1 00:00:01,032 --> 00:00:02,033 (panting) 2 00:00:02,033 --> 00:00:03,404 COME ON, BABY. WHERE YOU GOING? 3 00:00:03,404 --> 00:00:04,775 (continues panting) 4 00:00:04,775 --> 00:00:06,507 HEY, THE PARTY'S JUST GETTING STARTED. 5 00:00:06,507 --> 00:00:08,509 HELP! SOMEBODY HELP ME! 6 00:00:08,509 --> 00:00:10,611 BITCH, COME HERE. 7 00:00:10,611 --> 00:00:13,214 GET OFF ME, YOU SON OF A BITCH! 8 00:00:13,214 --> 00:00:15,686 OH-HO. SHH. I'LL TEACH YOU TO RUN FROM ME. 9 00:00:15,686 --> 00:00:18,389 (man) LEAVE THE GIRL ALONE. 10 00:00:18,389 --> 00:00:21,292 WHY DON'T YOU GET LOST BEFORE I TAKE YOU DOWN? 11 00:00:21,292 --> 00:00:23,094 (woman screams) (grunts) AH! 12 00:00:23,094 --> 00:00:24,555 (grunts) 13 00:00:24,555 --> 00:00:25,556 (metal clinks) 14 00:00:25,556 --> 00:00:27,098 AAH! 15 00:00:27,098 --> 00:00:28,429 (clinks) 16 00:00:28,429 --> 00:00:31,562 MOTHER, PREPARE TO FEAST ON THE FINEST OMELET IN THE LAND... 17 00:00:31,562 --> 00:00:34,365 BEFORE YOU JOIN THE CONVENT. 18 00:00:34,365 --> 00:00:37,708 NO, I AM MAKING COSTUMES FOR MY SHAKESPEARE CLASS. 19 00:00:37,708 --> 00:00:39,810 SO... WHAT DO YOU THINK? I SEEM TO REMEMBER 20 00:00:39,810 --> 00:00:41,812 ASKING YOU TO MAKE ME AN E.T. HALLOWEEN COSTUME 21 00:00:41,812 --> 00:00:44,044 AND YOU TOLD ME YOU DIDN'T KNOW HOW TO SEW. 22 00:00:44,044 --> 00:00:46,577 DETAILS. BESIDES, YOU WERE 32 AT THE TIME. 23 00:00:46,577 --> 00:00:48,679 THE POINT IS, PROPER WARDROBE 24 00:00:48,679 --> 00:00:51,051 HELPS AN ACTOR CONNECT TO THE WORDS. 25 00:00:51,051 --> 00:00:53,053 SO LADY MACBETH, I PRESUME? 26 00:00:53,053 --> 00:00:54,455 DESDEMONA. 27 00:00:54,455 --> 00:00:56,056 OH, DESDEMONA. 28 00:00:56,056 --> 00:00:57,458 (Alexis) YEAH, ME, TOO. 29 00:00:57,458 --> 00:00:59,059 NO, YOU HANG UP FIRST. 30 00:00:59,059 --> 00:01:00,531 NO, YOU. 31 00:01:00,531 --> 00:01:03,134 IT'S YOUR TURN. 32 00:01:03,134 --> 00:01:05,596 (sighs) STANFORD SOUNDSSOAMAZING. 33 00:01:05,596 --> 00:01:07,368 I CAN'T WAIT FOR JANUARY. 34 00:01:07,368 --> 00:01:09,340 JANUARY? WHEN I LEAVE... 35 00:01:09,340 --> 00:01:11,402 FOR STANFORD. WHAT? 36 00:01:11,402 --> 00:01:12,673 ALEXIS APPLIED FOR SPRING ADMISSION. 37 00:01:12,673 --> 00:01:14,445 YOU REMEMBER. 38 00:01:14,445 --> 00:01:16,277 YEAH, I JUST THOUGHT-- WELL, YOU HAVEN'T 39 00:01:16,277 --> 00:01:17,648 TALKED ABOUT IT FOR A LONG TIME, SO I THOUGHT-- 40 00:01:17,648 --> 00:01:19,310 BECAUSE EVERY TIME I DID, I SAW THE LOOK ON YOUR FACE. 41 00:01:19,310 --> 00:01:21,512 THAT LOOK RIGHT THERE. 42 00:01:21,512 --> 00:01:25,186 OH, NO, HONEY, IT'S JUST THAT STANFORD IS A BIG DECISION. 43 00:01:25,186 --> 00:01:27,418 I MEAN, YOU SH-- YOU SHOULD THINK IT OVER. 44 00:01:27,418 --> 00:01:29,089 I DID, AND THERE'S NO DOWNSIDE. 45 00:01:29,089 --> 00:01:31,362 IT'S A GREAT UNIVERSITY. ASHLEY IS THERE. 46 00:01:31,362 --> 00:01:32,763 I MEAN, I'LL HAVE ENOUGH CREDITS TO GRADUATE EARLY. 47 00:01:32,763 --> 00:01:34,195 YEAH, BUT DON'T YOU WANNA... (cell phone chimes) 48 00:01:34,195 --> 00:01:35,396 YOU KNOW, FINISH OFF SENIOR YEAR... 49 00:01:35,396 --> 00:01:37,468 (beeps) WITH YOUR FRIENDS, RIGHT, AND PROM? 50 00:01:37,468 --> 00:01:38,729 DON'T YOU WANT TO GO TO PROM? 51 00:01:38,729 --> 00:01:40,501 YEAH. UH, ASHLEY JUST GAVE ME HIS PASSWORD 52 00:01:40,501 --> 00:01:42,673 SO I CAN GO CHECK OUT HIS CLASSES ONLINE. 53 00:01:42,673 --> 00:01:44,375 (cell phone rings) 54 00:01:44,375 --> 00:01:45,376 (beeps) 55 00:01:45,376 --> 00:01:47,438 LADY BECKETT, MILORD. 56 00:01:47,438 --> 00:01:48,879 RICHARD, ARE YOU CRYING? 57 00:01:48,879 --> 00:01:50,711 (voice breaks) NO, IT'S THE ONIONS. 58 00:01:50,711 --> 00:01:52,713 OKAY, I'LL ADMIT, IT WASN'T JUST THE ONIONS. NOT COMPLETELY. 59 00:01:52,713 --> 00:01:55,716 I MEAN, SHE'S GONNA BE GONE IN A FEW MONTHS. 60 00:01:55,716 --> 00:01:56,817 MY LITTLE GIRL. 61 00:01:56,817 --> 00:01:58,289 YEAH, BUT SHE'S GROWING UP, CASTLE, 62 00:01:58,289 --> 00:01:59,620 AND SHE'S GOING TO A GREAT SCHOOL. 63 00:01:59,620 --> 00:02:00,791 THAT'S WHAT YOU WANT, ISN'T IT? 64 00:02:00,791 --> 00:02:02,753 YES, I'M JUST NOT READY. 65 00:02:02,753 --> 00:02:04,495 OKAY, WELL, SHE IS, SO YOU TWO ARE JUST 66 00:02:04,495 --> 00:02:05,626 NOT ON THE SAME PAGE. 67 00:02:05,626 --> 00:02:07,328 SO WHAT DO I DO? LET HER GO. 68 00:02:07,328 --> 00:02:09,129 TRUST ME, 69 00:02:09,129 --> 00:02:11,131 IF YOU HOLD ON TOO TIGHT, YOU'LL JUST DRIVE HER AWAY. 70 00:02:11,131 --> 00:02:13,133 DETECTIVE, DETECTIVE, DETECTIVE, 71 00:02:13,133 --> 00:02:14,665 WHAT CAN YOU TELL US ABOUT THIS HOMICIDE? 72 00:02:14,665 --> 00:02:16,267 UH, NO COMMENT. EXCUSE ME. 73 00:02:16,267 --> 00:02:17,668 (sighs) WOW. 74 00:02:17,668 --> 00:02:20,371 FOR A MURDER IN AN ALLEY, REALLY? 75 00:02:20,371 --> 00:02:22,513 OFFICER HASTINGS, WHAT'S THIS ALL ABOUT? 76 00:02:22,513 --> 00:02:24,915 YOU SHOULD SEE FOR YOURSELF, DETECTIVE. 77 00:02:24,915 --> 00:02:26,617 (mouths words) 78 00:02:26,617 --> 00:02:28,419 (camera shutters clicking) 79 00:02:28,419 --> 00:02:30,221 OH! YEAH, TELL ME ABOUT IT. 80 00:02:30,221 --> 00:02:32,223 (Beckett) UH, SO HE WAS... 81 00:02:32,223 --> 00:02:34,225 SPLIT RIGHT DOWN THE MIDDLE, FROM THE TOP OF HIS HEAD 82 00:02:34,225 --> 00:02:36,587 ALL THE WAY DOWN TO HIS-- (mutters) 83 00:02:36,587 --> 00:02:38,429 PLEASE. THE GUY WAS SLICED IN TWO. 84 00:02:38,429 --> 00:02:40,791 I'D SAY HIS UNIT IS THE LEAST OF HIS PROBLEMS. 85 00:02:40,791 --> 00:02:41,932 THEN YOU DO NOT UNDERSTAND THE SACRED BOND 86 00:02:41,932 --> 00:02:43,294 BETWEEN A MAN AND HIS UNIT. 87 00:02:43,294 --> 00:02:45,436 OKAY, SO WHAT WAS THE MURDER WEAPON, GUILLOTINE? 88 00:02:45,436 --> 00:02:46,497 A SWORD. 89 00:02:46,497 --> 00:02:48,239 THE TIP BROKE OFF IN THE BODY. 90 00:02:48,239 --> 00:02:49,570 BLOOD SPATTER INDICATES 91 00:02:49,570 --> 00:02:51,302 THAT THE KILLER FIRST LOPPED OFF THE VICTIM'S HAND, 92 00:02:51,302 --> 00:02:53,544 THEN TOOK THE BIG SWING. 93 00:02:53,544 --> 00:02:56,247 A SINGLE-EDGED BLADE, SOME KIND OF SABER? 94 00:02:56,247 --> 00:02:59,580 MAN, A SWORD. THAT IS SO "GAME OF THRONES." 95 00:02:59,580 --> 00:03:00,911 ESPOSITO, THIS LOOKS LIKE 96 00:03:00,911 --> 00:03:02,283 IT MIGHT HAVE BEEN A RITUAL KILLING, 97 00:03:02,283 --> 00:03:03,884 SO LET'S GET PHOTOS OF ALL THE BYSTANDERS 98 00:03:03,884 --> 00:03:05,916 IN CASE THE KILLER CAME BACK. ON IT. 99 00:03:05,916 --> 00:03:07,658 MEANWHILE, THE VIC'S NAME IS TYLER FARIS. 100 00:03:07,658 --> 00:03:09,720 HE JUST GOT OUT OF SING SING A YEAR AGO FOR SEXUAL ASSAULT. 101 00:03:09,720 --> 00:03:11,792 OKAY, WE GOT ANY WITNESSES? 102 00:03:11,792 --> 00:03:13,394 YEAH, THE GIRL HE WAS IN THE MIDDLE OF ASSAULTING, 103 00:03:13,394 --> 00:03:14,795 A MARIE MARCADO. 104 00:03:16,567 --> 00:03:18,629 I MET HIM LAST NIGHT AT MATT'S BAR AROUND THE CORNER. 105 00:03:18,629 --> 00:03:19,870 HE SEEMED LIKE A NICE ENOUGH GUY, 106 00:03:19,870 --> 00:03:22,473 TALKING ALL BIG ABOUT HIS SHIP COMING IN. 107 00:03:22,473 --> 00:03:24,875 ANYWAY... IT GOT LATE. 108 00:03:24,875 --> 00:03:26,877 I LEFT WITH HIM. 109 00:03:26,877 --> 00:03:28,809 BUT THAT'S WHEN HE STARTED GETTING ALL SUPER AGGRESSIVE. 110 00:03:28,809 --> 00:03:31,612 I TOOK OFF RUNNING. HE CAUGHT ME. 111 00:03:31,612 --> 00:03:33,814 I MEAN, GOD KNOWS WHAT HE WOULD'VE DONE IF-- 112 00:03:33,814 --> 00:03:36,747 IF CONAN THE BARBARIAN HADN'T SHOWN UP? 113 00:03:36,747 --> 00:03:38,249 WHAT DID THE KILLER LOOK LIKE? 114 00:03:38,249 --> 00:03:40,821 IT WAS SO DARK, I DIDN'T REALLY GET TO SEE HIS FACE. 115 00:03:40,821 --> 00:03:42,393 YOU DIDN'T CATCH ANYTHING-- 116 00:03:42,393 --> 00:03:45,626 ETHNICITY, AGE, WEIGHT, HEIGHT? 117 00:03:45,626 --> 00:03:49,630 (police radio chatter) 118 00:03:49,630 --> 00:03:50,901 SHE'S HOLDING OUT ON US. 119 00:03:50,901 --> 00:03:52,503 WELL, CONAN PROBABLY SAVED HER LIFE. 120 00:03:52,503 --> 00:03:54,505 SHE DOESN'T WANT TO THROW HIM UNDER THE BUS 121 00:03:54,505 --> 00:03:55,936 OR UNDER A BEN-HUR-STYLE CHARIOT. 122 00:03:55,936 --> 00:03:58,709 YEAH, BUT SHE SAW THE KILLER. ISN'T SHE AFRAID FOR HER LIFE? 123 00:03:58,709 --> 00:04:01,472 SHE PROBABLY KNOWS HE WASN'T AFTER HER. 124 00:04:01,472 --> 00:04:03,914 A CAREER FELON SMITED IN TWO? 125 00:04:03,914 --> 00:04:05,746 THAT'S VERY OLD TESTAMENT. 126 00:04:05,746 --> 00:04:07,918 THIS--THIS PLAYS LIKE A VIGILANTE KILLING. 127 00:04:07,918 --> 00:04:09,720 THINK DIRTY HARRY WITH A SWORD. 128 00:04:09,720 --> 00:04:11,322 WHO JUST HAPPENS TO BE IN THE ALLEY 129 00:04:11,322 --> 00:04:13,384 WHEN FARIS IS COMMITTING A FELONY? 130 00:04:13,384 --> 00:04:15,025 THAT TIMING IS A LITTLE SUSPICIOUS. 131 00:04:15,025 --> 00:04:17,388 THE KILLER PROBABLY FOLLOWED HIM FROM THE BAR. 132 00:04:17,388 --> 00:04:18,789 WITH A SWORD? 133 00:04:18,789 --> 00:04:20,391 TOUCHE. 134 00:04:20,391 --> 00:04:23,263 LET'S TALK TO THE NEXT OF KIN. 135 00:04:23,263 --> 00:04:26,697 MRS. FARIS, WE'RE VERY SORRY FOR YOUR LOSS. 136 00:04:27,968 --> 00:04:29,570 DON'T SWEAT IT. 137 00:04:31,342 --> 00:04:32,903 PARDON ME? 138 00:04:32,903 --> 00:04:35,045 THESE THINGS CAN HAPPEN. 139 00:04:35,045 --> 00:04:37,508 NOT IN THIS CENTURY, THEY DON'T. 140 00:04:37,508 --> 00:04:38,649 DON'T GET ME WRONG, 141 00:04:38,649 --> 00:04:41,281 I NEVER EXPECTED MY BOY TO END UP IN TWO HUNKS. 142 00:04:41,281 --> 00:04:43,013 BUT I ALWAYS KNEW, ONE DAY, 143 00:04:43,013 --> 00:04:44,915 HE'D END UP THERE, LAYING ON A SLAB. 144 00:04:44,915 --> 00:04:46,417 AND WHY IS THAT? 145 00:04:46,417 --> 00:04:48,589 BECAUSE TYLER WAS A NO-GOOD LOSER. 146 00:04:48,589 --> 00:04:51,692 HE MADE ONE DUMBASS MISTAKE AFTER THE NEXT. 147 00:04:51,692 --> 00:04:54,395 I SEE. UM, DO YOU KNOW IF HE WAS INVOLVED 148 00:04:54,395 --> 00:04:56,667 IN ANYTHING THAT MIGHT HAVE GOTTEN HIM KILLED? 149 00:04:56,667 --> 00:04:58,999 OH, I CERTAINLY EXPECT SO. 150 00:04:58,999 --> 00:05:01,071 HE TOLD SOMEONE THAT HIS SHIP WAS COMING IN. 151 00:05:01,071 --> 00:05:02,973 WHAT DOES THAT MEAN? 152 00:05:02,973 --> 00:05:04,304 HIS SHIP WAS ALWAYS COMING IN. 153 00:05:04,304 --> 00:05:06,537 THAT WAS TYLER, ALWAYS WORKING AN ANGLE. 154 00:05:06,537 --> 00:05:08,078 MA'AM, UM, I'LL NEED THE NAMES 155 00:05:08,078 --> 00:05:10,310 OF ALL THE ENEMIES YOUR SON MAY HAVE HAD. 156 00:05:10,310 --> 00:05:12,543 YOU'RE GONNA NEED A BIGGER PAD. 157 00:05:14,084 --> 00:05:15,716 (Ryan) LARCENY, ASSAULT, FRAUD-- 158 00:05:15,716 --> 00:05:17,718 YOU NAME IT, TYLER FARIS HAS DONE IT. 159 00:05:17,718 --> 00:05:19,750 STILL, NOBODY DESERVES ENDING UP LIKE... THAT. 160 00:05:19,750 --> 00:05:21,552 HE GOT WHAT WAS COMING TO HIM. 161 00:05:21,552 --> 00:05:23,954 DUDE, THAT'S FOR THE CRIMINAL JUSTICE SYSTEM TO DECIDE. 162 00:05:23,954 --> 00:05:25,556 WELL, MAYBE A SWORD IS A JUSTICE SYSTEM. 163 00:05:25,556 --> 00:05:26,957 YEAH, IF YOU'RE QUENTIN TARANTINO, MAYBE. 164 00:05:26,957 --> 00:05:28,999 HE MADE LOTS OF CALLS TO AN UNTRACEABLE BURNER PHONE 165 00:05:28,999 --> 00:05:30,601 IN THE PAST SIX MONTHS. 166 00:05:30,601 --> 00:05:32,603 BEHAVIOR CONSISTENT WITH A CRIMINAL DIRTBAG. 167 00:05:32,603 --> 00:05:33,734 CHECK THIS OUT. 168 00:05:33,734 --> 00:05:35,566 TYLER FARIS GOT INTO AN ALTERCATION 169 00:05:35,566 --> 00:05:37,037 AT A BODEGA THREE DAYS AGO. 170 00:05:37,037 --> 00:05:39,610 HE WAS GONE BY THE TIME THE COPS SHOWED UP, 171 00:05:39,610 --> 00:05:41,372 BUT THE SHOPKEEPER SAYS THAT HE WAS FIGHTING 172 00:05:41,372 --> 00:05:43,374 WITH SOME OTHER GUY OVER MONEY. 173 00:05:43,374 --> 00:05:44,875 DOES THE OTHER GUY HAVE A NAME? YEAH. 174 00:05:44,875 --> 00:05:47,618 TONY VALTINI. THIS GUY'S GOT A RECORD, TOO. 175 00:05:47,618 --> 00:05:49,480 DAMN RIGHT, HE DOES. 176 00:05:49,480 --> 00:05:51,582 I REMEMBER VALTINI FROM BACK IN NARCOTICS. 177 00:05:51,582 --> 00:05:53,584 THE GUY IS TOTALLY MOBBED UP. 178 00:05:53,584 --> 00:05:55,726 YOU KNOW WHAT ELSE? 179 00:05:55,726 --> 00:05:57,357 HIS FAMILY OWNS THIS MEATPACKING PLANT 180 00:05:57,357 --> 00:05:58,629 OUT IN JERSEY. 181 00:05:58,629 --> 00:06:01,592 TONY'S NICKNAME-- "TONY THE BUTCHER." 182 00:06:01,592 --> 00:06:04,535 I BET HE SPLIT A FEW SIDES OF BEEF IN HIS DAY. MM-HMM. 183 00:06:04,535 --> 00:06:06,797 YEAH, I HAD WORDS WITH FARIS. 184 00:06:06,797 --> 00:06:09,369 HE USED TO WORK FOR ME AT TONY VALTINI ENTERPRISES. 185 00:06:09,369 --> 00:06:10,771 WHICH DIVISION, DRUG SALES 186 00:06:10,771 --> 00:06:13,504 OR DISTRIBUTION OF STOLEN PROPERTY? 187 00:06:13,504 --> 00:06:15,846 I AM A LEGITIMATE BUSINESSMAN. 188 00:06:15,846 --> 00:06:18,949 FARIS SUCKED AT HIS JOB, SO I CANNED HIM. 189 00:06:18,949 --> 00:06:21,051 HE THOUGHT I OWED HIM BACK PAY. 190 00:06:21,051 --> 00:06:23,454 WE SETTLED IT LIKE GENTLEMEN. 191 00:06:23,454 --> 00:06:24,955 YOU DON'T BELIEVE ME, GO ASK HIM. 192 00:06:24,955 --> 00:06:28,118 WE'D HAVE TO HOLD A SEANCE. 193 00:06:28,118 --> 00:06:29,760 HE'S DEAD? 194 00:06:29,760 --> 00:06:31,562 LET'S JUST SAY, TYLER FARIS 195 00:06:31,562 --> 00:06:34,595 IS HALF THE MAN HE USED TO BE. 196 00:06:34,595 --> 00:06:36,997 A MAN DIVIDED? 197 00:06:36,997 --> 00:06:38,398 SPLIT PERSONALITY? 198 00:06:38,398 --> 00:06:39,670 REALLY, NOTHING? 199 00:06:39,670 --> 00:06:42,132 HE WAS CLEAVED IN TWO 200 00:06:42,132 --> 00:06:43,504 WITH A SWORD. 201 00:06:43,504 --> 00:06:44,905 A SWORD? 202 00:06:44,905 --> 00:06:49,810 MUCH LIKE THE LONG KNIVES USED AT A MEATPACKING PLANT. 203 00:06:49,810 --> 00:06:52,813 OH, HEY, IT WASN'T ME. I HAD NOTHING TO DO WITH IT. 204 00:06:52,813 --> 00:06:54,685 BUTI KNOW WHO DID. 205 00:06:54,685 --> 00:06:56,747 IT WAS THAT GUY... 206 00:06:56,747 --> 00:06:59,189 THAT NUT JOB VIGILANTE WHO ATTACKED ME. 207 00:06:59,189 --> 00:07:01,892 YOU NEVER REPORTED AN ATTACK. 208 00:07:01,892 --> 00:07:03,694 I DON'T LIKE TO BE A BURDEN ON LAW ENFORCEMENT. 209 00:07:03,694 --> 00:07:07,097 BOTTOM LINE IS, I'M LEAVING MY WAREHOUSE ONE NIGHT... 210 00:07:07,097 --> 00:07:08,559 THREE WEEKS AGO. 211 00:07:08,559 --> 00:07:10,430 ALL OF A SUDDEN, HERE COMES THIS GUY WITH A SWORD. 212 00:07:10,430 --> 00:07:12,833 HE ACCUSES ME OF CRIMINAL CONDUCT, 213 00:07:12,833 --> 00:07:14,565 UNJUSTLY, BY THE WAY, 214 00:07:14,565 --> 00:07:16,436 THEN HE THREATENS TO KILL ME 215 00:07:16,436 --> 00:07:18,969 IF I DON'T LEAVE TOWN, AND THEN... 216 00:07:18,969 --> 00:07:21,111 YOU KNOW WHAT HE DOES THEN? 217 00:07:21,111 --> 00:07:22,713 WHAT DOES HE DO THEN? 218 00:07:22,713 --> 00:07:23,774 HE... 219 00:07:23,774 --> 00:07:26,717 CUTS ME. LOOK AT THIS. 220 00:07:26,717 --> 00:07:28,448 YOU SEE THAT? 221 00:07:28,448 --> 00:07:30,851 SEE THAT SCAR THERE? LOOKS LIKE AN "L." 222 00:07:30,851 --> 00:07:33,484 MR. VALTINI, COULD YOU PLEASE PUT YOUR PANTS BACK UP? 223 00:07:33,484 --> 00:07:35,025 HE DID THAT TO ME! 224 00:07:35,025 --> 00:07:37,628 HE DID THAT, WITH HIS SWORD, TO ME. 225 00:07:37,628 --> 00:07:38,989 OKAY? 226 00:07:40,460 --> 00:07:42,533 WHAT DID THIS MAN LOOK LIKE? 227 00:07:42,533 --> 00:07:44,865 YOU WOULDN'T EVEN BELIEVE ME IF I TOLD YOU. OKAY? 228 00:07:44,865 --> 00:07:46,136 BUT... 229 00:07:46,136 --> 00:07:48,038 I GOT CAMERAS IN MY WAREHOUSE. 230 00:07:48,038 --> 00:07:51,602 WHEN HE RAN OFF, I CAUGHT HIM ON VIDEO. 231 00:07:51,602 --> 00:07:53,203 (closes zipper) 232 00:07:56,947 --> 00:07:58,549 THE TIME CODE LINES UP WITH THE NIGHT 233 00:07:58,549 --> 00:07:59,910 THAT VALTINI SAID HE WAS ATTACKED. 234 00:07:59,910 --> 00:08:01,682 (Ryan) AND ACCORDING TO E.R. RECORDS, 235 00:08:01,682 --> 00:08:04,254 HE WAS ADMITTED THAT NIGHT-- KNIFE WOUNDS TO THE BUTTOCKS. 236 00:08:04,254 --> 00:08:05,986 THE SWORD OF JUSTICE, BRO. 237 00:08:05,986 --> 00:08:07,758 (sighs) 238 00:08:09,560 --> 00:08:11,622 WAIT, IS THAT... (tape rewinds) 239 00:08:11,622 --> 00:08:12,723 (Esposito) NO. 240 00:08:12,723 --> 00:08:13,994 IT CAN'T BE. 241 00:08:18,629 --> 00:08:19,670 IT IS. 242 00:08:19,670 --> 00:08:29,109 OUR KILLER IS A SUPERHERO. 243 00:08:31,942 --> 00:08:33,013 REALLY? 244 00:08:33,013 --> 00:08:34,815 A SUPERHERO? 245 00:08:34,815 --> 00:08:36,246 YEAH, OUR WITNESS FROM THE ALLEY CONFIRMS 246 00:08:36,246 --> 00:08:38,549 THAT SHE SAW THIS MAN KILL TYLER FARIS. 247 00:08:38,549 --> 00:08:40,520 WELL, WHY DIDN'T SHE SAY THAT BEFORE? 248 00:08:40,520 --> 00:08:42,092 SHE DIDN'T THINK THAT WE'D BELIEVE HER. 249 00:08:42,092 --> 00:08:43,824 AND QUITE FRANKLY, SHE'S RIGHT. 250 00:08:43,824 --> 00:08:45,756 A MASKED VIGILANTE ON THE LOOSE, 251 00:08:45,756 --> 00:08:47,297 HACKING PEOPLE UP? 252 00:08:47,297 --> 00:08:49,159 TELL ME WHAT YOUR PLAN IS TO APPREHEND THIS INDIVIDUAL. 253 00:08:49,159 --> 00:08:51,832 WE'RE, UH, WE'RE LOOKING FOR MURDERS WITH THE SAME M.O., 254 00:08:51,832 --> 00:08:53,533 WE'RE ALSO CHECKING INTO ENEMIES THAT TYLER FARIS 255 00:08:53,533 --> 00:08:55,105 AND TONY VALTINI MIGHT HAVE HAD IN COMMON, 256 00:08:55,105 --> 00:08:56,837 AND FINALLY, WE'RE TRYING TO TRACK DOWN 257 00:08:56,837 --> 00:08:58,939 WHERE THAT SUIT AND SWORD CAME FROM. 258 00:08:58,939 --> 00:09:00,070 REACH OUT TO BELLEVUE. 259 00:09:00,070 --> 00:09:01,672 THEY PROBABLY ADMITTED OUR SUSPECT BEFORE. 260 00:09:01,672 --> 00:09:04,314 HE'S CLEARLY DELUSIONAL OR A PSYCHOTIC. 261 00:09:04,314 --> 00:09:05,776 YES, SIR. 262 00:09:05,776 --> 00:09:07,547 KEEP ME APPRISED, DETECTIVE. 263 00:09:07,547 --> 00:09:09,319 YES. 264 00:09:09,319 --> 00:09:10,921 DON'T WASTE YOUR TIME ON BELLEVUE. 265 00:09:10,921 --> 00:09:12,322 YOU WERE EAVESDROPPING? 266 00:09:12,322 --> 00:09:14,284 CAN I HELP IT IF I HAVE SUPERHUMAN, 267 00:09:14,284 --> 00:09:15,926 DAREDEVIL-LIKE HEARING? 268 00:09:15,926 --> 00:09:18,088 OUR KILLER IS NOT CRAZY. 269 00:09:18,088 --> 00:09:19,559 HE CUT A MAN IN TWO 270 00:09:19,559 --> 00:09:21,792 AND HE'S RUNNING AROUND WEARING A SUPERHERO SUIT. 271 00:09:21,792 --> 00:09:24,194 I KNOW COSTUMES. THAT ONE IS NOT COMMERCIAL. 272 00:09:24,194 --> 00:09:26,236 HE PROBABLY DESIGNED IT HIMSELF, 273 00:09:26,236 --> 00:09:27,798 WHICH MEANS HE'S HIGHLY FUNCTIONAL. 274 00:09:27,798 --> 00:09:29,199 YOU KNOW WHAT I WOULD LOVE RIGHT NOW? 275 00:09:29,199 --> 00:09:30,801 IS IF SOMEBODY WOULD COME HERE AND GIVE ME A THEORY 276 00:09:30,801 --> 00:09:32,572 THAT WOULD ACTUALLY HELP ME SOLVE THIS CASE. 277 00:09:32,572 --> 00:09:34,274 I'VE GOT ONE. 278 00:09:34,274 --> 00:09:36,807 EVERY SUPERHERO HAS A PERSONA, A MISSION, 279 00:09:36,807 --> 00:09:38,208 AN ORIGIN STORY. 280 00:09:38,208 --> 00:09:41,081 LEARNING WHO HE IS AS A HERO, WHAT DRIVES HIM, 281 00:09:41,081 --> 00:09:43,754 THAT WILL LEAD US TO THE MAN BEHIND THE MASK. 282 00:09:43,754 --> 00:09:45,686 CASTLE, WHAT GOOD IS COMIC BOOK MYTHOLOGY 283 00:09:45,686 --> 00:09:48,118 WHEN OUR KILLER IS NOT A SUPERHERO? 284 00:09:48,118 --> 00:09:49,589 WHAT IF HE IS A SUPERHERO? 285 00:09:49,589 --> 00:09:51,992 LIKE THIS ONE, WHO OPERATES OUT OF QUEENS. 286 00:09:51,992 --> 00:09:52,993 (beeps) 287 00:09:52,993 --> 00:09:54,294 MEET... THE RED MARUNE. 288 00:09:54,294 --> 00:09:56,727 RED MARUNE? ISN'T THAT REDUNDANT? 289 00:09:56,727 --> 00:09:58,769 (man) DON'T WORRY, MA'AM. 290 00:09:58,769 --> 00:10:00,771 RED MARUNE, PROTECTOR OF ALL, BEHOLDING TO NONE. 291 00:10:00,771 --> 00:10:01,802 (grunting) 292 00:10:01,802 --> 00:10:03,704 OH. (grunts and pants) 293 00:10:03,704 --> 00:10:06,006 SIR, THIS IS CLEARLY NOT YOUR PURSE. 294 00:10:06,006 --> 00:10:08,108 I DEMAND THAT YOU UNHAND IT. 295 00:10:08,108 --> 00:10:09,609 AAH! (grunts) 296 00:10:09,609 --> 00:10:11,642 (grunts) MA'AM, ARE--ARE YOU ALL RIGHT? 297 00:10:11,642 --> 00:10:13,613 (speaks indistinctly) AH! 298 00:10:13,613 --> 00:10:15,746 WOW. IMPRESSIVE CRIME-FIGHTING SKILLS. 299 00:10:15,746 --> 00:10:18,248 WHAT DO YOU THINK, MUTANT POWERS OR YEARS OF TRAINING? 300 00:10:18,248 --> 00:10:19,890 YES, WELL, SOMETIMES, THE RUNNER STUMBLES. 301 00:10:19,890 --> 00:10:21,391 THE POINT IS, THERE IS A SUBCULTURE 302 00:10:21,391 --> 00:10:24,725 OF REAL-LIFE SUPERHEROES THAT ACTUALLY EXISTS OUT THERE. 303 00:10:24,725 --> 00:10:27,157 PEOPLE CRUSADING FOR THE PUBLIC GOOD. 304 00:10:27,157 --> 00:10:28,759 YES, AND USUALLY, THEY GET THEIR ASSES KICKED, 305 00:10:28,759 --> 00:10:30,030 JUST LIKE THIS GUY. 306 00:10:30,030 --> 00:10:31,331 I THINK OUR VIGILANTE IS ONE OF THEM. 307 00:10:31,331 --> 00:10:33,033 CASTLE, IF HE'S A CRUSADER FOR THE PUBLIC GOOD, 308 00:10:33,033 --> 00:10:35,906 THEN WHY DID HE PARTITION TYLER FARIS? AH, BECAUSE TRAGICALLY... 309 00:10:35,906 --> 00:10:37,037 HIS PURSUIT OF JUSTICE 310 00:10:37,037 --> 00:10:39,209 HAS LED HIM DOWN THE PATH OF THE DARK SIDE. 311 00:10:39,209 --> 00:10:41,311 THAT IS A FATE THAT HAS BEFALLEN 312 00:10:41,311 --> 00:10:43,073 MANY A HERO. 313 00:10:43,073 --> 00:10:44,214 CHEERS. THANK YOU. 314 00:10:44,214 --> 00:10:45,916 TRUST ME, 315 00:10:45,916 --> 00:10:47,918 I AM ONTO SOMETHING WITH THIS SUPERHERO ANGLE. 316 00:10:47,918 --> 00:10:51,651 MY SPIDEY SENSES ARE TINGLING. 317 00:10:51,651 --> 00:10:53,183 WHAT'S WITH HIM? 318 00:10:53,183 --> 00:10:54,925 SOMETHING ABOUT SPIDEY SENSES AND TINGLING. 319 00:10:54,925 --> 00:10:56,356 PHOTOS FROM THE ALLEY? 320 00:10:56,356 --> 00:10:58,358 WE MAY HAVE A SUSPECT. TECH SAYS THAT THAT GUY 321 00:10:58,358 --> 00:11:00,390 MATCHES THE HEIGHT AND BUILD OF THE GUY IN THE SUIT. 322 00:11:00,390 --> 00:11:02,693 NOT ONLY THAT, WHEN HE SAW THE COPS TAKING HIS PICTURES, 323 00:11:02,693 --> 00:11:04,034 HE RAN. 324 00:11:04,034 --> 00:11:06,036 ALL RIGHT, HAVE UNIFORMS CIRCULATE HIS PHOTO. 325 00:11:06,036 --> 00:11:07,367 I WANT TO KNOW HIS NAME. ALL RIGHT. 326 00:11:07,367 --> 00:11:09,099 YOU KNOW, 327 00:11:09,099 --> 00:11:11,802 CASTLE MIGHT BE RIGHT ABOUT THIS GUY BEING A SUPERHERO. 328 00:11:11,802 --> 00:11:13,904 I TALKED TO A BUDDY OF MINE IN NARCOTICS. 329 00:11:13,904 --> 00:11:15,846 HE SAID HE HEARD RUMORS ABOUT A GUY ON THE STREETS 330 00:11:15,846 --> 00:11:18,749 ROUSTING DRUG DEALERS AND DUMPING THEIR STASHES-- 331 00:11:18,749 --> 00:11:20,410 A MASKED MAN WITH A SWORD. 332 00:11:20,410 --> 00:11:22,182 YES, IT IS A SAMURAI SWORD. 333 00:11:22,182 --> 00:11:23,784 SO WE'RE CHECKING SPECIALTY STORES 334 00:11:23,784 --> 00:11:25,185 AND MARTIAL ARTS SUPPLIERS. 335 00:11:25,185 --> 00:11:26,686 AND WHAT ABOUT THE COSTUME? 336 00:11:26,686 --> 00:11:29,089 NOT AVAILABLE IN ANY STORES, 337 00:11:29,089 --> 00:11:30,220 JUST LIKE CASTLE SAID. 338 00:11:30,220 --> 00:11:31,892 (Castle) SPEAKING OF COSTUMES... 339 00:11:31,892 --> 00:11:34,264 I KNOW WHO THE KILLER IS. 340 00:11:34,264 --> 00:11:37,798 BEHOLD--A PHOTO OF OUR MASKED VIGILANTE 341 00:11:37,798 --> 00:11:40,801 JUXTAPOSED WITH ISSUES FROM MY OWN MARVEL COLLECTION. 342 00:11:40,801 --> 00:11:43,203 YOU HAVE "AVENGERS" NUMBER 1? 343 00:11:43,203 --> 00:11:44,474 AND THERE'S MORE WHERE THAT CAME FROM. 344 00:11:44,474 --> 00:11:46,076 YOU'RE WELCOME TO PERUSE MY ISSUES ANYTIME. 345 00:11:46,076 --> 00:11:47,437 PLEASE NOTE HOW THE KILLER 346 00:11:47,437 --> 00:11:50,310 HAS DRAWN INSPIRATION FROM COSTUMES 347 00:11:50,310 --> 00:11:52,042 OF OTHER SUPERHEROES, FOR EXAMPLE, 348 00:11:52,042 --> 00:11:55,185 THE COLOR SCHEME EVOKES SPIDER-MAN, 349 00:11:55,185 --> 00:11:59,089 THE HORNED HELMET--OBVIOUSLY AN HOMAGE TO DAREDEVIL, 350 00:11:59,089 --> 00:12:01,121 THE SWORD AND SCABBARD-- DEADPOOL, 351 00:12:01,121 --> 00:12:03,353 A HIGH COLLAR, JUST LIKE BLACK PANTHER. 352 00:12:03,353 --> 00:12:06,827 NOW WHAT DO THESE CHARACTERS ALL HAVE IN COMMON? 353 00:12:06,827 --> 00:12:08,258 THEY'RE MAKE-BELIEVE? 354 00:12:08,258 --> 00:12:11,001 THEY'RE DRIVEN BY THE DEATH OF A FATHER FIGURE OR LOVED ONE. 355 00:12:11,001 --> 00:12:12,232 EXACTLY. 356 00:12:12,232 --> 00:12:15,405 I BELIEVE THAT OUR KILLER SHARES A SIMILAR BACKSTORY, 357 00:12:15,405 --> 00:12:17,737 WHICH IS WHY HE'S BEEN INSPIRED 358 00:12:17,737 --> 00:12:19,840 BY THESE CHARACTERS' COSTUMES. 359 00:12:19,840 --> 00:12:21,942 FURTHERMORE, OUT OF COSTUMES, 360 00:12:21,942 --> 00:12:23,944 THESE HEROES TEND TO BE UNASSUMING, 361 00:12:23,944 --> 00:12:25,876 SO LET'S ADD MILD-MANNERED TO OUR PROFILE. 362 00:12:25,876 --> 00:12:27,277 (Gates) MR. CASTLE, 363 00:12:27,277 --> 00:12:28,879 SO THIS IS YOU WORKING A HOMICIDE? 364 00:12:28,879 --> 00:12:31,481 A SUPERHERO WHO'S MILD-MANNERED, 365 00:12:31,481 --> 00:12:33,153 AND SOMEONE KILLED HIS PARENTS? 366 00:12:33,153 --> 00:12:34,825 ISN'T THAT ALL OF THEM? 367 00:12:34,825 --> 00:12:38,859 HOW CAN ANY OF THIS PRODUCE EVEN ONE USEFUL CONCLUSION? 368 00:12:38,859 --> 00:12:41,491 LET ME DIRECT YOUR ATTENTION TO THE GOLDEN BELT 369 00:12:41,491 --> 00:12:44,895 WORN BY OUR MASKED VIGILANTE, 370 00:12:44,895 --> 00:12:47,767 BASED ON THE GOLDEN BELT WORN BY IRON MAN 371 00:12:47,767 --> 00:12:51,301 IN ONLY 11 ORIGINAL ISSUES IN 1963. 372 00:12:51,301 --> 00:12:53,173 WHICH PROVES WHAT, EXACTLY? 373 00:12:53,173 --> 00:12:54,845 OUR KILLER COLLECTED COMIC BOOKS, 374 00:12:54,845 --> 00:12:57,177 WHICH MEANS THERE IS ONE PLACE IN THIS CITY 375 00:12:57,177 --> 00:12:59,449 HE WOULD DEFINITELY GO. 376 00:12:59,449 --> 00:13:01,311 (Beckett) YOU KNOW, CASTLE, 377 00:13:01,311 --> 00:13:03,013 YOU MIGHT WANT TO TONE DOWN THE THEORIES 378 00:13:03,013 --> 00:13:04,784 UNTIL GATES WARMS UP TO YOU. 379 00:13:04,784 --> 00:13:06,786 OH, I PLAN TO MELT CAPTAIN PERMAFROST 380 00:13:06,786 --> 00:13:08,188 BY SOLVING THIS CASE. 381 00:13:08,188 --> 00:13:10,320 (laughs) YEAH, WELL, GOOD LUCK WITH THAT ONE. 382 00:13:10,320 --> 00:13:11,922 WHOA. 383 00:13:11,922 --> 00:13:14,024 YOU SMELL THAT... 384 00:13:14,024 --> 00:13:16,867 WAFTING SCENT OF PRINTED PAGES? 385 00:13:16,867 --> 00:13:18,268 COMICADIA BECKONS. 386 00:13:18,268 --> 00:13:21,131 THIS PLACE ISTHEPREMIER COMIC BOOK SHOP. 387 00:13:21,131 --> 00:13:23,133 IT'S THE VATICAN TO A CATHOLIC. 388 00:13:23,133 --> 00:13:25,976 IT'S MECCA TO A PILGRIM. IT'S UPSTREAM TO A SPAWNING-- 389 00:13:25,976 --> 00:13:27,107 I KNOW, CASTLE. 390 00:13:27,107 --> 00:13:28,839 I BOUGHT MY FIRST COMIC HERE WHEN I WAS 14. 391 00:13:28,839 --> 00:13:30,810 "SIN CITY: A DAME TO KILL FOR." 392 00:13:30,810 --> 00:13:32,212 HARD-CORE! OKAY, WAIT, WAIT, OKAY. 393 00:13:32,212 --> 00:13:35,085 IF YOU COULD BE ANY COMIC BOOK CHARACTER IN THE WORLD, 394 00:13:35,085 --> 00:13:36,486 WHO WOULD YOU BE? 395 00:13:36,486 --> 00:13:38,218 ELEKTRA. 396 00:13:38,218 --> 00:13:40,290 AH, A RUTHLESS ASSASSIN WHO HIDES FROM HER EMOTIONS. 397 00:13:40,290 --> 00:13:42,893 NO, MAYBE IT'S BECAUSE SHE'S GOT BADASS NINJA SKILLS. 398 00:13:42,893 --> 00:13:44,294 MM. 399 00:13:44,294 --> 00:13:46,496 WHAT ABOUT YOU? IRON MAN? SPIDER-MAN? 400 00:13:46,496 --> 00:13:48,228 NO, WAIT. I KNOW. ANNOYING MAN. 401 00:13:48,228 --> 00:13:51,061 (chuckles) TRY BILLIONAIRE INDUSTRIALIST BRUCE WAYNE, 402 00:13:51,061 --> 00:13:52,202 A.K.A. THE DARK KNIGHT. 403 00:13:52,202 --> 00:13:53,603 HE'S BROODING, HE'S HANDSOME, 404 00:13:53,603 --> 00:13:56,036 AND HE HAS ALL THECOOLESTTOYS. 405 00:13:56,036 --> 00:13:58,238 WOW. DIGGING DEEP ON THAT ONE. 406 00:13:58,238 --> 00:14:00,240 ♪♪♪ 407 00:14:00,240 --> 00:14:02,342 AND DID I MENTION WHAT DISCERNING TASTE 408 00:14:02,342 --> 00:14:05,345 THEY HAVE HERE AT COMICADIA? 409 00:14:05,345 --> 00:14:07,417 OH, MR. CASTLE. 410 00:14:07,417 --> 00:14:09,119 A-AND YOU'RE KATE BECKETT, RIGHT? MM-HMM. 411 00:14:09,119 --> 00:14:11,121 OH. MIKE HOOVER. SIR, I AM A HUGE FAN. 412 00:14:11,121 --> 00:14:12,883 IT IS SUCH AN HONOR TO MEET YOU. 413 00:14:12,883 --> 00:14:14,184 OH, THE HONOR'S MINE. 414 00:14:14,184 --> 00:14:15,855 WE JUST GOT YOUR DERRICK STORM GRAPHIC NOVEL. 415 00:14:15,855 --> 00:14:17,157 I MEAN, THE ART, THE WRITING-- 416 00:14:17,157 --> 00:14:19,429 IT IS, IN A WORD, AWESOME. 417 00:14:19,429 --> 00:14:20,590 TELL ME, WHAT'S YOUR FAVORITE PART? 418 00:14:20,590 --> 00:14:22,062 YOU DON'T HAVE TO ANSWER THAT QUESTION. 419 00:14:22,062 --> 00:14:23,863 HIS EGO DOES NOT NEED ANY MORE FEEDING. 420 00:14:23,863 --> 00:14:25,865 DEFINITELY WHERE DERRICK STORM ESCAPES FROM THE TWO BAD GUYS 421 00:14:25,865 --> 00:14:27,537 BY CRASHING THE TAXI CAB. TAXI CAB. 422 00:14:27,537 --> 00:14:29,569 OH.I'M SORRY, DETECTIVE BECKETT. 423 00:14:29,569 --> 00:14:31,371 I SHOULD'VE SAID SPOILER ALERT. 424 00:14:31,371 --> 00:14:33,143 OH, NO. THAT'S OKAY. I WON'T BE READING IT. 425 00:14:33,143 --> 00:14:35,045 REALLY? I SAW YOUR NAME ON OUR LIST. 426 00:14:35,045 --> 00:14:36,446 YOU PREORDERED A COPY. 427 00:14:36,446 --> 00:14:38,048 DID SHE NOW? 428 00:14:38,048 --> 00:14:39,479 I WAS JUST BEING SUPPORTIVE. 429 00:14:39,479 --> 00:14:41,181 ANYWAY, WE'RE NOT HERE ABOUT THAT. 430 00:14:41,181 --> 00:14:43,083 WE NEED TO ASK YOU A FEW QUESTIONS. YES, WE DO. 431 00:14:43,083 --> 00:14:46,056 I DON'T SUPPOSE YOU KNOW OF ANY COLLECTORS OF EARLY IRON MAN. 432 00:14:46,056 --> 00:14:47,187 I'M SORRY, MR. CASTLE. 433 00:14:47,187 --> 00:14:49,189 I-I CAN'T SHARE CUSTOMER INFORMATION. 434 00:14:49,189 --> 00:14:52,022 MIKE, DO YOU RECOGNIZE THIS MAN? 435 00:14:52,022 --> 00:14:54,294 UH, NO. HE DOESN'T LOOK FAMILIAR. 436 00:14:54,294 --> 00:14:56,296 WHAT ABOUT... 437 00:14:56,296 --> 00:14:58,028 THIS ONE? 438 00:14:58,028 --> 00:14:59,199 YEAH, HIM I KNOW. 439 00:14:59,199 --> 00:15:00,400 YOU DO? 440 00:15:00,400 --> 00:15:01,601 YEAH. REALLY? 441 00:15:01,601 --> 00:15:03,303 YEAH. 442 00:15:03,303 --> 00:15:05,205 ♪♪♪ 443 00:15:05,205 --> 00:15:07,907 (people speaking indistinctly) 444 00:15:07,907 --> 00:15:10,180 THE SWORD, THE SUIT-- THAT'S OUR VIGILANTE. 445 00:15:10,180 --> 00:15:11,611 LONE VENGEANCE, 446 00:15:11,611 --> 00:15:14,314 THAT EXPLAINS THE "L" HE CARVED INTO TONY VALTINI'S BACKSIDE, 447 00:15:14,314 --> 00:15:17,187 BUT "SWORD OF LONE VENGEANCE," HOW COME I'VE NEVER SEEN THIS? 448 00:15:17,187 --> 00:15:18,448 OH, IT'S ONLINE ONLY. 449 00:15:18,448 --> 00:15:19,990 IT'S KIND OF FRINGE, BUT IT HAS A FOLLOWING. 450 00:15:19,990 --> 00:15:21,251 A GUY NAMED SEAN ELT WRITES IT. 451 00:15:21,251 --> 00:15:22,922 LOOKS LIKE YOU PUT MORE THOUGHT 452 00:15:22,922 --> 00:15:25,325 INTO THE KILLER'S COSTUME THAN HE DID, CASTLE. 453 00:15:25,325 --> 00:15:27,057 IT'S A DIRECT COPY OUT OF THE COMIC BOOK. 454 00:15:27,057 --> 00:15:28,428 I'VE SEEN THAT BEFORE. 455 00:15:28,428 --> 00:15:30,530 THE KNUCKLE PLATES, WHERE? 456 00:15:30,530 --> 00:15:31,701 ON THE GROUND AT THE CRIME SCENE. 457 00:15:31,701 --> 00:15:33,233 I THOUGHT IT WAS A BUTTON, BUT THIS IS IT. 458 00:15:33,233 --> 00:15:35,235 THAT'S WHAT IT WAS. IT FELL OFF OF HIS SUIT. 459 00:15:35,235 --> 00:15:36,936 IF WE CAN FIND THAT, 460 00:15:36,936 --> 00:15:38,668 IF IT'S STILL THERE, IT COULD LEAD US TO THE KILLER. 461 00:15:38,668 --> 00:15:41,211 UNIFORMS WIDENED THEIR CANVASS. 462 00:15:41,211 --> 00:15:43,643 STILL CAN'T FIND ANYONE WHO KNOWS OUR MYSTERY MAN. 463 00:15:43,643 --> 00:15:45,976 YEAH, WELL, WHOEVER HE IS, I CAN'T CONNECT HIM 464 00:15:45,976 --> 00:15:47,117 TO ANY SWORDS EITHER. 465 00:15:47,117 --> 00:15:48,378 I PRAY WE NAIL THIS DUDE 466 00:15:48,378 --> 00:15:49,719 BEFORE I HAVE TO CALL EVERY STORE ON THAT LIST. 467 00:15:49,719 --> 00:15:51,321 THOUGHT YOU WERE KIND OF ROOTING FOR THIS GUY. 468 00:15:51,321 --> 00:15:53,223 THAT'S WHEN HE WAS JOE CITIZEN TAKING IT TO THE BAD GUYS. 469 00:15:53,223 --> 00:15:54,624 NOW HE'S JUST SOME NIMROD IN A SUIT. 470 00:15:54,624 --> 00:15:57,087 MM. YOU GOTTA GIVE HIM PROPS FOR SPIRIT, THOUGH, RIGHT? 471 00:15:57,087 --> 00:15:59,059 I MEAN, HAVEN'T YOU EVER WANTED TO BE A SUPERHERO? 472 00:15:59,059 --> 00:16:00,960 GOING OUT THERE, PROWLING THE CITY, 473 00:16:00,960 --> 00:16:02,362 KNOCKING SOME HEADS? 474 00:16:02,362 --> 00:16:04,394 I DO THAT NOW. YEAH, I'M STILL HERE. 475 00:16:05,565 --> 00:16:06,966 YOU DID? 476 00:16:06,966 --> 00:16:08,368 WHEN? 477 00:16:08,368 --> 00:16:09,639 I'LL BE RIGHT THERE. 478 00:16:09,639 --> 00:16:11,001 (receiver clatters) 479 00:16:11,001 --> 00:16:12,502 JAKE'S PAWNSHOP SOLD A SAMURAI SWORD 480 00:16:12,502 --> 00:16:14,104 TO SOME GUY TWO HOURS AGO. 481 00:16:14,104 --> 00:16:16,306 THEY SAY HE MATCHES OUR PHOTO OF OUR MYSTERY MAN. 482 00:16:16,306 --> 00:16:18,748 MAYBE HE'S REPLACING THE ONE HE BROKE OFF IN TYLER FARIS. 483 00:16:21,251 --> 00:16:23,553 IT WAS... HERE. 484 00:16:23,553 --> 00:16:25,155 I KNOW IT WAS HERE. 485 00:16:25,155 --> 00:16:26,486 WELL, MAYBE SOMEBODY PICKED IT UP. 486 00:16:26,486 --> 00:16:28,088 OR MAYBE IT WAS A BUTTON. 487 00:16:28,088 --> 00:16:31,061 NO, IT'S--AH. AHA. 488 00:16:31,061 --> 00:16:32,522 THERE IT IS. 489 00:16:32,522 --> 00:16:35,365 THATIS NO BUTTON. 490 00:16:35,365 --> 00:16:39,169 THAT IS A PIECE OF HIS COSTUME. 491 00:16:39,169 --> 00:16:41,131 YOU'RE RIGHT. 492 00:16:41,131 --> 00:16:43,103 CASTLE, I THINK THERE'S A PARTIAL PRINT ON IT. 493 00:16:43,103 --> 00:16:44,774 AAH! WHOA! 494 00:16:44,774 --> 00:16:46,106 (metal clinks) 495 00:16:53,183 --> 00:16:54,344 (engine starts) 496 00:16:54,344 --> 00:16:56,146 POLICE! 497 00:16:56,146 --> 00:16:58,088 STOP! 498 00:16:58,088 --> 00:16:59,749 (tires squealing) 499 00:16:59,749 --> 00:17:01,251 (Beckett and Castle panting) 500 00:17:01,251 --> 00:17:02,652 HOW COOL WAS THAT?! 501 00:17:02,652 --> 00:17:04,594 WHICH PART, THAT THAT WAS OUR MURDERER 502 00:17:04,594 --> 00:17:06,696 OR THAT HE JUST GOT AWAY? 503 00:17:06,696 --> 00:17:09,099 I GOTTA CALL IN AN A.P.B. 504 00:17:09,099 --> 00:17:10,660 (rings and beeps) 505 00:17:10,660 --> 00:17:13,533 ESPO, I GOTTA CALL YOU BACK. 506 00:17:13,533 --> 00:17:15,235 WHOA, WHOA, WAIT. YOU'RE GONNA WANT TO HEAR THIS. 507 00:17:15,235 --> 00:17:16,406 Yeah, we just saw our suspect. 508 00:17:16,406 --> 00:17:18,308 HE FLED THE CRIME SCENE. Yeah, 509 00:17:18,308 --> 00:17:20,310 AND I KNOW WHERE TO FIND HIM BECAUSE I KNOW WHO HE IS. 510 00:17:20,310 --> 00:17:21,571 WHAT? HOW? 511 00:17:21,571 --> 00:17:23,643 Well, he bought a samurai sword 512 00:17:23,643 --> 00:17:25,645 AT A PAWNSHOP TODAY, AND NOW GET THIS-- 513 00:17:25,645 --> 00:17:27,317 HE PAID FOR IT WITH A CHECK. 514 00:17:27,317 --> 00:17:28,318 His name is, uh, 515 00:17:28,318 --> 00:17:29,579 CHAD HOCKNEY. 516 00:17:29,579 --> 00:17:31,050 His photo matches the mystery man 517 00:17:31,050 --> 00:17:32,182 from the crime scene. 518 00:17:32,182 --> 00:17:33,453 WHAT'S HIS ADDRESS? 519 00:17:33,453 --> 00:17:35,285 (grunts) 520 00:17:35,285 --> 00:17:37,727 (whooshing sounds) 521 00:17:37,727 --> 00:17:40,590 NYPD. DO NOT MOVE A MUSCLE. 522 00:17:40,590 --> 00:17:43,333 UNLESS YOU CAN MOVE FASTER THAN A SPEEDING BULLET. 523 00:17:43,333 --> 00:17:44,794 (whimpers, sword clatters) 524 00:17:49,399 --> 00:17:50,540 (blows air) 525 00:17:50,540 --> 00:17:52,272 THIS MAN... 526 00:17:52,272 --> 00:17:53,643 HE'S OUR KILLER? 527 00:17:53,643 --> 00:17:55,275 WELL, TO BE FAIR, H-- 528 00:17:55,275 --> 00:17:57,807 HE WAS A LOT MORE IMPOSING IN A DARK ALLEY... 529 00:17:57,807 --> 00:17:59,549 (Chad grunts) WITH A SWORD. 530 00:17:59,549 --> 00:18:01,281 UH-HUH. 531 00:18:01,281 --> 00:18:04,454 YEAH, HE LIVES FOUR BLOCKS AWAY FROM THE CRIME SCENE, 532 00:18:04,454 --> 00:18:07,217 AND C.S.U.'s GOING THROUGH HIS APARTMENT RIGHT NOW TO FIND... (grunting) 533 00:18:07,217 --> 00:18:09,159 E-EVIDENCE TO LINK HIM TO THE MURDER. 534 00:18:09,159 --> 00:18:11,861 TIE THIS UP IN A BOW, DETECTIVE. 535 00:18:11,861 --> 00:18:13,723 GET ME A CONFESSION. 536 00:18:13,723 --> 00:18:15,595 YAH. (grunts) 537 00:18:17,427 --> 00:18:20,530 TAKE A SEAT, MR. HOCKNEY. 538 00:18:20,530 --> 00:18:22,302 UH, LOOK, 539 00:18:22,302 --> 00:18:23,633 THIS IS JUST A BIG MISUNDERSTANDING. 540 00:18:23,633 --> 00:18:25,705 I MEAN, I-I'M ON YOUR GUYS' SIDE HERE. 541 00:18:25,705 --> 00:18:28,738 OUR SIDE DOESN'T EXECUTE CRIMINALS. 542 00:18:28,738 --> 00:18:30,840 SEE, YEAH, NEITHER DO I. 543 00:18:30,840 --> 00:18:33,383 EXCEPT FOR LAST NIGHT'S EPISODE OF "TWO HALF-MEN." 544 00:18:33,383 --> 00:18:36,246 WE HAVE A WITNESS, CHAD. SHE SAW YOU KILL TYLER FARIS. 545 00:18:36,246 --> 00:18:38,188 AND THEN LIKE A MOTH TO A FLAME, 546 00:18:38,188 --> 00:18:40,190 YOU WERE INEXORABLY DRAWN BACK TO THE SCENE OF THE CRIME. 547 00:18:40,190 --> 00:18:42,652 WHICH IS WHEN YOU REALIZED YOU LOST PART OF YOUR SUIT. 548 00:18:42,652 --> 00:18:45,325 SO YOU CAME BACK TO GET IT, OR RATHER, TAKE IT FROM US. 549 00:18:45,325 --> 00:18:47,857 THIS IS ALL ABOUT YOUR FATHER, ISN'T IT? 550 00:18:47,857 --> 00:18:50,630 YOU'RE DRIVEN BY HIS DEATH? 551 00:18:50,630 --> 00:18:52,502 MY FATHER'S IN MIAMI. 552 00:18:52,502 --> 00:18:55,134 I-I DON'T KNOW WHAT YOU PEOPLE ARE TALKING ABOUT. 553 00:18:55,134 --> 00:18:56,266 SO YOU'RE SAYING, YOU WEREN'T IN THE ALLEY 554 00:18:56,266 --> 00:18:57,367 SLAPPING MY HAND WITH YOUR SWORD, 555 00:18:57,367 --> 00:18:59,569 AND YOU DIDN'T KILL TYLER FARIS? 556 00:18:59,569 --> 00:19:01,871 NO. I-I WOULD NEVER KILL ANYONE. 557 00:19:01,871 --> 00:19:04,544 I MEAN, N-NEITHER WOULD LONE VENGEANCE. 558 00:19:04,544 --> 00:19:06,546 AREN'T YOU LONE VENGEANCE? 559 00:19:06,546 --> 00:19:07,717 NOT THE REAL ONE. 560 00:19:07,717 --> 00:19:10,850 THE REAL ONE BEING THE COMIC BOOK CHARACTER? 561 00:19:10,850 --> 00:19:13,253 COMIC BOOK CHARACTERS AREN'T REAL. 562 00:19:13,253 --> 00:19:14,484 OKAY? 563 00:19:14,484 --> 00:19:17,557 I MEAN THE GUY WHO ASSUMED THE PERSONA 564 00:19:17,557 --> 00:19:18,828 OF THE COMIC BOOK CHARACTER. 565 00:19:18,828 --> 00:19:20,730 AND WHO IS THAT? NO ONE KNOWS. 566 00:19:20,730 --> 00:19:22,492 BUT HE IS A LEGEND IN THE SUPERHERO COMMUNITY. 567 00:19:22,492 --> 00:19:25,735 I DREAMED OF BEING HIM WHEN I WAS RED MARUNE. 568 00:19:25,735 --> 00:19:28,167 "PROTECTOR OF ALL, BEHOLDING TO NONE"? 569 00:19:28,167 --> 00:19:29,469 YOU'VE HEARD OF ME? 570 00:19:29,469 --> 00:19:31,301 WE SAW THE PURSE-SNATCHING VIDEO. 571 00:19:31,301 --> 00:19:32,572 YEAH... 572 00:19:32,572 --> 00:19:33,743 THAT. 573 00:19:33,743 --> 00:19:35,505 UGH. 574 00:19:35,505 --> 00:19:36,646 THAT HIT THE WEB 575 00:19:36,646 --> 00:19:39,279 AND PRETTY MUCH TURNED RED MARUNE INTO A JOKE. 576 00:19:39,279 --> 00:19:41,211 THOSE WERE DARK DAYS. 577 00:19:41,211 --> 00:19:43,213 I WAS ABOUT READY TO HANG UP MY TIGHTS FOR GOOD, 578 00:19:43,213 --> 00:19:47,387 BUT THEN I DECIDED TO SEEK OUT LONE VENGEANCE'S COUNSEL. 579 00:19:47,387 --> 00:19:48,918 WHAT DID HE SAY? 580 00:19:48,918 --> 00:19:51,221 TO STAY THE HELL AWAY FROM HIM. 581 00:19:51,221 --> 00:19:54,264 BUT THAT--THAT ONLY STEELED MY RESOLVE. 582 00:19:54,264 --> 00:19:57,397 I MEAN, I MADE THIS COSTUME, I-I GOT A SWORD. 583 00:19:57,397 --> 00:20:00,370 I WAS ABOUT TO GO OUT ON PATROL WHEN YOU GUYS BUSTED IN. 584 00:20:00,370 --> 00:20:02,232 HOW DO YOU FIND HIM? 585 00:20:02,232 --> 00:20:04,634 I-I HEARD THAT LONE VENGEANCE, UH, FREQUENTED LOWER MANHATTAN. 586 00:20:04,634 --> 00:20:06,706 I-I ROAMED THE STREETS NIGHT AFTER NIGHT LOOKING FOR HIM. 587 00:20:06,706 --> 00:20:08,808 I FINALLY RAN INTO HIM, UH... 588 00:20:08,808 --> 00:20:11,210 NEAR BEEKMAN AND THEATRE ALLEY. 589 00:20:11,210 --> 00:20:13,813 I WANT TO BE HIS DISCIPLE. 590 00:20:13,813 --> 00:20:15,315 MAYBE... 591 00:20:15,315 --> 00:20:17,387 HIS PARTNER. 592 00:20:17,387 --> 00:20:19,819 IT'S--IT'S MY DESTINY. 593 00:20:19,819 --> 00:20:21,521 HE DOESN'T WANT A PARTNER. 594 00:20:21,521 --> 00:20:23,293 HOW DO YOU KNOW? 595 00:20:24,724 --> 00:20:27,427 LONE VENGEANCE. 596 00:20:27,427 --> 00:20:28,828 "LONE." 597 00:20:30,229 --> 00:20:31,561 (sighs) 598 00:20:31,561 --> 00:20:33,563 WHAT DO YOU MEAN, YOU CAN'T MAKE A CASE AGAINST HIM? 599 00:20:33,563 --> 00:20:35,305 HE'S WEARING THE SAME SUIT. 600 00:20:35,305 --> 00:20:37,307 YEAH, WELL, APPARENTLY, HE'S NOT THE ONLY ONE. 601 00:20:37,307 --> 00:20:39,409 CHAD HOCKNEY WAS IN HIS APARTMENT 602 00:20:39,409 --> 00:20:41,311 MAKING THAT SUIT THE NIGHT OF THE MURDER. 603 00:20:41,311 --> 00:20:42,442 IN FACT, NEIGHBORS WERE COMPLAINING 604 00:20:42,442 --> 00:20:43,813 ABOUT THE NOISE FROM THE SEWING MACHINE. 605 00:20:43,813 --> 00:20:45,515 I TOLD THE MAYOR WE HAD OUR MAN. 606 00:20:45,515 --> 00:20:47,577 YEAH, WELL, YOU SHOULDN'T HAVE DONE THAT. 607 00:20:47,577 --> 00:20:49,879 PERHAPS WHAT I SHOULDN'T HAVE DONE 608 00:20:49,879 --> 00:20:51,881 WAS PLACE MY FAITH IN YOU, DETECTIVE. 609 00:20:54,454 --> 00:20:57,887 GUYS, WHERE ARE WE ON THE MOTORCYCLE? 610 00:20:57,887 --> 00:20:59,489 CHECKING REGISTRATIONS ON SILVER KAWASAKIS. 611 00:20:59,489 --> 00:21:00,760 WE'RE ALSO CANVASSING AROUND BEEKMAN 612 00:21:00,760 --> 00:21:02,732 FOR OTHER SIGHTINGS OF LONE VENGEANCE. 613 00:21:02,732 --> 00:21:03,863 OKAY, LET'S PUT IN A COURT ORDER 614 00:21:03,863 --> 00:21:05,335 FOR THE NAMES OF ALL OF THE PEOPLE 615 00:21:05,335 --> 00:21:07,337 WHO DOWNLOADED THE LONE VENGEANCE COMICS. 616 00:21:07,337 --> 00:21:09,639 ONE OF THEM MIGHT BE OUR MURDERER. 617 00:21:17,347 --> 00:21:18,748 (footsteps approach) 618 00:21:18,748 --> 00:21:20,880 TO THE UNTRAINED EYE, 619 00:21:20,880 --> 00:21:23,783 THIS MIGHT LOOK LIKE A GROWN MAN READING COMIC BOOKS, BUT-- 620 00:21:23,783 --> 00:21:25,515 I'VE BEEN THINKING ABOUT THIS, DAD. 621 00:21:25,515 --> 00:21:27,617 I THINK YOU SHOULD BE HAPPY FOR ME. 622 00:21:27,617 --> 00:21:29,288 I AM. 623 00:21:29,288 --> 00:21:31,861 I AM. I'M JUST GONNA MISS YOU, THAT'S ALL. 624 00:21:31,861 --> 00:21:33,463 ME, TOO. 625 00:21:33,463 --> 00:21:35,995 BUT THIS IS WHAT I WANT. 626 00:21:35,995 --> 00:21:37,927 COME. TELL ME ABOUT YOUR CLASSES. 627 00:21:37,927 --> 00:21:39,929 WHAT WILL YOU BE TAKING IN JANUARY? 628 00:21:39,929 --> 00:21:42,402 UH, INTRO TO STATISTICS, 629 00:21:42,402 --> 00:21:44,374 MICROECONOMIC THEORY, 630 00:21:44,374 --> 00:21:46,776 THE ECONOMIC THEORY OF THE ISLAMIC MIDDLE EAST-- 631 00:21:46,776 --> 00:21:49,379 ISN'T ASHLEY AN ECONOMICS MAJOR? D-- 632 00:21:49,379 --> 00:21:50,780 ARE YOU JUST TAKING HIS CLASSES? 633 00:21:50,780 --> 00:21:52,782 THAT WAY, WE CAN SPEND MORE TIME TOGETHER. 634 00:21:52,782 --> 00:21:54,083 WHAT'S WRONG WITH THAT? 635 00:21:54,083 --> 00:21:55,915 TO QUOTE SPIDER-MAN, 636 00:21:55,915 --> 00:21:58,618 "WITH GREAT POWER COMES GREAT RESPONSIBILITY." 637 00:21:58,618 --> 00:22:00,350 NOT A LOT OF PEOPLE GET A CHANCE 638 00:22:00,350 --> 00:22:01,891 TO GO TO A SCHOOL LIKE THIS. 639 00:22:01,891 --> 00:22:04,594 YOU NEED TO THINK ABOUT YOUR DREAMS 640 00:22:04,594 --> 00:22:06,596 AND WHAT YOU WANT. 641 00:22:06,596 --> 00:22:07,997 THIS IS WHAT I WANT. 642 00:22:07,997 --> 00:22:09,699 THIS IS WHAT ASHLEY WANTS. 643 00:22:09,699 --> 00:22:11,761 THIS WASN'T EVEN HIS IDEA. IT WAS MINE. 644 00:22:11,761 --> 00:22:13,363 WELL, THIS CAN'T BE ALL ABOUT ASHLEY, ALEXIS. 645 00:22:13,363 --> 00:22:15,004 I MEAN, WHAT IF YOU GUYS BREAK UP? WHAT THEN? 646 00:22:15,004 --> 00:22:16,335 WE'RE NOT GONNA BREAK UP. 647 00:22:16,335 --> 00:22:17,737 WHY ARE YOU TRYING TO TALK ME OUTTA THIS? 648 00:22:17,737 --> 00:22:19,369 I'M NOT. I'M... 649 00:22:19,369 --> 00:22:21,741 I'M JUST TRYING TO STOP YOU FROM MAKING IRRATIONAL CHOICES. 650 00:22:21,741 --> 00:22:23,373 WHY DOES EVERYTHING I DO HAVE TO MAKE SENSE? 651 00:22:23,373 --> 00:22:25,114 WHY CAN'T I JUST DO WHAT I WANT EVERY ONCE IN A WHILE? 652 00:22:25,114 --> 00:22:27,046 THAT'S ALL YOU EVER DO. 653 00:22:28,948 --> 00:22:30,550 (sighs) 654 00:22:30,550 --> 00:22:32,452 (door opens) 655 00:22:32,452 --> 00:22:33,853 (door slams) 656 00:22:37,086 --> 00:22:39,629 (knock on door) 657 00:22:39,629 --> 00:22:40,860 (pants) 658 00:22:40,860 --> 00:22:42,091 HI. 659 00:22:42,091 --> 00:22:43,493 I SHOULD'VE-- I SHOULD'VE CALLED. 660 00:22:43,493 --> 00:22:45,735 (panting) YOGA, CASTLE. I WAS DOING... YOGA. 661 00:22:45,735 --> 00:22:47,366 COME ON IN. GOTCHA. 662 00:22:47,366 --> 00:22:49,739 I FOUND SOMETHING THAT WILL SHOCK AND AMAZE YOU. 663 00:22:49,739 --> 00:22:52,472 I DOWNLOADED ALL OF THE "SWORD OF LONE VENGEANCES." 664 00:22:52,472 --> 00:22:54,373 THAT'S NOT SHOCKING OR AMAZING. 665 00:22:54,373 --> 00:22:55,705 YOU DIDN'T LET ME FINISH. 666 00:22:55,705 --> 00:22:57,577 I WAS LOOKING FOR CLUES AS TO THE KILLER'S IDENTITY 667 00:22:57,577 --> 00:22:59,378 IN THE COMIC BOOKS. 668 00:22:59,378 --> 00:23:01,380 I DIDN'T FIND ANY, BUT CHECK OUT WHAT I DID FIND. 669 00:23:01,380 --> 00:23:02,912 TAKE A LOOK AT THESE PANELS. 670 00:23:02,912 --> 00:23:06,115 A HOODLUM LEAVES HIS WAREHOUSE, UH, LONE VENGEANCE SWOOPS IN, 671 00:23:06,115 --> 00:23:09,719 AND THEN CARVES THE LETTER "L" IN HIS RIGHT CHEEK. 672 00:23:09,719 --> 00:23:11,060 WHO DOES THAT REMIND YOU OF? 673 00:23:11,060 --> 00:23:12,692 TONY THE BUTCHER. 674 00:23:12,692 --> 00:23:13,963 I CHECKED THE DATES ON THE ISSUE. 675 00:23:13,963 --> 00:23:16,395 IT CAME OUTAFTER LONE VENGEANCE ATTACKED HIM. 676 00:23:16,395 --> 00:23:19,469 THESE PANELS EMULATETHAT EVENT. 677 00:23:19,469 --> 00:23:21,931 THE ONLY OTHER PERSON WHO WAS THERE WAS OUR VIGILANTE. 678 00:23:21,931 --> 00:23:24,003 SO THEN YOU'RE SAYING THAT-- IT HAS TO BE. 679 00:23:24,003 --> 00:23:26,576 OUR KILLER IS THE WRITER OF THIS COMIC BOOK-- 680 00:23:26,576 --> 00:23:27,977 SEAN ELT. 681 00:23:32,582 --> 00:23:33,943 (Beckett) OKAY, THANK YOU. 682 00:23:33,943 --> 00:23:34,944 (cell phone beeps) 683 00:23:34,944 --> 00:23:36,986 SEAN ELT DOESN'T EXIST. 684 00:23:36,986 --> 00:23:39,849 HIS NAME IS AN ALIAS. 685 00:23:39,849 --> 00:23:42,822 OR A NOM de PLUME AS WE WRITERS SAY. 686 00:23:42,822 --> 00:23:46,596 THOUGH WHY ANYONE WOULD CHOOSE "SEAN ELT"... 687 00:23:46,596 --> 00:23:48,427 WAIT A MINUTE. 688 00:23:48,427 --> 00:23:49,699 IT'S AN ANAGRAM. 689 00:23:49,699 --> 00:23:52,101 CHANGE THE LETTERS AROUND, AND YOU GET... 690 00:23:52,101 --> 00:23:54,934 STAN LEE-- COMIC BOOK GENIUS. 691 00:23:54,934 --> 00:23:57,436 (chuckles) TRUST ME, HE IS NO STAN LEE. 692 00:23:57,436 --> 00:23:58,808 HE'S NOT EVEN SEAN ELT. 693 00:23:58,808 --> 00:24:01,671 (Ryan) YEAH, ALL RIGHT. THANKS, BILL. MAYBE NEXT TIME. 694 00:24:01,671 --> 00:24:04,013 ALL RIGHT. SO NO HELP FROM TECH ON THE REAL NAME. 695 00:24:04,013 --> 00:24:07,016 THE LONE VENGEANCE WEB SITE IS REGISTERED SOLELY TO SEAN ELT. 696 00:24:07,016 --> 00:24:08,618 (Esposito) WELL, WHOEVER HE IS, 697 00:24:08,618 --> 00:24:10,620 HE PUT MORE THAN TONY THE BUTCHER IN HIS COMICS. 698 00:24:10,620 --> 00:24:12,582 I FOUND TWO MORE REAL-LIFE INCIDENTS 699 00:24:12,582 --> 00:24:14,083 THAT WOUND UP AS STORYLINES. 700 00:24:14,083 --> 00:24:16,686 LONE VENGEANCE SHOOK DOWN A DRUG DEALER, 701 00:24:16,686 --> 00:24:18,828 AND HERE, HE SET A TRUCK FULL OF FLAT SCREENS ON FIRE. 702 00:24:18,828 --> 00:24:21,591 (Beckett) OKAY, PULL UP THE TWO POLICE REPORTS. 703 00:24:21,591 --> 00:24:23,192 LET'S SEE IF THEY HAVE ANYTHING IN COMMON. I'M ON IT. 704 00:24:23,192 --> 00:24:25,565 THANKS. RYAN. 705 00:24:25,565 --> 00:24:27,166 SOMETHING DOESN'T ADD UP. 706 00:24:27,166 --> 00:24:30,039 LONE VENGEANCE STAMPS OUT CRIME, 707 00:24:30,039 --> 00:24:31,701 BOTH IN THE COMICS AND IN REAL LIFE. 708 00:24:31,701 --> 00:24:34,604 HE'S INTO THIS VIGILANTE-STYLE ASS KICKING, 709 00:24:34,604 --> 00:24:36,946 OR IN TONY'S CASE, ASS CARVING, 710 00:24:36,946 --> 00:24:38,678 BUT NEVER MURDER. 711 00:24:38,678 --> 00:24:40,850 SO WHY WOULD HE SUDDENLY KILL TYLER FARIS, 712 00:24:40,850 --> 00:24:42,752 AND WHY IN SUCH A BRUTAL WAY? 713 00:24:42,752 --> 00:24:46,015 THE "SWORD OF LONE VENGEANCE: THIS TIME IT'S PERSONAL"? 714 00:24:46,015 --> 00:24:47,617 THAT HAS TO BE IT. 715 00:24:47,617 --> 00:24:49,719 TYLER FARIS MUST HAVE KNOWN SEAN ELT. 716 00:24:49,719 --> 00:24:51,721 HE DIDN'T AS BEST AS I RECALL. 717 00:24:51,721 --> 00:24:53,793 I NEVER HEARD OF NO SEAN ELT. 718 00:24:53,793 --> 00:24:56,495 DID YOUR SON EVER HANG OUT WITH THE COMIC BOOK CROWD? 719 00:24:56,495 --> 00:24:58,668 WAS HE INTO COMICS? 720 00:24:58,668 --> 00:25:00,770 JUST THOSE SLUTTY SCHOOLGIRL ONES. 721 00:25:00,770 --> 00:25:02,732 OH, BUT LATELY, HE HAD GOTTEN ALL INTO-- 722 00:25:02,732 --> 00:25:04,273 OH, WHAT WAS IT? UH... 723 00:25:04,273 --> 00:25:06,876 UH, "SWORD OF LONE VENGEANCE." 724 00:25:06,876 --> 00:25:08,808 DID HE EVER MENTION THE WRITER OF THAT COMIC? 725 00:25:08,808 --> 00:25:11,641 WAS HE HANGING OUT WITH ANYONE OUT OF THE ORDINARY LATELY? 726 00:25:11,641 --> 00:25:13,142 SOMEBODY MILD-MANNERED, PERHAPS? 727 00:25:13,142 --> 00:25:15,915 ACTUALLY, I SAW HIM TALKING 728 00:25:15,915 --> 00:25:18,087 ON THE STOOP TO A GUY A FEW DAYS BACK. 729 00:25:18,087 --> 00:25:20,219 HE WAS DIFFERENT. WORE A SUIT. 730 00:25:20,219 --> 00:25:21,921 AS IN MASK AND CAPE? 731 00:25:21,921 --> 00:25:23,052 JACKET AND TIE. 732 00:25:23,052 --> 00:25:24,193 I OVERHEARD TYLER SAYING, 733 00:25:24,193 --> 00:25:27,957 "I KNOW THE TRUTH. I KNOW WHO YOU REALLY ARE." 734 00:25:27,957 --> 00:25:29,929 DO YOU THINK YOU COULD DESCRIBE HIM? 735 00:25:29,929 --> 00:25:33,062 UH, FAIR-HAIRED, YOUNGISH, WITH A BEARD. 736 00:25:33,062 --> 00:25:35,665 OH, AND HE WORE ONE OF THEM PLASTIC I.D. CARDS-- 737 00:25:35,665 --> 00:25:36,906 A-A GREEN ONE. 738 00:25:36,906 --> 00:25:38,808 FAIR HAIR WITH A BEARD. 739 00:25:38,808 --> 00:25:40,109 A GREEN PRESS BADGE. 740 00:25:40,109 --> 00:25:41,941 (both) THE REPORTER FROM THE CRIME SCENE. 741 00:25:41,941 --> 00:25:43,973 OUR SUSPECT IS ONE PAUL WHITTAKER-- 742 00:25:43,973 --> 00:25:45,775 FORMER GRAPHIC ARTIST WHO WORKS THE CRIME BEAT 743 00:25:45,775 --> 00:25:47,216 FOR THE "NEW YORK LEDGER." 744 00:25:47,216 --> 00:25:50,249 HE'S ALSO A NO-SHOW AT WORK AND HE'S NOT AT HOME, EITHER. 745 00:25:50,249 --> 00:25:52,752 WE PUT OUT AN A.P.B. AND WE FLAGGED HIS CREDIT CARDS. 746 00:25:52,752 --> 00:25:54,784 (Castle) ACTUALLY, THAT MAKES PERFECT SENSE. 747 00:25:54,784 --> 00:25:57,026 AS A CRIME REPORTER, PAUL WOULD SEE FIRSTHAND 748 00:25:57,026 --> 00:25:59,058 HOW LAWLESSNESS WOULD RAVAGE A COMMUNITY. 749 00:25:59,058 --> 00:26:01,661 COMPELLED TO DO MORE THAN JUST WRITE ABOUT IT, 750 00:26:01,661 --> 00:26:03,863 HE WOULD DON A MASK AND FORM-FITTING TIGHTS 751 00:26:03,863 --> 00:26:05,264 TO BECOME LONE VENGEANCE. 752 00:26:05,264 --> 00:26:07,737 BUT HIS PLAN TO PURGE THE STREETS HIT A SNAG 753 00:26:07,737 --> 00:26:09,568 WHEN TYLER FARIS THREATENED TO REVEAL 754 00:26:09,568 --> 00:26:11,340 HIS SECRET IDENTITY, 755 00:26:11,340 --> 00:26:13,342 CAUSING LONE VENGEANCE TO CUT HIM DOWN 756 00:26:13,342 --> 00:26:15,244 IN A SINGLE, FEARSOME BLOW. 757 00:26:18,107 --> 00:26:19,308 WHAT? 758 00:26:19,308 --> 00:26:21,050 THE STUDENT HAS BECOME THE MASTER. 759 00:26:21,050 --> 00:26:23,252 OR AT LEAST, HE TRIED. 760 00:26:23,252 --> 00:26:25,685 ACTUALLY, FOR A TRULY CASTLE-ESQUE THEORY, 761 00:26:25,685 --> 00:26:28,187 IT HAS TO BE FULLY THOUGHT THROUGH. 762 00:26:28,187 --> 00:26:29,358 SINCE WHEN? 763 00:26:29,358 --> 00:26:30,620 I DID THINK IT THROUGH. 764 00:26:30,620 --> 00:26:31,621 REALLY? 765 00:26:31,621 --> 00:26:33,022 THEN HOW DID TYLER FARIS KNOW 766 00:26:33,022 --> 00:26:34,794 THAT PAUL WHITTAKER WAS LONE VENGEANCE? 767 00:26:34,794 --> 00:26:35,995 (Esposito) I'VE GOT THAT ONE. 768 00:26:35,995 --> 00:26:37,967 I JUST GOT OFF WITH THE "LEDGER." 769 00:26:37,967 --> 00:26:40,299 TURNS OUT THAT OUR REPORTER PAUL WHITTAKER 770 00:26:40,299 --> 00:26:41,771 HAS A BURNER CELL PHONE 771 00:26:41,771 --> 00:26:43,803 THAT HE USES TO TALK TO CONFIDENTIAL SOURCES. 772 00:26:43,803 --> 00:26:46,906 IT'S THE SAME NUMBER THAT TYLER FARIS MADE CALLS TO. 773 00:26:46,906 --> 00:26:48,738 SO FARIS WAS A SOURCE OR A PAID INFORMANT. 774 00:26:48,738 --> 00:26:50,139 SO THAT'S HOW THEY KNEW EACH OTHER. 775 00:26:50,139 --> 00:26:51,641 AND SO MAYBE 776 00:26:51,641 --> 00:26:53,282 FARIS WAS TIPPING OFF PAUL 777 00:26:53,282 --> 00:26:55,284 ABOUT CRIMES GOING DOWN IN THE NEIGHBORHOOD 778 00:26:55,284 --> 00:26:57,346 BUT LONE VENGEANCE KEPT SHOWING UP INSTEAD. 779 00:26:57,346 --> 00:26:58,718 ANDTHAT... 780 00:26:58,718 --> 00:27:00,619 IS HOW FARIS FOUND OUT 781 00:27:00,619 --> 00:27:02,221 THAT LONE VENGEANCE WAS ACTUALLY PAUL. 782 00:27:02,221 --> 00:27:04,824 HE CONFRONTED PAUL, THREATENED TO EXPOSE HIM... 783 00:27:04,824 --> 00:27:06,826 SO PAUL WHITTAKER KILLED HIM TO HIDE HIS IDENTITY 784 00:27:06,826 --> 00:27:09,128 AS A HALF-ASSED SUPERHERO? 785 00:27:09,128 --> 00:27:11,360 (telephone rings) 786 00:27:11,360 --> 00:27:12,401 (sets cup down) 787 00:27:12,401 --> 00:27:13,733 BECKETT. 788 00:27:13,733 --> 00:27:16,035 ACTUALLY, IT'S PERFECT SUPERHERO PSYCHOLOGY. 789 00:27:16,035 --> 00:27:18,367 IT'S SYMBIOSIS. 790 00:27:18,367 --> 00:27:21,040 SEE, LONE VENGEANCE IS A PART OF PAUL WHITTAKER. 791 00:27:21,040 --> 00:27:23,372 YIN AND YANG--ONE CAN'T EXIST WITHOUT THE OTHER. 792 00:27:23,372 --> 00:27:25,144 (Beckett) OKAY, SEAL OFF THE AREA. 793 00:27:25,144 --> 00:27:26,275 (clatters) 794 00:27:26,275 --> 00:27:27,877 PAUL WHITTAKER JUST MAXED OUT HIS ATM 795 00:27:27,877 --> 00:27:29,148 AT 71st AND 7th. 796 00:27:29,148 --> 00:27:31,050 HMM. THAT IS ONE BLOCK AWAY FROM COMICADIA. 797 00:27:31,050 --> 00:27:32,251 HMM. 798 00:27:36,155 --> 00:27:37,857 2 GRAND FOR ALL THIS? 799 00:27:37,857 --> 00:27:40,059 MAN, YOU GOT A "HULK" 181 HERE. 800 00:27:40,059 --> 00:27:41,660 THAT ALONE IS WORTH, LIKE-- 801 00:27:41,660 --> 00:27:43,332 I JUST NEED THE MONEY... 802 00:27:43,332 --> 00:27:46,065 I-IN CASH. 803 00:27:46,065 --> 00:27:48,938 LOOK, UH, I'M IN A BIT OF A HURRY HERE 804 00:27:48,938 --> 00:27:50,800 SO, UH... (Beckett) REALLY? 805 00:27:50,800 --> 00:27:52,671 WHERE ARE YOU OFF TO, MR. WHITTAKER? 806 00:27:52,671 --> 00:27:54,203 OR SHOULD WE SAY 807 00:27:54,203 --> 00:27:57,006 LONE VENGEANCE? 808 00:28:01,410 --> 00:28:02,752 REALLY? OUR KILLER'S A WRITER? 809 00:28:02,752 --> 00:28:04,013 WELL, WRITERS CAN BE MEN OF ACTION. 810 00:28:04,013 --> 00:28:07,286 I'VE YET TO SEE THAT, MR. CASTLE. 811 00:28:07,286 --> 00:28:09,418 SO HE'S A JOURNALIST, LIKE PETER PARKER? 812 00:28:09,418 --> 00:28:11,821 ACTUALLY, PETER PARKER WAS A NEWS PHOTOGRAPHER. 813 00:28:11,821 --> 00:28:14,363 YEAH, OUR GUY'S A LITTLE MORE LIKE, UH, CLARK KENT. 814 00:28:14,363 --> 00:28:16,365 AND HE'S MILD-MANNERED, JUST LIKE I... 815 00:28:16,365 --> 00:28:17,396 (lowered voice) PREDICTED. 816 00:28:17,396 --> 00:28:18,697 DETECTIVE, 817 00:28:18,697 --> 00:28:19,969 I'D LIKE TO CALL THE MAYOR, 818 00:28:19,969 --> 00:28:21,370 LET HIM KNOW THAT WE CAUGHT OUR KILLER. 819 00:28:21,370 --> 00:28:23,432 TRY TO GET A CONFESSION THIS TIME. 820 00:28:23,432 --> 00:28:25,074 YES, SIR. 821 00:28:27,236 --> 00:28:29,108 I THINK SHE'S WARMING UP TO YOU. 822 00:28:29,108 --> 00:28:30,840 MM-HMM. 823 00:28:30,840 --> 00:28:32,441 (Beckett) WE'RE SEARCHING YOUR APARTMENT, PAUL. 824 00:28:32,441 --> 00:28:34,243 WE FOUND THIS ARTWORK THERE. 825 00:28:34,243 --> 00:28:37,186 WE KNOW THAT YOU WERE BEHIND "SWORD OF LONE VENGEANCE." 826 00:28:37,186 --> 00:28:40,419 WELL--WELL, THERE'S NO LAW AGAINST THAT, IS THERE? 827 00:28:40,419 --> 00:28:42,852 EXCEPT YOU TOOK IT A LOT FARTHER THAN JUST MAKING A COMIC BOOK. 828 00:28:42,852 --> 00:28:44,023 I MEAN, IT'S ONLY A MATTER OF TIME 829 00:28:44,023 --> 00:28:46,395 BEFORE WE FIND THE SUIT AND THE MURDER WEAPON. 830 00:28:46,395 --> 00:28:48,998 LONE VENGEANCE STANDS FOR ALL THAT IS GOOD AND VIRTUOUS, 831 00:28:48,998 --> 00:28:51,861 AN ARMY OF ONE AT WAR AGAINST CRIME, 832 00:28:51,861 --> 00:28:54,303 A DEFENDER OF THE INNOCENT. 833 00:28:54,303 --> 00:28:57,366 (clears throat) BUT THAT'S JUST A-A CHARACTER I CREATED. 834 00:28:57,366 --> 00:28:59,008 IT'S NOT SOMEONE REAL. 835 00:28:59,008 --> 00:29:01,010 ACCORDING TO THIS, YOU WERE MUGGED LAST YEAR 836 00:29:01,010 --> 00:29:03,112 OUTSIDE AN ABANDONED TENEMENT BUILDING? 837 00:29:03,112 --> 00:29:04,743 WELL, IT'S--IT'S NEW YORK. 838 00:29:04,743 --> 00:29:06,475 PEOPLE--PEOPLE GET MUGGED. 839 00:29:06,475 --> 00:29:08,377 ONLY THE MUGGER GOT THE WORST OF IT. 840 00:29:08,377 --> 00:29:10,379 YOU ENDED UP WITH A FEW STITCHES. 841 00:29:10,379 --> 00:29:12,181 THE MUGGER ENDED UP IN THE HOSPITAL, 842 00:29:12,181 --> 00:29:14,453 AND THE COPS SAY THAT YOU WERE "NONCOMPLIANT." 843 00:29:14,453 --> 00:29:16,425 YOU KNOW, THERE'S A CRITICAL MOMENT 844 00:29:16,425 --> 00:29:18,858 IN THE ARC OF EVERY SUPERHERO, 845 00:29:18,858 --> 00:29:20,459 AN AWAKENING THAT TRANSFORMS HIM, 846 00:29:20,459 --> 00:29:23,262 THAT DRIVES HIM TO EMBRACE HIS DESTINY. 847 00:29:23,262 --> 00:29:25,764 FOR YOU, THE MUGGING WAS THAT MOMENT. 848 00:29:25,764 --> 00:29:26,966 THAT'S WHEN LONE VENGEANCE WAS BORN. 849 00:29:26,966 --> 00:29:28,898 AND THEN YOU USED THE "SWORD OF LONE VENGEANCE" 850 00:29:28,898 --> 00:29:31,440 AS YOUR COMIC BOOK DIARY. 851 00:29:31,440 --> 00:29:34,343 WE KNOW YOU KILLED TYLER FARIS, PAUL. 852 00:29:34,343 --> 00:29:36,005 YOUR LIFE IS OVER, BOTH OF YOUR LIVES. 853 00:29:36,005 --> 00:29:37,346 YOU'RE GOING TO PRISON. 854 00:29:37,346 --> 00:29:39,308 WHAT DO YOU THINK THOSE CONS ARE GONNA DO 855 00:29:39,308 --> 00:29:41,981 WHEN THEY FIND OUT THAT YOU RAN AROUND IN TIGHTS? 856 00:29:41,981 --> 00:29:44,783 IF YOU HELP US, 857 00:29:44,783 --> 00:29:46,485 IF YOU CONFESS, 858 00:29:46,485 --> 00:29:48,087 I WILL KEEP YOU SAFE. 859 00:29:48,087 --> 00:29:51,420 I WILL GET YOU PLACED IN SEGREGATED HOUSING. 860 00:29:51,420 --> 00:29:54,393 NOW THAT IS A GOOD DEAL, PAUL. I WOULD TAKE IT IF I WERE YOU. 861 00:29:57,466 --> 00:29:59,198 OKAY. 862 00:29:59,198 --> 00:30:01,831 OKAY. OKAY. 863 00:30:01,831 --> 00:30:03,802 IT'S ME. 864 00:30:03,802 --> 00:30:05,534 I'M LONE VENGEANCE. 865 00:30:05,534 --> 00:30:08,137 AND TYLER FARIS FOUND OUT? 866 00:30:08,137 --> 00:30:10,139 YEAH. HE--HE THREATENED TO EXPOSE ME, 867 00:30:10,139 --> 00:30:13,082 SO I KILLED HIM. 868 00:30:15,244 --> 00:30:17,987 I'M GONNA NEED YOU TO WRITE THAT DOWN, PAUL. 869 00:30:21,991 --> 00:30:25,224 YOU SAID LONE VENGEANCE STANDS FOR ALL THAT IS GOOD. 870 00:30:25,224 --> 00:30:27,226 SO HE HAS A CODE. 871 00:30:27,226 --> 00:30:29,158 SO KILLING SOMEONE, 872 00:30:29,158 --> 00:30:31,500 EVEN SOMEONE LIKE TYLER FARIS, 873 00:30:31,500 --> 00:30:33,832 VIOLATED THAT CODE. 874 00:30:33,832 --> 00:30:35,234 IN A TYPICAL SUPERHERO, 875 00:30:35,234 --> 00:30:37,406 THAT WOULD TRIGGER A CRISIS OF FAITH. 876 00:30:37,406 --> 00:30:39,909 YOU MUST HAVE BEEN CONFLICTED. 877 00:30:39,909 --> 00:30:42,541 HOW DID YOU FEEL WHEN YOU KILLED TYLER FARIS? 878 00:30:42,541 --> 00:30:44,413 WELL, I-I FELT BAD. 879 00:30:44,413 --> 00:30:47,376 I-I FELT... REALLY BAD. 880 00:30:50,279 --> 00:30:52,281 PAUL, WHY DID YOU CHOP OFF TYLER'S HAND 881 00:30:52,281 --> 00:30:54,223 AFTER YOU KILLED HIM? 882 00:30:54,223 --> 00:30:55,624 I DON'T KNOW. 883 00:30:55,624 --> 00:30:57,526 I JUST--I JUST DID. 884 00:30:57,526 --> 00:30:58,988 CAN I--CAN I WRITE MY CONFESSION NOW? 885 00:30:58,988 --> 00:31:01,390 IS--IS THAT OKAY? 886 00:31:01,390 --> 00:31:03,862 ARE YOU SURE HE DIDN'T DO IT? 887 00:31:03,862 --> 00:31:05,394 YEAH, FARIS' HAND WAS CHOPPED OFF BEFORE HE WAS KILLED. 888 00:31:05,394 --> 00:31:06,865 PAUL DIDN'T KNOW THAT. 889 00:31:06,865 --> 00:31:08,267 THEN WHY DID HE CONFESS? 890 00:31:08,267 --> 00:31:10,439 BECAUSE PAUL IS PROTECTING THE REAL KILLER. 891 00:31:10,439 --> 00:31:13,102 PAUL IS THE WRITER. LONE VENGEANCE IS THE SUBJECT. 892 00:31:13,102 --> 00:31:14,373 THAT'S THEIR RELATIONSHIP. 893 00:31:14,373 --> 00:31:15,644 IT'S YOU AND ME ALL OVER AGAIN, 894 00:31:15,644 --> 00:31:17,646 BUT I'M PAUL, AND YOU'RE LONE VENGEANCE. 895 00:31:17,646 --> 00:31:19,108 REALLY, CASTLE, IS THAT HOW YOU SEE ME, 896 00:31:19,108 --> 00:31:20,649 LIKE A SWORD-WIELDING KILLER? 897 00:31:20,649 --> 00:31:22,281 DEPENDS. WILL YOU BE SCANTILY CLAD? 898 00:31:22,281 --> 00:31:24,013 IN YOUR DREAMS. 899 00:31:24,013 --> 00:31:25,884 NOT TO RAIN ON YOUR COMIC BOOK FANTASY, 900 00:31:25,884 --> 00:31:28,017 BUT IF PAUL IS NOT LONE VENGEANCE, 901 00:31:28,017 --> 00:31:29,658 IT PUTS A WHOLE NEW SPIN ON HIS MUGGING. 902 00:31:29,658 --> 00:31:32,391 THAT'S RIGHT, IT DOES. I BET PAUL DIDN'T BEAT UP THAT MUGGER. 903 00:31:32,391 --> 00:31:33,892 I BET THAT WAS LONE VENGEANCE. 904 00:31:33,892 --> 00:31:35,024 THAT'S PROBABLY HOW THEY MET. 905 00:31:35,024 --> 00:31:36,295 WAIT A MINUTE. THAT ABANDONED TENEMENT BUILDING 906 00:31:36,295 --> 00:31:37,596 WHERE PAUL WAS MUGGED, WHERE IS THAT? 907 00:31:37,596 --> 00:31:39,128 NEAR BEEKMAN AND THEATRE ALLEY. 908 00:31:39,128 --> 00:31:40,569 THAT'S THE SAME PLACE WHERE CHAD HOCKNEY 909 00:31:40,569 --> 00:31:41,931 FOUND LONE VENGEANCE. 910 00:31:41,931 --> 00:31:43,432 SO EITHER THAT'S A COINCIDENCE... 911 00:31:43,432 --> 00:31:45,174 OR THAT'S WHERE HE HANGS OUT. 912 00:31:45,174 --> 00:31:46,605 AN ABANDONED TENEMENT BUILDING-- 913 00:31:46,605 --> 00:31:48,607 PERFECT PLACE FOR A SUPERHERO LAIR. 914 00:31:52,281 --> 00:31:53,542 YOU SURE THIS IS THE PLACE? 915 00:31:53,542 --> 00:31:56,315 YEAH. THE POWER COMPANY SAID THAT... 916 00:31:56,315 --> 00:31:59,048 UNIT 209's THE ONLY ONE WITH ELECTRICITY. 917 00:31:59,048 --> 00:32:01,050 SOMEBODY TIED IT UP TO A POLE. 918 00:32:01,050 --> 00:32:02,451 (latch clicks) 919 00:32:02,451 --> 00:32:04,353 (cocks gun) 920 00:32:09,458 --> 00:32:12,331 OKAY, IF THIS IS A LAIR, CAN I JUST SAY... 921 00:32:12,331 --> 00:32:14,133 DISAPPOINTING? 922 00:32:14,133 --> 00:32:16,435 I MEAN, WHERE'S THE MOOD LIGHTING, 923 00:32:16,435 --> 00:32:19,938 THE GLASS CASE WITH 50 SAMURAI SWORDS? 924 00:32:19,938 --> 00:32:21,640 (whispers) CASTLE. 925 00:32:23,042 --> 00:32:24,473 (hinges squeak) 926 00:32:24,473 --> 00:32:26,645 OH-HO-HO! 927 00:32:26,645 --> 00:32:28,117 ALL RIGHT. 928 00:32:28,117 --> 00:32:30,379 IT'S A MODEST LAIR BUILT ON A BUDGET. 929 00:32:30,379 --> 00:32:33,322 WONDER WHAT ELSE HE'S GOT HIDDEN AROUND HERE. 930 00:32:33,322 --> 00:32:35,324 (radio clicks) (Esposito) Beckett, got a guy on the fire escape 931 00:32:35,324 --> 00:32:36,325 heading your way. 932 00:32:36,325 --> 00:32:38,127 I think it's him. 933 00:32:38,127 --> 00:32:39,588 (radio clicks) 934 00:32:39,588 --> 00:32:42,131 (hinges squeak) 935 00:32:51,040 --> 00:32:52,141 (gun clicks) 936 00:32:52,141 --> 00:32:54,243 NYPD. DO NOT MOVE. 937 00:32:54,243 --> 00:32:55,504 I WOULDN'T DO THAT IF I WERE YOU. 938 00:32:55,504 --> 00:32:57,246 THERE ARE COPS EVERYWHERE DOWNSTAIRS. 939 00:32:57,246 --> 00:32:59,608 NOW VERY SLOWLY TAKE OFF THAT MASK. 940 00:33:04,983 --> 00:33:07,286 OFFICER HASTINGS? 941 00:33:08,657 --> 00:33:11,290 I DID NOT SEE THAT COMING. 942 00:33:15,994 --> 00:33:17,266 CAN YOU BELIEVE IT, LONE VENGEANCE, 943 00:33:17,266 --> 00:33:19,398 SWORD-WIELDING KILLER, ENDS UP BEING ONE OF OUR OWN? 944 00:33:19,398 --> 00:33:21,430 I DON'T KNOW. MAYBE SHE HAD HER REASONS. 945 00:33:21,430 --> 00:33:23,302 WHOA. "MAYBE SHE HAD HER REASONS"? 946 00:33:23,302 --> 00:33:24,773 WHAT HAPPENED TO "NIMROD IN A SUIT"? 947 00:33:24,773 --> 00:33:26,705 WELL, THAT'S BEFORE I KNEW SHE WAS A COP. 948 00:33:26,705 --> 00:33:28,177 C.S.U.'s GOING OVER YOUR SUIT, ANN. 949 00:33:28,177 --> 00:33:31,310 THEY'RE LOOKING FOR TYLER FARIS' BLOOD. 950 00:33:31,310 --> 00:33:32,711 THEY WON'T FIND ANY. 951 00:33:32,711 --> 00:33:36,115 YEAH, WELL, YOU WOULD KNOW HOW TO CLEAN IT UP. 952 00:33:36,115 --> 00:33:38,187 I ALWAYS ADMIRED YOU, DETECTIVE. 953 00:33:38,187 --> 00:33:40,049 THE KIND OF COP THAT YOU ARE, 954 00:33:40,049 --> 00:33:41,520 IT MADE ME WANT TO GET TO KNOW YOU. 955 00:33:41,520 --> 00:33:44,453 WELL, YOU COULD'VE BEEN THAT KIND OF A COP. 956 00:33:44,453 --> 00:33:48,227 AWARDS, FIRST-RATE EVALUATION... 957 00:33:48,227 --> 00:33:51,500 WHY'D YOU LET IT GO? 958 00:33:51,500 --> 00:33:54,303 MY FATHER OWNED A DRY CLEANERS IN THE NEIGHBORHOOD. 959 00:33:54,303 --> 00:33:55,734 HE GOT HELD UP, 960 00:33:55,734 --> 00:33:58,607 BY SOME JUNKIE, PROBABLY. 961 00:33:58,607 --> 00:34:00,539 SHOT DEAD OVER 80 BUCKS. 962 00:34:00,539 --> 00:34:03,472 THE DAY AFTER I BURIED HIM, I APPLIED TO THE ACADEMY. 963 00:34:03,472 --> 00:34:06,745 SO THEN YOU DECIDED TO TAKE THE LAW INTO YOUR OWN HANDS? 964 00:34:06,745 --> 00:34:09,748 BEING A COP WASN'T ENOUGH? 965 00:34:09,748 --> 00:34:12,251 SOMEONE KILLED MY DAD. NOTHING WILL EVER BE ENOUGH. 966 00:34:12,251 --> 00:34:14,753 BUT DOING WHAT I DO MAKES ME FEEL BETTER. 967 00:34:16,485 --> 00:34:19,488 WE ARRESTED ANN. 968 00:34:19,488 --> 00:34:21,530 I JUST THOUGHT YOU SHOULD KNOW. 969 00:34:21,530 --> 00:34:22,831 (sighs deeply) 970 00:34:22,831 --> 00:34:24,833 YOU'RE... 971 00:34:24,833 --> 00:34:28,367 PROBABLY WONDERING WHY I CONFESSED, THEN. 972 00:34:30,099 --> 00:34:31,500 YOU'RE IN LOVE WITH HER. 973 00:34:33,402 --> 00:34:34,803 YOU CROSSED THE LINE, ANN. 974 00:34:34,803 --> 00:34:36,775 DON'T PRETEND LIKE WE'RE SO DIFFERENT. 975 00:34:36,775 --> 00:34:38,847 LET'S TALK ABOUT TYLER FARIS. 976 00:34:38,847 --> 00:34:41,650 DIDN'T YOU LOSE YOUR MOM? WE'RE NOT HERE TO DISCUSS THAT. 977 00:34:41,650 --> 00:34:43,712 DIDN'T YOU SHOOT THE GUY WHO KILLED HER 978 00:34:43,712 --> 00:34:45,184 RIGHT HERE IN THIS PRECINCT? 979 00:34:45,184 --> 00:34:46,615 THE BULLET THAT YOU TOOK, 980 00:34:46,615 --> 00:34:48,187 ISN'T THAT CONNECTED TO HER MURDER, TOO? 981 00:34:48,187 --> 00:34:49,188 BECAUSE THAT'S THE RUMOR. 982 00:34:49,188 --> 00:34:50,789 I AM NOT LIKE YOU. 983 00:34:50,789 --> 00:34:53,662 I DIDN'T CHOP A MAN IN HALF. 984 00:34:53,662 --> 00:34:55,224 NEITHER DID I. 985 00:34:55,224 --> 00:34:56,765 YES, YOU DID, AND YOU'VE GOT PAUL WHITTAKER 986 00:34:56,765 --> 00:34:58,197 SO TURNED AROUND OVER IT, 987 00:34:58,197 --> 00:34:59,768 THAT HE TRIED TO CONFESS TOYOURMURDER. 988 00:34:59,768 --> 00:35:02,301 PAUL? WHY WOULD HE DO THAT? 989 00:35:02,301 --> 00:35:04,433 DAMN IT. I... I TOLD HIM 990 00:35:04,433 --> 00:35:06,335 TO LEAVE TOWN UNTIL I GOT THIS SORTED OUT. 991 00:35:06,335 --> 00:35:07,576 WELL, YOU GOT IT SORTED OUT NOW. 992 00:35:07,576 --> 00:35:09,578 I DID NOT KILL TYLER FARIS. 993 00:35:09,578 --> 00:35:12,311 I THREW UP MY BREAKFAST WHEN I SAW THAT BODY. 994 00:35:12,311 --> 00:35:13,812 YOU WERE IN THE ALLEY WITH ME, ANN. 995 00:35:13,812 --> 00:35:16,615 YOU TOOK THAT PIECE FROM YOUR SUIT. 996 00:35:16,615 --> 00:35:18,617 IT WASN'T FROM MY SUIT, AND THE ONLY REASON I WANTED IT 997 00:35:18,617 --> 00:35:20,819 WAS TO FIGURE OUT WHO'S BEHIND THIS. 998 00:35:20,819 --> 00:35:23,152 DO YOU ACTUALLY EXPECT ME TO BELIEVE YOU? IT'S TRUE. 999 00:35:23,152 --> 00:35:25,254 I SAW THAT DISK AT THE CRIME SCENE. 1000 00:35:25,254 --> 00:35:26,525 I KNEW IT WASN'T MINE, 1001 00:35:26,525 --> 00:35:28,627 BUT BEFORE I COULD GET IT, I GOT SENT OFF TO CANVASS. 1002 00:35:28,627 --> 00:35:30,229 SO I CAME BACK FOR IT. 1003 00:35:30,229 --> 00:35:33,131 AND, YES, I TOOK IT FROM YOU. 1004 00:35:33,131 --> 00:35:34,363 AND WHAT DID YOU DO WITH IT? 1005 00:35:34,363 --> 00:35:36,365 I HAD A FRIEND IN THE CRIME LAB RUN IT FOR PRINTS. 1006 00:35:36,365 --> 00:35:37,636 IT CAME BACK WITH A PARTIAL, 1007 00:35:37,636 --> 00:35:40,409 BUT IT WASN'T IN THE CRIMINAL DATABASE. 1008 00:35:40,409 --> 00:35:42,811 LOOK, IF YOU DON'T BELIEVE ME, ASK HIM. HE STILL HAS IT. 1009 00:35:42,811 --> 00:35:44,813 SO SOMEBODY ELSE DRESSED UP AS LONE VENGEANCE 1010 00:35:44,813 --> 00:35:46,445 AND KILLED OUR VICTIM? 1011 00:35:46,445 --> 00:35:48,277 IT'S THE ONLY THING THAT MAKES SENSE. 1012 00:35:48,277 --> 00:35:50,849 HOW DOES THAT MAKE SENSE? 1013 00:35:50,849 --> 00:35:52,821 BECAUSE IT WASN'T ME. 1014 00:35:52,821 --> 00:35:55,584 I CAME ACROSS SOMETHING WHEN I CANVASSED MATT'S BAR 1015 00:35:55,584 --> 00:35:57,456 WHERE TYLER FARIS CAME FROM. 1016 00:35:57,456 --> 00:35:59,428 HE WAS A CREATURE OF HABIT. 1017 00:35:59,428 --> 00:36:00,559 HE DRANK THERE EVERY NIGHT. 1018 00:36:00,559 --> 00:36:03,292 HE'D ALWAYS LEAVE BETWEEN 1:00 AND 2:00 1019 00:36:03,292 --> 00:36:04,833 AND TAKE THE BACK DOOR TO THE ALLEY, 1020 00:36:04,833 --> 00:36:06,695 USUALLY WITH A GIRL. 1021 00:36:06,695 --> 00:36:08,237 (inhales) 1022 00:36:08,237 --> 00:36:10,199 SO YOU'RE SAYING THAT THE KILLER KNEW 1023 00:36:10,199 --> 00:36:12,471 FARIS WAS GONNA SHOW UP IN THAT ALLEY? 1024 00:36:14,203 --> 00:36:17,206 WELL, SHE DIDN'T KILL TYLER FARIS. 1025 00:36:17,206 --> 00:36:18,347 HOW DO YOU KNOW? 1026 00:36:18,347 --> 00:36:19,748 I... I JUST... 1027 00:36:19,748 --> 00:36:21,350 I KNOW. 1028 00:36:21,350 --> 00:36:23,652 WELL, IF SHE DIDN'T DO IT AND CHAD HOCKNEY DIDN'T DO IT, 1029 00:36:23,652 --> 00:36:25,914 THEN WE'RE LOOKING AT A THIRD LONE VENGEANCE, 1030 00:36:25,914 --> 00:36:27,516 A CLEVER IMPOSTER. 1031 00:36:27,516 --> 00:36:29,788 OKAY, SO, UH, LET'S SUPPOSE THAT OUR KILLER 1032 00:36:29,788 --> 00:36:31,260 IS AN IMPOSTER. 1033 00:36:31,260 --> 00:36:33,322 THAT WOULD MEAN THAT HE TARGETED TYLER FARIS 1034 00:36:33,322 --> 00:36:34,893 AND WORE A COSTUME, 1035 00:36:34,893 --> 00:36:37,326 EITHER TO MAKE SURE THAT NOBODY COULD IDENTIFY HIM... 1036 00:36:37,326 --> 00:36:38,727 OR TO MAKE SURE HE WOULD BE IDENTIFIED 1037 00:36:38,727 --> 00:36:40,329 AND FRAME LONE VENGEANCE FOR THE MURDER. 1038 00:36:40,329 --> 00:36:42,631 AND TYLER FARIS WAS THE PERFECT VICTIM. 1039 00:36:42,631 --> 00:36:44,903 YEAH, HE SHOWS UP IN A DARK ALLEY LIKE CLOCKWORK, 1040 00:36:44,903 --> 00:36:46,375 EVEN BRINGS HIS OWN WITNESS. 1041 00:36:46,375 --> 00:36:47,806 OKAY, SO THEN MAYBE OUR KILLER WAS A CRIMINAL 1042 00:36:47,806 --> 00:36:49,738 WHO WANTED LONE VENGEANCE OFF THE STREETS... 1043 00:36:49,738 --> 00:36:52,241 A CRIMINAL WHO WANTED VENGEANCE AGAINST LONE VENGEANCE 1044 00:36:52,241 --> 00:36:53,642 AND TYLER FARIS... 1045 00:36:53,642 --> 00:36:56,485 SOMEONE WHO KNEW TYLER AND HIS HABITS... 1046 00:36:56,485 --> 00:36:58,347 SOMEONE WHO HAD EXPERIENCE WIELDING A BLADE... 1047 00:36:58,347 --> 00:36:59,848 SOMEONE WHO POINTED US TO LONE VENGEANCE 1048 00:36:59,848 --> 00:37:01,420 IN THE FIRST PLACE. 1049 00:37:01,420 --> 00:37:03,592 YOU THINK I KILLED TYLER FARIS? 1050 00:37:03,592 --> 00:37:05,894 COME ON. YOU'RE DREAMING. 1051 00:37:05,894 --> 00:37:07,896 WE KNOW YOU WANTED LONE VENGEANCE OFF THE STREETS. 1052 00:37:07,896 --> 00:37:09,558 HE WAS COSTING YOU MONEY. 1053 00:37:09,558 --> 00:37:10,899 WE READ THE COMICS. 1054 00:37:10,899 --> 00:37:12,901 LONE VENGEANCE WAS SHAKING DOWN YOUR DEALERS, 1055 00:37:12,901 --> 00:37:14,232 BURNING YOUR TRUCKS. 1056 00:37:14,232 --> 00:37:15,834 SO WHEN FARIS THOUGHT 1057 00:37:15,834 --> 00:37:18,407 THAT HE FIGURED OUT LONE VENGEANCE'S TRUE IDENTITY, 1058 00:37:18,407 --> 00:37:20,409 HE KNEW YOU'D PAY TOP DOLLAR FOR IT. 1059 00:37:20,409 --> 00:37:23,272 ALL RIGHT, EVEN IF THIS WERE TRUE, WHICH IT'S NOT, 1060 00:37:23,272 --> 00:37:25,274 I GOT NO MOTIVE FOR MURDER. 1061 00:37:25,274 --> 00:37:27,616 YOU HAD TO BE ASKING YOURSELF ALL THESE TIMES 1062 00:37:27,616 --> 00:37:29,618 LONE VENGEANCE WAS HARASSING YOUR PEOPLE, 1063 00:37:29,618 --> 00:37:31,580 HOW DID HE KNOW WHERE TO GO? 1064 00:37:31,580 --> 00:37:33,021 WHO WAS TIPPING HIM OFF? 1065 00:37:33,021 --> 00:37:35,384 I MEAN, IT HAD TO HAVE BEEN SOMEONE FROM THE INSIDE, 1066 00:37:35,384 --> 00:37:37,255 SOMEONE WITH AN AX TO GRIND... 1067 00:37:37,255 --> 00:37:39,288 SOMEONE JUST LIKE TYLER FARIS. 1068 00:37:39,288 --> 00:37:40,689 (Castle) SO YOU FIGURED, 1069 00:37:40,689 --> 00:37:42,631 WHY NOT KILL TWO BIRDS WITH ONE STONE? 1070 00:37:42,631 --> 00:37:44,693 GET RID OF FARIS AND HANG THE MURDER 1071 00:37:44,693 --> 00:37:46,895 ON LONE VENGEANCE. 1072 00:37:46,895 --> 00:37:48,497 AND THAT'S IT? 1073 00:37:48,497 --> 00:37:51,269 I MEAN, THAT'S ALL YOU GOT? 1074 00:37:51,269 --> 00:37:52,901 (laughs) 1075 00:37:52,901 --> 00:37:55,574 YOU GUYS CALL YOURSELVES COPS? 1076 00:37:55,574 --> 00:37:56,845 YOU OUGHTA BE EMBARRASSED. 1077 00:37:56,845 --> 00:37:59,408 HERE'S THE PROBLEM-- 1078 00:37:59,408 --> 00:38:01,450 YOU GOT NO PROOF. 1079 00:38:07,516 --> 00:38:09,858 ACTUALLY, WE DO. 1080 00:38:10,989 --> 00:38:12,461 THAT'S FROM YOUR OUTFIT. 1081 00:38:12,461 --> 00:38:15,464 WE MATCHED THE PARTIAL PRINT TO YOUR COUSIN ERNESTO. 1082 00:38:15,464 --> 00:38:16,865 (Castle) THE TAILOR. 1083 00:38:16,865 --> 00:38:18,827 I'VE HEARD GREAT THINGS ABOUT HIS CUSTOM-MADE SHIRTS. 1084 00:38:18,827 --> 00:38:21,770 BUT HE ALSO CONFESSED TO MAKING A LONE VENGEANCE OUTFIT 1085 00:38:21,770 --> 00:38:24,302 FOR YOU. 1086 00:38:24,302 --> 00:38:27,706 (exhales deeply) 1087 00:38:27,706 --> 00:38:29,838 I WANT A LAWYER. 1088 00:38:29,838 --> 00:38:32,741 AND YOU WILL NEED ONE. 1089 00:38:32,741 --> 00:38:33,882 (buzzer sounds) 1090 00:38:33,882 --> 00:38:35,484 (door clatters) 1091 00:38:35,484 --> 00:38:37,486 (sirens wailing) 1092 00:38:37,486 --> 00:38:38,887 (door clatters) 1093 00:38:38,887 --> 00:38:40,819 THOSE ARE YOUR PERSONAL EFFECTS. 1094 00:38:40,819 --> 00:38:44,593 YOU PROBABLY WANT TO MAKE SURE EVERYTHING IS THERE. 1095 00:38:44,593 --> 00:38:47,626 THANKS, DETECTIVE BECKETT. 1096 00:38:47,626 --> 00:38:49,758 ANN, YOU'RE A GOOD COP. 1097 00:38:49,758 --> 00:38:52,831 AND YOU'VE GOT SOMEBODY WHO CARES ABOUT YOU. 1098 00:38:53,962 --> 00:38:55,964 DON'T BE SO DRIVEN BY THE PAST 1099 00:38:55,964 --> 00:38:58,006 THAT YOU THROW AWAY YOUR FUTURE. 1100 00:39:00,439 --> 00:39:02,771 TAKE CARE. 1101 00:39:13,522 --> 00:39:14,983 (Castle) WELL, A MURDER SOLVED 1102 00:39:14,983 --> 00:39:17,526 AND A NOTORIOUS HOODLUM OFF THE STREETS FOR GOOD-- 1103 00:39:17,526 --> 00:39:18,927 I CALL THAT A SOLID WIN. 1104 00:39:18,927 --> 00:39:20,659 I AGREE. 1105 00:39:20,659 --> 00:39:22,791 ALL BECAUSE OF THE HARD WORK AND DEDICATION 1106 00:39:22,791 --> 00:39:24,533 OF THIS TEAM. 1107 00:39:24,533 --> 00:39:26,535 THANK YOU, CAPTAIN. THAT MEANS A LOT. 1108 00:39:26,535 --> 00:39:28,797 OF POLICE OFFICERS. 1109 00:39:28,797 --> 00:39:31,500 TEAM OF POLICE OFFICERS, MR. CASTLE. 1110 00:39:31,500 --> 00:39:33,572 DETECTIVE. 1111 00:39:33,572 --> 00:39:35,804 ABOUT OFFICER HASTINGS... 1112 00:39:35,804 --> 00:39:37,946 SHE, UH, FLED THE ALLEY WHEN YOU ORDERED HER TO STOP. 1113 00:39:37,946 --> 00:39:40,108 SOME REASON YOU'RE NOT PRESSING ANY CHARGES? 1114 00:39:40,108 --> 00:39:41,710 I, UH... 1115 00:39:41,710 --> 00:39:43,812 THINK THAT GIVEN THE NUMBER OF FOLKS WEARING THAT COSTUME, 1116 00:39:43,812 --> 00:39:46,455 WE CAN'T PROVE THAT IT WAS HER IN THE ALLEY, 1117 00:39:46,455 --> 00:39:48,817 OR ANYWHERE ELSE FOR THAT MATTER. 1118 00:39:48,817 --> 00:39:49,988 EXACTLY, SIR. 1119 00:39:49,988 --> 00:39:51,560 SHE'S A PROMISING OFFICER. 1120 00:39:51,560 --> 00:39:53,822 THAT SAID, IT'D BE BAD FOR ALL OF US 1121 00:39:53,822 --> 00:39:56,595 IF LONE VENGEANCE WERE TO SHOW UPEVERAGAIN. 1122 00:39:56,595 --> 00:39:58,997 I DON'T THINK THAT THAT WILL BE A PROBLEM, SIR. 1123 00:39:58,997 --> 00:40:01,430 WELL, LET'S MAKE SURE IT ISN'T. 1124 00:40:03,832 --> 00:40:07,606 EITHER SHE JUST GREW A HEART... 1125 00:40:07,606 --> 00:40:08,877 OR SHE'S WORRIED ABOUT HOW IT WOULD LOOK 1126 00:40:08,877 --> 00:40:10,008 IF THE PRESS FOUND OUT 1127 00:40:10,008 --> 00:40:11,840 THAT LONE VENGEANCE WAS ONE OF OUR OWN. 1128 00:40:11,840 --> 00:40:13,582 (elevator bell dings) 1129 00:40:13,582 --> 00:40:14,943 (doors open) 1130 00:40:14,943 --> 00:40:16,885 A WRITER AND HIS MUSE... 1131 00:40:16,885 --> 00:40:18,887 FIGHTING CRIME, 1132 00:40:18,887 --> 00:40:20,489 JUST LIKE US. 1133 00:40:20,489 --> 00:40:21,750 HMM. 1134 00:40:21,750 --> 00:40:23,021 ♪♪♪ 1135 00:40:23,021 --> 00:40:24,593 (ding) 1136 00:40:24,593 --> 00:40:28,597 ♪♪♪ 1137 00:40:29,998 --> 00:40:31,530 (woman) ♪ I'VE BEEN HURT ♪ 1138 00:40:31,530 --> 00:40:32,861 TOMORROW? 1139 00:40:32,861 --> 00:40:34,733 MM-HMM. 1140 00:40:34,733 --> 00:40:36,465 OKAY. 1141 00:40:36,465 --> 00:40:38,737 ♪ IF I BREATHE OUT ♪ 1142 00:40:38,737 --> 00:40:42,611 ♪ WILL I FIND ANOTHER? ♪ 1143 00:40:42,611 --> 00:40:45,814 ♪ OF COURSE I WILL ♪ 1144 00:40:45,814 --> 00:40:46,815 (door closes) 1145 00:40:46,815 --> 00:40:47,976 AHA. 1146 00:40:47,976 --> 00:40:49,548 OH, HELLO, MOTHER. 1147 00:40:49,548 --> 00:40:51,149 AH. OHH. 1148 00:40:51,149 --> 00:40:52,681 AH, FALSTAFF. 1149 00:40:52,681 --> 00:40:53,922 REALLY? 1150 00:40:53,922 --> 00:40:56,024 IT'S KING LEAR. OH. 1151 00:40:56,024 --> 00:40:57,526 OHH. 1152 00:40:57,526 --> 00:40:59,688 I HAVE WORK TO DO. 1153 00:41:02,190 --> 00:41:03,562 HEY. WHAT'S UP? 1154 00:41:03,562 --> 00:41:05,494 UH, SKYPING WITH ASHLEY. 1155 00:41:05,494 --> 00:41:08,797 BUT WE JUST FINISHED. 1156 00:41:08,797 --> 00:41:11,139 YOU KNOW... 1157 00:41:11,139 --> 00:41:13,742 EVEN WHEN YOU WERE A LITTLE GIRL, 1158 00:41:13,742 --> 00:41:15,243 YOU WERE A SERIOUS PERSON. 1159 00:41:15,243 --> 00:41:16,945 I THINK I'VE JUST... 1160 00:41:16,945 --> 00:41:19,648 GOTTEN USED TO YOU BEING... 1161 00:41:19,648 --> 00:41:21,249 SENSIBLE AND MATURE, 1162 00:41:21,249 --> 00:41:22,881 EVEN MORE THAN ME SOMETIMES. 1163 00:41:22,881 --> 00:41:24,513 SOMETIMES? 1164 00:41:24,513 --> 00:41:25,914 POINT TAKEN. 1165 00:41:25,914 --> 00:41:28,617 THE THING IS, ALEXIS, I KNOW THERE ARE OTHER SIDES TO YOU-- 1166 00:41:28,617 --> 00:41:30,889 IMPULSIVE SIDES, 1167 00:41:30,889 --> 00:41:34,663 ROMANTIC SIDES... 1168 00:41:34,663 --> 00:41:37,125 AND I DON'T WANT YOU TO DENY THEM. 1169 00:41:37,125 --> 00:41:40,799 YOU WERE RIGHT. 1170 00:41:40,799 --> 00:41:43,672 WITH GREAT POWER DOES COME GREAT RESPONSIBILITY. 1171 00:41:43,672 --> 00:41:46,675 I'VE ALWAYS BEEN GOOD AT DOING WHAT I'M SUPPOSED TO. 1172 00:41:46,675 --> 00:41:49,678 BUT--BUT COLLEGE IS ABOUT DOING WHAT YOU WANT, 1173 00:41:49,678 --> 00:41:51,940 YOU KNOW, FOLLOWING YOUR PASSION. 1174 00:41:51,940 --> 00:41:53,842 I'M PICKING MY OWN CLASSES. 1175 00:41:53,842 --> 00:41:55,944 I DON'T KNOW WHICH ONES YET, 1176 00:41:55,944 --> 00:41:58,917 BUT, UM, NO ECONOMICS. 1177 00:41:58,917 --> 00:42:00,188 AND YOU KNOW WHAT? 1178 00:42:00,188 --> 00:42:01,920 EVEN IF YOU'RE NOT IN CLASSES WITH ASHLEY, 1179 00:42:01,920 --> 00:42:04,052 YOU STILL WILL SEE EACH OTHER PLENTY. 1180 00:42:04,052 --> 00:42:06,054 I KNOW, ESPECIALLY IF WE MOVE IN TOGETHER.