1 00:00:01,072 --> 00:00:03,074 LADIES AND GENTLEMEN OF THE JURY, 2 00:00:03,074 --> 00:00:05,476 THE EVIDENCE TELLS US WELL BEYOND A REASONABLE DOUBT 3 00:00:05,476 --> 00:00:07,178 THAT OTIS WILLIAMS IS GUILTY. 4 00:00:07,178 --> 00:00:10,010 NOW HE SHOT AND KILLED LYLA ADDISON. 5 00:00:10,010 --> 00:00:11,542 AND FOR WHAT? 6 00:00:11,542 --> 00:00:13,684 FOR HER CAR. HER CAR. 7 00:00:13,684 --> 00:00:16,687 BUT THAT WAS NOT THE END OF MR. WILLIAMS' SAVAGERY. 8 00:00:16,687 --> 00:00:20,551 HE TOSSED HER BODY INTO A TRUNK AND WENT ON A JOYRIDE. 9 00:00:20,551 --> 00:00:23,524 NOW THE DEFENSE CAN MAKE UP ANY STORIES THEY WANT, 10 00:00:23,524 --> 00:00:26,597 BUT THOSE STORIES DO NOT NEGATE THE FACTS. 11 00:00:26,597 --> 00:00:29,530 AND THE FACTS ARE THAT MR. WILLIAMS WAS CAUGHT 12 00:00:29,530 --> 00:00:31,132 IN THE VICTIM'S CAR, 13 00:00:31,132 --> 00:00:33,464 HIS FINGERPRINTS WERE ALL OVER IT, 14 00:00:33,464 --> 00:00:35,536 AND HER BLOOD WAS ON HIS CLOTHES. 15 00:00:35,536 --> 00:00:38,469 THE TRUE ADMINISTRATION OF JUSTICE 16 00:00:38,469 --> 00:00:41,242 IS THE FIRMEST FOUNDATION 17 00:00:41,242 --> 00:00:43,274 OF GOOD GOVERNMENT. (breathing unsteadily) 18 00:00:43,274 --> 00:00:47,548 NOW THIS SHOULD BE A CHALLENGE TO EACH AND EVERY ONE OF YOU. 19 00:00:47,548 --> 00:00:49,820 YOU ARE THE 12 PEOPLE IN THIS WORLD 20 00:00:49,820 --> 00:00:53,224 THAT CAN BRING JUSTICE TO LYLA ADDISON. 21 00:00:53,224 --> 00:00:56,127 (groaning and choking) (jurors murmuring) 22 00:00:56,127 --> 00:00:58,559 (grunts) 23 00:00:58,559 --> 00:01:01,162 (choking) HELP ME. 24 00:01:01,162 --> 00:01:03,534 HELP. (bailiff) EXCUSE ME, SIR. YOU CAN'T-- 25 00:01:03,534 --> 00:01:05,666 (judge) ORDER. (bangs gavel) 26 00:01:05,666 --> 00:01:07,798 (bang) ORDER. 27 00:01:07,798 --> 00:01:10,341 CALL THE PARAMEDICS. 28 00:01:10,341 --> 00:01:13,174 (people speaking indistinctly) 29 00:01:13,174 --> 00:01:14,545 (mouth full) UGH. 30 00:01:14,545 --> 00:01:17,148 ARE YOU TRYING TO KILL ME? WHAT'S IN THIS? 31 00:01:17,148 --> 00:01:21,081 EVERYTHING YOU NEED FOR A HEALTHIER AND LONGER LIFE. (normal voice) WHAT IS THE SENSE 32 00:01:21,081 --> 00:01:24,155 OF LIVING LONGER IF YOU HAVE TO DRINK THAT? AHH. THAT'S THE STUFF. 33 00:01:24,155 --> 00:01:25,556 UGH. (Alexis) GOOD MORNING. 34 00:01:25,556 --> 00:01:28,559 GOOD MORNING, DARLING. HEY. HEY, WHY AREN'T YOU IN SCHOOL? 35 00:01:28,559 --> 00:01:30,561 IT'S FACULTY DEVELOPMENT DAY. (gasps) PERFECT, 36 00:01:30,561 --> 00:01:32,763 BECAUSE DO YOU KNOW WHAT'S PLAYING AT THE ANGELIKA? 37 00:01:32,763 --> 00:01:34,765 HMM. (dramatic voice) "FORBIDDEN PLANET." 38 00:01:34,765 --> 00:01:36,767 (normal voice) LESLIE NIELSEN, LONG BEFORE HIS COMIC GLORY. 39 00:01:36,767 --> 00:01:38,769 YOU REMEMBER HOW MUCH YOU USED TO LOVE THIS? MM-HMM. 40 00:01:38,769 --> 00:01:40,771 WANT TO GO WITH ME? SORRY, I CAN'T. 41 00:01:40,771 --> 00:01:43,103 I MADE PLANS TO SPEND THE DAY IN THE VILLAGE. 42 00:01:43,103 --> 00:01:45,136 MM. DELICIOUS. UM, BYE, GRAMS. THANK YOU. 43 00:01:45,136 --> 00:01:47,178 BYE, DAD. BYE. 44 00:01:47,178 --> 00:01:49,310 AHH. 45 00:01:49,310 --> 00:01:51,682 (door opens) MOTHER, DID YOU SEE THAT? ALEXIS LIED. 46 00:01:51,682 --> 00:01:53,744 (door closes) SHE DID NOT. SHE LOVES MY BREAKFAST SMOOTHIES. 47 00:01:53,744 --> 00:01:56,347 NO, NO, NOT ABOUT THAT. ABOUT WHERE SHE'S GOING TODAY. 48 00:01:56,347 --> 00:01:58,619 HER NOSE CRINKLED. THAT'S HER TELL. OH, HONEY, COME ON. 49 00:01:58,619 --> 00:02:00,651 THIS IS NOT THE WORLD SERIES OF POKER. 50 00:02:00,651 --> 00:02:03,254 I'M TELLING YOU, SHE'S UP TO SOMETHING. MM. 51 00:02:03,254 --> 00:02:05,796 WHAT ABOUT YOU? YOU WANT TO GO TO THE MOVIES? 52 00:02:05,796 --> 00:02:07,398 NO CAN DO, KIDDO. 53 00:02:07,398 --> 00:02:09,700 GOTTA MEET WITH MY CONTRACTOR AT THE STUDIO. 54 00:02:09,700 --> 00:02:11,762 WELL, THEN IT LOOKS LIKE I'M GOING BY MYSELF. 55 00:02:11,762 --> 00:02:13,504 (cell phone rings) 56 00:02:13,504 --> 00:02:15,366 OR MAYBE... (ring) 57 00:02:15,366 --> 00:02:16,907 NOT AT ALL. (beep) 58 00:02:16,907 --> 00:02:20,441 (imitates Mr. Moviefone) FOR RICHARD CASTLE, PRESS 1. 59 00:02:22,173 --> 00:02:23,574 HEY. HEY. 60 00:02:23,574 --> 00:02:25,576 WHY WERE THERE NEWS VANS OUT FRONT? 61 00:02:25,576 --> 00:02:28,148 BECAUSE OF WHO OUR VICTIM IS. JOE McUSIC. 62 00:02:28,148 --> 00:02:29,420 WHO? 63 00:02:29,420 --> 00:02:31,682 JUROR NUMBER SEVEN IN THE LYLA ADDISON CASE. 64 00:02:31,682 --> 00:02:33,554 THE ADDISON CASE, SERIOUSLY? YEAH. 65 00:02:33,554 --> 00:02:36,487 WHAT HAPPENED? HE DROPPED DEAD DURING THE CLOSING ARGUMENT. 66 00:02:36,487 --> 00:02:38,489 LANIE THINKS THAT HE WAS POISONED. 67 00:02:38,489 --> 00:02:41,292 HEIR TO THE ADDISON FORTUNE IS MURDERED, AND DURING THE TRIAL 68 00:02:41,292 --> 00:02:43,163 A JUROR IS MURDERED AS WELL. 69 00:02:43,163 --> 00:02:45,796 THIS HAS ALL THE MAKINGS OF A JOHN GRISHAM NOVEL. WHAT ARE YOU DOING? 70 00:02:45,796 --> 00:02:49,470 I'M, UH, TEXTING MY POKER GROUP, CALLING DIBS ON THIS STORY. 71 00:02:49,470 --> 00:02:52,743 (buttons click) 72 00:02:52,743 --> 00:02:54,645 (thud) 73 00:02:54,645 --> 00:02:56,577 (Lanie) HE WAS POISONED, ALL RIGHT. 74 00:02:56,577 --> 00:02:58,549 PINK LIVIDITY, THE SMELL OF BITTER ALMONDS-- 75 00:02:58,549 --> 00:03:00,711 TEST STRIP CAME BACK POSITIVE FOR CYANIDE. 76 00:03:00,711 --> 00:03:03,814 CYANIDE? THAT IS FANTASTIC. 77 00:03:03,814 --> 00:03:05,586 UNLESS YOU'RE THE JUROR. 78 00:03:05,586 --> 00:03:07,688 THERE WERE NO PUNCTURE MARKS ON THE BODY, 79 00:03:07,688 --> 00:03:09,460 SO IT WAS INGESTED. 80 00:03:09,460 --> 00:03:13,324 THAT'S AN ODD WAY TO KILL. NOT FOR NAZIS OR EVIL DICTATORS. 81 00:03:13,324 --> 00:03:15,266 HOW DID HE INGEST IT? 82 00:03:15,266 --> 00:03:17,668 BROWNISH STAINS IN HIS MOUTH INDICATE HE RECENTLY HAD COFFEE. 83 00:03:17,668 --> 00:03:19,670 MAYBE IT WAS IN THERE. 84 00:03:19,670 --> 00:03:21,832 AFTER HE CONSUMED THE POISON, HOW LONG BEFORE HE DIED? 85 00:03:21,832 --> 00:03:23,434 NO MORE THAN 15 MINUTES. 86 00:03:23,434 --> 00:03:24,835 ACCORDING TO THE COURT CLERK, 87 00:03:24,835 --> 00:03:26,837 MR. McUSIC ARRIVED THIS MORNING AT 8:37 88 00:03:26,837 --> 00:03:29,280 AND DIED AT APPROXIMATELY 9:13. 89 00:03:29,280 --> 00:03:30,681 15 MINUTES. 90 00:03:30,681 --> 00:03:32,713 THAT MEANS THAT HE WAS POISONED AT THE COURTHOUSE. 91 00:03:32,713 --> 00:03:36,487 MM-HMM. AND WHO BENEFITS FROM A DEAD JUROR? THE DEFENDANT. 92 00:03:36,487 --> 00:03:38,319 THEN WE AGREE. 93 00:03:38,319 --> 00:03:40,951 THE DEFENDANT, OTIS WILLIAMS. 94 00:03:40,951 --> 00:03:43,454 THIS GUY'S A REAL DIRTBAG'S DIRTBAG. 95 00:03:43,454 --> 00:03:45,596 GRAND THEFT AUTO, AGGRAVATED ASSAULT, ATTEMPTED MURDER. 96 00:03:45,596 --> 00:03:47,598 DIRTBAG TRIFECTA, WHICH MEANS, IF CONVICTED, 97 00:03:47,598 --> 00:03:50,261 HE'D GO AWAY FOR A LONG TIME. (Esposito) LIFE WITHOUT PAROLE. 98 00:03:50,261 --> 00:03:52,263 I BET THE D.A. WOULD ASK FOR THE NEEDLE 99 00:03:52,263 --> 00:03:54,735 IF NEW YORK STILL HAD THE DEATH PENALTY. THEY CAUGHT HIM IN THE STOLEN CAR 100 00:03:54,735 --> 00:03:56,667 WITH LYLA ADDISON'S BODY IN THE TRUNK. 101 00:03:56,667 --> 00:03:58,669 THEY GOT HIS FINGERPRINTS, TRACES OF THE VICTIM'S BLOOD. 102 00:03:58,669 --> 00:04:01,342 THIS GUY'S WAY PAST GUILTY. 103 00:04:01,342 --> 00:04:03,474 SO THIS IS JURY INTIMIDATION AT ITS FINEST. 104 00:04:03,474 --> 00:04:06,517 YOU KILL A JUROR, YOU NOT ONLY GUARANTEE A MISTRIAL, 105 00:04:06,517 --> 00:04:08,279 BUT IT ALSO SERVES 106 00:04:08,279 --> 00:04:10,281 AS A WARNING FOR ANY FUTURE JURORS ON A RETRIAL. 107 00:04:10,281 --> 00:04:11,982 I MEAN, WHO WANTS TO SERVE ON A JURY 108 00:04:11,982 --> 00:04:14,625 IF THERE'S A CHANCE OF BEING KILLED? BUT WE KNOW OTIS DIDN'T DO IT. 109 00:04:14,625 --> 00:04:17,257 HE'S BEEN INCARCERATED SINCE HIS ARREST. (Beckett) HE MIGHT HAVE HAD AN ACCOMPLICE. 110 00:04:17,257 --> 00:04:20,631 WHOEVER POISONED JOE McUSIC SOMEHOW DID IT IN THIS BUILDING 111 00:04:20,631 --> 00:04:22,363 15 MINUTES BEFORE HE DIED. 112 00:04:22,363 --> 00:04:24,635 I'LL GET WITH SECURITY, PULL THE SURVEILLANCE FOOTAGE 113 00:04:24,635 --> 00:04:28,469 FROM ALL THE CORRIDORS AND COMMON ROOMS. I'LL TALK TO THE JURORS. SOMEONE MIGHT HAVE SEEN SOMETHING. 114 00:04:28,469 --> 00:04:30,000 (Beckett) ALL RIGHT. 115 00:04:31,842 --> 00:04:33,574 WHY DON'T WE SEE 116 00:04:33,574 --> 00:04:36,547 WHAT MR. OTIS WILLIAMS HAS TO SAY FOR HIMSELF? 117 00:04:38,309 --> 00:04:39,580 COUNSELOR. 118 00:04:39,580 --> 00:04:41,412 DETECTIVE BECKETT. 119 00:04:41,412 --> 00:04:43,314 I'D LIKE TO SPEAK WITH YOUR CLIENT. 120 00:04:43,314 --> 00:04:45,316 DETECTIVE, ANYTHING WE HAVE TO SAY ABOUT LYLA ADDISON, 121 00:04:45,316 --> 00:04:48,058 WE'VE SAID DURING THE TRIAL. I'M NOT HERE ABOUT MS. ADDISON. 122 00:04:48,058 --> 00:04:50,491 I'M HERE ABOUT JUROR NUMBER SEVEN. OKAY. WHAT ABOUT HIM? 123 00:04:50,491 --> 00:04:52,423 HE WAS MURDERED. MURDERED? 124 00:04:52,423 --> 00:04:55,926 I THOUGHT HE DIED OF A SEIZURE OR SOME OTHER NATURAL CAUSE. 125 00:04:55,926 --> 00:04:58,298 THERE'S NOTHING NATURAL ABOUT CYANIDE POISONING. 126 00:04:58,298 --> 00:05:00,601 OKAY, LOOK, MY CLIENT DOESN'T KNOW ANYTHING ABOUT THAT, 127 00:05:00,601 --> 00:05:03,474 AND THERE'S NO WAY I'M LETTING HIM TALK TO YOU. 128 00:05:03,474 --> 00:05:07,578 NOW IF YOU'LL EXCUSE US, WE'RE DUE IN COURT. LET'S GO. (man) ALL RIGHT, LET'S GO. THIS WAY. 129 00:05:07,578 --> 00:05:10,581 (gavel bangs) IN LIGHT OF THE SHOCKING CIRCUMSTANCES 130 00:05:10,581 --> 00:05:13,083 OF JUROR NUMBER SEVEN'S DEATH, IT IS MY BELIEF 131 00:05:13,083 --> 00:05:14,815 THAT THIS PARTICULAR JURY 132 00:05:14,815 --> 00:05:17,988 IS NO LONGER CAPABLE OF REACHING A FAIR VERDICT. 133 00:05:17,988 --> 00:05:20,050 THEREFORE, I HAVE NO CHOICE BUT TO DECLARE A MISTRIAL. 134 00:05:20,050 --> 00:05:23,093 UH, YOUR HONOR, THE PEOPLE INTEND TO REFILE CHARGES. NOTED. 135 00:05:23,093 --> 00:05:25,325 UNTIL THEN, MR. WILLIAMS WILL BE REMANDED. 136 00:05:25,325 --> 00:05:27,658 THIS HEARING IS ADJOURNED. (bangs gavel) 137 00:05:27,658 --> 00:05:30,461 YOU CALL THIS JUSTICE, YOUR HONOR? 138 00:05:30,461 --> 00:05:32,533 AFTER WHAT HE DID TO MY DAUGHTER? 139 00:05:32,533 --> 00:05:35,005 YOU...MONSTER. 140 00:05:35,005 --> 00:05:37,868 DAD! DAD, NO. 141 00:05:37,868 --> 00:05:41,612 LET'S GO HOME. 142 00:05:41,612 --> 00:05:44,815 (gallery murmuring) 143 00:05:44,815 --> 00:05:48,018 (lowered voice) LOOKS LIKE OTIS' PLAN IS WORKING. (lowered voice) YEAH, FOR NOW. 144 00:05:48,018 --> 00:05:50,921 RYAN, YOU FIND ANYTHING YET? 145 00:05:50,921 --> 00:05:53,984 NOT YET. THAT BUILDING HAS A LOT OF CAMERAS. 146 00:05:53,984 --> 00:05:56,457 EVEN THOUGH WE HAVE A VERY NARROW TIME FRAME, IT'S GONNA 147 00:05:56,457 --> 00:05:58,959 TAKE A COUPLE OF HOURS TO GET THROUGH ALL OF IT. (Esposito) MAYBE WE'RE WRONG ABOUT THE DEFENDANT. 148 00:05:58,959 --> 00:06:02,633 MAYBE WE SHOULD BE LOOKING AT A JUROR. WHAT DO YOU MEAN? 149 00:06:02,633 --> 00:06:04,364 TONY MULLER. JUROR NUMBER FOUR. 150 00:06:04,364 --> 00:06:05,936 HE'S BEEN MISSING SINCE THE MURDER. 151 00:06:05,936 --> 00:06:07,898 HE WAS A NO-SHOW FOR ONE OF OUR INTERVIEWS. 152 00:06:07,898 --> 00:06:10,040 HE'S NOT ANSWERING HIS CELL. NEIGHBORS SAW HIM 153 00:06:10,040 --> 00:06:12,543 LEAVE HIS APARTMENT WITH AN OVERNIGHT BAG. ALL RIGHT, KEEP AN EYE OUT FOR HIM ON THE VIDEO. 154 00:06:12,543 --> 00:06:14,605 I ALREADY GOT AN A.P.B. OUT ON HIM. OH, YOU DO? 155 00:06:14,605 --> 00:06:16,076 MM-HMM. GOOD. 156 00:06:16,076 --> 00:06:18,048 (Montgomery) BECKETT. 157 00:06:18,048 --> 00:06:20,451 THE BROTHER OF YOUR DEAD JUROR'S HERE. 158 00:06:22,152 --> 00:06:24,615 I THOUGHT COURTROOMS WERE SUPPOSED TO BE SAFE. 159 00:06:24,615 --> 00:06:26,617 I'M SO SORRY, MR. McUSIC. 160 00:06:26,617 --> 00:06:29,560 WE'RE DOING EVERYTHING WE CAN TO FIGURE IT OUT. 161 00:06:29,560 --> 00:06:32,623 BUT WHO WOULD WANT TO HURT JOE? WELL, YOU KNOW, IT MIGHT NOT HAVE TO DO WITH YOUR BROTHER. 162 00:06:32,623 --> 00:06:35,496 IT MIGHT HAVE TO DO WITH THE JURY THAT HE SERVED ON. 163 00:06:35,496 --> 00:06:37,928 DID YOU KNOW THAT HE WAS ASSIGNED THE ADDISON TRIAL? 164 00:06:37,928 --> 00:06:39,129 NO. 165 00:06:39,129 --> 00:06:42,132 NO. I JUST KNEW HE HAD JURY DUTY. 166 00:06:42,132 --> 00:06:45,676 CAN YOU THINK OF ANY REASONS WHY YOUR BROTHER MIGHT HAVE BEEN 167 00:06:45,676 --> 00:06:47,938 BIASED EITHER TOWARD OR AGAINST THE DEFENDANT? 168 00:06:47,938 --> 00:06:49,940 (chuckles) WHEN HE WAS A KID, 169 00:06:49,940 --> 00:06:54,414 MY BROTHER HAD A FEW SCRAPES WITH THE LAW. 170 00:06:54,414 --> 00:06:56,817 BUT HE CLEANED HIS LIFE UP. 171 00:06:56,817 --> 00:06:59,189 HE BELIEVED IN SECOND CHANCES. 172 00:06:59,189 --> 00:07:02,052 THAT'S WHY HE RAN THE HALFWAY HOUSE. 173 00:07:02,052 --> 00:07:05,125 WHAT HE DIDN'T BELIEVE IN WERE THIRD, FOURTH, FIFTH CHANCES. 174 00:07:05,125 --> 00:07:08,058 HE'D BEEN OUT THERE LONG ENOUGH TO KNOW, 175 00:07:08,058 --> 00:07:10,531 SOME FOLKS CAN'T BE REHABILITATED. 176 00:07:12,062 --> 00:07:14,064 DO YOU KNOW IF YOUR BROTHER 177 00:07:14,064 --> 00:07:16,066 HAD ANY PROBLEMS WITH ANYONE AT WORK? 178 00:07:16,066 --> 00:07:19,039 I MEAN, GIVEN THE KINDS OF PEOPLE THAT HE DEALT WITH... 179 00:07:19,039 --> 00:07:22,042 NO. JOE HAD A WAY WITH FOLKS. 180 00:07:22,042 --> 00:07:24,975 HE'D LOOK OUT FOR PEOPLE. 181 00:07:31,051 --> 00:07:33,624 YOU THINK JOE WAS CHOSEN AT RANDOM, 182 00:07:33,624 --> 00:07:36,487 OR DO YOU THINK HE WAS KILLED BECAUSE OF HIS BACKGROUND? WELL, SINCE THIS ISN'T, IN FACT, A GRISHAM NOVEL, 183 00:07:36,487 --> 00:07:38,489 I THOUGHT I'D KEEP AN OPEN MIND. 184 00:07:38,489 --> 00:07:40,931 HEY, RYAN. CAN YOU LOOK INTO JOE McUSIC'S HALFWAY HOUSE, 185 00:07:40,931 --> 00:07:43,994 SEE IF HE HAD PROBLEMS WITH ANYONE THERE? I ALREADY SPOKE WITH HIS STAFF. 186 00:07:43,994 --> 00:07:45,996 THEY DON'T REMEMBER ANY CONFLICTS, 187 00:07:45,996 --> 00:07:48,969 BUT THEY'RE SENDING OVER A LIST OF RESIDENTS IN CASE. YO. OUR MISSING JUROR? 188 00:07:48,969 --> 00:07:50,841 TROOPERS PICKED HIM UP CROSSING THE G.W. BRIDGE. 189 00:07:50,841 --> 00:07:53,243 THEY'RE BRINGING HIM IN NOW. 190 00:07:53,243 --> 00:07:55,946 (exhales) YOU WERE LEAVING TOWN IN A HURRY, MR. MULLER. 191 00:07:55,946 --> 00:07:57,978 ANY REASON WHY? ISN'T IT OBVIOUS? 192 00:07:57,978 --> 00:07:59,610 I'M MARKED FOR DEATH, MAN. 193 00:07:59,610 --> 00:08:01,011 MARKED FOR DEATH? 194 00:08:01,011 --> 00:08:03,514 I DIDN'T ASK FOR JURY DUTY. I WAS SUMMONED. 195 00:08:03,514 --> 00:08:05,886 THEY SAID SHOW UP AT THIS TIME AT THIS PLACE. 196 00:08:05,886 --> 00:08:07,888 THEY FAILED TO MENTION THAT THE DEFENDANT'S HOMEBOY 197 00:08:07,888 --> 00:08:10,621 WAS GONNA KILL ME. THE DEFENDANT'S HOMEBOY? 198 00:08:10,621 --> 00:08:13,123 YEAH. THIS BIG SCARY BLACK GUY. 199 00:08:13,123 --> 00:08:15,866 EXACTLY WHAT HAPPENED, MR. MULLER? 200 00:08:15,866 --> 00:08:19,129 YESTERDAY, THIS GUY FOLLOWS ME INTO THE COURTHOUSE BATHROOM 201 00:08:19,129 --> 00:08:21,672 AND STARTS CHATTING ME UP ABOUT THE TRIAL. 202 00:08:21,672 --> 00:08:23,904 (Beckett) DID HE GIVE YOU HIS NAME? NO, NO. 203 00:08:23,904 --> 00:08:26,907 BUT HE'S GOING ON AND ON ABOUT HOW OTIS WILLIAMS IS INNOCENT 204 00:08:26,907 --> 00:08:28,909 AND HOW HE'S BEING RAILROADED BY THE SYSTEM. 205 00:08:28,909 --> 00:08:31,141 AND THEN THIS MORNING, I SEE THE SAME GUY 206 00:08:31,141 --> 00:08:33,043 ON THE DEFENDANT'S SIDE OF THE GALLERY 207 00:08:33,043 --> 00:08:35,616 IN THE FRONT ROW, EYEBALLING ME. 208 00:08:35,616 --> 00:08:37,788 HAVE YOU EVER SEEN HIM WITH JOE? 209 00:08:37,788 --> 00:08:40,190 YES,WHICH IS WHY WHEN I SAW JOE BITE IT 210 00:08:40,190 --> 00:08:42,793 RIGHT IN FRONT OF ME, I KNEW I WAS NEXT. 211 00:08:42,793 --> 00:08:44,154 AND WHY SHOULD I DIE? 212 00:08:44,154 --> 00:08:47,127 I WAS ONLY TRYING TO FULFILL MY CIVIC RESPONSIBILITIES. 213 00:08:48,629 --> 00:08:50,030 (TV playing without audio) 214 00:08:50,030 --> 00:08:51,902 THANK YOU FOR COMING IN, MR. MULLER. 215 00:08:51,902 --> 00:08:53,904 NOW DO YOU THINK YOU'LL BE ABLE TO DESCRIBE HIM 216 00:08:53,904 --> 00:08:55,636 TO OUR SKETCH ARTIST? 217 00:08:55,636 --> 00:08:57,638 HE--HE'S A BIG SCARY BLACK GUY. 218 00:08:57,638 --> 00:09:00,070 IT MIGHT HELP IF YOU'RE JUST A LITTLE MORE SPECIFIC. 219 00:09:00,070 --> 00:09:01,912 UH, OKAY. UH... 220 00:09:01,912 --> 00:09:03,914 WELL, LIKE I SAID, HE'S A-- 221 00:09:03,914 --> 00:09:06,316 HE'S A BIG SCARY BLACK GUY 222 00:09:06,316 --> 00:09:09,549 NAMED WARDELL WILLIAMS. 223 00:09:09,549 --> 00:09:11,652 THE DEFENDANT'S COUSIN. 224 00:09:11,652 --> 00:09:13,924 I DIDN'T--I THOUGHT YOU DIDN'T KNOW WHO HE WAS. 225 00:09:13,924 --> 00:09:15,956 I DIDN'T, BUT THERE HE IS. 226 00:09:15,956 --> 00:09:18,188 (continues playing with no audio) 227 00:09:20,691 --> 00:09:22,663 WELL, A-ARE YOU SURE? YEAH. 228 00:09:22,663 --> 00:09:25,095 WHY? WHILE YOU GUYS WERE IN THE BOX WITH MR. MULLER, 229 00:09:25,095 --> 00:09:28,198 I-I FOUND THIS ON COURTHOUSE SURVEILLANCE. 230 00:09:28,198 --> 00:09:30,340 SEE, THAT'S JOE THE JUROR AT THE COFFEE MACHINE 231 00:09:30,340 --> 00:09:34,705 ROUGHLY 14 MINUTES BEFORE HIS DEATH, RIGHT IN OUR KILL ZONE. 232 00:09:34,705 --> 00:09:36,707 (computer chirps) 233 00:09:36,707 --> 00:09:38,879 COUSIN WARDELL. AND WATCH THIS. 234 00:09:38,879 --> 00:09:41,051 (chirps) 235 00:09:44,184 --> 00:09:48,118 LOOKS LIKE HE MAKES A KILLER CUP OF JOE. 236 00:09:48,118 --> 00:09:56,967 TOO SOON? 237 00:10:03,834 --> 00:10:05,205 (computer chirps) 238 00:10:05,205 --> 00:10:06,737 (scoffs) 239 00:10:06,737 --> 00:10:08,739 NOW Y'ALL TRYING TO ACCUSE ME OF MURDER 240 00:10:08,739 --> 00:10:11,181 WITH THIS HALF-ASSED VERSION OF A ZAPRUDER FILM? 241 00:10:11,181 --> 00:10:13,283 (Beckett) YOU AND OTIS WERE MORE THAN JUST COUSINS. 242 00:10:13,283 --> 00:10:15,385 GREW UP IN THE SAME HOUSEHOLD. 243 00:10:15,385 --> 00:10:16,987 MORE LIKE BROTHERS. 244 00:10:16,987 --> 00:10:18,919 YEAH, ME AND O. TIGHT. SO WHAT? 245 00:10:18,919 --> 00:10:21,852 SO IT MAKES SENSE YOU'D DO ANYTHING FOR HIM, 246 00:10:21,852 --> 00:10:24,795 INCLUDING KILL A JUROR ON HIS MURDER TRIAL. MAN, Y'ALL REACHING. 247 00:10:24,795 --> 00:10:27,097 ARE WE? (scoffs) 248 00:10:27,097 --> 00:10:29,730 YOU TALKED TO JURORS. THAT'S JURY TAMPERING. 249 00:10:29,730 --> 00:10:31,732 SO ACCUSING ONE BLACK MAN OF A MURDER HE DIDN'T COMMIT 250 00:10:31,732 --> 00:10:34,665 ISN'T GOOD ENOUGH FOR YOU? Y'ALL TRYING FOR THE DAILY DOUBLE? 251 00:10:34,665 --> 00:10:37,307 MAN, I TALKED TO A GANG OF FOLKS IN THAT COURTHOUSE. 252 00:10:37,307 --> 00:10:39,940 HOW I'M SUPPOSED TO KNOW WHICH ONE OF THEM IS A JUROR? 253 00:10:39,940 --> 00:10:42,412 WELL, THE "JUROR" BADGES ON THEIR SHIRTS 254 00:10:42,412 --> 00:10:44,414 MIGHT HAVE BEEN A HINT. USING VIDEO SURVEILLANCE FOOTAGE 255 00:10:44,414 --> 00:10:48,148 C.S.U. MANAGED TO PULL JOE'S COFFEE CUP OUT OF THE GARBAGE. 256 00:10:48,148 --> 00:10:49,750 THEY'RE TESTING IT FOR CYANIDE. 257 00:10:49,750 --> 00:10:51,752 WHY DON'T YOU JUST COME CLEAN 258 00:10:51,752 --> 00:10:54,384 WHILE WE STILL GOT A DEAL TO MAKE? MAN, I TOLD YOU, I DIDN'T DO NOTHIN'! 259 00:10:54,384 --> 00:10:59,059 WARDELL, SIT DOWN BEFORE I MAKE YOU SIT DOWN. 260 00:10:59,059 --> 00:11:01,031 (chuckles) 261 00:11:01,031 --> 00:11:04,064 SO OBVIOUSLY, YOU MUST BE THE BAD COP. 262 00:11:04,064 --> 00:11:06,066 GUESS THAT MAKES YOU THE GOOD COP. 263 00:11:06,066 --> 00:11:07,938 ACTUALLY, I'M NOT A COP. 264 00:11:07,938 --> 00:11:10,941 OH, YOU NOT A COP? MR. CASTLE IS A WRITER. 265 00:11:10,941 --> 00:11:13,744 HE CONSULTS WITH THE DEPARTMENT ON OCCASION. 266 00:11:13,744 --> 00:11:16,206 OH. SO THAT'S HOW YOU TWO DO IT? 267 00:11:16,206 --> 00:11:18,949 YOU TELL THE LIES, YOU PRINT THE LIES? 268 00:11:18,949 --> 00:11:21,681 MAN, Y'ALL FRAMING ME JUST LIKE THEY DID MY COUSIN. 269 00:11:21,681 --> 00:11:24,785 MAN, THIS WHOLE DAMN THING IS A CONSPIRACY. WARDELL, BE SERIOUS. 270 00:11:24,785 --> 00:11:26,787 YOU DON'T THINK I'M SERIOUS? 271 00:11:26,787 --> 00:11:29,760 THEN TELL ME, WHY OF ALL THE LAWYERS IN THE CITY, 272 00:11:29,760 --> 00:11:32,262 THEDISTRICT ATTORNEY IS TRYING OTIS' CASE? 273 00:11:32,262 --> 00:11:34,194 YOU DON'T THINK IT'S 'CAUSE HE'S RUNNING FOR MAYOR 274 00:11:34,194 --> 00:11:35,996 AND HE WANTS TO LOCK MY COUSIN UP 275 00:11:35,996 --> 00:11:38,468 SO ALL HIS RICH, POWERFUL WHITE FRIENDS CAN FEEL SAFE? 276 00:11:38,468 --> 00:11:41,331 LOOK, YOU'RE NOT DOING YOURSELF ANY FAVORS RIGHT NOW. 277 00:11:41,331 --> 00:11:43,203 YOU JUST GOT IT ALL WORKED OUT, HUH? 278 00:11:43,203 --> 00:11:45,806 YOU GOT MY COUSIN O. PULLING A BIGGER THOMAS. 279 00:11:45,806 --> 00:11:49,039 AND YOU GOT ME POISONING THIS MAN TO GET HIM OFF. 280 00:11:49,039 --> 00:11:51,141 LOOKS THAT WAY. 281 00:11:51,141 --> 00:11:54,214 WELL, LOOKS DON'T MAKE IT SO. 282 00:11:54,214 --> 00:11:58,488 LOOKS LIKE I'M POISONING THIS MAN'S COFFEE... 283 00:11:58,488 --> 00:12:01,822 WHEN REALLY, ALL I DID WAS HAND IT TO HIM. 284 00:12:03,253 --> 00:12:04,855 HEY, ESPOSITO. HMM? 285 00:12:04,855 --> 00:12:06,857 CAN YOU GET A WARRANT FOR WARDELL'S PLACE, 286 00:12:06,857 --> 00:12:09,259 SEE IF THERE'S ANY TRACES OF CYANIDE? YOU GOT IT. 287 00:12:09,259 --> 00:12:11,501 AND AS THEY SAY IN LEGALESE, ASKED AND ANSWERED. 288 00:12:11,501 --> 00:12:14,234 IT'S TOO BAD. I WAS HOPING THERE'D BE A LITTLE MORE 289 00:12:14,234 --> 00:12:15,936 TO THE STORY THAN THAT. 290 00:12:15,936 --> 00:12:17,337 HMM. 291 00:12:17,337 --> 00:12:19,209 "HMM," WHAT? 292 00:12:19,209 --> 00:12:21,211 ALEXIS SAID SHE'D BE IN THE VILLAGE TODAY, 293 00:12:21,211 --> 00:12:23,974 BUT SHE'S OVER IN WILLIAMSBURG. WELL, HOW DO YOU KNOW SHE'S IN WILLIAMSBURG? 294 00:12:23,974 --> 00:12:25,946 GPS TRACKED HER PHONE. 295 00:12:25,946 --> 00:12:28,078 YOU TRACKED HER PHONE? 296 00:12:28,078 --> 00:12:30,250 YEAH.SUPER COOL APP I JUST DOWNLOADED. 297 00:12:30,250 --> 00:12:32,823 I CAN SEE WHERE SHE IS AT ANYTIME. 298 00:12:32,823 --> 00:12:34,985 DOES SHE KNOW THAT YOU'RE DOING THIS? (laughs) 299 00:12:34,985 --> 00:12:37,387 WHAT, ARE YOU KIDDING? NO, SHE'D KILL ME. 300 00:12:37,387 --> 00:12:39,860 AND BE JUSTIFIED. 301 00:12:39,860 --> 00:12:41,231 I'M HER FATHER. 302 00:12:41,231 --> 00:12:43,363 IF SOMETHING'S GOING ON, I-I NEED TO KNOW. 303 00:12:43,363 --> 00:12:44,965 A LOT OF PARENTS 304 00:12:44,965 --> 00:12:46,967 WILL GO THROUGH THEIR KIDS' DRAWERS OR COMPUTERS. 305 00:12:46,967 --> 00:12:48,839 FAR LESS INTRUSIVE. 306 00:12:48,839 --> 00:12:50,240 (telephone rings) 307 00:12:50,240 --> 00:12:51,842 (receiver clatters) 308 00:12:51,842 --> 00:12:53,403 BECKETT. 309 00:12:53,403 --> 00:12:56,506 JOE'S CYANIDE-LACED COFFEE CUP. 310 00:12:56,506 --> 00:12:58,508 C.S.U. FOUND BOTH JOE AND WARDELL'S PRINTS ON IT, 311 00:12:58,508 --> 00:13:01,051 BUT THERE WAS SOMETHING VERY IMPORTANT MISSING. 312 00:13:01,051 --> 00:13:02,212 CYANIDE. 313 00:13:02,212 --> 00:13:03,814 (Beckett and Castle) REALLY? REALLY. 314 00:13:03,814 --> 00:13:05,816 WELL, HOW WAS HE POISONED? 315 00:13:05,816 --> 00:13:08,218 DURING THE AUTOPSY, I DISCOVERED CYANIDE RESIDUE 316 00:13:08,218 --> 00:13:10,420 IN A PRESCRIPTION TIME-RELEASE CAPSULE. 317 00:13:10,420 --> 00:13:13,063 SO JOE HAD A PRESCRIPTION FOR CYANIDE? 318 00:13:13,063 --> 00:13:16,326 NO.HE HAD A PRESCRIPTION FOR CORTICOSTEROIDS. 319 00:13:16,326 --> 00:13:18,428 ACCORDING TO HIS PHYSICIAN, HE TOOK ONE EVERY MORNING 320 00:13:18,428 --> 00:13:20,030 FOR SYMPTOMS FROM LUPUS. 321 00:13:20,030 --> 00:13:21,431 IT LOOKS LIKE THE KILLER 322 00:13:21,431 --> 00:13:23,433 SWITCHED OUT THE CONTENTS OF JOE'S CAPSULE 323 00:13:23,433 --> 00:13:25,405 AND REPLACED IT WITH THE CYANIDE. 324 00:13:25,405 --> 00:13:28,378 OKAY, SO THEN WHEN JOE WAS TAKING HIS MEDICATIONS, 325 00:13:28,378 --> 00:13:30,941 HE UNKNOWINGLY POISONED HIMSELF. BUT HERE'S THE RUB-- 326 00:13:30,941 --> 00:13:33,343 SINCE THE CYANIDE WAS IN A TIME-RELEASE CAPSULE 327 00:13:33,343 --> 00:13:35,315 DESIGNED NOT TO DISSOLVE IN STOMACH ACID, 328 00:13:35,315 --> 00:13:38,148 BUT IN THE INTESTINES... OUR TIMELINE IS ALL SCREWED UP. 329 00:13:38,148 --> 00:13:40,220 UH-HUH. YEP, TURNS OUT JOE 330 00:13:40,220 --> 00:13:42,222 WAS POISONED ALMOST ONE HOUR BEFORE HIS DEATH 331 00:13:42,222 --> 00:13:44,855 AT 8:13 THIS MORNING. THAT'S BEFORE HE EVEN GOT TO THE COURTHOUSE. 332 00:13:44,855 --> 00:13:46,957 WHICH MEANS THE KILLER PROBABLY WASN'T THERE EITHER. 333 00:13:46,957 --> 00:13:49,329 THEN JOE'S DEATH MIGHT NOT HAVE ANYTHING TO DO WITH THE TRIAL. 334 00:13:49,329 --> 00:13:51,902 WELL, WE LEARNED THREE VERY IMPORTANT THINGS. 335 00:13:51,902 --> 00:13:53,303 FIRSTLY, OUR KILLER IS DIABOLICAL. 336 00:13:53,303 --> 00:13:55,305 YOU LET SOMEONE UNWITTINGLY KILL THEMSELVES? 337 00:13:55,305 --> 00:13:57,107 (clicks tongue) PURE EVIL. 338 00:13:57,107 --> 00:13:59,870 SECOND, OUR KILLER KNEW JOE OR AT LEAST KNEW HIS HABITS. 339 00:13:59,870 --> 00:14:02,412 THIRD, OUR KILLER WAS A WOMAN. HMM? 340 00:14:02,412 --> 00:14:04,414 STATISTICALLY SPEAKING, POISONINGS ARE ALMOST ALWAYS 341 00:14:04,414 --> 00:14:06,947 CARRIED OUT BY THE FAIRER SEX. AH, BUT YOU ARE MISSING 342 00:14:06,947 --> 00:14:09,419 ONE VERY IMPORTANT DETAIL, CASTLE. ENLIGHTEN ME. 343 00:14:09,419 --> 00:14:11,882 OUR KILLER HAD ACCESS TO JOE'S MEDICATIONS, 344 00:14:11,882 --> 00:14:13,884 MEDICATIONS THAT HE DID NOT KEEP ON HIM. 345 00:14:13,884 --> 00:14:16,356 SO THEREFORE OUR KILLER HAD ACCESS TO-- HIS APARTMENT. 346 00:14:16,356 --> 00:14:18,628 BINGO. (knock on door) 347 00:14:18,628 --> 00:14:20,991 (Ryan) NYPD. (lock clicks) 348 00:14:20,991 --> 00:14:23,263 (Esposito) YOU KNOW, THE MURDER OF JOE THE JUROR 349 00:14:23,263 --> 00:14:24,965 IS A REAL TRAGEDY. 350 00:14:24,965 --> 00:14:26,496 ISN'T EVERY MURDER A TRAGEDY? 351 00:14:26,496 --> 00:14:29,269 YES, EVERY MURDER'S A TRAGEDY, BUT JOE IS SPECIAL. 352 00:14:29,269 --> 00:14:32,973 HE WAS A JUVENILE DELINQUENT WHO REFORMED HIMSELF, 353 00:14:32,973 --> 00:14:34,975 A BORN-AGAIN CITIZEN 354 00:14:34,975 --> 00:14:38,648 WHO BELIEVED IN THE SYSTEM AND HELPED OUT EX-CONS. 355 00:14:38,648 --> 00:14:41,151 AND WHAT DID HE GET FOR HIS TROUBLE? 356 00:14:41,151 --> 00:14:43,954 HMM. PILL FULL OF POISON. 357 00:14:43,954 --> 00:14:45,255 MM-HMM. 358 00:14:45,255 --> 00:14:48,118 "COWARDS DIE MANY TIMES BEFORE THEIR DEATH. 359 00:14:48,118 --> 00:14:50,991 THE VALIANT NEVER TASTE OF DEATH BUT ONCE." 360 00:14:50,991 --> 00:14:52,662 BRO, YOU'RE NOT CASTLE. 361 00:14:52,662 --> 00:14:55,996 YEAH, I KNOW I'M NOT CASTLE. THEN STOP TRYING TO TALK LIKE HIM. 362 00:14:55,996 --> 00:15:00,400 WHAT, I'M NOT ALLOWED TO REFERENCE THE BARD? 363 00:15:02,332 --> 00:15:03,934 I'M A RENAISSANCE MAN. 364 00:15:03,934 --> 00:15:06,937 MEMORIZING ONE QUOTE DOES NOT MAKE YOU A RENAISSANCE MAN. 365 00:15:06,937 --> 00:15:08,478 WHAT IF I MEMORIZED TWO? 366 00:15:08,478 --> 00:15:10,480 (Esposito) HAVE YOU MEMORIZED TWO? 367 00:15:10,480 --> 00:15:13,513 NO, BUT WHAT IF I DID? 368 00:15:13,513 --> 00:15:15,445 DEPENDS ON THE QUOTE. 369 00:15:15,445 --> 00:15:18,148 (grunts) AH! (groans) 370 00:15:18,148 --> 00:15:19,489 (guns click) 371 00:15:19,489 --> 00:15:22,352 NOW WHO THE HELL ARE YOU? (joint cracks) 372 00:15:22,352 --> 00:15:23,954 (Ryan) HANK PONZELL, 373 00:15:23,954 --> 00:15:27,097 FORMER RESIDENT OF JOE McUSIC'S HALFWAY HOUSE, 374 00:15:27,097 --> 00:15:30,060 UNTILYOU WERE KICKED OUT WHEN JOE DENIED YOUR EXTENSION. 375 00:15:30,060 --> 00:15:33,463 (Esposito) THAT HAD TO MAKE YOU MAD, HUH, HANK? YOU DON'T UNDERSTAND. 376 00:15:33,463 --> 00:15:35,635 OH, NO. I THINK WE DO. JOE KICKED YOU TO THE CURB, 377 00:15:35,635 --> 00:15:37,267 AND YOU POISONED HIM. 378 00:15:37,267 --> 00:15:39,269 LAB REPORT SHOWS THAT EVERY ONE OF THESE CAPSULES 379 00:15:39,269 --> 00:15:42,512 TESTED POSITIVE FOR CYANIDE. IF I POISONED HIM, WHY WOULD I STILL BE IN HIS APARTMENT? 380 00:15:42,512 --> 00:15:44,514 TO TAKE THE REST OF THE POISONED PILLS AWAY 381 00:15:44,514 --> 00:15:47,547 SO WE COULDN'T FIND THEM, SO YOU COULD HIDE YOUR TRACKS. 382 00:15:47,547 --> 00:15:49,579 I WAS OUT OF THE APARTMENT ALL DAY. 383 00:15:49,579 --> 00:15:52,582 ANYONE COULD'VE GOTTEN IN THERE. AND I WOULD NEVER HURT JOE. 384 00:15:52,582 --> 00:15:54,454 HE WAS MY FRIEND. 385 00:15:54,454 --> 00:15:56,386 (scoffs) FRIENDS LIKE HIM, HUH? RIGHT? 386 00:15:56,386 --> 00:15:59,359 I DIDN'T POISON HIM. JOE WAS LETTING ME STAY THERE, OKAY? 387 00:15:59,359 --> 00:16:01,391 I MAXED OUT MY TIME AT THE HALFWAY HOUSE 388 00:16:01,391 --> 00:16:03,393 AND DIDN'T HAVE A PLACE TO GO. 389 00:16:03,393 --> 00:16:05,996 JOE BROKE THE RULES AND LET ME CRASH WITH HIM. 390 00:16:05,996 --> 00:16:08,398 THEN WHY WERE YOU PLAYING HIDE-AND-GO-SEEK IN HIS CLOSET? 391 00:16:08,398 --> 00:16:10,140 I'M A FELON ON PAROLE. 392 00:16:10,140 --> 00:16:12,542 I HEAR COPS, AND MY EX-CON INSTINCTS KICK IN. 393 00:16:12,542 --> 00:16:15,405 OKAY, IF YOU WERE THERE ON THE UP-AND-UP, 394 00:16:15,405 --> 00:16:19,109 TELL US, WAS JOE IN ANY KIND OF TROUBLE? 395 00:16:20,750 --> 00:16:23,153 LOOK, BUDDY, 396 00:16:23,153 --> 00:16:26,186 I DON'T THINK YOU APPRECIATE THE SITUATION YOU'RE IN. 397 00:16:26,186 --> 00:16:27,587 YOU ARE ON PAROLE, 398 00:16:27,587 --> 00:16:30,120 AND YOU'RE UP TO YOUR NECK IN A HOMICIDE INVESTIGATION. 399 00:16:30,120 --> 00:16:32,522 NOW YOU BETTER START TALKING, OR WE'RE GONNA HAVE YOU 400 00:16:32,522 --> 00:16:35,365 BACK IN SING SING BEFORE THE EVENING ROLL CALL. 401 00:16:35,365 --> 00:16:37,767 ALL RIGHT. JOE HAD ME RUN ERRANDS FOR HIM, OKAY? 402 00:16:37,767 --> 00:16:40,070 (clicks pen) PICK UP LAUNDRY, GO TO THE BODEGA, STUFF LIKE THAT. 403 00:16:40,070 --> 00:16:42,072 A FEW WEEKS AGO, HE GAVE ME AN ENVELOPE 404 00:16:42,072 --> 00:16:45,275 AND TOLD ME TO TAKE IT TO THIS LADY. WHAT WAS IN THE ENVELOPE? 405 00:16:45,275 --> 00:16:48,138 CASH. LIKE 2 GRAND. BUT I DON'T KNOW WHAT IT WAS FOR. I SWEAR. 406 00:16:48,138 --> 00:16:51,381 JOE ALWAYS TALKED ABOUT HOW HE GOT OUT OF THE CRIMINAL LIFE, 407 00:16:51,381 --> 00:16:54,414 BUT MAYBE HE STILL HAD A FOOT IN. 408 00:16:54,414 --> 00:16:57,287 WHO WAS THIS LADY THAT YOU DELIVERED THE ENVELOPE TO? 409 00:16:57,287 --> 00:17:00,320 MS. JENKINS? 410 00:17:00,320 --> 00:17:02,392 YES. 411 00:17:02,392 --> 00:17:05,725 DO YOU LIVE AT 3751 WEST END AVE.? 412 00:17:05,725 --> 00:17:08,558 YES. WE NEED TO CHAT. 413 00:17:08,558 --> 00:17:12,062 I DID IT. I DID IT. I DID IT. YOU KILLED HIM? 414 00:17:12,062 --> 00:17:14,064 OH, MY GOD, NO. OF COURSE NOT. 415 00:17:14,064 --> 00:17:16,666 WHY WOULD YOU THINK THAT? BECAUSE YOU JUST SAID "I DID IT." 416 00:17:16,666 --> 00:17:19,139 OH, NO, NO, NOT MURDER. NO, GOD. 417 00:17:19,139 --> 00:17:21,811 I-I DID SOMETHING ELSE. SOMETHING... (whispers) AWFUL. 418 00:17:21,811 --> 00:17:24,043 MS. JENKINS, YOU'RE THE COURT CLERK. 419 00:17:24,043 --> 00:17:26,476 WHY DID JOE McUSIC GIVE YOU THAT MUCH MONEY? 420 00:17:26,476 --> 00:17:29,079 HE PAID ME TO PUT HIM ON THAT JURY. 421 00:17:38,057 --> 00:17:39,459 JOE McUSIC CAME TO ME 422 00:17:39,459 --> 00:17:41,461 AND SAID HE WANTED TO SERVE HIS JURY DUTY. 423 00:17:41,461 --> 00:17:43,163 I DIDN'T SEE THE HARM. 424 00:17:43,163 --> 00:17:45,835 SURE. I MEAN, ESPECIALLY IF YOU'RE GONNA MAKE A PROFIT. 425 00:17:45,835 --> 00:17:47,837 MY ROOMMATE MOVED OUT TWO MONTHS AGO. 426 00:17:47,837 --> 00:17:50,440 I NEEDED THE EXTRA CASH FOR RENT, AND I FIGURED, 427 00:17:50,440 --> 00:17:53,743 WHO'S GONNA KNOW? I MEAN, IT'S JURY DUTY. 428 00:17:53,743 --> 00:17:56,276 PLEASE, PLEASE, DON'T SEND ME TO PRISON. 429 00:17:56,276 --> 00:17:59,479 ALL DAY LONG, I-I SEE THE WOMEN WHO GET SENT THERE, 430 00:17:59,479 --> 00:18:01,381 AND... I CAN'T HACK IT. 431 00:18:01,381 --> 00:18:04,414 I'LL BE SOME LIFER'S BITCH BEFORE BREAKFAST. 432 00:18:04,414 --> 00:18:06,816 OKAY, JOE SPECIFICALLY ASKED 433 00:18:06,816 --> 00:18:09,489 TO BE ON OTIS WILLIAMS' TRIAL? 434 00:18:09,489 --> 00:18:12,692 YES. HE WAS INSISTENT ABOUT GETTING ON THAT JURY POOL. 435 00:18:12,692 --> 00:18:14,294 DID HE TELL YOU WHY? 436 00:18:14,294 --> 00:18:16,526 NO, BUT IT WAS THE LYLA ADDISON CASE, 437 00:18:16,526 --> 00:18:18,528 SO I FIGURED MAYBE HE WANTED TO WRITE 438 00:18:18,528 --> 00:18:20,800 A TELL-ALL BOOK ABOUT IT OR SOMETHING. 439 00:18:20,800 --> 00:18:23,433 I-I SWEAR, ALL I DID WAS PUT HIM IN THE POOL. 440 00:18:23,433 --> 00:18:25,435 HE GOT THROUGH JURY SELECTION ON HIS OWN. 441 00:18:25,435 --> 00:18:27,737 (Beckett) RYAN AND ESPOSITO LOOKED AT JOE'S COMPUTER. 442 00:18:27,737 --> 00:18:30,140 THERE'S NO EVIDENCE THAT HE WAS WRITING A BOOK 443 00:18:30,140 --> 00:18:32,712 OR EVEN TAKING NOTES ON THE TRIAL. SO A MURDERED JUROR JUST BOUGHT HIMSELF ON TO THE JURY, 444 00:18:32,712 --> 00:18:34,714 AND WE STILL HAVE NO IDEA WHY? 445 00:18:34,714 --> 00:18:36,316 A MURDER, A MYSTERY, 446 00:18:36,316 --> 00:18:38,448 WRAPPED UP INSIDE A COURTROOM THRILLER-- 447 00:18:38,448 --> 00:18:42,121 I CAN'T BELIEVE JOHN GRISHAM HASN'TWRITTEN THIS BOOK. I WISH HE HAD, MAYBE THEN WE'D KNOW 448 00:18:42,121 --> 00:18:45,525 WHAT WAS SO SPECIAL ABOUT THAT TRIAL TO JOE. WELL, MAYBE JOE HAD A PERSONAL CONNECTION TO THE TRIAL-- 449 00:18:45,525 --> 00:18:47,397 TO THE VICTIM, LYLA ADDISON, 450 00:18:47,397 --> 00:18:51,161 OR TO THE DEFENDANT, OTIS WILLIAMS. DOESN'T JOE HAVE A JUVIE RECORD? 451 00:18:51,161 --> 00:18:53,533 MM-HMM. WHAT IF HE KNEW OTIS FROM BACK IN THE DAY? 452 00:18:53,533 --> 00:18:56,236 THEY COULD'VE GOTTEN ARRESTED TOGETHER OR MAYBE SPENT 453 00:18:56,236 --> 00:18:58,608 SOME TIME IN THE SAME JUVENILE HALL. THAT'S A GOOD IDEA. I'LL LOOK INTO IT. 454 00:18:58,608 --> 00:19:00,440 MEANWHILE, I'LL HAVE LYLA ADDISON'S CASE FILE 455 00:19:00,440 --> 00:19:03,473 SENT OVER FROM THE 7-4, AND YOU SHOULD CHECK IN 456 00:19:03,473 --> 00:19:06,746 WITH THE FAMILY. COULD BE A CONNECTION THERE. OKAY. GOOD NIGHT, CASTLE. 457 00:19:06,746 --> 00:19:08,318 NIGHT. 458 00:19:08,318 --> 00:19:10,620 (cell phone beeps) 459 00:19:13,283 --> 00:19:16,686 (lock clicks) 460 00:19:16,686 --> 00:19:18,788 HEY, DAD. WRITING? 461 00:19:18,788 --> 00:19:20,530 YEAH. HOW WAS YOUR DAY? 462 00:19:20,530 --> 00:19:22,662 DID YOU HAVE A GOOD TIME IN THE VILLAGE? 463 00:19:22,662 --> 00:19:24,864 YEAH. GO ANYWHERE ELSE? 464 00:19:24,864 --> 00:19:27,597 UH, NO. JUST STAYED IN THE VILLAGE. 465 00:19:27,597 --> 00:19:29,399 (stops typing) 466 00:19:29,399 --> 00:19:31,801 REALLY? 467 00:19:31,801 --> 00:19:34,204 I MEAN, NEW YORK IS A BIG CITY. 468 00:19:34,204 --> 00:19:36,406 LOTS OF BOROUGHS. 469 00:19:36,406 --> 00:19:38,308 YEAH, BUT I JUST STAYED IN MANHATTAN. 470 00:19:38,308 --> 00:19:42,181 SO YOU DIDN'T GO TO, UH... BROOKLYN? 471 00:19:42,181 --> 00:19:44,654 WILLIAMSBURG IS BEAUTIFUL THIS TIME OF YEAR. 472 00:19:46,356 --> 00:19:47,887 HOW DID YOU KNOW? 473 00:19:47,887 --> 00:19:50,690 A FRIEND OF MINE TOLD ME. HE WENT THERE. HE SAW YOU. 474 00:19:50,690 --> 00:19:52,292 WHAT FRIEND? 475 00:19:52,292 --> 00:19:55,595 A CLOSE FRIEND. J.J... ADAMS. 476 00:19:55,595 --> 00:19:57,727 NOSE TWITCH. THAT'S YOUR TELL. YOU'RE LYING. 477 00:19:57,727 --> 00:19:59,829 NO, I'M NOT. THEN WHO IS J.J. ADAMS? 478 00:19:59,829 --> 00:20:02,402 HE'S A FRIEND OF MINE. 479 00:20:02,402 --> 00:20:05,405 WAIT. J.J. ADAMS WAS LESLIE NIELSEN'S CHARACTER NAME 480 00:20:05,405 --> 00:20:07,407 IN "FORBIDDEN PLANET." YOU'RE TOTALLY LYING. 481 00:20:07,407 --> 00:20:11,581 HOW DID YOU KNOW WHERE I WAS? ARE YOU HAVING ME FOLLOWED? 482 00:20:11,581 --> 00:20:14,444 MONITORING MY METRO CARD? CHECKING MY CREDIT... MY PHONE. 483 00:20:14,444 --> 00:20:16,446 DAD, TELL ME YOU ARE NOT TRACKING MY PHONE. 484 00:20:16,446 --> 00:20:18,848 OKAY, LOOK, THIS IS NOT ABOUT WHAT I DID. 485 00:20:18,848 --> 00:20:22,422 IT'S ABOUT WHAT YOU DID. YOU LIED TO ME. SAYS THE MAN WHO VIOLATED HIS DAUGHTER'S CIVIL RIGHTS. 486 00:20:22,422 --> 00:20:24,724 OKAY, TECHNICALLY, I WOULD HAVE TO BE THE GOVERNMENT 487 00:20:24,724 --> 00:20:26,756 TO VIOLATE-- YOU'RE TRACKING MY EVERY MOVE. 488 00:20:26,756 --> 00:20:29,228 NOT YOUR EVERY MOVE. WELCOME TO GEORGE ORWELL'S "1984," 489 00:20:29,228 --> 00:20:31,831 WITH MY FATHER AS BIG BROTHER. THIS ISN'T ABOUT-- 490 00:20:31,831 --> 00:20:35,305 WHAT'S NEXT, A CHIP IN MY BRAIN? WHATEVER IT TAKES WHEN YOU'RE KEEPING SECRETS FROM ME. 491 00:20:35,305 --> 00:20:38,308 YOU KNOW WHAT? IF YOU'RE SO INTERESTED IN WHAT I'M DOING, 492 00:20:38,308 --> 00:20:40,310 WHY DON'T YOU ASK YOUR PHONE? 493 00:20:40,310 --> 00:20:42,472 I'M SURE THERE'S AN APP FOR THAT. 494 00:20:44,574 --> 00:20:46,846 (Beckett) YOU HAD IT COMING, CASTLE. 495 00:20:46,846 --> 00:20:49,449 I MEAN, YOU HAVE THE BEST KID IN THE WORLD, 496 00:20:49,449 --> 00:20:52,322 AND YOU TREATED HER LIKE A COMMON CRIMINAL. MAYBE SHE IS, THOUGH. 497 00:20:52,322 --> 00:20:55,325 I STILL DON'T KNOW WHY SHE LIED ABOUT GOING TO WILLIAMSBURG. AND YOU PROBABLY NEVER WILL, 498 00:20:55,325 --> 00:20:57,327 UNLESS YOU PLAN ON WATERBOARDING HER. 499 00:20:57,327 --> 00:20:59,329 HONESTLY, IS WHAT I DID SO WRONG? 500 00:20:59,329 --> 00:21:02,031 I DON'T REALLY THINK THAT IT MATTERS TO ALEXIS. 501 00:21:02,031 --> 00:21:04,033 I MEAN, YOU BROKE HER TRUST. 502 00:21:04,033 --> 00:21:06,396 YEAH, I KNOW. 503 00:21:06,396 --> 00:21:08,368 SO WHAT DO I DO NOW? 504 00:21:08,368 --> 00:21:10,440 WIN IT BACK. 505 00:21:10,440 --> 00:21:12,602 COME ON. LYLA'S FAMILY'S WAITING. 506 00:21:15,305 --> 00:21:17,607 NO, I'VE NEVER SEEN HIM OUTSIDE THE JURY BOX. 507 00:21:17,607 --> 00:21:19,379 DON'T THINK ANY OF US HAVE. 508 00:21:19,379 --> 00:21:21,851 WELL, A JUROR BRIBING HIS WAY ONTO A TRIAL? 509 00:21:21,851 --> 00:21:24,884 I'VE NEVER IN MY 25 YEARS AS A PROSECUTOR 510 00:21:24,884 --> 00:21:26,886 SEEN ANYTHING LIKE IT. (Montgomery) MR. ADDISON, 511 00:21:26,886 --> 00:21:29,489 IS IT AT ALL POSSIBLE THAT YOUR DAUGHTER KNEW THIS MAN? 512 00:21:29,489 --> 00:21:31,461 NO. 513 00:21:31,461 --> 00:21:33,793 STEPHEN? 514 00:21:33,793 --> 00:21:36,025 I KNOW MOST OF MY SISTER'S FRIENDS. 515 00:21:36,025 --> 00:21:37,867 HE'S NOT ONE OF 'EM. 516 00:21:37,867 --> 00:21:40,730 AND IF HE WAS, WHY WOULD HE HAVE DONE THIS? 517 00:21:40,730 --> 00:21:44,834 WHY WOULD HE PUT MY SISTER'S SHOT AT JUSTICE IN JEOPARDY? 518 00:21:47,737 --> 00:21:50,810 ROY, I DON'T THINK I NEED TO TELL YOU 519 00:21:50,810 --> 00:21:53,483 HOW CATASTROPHIC THIS COULD BE TO THE CITY'S LEGAL SYSTEM. 520 00:21:53,483 --> 00:21:55,445 NOW I NEED JOE McUSIC'S MURDER SOLVED. 521 00:21:55,445 --> 00:21:57,647 HOW BAD ARE THINGS, LOU? (sighs) IT'S PRETTY BAD. 522 00:21:57,647 --> 00:22:00,990 JUST THIS MORNING AT VOIR DIRE, I HAD POTENTIAL JURORS 523 00:22:00,990 --> 00:22:03,723 EXPRESSING FEARS FOR THEIR OWN PERSONAL SAFETY. 524 00:22:03,723 --> 00:22:06,596 NOW THE PEOPLE OF NEW YORK NEED TO BE ASSURED 525 00:22:06,596 --> 00:22:09,328 THAT THEY ARE PROTECTED. 526 00:22:09,328 --> 00:22:10,860 KEEP ME IN THE LOOP. 527 00:22:13,863 --> 00:22:15,865 IN ALL THE YEARS I'VE BEEN IN COMMAND 528 00:22:15,865 --> 00:22:18,468 OF THE 12th PRECINCT, YOU KNOW HOW MANY TIMES 529 00:22:18,468 --> 00:22:20,470 THE DISTRICT ATTORNEY HAS SHOWN UP? 530 00:22:20,470 --> 00:22:24,343 ONCE. TODAY. 531 00:22:24,343 --> 00:22:27,377 YOU HEARD THE MAN. LET'S GET TO WORK. YES, SIR. 532 00:22:29,749 --> 00:22:33,623 THERE IS NO JOE CONNECTION TO LYLA ADDISON. 533 00:22:33,623 --> 00:22:35,024 THERE'S NOTHING IN HER FINANCIALS, 534 00:22:35,024 --> 00:22:37,657 HER MURDER FILE, HER E-MAILS, HER TEXTS, 535 00:22:37,657 --> 00:22:39,389 NOT EVEN HER YEARBOOK. 536 00:22:39,389 --> 00:22:42,131 JOE AND LYLA HAVE ABSOLUTELY NOTHING IN COMMON. 537 00:22:42,131 --> 00:22:45,735 IT'S LIKE THE TWO OF THEM DIDN'T EVEN LIVE ON THE SAME PLANET. SAME GOES WITH JOE AND OTIS. 538 00:22:45,735 --> 00:22:48,538 THERE'S NO JOE CONNECTION IN THE JUVIE FILES? NO, NOT EVEN CLOSE. 539 00:22:48,538 --> 00:22:50,540 JOE AND OTIS WERE SENT TO DIFFERENT JUVIE HALLS 540 00:22:50,540 --> 00:22:53,142 AT DIFFERENT TIMES, AND THEY RAN IN OPPOSITE NEIGHBORHOODS. 541 00:22:53,142 --> 00:22:56,806 SO THEN WHY THE HELL DID HE WANT TO GET ON THAT JURY SO BAD? WAIT A MINUTE I THINK I GOT SOMETHING. 542 00:22:56,806 --> 00:22:58,448 YOU HAVE A CONNECTION? 543 00:22:58,448 --> 00:23:00,079 ACCORDING TO HIS CREDIT CARD, JOE PURCHASED 544 00:23:00,079 --> 00:23:02,782 A PAY-AS-YOU-GO CELL PHONE FROM AN ELECTRONICS STORE 545 00:23:02,782 --> 00:23:04,383 A COUPLE OF MONTHS BACK. 546 00:23:04,383 --> 00:23:06,486 SO? SO HE ALREADY HAD A CELL PHONE. 547 00:23:06,486 --> 00:23:08,758 WHAT'S HE NEED A BURNER PHONE FOR, 548 00:23:08,758 --> 00:23:10,790 ESPECIALLY AN ANONYMOUS ONE? 549 00:23:10,790 --> 00:23:13,423 AND IF HE IS USING IT, WHERE IS IT? (Beckett) ALL RIGHT, TAKE A CREW TO HIS APARTMENT, 550 00:23:13,423 --> 00:23:15,495 SEE WHAT YOU CAN FIND. 551 00:23:15,495 --> 00:23:18,027 THAT MIGHT BE THE BREAK THAT WE NEED. YEAH. 552 00:23:18,027 --> 00:23:21,000 CASTLE? CASTLE, CAN YOU STOP PLAYING AROUND? 553 00:23:21,000 --> 00:23:22,732 ACTUALLY, I'M NOT PLAYING AROUND. 554 00:23:22,732 --> 00:23:24,874 I'M A LITTLE BUSY BLOWING THIS CASE WIDE OPEN. 555 00:23:24,874 --> 00:23:27,607 THIS IS A PHOTOGRAPH OF THE LOOKY LOOS 556 00:23:27,607 --> 00:23:29,008 AT LYLA'S CRIME SCENE. 557 00:23:29,008 --> 00:23:31,010 THIS IS A LITTLE MAGNIFICATION APP. 558 00:23:31,010 --> 00:23:33,713 RECOGNIZE ANYONE? 559 00:23:38,518 --> 00:23:40,890 (Beckett) IT'S JOE. 560 00:23:40,890 --> 00:23:44,694 HE WAS AT LYLA ADDISON'S CRIME SCENE. 561 00:23:44,694 --> 00:23:47,627 WHY WOULD HE BE THERE? ONLY THREE REASONS FOR A CIVILIAN 562 00:23:47,627 --> 00:23:49,929 TO BE AT A MURDER SCENE-- ONE, THEY'RE DEAD, 563 00:23:49,929 --> 00:23:52,832 TWO, THEY JUST HAPPEN TO BE IN THE IMMEDIATE AREA, 564 00:23:52,832 --> 00:23:55,434 OR THREE, IT'S OUR KILLER, AND HE COULDN'T RESIST 565 00:23:55,434 --> 00:23:57,907 THE COMPULSION TO RETURN TO THE SCENE OF THE CRIME. 566 00:23:57,907 --> 00:24:00,840 AND WHICH NUMBER DO YOU THINK JOE IS? I'M GONNA GO WITH THREE. 567 00:24:00,840 --> 00:24:03,773 HE'S OUR VICTIM AND OUR KILLER. NICE. 568 00:24:03,773 --> 00:24:05,775 AH. SORRY. 569 00:24:13,182 --> 00:24:15,184 (Castle) JOE McUSIC-- VICTIMANDKILLER? 570 00:24:15,184 --> 00:24:17,186 THIS IS THE BEST TWIST YET. 571 00:24:17,186 --> 00:24:20,560 JOE SERVED ON THE JURY OF A MURDER HE COMMITTED. 572 00:24:20,560 --> 00:24:22,832 YEAH, BUT IF JOE LITERALLY GOT AWAY WITH MURDER, 573 00:24:22,832 --> 00:24:25,234 WHY WOULD HE RISK IT ALL AND BRIBE HIS WAY ONTO THE JURY? 574 00:24:25,234 --> 00:24:27,466 MAYBE HE FELT COMPELLED TO SAVE AN INNOCENT MAN. 575 00:24:27,466 --> 00:24:29,999 MAYBEHE WANTED TO CREATE REASONABLE DOUBT 576 00:24:29,999 --> 00:24:32,742 IN THE DELIBERATION ROOM TO GET OTIS OFF, 577 00:24:32,742 --> 00:24:36,005 JUST LIKE HENRY FONDA IN "12 ANGRY MEN." 578 00:24:36,005 --> 00:24:39,008 OR MAYBE HE GOT ONTO THE JURY BECAUSE HE WANTED TO MAKE SURE 579 00:24:39,008 --> 00:24:41,711 THAT AN INNOCENT OTIS GOT CONVICTED OF HIS CRIME. 580 00:24:41,711 --> 00:24:44,153 NO. I LIKE MY "KILLER WITH A CONSCIENCE" THEORY BETTER. 581 00:24:44,153 --> 00:24:46,155 YEAH? WELL, LIKE YOUR THEORY ALL YOU WANT. 582 00:24:46,155 --> 00:24:47,987 MINE IS LESS CONVOLUTED AND CONTRIVED. 583 00:24:47,987 --> 00:24:50,820 I HATE TO BURST BUBBLES, BUT YOU'RE BOTH WRONG. 584 00:24:50,820 --> 00:24:53,262 JOE DID NOT KILL LYLA. HE HAD AN ALIBI. 585 00:24:53,262 --> 00:24:55,565 I DID A BACKGROUND ON THE HALFWAY HOUSE. 586 00:24:55,565 --> 00:24:58,928 ON THE NIGHT LYLA WAS KILLED, JOE WAS AT A FUND-RAISER. 587 00:24:58,928 --> 00:25:01,030 HE WAS THERE UNTIL MIDNIGHT. 588 00:25:01,030 --> 00:25:03,032 AND LYLA WAS KILLED BETWEEN 9:30 AND 11:30 P.M. 589 00:25:03,032 --> 00:25:05,034 SO IF HE DIDN'T KILL HER, 590 00:25:05,034 --> 00:25:08,878 WHY DID HE WANT TO BE ON THE JURY SO BAD? AND WHY WAS HE AT THE CRIME SCENE? 591 00:25:08,878 --> 00:25:10,610 OKAY, SO WE KNOW 592 00:25:10,610 --> 00:25:12,882 THAT JOE WAS A JUROR WITH A HIDDEN AGENDA. 593 00:25:12,882 --> 00:25:15,184 HE WAS EMBROILED IN A HIGH-PROFILE CASE 594 00:25:15,184 --> 00:25:17,917 BEING TRIED BY THE D.A. HIMSELF. 595 00:25:17,917 --> 00:25:20,920 BUT BEFORE HE COULD ACCOMPLISH WHAT HE SET OUT TO DO, 596 00:25:20,920 --> 00:25:24,023 HE WAS STRUCK DOWN BY POWERFUL, SHADOWY FORCES. 597 00:25:24,023 --> 00:25:25,855 WHAT? 598 00:25:25,855 --> 00:25:28,027 THERE'S GOTTA BE SOMETHING THAT WE'RE MISSING. 599 00:25:28,027 --> 00:25:30,029 THERE HAS TO BE A TANGIBLE CONNECTION 600 00:25:30,029 --> 00:25:33,032 BETWEEN JOE AND OUR DEFENDANT 601 00:25:33,032 --> 00:25:36,005 OR JOE AND OUR VICTIM. 602 00:25:36,005 --> 00:25:38,568 OR BETWEEN JOE AND SOMEBODY ELSE ENTIRELY. 603 00:25:38,568 --> 00:25:39,969 I FOUND THE PHONE. 604 00:25:39,969 --> 00:25:42,041 IT WAS HIDING BEHIND SOME BOOKS IN THE BOOKCASE. 605 00:25:42,041 --> 00:25:46,145 JOE MADE 14 CALLS WITH IT, ALL TO THE SAME NUMBER. 606 00:25:46,145 --> 00:25:49,018 DISTRICT ATTORNEY LOU KARNACKI'S OFFICE. 607 00:25:49,018 --> 00:25:51,150 LOOKS LIKE THE D.A. WAS OUT OF ORDER. 608 00:25:52,882 --> 00:25:55,284 (Beckett) MRS. CRAIG-- OH, PLEASE. CALL ME DAWN. 609 00:25:55,284 --> 00:25:57,326 DAWN, YOU ARE 610 00:25:57,326 --> 00:25:59,328 OUR DISTRICT ATTORNEY'S ADMINISTRATIVE ASSISTANT? 611 00:25:59,328 --> 00:26:01,591 YES, EVER SINCE HE CAME INTO OFFICE. 612 00:26:01,591 --> 00:26:03,032 DO YOU REMEMBER EVER RECEIVING 613 00:26:03,032 --> 00:26:05,865 ANY PHONE CALLS FROM A JOE McUSIC? 614 00:26:05,865 --> 00:26:08,638 OOH. UH, WE GET HUNDREDS OF CALLS EVERY DAY. 615 00:26:08,638 --> 00:26:11,240 UM, THAT NAME DOESN'T SOUND FAMILIAR. 616 00:26:11,240 --> 00:26:13,242 WE HAVE REASON TO BELIEVE HE CALLED NUMEROUS TIMES. 617 00:26:13,242 --> 00:26:14,974 HE MAY HAVE SAID 618 00:26:14,974 --> 00:26:17,046 IT WAS REGARDING THE OTIS WILLIAMS CASE. 619 00:26:17,046 --> 00:26:18,648 OH. UH, YEAH. 620 00:26:18,648 --> 00:26:21,180 I DID GET A SERIES OF BIZARRE ANONYMOUS CALLS 621 00:26:21,180 --> 00:26:24,614 FROM A MAN CLAIMING THAT OTIS WILLIAMS WAS INNOCENT. 622 00:26:24,614 --> 00:26:27,957 THAT WOULD BE JOE. DID HE EVER SPEAK TO THE D.A.? 623 00:26:27,957 --> 00:26:30,790 NO. I NEVER PUT HIM THROUGH. I FIGURED HE WAS A WACKO. 624 00:26:30,790 --> 00:26:33,292 WELL, YOU KNOW, WE GET A LOT OF THESE CALLS, 625 00:26:33,292 --> 00:26:35,164 AND HALF MY JOB IS TO FILTER OUT 626 00:26:35,164 --> 00:26:37,166 THE LEGITIMATE CALLS FROM THE CRACKPOTS. 627 00:26:37,166 --> 00:26:39,168 DID HE EVER MENTION ANYTHING ELSE? 628 00:26:39,168 --> 00:26:41,600 YEAH. HE SAID HE HAD EVIDENCE 629 00:26:41,600 --> 00:26:43,602 THAT WOULD EXONERATE OTIS WILLIAMS, 630 00:26:43,602 --> 00:26:45,604 AND HOW HE WAS GONNA MAIL IT 631 00:26:45,604 --> 00:26:47,837 TO THE DISTRICT ATTORNEY'S OFFICE. DID YOU EVER GET THAT PACKAGE? 632 00:26:47,837 --> 00:26:49,278 NOT THAT I KNOW OF. 633 00:26:49,278 --> 00:26:51,280 UH, DAWN, MOST OF THESE PHONE CALLS 634 00:26:51,280 --> 00:26:53,382 ARE UNDER TWO MINUTES LONG. 635 00:26:53,382 --> 00:26:55,645 BUT THEN THERE'S THIS ONE AT 10:14 P.M. 636 00:26:55,645 --> 00:26:57,046 IT'S OVER TEN MINUTES LONG. 637 00:26:57,046 --> 00:26:59,689 IS THERE ANY CHANCE THAT YOU TOOK THAT PHONE CALL? 638 00:26:59,689 --> 00:27:01,791 OH, NO. I NEVER STAY PAST 7:00. 639 00:27:01,791 --> 00:27:04,053 HOW LATE DOES THE D.A. WORK? 640 00:27:04,053 --> 00:27:06,756 (door opens) 641 00:27:06,756 --> 00:27:09,799 THIS CONVERSATION IS OVER. 642 00:27:18,908 --> 00:27:21,911 THIS THE WAY YOU KEEP ME IN THE LOOP, ROY? IT'S A FAST-MOVING CASE, LOU. 643 00:27:21,911 --> 00:27:26,015 MY TEAM JUST FOLLOWED THE EVIDENCE WHERE IT LED THEM. OH, DON'T GIVE ME THAT. WE'VE KNOWN EACH OTHER TOO LONG. 644 00:27:26,015 --> 00:27:28,117 MR. KARNACKI, JOE McUSIC MADE SEVERAL PHONE CALLS 645 00:27:28,117 --> 00:27:29,779 TO YOUR OFFICE. 646 00:27:29,779 --> 00:27:31,881 ONE OF THEM LASTED OVER TEN MINUTES. 647 00:27:31,881 --> 00:27:34,323 DID YOU SPEAK TO HIM, SIR? THE DEAD JUROR? 648 00:27:34,323 --> 00:27:36,385 YES. NO, OF COURSE NOT. 649 00:27:36,385 --> 00:27:38,287 (Castle) DID HE SEND YOU ANY EVIDENCE 650 00:27:38,287 --> 00:27:40,129 THAT WAS RELEVANT TO THE OTIS WILLIAMS CASE? 651 00:27:40,129 --> 00:27:42,131 EXCUSE ME. I DON'T THINK WE'VE BEEN INTRODUCED. 652 00:27:42,131 --> 00:27:45,064 I'M THE GUY THAT CAN GET YOU BANNED FROM THIS PRECINCT. 653 00:27:45,064 --> 00:27:47,937 AND I CAN HAVE YOU TRANSFERRED TO THE HARBOR UNIT! LOU, YOU SAID YOU WANTED THIS MURDER SQUARED AWAY. 654 00:27:47,937 --> 00:27:51,670 THAT'S ALL WE'RE DOING. NO, WHAT YOU'RE DOING IS SNEAKING AROUND BEHIND MY BACK. 655 00:27:51,670 --> 00:27:54,874 NOW THE NEXT TIME YOU WANT AN INTERVIEW, YOU CALL. 656 00:27:54,874 --> 00:27:57,877 AND DON'T YOU EVER, EVER, DRAG ONE OF MY STAFF DOWN HERE 657 00:27:57,877 --> 00:27:59,678 WITHOUT MY KNOWLEDGE AGAIN. 658 00:28:03,382 --> 00:28:05,384 YOU CALLED IN THE D.A.'s PERSONAL ASSISTANT 659 00:28:05,384 --> 00:28:08,357 WITHOUT INFORMING HIM? SIR, I'M SORRY. I WAS--I-- 660 00:28:08,357 --> 00:28:10,920 IT WAS A SMART MOVE. 661 00:28:10,920 --> 00:28:12,922 DON'T YOU SEE WHAT JUST HAPPENED? 662 00:28:12,922 --> 00:28:14,924 HE COULD HAVE CALLED AND ASKED 663 00:28:14,924 --> 00:28:17,326 WHY HIS ASSISTANT WAS HERE, BUT HE CAME IN PERSON. 664 00:28:17,326 --> 00:28:19,328 HE WANTED TO STOP THE INTERVIEW. 665 00:28:19,328 --> 00:28:21,070 HE'S HIDING SOMETHING. 666 00:28:29,839 --> 00:28:32,281 WARDELL WILLIAMS WAS RIGHT. IT'S A CONSPIRACY. 667 00:28:32,281 --> 00:28:35,214 I AGREE. 668 00:28:35,214 --> 00:28:37,386 I KNOW. WEIRD. 669 00:28:37,386 --> 00:28:38,988 YEAH, WEIRD, BUT GOOD, 670 00:28:38,988 --> 00:28:41,821 BECAUSE THAT'S JUST THE TIP OF THE ICEBERG. 671 00:28:41,821 --> 00:28:44,393 ARE YOU READY FOR THE "TITANIC"? YES. 672 00:28:44,393 --> 00:28:46,395 GOOD. I DID A LITTLE DIGGING ON THE INTERNET. 673 00:28:46,395 --> 00:28:49,498 GUESS WHO THE D.A.'s LARGEST CAMPAIGN CONTRIBUTORS WERE 674 00:28:49,498 --> 00:28:51,801 ON HIS LAST ELECTION? WHO? 675 00:28:51,801 --> 00:28:54,934 RANDOLPH AND ANDREA ADDISON, LYLA'S PARENTS. 676 00:28:54,934 --> 00:28:57,336 HERE'S WHAT I'M THINKING-- 677 00:28:57,336 --> 00:28:59,068 DEVASTATED PARENTS DEMAND JUSTICE. 678 00:28:59,068 --> 00:29:01,270 INSIST THAT THE D.A. TRY THE CASE PERSONALLY, 679 00:29:01,270 --> 00:29:04,173 MAYBE EVENSUGGESTTO KARNACKI 680 00:29:04,173 --> 00:29:06,175 THAT HE NEEDS TO PUT LYLA'S KILLER AWAY 681 00:29:06,175 --> 00:29:08,177 IN ORDER TO SECURE THEIR POLITICAL SUPPORT. 682 00:29:08,177 --> 00:29:10,179 OF COURSE, AND KARNACKI AGREED 683 00:29:10,179 --> 00:29:12,882 BECAUSE IT WAS GONNA BE AN EASY CASE. 684 00:29:12,882 --> 00:29:15,384 I MEAN, THEY ALREADY HAD OTIS WILLIAMS. 685 00:29:15,384 --> 00:29:18,327 IT WAS OPEN AND SHUT. UNTIL JOE STARTS CALLING, INSISTING THAT OTIS IS INNOCENT, 686 00:29:18,327 --> 00:29:19,929 WHICH IS BAD FOR KARNACKI-- 687 00:29:19,929 --> 00:29:22,962 ACTUALLY, IN THE END, BAD FOR JOE. 688 00:29:22,962 --> 00:29:25,094 YOU KNOW, BUT IT STILL DOESN'T EXPLAIN 689 00:29:25,094 --> 00:29:27,096 WHY JOE BOUGHT INTO THE JURY POOL 690 00:29:27,096 --> 00:29:29,398 OR WHY HE THOUGHT THAT OTIS WILLIAMS WAS INNOCENT. 691 00:29:29,398 --> 00:29:32,902 I MEAN, IF HE HAD EXONERATING EVIDENCE, WHERE IS IT? 692 00:29:32,902 --> 00:29:35,244 WE'VE LOOKED EVERYWHERE. WE'VE TALKED TO EVERYONE. 693 00:29:35,244 --> 00:29:37,376 NOT EVERYONE. 694 00:29:37,376 --> 00:29:39,148 AS I SAID BEFORE, 695 00:29:39,148 --> 00:29:41,380 WE'RE NOT HERE TO DISCUSS THE LYLA ADDISON CASE. NEITHER ARE WE. 696 00:29:41,380 --> 00:29:43,382 WE'RE HERE TO TALK ABOUT JOE McUSIC'S MURDER-- 697 00:29:43,382 --> 00:29:45,384 JUROR NUMBER SEVEN. YOU'RE NOT STILL SUGGESTING 698 00:29:45,384 --> 00:29:47,386 THAT MY CLIENT HAD SOMETHING TO DO WITH THAT? 699 00:29:47,386 --> 00:29:49,388 UH, WE ARE OPEN TO THE IDEA THAT MR. WILLIAMS 700 00:29:49,388 --> 00:29:51,390 MAY NOT BE GUILTY OF EITHER MURDER. 701 00:29:51,390 --> 00:29:53,522 LOOK, WE THINK THAT YOU MIGHT BE ABLE TO HELP YOURSELF 702 00:29:53,522 --> 00:29:56,265 BY HELPING US FIND THE REAL KILLER. 703 00:30:01,130 --> 00:30:03,102 THIS IS JOE McUSIC. 704 00:30:03,102 --> 00:30:05,334 HAD YOU EVER SEEN HIM BEFORE THE TRIAL? 705 00:30:05,334 --> 00:30:06,805 MNH-MNH. 706 00:30:06,805 --> 00:30:08,878 HE CLAIMED TO HAVE EVIDENCE PROVING YOUR INNOCENCE. 707 00:30:08,878 --> 00:30:11,280 DO YOU HAVE ANY IDEA WHAT THAT EVIDENCE MIGHT BE? 708 00:30:11,280 --> 00:30:13,542 HOW AM I SUPPOSED TO KNOW? HE BOUGHT HIS WAY ONTO THE JURY 709 00:30:13,542 --> 00:30:15,484 IN ORDER TO GET YOU ACQUITTED 710 00:30:15,484 --> 00:30:18,447 AND THEN HE GOT MURDERED FOR IT. 711 00:30:18,447 --> 00:30:20,449 WELL, LOOK, I'M SORRY HE'S DEAD. 712 00:30:20,449 --> 00:30:23,452 I APPRECIATE MY MAN PUTTING HIMSELF OUT LIKE THAT FOR ME, 713 00:30:23,452 --> 00:30:25,594 BUT I DON'T KNOW HOW TO HELP Y'ALL. 714 00:30:25,594 --> 00:30:28,297 MR. WILLIAMS, IF YOU DIDN'T KILL LYLA, 715 00:30:28,297 --> 00:30:31,300 THEN WE NEED TO FIGURE OUT WHO DID. YOU WERE FIRST ON THE SCENE. ANY DETAIL YOU CAN REMEMBER, 716 00:30:31,300 --> 00:30:34,163 NO MATTER HOW OBSCURE, MIGHT HELP US. 717 00:30:35,965 --> 00:30:38,437 A'IGHT. IT WAS LATE. 718 00:30:38,437 --> 00:30:41,570 JUST GOT OFF MY JOB, YOU KNOW? WALKING HOME... 719 00:30:41,570 --> 00:30:45,144 WHEN I SAW THAT SWEET 760i, 720 00:30:45,144 --> 00:30:48,847 JUST SITTING THERE, KEYS IN THE IGNITION. 721 00:30:48,847 --> 00:30:51,220 I KNEW I SHOULDA PASSED IT BY, 722 00:30:51,220 --> 00:30:53,422 BUT I ALWAYS WANTED TO DRIVE A 760, 723 00:30:53,422 --> 00:30:55,224 SO I JUMPED IN. 724 00:30:55,224 --> 00:30:58,627 I'M SORRY. WE NEED DETAILS. SO DID YOU SEE ANYONE? 725 00:30:58,627 --> 00:31:01,090 NO. WAS THERE ANYTHING AROUND THE CAR? 726 00:31:01,090 --> 00:31:03,492 ANYTHING THAT MIGHT SUGGEST SOMEONE ELSE HAD BEEN THERE-- 727 00:31:03,492 --> 00:31:05,965 CIGARETTE BUTTS, UH, CHEWING GUM-- SHOE PRINTS, HEEL PRINTS? 728 00:31:05,965 --> 00:31:09,468 NAH, NOTHING LIKE THAT. OKAY, UM, WHAT HAPPENED NEXT? 729 00:31:09,468 --> 00:31:11,500 I SLID IN THE RIDE, PULLED THE SEAT UP, 730 00:31:11,500 --> 00:31:13,102 HIT THE IGNITION-- 731 00:31:13,102 --> 00:31:15,374 WAIT, WAIT. DID YOU SAY YOU PULLED THE SEAT UP? 732 00:31:15,374 --> 00:31:17,206 YEAH. ARE YOU SURE? 733 00:31:17,206 --> 00:31:19,979 YEAH, I'M SURE. THAT BAD BOY WAS ALL THE WAY BACK, 734 00:31:19,979 --> 00:31:22,982 SO I HIT THE BUTTON ON THE SIDE TO MOVE IT UP. LYLA WAS ALL OF 5-FOOT-NOTHING. 735 00:31:22,982 --> 00:31:25,384 THERE'S NO REASON FOR THAT SEAT TO HAVE BEEN ALL THE WAY BACK. 736 00:31:25,384 --> 00:31:27,516 SOMEBODY ELSE WAS DRIVING THAT CAR, 737 00:31:27,516 --> 00:31:30,419 MOST LIKELY OUR KILLER. AND OUR KILLER WOULD HAVE TO PRESS THE SEAT BACK BUTTON 738 00:31:30,419 --> 00:31:33,662 IN ORDER TO MOVE IT. DID C.S.U. CHECK FOR PRINTS? 739 00:31:33,662 --> 00:31:35,394 THE STEERING WHEEL AND THE DASH. 740 00:31:35,394 --> 00:31:37,396 THE ONLY PRINTS THEY FOUND WERE MY CLIENT'S, 741 00:31:37,396 --> 00:31:40,499 SO WHEN THEY CAUGHT HIM BEHIND THE WHEEL, 742 00:31:40,499 --> 00:31:44,233 I DON'T THINK THEY PUT MUCH EFFORT INTO IT. 743 00:31:44,233 --> 00:31:46,235 LYLA'S CAR IS STILL AT THE IMPOUND 744 00:31:46,235 --> 00:31:47,636 PENDING THE TRIAL. 745 00:31:47,636 --> 00:31:51,210 WE CAN STILL HAVE C.S.U. PRINT THE SEAT CONTROLS. 746 00:31:51,210 --> 00:31:54,383 (Castle) A SEAT BACK BUTTON? 747 00:31:54,383 --> 00:31:58,017 WHAT A GREAT DETAIL FOR A MURDER MYSTERY. ONLY IF WE GET A PRINT. 748 00:31:58,017 --> 00:32:00,519 YES, OTHERWISE, WE'LL JUST BE LOOKING FOR TALL PEOPLE. 749 00:32:00,519 --> 00:32:01,620 YEAH. 750 00:32:01,620 --> 00:32:03,522 DAD. 751 00:32:05,955 --> 00:32:08,927 H-HEY. 752 00:32:08,927 --> 00:32:10,299 EVERYTHING ALL RIGHT? 753 00:32:10,299 --> 00:32:12,301 I'M SORRY FOR YELLING AT YOU LAST-- 754 00:32:12,301 --> 00:32:15,164 NO, NO, I... I VIOLATED YOUR TRUST. 755 00:32:15,164 --> 00:32:17,166 I SHOULDN'T HAVE SPIED ON YOU. 756 00:32:17,166 --> 00:32:20,669 THAT WAS WRONG. AND I WANT YOU TO SEE THIS-- 757 00:32:20,669 --> 00:32:23,542 (beep) I AM DELETING THAT APP... 758 00:32:23,542 --> 00:32:25,674 (buttons clicking) NOW AND FOREVER. 759 00:32:25,674 --> 00:32:28,177 (beep) OKAY? GONE. 760 00:32:28,177 --> 00:32:31,120 SO... I'M SORRY. 761 00:32:31,120 --> 00:32:33,582 FORGIVE ME? 762 00:32:33,582 --> 00:32:35,954 BUT WILL YOU FORGIVE ME? 763 00:32:35,954 --> 00:32:37,486 OF COURSE. 764 00:32:37,486 --> 00:32:40,259 SO... TELL ME 765 00:32:40,259 --> 00:32:42,591 WHAT HAPPENED IN WILLIAMSBURG. 766 00:32:42,591 --> 00:32:44,193 (sighs) 767 00:32:46,635 --> 00:32:49,638 TWO DAYS AGO, A BUNCH OF US WENT TO KEENA'S OF BROOKLYN. 768 00:32:49,638 --> 00:32:51,240 IT'S A BOUTIQUE. 769 00:32:51,240 --> 00:32:53,242 AND MY FRIENDS THOUGHT IT'D BE COOL 770 00:32:53,242 --> 00:32:56,405 IF WE ALL TOOK A COUPLE OF THINGS. YOU SHOP-- 771 00:32:56,405 --> 00:32:58,977 (lowered voice) YOU WERE SHOPLIFTING? (whispers) NO. 772 00:32:58,977 --> 00:33:00,679 (normal voice) I COULDN'T, BUT MY FRIENDS DID, 773 00:33:00,679 --> 00:33:03,212 AND THEY SAID I WAS CHICKEN. SO YOU WENT BACK TO FINISH THE JOB 774 00:33:03,212 --> 00:33:05,614 TO IMPRESS YOUR FRIENDS. NO, I WENT BACK TO PAY FOR WHAT THEY STOLE. 775 00:33:05,614 --> 00:33:08,387 I COULDN'T JUST LET SOMEONE GET CHEATED LIKE THAT. 776 00:33:08,387 --> 00:33:11,720 I TOOK MONEY OUT OF MY SAVINGS AND WENT BACK TO THE STORE... 777 00:33:11,720 --> 00:33:14,723 WHEN I GOT THERE, I PUT CASH ON THE COUNTER WITH A NOTE 778 00:33:14,723 --> 00:33:17,126 AND RAN OUT AS FAST AS I COULD. 779 00:33:17,126 --> 00:33:19,628 I DON'T KNOW WHETHER TO BE ANGRY OR PROUD. 780 00:33:19,628 --> 00:33:21,670 (indistinct conversations) 781 00:33:21,670 --> 00:33:24,203 WHAT FRIENDS WERE YOU WITH? IT DOESN'T MATTER. 782 00:33:24,203 --> 00:33:27,206 OF COURSE IT MATTERS. I DON'T WANT YOU HA-- WHO I WAS WITH IS OFF THE TABLE. 783 00:33:27,206 --> 00:33:30,409 I'M NOT GONNA NARC ON THEM. 784 00:33:30,409 --> 00:33:32,211 AGAIN... 785 00:33:32,211 --> 00:33:33,742 ANGRY AND PROUD. 786 00:33:33,742 --> 00:33:37,015 ONE QUESTION, THOUGH. 787 00:33:37,015 --> 00:33:40,149 IF YOU DIDN'T TAKE ANYTHING, WHY DID YOU FEEL RESPONSIBLE? 788 00:33:40,149 --> 00:33:42,551 BECAUSE THEY'RE MY FRIENDS. 789 00:33:42,551 --> 00:33:46,055 I GUESS SOMEBODY HAD TO. 790 00:33:46,055 --> 00:33:49,258 IT WAS THE RIGHT THING TO DO. 791 00:33:49,258 --> 00:33:50,659 DON'T YOU THINK 792 00:33:50,659 --> 00:33:53,262 THEY SHOULD BE THE ONES PAYING-- DAD. 793 00:33:53,262 --> 00:33:56,205 WHY ARE YOU EVEN FRIENDS WITH THESE GIRLS IN THE FIRST PLACE? 794 00:33:56,205 --> 00:33:58,207 IT'S NOT THAT SIMPLE. 795 00:34:00,669 --> 00:34:02,671 NO, YOU'RE RIGHT. 796 00:34:02,671 --> 00:34:04,413 IT NEVER IS, IS IT? 797 00:34:04,413 --> 00:34:06,675 (footsteps approach) 798 00:34:06,675 --> 00:34:09,548 OH, SORRY. UH, NO, DETECTIVE BECKETT, STAY. 799 00:34:09,548 --> 00:34:12,181 I WAS JUST LEAVING. 800 00:34:12,181 --> 00:34:14,683 IT WON'T HAPPEN AGAIN, DAD. 801 00:34:14,683 --> 00:34:16,825 PROMISE. 802 00:34:24,062 --> 00:34:25,534 YOU OKAY? 803 00:34:25,534 --> 00:34:28,537 SOMETIMES, IGNORANCE IS BLISS. 804 00:34:28,537 --> 00:34:30,669 YEAH, TELL ME ABOUT IT. 805 00:34:30,669 --> 00:34:32,541 IS THAT THE C.S.U. REPORT? 806 00:34:32,541 --> 00:34:35,144 TWO SETS OF PRINTS ON THE SEAT CONTROLS. 807 00:34:35,144 --> 00:34:37,546 OTIS' ARE ON THE SEAT UP BUTTON. 808 00:34:37,546 --> 00:34:40,249 AND ON THE SEAT BACK? TAKE A LOOK FOR YOURSELF. 809 00:34:42,681 --> 00:34:45,284 YOU GOTTA BE KIDDING ME. 810 00:34:52,461 --> 00:34:54,463 THIS IS THE FINGERPRINT THAT WE PULLED 811 00:34:54,463 --> 00:34:56,465 OFF LYLA ADDISON'S CAR SEAT CONTROLS, 812 00:34:56,465 --> 00:34:58,467 AND THIS IS YOUR FINGERPRINT THAT WE HAVE ON FILE. 813 00:34:58,467 --> 00:35:00,199 THEY ARE A MATCH. 814 00:35:00,199 --> 00:35:02,631 THERE MUST BE SOME MISTAKE. THERE IS NO MISTAKE. 815 00:35:02,631 --> 00:35:05,874 YOU WERE IN LYLA ADDISON'S CAR THE NIGHT THAT SHE WAS KILLED. I DIDN'T EVEN KNOW LYLA. 816 00:35:05,874 --> 00:35:07,876 YEAH, YOU DID. 817 00:35:07,876 --> 00:35:09,478 WE SHOWED YOUR PICTURE AROUND. 818 00:35:09,478 --> 00:35:11,480 YOU'RE A BARTENDER AT THE KIWI SEVEN LOUNGE. 819 00:35:11,480 --> 00:35:13,442 THEY PAY YOU UNDER THE TABLE, CASH. 820 00:35:13,442 --> 00:35:16,114 LYLA'S A SILENT PARTNER. YOU STILL WANT TO GO 821 00:35:16,114 --> 00:35:19,888 WITH THE STORY THAT YOU DON'T KNOW HER? 822 00:35:19,888 --> 00:35:21,820 I THINK THAT YOU KILLED HER, 823 00:35:21,820 --> 00:35:23,822 AND THEN YOU DUMPED HER BODY IN HER TRUNK. 824 00:35:23,822 --> 00:35:26,895 WHAT YOU DIDN'T COUNT ON WAS THE GUILT. 825 00:35:26,895 --> 00:35:29,698 YOU HAD TO GET IT OFF YOUR CHEST, SO YOU TOLD JOE, 826 00:35:29,698 --> 00:35:32,561 BUT YOUR BROTHER, HE WAS AN HONORABLE MAN. HE WASN'T GONNA RAT YOU OUT, 827 00:35:32,561 --> 00:35:34,563 BUT HE WASN'T GONNA LET AN INNOCENT MAN 828 00:35:34,563 --> 00:35:36,265 GO TO JAIL FOR LIFE. 829 00:35:36,265 --> 00:35:37,666 SO HE CALLED THE D.A. 830 00:35:37,666 --> 00:35:40,269 WHEN THAT DIDN'T WORK, HE GOT ON THE JURY. 831 00:35:40,269 --> 00:35:42,311 BUT YOU--YOU FOUND OUT. 832 00:35:42,311 --> 00:35:44,413 AND YOU REALIZED... 833 00:35:44,413 --> 00:35:47,416 YOU WOULDN'T BE SAFE AS LONG AS HE WAS ALIVE. 834 00:35:47,416 --> 00:35:49,378 AND THEN YOU SLIPPED INTO HIS APARTMENT 835 00:35:49,378 --> 00:35:52,150 AND YOU DOSED HIS MEDS WITH CYANIDE. 836 00:35:52,150 --> 00:35:55,284 DOSED HIS MEDS? MAKING YOU THE WORST BROTHER SINCE CAIN. 837 00:35:57,256 --> 00:35:59,188 THAT ISN'T WHAT HAPPENED. 838 00:35:59,188 --> 00:36:01,330 THEN WHAT HAPPENED? 839 00:36:03,792 --> 00:36:06,164 OKAY. 840 00:36:06,164 --> 00:36:08,166 (papers rustle) 841 00:36:08,166 --> 00:36:10,168 WELL, WAIT. 842 00:36:10,168 --> 00:36:12,701 WAIT! 843 00:36:12,701 --> 00:36:16,245 I WAS THERE, BUT I DIDN'T KILL HER. 844 00:36:16,245 --> 00:36:18,247 AND I DIDN'T KILL MY BROTHER. 845 00:36:18,247 --> 00:36:20,249 BUT IT DOESN'T REALLY MATTER WHAT I SAY, 846 00:36:20,249 --> 00:36:22,481 YOU WON'T BELIEVE ME ANYWAY. 847 00:36:22,481 --> 00:36:24,953 WELL, CONSIDERING YOUR OTHER CHOICE IS MURDER ONE, 848 00:36:24,953 --> 00:36:28,287 I WOULD ROLL THE DICE. 849 00:36:28,287 --> 00:36:31,720 STEPHEN KILLED LYLA. 850 00:36:31,720 --> 00:36:33,462 STEPHEN ADDISON... 851 00:36:33,462 --> 00:36:35,264 HER BROTHER. 852 00:36:35,264 --> 00:36:37,266 AND WE HAD TALKED ABOUT JOE'S CONDITION. 853 00:36:37,266 --> 00:36:39,828 STEPHEN MUST HAVE SEEN JOE ON THAT JURY 854 00:36:39,828 --> 00:36:41,600 AND KILLED HIM, TOO. 855 00:36:41,600 --> 00:36:43,832 STEPHEN AND LYLA WERE A PAIR OF RICH, 856 00:36:43,832 --> 00:36:45,704 SPOILED COKE FIENDS 857 00:36:45,704 --> 00:36:47,706 WHO NEEDED TO MAKE A DRUG RUN, 858 00:36:47,706 --> 00:36:49,438 SO THEY HAD ME DRIVE. 859 00:36:49,438 --> 00:36:51,440 STEPHEN'S SCREWING AROUND WITH THIS GUN. 860 00:36:51,440 --> 00:36:54,443 THIS LITTLE TRUST-FUND GANGSTER THINKS HE'S SO BADASS 861 00:36:54,443 --> 00:36:57,215 TILL WE HIT A POTHOLE, AND BANG! (slaps hands together) 862 00:36:57,215 --> 00:36:59,818 THE GUN WENT OFF AND HIT LYLA. 863 00:36:59,818 --> 00:37:02,251 SHE DIED INSTANTLY. 864 00:37:02,251 --> 00:37:03,722 I FREAKED. 865 00:37:03,722 --> 00:37:05,724 BUT STEPHEN THREATENED TO POINT THE FINGER AT ME 866 00:37:05,724 --> 00:37:07,556 IF I TOLD THE TRUTH. 867 00:37:07,556 --> 00:37:08,957 I'M SO SCARED. 868 00:37:08,957 --> 00:37:11,960 I'M--I'M JUST A NOBODY. 869 00:37:11,960 --> 00:37:15,003 HE'S GOT MILLION-DOLLAR LAWYERS! 870 00:37:16,965 --> 00:37:18,967 WE PUT HER BODY IN THE TRUNK. 871 00:37:18,967 --> 00:37:20,969 (Beckett) AND YOU DUMPED THE CAR? 872 00:37:20,969 --> 00:37:22,971 STEPHEN SAID IF WE LEFT IT IN THE GHETTO, 873 00:37:22,971 --> 00:37:25,574 THE COPS WOULD THINK IT WAS A CARJACKING GONE WRONG. 874 00:37:25,574 --> 00:37:28,347 AND THEN WHAT HAPPENED? WE TOSSED OUR BLOODY CLOTHES 875 00:37:28,347 --> 00:37:30,349 IN A DUMPSTER. 876 00:37:30,349 --> 00:37:34,353 AND... I WENT TO SEE JOE AT HIS FUND-RAISER 877 00:37:34,353 --> 00:37:36,755 AND I TOLD HIM WHAT HAPPENED. 878 00:37:39,328 --> 00:37:42,991 HE SAID WE COULDN'T LEAVE LYLA IN A TRUNK LIKE THAT. 879 00:37:42,991 --> 00:37:45,594 BUT BY THE TIME JOE GOT THERE, 880 00:37:45,594 --> 00:37:47,596 THE COPS HAD ALREADY PULLED OVER THAT BLACK GUY, 881 00:37:47,596 --> 00:37:49,338 SO JOE WENT TO THAT DUMPSTER 882 00:37:49,338 --> 00:37:51,340 AND GOT STEPHEN'S BLOODY CLOTHES AS INSURANCE. 883 00:37:51,340 --> 00:37:54,002 THAT MUST BE WHAT JOE SENT TO THE D.A. 884 00:37:54,002 --> 00:37:56,545 IT'S ALL MY FAULT. 885 00:37:56,545 --> 00:38:01,049 MY BROTHER'S DEAD, AND IT'S ALL MY FAULT. 886 00:38:01,049 --> 00:38:04,052 WE CAN PLACE STEPHEN AT LYLA'S BAR THAT NIGHT. 887 00:38:04,052 --> 00:38:07,316 BUT WITHOUT PHYSICAL EVIDENCE, ALL WE HAVE IS EDDIE'S WORD. 888 00:38:07,316 --> 00:38:09,318 WHAT DO YOU THINK WE SHOULD DO, SIR? 889 00:38:09,318 --> 00:38:10,719 I'M SORRY, DETECTIVE. 890 00:38:10,719 --> 00:38:12,961 LOOKS LIKE THERE'S NOTHING YOU CAN DO. 891 00:38:12,961 --> 00:38:15,394 W-WHAT ARE YOU SAYING, WE JUST LET HIM GET AWAY WITH IT? 892 00:38:15,394 --> 00:38:17,596 DID I SAY THAT? 893 00:38:17,596 --> 00:38:20,399 UH, SIR, WHERE ARE YOU GOING? 894 00:38:20,399 --> 00:38:22,531 TO SEE AN OLD FRIEND. 895 00:38:26,735 --> 00:38:28,937 (door opens) 896 00:38:28,937 --> 00:38:31,610 HEY. HOW'D YOU GET IN HERE? 897 00:38:31,610 --> 00:38:34,012 USED MY KEY TO THE CITY. 898 00:38:34,012 --> 00:38:36,545 (laughs) YOU, UH, YOU WANT A DRINK? 899 00:38:36,545 --> 00:38:38,917 I JUST GOT MY HANDS ON THIS BRILLIANT BOTTLE 900 00:38:38,917 --> 00:38:41,520 OF 1875 ST. MIRIAM. 901 00:38:41,520 --> 00:38:44,693 I NEED THAT PACKAGE, LOU. 902 00:38:44,693 --> 00:38:46,695 THE ONE JOE McUSIC SENT YOU. 903 00:38:46,695 --> 00:38:48,697 I KNOW YOU DIDN'T GET RID OF IT. 904 00:38:48,697 --> 00:38:51,800 IT'S NOT YOUR STYLE. NOT THE LOUIS KARNACKI I KNOW. 905 00:38:51,800 --> 00:38:53,802 (sighs) WORD OF ADVICE, ROY. 906 00:38:53,802 --> 00:38:57,335 JUST... LET THIS ONE PASS YOU BY. 907 00:38:57,335 --> 00:39:01,410 DID YOU KNOW LYLA ADDISON WAS MURDERED BY HER BROTHER? 908 00:39:01,410 --> 00:39:03,412 FIRST RULE OF BEING A LAWYER 909 00:39:03,412 --> 00:39:05,814 IS NEVER ASK A QUESTION YOU DON'T WANT AN ANSWER TO. 910 00:39:05,814 --> 00:39:08,377 I GUESS IT'S GOOD I'M NOT A LAWYER. 911 00:39:08,377 --> 00:39:10,379 YEAH, WELL, THAT'S THE PROBLEM WITH YOU COPS. 912 00:39:10,379 --> 00:39:12,381 YOU LIVE ON THE CORNER OF BLACK AND WHITE. 913 00:39:12,381 --> 00:39:15,353 BUT OVER HERE, ON THIS SIDE OF THE STREET, IT'S JUST GRAY. 914 00:39:15,353 --> 00:39:17,456 YOU JUST PUT AN INNOCENT MAN UP FOR MURDER. 915 00:39:17,456 --> 00:39:19,458 WHAT'S GRAY ABOUT THAT, LOU? OH, COME ON! 916 00:39:19,458 --> 00:39:21,860 YOU'RE GONNA SING "KUMBAYA" FOR OTIS WILLIAMS? 917 00:39:21,860 --> 00:39:24,663 (file thuds) OTIS WILLIAMS, WHAT, THEFT, UH, AGGRAVATED ASSAULT, 918 00:39:24,663 --> 00:39:27,596 ATTEMPTED MURDER--THAT'S JUST THE STUFF WE GOT HIM ON. 919 00:39:27,596 --> 00:39:30,869 BUT HE DIDN'T KILL LYLA, LOU. HE DIDN'T KILL HER. 920 00:39:30,869 --> 00:39:32,901 (exhales) 921 00:39:32,901 --> 00:39:35,043 IT'S FOR THE GREATER GOOD, ROY. 922 00:39:35,043 --> 00:39:36,645 WHAT? 923 00:39:36,645 --> 00:39:38,947 YOUR RUN FOR THE MAYOR'S OFFICE? 924 00:39:38,947 --> 00:39:41,810 THINK OF WHAT I CAN DO FOR THIS CITY 925 00:39:41,810 --> 00:39:43,482 WHEN I'M ELECTED. 926 00:39:43,482 --> 00:39:44,953 NOW... 927 00:39:44,953 --> 00:39:47,816 IT TAKES MONEY TO GET THERE, 928 00:39:47,816 --> 00:39:52,761 AND THE ADDISONS ARE KEEPING THE WAR CHEST WELL STOCKED. 929 00:39:52,761 --> 00:39:55,894 IT'S JUST HOW IT'S PLAYED. 930 00:39:55,894 --> 00:39:58,497 YOU KNOW THAT. 931 00:40:02,030 --> 00:40:05,003 OH... LISTEN TO ME, ROY. 932 00:40:05,003 --> 00:40:06,975 LISTEN TO ME. 933 00:40:06,975 --> 00:40:09,878 ROY MONTGOMERY, POLICE COMMISSIONER. 934 00:40:09,878 --> 00:40:12,741 NOW... WHEN I AM ELECTED, 935 00:40:12,741 --> 00:40:15,814 I WILL APPOINT YOU, I PROMISE. 936 00:40:15,814 --> 00:40:18,687 YOU HAVE MY WORD ON THAT. 937 00:40:18,687 --> 00:40:21,690 THINK OF WHAT WE COULD DO FOR THIS CITY. 938 00:40:21,690 --> 00:40:25,053 YOU GOTTA LET THIS GO. 939 00:40:25,053 --> 00:40:27,456 PLEASE. 940 00:40:29,127 --> 00:40:32,601 GIVE ME THE PACKAGE JOE McUSIC SENT YOU... 941 00:40:32,601 --> 00:40:35,764 AND I'LL PUT IN A GOOD WORD FOR YOU. 942 00:40:37,806 --> 00:40:39,808 (handcuffs click) 943 00:40:39,808 --> 00:40:41,570 (indistinct conversations) 944 00:40:41,570 --> 00:40:43,672 (Beckett) PRELIMINARY LAB RESULTS INDICATE 945 00:40:43,672 --> 00:40:46,014 THAT STEPHEN'S CLOTHES HAD LYLA'S BLOOD ON IT. 946 00:40:46,014 --> 00:40:47,746 EDDIE WAS TELLING THE TRUTH. 947 00:40:47,746 --> 00:40:50,519 AND C.S.U. FOUND TRACES OF CYANIDE IN STEPHEN'S APARTMENT. 948 00:40:50,519 --> 00:40:52,881 YOUNG MR. ADDISON IS GOING DOWN FOR BOTH MURDERS-- 949 00:40:52,881 --> 00:40:54,623 NEGLIGENT HOMICIDE FOR HIS SISTER 950 00:40:54,623 --> 00:40:56,925 AND MURDER ONE FOR JOE McUSIC. WHAT HAPPENS TO EDDIE? 951 00:40:56,925 --> 00:40:58,927 WE'LL CHARGE HIM WITH ACCESSORY AFTER THE FACT, 952 00:40:58,927 --> 00:41:02,460 BUT I'LL PUSH FOR PROBATION. I'LL CALL THE D.A... 953 00:41:02,460 --> 00:41:06,565 WELL, WHOEVER THE MAYOR APPOINTS AS ACTING D.A. 954 00:41:06,565 --> 00:41:08,567 SIR, I'M SORRY ABOUT YOUR FRIEND. 955 00:41:08,567 --> 00:41:10,669 YEAH. 956 00:41:10,669 --> 00:41:13,071 I MEAN, LOU SCREWED UP. HE DID. 957 00:41:13,071 --> 00:41:16,074 BUT THAT DOESN'T TAKE AWAY FROM THE GOOD HE'S DONE. 958 00:41:16,074 --> 00:41:18,076 IT'S UNFORTUNATE THAT DESPITE ALL THAT GOOD, 959 00:41:18,076 --> 00:41:22,150 HE'S ONLY GONNA BE REMEMBERED FOR THIS ONE BAD THING. 960 00:41:22,150 --> 00:41:25,053 WELL, NICE WORK, YOU TWO. GOOD NIGHT. 961 00:41:28,486 --> 00:41:30,989 SO... PLANS WITH JOSH TONIGHT? 962 00:41:30,989 --> 00:41:32,721 NO, HE'S ON SHIFT. 963 00:41:32,721 --> 00:41:35,123 I WAS THINKING OF SNEAKING OFF TO THE ANGELIKA. 964 00:41:35,123 --> 00:41:37,766 (jangles keys) "FORBIDDEN PLANET" IS PLAYING. 965 00:41:37,766 --> 00:41:39,167 "FORBIDDEN PLANET"? 966 00:41:39,167 --> 00:41:43,131 IS, UH... IS THAT THE ONE WITH THE ROBOT? 967 00:41:43,131 --> 00:41:46,074 YOU'VE NEVER SEEN "FORBIDDEN PLANET"? 968 00:41:46,074 --> 00:41:48,206 MORE OF A "STAR WARS," "MATRIX" GUY MYSELF. 969 00:41:48,206 --> 00:41:49,808 OH, MY GOSH. 970 00:41:49,808 --> 00:41:53,211 CASTLE, THIS IS THE MOVIE THAT INSPIRED THOSE TWO. 971 00:41:53,211 --> 00:41:57,015 THAT'S IT. I'M TAKING YOU. MY TREAT. OH, NO, NO. I-I, UH, I HAVE PLANS. 972 00:41:57,015 --> 00:41:59,047 NOPE, NOT ANYMORE. 973 00:41:59,047 --> 00:42:00,919 (The Daylights) ♪ ALL THE LINES GET BLURRED ♪ 974 00:42:00,919 --> 00:42:03,922 ALL RIGHT. WELL, CAN I HAVE, UH, CANDY AND POPCORN? 975 00:42:03,922 --> 00:42:05,894 SURE. OH, CASTLE, YOU'RE GONNA LOVE THIS. 976 00:42:05,894 --> 00:42:07,295 THIS IS LESLIE NIELSEN 977 00:42:07,295 --> 00:42:09,798 BEFORE HE BECAME A COMIC GENIUS. 978 00:42:09,798 --> 00:42:10,929 REALLY? 979 00:42:10,929 --> 00:42:12,060 YEAH. 980 00:42:12,060 --> 00:42:14,062 CAN WE STOP AT REMY'S FOR BURGERS AFTER? 981 00:42:14,062 --> 00:42:16,064 NOW YOU'RE PUSHING IT. OH. 982 00:42:16,064 --> 00:42:18,066 I'M KIDDING. (elevator bell dings) 983 00:42:18,066 --> 00:42:19,668 SO IT STARTS OFF 984 00:42:19,668 --> 00:42:25,043 AT THE BEGINNING OF THE 23rd CENTURY...