S KIND OF A BIG FAN. 1019 00:36:25,284 --> 00:36:27,386 DO YOU REALIZE THAT THE VASQUEZ FAMILY 1020 00:36:27,386 --> 00:36:31,790 IS THE NUMBER ONE HEROIN EXPORTER IN SOUTH AMERICA? 1021 00:36:31,790 --> 00:36:33,362 WHAT? 1022 00:36:33,362 --> 00:36:36,395 OH, MY GOD. YOU GUYS, I DID NOT KNOW THAT. 1023 00:36:36,395 --> 00:36:39,368 (people speaking indistinctly) 1024 00:36:39,368 --> 00:36:41,270 (whispers indistinctly) 1025 00:36:41,270 --> 00:36:43,332 EXCUSE ME. 1026 00:36:43,332 --> 00:36:44,903 (chair scrapes) 1027 00:36:44,903 --> 00:36:47,276 GIVE ME A MINUTE, CASTLE. 1028 00:36:47,276 --> 00:36:49,478 (people continue speaking indistinctly) 1029 00:36:49,478 --> 00:36:50,979 THIS IS A NIGHTMARE. (door closes) 1030 00:36:50,979 --> 00:36:52,681 HEROIN, MURDER-- 1031 00:36:52,681 --> 00:36:54,983 I JUST WISH I HAD NEVER EVEN HEARD OF FRANCISCO. 1032 00:36:54,983 --> 00:36:56,685 (sighs) 1033 00:36:56,685 --> 00:36:58,287 KAY, HOW... 1034 00:36:58,287 --> 00:36:59,888 HOW DID YOU HEAR ABOUT HIM? 1035 00:36:59,888 --> 00:37:01,350 REGGIE. 1036 00:37:01,350 --> 00:37:03,322 HE READ ABOUT HIM IN, LIKE, A MAGAZINE OR SOMETHING. 1037 00:37:03,322 --> 00:37:05,694 HE SAID HE WAS THE BEST, SO HE INSISTED I USE HIM. 1038 00:37:05,694 --> 00:37:06,855 SO IT WAS REGGIE'S IDEA 1039 00:37:06,855 --> 00:37:08,657 THAT LOLITA GO TO FRANCISCO FOR TRAINING? 1040 00:37:08,657 --> 00:37:10,459 YEAH. 1041 00:37:12,361 --> 00:37:13,532 (remote beeps, video rewinds) 1042 00:37:13,532 --> 00:37:14,763 (beep) 1043 00:37:14,763 --> 00:37:17,005 MAKE SURE HE'S GUILTY OF WANTING YOU. 1044 00:37:17,005 --> 00:37:18,807 (laughs) (spritzes perfume) 1045 00:37:18,807 --> 00:37:20,809 (high-pitched voice) HI, BABY. 1046 00:37:20,809 --> 00:37:21,940 (spritzes perfume) 1047 00:37:23,372 --> 00:37:24,473 (Beckett) ARE YOU SURE ABOUT THIS? 1048 00:37:24,473 --> 00:37:25,844 POSITIVE. 1049 00:37:25,844 --> 00:37:27,346 CUSTOMS CONNECTED KAY TO THE VASQUEZ FAMILY ALL RIGHT, 1050 00:37:27,346 --> 00:37:28,677 THROUGH REGGIE. 1051 00:37:28,677 --> 00:37:29,818 TURNS OUT HE WENT TO SCHOOL 1052 00:37:29,818 --> 00:37:31,550 WITH ONE OF THE VASQUEZ KIDS. 1053 00:37:31,550 --> 00:37:33,282 HE'S THE CONNECTION, NOT KAY. 1054 00:37:33,282 --> 00:37:37,286 (speaks indistinctly) 1055 00:37:37,286 --> 00:37:38,927 (cup shatters) 1056 00:37:38,927 --> 00:37:40,258 LOOK OUT! 1057 00:37:40,258 --> 00:37:42,291 (screaming) 1058 00:37:42,291 --> 00:37:43,261 (pants) 1059 00:37:43,261 --> 00:37:44,363 (barking) 1060 00:37:44,363 --> 00:37:46,565 GET HIM, ROYAL. 1061 00:37:46,565 --> 00:37:48,266 (growls and barks) 1062 00:37:48,266 --> 00:37:52,040 (barking) 1063 00:37:52,040 --> 00:37:54,403 (both grunting) 1064 00:37:54,403 --> 00:37:56,945 (continues barking) 1065 00:37:56,945 --> 00:37:58,307 (handcuffs clicking) 1066 00:37:58,307 --> 00:37:59,478 AH. AH. 1067 00:37:59,478 --> 00:38:02,581 (snarling and barking) 1068 00:38:03,912 --> 00:38:05,283 (whines) 1069 00:38:05,283 --> 00:38:07,716 SO HE CONFESSED TO THE WHOLE THING. 1070 00:38:07,716 --> 00:38:10,359 THE VASQUEZ CARTEL SUSPECTED THAT FRANCISCO 1071 00:38:10,359 --> 00:38:12,891 WAS TRAINING DOGS FOR CUSTOMS. 1072 00:38:12,891 --> 00:38:15,293 AND THEN WHEN KAY NEEDED LOLITA TRAINED, 1073 00:38:15,293 --> 00:38:16,795 REGGIE STEERED HER TOWARDS FRANCISCO 1074 00:38:16,795 --> 00:38:18,427 AND THEN WIRED THE DOG COLLAR. 1075 00:38:18,427 --> 00:38:21,430 BUT FRANCISCO CAUGHT ON, AND REGGIE PANICKED. 1076 00:38:21,430 --> 00:38:23,071 HE FELT HE HAD TO PROTECT THE CARTEL. 1077 00:38:23,071 --> 00:38:24,703 YEAH, AND REGGIE WANTED TO GET IN GOOD WITH THE CARTEL. 1078 00:38:24,703 --> 00:38:26,405 HE KNEW THAT HIS DAYS OF MOOCHING OFF OF KAY 1079 00:38:26,405 --> 00:38:28,377 WERE ALMOST OVER, IN SPITE OF ALL THE REPORTS 1080 00:38:28,377 --> 00:38:29,908 THAT THE TWO OF THEM WERE GETTING MARRIED. 1081 00:38:29,908 --> 00:38:32,681 WHOA, WHOA. YOU MEAN... THE TABLOIDS WERE WRONG? 1082 00:38:32,681 --> 00:38:34,683 YEAH, AND, UM, 1083 00:38:34,683 --> 00:38:37,315 YOU KNOW, I WAS WRONG ABOUT SOMETHING, TOO. 1084 00:38:37,315 --> 00:38:38,847 TURNS OUT HAVING A MASCOT IN THE PRECINCT 1085 00:38:38,847 --> 00:38:40,849 CAN BE PRETTY USEFUL. 1086 00:38:40,849 --> 00:38:42,851 SO I WAS THINKING FOR TONIGHT, MAYBE YOU TAKE HIM HOME, 1087 00:38:42,851 --> 00:38:44,993 AND THEN I'LL SWING BY, PICK HIM UP, MAYBE 9:30? 1088 00:38:44,993 --> 00:38:46,695 OH, I DON'T KNOW, CASTLE. 1089 00:38:46,695 --> 00:38:48,357 I DON'T KNOW IF THIS WHOLE SPLITTING TIME THING 1090 00:38:48,357 --> 00:38:49,858 IS GOOD LONG-TERM SOLUTION. 1091 00:38:49,858 --> 00:38:52,361 WELL, WHAT THEN, ALTERNATING NIGHTS, UH, WEEKENDS/WEEKDAYS? 1092 00:38:52,361 --> 00:38:54,563 I-I THINK IT'LL JUST CONFUSE THE POOR GUY. 1093 00:38:54,563 --> 00:38:56,064 GOD KNOWS, HE'S HAD ENOUGH THERAPY. 1094 00:38:56,064 --> 00:38:58,106 I THINK HE DESERVES ONE HOME. 1095 00:38:58,106 --> 00:38:59,568 OH, I SEE WHERE THIS IS GOING. 1096 00:38:59,568 --> 00:39:00,739 (blows air) 1097 00:39:00,739 --> 00:39:03,472 UH, NO. NO, NO ROSHAMBO. 1098 00:39:03,472 --> 00:39:05,343 YOU GOT A BETTER IDEA? 1099 00:39:05,343 --> 00:39:07,476 I THINK WE SHOULD LET ROYAL DECIDE. 1100 00:39:07,476 --> 00:39:09,618 WE GO TO OPPOSITE ENDS OF THE ROOM, 1101 00:39:09,618 --> 00:39:11,420 AND WHEREVER HE GOES, THAT'S HOME. 1102 00:39:11,420 --> 00:39:13,121 LET'S DO IT. 1103 00:39:13,121 --> 00:39:15,754 SIT, ROYAL. 1104 00:39:15,754 --> 00:39:17,025 SIT DOWN. 1105 00:39:17,025 --> 00:39:18,557 SIT DOWN. GOOD BOY. STAY THERE. 1106 00:39:18,557 --> 00:39:20,789 STAY THERE. 1107 00:39:20,789 --> 00:39:23,692 ALL RIGHT. 1108 00:39:23,692 --> 00:39:24,863 READY? 1109 00:39:24,863 --> 00:39:26,094 READY. 1110 00:39:26,094 --> 00:39:28,397 COME HERE, BOY. 1111 00:39:28,397 --> 00:39:30,399 COME OVER HERE, ROYAL. COME ON. COME HERE, ROYAL. 1112 00:39:30,399 --> 00:39:31,600 COME OVER HERE, BOY. COME RIGHT HERE. 1113 00:39:31,600 --> 00:39:33,442 IT'S A BIG DECISION... ROYAL, WHO LOVES YOU? 1114 00:39:33,442 --> 00:39:34,803 BUT I KNOW YOU'LL MAKE THE RIGHT ONE. COME ON, ROYAL. COME ON. 1115 00:39:34,803 --> 00:39:36,475 MY COUCH IS SUPER COMFORTABLE. 1116 00:39:36,475 --> 00:39:38,407 ROYAL, COME RIGHT OVER HERE, BABY. (whispering) COME ON, BUDDY. 1117 00:39:38,407 --> 00:39:40,148 YOU KNOW IN YOUR HEART. COME OVER HERE. COME ON, ROYAL. 1118 00:39:40,148 --> 00:39:41,780 MAN'S BEST FRIEND. WHO'S HERE? COME OVER HERE. 1119 00:39:41,780 --> 00:39:42,881 (normal voice) MAN'S. 1120 00:39:42,881 --> 00:39:46,555 (whines) 1121 00:39:46,555 --> 00:39:47,716 (barks) 1122 00:39:47,716 --> 00:39:49,688 LOOKS LIKE HE'S MADE HIS CHOICE, 1123 00:39:49,688 --> 00:39:51,720 AND IT'S ME. 1124 00:39:51,720 --> 00:39:52,891 (Lolita snarling) 1125 00:39:52,891 --> 00:39:55,464 YOU HAVE SUCH GOOD TASTE, ROYAL. 1126 00:39:55,464 --> 00:39:56,625 (Royal barks) HI, BUDDY. 1127 00:39:56,625 --> 00:39:58,166 YOU HAVE EVERY GOOD TASTE. 1128 00:39:58,166 --> 00:40:00,469 HI, BUDDY. (Kate) ARE YOU SURE YOU WANT TO TAKE HIM? 1129 00:40:00,469 --> 00:40:01,830 YEAH, MAYBE WE SHOULD DO TWO OUT OF THREE. 1130 00:40:01,830 --> 00:40:03,432 OH, YES, LOLITA AND I NEED 1131 00:40:03,432 --> 00:40:04,533 A BIG STRONG MAN AROUND THE HOUSE, 1132 00:40:04,533 --> 00:40:07,436 ESPECIALLY ONE AS LOYAL AS THIS, 1133 00:40:07,436 --> 00:40:08,907 RIGHT, BUD? 1134 00:40:08,907 --> 00:40:11,179 ROYAL, YOU ARE OFFICIALLY A CAPPUCCIO NOW. 1135 00:40:11,179 --> 00:40:14,012 AND YOU HAVE BEEN SO SWEET. 1136 00:40:14,012 --> 00:40:16,685 OH. (chuckles) 1137 00:40:16,685 --> 00:40:18,887 HEY, IF--YOU KNOW, I KNOW THAT THE PAPARAZZI CAN BE 1138 00:40:18,887 --> 00:40:20,649 VERY VICIOUS SOMETIMES, SO IF YOU EVER NEED ANYTHING, 1139 00:40:20,649 --> 00:40:22,150 LIKE, I MEAN ANYTHING AT ALL, 1140 00:40:22,150 --> 00:40:23,492 YOU KNOW WHERE TO FIND ME. 1141 00:40:23,492 --> 00:40:26,895 I JUST MIGHT TAKE YOU UP ON THAT ONE DAY. 1142 00:40:26,895 --> 00:40:30,529 (Royal and Lolita yapping and whining) 1143 00:40:30,529 --> 00:40:33,562 WELL, YOU KNOW WHAT? I MEAN, I'M SURE IT'S FOR THE BEST. 1144 00:40:33,562 --> 00:40:34,563 HE WOULDA BEEN LONELY AT MY PLACE. 1145 00:40:34,563 --> 00:40:35,904 THERE'S NOBODY TO PLAY WITH. 1146 00:40:35,904 --> 00:40:37,636 YEAH, MINE, TOO. 1147 00:40:37,636 --> 00:40:40,438 (sighs) THEY DO LOOK LIKE THEY ENJOY EACH OTHER. 1148 00:40:40,438 --> 00:40:41,770 MM. 1149 00:40:41,770 --> 00:40:42,941 (whines) 1150 00:40:50,579 --> 00:40:51,920 HEY, SWEETHEART. 1151 00:40:51,920 --> 00:40:53,221 HOW WAS YOUR TRIP? 1152 00:40:53,221 --> 00:40:55,453 WE HAD FUN. MISS ME? 1153 00:40:55,453 --> 00:40:56,485 AH, TERRIBLY. 1154 00:40:56,485 --> 00:40:58,757 BUT I DID MANAGE TO HAVE A GOOD TIME WITHOUT YOU 1155 00:40:58,757 --> 00:41:01,730 WITH MY NEW FRIEND ROYAL THE DOG. 1156 00:41:01,730 --> 00:41:03,161 YOU GOT A DOG? 1157 00:41:03,161 --> 00:41:04,763 NO, BUT I WAS LOOKING AFTER HIM FOR A WHILE, 1158 00:41:04,763 --> 00:41:06,464 BUT IT MADE ME THINK. 1159 00:41:06,464 --> 00:41:08,096 ALL THOSE TIMES WHEN YOU WERE LITTLE, 1160 00:41:08,096 --> 00:41:11,670 HOW YOU BEGGED ME FOR A DOG, AND I REFUSED BECAUSE-- 1161 00:41:11,670 --> 00:41:14,142 YOU SAID, YOU'D BE THE ONE WHO'D WIND UP HAVING TO FEED IT, 1162 00:41:14,142 --> 00:41:15,473 AND IT WAS HARD ENOUGH 1163 00:41:15,473 --> 00:41:16,975 REMEMBERING TO FEED ME EVERY DAY. 1164 00:41:16,975 --> 00:41:19,648 YEAH, I... I DON'T REMEMBER THAT LAST PART. 1165 00:41:19,648 --> 00:41:21,179 IT WAS SUBTEXT. 1166 00:41:21,179 --> 00:41:22,551 BARELY. 1167 00:41:22,551 --> 00:41:24,553 ANYWAY, I WANT TO MAKE IT UP TO YOU. 1168 00:41:24,553 --> 00:41:26,254 I WANT TO GET YOU A DOG. 1169 00:41:26,254 --> 00:41:27,986 ONLY QUESTION IS, WHAT KIND OF DOG DO WE GET? 1170 00:41:27,986 --> 00:41:29,988 WHAT ARE WE GONNA NAME IT? WHOSE ROOM IS IT GONNA SLEEP-- 1171 00:41:29,988 --> 00:41:32,020 WHOA, DAD, SLOW DOWN. 1172 00:41:32,020 --> 00:41:33,922 I'M LEAVING FOR COLLEGE SOON, REMEMBER? 1173 00:41:33,922 --> 00:41:36,494 YOU CAN'T HAVE A DOG IN YOUR DORM ROOM. 1174 00:41:36,494 --> 00:41:37,926 RIGHT. 1175 00:41:37,926 --> 00:41:39,267 WELL, I KNOW. 1176 00:41:39,267 --> 00:41:40,599 I'LL JUST TAKE CARE OF HIM HERE. 1177 00:41:40,599 --> 00:41:42,801 YOU CAN COME VISIT HIM WHENEVER YOU CAN. 1178 00:41:45,033 --> 00:41:48,106 SO... THIS DOG YOU WANT TO GET, 1179 00:41:48,106 --> 00:41:49,678 YOU KNOW, FOR ME. 1180 00:41:49,678 --> 00:41:51,610 THIS WOULDN'T BE AN ENTICEMENT 1181 00:41:51,610 --> 00:41:54,583 TO COME HOME FROM COLLEGE MORE OFTEN, WOULD IT? 1182 00:41:54,583 --> 00:41:56,615 DON'T PRETEND LIKE YOU'RE SMARTER THAN ME. 1183 00:41:56,615 --> 00:41:58,717 I TAUGHT YOU SUBTEXT, YOUNG LADY. 1184 00:41:58,717 --> 00:42:00,518 (inhales deeply) DON'T WORRY. 1185 00:42:00,518 --> 00:42:02,520 I'LL COME BACK AND VISIT SO MUCH, 1186 00:42:02,520 --> 00:42:04,222 YOU'LL BE SICK OF ME. 1187 00:42:04,222 --> 00:42:05,253 PROMISE? 1188 00:42:05,253 --> 00:42:06,595 YEAH. 1189 00:42:06,595 --> 00:42:07,926 SOMEONE HAS TO LEAVE FOOD OUT FOR YOU 1190 00:42:07,926 --> 00:42:09,257 ONCE IN A WHILE. 1191 00:42:09,257 --> 00:42:11,299 SPEAKING OF, I'M KINDA HUNGRY RIGHT NOW. 1192 00:42:13,301 --> 00:42:14,663 KIBBLES 'N BITS? 1193 00:42:14,663 --> 00:42:15,964 PEANUT BUTTER ON A SPOON? 1194 00:42:15,964 --> 00:42:17,666 (laughs) CHINESE. 1195 00:42:17,666 --> 00:42:18,967 I'D LIKE A SANDWICH. 1196 00:42:18,967 --> 00:42:20,138 (sighs) 1197 00:42:20,138 --> 00:42:21,970 WELCOME HOME. YEAH.