1 00:00:28,299 --> 00:00:31,062 MM. 2 00:00:31,062 --> 00:00:33,104 DON'T GET UP YET. STAY IN BED. 3 00:00:33,104 --> 00:00:34,305 (whispers) CASTLE. 4 00:00:36,167 --> 00:00:38,209 KATE. HI. 5 00:00:38,209 --> 00:00:39,370 (normal voice) CASTLE. WHAT? 6 00:00:39,370 --> 00:00:40,371 DID YOU DO THIS? 7 00:00:40,371 --> 00:00:41,372 WHAT? 8 00:00:41,372 --> 00:00:43,114 STOP SAYING "WHAT" AND WAKE UP. 9 00:00:43,114 --> 00:00:44,245 I DON'T... 10 00:00:44,245 --> 00:00:45,376 (clicks) 11 00:00:45,376 --> 00:00:47,248 (click) 12 00:00:47,248 --> 00:00:48,419 WE'RE HANDCUFFED. 13 00:00:48,419 --> 00:00:50,081 KINKY. 14 00:00:50,081 --> 00:00:51,182 CASTLE, IT'S NOT FUNNY. 15 00:00:51,182 --> 00:00:52,283 I DIDN'T SAY "FUNNY." I SAID "KINKY." 16 00:00:52,283 --> 00:00:53,354 AND I DIDN'T CUFF US. 17 00:00:53,354 --> 00:00:55,086 WELL, Y-YOU THINK I CUFFED US? 18 00:00:55,086 --> 00:00:56,287 WELL, THEY LOOK LIKE POLICE CUFFS. 19 00:00:56,287 --> 00:00:58,359 SOMEBODY ELSE DID THIS TO US. 20 00:00:58,359 --> 00:00:59,360 (grunts) 21 00:00:59,360 --> 00:01:01,132 (grunts) 22 00:01:03,164 --> 00:01:04,335 DO YOU RECOGNIZE THIS PLACE? 23 00:01:04,335 --> 00:01:05,436 NO. 24 00:01:05,436 --> 00:01:07,268 BUT IF I WERE WRITING A BOOK, 25 00:01:07,268 --> 00:01:09,400 THIS IS WHERE BAD THINGS WOULD HAPPEN. 26 00:01:09,400 --> 00:01:11,442 MY WATCH IS MISSING. 27 00:01:11,442 --> 00:01:14,345 MINE, TOO, AND MY WALLET. 28 00:01:14,345 --> 00:01:16,076 SO IS MY BADGE AND MY GUN. 29 00:01:16,076 --> 00:01:18,078 AND MY PHONE. I JUST RENEWED MY CONTRACT. 30 00:01:18,078 --> 00:01:19,210 WOULD YOU STOP JOKING? 31 00:01:19,210 --> 00:01:21,382 HEY, DO I BEGRUDGE YOU YOUR COPING MECHANISMS? 32 00:01:23,214 --> 00:01:25,416 WHAT'S THE LAST THING THAT YOU REMEMBER? 33 00:01:25,416 --> 00:01:28,119 I... 34 00:01:28,119 --> 00:01:30,161 IT'S KIND OF A BLUR. 35 00:01:30,161 --> 00:01:32,263 YEAH, ME, TOO. 36 00:01:32,263 --> 00:01:33,424 I THINK WE WERE DRUGGED. 37 00:01:33,424 --> 00:01:35,426 YEAH, I THINK SO, TOO, AND NOT THE GOOD KIND. 38 00:01:35,426 --> 00:01:37,168 OKAY. 39 00:01:37,168 --> 00:01:39,470 LIFT MY TOP. 40 00:01:39,470 --> 00:01:42,333 I THINK YOU MIGHT STILL BE UNDER THE INFLUENCE, BUT OKAY. 41 00:01:42,333 --> 00:01:44,205 CASTLE, NOT LIKE THAT. JUST CHECK MY BACK. 42 00:01:44,205 --> 00:01:45,376 THERE'S SOMETHING THAT HURTS. 43 00:01:47,308 --> 00:01:49,109 THERE'S A NEEDLE MARK. 44 00:01:49,109 --> 00:01:50,241 WE WERE DRUGGED. 45 00:01:50,241 --> 00:01:52,443 IT LOOKS LIKE THE WORK OF A PYGMY WITH A BLOWGUN. 46 00:01:52,443 --> 00:01:54,415 OKAY, YOU CAN PUT MY SHIRT DOWN. 47 00:01:54,415 --> 00:01:56,147 YEAH, SORRY. THANKS. 48 00:01:56,147 --> 00:01:58,149 ALL RIGHT, CASTLE, I WANT YOU TO THINK VERY HARD. 49 00:01:58,149 --> 00:02:01,152 WHAT'S THE LAST THING THAT YOU REMEMBER FROM THIS MORNING? 50 00:02:01,152 --> 00:02:02,423 I WAS WITH YOU. 51 00:02:02,423 --> 00:02:05,226 WE WERE, UH, SOMEPLACE SEEDY-- 52 00:02:05,226 --> 00:02:07,398 A HOTEL THAT RENTS ROOMS BY THE HOUR. 53 00:02:07,398 --> 00:02:08,459 WOULD YOU JUST KNOCK IT OFF? 54 00:02:08,459 --> 00:02:10,201 IT'S WHERE WE WERE. 55 00:02:10,201 --> 00:02:12,233 YOU CALLED ME AND YOU ASKED ME TO MEET YOU THERE. 56 00:02:12,233 --> 00:02:13,234 OH, I DID. 57 00:02:13,234 --> 00:02:14,305 YES. 58 00:02:14,305 --> 00:02:16,136 AND THEN I TOOK YOU UP TO THE ROOM 59 00:02:16,136 --> 00:02:18,309 AND THEN WE... 60 00:02:19,340 --> 00:02:21,412 AND THEN WE... 61 00:02:23,143 --> 00:02:25,446 DEAD BODY. WE WENT TO GO AND SEE A DEAD BODY. 62 00:02:25,446 --> 00:02:26,517 RIGHT. 63 00:02:26,517 --> 00:02:27,518 (sighs) 64 00:02:27,518 --> 00:02:29,320 A DEAD BODY. 65 00:02:29,320 --> 00:02:32,283 (siren wailing) 66 00:02:32,283 --> 00:02:34,285 YOU KNOW WHAT I LOVE ABOUT WORKING WITH YOU? 67 00:02:34,285 --> 00:02:36,287 YOU ALWAYS TAKE ME TO THE MOST CHARMING PLACES. 68 00:02:36,287 --> 00:02:39,159 WELL, I'M A SIMPLE GIRL, CASTLE. I GO WHERE THE BODIES ARE. 69 00:02:39,159 --> 00:02:40,361 BESIDES, FOR A MYSTERY NOVELIST, 70 00:02:40,361 --> 00:02:42,162 AREN'T SEEDY MOTELS KIND OF A STANDARD? 71 00:02:42,162 --> 00:02:43,364 AH, YES. MATTER OF FACT, 72 00:02:43,364 --> 00:02:46,267 THEY'RE A VERITABLE ADVENT CALENDAR OF SALACIOUSNESS. 73 00:02:46,267 --> 00:02:48,399 BEHIND EVERY DOOR, A DELIGHTFUL TALE 74 00:02:48,399 --> 00:02:50,471 OF DESPERATION, DEPRAVITY-- 75 00:02:50,471 --> 00:02:52,172 OR DEATH. 76 00:02:52,172 --> 00:02:53,244 YOU KNOW, YOU NEED TO STOP BEING A CONTROL FREAK. 77 00:02:53,244 --> 00:02:54,475 I'M NOT--WHAT DO YOU MEAN, A CONTROL FREAK? 78 00:02:54,475 --> 00:02:56,207 YOU ARE BEING A CONTROL FREAK. I'VE NEVER BEEN A CONTROL FREAK. 79 00:02:56,207 --> 00:02:58,209 (both arguing indistinctly) (knock on door) 80 00:02:58,209 --> 00:03:00,311 SORRY. ARE WE INTERRUPTING? 81 00:03:00,311 --> 00:03:03,454 NO. VICTIM'S A WHITE MALE, LATE 30s. 82 00:03:03,454 --> 00:03:05,456 HOUSEKEEPING FOUND HIM WHEN THEY CAME TO CLEAN THE ROOM. 83 00:03:05,456 --> 00:03:06,517 CAUSE OF DEATH? (camera shutter clicking) 84 00:03:06,517 --> 00:03:08,259 NOT ENTIRELY SURE YET. 85 00:03:08,259 --> 00:03:10,261 BUT THERE ARE INDICATIONS OF ASPHYXIA 86 00:03:10,261 --> 00:03:12,192 WITH SOME CYANOSIS AROUND THE FACE. 87 00:03:12,192 --> 00:03:13,464 SO HE WAS SUFFOCATED? 88 00:03:13,464 --> 00:03:15,426 MAYBE. THEN AGAIN, THERE'S THIS. 89 00:03:15,426 --> 00:03:17,197 (Beckett) NEEDLE MARK. 90 00:03:17,197 --> 00:03:19,470 SO HE COULD'VE JUST O.D.'ed, PASSED OUT FACE FIRST, 91 00:03:19,470 --> 00:03:21,472 AND SUFFOCATED. OH, NO. IT'S DEFINITELY MURDER. 92 00:03:21,472 --> 00:03:22,503 HOW CAN YOU TELL? 93 00:03:22,503 --> 00:03:24,575 SOMEONE TORCHED HIS FINGERS. 94 00:03:24,575 --> 00:03:26,407 BURNED OFF HIS PRINTS. 95 00:03:26,407 --> 00:03:28,208 THEY WANTED TO ERASE HIS IDENTITY. 96 00:03:28,208 --> 00:03:30,281 AND THEY DID A PRETTY GOOD JOB, TOO. 97 00:03:30,281 --> 00:03:31,412 HIS WALLET'S MISSING, 98 00:03:31,412 --> 00:03:32,543 AND WE'VE BEEN THROUGH THE ROOM A COUPLE OF TIMES. 99 00:03:32,543 --> 00:03:34,214 THERE'S NOTHING HERE TO TELL US WHO THIS GUY IS. 100 00:03:34,214 --> 00:03:35,546 DID HE PAY FOR THE ROOM IN CASH? 101 00:03:35,546 --> 00:03:38,489 YEAH, AND THE CLERK SAID THAT HE REGISTERED AS JACK SPARROW. 102 00:03:38,489 --> 00:03:41,392 OH, THERE'S APOSSIBILITY THAT'S HIS REAL NAME. 103 00:03:41,392 --> 00:03:43,494 SURE IT IS. (camera shutter clicking) 104 00:03:43,494 --> 00:03:45,296 (police radio chatter) 105 00:03:45,296 --> 00:03:47,498 WE'RE RUNNING IT JUST IN CASE. 106 00:03:47,498 --> 00:03:49,229 THE CLERK ALSO SAID 107 00:03:49,229 --> 00:03:51,231 HE APPEARED NERVOUS WHEN HE CHECKED IN. 108 00:03:51,231 --> 00:03:52,433 HE, UH, KEPT LOOKING BEHIND HIM. 109 00:03:52,433 --> 00:03:54,435 DID HE HAVE ANY VISITORS? HE COULDN'T SAY, 110 00:03:54,435 --> 00:03:56,236 BUT THIS ISN'T THE MOST SECURE BUILDING. 111 00:03:56,236 --> 00:03:57,508 I SAW A CAMERA IN THE LOBBY. 112 00:03:57,508 --> 00:03:59,510 IT'S A DUMMY. (under breath) IT'S NOT THE ONLY ONE. 113 00:03:59,510 --> 00:04:01,512 IT'S USED TO SCARE AWAY DRUG DEALERS. 114 00:04:01,512 --> 00:04:03,474 (radio chatter continues) 115 00:04:03,474 --> 00:04:05,516 OKAY, UM... 116 00:04:05,516 --> 00:04:07,478 YOU DON'T GO TO THE TROUBLE OF TRYING TO ERASE 117 00:04:07,478 --> 00:04:09,350 SOMEONE'S IDENTITY 118 00:04:09,350 --> 00:04:10,621 UNLESS YOU HAVE A VERY GOOD REASON TO. 119 00:04:10,621 --> 00:04:12,283 LANIE, WHAT ARE THE CHANCES OF US RECOVERING 120 00:04:12,283 --> 00:04:13,354 SOME OF THE PRINTS? 121 00:04:13,354 --> 00:04:15,286 DEPENDS ON HOW BAD THE BURNS ARE. 122 00:04:15,286 --> 00:04:17,328 L-LET ME GET HIM BACK TO THE MORGUE. 123 00:04:17,328 --> 00:04:18,459 OKAY, IN THE MEANTIME, LET'S GET RYAN 124 00:04:18,459 --> 00:04:20,391 TO RUN HIS PHOTOS THROUGH MISSING PERSONS 125 00:04:20,391 --> 00:04:22,633 AND... SEE IF ANYTHING POPS. 126 00:04:22,633 --> 00:04:24,535 YOU GOT IT. 127 00:04:24,535 --> 00:04:27,538 (radio chatter continues) 128 00:04:29,440 --> 00:04:31,271 (Beckett) JOHN DOE IN A SEEDY MOTEL 129 00:04:31,271 --> 00:04:32,543 WITH HIS FINGERPRINTS BURNED OFF. 130 00:04:34,305 --> 00:04:35,646 HOW DID WE GET FROM THERE 131 00:04:35,646 --> 00:04:37,478 TO HERE? WHOA. 132 00:04:37,478 --> 00:04:39,279 (grunts) WHOA, EASY, EASY THERE. 133 00:04:39,279 --> 00:04:40,351 (sighs) HATE TO STATE THE OBVIOUS, 134 00:04:40,351 --> 00:04:41,452 BUT WE'RE KIND OF JOINED AT THE HIP HERE. 135 00:04:41,452 --> 00:04:43,484 OKAY, LET'S JUST GET UP. COME ON. 136 00:04:43,484 --> 00:04:45,416 ARE YOU ALWAYS LIKE THIS IN THE MORNING? 137 00:04:45,416 --> 00:04:46,617 (exhales deeply) 138 00:04:46,617 --> 00:04:48,359 OH, THIS IS... 139 00:04:48,359 --> 00:04:49,660 THIS IS AWKWARD. YEAH. 140 00:04:49,660 --> 00:04:53,364 THEY COULDN'T JUST HANDCUFF US "MIDNIGHT RUN" STYLE? 141 00:04:53,364 --> 00:04:55,326 WAIT A MINUTE. RYAN DID RUN OUR GUY THROUGH MISSING PERSONS, 142 00:04:55,326 --> 00:04:57,428 AND THERE WASN'T A MATCH. THEN WHAT? 143 00:04:58,569 --> 00:05:00,531 THEN... 144 00:05:00,531 --> 00:05:03,334 RYAN ASKED ME... 145 00:05:04,475 --> 00:05:07,378 IF HE SPENT THANKSGIVING AT HIS FAMILY'S HOUSE, 146 00:05:07,378 --> 00:05:08,639 DID THAT MEAN HE HAD TO SPEND CHRISTMAS 147 00:05:08,639 --> 00:05:10,641 AT JENNY'S FAMILY'S HOUSE? 148 00:05:10,641 --> 00:05:12,413 CASTLE, I'M TALKING ABOUT OUR CASE. 149 00:05:12,413 --> 00:05:14,385 IF YOU WANT ME TO RECONSTRUCT IT, I HAVE TO DO IT IN ORDER. 150 00:05:14,385 --> 00:05:16,316 OKAY, FINE. UM... 151 00:05:16,316 --> 00:05:17,588 BURNT FINGERPRINTS, SUFFOCATED, 152 00:05:17,588 --> 00:05:20,391 UH... NEEDLE MARKS. 153 00:05:20,391 --> 00:05:22,493 THE MORGUE. WE WENT TO THE MORGUE. 154 00:05:22,493 --> 00:05:25,325 I TOLD YOU, IT'S NONE OF YOUR BUSINESS. 155 00:05:25,325 --> 00:05:26,657 OF COURSE IT'S NONE OF MY BUSINESS, 156 00:05:26,657 --> 00:05:28,328 THAT'S WHY I WANT TO KNOW. 157 00:05:28,328 --> 00:05:29,460 KNOW WHAT? 158 00:05:29,460 --> 00:05:31,331 WHAT SHE AND ESPOSITO WERE FIGHTING ABOUT. 159 00:05:31,331 --> 00:05:32,363 IT'S NONE OF YOUR BUSINESS. 160 00:05:32,363 --> 00:05:33,464 THAT'S THE POINT. 161 00:05:33,464 --> 00:05:34,605 WHERE ARE WE? 162 00:05:34,605 --> 00:05:36,367 NO I.D. YET, 163 00:05:36,367 --> 00:05:37,568 BUT HIS HANDS HAVE CALLUSES, 164 00:05:37,568 --> 00:05:40,441 SO MOST LIKELY, HE HAD A JOB THAT REQUIRED PHYSICAL LABOR. 165 00:05:40,441 --> 00:05:41,712 WHAT ABOUT FINGERPRINTS? 166 00:05:41,712 --> 00:05:44,375 OUTER SKIN'S TOO DAMAGED. 167 00:05:44,375 --> 00:05:48,379 BUT... I MAY BE ABLE TO MACERATE THE SKIN, 168 00:05:48,379 --> 00:05:51,552 PULL SOME FROM THE UNDERSIDE OF THE EPIDURAL LAYER. 169 00:05:51,552 --> 00:05:52,623 YOU CAN DO THAT? 170 00:05:52,623 --> 00:05:54,425 YES, IN SOME CASES. 171 00:05:54,425 --> 00:05:55,626 BUT IT'S GONNA TAKE A COUPLE OF DAYS. 172 00:05:55,626 --> 00:05:58,389 IN THE MEANTIME, I DID FIND THIS. 173 00:05:58,389 --> 00:06:00,431 IT WAS TUCKED IN THE FOLD OF HIS PANTS POCKET. 174 00:06:00,431 --> 00:06:03,363 IT WOULD'VE BEEN REAL EASY FOR OUR KILLER TO MISS. 175 00:06:03,363 --> 00:06:08,499 "147 WEST 97th STREET, 4:00 P.M." 176 00:06:08,499 --> 00:06:10,370 IT'S THE ADDRESS OF THE CAMBURY CAFE, 177 00:06:10,370 --> 00:06:12,372 HALF BLOCK OFF BROADWAY. 178 00:06:12,372 --> 00:06:13,504 4:00 P.M. HE WAS MEETING SOMEONE. 179 00:06:13,504 --> 00:06:14,605 OR MET SOMEONE. 180 00:06:14,605 --> 00:06:16,647 OKAY, YOU AND ESPOSITO TAKE THIS UP THERE AND SEE 181 00:06:16,647 --> 00:06:17,708 IF ANYONE REMEMBERS SEEING OUR VICTIM. 182 00:06:17,708 --> 00:06:19,510 MAYBE THAT'LL HELP US I.D. HIM. 183 00:06:19,510 --> 00:06:20,651 ON IT. 184 00:06:20,651 --> 00:06:22,453 WHAT WAS SO SPECIAL ABOUT OUR VICTIM 185 00:06:22,453 --> 00:06:25,385 THAT OUR KILLER WANTED TO ERASE HIS IDENTITY? 186 00:06:25,385 --> 00:06:26,457 DON'T SAY SPY. 187 00:06:26,457 --> 00:06:28,388 (indistinct conversations) 188 00:06:28,388 --> 00:06:29,490 OR MOB HIT. 189 00:06:29,490 --> 00:06:30,661 MOB HIT OF A SPY? 190 00:06:30,661 --> 00:06:33,494 CRAZY THEORIES AREN'T GONNA HELP, 191 00:06:33,494 --> 00:06:36,527 NOT UNTIL WE FIGURE OUT WHO THIS GUY IS. 192 00:06:37,728 --> 00:06:39,570 BECKETT? 193 00:06:39,570 --> 00:06:40,671 WHAT? 194 00:06:40,671 --> 00:06:42,473 THIS IS A POSTAL BAR CODE. 195 00:06:42,473 --> 00:06:44,575 OUR VICTIM WROTE THIS NOTE ON THE BACK OF AN ENVELOPE. 196 00:06:44,575 --> 00:06:46,477 A POSTAL BAR CODE? 197 00:06:46,477 --> 00:06:47,538 YEAH, THOSE LITTLE HASH MARKS 198 00:06:47,538 --> 00:06:48,739 YOU SEE ON MAILING LABELS AND ENVELOPES. 199 00:06:48,739 --> 00:06:52,583 IT'S A WAY OF EXACTLY IDENTIFYING AN ADDRESS. 200 00:06:52,583 --> 00:06:54,515 BUT IN A MACHINE-READABLE WAY. 201 00:06:54,515 --> 00:06:55,646 WE GET THAT DECODED, 202 00:06:55,646 --> 00:06:58,418 WE'LL BE ABLE TO TELL EXACTLY WHERE OUR VICTIM WAS 203 00:06:58,418 --> 00:06:59,520 WHEN HE WROTE THAT NOTE. 204 00:06:59,520 --> 00:07:00,791 OKAY, THEN WE CALLED THE POST OFFICE, 205 00:07:00,791 --> 00:07:02,653 AND THEY GAVE US THE ADDRESS. 206 00:07:02,653 --> 00:07:03,724 (sighs) 207 00:07:03,724 --> 00:07:05,696 (both) THE HOUSE IN QUEENS. 208 00:07:05,696 --> 00:07:06,697 (car doors close) 209 00:07:06,697 --> 00:07:07,758 SO DO YOU KNOW 210 00:07:07,758 --> 00:07:09,530 WHAT LANIE AND ESPOSITO WERE FIGHTING ABOUT? 211 00:07:09,530 --> 00:07:10,661 EVERYTHING. 212 00:07:10,661 --> 00:07:12,533 THEY BOTH WANT TO BE TOGETHER, 213 00:07:12,533 --> 00:07:14,434 BUT NEITHER OF THEM WANTS TO ADMIT TO IT. 214 00:07:14,434 --> 00:07:16,567 UGH. WHY DO PEOPLE DO THAT TO THEMSELVES? 215 00:07:16,567 --> 00:07:18,509 MAYBE THEY JUST DON'T SEE IT. 216 00:07:18,509 --> 00:07:20,440 HOW COULD THEY NOT? IT'S SO OBVIOUS. 217 00:07:20,440 --> 00:07:22,513 THIS IS THE PLACE? 218 00:07:22,513 --> 00:07:23,774 MATCHES THE ADDRESS. 219 00:07:23,774 --> 00:07:25,776 (Castle) DOESN'T LOOK LIKE ANYBODY'S HOME. 220 00:07:25,776 --> 00:07:28,719 (rings doorbell) 221 00:07:30,450 --> 00:07:32,723 (creaking) 222 00:07:32,723 --> 00:07:34,725 HELLO? 223 00:07:34,725 --> 00:07:38,729 NYPD. ANYBODY HERE? 224 00:07:43,734 --> 00:07:46,466 HELLO? 225 00:07:50,641 --> 00:07:52,543 ANYBODY HERE? 226 00:08:10,490 --> 00:08:13,824 BILL AND NORA RANFORD. 227 00:08:13,824 --> 00:08:16,767 MAYBE BILL IS OUR JOHN DOE. 228 00:08:16,767 --> 00:08:18,529 (object clatters) 229 00:08:18,529 --> 00:08:20,831 (clicks) NYPD. IDENTIFY YOURSELF. 230 00:08:20,831 --> 00:08:23,804 (woman, raspy whisper) HELP ME. 231 00:08:39,790 --> 00:08:41,652 MA'AM. 232 00:08:41,652 --> 00:08:43,654 MA'AM, ARE YOU OKAY? 233 00:08:43,654 --> 00:08:47,527 (clattering) 234 00:08:53,604 --> 00:08:55,906 (clattering continues) 235 00:09:04,745 --> 00:09:06,877 AND AN OLD WOMAN IN A CAGE. 236 00:09:06,877 --> 00:09:08,919 YEAH, THAT'S THE LAST THING I REMEMBER. 237 00:09:08,919 --> 00:09:10,881 (clicks tongue) 238 00:09:10,881 --> 00:09:13,584 ME, TOO. 239 00:09:15,656 --> 00:09:24,695 WHAT THE HELL IS GOING ON? 240 00:09:28,969 --> 00:09:30,771 IT'S JUST, I ALWAYS SPEND CHRISTMAS WITHMYFAMILY. 241 00:09:30,771 --> 00:09:31,972 RIGHT. WELL, YOU WERE THE ONE 242 00:09:31,972 --> 00:09:33,774 WHO DECIDED TO GET HITCHED, BRO. 243 00:09:33,774 --> 00:09:36,106 YEAH, BUT I DIDN'T THINK THAT MEANT DRIVING DOWN TO FLORIDA 244 00:09:36,106 --> 00:09:38,108 TO SPEND THE HOLIDAYS WITH HER GRANDMOTHER. 245 00:09:38,108 --> 00:09:40,951 DRIVING? (sniffs) YOU'RE NOT FLYING? 246 00:09:40,951 --> 00:09:42,152 DURING THE HOLIDAYS? ARE YOU KIDDING ME? 247 00:09:42,152 --> 00:09:44,014 BESIDES, JENNY THINKS THAT, A-A ROAD TRIP 248 00:09:44,014 --> 00:09:46,116 WILL GIVE US SOME QUALITY TIME TOGETHER. 249 00:09:46,116 --> 00:09:49,089 THAT IS NO ROAD TRIP, BROTHER. 250 00:09:49,089 --> 00:09:50,961 THAT... 251 00:09:50,961 --> 00:09:52,793 IS A RELATIONSHIP TEST. 252 00:09:52,793 --> 00:09:54,925 A RELATIONSHIP TEST? 253 00:09:54,925 --> 00:09:56,096 WE'RE GETTING MARRIED IN A MONTH. 254 00:09:56,096 --> 00:09:58,128 WELL, WE'LL SEE WHAT HAPPENS AFTER THE TEST. 255 00:09:58,128 --> 00:10:00,170 IT'S THE PRE-WEDDING ROAD TRIP TEST. 256 00:10:00,170 --> 00:10:02,172 LOCKED TOGETHER FOR HOURS, 257 00:10:02,172 --> 00:10:04,104 THAT WAY SHE CAN CONFRONT YOU WITH ANY LINGERING DOUBTS 258 00:10:04,104 --> 00:10:06,877 SHE MAY HAVE ABOUT YOUR FUTURE TOGETHER. 259 00:10:06,877 --> 00:10:09,079 AND YOU... WILL HAVE NOWHERE TO HIDE. 260 00:10:09,079 --> 00:10:10,140 (Gates) HEY. 261 00:10:10,140 --> 00:10:12,042 HAVE EITHER OF YOU SEEN BECKETT? 262 00:10:12,042 --> 00:10:14,114 SHE'S PROBABLY FOLLOWING UP ON A LEAD. 263 00:10:14,114 --> 00:10:16,817 DON'T THINK THAT I DON'T KNOW 264 00:10:16,817 --> 00:10:19,049 THAT YOU GUYS COVER FOR EACH OTHER. 265 00:10:19,049 --> 00:10:20,991 MM. WHAT'S THAT? 266 00:10:20,991 --> 00:10:22,993 ANY PROGRESS ON OUR JOHN DOE? 267 00:10:22,993 --> 00:10:25,856 YEAH. TURNED OUT, HE DID SHOW UP AT THE CAMBURY CAFE YESTERDAY, 268 00:10:25,856 --> 00:10:27,157 AND HEWASN'TALONE. 269 00:10:27,157 --> 00:10:28,899 (Ryan) WAITRESS RECOGNIZED HIM IMMEDIATELY, 270 00:10:28,899 --> 00:10:30,060 SAID HE SAT IN THE CORNER BOOTH, 271 00:10:30,060 --> 00:10:32,833 MET WITH A GUY-- LONG HAIR, GOATEE-- 272 00:10:32,833 --> 00:10:33,964 SAID OUR VIC LOOKED NERVOUS. 273 00:10:33,964 --> 00:10:35,906 (Esposito) WE HAVE THE WAITRESS WORKING WITH AN ARTIST 274 00:10:35,906 --> 00:10:37,968 TO SEE IF WE CAN COME UP WITH A SKETCH OF THE GOATEED MAN 275 00:10:37,968 --> 00:10:39,139 TO USE ON A CANVASS. 276 00:10:39,139 --> 00:10:42,172 ALL RIGHT. KEEP ME APPRISED. 277 00:10:42,172 --> 00:10:43,974 (indistinct conversations) 278 00:10:43,974 --> 00:10:46,146 COME ON, JENNY LOVES ME. SHE WOULDN'T TEST ME LIKE THAT. 279 00:10:46,146 --> 00:10:47,848 RIGHT. 280 00:10:47,848 --> 00:10:50,120 JUST WATCH OUT IF SHE WANTS TO TAKE YOU CANOEING. 281 00:10:50,120 --> 00:10:51,882 OKAY? 282 00:10:51,882 --> 00:10:53,083 (indistinct conversations continue) 283 00:10:53,083 --> 00:10:56,056 CANOEING? C-CANOEING IS A TEST? 284 00:10:56,056 --> 00:10:58,859 IT'S ALL ABOUT POWER, DIRECTION, 285 00:10:58,859 --> 00:11:00,090 LIKE A MARRIAGE. 286 00:11:00,090 --> 00:11:01,992 IF THE CANOE GOES STRAIGHT, 287 00:11:01,992 --> 00:11:03,894 IT SHOWS HER THAT YOU CAN COMPROMISE, 288 00:11:03,894 --> 00:11:05,866 WORK TOGETHER, FIND A RHYTHM, 289 00:11:05,866 --> 00:11:07,938 MOVE FORWARD IN THE SAME DIRECTION. 290 00:11:07,938 --> 00:11:10,871 BUT IF IT'S GOING AROUND IN CIRCLES, 291 00:11:10,871 --> 00:11:12,142 SO IS YOUR RELATIONSHIP. 292 00:11:14,074 --> 00:11:15,946 CASTLE, WOULD YOU JUST WORK WITH ME? 293 00:11:15,946 --> 00:11:17,207 HOW ABOUT YOU WORK WITH ME? 294 00:11:17,207 --> 00:11:19,079 HOW COME YOU ALWAYS HAVE TO LEAD? 295 00:11:19,079 --> 00:11:21,912 HOW COME YOU ALWAYS HAVE TO STEP ON MY TOES? 296 00:11:21,912 --> 00:11:24,084 SINCE WHEN DO I-- OKAY, YOU KNOW WHAT? 297 00:11:24,084 --> 00:11:25,886 TELL ME THIS-- 298 00:11:25,886 --> 00:11:28,088 WHY DO YOU ALWAYS HAVE TO BE FIRST? 299 00:11:28,088 --> 00:11:30,060 FIRST OUT OF THE ELEVATOR, 300 00:11:30,060 --> 00:11:31,191 FIRST THROUGH THE DOOR. 301 00:11:31,191 --> 00:11:33,964 UM, I AM A COP. I'M THE ONE WITH A GUN. 302 00:11:33,964 --> 00:11:37,167 BEING FIRST THROUGH THE DOOR IS MY JOB. 303 00:11:37,167 --> 00:11:38,999 IN THE ELEVATOR? 304 00:11:38,999 --> 00:11:40,200 LOOK, HOW ABOUT THIS? (sighs) 305 00:11:40,200 --> 00:11:42,903 WOULD IT KILL YA TO LET SOMEONE OPEN THE DOOR FOR YOU 306 00:11:42,903 --> 00:11:44,034 ONCE IN A WHILE? 307 00:11:44,034 --> 00:11:45,936 YOU DO REALIZE, IF SOMEBODY OPENS THE DOOR FOR ME, 308 00:11:45,936 --> 00:11:48,278 THEN I WILL BE GOING THROUGH IT FIRST ANYWAY, RIGHT? 309 00:11:48,278 --> 00:11:49,940 OH, YEAH, THAT'S RIGHT. I FORGOT. 310 00:11:49,940 --> 00:11:51,011 YOU HAVE TO BE THE SMARTEST, TOO. 311 00:11:51,011 --> 00:11:52,182 EVERYTHING'S A COMPETITION WITH YOU. 312 00:11:52,182 --> 00:11:53,243 THAT IS SO NOT TRUE. 313 00:11:53,243 --> 00:11:54,915 ARE YOU ALWAYS LIKE THIS IN THE MORNINGS? 314 00:11:54,915 --> 00:11:55,986 YOU KNOW, I'D ARGUE WITH YOU, 315 00:11:55,986 --> 00:11:57,047 BUT THEN I'D HAVE TO LET YOU WIN. 316 00:11:57,047 --> 00:11:59,289 OKAY, FINE. GO AHEAD. YOU LEAD. 317 00:11:59,289 --> 00:12:01,251 THANK YOU. 318 00:12:03,253 --> 00:12:05,195 WHERE DID YOU WANT TO GO? 319 00:12:05,195 --> 00:12:07,197 I THINK THAT THERE'S A LIGHT SWITCH OVER THERE. 320 00:12:07,197 --> 00:12:10,200 OR DO YOU WANT TO STAY IN THE DARK? 321 00:12:10,200 --> 00:12:11,962 (handcuffs click) 322 00:12:13,203 --> 00:12:14,204 (clicks switch) 323 00:12:14,204 --> 00:12:15,205 (electricity buzzing) 324 00:12:15,205 --> 00:12:17,938 OOH. I LIKED IT BETTER IN THE DARK. 325 00:12:17,938 --> 00:12:20,140 THIS DOOR IS STEEL. THERE'S NO WAY WE'RE GETTING THROUGH HERE. 326 00:12:20,140 --> 00:12:21,271 THESE WALLS ARE CINDER BLOCK. 327 00:12:21,271 --> 00:12:22,312 WHOA. 328 00:12:24,144 --> 00:12:27,047 WHAT DO YOU SUPPOSE IS IN THAT BIG FREEZER? 329 00:12:31,021 --> 00:12:32,953 YOU THINK IT'S THE OLD WOMAN? 330 00:12:32,953 --> 00:12:34,955 I MEAN, WHAT IF WE'RE IN SOME PSYCHO'S LAIR 331 00:12:34,955 --> 00:12:36,957 AND WE HAVE TO KILL EACH OTHER, LIKE IN "SAW"? 332 00:12:36,957 --> 00:12:38,959 CASTLE, STOP SPECULATING. IT'S NOT HELPING. 333 00:12:38,959 --> 00:12:41,091 OH, COME ON. AN OLD LADY IN A CAGE, 334 00:12:41,091 --> 00:12:42,262 US CUFFED TOGETHER IN THIS CREEPY ROOM. 335 00:12:42,262 --> 00:12:43,333 WHAT AM I SUPPOSED TO THINK? 336 00:12:43,333 --> 00:12:45,065 YOU'RE SUPPOSED TO THINK THAT WE NEED 337 00:12:45,065 --> 00:12:47,097 TO GET THE HELL OUTTA HERE BEFORE SOMEONE COMES BACK. 338 00:12:47,097 --> 00:12:48,168 HOW LONG DO YOU THINK WE WERE OUT? 339 00:12:48,168 --> 00:12:49,239 COUPLE OF HOURS. 340 00:12:49,239 --> 00:12:50,300 HOW CAN YOU TELL? 341 00:12:50,300 --> 00:12:51,972 'CAUSE I'M HUNGRY. 342 00:12:51,972 --> 00:12:53,043 OH. 343 00:12:53,043 --> 00:12:55,976 I GOT SOME BEEF JERKY. 344 00:12:55,976 --> 00:12:57,177 WHAT? 345 00:12:57,177 --> 00:12:59,009 HOLD MY HAND. 346 00:12:59,009 --> 00:13:00,150 (clicks) 347 00:13:01,151 --> 00:13:03,113 SO THE CUFFS DON'T CUT INTO US. 348 00:13:03,113 --> 00:13:05,085 WE COULD JUST TRY TO GET 'EM OFF. 349 00:13:05,085 --> 00:13:06,316 (groans) YOU GOT A BOBBY PIN? 350 00:13:06,316 --> 00:13:08,218 WHAT IS THIS, THE 1940s? 351 00:13:08,218 --> 00:13:10,020 THESE ARE MY POLICE CUFFS. 352 00:13:10,020 --> 00:13:12,292 YOU'RE NOT GONNA OPEN THEM WITH A BOBBY PIN. 353 00:13:12,292 --> 00:13:14,024 FACE IT. (exhales) 354 00:13:14,024 --> 00:13:15,125 WE'RE STUCK. 355 00:13:18,098 --> 00:13:20,100 THINK ANYONE KNOWS WE'RE MISSING? 356 00:13:20,100 --> 00:13:22,202 MARTHA AND ALEXIS WILL NOTICE IF YOU DON'T GO HOME, RIGHT? 357 00:13:22,202 --> 00:13:24,134 ACTUALLY, MY MOTHER'S TAKING ALEXIS 358 00:13:24,134 --> 00:13:26,136 ON A TOUR OF COLLEGES THIS WEEKEND. 359 00:13:26,136 --> 00:13:27,377 ESPOSITO AND RYAN-- 360 00:13:27,377 --> 00:13:31,041 YEAH, THEY'LL PROBABLY NOTICE, BUT IT DOESN'T MEAN THEY'LL... 361 00:13:31,041 --> 00:13:32,282 FIND US HERE. 362 00:13:34,114 --> 00:13:36,116 WHAT IS THAT? 363 00:13:38,148 --> 00:13:39,249 IT'S A HATCH. 364 00:13:39,249 --> 00:13:41,051 IF WE CAN GET UP THERE, WE MIGHT BE ABLE TO GET OUT. 365 00:13:41,051 --> 00:13:42,192 YEAH, WELL, IT'S TOO HIGH. 366 00:13:42,192 --> 00:13:44,054 NOT IF WE CLIMB ON TOP OF THAT. 367 00:13:46,296 --> 00:13:47,297 (beeps) 368 00:13:47,297 --> 00:13:49,029 THAT WAS LANIE. 369 00:13:49,029 --> 00:13:51,031 PRELIMINARY AUTOPSY REPORT SHOWS THAT OUR VICTIM 370 00:13:51,031 --> 00:13:53,033 WAS IN FACT SMOTHERED. 371 00:13:53,033 --> 00:13:54,264 GUY HIS SIZE, YOU'D THINK HE'D PUT UP MORE OF A STRUGGLE. 372 00:13:54,264 --> 00:13:56,266 HE COULDN'T. TOX REPORT SHOWED THAT 373 00:13:56,266 --> 00:13:58,268 HIS SYSTEM WAS FLOODED WITH SO MUCH SEDATIVE 374 00:13:58,268 --> 00:14:00,170 THAT IT COULD PUT DOWN AN ELEPHANT. 375 00:14:00,170 --> 00:14:02,042 WHERE ARE WE WITH THAT SKETCH? 376 00:14:02,042 --> 00:14:04,344 WELL, I GOT UNIs LOOKING THROUGH MUG BOOKS 377 00:14:04,344 --> 00:14:08,048 AND I SENT A TEAM UPTOWN TO CANVASS. 378 00:14:08,048 --> 00:14:09,179 (indistinct conversations) 379 00:14:09,179 --> 00:14:10,320 STILL NOT BACK, HUH? 380 00:14:10,320 --> 00:14:11,321 NO. 381 00:14:11,321 --> 00:14:13,183 IT'S BEEN HOURS. 382 00:14:13,183 --> 00:14:16,056 EVERY TIME I CALL, IT GOES STRAIGHT TO VOICE MAIL. 383 00:14:16,056 --> 00:14:17,327 YOU THINK THEY'RE REALLY RUNNING DOWN A LEAD? 384 00:14:17,327 --> 00:14:19,089 WHAT LEAD? 385 00:14:19,089 --> 00:14:20,330 THERE WAS NOTHING NEW ON THE BOARD WHEN WE CAME BACK. 386 00:14:20,330 --> 00:14:22,332 (sighs) 387 00:14:22,332 --> 00:14:24,334 YOU THINK YOU CAN HIT UP DISPATCH, 388 00:14:24,334 --> 00:14:26,136 SEE IF THEY'LL RUN A TRACE ON THE TRANSPONDER 389 00:14:26,136 --> 00:14:27,337 IN BECKETT'S UNIT? 390 00:14:27,337 --> 00:14:29,139 I WANT TO KNOW WHERE THEY ARE. 391 00:14:29,139 --> 00:14:30,300 (indistinct conversations continue) 392 00:14:30,300 --> 00:14:32,272 (Beckett groans) 393 00:14:32,272 --> 00:14:33,343 (groan) 394 00:14:33,343 --> 00:14:34,344 (Castle groans) 395 00:14:34,344 --> 00:14:36,406 (grunts and groans) 396 00:14:36,406 --> 00:14:39,309 OHH! I CAN'T GET A GOOD ANGLE ON IT. 397 00:14:39,309 --> 00:14:41,281 YEAH. TRY THIS. 398 00:14:41,281 --> 00:14:42,352 READY? 399 00:14:42,352 --> 00:14:44,214 YOU BETTER NOT BE ENJOYING THIS, CASTLE. 400 00:14:44,214 --> 00:14:45,415 I'LL LET YOU KNOW IN A MINUTE. (pants) 401 00:14:45,415 --> 00:14:47,287 ONE, TWO, THREE. 402 00:14:47,287 --> 00:14:48,288 PUSH. 403 00:14:48,288 --> 00:14:49,289 (grunts) 404 00:14:49,289 --> 00:14:51,091 (grunt) 405 00:14:51,091 --> 00:14:52,362 OHH! 406 00:14:52,362 --> 00:14:55,165 (panting) OH. OKAY. 407 00:14:55,165 --> 00:14:56,366 (continues panting) 408 00:14:56,366 --> 00:14:58,098 WHATEVER'S IN HERE IS A HELL OF A LOT HEAVIER 409 00:14:58,098 --> 00:14:59,229 THAN A LITTLE OLD LADY. 410 00:14:59,229 --> 00:15:01,171 IT'S LIKE... IT'S FILLED WITH ROCKS. 411 00:15:01,171 --> 00:15:02,232 (panting) 412 00:15:02,232 --> 00:15:03,303 (exhales deeply) 413 00:15:03,303 --> 00:15:04,374 WHAT IF WE EMPTIED IT? 414 00:15:04,374 --> 00:15:06,176 THAT'S A GREAT IDEA, CASTLE, 415 00:15:06,176 --> 00:15:08,478 EXCEPT IT'S LOCKED, AND I'M FRESH OUT OF BOLT CUTTERS. 416 00:15:08,478 --> 00:15:10,410 YEAH, BUT IT'S A COMBO LOCK. 417 00:15:10,410 --> 00:15:12,212 SO? 418 00:15:12,212 --> 00:15:14,284 SO WHEN I WAS WRITING "STORM RISING," 419 00:15:14,284 --> 00:15:17,347 I STUDIED WITH ONE OF THE BEST SAFE CRACKERS IN THE BIZ. 420 00:15:17,347 --> 00:15:21,451 ICANOPEN THIS. I JUST DON'T KNOW IF WE WANT TO. 421 00:15:23,123 --> 00:15:24,324 LET'S GET CRACKIN', CASTLE, 422 00:15:24,324 --> 00:15:26,256 BEFORE OUR CAPTORS GET BACK. 423 00:15:27,297 --> 00:15:30,260 (clicking) 424 00:15:30,260 --> 00:15:33,233 (Ryan) TRANSPONDER SAYS HER UNIT'S RIGHT OVER HERE. 425 00:15:43,143 --> 00:15:46,146 THAT'S DEFINITELY BECKETT'S CAR. 426 00:15:51,151 --> 00:15:52,452 (sighs) 427 00:15:52,452 --> 00:15:54,154 LOOKS LIKE IT'S BEEN DUMPED. 428 00:15:54,154 --> 00:15:55,325 YEAH, CALL IT IN. 429 00:15:55,325 --> 00:15:56,426 YEAH. 430 00:16:00,430 --> 00:16:03,293 (car door opens) 431 00:16:03,293 --> 00:16:06,366 (Esposito) TIME STAMP PUTS THIS AT FIVE HOURS AGO. 432 00:16:06,366 --> 00:16:10,170 (Ryan) SO THAT'S BECKETT'S CAR. 433 00:16:10,170 --> 00:16:12,202 BUT THAT'S NOT CASTLE OR BECKETT. 434 00:16:12,202 --> 00:16:13,543 AND HE'S NOT ALONE. SOMEONE PICKED HIM UP. 435 00:16:13,543 --> 00:16:15,305 (Gates) DO WE KNOW WHO THEY ARE? 436 00:16:15,305 --> 00:16:16,376 NO CLUE. 437 00:16:16,376 --> 00:16:17,447 CAN WE GET A PLATE NUMBER? 438 00:16:17,447 --> 00:16:18,448 (beeps) 439 00:16:18,448 --> 00:16:19,449 (chirps) 440 00:16:19,449 --> 00:16:21,181 (beep) TOO FAR AWAY. 441 00:16:21,181 --> 00:16:23,183 I ALSO RAN BECKETT AND CASTLE'S CELLS. 442 00:16:23,183 --> 00:16:24,254 THEY'RE BOTH OFF GRID. 443 00:16:24,254 --> 00:16:26,386 WHAT THE HELL DID CASTLE GET HER INTO? 444 00:16:26,386 --> 00:16:28,288 I WANT C.S.U. ON THAT CAR 445 00:16:28,288 --> 00:16:31,291 WITH A FINE-TOOTH COMB FOR ANY POSSIBLE TRACE EVIDENCE. 446 00:16:31,291 --> 00:16:33,263 THEY WERE WORKING THE JOHN DOE WITH YOU. 447 00:16:33,263 --> 00:16:34,524 WHERE COULD THEY HAVE GONE? 448 00:16:34,524 --> 00:16:37,267 BEEN OVER IT A DOZEN TIMES. WE STILL DON'T KNOW. 449 00:16:37,267 --> 00:16:39,269 AND STILL NO HITS ON OUR LONG-HAIRED MAN FROM THE CAFE. 450 00:16:39,269 --> 00:16:41,501 DO WHATEVER IT TAKES TO GET AN I.D. ON THAT VICTIM 451 00:16:41,501 --> 00:16:44,334 AND FIND OUT WHAT IN THE HELL HE WAS INTO. 452 00:16:44,334 --> 00:16:46,276 IF BECKETT AND CASTLE ARE STILL OUT THERE, 453 00:16:46,276 --> 00:16:47,537 THEN THEY'RE RUNNING OUT OF TIME. 454 00:16:47,537 --> 00:16:50,540 (clicking) 455 00:16:59,489 --> 00:17:01,291 OH, FOR GOD SAKE, CASTLE. 456 00:17:01,291 --> 00:17:03,253 HOW MUCH LONGER ARE YOU GONNA KEEP DOING THIS? 457 00:17:03,253 --> 00:17:04,494 OH, I ALMOST HAD IT. 458 00:17:04,494 --> 00:17:06,596 YEAH. LIKE YOU HAD IT THE LAST HUNDRED TIMES. 459 00:17:06,596 --> 00:17:08,458 OH, YE OF LITTLE FAITH. 460 00:17:08,458 --> 00:17:10,560 YOU KNOW, YOU WOULD MAKE A TERRIBLE CONJOINED TWIN. 461 00:17:10,560 --> 00:17:13,263 CAN I HAVE MY HAND BACK? 462 00:17:15,435 --> 00:17:18,508 SO YOU GOT A STORY TO EXPLAIN ALL OF THIS-- 463 00:17:18,508 --> 00:17:20,440 THE OLD WOMAN IN THE CAGE, 464 00:17:20,440 --> 00:17:22,512 JOHN DOE WITH HIS IDENTITY REMOVED, 465 00:17:22,512 --> 00:17:24,574 US HANDCUFFED BUT STILL ALIVE? 466 00:17:24,574 --> 00:17:26,576 YEAH, I DON'T THINK THAT'S A STORY YOU WANT TO HEAR. 467 00:17:26,576 --> 00:17:28,248 WHY NOT? 468 00:17:28,248 --> 00:17:29,449 WITH THOSE ELEMENTS, 469 00:17:29,449 --> 00:17:31,381 I CAN'T THINK OF A VERSION THAT ENDS WELL, 470 00:17:31,381 --> 00:17:33,523 NOT EVEN A DISNEY VERSION. 471 00:17:33,523 --> 00:17:36,256 YEAH, I WAS AFRAID OF THAT. 472 00:17:37,527 --> 00:17:40,590 THE GOOD NEWS IS, WE'VE BEEN GONE LONG ENOUGH, 473 00:17:40,590 --> 00:17:43,393 THEY'VE STARTED TO LOOK FOR US BY NOW. 474 00:17:46,536 --> 00:17:48,398 HUNDRED AND FIRST TIME'S THE CHARM? 475 00:17:50,400 --> 00:17:51,471 (clicking) 476 00:17:51,471 --> 00:17:53,343 (Esposito) COME ON, LANIE. THERE'S GOTTA BE 477 00:17:53,343 --> 00:17:54,474 SOMETHING ELSE ABOUT THIS GUY FROM THIS AUTOPSY. 478 00:17:54,474 --> 00:17:56,476 HE WAS IN THE BEGINNING STAGES OF HEART DISEASE. 479 00:17:56,476 --> 00:17:58,648 HE HAD A DEGENERATIVE HIP CONDITION, 480 00:17:58,648 --> 00:18:02,412 AND MILD SCOLIOSIS, PROBABLY FROM SITTING TOO MUCH, 481 00:18:02,412 --> 00:18:04,484 AND THE LAST THING HE HAD TO EAT 482 00:18:04,484 --> 00:18:06,316 WAS A PASTRAMI SANDWICH-- 483 00:18:06,316 --> 00:18:08,488 NONE OF WHICH WILL GET YOU AN I.D. 484 00:18:08,488 --> 00:18:10,290 HIS HANDS WERE CALLUSED, SUGGESTING PHYSICAL LABOR, 485 00:18:10,290 --> 00:18:12,292 AND YET--AND YET, HE SPENT TOO MUCH TIME SITTING? 486 00:18:12,292 --> 00:18:14,424 MAYBE HE DROVE A FORKLIFT. I DON'T KNOW. 487 00:18:14,424 --> 00:18:16,596 COME ON.WE NEED SOMETHING CONCRETE, NOW. 488 00:18:16,596 --> 00:18:17,597 THEN I CAN'T HELP YOU. 489 00:18:17,597 --> 00:18:19,369 LANIE, THEY'RE OUT THERE. 490 00:18:19,369 --> 00:18:20,630 GOD KNOWS WHERE OR WHAT KIND OF TROUBLE THEY'RE IN. 491 00:18:20,630 --> 00:18:23,433 YOU DON'T THINK I WANT TO HELP? THEY'RE MY FRIENDS, TOO. 492 00:18:28,478 --> 00:18:30,540 SO BECKETT SAID, 493 00:18:30,540 --> 00:18:32,642 WITH ENOUGH TIME, YOU MIGHT BE ABLE TO RECOVER PRINTS. 494 00:18:32,642 --> 00:18:34,444 YEAH, IN A COUPLE OF DAYS. WHY? 495 00:18:34,444 --> 00:18:36,416 WHAT HAPPENS IF YOU DO IT NOW? 496 00:18:36,416 --> 00:18:38,388 I COULD DAMAGE THE PRINT BEYOND RECOGNITION. 497 00:18:38,388 --> 00:18:41,391 "COULD." SO IT'S POSSIBLE THAT IT MIGHT NOT, RIGHT? 498 00:18:43,493 --> 00:18:44,594 WE GOTTA DO SOMETHING. 499 00:18:47,327 --> 00:18:50,700 (clicking) 500 00:18:52,332 --> 00:18:53,603 (click) 501 00:18:58,468 --> 00:18:59,609 (exhales) 502 00:18:59,609 --> 00:19:01,411 (clunks) 503 00:19:01,411 --> 00:19:02,472 I DID IT. 504 00:19:02,472 --> 00:19:03,713 YOU DID IT! HA HA! 505 00:19:09,349 --> 00:19:10,520 HOW BAD CAN IT BE? 506 00:19:10,520 --> 00:19:12,682 I MEAN, WE'VE SEEN DEAD BODIES BEFORE, RIGHT? 507 00:19:12,682 --> 00:19:14,354 RIGHT. 508 00:19:15,455 --> 00:19:18,488 (hinges squeak) 509 00:19:20,360 --> 00:19:22,362 IT'S NOT A BODY. 510 00:19:22,362 --> 00:19:23,493 NO. 511 00:19:23,493 --> 00:19:25,565 IT'S WORSE. 512 00:19:36,706 --> 00:19:38,748 (Castle) MANACLES AND BLOODY INSTRUMENTS OF TORTURE. 513 00:19:38,748 --> 00:19:41,651 YEAH, LOOKS LIKE YOUR CRAZED, SADISTIC, PSYCHO KILLER THEORY 514 00:19:41,651 --> 00:19:43,513 MIGHT NOT BE FAR OFF, CASTLE. 515 00:19:43,513 --> 00:19:45,515 WELL, I DON'T KNOW WHETHER TO BE SMUG OR HORRIFIED. 516 00:19:45,515 --> 00:19:46,656 I VOTE FOR MOTIVATED. 517 00:19:46,656 --> 00:19:49,559 RIGHT YOU ARE. LET'S GET THE HELL OUTTA HERE. 518 00:19:55,725 --> 00:19:57,427 JAVI. 519 00:19:57,427 --> 00:19:58,568 WHAT? 520 00:19:58,568 --> 00:20:02,472 I CAN FEEL YOUR IMPATIENCE ALL OVER MY BACKSIDE, 521 00:20:02,472 --> 00:20:05,535 AND RUSHING ME ISNEVERA GOOD IDEA. 522 00:20:05,535 --> 00:20:06,676 YOU'RE TALKING ABOUT THAT PRINT, RIGHT? 523 00:20:07,737 --> 00:20:10,480 (exhales deeply) 524 00:20:11,581 --> 00:20:13,483 DAMN IT. 525 00:20:13,483 --> 00:20:14,744 WHAT? IT TORE. 526 00:20:14,744 --> 00:20:16,786 I GUESS THE SKIN WASN'T SOFTENED ENOUGH. 527 00:20:16,786 --> 00:20:18,488 IT'S RUINED. 528 00:20:18,488 --> 00:20:19,719 IS ANY OF IT USABLE? 529 00:20:19,719 --> 00:20:22,692 I MIGHT BE ABLE TO SALVAGE SOME FROM THE MIDDLE. WHY? 530 00:20:22,692 --> 00:20:24,624 (Ryan) SO WHAT WE DID... 531 00:20:24,624 --> 00:20:26,426 (beeping) WAS, WE WERE ABLE TO JOIN THE PARTIALS 532 00:20:26,426 --> 00:20:28,428 FROM THAT SCRAP OF PAPER 533 00:20:28,428 --> 00:20:30,430 WITH THE, UH, PRINT PIECES 534 00:20:30,430 --> 00:20:31,561 THAT LANIE RECOVERED. 535 00:20:31,561 --> 00:20:33,663 (beeps and chirps) 536 00:20:33,663 --> 00:20:35,505 (Esposito) OUR VICTIM IS HANK SPOONER. 537 00:20:35,505 --> 00:20:36,706 AN INDEPENDENT TRUCKER OUT OF SAN ANTONIO. 538 00:20:36,706 --> 00:20:38,508 OWNS AND OPERATES HIS OWN RIG. 539 00:20:38,508 --> 00:20:40,510 WHAT WAS HE DOING IN NEW YORK? 540 00:20:40,510 --> 00:20:42,472 WELL, ACCORDING TO HIS FOLKS, HE GOT A CONTRACT LAST WEEK 541 00:20:42,472 --> 00:20:44,444 TO PICK UP A LOAD FROM DEL RIO, TEXAS, 542 00:20:44,444 --> 00:20:45,645 AND BRING IT TO QUEENS. 543 00:20:45,645 --> 00:20:47,647 LAST THEY HEARD FROM HIM WAS TWO DAYS AGO. 544 00:20:47,647 --> 00:20:50,450 (elevator bell dings)) 545 00:20:50,450 --> 00:20:51,781 (Gates) WHAT WAS THE CARGO? 546 00:20:51,781 --> 00:20:54,584 WELL, ALL SPOONER TOLD 'EM WAS HE GOT A LAST-MINUTE CALL 547 00:20:54,584 --> 00:20:57,557 FROM A SPECIAL CLIENT WHO WAS PAYING HIM BIG MONEY. 548 00:20:57,557 --> 00:20:58,728 HIS FOLKS ALSO SAID, 549 00:20:58,728 --> 00:21:00,460 IT'S UNUSUAL FOR HIM TO BE STAYING IN A MOTEL. 550 00:21:00,460 --> 00:21:01,691 APPARENTLY, SPOONER NEVER STAYED IN THE CITY. 551 00:21:01,691 --> 00:21:03,533 HE THOUGHT IT WAS SAFER AND CHEAPER 552 00:21:03,533 --> 00:21:04,664 TO STAY IN HIS TRUCK. 553 00:21:04,664 --> 00:21:05,765 WE NEED TO FIND THAT VEHICLE. 554 00:21:05,765 --> 00:21:08,838 GET AN A.P.B. OUT TO ALL THE MAJOR TRUCK STOPS. 555 00:21:08,838 --> 00:21:10,570 IF WE'RE LUCKY, IT MAY TELL US 556 00:21:10,570 --> 00:21:11,771 WHY SOMEONE WANTED HANK SPOONER DEAD. 557 00:21:11,771 --> 00:21:13,743 (man) I THINK MAYBE I CAN HELP ANSWER THAT. 558 00:21:13,743 --> 00:21:15,675 (paper rustles) 559 00:21:15,675 --> 00:21:17,747 YOU LOOKING FOR ME? 560 00:21:18,848 --> 00:21:22,512 CHUCK MARTINEZ, D.E.A. 561 00:21:22,512 --> 00:21:24,614 (Gates) HOW DID YOU KNOW WE WERE LOOKING FOR YOU, 562 00:21:24,614 --> 00:21:25,755 AGENT MARTINEZ? 563 00:21:25,755 --> 00:21:28,518 WE HAD SPOONER'S FILES TAGGED. 564 00:21:28,518 --> 00:21:30,590 HE'S A PERSON OF INTEREST, SO I GOT NOTIFIED 565 00:21:30,590 --> 00:21:32,492 WHEN YOU RAN HIS PRINTS. 566 00:21:32,492 --> 00:21:34,864 WHY DID YOU MEET WITH HIM YESTERDAY? 567 00:21:34,864 --> 00:21:36,866 (people speaking indistinctly) 568 00:21:36,866 --> 00:21:39,669 YOUR MAN'S DEAD, AGENT MARTINEZ, 569 00:21:39,669 --> 00:21:41,571 AND TWO OF MY FOLKS ARE MISSING. 570 00:21:41,571 --> 00:21:43,503 WE DON'T HAVE TIME FOR JURISDICTIONAL GAMES, 571 00:21:43,503 --> 00:21:45,875 SO I'LL ASK YOU AGAIN, WHAT'S YOUR INTEREST IN SPOONER? 572 00:21:45,875 --> 00:21:47,607 (sighs) 573 00:21:47,607 --> 00:21:48,778 ALL RIGHT. 574 00:21:50,610 --> 00:21:52,682 ABOUT A HALF A DOZEN TIMES A YEAR, 575 00:21:52,682 --> 00:21:55,745 SPOONER TAKES A CONTRACT FROM TEXAS TO NEW YORK, 576 00:21:55,745 --> 00:21:57,747 BUT HE ALWAYS MAKES A PICK UP IN DEL RIO. 577 00:21:57,747 --> 00:21:59,649 IT'S A LITTLE BORDER TOWN. 578 00:21:59,649 --> 00:22:01,751 YOU THINK HE'S SMUGGLING DRUGS FROMMEXICO? 579 00:22:01,751 --> 00:22:03,553 THE CARTELS ARE REALLY ACTIVE IN THESE TOWNS. 580 00:22:03,553 --> 00:22:04,794 THEY'RE EXTREMELY BRUTAL. 581 00:22:04,794 --> 00:22:05,855 AND IF YOU KNEW SPOONER WAS INVOLVED, 582 00:22:05,855 --> 00:22:06,896 WHY DIDN'T YOU ARREST HIM? 583 00:22:06,896 --> 00:22:08,658 ALL THE SIGNS WERE THERE, OKAY? 584 00:22:08,658 --> 00:22:10,730 BUT ALL WE HAD HIM ON WAS SUSPICIOUS ACTIVITY, 585 00:22:10,730 --> 00:22:11,861 AND WE DON'T WANT THE ERRAND BOY. 586 00:22:11,861 --> 00:22:13,703 WE WANT THE PEOPLE HE WORKS FOR. 587 00:22:13,703 --> 00:22:15,565 HOW'D YOU END UP AT THAT CAFE? 588 00:22:15,565 --> 00:22:17,567 WE NEEDED SOME LEVERAGE. 589 00:22:17,567 --> 00:22:18,808 SO WE SET UP A STING, 590 00:22:18,808 --> 00:22:21,711 POSING AS RUNNERS LOOKING TO HIRE HIM TO MOVE SOME PRODUCT, 591 00:22:21,711 --> 00:22:23,773 ONLY SPOONER MADE MY GUY. 592 00:22:23,773 --> 00:22:27,677 NOW INSTEAD OF RUNNING, SPOONER--HE WANTED TO MEET. 593 00:22:27,677 --> 00:22:28,848 OKAY? AND HE WAS SCARED. 594 00:22:28,848 --> 00:22:31,581 HE WANTED OUT, AND HE WAS AFRAID OF WHAT THEY WOULD DO TO HIM 595 00:22:31,581 --> 00:22:32,922 IF HE WALKED AWAY. 596 00:22:32,922 --> 00:22:34,784 SO HE AGREED TO TELL US EVERYTHING 597 00:22:34,784 --> 00:22:36,626 IF I GUARANTEED HIM SAFETY, 598 00:22:36,626 --> 00:22:38,728 AND I TOOK THAT TO MY BOSSES, THEY AGREED. 599 00:22:38,728 --> 00:22:39,889 BUT BY THEN, HE WAS ALREADY DEAD. 600 00:22:39,889 --> 00:22:41,631 RIGHT. 601 00:22:42,762 --> 00:22:45,635 EXCUSE ME. 602 00:22:45,635 --> 00:22:47,737 (door opens) 603 00:22:47,737 --> 00:22:50,870 SO WHERE WERE YOUR COLLEAGUES WHEN THEY WENT MISSING? 604 00:22:50,870 --> 00:22:51,941 WE DON'T KNOW. 605 00:22:51,941 --> 00:22:53,803 WE JUST KNOW THEY WERE ON THE CASE. 606 00:22:53,803 --> 00:22:56,676 DID SPOONER SAY ANYTHING TO YOU ABOUT THE NEW YORK OPERATION? 607 00:22:56,676 --> 00:22:57,907 ALL HE SAID WAS, 608 00:22:57,907 --> 00:22:59,849 "IT'S NOT AT ALL WHAT YOU THINK." 609 00:23:01,781 --> 00:23:03,583 (Gates) TROOPERS FOUND A SEMI. 610 00:23:03,583 --> 00:23:05,655 TRUCK STOP NORTH OF THE CITY. 611 00:23:05,655 --> 00:23:06,886 LET'S GO, BOYS. 612 00:23:06,886 --> 00:23:08,718 (sirens wailing, helicopter blades whirring) 613 00:23:08,718 --> 00:23:10,720 ACCORDING TO TRUCK STOP RECORDS, 614 00:23:10,720 --> 00:23:12,622 THE RIG'S BEEN PARKED HERE FOR THREE DAYS. 615 00:23:12,622 --> 00:23:13,923 NO ONE'S SEEN THE DRIVER FOR TWO. 616 00:23:13,923 --> 00:23:15,925 YOU'RE GONNA WANT TO TAKE A LOOK INSIDE. 617 00:23:15,925 --> 00:23:18,928 (door clattering) 618 00:23:18,928 --> 00:23:21,931 (helicopter blades whirring) 619 00:23:21,931 --> 00:23:25,605 (officers shouting indistinctly) 620 00:23:28,638 --> 00:23:29,939 (Esposito) THAT'S HAIR. 621 00:23:29,939 --> 00:23:31,711 THESE COULD BE AIR HOLES. 622 00:23:31,711 --> 00:23:33,883 HEY, OVER HERE. 623 00:23:33,883 --> 00:23:35,615 (siren wails) 624 00:23:37,687 --> 00:23:38,948 (panting) 625 00:23:38,948 --> 00:23:40,890 STILL TOO HIGH. 626 00:23:40,890 --> 00:23:44,694 NOT IF I CLIMB ON YOUR SHOULDERS. 627 00:23:44,694 --> 00:23:46,656 (exhales) WHAT? WE'VE DONE IT BEFORE. 628 00:23:46,656 --> 00:23:47,957 YEAH, YOU SAY THAT LIKE IT WAS PLEASANT, 629 00:23:47,957 --> 00:23:49,729 AND WE WEREN'T HANDCUFFED. 630 00:23:49,729 --> 00:23:51,661 WHO'S GOT NO FAITH NOW? 631 00:23:51,661 --> 00:23:52,902 COME ON, CASTLE. WE HAVE NO IDEA WHEN THEY'RE COMING BACK 632 00:23:52,902 --> 00:23:54,964 OR EVENIFTHEY'RE COMING BACK AT ALL. 633 00:23:54,964 --> 00:23:57,907 LAST TIME, YOU WERE WEARING SNEAKERS. 634 00:23:57,907 --> 00:23:59,869 FINE. 635 00:24:01,971 --> 00:24:03,943 (grunts) I THINK I'M GONNA NEED YOUR HELP. 636 00:24:03,943 --> 00:24:06,946 "LIFT UP MY SHIRT, PULL OFF MY BOOTS." 637 00:24:06,946 --> 00:24:08,648 YOU KNOW, UNDER NORMAL CIRCUMSTANCES, 638 00:24:08,648 --> 00:24:09,749 I WOULD LIKE WHERE THIS WAS HEADING. 639 00:24:09,749 --> 00:24:12,021 YOU CAN FANTASIZE LATER, AFTER WE GET OUT OF THE ROOM. 640 00:24:12,021 --> 00:24:14,784 JUST SO YOU KNOW, NOT AS MUCH FUN IF I HAVE YOUR PERMISSION. 641 00:24:14,784 --> 00:24:16,726 HOW DO YOU RUN IN THESE THINGS? 642 00:24:16,726 --> 00:24:18,658 SHUT UP AND PULL. 643 00:24:19,889 --> 00:24:23,733 AGENT MARTINEZ, ARE YOU SURE THESE GUYS WERE SMUGGLING DRUGS? 644 00:24:23,733 --> 00:24:25,795 YOU KNOW, IF I HAD ANSWERS, I'D SHARE. 645 00:24:25,795 --> 00:24:27,837 CAPTAIN GATES. WHAT'D YOU FIND? 646 00:24:27,837 --> 00:24:29,839 WAYBILLS. SPOONER DELIVERED 647 00:24:29,839 --> 00:24:31,971 TO A FURNITURE STORE IN LOWER MANHATTAN TWO DAYS AGO. 648 00:24:31,971 --> 00:24:32,972 GET ON IT. 649 00:24:32,972 --> 00:24:34,904 YEP. 650 00:24:34,904 --> 00:24:36,806 CALL YOUR BOSSES. 651 00:24:36,806 --> 00:24:39,749 TELL 'EM I WANT ALL THE FILES ON THIS INVESTIGATION. 652 00:24:39,749 --> 00:24:42,712 I'M GETTING MY PEOPLE BACK. 653 00:24:42,712 --> 00:24:44,684 (grunts) OKAY, READY? 654 00:24:44,684 --> 00:24:46,055 READY. ONE. 655 00:24:46,055 --> 00:24:47,757 TWO. 656 00:24:47,757 --> 00:24:49,919 THREE. OH! OH, JEEZ. 657 00:24:49,919 --> 00:24:52,692 (both grunting) 658 00:24:52,692 --> 00:24:54,764 AAH! OH! 659 00:24:54,764 --> 00:24:56,696 OH... (mutters) 660 00:24:56,696 --> 00:24:57,967 AAH! CASTLE! 661 00:24:57,967 --> 00:25:00,700 (pants) OKAY, CAN YOU PUT ME DOWN? 662 00:25:00,700 --> 00:25:01,701 OKAY. EASY. 663 00:25:01,701 --> 00:25:03,833 OH! (pants) 664 00:25:03,833 --> 00:25:05,034 IF WE EVER GET OUTTA HERE, 665 00:25:05,034 --> 00:25:07,036 WE SHOULD SERIOUSLY CONSIDER JOINING THE CIRCUS. 666 00:25:07,036 --> 00:25:08,978 LET ME TRY IT FROM BEHIND, OKAY? 667 00:25:08,978 --> 00:25:11,010 ALL RIGHT. I'M GAME. 668 00:25:13,783 --> 00:25:14,784 (exhales) 669 00:25:14,784 --> 00:25:15,845 (grunts) OKAY. 670 00:25:15,845 --> 00:25:16,986 READY? READY. 671 00:25:16,986 --> 00:25:18,047 ONE. TWO. 672 00:25:18,047 --> 00:25:19,719 THREE. 673 00:25:19,719 --> 00:25:21,721 (both grunt) 674 00:25:21,721 --> 00:25:23,823 OH, OKAY. OH. 675 00:25:23,823 --> 00:25:25,024 (exhales) OKAY. 676 00:25:25,024 --> 00:25:27,897 OKAY, I'M LIFTING MY RIGHT HAND. READY? 677 00:25:27,897 --> 00:25:29,899 OKAY. 678 00:25:29,899 --> 00:25:31,060 (exhales) 679 00:25:31,060 --> 00:25:33,803 NOT SO FUN AS I WOULD'VE THOUGHT. 680 00:25:33,803 --> 00:25:35,004 (pants) 681 00:25:35,004 --> 00:25:37,036 YOU KNOW, I'M GETTING A LITTLE TIRED 682 00:25:37,036 --> 00:25:38,968 OF YOU WALKING ALL OVER ME. 683 00:25:40,810 --> 00:25:42,872 (squeaks) IT'S OPEN. 684 00:25:42,872 --> 00:25:44,013 (panting) 685 00:25:44,013 --> 00:25:46,045 OKAY, I THINK I CAN PULL MY-- 686 00:25:46,045 --> 00:25:47,046 (hinges squeak) 687 00:25:47,046 --> 00:25:48,778 AAH! AAH! 688 00:25:48,778 --> 00:25:50,079 OHH! (grunts) 689 00:25:50,079 --> 00:25:51,821 (both grunt) 690 00:25:51,821 --> 00:25:53,883 HEY! LET US OUTTA HERE! 691 00:25:53,883 --> 00:25:55,084 WHAT DO YOU WANT FROM US? 692 00:25:58,087 --> 00:25:59,959 (door slams, lock clicks) 693 00:25:59,959 --> 00:26:02,762 (Ryan) CAPTAIN GATES. 694 00:26:02,762 --> 00:26:04,934 THE FURNITURE STORE OWNER VERIFIED THAT HE TOOK DELIVERY 695 00:26:04,934 --> 00:26:06,135 FROM SPOONER A COUPLE OF DAYS AGO. 696 00:26:06,135 --> 00:26:08,037 BUT HE SAID IT WAS JUST A COUPLE OF COFFEE TABLES, 697 00:26:08,037 --> 00:26:09,769 PACKED NEAR THE REAR OF THE TRUCK. 698 00:26:09,769 --> 00:26:10,900 AND YOU BELIEVED HIM? 699 00:26:10,900 --> 00:26:12,842 HE'S A FAMILY MAN, DIDN'T HAVE ANY PRIORS. 700 00:26:12,842 --> 00:26:14,073 BUT HE DID SAY SOMETHING HAPPENED DURING THE DELIVERY, 701 00:26:14,073 --> 00:26:15,144 SOMETHING WEIRD. 702 00:26:15,144 --> 00:26:16,906 AS THEY WERE UNLOADING THE SHIPMENT, 703 00:26:16,906 --> 00:26:18,778 A BOX FELL OFF A STACK AND HIT HIM IN THE SHOULDER. 704 00:26:18,778 --> 00:26:19,909 HE SAID THE BOX MUST HAVE BEEN EMPTY, 705 00:26:19,909 --> 00:26:21,010 'CAUSE IT BOUNCED RIGHT OFF OF HIM. 706 00:26:21,010 --> 00:26:22,151 HE TRIED TO JOKE WITH SPOONER, 707 00:26:22,151 --> 00:26:24,854 ASKED HIM IF HE WAS SHIPPING COTTON CANDY OR AIR, 708 00:26:24,854 --> 00:26:26,115 BUT SPOONER KIND OF GOT SQUIRRELY, SAID IT WAS JUST 709 00:26:26,115 --> 00:26:28,117 A COUPLE OF EMPTIES THAT WERE PACKED THERE TO FILL SOME SPACE. 710 00:26:28,117 --> 00:26:29,859 THE OWNER THOUGHT IT WASN'T A BIG DEAL, 711 00:26:29,859 --> 00:26:31,791 BUT THEN HE HEARD SOMETHING FROM BEHIND THE BOXES, 712 00:26:31,791 --> 00:26:32,962 SOMETHING THAT SOUNDED LIKE BREATHING. 713 00:26:32,962 --> 00:26:37,126 SO SPOONER TAKES A FEW SMALL, LEGITIMATE JOBS 714 00:26:37,126 --> 00:26:39,929 IN ORDER TO JUSTIFY HIS SMUGGLING TRIPS, 715 00:26:39,929 --> 00:26:42,001 AND PLACES A WALL OF EMPTIES IN FRONT OF 716 00:26:42,001 --> 00:26:44,003 WHATEVER HIS REAL CARGO IS. 717 00:26:44,003 --> 00:26:46,976 D-DID THE OWNER HAVE ANY IDEA WHERE SPOONER WAS HEADED? 718 00:26:46,976 --> 00:26:48,077 NONE. 719 00:26:48,077 --> 00:26:50,109 (sighs) BECKETT AND CASTLE WERE ON TO SOMETHING. 720 00:26:50,109 --> 00:26:52,111 WHERE IN THE HELL DID THEY GO? 721 00:26:52,111 --> 00:26:54,183 WELL, THE ONLY THING WE HAD AT THE TIME 722 00:26:54,183 --> 00:26:56,045 WAS THIS ADDRESS. 723 00:26:56,045 --> 00:26:57,987 AND WE WERE ALREADY COVERING IT. 724 00:26:57,987 --> 00:27:00,019 OH, THEY MUST HAVE SEEN OR HEARD SOMETHING 725 00:27:00,019 --> 00:27:01,891 THAT YOU DIDN'T. 726 00:27:01,891 --> 00:27:04,153 OKAY, I WANT YOU GUYS TO-- 727 00:27:11,200 --> 00:27:12,201 (man) GO! GO! GO! 728 00:27:12,201 --> 00:27:13,202 (Esposito) NYPD! 729 00:27:13,202 --> 00:27:14,203 (Ryan) NYPD! 730 00:27:14,203 --> 00:27:16,005 NYPD! 731 00:27:16,005 --> 00:27:17,136 (man shouts indistinctly) 732 00:27:17,136 --> 00:27:18,938 (man) HOLD POSITION! 733 00:27:22,872 --> 00:27:24,914 ROOM CLEAR! 734 00:27:24,914 --> 00:27:26,175 (Ryan) CLEAR! 735 00:27:27,877 --> 00:27:29,078 THIS PLACE IS EMPTY. 736 00:27:29,078 --> 00:27:31,080 YOU REALLY THINK THIS IS WHERE THEY WENT? 737 00:27:31,080 --> 00:27:33,082 IF THEY WERE HERE, THEY'RE NOT HERE NOW. 738 00:27:33,082 --> 00:27:34,884 (man) HEY, DETECTIVE. LOOK IN HERE. 739 00:27:34,884 --> 00:27:36,986 THERE'S SOME KIND OF HATCH. 740 00:27:36,986 --> 00:27:38,958 (man) ALL RIGHT. LET'S SEAL IT OFF AND PROCESS IT. 741 00:27:38,958 --> 00:27:40,089 (latch clicks) 742 00:27:40,089 --> 00:27:42,962 (hinges squeak) 743 00:27:42,962 --> 00:27:45,965 (officers shouting indistinctly) 744 00:27:54,303 --> 00:27:55,674 (clatters) 745 00:27:55,674 --> 00:27:57,146 DAMN IT. 746 00:27:57,146 --> 00:27:58,277 IT'S HARD-CASED STEEL, CASTLE. 747 00:27:58,277 --> 00:28:00,249 WE'RE NOT GETTING OUT OF THESE WITHOUT KEYS. 748 00:28:02,211 --> 00:28:03,682 YOU KNOW, THERE IS ANOTHER WAY. 749 00:28:05,214 --> 00:28:08,217 WE DON'T GO THROUGH THE CUFFS. 750 00:28:08,217 --> 00:28:09,388 YOU... MEAN... 751 00:28:09,388 --> 00:28:12,261 "MAD MAX." "127 HOURS." 752 00:28:12,261 --> 00:28:14,163 ARE YOU OFFERING TO CUT OFF YOUR OWN HAND? 753 00:28:14,163 --> 00:28:16,425 WHOA. MINE? NO. I WAS THINKING ABOUT YOURS. 754 00:28:16,425 --> 00:28:18,227 MY HAND? WHY MY HAND? 755 00:28:18,227 --> 00:28:20,169 IT'S SMALLER. 756 00:28:20,169 --> 00:28:21,300 (footsteps approach) 757 00:28:21,300 --> 00:28:23,302 (whispers) THEY'RE COMING. 758 00:28:23,302 --> 00:28:27,206 (footsteps continue) 759 00:28:27,206 --> 00:28:29,708 (man, Southern accent) TELL HIM IT'S A GOOD PRICE. 760 00:28:29,708 --> 00:28:32,241 AND IF HE LIKES HER, I GOT TWO MORE THAT FELL INTO MY LAP 761 00:28:32,241 --> 00:28:34,183 THAT I COULD SELL YOU AT A DISCOUNT. 762 00:28:34,183 --> 00:28:35,444 I JUST NEED TO MOVE 'EM NOW. 763 00:28:35,444 --> 00:28:37,386 (man speaking foreign language) 764 00:28:37,386 --> 00:28:39,718 THAT SOUNDS LIKE ARABIC. 765 00:28:39,718 --> 00:28:42,721 (man continues speaking foreign language) 766 00:28:42,721 --> 00:28:44,393 (door opens) 767 00:28:44,393 --> 00:28:46,355 (whispers) THEY'RE GOING TO THE OTHER ROOM. 768 00:28:46,355 --> 00:28:48,397 (indistinct voices) 769 00:28:48,397 --> 00:28:51,260 (whispers) CASTLE, SOMEONE ELSE IS IN THERE. 770 00:28:51,260 --> 00:28:53,502 (man, foreign accent) SHE IS VERY BEAUTIFUL. 771 00:28:53,502 --> 00:28:55,304 (man) JUST LIKE YOU ASKED. 772 00:28:55,304 --> 00:28:56,465 (door slams) 773 00:28:56,465 --> 00:28:58,337 THEY'RE HOLDING SOMEONE ELSE. 774 00:28:58,337 --> 00:28:59,368 THE OLD WOMAN? 775 00:28:59,368 --> 00:29:01,340 NO, IT'S MORE LIKE A GIRL, LIKE-- 776 00:29:01,340 --> 00:29:02,511 LIKE THEY'RE TRYING TO SELL HER. 777 00:29:02,511 --> 00:29:04,774 IT'S HUMAN TRAFFICKING. 778 00:29:04,774 --> 00:29:06,245 THAT'S WHAT THIS IS. 779 00:29:06,245 --> 00:29:08,217 THEY'RE ABDUCTING AND SELLING PEOPLE. 780 00:29:08,217 --> 00:29:09,418 THAT'S WHY WE'RE STILL ALIVE. 781 00:29:09,418 --> 00:29:11,750 THEY'RE NOT GONNA KILL US. THEY'RE GONNA SELL US. 782 00:29:11,750 --> 00:29:15,254 WHAT? I'M A BEST-SELLING AUTHOR. 783 00:29:15,254 --> 00:29:16,485 I WONDER WHAT I'D BE WORTH. 784 00:29:16,485 --> 00:29:18,327 LET'S NOT FIND OUT, OKAY? 785 00:29:18,327 --> 00:29:20,359 YEAH, STILL... 786 00:29:20,359 --> 00:29:22,261 (police radio chatter) 787 00:29:22,261 --> 00:29:23,262 ANYTHING? 788 00:29:23,262 --> 00:29:24,293 FROM THE CUT MARKS, 789 00:29:24,293 --> 00:29:25,534 LOOKS LIKE THIS HATCH WAS JUST INSTALLED. 790 00:29:25,534 --> 00:29:27,236 ANY IDEA WHY? 791 00:29:27,236 --> 00:29:28,297 NO. 792 00:29:28,297 --> 00:29:30,800 C.S.U. IS GONNA SWEEP FOR PRINTS AND TRACE. 793 00:29:30,800 --> 00:29:32,401 WHAT DID THE NEIGHBORS SAY? 794 00:29:32,401 --> 00:29:34,543 AH, THAT THE BANK FORECLOSED ON THE PREVIOUS OWNERS, 795 00:29:34,543 --> 00:29:37,346 BILL AND NORA RANFORD, SIX MONTHS AGO, 796 00:29:37,346 --> 00:29:40,279 BUT A COUPLE OF WEEKS AGO, NEW NEIGHBORS MOVED IN. 797 00:29:40,279 --> 00:29:41,350 GET AN I.D.? 798 00:29:41,350 --> 00:29:42,451 UNH-UNH. THEY KINDA KEPT A LOW PROFILE. 799 00:29:42,451 --> 00:29:43,813 BUT NEIGHBORS THINK THAT THERE WERE TWO OF THEM, 800 00:29:43,813 --> 00:29:46,355 BROTHERS, AND THEY GOT AN I.D. ON THEIR RIDE. 801 00:29:46,355 --> 00:29:48,317 BLACK F-150. 802 00:29:48,317 --> 00:29:50,359 A BLACK F-150? 803 00:29:50,359 --> 00:29:51,560 THAT MEANS BECKETT AND CASTLE WERE HERE. 804 00:29:51,560 --> 00:29:53,392 NOT ONLY THAT, BUT A COUPLE OF NIGHTS AGO, 805 00:29:53,392 --> 00:29:54,563 GUY FROM ACROSS THE STREET 806 00:29:54,563 --> 00:29:56,525 SAYS HE HEARS SOME NOISES IN THE MIDDLE OF THE NIGHT, 807 00:29:56,525 --> 00:29:59,298 SO HE GOES TO THE WINDOW, AND SEES A SEMI PULLING UP. 808 00:29:59,298 --> 00:30:00,429 SPOONER WAS HERE, TOO? 809 00:30:00,429 --> 00:30:03,302 YEAH. WHATEVER WAS GOING ON, THIS WAS THE PLACE. 810 00:30:03,302 --> 00:30:04,433 WHY DON'T YOU WAKE UP THE REGISTRAR? 811 00:30:04,433 --> 00:30:05,835 SEE WHO BOUGHT THIS PROPERTY. 812 00:30:05,835 --> 00:30:07,376 I WANT TO KNOW WHO THESE GUYS ARE. 813 00:30:07,376 --> 00:30:08,407 (knocking) 814 00:30:08,407 --> 00:30:11,310 HELLO, CAN YOU HEAR US? 815 00:30:12,511 --> 00:30:15,444 CASTLE, I CAN HEAR SOMEBODY BREATHING. 816 00:30:15,444 --> 00:30:16,815 MAYBE SHE'S SEDATED. 817 00:30:16,815 --> 00:30:18,817 HELLO. CAN YOU HEAR US? 818 00:30:18,817 --> 00:30:21,290 (knocks) 819 00:30:21,290 --> 00:30:22,852 (clatters) 820 00:30:24,493 --> 00:30:26,425 THIS WALL IS STUCCO AND TILE. 821 00:30:26,425 --> 00:30:27,496 SO? 822 00:30:27,496 --> 00:30:29,328 SO THE OTHERS ARE ALL CINDER BLOCK. 823 00:30:29,328 --> 00:30:30,599 IF WE START DIGGING, 824 00:30:30,599 --> 00:30:32,831 WE MIGHT BE ABLE TO BREAK THROUGH AND HELP HER. 825 00:30:32,831 --> 00:30:35,304 HOW IS GETTING OUT OF ONE PRISON AND INTO ANOTHER 826 00:30:35,304 --> 00:30:36,465 GONNA HELP ANY OF US? 827 00:30:36,465 --> 00:30:38,367 WELL, LET ME ASK YOU THIS, 828 00:30:38,367 --> 00:30:40,509 IF IT WAS ALEXIS ON THE OTHER SIDE, WHAT WOULD YOU DO? 829 00:30:42,341 --> 00:30:44,443 (pounding) 830 00:30:45,614 --> 00:30:47,616 YEAH. OKAY. 831 00:30:47,616 --> 00:30:50,519 THE MOMENT YOU HEAR. THANKS. 832 00:30:50,519 --> 00:30:52,451 (cell phone beeps) C.S.U.? 833 00:30:52,451 --> 00:30:54,523 YEAH. NEGATIVE ON PRINTS FROM THE HOUSE. 834 00:30:54,523 --> 00:30:56,325 PLACE WAS WIPED. 835 00:30:56,325 --> 00:30:58,387 WHAT'D YOU GET FROM THE REGISTRAR? 836 00:30:58,387 --> 00:31:00,329 WELL, THE HOUSE WAS FORECLOSED ON FIVE MONTHS AGO, 837 00:31:00,329 --> 00:31:01,530 IT'S STILL OWNED BY NATIONAL BANK. 838 00:31:01,530 --> 00:31:02,631 OUR GUYS MUST HAVE BEEN SQUATTING. 839 00:31:02,631 --> 00:31:04,363 DID YOU SAY NATIONAL BANK? 840 00:31:04,363 --> 00:31:05,394 YEAH, WHY? 841 00:31:05,394 --> 00:31:06,595 THE FILES AGENT MARTINEZ SENT OVER. 842 00:31:06,595 --> 00:31:09,438 (indistinct conversations) 843 00:31:09,438 --> 00:31:10,569 HANG ON. 844 00:31:10,569 --> 00:31:11,901 (indistinct conversations continue) 845 00:31:11,901 --> 00:31:13,502 SPOONER MADE A DELIVERY 846 00:31:13,502 --> 00:31:14,904 TO A BROOKLYN HOUSE TWO MONTHS AGO. 847 00:31:14,904 --> 00:31:16,645 A COUPLE OF DAYS LATER, THE FEDS RAIDED THE PLACE, 848 00:31:16,645 --> 00:31:19,478 BUT BY THEN, WHOEVER WAS IN THE HOUSE WAS GONE. 849 00:31:19,478 --> 00:31:20,609 ALL THEY FOUND WAS A HATCH CUT INTO THE FLOOR, 850 00:31:20,609 --> 00:31:21,880 WHICH ACCESSED THE BASEMENT. 851 00:31:21,880 --> 00:31:23,352 SOUNDS FAMILIAR. 852 00:31:23,352 --> 00:31:24,413 YEAH, BUT WHEN THEY TRACED THE PROPERTY, 853 00:31:24,413 --> 00:31:26,585 IT WAS BANK OWNED, BY NATIONAL BANK. 854 00:31:26,585 --> 00:31:28,587 OUR GUYS MUST BE TARGETING DISTRESSED PROPERTIES 855 00:31:28,587 --> 00:31:30,889 TO RUN THEIR OPERATIONS FROM. OKAY, GET A LIST 856 00:31:30,889 --> 00:31:32,891 OF ALL THE NATIONAL BANK-OWNED PROPERTIES IN THE NEW YORK AREA, 857 00:31:32,891 --> 00:31:34,523 STARTING WITH THE PROPERTIES THAT HAVE A BASEMENT. 858 00:31:34,523 --> 00:31:35,594 IF THEY'RE WORKING OFF 859 00:31:35,594 --> 00:31:37,396 THE NATIONAL BANK FORECLOSURE LIST, 860 00:31:37,396 --> 00:31:38,667 THAT MAY BE WHERE THEY'RE FINDING THEIR SAFE HOUSES. 861 00:31:41,430 --> 00:31:43,372 OKAY, THAT SHOULD DO IT. 862 00:31:43,372 --> 00:31:44,433 SHIFT. 863 00:31:44,433 --> 00:31:45,574 (coughs) OKAY. 864 00:31:45,574 --> 00:31:46,905 (grunts) 865 00:31:46,905 --> 00:31:48,377 OKAY, READY? 866 00:31:48,377 --> 00:31:49,378 READY. 867 00:31:49,378 --> 00:31:50,379 GO. 868 00:31:50,379 --> 00:31:52,681 (grunting) 869 00:31:52,681 --> 00:31:53,943 SHIFT OVER. 870 00:31:53,943 --> 00:31:55,384 OKAY. 871 00:31:55,384 --> 00:31:56,645 (both panting) 872 00:31:56,645 --> 00:31:58,417 OKAY. 873 00:31:58,417 --> 00:31:59,518 TOGETHER. READY? 874 00:31:59,518 --> 00:32:00,649 YEAH. GO. 875 00:32:00,649 --> 00:32:03,422 (grunting) 876 00:32:03,422 --> 00:32:05,694 (thumping) 877 00:32:05,694 --> 00:32:06,956 (grunts) 878 00:32:06,956 --> 00:32:07,957 (grunts) 879 00:32:07,957 --> 00:32:09,398 (Castle grunts) 880 00:32:10,499 --> 00:32:12,931 (both grunting) 881 00:32:12,931 --> 00:32:13,932 OH. 882 00:32:13,932 --> 00:32:15,534 I'VE ALWAYS LIKED YOUR LEGS, 883 00:32:15,534 --> 00:32:17,406 BUT NOW I RESPECT THEM. 884 00:32:17,406 --> 00:32:18,567 YEAH, YOURS AREN'T SO BAD EITHER. 885 00:32:18,567 --> 00:32:20,439 YOU KNOW, FOR THE NEXT POLICE PICNIC, 886 00:32:20,439 --> 00:32:21,640 WE SHOULD DO THE THREE-LEGGED RACE TOGETHER. 887 00:32:21,640 --> 00:32:22,972 YOU'RE ON. ALL RIGHT. 888 00:32:22,972 --> 00:32:23,973 (grunts) 889 00:32:23,973 --> 00:32:25,674 HELLO! 890 00:32:25,674 --> 00:32:28,947 (exhales) CAN YOU HEAR US? 891 00:32:28,947 --> 00:32:30,419 I SUPPOSE YOU WANT TO GO IN FIRST. 892 00:32:30,419 --> 00:32:32,451 NO. YOU GO AHEAD. 893 00:32:32,451 --> 00:32:33,522 DON'T MIND IF I DO. 894 00:32:33,522 --> 00:32:34,953 OKAY. (pants) 895 00:32:38,657 --> 00:32:39,728 (debris clatters) 896 00:32:39,728 --> 00:32:40,990 HELLO! 897 00:32:40,990 --> 00:32:42,591 ARE YOU THERE? WE'RE HERE TO-- 898 00:32:42,591 --> 00:32:46,495 (growling) 899 00:32:48,597 --> 00:32:50,469 (roars) 900 00:32:50,469 --> 00:32:51,670 AH! AAH! OH! 901 00:32:56,105 --> 00:32:57,106 (growls) 902 00:32:57,106 --> 00:32:58,647 A TIGER?! 903 00:32:58,647 --> 00:33:00,049 YEAH, IT'S A TIGER. IT ALMOST BIT MY FACE OFF. 904 00:33:00,049 --> 00:33:02,711 WAIT. NO, THAT EXPLAINS THE CAGE AND--AND THE CHAINS 905 00:33:02,711 --> 00:33:04,153 AND THE BUTCHER KNIVES FOR THE RAW MEAT. 906 00:33:04,153 --> 00:33:06,155 A TIGER? THAT'S WHAT THEY WERE HAGGLING OVER. 907 00:33:06,155 --> 00:33:07,716 YEAH, WELL, TIGERS ARE ENDANGERED. 908 00:33:07,716 --> 00:33:09,218 TRAFFICKING THEM IS ILLEGAL. WE WALKED IN ON THEIR OPERATION. 909 00:33:09,218 --> 00:33:10,689 YEAH, WALKING IN ON THEIR OPERATION 910 00:33:10,689 --> 00:33:11,990 IS NOT OUR PROBLEM RIGHT NOW. 911 00:33:11,990 --> 00:33:14,763 THAT TIGER WALKING IN HERE IS OUR PROBLEM. 912 00:33:14,763 --> 00:33:17,026 DON'T WORRY, CASTLE. SHE'S NOT GONNA GET THROUGH THAT WALL. (roars) 913 00:33:17,026 --> 00:33:19,168 AAH! HEY, BACK! GET BACK! 914 00:33:19,168 --> 00:33:20,229 (growling) IS IT JUST ME, 915 00:33:20,229 --> 00:33:22,131 OR DOES SHE LOOK A LITTLE BIT HUNGRY? 916 00:33:22,131 --> 00:33:23,672 (growls) 917 00:33:23,672 --> 00:33:25,734 YEAH, THAT'S BAD. 918 00:33:25,734 --> 00:33:27,706 (packaging rustles) 919 00:33:27,706 --> 00:33:29,078 WHAT ARE YOU DOING? 920 00:33:29,078 --> 00:33:31,180 I'M JUST GONNA BUY US SOME GOOD WILL. 921 00:33:31,180 --> 00:33:33,742 NO, NO, NO, CASTLE, DON'T GO NEAR HER. 922 00:33:33,742 --> 00:33:35,784 (growls and roars) 923 00:33:37,246 --> 00:33:39,048 SHE'S GOING FOR IT. 924 00:33:39,048 --> 00:33:41,090 YEAH, AND THEN WHEN SHE'S DONE WITH THAT, 925 00:33:41,090 --> 00:33:43,052 SHE'LL WANT MORE. 926 00:33:43,052 --> 00:33:45,023 OH, GOD! SHE'S COMING! 927 00:33:45,023 --> 00:33:46,195 (growls) 928 00:33:46,195 --> 00:33:48,727 SO NATIONAL BANK HAS CLOSE TO A HUNDRED PROPERTIES 929 00:33:48,727 --> 00:33:50,159 IN FORECLOSURE IN THE OUTER BOROUGHS, 930 00:33:50,159 --> 00:33:52,701 BUT OUR FOLKS HAVE CERTAIN NEEDS, SO WE FILTERED OUT 931 00:33:52,701 --> 00:33:54,063 ALL THE ONES WITHOUT BASEMENTS. 932 00:33:54,063 --> 00:33:57,106 COME ON, CASTLE. WE GOTTA COVER THAT HOLE. 933 00:33:57,106 --> 00:33:58,707 (grunts) 934 00:33:58,707 --> 00:34:00,069 PUSH. (grunts) 935 00:34:00,069 --> 00:34:01,240 (groans) 936 00:34:01,240 --> 00:34:04,042 (growling) 937 00:34:04,042 --> 00:34:05,043 AGAIN. 938 00:34:05,043 --> 00:34:06,115 (groans) 939 00:34:06,115 --> 00:34:07,176 (grunts) 940 00:34:07,176 --> 00:34:08,717 (Ryan) THE TWO HOUSES WE KNOW THEY USED 941 00:34:08,717 --> 00:34:10,779 HAD OTHER COMMON ELEMENTS-- CLOSE FREEWAY ACCESS, 942 00:34:10,779 --> 00:34:12,721 LONG, WIDE DRIVEWAYS THAT COULD FIT A SEMI. 943 00:34:12,721 --> 00:34:14,723 AND BOTH ARE SITUATED IN BETWEEN EMPTY LOTS 944 00:34:14,723 --> 00:34:17,286 OR UNOCCUPIED HOUSES, MINIMIZING THE NOSY NEIGHBOR FACTOR. 945 00:34:17,286 --> 00:34:19,057 NOW YOU CROSS-REFERENCE ALL THAT, 946 00:34:19,057 --> 00:34:21,260 IT LEAVES US WITH 11 LIKELIES IN THE OUTER BOROUGHS. 947 00:34:21,260 --> 00:34:22,791 (both grunting) 948 00:34:22,791 --> 00:34:24,263 (tiger growls) BECKETT. 949 00:34:24,263 --> 00:34:26,195 (growls) 950 00:34:26,195 --> 00:34:27,736 WHAT DO WE DO? 951 00:34:27,736 --> 00:34:28,797 DIVVY UP THE LIST. 952 00:34:28,797 --> 00:34:31,069 GET UNIs OUT TO ALL 11 PROPERTIES, 953 00:34:31,069 --> 00:34:33,302 AND LET'S BRING THEM BACK ALIVE. 954 00:34:33,302 --> 00:34:35,304 (tiger growling) WE GET IN THE FREEZER. 955 00:34:35,304 --> 00:34:37,106 IT'LL LATCH, AND WE'LL SUFFOCATE. 956 00:34:37,106 --> 00:34:38,177 WOULD YOU RATHER BE EATEN? 957 00:34:38,177 --> 00:34:40,109 I WAS LOOKING FOR OPTION THREE. 958 00:34:40,109 --> 00:34:42,080 (roars) 959 00:34:42,080 --> 00:34:44,082 GET BEHIND ME. 960 00:34:44,082 --> 00:34:45,214 (growling) 961 00:34:45,214 --> 00:34:47,085 (debris clatters) 962 00:34:47,085 --> 00:34:48,287 (growling continues) 963 00:34:48,287 --> 00:34:50,119 I HAVE A PLAN. 964 00:34:50,119 --> 00:34:51,120 (roars) 965 00:34:51,120 --> 00:34:53,262 (Esposito) 817 FINCHER DRIVE. 966 00:34:53,262 --> 00:34:56,825 INDUSTRIAL BUILDING FORECLOSED ON EIGHT MONTHS AGO. 967 00:34:59,097 --> 00:35:01,800 LOOKS EMPTY, JUST LIKE THE LAST THREE PLACES. 968 00:35:01,800 --> 00:35:03,202 LET'S DO A WALK AROUND. 969 00:35:03,202 --> 00:35:04,333 SEE IF THERE'S ANYTHING IN BACK. 970 00:35:04,333 --> 00:35:06,135 YEAH. (sighs) 971 00:35:07,336 --> 00:35:08,837 (growling) 972 00:35:08,837 --> 00:35:11,310 (Beckett grunts) 973 00:35:11,310 --> 00:35:12,311 (continues growling) 974 00:35:12,311 --> 00:35:13,882 (grunts) 975 00:35:13,882 --> 00:35:15,784 (grunts) 976 00:35:15,784 --> 00:35:18,317 (growling continues) 977 00:35:18,317 --> 00:35:20,149 (grunts) 978 00:35:20,149 --> 00:35:21,320 (Beckett) THIS IS YOUR PLAN? 979 00:35:21,320 --> 00:35:23,252 DO YOU KNOW HOW HIGH TIGERS CAN JUMP? 980 00:35:23,252 --> 00:35:25,123 (growling) 981 00:35:25,123 --> 00:35:26,795 HIGH. 982 00:35:26,795 --> 00:35:29,158 WELL, WE'RE STILL ALIVE, AREN'T WE? 983 00:35:29,158 --> 00:35:30,829 OKAY. 984 00:35:30,829 --> 00:35:32,261 OOH. 985 00:35:33,362 --> 00:35:35,804 (squeaks) 986 00:35:35,804 --> 00:35:37,806 ESPOSITO, OVER HERE. 987 00:35:37,806 --> 00:35:39,808 (grunts) 988 00:35:39,808 --> 00:35:41,240 (door clatters) 989 00:35:44,213 --> 00:35:45,314 CALL FOR BACKUP. 990 00:35:45,314 --> 00:35:47,145 (growls and roars) 991 00:35:47,145 --> 00:35:48,377 OH! 992 00:35:50,219 --> 00:35:55,153 (growling) 993 00:35:55,153 --> 00:35:56,285 REMEMBER WHAT I SAID ABOUT JOINING THE CIRCUS? 994 00:35:56,285 --> 00:35:57,856 UH-HUH. CHANGED MY MIND. 995 00:35:57,856 --> 00:35:59,228 (growls and roars) 996 00:35:59,228 --> 00:36:00,829 WHOA! 997 00:36:00,829 --> 00:36:02,361 SHE'S PLAYING WITH US. 998 00:36:02,361 --> 00:36:04,233 SHE'S GONNA KNOCK IT OVER. 999 00:36:04,233 --> 00:36:05,364 WHAT ARE WE GONNA DO? 1000 00:36:05,364 --> 00:36:07,896 THERE'S ONLY ONE THING TO DO. 1001 00:36:07,896 --> 00:36:09,368 SCREAM LIKE LITTLE GIRLS. 1002 00:36:09,368 --> 00:36:10,399 (both) HELP! 1003 00:36:10,399 --> 00:36:12,201 (Castle) HELP! 1004 00:36:12,201 --> 00:36:13,372 (Beckett) HELP! 1005 00:36:13,372 --> 00:36:15,204 GET US OUTTA HERE! WAIT. LISTEN. 1006 00:36:15,204 --> 00:36:16,305 (Beckett) HELP! SOMEBODY! YOU HEAR THAT? 1007 00:36:16,305 --> 00:36:17,376 YEAH. 1008 00:36:17,376 --> 00:36:19,308 (Castle) COME ON! WE'RE DOWN HERE! 1009 00:36:21,850 --> 00:36:25,254 (Beckett) HELP! SOMEBODY, HELP US! 1010 00:36:25,254 --> 00:36:27,956 HELP! HELP! 1011 00:36:27,956 --> 00:36:29,388 (Esposito) BECKETT, CASTLE. 1012 00:36:29,388 --> 00:36:30,919 ESPOSITO. 1013 00:36:30,919 --> 00:36:32,190 (growls) 1014 00:36:32,190 --> 00:36:33,262 IS THAT A TIGER?! 1015 00:36:33,262 --> 00:36:34,363 YEAH, YEAH, THAT'S A TIGER. 1016 00:36:34,363 --> 00:36:35,394 (growls) 1017 00:36:35,394 --> 00:36:37,326 HEY, HOW ABOUT GETTING US OUT? 1018 00:36:37,326 --> 00:36:39,368 O-OKAY, HANG ON. WE'LL-- WE'LL BE RIGHT THERE. 1019 00:36:39,368 --> 00:36:41,199 (clicks) 1020 00:36:41,199 --> 00:36:42,331 (hatch slams) 1021 00:36:42,331 --> 00:36:44,403 DROP THE HARDWARE, BOYS, OR I'LL BLOW YOU BOTH AWAY. 1022 00:36:44,403 --> 00:36:46,275 (Beckett) HELP! (Castle) HELP US! 1023 00:36:46,275 --> 00:36:47,406 YOU GUYS, OPEN THE HATCH! (roars) 1024 00:36:47,406 --> 00:36:50,939 (growls) 1025 00:36:50,939 --> 00:36:51,940 (Castle) GUYS! 1026 00:36:51,940 --> 00:36:54,313 (Beckett) RYAN, ESPO, HELP! 1027 00:36:54,313 --> 00:36:56,214 OPEN THE DOOR, BOYS! HELP! 1028 00:36:56,214 --> 00:36:58,387 (growls) 1029 00:37:02,551 --> 00:37:04,222 (tiger growling) 1030 00:37:04,222 --> 00:37:05,354 Beckett and Castle shouting indistinctly) 1031 00:37:05,354 --> 00:37:06,495 PUT YOUR WEAPON DOWN. 1032 00:37:06,495 --> 00:37:08,997 DOESN'T MATTER WHICH ONE OF US YOU SHOOT FIRST, 1033 00:37:08,997 --> 00:37:11,229 WHOEVER'S LEFT STANDING WILL KILL YOU. 1034 00:37:11,229 --> 00:37:13,402 MAYBE I'LL SHOOT THE PRETTY ONE FIRST. 1035 00:37:13,402 --> 00:37:15,464 (Beckett) GUYS, HURRY! HURRY! 1036 00:37:15,464 --> 00:37:17,406 LUCKILY, I DON'T GOTTA CHOOSE. WHAT ARE YOU DOING?! 1037 00:37:17,406 --> 00:37:18,507 (clicks) 1038 00:37:18,507 --> 00:37:21,009 Y'ALL PUT 'EM DOWN. 1039 00:37:21,009 --> 00:37:22,271 YOU FIRST. 1040 00:37:22,271 --> 00:37:24,012 (man) LET'S JUST KILL 'EM, MA. 1041 00:37:24,012 --> 00:37:26,345 LET TONY THE TIGER HAVE AT THE OTHERS LIKE WE PLANNED. 1042 00:37:26,345 --> 00:37:27,516 (Castle) GET US OUTTA HERE! 1043 00:37:27,516 --> 00:37:29,318 OPEN THE DOOR! 1044 00:37:29,318 --> 00:37:31,480 THE STAKES ARE CONSIDERABLY RAISED! 1045 00:37:31,480 --> 00:37:33,282 (Castle) HELP! 1046 00:37:33,282 --> 00:37:34,423 HELP! (Beckett) HELP US! 1047 00:37:34,423 --> 00:37:36,425 (Esposito) YOUR BOYS SHOOT... GET US OUTTA HERE! 1048 00:37:36,425 --> 00:37:38,256 I SWEAR, THE LAST THING I DO 1049 00:37:38,256 --> 00:37:39,458 IS PUT A BULLET RIGHT THROUGH YOUR HEAD. 1050 00:37:39,458 --> 00:37:41,029 YOUR CHOICE. (Beckett) COME ON. HURRY UP! 1051 00:37:41,029 --> 00:37:43,292 YOU NEW YORKERS AIN'T NEARLY AS SCARY 1052 00:37:43,292 --> 00:37:44,493 AS A TEXAS LAWMAN. 1053 00:37:44,493 --> 00:37:46,034 THAT BEING SAID, 1054 00:37:46,034 --> 00:37:47,466 I'M BETTING MORE OF YOU ARE GONNA BE HERE SOON, 1055 00:37:47,466 --> 00:37:49,298 SO I'M GONNA TELL YOU WHAT'S GONNA HAPPEN. 1056 00:37:49,298 --> 00:37:52,270 ME AND MY BOYS ARE GONNA BACK ON OUTTA HERE. 1057 00:37:52,270 --> 00:37:54,373 YOU EITHER GET YOURSELVES KILLED TRYING TO STOP US... (Castle shouts indistinctly) 1058 00:37:54,373 --> 00:37:56,445 OR YOU CAN FORGET ALL ABOUT US AND GO SAVE YOUR FRIENDS. 1059 00:37:56,445 --> 00:37:58,377 THAT'S YOUR CHOICE. 1060 00:37:58,377 --> 00:38:02,050 (Castle shouting indistinctly) 1061 00:38:03,382 --> 00:38:04,583 (growling) 1062 00:38:04,583 --> 00:38:06,054 (panting) 1063 00:38:06,054 --> 00:38:09,287 I'M SO SORRY. I'VE GOT NOTHING ELSE. 1064 00:38:09,287 --> 00:38:10,559 (Beckett) PLEASE, BOYS, WHAT ARE YOU DOING? 1065 00:38:10,559 --> 00:38:12,361 HELLO. (bangs on hatch) 1066 00:38:12,361 --> 00:38:13,492 OPEN THE HATCH! 1067 00:38:13,492 --> 00:38:14,563 JAVI? 1068 00:38:14,563 --> 00:38:16,365 KATE-- 1069 00:38:16,365 --> 00:38:18,467 NO, CASTLE, I DID NOT SURVIVE A BULLET TO THE HEART 1070 00:38:18,467 --> 00:38:20,529 TO DIE AS TIGER KIBBLE. 1071 00:38:20,529 --> 00:38:24,603 (growling) 1072 00:38:24,603 --> 00:38:26,505 (roars) 1073 00:38:26,505 --> 00:38:27,636 (Beckett and Castle scream) 1074 00:38:27,636 --> 00:38:29,338 (freezer crashes) 1075 00:38:29,338 --> 00:38:32,611 (tiger growling) 1076 00:38:34,383 --> 00:38:35,584 LET 'EM GO. 1077 00:38:35,584 --> 00:38:38,417 (growling continues) 1078 00:38:41,520 --> 00:38:42,591 (clatters) 1079 00:38:42,591 --> 00:38:44,553 (hinges squeak) 1080 00:38:44,553 --> 00:38:46,094 (growling) 1081 00:38:46,094 --> 00:38:47,626 OH, GOD. 1082 00:38:47,626 --> 00:38:49,398 (Esposito) IT ATE 'EM. 1083 00:38:49,398 --> 00:38:50,629 (Beckett) IT DIDN'T EAT US. 1084 00:38:50,629 --> 00:38:52,431 (pants) 1085 00:38:52,431 --> 00:38:55,364 BUT IT WILL IF YOU DON'T HURRY. 1086 00:38:55,364 --> 00:38:57,406 NICE HANGOUT. 1087 00:38:57,406 --> 00:39:00,369 (growling) 1088 00:39:00,369 --> 00:39:01,510 (engine turns over) 1089 00:39:01,510 --> 00:39:04,373 (tires squeal) 1090 00:39:04,373 --> 00:39:05,374 (man) NOBODY MOVE! 1091 00:39:05,374 --> 00:39:06,645 (officers shouting indistinctly) 1092 00:39:06,645 --> 00:39:08,447 (guns clicking) 1093 00:39:08,447 --> 00:39:09,648 (man speaks indistinctly over p.a.) 1094 00:39:09,648 --> 00:39:11,620 (shouting continues) 1095 00:39:11,620 --> 00:39:13,652 (Ryan) HANDCUFFED TOGETHER THAT LONG? 1096 00:39:13,652 --> 00:39:15,484 I'M SURPRISED YOU TWO DIDN'T KILL EACH OTHER. 1097 00:39:15,484 --> 00:39:16,655 YEAH, WELL, THERE WERE A COUPLE OF MOMENTS. 1098 00:39:16,655 --> 00:39:19,127 UNTIL WE FOUND OUR RHYTHM. 1099 00:39:19,127 --> 00:39:20,529 I THINK WE'LL FLY TO FLORIDA. 1100 00:39:20,529 --> 00:39:22,391 (police radio chatter) 1101 00:39:22,391 --> 00:39:23,662 WHAT? 1102 00:39:23,662 --> 00:39:26,134 I BELIEVE THIS IS YOURS. 1103 00:39:26,134 --> 00:39:27,596 THIS, TOO. THANK YOU. 1104 00:39:27,596 --> 00:39:29,538 HOW DID YOU GUYS... 1105 00:39:29,538 --> 00:39:31,670 (indistinct conversations) 1106 00:39:31,670 --> 00:39:33,472 (object clatters) 1107 00:39:33,472 --> 00:39:35,404 EVEN FIND US? 1108 00:39:35,404 --> 00:39:36,475 WELL, WE FOLLOWED YOUR BREAD CRUMBS, 1109 00:39:36,475 --> 00:39:37,546 AND IT LED US HERE. 1110 00:39:37,546 --> 00:39:39,408 AND LUCKY FOR ALL OF US, SOME OF MY DETECTIVES 1111 00:39:39,408 --> 00:39:41,680 KEEP ME INFORMED AS TO THEIR WHEREABOUTS. 1112 00:39:41,680 --> 00:39:43,412 THANKS TO YOU TWO, 1113 00:39:43,412 --> 00:39:45,554 I'M INSTITUTING A NEW POLICY IN OUR DEPARTMENT-- 1114 00:39:45,554 --> 00:39:49,458 NO ONE GOES ANYWHERE... 1115 00:39:49,458 --> 00:39:51,560 WITHOUT CALLING IT IN. 1116 00:39:51,560 --> 00:39:54,563 (radio chatter continues) 1117 00:39:55,724 --> 00:39:57,566 THANKS, YOU GUYS. REALLY APPRECIATE THAT. 1118 00:39:57,566 --> 00:39:58,697 WELL, AT LEAST WE WON'T HAVE TO LOOK SO HARD 1119 00:39:58,697 --> 00:40:00,499 NEXT TIME WE SAVE YOUR ASS. 1120 00:40:00,499 --> 00:40:01,570 I MISSED YOU, BY THE WAY. 1121 00:40:01,570 --> 00:40:03,401 REALLY? PROVE IT. OH, I'LL PROVE IT. 1122 00:40:03,401 --> 00:40:04,533 (Ryan) HOW WAS THAT TIGER? ESPO, STOP IT. 1123 00:40:04,533 --> 00:40:05,634 WHAT? WAS IT GR-R-REAT? 1124 00:40:05,634 --> 00:40:07,706 (Martinez) HER NAME IS RUTH SPURLOCH. 1125 00:40:07,706 --> 00:40:09,708 AND IT TURNS OUT, HER AND HER SONS 1126 00:40:09,708 --> 00:40:11,710 WERE MAJOR SUPPLIERS OF ENDANGERED TIGERS 1127 00:40:11,710 --> 00:40:14,412 TO WEALTHY CUSTOMERS ALL AROUND THE WORLD. 1128 00:40:14,412 --> 00:40:16,445 HARD TO BELIEVE IT'S WORTH KILLING FOR. 1129 00:40:16,445 --> 00:40:17,746 THE EXOTIC ANIMAL TRADE'S A BILLION-DOLLAR INDUSTRY. 1130 00:40:17,746 --> 00:40:20,489 AND TEXAS, WHICH HAS ALMOST NO REGULATIONS, 1131 00:40:20,489 --> 00:40:22,190 IS ONE OF THE FEW PLACES IN THE WORLD 1132 00:40:22,190 --> 00:40:25,193 WHERE SELLING AND BREEDING TIGERS IS NOT ILLEGAL. 1133 00:40:25,193 --> 00:40:28,457 RUTH AND HER BOYS WERE MAKING MILLIONS OFF HER BREEDING FARM. 1134 00:40:28,457 --> 00:40:30,729 SPOONER WOULD TRUCK THEM FROM DEL RIO UP TO NEW YORK. 1135 00:40:30,729 --> 00:40:32,661 (Beckett) AND THEN WEALTHY CLIENTS WOULD SMUGGLE THEM 1136 00:40:32,661 --> 00:40:34,633 PAST CUSTOMS AND SHIP 'EM OUT ON THEIR PRIVATE JETS. 1137 00:40:34,633 --> 00:40:35,634 RIGHT. 1138 00:40:35,634 --> 00:40:37,466 EXCEPT OUTSIDE OF TEXAS, 1139 00:40:37,466 --> 00:40:40,539 TRAFFICKING ENDANGERED SPECIES IS A CRIMINAL OFFENSE. 1140 00:40:40,539 --> 00:40:43,572 SO RUTH DIDN'T WANT SPOONER RATTING HER OUT. 1141 00:40:43,572 --> 00:40:45,474 WHICH IS WHY, WHEN WE SHOWED UP AT HER HOUSE, 1142 00:40:45,474 --> 00:40:46,715 SHE PLAYED THE VICTIM SO SHE COULD GET THE DROP ON US. 1143 00:40:46,715 --> 00:40:48,617 YEAH, AND KNOCKED US OUT USING ANIMAL TRANQUILIZERS, 1144 00:40:48,617 --> 00:40:49,778 WHICH CAN'T BE GOOD FOR ME. 1145 00:40:49,778 --> 00:40:52,481 I-I STILL HAVE A TASTE IN MY MOUTH. 1146 00:40:52,481 --> 00:40:54,452 YEAH. 1147 00:40:54,452 --> 00:40:55,684 WELL, I... 1148 00:40:55,684 --> 00:40:57,656 I'M--I'M GONNA TURN THE TRAFFICKING CASE 1149 00:40:57,656 --> 00:40:59,588 OVER TO THE FBI AND CUSTOMS. 1150 00:40:59,588 --> 00:41:02,491 YOU CAN COORDINATE WITH THEM ON YOUR MURDER CHARGE. 1151 00:41:02,491 --> 00:41:04,693 THANK YOU, AGENT MARTINEZ. I'LL WALK YOU OUT. 1152 00:41:07,235 --> 00:41:08,737 (Ryan) HEY. 1153 00:41:08,737 --> 00:41:11,540 AS EXPECTED, THE HAIR FROM THE TRUCK IS TIGER, 1154 00:41:11,540 --> 00:41:12,701 AND THE BLOOD IS FROM RAW MEAT. 1155 00:41:12,701 --> 00:41:14,573 THEY USED THE HATCHES TO THROW DOWN FOOD TO THE CATS 1156 00:41:14,573 --> 00:41:15,704 OR SEDATE THEM WITH DARTS. 1157 00:41:15,704 --> 00:41:17,676 SO WHAT'S GONNA HAPPEN WITH THAT TIGER ANYWAY? 1158 00:41:17,676 --> 00:41:19,548 SHOOT HIM. 1159 00:41:19,548 --> 00:41:21,680 (sighs) SHE'LL GET TRANSFERRED TO A SANCTUARY. 1160 00:41:21,680 --> 00:41:22,711 OR THAT. 1161 00:41:22,711 --> 00:41:24,482 PROBABLY END UP IN A ZOO. 1162 00:41:24,482 --> 00:41:25,614 WHY, YOU WANT TO GO AND VISIT HER? 1163 00:41:25,614 --> 00:41:27,786 NO. NO, THANKS. I'M GOOD. 1164 00:41:27,786 --> 00:41:29,788 ALL RIGHT, YOU GUYS GET SOME REST. YOU, TOO. 1165 00:41:29,788 --> 00:41:31,590 YEAH. 1166 00:41:31,590 --> 00:41:33,592 THAT HAS GOTTA BE THE STRANGEST BRUSH WITH DEATH I'VE EVER HAD. 1167 00:41:33,592 --> 00:41:34,763 ME, TOO. 1168 00:41:34,763 --> 00:41:36,765 BUT I'LL TELL YOU, AFTER THAT EXPERIENCE, 1169 00:41:36,765 --> 00:41:39,798 IF I EVER HAVE TO BE HITCHED TO SOMEONE, IT WOULD BE YOU. 1170 00:41:39,798 --> 00:41:41,600 HITCHED? 1171 00:41:41,600 --> 00:41:43,501 HITCHED? 1172 00:41:43,501 --> 00:41:44,773 NO, I DIDN'T SAY "HITCHED." I SAID "CUFFED." 1173 00:41:44,773 --> 00:41:46,835 HANDCUFFED, NOT HITCHED-- 1174 00:41:46,835 --> 00:41:48,837 THE COLLOQUIAL OR ANY OTHER CONNOTATION OR MEANING. 1175 00:41:48,837 --> 00:41:50,809 IT'S OKAY, CASTLE. I UNDERSTOOD WHAT YOU MEANT. 1176 00:41:50,809 --> 00:41:52,811 AND FOR WHAT IT'S WORTH, IF I EVER HAVE TO SPEND 1177 00:41:52,811 --> 00:41:55,614 ANOTHER NIGHT HANDCUFFED TO SOMEONE AGAIN, 1178 00:41:55,614 --> 00:41:57,786 I WOULDN'T MIND IF IT WAS YOU EITHER. 1179 00:41:57,786 --> 00:41:59,517 REALLY? 1180 00:41:59,517 --> 00:42:01,620 BUT NEXT TIME, 1181 00:42:01,620 --> 00:42:03,622 LET'S DO IT WITHOUT THE TIGER. 1182 00:42:03,622 --> 00:42:05,594 (man) ♪ ANYTHING WILL DO BUT... ♪ 1183 00:42:05,594 --> 00:42:06,725 NEXT TIME? 1184 00:42:06,725 --> 00:42:08,597 ♪ IF YOU GIVE A LITTLE LOVE ♪ 1185 00:42:08,597 --> 00:42:10,699 ♪ GIVE A LITTLE LOVE, IT'LL ALL COME BACK ♪ 1186 00:42:10,699 --> 00:42:13,802 ♪ OH, A LITTLE LOVE WILL MAKE YOU FLY ♪ 1187 00:42:13,802 --> 00:42:17,535 ♪ WHOA ♪ 1188 00:42:17,535 --> 00:42:18,637 (sniffs) 1189 00:42:18,637 --> 00:42:20,538 AHEM.