1 00:00:00,531 --> 00:00:02,573 (ferry horn blows) 2 00:00:02,573 --> 00:00:04,405 (object rattles) 3 00:00:04,405 --> 00:00:05,506 (splash) 4 00:00:05,506 --> 00:00:08,509 (reel clicking) 5 00:00:10,141 --> 00:00:12,283 YOU'VE MADE YOUR POINT, ANDY. 6 00:00:12,283 --> 00:00:14,285 SO THEY CLOSED THE MACHINE SHOP 7 00:00:14,285 --> 00:00:16,287 AND TURNED IT INTO AN ESPRESSO BAR. 8 00:00:16,287 --> 00:00:18,689 THAT DOESN'T MAKE YOU A BAD PROVIDER. 9 00:00:18,689 --> 00:00:20,391 (clicks) 10 00:00:20,391 --> 00:00:23,594 LOOK, THIS IS CRAZY. IT'S THE EAST RIVER. 11 00:00:23,594 --> 00:00:27,098 THE ONLY THING YOU'RE GONNA CATCH OUT HERE IS A COLD. 12 00:00:27,098 --> 00:00:29,460 (grunts) OOH. 13 00:00:29,460 --> 00:00:32,803 (clicking) 14 00:00:35,506 --> 00:00:38,139 (gasps) OH, MY GOD. 15 00:00:39,640 --> 00:00:42,643 (keyboard keys clicking) 16 00:00:45,176 --> 00:00:46,617 (footsteps approach) 17 00:00:46,617 --> 00:00:49,680 CAN YOU BELIEVE MY OLD GRADE SCHOOL SHIRT STILL FITS? 18 00:00:49,680 --> 00:00:52,283 OH, LIKE A GLOVE, YES. A SHIRT, NO. (sighs) 19 00:00:52,283 --> 00:00:54,225 YOU LOOK LIKE THE INCREDIBLE HULK. 20 00:00:54,225 --> 00:00:56,187 NICE, DAD. YEAH, THAT'S WHAT YOU GET 21 00:00:56,187 --> 00:00:58,189 WHEN YOU TALK TO HIM WHILE HE'S WRITING. 22 00:00:58,189 --> 00:01:00,331 MM. WELL, GRACIE'S GONNA LOVE IT. 23 00:01:00,331 --> 00:01:02,493 IT'LL CRACK HER UP WHEN SHE SEES IT. GRACIE? 24 00:01:02,493 --> 00:01:04,595 LITTLE CUTIE WHOSE FAMILY MOVED OFF TO-- 25 00:01:04,595 --> 00:01:07,438 I WANT TO SAY KANSAS? AFTER FIFTH GRADE. 26 00:01:07,438 --> 00:01:11,071 SHE E-MAILED ME SHE WAS COMING TO TOWN TO CHECK OUT F.I.T., 27 00:01:11,071 --> 00:01:13,504 SO I TOLD HER SHE COULD SPEND THE NIGHT. I ASKED YOU. 28 00:01:13,504 --> 00:01:15,606 WAS I WRITING? 29 00:01:15,606 --> 00:01:18,279 (sighs) (doorbell buzzes) 30 00:01:18,279 --> 00:01:21,512 "INCREDIBLE HULK"? 31 00:01:21,512 --> 00:01:23,654 GRACIE! 32 00:01:23,654 --> 00:01:25,786 (chuckles) 33 00:01:25,786 --> 00:01:27,458 LOOK AT YOU, GREENDALE GIRL. 34 00:01:27,458 --> 00:01:29,620 L-LOOK AT YOU. (laughs) 35 00:01:29,620 --> 00:01:32,223 HI. HI. 36 00:01:32,223 --> 00:01:34,725 UH, YOU REMEMBER GRAM AND MY DAD. 37 00:01:34,725 --> 00:01:38,469 SURE. HEY. IT'S BEEN FOREVER. (chuckles) 38 00:01:38,469 --> 00:01:41,532 THANKS AGAIN FOR LETTING ME CRASH WITH YOU GUYS. YEAH. 39 00:01:41,532 --> 00:01:43,834 SO YOUR ROOM IN THE SAME PLACE? 40 00:01:43,834 --> 00:01:45,806 YEAH. SAME PLACE, SAME OLD ROOM. 41 00:01:45,806 --> 00:01:48,739 YOU KNOW, EVERYTHING THE SAME. (chuckles) ALMOST. 42 00:01:48,739 --> 00:01:52,112 (laughs) 43 00:01:57,788 --> 00:02:00,651 LOOKS LIKE SOMEONE'S NOT IN KANSAS ANYMORE. 44 00:02:00,651 --> 00:02:02,693 WHAT HAPPENED TO THE LITTLE HAIR BAND, 45 00:02:02,693 --> 00:02:04,695 THE KNEE SOCKS? MM. 46 00:02:04,695 --> 00:02:06,427 (cell phone rings) 47 00:02:06,427 --> 00:02:07,828 (clicks open and beeps) 48 00:02:07,828 --> 00:02:10,661 AH, BECKETT. EXCELLENT TIMING. 49 00:02:10,661 --> 00:02:13,534 SHE USED TO BE SO ADORABLE. 50 00:02:13,534 --> 00:02:15,536 I MEAN, WHAT MAKES A GIRL-- 51 00:02:15,536 --> 00:02:17,538 A LITTLE GIRL WHO USED TO PLAY HOPSCOTCH 52 00:02:17,538 --> 00:02:19,270 AND MY LITTLE PONIES-- 53 00:02:19,270 --> 00:02:20,811 SUDDENLY PIERCE HER EYEBROW? 54 00:02:20,811 --> 00:02:22,543 IT'S LIKE SHE'S BEEN ASSIMILATED 55 00:02:22,543 --> 00:02:24,144 BY THE LEATHER OVERLORDS. 56 00:02:24,144 --> 00:02:25,816 YOU'RE PROBABLY ROMANTICIZING IT. 57 00:02:25,816 --> 00:02:27,518 AND IS ANYTHING EVER REALLY 58 00:02:27,518 --> 00:02:30,221 THE WAY THAT WE REMEMBER IT IN GRADE SCHOOL? WELL, TO BE HONEST, 59 00:02:30,221 --> 00:02:32,353 BEYOND SOME BAKING SODA VOLCANOES 60 00:02:32,353 --> 00:02:33,654 AND SWEATY PALMS, 61 00:02:33,654 --> 00:02:35,656 I HAVE VERY LITTLE MEMORY OF IT AT ALL. 62 00:02:35,656 --> 00:02:36,787 YOU? 63 00:02:36,787 --> 00:02:38,529 (laughs) MINE ARE MOSTLY ORTHODONTIC. 64 00:02:38,529 --> 00:02:41,762 BRACES? YOU MEAN YOU WEREN'T BORN WITH THAT DAZZLING SMILE? 65 00:02:41,762 --> 00:02:43,764 THE ONLY THING DAZZLING WAS HOW LONG 66 00:02:43,764 --> 00:02:46,297 IT TOOK MY PARENTS TO PAY FOR IT. 67 00:02:46,297 --> 00:02:48,299 BODY'S IN PRETTY GOOD SHAPE FOR A FLOATER. 68 00:02:48,299 --> 00:02:50,401 MUST NOT HAVE BEEN IN THE WATER TOO LONG. 69 00:02:50,401 --> 00:02:52,803 WELL, IF THE RIVER'S AS COLD AS MY NOSE, 70 00:02:52,803 --> 00:02:56,176 I'D BALLPARK IT WITHIN THE LAST 12 HOURS, AT MOST. 71 00:02:56,176 --> 00:02:58,409 NO I.D., BUT HE LOOKS EARLY 40s. 72 00:02:58,409 --> 00:03:00,711 HE'S GOT A NAVY TATTOO ON HIS ARM 73 00:03:00,711 --> 00:03:03,654 AND A NASTY CRUSH INJURY ALONG HIS TEMPORAL LINE. 74 00:03:03,654 --> 00:03:05,386 ANY CHANCE HE WENT OVERBOARD? 75 00:03:05,386 --> 00:03:07,558 CLASSIC INDICATORS POINT TO DELIBERATE BLUNT FORCE, 76 00:03:07,558 --> 00:03:08,919 SO I'D SAY NO. 77 00:03:08,919 --> 00:03:10,821 THIS WAS NO BOATING ACCIDENT. 78 00:03:10,821 --> 00:03:12,423 (police radio chatter) 79 00:03:12,423 --> 00:03:15,696 THEN WE BETTER CLOSE THE BEACHES. 80 00:03:15,696 --> 00:03:17,828 "NO BOATING ACCIDENT"? 81 00:03:17,828 --> 00:03:20,271 CHIEF BRODY? HOOPER? 82 00:03:21,572 --> 00:03:23,374 SERIOUSLY? 83 00:03:23,374 --> 00:03:26,837 I'LL, UH, ZIP HIS PRINTS OVER TO THE PRECINCT FOR AN I.D., 84 00:03:26,837 --> 00:03:29,310 BUT FOR WHAT IT'S WORTH, I DID FIND THIS. 85 00:03:29,310 --> 00:03:32,243 A GAMBLERS ANONYMOUS MEDALLION. 86 00:03:32,243 --> 00:03:33,714 FOUR YEARS WITHOUT A BET. 87 00:03:33,714 --> 00:03:36,517 AHH. "AHH," WHAT? 88 00:03:36,517 --> 00:03:38,589 THE EAST RIVER, A G.A. CHIP? 89 00:03:38,589 --> 00:03:40,991 RELAPSED GAMBLER GETS IN TOO DEEP WITH HIS BOOKIE, 90 00:03:40,991 --> 00:03:43,594 ENDS UP FLOATING IN THE DRINK. 91 00:03:43,594 --> 00:03:44,995 ARE YOU KIDDING ME? 92 00:03:44,995 --> 00:03:47,498 YOU JUST WENT FROM GAMBLERS ANONYMOUS TO MOB HIT? 93 00:03:47,498 --> 00:03:49,500 THIS IS THE MOST CELEBRATED BODY DEPOSITORY 94 00:03:49,500 --> 00:03:51,462 THIS SIDE OF THE JERSEY WETLANDS. 95 00:03:51,462 --> 00:03:54,365 MARK MY WORDS-- THIS GUY HAS MOB TIES. 96 00:03:54,365 --> 00:03:56,737 CASE CLOSED. (hands slap) 97 00:03:56,737 --> 00:03:58,869 NO MOB TIES. 98 00:03:58,869 --> 00:04:00,571 ARE YOU SURE? 99 00:04:00,571 --> 00:04:02,543 GOOD WORK. 100 00:04:02,543 --> 00:04:05,276 ACCORDING TO HIS FINGERPRINTS, HIS NAME IS DONALD HAYES-- 101 00:04:05,276 --> 00:04:07,518 NAVY VETERAN, SERVED IN DESERT STORM, 102 00:04:07,518 --> 00:04:09,520 AND HE'S BEEN A DOCK WORKER SINCE '94. 103 00:04:09,520 --> 00:04:12,683 AND SOMEHOW STILL EMPLOYED AS ONE. 104 00:04:12,683 --> 00:04:14,855 OUR VICTIM DONNY HAYES-- CURRENTLY CLOCKED IN 105 00:04:14,855 --> 00:04:18,429 AND ON DUTY AT THE EAST SIDE DOCKS. (Castle) WHICH EITHER MEANS 106 00:04:18,429 --> 00:04:20,391 HE'S AN INCREDIBLY DEDICATED ZOMBIE... 107 00:04:20,391 --> 00:04:22,393 OR HE'S A SUSPECT IN OUR MURDER. 108 00:04:22,393 --> 00:04:24,865 (indistinct conversations) 109 00:04:24,865 --> 00:04:26,467 (Beckett) DONNY. 110 00:04:26,467 --> 00:04:28,999 MR. HAYES. 111 00:04:30,871 --> 00:04:33,003 (raised voice) DONALD HAYES. 112 00:04:33,003 --> 00:04:35,045 (indistinct conversations continues) 113 00:04:35,045 --> 00:04:38,809 WHAT'S THE MATTER? YOU FORGET YOUR OWN NAME? 114 00:04:38,809 --> 00:04:41,352 POLICE. DON'T MOVE. 115 00:04:42,653 --> 00:04:44,515 (grunts) UGH! 116 00:04:44,515 --> 00:04:46,457 THE MAN SAID, "DON'T MOVE." 117 00:04:46,457 --> 00:04:48,719 (panting) OH. WAIT A MINUTE. 118 00:04:48,719 --> 00:04:51,592 WAIT A MINUTE. YOU'RE JUST COPS? 119 00:04:51,592 --> 00:04:53,594 JUST COPS? 120 00:04:53,594 --> 00:04:57,528 I GUESS THAT MAKES YOU JUST UNDER ARREST FOR MURDER. 121 00:04:57,528 --> 00:05:01,402 (Beckett) FIRST NAME GRANT, LAST NAME VYRO. 122 00:05:01,402 --> 00:05:02,973 I DIDN'T KILL ANYBODY. 123 00:05:02,973 --> 00:05:05,336 THEN WHY'D YOU RUN? I THOUGHT YOU WAS WITH UNION. 124 00:05:05,336 --> 00:05:08,339 OH, SO WE'RE NOT THE ONLY ONES WHO HAVE A PROBLEM 125 00:05:08,339 --> 00:05:11,912 WITH YOU KILLING DONNY FOR HIS UNION CARD? WHAT ARE YOU TALKING ABOUT? IBOUGHTTHAT CARD. 126 00:05:11,912 --> 00:05:13,884 DO YOU REALLY EXPECT US TO BELIEVE 127 00:05:13,884 --> 00:05:15,986 THAT YOU BOUGHT DONNY'S CARD, ASSUMED HIS IDENTITY, 128 00:05:15,986 --> 00:05:18,989 AND THOUGHT NO ONE WOULD NOTICE? 129 00:05:18,989 --> 00:05:22,723 GUY SPENT 16 YEARS WORKING OVER ON THE WEST SIDE. 130 00:05:22,723 --> 00:05:24,725 SO I SWITCHED TO THE EAST SIDE DOCKS 131 00:05:24,725 --> 00:05:26,997 SO NO ONE WHO KNEW DONNY WOULD CATCH ON. 132 00:05:26,997 --> 00:05:29,900 SO WHAT DOES A UNION CARD GO FOR NOWADAYS 133 00:05:29,900 --> 00:05:31,902 SINCE BUYING SOMEONE ELSE'S IS ILLEGAL? 134 00:05:31,902 --> 00:05:34,635 SUCKER COST ME 25 GRAND. OH, COME ON, VYRO. 135 00:05:34,635 --> 00:05:37,508 DOCK WORKERS RAKE IN OVER SIX FIGURES A YEAR. 136 00:05:37,508 --> 00:05:40,741 WHY WOULD DONNY TRADE IT IN FOR SO LITTLE? 137 00:05:40,741 --> 00:05:42,873 UNLESS HE HAD A GUN TO HIS HEAD, 138 00:05:42,873 --> 00:05:45,576 IN WHICH CASE, IT'D BE A BARGAIN. THERE WERE NO GUNS. 139 00:05:45,576 --> 00:05:47,778 I NEEDED A JOB. DONNY NEEDED CASH. FOR WHAT? 140 00:05:47,778 --> 00:05:50,350 HE DIDN'T SAY, AND I DIDN'T CARE. 141 00:05:50,350 --> 00:05:52,122 (cell phone rings) 142 00:05:52,122 --> 00:05:54,124 (beeps) BECKETT. 143 00:05:54,124 --> 00:05:56,086 I WAS RIGHT ABOUT THE BLUNT FORCE TRAUMA. 144 00:05:56,086 --> 00:05:58,789 A SINGLE BLOW CAVED IN THE RIDGE HERE 145 00:05:58,789 --> 00:06:00,861 ALONG DONNY'S SQUAMOSAL SUTURE. 146 00:06:00,861 --> 00:06:03,363 AND WHATEVER DID THE DAMAGE WAS KIND ENOUGH 147 00:06:03,363 --> 00:06:07,367 TO LEAVE THIS SHARD OF RED GLASS EMBEDDED IN HIS SKULL. 148 00:06:07,367 --> 00:06:09,139 MAYBE A HEAVY VASE OR A BOTTLE? 149 00:06:09,139 --> 00:06:11,141 I'LL HAVE FORENSICS TAKE A LOOK AT IT, 150 00:06:11,141 --> 00:06:13,003 SEE IF THEY CAN FIND A MATCH. 151 00:06:13,003 --> 00:06:15,005 BASED ON LIVIDITY AND WATER TEMP, 152 00:06:15,005 --> 00:06:17,007 I'VE NARROWED TIME OF DEATH 153 00:06:17,007 --> 00:06:19,379 TO BETWEEN 4:00 AND 6:00 A.M. THIS MORNING. 154 00:06:19,379 --> 00:06:21,652 WHAT HAPPENED HERE ON THE SHOULDER? BUCKSHOT. 155 00:06:21,652 --> 00:06:24,815 I FOUND SEVERAL DOUBLE-OUGHT PELLETS 156 00:06:24,815 --> 00:06:27,057 LODGED IN THE FLESH OF HIS LEFT ARM. 157 00:06:27,057 --> 00:06:29,590 SO SOMEONE CONKED HIM ON THE HEAD AND SHOT HIM? 158 00:06:29,590 --> 00:06:31,592 THAT'S WHERE IT GETS WEIRD. SCARRING INDICATES 159 00:06:31,592 --> 00:06:33,924 THE PELLETS HAVE BEEN THERE ABOUT TWO TO THREE WEEKS. 160 00:06:33,924 --> 00:06:37,167 AND HE JUST LEFT 'EM IN THERE? WELL, HE CERTAINLY DIDN'T SEEK TREATMENT. 161 00:06:37,167 --> 00:06:39,570 COULD'VE BEEN, HE WAS IN SOMETHING ILLEGAL 162 00:06:39,570 --> 00:06:41,872 OR SCARED OF WHOEVER SHOT HIM. OR BOTH. 163 00:06:41,872 --> 00:06:43,504 (Ryan) FORGET VYRO. 164 00:06:43,504 --> 00:06:45,506 HIS ALIBI CLEARED, AND WE TRACKED DOWN 165 00:06:45,506 --> 00:06:47,508 HIS PERSONAL CHECK FOR $25,000, 166 00:06:47,508 --> 00:06:50,410 ENDORSED AND DEPOSITED BY DONNY LAST MONTH. 167 00:06:50,410 --> 00:06:53,814 VYRO PAID DONNY WITH A CHECK? NOT MOBBY ENOUGH FOR YOU, CASTLE? 168 00:06:53,814 --> 00:06:55,816 C.S.U.'s STILL COMBING DONNY'S PLACE, 169 00:06:55,816 --> 00:06:58,989 BUT NO BROKEN RED GLASS, NO SIGNS OF FOUL PLAY, 170 00:06:58,989 --> 00:07:01,992 AND NO NEXT OF KIN, EITHER. WHAT ABOUT THE GAMBLERS ANONYMOUS CHIP? 171 00:07:01,992 --> 00:07:05,125 ANY SPONSOR? YEAH, BUT HE SAYS HE HASN'T HEARD FROM DONNY FOR MONTHS. 172 00:07:05,125 --> 00:07:07,127 SO THEN MAYBE CASTLE WAS RIGHT. 173 00:07:07,127 --> 00:07:09,900 IF DONNY WAS DESPERATE ENOUGH TO SELL HIS UNION CARD, 174 00:07:09,900 --> 00:07:13,764 THEN MAYBE HE FELL OFF THE WAGON AND GOT IN OVER HIS HEAD. YEAH, TO THE TUNE OF 25 GRAND. 175 00:07:13,764 --> 00:07:16,767 YO. UH, THAT'D BE LOWBALLING IT, BRO. 176 00:07:16,767 --> 00:07:20,671 DONNY'S ACCOUNT SHOWS THAT HE DEPOSITED VYRO'S CHECK 177 00:07:20,671 --> 00:07:23,614 ABOUT A MONTH AGO, ADDING IT TO HIS EXISTING BALANCE 178 00:07:23,614 --> 00:07:25,045 OF $125,000, 179 00:07:25,045 --> 00:07:27,217 ALL OF WHICH--WAIT FOR IT-- 180 00:07:27,217 --> 00:07:28,949 (clicks button) IS NOW GONE. 181 00:07:28,949 --> 00:07:31,482 GONE? ALL OF IT? 182 00:07:31,482 --> 00:07:33,484 EXCEPT FOR THE REMAINING BALANCE OF $6.23, 183 00:07:33,484 --> 00:07:36,557 ALL THE 150K WAS SPENT IN ONE GIANT CHECK, 184 00:07:36,557 --> 00:07:38,559 MADE PAYABLE TO A WILBUR PITTORINO, 185 00:07:38,559 --> 00:07:40,491 LISTED HERE AS OWNING SEVERAL PROPERTIES, 186 00:07:40,491 --> 00:07:42,493 AS WELL AS A WASTE MANAGEMENT BUSINESS 187 00:07:42,493 --> 00:07:45,636 IN GARFIELD, NEW JERSEY. OH! WASTE MANAGEMENT. 188 00:07:45,636 --> 00:07:47,638 ANY PRIORS? YEAH. 189 00:07:47,638 --> 00:07:50,170 BACK IN 1977, BILLY PITT SPENT 10 YEARS IN FEDERAL 190 00:07:50,170 --> 00:07:52,603 FOR ASSAULT AND RACKETEERING. 191 00:07:52,603 --> 00:07:54,705 AND WHAT? RACKETEERING. 192 00:07:56,176 --> 00:07:58,178 AS WELL AS SHAKING DOWN BUSINESS OWNERS 193 00:07:58,178 --> 00:08:01,011 WHERE HE OPERATED HIS, UH, BOOKMAKING OPERATION. 194 00:08:01,011 --> 00:08:03,053 HIS WHAT NOW? BOOKMAKING OPERATION. 195 00:08:03,053 --> 00:08:05,516 OH, SO AN EX-GAMBLER 196 00:08:05,516 --> 00:08:08,889 DUMPS HIS LIFE SAVINGS ON AN EX-CON EX-BOOKMAKER, 197 00:08:08,889 --> 00:08:10,891 AND ENDS UP EXED OUT. 198 00:08:10,891 --> 00:08:13,894 SOUNDS LIKE DONNY WAS LATE WITH HIS 150 GRAND FOR BILLY PITT, 199 00:08:13,894 --> 00:08:16,496 AND HE ENDED UP PAYING FOR IT WITH HIS LIFE. 200 00:08:16,496 --> 00:08:25,275 I THINK I JUST SAID THAT. 201 00:08:32,913 --> 00:08:35,886 YOU KNOW, YOU MIGHT HAVE GOTTEN A LITTLE GRAYER, MR. PITT, 202 00:08:35,886 --> 00:08:38,889 BUT IT SEEMS TO ME, YOU HAVEN'T CHANGED MUCH AT ALL. 203 00:08:38,889 --> 00:08:40,921 MUST BE ALL THEM PILATES CLASSES. 204 00:08:40,921 --> 00:08:43,624 (papers rustle) 205 00:08:43,624 --> 00:08:45,656 DO YOU RECOGNIZE THIS CHECK? 206 00:08:45,656 --> 00:08:47,828 OF COURSE. IT'S FROM DONNY HAYES. SO? 207 00:08:47,828 --> 00:08:50,100 SO I'M WONDERING IF DONNY DIDN'T OWE YOU MORE MONEY, 208 00:08:50,100 --> 00:08:52,903 AND YOU DIDN'T FLASH BACK TO YOUR OLD RACKETEERING DAYS. TAP THE BRAKES, SWEETIE. 209 00:08:52,903 --> 00:08:55,636 WHATEVER THE HELL YOU DRAGGED ME DOWN HERE FOR, 210 00:08:55,636 --> 00:08:58,639 I WANNA TELL YOU RIGHT NOW THAT I PAID MY TAB WITH JOHNNY LAW 211 00:08:58,639 --> 00:09:00,671 A COUPLE OF LIFETIMES AGO, 212 00:09:00,671 --> 00:09:03,744 AND HE'S GOT NOTHING ON ME SINCE. (laughs) OH, THIS GUY ISGOLD. 213 00:09:03,744 --> 00:09:07,117 AND IF YOU DON'T BELIEVE ME, WHY DON'T YOU ASK... DONNY? 214 00:09:07,117 --> 00:09:09,219 IS THIS ABOUT DONNY? 215 00:09:09,219 --> 00:09:11,822 HE WAS FOUND DEAD IN THE EAST RIVER THIS MORNING. 216 00:09:11,822 --> 00:09:13,824 NOW BACK TO THE MONEY. WHAT WAS IT FOR? 217 00:09:13,824 --> 00:09:16,026 WAS IT A PAYMENT OR WAS IT A GIFT? 218 00:09:16,026 --> 00:09:17,888 A PURCHASE. FOR? 219 00:09:17,888 --> 00:09:20,290 HE BOUGHT MY BAR DOWNTOWN. HE LOVED THE PLACE. 220 00:09:20,290 --> 00:09:22,132 REALLY? ENOUGH TO DROP EVERYTHING 221 00:09:22,132 --> 00:09:24,865 AND DUMP HIS WHOLE LIFE SAVINGS INTO IT? 222 00:09:24,865 --> 00:09:26,867 KID WAS PRACTICALLY RAISED IN THE JOINT, 223 00:09:26,867 --> 00:09:28,769 BY HIS GRANDFATHER, LEO THE LEGEND. 224 00:09:28,769 --> 00:09:31,101 LEO THE LEGEND? YOU HEARD OF THE GUY? 225 00:09:31,101 --> 00:09:32,703 SHH. CITY'S BEST BARTENDER 226 00:09:32,703 --> 00:09:34,705 SINCE THE DAYS WHEN "GAY" MEANT "HAPPY." 227 00:09:34,705 --> 00:09:37,247 HE WAS THE ONLY FATHER DONNY KNEW. AND WHERE DO I FIND LEO? 228 00:09:37,247 --> 00:09:39,780 RESTING IN AN OLD SILVER SHAKER BEHIND THE BAR. 229 00:09:39,780 --> 00:09:41,782 LEO WAS KIND OF THE BAR HISTORIAN, 230 00:09:41,782 --> 00:09:44,655 AND WHEN HE KICKED IN '97, 231 00:09:44,655 --> 00:09:47,057 WE FIGURED, HEY, WHY NOT MAKE HIM PART OF IT? 232 00:09:47,057 --> 00:09:48,789 ASHES BEHIND THE BAR. 233 00:09:48,789 --> 00:09:51,992 WHICH IS WHY DONNY DECIDED TO BUY THE--WHAT IS IT CALLED? 234 00:09:51,992 --> 00:09:54,324 (Billy and Castle) THE OLD HAUNT. THE OLD HAUNT? 235 00:09:54,324 --> 00:09:56,797 DON'T TELL ME YOU'VE NEVER BEEN TO THE OLD HAUNT. 236 00:09:56,797 --> 00:09:58,999 IT'S LEGENDARY. ALL THE GREAT WRITERS DRANK THERE. 237 00:09:58,999 --> 00:10:01,101 WE'RE COPS. WE GO TO COP BARS. YOUR LOSS. 238 00:10:01,101 --> 00:10:03,033 DONNY WAS THERE EVERY NIGHT ANYHOW. 239 00:10:03,033 --> 00:10:05,035 WE WERE ALL THE FAMILY HE HAD. 240 00:10:05,035 --> 00:10:07,007 SO WHAT PROMPTED THIS SUDDEN SALE? 241 00:10:07,007 --> 00:10:09,680 I MEAN, IT SEEMED LIKE DONNY HAD TO GATHER MONEY PRETTY QUICKLY. 242 00:10:09,680 --> 00:10:12,643 THE BAR HAD BEEN WEIGHING DOWN MY LEDGER SHEETS FOR YEARS. 243 00:10:12,643 --> 00:10:16,216 I HAD AN OFFER FROM ONE OF THEM T.J. McCHUCKLENUTS FRANCHISES, 244 00:10:16,216 --> 00:10:18,218 WHEN BRIAN, MY BARTENDER, PUT TOGETHER SOME INVESTORS 245 00:10:18,218 --> 00:10:20,220 AND MADE AN OFFER OF HIS OWN. 246 00:10:20,220 --> 00:10:23,053 I WAS GONNA SELL IT TO HIM, AND THEN DONNY OUTBID HIM. 247 00:10:23,053 --> 00:10:25,796 AND HOW DID BRIAN FEEL WHEN DONNY BOUGHT THE PLACE? 248 00:10:25,796 --> 00:10:27,798 HE WASN'T THRILLED ABOUT IT, 249 00:10:27,798 --> 00:10:31,161 BUT AT LEAST HE WASN'T WORKING FOR T.J. McCHUCKLENUTS. 250 00:10:31,161 --> 00:10:33,704 LANIE JUST SWABBED THE SHARD OF GLASS 251 00:10:33,704 --> 00:10:36,306 AND FOUND TRACE AMOUNTS OF ALCOHOL. 252 00:10:36,306 --> 00:10:37,908 A CONTAINER OF ALCOHOLIC BEVERAGE, 253 00:10:37,908 --> 00:10:39,309 A RESENTFUL BARTENDER... 254 00:10:39,309 --> 00:10:41,311 AND GIVEN THE LOCATION OF THE OLD HAUNT, 255 00:10:41,311 --> 00:10:42,913 A POTENTIAL CRIME SCENE 256 00:10:42,913 --> 00:10:44,715 JUST TWO BLOCKS AWAY FROM THE RIVER. 257 00:10:44,715 --> 00:10:47,147 CONVENIENT FOR ALL YOUR BODY DUMPING NEEDS. 258 00:10:47,147 --> 00:10:48,819 SO, CASTLE... 259 00:10:48,819 --> 00:10:50,821 CAN I BUY YOU A DRINK? 260 00:10:50,821 --> 00:10:53,353 WHY, DETECTIVE BECKETT, I THOUGHT YOU'D NEVER ASK. 261 00:10:53,353 --> 00:10:56,356 (Beckett) SO HOW WELL DO YOU KNOW THIS BAR, CASTLE? 262 00:10:56,356 --> 00:10:59,359 OH, I HAVEN'T BEEN HERE IN YEARS. NOT SINCE ALEXIS. 263 00:10:59,359 --> 00:11:02,693 BUT I WROTE MOST OF MY FIRST NOVEL IN ONE OF THESE BOOTHS. 264 00:11:02,693 --> 00:11:05,065 OH. OKAY, WELL, THAT EXPLAINSA LOT. 265 00:11:05,065 --> 00:11:07,167 IT SOLD OVER THREE MILLION COPIES. 266 00:11:07,167 --> 00:11:09,169 NO, I MEAN WHY YOU'RE SO EXCITED. 267 00:11:09,169 --> 00:11:11,171 OH, WELL, IT'S LOADED WITH HISTORY-- 268 00:11:11,171 --> 00:11:13,673 FIRST AS A BLACKSMITH, THEN AS A BORDELLO. 269 00:11:13,673 --> 00:11:16,676 IT ONLY BECAME A BAR DURING PROHIBITION AS A SPEAKEASY, 270 00:11:16,676 --> 00:11:18,678 AND IT WAS ONE OF THE BEST. 271 00:11:18,678 --> 00:11:20,680 I SWEAR, I CAN STILL FEEL THE VIBRATION 272 00:11:20,680 --> 00:11:22,953 OF EVERY NOTORIOUS EPISODE OF GLAMOUR AND DEBAUCHERY 273 00:11:22,953 --> 00:11:25,956 IN ITS WALLS. OH, EASY, CASTLE. IT'S JUST A BAR. 274 00:11:25,956 --> 00:11:27,958 NO, NO, T.J. McCHUCKLENUTS IS JUST A BAR. 275 00:11:27,958 --> 00:11:30,761 THE OLD HAUNT IS THE LAST OF A DYING BREED 276 00:11:30,761 --> 00:11:32,923 OF PROUD INSTITUTIONS 277 00:11:32,923 --> 00:11:34,424 STANDING UP TO RUTHLESS GENTRIFICATION. 278 00:11:34,424 --> 00:11:36,426 IT'S A CLASSIC... 279 00:11:36,426 --> 00:11:38,198 WHAT--WHAT ARE YOU DOING? 280 00:11:38,198 --> 00:11:40,200 WELL, I'M NOT GONNA GET MUCH OUT OF BRIAN 281 00:11:40,200 --> 00:11:42,372 LOOKING LIKE A COP. 282 00:11:42,372 --> 00:11:43,974 UNDERCOVER. I LIKE IT. 283 00:11:43,974 --> 00:11:47,077 BUT YOU MIGHT WANT TO POP ONE MORE BUTTON, JUST IN CASE. 284 00:11:52,212 --> 00:11:54,114 (inhales deeply) 285 00:11:54,114 --> 00:11:55,816 (exhales) 286 00:11:55,816 --> 00:11:57,487 (playing up-tempo instrumental song) 287 00:11:57,487 --> 00:12:00,320 THIS IS HOW A BAR SHOULD SMELL. MM. YEAH. STALE BEER. 288 00:12:00,320 --> 00:12:02,322 YOU KNOW, I'D WRITE IN MORE BARS 289 00:12:02,322 --> 00:12:04,324 IF THERE WERE MORE BARS LIKE THIS. 290 00:12:04,324 --> 00:12:07,497 (plays spy movie riff) 291 00:12:07,497 --> 00:12:09,499 (chuckles) NICE TO SEE YOU, EDDIE. 292 00:12:09,499 --> 00:12:12,202 BEEN A LONG TIME. THANK YOU FOR REMEMBERING. 293 00:12:12,202 --> 00:12:14,935 COME OVER HERE. CHECK OUT THE WALL OF FAME. (playing up-tempo instrumental song) 294 00:12:14,935 --> 00:12:17,868 WHO IS THAT HANDSOME DEVIL JUST TWO OVER FROM HEMINGWAY, 295 00:12:17,868 --> 00:12:20,170 DIRECTLY ABOVE THE INFAMOUS BOOTH WHERE 296 00:12:20,170 --> 00:12:22,873 "IN A HAIL OF BULLETS" WAS BORN? OH, MY GOODNESS, CASTLE. 297 00:12:22,873 --> 00:12:25,976 (chuckling) YOU WERE SO CUTE BACK THEN. 298 00:12:25,976 --> 00:12:28,779 BACK THEN? 299 00:12:28,779 --> 00:12:31,151 (music continues) 300 00:12:31,151 --> 00:12:34,424 (indistinct conversations) 301 00:12:34,424 --> 00:12:35,986 A LOT OF MEMORIES. 302 00:12:35,986 --> 00:12:38,989 THAT'S OLD LEO, WHICH WOULD MAKE THAT YOUNG DONNY. 303 00:12:38,989 --> 00:12:42,232 BUT I DON'T SEE ANY RED BOTTLES. 304 00:12:45,195 --> 00:12:47,497 WHAT ARE YOU LOOKING AT? 305 00:12:47,497 --> 00:12:48,939 NOTHING. 306 00:12:48,939 --> 00:12:51,071 WELCOME TO THE OLD HAUNT, FOLKS. 307 00:12:51,071 --> 00:12:53,203 UH, IS DONNY HERE, BY ANY CHANCE? 308 00:12:53,203 --> 00:12:56,206 NOT YET, BUT HE WILL BE, AND HE WON'T MIND ONE BIT 309 00:12:56,206 --> 00:12:58,208 THAT YOU'RE SITTING IN HIS REGULAR SPOT, 310 00:12:58,208 --> 00:13:01,411 YOU KNOW, I KNEW THIS PLACE FELT RIGHT FOR A REASON. 311 00:13:01,411 --> 00:13:04,414 I'M KATE. I'M ONE OF HIS OLD FRIENDS. 312 00:13:04,414 --> 00:13:07,557 AND THIS IS RICK. 313 00:13:07,557 --> 00:13:09,559 BRIAN. 314 00:13:09,559 --> 00:13:11,892 AND ANY OLD FRIEND OF DONNY 315 00:13:11,892 --> 00:13:13,894 IS A NEW FRIEND OF MINE. 316 00:13:13,894 --> 00:13:15,495 TELL ME, BRIAN, UM... 317 00:13:15,495 --> 00:13:18,098 YOU DON'T BY ANY CHANCE CARRY A LIQUEUR-- 318 00:13:18,098 --> 00:13:21,371 IT'SREALLYDELICIOUS 319 00:13:21,371 --> 00:13:24,234 AND IT COMES IN THIS RED BOTTLE? 320 00:13:24,234 --> 00:13:25,435 OH! 321 00:13:25,435 --> 00:13:27,437 YEAH, THAT, UH, RED BOTTLE WE SHARED 322 00:13:27,437 --> 00:13:31,441 DOWN IN THAT LITTLE CANTINA IN TIERRA DEL FUEGO? 323 00:13:31,441 --> 00:13:33,513 RED, HUH? 324 00:13:33,513 --> 00:13:35,185 UH, LET'S SEE. 325 00:13:35,185 --> 00:13:38,949 NO RED HERE. JUST YOUR STANDARD BROWN, GREEN, AND CLEAR. 326 00:13:38,949 --> 00:13:41,551 UH, LET ME CHECK THE OTHER END OF THE BAR. DID YOU SEE THAT? 327 00:13:41,551 --> 00:13:45,225 HOW COULD I MISS IT? CAN'T HE SEE WE'RE TOGETHER? 328 00:13:45,225 --> 00:13:47,297 UNDERCOVER. 329 00:13:47,297 --> 00:13:49,299 NO, HIS REACTION... WHEN I MENTIONED DONNY. 330 00:13:49,299 --> 00:13:50,901 I DON'T THINK HE KNOWS. 331 00:13:50,901 --> 00:13:52,903 MAYBE HE'S JUST A GOOD LIAR. 332 00:13:52,903 --> 00:13:54,604 (Brian) AH, NO LUCK. 333 00:13:54,604 --> 00:13:57,167 MAYBE I COULD INTEREST YOU IN A BLUE VODKA? 334 00:13:57,167 --> 00:13:59,439 OH, NO, THANK YOU. WAY TOO EARLY FOR VODKA. 335 00:13:59,439 --> 00:14:02,312 WELL, THINK ABOUT IT, FOLKS. I'LL BE BACK IN A SEC. 336 00:14:02,312 --> 00:14:06,376 ACTUALLY, BRIAN, WE'RE NOT REALLY HERE FOR A DRINK. 337 00:14:06,376 --> 00:14:08,378 HOW COULD DONNY BE DEAD? 338 00:14:08,378 --> 00:14:10,850 I WAS JUST WITH HIM LAST NIGHT. 339 00:14:10,850 --> 00:14:12,382 WHAT TIME WAS THAT? 340 00:14:12,382 --> 00:14:14,554 4:30 A.M. I LOCKED UP ON MY WAY OUT, 341 00:14:14,554 --> 00:14:18,288 AND DONNY WENT TO DO THE BOOKS IN THE OFFICE, LIKE ALWAYS. 342 00:14:18,288 --> 00:14:21,091 ARE YOU SURE HE WAS ALONE WHEN YOU LEFT? 343 00:14:21,091 --> 00:14:23,964 POSITIVE. MAN, THIS IS CRAZY. 344 00:14:23,964 --> 00:14:26,636 THAT GUY WAS LIKE A BROTHER TO ME. EVEN THOUGH HE BOUGHT THE BAR OUT FROM UNDER YOU? 345 00:14:26,636 --> 00:14:29,169 YOU KNOW ABOUT THAT? 346 00:14:29,169 --> 00:14:31,501 I MEAN, HE DIDN'T EVEN OFFER YOU TO BE A PARTNER. 347 00:14:31,501 --> 00:14:34,504 THAT DOESN'T SOUND VERY BROTHERLY TO ME. HEY, ANY BEEF I HAD WITH DONNY WAS SHORT-LIVED. 348 00:14:34,504 --> 00:14:36,246 WE HASHED IT OUT. 349 00:14:36,246 --> 00:14:38,408 SO NOW YOU'RE JUST STEALING FROM HIM. WHAT? 350 00:14:38,408 --> 00:14:41,982 WHAT? COULDN'T HELP BUT NOTICE YOUR TRICK WITH THE FRUIT, BRIAN. 351 00:14:41,982 --> 00:14:44,054 YOU PRETEND TO RING UP A DRINK, 352 00:14:44,054 --> 00:14:46,656 YOU STUFF THE MONEY IN THE TILL, AND YOU KEEP TRACK OF IT 353 00:14:46,656 --> 00:14:48,989 BY THROWING PIECES OF FRUIT INTO THE SINK. 354 00:14:48,989 --> 00:14:51,661 CHERRIES ARE $10. LIMES, WHAT, $20? 355 00:14:51,661 --> 00:14:54,894 AT NIGHT'S END, YOU TALLY UP YOUR FRUIT SO YOU KNOW HOW MUCH 356 00:14:54,894 --> 00:14:57,968 TO PUT INTO YOUR TIP CUP BEFORE YOU LOCK THE REGISTER. 357 00:14:57,968 --> 00:15:00,370 SO WHAT HAPPENED, BRIAN? DONNY CATCH YOU STEALING? 358 00:15:00,370 --> 00:15:02,973 THINGS GET PHYSICAL? OVER AN EXTRA 30 OR 40 BUCKS? 359 00:15:02,973 --> 00:15:05,635 THAT'S NOT EVEN STEALING. IT'S SKIMMING. DONNY UNDERSTOOD. 360 00:15:05,635 --> 00:15:07,537 THE OWNER UNDERSTOOD? 361 00:15:07,537 --> 00:15:09,539 WE'D ALL BEEN FAMILY LONG ENOUGH. 362 00:15:09,539 --> 00:15:13,343 DONNY KNEW I HAD TO GET CREATIVE TO MAKE MY RENT ONCE IN A WHILE. 363 00:15:13,343 --> 00:15:16,486 I'D LIKE TO SEE HIS OFFICE. SURE. IT'S IN THE BASEMENT. 364 00:15:16,486 --> 00:15:19,289 THE BASEMENT? 365 00:15:19,289 --> 00:15:20,690 I'VE NEVER SEEN THIS. 366 00:15:20,690 --> 00:15:23,093 NO ONE KNEW IT WAS THERE UNTIL THE FLOOD OF '98. 367 00:15:23,093 --> 00:15:25,095 BILLY PITT PULLED UP THE OLD LINOLEUM, 368 00:15:25,095 --> 00:15:27,557 AND THERE IT WAS. (clicks and squeaks) 369 00:15:27,557 --> 00:15:30,560 (latch clanks) 370 00:15:30,560 --> 00:15:32,162 (door clatters) 371 00:15:32,162 --> 00:15:33,703 (Castle) A HIDDEN BASEMENT. 372 00:15:33,703 --> 00:15:35,335 HOW COOL IS THIS? 373 00:15:35,335 --> 00:15:38,668 DID I SAY "COOL"? 374 00:15:38,668 --> 00:15:40,610 MAKE THAT AWESOME. 375 00:15:40,610 --> 00:15:42,612 THE PERFECT PLACE FOR A MURDER. 376 00:15:42,612 --> 00:15:45,345 NO ONE CAN HEAR YOU SCREAM. 377 00:15:45,345 --> 00:15:48,648 NO ONE CAN HELP YOU CARRY THE BODY UP THE STAIRS EITHER. 378 00:15:48,648 --> 00:15:50,650 MAYBE SOMEBODY MARCHED DONNY AT GUNPOINT 379 00:15:50,650 --> 00:15:53,153 DOWN TO THE RIVER, KILLED HIM THERE. 380 00:15:53,153 --> 00:15:56,326 IF THE KILLER HAD A GUN, WHY WOULD HE USE A BOTTLE? 381 00:15:56,326 --> 00:15:58,488 DON'T RUIN MY STORY WITH YOUR LOGIC. 382 00:15:58,488 --> 00:16:00,460 IT SMELLS LIKE FRESH PAINT. 383 00:16:00,460 --> 00:16:03,433 (Brian) YEAH, DONNY HAD BEEN PUTTING IN A LOT OF WORK 384 00:16:03,433 --> 00:16:05,435 TO FIX THE PLACE UP-- NEW BRASS RAIL, 385 00:16:05,435 --> 00:16:08,698 REFURBISHED WOOD ON THE BAR. 386 00:16:10,670 --> 00:16:12,572 (Castle) YOU FIND SOMETHING? 387 00:16:14,644 --> 00:16:16,246 (Beckett sighs) 388 00:16:16,246 --> 00:16:18,078 THESE ARE BUCKSHOT HOLES. 389 00:16:21,181 --> 00:16:22,752 (clatters) 390 00:16:27,287 --> 00:16:28,988 (letter opener thuds) 391 00:16:30,520 --> 00:16:32,392 YOU OWN A SHOTGUN, BRIAN? 392 00:16:32,392 --> 00:16:35,265 NO. C.S.U.'s GONNA COMB THIS PLACE FROM TOP TO BOTTOM-- 393 00:16:35,265 --> 00:16:37,527 BLOOD, BUCKSHOT, BROKEN RED GLASS. 394 00:16:37,527 --> 00:16:40,430 SO IF YOU HAVE SOMETHING TO SAY-- LOOK, IF A SHOTGUN WAS FIRED DOWN HERE, 395 00:16:40,430 --> 00:16:42,432 EVERYBODY IN THE BAR WOULD KNOW ABOUT IT. 396 00:16:42,432 --> 00:16:44,674 NOT IF IT WAS AFTER HOURS. 397 00:16:44,674 --> 00:16:47,037 WE'RE TALKING ABOUT TWO OR THREE WEEKS AGO. 398 00:16:47,037 --> 00:16:50,310 DID DONNY HAVE A BEEF WITH ANYONE THEN? YOU SAID TWO WEEKS AGO? 399 00:16:50,310 --> 00:16:52,412 UH, YEAH. 400 00:16:52,412 --> 00:16:55,285 IT WAS A COUPLE OF WEEKS AGO. I WAS, UH, CLOSING UP ALONE. 401 00:16:55,285 --> 00:16:58,288 I HAD JUST DONE MY CASH DROP DOWN IN THE BASEMENT SAFE, 402 00:16:58,288 --> 00:17:01,051 AND I CAME UP, AND SOME GUY WAS KNOCKING ON THE DOOR-- 403 00:17:01,051 --> 00:17:03,022 PICK-UP PETE. 404 00:17:03,022 --> 00:17:05,225 "PICK-UP PETE"? BIG HIT WITH THE LADIES? 405 00:17:05,225 --> 00:17:07,257 NO. HE DRIVES A PICKUP. 406 00:17:07,257 --> 00:17:09,299 AH. GUN RACK? 407 00:17:09,299 --> 00:17:11,601 YEAH. REGULAR UPSTATE REDNECK. 408 00:17:11,601 --> 00:17:14,404 ANYWAY, HE SAID THAT HE DROPPED HIS WALLET IN THE BOOTH, 409 00:17:14,404 --> 00:17:16,406 SO I LET HIM IN. 410 00:17:16,406 --> 00:17:19,069 NEXT THING YOU KNOW, HE'S GOT HIS HANDS ALL OVER ME. 411 00:17:19,069 --> 00:17:21,371 HE'S PUSHING ME AGAINST THE BAR. ALL OF A SUDDEN, 412 00:17:21,371 --> 00:17:23,073 THE BASEMENT DOOR POPS OPEN, 413 00:17:23,073 --> 00:17:25,215 AND HERE COMES DONNY, LIKE HEMINGWAY'S GHOST. 414 00:17:25,215 --> 00:17:27,147 GUESS I MISSED HIM DOWN THERE, 415 00:17:27,147 --> 00:17:29,149 BUT I'M GLAD HE SHOWED UP WHEN HE DID. 416 00:17:29,149 --> 00:17:31,081 HE GRABBED A BASEBALL BAT, CHASED PETE OUT. 417 00:17:31,081 --> 00:17:32,482 HE SMASHED HIS TAILLIGHTS, 418 00:17:32,482 --> 00:17:35,185 PUT A FEW DENTS IN THE PICKUP FOR GOOD MEASURE 419 00:17:35,185 --> 00:17:37,187 BEFORE THE JACKASS COULD DRIVE OFF. 420 00:17:37,187 --> 00:17:39,359 DONNY TOLD ME TO GO HOME AND TO FORGET ABOUT IT. 421 00:17:39,359 --> 00:17:41,361 HE SAID THAT PETE WAS EIGHTY-SIXED FOR LIFE. 422 00:17:41,361 --> 00:17:43,693 THAT WAS THE LAST TIME WE TALKED ABOUT IT UNTIL LAST NIGHT. 423 00:17:43,693 --> 00:17:46,236 AND WHAT HAPPENED LAST NIGHT? PETE SHOWED UP AGAIN. 424 00:17:46,236 --> 00:17:49,239 DONNY WASN'T HAVING ANY OF IT. HE JUST THREW THAT TRASH OUT. 425 00:17:49,239 --> 00:17:50,640 SAID THE NEXT TIME, 426 00:17:50,640 --> 00:17:53,103 IT WOULDN'T BE THE TRUCK HE USED THE BAT ON. 427 00:17:53,103 --> 00:17:55,405 SO DONNY EIGHTY-SIXED PETE FOR LIFE. 428 00:17:55,405 --> 00:17:58,448 LOOKS LIKE PETE RETURNED THE FAVOR. 429 00:18:07,187 --> 00:18:11,291 PICK-UP PETE, A.K.A. PETE MUCHA. 430 00:18:11,291 --> 00:18:13,693 HE'S GOT A COUPLE OF DISMISSED DOMESTIC ASSAULT CHARGES 431 00:18:13,693 --> 00:18:16,166 AND HE IS ALSO THE PROUD OWNER 432 00:18:16,166 --> 00:18:18,368 OF A REMINGTON 870 SHOTGUN. 433 00:18:18,368 --> 00:18:19,769 (scratches paper) 434 00:18:19,769 --> 00:18:23,373 AND RYAN AND ESPOSITO ARE BRINGING HIM IN NOW. 435 00:18:23,373 --> 00:18:25,575 WHAT DO YOU THINK OF "THE CASTILLION"? 436 00:18:25,575 --> 00:18:27,277 FOR? 437 00:18:27,277 --> 00:18:29,279 WELL, THE OLD HAUNT JUST REMINDED ME 438 00:18:29,279 --> 00:18:31,681 OF HOW VITAL TAVERN CULTURE IS IN THIS TOWN. 439 00:18:31,681 --> 00:18:34,744 I THOUGHT, WHY NOT OPEN UP A LITTLE TAVERN OF MY OWN? 440 00:18:34,744 --> 00:18:37,147 SO INSTEAD OF BUYING A DRINK, 441 00:18:37,147 --> 00:18:39,519 YOU'RE GONNA BUY A WHOLE BAR? 442 00:18:39,519 --> 00:18:41,651 MY WAY OF GIVING BACK. 443 00:18:41,651 --> 00:18:44,424 YEAH, TO YOUR EGO. "THE EGO." 444 00:18:44,424 --> 00:18:45,825 (slurring words) SOMEONE CALL THE POLICE! 445 00:18:45,825 --> 00:18:48,158 LET ME GO. I'M PERFECTLY FINE! 446 00:18:48,158 --> 00:18:50,160 PICK-UP PETE, I TAKE IT. 447 00:18:50,160 --> 00:18:52,562 YEAH, WE FOUND HIM GETTING TOSSED OUT OF A BAR UPTOWN. 448 00:18:52,562 --> 00:18:54,564 AND, UH, JUST LIKE THE SHOTGUN IN HIS TRUCK, 449 00:18:54,564 --> 00:18:56,506 HE'S A LITTLE LOADED. OHH. 450 00:18:56,506 --> 00:18:59,639 WELL, MAYBE A MURDER CHARGE WILL SOBER HIM UP. 451 00:18:59,639 --> 00:19:01,441 YEAH. COME ON. 452 00:19:01,441 --> 00:19:04,274 (Pete moaning) 453 00:19:04,274 --> 00:19:05,775 "THE CASTLE." 454 00:19:05,775 --> 00:19:09,419 IT'LL JUST HAVE A WEE DRAWBRIDGE TO LET YOU IN. 455 00:19:09,419 --> 00:19:11,150 (Ryan) CONGRATULATIONS, PETE. 456 00:19:11,150 --> 00:19:14,153 YOU'RE OUR DRUNKEST MURDER SUSPECT THIS YEAR, 457 00:19:14,153 --> 00:19:17,757 AND THAT INCLUDES ST. PATRICK'S DAY. WHAT DID I WIN? 458 00:19:17,757 --> 00:19:21,231 WELL, THAT DEPENDS ON YOU, PETE. YOU KNOW MY NAME, TOO? 459 00:19:21,231 --> 00:19:24,234 AND DID YOU JUST SAY "MURDER"? YOUR DRIVER'S LICENSE SAYS 460 00:19:24,234 --> 00:19:26,296 YOU'RE FROM UP IN CORTLAND. 461 00:19:26,296 --> 00:19:28,298 WHAT, THEY DON'T HAVE ANY BARS UP THERE, 462 00:19:28,298 --> 00:19:30,440 OR DID YOU GET EIGHTY-SIXED FROM THEM, TOO? 463 00:19:30,440 --> 00:19:31,841 THE CITY'S WHERE I WORK, 464 00:19:31,841 --> 00:19:33,843 YOU KNOW, LIKE DRYWALL, LIKE PIPE SETTING. 465 00:19:33,843 --> 00:19:36,846 AND I DO SOME OF MY BEST PIPE LAYING AFTER WORK, 466 00:19:36,846 --> 00:19:40,650 IF YOU KNOW WHAT I MEAN. (laughs) 467 00:19:40,650 --> 00:19:42,852 HEY. 468 00:19:42,852 --> 00:19:46,456 YOU OWN A SHOTGUN, PETE. 469 00:19:46,456 --> 00:19:47,857 YOU LIKE HUNTING, DO YOU? 470 00:19:47,857 --> 00:19:49,719 WAIT A MINUTE. 471 00:19:49,719 --> 00:19:52,762 YOU AFTER ME FOR MURDERING A 2-POINT BUCK? 472 00:19:52,762 --> 00:19:55,365 NAH. WE'RE AFTER YOU FOR YOUR LITTLE DUST UP 473 00:19:55,365 --> 00:19:57,567 AT THE OLD HAUNT TWO WEEKS AGO. 474 00:19:57,567 --> 00:19:59,699 THE OLD HAUNT! THAT'S WHERE I WAS LAST NIGHT. 475 00:19:59,699 --> 00:20:01,431 DONNY WOULDN'T LET ME IN 476 00:20:01,431 --> 00:20:03,573 BECAUSE OF THAT BITCH BARTENDER. 477 00:20:03,573 --> 00:20:05,575 FOR THE RECORD, SHE CAME ON TO ME. 478 00:20:05,575 --> 00:20:07,577 THAT WHY YOU CAME BACK AND YOU KILLED HIM, 479 00:20:07,577 --> 00:20:10,740 'CAUSE YOU WERE DRUNK AND ANGRY, AND HE WOULDN'T LET YOU IN? 480 00:20:10,740 --> 00:20:12,882 DONNY'S DEAD? 481 00:20:12,882 --> 00:20:15,585 WHAT'D YOU REALLY DO LAST NIGHT, PETE? 482 00:20:15,585 --> 00:20:17,587 WHOA! HEY! 483 00:20:17,587 --> 00:20:19,719 WHY WOULD I KILL THE GUY? 484 00:20:19,719 --> 00:20:22,722 MAYBE BECAUSE HE TRASHED YOUR TRUCK. AND YOU WERE TOO DRUNK TO SHOOT STRAIGHT 485 00:20:22,722 --> 00:20:25,455 THE LAST TIME YOU CAME AFTER HIM WITH A SHOTGUN. SHOTGUN? 486 00:20:25,455 --> 00:20:27,727 LOOK, HE TRASHED MY TRUCK. SO WHAT? 487 00:20:27,727 --> 00:20:30,300 HE MORE THAN PAID FOR THE DAMAGES. 488 00:20:30,300 --> 00:20:32,262 (Ryan and Esposito) HE WHAT NOW? 489 00:20:32,262 --> 00:20:34,864 AFTER HE POUNDED MY TRUCK, I STARTED CALLING THE COPS. 490 00:20:34,864 --> 00:20:37,867 WELL, HE CALMED DOWN REAL FAST, AND OUT CAME THIS FAT WAD, 491 00:20:37,867 --> 00:20:41,871 AND HE PEELED OFF A COOL GRAND LIKE IT WAS NOTHIN'. 492 00:20:41,871 --> 00:20:44,914 DONNY... GAVE YOU $1,000? 493 00:20:44,914 --> 00:20:47,246 HE HAD PLENTY MORE. 494 00:20:47,246 --> 00:20:49,449 I ASKED HIM, "WHAT, DID YOU SCORE LOTTO?" 495 00:20:49,449 --> 00:20:51,981 AND HE WAS ALL LIKE, "YEAH, SORTA." 496 00:20:51,981 --> 00:20:54,324 YOU CAN ASK MY REPAIR GUY. 497 00:20:54,324 --> 00:20:56,456 I PAID WITH DONNY'S CASH. 498 00:20:57,757 --> 00:21:00,830 DON'T GO ANYWHERE. I'M GONNA MAKE A CALL. 499 00:21:00,830 --> 00:21:04,464 DON'T WORRY. WE'RE GONNA GET THIS GUY. 500 00:21:04,464 --> 00:21:05,995 PETE'S ALIBI HOLDS. 501 00:21:05,995 --> 00:21:07,637 HE WAS SLEEPING IT OFF 502 00:21:07,637 --> 00:21:09,869 AT A FRIEND'S APARTMENT OVER IN MURRAY HILL. 503 00:21:09,869 --> 00:21:12,572 IT'S WEIRD THAT A GUY WHO HAD ONLY $6.23 IN HIS BANK ACCOUNT 504 00:21:12,572 --> 00:21:15,345 HAD ENOUGH CASH ON HAND TO PEEL OFF A "G" LIKE IT WAS NOTHING. 505 00:21:15,345 --> 00:21:17,407 NOT TO MENTION ALL THE REPAIRS HE MADE TO THE BAR. 506 00:21:17,407 --> 00:21:20,480 MAYBE HE WAS SKIMMING, TOO. IF HE WAS SKIMMING THAT MUCH, 507 00:21:20,480 --> 00:21:22,552 THERE'D HAVE TO BE SOMEONE HE WASN'T PAYING-- 508 00:21:22,552 --> 00:21:25,555 A SUPPLIER, DISTRIBUTOR? WHY DON'T YOU GUYS GO BACK TO THE OLD HAUNT 509 00:21:25,555 --> 00:21:27,557 AND TAKE A LOOK AT DONNY'S LEDGERS? 510 00:21:27,557 --> 00:21:30,320 LET'S FIND OUT WHERE THAT MONEY WAS COMING FROM. 511 00:21:30,320 --> 00:21:31,721 HERE YOU GO, DETECTIVE. 512 00:21:31,721 --> 00:21:33,423 THANK YOU. 513 00:21:33,423 --> 00:21:35,525 SO C.S.U. PROCESSED THAT BAR AND BASEMENT, 514 00:21:35,525 --> 00:21:38,328 AND THERE'S NO INDICATION OF ANY BROKEN RED GLASS. 515 00:21:38,328 --> 00:21:41,030 AND THE ONLY BLOOD THEY FOUND WAS UNDER THE BUCKSHOT. 516 00:21:41,030 --> 00:21:42,772 SO IT WASN'T OUR MURDER SCENE. 517 00:21:42,772 --> 00:21:45,335 WELL, LOOKS LIKE DONNY LEFT THAT BAR ALIVE. 518 00:21:45,335 --> 00:21:47,337 (Ryan) YOU KNOW, I DON'T GET IT. 519 00:21:47,337 --> 00:21:49,709 IF DONNY GOT SHOT DOWN HERE, AND HE DIDN'T DO ANYTHING WRONG, 520 00:21:49,709 --> 00:21:51,711 WHY DIDN'T HE REPORT IT? THE LAST THING 521 00:21:51,711 --> 00:21:54,313 ANY NEW BAR OWNER WANTS IS TROUBLE WITH THE COPS. 522 00:21:54,313 --> 00:21:56,085 EVEN AN ACCIDENTAL SHOOTING ON THE PREMISES 523 00:21:56,085 --> 00:21:58,688 COULD'VE COST DONNY HIS LIQUOR LICENSE FOR GOOD. 524 00:21:58,688 --> 00:22:01,721 OH, PROBABLY WHY HE SHELLED OUT FOR PETE'S TRUCK DAMAGE, TOO. I DON'T SEE HOW. 525 00:22:01,721 --> 00:22:03,322 HIS PERSONAL ACCOUNT 526 00:22:03,322 --> 00:22:05,355 ISN'T THE ONLY THING THAT'S TAPPED OUT. 527 00:22:05,355 --> 00:22:07,497 THE OLD HAUNT WAS BARELY BREAKING EVEN, 528 00:22:07,497 --> 00:22:09,499 OPERATING AT A LOSS MOST DAYS. 529 00:22:09,499 --> 00:22:11,961 THERE'S NO WAY HE WAS THROWING MONEY AROUND. YET, HE WAS. 530 00:22:11,961 --> 00:22:14,904 I'VE GOT INVOICES HERE-- ONE FOR THE NEW BRASS RAIL 531 00:22:14,904 --> 00:22:16,906 AND ONE FOR THE NEW WOOD FOR THE BAR, 532 00:22:16,906 --> 00:22:18,908 EACH TOTALING CLOSE TO 6 GRAND. 533 00:22:18,908 --> 00:22:22,472 BOTH OF 'EM ARE STAMPED "PETTY CASH. PAID IN FULL." NOTHING PETTY ABOUT THAT. 534 00:22:22,472 --> 00:22:24,474 YOU SURE THERE'S NOTHING IN THERE 535 00:22:24,474 --> 00:22:26,476 ABOUT HIM WINNING THE LOTTO? 536 00:22:26,476 --> 00:22:28,017 ACTUALLY... 537 00:22:28,017 --> 00:22:29,849 MAYBE THERE IS. 538 00:22:29,849 --> 00:22:31,621 (Beckett) A CONSIGNMENT RECEIPT 539 00:22:31,621 --> 00:22:33,753 FROM HAGEN & GRAHAM AUCTION HOUSE? 540 00:22:33,753 --> 00:22:35,655 WHY IS A GUY LIKE DONNY DOING BUSINESS 541 00:22:35,655 --> 00:22:37,657 WITH A PLACE THAT SELLS PICASSOS AND REMBRANDTS? 542 00:22:37,657 --> 00:22:39,659 HIS BUSINESS WAS BARELY BREAKING EVEN. 543 00:22:39,659 --> 00:22:42,662 HE WAS ON THE VERGE OF LOSING EVERYTHING. AND WITH HIS UNION CARD GONE, 544 00:22:42,662 --> 00:22:45,865 IT LOOKS LIKE HE FOUND SOMETHING ELSE TO SELL. YEAH, BUT WHAT? 545 00:22:45,865 --> 00:22:48,568 WHAT DOES A DOCK WORKER HAVE THAT'S VALUABLE ENOUGH FOR 546 00:22:48,568 --> 00:22:50,640 A PLACE LIKE HAGEN & GRAHAM'S TO BE INTERESTED? 547 00:22:50,640 --> 00:22:52,672 MAYBE SOMETHING THAT WASN'T HIS. 548 00:22:52,672 --> 00:22:55,074 (Castle) NOW HERE'S A PLACE THAT HONORS HISTORY 549 00:22:55,074 --> 00:22:57,807 AND VALUES CRAFTSMANSHIP. 550 00:22:57,807 --> 00:23:00,750 YOU'RE PRETTY INTO THIS WHOLE PRESERVING HISTORY STUFF, HUH? 551 00:23:00,750 --> 00:23:03,483 I THINK JUST LATELY, I'VE BEEN NOTICING THE CHANGES. 552 00:23:03,483 --> 00:23:05,455 YOU MEAN IN ALEXIS' GOTH FRIEND? 553 00:23:05,455 --> 00:23:07,457 NO, I WAS THINKING MORE ALONG THE LINES 554 00:23:07,457 --> 00:23:08,858 OF TIMES SQUARE. 555 00:23:08,858 --> 00:23:12,391 YOU KNOW, ONCE IT HAD A REAL NEW YORK GRIT AND CHARACTER. 556 00:23:12,391 --> 00:23:15,394 AND NOW THEY SHOULD JUST CALL IT TIMES SQUARE LAND. 557 00:23:15,394 --> 00:23:16,926 (man) AHEM. 558 00:23:16,926 --> 00:23:18,898 SO SORRY TO HAVE KEPT YOU WAITING. 559 00:23:18,898 --> 00:23:20,530 I'M STEVEN HEISLER, ASSOCIATE DIRECTOR. 560 00:23:20,530 --> 00:23:23,503 I'M DETECTIVE KATE BECKETT. THIS IS RICHARD CASTLE. MM. 561 00:23:23,503 --> 00:23:25,905 WE WERE WONDERING 562 00:23:25,905 --> 00:23:28,538 IF YOU RECOGNIZE THIS MAN. OH, YES. DONALD HAYES. 563 00:23:28,538 --> 00:23:31,140 WE DON'T GET MANY DOCK WORKERS HERE, AS YOU MIGHT IMAGINE. 564 00:23:31,140 --> 00:23:32,842 WHAT'S THIS ABOUT? 565 00:23:32,842 --> 00:23:36,446 HE WAS MURDERED. MURDERED? GOOD LORD. 566 00:23:36,446 --> 00:23:39,148 WE UNDERSTAND THAT HE PUT AN ITEM UP HERE FOR AUCTION. 567 00:23:39,148 --> 00:23:41,420 WE WERE WONDERING WHAT IT WAS. 568 00:23:41,420 --> 00:23:44,854 ARE YOU FAMILIAR WITH A MAN BY THE NAME OF JIMMY WALKER? SURE. EVERYBODY KNOWS JIMMY WALKER. 569 00:23:44,854 --> 00:23:46,926 NO, NOT THE ACTOR WHO PLAYED J.J. ON "GOOD TIMES." 570 00:23:46,926 --> 00:23:49,729 NO, THE FORMER MAYOR OF NEW YORK. 571 00:23:49,729 --> 00:23:51,731 TOOK OFFICE 1926, 572 00:23:51,731 --> 00:23:54,133 WENT BY THE NICKNAME "BEAU JAMES," 573 00:23:54,133 --> 00:23:57,136 FAMOUS FOR BEING A CORRUPT POLITICIAN, RENOWNED WOMANIZER, 574 00:23:57,136 --> 00:23:59,138 AND ALSO OPENLY DEFIANT OF PROHIBITION. 575 00:23:59,138 --> 00:24:00,970 AH. SO YOU DO KNOW HIM. 576 00:24:00,970 --> 00:24:03,873 WHAT DOES THE FORMER MAYOR HAVE TO DO WITH THIS? 577 00:24:03,873 --> 00:24:05,875 DONALD HAD AN ITEM THAT ONCE BELONGED TO HIM. 578 00:24:05,875 --> 00:24:07,847 YOU SEE, MAYOR WALKER WAS RUMORED 579 00:24:07,847 --> 00:24:11,120 TO HAVE HAD A PRIVATE LIQUOR COLLECTION THOUGHT TO CONTAIN 580 00:24:11,120 --> 00:24:13,983 ONE OF THE FINEST WHISKEYS EVER DISTILLED. UNCEREMONIOUSLY DUMPED INTO THE SEWERS 581 00:24:13,983 --> 00:24:16,586 WHEN FEDERAL AGENTS RAN WALKER OUT OF OFFICE. 582 00:24:16,586 --> 00:24:18,888 DONALD CAME IN WITH THE SOLE SURVIVING BOTTLE-- 583 00:24:18,888 --> 00:24:21,761 AN 1875 ST. MIRIAM, ROCK OF SCOTLAND. 584 00:24:21,761 --> 00:24:23,763 I KNEW WHAT IT WAS THE MOMENT I SAW 585 00:24:23,763 --> 00:24:27,166 THE "J.W." PRESSED INTO ITS WAX SEAL. 586 00:24:27,166 --> 00:24:30,169 AN 1875 ST. MIRIAM--THAT IS THE HOLY GRAIL OF SCOTCHES. 587 00:24:30,169 --> 00:24:32,772 I WOULD KILL FOR JUST A TASTE OF THAT. 588 00:24:32,772 --> 00:24:35,074 DO YOU HAVE A PICTURE OF THIS BOTTLE OF SCOTCH? 589 00:24:35,074 --> 00:24:37,176 (clicking mouse) (Castle) WHERE DID DONNY GET IT? 590 00:24:37,176 --> 00:24:39,509 LEFT TO HIM BY HIS GRANDFATHER LEO, 591 00:24:39,509 --> 00:24:41,611 WHO APPARENTLY WAS GIVEN IT AS A GIFT 592 00:24:41,611 --> 00:24:44,483 WHEN HE RETURNED FROM WORLD WAR II. (beeps) 593 00:24:44,483 --> 00:24:47,016 AND THERE YOU HAVE IT. OH. 594 00:24:47,016 --> 00:24:48,988 AND WHERE IS THAT BOTTLE NOW? 595 00:24:48,988 --> 00:24:50,990 IT WAS SOLD FOR $26,000 596 00:24:50,990 --> 00:24:53,763 TO AN INTERNET MILLIONAIRE NAMED JEFFREY McGUIGAN. 597 00:24:53,763 --> 00:24:55,194 A RED GLASS BOTTLE. 598 00:24:55,194 --> 00:24:57,667 AT 26 GRAND... 599 00:24:57,667 --> 00:25:01,030 THAT IS ONE EXPENSIVE MURDER WEAPON. 600 00:25:08,778 --> 00:25:11,180 HOW DID YOU SAY THIS GUY MADE HIS MILLIONS? 601 00:25:11,180 --> 00:25:13,212 INTERNET GAMING. OWNS ABOUT 50 SITES. 602 00:25:13,212 --> 00:25:16,245 THE GUY SPENT 26K ON A BOTTLE OF WHISKEY. 603 00:25:16,245 --> 00:25:18,788 HE COULD TREAT HIMSELF TO NICER DIGS. (rings doorbell) 604 00:25:18,788 --> 00:25:21,190 WHAT'S HIS MOTIVATION? ALL I KNOW IS THAT 605 00:25:21,190 --> 00:25:24,523 THIS IS ABOUT A BODY'S THROW AWAY FROM THE RIVER. 606 00:25:24,523 --> 00:25:26,696 SPEEDY WOK MY ASS. (techno music playing) 607 00:25:26,696 --> 00:25:28,227 YOU'RE NOT EVEN SPEEDY WOK. 608 00:25:28,227 --> 00:25:30,229 WE'RE HERE ABOUT A PURCHASE THAT WAS MADE 609 00:25:30,229 --> 00:25:31,831 AT HAGEN & GRAHAM'S. 610 00:25:31,831 --> 00:25:33,302 IS THERE A JEFFREY McGUIGAN HERE? 611 00:25:33,302 --> 00:25:36,165 I GO BY MAGOO. IT'S MY STREET NAME, YOU KNOW? 612 00:25:36,165 --> 00:25:38,167 SERIOUSLY, YOU'RE JEFFREY McGUIGAN? MAGOO. 613 00:25:38,167 --> 00:25:40,169 AND YEAH, I'VE PURCHASED A TON OF CRAP AT THAT PLACE. 614 00:25:40,169 --> 00:25:41,671 COME ON IN. 615 00:25:41,671 --> 00:25:43,773 ♪♪♪ 616 00:25:43,773 --> 00:25:47,817 (Castle) SO THIS PIECE OF CRAP WE'RE LOOKING FOR, MAGOO, 617 00:25:47,817 --> 00:25:50,650 IS A PRICELESS RED BOTTLE OF SCOTCH. 618 00:25:50,650 --> 00:25:53,322 NO, IT HAD A PRICE, ALL RIGHT. BUT IT WAS PRETTY TASTY. 619 00:25:53,322 --> 00:25:55,554 TASTY? (slurps) 620 00:25:55,554 --> 00:25:58,658 YOU DESCRIBE A 135-YEAR-OLD BOTTLE OF SCOTCH AS "TASTY"? 621 00:25:58,658 --> 00:26:01,160 I MEAN, YOU KNOW, AFTER I MIXED IN A LITTLE ROOT BEER. 622 00:26:01,160 --> 00:26:03,162 YEAH, OKAY, MAGOO, LET'S SEE THAT BOTTLE. 623 00:26:03,162 --> 00:26:05,995 SERIOUSLY? YOU'RE JUST GONNA WALK INTO MY CRIB 624 00:26:05,995 --> 00:26:08,768 AND START BOSSING ME AROUND? (Castle) WELL, I DON'T SEE IT HERE. 625 00:26:08,768 --> 00:26:12,341 YOU DIDN'T HAPPEN TO BREAK THE BOTTLE OVER... SOMETHING? 626 00:26:12,341 --> 00:26:14,944 WHAT IS THIS ABOUT? YOU KNOW, I MAY HAVE 627 00:26:14,944 --> 00:26:17,306 DROPPED OUT OF CORNELL WHEN MY COMPANY WENT PUBLIC, 628 00:26:17,306 --> 00:26:19,909 BUT I STILL KNOW MY RIGHTS. 629 00:26:19,909 --> 00:26:21,911 THAT BOTTLE THAT YOU PURCHASED 630 00:26:21,911 --> 00:26:24,053 MIGHT HAVE BEEN USED TO COMMIT MURDER. 631 00:26:24,053 --> 00:26:26,786 SO UNLESS YOU WANT TO LEARN YOUR MIRANDA RIGHTS, 632 00:26:26,786 --> 00:26:29,919 YOU BETTER QUIT STALLING AND SHOW US WHERE IT IS. 633 00:26:29,919 --> 00:26:31,190 ♪♪♪ 634 00:26:31,190 --> 00:26:33,623 YEAH, OKAY, COOL. I'M NOT STALLING. 635 00:26:33,623 --> 00:26:35,765 GREAT. YEAH. 636 00:26:35,765 --> 00:26:37,867 (people laugh and speak indistinctly) 637 00:26:37,867 --> 00:26:39,368 (objects clatter) 638 00:26:39,368 --> 00:26:41,671 YOU WERE THROWING IT OUT? 639 00:26:41,671 --> 00:26:43,833 IN THE BLUE BUCKET. I RECYCLE. 640 00:26:43,833 --> 00:26:46,605 (bucket thuds) 641 00:26:46,605 --> 00:26:48,838 WELL, IT'S STILL INTACT. 642 00:26:48,838 --> 00:26:52,642 UNLESS A SLIVER OF GLASS CAME OUT WHEN IT HIT-- 643 00:26:52,642 --> 00:26:54,113 MAN, NOBODY HIT ANYBODY. 644 00:26:54,113 --> 00:26:56,345 YES, WELL, KEEP MIXING ROOT BEER WITH FINE SCOTCH, 645 00:26:56,345 --> 00:26:58,287 THAT MAY CHANGE... OKAY, CASTLE. LET'S GO. 646 00:26:58,287 --> 00:27:00,750 JUST SO YOU KNOW. THANK YOU. 647 00:27:00,750 --> 00:27:02,752 CRETINOUS LITTLE UNCULTURED PALATE DOESN'T DESERVE-- 648 00:27:02,752 --> 00:27:04,754 DID YOU HEAR WHAT HE SAID? ROOT BEER. 649 00:27:04,754 --> 00:27:07,326 (mouths words) IF I WAS 15 YEARS YOUNGER, I'D GIVE THAT KID SUCH A PINCH. 650 00:27:07,326 --> 00:27:09,358 (Lanie) SAME GLASS, 651 00:27:09,358 --> 00:27:11,360 BUT THE SHARD IN DONNY'S HEAD 652 00:27:11,360 --> 00:27:13,632 IS WAY TOO BIG TO HAVE COME FROM THIS BOTTLE. 653 00:27:13,632 --> 00:27:15,034 WHICH MEANS IT CAN'T BE 654 00:27:15,034 --> 00:27:16,806 THE ONLY REMAINING BOTTLE IN THE WORLD. 655 00:27:16,806 --> 00:27:18,668 CLEARLY NOT. 656 00:27:18,668 --> 00:27:21,671 WHICH MEANS I STILL HAVE A SHOT AT GETTING A TASTE. 657 00:27:21,671 --> 00:27:24,213 (sniffs) WHICH MEANS THAT DONNY CAME ACROSS A SECOND BOTTLE. 658 00:27:24,213 --> 00:27:27,176 YEAH, UPSIDE HIS HEAD. OKAY, SO MAYBE LEO GAVE A BOTTLE 659 00:27:27,176 --> 00:27:29,148 TO A RELATIVE OR A FRIEND, 660 00:27:29,148 --> 00:27:32,151 AND ONCE DONNY LEARNED HOW MUCH IT WAS WORTH, HE WENT AFTER IT. 661 00:27:32,151 --> 00:27:35,024 AND GOT MORE THAN HE BARGAINED FOR. 662 00:27:35,024 --> 00:27:37,026 I THINK I'M GONNA DO A LITTLE RESEARCH ON LEO, 663 00:27:37,026 --> 00:27:39,028 SEE WHAT WE CAN DIG UP ON MAYOR WALKER 664 00:27:39,028 --> 00:27:40,429 AND HIS MYSTERY WHISKEY. 665 00:27:40,429 --> 00:27:42,661 RESEARCH. 666 00:27:42,661 --> 00:27:44,663 I'M GONNA DO THAT, TOO. 667 00:27:44,663 --> 00:27:46,165 YEAH. 668 00:27:46,165 --> 00:27:49,038 (inhales deeply) 669 00:27:49,038 --> 00:27:52,702 ♪♪♪ 670 00:27:54,673 --> 00:27:56,305 (clatters) 671 00:27:56,305 --> 00:27:58,277 ♪♪♪ 672 00:27:58,277 --> 00:28:01,280 (rattling) 673 00:28:01,280 --> 00:28:02,351 (sniffs) 674 00:28:02,351 --> 00:28:06,716 ♪♪♪ 675 00:28:06,716 --> 00:28:08,317 IT'S CALLED THE SIDECAR-- 676 00:28:08,317 --> 00:28:11,290 ONE OF THE BEST DRINKS TO COME OUT OF THE PROHIBITION ERA... MMM. 677 00:28:11,290 --> 00:28:14,293 A TIME WHEN GETTING A DRINK MEANT SECRET DOORS, 678 00:28:14,293 --> 00:28:16,025 GANGSTERS, AND BOOTLEGGERS. 679 00:28:16,025 --> 00:28:17,927 OOH, RICK, I'M LOVING THIS IDEA. 680 00:28:17,927 --> 00:28:20,329 YOU KNOW, OUR TOWN COULD USE A THROWBACK JOINT. 681 00:28:20,329 --> 00:28:23,903 OOH, PERFECT NAME FOR IT-- "RICK'S CAFE AMERICAIN." 682 00:28:23,903 --> 00:28:25,905 MOTHER, THAT'S PERFECT. 683 00:28:25,905 --> 00:28:28,838 I WAS TRYING TO COME UP WITH A BOGIE REFERENCE MYSELF. 684 00:28:28,838 --> 00:28:30,840 ALL I COULD THINK OF WAS "CASTLE-BLANCA." 685 00:28:30,840 --> 00:28:33,142 I THOUGHT IT WAS A LITTLE TOO ON THE NOSE. YEAH. 686 00:28:33,142 --> 00:28:36,415 I NEED A DRINK. H2O, DIRTY. 687 00:28:36,415 --> 00:28:38,017 TAP WATER IT IS. 688 00:28:38,017 --> 00:28:40,119 SO WHERE'S YOUR DARK SHADOW? 689 00:28:40,119 --> 00:28:43,352 SHE WENT OUT WITH SOME PEOPLE SHE MET AT F.I.T. 690 00:28:43,352 --> 00:28:45,054 I WAS NOT INVITED. 691 00:28:45,054 --> 00:28:47,927 I DON'T KNOW WHETHER TO BE DELIGHTED OR OUTRAGED. 692 00:28:47,927 --> 00:28:50,229 ME NEITHER. SHE'SREALLYDEFENSIVE, 693 00:28:50,229 --> 00:28:52,802 AND SHE MAKES FUN OFEVERYTHING THAT'S IMPORTANT TO ME. 694 00:28:52,802 --> 00:28:55,264 I KEEP LOOKING FOR THE GRACIE I KNEW, 695 00:28:55,264 --> 00:28:58,267 BUT SHE'S JUST NOT THERE ANYMORE. WELL, YOU'RE NOT THE SAME GIRL YOU WERE BACK THEN EITHER. 696 00:28:58,267 --> 00:29:00,069 YOU KNOW, 697 00:29:00,069 --> 00:29:02,741 MAYBE SHE'S JUST RESPONDING TO HOW YOU'VE CHANGED. I HAVEN'T CHANGED. 698 00:29:02,741 --> 00:29:05,144 OH, DARLING, PLEASE. LOOK AT YOU. 699 00:29:05,144 --> 00:29:07,947 YOU ARE TALL, BEAUTIFUL, SOPHISTICATED. 700 00:29:07,947 --> 00:29:11,180 YOU HAVE A GLAM GRAM, AND... 701 00:29:11,180 --> 00:29:14,153 HIM, AND A BOYFRIEND. 702 00:29:14,153 --> 00:29:16,755 YOU KNOW, DID IT EVER OCCUR TO YOU, THAT MIGHT BE 703 00:29:16,755 --> 00:29:19,428 RATHER INTIMIDATING TO A GIRL FROM KANSAS? INTIMIDATED? 704 00:29:19,428 --> 00:29:21,430 WHEN I ASKED WHERE SHE GOT HER GLOVES, 705 00:29:21,430 --> 00:29:24,363 SHE SAID IT WAS A PLACE I WOULDN'T GO TO. NOW YOU TOOK THAT AS AN AFFRONT, 706 00:29:24,363 --> 00:29:27,166 AND SHE WAS JUST PROBABLY BEING SELF-DEPRECATING. 707 00:29:27,166 --> 00:29:29,768 MM-HMM. YOU KNOW WHAT? I THINK SOMEONE NEEDS A VIRGIN MOJITO. 708 00:29:29,768 --> 00:29:32,771 GO GRAB ME SOME MORE MINT. IT'S IN THE FRIDGE. 709 00:29:32,771 --> 00:29:34,944 (imitates Humphrey Bogart) HERE'S LOOKING AT YOU, KID. AND YOU. 710 00:29:34,944 --> 00:29:36,946 OH! WHOA! 711 00:29:36,946 --> 00:29:39,408 YOU COULDA TOLD ME YOU BOOBY-TRAPPED IT. 712 00:29:39,408 --> 00:29:41,881 OH, YES. WELL, THAT'S JUST HOW I PROTECT MY STASH 713 00:29:41,881 --> 00:29:43,352 FROM G-MEN AND MOBSTERS. 714 00:29:43,352 --> 00:29:45,484 MM. AT LEAST HELP ME RELOAD THEM. 715 00:29:45,484 --> 00:29:48,357 RIGHT. 716 00:29:48,357 --> 00:29:49,959 RELOAD. (clicks open and beeps) 717 00:29:49,959 --> 00:29:51,360 (keypad beeps) 718 00:29:51,360 --> 00:29:52,962 (laughs) RELOAD. 719 00:29:52,962 --> 00:29:54,964 (phone rings) OH! 720 00:29:54,964 --> 00:29:58,828 (line clicks) BECKETT, I THINK I KNOW HOW DONNY WAS SHOT. 721 00:30:06,105 --> 00:30:09,208 TAKE A TRIP WITH ME TO A SIMPLE YET DANGEROUS TIME... 722 00:30:09,208 --> 00:30:11,810 CASTLE, C.S.U. ALREADY SWEPT THROUGH THIS ENTIRE BASEMENT, 723 00:30:11,810 --> 00:30:14,213 AND WE WERE JUST TUCKED IN WITH MY LAPTOP. 724 00:30:14,213 --> 00:30:15,314 "WE"? 725 00:30:15,314 --> 00:30:17,816 JOSH AND I. HE WAS HELPING ME RESEARCH. 726 00:30:17,816 --> 00:30:21,090 ANYWAY, A DANGEROUS TIME WHEN PROHIBITION WAS LAW 727 00:30:21,090 --> 00:30:22,892 AND BOOTLEGGERS THE LAWLESS, 728 00:30:22,892 --> 00:30:24,553 OFTEN GOING TO EXTREME MEASURES 729 00:30:24,553 --> 00:30:26,455 TO PROTECT THEIR LIQUID TREASURE. 730 00:30:26,455 --> 00:30:28,357 CAN YOU GET TO THE POINT? YES. 731 00:30:28,357 --> 00:30:30,359 YOU REMEMBER WHEN DONNY JUMPED UP 732 00:30:30,359 --> 00:30:32,361 AND RESCUED ANNIE FROM PICK-UP PETE? 733 00:30:32,361 --> 00:30:34,363 SHE SAID SHE COMPLETELY MISSED HIM 734 00:30:34,363 --> 00:30:36,936 WHEN SHE WAS DOWN HERE DOING HER SAFE DROP. 735 00:30:36,936 --> 00:30:38,968 IT WAS LATE. SHE WAS TIRED. I CAN RELATE. 736 00:30:38,968 --> 00:30:41,110 OR MAYBE HE WASN'T DOWN HERE AT ALL. 737 00:30:41,110 --> 00:30:43,512 BUCKSHOT WALL... 738 00:30:43,512 --> 00:30:46,245 WALL DIRECTLY OPPOSITE. 739 00:30:46,245 --> 00:30:48,117 HELP ME MOVE THE SHELF. 740 00:30:48,117 --> 00:30:50,449 AND WHAT EXACTLY ARE WE HOPING TO FIND? 741 00:30:50,449 --> 00:30:53,452 THE TRUTH. THE SAME THING DONNY WAS HOPING FOR. 742 00:30:53,452 --> 00:30:55,454 IN ALL THE STORIES THAT LEO EVER TOLD, 743 00:30:55,454 --> 00:30:57,426 THIS BAR HISTORIAN, 744 00:30:57,426 --> 00:31:00,359 WHAT IF HE SAVED ONE STORY JUST FOR DONNY? 745 00:31:00,359 --> 00:31:03,132 A STORY THAT LEO HIMSELF COULD NEVER VERIFY 746 00:31:03,132 --> 00:31:05,534 BECAUSE THE TRAPDOOR TO THE BASEMENT WASN'T DISCOVERED 747 00:31:05,534 --> 00:31:07,136 UNTIL AFTER HE DIED. 748 00:31:07,136 --> 00:31:09,138 WHEN BILLY PITT DECIDED TO SELL THE BAR, 749 00:31:09,138 --> 00:31:11,140 AND T.J. McCHUCKLENUTS WAS GOING TO BUY IT, 750 00:31:11,140 --> 00:31:14,143 DONNY REALIZED HE HAD TO FIND OUT BEFORE IT WAS TOO LATE. 751 00:31:14,143 --> 00:31:16,245 FIND WHAT? 752 00:31:16,245 --> 00:31:19,248 DONNY SOLD HIS UNION CARD AND BET HIS LIFE SAVINGS 753 00:31:19,248 --> 00:31:20,649 THAT BEAU JAMES-- COME. 754 00:31:20,649 --> 00:31:23,112 (grunting, shelf creaking) 755 00:31:23,112 --> 00:31:24,513 HELP ME. 756 00:31:24,513 --> 00:31:26,115 (groans) THERE WE GO. 757 00:31:26,115 --> 00:31:30,189 THAT BEAU JAMES' SECRET STASH REALLY EXISTED. 758 00:31:30,189 --> 00:31:33,062 (grunts) ARE YOU PUSHING? 759 00:31:33,062 --> 00:31:34,463 I AM PUSHING! 760 00:31:34,463 --> 00:31:36,065 (grunts) 761 00:31:36,065 --> 00:31:37,596 (pants) 762 00:31:37,596 --> 00:31:39,268 (pants) 763 00:31:39,268 --> 00:31:41,100 OKAY. 764 00:31:41,100 --> 00:31:43,532 THAT'S... 765 00:31:43,532 --> 00:31:45,975 WOW. 766 00:31:48,407 --> 00:31:50,940 OH, CASTLE. 767 00:31:50,940 --> 00:31:53,983 THIS IS WHERE DONNY WAS WHEN ANNIE MADE THE DROP. 768 00:31:53,983 --> 00:31:55,644 (hinge squeaks) 769 00:31:55,644 --> 00:31:57,146 OH-HO. 770 00:31:57,146 --> 00:31:59,688 DONNY WOULD'VE GIVEN ONE PULL ON THIS DOOR, 771 00:31:59,688 --> 00:32:01,650 AND BLAM SAID THE LADY. 772 00:32:01,650 --> 00:32:03,953 (liquid trickling) DO YOU HEAR THAT? 773 00:32:03,953 --> 00:32:05,354 RUSHING WATER. 774 00:32:05,354 --> 00:32:07,356 IF THAT WATER LEADS TO THE EAST RIVER, 775 00:32:07,356 --> 00:32:10,329 THEN THAT'S PROBABLY WHERE DONNY WAS KILLED. 776 00:32:12,261 --> 00:32:13,562 (object scrapes) 777 00:32:16,535 --> 00:32:19,038 WHAT ARE YOU DOING? 778 00:32:19,038 --> 00:32:22,171 WE'RE GONNA NEED A LIGHT, RIGHT? (match sizzles) 779 00:32:22,171 --> 00:32:24,043 (blows air) NOT SO FAST, INDY. 780 00:32:24,043 --> 00:32:27,376 WE'RE ALSO GONNA NEED BREATHABLE AIR, SO... 781 00:32:32,651 --> 00:32:35,684 TORCH WOULD BE MORE FUN. 782 00:32:35,684 --> 00:32:38,657 THIS MUST BE A PART OF THE OLD SEWER SYSTEM. 783 00:32:38,657 --> 00:32:40,659 PROBABLY USED THESE AS ACCESS TUNNELS 784 00:32:40,659 --> 00:32:42,261 DURING PROHIBITION. 785 00:32:42,261 --> 00:32:43,692 IT'S INCREDIBLE, ISN'T IT? OOH. 786 00:32:43,692 --> 00:32:46,695 YEAH, ASIDE FROM THE FACT THAT IT'S... (rat squeaks) 787 00:32:46,695 --> 00:32:49,098 DAMP, CRAMPED, DARK, 788 00:32:49,098 --> 00:32:51,700 AND WE ARE ALMOST CERTAINLY WALKING IN RAT POOP. 789 00:32:51,700 --> 00:32:53,972 (singsongy) AWESOME. DON'T FORGET THE C.H.U.D.s. 790 00:32:53,972 --> 00:32:55,374 (normal voice) C.H.U.D.s? 791 00:32:55,374 --> 00:32:57,246 CANNIBALISTIC HUMANOID UNDERGROUND DWELLERS. 792 00:32:57,246 --> 00:32:59,248 THESE SEWERS ARE CRAWLING WITH THEM. 793 00:32:59,248 --> 00:33:01,280 YOU KNOW, I KIND OF FIGURED YOU MORE 794 00:33:01,280 --> 00:33:03,652 FOR AN "ALLIGATOR IN THE SEWER" TYPE OF GUY. 795 00:33:03,652 --> 00:33:05,984 THERE'S ALLIGATORS DOWN HERE? 796 00:33:05,984 --> 00:33:09,158 (rats squeaking) 797 00:33:09,158 --> 00:33:12,561 WHAT IS THIS? 798 00:33:12,561 --> 00:33:14,263 WHOA. 799 00:33:14,263 --> 00:33:16,565 THIS LOOKS LIKE AN OLD PASSAGEWAY 800 00:33:16,565 --> 00:33:18,667 THAT WAS BRICKED UP A LONG TIME AGO. 801 00:33:18,667 --> 00:33:21,230 YEAH, UNTIL DONNY GOT AT IT. 802 00:33:21,230 --> 00:33:23,232 (switch clicks, electricity buzzes) 803 00:33:23,232 --> 00:33:24,673 (cackles) 804 00:33:24,673 --> 00:33:27,276 MAYOR WALKER'S MONIKER. 805 00:33:27,276 --> 00:33:30,539 "1919"--THAT'S WHEN PROHIBITION STARTED. 806 00:33:30,539 --> 00:33:33,042 BEST TIME CAPSULEEVER. 807 00:33:33,042 --> 00:33:36,185 (Castle) IMAGINE DONNY'S JOY WHEN HE REALIZED 808 00:33:36,185 --> 00:33:38,387 THAT LEO'S LEGENDS WERE TRUE. 809 00:33:38,387 --> 00:33:41,150 $26,000 A BOTTLE--WHO CARES IF BRIAN WAS SKIMMING? 810 00:33:41,150 --> 00:33:42,691 THERE'S GOTTA BE 811 00:33:42,691 --> 00:33:45,524 A HUNDRED BOTTLES OF SCOTCH ON THESE WALLS. 812 00:33:45,524 --> 00:33:47,526 TAKE ONE DOWN AND PASS IT AROUND. 813 00:33:47,526 --> 00:33:49,528 HEY. THAT'S EVIDENCE. 814 00:33:49,528 --> 00:33:52,801 AND THERE'S ALREADY A LOT THAT'S BEEN TAKEN. 815 00:33:52,801 --> 00:33:55,404 IT'S FAIRLY RECENTLY, TOO. 816 00:33:55,404 --> 00:33:57,536 THESE BOTTLES ARE CAKED WITH DUST, 817 00:33:57,536 --> 00:34:00,509 AND THE EMPTY SPACES ARE RELATIVELY CLEAN. 818 00:34:02,141 --> 00:34:04,313 HERE'S OUR MURDER WEAPON. 819 00:34:04,313 --> 00:34:06,575 HOPEFULLY WITH SOME PRINTS ON IT. 820 00:34:06,575 --> 00:34:09,248 THERE'S PROBABLY BLOOD MIXED IN THERE, TOO... 821 00:34:09,248 --> 00:34:11,780 IN CASE YOU WERE THINKING OF TASTING IT. 822 00:34:11,780 --> 00:34:13,782 COME ON. I'M NOT THAT DESPERATE. 823 00:34:13,782 --> 00:34:15,384 MM-HMM. SO SOMEONE ELSE 824 00:34:15,384 --> 00:34:17,386 FINDS OUT ABOUT DONNY'S TREASURE, 825 00:34:17,386 --> 00:34:19,358 FOLLOWS HIM DOWN HERE, 826 00:34:19,358 --> 00:34:21,360 SURPRISES HIM, A FIGHT BREAKS OUT, 827 00:34:21,360 --> 00:34:24,793 AND THE KILLER GRABS THE ONLY WEAPON AVAILABLE... 828 00:34:24,793 --> 00:34:26,665 STRIKING THE FATAL BLOW. 829 00:34:26,665 --> 00:34:29,138 AND IT LOOKS LIKE OUR KILLER 830 00:34:29,138 --> 00:34:32,541 DRAGGED THE BODY RIGHT BACK OUT THE SAME WAY. 831 00:34:32,541 --> 00:34:35,744 LOOK AT THIS, ALL THE WAY DOWN. 832 00:34:35,744 --> 00:34:39,208 AND THEN IT TRAVELS ALL THE WAY... 833 00:34:39,208 --> 00:34:41,650 AH, THIS TUNNEL HAS EVERYTHING-- 834 00:34:41,650 --> 00:34:43,412 SECRET SCOTCH VAULT, 835 00:34:43,412 --> 00:34:45,154 PRIVATE MURDER NOOK, 836 00:34:45,154 --> 00:34:47,486 CONVENIENT SEWAGE DISPOSAL. 837 00:34:47,486 --> 00:34:50,659 (thuds) I BET YOU THIS WATER LEADS STRAIGHT TO THE EAST RIVER. 838 00:34:50,659 --> 00:34:52,421 (grunts) 839 00:34:52,421 --> 00:34:53,822 THIS IS FAIRLY BRIGHT. 840 00:34:53,822 --> 00:34:56,765 SOMEONE'S BEEN HERE IN THE PAST FEW HOURS. 841 00:34:56,765 --> 00:34:58,867 (object clatters) 842 00:34:58,867 --> 00:35:01,099 POLICE! DON'T MOVE! (clatters) 843 00:35:04,233 --> 00:35:07,276 (footsteps running) STOP! NYPD! 844 00:35:07,276 --> 00:35:10,108 THIS WAY. THIS WAY. (grunts) 845 00:35:10,108 --> 00:35:12,341 (both panting) 846 00:35:14,783 --> 00:35:16,485 WHERE DID HE GO? 847 00:35:16,485 --> 00:35:19,488 HE WAS RIGHT IN FRONT OF US. I HEARD HIM. 848 00:35:19,488 --> 00:35:21,150 (pants) 849 00:35:21,150 --> 00:35:23,152 THIS IS A DEAD END. 850 00:35:23,152 --> 00:35:25,154 HE COULDN'T HAVE GOTTEN PAST US. 851 00:35:25,154 --> 00:35:27,556 THERE IS NO OTHER WAY HE COULD'VE GOTTEN OUT. 852 00:35:27,556 --> 00:35:30,829 SO HOW DID HE GET AWAY? (pants) 853 00:35:38,136 --> 00:35:40,138 (Montgomery) WHAT DO YOU MEAN, GONE? 854 00:35:40,138 --> 00:35:42,140 HE WAS RIGHT THERE IN FRONT OF US, AND THEN... 855 00:35:42,140 --> 00:35:44,142 (snaps fingers) NOTHING BUT A BRICK WALL. 856 00:35:44,142 --> 00:35:46,144 AND THERE'S NO WAY THIS GUY COULD'VE GOTTEN PAST YOU TWO 857 00:35:46,144 --> 00:35:48,247 AND SNUCK OUT THROUGH THE OLD HAUNT? NO, IT WAS TOO NARROW. 858 00:35:48,247 --> 00:35:50,219 BRIAN THE BARTENDER AND A HANDFUL OF REGULARS 859 00:35:50,219 --> 00:35:51,620 WERE STILL UPSTAIRS. 860 00:35:51,620 --> 00:35:54,152 THEY SWEAR, NO ONE CAME OUT BEFORE WE DID. 861 00:35:54,152 --> 00:35:56,154 WE THINK THAT OUR SPIRIT-LOVING MAYOR 862 00:35:56,154 --> 00:35:58,156 DIDN'T WANT TO BE SEEN GOING BACK AND FORTH 863 00:35:58,156 --> 00:35:59,558 FROM HIS FAVORITE SPEAKEASY, 864 00:35:59,558 --> 00:36:02,191 SO HE HAD A BACK WAY ENTRANCE BUILT TO HIS STASH. 865 00:36:02,191 --> 00:36:04,293 HIDDEN FROM VIEW, AND TRUST ME, WE LOOKED. 866 00:36:04,293 --> 00:36:06,295 YO, JUST GOT OFF THE PHONE WITH LANIE. 867 00:36:06,295 --> 00:36:09,298 SHE CONFIRMS THE BLOOD ON THE BROKEN BOTTLE IS DONNY'S. 868 00:36:09,298 --> 00:36:12,571 IT'S DEFINITELY OUR MURDER WEAPON. BUT WE RUN THE PRINTS, AND WE STILL CAME UP EMPTY. 869 00:36:12,571 --> 00:36:14,843 NO MATCHES TO ANYONE AT THE OLD HAUNT OR IN OUR SYSTEM. 870 00:36:14,843 --> 00:36:16,845 IT TOOK 70 YEARS TO FIND A WAY 871 00:36:16,845 --> 00:36:18,847 DOWN TO THOSE TUNNELS FROM THE OLD HAUNT, 872 00:36:18,847 --> 00:36:21,780 AND SOMEHOW OUR KILLER FINDS ANOTHER WAY IN? HOW? 873 00:36:21,780 --> 00:36:24,353 THERE'S GOTTA BE ANOTHER ACCESS POINT 874 00:36:24,353 --> 00:36:26,585 FROM THE TUNNEL TO THE EAST RIVER SEWER LINE. 875 00:36:26,585 --> 00:36:28,587 BUT THE SEWER BUREAU'S MAP DOESN'T HAVE ANYTHING. 876 00:36:28,587 --> 00:36:30,819 IT'S LIKE CON ED DOESN'T EVEN KNOW THOSE TUNNELS EXIST. 877 00:36:30,819 --> 00:36:32,821 THAT'S BECAUSE THESE ARE MODERN SEWER LINES. 878 00:36:32,821 --> 00:36:34,963 ANY OF THE OLD SEWER LINES THAT DIDN'T GET PATCHED IN 879 00:36:34,963 --> 00:36:36,965 WHEN THE NEW ONES WERE BUILT, 880 00:36:36,965 --> 00:36:39,698 THEY JUST GOT BRICKED UP AND ABANDONED. THAT'S LIKE OLD SUBWAY LINES. THERE ARE 881 00:36:39,698 --> 00:36:42,501 WHOLE STATIONS UNDERGROUND NO ONE'S SEEN FOR DECADES. SO BASICALLY, 882 00:36:42,501 --> 00:36:44,503 WE NEED TO TAKE A LOOK AT AN OLD SEWER MAP, 883 00:36:44,503 --> 00:36:46,975 AND ONCE WE FIGURE OUT WHERE OUR KILLER DISAPPEARED TO, 884 00:36:46,975 --> 00:36:51,580 WE MIGHT BE ABLE TO FIND SOME WITNESSES ON THE OTHER END. THEN LET'S FIND THAT MAP. 885 00:36:51,580 --> 00:36:52,981 (lowered voice) NOW... (thuds) 886 00:36:52,981 --> 00:36:54,983 THIS PLACE COULD USE A LITTLE GENTRIFICATION, 887 00:36:54,983 --> 00:36:56,985 AT THE VERY LEAST, A COPY MACHINE. 888 00:36:56,985 --> 00:36:59,588 IT'S THE PRE-WORLD WAR II ARCHIVES SECTION, CASTLE. 889 00:36:59,588 --> 00:37:03,392 HALF OF THIS PROBABLY HASN'T BEEN SEEN IN OVER 70 YEARS. 890 00:37:03,392 --> 00:37:05,494 LOWER EAST SIDE, 1920. 891 00:37:05,494 --> 00:37:07,496 THAT'S ABOUT WHEN PROHIBITION WAS GETTING STARTED. 892 00:37:07,496 --> 00:37:10,429 AW, YOU SEE HOW MUCH NICER THE NEIGHBORHOOD WAS BACK THEN? 893 00:37:10,429 --> 00:37:13,732 YOU THINK THAT LITTLE BOX THERE MIGHT BE THE OLD HAUNT? YEAH, THAT'S WHERE IT WOULD BE, 894 00:37:13,732 --> 00:37:15,734 NOT LONG AFTER ITS BORDELLO PHASE. 895 00:37:15,734 --> 00:37:18,807 YOU CAN STILL SEE THE LITTLE GARTER BELTS. OKAY, THERE'S A SEWER LINE 896 00:37:18,807 --> 00:37:21,440 RUNNING UNDER IT THAT WASN'T ON THE NEWER MAP, 897 00:37:21,440 --> 00:37:24,573 SO THAT'S GOTTA BE OUR TUNNEL. WHICH WOULD PUT WALKER'S WHISKEY RIGHT ABOUT HERE. 898 00:37:24,573 --> 00:37:26,975 A MAN COULD GRAB HIMSELF A BOTTLE, COME AND GO 899 00:37:26,975 --> 00:37:28,577 WITHOUT EVER BEING SEEN. 900 00:37:28,577 --> 00:37:30,719 BUT COME AND GO FROM WHERE? WHERE DID HE START FROM? 901 00:37:30,719 --> 00:37:32,851 HERE'S WHERE OUR TUNNEL ENDS AND OUR KILLER VANISHED. 902 00:37:32,851 --> 00:37:35,784 THERE'S ONE, TWO, THREE SEWER LINES 903 00:37:35,784 --> 00:37:38,857 THAT BRANCH OFF FROM THAT POINT. ANY OF WHICH OUR KILLER COULD'VE ACCESSED 904 00:37:38,857 --> 00:37:40,459 TO GET AWAY FROM US. 905 00:37:40,459 --> 00:37:42,461 SO IF WE CAN FIGURE OUT 906 00:37:42,461 --> 00:37:44,463 EXACTLY WHERE THE THREE SEWERS END, 907 00:37:44,463 --> 00:37:46,264 WE CAN SUBPOENA TRAFFIC CAMS 908 00:37:46,264 --> 00:37:48,266 AROUND THE TIME THE KILLER GOT AWAY, 909 00:37:48,266 --> 00:37:49,668 MAYBE GET AN I.D. 910 00:37:49,668 --> 00:37:51,840 OR MAYBE WE WON'T NEED ANY OF THAT. 911 00:37:51,840 --> 00:37:53,802 YOU SAID NO ONE HAS LAID EYES ON THESE MAPS 912 00:37:53,802 --> 00:37:55,544 IN OVER 70 YEARS, 913 00:37:55,544 --> 00:37:56,945 ONLY IT SAYS HERE, 914 00:37:56,945 --> 00:37:59,578 SOMEONE CHECKED THIS ONE OUT JUST TWO WEEKS AGO. 915 00:37:59,578 --> 00:38:01,610 AND I'LL BET A BOTTLE OF BEAU JAMES' WHISKEY 916 00:38:01,610 --> 00:38:03,882 THAT SOMEONE WAS TRYING TO MAKE THEIR WAY 917 00:38:03,882 --> 00:38:07,586 BACK TO THE MAYOR'S STASH, JUST LIKE WE ARE. 918 00:38:07,586 --> 00:38:10,359 GOING ONCE, GOING TWICE... 919 00:38:10,359 --> 00:38:12,721 (bangs) SOLD TO THE GENTLEMAN IN THE BACK. 920 00:38:12,721 --> 00:38:16,895 NEXT UP, WE HAVE A MARVELOUS 1955 CHâTEAU RESTIVO BLANC, 921 00:38:16,895 --> 00:38:19,628 AND WE'LL START THE BIDDING AT $1,200. 922 00:38:19,628 --> 00:38:21,370 DO I HEAR $1,200? 923 00:38:21,370 --> 00:38:23,972 THERE'S $1,200. DO I HEAR $1,250? 924 00:38:23,972 --> 00:38:26,435 $1,250 THERE. $1,300? 925 00:38:26,435 --> 00:38:27,736 13-- 926 00:38:30,308 --> 00:38:33,011 (clears throat) $1,300 IN THE BACK. 927 00:38:33,011 --> 00:38:35,844 DO I HEAR $1,350? 928 00:38:35,844 --> 00:38:37,315 $1,350... 929 00:38:37,315 --> 00:38:39,988 (crowd murmuring) 930 00:38:39,988 --> 00:38:43,091 $1,350... 931 00:38:43,091 --> 00:38:45,694 OH. 932 00:38:45,694 --> 00:38:48,326 DO I HEAR... 933 00:38:48,326 --> 00:38:50,058 14-- 934 00:38:50,058 --> 00:38:53,702 (murmuring continues) 935 00:38:53,702 --> 00:38:56,865 (Beckett) IT'S JUST A SAD CASE OF DONNY TRUSTING THE WRONG GUY. 936 00:38:56,865 --> 00:38:58,867 HE TOLD HEISLER ABOUT THE BEAU JAMES' STASH, 937 00:38:58,867 --> 00:39:01,510 AND HEISLER GOT GREEDY. HE CONVINCED DONNY 938 00:39:01,510 --> 00:39:03,512 THAT THE WHISKEY WOULD FETCH A BETTER PRICE 939 00:39:03,512 --> 00:39:05,514 IF HE SOLD IT A BOTTLE AT A TIME, 940 00:39:05,514 --> 00:39:07,916 SO DONNY LEFT THE STASH WHERE HE FOUND IT. AND THAT GAVE HEISLER 941 00:39:07,916 --> 00:39:10,979 ENOUGH TIME TO FIGURE OUT WHERE IT WAS HIDDEN. WHEN DONNY CAUGHT HIM IN THE VAULT, 942 00:39:10,979 --> 00:39:13,982 HEISLER PANICKED, HIT HIM WITH A BOTTLE. YO. WE FIGURED OUT 943 00:39:13,982 --> 00:39:17,426 HOW HEISLER DISAPPEARED ON YOU IN THE TUNNEL. SECRET PASSAGEWAY. 944 00:39:17,426 --> 00:39:19,558 BASICALLY. 945 00:39:19,558 --> 00:39:21,460 HE HAD A HIDDEN ENTRANCE THAT COULD ONLY BE OPENED 946 00:39:21,460 --> 00:39:23,462 FROM THE OTHER SIDE. NOW C.S.U. FOLLOWED IT 947 00:39:23,462 --> 00:39:26,094 FROM THE STREET TO THE ABANDONED SEWER TO THE TUNNEL, 948 00:39:26,094 --> 00:39:28,567 JUST LIKE MAYOR WALKER HAD DREW IT UP. (Ryan) HERE'S, UH, THREE CASES 949 00:39:28,567 --> 00:39:30,969 THAT HEISLER HADN'T GOTTEN AROUND TO SELLING YET. 950 00:39:30,969 --> 00:39:32,100 (mutters) 951 00:39:32,100 --> 00:39:33,772 AT 26 G's A POP, 952 00:39:33,772 --> 00:39:36,104 YOU'RE LOOKING AT JUST UNDER A COOL MILLION. (chuckles) 953 00:39:36,104 --> 00:39:39,147 I JUST--HOW MIGHT I ACQUIRE ONE OF THESE FOR MYSELF? 954 00:39:39,147 --> 00:39:41,410 CASTLE, I TOLD YOU, THEY'RE EVIDENCE. 955 00:39:41,410 --> 00:39:43,412 YES, BUT WHO'S TO SAY THAT TODAY'S EVIDENCE 956 00:39:43,412 --> 00:39:45,514 CAN'T BE TOMORROW'S NIGHTCAP? THAT WOULD BE ME. 957 00:39:45,514 --> 00:39:48,457 I'M SURE IT'LL BE A FEW MONTHS BEFORE WE CAN FIGURE OUT 958 00:39:48,457 --> 00:39:51,490 WHERE THIS AND THE REST OF THIS STUFF BELONGS. (cell phone rings and beeps) 959 00:39:51,490 --> 00:39:53,892 MONTGOMERY. YEAH. 960 00:39:53,892 --> 00:39:56,665 LOOK AT YOU. 961 00:39:56,665 --> 00:39:58,867 ISN'T IT COOL? GRACIE TOOK ME SHOPPING 962 00:39:58,867 --> 00:40:00,929 IN THIS PLACE I NEVER EVEN KNEW EXISTED, 963 00:40:00,929 --> 00:40:02,931 AND IT'S RIGHT DOWN THE STREET FROM HERE. 964 00:40:02,931 --> 00:40:05,934 THEY HAD THE GREATEST STUFF. SHE HAS A REALLY GOOD EYE. 965 00:40:05,934 --> 00:40:09,007 WELL, ALEXIS LOOKS GOOD IN EVERYTHING. I'M GLAD YOU TWO RECONNECTED. 966 00:40:09,007 --> 00:40:11,009 WE JUST HAD TO GET TO KNOW THE NEW USes. 967 00:40:11,009 --> 00:40:12,881 NEITHER OF US ARE 10 ANYMORE. 968 00:40:12,881 --> 00:40:15,484 THANKS FOR LETTING ME CRASH AT CHEZ CASTLE. 969 00:40:15,484 --> 00:40:17,546 IT REMINDED ME OF THE GOOD OL' DAYS 970 00:40:17,546 --> 00:40:19,688 BEFORE LIFE GOT TOO REAL, YOU KNOW? 971 00:40:19,688 --> 00:40:21,149 I DO KNOW. 972 00:40:21,149 --> 00:40:23,852 I'M GONNA WALK HER TO THE TRAIN. 973 00:40:23,852 --> 00:40:25,093 BYE. MM. 974 00:40:25,093 --> 00:40:26,695 GRAM'S WAITING DOWNSTAIRS. 975 00:40:26,695 --> 00:40:29,498 THANKS FOR THE WARNING. (laughs) 976 00:40:29,498 --> 00:40:32,531 WOW. I REMEMBER THAT PHASE. 977 00:40:32,531 --> 00:40:35,033 THAT'S ABOUT WHEN I GOT MY TATTOO. 978 00:40:35,033 --> 00:40:38,106 YOU'VE GOT A TATTOO? WELL, ON-- 979 00:40:38,106 --> 00:40:40,038 I... WHERE? 980 00:40:40,038 --> 00:40:41,810 JUST HEARD FROM THE D.A., CASTLE. 981 00:40:41,810 --> 00:40:43,742 APPARENTLY SINCE ALL OF THESE BOTTLES 982 00:40:43,742 --> 00:40:46,144 USED TO BELONG TO BEAU JAMES, AND HE USED TO BE OUR MAYOR, 983 00:40:46,144 --> 00:40:48,647 IT'S HER OPINION THAT THEY'RE OWNED BY THE CITY. 984 00:40:48,647 --> 00:40:51,850 BUT SHE SAYS IF YOU'RE WILLING TO MAKE A GENEROUS DONATION 985 00:40:51,850 --> 00:40:53,652 TO THE NYPD WIDOWS AND ORPHANS' FUND, 986 00:40:53,652 --> 00:40:57,556 YOU CAN HAVE ONE OF BEAU JAMES' BEST FOR YOUR VERY OWN. 987 00:40:57,556 --> 00:40:59,558 THIS IS EARLY CHRISTMAS, BABY. 988 00:40:59,558 --> 00:41:00,959 I... MAY... 989 00:41:00,959 --> 00:41:03,031 (voice breaking) I WAS NOT EXPECTING THIS. 990 00:41:03,031 --> 00:41:05,764 ARE YOU CRYING? YES. 991 00:41:05,764 --> 00:41:08,637 I DON'T KNOW WHAT TO SAY. TRY "LET ME GET MY CHECKBOOK." 992 00:41:08,637 --> 00:41:11,169 (normal voice) YES, OF COURSE. OF COURSE. BUT I... 993 00:41:11,169 --> 00:41:13,902 I WILL ONLY ACCEPT THIS IF YOU ALL SHARE IT WITH ME. 994 00:41:13,902 --> 00:41:16,144 TWIST MY ARM. NO. 995 00:41:16,144 --> 00:41:18,677 NOT HERE. UM, AT THE OLD HAUNT. 996 00:41:18,677 --> 00:41:20,749 WE WILL TOAST TO DONNY WITH HIS FAMILY. 997 00:41:20,749 --> 00:41:23,151 YEAH, WELL, WHAT AB-- WHAT ABOUT THAT PLACE? 998 00:41:23,151 --> 00:41:26,484 WHAT HAPPENS TO THE OLD HAUNT? IT'S GONNA GO BACK TO THE BANK, WHICH MEANS THAT 999 00:41:26,484 --> 00:41:29,858 T.J. McCHUCKLENUTS IS GONNA GET ANOTHER SHOT AT IT. OH, I WOULDN'T WORRY ABOUT THE OLD HAUNT. 1000 00:41:29,858 --> 00:41:32,090 YOU BOUGHT IT, DIDN'T YOU? 1001 00:41:32,090 --> 00:41:34,693 SO ARE YOU JOINING US? 1002 00:41:34,693 --> 00:41:36,494 YOU KNOW, I'D LOVE TO. 1003 00:41:36,494 --> 00:41:38,897 IT'S LATE, AND I'VE GOT A LOT OF PAPERWORK. 1004 00:41:38,897 --> 00:41:40,899 IT'S 9:00 ON A SATURDAY. 1005 00:41:40,899 --> 00:41:42,631 IT'S 9:15, ACTUALLY. 1006 00:41:42,631 --> 00:41:45,173 ♪ THE REGULAR CROWD SHUFFLES IN ♪ 1007 00:41:45,173 --> 00:41:46,605 (chuckles) 1008 00:41:46,605 --> 00:41:49,277 ♪ THERE'S AN OLD MAN SITTING NEXT TO ME ♪ 1009 00:41:49,277 --> 00:41:51,640 (Montgomery, Ryan and Esposito) ♪ MAKING LOVE ♪ 1010 00:41:51,640 --> 00:41:54,583 ♪ TO HIS TONIC AND GIN ♪ 1011 00:41:57,045 --> 00:42:00,919 ♪ HE SAID, "SON, CAN YOU PLAY ME A MEMORY? ♪ 1012 00:42:00,919 --> 00:42:03,722 ♪ "I'M NOT REALLY SURE HOW IT GOES ♪ 1013 00:42:03,722 --> 00:42:06,555 (Beckett and Castle) ♪ "BUT IT'S SAD AND IT'S SWEET ♪ 1014 00:42:06,555 --> 00:42:08,797 ♪ "AND I KNEW IT COMPLETE ♪ 1015 00:42:08,797 --> 00:42:10,298 ♪ WHEN I WORE A YOUNGER MAN'S CLOTHES" ♪ 1016 00:42:10,298 --> 00:42:11,760 OH! 1017 00:42:11,760 --> 00:42:15,163 (all) ♪ "SING US A SONG, YOU'RE THE PIANO MAN ♪ 1018 00:42:15,163 --> 00:42:17,606 ♪ "SING US A SONG TONIGHT ♪ 1019 00:42:17,606 --> 00:42:20,809 ♪ "WELL, WE'RE ALL IN THE MOOD FOR A MELODY ♪ 1020 00:42:20,809 --> 00:42:23,271 ♪ AND YOU GOT US FEELING ALL RIGHT" ♪ 1021 00:42:23,271 --> 00:42:24,613 OH!