1 00:00:07,758 --> 00:00:10,181 HOLD IT. 2 00:00:19,400 --> 00:00:21,232 WHAT THE... 3 00:00:21,232 --> 00:00:25,146 HEY! SOMEBODY CALL THE FOREMAN! 4 00:00:25,146 --> 00:00:27,528 SO, BREAKFAST -- DIVIDE AND CONQUER? 5 00:00:27,528 --> 00:00:29,110 I'LL MAKE THE COFFEE. 6 00:00:29,110 --> 00:00:30,611 I'LL MAKE THE OMELETTES. 7 00:00:30,611 --> 00:00:34,285 AND I AM GOING TO MAKE YOUR DAY. 8 00:00:34,285 --> 00:00:35,616 I HAVE THE MOST EXCITING NEWS. 9 00:00:35,616 --> 00:00:37,618 I JUST WANTED TO WAIT UNTIL YOU WERE FINISHED DOING, 10 00:00:37,618 --> 00:00:39,830 YOU KNOW, WHATEVER YOU WERE DOING IN THERE. SLEEPING? 11 00:00:39,830 --> 00:00:41,001 UH, WHAT NEWS? 12 00:00:41,001 --> 00:00:42,713 ABOUT YOUR WEDDING. OH. 13 00:00:42,713 --> 00:00:45,626 UM, YOU'VE COME UP WITH OPTIONS FOR FLOWER ARRANGEMENTS. 14 00:00:45,626 --> 00:00:48,719 I HAVE SEARCHED HIGH AND LOW 15 00:00:48,719 --> 00:00:52,513 TRYING TO CAPTURE THE LOOK THAT IS THE ESSENCE OF YOU. 16 00:00:52,513 --> 00:00:54,975 I GIVE YOU... 17 00:00:54,975 --> 00:00:57,518 THE TUNNEL OF LOVE. 18 00:00:57,518 --> 00:01:00,181 THE BRIDE AND GROOM WALK TO THE ALTAR 19 00:01:00,181 --> 00:01:04,064 THROUGH THE ARCHED PASSAGEWAY FESTOONED WITH EXOTIC FLOWERS. 20 00:01:04,064 --> 00:01:07,188 THEN I FOUND THIS. 21 00:01:07,188 --> 00:01:10,241 IS THAT A GIANT PHOTOGRAPH? 22 00:01:10,241 --> 00:01:13,033 MADE ENTIRELY OF FLOWERS? 23 00:01:13,033 --> 00:01:15,456 YES, EXCEPT IT WOULD BE, OF COURSE, THE TWO OF YOU, 24 00:01:15,456 --> 00:01:18,459 PAINSTAKINGLY CRAFTED BY SKILLED ARTISANS. 25 00:01:18,459 --> 00:01:19,580 JUST [SHIVERS] 26 00:01:19,580 --> 00:01:22,123 BUT WAIT, THERE'S MORE. MOTHER. 27 00:01:23,164 --> 00:01:25,256 AS MUCH AS I APPRECIATE YOUR PASSION, 28 00:01:25,256 --> 00:01:27,338 AND OBVIOUSLY, DILIGENT RESEARCH, 29 00:01:27,338 --> 00:01:31,011 I JUST THINK THIS IS...A LITTLE TOO MUCH. 30 00:01:31,011 --> 00:01:32,673 IN TERMS OF EXPENSE? 31 00:01:32,673 --> 00:01:34,265 IN TERMS OF... 32 00:01:34,265 --> 00:01:37,478 E-EVERYTHING. 33 00:01:37,478 --> 00:01:40,391 RICHARD, WHY DO YOU JUST DISMISS 34 00:01:40,391 --> 00:01:43,274 ALL OF MY IDEAS ABOUT YOUR CEREMONY? 35 00:01:43,274 --> 00:01:46,227 YOU MEAN LIKE YOUR IDEAS OF BRINGING IN GIANT ICE SCULPTURES 36 00:01:46,227 --> 00:01:48,149 OF NIKKI HEAT OR HIRING THE VIENNA BOYS' CHOIR 37 00:01:48,149 --> 00:01:49,610 OR HAVING THE BLUE ANGELS FLY OVERHEAD? 38 00:01:49,610 --> 00:01:51,031 RICHARD, I'M SIMPLY TRYING 39 00:01:51,031 --> 00:01:53,154 TO BRING A LITTLE PAGEANTRY INTO YOUR WEDDING. 40 00:01:53,154 --> 00:01:54,615 BUT... 41 00:01:54,615 --> 00:01:55,736 SEEMS THE ONLY ROLE 42 00:01:55,736 --> 00:01:57,328 YOU WANT ME TO PLAY IS THAT OF GUEST. 43 00:01:57,328 --> 00:01:58,329 FINE. I CAN DO THAT. 44 00:02:02,703 --> 00:02:05,206 I JUST ASKED HER TO CHECK INTO FLOWERS AND KEEP IT SIMPLE. 45 00:02:05,206 --> 00:02:07,628 WITH HER TRACK RECORD, I-I S-SHOULD'VE KNOWN BETTER. 46 00:02:07,628 --> 00:02:09,210 LOOK, SHE MEANS WELL, CASTLE. 47 00:02:09,210 --> 00:02:10,881 SHE JUST WANTS TO BE A PART OF THIS, 48 00:02:10,881 --> 00:02:12,753 SO LET'S FIND SOMETHING FOR HER TO DO -- 49 00:02:12,753 --> 00:02:15,346 SOME KIND OF A...WEDDING PROJECT. 50 00:02:15,346 --> 00:02:16,807 YES. YOU'RE RIGHT, 51 00:02:16,807 --> 00:02:19,600 BUT SOMETHING SHE CAN'T TURN INTO AN OVER-THE-TOP DISASTER. 52 00:02:22,433 --> 00:02:24,315 I'LL KEEP THINKING. YEAH, ME TOO. 53 00:02:24,315 --> 00:02:25,526 Esposito: YO. 54 00:02:25,526 --> 00:02:26,897 SO, THIS BUILDING WAS SET TO BE DEMOLISHED. 55 00:02:26,897 --> 00:02:28,979 THAT IS, UNTIL THE SALVAGE CREW STRIPPING THE PLACE 56 00:02:28,979 --> 00:02:30,271 CAME ACROSS THIS BODY. 57 00:02:30,271 --> 00:02:33,364 Ryan: BURIED UNDER CONCRETE, NO LESS. 58 00:02:33,364 --> 00:02:34,825 YOU GOT A CAUSE OF DEATH? 59 00:02:34,825 --> 00:02:36,327 NOT TILL I DO A FULL EXAM, BUT HE'S PROBABLY BEEN HERE 60 00:02:36,327 --> 00:02:39,780 SINCE THEY POURED THE CONCRETE BACK IN 1978. 61 00:02:39,780 --> 00:02:43,284 Castle: A DEAD MAN FROM THE CARTER ADMINISTRATION 62 00:02:43,284 --> 00:02:44,625 ENTOMBED IN CEMENT -- I AM INTRIGUED. 63 00:02:44,625 --> 00:02:46,247 ANYTHING ELSE YOU CAN TELL US ABOUT THE VICTIM? 64 00:02:46,247 --> 00:02:49,500 Lanie: HE WAS MAYBE EARLY 30s, AND A SHARP DRESSER. 65 00:02:49,500 --> 00:02:51,752 CHECK OUT THAT POWDER-BLUE SUIT. 66 00:02:51,752 --> 00:02:53,714 YEAH, STRAIGHT FROM THE DISCO ERA. 67 00:02:53,714 --> 00:02:55,005 AND A TESTAMENT 68 00:02:55,005 --> 00:02:57,558 TO THE TRULY INDESTRUCTIBLE NATURE OF POLYESTER. 69 00:02:57,558 --> 00:02:59,260 WE'LL CHECK OUT WHO OWNED THE BUILDING BACK IN '78 70 00:02:59,260 --> 00:03:01,302 AND WHO OWNS IT NOW. Esposito: WE'LL ALSO PULL PERMITS, 71 00:03:01,302 --> 00:03:03,304 SEE IF WE CAN TRACK DOWN WHO POURED THIS CONCRETE. 72 00:03:04,355 --> 00:03:06,857 [ EXAGGERATED GASP ] 73 00:03:06,857 --> 00:03:08,148 I KNOW WHO THE VICTIM IS. 74 00:03:08,148 --> 00:03:09,230 WHAT? 75 00:03:09,230 --> 00:03:11,572 A MAN IN HIS 30s 76 00:03:11,572 --> 00:03:14,735 WITH A PENCHANT FOR PINKIE RINGS AND PANERAI WATCHES... 77 00:03:14,735 --> 00:03:17,197 WHO MYSTERIOUSLY VANISHED IN 1978. 78 00:03:17,197 --> 00:03:18,279 COME ON! 79 00:03:19,199 --> 00:03:21,452 VINCE BIANCHI? 80 00:03:21,452 --> 00:03:22,953 HEAD OF THE BIANCHI CRIME FAMILY? 81 00:03:22,953 --> 00:03:26,247 AND ONE OF THE MOST POWERFUL AND FEARED 82 00:03:26,247 --> 00:03:27,958 MAFIA DONS OF HIS DAY, 83 00:03:27,958 --> 00:03:30,291 UNTIL HE DISAPPEARED JIMMY HOFFA STYLE. 84 00:03:30,291 --> 00:03:33,384 AND FOR OVER THREE DECADES, HE WAS RIGHT HERE. 85 00:03:33,384 --> 00:03:35,426 WE JUST FOUND VINCE BIANCHI. 86 00:03:35,426 --> 00:03:37,888 VINCE BIANCHI, 87 00:03:37,888 --> 00:03:41,392 BEFORE HE TURNED INTO THE PILE OF BONES YOU GUYS FOUND. 88 00:03:41,392 --> 00:03:44,265 BACK THEN, WE WERE TRYING TO TAKE HIM OFF THE STREETS. 89 00:03:44,265 --> 00:03:48,188 THEN ON JULY 30, 1978, SOMEBODY DID IT FOR US. 90 00:03:48,188 --> 00:03:49,770 HIGH-PROFILE CASE LIKE THIS, 91 00:03:49,770 --> 00:03:51,732 GATES SURE DID PICK THE WRONG WEEK 92 00:03:51,732 --> 00:03:53,404 TO GO TO A TERRORISM SEMINAR. 93 00:03:53,404 --> 00:03:54,855 DETECTIVE BOYLE, 94 00:03:54,855 --> 00:03:56,196 COULD ONE OF THE OTHER CRIME FAMILIES 95 00:03:56,196 --> 00:03:57,278 HAVE HAD HIM KILLED? 96 00:03:57,278 --> 00:03:58,449 IT'S DEFINITELY POSSIBLE. 97 00:03:58,449 --> 00:04:00,661 "MICKEY THE BLADE" CARCANO, 98 00:04:00,661 --> 00:04:02,453 LOUIE "THE LIP" MANERI. 99 00:04:02,453 --> 00:04:05,416 BOTH WANTED TO MUSCLE IN ON BIANCHI'S TERRITORY, 100 00:04:05,416 --> 00:04:06,747 SO THEY HAD MOTIVE. 101 00:04:06,747 --> 00:04:09,710 IT'S LIKE BEING TRANSPORTED TO A BYGONE ERA. 102 00:04:09,710 --> 00:04:12,042 MICKEY THE BLADE. LOUIE THE LIP. 103 00:04:12,042 --> 00:04:13,674 WHERE ARE THESE GUYS NOW? 104 00:04:13,674 --> 00:04:16,046 PROBABLY UNDER CONCRETE. 105 00:04:16,046 --> 00:04:18,218 VINCE ALSO HAD RIVALS INSIDE THE BIANCHI FAMILY. 106 00:04:18,218 --> 00:04:20,381 WERE ANY OF THESE RIVALS SUSPECTS? 107 00:04:20,381 --> 00:04:22,092 YEAH, THIS GUY. 108 00:04:22,092 --> 00:04:24,345 FRANK RUSSO, ONE OF HIS LIEUTENANTS. 109 00:04:24,345 --> 00:04:27,227 HE TOOK OVER THE BIANCHI FAMILY AFTER VINCE VANISHED 110 00:04:27,227 --> 00:04:29,890 AND WAS ONE OF THE LAST PEOPLE TO SEE HIM ALIVE. 111 00:04:29,890 --> 00:04:33,233 THEY HAD DINNER TOGETHER THAT NIGHT AT GINO'S RESTAURANT. 112 00:04:33,233 --> 00:04:37,107 THE OWNER SNAPPED THIS PICTURE OF FRANK AND VINCE -- 113 00:04:37,107 --> 00:04:39,450 THE LAST KNOWN PHOTO OF VINCE BIANCHI. 114 00:04:39,450 --> 00:04:43,324 FRANK CLAIMED HE DROVE VINCE HOME AND NEVER SAW HIM AGAIN. 115 00:04:43,324 --> 00:04:44,745 WHAT DO YOU THINK REALLY HAPPENED? 116 00:04:44,745 --> 00:04:47,708 I THINK FRANK TALKED VINCE INTO A NIGHT ON THE TOWN, 117 00:04:47,708 --> 00:04:51,832 LURED HIM SOMEPLACE, AND KILLED HIM. 118 00:04:51,832 --> 00:04:53,253 BUT WE COULD NEVER PROVE IT. 119 00:04:53,253 --> 00:04:54,835 CASTLE, LOOK AT THE SUIT 120 00:04:54,835 --> 00:04:57,047 THAT VINCE WAS WEARING AT THE RESTAURANT. 121 00:04:57,047 --> 00:04:58,469 IT'S BLACK. IT'S NOT POWDER BLUE. 122 00:04:58,469 --> 00:05:00,341 SO, HE DID GO OUT AFTER DINNER THAT NIGHT. 123 00:05:00,341 --> 00:05:02,132 AND FRANK RUSSO WAS LYING. 124 00:05:02,132 --> 00:05:05,806 WE NEED TO TALK TO FRANK RUSSO. 125 00:05:05,806 --> 00:05:07,598 VINCE WAS A GOOD MAN. GOD REST. 126 00:05:07,598 --> 00:05:10,270 NOW AT LEAST HE'LL GET A PROPER BURIAL. 127 00:05:10,270 --> 00:05:11,602 YEAH, MR. RUSSO, 128 00:05:11,602 --> 00:05:13,354 WE'D LIKE TO REVISIT THE NIGHT THAT HE DISAPPEARED. 129 00:05:13,354 --> 00:05:15,356 LOOK, THAT WHOLE THING WAS AGES AGO. 130 00:05:15,356 --> 00:05:16,777 RIGHT, AND AFTER IT HAPPENED, 131 00:05:16,777 --> 00:05:18,198 YOU TOOK OVER THE BIANCHI CRIME FAMILY. 132 00:05:18,198 --> 00:05:19,319 ISN'T THAT TRUE? 133 00:05:19,319 --> 00:05:21,652 I'M LEGIT NOW. I OWN SEVERAL BUSINESSES. 134 00:05:21,652 --> 00:05:23,494 Marie: OH, YEAH. 135 00:05:23,494 --> 00:05:26,206 CRUMBS THE FAMILY THREW YOU WHEN THEY SHOVED YOU OUT THE DOOR. 136 00:05:26,206 --> 00:05:28,449 HEY, EXCUSE ME FOR MAKING AN HONEST LIVING 137 00:05:28,449 --> 00:05:30,621 TO KEEP 4,000 SQUARE FEET OVER YOUR HEAD! 138 00:05:30,621 --> 00:05:33,624 YEAH, BUT IT'S NOT THE PENTHOUSE, IS IT, FRANK? 139 00:05:33,624 --> 00:05:35,546 IT'S NOT THE TOP FLOOR. 140 00:05:38,759 --> 00:05:40,511 WHAT ARE YOU GONNA DO? 141 00:05:40,511 --> 00:05:43,093 YOU KNOW, WHY DON'T YOU JUST WALK US THROUGH 142 00:05:43,093 --> 00:05:45,175 WHAT HAPPENED AT GINO'S RESTAURANT? 143 00:05:45,175 --> 00:05:47,638 VINCE AND I BROKE BREAD, WE SHOT THE BREEZE. 144 00:05:47,638 --> 00:05:50,391 VINCE TALKED ABOUT THE FUTURE, SETTLING DOWN, 145 00:05:50,391 --> 00:05:53,023 HOW IMPORTANT IT WAS FOR A DON TO BE A FAMILY MAN. 146 00:05:53,023 --> 00:05:55,606 AFTER DINNER, I DROPPED HIM HOME. THAT WAS IT. 147 00:05:55,606 --> 00:05:57,528 AND YOU AND VINCE DIDN'T GO OUT AFTERWARDS? 148 00:05:57,528 --> 00:05:58,649 AGAIN WITH THIS? 149 00:05:58,649 --> 00:06:00,571 HOW MANY TIMES DO I GOT TO SAY IT? NO. 150 00:06:00,571 --> 00:06:01,942 THEN WHY WAS HE FOUND IN A DIFFERENT SUIT 151 00:06:01,942 --> 00:06:03,283 THAN THE ONE THAT HE WORE AT GINO'S RESTAURANT? 152 00:06:03,283 --> 00:06:04,695 I HAVE NO IDEA. 153 00:06:04,695 --> 00:06:06,867 IF HE WENT OUT AFTER, IT'S NEWS TO ME. 154 00:06:06,867 --> 00:06:09,700 BUT IF HE DID GO OUT, HAROLD WOULD'VE KNOWN ABOUT IT. 155 00:06:09,700 --> 00:06:11,121 HAROLD? 156 00:06:11,121 --> 00:06:12,543 HAROLD LEONE. 157 00:06:12,543 --> 00:06:15,295 VINCE DIDN'T BRUSH HIS TEETH WITHOUT TALKING TO HAROLD. 158 00:06:15,295 --> 00:06:17,167 IF YOU ASK ME, FRANK'S JUST POINTING AT SOMETHING SHINY 159 00:06:17,167 --> 00:06:18,919 SO YOU QUIT LOOKING AT HIM. 160 00:06:18,919 --> 00:06:20,170 YEAH, WELL, THAT'S VERY POSSIBLE, 161 00:06:20,170 --> 00:06:22,302 BUT WHO IS HAROLD LEONE? 162 00:06:22,302 --> 00:06:24,805 VINCE'S ADVISOR, HIS CONSIGLIERE. 163 00:06:24,805 --> 00:06:26,386 LIKE TOM HAGEN IN "THE GODFATHER." 164 00:06:26,386 --> 00:06:28,308 Yeah, but after Vince went missing, 165 00:06:28,308 --> 00:06:30,601 HAROLD KIND OF DROPPED OFF THE WORLD. 166 00:06:30,601 --> 00:06:31,892 WAS HE EVER A SUSPECT? 167 00:06:31,892 --> 00:06:32,893 No. 168 00:06:32,893 --> 00:06:34,855 BUT WORD WAS HE KNEW THINGS. 169 00:06:34,855 --> 00:06:36,817 SO, WHERE CAN WE FIND HIM NOW? 170 00:06:36,817 --> 00:06:39,149 I might have an address in my files. 171 00:06:40,821 --> 00:06:43,363 EXCUSE ME, MA'AM. 172 00:06:43,363 --> 00:06:44,154 HI. 173 00:06:44,154 --> 00:06:45,866 NYPD. 174 00:06:45,866 --> 00:06:47,237 WE'RE LOOKING FOR HAROLD LEONE. 175 00:06:47,237 --> 00:06:48,288 IS THIS WHERE HE LIVES? 176 00:06:48,288 --> 00:06:50,911 UH, I'M YVONNE. I LOOK AFTER HAROLD. 177 00:06:50,911 --> 00:06:52,332 WELL, WE'D LIKE TO SPEAK WITH HIM. 178 00:06:52,332 --> 00:06:53,914 ARE YOU SURE ABOUT THAT? 179 00:06:53,914 --> 00:06:55,666 I MEAN, HE'S A SWEET MAN DEEP DOWN, 180 00:06:55,666 --> 00:06:57,297 BUT HE'S JUST A LITTLE OFF. 181 00:06:57,297 --> 00:06:59,460 OFF HOW? 182 00:06:59,460 --> 00:07:02,382 PATHOLOGICAL GRIEVING IS WHAT THEY CALL IT. 183 00:07:02,382 --> 00:07:05,095 HAROLD'S BEST FRIEND DISAPPEARED BACK IN '78, 184 00:07:05,095 --> 00:07:07,307 AND HAROLD, HE NEVER GOT OVER IT. 185 00:07:07,307 --> 00:07:08,348 NEVER MOVED ON. 186 00:07:08,348 --> 00:07:10,390 IT'S LIKE HE'S FROZEN IN TIME. 187 00:07:10,390 --> 00:07:13,894 THAT'S WHY HE STAYS HOME AND STILL OWNS THIS CAR 188 00:07:13,894 --> 00:07:16,727 AND MAKES ME WEAR THESE DUMBASS CLOTHES. 189 00:07:16,727 --> 00:07:20,731 I'M SORRY, ARE YOU SAYING THAT HAROLD THINKS IT'S THE 1970s? 190 00:07:20,731 --> 00:07:22,362 YEAH. 191 00:07:22,362 --> 00:07:24,655 AND ANYTHING THAT HAPPENS THAT BURSTS THAT BUBBLE, 192 00:07:24,655 --> 00:07:26,326 OH, HE JUST GETS ALL CONFUSED. 193 00:07:26,326 --> 00:07:28,158 SO, WHEN YOU GO IN TO TALK TO HIM, 194 00:07:28,158 --> 00:07:29,950 JUST TURN OFF YOUR CELLPHONES -- MM-HMM -- 195 00:07:29,950 --> 00:07:31,371 PRETEND LIKE IT'S 40 YEARS AGO. 196 00:07:31,371 --> 00:07:33,494 YOU SHOULDN'T HAVE ANY PROBLEM. 197 00:07:33,494 --> 00:07:37,167 ACTUALLY, YOU WILL HAVE A PROBLEM. 198 00:07:37,167 --> 00:07:39,670 EDITH, I'M HOME! 199 00:07:39,670 --> 00:07:41,291 OH, HELLO, ARCHIE! 200 00:07:41,291 --> 00:07:44,755 WHOA. LOOK AT THIS PLACE. 201 00:07:44,755 --> 00:07:46,547 HAROLD?! 202 00:07:46,547 --> 00:07:48,298 YOU HAVE GUESTS! 203 00:07:48,298 --> 00:07:51,642 Harold: HUH? 204 00:07:53,393 --> 00:07:54,855 WHOA! 205 00:07:54,855 --> 00:07:59,189 WELL, THIS HOT MAMA COULD BE MY GUEST ALL NIGHT LONG. 206 00:07:59,189 --> 00:08:03,153 UH, SIR, I'M DETECTIVE BECKETT, AND THIS IS MR. CASTLE. 207 00:08:03,153 --> 00:08:04,274 CAPTAIN. CASTLE. 208 00:08:04,274 --> 00:08:05,866 WELL, CAPTAIN CASTLE, 209 00:08:05,866 --> 00:08:08,989 I BET YOU'RE, UH, SHOWING THIS LITTLE LADY THE ROPES, HUH? 210 00:08:08,989 --> 00:08:10,531 BREAKING HER IN, HUH? 211 00:08:10,531 --> 00:08:12,072 WELL, ACTUALLY, UM -- 212 00:08:12,072 --> 00:08:16,206 I MEAN, HAVE YOU EVER SEEN A COP WITH AN ASS THAT FINE? 213 00:08:16,206 --> 00:08:18,378 IF THIS IS WOMEN'S LIB, I'M ALL FOR IT. 214 00:08:18,378 --> 00:08:19,459 EXCUSE ME? 215 00:08:19,459 --> 00:08:21,421 TO BE FAIR, YOU DO HAVE A VERY FINE -- 216 00:08:21,421 --> 00:08:22,462 NEVER MIND. 217 00:08:22,462 --> 00:08:24,625 SO, HOW CAN I HELP YOU, CAPTAIN? 218 00:08:24,625 --> 00:08:26,677 OH. 219 00:08:26,677 --> 00:08:29,550 UH, WELL, TRUTH IS, WE ARE HERE ABOUT VINCE BIANCHI. 220 00:08:29,550 --> 00:08:32,182 YOU FOUND HIM? 221 00:08:32,182 --> 00:08:33,594 I'M AFRAID WE DID. 222 00:08:33,594 --> 00:08:35,475 HE WAS FOUND IN A LIGHT-BLUE SUIT. 223 00:08:35,475 --> 00:08:37,397 WE BELIEVE HE WENT SOMEWHERE 224 00:08:37,397 --> 00:08:39,770 AFTER HE LEFT GINO'S RESTAURANT THE NIGHT THAT HE WAS KILLED. 225 00:08:39,770 --> 00:08:42,312 NOW, WE WERE TOLD HE KEPT YOU INFORMED ABOUT WHAT HE DID. 226 00:08:42,312 --> 00:08:44,404 YOU HAVE ANY IDEA WHERE HE WENT THAT NIGHT? 227 00:08:44,404 --> 00:08:46,316 YEAH. 228 00:08:46,316 --> 00:08:49,279 AND I KNOW WHO KILLED HIM, TOO. 229 00:08:58,418 --> 00:08:59,710 JUST TO BE CLEAR, 230 00:08:59,710 --> 00:09:01,421 YOU'RE SAYING YOU KNOW WHO KILLED VINCE BIANCHI? 231 00:09:01,421 --> 00:09:02,542 WHAT'S HIS NAME? 232 00:09:02,542 --> 00:09:04,464 THAT'S A DANGEROUS QUESTION, SWEETHEART. 233 00:09:04,464 --> 00:09:06,006 I'M GONNA NEED PROTECTION. 234 00:09:06,006 --> 00:09:08,428 I CAN ASSIGN OFFICERS TO PROTECT YOU IF NECESSARY. 235 00:09:08,428 --> 00:09:10,220 "IF NECESSARY"? 236 00:09:10,220 --> 00:09:12,302 WILL YOU TELL CUPCAKE HERE 237 00:09:12,302 --> 00:09:16,226 THAT -- THAT I'M RISKING MY LIFE JUST TALKING TO YOU GUYS? 238 00:09:16,226 --> 00:09:17,598 THE PEOPLE THAT KILLED VINCE 239 00:09:17,598 --> 00:09:19,139 WILL DO THE SAME TO ME IN A HEARTBEAT. 240 00:09:19,139 --> 00:09:20,390 I-I THINK THAT'S REALLY UNLIKELY. 241 00:09:20,390 --> 00:09:21,942 I MEAN, MOST OF THOSE PEOPLE AREN'T EVEN AROUND 242 00:09:21,942 --> 00:09:23,023 AFTER ALL THESE YEARS, SO -- 243 00:09:23,023 --> 00:09:24,484 WHAT DO YOU MEAN "YEARS"? 244 00:09:24,484 --> 00:09:28,609 VINCE...HAS NOT BEEN GONE FOR -- FOR YEARS. 245 00:09:28,609 --> 00:09:30,110 NO. 246 00:09:30,110 --> 00:09:31,571 I'M SURE WHAT DETECTIVE BECKETT MEANT TO SAY -- 247 00:09:31,571 --> 00:09:33,193 THIS IS A TRICK. 248 00:09:33,193 --> 00:09:34,574 YOU ARE TRYING TO TRICK ME INTO SAYING THINGS. 249 00:09:34,574 --> 00:09:36,576 MAYBE VINCE ISN'T EVEN DEAD. 250 00:09:36,576 --> 00:09:39,660 NO, HE MOST DEFINITELY IS. 251 00:09:39,660 --> 00:09:40,911 WELL, THEN SHOW ME. 252 00:09:40,911 --> 00:09:42,753 IF I'M GONNA TELL YOU WHO KILLED HIM, 253 00:09:42,753 --> 00:09:44,464 I NEED TO SEE HIS FACE FIRST. 254 00:09:44,464 --> 00:09:47,547 I'M SORRY, HAROLD, BUT THAT'S IMPOSSIBLE. 255 00:09:47,547 --> 00:09:48,629 WHY? 256 00:09:48,629 --> 00:09:51,341 IF VINCE IS DEAD, SHOW ME HIS BODY! 257 00:09:51,341 --> 00:09:52,472 HAROLD -- 258 00:09:52,472 --> 00:09:54,424 NO BODY, NO TALKIE. 259 00:09:54,424 --> 00:09:56,136 SIR. 260 00:09:56,136 --> 00:09:59,389 BY THE POWER VESTED IN ME BY THE NYPD, 261 00:09:59,389 --> 00:10:02,142 I WILL PERSONALLY ARRANGE FOR YOU TO VIEW THE DECEASED. 262 00:10:04,104 --> 00:10:07,107 YOU ARE A MAN OF HONOR, CAPTAIN. 263 00:10:08,568 --> 00:10:12,572 CAN WE SPEAK OUTSIDE... CAPTAIN? 264 00:10:12,572 --> 00:10:14,284 OF COURSE. 265 00:10:14,284 --> 00:10:15,615 ROOKIES. 266 00:10:15,615 --> 00:10:17,698 "BY THE POWER VESTED IN ME"? 267 00:10:17,698 --> 00:10:19,539 CASTLE, WHAT THE HELL WERE YOU DOING? 268 00:10:19,539 --> 00:10:21,161 I WAS TRYING TO STOP THE MELTDOWN HE HAD 269 00:10:21,161 --> 00:10:22,542 WHEN YOU STEPPED OUT OF THE '70s. 270 00:10:22,542 --> 00:10:24,584 BY PROMISING HIM A BODY THAT WE DON'T HAVE. 271 00:10:24,584 --> 00:10:27,587 HE CAN HELP US SOLVE AN INFAMOUS GANGLAND SLAYING. 272 00:10:27,587 --> 00:10:29,049 MAYBE HE'S DELUSIONAL. 273 00:10:29,049 --> 00:10:31,171 WE ALREADY KNOW HE'S DELUSIONAL ABOUT WHAT YEAR IT IS. 274 00:10:31,171 --> 00:10:33,303 IF WE'RE GONNA FIND OUT WHAT HE KNOWS, HE HAS TO TRUST US. 275 00:10:33,303 --> 00:10:34,845 HE NEEDS TO SEE A BODY. [ CELLPHONE CHIMES ] 276 00:10:34,845 --> 00:10:36,757 [ SIGHS ] 277 00:10:36,757 --> 00:10:38,518 LANIE'S GOT SOMETHING AT THE MORGUE. 278 00:10:38,518 --> 00:10:40,640 YOU KNOW WHAT ELSE SHE'S GOT? BODIES. 279 00:10:40,640 --> 00:10:41,972 LOTS OF THEM. 280 00:10:41,972 --> 00:10:43,183 MAYBE ONE OF THEM LOOKS ENOUGH LIKE VINCE BIANCHI. 281 00:10:43,183 --> 00:10:45,525 DON'T EVEN GO THERE, CUPCAKE. 282 00:10:45,525 --> 00:10:47,477 [ TIRES SCREECH ] 283 00:10:47,477 --> 00:10:50,190 THIS YOU CHECKING OUT WHO OWNS THAT BUILDING? 284 00:10:50,190 --> 00:10:52,322 I'M WAITING ON A CALL FROM RECORDS. 285 00:10:52,322 --> 00:10:54,574 SO I FIGURED I'D STUDY UP ON THE PERIOD. 286 00:10:54,574 --> 00:10:55,826 HMM. 287 00:10:55,826 --> 00:10:57,577 BY STARTING... 288 00:10:57,577 --> 00:10:59,279 WITH THIS DOCUMENTARY I FOUND 289 00:10:59,279 --> 00:11:01,491 ON THESE TWO NYPD BADASSES FROM BACK IN THE DAY. 290 00:11:01,491 --> 00:11:05,836 SNOOKIE WATTS, RAY PRICE. 291 00:11:05,836 --> 00:11:07,417 CHECK OUT SNOOKIE'S MOVE RIGHT HERE. 292 00:11:08,498 --> 00:11:09,790 Man: SNOOKIE, YOU AND RAY 293 00:11:09,790 --> 00:11:11,752 HAVE MADE QUITE A NAME FOR YOURSELVES 294 00:11:11,752 --> 00:11:12,963 IN THE ANTI-CRIME UNIT. 295 00:11:12,963 --> 00:11:14,254 BETTER BELIEVE IT, BABY. 296 00:11:14,254 --> 00:11:16,096 STOPPING CRIME ONE SKELL AT A TIME. 297 00:11:16,096 --> 00:11:17,557 RIGHT ON, RIGHT ON. 298 00:11:17,557 --> 00:11:19,930 SEE, WHEN THE BAD GUYS SEE THE OL' RED ROCKET HERE, 299 00:11:19,930 --> 00:11:23,473 THEY KNOW A SERIOUS HEAD CRACKING IS ON THE WAY. 300 00:11:23,473 --> 00:11:26,727 SO, GOOD OL' DAYS OF POLICE BRUTALITY. 301 00:11:29,229 --> 00:11:31,651 MAN, YOU JUST DON'T GET IT. 302 00:11:31,651 --> 00:11:33,403 Lanie: SO, IT LOOKS LIKE OUR VICTIM WAS KILLED 303 00:11:33,403 --> 00:11:35,075 BY MULTIPLE GUNSHOT WOUNDS. 304 00:11:35,075 --> 00:11:36,616 WHEN I PIECED HIS SKULL BACK TOGETHER, 305 00:11:36,616 --> 00:11:39,529 I FOUND THIS ENTRY WOUND FROM A .38. 306 00:11:39,529 --> 00:11:40,741 ONE IN THE NOGGIN. 307 00:11:40,741 --> 00:11:42,492 CLASSIC MAFIA RUBOUT. 308 00:11:42,492 --> 00:11:43,824 NOT EXACTLY. 309 00:11:43,824 --> 00:11:45,035 AS NEAR AS I CAN FIGURE, 310 00:11:45,035 --> 00:11:46,416 VINCE WAS SHOT IN THE BACK FIRST, 311 00:11:46,416 --> 00:11:48,288 MAYBE AS HE WAS WALKING AWAY. 312 00:11:48,288 --> 00:11:50,000 THERE'S AN EXIT WOUND IN HIS ABDOMEN. 313 00:11:50,000 --> 00:11:52,712 IN HIS ABDOMEN? YOU GOT ALL OF THAT FROM BONES? 314 00:11:52,712 --> 00:11:54,674 I GOT A LITTLE HELP FROM THIS. 315 00:11:58,638 --> 00:12:00,470 WHEN THE CONCRETE SETTLED ON HIM, 316 00:12:00,470 --> 00:12:03,393 IT FORMED AN ALMOST PERFECT MOLD. 317 00:12:03,393 --> 00:12:04,474 WE WERE ABLE TO MAKE A CAST OF THE BODY 318 00:12:04,474 --> 00:12:06,106 WHICH SHOWED THE EXIT WOUND. 319 00:12:06,106 --> 00:12:07,397 WE HAVE A BODY. 320 00:12:07,397 --> 00:12:09,439 WE HAVE A BODY TO SHOW HAROLD. 321 00:12:09,439 --> 00:12:10,941 THIS IS EXACTLY WHAT WE NEED TO GET HIM TO TALK. 322 00:12:10,941 --> 00:12:13,693 CASTLE. IT'S RUBBER! 323 00:12:13,693 --> 00:12:15,315 HE DOESN'T NEED TO KNOW THAT. 324 00:12:15,315 --> 00:12:16,486 COULDN'T A SKILLED MORTICIAN 325 00:12:16,486 --> 00:12:18,568 APPLY A LITTLE HAIR AND MAKEUP TO THIS, 326 00:12:18,568 --> 00:12:21,161 MAKE IT LOOK LIKE A REASONABLE FACSIMILE OF VINCE BIANCHI? 327 00:12:21,161 --> 00:12:23,573 I'VE SEEN THEM DO MORE WITH A LOT LESS, 328 00:12:23,573 --> 00:12:25,535 BUT I DON'T WANT TO BE A PART OF SOME CRAZY PLAN -- 329 00:12:25,535 --> 00:12:27,747 YEAH, YOU HAVE TO, BECAUSE FOR THIS TO WORK, 330 00:12:27,747 --> 00:12:32,462 THIS PLACE NEEDS TO LOOK LIKE THE '70s, AND SO DO YOU. 331 00:12:33,874 --> 00:12:35,295 Ryan: SO, MR. MANERI, 332 00:12:35,295 --> 00:12:38,588 NOW THAT VINCE BIANCHI'S DEATH IS OFFICIALLY A HOMICIDE, 333 00:12:38,588 --> 00:12:41,721 WE ARE RE-INTERVIEWING ALL OF HIS FORMER ENEMIES, 334 00:12:41,721 --> 00:12:43,343 INCLUDING YOURSELF. 335 00:12:43,343 --> 00:12:47,557 NOW, IS IT POSSIBLE FOR YOU TO TELL ME WHERE YOU WERE 336 00:12:47,557 --> 00:12:49,349 ON JULY 30, 1978? 337 00:12:49,349 --> 00:12:52,853 I SPEAK FOR MY HUSBAND, LOUIE THE LIP HERE, 338 00:12:52,853 --> 00:12:55,275 WHEN I TELL YOU THAT HE HAD NO PART 339 00:12:55,275 --> 00:12:57,657 IN WHACKIN' VINCE BIANCHI. 340 00:12:57,657 --> 00:13:00,070 AND EVEN IF HE DID, HE DOESN'T REMEMBER. 341 00:13:01,611 --> 00:13:04,614 WHAT SHE SAID. 342 00:13:04,614 --> 00:13:06,456 [ SIGHS ] WHAT DID THE DOCTOR TELL YOU? 343 00:13:06,456 --> 00:13:08,208 WHAT ARE YOU TRYING TO DO? MAKE ME A WIDOW? 344 00:13:08,208 --> 00:13:10,250 YOU PROMISED THE DOCTOR NOT TO DO THAT ANYMORE. 345 00:13:10,250 --> 00:13:12,542 COULD YOU TWO EXCUSE ME FOR A MINUTE, PLEASE? THANKS. 346 00:13:12,542 --> 00:13:14,464 YOU'RE GONNA PUT YOURSELF IN AN EARLY GRAVE. 347 00:13:14,464 --> 00:13:16,006 MAN, I'M SPINNING MY WHEELS ON THIS THING. 348 00:13:16,006 --> 00:13:17,757 EVERYONE CONNECTED TO THIS CASE IS EITHER DEAD 349 00:13:17,757 --> 00:13:19,419 OR LOOKS LIKE LOUIE THE LIP OVER THERE. 350 00:13:19,419 --> 00:13:21,801 THIS GUY HAROLD MIGHT BE OUR ONLY SHOT AT SOLVING THIS THING. 351 00:13:21,801 --> 00:13:23,884 WHAT, THE KOOK WHO THINKS IT'S THE '70s? 352 00:13:23,884 --> 00:13:25,886 NO WAY, BRO. I JUST GOT US A REAL LEAD. 353 00:13:25,886 --> 00:13:27,517 CONNECTED TO WHO OWNS THE BUILDING? 354 00:13:27,517 --> 00:13:28,518 WELL, SORT OF. 355 00:13:28,518 --> 00:13:30,140 TURNS OUT THAT BACK IN THE '70s, 356 00:13:30,140 --> 00:13:32,732 THE MOB HAD A PIECE OF ALL THE CONCRETE WORK IN THE CITY. 357 00:13:32,732 --> 00:13:35,355 IT WAS DIVVIED UP SO THAT DIFFERENT CRIME FAMILIES 358 00:13:35,355 --> 00:13:37,027 CONTROLLED DIFFERENT PARTS OF TOWN. 359 00:13:37,027 --> 00:13:39,149 NOW, THE CONCRETE THAT VINCE WAS FOUND UNDER 360 00:13:39,149 --> 00:13:41,201 WAS SMACK-DAB IN THE MIDDLE OF CARCANO TERRITORY. 361 00:13:41,201 --> 00:13:44,154 AND THE CARCANOS WERE VINCE'S CHIEF RIVALS BACK IN THE DAY. 362 00:13:44,154 --> 00:13:46,496 ARE ANY OF THEM STILL ALIVE? 363 00:13:46,496 --> 00:13:47,827 MICHAEL CARCANO. 364 00:13:47,827 --> 00:13:49,749 HE WAS HEAD OF THE FAMILY THEN. HE STILL IS TODAY. 365 00:13:49,749 --> 00:13:51,661 HUH. 366 00:13:51,661 --> 00:13:54,584 I'M ONLY HERE OUT OF RESPECT FOR VINCE BIANCHI. 367 00:13:54,584 --> 00:13:57,127 AND I'LL SAY NOW WHAT I SAID IN '78. 368 00:13:57,127 --> 00:13:59,669 IT WASN'T ME WHO DID HIM. 369 00:13:59,669 --> 00:14:01,551 REALLY? BECAUSE WE FOUND HIM UNDER YOUR CONCRETE. 370 00:14:01,551 --> 00:14:04,344 WHAT, I'M GONNA BURY A BODY IN MY OWN BACKYARD? 371 00:14:04,344 --> 00:14:08,098 PLUS, IF I HAD SOMEONE DISAPPEAR, THEY'D STAY THAT WAY. 372 00:14:08,098 --> 00:14:09,849 WELL, HE DID... UNTIL A DEVELOPER 373 00:14:09,849 --> 00:14:11,731 DECIDED TO TEAR DOWN THAT BUILDING. 374 00:14:11,731 --> 00:14:14,274 WE KNOW THAT YOU WANTED IN ON VINCE'S TERRITORY. 375 00:14:14,274 --> 00:14:16,566 WELL, HERE'S SOMETHING YOU DON'T KNOW. 376 00:14:16,566 --> 00:14:19,649 ME AND HIM WERE IN TALKS TO MERGE THE FAMILIES. 377 00:14:19,649 --> 00:14:20,780 YEAH. 378 00:14:20,780 --> 00:14:23,613 IT WAS A BENEFICIAL DEAL FOR BOTH SIDES. 379 00:14:23,613 --> 00:14:25,825 LOSING THAT MERGER WAS BAD FOR BUSINESS, 380 00:14:25,825 --> 00:14:27,948 SO WHY SHOULD I WANT TO GET RID OF HIM? 381 00:14:27,948 --> 00:14:31,201 MAYBE BECAUSE YOU WANTED THE WHOLE PIE 382 00:14:31,201 --> 00:14:33,833 INSTEAD OF JUST A BIGGER SLICE. 383 00:14:33,833 --> 00:14:36,586 IF YOU BOYS HAVE ANY MORE QUESTIONS, 384 00:14:36,586 --> 00:14:38,298 TALK TO MY ATTORNEY. 385 00:14:39,629 --> 00:14:43,763 YOU KNOW, AFTER THIS LONG, THE TRUTH IS HARD TO FIND. 386 00:14:43,763 --> 00:14:46,466 IF I WAS YOU, I'D QUIT LOOKING FOR IT. 387 00:14:46,466 --> 00:14:51,011 SOMETIMES WHAT'S IN THE PAST SHOULD STAY THERE. 388 00:14:51,011 --> 00:14:53,063 [ SCOFFS ] IS THAT A THREAT? 389 00:14:53,063 --> 00:14:56,646 WHAT DO YOU THINK? 390 00:15:00,520 --> 00:15:02,112 I look ridiculous! 391 00:15:02,112 --> 00:15:03,523 Ridiculously hot. 392 00:15:03,523 --> 00:15:05,285 Besides, what's a little humiliation 393 00:15:05,285 --> 00:15:07,577 when you can find out who killed Vince Bianchi? 394 00:15:07,577 --> 00:15:09,619 ALL RIGHT, SO, WHERE IS VINCE, HUH? 395 00:15:09,619 --> 00:15:12,492 HE'S IN HERE. 396 00:15:12,492 --> 00:15:14,124 JUST HOPE LANIE DID HER PART. 397 00:15:15,165 --> 00:15:17,207 WHOA! 398 00:15:17,207 --> 00:15:19,459 OH, SHE DID HER PART, ALL RIGHT. 399 00:15:19,459 --> 00:15:22,462 HONEY, SPIN AROUND. SHOW ME THAT CABOOSE. 400 00:15:22,462 --> 00:15:23,964 YOU KEEP DREAMING, MISTER. 401 00:15:23,964 --> 00:15:27,637 What is she wearing? I said '70s, not Pam Grier. 402 00:15:27,637 --> 00:15:29,599 The only '70s outfit she had 403 00:15:29,599 --> 00:15:32,642 was her "Foxy Brown" Halloween costume. 404 00:15:32,642 --> 00:15:33,553 COME ON, BABY. 405 00:15:33,553 --> 00:15:34,554 ONCE YOU GO WHITE, 406 00:15:34,554 --> 00:15:36,106 NOTHING ELSE SEEMS RIGHT. 407 00:15:36,106 --> 00:15:39,939 I'D RATHER BE DEAD THAN END UP IN YOUR BED, JIVE TURKEY. 408 00:15:39,939 --> 00:15:41,651 OKAY, THAT'S ENOUGH. 409 00:15:41,651 --> 00:15:44,364 DR. PARISH. SHE'S A DOCTOR, TOO. 410 00:15:44,364 --> 00:15:47,447 WHOA, THAT MEANS SHE SURE KNOWS HER WAY AROUND... 411 00:15:55,996 --> 00:15:57,417 WELL? 412 00:15:57,417 --> 00:15:58,918 Beckett: HAROLD? 413 00:15:58,918 --> 00:16:00,750 WE KEPT OUR END OF THE BARGAIN. 414 00:16:03,293 --> 00:16:05,255 WAS THERE ANYTHING ELSE ON HIM? 415 00:16:05,255 --> 00:16:06,386 ANY OF HIS STUFF? 416 00:16:07,847 --> 00:16:11,431 A PINKIE RING, A WATCH... 417 00:16:11,431 --> 00:16:12,762 AND THIS. 418 00:16:12,762 --> 00:16:14,974 IT'S ONE OF THOSE PRESSED PENNIES FROM CONEY ISLAND. 419 00:16:29,779 --> 00:16:33,493 YOU SAID THAT YOU'D TALK TO US. 420 00:16:33,493 --> 00:16:37,537 VINCE ALWAYS CARRIED THAT COIN FOR LUCK. 421 00:16:37,537 --> 00:16:41,541 SEEING HIM THERE... I DON'T KNOW. 422 00:16:41,541 --> 00:16:44,504 IT JUST HIT ME THAT HE'S REALLY GONE. 423 00:16:44,504 --> 00:16:48,178 HAROLD, WE KNOW THIS IS HARD. 424 00:16:49,008 --> 00:16:53,053 WE NEED YOU TO HELP US BRING VINCE'S KILLER TO JUSTICE. 425 00:16:53,053 --> 00:16:54,474 GET DOWN! GET DOWN! 426 00:17:06,906 --> 00:17:08,358 OKAY. THANKS. 427 00:17:08,358 --> 00:17:11,361 DID THIS REALLY JUST HAPPEN? 428 00:17:11,361 --> 00:17:14,284 AN ATTEMPTED MOB HIT IN MY MORGUE? 429 00:17:14,284 --> 00:17:15,915 LANIE, IT WAS PURE LUCK THAT NO ONE GOT HURT. 430 00:17:15,915 --> 00:17:17,367 HOW'S HAROLD? 431 00:17:17,367 --> 00:17:18,498 CASTLE TOOK HIM HOME. 432 00:17:18,498 --> 00:17:19,619 WE'VE GOT HIM UNDER POLICE PROTECTION. 433 00:17:19,619 --> 00:17:23,423 YO, BECKETT. I HEARD WHAT HAPP-- WHOA. 434 00:17:23,423 --> 00:17:24,504 DON'T YOU SAY ANOTHER WORD. 435 00:17:24,504 --> 00:17:27,967 HEY. LOOKS LIKE OUR SHOOTER WAS A PRO. 436 00:17:27,967 --> 00:17:29,549 HE LEFT BY THE STAIRS, AND HE BARRED THE DOOR. 437 00:17:29,549 --> 00:17:30,550 HE HAD AN EXIT PLAN. 438 00:17:30,550 --> 00:17:32,632 ANY WITNESSES SEE HIM? 439 00:17:32,632 --> 00:17:34,053 YEAH, BUT HE WAS WEARING THAT MASK, 440 00:17:34,053 --> 00:17:35,385 SO NO ONE GOT A GOOD LOOK AT HIS FACE, 441 00:17:35,385 --> 00:17:38,978 BUT HE MIGHT HAVE BEEN SENT BY MICHAEL CARCANO. 442 00:17:38,978 --> 00:17:41,231 CARCANO JUST WARNED ME AND JAVI OFF THE CASE. RIGHT, JAVI? 443 00:17:41,231 --> 00:17:42,442 I'M SORRY. WHAT? 444 00:17:42,442 --> 00:17:43,683 CHECK THE SECURITY CAMERAS 445 00:17:43,683 --> 00:17:44,734 OUTSIDE THE BUILDING. 446 00:17:44,734 --> 00:17:46,106 IF WE CAN I.D. THE SHOOTER, 447 00:17:46,106 --> 00:17:47,277 MAYBE WE CAN TIE HIM TO CARCANO 448 00:17:47,277 --> 00:17:49,279 OR WHOEVER ELSE WAS BEHIND THIS. 449 00:17:49,279 --> 00:17:52,242 NICE DRESS. 450 00:17:52,242 --> 00:17:54,744 HEY, TORY. WHAT DO YOU GOT? 451 00:17:54,744 --> 00:17:56,406 I WAS CHECKING TRAFFIC CAM FOOTAGE 452 00:17:56,406 --> 00:17:57,657 NEAR THE MORGUE AND FOUND THIS. 453 00:17:57,657 --> 00:17:59,409 HERE'S OUR SHOOTER. 454 00:17:59,409 --> 00:18:01,251 IT'S HALF A BLOCK AWAY. 455 00:18:01,251 --> 00:18:03,253 HE MUST HAVE COME OUT THE REAR EXIT OF THE MORGUE. 456 00:18:03,253 --> 00:18:05,585 NOW WATCH. HE TAKES OFF HIS MASK. 457 00:18:05,585 --> 00:18:06,586 [ COMPUTER BEEPS ] 458 00:18:08,047 --> 00:18:10,089 SEND THIS IMAGE TO ORGANIZED CRIME. 459 00:18:10,089 --> 00:18:11,921 MAYBE THEY CAN I.D. HIM. 460 00:18:11,921 --> 00:18:14,714 SO, NOBODY IN ORGANIZED CRIME COULD TELL US WHO HE IS? 461 00:18:14,714 --> 00:18:15,845 NO, BUT LOOK AT HIM. 462 00:18:15,845 --> 00:18:17,096 HE'S FROM THE SAME GENERATION AS VINCE. 463 00:18:17,096 --> 00:18:18,808 MAYBE HE WAS EVEN INVOLVED IN THE ORIGINAL HIT. 464 00:18:18,808 --> 00:18:20,390 EITHER WAY, ORGANIZED CRIME 465 00:18:20,390 --> 00:18:22,021 SAID THAT OUR SHOOTER MIGHT'VE BEEN BROUGHT FROM OUT OF TOWN 466 00:18:22,021 --> 00:18:24,063 SO THAT HE COULDN'T BE LINKED BACK TO WHOEVER HIRED HIM. 467 00:18:24,063 --> 00:18:26,396 WE'RE CIRCULATING THE PHOTO, AND WE ALREADY GOT AN A.P.B. 468 00:18:26,396 --> 00:18:28,067 LET'S RUN IT PAST FBI, TOO. 469 00:18:28,067 --> 00:18:30,820 IF HE'S FROM OUT OF TOWN, MAYBE THEY'LL RECOGNIZE HIM. 470 00:18:30,820 --> 00:18:32,572 WE'RE ALREADY ON IT, BUT WHAT WE REALLY NEED 471 00:18:32,572 --> 00:18:34,534 IS FOR YOUR BOY HAROLD TO TELL US WHAT HE KNOWS. 472 00:18:34,534 --> 00:18:36,406 I WAS LIKE A SITTING DUCK IN THERE. 473 00:18:36,406 --> 00:18:38,077 HOW COULD YOU LET THIS HAPPEN? 474 00:18:38,077 --> 00:18:40,039 WHAT KIND OF A COP ARE YOU, ANYWAY? 475 00:18:40,039 --> 00:18:41,951 HAROLD, WE'RE DOING EVERYTHING WE CAN TO BRING IN THE GUNMAN. 476 00:18:41,951 --> 00:18:44,244 THIS IS WHAT I GET FOR BEING A SNITCH. 477 00:18:44,244 --> 00:18:45,745 WELL, TECHNICALLY, YOU'RE NOT A SNITCH 478 00:18:45,745 --> 00:18:47,417 BECAUSE YOU HAVEN'T ACTUALLY TOLD US ANYTHING YET. 479 00:18:47,417 --> 00:18:49,088 WELL, THEY DON'T KNOW THAT. 480 00:18:49,088 --> 00:18:50,920 NO. THEY DON'T. 481 00:18:50,920 --> 00:18:53,303 THEY FIGURE YOU'RE SINGING LIKE A CANARY. 482 00:18:53,303 --> 00:18:54,884 ARE YOU TRYING TO MAKE ME FEEL BETTER? 483 00:18:54,884 --> 00:18:56,516 BECAUSE THIS IS NOT HELPING! 484 00:18:56,516 --> 00:18:59,018 I'M TRYING TO SHOW YOU YOU'VE GOT NOTHING TO LOSE 485 00:18:59,018 --> 00:19:01,221 AND EVERYTHING TO GAIN BY COMING CLEAN. 486 00:19:01,221 --> 00:19:02,642 TELL US WHO'S BEHIND THIS, 487 00:19:02,642 --> 00:19:04,724 WE CAN GO AFTER THEM AND KEEP YOU SAFE! 488 00:19:04,724 --> 00:19:08,318 ALL RIGHT. 489 00:19:08,318 --> 00:19:11,441 I'LL TELL YOU EVERYTHING I KNOW. 490 00:19:11,441 --> 00:19:13,273 LET'S GO DOWN TO THE PRECINCT AND MAKE IT OFFICIAL. 491 00:19:13,273 --> 00:19:14,484 PRECINCT? YEAH. 492 00:19:14,484 --> 00:19:16,035 THE PRECINCT. 493 00:19:16,035 --> 00:19:17,737 I'M -- I'M GONNA FEEL A LITTLE SAFER 494 00:19:17,737 --> 00:19:19,078 WITH ALL THOSE COPS AROUND. 495 00:19:19,078 --> 00:19:21,241 WELL, WHY CAN'T WE DO IT HERE? 496 00:19:21,241 --> 00:19:23,663 WHY CAN'T WE DO IT THERE? 497 00:19:23,663 --> 00:19:25,245 I WILL TELL YOU WHY NOT. 498 00:19:25,245 --> 00:19:28,288 BECAUSE THE SECOND HAROLD SETS FOOT IN THIS PLACE, 499 00:19:28,288 --> 00:19:30,710 IT WILL BURST HIS LITTLE '70s BUBBLE. 500 00:19:30,710 --> 00:19:35,345 IT WON'T BURST HIS BUBBLE IF IT...LOOKS LIKE THE '70s. 501 00:19:35,345 --> 00:19:39,349 YOU CANNOT BE SUGGESTING THAT WE REDECORATE THE PRECINCT. 502 00:19:39,349 --> 00:19:40,890 THE BARE BONES OF THIS PLACE WILL TOTALLY WORK. 503 00:19:40,890 --> 00:19:42,392 WE JUST NEED TO TAKE AWAY THE COMPUTERS 504 00:19:42,392 --> 00:19:43,263 AND PUT BACK THE TYPEWRITERS. 505 00:19:43,263 --> 00:19:45,645 NO! NO, ABSOLUTELY NOT. 506 00:19:45,645 --> 00:19:47,397 PEOPLE TRIED TO KILL HAROLD 507 00:19:47,397 --> 00:19:50,109 BECAUSE HE KNOWS WHO MURDERED VINCE. 508 00:19:50,109 --> 00:19:53,653 THIS IS THE ONLY WAY WE CAN GET HIM TO TALK TO US. 509 00:19:53,653 --> 00:19:55,114 HE'S THE ONLY LEAD WE HAVE. 510 00:19:55,114 --> 00:19:56,696 CAPTAIN GATES WILL NEVER GO FOR IT. 511 00:19:56,696 --> 00:19:59,239 CAPTAIN GATES ISN'T HERE. YOU'RE IN CHARGE. 512 00:19:59,239 --> 00:20:01,411 AND WHAT ABOUT ALL THE OTHER COPS? 513 00:20:01,411 --> 00:20:03,823 THEIR CLOTHES ARE A DEAD GIVEAWAY. 514 00:20:03,823 --> 00:20:05,585 NOT IF YOU, AS RANKING OFFICER, 515 00:20:05,585 --> 00:20:08,328 ORDER THEM TO COME TO WORK DRESSED IN 1970s CLOTHING. 516 00:20:08,328 --> 00:20:10,330 WHAT?! 517 00:20:10,330 --> 00:20:12,252 I HAVE OPENED AN ACCOUNT AT A COSTUME SHOP -- 518 00:20:12,252 --> 00:20:13,503 AT NO SMALL EXPENSE. 519 00:20:13,503 --> 00:20:15,255 THEY'RE GONNA HELP US IN OUR LITTLE ENDEAVOR 520 00:20:15,255 --> 00:20:18,258 BY PROVIDING 1970s POLICE UNIFORMS. 521 00:20:18,258 --> 00:20:19,259 CASTLE -- 522 00:20:19,259 --> 00:20:21,100 THIS WILL BE A MINOR DISRUPTION. 523 00:20:21,100 --> 00:20:24,223 WE REDRESS THE SQUAD ROOM JUST LONG ENOUGH 524 00:20:24,223 --> 00:20:28,057 TO WALK HAROLD THROUGH, LET HIM DIG ON THAT '70s VIBE, 525 00:20:28,057 --> 00:20:31,020 AND THEN HE GIVES US A STATEMENT. 526 00:20:31,020 --> 00:20:33,152 IT WORKED BEFORE, IT'LL WORK AGAIN. 527 00:20:33,152 --> 00:20:36,235 THE MORGUE WAS ONE ROOM. 528 00:20:36,235 --> 00:20:39,699 YOU'RE TALKING ABOUT AN ENTIRE '70s MAKEOVER. 529 00:20:39,699 --> 00:20:42,452 THAT IS A MASSIVE UNDERTAKING. 530 00:20:42,452 --> 00:20:46,245 WHICH IS WHY I'VE CALLED A SPECIALIST...OF SORTS. 531 00:20:46,245 --> 00:20:47,537 NO. YES. 532 00:20:47,537 --> 00:20:50,330 MY MOTHER IS GONNA COME HELP US COORDINATE -- 533 00:20:50,330 --> 00:20:51,631 YOU'RE DOING THIS FOR YOUR MOTHER? 534 00:20:51,631 --> 00:20:53,583 NO! OF COURSE NOT. 535 00:20:53,583 --> 00:20:54,964 A LITTLE BIT. YES. 536 00:20:54,964 --> 00:20:57,086 WELL, WE DID SAY WE'D GIVE HER A PROJECT. 537 00:20:57,086 --> 00:20:58,718 YEAH, FOR OUR WEDDING! 538 00:20:58,718 --> 00:21:00,430 NOT FOR MY PRECINCT! 539 00:21:00,430 --> 00:21:01,801 LET'S FACE IT. 540 00:21:01,801 --> 00:21:05,385 WE CANNOT LET THAT WOMAN ANYWHERE NEAR OUR WEDDING. 541 00:21:05,385 --> 00:21:07,477 BUT SHE WILL LOVE THIS, 542 00:21:07,477 --> 00:21:09,349 AND THEN WE GET TO SOLVE 543 00:21:09,349 --> 00:21:11,731 THE GREATEST MYSTERY OF THE DISCO ERA, 544 00:21:11,731 --> 00:21:14,103 BESIDES THE POPULARITY OF DISCO ITSELF. 545 00:21:14,103 --> 00:21:15,104 IT'S A WIN-WIN. 546 00:21:15,104 --> 00:21:16,065 I HIGHLY DOUBT THAT. 547 00:21:17,527 --> 00:21:19,158 BUT I DON'T SEE A BETTER OPTION. 548 00:21:20,320 --> 00:21:22,161 YOU ARE SO DOING THE RIGHT THING, 549 00:21:22,161 --> 00:21:23,903 AND TRUST ME, YOU WILL THANK ME. 550 00:21:23,903 --> 00:21:27,036 NOW, TAKE A GOOD LOOK AROUND... 551 00:21:27,036 --> 00:21:29,409 BID A FOND FAREWELL, 552 00:21:29,409 --> 00:21:32,462 BECAUSE BY TOMORROW, IT'LL BE THE '70s. 553 00:21:32,462 --> 00:21:33,463 [ SNAPS FINGERS ] 554 00:21:37,417 --> 00:21:38,878 HEY, WHAT IS TAKING SO LONG DOWN THERE? 555 00:21:38,878 --> 00:21:40,680 HAROLD IS READY TO GO, AND I'M RUNNING OUT OF EXCUSES. 556 00:21:40,680 --> 00:21:42,552 THIS IS A TOTAL FIASCO. 557 00:21:42,552 --> 00:21:44,133 A FIASCO NAMED MARTHA RODGERS? 558 00:21:44,133 --> 00:21:46,225 SHE'S TURNED THIS INTO A HUGE PRODUCTION. 559 00:21:46,225 --> 00:21:48,057 SHE'S EVEN BROUGHT IN ACTORS. 560 00:21:48,057 --> 00:21:49,228 SHE WHAT?! 561 00:21:49,228 --> 00:21:51,481 WOULD -- WOULD YOU PUT HER ON, PLEASE? 562 00:21:51,481 --> 00:21:53,733 YEAH. UH, MARTHA? 563 00:21:53,733 --> 00:21:55,274 HEY. CASTLE. 564 00:21:55,274 --> 00:21:56,275 RICHARD? YEAH. 565 00:21:56,275 --> 00:21:57,647 AH. 566 00:21:57,647 --> 00:21:58,698 HI, DARLING. 567 00:21:58,698 --> 00:22:00,069 ACTORS, MOTHER? 568 00:22:00,069 --> 00:22:01,611 In light of the abysmal talent pool you have here, 569 00:22:01,611 --> 00:22:03,242 YES, I'VE HIRED A FEW ACTORS. 570 00:22:03,242 --> 00:22:05,034 And not only that, 571 00:22:05,034 --> 00:22:06,826 I HAVE WRITTEN THESE SCRIPTS 572 00:22:06,826 --> 00:22:08,448 SO THAT EVERYBODY KNOWS EXACTLY WHAT THEY'RE PLAYING. 573 00:22:08,448 --> 00:22:09,709 We don't need scripts. 574 00:22:09,709 --> 00:22:11,871 And we don't need actors to play cops. 575 00:22:11,871 --> 00:22:13,002 We have actual cops! 576 00:22:13,002 --> 00:22:15,084 That is such an ignorant thing to say 577 00:22:15,084 --> 00:22:18,167 AND AN INSULT TO THE CRAFT OF ACTING. 578 00:22:18,167 --> 00:22:22,131 MOTHER, ALL WE NEED IS TO WALK HAROLD THROUGH THE PRECINCT 579 00:22:22,131 --> 00:22:23,963 AND INTO INTERROGATION. 580 00:22:23,963 --> 00:22:26,806 RICHARD, I AM TRYING TO CREATE AN AUTHENTIC EXPERIENCE HERE 581 00:22:26,806 --> 00:22:29,018 SO THAT THE TWO OF YOU CAN CRACK THIS CASE. 582 00:22:29,018 --> 00:22:30,309 Now, is that so wrong? 583 00:22:30,309 --> 00:22:33,312 OKAY, CAPTAIN, LET'S GET THIS SHOW ON THE ROAD. 584 00:22:33,312 --> 00:22:34,894 Did you hear that, mother? 585 00:22:34,894 --> 00:22:36,235 MUSIC TO MY EARS. 586 00:22:36,235 --> 00:22:40,359 ALL RIGHT, EVERYONE! PLACES, PLEASE! 587 00:22:40,359 --> 00:22:42,862 [ '70s-STYLE MUSIC PLAYS ] 588 00:23:02,051 --> 00:23:04,424 12th PRECINCT. LET'S BOOGIE. 589 00:23:04,424 --> 00:23:07,306 COME ON. LET'S GO ALREADY. 590 00:23:07,306 --> 00:23:09,008 [ ENGINE SPUTTERING ] 591 00:23:16,015 --> 00:23:17,777 [ ELEVATOR BELL DINGS ] 592 00:23:22,782 --> 00:23:26,115 OH, YEAH, YEAH, YEAH. THIS IS MORE LIKE IT. 593 00:23:26,115 --> 00:23:27,116 [ LAUGHS ] 594 00:23:27,116 --> 00:23:28,578 AH, THERE'S THE LITTLE LADY. 595 00:23:28,578 --> 00:23:30,079 HEY, SWEET CHEEKS, YOU LOOK -- 596 00:23:30,079 --> 00:23:31,831 STOP TALKING, START WALKING. 597 00:23:33,833 --> 00:23:35,204 CASTLE. 598 00:23:35,204 --> 00:23:36,746 IF THIS DOESN'T WORK, I'M GONNA KILL YOU. 599 00:23:36,746 --> 00:23:38,037 WHAT ARE YOU TALKING ABOUT? 600 00:23:38,037 --> 00:23:39,749 IT HAS TO WORK. 601 00:23:39,749 --> 00:23:40,630 LOOK AT THIS PLACE. IT'S AMAZING! 602 00:23:40,630 --> 00:23:42,041 AND ADMIT IT, 603 00:23:42,041 --> 00:23:43,753 YOU'RE HAVING A LITTLE BIT OF FUN. 604 00:23:43,753 --> 00:23:46,756 HEY, MOST OF THESE GUYS I KNOW. 605 00:23:46,756 --> 00:23:48,548 BUT WHO ARE THE OLD FARTS? 606 00:23:48,548 --> 00:23:50,389 Castle: UH-OH. 607 00:23:50,389 --> 00:23:53,052 UH, HAROLD, WE SHOULD -- 608 00:23:53,052 --> 00:23:56,105 WHOA. IS THAT SITO AND RYAN? 609 00:24:02,321 --> 00:24:04,233 CAN'T BELIEVE YOU TALKED ME INTO THIS. 610 00:24:04,233 --> 00:24:06,616 JUST PLAY THE PART, MAN. I AM, YOU SHOULD, TOO. 611 00:24:06,616 --> 00:24:08,778 SNOOKIE WATTS AND RAY PRICE. 612 00:24:08,778 --> 00:24:11,160 OH, YEAH, THAT'S US, BABY. WHAT IT IS? 613 00:24:11,160 --> 00:24:12,201 OH, YOU GUYS ARE LEGENDS. 614 00:24:12,201 --> 00:24:13,953 I SEEN YOUR PICTURE IN THE PAPERS. 615 00:24:13,953 --> 00:24:16,335 HEY, HAROLD, WHAT DO YOU SAY WE GO TAKE THAT STATEMENT? 616 00:24:16,335 --> 00:24:18,377 I WANT SNOOKIE AND RAY TO DO IT. 617 00:24:18,377 --> 00:24:19,539 I LOVE THESE GUYS. 618 00:24:21,841 --> 00:24:23,002 Beckett: OKAY, FINE. 619 00:24:23,002 --> 00:24:27,006 SNOOKIE, RAY, TAKE HAROLD TO INTERROGATION. 620 00:24:27,006 --> 00:24:28,217 WHAT DO YOU MEAN "INTERROGATION"? 621 00:24:28,217 --> 00:24:29,759 I'M JUST GONNA TALK TO THESE PEOPLE. 622 00:24:29,759 --> 00:24:31,430 I'M NO CRIMINAL. 623 00:24:31,430 --> 00:24:33,553 I CAN'T BELIEVE YOU LET THIS CHICK BOSS YOU AROUND. 624 00:24:35,354 --> 00:24:37,517 HE CAN SEE THE ENTIRE BULLPEN FROM THERE. 625 00:24:37,517 --> 00:24:40,019 THE CHARADE WAS ONLY SUPPOSED TO LAST LONG ENOUGH 626 00:24:40,019 --> 00:24:41,440 TO GET HIM TO INTERROGATION. 627 00:24:41,440 --> 00:24:44,524 HAROLD'S GONNA REALIZE THAT THIS IS ALL FAKE! 628 00:24:44,524 --> 00:24:46,405 WHAT DO WE DO NOW? Martha: RICHARD. 629 00:24:46,405 --> 00:24:48,107 SCRIPTS ARE ON YOUR DESKS. 630 00:24:48,107 --> 00:24:50,109 THIS IS OUTRAGEOUS, OFFICER! 631 00:24:50,109 --> 00:24:52,992 MY BEHAVIOR WAS ENTIRELY CONSENSUAL! 632 00:24:57,286 --> 00:24:59,418 ALEXIS? WHAT ARE YOU DOING HERE? 633 00:24:59,418 --> 00:25:00,459 GRAM ASKED ME TO COME. 634 00:25:00,459 --> 00:25:02,081 I'M PLAYING A TEENAGE RUNAWAY 635 00:25:02,081 --> 00:25:03,883 WHO HITCHHIKED HER WAY TO THE BIG APPLE 636 00:25:03,883 --> 00:25:05,044 IN SEARCH OF HER DREAMS. 637 00:25:05,044 --> 00:25:06,295 WEARING THAT? 638 00:25:06,295 --> 00:25:08,217 HALTER TOPS WERE BIG IN THE '70s. 639 00:25:08,217 --> 00:25:10,219 SO WERE THOSE PEASANT BLOUSES. 640 00:25:10,219 --> 00:25:12,301 WHY -- WHY DIDN'T YOU WEAR ONE OF THOSE? 641 00:25:12,301 --> 00:25:15,434 [ LAUGHS ] 642 00:25:15,434 --> 00:25:17,226 WE REALLY DO HAVE SCRIPTS. 643 00:25:17,226 --> 00:25:20,640 YEAH, BUT SNOOKIE AND RAY DON'T. 644 00:25:20,640 --> 00:25:24,483 I GOT TO TELL YOU, I DIG HOW YOU GUYS CLEAN UP THE STREETS. 645 00:25:24,483 --> 00:25:28,608 [ CHUCKLES ] YEAH, WELL, THAT'S, UM, SUPER GROOVY, HAROLD, 646 00:25:28,608 --> 00:25:31,611 BUT HOW ABOUT WE TALK ABOUT VINCE AND WHO KILLED HIM? 647 00:25:31,611 --> 00:25:33,242 FIRST... 648 00:25:33,242 --> 00:25:37,827 WHAT IS THE SCOOP ON THAT GUY YOU BUSTED? 649 00:25:37,827 --> 00:25:40,249 [ Laughing ] THAT NAKED PUERTO RICAN CAT? 650 00:25:40,249 --> 00:25:43,002 [ LAUGHS ] WHAT REALLY HAPPENED THERE, HUH? 651 00:25:43,002 --> 00:25:45,254 THE NAKED PUERTO RICAN CAT? 652 00:25:45,254 --> 00:25:48,047 [ CHUCKLES ] UH, THAT, UM... 653 00:25:48,047 --> 00:25:53,382 WE BUSTED SO MANY NAKED PUERTO RICAN CATS THAT, UM... 654 00:25:53,382 --> 00:25:56,305 ALL RIGHT, HAROLD. HERE'S THE LOW DOWN, BROTHER. 655 00:25:56,305 --> 00:25:58,137 YEAH, YEAH, SURE, ME AND SNOOKIE, 656 00:25:58,137 --> 00:26:01,641 WE BOOK AROUND TOWN IN THE RED ROCKET 657 00:26:01,641 --> 00:26:05,314 BUSTING BAD GUYS AND HUNTING STONE-COLD FOXES, 658 00:26:05,314 --> 00:26:08,237 BUT YOU ARE GONNA SOLVE THE MURDER OF VINCE BIANCHI, 659 00:26:08,237 --> 00:26:10,029 AND THAT IS SOMETHING MORE RIGHTEOUS 660 00:26:10,029 --> 00:26:11,190 THAN WE HAVE EVER DONE. 661 00:26:11,190 --> 00:26:15,324 NOW, WHAT WE WANT IS TO HEAR YOUR STORY. 662 00:26:15,324 --> 00:26:17,747 CAN YOU DIG IT? 663 00:26:17,747 --> 00:26:19,038 "HAVE A SEAT, RENO." 664 00:26:19,038 --> 00:26:20,620 I'M ALREADY SEATED. 665 00:26:20,620 --> 00:26:23,002 SORRY, THAT'S... 666 00:26:23,002 --> 00:26:26,085 I DON'T TALK TO NO FUZZ...PIG. 667 00:26:26,085 --> 00:26:28,167 WELL, YOU'RE GONNA TALK TO THIS PIG. 668 00:26:28,167 --> 00:26:30,209 THIS -- THIS FUZZ. 669 00:26:30,209 --> 00:26:33,713 YEAH? WHY'S THAT, JIVE TURKEY? 670 00:26:33,713 --> 00:26:36,215 BECAUSE I'M ABOUT TO MAKE YOU ONE SWEET-ASS DEAL. 671 00:26:36,215 --> 00:26:37,516 MY GOD, WHO WROTE THIS? 672 00:26:37,516 --> 00:26:39,809 I DID. 673 00:26:39,809 --> 00:26:40,930 I CAN'T DO IT. 674 00:26:40,930 --> 00:26:43,142 I CAN'T GIVE UP MY CONNECTION, YOU DIG? 675 00:26:43,142 --> 00:26:46,355 I WANT THE NAME OF YOUR PUSHER, AND I WANT IT NOW! 676 00:26:46,355 --> 00:26:48,147 OH. 677 00:26:48,147 --> 00:26:49,689 OKAY. 678 00:26:49,689 --> 00:26:51,651 HERE IT IS. 679 00:26:51,651 --> 00:26:53,322 EVERYTHING I KNOW. 680 00:26:53,322 --> 00:26:56,736 UH, ME AND VINCE, WE WERE GONNA MEET UP... 681 00:26:56,736 --> 00:26:59,408 LATER THAT NIGHT. 682 00:26:59,408 --> 00:27:01,911 WHEN I DIDN'T HEAR FROM HIM, I KNEW SOMETHING WAS WRONG. 683 00:27:01,911 --> 00:27:03,242 AND YOU KNEW WHO WAS BEHIND IT. 684 00:27:03,242 --> 00:27:06,005 BUT, TO GET THE WHOLE PICTURE, 685 00:27:06,005 --> 00:27:07,667 WE GOT TO TALK ABOUT GLITTERATI. 686 00:27:07,667 --> 00:27:11,130 OKAY, YEAH, WHAT'S -- WHAT'S -- WHAT'S GLITTERATI? 687 00:27:11,130 --> 00:27:12,421 THE NIGHTCLUB, YOU KNOW. 688 00:27:12,421 --> 00:27:14,253 YEAH, YEAH, I KNOW. 689 00:27:14,253 --> 00:27:16,015 [ CELLPHONE RINGING ] 690 00:27:19,218 --> 00:27:20,720 WHAT IS THAT SOUND? 691 00:27:20,720 --> 00:27:23,312 UH, I DON'T KNOW. WHAT IS THAT? WHAT... 692 00:27:23,312 --> 00:27:25,024 [ CLEARS THROAT ] 693 00:27:25,024 --> 00:27:29,228 YEAH, HAROLD, UH, YOU WERE TELLING US ABOUT GLITTERATI. 694 00:27:29,228 --> 00:27:32,531 YEAH, THAT -- THAT'S A NIGHTCLUB, YES. 695 00:27:32,531 --> 00:27:33,903 WE KNOW THAT, 696 00:27:33,903 --> 00:27:34,944 BUT WHAT DOES IT HAVE TO DO WITH WHO KILLED VINCE? 697 00:27:34,944 --> 00:27:37,036 I DON'T KNOW. 698 00:27:37,036 --> 00:27:39,538 [ Chuckling ] W-WHAT DO YOU MEAN, HAROLD? 699 00:27:39,538 --> 00:27:41,080 UH, YOU WERE JUST ABOUT TO TELL US. 700 00:27:41,080 --> 00:27:42,241 COME ON, LAY IT ON ME, BROTHER. 701 00:27:42,241 --> 00:27:43,622 OH. 702 00:27:43,622 --> 00:27:45,454 YEAH, I JUST HAD IT. 703 00:27:45,454 --> 00:27:48,287 THE GLITTERATI. 704 00:27:48,287 --> 00:27:49,749 GLITTERATI IS THE -- 705 00:27:49,749 --> 00:27:52,171 IT'S THE KEY TO THIS WHOLE THING. 706 00:27:52,171 --> 00:27:55,965 I CAN'T REMEMBER. 707 00:27:55,965 --> 00:27:58,798 HE WAS THIS CLOSE TO GIVING UP THE DEETS ON VINCE'S DEATH, 708 00:27:58,798 --> 00:28:01,100 BUT THEN SOMEBODY'S CELLPHONE RANG AND HE LOST HIS MOJO. 709 00:28:01,100 --> 00:28:02,351 THEN HELP HIM GET IT BACK. 710 00:28:02,351 --> 00:28:04,143 WE TRIED, BUT ALL HE CAN REMEMBER 711 00:28:04,143 --> 00:28:06,225 IS IT HAD SOMETHING TO DO WITH A CLUB CALLED GLITTERATI. 712 00:28:06,225 --> 00:28:07,606 I SAY ME AND ESPO TAKE HIM THERE, 713 00:28:07,606 --> 00:28:08,768 MAYBE IT'LL JOG HIS MEMORY. 714 00:28:08,768 --> 00:28:10,269 THAT WAS OVER 30 YEARS AGO. 715 00:28:10,269 --> 00:28:13,072 THAT PLACE PROBABLY DOESN'T EVEN EXIST ANYMORE. 716 00:28:13,072 --> 00:28:14,944 ACTUALLY, IT'S BEEN THROUGH A LOT OF INCARNATIONS, 717 00:28:14,944 --> 00:28:16,736 BUT GUESS WHAT -- IT'S BACK TO BEING A '70s CLUB AGAIN. 718 00:28:16,736 --> 00:28:18,908 THIS COULD WORK. 719 00:28:18,908 --> 00:28:20,489 FIRST THE MORGUE, 720 00:28:20,489 --> 00:28:22,161 THEN THE PRECINCT, 721 00:28:22,161 --> 00:28:24,914 AND NOW YOU GUYS WANT TO TAKE HIM TO A CLUB? 722 00:28:24,914 --> 00:28:27,036 NO. NO. THIS HAS TO STOP. 723 00:28:27,036 --> 00:28:30,589 AFTER EVERYTHING WE'VE ALREADY DO-- UNH-UNH. WE'RE TOO CLOSE. 724 00:28:30,589 --> 00:28:33,092 [ ELEVATOR BELL DINGS ] WE STOP NOW, WE WALK AWAY WITH NOTHING. 725 00:28:33,092 --> 00:28:36,505 DETECTIVE BECKETT! WHAT THE HELL IS GOING ON HERE?! 726 00:28:36,505 --> 00:28:39,048 TAKE HIM TO GLITTERATI. GO! GO! 727 00:28:44,053 --> 00:28:45,224 DIDN'T YOU SAY I'D BE THANKING YOU? 728 00:28:45,224 --> 00:28:46,475 MAYBE JUST NOT RIGHT AWAY. CAPTAIN GATES. 729 00:28:46,475 --> 00:28:48,397 I THOUGHT YOU WERE AT A, UH, TERRORISM SEM-- 730 00:28:48,397 --> 00:28:50,019 IT WAS CANCELLED DUE TO A BOMB THREAT. 731 00:28:50,019 --> 00:28:52,812 WHICH IS IRONIC. 732 00:28:52,812 --> 00:28:54,814 MR. CASTLE, WHAT ON EARTH POSSESSED YOU 733 00:28:54,814 --> 00:28:57,116 TO TURN MY PRECINCT INTO THE SET OF "KOJAK"?! 734 00:28:57,116 --> 00:29:02,361 OH, OR SHOULD I ADDRESS YOU AS...CAPTAIN CASTLE? 735 00:29:02,361 --> 00:29:05,955 [ CHUCKLES NERVOUSLY ] OKAY, THAT WAS SO NOT MY IDEA. 736 00:29:05,955 --> 00:29:07,126 OH, BUT THE REST OF THIS WAS? 737 00:29:07,126 --> 00:29:09,628 SIR. IN FAIRNESS -- 738 00:29:09,628 --> 00:29:11,040 AND YOU, DETECTIVE BECKETT, 739 00:29:11,040 --> 00:29:13,292 YOU KNOW WHAT A HIGH-PROFILE CASE THIS IS. 740 00:29:13,292 --> 00:29:15,504 HOW COULD YOU ALLOW THIS CIRCUS? 741 00:29:15,504 --> 00:29:17,676 SIR, GIVEN HIS FIXATION WITH THE '70s, 742 00:29:17,676 --> 00:29:19,879 WE FIGURED THAT THIS WOULD BE AN OPPORTUNITY 743 00:29:19,879 --> 00:29:22,551 TO LET HAROLD LEONE OPEN UP ABOUT HIS KNOWLEDGE 744 00:29:22,551 --> 00:29:24,513 ON VINCENT BIANCHI'S MURDER. 745 00:29:24,513 --> 00:29:25,554 AND DID HE? 746 00:29:25,554 --> 00:29:27,146 WELL... 747 00:29:28,808 --> 00:29:30,559 ...NO, BUT -- 748 00:29:30,559 --> 00:29:33,562 SO, ALL THIS MESS, THIS RIDICULOUS DISPLAY... [ CELLPHONE CHIMES ] 749 00:29:33,562 --> 00:29:34,773 ...AND YOU HAVE NOTHING TO SHOW FOR IT? 750 00:29:34,773 --> 00:29:36,275 ACTUALLY, SIR, WE DO. 751 00:29:36,275 --> 00:29:38,527 A.P.B. JUST SNAGGED OUR SUSPECT FROM THE MORGUE SHOOTING. 752 00:29:38,527 --> 00:29:41,240 HE STOPPED AT A TOLLBOOTH ON THE JERSEY TURNPIKE. 753 00:29:41,240 --> 00:29:42,952 THEY'RE BRINGING HIM IN NOW. 754 00:29:42,952 --> 00:29:44,783 A BREAKTHROUGH ACHIEVED BY PROPER POLICE WORK, 755 00:29:44,783 --> 00:29:47,907 NOT BY PRETENDING IT'S THE '70s! 756 00:29:47,907 --> 00:29:50,499 UNTIL I CAN DECIDE WHAT DISCIPLINARY ACTION TO TAKE, 757 00:29:50,499 --> 00:29:52,461 I WANT THE BOTH OF YOU OUT OF MY SIGHT, 758 00:29:52,461 --> 00:29:53,502 ESPECIALLY YOU. 759 00:29:53,502 --> 00:29:56,876 I'M BRINGING IN ESPOSITO AND RYAN. 760 00:29:56,876 --> 00:29:59,678 SIR... THEY'RE NOT HERE. 761 00:29:59,678 --> 00:30:01,260 THEY TOOK HAROLD TO A -- A DISCO. 762 00:30:03,052 --> 00:30:05,054 [ TIRES SCREECH ] 763 00:30:12,431 --> 00:30:13,933 [ GRUNTS ] 764 00:30:13,933 --> 00:30:18,197 I TELL YOU, THESE CLOTHES, THAT CAR, 765 00:30:18,197 --> 00:30:20,239 I FEEL INVINCIBLE, MAN. 766 00:30:20,239 --> 00:30:22,031 LIKE RAY PRICE. 767 00:30:22,031 --> 00:30:24,783 KICKING ASS AND TAKING NAMES '70s STYLE. 768 00:30:24,783 --> 00:30:26,205 I GET IT NOW, BABY. 769 00:30:26,205 --> 00:30:27,656 YEAH, GOOD FOR YOU. 770 00:30:27,656 --> 00:30:31,830 [ DISCO MUSIC PLAYS ] 771 00:30:31,830 --> 00:30:33,162 WHOA! 772 00:30:33,162 --> 00:30:38,797 WOW, THIS IS OUT OF SIGHT! [ LAUGHS ] 773 00:30:38,797 --> 00:30:41,550 ANYTHING COMING BACK TO YOU THERE, HAROLD? HUH? 774 00:30:41,550 --> 00:30:43,802 YEAH, ABOUT HOW GLITTERATI CONNECTS BACK TO VINCE. 775 00:30:43,802 --> 00:30:46,966 UH, NO, NO. NO, NOT YET. NOT YET. 776 00:30:46,966 --> 00:30:48,727 GIVE ME A MINUTE. GIVE ME A... 777 00:30:48,727 --> 00:30:49,808 HEY. 778 00:30:49,808 --> 00:30:51,600 OH, BABY, BABY! 779 00:30:51,600 --> 00:30:53,272 HOW YOU DOING, HOT STUFF? 780 00:30:53,272 --> 00:30:56,065 THAT'S A NICE DRESS. CAN I TALK YOU OUT OF IT? 781 00:30:56,065 --> 00:30:59,608 [ LAUGHS ] NO? 782 00:31:00,980 --> 00:31:02,691 YOU THROWING A COSTUME PARTY OUT THERE? 783 00:31:02,691 --> 00:31:05,444 WELL, HERE'S YOU IN YOUR COSTUME 784 00:31:05,444 --> 00:31:07,947 AFTER YOU TRIED TO KILL HAROLD LEONE AT THE MORGUE. 785 00:31:07,947 --> 00:31:09,198 THAT'S A GUY WALKING DOWN THE STREET. 786 00:31:09,198 --> 00:31:10,619 THAT'S ALL I SEE. 787 00:31:10,619 --> 00:31:12,251 YEAH, WELL, YOU SEEM TO BE WALKING DOWN A LOT OF STREETS 788 00:31:12,251 --> 00:31:14,793 WHERE HOMICIDES HAPPEN. LET'S SEE. 789 00:31:14,793 --> 00:31:15,874 ROBERT DECKER -- 790 00:31:15,874 --> 00:31:18,627 ASSAULT CONVICTIONS, MANSLAUGHTER, 791 00:31:18,627 --> 00:31:21,420 A PERSON OF INTEREST IN SIX CONTRACT KILLINGS. 792 00:31:21,420 --> 00:31:23,262 LOOK, YOU GOT NO PROOF. 793 00:31:23,262 --> 00:31:25,804 NO WITNESSES CAN SAY I WAS THERE. 794 00:31:25,804 --> 00:31:26,805 INCLUDING YOU. 795 00:31:26,805 --> 00:31:29,768 WE FOUND YOUR GUN 796 00:31:29,768 --> 00:31:31,770 HIDDEN IN THE DOOR PANEL OF YOUR CAR. 797 00:31:31,770 --> 00:31:34,183 IT'S GONNA MATCH THE BULLETS FIRED IN THE MORGUE. 798 00:31:34,183 --> 00:31:35,274 I'VE GOT YOU. 799 00:31:35,274 --> 00:31:37,476 NOW, WHY DON'T YOU TELL ME WHO HIRED YOU? 800 00:31:37,476 --> 00:31:39,478 I'LL PUT IN A GOOD WORD WITH THE D.A. 801 00:31:39,478 --> 00:31:42,231 COME ON. WHO HIRED YOU? 802 00:31:42,231 --> 00:31:44,113 WAS IT MICHAEL CARCANO? 803 00:31:44,113 --> 00:31:46,695 I GOT NOTHING TO SAY. 804 00:31:48,447 --> 00:31:50,409 WHAT ARE YOU, LIKE 60 YEARS OLD? 805 00:31:50,409 --> 00:31:53,872 SO, EVEN ANOTHER 10 YEARS IS GONNA BE LIFE IN PRISON FOR YOU. 806 00:31:53,872 --> 00:31:55,834 I GOT MORE FRIENDS ON THE INSIDE 807 00:31:55,834 --> 00:31:57,496 THAN THE OUTSIDE AT THIS POINT. 808 00:31:57,496 --> 00:31:58,747 [ KNOCK ON WINDOW ] 809 00:32:00,339 --> 00:32:02,881 [ POUNDING ON WINDOW ] 810 00:32:02,881 --> 00:32:04,753 YOU GUYS RUN A REAL TIGHT SHIP HERE. 811 00:32:06,545 --> 00:32:09,548 CASTLE... WHAT THE HELL? 812 00:32:09,548 --> 00:32:11,050 I GOT SOMETHING. 813 00:32:11,050 --> 00:32:13,973 I WAS LOOKING AT OLD PHOTOS TAKEN AT GLITTERATI IN THE '70s. 814 00:32:13,973 --> 00:32:15,434 I FOUND THREE OF VINCE 815 00:32:15,434 --> 00:32:17,226 ON THE DANCE FLOOR BOOGYING HIS HEART OUT. 816 00:32:17,226 --> 00:32:19,768 OKAY, SO VINCE WENT TO THE CLUB. HOW IS THAT NEWS? 817 00:32:19,768 --> 00:32:23,362 BECAUSE THESE PICTURES ARE TAKEN ON THREE DIFFERENT OCCASIONS, 818 00:32:23,362 --> 00:32:25,985 AND HE'S ALWAYS WEARING THE SAME THING. 819 00:32:25,985 --> 00:32:27,236 THE POWDER-BLUE SUIT. 820 00:32:27,236 --> 00:32:29,528 IT'S A DESIGNATED DISCO OUTFIT. 821 00:32:29,528 --> 00:32:31,200 VINCE MUST'VE GONE TO GLITTERATI THE NIGHT THAT HE WAS KILLED. 822 00:32:31,200 --> 00:32:32,831 IT MIGHT EVEN BE WHERE HE WAS KILLED 823 00:32:32,831 --> 00:32:33,742 BECAUSE LOOK WHO OWNS THE CLUB. 824 00:32:36,875 --> 00:32:38,037 ♪ GET UP ♪ 825 00:32:38,037 --> 00:32:39,038 ♪ GET UP AND BOOGIE ♪ 826 00:32:39,038 --> 00:32:40,039 OW! 827 00:32:40,039 --> 00:32:41,880 ♪ GET UP ♪ 828 00:32:41,880 --> 00:32:42,881 [ CELLPHONE RINGS ] ♪ GET UP AND BOOGIE ♪ 829 00:32:42,881 --> 00:32:44,923 EXCUSE ME ONE SECOND. BECKETT. 830 00:32:44,923 --> 00:32:46,585 WHERE'S HAROLD? 831 00:32:46,585 --> 00:32:48,217 HE JUST TOOK OFF FOR A SECOND TO TAKE A LEAK. Find him. 832 00:32:48,217 --> 00:32:51,350 FRANK RUSSO OWNED THE CLUB BACK THEN, AND HE OWNS IT NOW. 833 00:32:51,350 --> 00:32:52,891 GOT IT. 834 00:32:56,975 --> 00:32:58,557 ♪ GET UP ♪ 835 00:32:58,557 --> 00:33:00,099 ♪ GET UP AND BOOGIE ♪ 836 00:33:01,230 --> 00:33:02,771 WHOA. HEY, SORRY, BUDDY. 837 00:33:02,771 --> 00:33:04,563 YOU WANT TO SEE MR. RUSSO, YOU NEED TO MAKE AN APPOINTMENT. 838 00:33:04,563 --> 00:33:06,815 OH, NO SWEAT. 839 00:33:12,411 --> 00:33:14,573 WHO THE -- HAROL-- HAROLD? 840 00:33:14,573 --> 00:33:15,874 ADMIT YOU KILLED VINCE. 841 00:33:15,874 --> 00:33:18,957 JUST ADMIT IT TO ME, AND YOU WON'T SUFFER. 842 00:33:18,957 --> 00:33:20,289 [ GUN COCKS ] Ryan: HAROLD! 843 00:33:20,289 --> 00:33:21,580 DROP THE WEAPON, HAROLD! 844 00:33:21,580 --> 00:33:22,421 DROP IT NOW! 845 00:33:27,586 --> 00:33:28,887 WHERE IS MY STUFF? 846 00:33:28,887 --> 00:33:31,220 THE BOOKING OFFICER MADE ME EMPTY MY POCKETS. 847 00:33:31,220 --> 00:33:32,721 YOU HAVE BIGGER PROBLEMS THAN YOUR PERSONAL EFFECTS, HAROLD, 848 00:33:32,721 --> 00:33:36,305 LIKE ASSAULT CHARGES, LIKE LYING TO THE POLICE. 849 00:33:36,305 --> 00:33:39,188 TELL ME SOMETHING. 850 00:33:39,188 --> 00:33:41,640 WHAT YEAR IS IT? 851 00:33:41,640 --> 00:33:44,063 DON'T -- 852 00:33:44,063 --> 00:33:45,314 DROP THE ACT, HAROLD. 853 00:33:45,314 --> 00:33:46,695 TELL ME WHAT YEAR IT IS. 854 00:33:46,695 --> 00:33:48,737 I KNOW THAT YOU KNOW. PLEASE STOP. PLEASE. 855 00:33:48,737 --> 00:33:49,988 WHAT YEAR IS IT, HAROLD? 856 00:33:49,988 --> 00:33:53,031 IT IS THE YEAR I NEED IT TO BE, OKAY? 857 00:33:53,031 --> 00:33:55,244 WHEN VINCE WAS ALIVE AND THINGS WERE GOOD. 858 00:33:55,244 --> 00:34:00,869 HAROLD, WHAT MAKES YOU THINK FRANK RUSSO KILLED VINCE? 859 00:34:00,869 --> 00:34:05,834 VINCE ONLY EVER WORE THAT BLUE SUIT TO GLITTERATI. 860 00:34:05,834 --> 00:34:08,797 WHEN YOU TWO SAID THAT'S WHAT HE HAD ON, I KNEW. 861 00:34:08,797 --> 00:34:12,381 WHAT ELSE DO YOU REMEMBER ABOUT WHAT HAPPENED THAT NIGHT? 862 00:34:12,381 --> 00:34:14,433 BEFORE WE WENT TO DINNER, 863 00:34:14,433 --> 00:34:17,015 VINCE TOLD ME THAT HE NEEDED TO MEET UP WITH ME LATER, 864 00:34:17,015 --> 00:34:19,268 THAT HE HAD SOMETHING IMPORTANT TO TELL ME. 865 00:34:19,268 --> 00:34:21,640 AND THEN WHEN HE DIDN'T SHOW UP, I GOT WORRIED. 866 00:34:21,640 --> 00:34:25,484 I...I WAS DRIVING ALL OVER THE PLACE LOOKING FOR HIM, 867 00:34:25,484 --> 00:34:29,238 I-I HIT ALL OF HIS OLD HAUNTS. I EVEN WENT TO GLITTERATI. 868 00:34:29,238 --> 00:34:31,490 BUT THERE WAS A SIGN ON THE DOOR 869 00:34:31,490 --> 00:34:34,363 THAT SAID IT WAS CLOSED FOR A PRIVATE EVENT. 870 00:34:34,363 --> 00:34:36,285 AND WHEN YOU HEARD VINCE HAD THAT SUIT ON? 871 00:34:36,285 --> 00:34:39,958 I FIGURED THE PRIVATE EVENT WAS FRANK KILLING HIM. 872 00:34:39,958 --> 00:34:42,791 BUT I KNEW I COULDN'T JUST GO STRAIGHT AT FRANK, 873 00:34:42,791 --> 00:34:44,963 NOT AFTER HE TRIED TO WHACK ME. 874 00:34:44,963 --> 00:34:46,915 YOU WERE PLAYING US THE WHOLE TIME. 875 00:34:46,915 --> 00:34:49,668 NO, NO. NOT AT THE BEGINNING. 876 00:34:49,668 --> 00:34:53,172 BUT WHEN I GOT SHOT AT... THAT'S WHEN THINGS GOT REAL. 877 00:34:53,172 --> 00:34:57,976 IT WAS LIKE, UH -- LIKE A BUBBLE POPPED INSIDE ME. 878 00:34:57,976 --> 00:35:00,809 YOU ASKED US TO BRING YOU TO THE PRECINCT 879 00:35:00,809 --> 00:35:03,812 HOPING YOU COULD SEE WHAT FRANK LOOKS LIKE NOW, 880 00:35:03,812 --> 00:35:05,984 HOPING WE WOULD LEAD YOU RIGHT TO HIS DOORSTEP. 881 00:35:05,984 --> 00:35:09,898 FRANK NEEDED TO PAY FOR WHAT HE DID TO VINCE. 882 00:35:09,898 --> 00:35:12,861 I DIDN'T TRY TO WHACK ANYBODY -- NOT VINCE, NOT HAROLD, EITHER. 883 00:35:12,861 --> 00:35:14,153 THEN WHO DID, FRANK? 884 00:35:14,153 --> 00:35:15,654 HOW THE HELL WOULD I KNOW? 885 00:35:15,654 --> 00:35:17,866 BUT IF HAROLD IS SAYING THAT I TOOK OUT VINCE, 886 00:35:17,866 --> 00:35:19,908 HE IS WAY OFF BASE. 887 00:35:19,908 --> 00:35:21,910 WELL, VINCE WENT TO GLITTERATI THAT NIGHT, 888 00:35:21,910 --> 00:35:23,542 YET YOU HAD IT CLOSED FOR AN EVENT. 889 00:35:23,542 --> 00:35:25,544 IT'S YOUR CLUB, FRANK. 890 00:35:25,544 --> 00:35:28,377 ARE YOU TRYING TO TELL US THAT YOU DON'T KNOW WHAT'S GOING ON INSIDE YOUR OWN CLUB? 891 00:35:28,377 --> 00:35:30,749 WHAT HAPPENED THAT NIGHT? 892 00:35:30,749 --> 00:35:34,713 WHAT I'M ABOUT TO TELL YOU, I NEVER TOLD ANYBODY. 893 00:35:34,713 --> 00:35:37,135 IT WAS VINCE. 894 00:35:37,135 --> 00:35:39,428 VINCE BOOKED THE CLUB THAT NIGHT. 895 00:35:39,428 --> 00:35:40,849 VINCE HAD THE PRIVATE EVENT? 896 00:35:40,849 --> 00:35:42,811 HE BROUGHT IT UP TO ME OVER DINNER, 897 00:35:42,811 --> 00:35:44,853 SAID HE WANTED THE CLUB TO HIMSELF THAT NIGHT. 898 00:35:44,853 --> 00:35:47,936 I MEAN, HE WAS THE BOSS. WHAT WAS I GONNA DO, SAY NO? 899 00:35:47,936 --> 00:35:51,940 VINCE GOES TO MY CLUB, ENDS UP MISSING. 900 00:35:51,940 --> 00:35:54,693 IF PEOPLE KNEW THAT, THEY WOULD'VE THOUGHT I KILLED HIM, 901 00:35:54,693 --> 00:35:56,905 SO I KEPT MY MOUTH SHUT ABOUT IT. 902 00:35:56,905 --> 00:35:58,777 WHY WOULD VINCE WANT THE CLUB? 903 00:35:58,777 --> 00:36:00,909 HE HAD BEEN TALKING ABOUT SETTLING DOWN, GETTING MARRIED. 904 00:36:00,909 --> 00:36:02,831 I FIGURED HE WAS PROPOSING TO SOME GIRL. 905 00:36:02,831 --> 00:36:05,374 PLUS, WHEN I OPENED UP THE NEXT MORNING, 906 00:36:05,374 --> 00:36:08,707 "LAST DANCE" WAS ON THE TURNTABLE. 907 00:36:08,707 --> 00:36:10,839 A ROMANTIC FAVORITE BACK THEN. 908 00:36:10,839 --> 00:36:12,751 SO, WHAT GIRL? 909 00:36:12,751 --> 00:36:14,633 HE DIDN'T TALK ABOUT HER, AND I DIDN'T ASK. 910 00:36:14,633 --> 00:36:17,426 BUT I KNEW HE HAD SOMEONE SPECIAL IN HIS LIFE. 911 00:36:17,426 --> 00:36:18,847 WHO'S THIS MYSTERY WOMAN? 912 00:36:18,847 --> 00:36:21,390 DID SHE LURE VINCE TO THE CLUB TO BE ASSASSINATED, 913 00:36:21,390 --> 00:36:25,224 OR...SOME ROMANTIC PLAN OF HIS GO HORRIBLY AWRY? 914 00:36:25,224 --> 00:36:27,476 THAT MAY BE EXACTLY WHAT HAPPENED. 915 00:36:27,476 --> 00:36:29,938 I WENT THROUGH HAROLD'S PERSONAL EFFECTS. 916 00:36:29,938 --> 00:36:31,360 LOOK AT WHAT I FOUND. 917 00:36:46,875 --> 00:36:49,918 WAS THIS THE ITEM THAT YOU WERE SO WORRIED ABOUT, HAROLD? 918 00:36:49,918 --> 00:36:55,794 Castle: IT'S FROM CONEY ISLAND. JUST LIKE VINCE'S. 919 00:36:55,794 --> 00:36:58,887 EVEN HAS THE SAME DATE STAMPED ON IT. 920 00:36:58,887 --> 00:37:01,640 YOU CARRIED IT WITH YOU JUST LIKE VINCE DID. 921 00:37:01,640 --> 00:37:05,474 SEEING IT AT THE MORGUE BROUGHT YOU TO TEARS. 922 00:37:05,474 --> 00:37:07,896 YOU AND VINCE WERE IN LOVE. 923 00:37:10,609 --> 00:37:12,731 YES. 924 00:37:12,731 --> 00:37:14,943 WE WERE. 925 00:37:14,943 --> 00:37:17,946 WE TRIED NOT TO BE, BUT... 926 00:37:17,946 --> 00:37:20,819 AND YOU WERE GOING TO LOSE HIM. 927 00:37:22,911 --> 00:37:24,743 WAIT. 928 00:37:24,743 --> 00:37:27,826 YOU CAN'T BE THINKING THAT I KILLED VINCE. 929 00:37:27,826 --> 00:37:29,868 YEAH, WE BELIEVE THAT HE WENT TO GLITTERATI 930 00:37:29,868 --> 00:37:32,000 TO PROPOSE MARRIAGE. 931 00:37:32,000 --> 00:37:33,872 HE WAS LEAVING YOU FOR A WOMAN. 932 00:37:33,872 --> 00:37:35,924 OF COURSE HE WAS. 933 00:37:35,924 --> 00:37:38,427 I WAS THE ONE WHO TOLD HIM HE HAD TO GET MARRIED. 934 00:37:38,427 --> 00:37:42,140 IT WOULD RUIN HIM IF PEOPLE FOUND OUT ABOUT US. 935 00:37:44,052 --> 00:37:46,765 BEING HIS NUMBER TWO... 936 00:37:46,765 --> 00:37:49,938 WAS ENOUGH FOR ME. 937 00:37:51,560 --> 00:37:53,392 HAROLD? 938 00:37:53,392 --> 00:37:54,773 IF VINCE WAS GETTING MARRIED, 939 00:37:54,773 --> 00:37:56,154 HOW COME NO ONE ELSE KNEW ABOUT IT? 940 00:37:56,154 --> 00:37:58,487 IT HAD TO BE KEPT HUSH-HUSH. 941 00:37:58,487 --> 00:38:01,740 YOU SEE, THIS WAS MORE THAN A MARRIAGE. 942 00:38:01,740 --> 00:38:03,161 IT WAS A MERGER. 943 00:38:03,161 --> 00:38:07,115 VINCE WAS GONNA MARRY MICHAEL CARCANO'S SISTER 944 00:38:07,115 --> 00:38:09,868 AND UNITE THE TWO FAMILIES. 945 00:38:09,868 --> 00:38:13,622 BUT HE NEVER TOLD ME THAT HE WAS GONNA PROPOSE THAT NIGHT. 946 00:38:13,622 --> 00:38:17,125 WHO IS MICHAEL CARCANO'S SISTER? WHAT'S HER NAME? 947 00:38:18,917 --> 00:38:21,510 FRANK'S NOT HERE. 948 00:38:21,510 --> 00:38:23,972 YEAH, ACTUALLY, WE'RE NOT LOOKING FOR FRANK, MRS. RUSSO. 949 00:38:23,972 --> 00:38:26,304 WOULD YOU MIND IF WE CAME IN? 950 00:38:26,304 --> 00:38:27,386 LET'S KEEP THIS SHORT. 951 00:38:27,386 --> 00:38:29,097 MY MEDITATION TEACHER'S ON HER WAY. 952 00:38:29,097 --> 00:38:30,769 OKAY, SO THEN WHY DON'T YOU TELL US 953 00:38:30,769 --> 00:38:33,602 WHAT HAPPENED AT GLITTERATI THE NIGHT THAT VINCE VANISHED? 954 00:38:33,602 --> 00:38:35,604 HOW WOULD I KNOW? BECAUSE YOU WERE THERE. 955 00:38:35,604 --> 00:38:39,067 WHAT ARE YOU TALKING ABOUT? 956 00:38:39,067 --> 00:38:41,239 VINCE HAD "LAST DANCE" PLAYING. 957 00:38:41,239 --> 00:38:43,402 YOU THOUGHT HE WAS GOING TO PROPOSE, 958 00:38:43,402 --> 00:38:47,656 TO CEMENT, AS IT WERE, THE UNION BETWEEN YOUR TWO FAMILIES. 959 00:38:47,656 --> 00:38:49,708 BUT HE COULDN'T GO THROUGH WITH IT. 960 00:38:49,708 --> 00:38:51,119 YOU COULDN'T HANDLE THE REJECTION. 961 00:38:51,119 --> 00:38:52,831 SO, AS HE LEFT, YOU SHOT HIM IN THE BACK, 962 00:38:52,831 --> 00:38:54,623 THEN AGAIN IN THE FACE. 963 00:38:54,623 --> 00:38:56,875 YOU KNOW, BECAUSE IT WAS PERSONAL. 964 00:38:56,875 --> 00:38:59,838 YOU GUYS HAVE QUITE THE IMAGINATION. 965 00:38:59,838 --> 00:39:02,591 YOUR BROTHER KNEW THAT VINCE'S MURDER WOULD TRIGGER A MOB WAR, 966 00:39:02,591 --> 00:39:04,423 SO HE USED HIS ACCESS TO CONCRETE 967 00:39:04,423 --> 00:39:05,964 TO MAKE VINCE DISAPPEAR. 968 00:39:05,964 --> 00:39:09,097 AFTER THAT, YOU HITCHED YOUR WAGON TO FRANK, 969 00:39:09,097 --> 00:39:11,930 BUT HIS TENURE AS HEAD OF THE BIANCHI FAMILY WAS... 970 00:39:11,930 --> 00:39:13,932 DISAPPOINTINGLY BRIEF. 971 00:39:13,932 --> 00:39:16,775 YOU CAN'T PROVE ANY OF THIS. 972 00:39:16,775 --> 00:39:21,650 ALL YOU'VE GOT IS A STORY. NOW GET OUT. 973 00:39:21,650 --> 00:39:23,031 IF IT IS JUST A STORY, 974 00:39:23,031 --> 00:39:25,824 THEN YOU WOULDN'T HAVE HIRED A HIT MAN. 975 00:39:25,824 --> 00:39:29,538 ROBERT DECKER DECIDED THAT HE DIDN'T WANT TO DIE IN PRISON, 976 00:39:29,538 --> 00:39:30,749 SO HE ROLLED ON YOU. 977 00:39:30,749 --> 00:39:33,412 HE TOLD US THAT YOU PAID HIM TO KILL HAROLD 978 00:39:33,412 --> 00:39:35,293 WHEN YOU FOUND OUT HE WAS TALKING TO THE COPS. 979 00:39:35,293 --> 00:39:37,205 Castle: AND HERE'S THE FUNNY PART. 980 00:39:37,205 --> 00:39:39,588 WELL, MAYBE NOT SO FUNNY TO YOU. 981 00:39:39,588 --> 00:39:42,801 NOBODY, INCLUDING HAROLD, KNEW YOU KILLED VINCE. 982 00:39:42,801 --> 00:39:44,713 IF YOU HAD JUST LEFT HAROLD ALONE, 983 00:39:44,713 --> 00:39:46,094 IT WOULD'VE STAYED THAT WAY. 984 00:39:46,094 --> 00:39:50,098 MARIA RUSSO... 985 00:39:50,098 --> 00:39:51,560 [ GLASS THUDS ] 986 00:39:51,560 --> 00:39:54,933 ...YOU ARE UNDER ARREST FOR CONSPIRACY TO COMMIT MURDER. 987 00:39:54,933 --> 00:39:55,934 [ HANDCUFFS CLICK ] 988 00:39:55,934 --> 00:39:57,145 LET'S GO. 989 00:40:05,193 --> 00:40:08,116 I WISH VINCE HAD JUST SAID YES TO HER. 990 00:40:08,116 --> 00:40:10,699 MAYBE THEN HE'D STILL BE ALIVE. 991 00:40:10,699 --> 00:40:12,581 WELL, HE HAD TO FOLLOW HIS HEART. 992 00:40:12,581 --> 00:40:15,293 IT'S PROBABLY WHAT HE WANTED TO TELL YOU THAT NIGHT. 993 00:40:15,293 --> 00:40:18,537 ISN'T THAT SOMETHING, KNOWING HE DID THAT FOR ME? 994 00:40:18,537 --> 00:40:21,169 SO, HOW DOES IT FEEL TO BE IN THE 2010s? 995 00:40:21,169 --> 00:40:22,881 EH, IT'S OKAY. 996 00:40:22,881 --> 00:40:24,803 I'M READY TO SAY GOODBYE TO THE '70s, 997 00:40:24,803 --> 00:40:26,044 SAY GOODBYE TO VINCE. 998 00:40:26,044 --> 00:40:28,637 WELL, THEN LET'S DO IT THE RIGHT WAY. 999 00:40:28,637 --> 00:40:31,760 HONOR THE TIMES ALONG WITH THE MAN. 1000 00:40:31,760 --> 00:40:32,891 CASTLE, TELL ME YOU DON'T MEA-- 1001 00:40:32,891 --> 00:40:34,102 OH, BUT I DO. 1002 00:40:34,102 --> 00:40:36,815 [ DISCO MUSIC PLAYING ] 1003 00:40:39,478 --> 00:40:41,770 I HAD NO IDEA YOU COULD DISCO DANCE! 1004 00:40:41,770 --> 00:40:45,734 OH, CASTLE, I'M A WOMAN OF MANY HIDDEN TALENTS. 1005 00:40:45,734 --> 00:40:49,738 I LOOK FORWARD TO DISCOVERING EVERY SINGLE ONE. 1006 00:40:49,738 --> 00:40:52,831 HEY, DAD. OH, SWEETIE, I'M DIGGING THOSE GROOVY DUDS! 1007 00:40:52,831 --> 00:40:55,574 [ LAUGHS ] DOESN'T SHE LOOK STUNNING IN THIS OUTFIT? 1008 00:40:55,574 --> 00:40:56,745 I'M JUST GLAD IT COVERS MORE THIS TIME. 1009 00:40:56,745 --> 00:40:57,746 OH, DAD. 1010 00:40:57,746 --> 00:40:59,708 I -- WHAT? 1011 00:40:59,708 --> 00:41:00,749 [ CHUCKLES ] OKAY. MOTHER. 1012 00:41:00,749 --> 00:41:02,170 THANK YOU SO MUCH FOR EVERYTHING. 1013 00:41:02,170 --> 00:41:03,341 OH. 1014 00:41:03,341 --> 00:41:04,883 IT WAS SPECTACULAR. 1015 00:41:04,883 --> 00:41:07,886 NOW THAT YOU GUYS HAVE CONNECTED TO MY VISION HERE, 1016 00:41:07,886 --> 00:41:09,888 PERHAPS WE CAN REVISIT THE FLOWERS? 1017 00:41:09,888 --> 00:41:11,720 NO. NO? 1018 00:41:11,720 --> 00:41:13,552 ♪ PEOPLE EVERYWHERE ARE... ♪ DIG IT, MAN. 1019 00:41:13,552 --> 00:41:15,724 THE '70s IS A COOL PLACE TO VISIT, 1020 00:41:15,724 --> 00:41:17,976 BUT I WOULD NOT WANT TO LIVE THERE, BRO. 1021 00:41:17,976 --> 00:41:20,188 YOU SURE ABOUT THAT, BLOOD? 1022 00:41:20,188 --> 00:41:23,692 ♪ OOH ♪ 1023 00:41:23,692 --> 00:41:25,564 ♪ I'M DANCING ♪ OH, LORD, HAVE MERCY! 1024 00:41:25,564 --> 00:41:28,737 OH, SNOOKIE, SNOOKIE NOW. HEY! 1025 00:41:28,737 --> 00:41:33,321 ♪ MUSIC TAKES YOU UP INTO THE SKY ♪ 1026 00:41:33,321 --> 00:41:35,163 Castle: CAPTAIN GATES. 1027 00:41:35,163 --> 00:41:37,075 DOES THIS MEAN ALL IS FORGIVEN? 1028 00:41:37,075 --> 00:41:40,168 IT MEANS I LIKE TO DANCE, MR. CASTLE. 1029 00:41:42,831 --> 00:41:43,832 HEY. OH, PERFECT. 1030 00:41:43,832 --> 00:41:45,173 [ "LAST DANCE" PLAYS ] 1031 00:41:45,173 --> 00:41:47,796 CHEERS. ♪ OOH OOH OOH ♪ 1032 00:41:47,796 --> 00:41:50,218 ♪ OOH OOH OOH OOH ♪ 1033 00:41:50,218 --> 00:41:53,131 OH, CASTLE, LOOK. LOOK AT HAROLD. 1034 00:41:53,131 --> 00:41:58,937 ♪ OOH OOH OOH ♪ 1035 00:41:58,937 --> 00:42:00,979 ♪ LAST DANCE ♪ 1036 00:42:00,979 --> 00:42:02,771 [ GLASSES CLINK ] 1037 00:42:02,771 --> 00:42:08,316 ♪ LAST CHANCE FOR LOVE ♪ 1038 00:42:11,820 --> 00:42:16,204 ♪ YES, IT'S MY LAST CHANCE ♪ 1039 00:42:16,204 --> 00:42:20,248 ♪ FOR ROMANCE ♪ 1040 00:42:20,248 --> 00:42:23,962 ♪ TONIGHT ♪