1 00:00:01,402 --> 00:00:02,533 SO HAVE YOU PICKED A PLACE YET? 2 00:00:02,533 --> 00:00:03,674 I'D LOVE TO DO IT AT THE BOTANICAL GARDENS, 3 00:00:03,674 --> 00:00:05,136 BUT CHRIS THINKS IT'S TOO EXPENSIVE. 4 00:00:05,136 --> 00:00:06,237 IT'S YOUR WEDDING. 5 00:00:06,237 --> 00:00:07,678 IT'S SUPPOSED TO COST A FORTUNE. 6 00:00:07,678 --> 00:00:09,780 I KNOW. YOU ONLY GET MARRIED ONCE. 7 00:00:09,780 --> 00:00:10,781 (grunts) 8 00:00:10,781 --> 00:00:12,283 (gasps) (woman screams) 9 00:00:12,283 --> 00:00:13,444 (whimpers) 10 00:00:13,444 --> 00:00:16,417 AAH! OH, MY GOD! (man) SOMEBODY CALL 9-1-1! 11 00:00:16,417 --> 00:00:18,049 HELP! PLEASE. 12 00:00:18,049 --> 00:00:19,690 SOMEBODY, HELP! HELP! 13 00:00:19,690 --> 00:00:20,691 I'LL CALL YOU LATER. BYE. 14 00:00:20,691 --> 00:00:21,692 WHO WAS THAT? 15 00:00:21,692 --> 00:00:23,294 PERSONAL BUSINESS, CASTLE. 16 00:00:23,294 --> 00:00:25,656 REALLY? WHO IS IT? INQUIRING MINDS WANT TO KNOW. 17 00:00:25,656 --> 00:00:27,758 YEAH, WELL, IF YOU MUST KNOW, HIS NAME IS ROGER. 18 00:00:27,758 --> 00:00:28,759 (chuckles)ROGER. 19 00:00:28,759 --> 00:00:30,231 DON'T MAKE FUN. 20 00:00:30,231 --> 00:00:32,103 DO YOU KNOW WHAT HE HAS THAT FEW MEN HAVE? 21 00:00:32,103 --> 00:00:33,704 A JOSH GROBAN CD? UH, HUMMEL FIGURINES? 22 00:00:33,704 --> 00:00:35,406 NO, NOT EVEN CLOSE. 23 00:00:35,406 --> 00:00:38,609 ROGER HAS THE MOST INCREDIBLE 24 00:00:38,609 --> 00:00:40,371 RESISTANCE BAND. 25 00:00:40,371 --> 00:00:41,512 A RESISTANCE BAND? 26 00:00:41,512 --> 00:00:43,314 WHAT IS THAT? IS THAT WHAT I THINK IT IS? 27 00:00:43,314 --> 00:00:45,316 FOR STRENGTH TRAINING. HE'S MY PHYSICAL THERAPIST. 28 00:00:45,316 --> 00:00:47,518 OH.OH,I HAD NO IDEA YOU WERE STILL GOING. 29 00:00:47,518 --> 00:00:49,820 YEAH, FOR ANOTHER FEW WEEKS, TILL I GET 100%. 30 00:00:49,820 --> 00:00:51,582 HEY, GOOD MORNING. MORNING. 31 00:00:51,582 --> 00:00:52,723 SO WHAT DO WE GOT? 32 00:00:52,723 --> 00:00:54,185 VICTIM'S NAME IS SARAH VASQUEZ. 33 00:00:54,185 --> 00:00:55,786 SHE'S A 28-YEAR-OLD KINDERGARTEN TEACHER. 34 00:00:55,786 --> 00:00:58,159 SHE AND A CLASSMATE WERE LEAVING THIS YOGA STUDIO 35 00:00:58,159 --> 00:01:00,191 WHEN SARAH SUDDENLY DROPPED. 36 00:01:00,191 --> 00:01:01,632 BULLET WOUND STRAIGHT TO THE HEART. 37 00:01:01,632 --> 00:01:04,195 YEAH, WHAT'S WEIRD IS, NO ONE HEARD A SHOT 38 00:01:04,195 --> 00:01:05,536 OR SAW A SHOOTER. 39 00:01:05,536 --> 00:01:08,068 MAYBE THE WEAPON WAS SILENCED. 40 00:01:08,068 --> 00:01:09,270 MAYBE IT WAS A STRAY BULLET. 41 00:01:09,270 --> 00:01:10,741 JUST READ AN ARTICLE, 42 00:01:10,741 --> 00:01:12,603 HOW A MAILMAN IN PORTLAND WAS KILLED 43 00:01:12,603 --> 00:01:14,145 WHEN A BULLET FIRED INTO THE AIR 44 00:01:14,145 --> 00:01:15,746 SIX BLOCKS AWAY FELL BACK TO EARTH. 45 00:01:15,746 --> 00:01:18,349 THIS BULLET DIDN'T JUST DROP FROM THE SKY 46 00:01:18,349 --> 00:01:19,750 AND HIT SARAH VASQUEZ. 47 00:01:19,750 --> 00:01:21,382 ANGLE'S WRONG. 48 00:01:21,382 --> 00:01:23,214 IT WENT THROUGH HER FROM FRONT TO BACK, 49 00:01:23,214 --> 00:01:24,355 NOT FROM UP TO DOWN. 50 00:01:24,355 --> 00:01:25,356 CAN YOU TELL US POINT OF ORIGIN? 51 00:01:25,356 --> 00:01:26,757 NOT UNTIL I DO A FULL EXAM. 52 00:01:26,757 --> 00:01:28,119 WAS YOGA A REGULAR THING FOR SARAH? 53 00:01:28,119 --> 00:01:30,391 TUESDAYS AND THURSDAYS AT 7:00 A.M., 54 00:01:30,391 --> 00:01:32,223 BEFORE SCHOOL STARTED. OKAY, LET'S LOOK INTO ENEMIES 55 00:01:32,223 --> 00:01:34,265 AND ANYONE THAT KNEW SHE WAS HERE. RIGHT. 56 00:01:34,265 --> 00:01:37,628 (police radio chatter) 57 00:01:39,230 --> 00:01:42,102 WE JUST GOT ENGAGED LAST MONTH. 58 00:01:42,102 --> 00:01:45,506 SHE WAS SO EXCITED ABOUT PLANNING THE WEDDING. 59 00:01:45,506 --> 00:01:47,408 CHRIS, WAS THERE ANYONE THAT MIGHT HAVE WANTED TO HURT SARAH? 60 00:01:47,408 --> 00:01:48,679 NO. 61 00:01:48,679 --> 00:01:51,142 MAYBE AN OLD BOYFRIEND WHO WAS UPSET ABOUT THE WEDDING? 62 00:01:51,142 --> 00:01:53,113 SHE DIDN'T HAVE ANYONE LIKE THAT IN HER LIFE. 63 00:01:53,113 --> 00:01:55,446 EVERYONE LOVED SARAH. 64 00:01:55,446 --> 00:01:56,647 WAIT. 65 00:01:56,647 --> 00:01:59,450 SHE DID MENTION SOMETHING LAST NIGHT ABOUT A GUY. 66 00:01:59,450 --> 00:02:01,192 SOMEONE SHE KNEW? 67 00:02:01,192 --> 00:02:02,723 NO. UH... 68 00:02:02,723 --> 00:02:05,196 SHE SAID SHE SAW HIM A FEW DAYS AGO, OUTSIDE THE SCHOOL. 69 00:02:05,196 --> 00:02:06,727 AND THEN TUESDAY MORNING, SHE SAID 70 00:02:06,727 --> 00:02:08,329 SHE THOUGHT SHE SAW HIM WHEN SHE GOT OUT OF YOGA. 71 00:02:08,329 --> 00:02:10,661 DID SHE TELL YOU WHAT HE LOOKED LIKE? 72 00:02:10,661 --> 00:02:13,204 I-I-I CAN'T REMEMBER. I... 73 00:02:13,204 --> 00:02:14,765 (Ryan) LOOKS LIKE SARAH'S YOGA ROUTINE 74 00:02:14,765 --> 00:02:16,367 WAS COMMON KNOWLEDGE. 75 00:02:16,367 --> 00:02:18,339 SHE EVEN POSTED ABOUT IT ON Facebook, JOKED THAT 76 00:02:18,339 --> 00:02:20,611 SHE WAS GONNA FIT INTO THAT DRESS IF IT KILLED HER. 77 00:02:20,611 --> 00:02:22,343 (cell phone rings) WELL, SOMEBODY WAS FOLLOWING HER, 78 00:02:22,343 --> 00:02:23,674 SO LET'S TALK TO HER FRIENDS AND COWORKERS... (ring) 79 00:02:23,674 --> 00:02:25,446 AND SEE IF THEY SAW A STRANGE MAN HANGING AROUND. 80 00:02:25,446 --> 00:02:26,577 ON IT. (beeps) 81 00:02:26,577 --> 00:02:27,648 BECKETT. 82 00:02:27,648 --> 00:02:28,779 (Esposito) Lanie's got something. 83 00:02:28,779 --> 00:02:30,150 You should get down here. 84 00:02:30,150 --> 00:02:31,682 THE BULLET THAT KILLED SARAH VASQUEZ 85 00:02:31,682 --> 00:02:33,354 IS A .308, 86 00:02:33,354 --> 00:02:36,727 SPECIFICALLY A 168 GRAIN SIERRA MATCHKING. 87 00:02:36,727 --> 00:02:38,229 A RIFLE BULLET. 88 00:02:38,229 --> 00:02:41,432 IT'S A COMMON AMMUNITION FAVORED BY... 89 00:02:41,432 --> 00:02:42,693 LONG-RANGE SHOOTERS. 90 00:02:44,435 --> 00:02:46,567 SO SHE WAS SHOT FROM A DISTANCE? 91 00:02:46,567 --> 00:02:49,870 BASED ON HER WOUND AND HOW DEEP IT WENT INTO THE DOOR FRAME, 92 00:02:49,870 --> 00:02:51,742 I'D SAY THE BULLET WAS FIRED 93 00:02:51,742 --> 00:02:54,475 BETWEEN 200 AND 300 YARDS AWAY. 94 00:02:54,475 --> 00:02:55,646 200 YARDS? 95 00:02:55,646 --> 00:02:58,209 DO WE HAVE ANY IDEA WHERE FROM EXACTLY? 96 00:02:58,209 --> 00:02:59,410 (Esposito) WE'RE CANVASSING. 97 00:02:59,410 --> 00:03:01,282 (beeps) NEAR AS WE CAN FIGURE... 98 00:03:01,282 --> 00:03:03,584 (beep) THE SHOOTER FIRED FROM ONE OF THESE BUILDINGS, 99 00:03:03,584 --> 00:03:05,456 SOMEWHERE BETWEEN THE 10th AND 15th FLOOR. 100 00:03:05,456 --> 00:03:09,220 YOU GUYS, YOU DON'T HAVE TO AVOID THE WORD ON MY ACCOUNT. 101 00:03:10,921 --> 00:03:12,693 WHAT WORD? SNIPER. 102 00:03:12,693 --> 00:03:13,824 EVEN I NOTICED. 103 00:03:13,824 --> 00:03:14,865 WE WEREN'T AVOIDING ANYTHING. 104 00:03:14,865 --> 00:03:15,866 IT WAS HER IDEA. SHE-- 105 00:03:15,866 --> 00:03:17,928 LOOK, GUYS, I'M A BIG GIRL. 106 00:03:17,928 --> 00:03:19,730 SO LET'S JUST CUT TO THE CHASE. HOW GOOD IS THIS GUY? 107 00:03:19,730 --> 00:03:22,733 WELL, HE'S AS GOOD AS ANY OF THE SHOOTER--SNIPERS 108 00:03:22,733 --> 00:03:24,204 IN MY UNIT. 109 00:03:24,204 --> 00:03:26,477 HE TOOK OUT A MOVING TARGET FROM A QUARTER OF A MILE AWAY. 110 00:03:26,477 --> 00:03:27,878 DID SHE FEEL IT? 111 00:03:27,878 --> 00:03:29,209 NO. 112 00:03:29,209 --> 00:03:30,381 SHE DIED INSTANTLY. 113 00:03:31,742 --> 00:03:33,544 SO THEN I GUESS THE QUESTION IS, 114 00:03:33,544 --> 00:03:35,346 WHY DID OUR SNIPER TARGET SARAH? 115 00:03:35,346 --> 00:03:38,349 ANY LEADS ON THE GUY THAT SHE SAID WAS FOLLOWING HER? 116 00:03:38,349 --> 00:03:39,890 NO ONE IN HER CIRCLE REMEMBERS SEEING THE GUY, 117 00:03:39,890 --> 00:03:42,323 AND SHE DIDN'T MENTION HIM TO ANYONE BUT HER FIANCE. 118 00:03:42,323 --> 00:03:43,824 MAYBE HE DIDN'T HAVE ANYTHING TO DO WITH IT. 119 00:03:43,824 --> 00:03:45,326 WHAT DO YOU MEAN? 120 00:03:45,326 --> 00:03:47,227 WELL, USUALLY WE FIND OUR KILLERS BY KNOWING OUR VICTIMS, 121 00:03:47,227 --> 00:03:48,329 FINDING A MOTIVE. 122 00:03:48,329 --> 00:03:51,231 BUT WHAT IF THERE ISN'T ONE? 123 00:03:51,231 --> 00:03:55,666 WHAT IF SHE WAS SHOT AT RANDOM? HOW DO WE FIND HIM THEN? 124 00:04:10,250 --> 00:04:11,251 (gunshot) 125 00:04:11,251 --> 00:04:15,255 (people screaming indistinctly) 126 00:04:15,255 --> 00:04:16,427 (man) BECKETT'S DOWN! 127 00:04:16,427 --> 00:04:17,928 (Castle whispers) NO, NO, NO, KATE. 128 00:04:17,928 --> 00:04:20,931 (people shouting indistinctly) 129 00:04:34,044 --> 00:04:35,776 (bolt clicks) 130 00:04:41,952 --> 00:04:48,519 (gunshot) 131 00:04:52,393 --> 00:04:53,524 VICTIM IS HENRY WYATT, 132 00:04:53,524 --> 00:04:54,665 38-YEAR-OLD ATTORNEY. 133 00:04:54,665 --> 00:04:55,796 SAME SHOOTER? 134 00:04:55,796 --> 00:04:57,768 LOOKS THAT WAY. 135 00:04:57,768 --> 00:04:59,029 (car door slams, sound distorted) 136 00:04:59,029 --> 00:05:01,071 ANYONE, UH, SEE OR HEAR ANYTHING? 137 00:05:01,071 --> 00:05:03,033 NADA, JUST LIKE BEFORE. HE WENT FOR THE HEAD THIS TIME. 138 00:05:03,033 --> 00:05:04,635 HE'S GETTING MORE CONFIDENT. 139 00:05:04,635 --> 00:05:06,076 ANOTHER VICTIM, SAME TIME OF DAY-- 140 00:05:06,076 --> 00:05:08,979 THIS COULD BE THE D.C. SNIPER ALL OVER AGAIN. 141 00:05:08,979 --> 00:05:12,343 (sirens wailing) 142 00:05:12,343 --> 00:05:13,514 LANIE, IS THAT THE SLUG? 143 00:05:13,514 --> 00:05:15,586 YEAH, IT'S ALL BANGED UP FROM THE CONCRETE, 144 00:05:15,586 --> 00:05:17,047 BUT IT LOOKS LIKE THE SAME CALIBER. 145 00:05:17,047 --> 00:05:18,989 THE ANGLE OF THE ENTRY'S MORE EXTREME, THOUGH. 146 00:05:18,989 --> 00:05:21,051 HE SHOT WYATT FROM HIGHER UP. 147 00:05:21,051 --> 00:05:23,994 (car horns honk, sirens wail, sound distorted) 148 00:05:23,994 --> 00:05:25,325 SEE SOMETHING? 149 00:05:25,325 --> 00:05:27,658 (distorted sounds continue) 150 00:05:27,658 --> 00:05:29,630 BECKETT, YOU ALL RIGHT? 151 00:05:29,630 --> 00:05:31,902 YEAH, I'M JUST, UH... I-I'M JUST TRYING TO FIGURE OUT 152 00:05:31,902 --> 00:05:33,764 WHY THESE TWO VICTIMS AND--AND... 153 00:05:33,764 --> 00:05:35,366 WHY SHOOT HERE? 154 00:05:35,366 --> 00:05:36,407 (Esposito) THE VICTIMS MIGHT BE RANDOM, 155 00:05:36,407 --> 00:05:38,409 BUT THE LOCATION ISN'T. 156 00:05:38,409 --> 00:05:40,010 A PRO RECONS HIS TARGET BEFOREHAND. 157 00:05:40,010 --> 00:05:41,812 IF YOU'RE GONNA KILL SOMETHING FROM A LONG DISTANCE, 158 00:05:41,812 --> 00:05:42,943 IT'S NOT A POINT-AND-SHOOT ACTIVITY. 159 00:05:42,943 --> 00:05:44,615 YOU FACTOR IN ALL THE CONDITIONS, 160 00:05:44,615 --> 00:05:46,547 LIKE RANGE TO TARGET, 161 00:05:46,547 --> 00:05:49,380 MINUTE OF ARC, AND... 162 00:05:49,380 --> 00:05:51,782 WINDAGE. 163 00:05:51,782 --> 00:05:53,784 WHAT IS IT? 164 00:05:53,784 --> 00:05:55,656 THIS FLAG... 165 00:05:55,656 --> 00:05:58,058 IS THE PERFECT WIND GAUGE. 166 00:05:58,058 --> 00:05:59,790 THAT CAN'T BE A COINCIDENCE. 167 00:05:59,790 --> 00:06:01,392 OKAY, SO IF HE HUNG THAT UP THERE, 168 00:06:01,392 --> 00:06:03,063 WE MIGHT BE ABLE TO GET EYES ON HIM. 169 00:06:03,063 --> 00:06:04,795 WE SHOULD CANVASS THE AREA FOR SECURITY CAMERAS-- 170 00:06:04,795 --> 00:06:05,866 (siren whoops) 171 00:06:05,866 --> 00:06:07,798 (grunts) 172 00:06:07,798 --> 00:06:11,942 (radio chatter continues) 173 00:06:11,942 --> 00:06:14,374 (indistinct conversations) 174 00:06:14,374 --> 00:06:15,876 (Gates, voice distorted) WE HAVE A GUNMAN 175 00:06:15,876 --> 00:06:19,580 TERRORIZING THIS CITY-- 2 VICTIMS IN 24 HOURS. 176 00:06:19,580 --> 00:06:22,783 WE DON'T KNOW WHO HE IS OR WHY HE SHOT THOSE FOLKS. 177 00:06:22,783 --> 00:06:23,784 (normal voice) DETECTIVE RYAN, WHAT DO WE KNOW 178 00:06:23,784 --> 00:06:25,055 ABOUT THE SECOND VICTIM? 179 00:06:25,055 --> 00:06:27,057 HENRY WYATT WAS A LITIGATION PARTNER AT A LAW FIRM 180 00:06:27,057 --> 00:06:28,659 TWO BLOCKS FROM WHERE HE WAS SHOT, 181 00:06:28,659 --> 00:06:29,960 AND ACCORDING TO HIS SECRETARY, 182 00:06:29,960 --> 00:06:31,822 HE LIKED TO WALK, WHICH MEANS THERE WAS 183 00:06:31,822 --> 00:06:33,994 A PREDICTABLE ROUTINE, JUST LIKE SARAH VASQUEZ. 184 00:06:33,994 --> 00:06:35,666 WHICH DOESN'T MEAN THEY WERE TARGETED. 185 00:06:35,666 --> 00:06:38,469 (voice distorts) AFTER ALL, MOST NEW YORKERS FOLLOW ROUTINES. 186 00:06:38,469 --> 00:06:39,800 (normal voice) ESPOSITO... 187 00:06:39,800 --> 00:06:41,432 (voice distorts) HAVE WE LEARNED WHERE THEY WERE SHOT FROM? 188 00:06:41,432 --> 00:06:42,733 (voice distorts) WE'VE GOT TEAMS SWEEPING... 189 00:06:42,733 --> 00:06:44,034 (normal voice) BUILDINGS NEAR BOTH CRIME SCENES, 190 00:06:44,034 --> 00:06:45,436 AND SO FAR, WE'VE COME UP EMPTY. 191 00:06:45,436 --> 00:06:47,478 (voice distorts) WE NEED TO FIND OUR SHOOTER... 192 00:06:47,478 --> 00:06:49,139 (lowered voice) YOU KNOW, IT'S JUST A STARTLE RESPONSE. 193 00:06:49,139 --> 00:06:50,881 IT COULD HAPPEN TO ANYONE. (lowered voice) YEAH, WELL, I'M NOT ANYONE. 194 00:06:50,881 --> 00:06:52,783 NO, I'M JUST SAYIN'. (normal voice) JUST DON'T. 195 00:06:54,545 --> 00:06:55,616 (Gates) DETECTIVE BECKETT... 196 00:06:55,616 --> 00:06:57,918 WHERE ARE WE ON HENRY WYATT AND SARAH VASQUEZ? 197 00:06:57,918 --> 00:06:58,919 I'M SORRY? 198 00:06:58,919 --> 00:07:00,150 ON LINKS BETWEEN THE VICTIMS? 199 00:07:00,150 --> 00:07:01,852 (rustles paper) 200 00:07:01,852 --> 00:07:04,455 WE'RE STILL CHECKING, BUT THEY DON'T LIVE 201 00:07:04,455 --> 00:07:06,426 OR WORK IN THE SAME AREA, 202 00:07:06,426 --> 00:07:08,499 AND IT DOESN'T SEEM LIKE THEY HAVE ANYONE IN COMMON. 203 00:07:08,499 --> 00:07:10,501 IN FACT, WE HAVEN'T REALLY FOUND ANY CONNECTIONS 204 00:07:10,501 --> 00:07:12,002 BETWEEN THE TWO OF THEM YET. 205 00:07:12,002 --> 00:07:13,464 WELL, KEEP LOOKING. 206 00:07:13,464 --> 00:07:16,467 WE KNOW HE HAS TRAINING, A SPECIFIC SKILL SET. 207 00:07:16,467 --> 00:07:18,669 NOW EVERY BRANCH IN THE MILITARY HAS SNIPERS... 208 00:07:18,669 --> 00:07:20,140 (voice distorts) SO DO LAW ENFORCEMENT AGENCIES. 209 00:07:20,140 --> 00:07:21,812 (Esposito, voice distorted) WE'RE TALKING ABOUT CLOSE TO... 210 00:07:21,812 --> 00:07:22,973 (normal voice) A THOUSAND QUALIFIED SHOOTERS. 211 00:07:22,973 --> 00:07:25,616 THE FACT IS, EVERYONE IN THIS CITY 212 00:07:25,616 --> 00:07:27,878 IS A POTENTIAL TARGET. 213 00:07:27,878 --> 00:07:29,149 (normal voice) LET'S GET IT DONE, PEOPLE. 214 00:07:29,149 --> 00:07:32,723 (indistinct conversations) 215 00:07:33,754 --> 00:07:35,455 WAIT. WHERE YOU GOING? 216 00:07:35,455 --> 00:07:36,987 I-I JUST HAVE TO GO DO SOMETHING. 217 00:07:36,987 --> 00:07:38,058 HEY, BECKETT, 218 00:07:38,058 --> 00:07:39,189 CANVASS TURNED UP A SECURITY CAMERA 219 00:07:39,189 --> 00:07:41,061 ACROSS FROM WHERE THE FLAG WAS HUNG. 220 00:07:41,061 --> 00:07:42,793 FOOTAGE IS ON ITS WAY IN RIGHT NOW. 221 00:07:42,793 --> 00:07:46,597 (indistinct conversations continue) 222 00:07:46,597 --> 00:07:47,898 IS SHE OKAY? 223 00:07:50,040 --> 00:07:51,101 NO. YOU DON'T UNDERSTAND. 224 00:07:51,101 --> 00:07:54,545 I NEED TO BE OKAY. 225 00:07:54,545 --> 00:07:56,507 THAT'S NOT ALWAYS A CHOICE, KATE. 226 00:07:56,507 --> 00:07:59,109 WHAT YOU'RE DESCRIBING, A HYPERVIGILANCE, 227 00:07:59,109 --> 00:08:01,782 IT'S A CLASSIC SYMPTOM OF POST-TRAUMATIC STRESS DISORDER. 228 00:08:01,782 --> 00:08:03,183 I DON'T HAVE P.T.S.D. 229 00:08:03,183 --> 00:08:05,516 YOU WERE SHOT BY A SNIPER. 230 00:08:05,516 --> 00:08:06,857 I THINK IT'S FAIR TO SAY, 231 00:08:06,857 --> 00:08:09,019 THIS CASE IS GOING TO BRING UP ISSUES, 232 00:08:09,019 --> 00:08:10,190 ISSUES YOU STILL HAVEN'T DEALT WITH. 233 00:08:10,190 --> 00:08:11,922 OKAY, THEN FINE. I'LL DEAL WITH THEM. 234 00:08:11,922 --> 00:08:14,795 RIGHT NOW I NEED TO FIGURE OUT HOW TO MAKE THIS STOP. 235 00:08:14,795 --> 00:08:16,797 IT'S NOT GOING TO STOP, 236 00:08:16,797 --> 00:08:19,169 NOT WITHOUT TIME AND TREATMENT. 237 00:08:19,169 --> 00:08:21,271 THE PSYCHOLOGICAL TRAUMA IS EVERY BIT AS REAL 238 00:08:21,271 --> 00:08:23,173 AS THE PHYSICAL TRAUMA. 239 00:08:23,173 --> 00:08:25,736 LISTEN, PEOPLE ARE DYING OUT THERE. 240 00:08:25,736 --> 00:08:28,539 I DON'T HAVE TIME TO GET ALL WEEPY OVER A COUPLE OF SCARS. 241 00:08:28,539 --> 00:08:31,582 OKAY. SO WHAT'S THE ALTERNATIVE, 242 00:08:31,582 --> 00:08:34,945 WALKING AROUND FEELING LIKE YOU HAVE CROSSHAIRS ON YOUR BACK, 243 00:08:34,945 --> 00:08:37,648 THINKING EVERY GLINT OFF A WINDOW IS A SNIPER'S SCOPE? 244 00:08:37,648 --> 00:08:39,550 LOOK, THERE'S GOTTA BE A PILL OUT THERE 245 00:08:39,550 --> 00:08:40,691 OR SOMETHING, RIGHT? 246 00:08:40,691 --> 00:08:41,892 SOMETHING TO TAKE THE EDGE OFF. 247 00:08:41,892 --> 00:08:44,054 MEDICATION CAN HELP... 248 00:08:44,054 --> 00:08:45,525 BUT NOT RIGHT AWAY. 249 00:08:45,525 --> 00:08:46,697 WELL, THEN WHAT? 250 00:08:46,697 --> 00:08:47,958 WELL, FOR ONE, 251 00:08:47,958 --> 00:08:51,161 I THINK YOU SHOULD CONSIDER STEPPING AWAY FROM THE CASE. 252 00:08:51,161 --> 00:08:53,163 YOU DON'T THINK I CAN HANDLE THIS? 253 00:08:53,163 --> 00:08:54,635 I'M SAYING... 254 00:08:54,635 --> 00:08:56,036 YOU DON'T HAVE TO. 255 00:08:56,036 --> 00:08:58,969 YOU'RE NOT THE ONLY COP IN THE CITY, KATE. 256 00:09:03,143 --> 00:09:04,745 OKAY. 257 00:09:04,745 --> 00:09:06,046 THEN YOU KNOW WHAT? 258 00:09:06,046 --> 00:09:08,078 I'M FINE. 259 00:09:09,119 --> 00:09:10,681 THANK YOU. 260 00:09:11,852 --> 00:09:14,054 HOW WORRIED SHOULD I BE ABOUT BECKETT? 261 00:09:14,054 --> 00:09:17,658 SHE'S NEVER SNAPPED AT ME LIKE THAT BEFORE. 262 00:09:17,658 --> 00:09:18,759 AND MEANT IT. 263 00:09:18,759 --> 00:09:19,990 HELL, IT WAS BAD FOR ME WHEN I CAME BACK, 264 00:09:19,990 --> 00:09:21,131 AND I NEVER TOOK A BULLET. 265 00:09:21,131 --> 00:09:22,633 WELL, AT LEAST SHE DOESN'T REMEMBER IT. 266 00:09:22,633 --> 00:09:24,735 OR SHE DOESN'T WANT TO REMEMBER. 267 00:09:24,735 --> 00:09:26,767 A THING LIKE THAT, IT'S EASIER TO JUST KEEP IN A BOX. 268 00:09:26,767 --> 00:09:29,600 BUT THIS CASE MIGHT BUST THAT BOX OPEN. 269 00:09:29,600 --> 00:09:30,671 SO WHAT CAN WE DO? 270 00:09:30,671 --> 00:09:32,773 CATCH THE SHOOTER. HE'S RIGHT. 271 00:09:32,773 --> 00:09:34,805 BEST THING FOR EVERYONE, BECKETT INCLUDED. 272 00:09:34,805 --> 00:09:35,876 IN THE MEANTIME, JUST GIVE HER SPACE 273 00:09:35,876 --> 00:09:38,278 AND DON'T TAKE IT PERSONALLY. 274 00:09:38,278 --> 00:09:41,612 (video plays without audio) 275 00:09:41,612 --> 00:09:42,613 HEY, GUYS, CHECK THIS OUT. 276 00:09:42,613 --> 00:09:44,685 THIS IS 2 DAYS AGO AT 4:30 P.M. 277 00:09:46,787 --> 00:09:49,820 HE PLANTED THE FLAG. HE'S GOTTA BE OUR SHOOTER. 278 00:09:49,820 --> 00:09:51,662 HE KNOWS WHERE THE CAMERA IS. 279 00:09:51,662 --> 00:09:52,893 THAT'S WHY HE KEEPS HIS FACE COVERED. 280 00:09:52,893 --> 00:09:54,164 WHY CHOOSE THIS STREET? 281 00:09:54,164 --> 00:09:56,096 WHY NOT PICK A PLACE WITHOUT ANY SECURITY CAMERAS? 282 00:09:56,096 --> 00:09:57,898 'CAUSE HE'S STRAIGHT UP TAUNTING US. 283 00:09:57,898 --> 00:09:59,199 (clicks and beeps) 284 00:10:02,172 --> 00:10:04,835 I'LL RUN THIS PHOTO BY VICTIMS' COWORKERS AND FRIENDS, 285 00:10:04,835 --> 00:10:06,136 SEE IF ANYONE RECOGNIZES HIM. 286 00:10:06,136 --> 00:10:08,709 HE IS NOT GONNA MAKE IT EASY FOR US TO CATCH HIM, IS HE? 287 00:10:08,709 --> 00:10:11,211 NO. HE'S SMART AND HE'S PATIENT. 288 00:10:11,211 --> 00:10:13,083 (cell phone rings) THAT'S PART OF A SNIPER'S D.N.A. 289 00:10:13,083 --> 00:10:15,045 (beeps) YEAH. 290 00:10:15,045 --> 00:10:16,316 DON'T GO IN. 291 00:10:16,316 --> 00:10:17,918 CALL C.S.U. I'LL BE THERE IN TEN. (beep) 292 00:10:17,918 --> 00:10:19,049 UNIFORM JUST FOUND WHERE THE SNIPER 293 00:10:19,049 --> 00:10:21,652 SHOT HENRY WYATT FROM. 294 00:10:29,930 --> 00:10:32,332 YEP. 295 00:10:32,332 --> 00:10:34,665 THERE'S THE CRIME SCENE. 296 00:10:37,207 --> 00:10:38,669 600 YARDS. 297 00:10:38,669 --> 00:10:40,010 WORLD-CLASS SHOT. 298 00:10:40,010 --> 00:10:42,142 BUT IT'S ALL WRONG. WHAT DO YOU MEAN? 299 00:10:42,142 --> 00:10:43,974 THE VIEW OF THE KILL ZONE IS PARTIALLY OBSTRUCTED 300 00:10:43,974 --> 00:10:45,245 BY THAT TREE. 301 00:10:45,245 --> 00:10:46,817 A BETTER SHOT WOULD'VE BEEN FROM THE ROOF. 302 00:10:46,817 --> 00:10:48,348 OUR BOY WOULD KNOW THAT. 303 00:10:48,348 --> 00:10:49,820 SO WHY WOULDN'T HE TAKE THE SHOT FROM UP THERE? 304 00:10:49,820 --> 00:10:51,281 IT'S POSSIBLE HE WAS WORRIED ABOUT BEING SEEN 305 00:10:51,281 --> 00:10:54,424 BY SOMEONE IN A TALLER BUILDING OR A PASSING HELICOPTER. 306 00:10:58,689 --> 00:10:59,690 WHAT'S THAT? 307 00:10:59,690 --> 00:11:00,761 A PAPER DOLL. 308 00:11:00,761 --> 00:11:02,662 THINK MAYBE IT WAS LEFT BY THE SNIPER? 309 00:11:02,662 --> 00:11:03,764 OR... 310 00:11:03,764 --> 00:11:06,867 ONE OF THE WORKMEN'S KIDS. 311 00:11:06,867 --> 00:11:08,939 SO THE SNIPER TOOK THE SHOT FROM THIS WINDOW. 312 00:11:08,939 --> 00:11:10,270 NO. 313 00:11:10,270 --> 00:11:12,202 HE WOULD'VE WANTED TO BE INVISIBLE FROM THE STREET. 314 00:11:12,202 --> 00:11:14,204 HE'D HAVE TAKEN THE SHOT FROM... 315 00:11:14,204 --> 00:11:16,707 RIGHT HERE. 316 00:11:18,148 --> 00:11:20,811 HE TOOK HIS TIME... 317 00:11:20,811 --> 00:11:22,713 TO SPOT THAT FLAG. 318 00:11:24,014 --> 00:11:26,156 ADJUSTED FOR WIND. 319 00:11:26,156 --> 00:11:28,989 ACQUIRED HIS TARGET. 320 00:11:28,989 --> 00:11:30,020 BAM. 321 00:11:30,020 --> 00:11:31,021 (gunshot, shell casing clatters) 322 00:11:31,021 --> 00:11:32,723 THE SHELL CASING. 323 00:11:32,723 --> 00:11:34,194 IT WOULD'VE EJECTED TO THE RIGHT. 324 00:11:44,935 --> 00:11:48,939 (panting) 325 00:11:52,813 --> 00:11:54,284 (elevator bell dings) 326 00:11:54,284 --> 00:11:56,146 (doors open) 327 00:11:56,146 --> 00:11:58,018 (indistinct conversations) 328 00:11:58,018 --> 00:12:00,420 SORRY. SORRY. 329 00:12:00,420 --> 00:12:04,154 (indistinct conversations continue) 330 00:12:04,154 --> 00:12:05,295 (sound distorts) 331 00:12:05,295 --> 00:12:06,827 (grunts) SORRY. 332 00:12:06,827 --> 00:12:08,228 (indistinct conversations continue) 333 00:12:08,228 --> 00:12:10,130 HEY. WHERE HAVE YOU BEEN? I CALLED YOU. 334 00:12:10,130 --> 00:12:12,132 (sound normalizes) UH, YEAH, MY PHONE'S OFF. WHAT'S--WHAT'S UP? 335 00:12:12,132 --> 00:12:14,805 SHELL CASING FROM THE WYATT SNIPER HIDE HAD A PRINT ON IT. 336 00:12:14,805 --> 00:12:16,066 WE JUST MATCHED IT TO A FORMER SPECIAL FORCES SNIPER 337 00:12:16,066 --> 00:12:17,337 NAMED MARCUS FORD. 338 00:12:17,337 --> 00:12:19,039 JUST WENT THROUGH A BITTER DIVORCE-- 339 00:12:19,039 --> 00:12:20,740 TEXTBOOK TRIGGER FOR THAT KIND OF VIOLENCE. 340 00:12:20,740 --> 00:12:22,342 (elevator bell dings) FORD RUNS A SHOOTING RANGE IN LONG ISLAND. 341 00:12:22,342 --> 00:12:24,214 STATE POLICE HAVE A TACTICAL TEAM 342 00:12:24,214 --> 00:12:25,515 ON THE WAY TO MEET US THERE NOW. 343 00:12:25,515 --> 00:12:28,779 (sounds distort) 344 00:12:28,779 --> 00:12:30,450 UH, MAYBE, UH, 345 00:12:30,450 --> 00:12:32,322 IT WOULD BE A GOOD IDEA IF WE HUNG BACK HERE? 346 00:12:32,322 --> 00:12:34,825 WE'LL STUDY UP ON FORD, JUST PREP FOR THE INTERROGATION. 347 00:12:34,825 --> 00:12:36,456 YEAH, THAT'S A GOOD IDEA. WE GOT IT COVERED. 348 00:12:36,456 --> 00:12:38,889 YEAH, OKAY. 349 00:12:40,060 --> 00:12:41,331 (elevator bell dings) 350 00:12:41,331 --> 00:12:42,893 (whispers) THANK YOU. 351 00:12:48,198 --> 00:12:49,399 OUR OFFICERS FOUND A WHOLE ARSENAL 352 00:12:49,399 --> 00:12:50,971 AT YOUR SHOOTING RANGE, MR. FORD. 353 00:12:50,971 --> 00:12:52,102 LAST TIME I CHECKED, 354 00:12:52,102 --> 00:12:53,473 I STILL HAVE THE RIGHT TO BEAR ARMS. 355 00:12:53,473 --> 00:12:55,375 YEAH, WELL, YOU SHOULD KNOW THAT BALLISTICS 356 00:12:55,375 --> 00:12:56,506 IS TESTING YOUR RIFLES. 357 00:12:56,506 --> 00:12:58,278 HAVE AT IT. I DIDN'T SHOOT ANYONE. 358 00:12:58,278 --> 00:13:00,811 WELL, THAT'S NOT EXACTLY TRUE, IS IT? 359 00:13:00,811 --> 00:13:03,553 ACCORDING TO YOUR MILITARY RECORD, 360 00:13:03,553 --> 00:13:06,016 YOU HAVE 92 CONFIRMED KILLS. SO? 361 00:13:06,016 --> 00:13:07,888 YOU LOOKIN' TO MAKE IT AN EVEN HUNDRED? 362 00:13:07,888 --> 00:13:09,990 WHAT'S IT LIKE TO LOOK THROUGH THE SCOPE, 363 00:13:09,990 --> 00:13:11,561 TO PLAY GOD? 364 00:13:11,561 --> 00:13:13,263 HOW DO YOU FEEL WHEN YOU PULL THAT TRIGGER 365 00:13:13,263 --> 00:13:15,325 AND YOU DESTROY SOMEONE'S LIFE? 366 00:13:15,325 --> 00:13:18,128 ITT'S NONE OF YOUR DAMN BUSINESS IS HOW IT FEELS. 367 00:13:18,128 --> 00:13:19,529 YOU KNOW WHAT I THINK? 368 00:13:19,529 --> 00:13:21,001 I THINK THAT YOU SHOULD BE ON THE OTHER SIDE OF THAT BARREL. 369 00:13:21,001 --> 00:13:22,472 IS THAT A THREAT? ARE YOU THREATENING ME? 370 00:13:22,472 --> 00:13:25,075 WHAT ARE THOSE PEOPLE? ARE THEY JUST PAPER TARGETS TO YOU? 371 00:13:25,075 --> 00:13:28,438 DO YOU EVEN THINK ABOUT THE PAIN THAT YOU'VE CAUSED, 372 00:13:28,438 --> 00:13:31,281 ABOUT THE FAMILIES THAT YOU LEAVE BEHIND? 373 00:13:31,281 --> 00:13:33,984 EVERY LIFE I EVER TOOK SAVED ONE OF OURS! 374 00:13:33,984 --> 00:13:36,386 LIKE HELL IT DID! YOU KNOW WHAT I THINK? 375 00:13:36,386 --> 00:13:38,488 I THINK THAT YOU LIKED IT. 376 00:13:38,488 --> 00:13:41,151 I THINK THAT YOU COULDN'T WAIT TO KILL AGAIN. 377 00:13:41,151 --> 00:13:42,422 YOU'RE OUTTA YOUR MIND, LADY. 378 00:13:42,422 --> 00:13:44,294 WE FOUND YOUR PRINT ON A SHELL CASING LEFT BY THE SNIPER. 379 00:13:44,294 --> 00:13:45,555 THAT'S IMPOSSIBLE. 380 00:13:45,555 --> 00:13:47,898 THATIS A LIE. 381 00:13:47,898 --> 00:13:49,499 I HAVE NOTHING LEFT TO SAY. 382 00:13:49,499 --> 00:13:52,232 I KNOW MY RIGHTS. 383 00:13:52,232 --> 00:13:54,364 (indistinct conversations) 384 00:13:54,364 --> 00:13:57,007 NONE OF FORD'S WEAPONS ARE A MATCH. 385 00:13:57,007 --> 00:13:58,438 SO? THAT DOESN'T MEAN HE'S NOT THE SNIPER. 386 00:13:58,438 --> 00:14:00,040 HE COULD'VE HIDDEN THE RIFLE. 387 00:14:00,040 --> 00:14:01,541 FORD'S NOT OUR MAN. 388 00:14:01,541 --> 00:14:03,513 HIS ALIBIS FOR BOTH SHOOTINGS ARE SOLID. 389 00:14:03,513 --> 00:14:04,875 ARE YOU SURE? 390 00:14:04,875 --> 00:14:07,147 I THINK I KNOW HOW TO CHECK AN ALIBI, DETECTIVE. 391 00:14:07,147 --> 00:14:08,448 (Castle) WELL, IF HE'S NOT OUR MAN, 392 00:14:08,448 --> 00:14:10,420 HOW THE HELL DID HIS FINGERPRINT GET ON THAT SHELL CASING? 393 00:14:10,420 --> 00:14:11,551 COULD BE A RELOAD. 394 00:14:11,551 --> 00:14:12,983 IT'S EASY ENOUGH TO LOAD A NEW BULLET 395 00:14:12,983 --> 00:14:15,125 INTO AN EMPTY SHELL CASING LIKE THE ONE WE FOUND. 396 00:14:15,125 --> 00:14:16,256 ALL YOU NEED IS THE RIGHT EQUIPMENT. 397 00:14:16,256 --> 00:14:17,327 WHICH MEANS OUR SNIPER 398 00:14:17,327 --> 00:14:18,328 IS A CLIENT AT FORD'S SHOOTING RANGE. 399 00:14:18,328 --> 00:14:21,131 GO BACK IN THERE AND GET HIS HELP. 400 00:14:21,131 --> 00:14:23,994 (paper rustles) 401 00:14:23,994 --> 00:14:25,435 HE'S NOT GONNA WANT TO TALK TO US 402 00:14:25,435 --> 00:14:26,897 AFTER THE WAY YOU WENT AFTER HIM. 403 00:14:26,897 --> 00:14:28,168 SO WHAT ARE YOU TRYING TO SAY, THAT I SCREWED UP? 404 00:14:28,168 --> 00:14:29,169 NO, UM-- 405 00:14:29,169 --> 00:14:30,470 I THINK WHAT HE'S SAYING IS THAT 406 00:14:30,470 --> 00:14:31,601 YOU PLAYED BAD COP. 407 00:14:31,601 --> 00:14:33,003 AND NOW WE'LL GET MORE OUT OF FORD 408 00:14:33,003 --> 00:14:35,475 IF I GO IN AND PLAY GOOD COP. 409 00:14:38,909 --> 00:14:41,411 OKAY, FINE. 410 00:14:41,411 --> 00:14:43,483 (paper rustles) 411 00:14:43,483 --> 00:14:47,057 MAYBE FORD CAN GET US WHAT WE NEED TO NAIL THIS GUY. 412 00:14:47,057 --> 00:14:48,919 (indistinct conversations continue) 413 00:14:48,919 --> 00:14:52,062 MR. FORD, MY APOLOGIES. 414 00:14:52,062 --> 00:14:55,065 (heart beating) 415 00:14:55,065 --> 00:14:57,667 (indistinct conversations) 416 00:14:57,667 --> 00:15:01,001 (heart beating faster) 417 00:15:01,001 --> 00:15:04,374 (heart pounding) 418 00:15:04,374 --> 00:15:05,405 (man) GUN! 419 00:15:05,405 --> 00:15:07,407 (gunshot) 420 00:15:07,407 --> 00:15:09,479 (distorted sounds) 421 00:15:09,479 --> 00:15:10,480 (gunshot) 422 00:15:10,480 --> 00:15:12,082 (Castle) KATE! (gunshot) 423 00:15:12,082 --> 00:15:13,083 (distorted sounds continue) 424 00:15:13,083 --> 00:15:14,214 (Castle) BECKETT. 425 00:15:14,214 --> 00:15:16,947 (sound normalizes) COFFEE? 426 00:15:16,947 --> 00:15:18,318 NO. NO, THANKS. 427 00:15:18,318 --> 00:15:20,920 IT'S DECAF. LOOK-- 428 00:15:20,920 --> 00:15:21,921 CASTLE, I'M FINE. 429 00:15:21,921 --> 00:15:23,053 RIGHT, BUT-- NO, REALLY. 430 00:15:23,053 --> 00:15:24,224 I'M FINE. WHAT'S IN THE FOLDER? 431 00:15:24,224 --> 00:15:26,496 C.S.U. REPORT ON THE PAPER DOLL. 432 00:15:26,496 --> 00:15:28,498 THIS WAS NOT MADE BY A KID. 433 00:15:28,498 --> 00:15:31,301 IT WAS CUT OUT VERY PRECISELY WITH AN X-ACTO KNIFE. 434 00:15:31,301 --> 00:15:33,303 OUT OF WHAT, A MAGAZINE? 435 00:15:33,303 --> 00:15:35,235 NO, THE PAPER STOCK IS TOO HEAVY, 436 00:15:35,235 --> 00:15:36,706 AND GIVEN THERE'S NOTHING PRINTED ON THE BACK, 437 00:15:36,706 --> 00:15:39,369 IT'S PROBABLY FROM SOME HIGH-END COFFEE TABLE BOOK OF SOME KIND. 438 00:15:39,369 --> 00:15:41,111 MY GUESS-- A BOOK OF PAINTINGS. 439 00:15:41,111 --> 00:15:43,113 IF YOU LOOK CLOSELY, YOU CAN SEE BRUSH STROKES. 440 00:15:43,113 --> 00:15:45,175 I THINK THE SNIPER LEFT THAT. 441 00:15:45,175 --> 00:15:46,546 WHY WOULD HE DO THAT? 442 00:15:46,546 --> 00:15:47,547 THAT MUCH I DON'T KNOW. 443 00:15:47,547 --> 00:15:49,119 YO. 444 00:15:49,119 --> 00:15:50,550 MARCUS FORD WAS NO HELP. 445 00:15:50,550 --> 00:15:52,152 HE COULDN'T I.D. THE GUY IN THE VIDEO. 446 00:15:52,152 --> 00:15:53,523 WE'RE PULLING HIS CREDIT CARD RECEIPTS, 447 00:15:53,523 --> 00:15:55,485 BUT HE SAYS THAT THE SHOOTING RANGE IS MOSTLY A CASH BUSINESS. 448 00:15:55,485 --> 00:15:56,987 (cell phone rings) 449 00:15:56,987 --> 00:15:57,988 (beeps) 450 00:15:57,988 --> 00:15:59,189 BECKETT. 451 00:15:59,189 --> 00:16:00,730 WHERE? 452 00:16:00,730 --> 00:16:02,132 OKAY. WE'RE ON OUR WAY. 453 00:16:02,132 --> 00:16:03,133 (beep) 454 00:16:03,133 --> 00:16:04,394 RYAN FOUND THE BUILDING 455 00:16:04,394 --> 00:16:06,466 THE SNIPER SHOT SARAH VASQUEZ FROM. 456 00:16:09,269 --> 00:16:11,271 THE SUPER RECOGNIZED THE JACKET FROM THE PHOTO, 457 00:16:11,271 --> 00:16:13,343 SAID HE'D BEEN HANGING AROUND THE BUILDING. 458 00:16:13,343 --> 00:16:15,345 HOW DO WE KNOW HE WAS IN THIS ROOM? 459 00:16:15,345 --> 00:16:17,577 BECAUSE WE FOUND ANOTHER ONE OF THESE. 460 00:16:19,679 --> 00:16:23,013 THIS IS IT. HE SHOT SARAH VASQUEZ FROM RIGHT HERE. 461 00:16:23,013 --> 00:16:24,214 THIS IS DIFFERENT FROM THE FIRST ONE. 462 00:16:24,214 --> 00:16:26,156 IT MUST BE FROM A DIFFERENT PAINTING. 463 00:16:26,156 --> 00:16:27,557 THEY'VE GOTTA MEAN SOMETHING. 464 00:16:27,557 --> 00:16:29,419 YEAH, LIKE WHAT? WHAT'S IT POSSIBLY GONNA MEAN? 465 00:16:29,419 --> 00:16:31,021 I DON'T KNOW, BUT HE'S LEAVING 'EM FOR A REASON. 466 00:16:31,021 --> 00:16:32,762 YEAH, HE'S SCREWING WITH US. 467 00:16:32,762 --> 00:16:35,265 HE'S JUST TAUNTING US AND TRYING TO MAKE US LOOK LIKE IDIOTS. 468 00:16:37,297 --> 00:16:39,029 HEY. 469 00:16:39,029 --> 00:16:41,301 WE'LL FIGURE IT OUT, OKAY? 470 00:16:43,303 --> 00:16:46,005 FOUND SOMETHING. 471 00:16:46,005 --> 00:16:47,307 MOLESKIN. 472 00:16:47,307 --> 00:16:49,179 HARD-CORE MILITARY SNIPERS PUT IT 473 00:16:49,179 --> 00:16:50,580 ON THE STOCKS OF THEIR WEAPONS TO ABSORB SWEAT 474 00:16:50,580 --> 00:16:52,382 SO THEIR RIFLES DON'T SLIP. 475 00:16:52,382 --> 00:16:54,013 IF THERE'S SWEAT, WE CAN GET D.N.A. 476 00:16:54,013 --> 00:16:55,014 YEAH. 477 00:16:55,014 --> 00:16:56,186 ALL RIGHT, GO. 478 00:16:59,189 --> 00:17:01,791 THIS IS WHERE IT ALL STARTED. 479 00:17:01,791 --> 00:17:04,524 HE PULLED THAT TRIGGER RIGHT IN THIS ROOM. 480 00:17:06,196 --> 00:17:08,198 ONE SECOND, SARAH VASQUEZ IS ALIVE 481 00:17:08,198 --> 00:17:11,331 AND DREAMING OF THE PERFECT WEDDING, 482 00:17:11,331 --> 00:17:13,603 AND THEN SHE ISN'T. 483 00:17:15,505 --> 00:17:17,337 KATE... 484 00:17:17,337 --> 00:17:19,339 YOU KNOW HE SAW HER FACE WHEN HE KILLED HER? 485 00:17:19,339 --> 00:17:20,770 PEOPLE ALWAYS THINK 486 00:17:20,770 --> 00:17:23,743 THAT SNIPERS ARE SO REMOVED FROM THEIR TARGETS. 487 00:17:23,743 --> 00:17:26,076 BUT HE WASN'T. HE IS AS CLOSE AS WE ARE RIGHT NOW, 488 00:17:26,076 --> 00:17:27,677 LOOKING THROUGH THAT SCOPE. 489 00:17:27,677 --> 00:17:30,150 WE'RE GONNA CATCH THIS GUY. 490 00:17:30,150 --> 00:17:33,223 YEAH. LIKE WE CAUGHT THE GUY THAT SHOT ME. 491 00:17:37,087 --> 00:17:40,290 (liquid trickle echoes) 492 00:17:40,290 --> 00:17:41,431 (glass clatter echoes) 493 00:17:45,095 --> 00:17:46,096 (gunshot) 494 00:17:46,096 --> 00:17:47,367 AAH! (glass shatters) 495 00:17:47,367 --> 00:17:48,768 (table clatters) AAH! 496 00:17:48,768 --> 00:17:51,601 (voices shouting indistinctly) OH! 497 00:17:51,601 --> 00:17:52,602 (monitor emits continuous tone) 498 00:17:52,602 --> 00:17:54,504 OH! (clatters) 499 00:17:54,504 --> 00:17:56,506 (voices continue shouting indistinctly) 500 00:17:56,506 --> 00:17:57,777 (grunts) 501 00:17:57,777 --> 00:17:59,379 (grunt) 502 00:17:59,379 --> 00:18:00,510 (groans and grunts) 503 00:18:00,510 --> 00:18:03,513 (voices continue shouting indistinctly) 504 00:18:09,359 --> 00:18:10,490 OH, DARLING. 505 00:18:10,490 --> 00:18:12,322 I HOPE YOU HAVEN'T BEEN UP ALL NIGHT. 506 00:18:12,322 --> 00:18:13,593 AH, I COULDN'T SLEEP. 507 00:18:13,593 --> 00:18:15,465 TWO DAYS, TWO PEOPLE DEAD-- 508 00:18:15,465 --> 00:18:17,727 SOMEONE OUT THERE IS WAKING UP 509 00:18:17,727 --> 00:18:19,499 NOT KNOWING THEY'RE GONNA BE MURDER NUMBER THREE. 510 00:18:19,499 --> 00:18:21,771 I THINK I JUST DECIDED TO SKIP SCHOOL TODAY. 511 00:18:21,771 --> 00:18:23,433 ACTUALLY, I THINK YOU'RE BOTH 512 00:18:23,433 --> 00:18:25,305 UNDER HOUSE ARREST UNTIL WE CATCH THIS GUY. 513 00:18:25,305 --> 00:18:27,477 OH, I CAN ONLY IMAGINE HOW THIS SNIPER 514 00:18:27,477 --> 00:18:28,738 MUST BE AFFECTING BECKETT. 515 00:18:28,738 --> 00:18:30,510 SHE SAYS SHE'S FINE... (mouths word) 516 00:18:30,510 --> 00:18:32,282 SO WHAT ARE YOU GONNA DO? 517 00:18:32,282 --> 00:18:34,284 THE ONLY THING I CAN DO-- 518 00:18:34,284 --> 00:18:36,546 TRY TO FIGURE OUT WHY HE'S LEAVING THESE DAMN DOLLS BEHIND. 519 00:18:36,546 --> 00:18:38,288 IF I COULD JUST FIGURE OUT WHAT PAINTING THEY'RE FROM. 520 00:18:38,288 --> 00:18:39,619 LET ME SEE. 521 00:18:45,825 --> 00:18:48,158 CHIAROSCURO. 522 00:18:48,158 --> 00:18:49,729 YOU RECOGNIZE THAT? 523 00:18:49,729 --> 00:18:50,860 IT'S A STYLE OF PAINTING 524 00:18:50,860 --> 00:18:52,302 THAT WAS INVENTED DURING THE RENAISSANCE, 525 00:18:52,302 --> 00:18:54,634 EXEMPLIFIED BY STRONG CONTRAST BETWEEN LIGHT AND DARK. 526 00:18:54,634 --> 00:18:56,236 WE LEARNED ABOUT IT IN ART HISTORY. 527 00:18:56,236 --> 00:18:58,638 TRY LOOKING UP CARAVAGGIO 528 00:18:58,638 --> 00:18:59,769 OR PETRAZANO. 529 00:18:59,769 --> 00:19:00,910 (clicks keyboard keys) 530 00:19:00,910 --> 00:19:03,243 CAN I JUST SAY, THIS SCHOOL OF YOURS 531 00:19:03,243 --> 00:19:05,645 IS WORTH EVERY PENNY I PAID? 532 00:19:05,645 --> 00:19:07,777 HEY, THIS MIGHT BE IT. 533 00:19:07,777 --> 00:19:08,778 (computer beeps) 534 00:19:08,778 --> 00:19:10,520 PETRAZANO. 535 00:19:10,520 --> 00:19:12,852 "THE PERSECUTION OF KINGS." 536 00:19:14,284 --> 00:19:17,827 (indistinct conversations) 537 00:19:26,566 --> 00:19:28,268 (computer chirps) 538 00:19:31,941 --> 00:19:34,344 (Ryan) BECKETT. 539 00:19:34,344 --> 00:19:36,706 D.N.A. ON THE MOLESKIN WAS A BUST. 540 00:19:36,706 --> 00:19:38,848 (Gates) RYAN, YOU GOT RESULTS? 541 00:19:38,848 --> 00:19:40,580 THERE WERE NO MATCHES IN THE CODIS DATABASE. 542 00:19:40,580 --> 00:19:42,181 THE BEST THE LAB WAS ABLE TO DO WAS D.N.A. PHENOTYPE, 543 00:19:42,181 --> 00:19:43,813 AND THEY SAY THEY THINK OUR SNIPER 544 00:19:43,813 --> 00:19:45,955 IS A MALE WITH LIGHT HAIR AND BROWN EYES, 545 00:19:45,955 --> 00:19:49,259 BUT THAT STILL LEAVES US WITH OVER 200 SUSPECTS ON OUR LIST. 546 00:19:49,259 --> 00:19:50,660 I WOULDN'T CUT DOWN THE LIST YET. 547 00:19:50,660 --> 00:19:52,692 GIVEN WHAT WE WENT THROUGH WITH THE SHELL CASING, 548 00:19:52,692 --> 00:19:54,193 THERE'S A CHANCE THE MOLESKIN'S NOT EVEN HIS. 549 00:19:54,193 --> 00:19:55,425 (elevator bell dings) 550 00:19:55,425 --> 00:19:57,667 I KNOW WHAT THE PAPER DOLLS MEAN. 551 00:19:57,667 --> 00:20:00,400 MR. CASTLE, NOW IS NOT THE TIME FOR YOUR THEATRICS. 552 00:20:00,400 --> 00:20:03,303 CAPTAIN, JUST LISTEN. THE PAPER DOLLS ARE PREDICTIVE. 553 00:20:03,303 --> 00:20:04,974 THE DOLLS ARE CUT OUT OF PAINTINGS 554 00:20:04,974 --> 00:20:07,977 THAT LITERALLY TELL US THE LOCATION OF THE NEXT TARGET. 555 00:20:07,977 --> 00:20:09,539 THE ONE THAT WE FOUND AT THE FIRST SHOOTING, 556 00:20:09,539 --> 00:20:11,981 IT COMES FROM A PAINTING CALLED "THE PERSECUTION OF KINGS." 557 00:20:11,981 --> 00:20:14,714 HENRY WYATT WAS KILLED ON KING STREET. EXACTLY. 558 00:20:14,714 --> 00:20:16,416 THE ONE WE FOUND IN THE HIDE OF THE SECOND SHOOTING, 559 00:20:16,416 --> 00:20:17,947 THAT'S FROM A PAINTING CALLED "THE FALL FROM GRACE." 560 00:20:17,947 --> 00:20:19,449 THERE'S A GRACE AVENUE IN THE BRONX. 561 00:20:19,449 --> 00:20:22,221 GRACE CHURCH IS ON... 10th STREET AND 4th AVENUE. 562 00:20:22,221 --> 00:20:24,223 AND THERE'S ABOUT A DOZEN OTHER POSSIBILITIES. 563 00:20:24,223 --> 00:20:26,326 IF WE CAN NARROW IT DOWN... (telephone rings) 564 00:20:26,326 --> 00:20:28,858 WE MIGHT BE ABLE TO STOP HIM FROM... (multiple telephones ringing) 565 00:20:28,858 --> 00:20:30,360 (additional telephones ringing) 566 00:20:30,360 --> 00:20:32,001 (man) PICK-UP DESK. HOLD, PLEASE. 567 00:20:32,001 --> 00:20:35,605 (telephones continue ringing) 568 00:20:35,605 --> 00:20:37,737 (sound distorts) 569 00:20:37,737 --> 00:20:40,840 (people speaking indistinctly) 570 00:20:47,447 --> 00:20:48,778 (Castle) BECKETT. GRACE. 571 00:20:48,778 --> 00:20:50,019 BECKETT! 572 00:20:50,019 --> 00:20:52,852 (woman) I DON'T KNOW WHERE IT'S COMING FROM! 573 00:20:52,852 --> 00:20:54,984 (sirens wailing) 574 00:20:54,984 --> 00:20:56,756 (people speaking indistinctly) 575 00:20:58,688 --> 00:21:00,290 (woman) RIGHT THIS WAY. 576 00:21:00,290 --> 00:21:01,531 HOW MANY PEOPLE ARE DEAD? 577 00:21:01,531 --> 00:21:02,662 (man) NONE. THANK GOD. 578 00:21:02,662 --> 00:21:03,763 YEAH, SNIPER OPENED FIRE 579 00:21:03,763 --> 00:21:05,295 THROUGH THE WINDOW OF A CONFERENCE ROOM, 580 00:21:05,295 --> 00:21:06,866 ON THE 15th FLOOR. IS ANYONE ELSE INJURED? 581 00:21:06,866 --> 00:21:07,997 NO, JUST HER. 582 00:21:07,997 --> 00:21:09,769 HER NAME IS EMILY REESE, AND HE ONLY SHOT AT HER. 583 00:21:09,769 --> 00:21:12,001 EMILY, MY NAME IS DETECTIVE KATE BECKETT. 584 00:21:12,001 --> 00:21:13,803 I NEED YOU TO TELL ME WHAT HAPPENED. 585 00:21:13,803 --> 00:21:15,405 (crying) WHY ME? 586 00:21:15,405 --> 00:21:17,377 WHAT DID I DO? 587 00:21:17,377 --> 00:21:18,908 WHY IS SOMEBODY TRYING TO KILL ME. 588 00:21:18,908 --> 00:21:21,951 EMILY, HAVE YOU SEEN ANYBODY WATCHING YOU LATELY? 589 00:21:21,951 --> 00:21:23,413 NO. I-I DON'T KNOW. I DON'T KNOW. 590 00:21:23,413 --> 00:21:24,814 WE GOTTA GET HER TO THE HOSPITAL. NO! 591 00:21:24,814 --> 00:21:26,986 DON'T LET THEM TAKE ME OUTSIDE. 592 00:21:26,986 --> 00:21:28,558 HE'S STILL OUT THERE. 593 00:21:28,558 --> 00:21:29,789 NO, YOU'RE GONNA BE OKAY, EMILY. 594 00:21:29,789 --> 00:21:31,721 PLEASE DON'T DO THIS. HE'S OUT THERE. 595 00:21:31,721 --> 00:21:32,722 HE'S GOING TO KILL ME. PLEASE. 596 00:21:32,722 --> 00:21:34,364 JUST GO. GET HER OUTTA HERE. NOW. GO. 597 00:21:34,364 --> 00:21:36,626 PLEASE. PLEASE, NO! 598 00:21:36,626 --> 00:21:37,867 (people speaking indistinctly) 599 00:21:37,867 --> 00:21:38,868 BECKETT. 600 00:21:38,868 --> 00:21:40,900 (panting) 601 00:21:40,900 --> 00:21:42,602 KATE. 602 00:21:42,602 --> 00:21:43,673 (grunts) 603 00:21:43,673 --> 00:21:45,304 (pants) 604 00:21:45,304 --> 00:21:46,636 (grunts) 605 00:21:47,877 --> 00:21:49,679 (groans and grunts) 606 00:21:49,679 --> 00:21:53,583 (panting) 607 00:21:53,583 --> 00:21:56,416 (sobs) 608 00:21:56,416 --> 00:21:59,419 (crying) 609 00:22:01,751 --> 00:22:03,823 (sobs) 610 00:22:07,026 --> 00:22:08,498 SHE'S SPINNING OUT OF CONTROL. 611 00:22:08,498 --> 00:22:10,500 SHE'S LOSING HER ABILITY TO COPE. 612 00:22:10,500 --> 00:22:12,562 (elevator bell dings) 613 00:22:12,562 --> 00:22:14,704 (indistinct conversations) 614 00:22:14,704 --> 00:22:16,766 (lowered voice) LOOK, SHE SHOULD NOT BE ON THIS CASE. 615 00:22:16,766 --> 00:22:19,338 WELL, SHE'S NOT JUST GONNA WALK AWAY. 616 00:22:19,338 --> 00:22:21,340 NO, SHE'S GONNA DRIVE HERSELF INTO THE GROUND. 617 00:22:21,340 --> 00:22:22,912 AND YOU'RE THE ONLY ONE WHO HAS ANY CLUE 618 00:22:22,912 --> 00:22:24,614 AS TO WHAT SHE'S GOING THROUGH. 619 00:22:24,614 --> 00:22:26,376 SO WHAT HELPED YOU? 620 00:22:26,376 --> 00:22:29,819 (indistinct conversations continue) 621 00:22:36,686 --> 00:22:38,888 ESPO, WHAT ARE WE DOING BACK HERE? 622 00:22:38,888 --> 00:22:41,891 I WANT TO SHOW YOU SOMETHING. 623 00:22:45,595 --> 00:22:47,637 WHAT IS THAT? 624 00:22:47,637 --> 00:22:49,669 THE RIFLE THAT SHOT YOU. 625 00:22:51,471 --> 00:22:53,443 YOU ARE WAY OUTTA LINE. 626 00:22:53,443 --> 00:22:54,574 JUST LOOK AT IT. 627 00:22:54,574 --> 00:22:56,606 (voice breaking) NO. WHAT THE HELL ARE YOU DOING? 628 00:22:56,606 --> 00:22:59,709 I'VE BEEN WHERE YOU ARE. I KNOW WHAT YOU'RE GOING THROUGH. 629 00:22:59,709 --> 00:23:01,611 JAVI, I'M FINE. 630 00:23:01,611 --> 00:23:02,752 YOU'RE NOT FINE. 631 00:23:02,752 --> 00:23:05,384 YOU'RE JUST TRYING TO ACT LIKE YOU ARE. 632 00:23:05,384 --> 00:23:08,157 THIS IS JUST A TOOL. 633 00:23:10,019 --> 00:23:11,661 IT'S A HUNK OF STEEL. 634 00:23:11,661 --> 00:23:13,122 IT HAS NO MAGICAL POWERS, 635 00:23:13,122 --> 00:23:14,994 AND THE PERSON THAT FIRED IT 636 00:23:14,994 --> 00:23:17,997 IS NOT SOME ALL-POWERFUL GOD. 637 00:23:17,997 --> 00:23:20,900 HE'S JUST A GUY... WITH A GUN, 638 00:23:20,900 --> 00:23:23,473 JUST LIKE THE GUY WE'RE HUNTING NOW. 639 00:23:23,473 --> 00:23:26,105 AND LIKE EVERY OTHER BAD GUY, HE'S DAMAGED GOODS. 640 00:23:31,911 --> 00:23:33,943 SO AM I. 641 00:23:36,185 --> 00:23:38,417 THAT'S RIGHT. 642 00:23:38,417 --> 00:23:40,750 AND THAT'S OKAY. 643 00:23:40,750 --> 00:23:43,523 YOU THINK IT'S A WEAKNESS? 644 00:23:43,523 --> 00:23:45,094 MAKE IT A STRENGTH. 645 00:23:47,497 --> 00:23:50,199 IT'S A PART OF YOU. 646 00:23:53,432 --> 00:23:54,834 SO USE IT. 647 00:24:19,729 --> 00:24:22,091 (sniffles) 648 00:24:24,694 --> 00:24:26,566 (sniffles) 649 00:24:30,570 --> 00:24:31,641 (sniffles) 650 00:24:31,641 --> 00:24:32,642 (footsteps receding) 651 00:24:32,642 --> 00:24:33,643 (door opens) 652 00:24:33,643 --> 00:24:36,576 (sighs) 653 00:24:36,576 --> 00:24:38,578 ANY IDEA WHY THE SNIPER TARGETED EMILY REESE? 654 00:24:38,578 --> 00:24:40,650 NOT YET. SHE WAS A V.P. AT A TELECOM COMPANY, 655 00:24:40,650 --> 00:24:42,952 SINGLE, JUST BOUGHT AN APARTMENT ON WEST 96th. 656 00:24:42,952 --> 00:24:44,954 NO KNOWN CONNECTIONS TO THE OTHER VICS. 657 00:24:44,954 --> 00:24:47,016 BUT WE DO KNOW HE WAS FOLLOWING HER. 658 00:24:47,016 --> 00:24:49,018 CASTLE, WHAT DO YOU HAVE? 659 00:24:49,018 --> 00:24:51,060 YOU'RE LOOKING AT A VIDEO TAKEN FROM EMILY'S LOBBY 660 00:24:51,060 --> 00:24:52,792 YESTERDAY AT 1:40. 661 00:24:52,792 --> 00:24:54,594 THAT'S FOUR HOURS AFTER HE SHOT WYATT. 662 00:24:54,594 --> 00:24:56,996 THERE'S EMILY, GETTING INTO THE ELEVATOR. 663 00:24:58,568 --> 00:25:00,129 (Gates) THERE HE IS. 664 00:25:00,129 --> 00:25:01,170 THAT'S OUR GUY. 665 00:25:01,170 --> 00:25:02,672 (Castle) YEAH. 666 00:25:02,672 --> 00:25:04,273 UNFORTUNATELY, WE STILL CAN'T SEE HIS FACE. 667 00:25:08,808 --> 00:25:10,139 WHAT IS HE WAITING FOR? 668 00:25:10,139 --> 00:25:12,912 HE'S WATCHING TO SEE WHAT FLOOR SHE'D GET OFF ON. 669 00:25:12,912 --> 00:25:14,914 HE KNEW EXACTLY WHERE SHE WAS GONNA BE. 670 00:25:14,914 --> 00:25:16,145 IT'S A MIRACLE EMILY'S NOT DEAD. 671 00:25:16,145 --> 00:25:18,047 IT'S NOT A MIRACLE. IT'S POOR PLANNING. 672 00:25:18,047 --> 00:25:20,890 TURNS OUT OUR SNIPER USED THE WRONG AMMO. 673 00:25:20,890 --> 00:25:23,152 THE 1-6-8 GRAIN LOSES STABILITY WHEN IT GOES THROUGH GLASS. 674 00:25:23,152 --> 00:25:24,794 THE 1-6-5 IS DESIGNED FOR THAT KINDA SHOT. 675 00:25:24,794 --> 00:25:26,826 HE DIDN'T KNOW THAT, WHICH MEANS 676 00:25:26,826 --> 00:25:28,257 HE HAS LESS EXPERIENCE THAN WE THOUGHT. 677 00:25:28,257 --> 00:25:30,830 OKAY, WE NEED TO GO BACK TO THE SUSPECT LIST, 678 00:25:30,830 --> 00:25:32,602 CROSS OFF ALL LAW ENFORCEMENT SHOOTERS 679 00:25:32,602 --> 00:25:34,634 AND ANY COMBAT VETS WITH URBAN EXPERIENCE. (Esposito) ALL RIGHT. 680 00:25:34,634 --> 00:25:37,266 IS IT JUST ME... 681 00:25:37,266 --> 00:25:39,869 OR IS HIS COFFEE CUP IDENTICAL TO EMILY'S? 682 00:25:39,869 --> 00:25:41,270 (Ryan) SAME LOGO. 683 00:25:41,270 --> 00:25:43,012 IT'S FROM THE SAME SHOP. 684 00:25:43,012 --> 00:25:44,013 ZOOM IN ON THAT. 685 00:25:44,013 --> 00:25:45,715 CAFFE... 686 00:25:45,715 --> 00:25:47,076 PRIMO. 687 00:25:47,076 --> 00:25:48,778 MUST HAVE FOLLOWED HER FROM THERE. 688 00:25:48,778 --> 00:25:51,651 I-IF HE'S A CUSTOMER, MAYBE SOMEONE CAN I.D. HIM. 689 00:25:51,651 --> 00:25:54,854 THERE'S ONLY ONE CAFFE PRIMO. IT'S ON 47th STREET, 2 BLOCKS 690 00:25:54,854 --> 00:25:56,926 FROM THE GRACE POINT TOWER WHERE EMILY WORKED. 691 00:25:56,926 --> 00:25:58,758 OKAY, WE NEED TO FIND OUT IF ANY OF THE OTHER VICTIMS 692 00:25:58,758 --> 00:26:00,229 HAVE A CONNECTION TO THAT SHOP. 693 00:26:00,229 --> 00:26:01,861 ALL RIGHT. 694 00:26:01,861 --> 00:26:03,262 UH, WHERE'S BECKETT? 695 00:26:04,333 --> 00:26:06,736 SHE'S RUNNING DOWN A LEAD. 696 00:26:25,955 --> 00:26:27,957 WHY WOULD YOU SHOOT FROM HERE 697 00:26:27,957 --> 00:26:30,589 WHEN THE ROOF GAVE YOU A CLEANER SHOT? 698 00:26:33,262 --> 00:26:36,095 (hinges squeak) 699 00:26:39,969 --> 00:26:40,970 (grunts) 700 00:26:40,970 --> 00:26:42,331 AAH. 701 00:26:44,704 --> 00:26:46,335 AAH. (inhales sharply) 702 00:26:46,335 --> 00:26:47,837 (groans) 703 00:26:47,837 --> 00:26:50,840 (panting) 704 00:27:00,650 --> 00:27:03,022 (Ryan) THAT COFFEE SHOP MAY BE THE KEY. 705 00:27:03,022 --> 00:27:06,055 SARAH VASQUEZ LIVED SIX BLOCKS FROM THE GRACE POINT TOWER. 706 00:27:06,055 --> 00:27:07,927 AND SHE HAD A RECEIPT IN HER WALLET FROM CAFFE PRIMO 707 00:27:07,927 --> 00:27:09,659 DATED THREE DAYS AGO. 708 00:27:09,659 --> 00:27:10,800 WHAT ABOUT HENRY WYATT? 709 00:27:10,800 --> 00:27:12,061 WYATT'S THERAPIST HAS AN OFFICE 710 00:27:12,061 --> 00:27:13,803 RIGHT ACROSS THE STREET FROM THE COFFEE SHOP. 711 00:27:13,803 --> 00:27:15,905 HE HAD A SESSION TWO DAYS BEFORE HE WAS KILLED. 712 00:27:15,905 --> 00:27:17,206 THAT SHOP'S GOTTA BE GROUND ZERO 713 00:27:17,206 --> 00:27:18,808 WHERE HE SELECTED HIS VICTIMS. 714 00:27:18,808 --> 00:27:21,040 GET THE HELL DOWN THERE AND GET ME AN I.D. 715 00:27:21,040 --> 00:27:23,342 THE CLOCK'S TICKING ON HIS NEXT VICTIM. 716 00:27:28,047 --> 00:27:29,048 (man) YEAH, THEY ALL GET COFFEE HERE 717 00:27:29,048 --> 00:27:30,179 ON A PRETTY REGULAR BASIS. 718 00:27:30,179 --> 00:27:32,321 ARE YOU SAYING HE SHOOTS PEOPLE FROM MY SHOP? 719 00:27:32,321 --> 00:27:33,652 IT COULD BE JUST A COINCIDENCE. 720 00:27:33,652 --> 00:27:35,024 HAVE ANY OF THEM BEEN IN HERE TOGETHER? 721 00:27:35,024 --> 00:27:37,186 MAYBE TALKING TO EACH OTHER OR ANYONE ELSE FOR THAT MATTER. 722 00:27:37,186 --> 00:27:39,228 NOT THAT I REMEMBER. WHAT ABOUT THIS GUY? 723 00:27:39,228 --> 00:27:41,130 IS HE A CUSTOMER? 724 00:27:41,130 --> 00:27:42,231 IS THAT THE SNIPER? 725 00:27:42,231 --> 00:27:43,833 HAVE YOU SEEN HIM? DOES HE LOOK FAMILIAR? 726 00:27:43,833 --> 00:27:45,164 (sighs) NO. 727 00:27:45,164 --> 00:27:47,166 SORRY. MAYBE IF I COULD GET A BETTER LOOK AT HIS FACE-- 728 00:27:47,166 --> 00:27:48,167 (man) ROBERT, PHONE CALL. 729 00:27:48,167 --> 00:27:50,069 EXCUSE ME. 730 00:27:50,069 --> 00:27:51,941 I'M JUST PRAYING THAT I GET ACCEPTED. 731 00:27:51,941 --> 00:27:53,803 YOUR DAD'S AN ALUMNI. YOU'RE IN FOR SURE. 732 00:27:53,803 --> 00:27:55,444 YO, DUDE. I TOTALLY CLOSED THE DEAL. 733 00:27:55,444 --> 00:27:57,707 EIGHT FIGURES AND A PIECE OF THE MERCHANDISING. 734 00:27:57,707 --> 00:27:59,709 NO, IT WAS EPIC, BRO. 735 00:27:59,709 --> 00:28:02,752 (indistinct conversations) 736 00:28:06,085 --> 00:28:07,216 (man) HEY, CAN YOU GO IN THE BACK 737 00:28:07,216 --> 00:28:08,357 AND GET SOME MORE OF THAT, UH, CREAMER? 738 00:28:08,357 --> 00:28:10,189 I HATE TO THINK THAT ANY OF THESE PEOPLE ARE DEAD 739 00:28:10,189 --> 00:28:12,021 JUST BECAUSE THEY PICKED THE WRONG PLACE TO BUY COFFEE. 740 00:28:12,021 --> 00:28:14,423 IT'S NOT THE COFFEE SHOP. I KNOW HOW THE VICTIMS ARE CONNECTED. 741 00:28:14,423 --> 00:28:15,825 HOW? 742 00:28:15,825 --> 00:28:17,026 SARAH VASQUEZ JUST GOT ENGAGED, 743 00:28:17,026 --> 00:28:18,928 HENRY WYATT JUST MADE PARTNER AT HIS FIRM... 744 00:28:18,928 --> 00:28:20,429 AND EMILY REESE JUST BOUGHT A GIANT APARTMENT 745 00:28:20,429 --> 00:28:21,771 ON THE UPPER WEST SIDE. 746 00:28:21,771 --> 00:28:23,773 THEY ALL HAD RECENT SUCCESSES. 747 00:28:23,773 --> 00:28:26,976 ACCORDING TO OUR PROFILE, THIS SNIPER IS A PARANOID LONER. 748 00:28:26,976 --> 00:28:28,707 HE FEELS ALIENATED, 749 00:28:28,707 --> 00:28:30,109 VICTIMIZED BY THE WORLD. 750 00:28:30,109 --> 00:28:32,041 HE COMES INTO HERE FOR A CUP OF COFFEE, 751 00:28:32,041 --> 00:28:33,783 AND HE HEARS ABOUT HOW WELL EVERYONE'S DOING, 752 00:28:33,783 --> 00:28:35,785 HOW THEIR DREAMS ARE COMING TRUE 753 00:28:35,785 --> 00:28:37,286 WHILE HIS ARE NOT. 754 00:28:37,286 --> 00:28:38,988 MAKES HIM FEEL INVISIBLE, 755 00:28:38,988 --> 00:28:40,489 MAKES HIM FEEL ANGRY. 756 00:28:40,489 --> 00:28:42,952 SO HE PICKS ONE OF THEM OUT, AND HE MAKES THEM PAY. 757 00:28:42,952 --> 00:28:44,854 BUT EVEN IF YOU'RE RIGHT, IT DOESN'T GET US 758 00:28:44,854 --> 00:28:46,856 ANY CLOSER TO CATCHING THIS GUY. 759 00:28:46,856 --> 00:28:50,129 IT MIGHT IF WE ASK THE RIGHT QUESTION. 760 00:28:51,230 --> 00:28:53,432 HE DIDN'T SHOOT FROM THE ROOF 761 00:28:53,432 --> 00:28:55,304 BECAUSE HE COULDN'T CLIMB THE LADDER. 762 00:28:55,304 --> 00:28:56,966 IF YOU LOOK AT THE VIDEO, THERE'S A SLIGHT HITCH 763 00:28:56,966 --> 00:28:58,037 IN HIS STEP. 764 00:28:58,037 --> 00:28:59,438 I THINK HE HAS A PHYSICAL DISABILITY. 765 00:28:59,438 --> 00:29:00,509 UH, ROBERT. 766 00:29:00,509 --> 00:29:02,371 DOES THIS RING A BELL? 767 00:29:02,371 --> 00:29:04,774 A GUY WITH A LIMP OR A LEG INJURY? 768 00:29:04,774 --> 00:29:06,145 THERE IS A HOMELESS GUY 769 00:29:06,145 --> 00:29:07,746 WHO'S BEEN HANGING AROUND THE LAST FEW WEEKS. 770 00:29:07,746 --> 00:29:09,118 I THINK HE'S GOT A PROSTHETIC LEG. 771 00:29:09,118 --> 00:29:11,851 WE'RE GONNA NEED A DESCRIPTION. 772 00:29:13,923 --> 00:29:15,054 (clicking keyboard keys) 773 00:29:15,054 --> 00:29:16,926 (Ryan) ALL RIGHT, ADDING DISABILITY 774 00:29:16,926 --> 00:29:19,889 AND PARTIAL AND/OR FULL AMPUTATION TO THE LIST 775 00:29:19,889 --> 00:29:22,161 CUTS IT DOWN FROM 207... 776 00:29:22,161 --> 00:29:24,133 (beeping) 777 00:29:24,133 --> 00:29:25,264 TO THREE. 778 00:29:25,264 --> 00:29:26,936 (clicks keyboard keys) 779 00:29:26,936 --> 00:29:29,168 ERIK HOWARD, LEE TRAVIS-- (Castle) THAT'S HIM. 780 00:29:29,168 --> 00:29:30,169 LEE TRAVIS. 781 00:29:30,169 --> 00:29:31,770 (beep) 782 00:29:33,302 --> 00:29:34,904 (Beckett) HE'S 38 YEARS OLD. 783 00:29:34,904 --> 00:29:36,906 HE DID A YEAR IN THE MARINES BEFORE LOSING HIS RIGHT LEG 784 00:29:36,906 --> 00:29:38,507 IN A HIT-AND-RUN MOTORCYCLE ACCIDENT. 785 00:29:38,507 --> 00:29:40,109 NEVER CAUGHT THE DRIVER OF THE CAR, 786 00:29:40,109 --> 00:29:41,510 AND LEE WAS GIVEN AN HONORABLE DISCHARGE. 787 00:29:41,510 --> 00:29:43,953 AND ACCORDING TO HIS COUNSELOR, LEE WENT INTO A DEEP DEPRESSION. 788 00:29:43,953 --> 00:29:45,915 TURNED HIS ANGER AGAINST THE WORLD. 789 00:29:45,915 --> 00:29:48,217 HE A STRING OF LOW-PAYING JOBS, INCLUDING A STINT 790 00:29:48,217 --> 00:29:50,960 AS A SECURITY GUARD FOR THE METROPOLITAN MUSEUM OF ART, 791 00:29:50,960 --> 00:29:52,962 WHERE HIS FORMER BOSS SAID HE SPENT A LOT OF TIME 792 00:29:52,962 --> 00:29:55,564 IN THE OLD MASTERS SECTION, HOME OF CARAVAGGIO AND PETRAZANO. 793 00:29:55,564 --> 00:29:59,198 ALL RIGHT, I'M RELEASING LEE'S PHOTO AND BIO TO THE MEDIA. 794 00:29:59,198 --> 00:30:01,470 WITHIN THE HOUR, EVERY PERSON IN NEW YORK WILL KNOW WHO HE IS. 795 00:30:01,470 --> 00:30:04,033 WAIT, SIR. ARE YOU SURE THAT'S A GOOD IDEA? 796 00:30:04,033 --> 00:30:06,035 IF HE KNOWS THAT WE'RE CLOSING IN, 797 00:30:06,035 --> 00:30:08,077 THAT MIGHT TRIGGER ANOTHER SHOOTING. WE NEED TO RISK IT. 798 00:30:08,077 --> 00:30:10,209 WE PUT HIS FACE OUT THERE, IT COULD GIVE US 799 00:30:10,209 --> 00:30:11,440 A LEAD ON HIS WHEREABOUTS. 800 00:30:11,440 --> 00:30:12,842 WHAT DO WE KNOW ABOUT HIS FAMILY? 801 00:30:12,842 --> 00:30:13,983 LEE HAS A SISTER IN QUEENS. 802 00:30:13,983 --> 00:30:15,945 ESPOSITO'S TRACKING HER DOWN RIGHT NOW. 803 00:30:15,945 --> 00:30:17,346 ARE YOU SURE IT'S HIM? 804 00:30:17,346 --> 00:30:18,547 (Beckett) YES. 805 00:30:20,920 --> 00:30:24,053 YOU'RE NOT SURPRISED. 806 00:30:24,053 --> 00:30:25,454 LEE'S AN ANGRY GUY. 807 00:30:25,454 --> 00:30:27,857 HE HAS BEEN SINCE THE ACCIDENT. 808 00:30:27,857 --> 00:30:29,458 I TRIED TO DO WHAT I COULD, BUT... 809 00:30:29,458 --> 00:30:33,832 YOU CAN'T GIVE HELP IF SOMEONE WON'T TAKE IT. 810 00:30:33,832 --> 00:30:36,605 IT BREAKS MY HEART THAT HE WOULD DO SOMETHING LIKE THIS. 811 00:30:36,605 --> 00:30:38,507 WHEN WAS THE LAST TIME YOU SAW HIM? 812 00:30:38,507 --> 00:30:39,508 ABOUT A MONTH AGO. 813 00:30:39,508 --> 00:30:42,341 HE CAME OUT TO QUEENS FOR THE DAY. 814 00:30:42,341 --> 00:30:44,513 IT DIDN'T GO WELL. 815 00:30:44,513 --> 00:30:46,245 HE LOST HIS APARTMENT, 816 00:30:46,245 --> 00:30:48,978 WANTED ME TO ASK HIM TO MOVE IN WITH US, BUT... 817 00:30:50,950 --> 00:30:53,983 (voice breaks) I DIDN'T WANT HIM AROUND THE KIDS. 818 00:30:53,983 --> 00:30:55,854 DO YOU KNOW WHERE HE'S LIVING? 819 00:30:58,227 --> 00:31:00,930 I GAVE HIM MY OLD CAR WHEN HE LEFT. 820 00:31:00,930 --> 00:31:02,631 IT'S A BLUE PLYMOUTH DUSTER. 821 00:31:02,631 --> 00:31:05,064 DO YOU THINK YOU COULD WRITE DOWN THE LICENSE PLATE NUMBER? 822 00:31:05,064 --> 00:31:06,195 (cell phone rings) 823 00:31:06,195 --> 00:31:08,237 EXCUSE ME. 824 00:31:08,237 --> 00:31:09,538 (beeps) BECKETT. 825 00:31:10,639 --> 00:31:12,401 WHERE? 826 00:31:12,401 --> 00:31:13,402 WE'RE ON OUR WAY. 827 00:31:13,402 --> 00:31:14,543 (beep) I'M SORRY. WE GOTTA GO. 828 00:31:14,543 --> 00:31:16,075 UNIFORMS JUST FOUND THE THIRD HIDE 829 00:31:16,075 --> 00:31:18,948 WHERE EMILY REESE WAS SHOT FROM. 830 00:31:18,948 --> 00:31:20,109 DETECTIVE. 831 00:31:20,109 --> 00:31:23,312 I KNOW MY BROTHER'S DONE TERRIBLE THINGS, BUT... 832 00:31:23,312 --> 00:31:27,156 (voice breaks) PLEASE DON'T HURT HIM. 833 00:31:28,918 --> 00:31:32,291 (Castle) HOW IS HE FINDING THESE PLACES? 834 00:31:32,291 --> 00:31:35,064 THE SAME WAY HE CHOOSES HIS VICTIMS. HE LISTENS. 835 00:31:35,064 --> 00:31:38,998 HE'S HOMELESS, SO NOBODY NOTICES HIM. 836 00:31:38,998 --> 00:31:41,470 ONCE HE FINDS A BUILDING THAT HE'LL BE SHOOTING FROM, 837 00:31:41,470 --> 00:31:44,433 HE RECONS IT FOR THE BEST VANTAGE POINT. 838 00:31:44,433 --> 00:31:46,105 CASTLE... 839 00:31:46,105 --> 00:31:47,576 WE NEED TO FIND THAT PAPER DOLL, 840 00:31:47,576 --> 00:31:49,678 SEE WHERE HE'S GONNA STRIKE NEXT. 841 00:32:04,593 --> 00:32:06,555 FOUND IT. 842 00:32:08,597 --> 00:32:10,199 OH, MY GOD. 843 00:32:10,199 --> 00:32:11,460 DOES IT I.D. THE NEXT VICTIM? 844 00:32:11,460 --> 00:32:13,632 NOT VICTIM. 845 00:32:14,933 --> 00:32:16,265 VICTIMS. 846 00:32:25,614 --> 00:32:28,677 (indistinct conversations) 847 00:32:30,379 --> 00:32:32,551 A PATROL UNIT FOUND LEE'S CAR. 848 00:32:32,551 --> 00:32:34,383 THESE WERE IN THE TRUNK. 849 00:32:34,383 --> 00:32:35,684 ANY SIGN OF THE GUN? NO. 850 00:32:35,684 --> 00:32:37,526 (inhales) ALL RIGHT. 851 00:32:37,526 --> 00:32:40,259 LISTEN UP. I WANT ALL UNITS ON TACTICAL ALERT. 852 00:32:40,259 --> 00:32:43,162 LEE TRAVIS IS OUT THERE RIGHT NOW WITH HIS WEAPON, 853 00:32:43,162 --> 00:32:45,264 INTENDING TO KILL MULTIPLE VICTIMS. 854 00:32:45,264 --> 00:32:47,436 AND GIVEN THAT THE FIRST THREE WERE SHOT IN THE MORNING, 855 00:32:47,436 --> 00:32:49,298 WE DON'T HAVE A LOT OF TIME. (elevator bell dings) 856 00:32:49,298 --> 00:32:51,300 I GOT IT! (pants) 857 00:32:51,300 --> 00:32:53,372 YOU KNOW WHERE HE CUT THE CHAIN OF DOLLS FROM? 858 00:32:53,372 --> 00:32:56,045 I CONVINCED THEM TO LET ME INTO THE MUSEUM EARLY. 859 00:32:56,045 --> 00:32:57,176 I COMPARED THE DOLLS 860 00:32:57,176 --> 00:32:58,647 TO ALL THE PAINTINGS IN THEIR COLLECTION. 861 00:32:58,647 --> 00:33:00,979 IT'S CALLED "LIONS IN THE MEADOW." 862 00:33:00,979 --> 00:33:03,312 THE ONLY MEADOW I KNOW OF IN NEW YORK IS AT... 863 00:33:03,312 --> 00:33:05,454 IS IN CENTRAL PARK. 864 00:33:05,454 --> 00:33:07,656 WE SHOULD ASSUME THAT TRAVIS IS ALREADY IN POSITION. 865 00:33:07,656 --> 00:33:09,658 IF WE START CLEARING THE PARK, HE MIGHT START FIRING. 866 00:33:09,658 --> 00:33:12,621 WHOEVER THESE DOZEN VICTIMS ARE, HE'S TARGETING THEM 867 00:33:12,621 --> 00:33:14,223 FOR THE SAME REASON HE WENT AFTER THE OTHERS, 868 00:33:14,223 --> 00:33:15,724 SO WE CAN ASSUME THEY'RE ALL PART OF THE SAME GROUP. 869 00:33:15,724 --> 00:33:18,197 BECKETT, TAKE EVERYONE WE CAN SPARE, HEAD FOR THE PARK. 870 00:33:18,197 --> 00:33:19,628 I WANT YOU IN PLACE AND READY TO MOVE 871 00:33:19,628 --> 00:33:20,999 WHEN WE FIGURE THIS OUT. 872 00:33:20,999 --> 00:33:22,401 RYAN, GET ON THE PHONE TO THE PARKS DEPARTMENT. 873 00:33:22,401 --> 00:33:24,603 FIND OUT WHAT THEY HAVE SCHEDULED THERE THIS MORNING. 874 00:33:24,603 --> 00:33:26,735 CASTLE, YOU COMING? 875 00:33:26,735 --> 00:33:28,337 I'M MORE USEFUL HERE, HELPING RYAN 876 00:33:28,337 --> 00:33:29,478 FIGURE OUT WHO THE TARGETS ARE. 877 00:33:29,478 --> 00:33:30,509 YOU GOT THIS. 878 00:33:30,509 --> 00:33:32,441 (elevator bell dings) 879 00:33:38,447 --> 00:33:40,089 (clicks) 880 00:33:40,089 --> 00:33:41,620 (clatters) 881 00:34:01,410 --> 00:34:03,742 (beeps) ALL THAT TREE COVER IS GONNA MAKE IT HARD FOR HIM TO TARGET 882 00:34:03,742 --> 00:34:05,474 ANY LARGE AREA OF THE PARK. 883 00:34:05,474 --> 00:34:07,776 ALSO, THE BUILDINGS ON THE EAST AND WEST SIDES OF THE PARK 884 00:34:07,776 --> 00:34:09,518 ARE HIGH-END APARTMENTS WITH DOORMEN. 885 00:34:09,518 --> 00:34:11,520 WHICH MEANS HE WOULD HAVE TO SHOOT 886 00:34:11,520 --> 00:34:13,051 FROM THE SOUTH END OF THE PARK. 887 00:34:13,051 --> 00:34:14,523 I JUST GOT OFF THE PHONE WITH THE PARKS DEPARTMENT. 888 00:34:14,523 --> 00:34:16,655 THERE'S OVER A DOZEN EVENTS PLANNED IN CENTRAL PARK TODAY. 889 00:34:16,655 --> 00:34:18,387 ANYTHING ON THE SOUTH END? 890 00:34:18,387 --> 00:34:21,230 A NATURE SANCTUARY TOUR AND A... 891 00:34:21,230 --> 00:34:22,531 CELEBRATION FOR WESTERN HIGH SCHOOL. 892 00:34:22,531 --> 00:34:24,533 THEIR TRACK TEAM JUST WON THE STATE CHAMPIONSHIP. 893 00:34:24,533 --> 00:34:26,335 THEY SHOULD BE ON THEIR WAY INTO THE PARK RIGHT NOW. 894 00:34:26,335 --> 00:34:29,098 WAIT. WESTERN HIGH SCHOOL'S THREE BLOCKS AWAY 895 00:34:29,098 --> 00:34:30,799 FROM THE COFFEE SHOP. THEIR TEAM'S CALLED THE LIONS. 896 00:34:30,799 --> 00:34:32,541 LEE MUST HAVE HEARD ONE OF THE PARENTS OR STUDENTS 897 00:34:32,541 --> 00:34:33,802 BOASTING ABOUT WINNING THAT MEET. 898 00:34:33,802 --> 00:34:35,104 HOW ARE THEY GETTING TO THE PARK? 899 00:34:35,104 --> 00:34:36,105 COMING IN BY BUS. 900 00:34:36,105 --> 00:34:37,376 I'LL CALL E.S.U. 901 00:34:37,376 --> 00:34:40,279 RYAN, WE NEED TO STOP THAT BUS. 902 00:34:40,279 --> 00:34:43,282 ♪♪♪ 903 00:34:43,282 --> 00:34:45,584 (cheering) 904 00:34:45,584 --> 00:34:47,856 ♪♪♪ 905 00:34:47,856 --> 00:34:49,818 (rings) 906 00:34:49,818 --> 00:34:51,590 (cheering continues) 907 00:34:51,590 --> 00:34:53,262 (ring) 908 00:35:01,170 --> 00:35:05,103 (tires squealing) 909 00:35:06,575 --> 00:35:09,708 (indistinct conversations) 910 00:35:09,708 --> 00:35:12,211 LISTEN, THE SCHOOL HAS A BUS UNLOADING 911 00:35:12,211 --> 00:35:14,743 AT THE GRAND ARMY PLAZA ENTRANCE AT THE PARK. 912 00:35:14,743 --> 00:35:16,485 E.S.U. TOLD GATES THAT THESE TWO BUILDINGS 913 00:35:16,485 --> 00:35:18,447 HAVE THE BEST VANTAGE POINT FOR THE SNIPER. 914 00:35:18,447 --> 00:35:20,149 HOW LONG TILL E.S.U. COUNTERSNIPERS GET HERE? 915 00:35:20,149 --> 00:35:22,721 10 MINUTES, SO SEARCH ALL OF THE FLOORS ABOVE THE 20th. 916 00:35:22,721 --> 00:35:24,723 LET'S GO. 917 00:35:24,723 --> 00:35:26,455 (man speaks indistinctly) 918 00:35:26,455 --> 00:35:29,358 ♪♪♪ 919 00:35:29,358 --> 00:35:31,860 (cheering) 920 00:35:31,860 --> 00:35:33,702 COME ON. COME ON. 921 00:35:33,702 --> 00:35:35,434 (phone rings) 922 00:35:35,434 --> 00:35:36,865 ANSWER YOUR PHONE, DAMN IT! 923 00:35:36,865 --> 00:35:38,707 ♪♪♪ 924 00:35:38,707 --> 00:35:40,609 (rings) 925 00:35:40,609 --> 00:35:43,642 (cheering) 926 00:35:58,857 --> 00:35:59,858 (radio beeps) 927 00:35:59,858 --> 00:36:01,190 (lowered voice) I GOT AN OPEN DOOR. 928 00:36:01,190 --> 00:36:03,462 SUITE 24-21. I'M GOING IN. 929 00:36:12,641 --> 00:36:16,205 (panting) 930 00:36:20,209 --> 00:36:21,880 (clicks) 931 00:36:49,207 --> 00:36:50,939 STOP! POLICE! 932 00:36:50,939 --> 00:36:53,742 OHH! (grunts) 933 00:36:53,742 --> 00:36:55,614 (grunting) 934 00:36:55,614 --> 00:36:57,716 (pants) 935 00:37:05,223 --> 00:37:06,625 PUT THE GUN DOWN, LEE. 936 00:37:06,625 --> 00:37:08,527 I HAVE A JOB TO DO. 937 00:37:08,527 --> 00:37:11,260 (pants) WHY DON'T YOU JUST CALL IT WHAT IT IS, OKAY? 938 00:37:11,260 --> 00:37:13,302 YOU SHOOT PEOPLE IN COLD BLOOD. 939 00:37:13,302 --> 00:37:15,364 THOSE PEOPLE DESERVE WHAT THEY'RE GETTING. 940 00:37:15,364 --> 00:37:17,366 GOD BLESSED THEM. (pants) 941 00:37:17,366 --> 00:37:20,709 HE GAVE TO THEM AND TOOK FROM ME-- 942 00:37:20,709 --> 00:37:22,541 MY LEG, MY LIFE. 943 00:37:22,541 --> 00:37:24,573 HOW IS THAT FAIR, HUH? 944 00:37:24,573 --> 00:37:26,815 HOW IS THAT RIGHT? 945 00:37:26,815 --> 00:37:29,848 THOSE PEOPLE THAT YOU BLAME? THEY'RE NO DIFFERENT FROM YOU. 946 00:37:29,848 --> 00:37:31,580 YOU'RE JUST SAYING THAT 'CAUSE YOU'RE ONE OF 'EM. 947 00:37:31,580 --> 00:37:34,323 YOU THINK MY LIFE IS A PICNIC? 948 00:37:34,323 --> 00:37:37,726 (panting) 949 00:37:41,330 --> 00:37:44,293 I KNOW WHAT IF FEELS LIKE TO BE IN THOSE CROSSHAIRS, 950 00:37:44,293 --> 00:37:47,536 TO FEEL THE BULLET BURN THROUGH MY CHEST. 951 00:37:47,536 --> 00:37:50,739 I KNOW WHAT IT FEELS LIKE TO HAVE MY LIFE LEAVE MY BODY. 952 00:37:50,739 --> 00:37:52,871 AND I THINK YOU DO, TOO. 953 00:37:52,871 --> 00:37:54,873 THAT'S WHY YOU KEEP LEAVING THOSE PAPER DOLLS BEHIND, 954 00:37:54,873 --> 00:37:56,945 BECAUSE YOU'RE LOOKING FOR SOMEBODY 955 00:37:56,945 --> 00:37:59,308 TO HELP YOU FIND ANOTHER WAY. 956 00:38:01,350 --> 00:38:02,651 THERE IS NO OTHER WAY. 957 00:38:02,651 --> 00:38:03,912 NOT ANYMORE. NO. 958 00:38:03,912 --> 00:38:05,013 IT'S TOO LATE. NO, NO. 959 00:38:05,013 --> 00:38:06,685 THERE'S ALWAYS ANOTHER WAY. 960 00:38:06,685 --> 00:38:08,987 I WANT TO HELP YOU. I KNOW THAT YOU'RE IN PAIN, 961 00:38:08,987 --> 00:38:10,819 AND WE CAN FIND A BETTER VOICE FOR YOUR PAIN. 962 00:38:10,819 --> 00:38:13,061 PLEASE JUST PUT THAT GUN DOWN. JUST TURN AROUND. 963 00:38:13,061 --> 00:38:14,893 NO. DON'T LOOK AT ME. JUST TURN AROUND. 964 00:38:14,893 --> 00:38:16,064 NO! TURN AROUND! 965 00:38:16,064 --> 00:38:18,026 NO. IF YOU'RE GONNA SHOOT ME, 966 00:38:18,026 --> 00:38:20,769 YOU LOOK AT ME IN THE EYES, OKAY? 967 00:38:20,769 --> 00:38:22,571 AND YOU LOOK HARD, 968 00:38:22,571 --> 00:38:25,904 BECAUSE I AM NOT YOUR ENEMY. I CAN'T BE. 969 00:38:25,904 --> 00:38:27,906 YOU AND I HAVE TOO MUCH IN COMMON. 970 00:38:29,508 --> 00:38:31,009 (exhales) 971 00:38:31,009 --> 00:38:34,583 (panting) 972 00:38:34,583 --> 00:38:36,314 NO, WE DON'T. 973 00:38:36,314 --> 00:38:38,517 (exhales) 974 00:38:38,517 --> 00:38:40,549 I HAVE A JOB TO DO. 975 00:38:40,549 --> 00:38:43,522 (panting) 976 00:38:43,522 --> 00:38:45,954 SORRY. 977 00:38:47,095 --> 00:38:48,357 (grunts) (gunshot, glass shatters) 978 00:38:48,357 --> 00:38:50,359 (gasps and exhales) (body thuds) 979 00:39:06,815 --> 00:39:09,818 (indistinct conversations) 980 00:39:11,349 --> 00:39:12,881 HEY. 981 00:39:12,881 --> 00:39:14,122 HEY. 982 00:39:16,755 --> 00:39:18,356 WHAT ARE YOU DOING? 983 00:39:18,356 --> 00:39:19,858 JUST WAITING FOR MY PARTNER. 984 00:39:19,858 --> 00:39:22,431 MAYBE YOU'VE SEEN HER. 985 00:39:22,431 --> 00:39:23,692 PRETTY GIRL, 986 00:39:23,692 --> 00:39:26,595 THINKS SHE CAN LEAP TALL BUILDINGS IN A SINGLE BOUND, 987 00:39:26,595 --> 00:39:29,498 CARRIES THE WEIGHT OF THE WORLD ON HER SHOULDERS, YET... 988 00:39:29,498 --> 00:39:31,970 STILL MANAGES TO LAUGH AT SOME OF MY JOKES. 989 00:39:34,473 --> 00:39:35,874 SHE SOUNDS LIKE A HANDFUL. 990 00:39:35,874 --> 00:39:37,806 TELL ME ABOUT IT. 991 00:39:37,806 --> 00:39:39,848 ANYWAY... 992 00:39:39,848 --> 00:39:41,379 IF YOU DO SEE HER, 993 00:39:41,379 --> 00:39:42,781 TELL HER SHE OWES ME ABOUT 994 00:39:42,781 --> 00:39:44,983 A HUNDRED COFFEES. 995 00:39:46,915 --> 00:39:48,056 CASTLE. 996 00:39:50,989 --> 00:39:52,421 THANK YOU. 997 00:39:52,421 --> 00:39:53,622 FOR WHAT? 998 00:39:55,424 --> 00:39:56,825 FOR NOT PUSHING 999 00:39:56,825 --> 00:39:59,167 AND GIVING ME THE SPACE TO GET THROUGH THIS. 1000 00:40:01,099 --> 00:40:03,131 ALWAYS. 1001 00:40:09,878 --> 00:40:14,082 SO HOW DO YOU FEEL NOW THAT LEE TRAVIS IS DEAD? 1002 00:40:17,816 --> 00:40:21,049 I THOUGHT THAT TAKING HIM DOWN WOULD RESOLVE THINGS, 1003 00:40:21,049 --> 00:40:23,452 BUT... IT'S STILL THERE. 1004 00:40:23,452 --> 00:40:26,555 BECAUSE YOU HAVEN'T FULLY DEALT WITH WHAT HAPPENED TO YOU. 1005 00:40:26,555 --> 00:40:27,826 NO. 1006 00:40:27,826 --> 00:40:30,759 I FELT IT BEFORE THE SHOOTING. 1007 00:40:32,130 --> 00:40:34,132 I THINK IT'S ALWAYS BEEN THERE, 1008 00:40:34,132 --> 00:40:37,806 DEEP INSIDE, SINCE THAT NIGHT. 1009 00:40:37,806 --> 00:40:40,539 THE NIGHT YOUR MOM WAS KILLED. 1010 00:40:40,539 --> 00:40:41,940 MM-HMM. 1011 00:40:41,940 --> 00:40:46,545 I'VE LET IT DEFINE ME, DRIVE ME. 1012 00:40:46,545 --> 00:40:49,117 IT'S MADE ME WHO I AM. 1013 00:40:49,117 --> 00:40:51,820 BUT NOW... 1014 00:40:53,151 --> 00:40:54,222 BUT NOW? 1015 00:40:55,884 --> 00:40:58,186 I WANT TO BE MORE 1016 00:40:58,186 --> 00:41:00,589 THAN WHO I AM. 1017 00:41:04,933 --> 00:41:06,935 BUT I DON'T KNOW IF I KNOW HOW TO DO THAT 1018 00:41:06,935 --> 00:41:09,768 WITHOUT LETTING MY MOM DOWN. 1019 00:41:09,768 --> 00:41:12,070 SHE'S DEAD, KATE. 1020 00:41:12,070 --> 00:41:15,744 YOU CAN'T LET HER DOWN. 1021 00:41:15,744 --> 00:41:19,007 THE ONLY PERSON YOU CAN LET DOWN IS YOURSELF. 1022 00:41:20,679 --> 00:41:21,680 (clears throat) 1023 00:41:21,680 --> 00:41:24,082 HER DEATH IS A PART OF YOU. 1024 00:41:24,082 --> 00:41:26,985 AND YOU'RE GONNA HAVE TO MAKE PEACE WITH THAT, 1025 00:41:26,985 --> 00:41:28,817 JUST LIKE YOU'RE GONNA HAVE TO MAKE PEACE 1026 00:41:28,817 --> 00:41:31,259 WITH THE SCARS FROM YOUR SHOOTING. 1027 00:41:34,523 --> 00:41:37,195 BUT IT DOESN'T HAVE TO LIMIT YOU. 1028 00:41:39,998 --> 00:41:42,601 HOW AM I SUPPOSED TO LET GO? 1029 00:41:42,601 --> 00:41:44,873 I CAN HELP YOU. 1030 00:41:44,873 --> 00:41:46,705 BUT THE QUESTION IS, 1031 00:41:46,705 --> 00:41:49,137 ARE YOU READY? 1032 00:41:57,015 --> 00:42:00,118 YEAH, I THINK I AM.