1 00:00:01,572 --> 00:00:04,004 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,004 --> 00:00:05,706 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:05,706 --> 00:00:08,179 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,179 --> 00:00:10,081 CASTLE. CASTLE. 5 00:00:10,081 --> 00:00:12,543 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:12,543 --> 00:00:14,485 AND I'VE FOUND MINE. I'M DETECTIVE KATE BECKETT. 7 00:00:14,485 --> 00:00:16,047 BECKETT. AAH! 8 00:00:16,047 --> 00:00:18,349 BECKETT? COULD YOU GET SOME BACKUP, PLEASE? 9 00:00:18,349 --> 00:00:20,351 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:20,351 --> 00:00:22,053 I GET TO BE ON HER CASE. OH! 11 00:00:22,053 --> 00:00:24,655 DO I LOOK LIKE A KILLER TO YOU? YES, YOU KILL MY PATIENCE. 12 00:00:24,655 --> 00:00:27,798 AND TOGETHER, WE CATCH KILLERS. 13 00:00:27,798 --> 00:00:29,800 I HATE THIS CASE. I KNOW. ISN'T IT GREAT? 14 00:00:29,800 --> 00:00:34,165 (man) ♪ OH, GOD, BABY ♪ 15 00:00:34,165 --> 00:00:36,407 ♪ CAN'T YOU SEE ♪ 16 00:00:36,407 --> 00:00:38,109 ♪ I'M LONELY WITHOUT YOU? ♪ 17 00:00:38,109 --> 00:00:39,770 ♪ I'D GO CRAZY ♪ 18 00:00:39,770 --> 00:00:42,343 ♪ IF YOU LEAVE ♪ 19 00:00:42,343 --> 00:00:44,445 ♪ I'M NOTHING WITHOUT YOU ♪ 20 00:00:44,445 --> 00:00:47,178 ♪ I'VE BEEN TRYING ♪ 21 00:00:47,178 --> 00:00:49,180 ♪ TO MOVE ON ♪ 22 00:00:49,180 --> 00:00:51,782 ♪ I'VE BEEN TRYING... ♪ 23 00:01:09,200 --> 00:01:10,701 WHAT ABOUT ASHLEY? 24 00:01:10,701 --> 00:01:12,703 I MEAN, SHOULDN'T I TELL HIM? 25 00:01:12,703 --> 00:01:14,705 DARLING, IN MATTERS OF THE HEART, 26 00:01:14,705 --> 00:01:16,707 IT'S BEST NOT TO OVERTHINK THINGS. 27 00:01:16,707 --> 00:01:19,180 THAT'S YOUR ADVICE, MOTHER, WITH YOUR TRACK RECORD? 28 00:01:19,180 --> 00:01:21,482 WHAT CHASM OF DOOM HAS SHE LED YOU TO 29 00:01:21,482 --> 00:01:23,684 BY WAY OF HER TIPS ON ROMANCE? 30 00:01:23,684 --> 00:01:25,186 AS IT HAPPENS, 31 00:01:25,186 --> 00:01:27,818 WE WERE DISCUSSING SECRET ADMIRER ETIQUETTE. 32 00:01:27,818 --> 00:01:32,463 YOU HAVE A SECRET ADMIRER? I ALWAYS THOUGHT IT WAS SILLY, BUT NOW I'M KIND OF INTRIGUED. 33 00:01:32,463 --> 00:01:35,526 AND THERE IS NO NEED TO TELL ASHLEY. 34 00:01:35,526 --> 00:01:38,199 HOW EXACTLY DOES A SECRET ADMIRER 35 00:01:38,199 --> 00:01:40,601 EXPRESS HIS ADMIRATION? 36 00:01:40,601 --> 00:01:42,433 HE LEFT A NOTE IN MY LOCKER. 37 00:01:42,433 --> 00:01:44,275 "AS YOU WALKED DOWN THE HALL, 38 00:01:44,275 --> 00:01:47,578 "A SHARD OF SUNLIGHT GLANCED OFF YOUR ROPE OF FLAXEN HAIR 39 00:01:47,578 --> 00:01:50,641 AND SET IT AGLOW, AND I WAS ENCHANTED." 40 00:01:50,641 --> 00:01:52,743 OH, THAT'S SO POETIC. 41 00:01:52,743 --> 00:01:55,546 I FIGURE THE ROPE OF FLAXEN HAIR IS MY FRENCH BRAID, 42 00:01:55,546 --> 00:01:58,219 WHICH I ONLY WORE AFTER GYM CLASS, WHICH MEANS HE SAW ME 43 00:01:58,219 --> 00:02:01,222 IN THE HALL ON THE FIRST FLOOR BETWEEN FOURTH AND FIFTH PERIOD. 44 00:02:01,222 --> 00:02:03,854 WAIT A MINUTE. WHAT ARE YOU DOING? NARROWING DOWN SUSPECTS. 45 00:02:03,854 --> 00:02:06,597 NO, YOU CAN'T DO THAT. NO, YOU-- NO, THAT'LL RUIN THE SECRET. 46 00:02:06,597 --> 00:02:08,599 NO, IT'S LIKE A MYSTERY NOVEL. 47 00:02:08,599 --> 00:02:11,162 YOU DON'T JUST GO TO THE LAST PAGE, DO YOU? YES. 48 00:02:11,162 --> 00:02:13,234 YOU DO? 49 00:02:13,234 --> 00:02:16,136 WELL, YOU SHOULDN'T. IT'S NOT--YOU CAN'T-- 50 00:02:16,136 --> 00:02:18,439 THE--THE JOY DOESN'T COME 51 00:02:18,439 --> 00:02:20,140 IN KNOWING WHO DID IT. 52 00:02:20,140 --> 00:02:22,913 THE JOY COMES IN THE JOURNEY, 53 00:02:22,913 --> 00:02:25,176 IN ALLOWING THE ENDING TO BLOSSOM 54 00:02:25,176 --> 00:02:27,648 LIKE SOME MAGNIFICENT HIMALAYAN BLUE POPPY, 55 00:02:27,648 --> 00:02:29,550 LIKE A-- OKAY. 56 00:02:29,550 --> 00:02:32,653 OKAY. (laughs) I'LL LET HIM STAY A SECRET. 57 00:02:32,653 --> 00:02:35,155 MARK MY WORDS. YOU'LL THANK ME. 58 00:02:35,155 --> 00:02:36,927 MM. (telephone rings) 59 00:02:36,927 --> 00:02:38,259 (beeps) 60 00:02:38,259 --> 00:02:39,830 CASTLE. 61 00:02:39,830 --> 00:02:43,264 (Beckett) SO OUR VICTIM IS LINDA RUSSO. (camera shutter clicks) 62 00:02:43,264 --> 00:02:46,267 SHE'S A CUSTOMER RELATIONS WORKER AT A CABLE COMPANY. 63 00:02:46,267 --> 00:02:48,269 MAYBE SOMEONE WAS UNSATISFIED WITH THEIR SERVICE. 64 00:02:48,269 --> 00:02:51,572 YEAH, THAT'S WHAT I WAS THINKING. YOU WERE? 65 00:02:51,572 --> 00:02:53,173 OH. 66 00:02:53,173 --> 00:02:56,176 SANITATION WORKERS FOUND HER BODY UNDER A COUPLE OF BOXES. 67 00:02:56,176 --> 00:02:59,179 SHE LIVES 2 BLOCKS AWAY, OVER AT 24th AND 10th. 68 00:02:59,179 --> 00:03:01,181 LOOKS LIKE SHE WAS ON HER WAY HOME. 69 00:03:01,181 --> 00:03:02,683 HEY, LANIE. 70 00:03:02,683 --> 00:03:04,285 (Lanie) HEY. 71 00:03:04,285 --> 00:03:07,258 (camera shutter clicks, police radio chatter) 72 00:03:07,258 --> 00:03:08,919 WHAT? 73 00:03:08,919 --> 00:03:10,421 UH... 74 00:03:10,421 --> 00:03:11,892 IT'S NOTHING. 75 00:03:11,892 --> 00:03:13,694 NO, WHAT? 76 00:03:13,694 --> 00:03:16,527 WELL, SHE JUST... LOOKS SO PEACEFUL. 77 00:03:16,527 --> 00:03:18,829 THERE'S NOTHING PEACEFUL ABOUT WHAT PUT HER HERE. 78 00:03:18,829 --> 00:03:21,872 SHE WAS STRANGLED. WITH ROPE? 79 00:03:21,872 --> 00:03:24,375 SO IT APPEARS. 80 00:03:24,375 --> 00:03:26,377 CASTLE, DO YOU HAVE A THEORY 81 00:03:26,377 --> 00:03:29,209 THAT YOU WOULD LIKE TO SHARE WITH THE CLASS? 82 00:03:29,209 --> 00:03:32,613 WELL, I-I--IT'S JUST THAT, PRETTY BLONDE GIRL, STRANGLED, 83 00:03:32,613 --> 00:03:34,885 LAID OUT LIKE SHE WAS ASLEEP. 84 00:03:34,885 --> 00:03:37,348 THAT WAS FOUR YEARS AGO. 85 00:03:37,348 --> 00:03:40,220 YES, BUT HE WAS NEVER CAUGHT. THIS IS HIS M.O. 86 00:03:40,220 --> 00:03:41,952 AND SHE IS CERTAINLY HIS TYPE. 87 00:03:41,952 --> 00:03:44,255 I RESEARCHED HIM FOR "WHEN IT COMES TO SLAUGHTER." 88 00:03:44,255 --> 00:03:47,258 YEAH? WELL, THEN YOU SHOULD KNOW THAT HE KILLED HIS VICTIMS 89 00:03:47,258 --> 00:03:49,860 INSIDE THEIR APARTMENTS, NOT IN ALLEYWAYS. 90 00:03:49,860 --> 00:03:51,532 AND HE POSED THEM 91 00:03:51,532 --> 00:03:54,505 IN A FUNEREAL POSE WITH THEIR HANDS CLASPED IN FRONT OF THEM. 92 00:03:54,505 --> 00:03:57,508 MAYBE HE'S SWITCHING UP HIS ACT. OR THIS JUST COULD BE A CRIME OF OPPORTUNITY 93 00:03:57,508 --> 00:03:59,510 WHERE A YOUNG WOMAN WAS MURDERED. 94 00:03:59,510 --> 00:04:01,672 (police radio chatter) 95 00:04:01,672 --> 00:04:02,973 (camera shutter clicks) 96 00:04:02,973 --> 00:04:05,245 MRS. RUSSO, DID YOUR DAUGHTER EVER TALK TO YOU 97 00:04:05,245 --> 00:04:06,817 ABOUT BEING FOLLOWED? 98 00:04:06,817 --> 00:04:08,649 NO. NOTHING LIKE THAT. 99 00:04:08,649 --> 00:04:11,622 CAN YOU THINK OF ANYONE THAT MIGHT HAVE WANTED TO HARM HER? 100 00:04:11,622 --> 00:04:13,924 ANY RELATIONSHIP PROBLEMS? SHE WASN'T EVEN DATING. 101 00:04:13,924 --> 00:04:16,687 PRETTY MUCH ALL SHE DID WAS WORK. 102 00:04:16,687 --> 00:04:18,689 AT THE, UH, CABLE COMPANY, RIGHT? MM-HMM. 103 00:04:18,689 --> 00:04:21,362 DID SHE HAVE ANY ISSUES WITH ANYONE THERE? 104 00:04:21,362 --> 00:04:23,794 UH... THERE WAS A MAN AT HER OFFICE. 105 00:04:23,794 --> 00:04:25,896 WHAT WAS HIS NAME? SHE DIDN'T SAY. 106 00:04:25,896 --> 00:04:29,300 BUT HE STARED AT HER A LOT, LIKE SOME PERVERT. 107 00:04:29,300 --> 00:04:30,801 (cell phone rings and buzzes) 108 00:04:30,801 --> 00:04:32,603 (rings and buzzes) 109 00:04:32,603 --> 00:04:33,904 (beep) 110 00:04:35,906 --> 00:04:38,349 THAT WAS QUICK. 9-1-1 HAS THAT AFFECT ON HER. 111 00:04:38,349 --> 00:04:40,511 WHAT'D YOU FIND? I PULLED ALL THE FILES 112 00:04:40,511 --> 00:04:42,683 ON ALL HIS PAST MURDERS, JUST LIKE YOU ASKED. 113 00:04:42,683 --> 00:04:44,815 I-I BELIEVE THAT WAS MY IDEA. 114 00:04:44,815 --> 00:04:46,987 YEAH, BUT I ONLY LISTEN WHEN IT COMES FROM HER. 115 00:04:46,987 --> 00:04:48,889 ANYWAY, YOU WERE SAYING? 116 00:04:48,889 --> 00:04:50,591 HE CHOKED THEM USING 117 00:04:50,591 --> 00:04:52,523 A 3-STRAND, TWISTED QUARTER-INCH ROPE. 118 00:04:52,523 --> 00:04:55,025 BASED ON THE FIBERS FOUND EMBEDDED IN THE SKIN, 119 00:04:55,025 --> 00:04:57,928 WE KNOW THAT THE ROPE IS GREEN AND WHITE NYLON. 120 00:04:57,928 --> 00:05:00,431 I DON'T REMEMBER THAT. 121 00:05:00,431 --> 00:05:02,433 THOSE DETAILS WERE NEVER MADE PUBLIC. 122 00:05:02,433 --> 00:05:05,035 NOW CHECK THIS OUT. 123 00:05:07,608 --> 00:05:09,079 THE MARKS ARE IDENTICAL. 124 00:05:09,079 --> 00:05:12,713 I FOUND THE EXACT SAME GREEN AND WHITE FIBERS. 125 00:05:12,713 --> 00:05:14,945 IT IS HIM. 126 00:05:14,945 --> 00:05:16,887 THE TRIPLE KILLER IS BACK. 127 00:05:16,887 --> 00:05:19,890 (Montgomery) FOR THOSE OF YOU LIVING IN A CAVE FOUR YEARS AGO, 128 00:05:19,890 --> 00:05:22,022 THE TRIPLE KILLER, OR 3XK, 129 00:05:22,022 --> 00:05:23,994 GOT HIS NICKNAME BY STRANGLING THREE WOMEN IN A WEEK, 130 00:05:23,994 --> 00:05:25,996 DROPPING OUT OF SIGHT FOR A MONTH, 131 00:05:25,996 --> 00:05:27,998 AND THEN KILLING THREE MORE, THEN HE DISAPPEARED. 132 00:05:27,998 --> 00:05:30,000 I SERVED ON THE TASK FORCE 133 00:05:30,000 --> 00:05:32,503 THAT INVESTIGATED THOSE SIX MURDERS. 134 00:05:32,503 --> 00:05:35,506 AN FBI PROFILE WAS AS CLOSE AS WE CAME TO I.D.'ing A SUSPECT. 135 00:05:35,506 --> 00:05:39,670 THE FEDS SAY HE'S A WHITE MALE, 25 TO 45 YEARS OLD... (lowered voice) COULD BE ME. 136 00:05:39,670 --> 00:05:41,772 WITH A DYSFUNCTIONAL RELATIONSHIP WITH HIS MOTHER. STILL ME. 137 00:05:41,772 --> 00:05:45,075 HE HAS A MENIAL, UNIMPORTANT JOB. (lowered voice) DEFINITELY YOU. 138 00:05:45,075 --> 00:05:48,348 JUST FOR THAT, I BASE MY NEXT BOOK ON ESPOSITO. HE'D LEARN THEIR HABITS, 139 00:05:48,348 --> 00:05:50,350 AND THEN GAIN ACCESS TO THEIR APARTMENTS 140 00:05:50,350 --> 00:05:52,352 BY DISGUISING HIMSELF AS A SECURITY GUARD 141 00:05:52,352 --> 00:05:55,055 OR A REPAIRMAN, AND THEN HE STRANGLED 'EM. 142 00:05:55,055 --> 00:05:58,789 THEN HE POSED THEIR BODIES AS IF THEY WERE LYING IN A COFFIN. 143 00:05:58,789 --> 00:06:01,492 (Montgomery speaking indistinctly) WHAT DO YOU THINK THAT'S ALL ABOUT? 144 00:06:01,492 --> 00:06:03,794 PROBABLY REENACTING SOME TERRIBLE EARLY TRAUMA. HMM. 145 00:06:03,794 --> 00:06:05,936 TWO FINAL POINTS-- THE TRIPLE KILLER 146 00:06:05,936 --> 00:06:07,938 SEEMS TO BE BACK AFTER FOUR YEARS. 147 00:06:07,938 --> 00:06:10,671 THERE MUST BE A REASON. MAYBE HE JUST GOT OUT OF PRISON 148 00:06:10,671 --> 00:06:12,903 OR RETURNED TO TOWN. HE MAY HAVE ALTERED HIS M.O. 149 00:06:12,903 --> 00:06:16,447 BUT LET'S ASSUME THAT HE'S WORKING UNDER THE SAME CLOCK-- 150 00:06:16,447 --> 00:06:17,978 THREE MURDERS, ONE WEEK. 151 00:06:17,978 --> 00:06:19,980 BASED ON LINDA RUSSO'S TIME OF DEATH, 152 00:06:19,980 --> 00:06:22,082 WE'RE ALREADY INTO DAY THREE. 153 00:06:22,082 --> 00:06:25,856 LET'S MOVE ON THIS, PEOPLE. 154 00:06:25,856 --> 00:06:28,919 HEY. THAT PERV THE MOM TOLD US ABOUT? 155 00:06:28,919 --> 00:06:30,921 LINDA'S COLLEAGUES KNEW WHO HE WAS RIGHT AWAY. 156 00:06:30,921 --> 00:06:32,423 PAUL McCARDLE. 157 00:06:32,423 --> 00:06:35,626 HE WORKS AT HER OFFICE AS A HORTICULTURAL TECHNICIAN. A WHAT? 158 00:06:35,626 --> 00:06:37,968 UH, YOU KNOW, HE'S THE GUY WHO WATERS THE PLANTS, 159 00:06:37,968 --> 00:06:39,970 DUSTS THE FAKE FICUS, OR AT LEAST HE WAS 160 00:06:39,970 --> 00:06:41,432 UNTIL HE QUIT YESTERDAY. 161 00:06:41,432 --> 00:06:43,804 THAT'S INTERESTING TIMING. I SEE DOMESTIC COMPLAINTS 162 00:06:43,804 --> 00:06:46,437 BY THE DOUBLE DIGITS. FILED BY HIS WIFE. 163 00:06:46,437 --> 00:06:48,078 EX-WIFE. THEY WERE DIVORCED LAST MONTH 164 00:06:48,078 --> 00:06:50,010 AFTER BEING MARRIED FOR FOUR YEARS. 165 00:06:50,010 --> 00:06:52,943 SO IN A WAY, HE DID JUST GET OUT OF PRISON. IT GETS EVEN BETTER. 166 00:06:52,943 --> 00:06:55,145 LINDA'S NEIGHBORS SAID THEY REMEMBER SEEING 167 00:06:55,145 --> 00:06:57,888 A RED SENTRA PARKED OUTSIDE HER APARTMENT A FEW DAYS AGO-- 168 00:06:57,888 --> 00:07:01,151 THE SAME VEHICLE McCARDLE HAS. LET'S GET HIM IN HERE. 169 00:07:01,151 --> 00:07:03,894 SO WHAT'S THIS ABOUT? (Beckett) LINDA RUSSO. 170 00:07:03,894 --> 00:07:06,757 WHERE WERE YOU 2 NIGHTS AGO BETWEEN 6:00 AND MIDNIGHT? 171 00:07:06,757 --> 00:07:10,200 UM, I WAS BOWLING WITH SOME BUDDIES AT, UH, GALAXY LANES. 172 00:07:10,200 --> 00:07:12,202 SO WHY DID YOU DECIDE TO ABANDON YOUR CAREER 173 00:07:12,202 --> 00:07:15,035 AS A HORTICULTURAL TECHNICIAN? I-I JUST WANTED TO MOVE ON. 174 00:07:15,035 --> 00:07:17,968 BECAUSE YOU USED THAT JOB TO WATCH LINDA, TO STALK HER. 175 00:07:17,968 --> 00:07:19,970 AND ONCE SHE WAS DEAD, WHY STICK AROUND? 176 00:07:19,970 --> 00:07:22,142 THAT IS NOT TRUE. I'M INNOCENT HERE. 177 00:07:22,142 --> 00:07:24,044 WELL, YOU DON'T LOOK INNOCENT. 178 00:07:24,044 --> 00:07:26,116 NO, AS A MATTER OF FACT, YOU GIVE NEW MEANING 179 00:07:26,116 --> 00:07:28,118 TO THE PHRASE "SWEATING A SUSPECT." 180 00:07:28,118 --> 00:07:30,721 OKAY, YEAH, I PERSPIRE A LOT, OKAY? 181 00:07:30,721 --> 00:07:34,525 I HAVE A MEDICAL CONDITION. WELL, THAT'S THE LEAST OF YOUR PROBLEMS, MR. McCARDLE. 182 00:07:34,525 --> 00:07:37,127 YOUR FIXATION WITH LINDA RUSSO WAS WELL KNOWN, 183 00:07:37,127 --> 00:07:39,129 AS WAS YOUR HISTORY OF VIOLENCE AGAINST WOMEN. 184 00:07:39,129 --> 00:07:41,161 YOUR CAR WAS SEEN OUTSIDE OF HER APARTMENT, 185 00:07:41,161 --> 00:07:42,893 AND NOW SHE'S DEAD. 186 00:07:42,893 --> 00:07:45,896 I NEVER TOUCHED HER. 187 00:07:45,896 --> 00:07:48,068 I HAD A THING FOR LINDA, OKAY. I HAD A THING FOR LINDA, 188 00:07:48,068 --> 00:07:51,171 AND I PARKED OUT IN FRONT OF HER PLACE. 189 00:07:51,171 --> 00:07:54,244 BUT I HAVEN'T BEEN ANYWHERE NEAR THERE IN THREE DAYS, OKAY? 190 00:07:54,244 --> 00:07:56,607 NOT SINCE THAT GUY THREATENED ME. WHAT GUY? 191 00:07:56,607 --> 00:07:58,609 I-I GOT--I GOT ROUSTED BY SOME SECURITY GUY, 192 00:07:58,609 --> 00:08:01,982 AND--AND HE TOLD ME TO MOVE ON. AND IT REALLY FREAKED ME OUT, 193 00:08:01,982 --> 00:08:03,954 AND I HAVEN'T BEEN BACK THERE SINCE. 194 00:08:03,954 --> 00:08:06,056 I SWEAR. THAT'S THE TRUTH. 195 00:08:06,056 --> 00:08:08,719 SO SWEATY VON SWEATS-A-LOT? HIS ALIBI IS HOLDING. 196 00:08:08,719 --> 00:08:11,592 THE MANAGER OF GALAXY LANES HAS HIM THROWING GUTTER BALLS 197 00:08:11,592 --> 00:08:14,094 FROM 5:00 UNTIL CLOSE. WHAT ABOUT THE SECURITY GUARD? 198 00:08:14,094 --> 00:08:16,096 RYAN CHECKED INTO THAT. TURNS OUT THAT THERE'S 199 00:08:16,096 --> 00:08:18,098 ONLY ONE BUILDING ON LINDA'S BLOCK THAT USES GUARDS. 200 00:08:18,098 --> 00:08:19,800 ACCORDING TO THE SECURITY COMPANY, 201 00:08:19,800 --> 00:08:21,672 NO INCIDENT REPORT WAS EVER FILED 202 00:08:21,672 --> 00:08:23,834 AGAINST McCARDLE OR HIS VEHICLE. SO McCARDLE WAS LYING. 203 00:08:23,834 --> 00:08:26,907 MAYBE NOT. YOU KNOW, IN THE PAST, 204 00:08:26,907 --> 00:08:29,079 THE TRIPLE KILLER POSED AS A SECURITY GUARD. 205 00:08:29,079 --> 00:08:31,081 MAYBE OUR GUARD WASN'T A GUARD AFTER ALL. 206 00:08:31,081 --> 00:08:34,514 MAYBE IT WAS THE TRIPLE KILLER MOVING McCARDLE OFF OF HIS TURF. 207 00:08:34,514 --> 00:08:37,918 WELL, WHOEVER HE IS, HE'S STICKING TO HIS SCHEDULE. 208 00:08:37,918 --> 00:08:39,519 WE HAVE A SECOND VICTIM. 209 00:08:55,165 --> 00:08:57,968 (Lanie) HER NAME'S KIM FOSTER-- 28, AN INTERIOR DESIGNER. 210 00:08:57,968 --> 00:09:01,011 SAME ROPE MARKS ON HER NECK, SAME EVERYTHING. 211 00:09:01,011 --> 00:09:03,974 WHEN DID SHE DIE? UH, BASED ON LIVER TEMP, 212 00:09:03,974 --> 00:09:06,176 I'D SAY SOMETIME LAST NIGHT, PROBABLY EARLY EVENING. 213 00:09:06,176 --> 00:09:09,049 NEIGHBORS SAW A GAS REPAIRMAN LEAVE AT 7:45. 214 00:09:09,049 --> 00:09:10,921 NO DOORMAN ON THE BUILDING, 215 00:09:10,921 --> 00:09:13,123 SO TRIPLE KILLER CALLS KIM FOSTER ON THE INTERCOM, 216 00:09:13,123 --> 00:09:16,156 SAYS HE WANTS TO CHECK A GAS LEAK, SHE BUZZES HIM IN. 217 00:09:16,156 --> 00:09:18,158 LET ME CHECK THE INCOMING CALLER I.D.s. AH. 218 00:09:18,158 --> 00:09:21,131 I DON'T GET IT. WHY DID HE RETURN TO THE OLD M.O.? 219 00:09:21,131 --> 00:09:23,994 NOSTALGIA. HE KILLED LINDA RUSSO IN AN ALLEY. 220 00:09:23,994 --> 00:09:27,037 SHE DIDN'T HAVE A DOORMAN EITHER. WHY DIDN'T HE 221 00:09:27,037 --> 00:09:29,069 JUST KILL HER IN HER APARTMENT LIKE ALL THE OTHERS? 222 00:09:29,069 --> 00:09:31,071 WELL, MAYBE SHE WAS SPECIAL SOMEHOW. 223 00:09:31,071 --> 00:09:34,174 VIC'S LAST INCOMING CALL WAS AT 7:35 FROM THE FRONT DOOR. 224 00:09:34,174 --> 00:09:36,206 SHE MUST HAVE BEEN LET HIM IN, AND BOOM, 225 00:09:36,206 --> 00:09:39,579 HE JUST OVERPOWERED HER. MAYBE IT WASN'T THAT EASY. LOOK AT THOSE THROW PILLOWS. 226 00:09:39,579 --> 00:09:41,912 WHAT'S WRONG WITH 'EM? WELL, KIM FOSTER'S AN INTERIOR DESIGNER. 227 00:09:41,912 --> 00:09:43,814 THESE PILLOWS HAVE BEEN ARRANGED 228 00:09:43,814 --> 00:09:46,356 WITH A BARBARIAN-LIKE GRACELESSNESS. 229 00:09:46,356 --> 00:09:50,020 LIKE A MAN WOULD DO IT. SO SHE PUT UP A FIGHT. THEY STRUGGLED RIGHT HERE ON THE COUCH. 230 00:09:50,020 --> 00:09:53,764 AND THEN HE RESET THE PILLOWS TO COVER IT UP. 231 00:09:53,764 --> 00:09:56,096 HE'S OUT OF PRACTICE, SO HE'S NOT SO NEAT. 232 00:09:56,096 --> 00:09:57,297 HUP! WHAT? 233 00:09:57,297 --> 00:09:59,199 FOUND A PENNY. 234 00:09:59,199 --> 00:10:01,702 UNDER THE CIRCUMSTANCES, IS THIS STILL LUCKY? 235 00:10:01,702 --> 00:10:04,835 WAIT. I THINK I FOUND SOMETHING, TOO. 236 00:10:04,835 --> 00:10:06,937 (exhales) 237 00:10:06,937 --> 00:10:09,609 VINCE. YOU THINK IT BELONGED TO THE KILLER? 238 00:10:09,609 --> 00:10:11,381 OR MAYBE IT'S BEEN HERE FOR WEEKS. 239 00:10:11,381 --> 00:10:13,714 I'M GONNA HAVE TO GET C.S.U. TO PROCESS THIS AREA. 240 00:10:13,714 --> 00:10:15,786 (people speaking indistinctly) 241 00:10:15,786 --> 00:10:18,989 SIR... A MR. TOWNSEND WANTS A WORD. 242 00:10:20,350 --> 00:10:22,693 BRING HIM IN. 243 00:10:22,693 --> 00:10:24,925 CAL. 244 00:10:24,925 --> 00:10:26,396 GOOD TO SEE YOU. 245 00:10:26,396 --> 00:10:28,098 HEY. 246 00:10:28,098 --> 00:10:30,200 HOW'S MARIE? 247 00:10:30,200 --> 00:10:33,864 UH... SHE'S OKAY. 248 00:10:35,635 --> 00:10:37,167 WE'RE SPLIT UP NOW. 249 00:10:37,167 --> 00:10:39,910 I'M SORRY TO HEAR THAT. 250 00:10:39,910 --> 00:10:41,371 UM... 251 00:10:41,371 --> 00:10:42,743 (sighs) 252 00:10:42,743 --> 00:10:44,775 REPORTERS... 253 00:10:44,775 --> 00:10:46,777 THEY KEEP COMING TO MY DOOR 254 00:10:46,777 --> 00:10:49,079 AND ASKING ME HOW I FEEL ABOUT... 255 00:10:49,079 --> 00:10:52,082 THE MAN WHO KILLED MY DAUGHTER, 256 00:10:52,082 --> 00:10:54,054 AND HE MIGHT BE ON THE LOOSE AGAIN, 257 00:10:54,054 --> 00:10:56,056 AND, UM, YOU KNOW... 258 00:10:56,056 --> 00:10:58,058 AFTER SARA DIED AND ALL THROUGH THE INVESTIGATION, 259 00:10:58,058 --> 00:11:00,090 YOU WERE ALWAYS STRAIGHT WITH ME, 260 00:11:00,090 --> 00:11:02,062 AND I JUST NEED TO KNOW, YOU KNOW... 261 00:11:02,062 --> 00:11:04,064 I MEAN, WHAT THEY'RE SAYING, IS IT TRUE? 262 00:11:04,064 --> 00:11:07,437 I MEAN... IS HE BACK? 263 00:11:07,437 --> 00:11:09,099 YES. 264 00:11:09,099 --> 00:11:10,270 (chuckles) 265 00:11:10,270 --> 00:11:12,272 CAL, WE GOT LEADS. WE GOT GOOD LEADS. 266 00:11:12,272 --> 00:11:14,905 AND WE--WE'RE DOING ALL WE CAN TO CHASE 'EM DOWN. 267 00:11:14,905 --> 00:11:18,048 IF WE MAKE AN ARREST, YOU'LL BE THE FIRST TO KNOW. 268 00:11:18,048 --> 00:11:19,910 I PROMISE YOU. 269 00:11:26,086 --> 00:11:27,387 (chuckles) 270 00:11:29,189 --> 00:11:32,092 SARA WOULD'VE BEEN 29 NEXT WEEK. 271 00:11:34,825 --> 00:11:38,268 DON'T LET HIM DO THIS TO ANOTHER FAMILY. 272 00:11:54,745 --> 00:11:57,948 (people speaking indistinctly) 273 00:11:57,948 --> 00:11:59,219 HEY. 274 00:11:59,219 --> 00:12:01,391 HEY. THERE'S NO NEWS FROM C.S.U. 275 00:12:01,391 --> 00:12:04,094 ON THE NAMETAG, NOT THAT I WAS EXPECTING ANY. 276 00:12:04,094 --> 00:12:06,026 IT MAKES YOU WONDER WHY HE DIDN'T PULL 277 00:12:06,026 --> 00:12:08,228 THAT WHOLE GAS LEAK ROUTINE ON LINDA RUSSO. 278 00:12:08,228 --> 00:12:11,061 I KNOW WHY. THE ANSWER'S IN HERE. 279 00:12:11,061 --> 00:12:13,233 A TRANSCRIPT? FROM FOUR YEARS AGO. 280 00:12:13,233 --> 00:12:16,006 I TOOK A LOOK AT CALLS MADE TO THE TRIPLE KILLER TIP LINE, 281 00:12:16,006 --> 00:12:17,968 AND THIS ONE STOOD OUT FOR ME. 282 00:12:17,968 --> 00:12:20,170 IT'S FROM MAY 21, 2006, 283 00:12:20,170 --> 00:12:23,043 WHICH WAS A WEEK AFTER THE SIXTH MURDER. 284 00:12:23,043 --> 00:12:24,915 A WOMAN CALLED AND LEFT A MESSAGE, 285 00:12:24,915 --> 00:12:26,917 BUT SHE WAS TOO AFRAID TO LEAVE HER NAME. 286 00:12:26,917 --> 00:12:29,049 BUT SHE DID MENTION THAT SHE LIVED AT 24th AND 10th. 287 00:12:29,049 --> 00:12:32,352 SAME CORNER AS LINDA RUSSO. SHE WAS RIDING AN ELEVATOR WITH A CABLE REPAIRMAN 288 00:12:32,352 --> 00:12:34,054 WHO SO CREEPED HER OUT 289 00:12:34,054 --> 00:12:36,526 THAT SHE GOT OFF A FLOOR EARLY JUST TO GET AWAY FROM HIM. 290 00:12:36,526 --> 00:12:38,528 YEAH, BUT CABLE GUY AND CREEPY-- THAT'S A JOB REQUIREMENT. 291 00:12:38,528 --> 00:12:40,991 EXCEPT HE WASN'T A CABLE GUY. 292 00:12:40,991 --> 00:12:43,393 SHE SAID HE WASN'T CARRYING THE RIGHT TOOLS. 293 00:12:43,393 --> 00:12:46,496 AND WORKING FOR A CABLE COMPANY, LINDA RUSSO WOULD KNOW THAT. 294 00:12:46,496 --> 00:12:48,498 WHICH IS WHY I TOOK A LOOK 295 00:12:48,498 --> 00:12:51,001 AT LINDA RUSSO'S PHONE RECORDS FROM FOUR YEARS AGO. 296 00:12:51,001 --> 00:12:53,203 SHE'S THE ONE WHO MADE THE CALL TO THAT TIP LINE. 297 00:12:53,203 --> 00:12:55,075 SO LINDA RUSSO WAS SPECIAL. 298 00:12:55,075 --> 00:12:58,308 WHEN SHE GOT OFF A FLOOR EARLY, HE KNEW THAT SHE MADE HIM, 299 00:12:58,308 --> 00:13:01,351 SO HE DROPPED OUT OF SIGHT. WHICH ALSO EXPLAINS WHY HE ATTACKED HER OUTSIDE. 300 00:13:01,351 --> 00:13:04,514 HE KNEW THERE WAS NO WAY SHE'D LET HIM INTO HER APARTMENT. 301 00:13:04,514 --> 00:13:07,257 LINDA RUSSO SAW HIS FACE, 302 00:13:07,257 --> 00:13:09,519 AND HE CAME BACK FOUR YEARS LATER. 303 00:13:09,519 --> 00:13:12,522 THAT'S A SPECIAL KIND OF RUTHLESSNESS. 304 00:13:12,522 --> 00:13:15,125 (Esposito) YO. C.S.U. JUST GOT A PARTIAL ON THAT NAMETAG. 305 00:13:15,125 --> 00:13:16,997 WE GOT A MATCH. 306 00:13:19,129 --> 00:13:21,131 THE MAN WE'RE LOOKING FOR IS MARCUS GATES-- 307 00:13:21,131 --> 00:13:24,975 42, 6-FOOT TALL, 180 POUNDS, WITH LIGHT BROWN HAIR. 308 00:13:24,975 --> 00:13:28,408 HE ALSO HAS A SNAKE TATTOO RUNNING DOWN HIS LEFT ARM. 309 00:13:28,408 --> 00:13:31,912 A PRINT MATCH TIES HIM TO KIM FOSTER'S MURDER. 310 00:13:31,912 --> 00:13:34,584 NOW A PRISON PSYCH EVALUATION CALLS GATES "A BRUTAL, 311 00:13:34,584 --> 00:13:37,247 HIGHLY INTELLIGENT SOCIOPATH." 312 00:13:37,247 --> 00:13:40,150 HE'S DONE TIME FOR MANSLAUGHTER AND ATTEMPTED MURDER. 313 00:13:40,150 --> 00:13:42,122 HIS LAST CONVICTION WAS FOR BREAKING A BOTTLE 314 00:13:42,122 --> 00:13:45,125 OVER A MAN'S HEAD IN A BAR, ALMOST KILLING HIM, 315 00:13:45,125 --> 00:13:48,959 FOR WHICH GATES SERVED FOUR YEARS IN SING SING. 316 00:13:48,959 --> 00:13:51,561 HE JUST GOT OUT LAST MONTH. 317 00:13:51,561 --> 00:13:53,563 NO KNOWN ADDRESS, NO FAMILY. 318 00:13:53,563 --> 00:13:55,565 HIS MOTHER DIED WHEN HE WAS 4 YEARS OLD, 319 00:13:55,565 --> 00:13:58,468 AND HE WAS PLACED IN A SERIES OF FOSTER HOMES SINCE THEN, 320 00:13:58,468 --> 00:14:00,470 SO HE WILL NOT BE EASY TO FIND. 321 00:14:00,470 --> 00:14:03,974 LISTEN, FOUR YEARS AGO, THIS GUY TOOK THE LIVES OF SIX WOMEN 322 00:14:03,974 --> 00:14:05,515 BECAUSE WE DIDN'T STOP HIM. 323 00:14:05,515 --> 00:14:07,517 WE KNOW WHO THE TRIPLE KILLER IS. 324 00:14:07,517 --> 00:14:11,021 WE KNOW HE'S OUT THERE TARGETING HIS THIRD VICTIM. 325 00:14:11,021 --> 00:14:12,983 LET'S GET HIM 326 00:14:12,983 --> 00:14:15,155 BEFORE HE GETS HER. 327 00:14:20,860 --> 00:14:23,333 (door opens, keys jangle) HEY, DAD. 328 00:14:23,333 --> 00:14:26,296 HEY. MUST BE QUITE A CASE IF IT'S KEEPING YOU OUT THIS LATE. 329 00:14:26,296 --> 00:14:28,538 OH, YOU KNOW, SOMEONE DIED, SOMEONE ELSE DID IT. 330 00:14:28,538 --> 00:14:30,971 SECRET ADMIRER? 331 00:14:30,971 --> 00:14:33,143 AS A MATTER OF FACT, IT IS. 332 00:14:33,143 --> 00:14:36,046 YOU FIGURE OUT WHO IT WAS YET? I TOOK YOUR ADVICE AND DECIDED IT'S BETTER NOT KNOWING. 333 00:14:36,046 --> 00:14:38,048 AND HE LEFT ANOTHER NOTE IN MY LOCKER. 334 00:14:38,048 --> 00:14:40,210 HE SAID IF I LIKE THE ROSE, I SHOULD SHOW HIM 335 00:14:40,210 --> 00:14:42,212 BY WEARING IT AT SCHOOL TOMORROW. 336 00:14:42,212 --> 00:14:43,914 ISN'T THAT SWEET? 337 00:14:43,914 --> 00:14:46,056 WELL... IS THAT A GOOD IDEA? 338 00:14:46,056 --> 00:14:49,059 W-WHAT WOULD YOUR BOYFRIEND ASHLEY THINK? 339 00:14:49,059 --> 00:14:52,062 I GET A FEELING IT'S NOT ASHLEY WHO HAS THE PROBLEM. 340 00:14:52,062 --> 00:14:55,465 I'M JUST NOT SURE IT'S SMART TO GO WEARING SOME FLOWER 341 00:14:55,465 --> 00:14:57,467 WHEN YOU DON'T KNOW WHO IT'S FROM. 342 00:14:57,467 --> 00:15:00,900 YOUR--YOUR SCHOOL IS NOT EXACTLY FORT KNOX, ALL RIGHT? 343 00:15:00,900 --> 00:15:03,573 ANYONE COULD'VE PUT THAT NOTE IN YOUR LOCKER. 344 00:15:03,573 --> 00:15:06,006 YOUR SECRET ADMIRER COULD BE SOME... PERVERT 345 00:15:06,006 --> 00:15:08,979 WATCHING YOU FROM AFAR WITH HIGH-POWERED BINOCULARS. 346 00:15:08,979 --> 00:15:10,941 I'M GOING TO BED NOW. 347 00:15:10,941 --> 00:15:12,943 GOOD NIGHT. 348 00:15:12,943 --> 00:15:14,244 GOOD NIGHT. 349 00:15:14,244 --> 00:15:16,246 COULD YOU LOCK YOUR WINDOWS FOR ME, PLEASE? 350 00:15:16,246 --> 00:15:18,418 (Alexis) YES. PLEASE. 351 00:15:18,418 --> 00:15:20,490 I'M GONNA CHECK AND MAKE SURE THEY'RE LOCKED. 352 00:15:22,993 --> 00:15:25,996 NO, I HAD IT ALL SET UP. IT WAS IN THIS PILE. I DON'T--I DON'T UNDERSTAND YOUR SYSTEM. 353 00:15:25,996 --> 00:15:28,598 YOU'RE MESSING UP MY SYSTEM. HEY, GUYS. ANY NEWS ON GATES? 354 00:15:28,598 --> 00:15:30,560 MY SYSTEM IS EFFICIENT. 355 00:15:30,560 --> 00:15:32,062 AND DUMB. 356 00:15:32,062 --> 00:15:34,965 I ALREADY WENT THROUGH THIS ONE. IT'S ON YOUR STACK. 357 00:15:34,965 --> 00:15:37,407 IT'S PART OF MY SYSTEM. YOUR SYSTEM IS DUMB. 358 00:15:37,407 --> 00:15:40,270 SO... NOTHING? NO. WE TRACKED DOWN AN UNCLE IN JERSEY, 359 00:15:40,270 --> 00:15:42,272 BUT HE HASN'T SEEN GATES IN 20 YEARS. 360 00:15:42,272 --> 00:15:44,274 SO I'M ON THE PHONE WITH SING SING 361 00:15:44,274 --> 00:15:46,116 TO CHASE DOWN PRISON ASSOCIATES. 362 00:15:46,116 --> 00:15:49,019 (man) Detective Beckett, you still there? 363 00:15:49,019 --> 00:15:52,052 YES, I'M STILL HERE. 364 00:15:52,052 --> 00:15:54,084 OKAY. AND IS HE STILL DOING TIME? 365 00:15:54,084 --> 00:15:56,086 FIRST-TIME DRUG OFFENDER. GOT IT. THANKS. 366 00:15:56,086 --> 00:15:58,588 (receiver clatters) "JELLY TYSON"? 367 00:15:58,588 --> 00:16:00,991 IT'S "JERRY," CASTLE. 368 00:16:00,991 --> 00:16:02,292 WHEN GATES GOT RELEASED, 369 00:16:02,292 --> 00:16:05,265 HE GAVE ALL OF US STUFF TO JERRY TYSON, A FELLOW INMATE. 370 00:16:05,265 --> 00:16:07,667 SO IF THE TWO OF THEM WERE FRIENDS, 371 00:16:07,667 --> 00:16:11,501 JERRY MIGHT BE ABLE TO TELL US WHERE WE CAN FIND GATES. 372 00:16:11,501 --> 00:16:14,444 NOW IT'S "JERRY." 373 00:16:14,444 --> 00:16:16,006 (bell rings) 374 00:16:16,006 --> 00:16:18,308 I GOT THREE MONTHS LEFT IN THIS HELLHOLE. 375 00:16:18,308 --> 00:16:20,310 ALL I WANT TO DO IS DO MY TIME, 376 00:16:20,310 --> 00:16:22,152 GET OUT, AND GO SEE MY GIRL, 377 00:16:22,152 --> 00:16:25,155 AND IT'S NEVER GONNA HAPPEN IF GATES GETS WIND 378 00:16:25,155 --> 00:16:27,687 THAT I TALKED TO COPS. HE WON'T. 379 00:16:27,687 --> 00:16:29,689 YOU DON'T KNOW THAT. 380 00:16:29,689 --> 00:16:32,262 HE'S GOT REACH IN HERE. 381 00:16:32,262 --> 00:16:34,194 HE'LL HAVE ME TAKEN OUT. 382 00:16:34,194 --> 00:16:36,526 HERE'S THE DEAL, JERRY-- WHETHER YOU TALK TO US OR NOT, 383 00:16:36,526 --> 00:16:39,129 I AM WILLING TO SIT HERE ALL DAY. 384 00:16:39,129 --> 00:16:40,770 SO IT'S GONNA LOOK LIKE... 385 00:16:40,770 --> 00:16:44,134 (whispers) YOU WERE SPILLING YOUR GUTS TO US. 386 00:16:44,134 --> 00:16:47,137 ALL RIGHT. BUT I WANT TO BE BACK IN MY CELL IN TWO MINUTES. 387 00:16:47,137 --> 00:16:51,010 (normal voice) FAIR ENOUGH. WERE THE TWO OF YOU FRIENDS? I GUESS. WHATEVER THAT MEANS IN HERE. 388 00:16:51,010 --> 00:16:53,183 I WORK IN THE KITCHEN. 389 00:16:53,183 --> 00:16:56,546 I SNUCK HIM FRUIT SO HE COULD MAKE PRUNO. AND IN RETURN, HE AGREED TO PROTECT YOU? 390 00:16:56,546 --> 00:16:59,049 YEAH. NOW HE'S GONE, AND I'M IN HERE, GOING IT ALONE. 391 00:16:59,049 --> 00:17:01,551 EVERY CON I'VE EVER KNOWN DREAMS OF WHAT HE'LL DO 392 00:17:01,551 --> 00:17:03,593 AND WHERE HE'LL GO ONCE HE GETS OUT. 393 00:17:03,593 --> 00:17:05,595 GATES EVER TALK TO YOU ABOUT THAT? 394 00:17:05,595 --> 00:17:09,759 I REMEMBER HIM TALKING ABOUT SOME STRIP CLUBS, AND, UM, 395 00:17:09,759 --> 00:17:11,731 THERE'S A PLACE HE LIKED TO GO DRINKING. UM... 396 00:17:11,731 --> 00:17:13,603 (snaps fingers) IN THE MEATPACKING DISTRICT. 397 00:17:13,603 --> 00:17:15,605 WHAT WAS IT CALLED? 398 00:17:15,605 --> 00:17:17,437 H-HOG SOMETHING. 399 00:17:17,437 --> 00:17:19,038 SOMETHING ABOUT HOGS. 400 00:17:19,038 --> 00:17:22,041 (Uncle Lucius' "A Million Ways" playing) 401 00:17:22,041 --> 00:17:24,174 ♪ I WORE A TIE TO THE CORPORATE FEAST ♪ 402 00:17:24,174 --> 00:17:26,676 ♪ I WORKED IN THE BELLY OF THE FISCAL BEAST ♪ 403 00:17:26,676 --> 00:17:30,350 ♪ I TOED THE LINE FOR A 401(k) ♪ 404 00:17:30,350 --> 00:17:34,224 ♪ I'VE BEEN DECEIVED IN A MILLION WAYS... ♪ 405 00:17:34,224 --> 00:17:37,056 I JUST DID SOME RECON. HE'S AT THE BAR NURSING A BEER. 406 00:17:37,056 --> 00:17:38,628 HOW MANY IN THERE? FIVE TOTAL-- 407 00:17:38,628 --> 00:17:41,231 GATES, THE BARTENDER, A WAITRESS, AND TWO DRUNKS. 408 00:17:41,231 --> 00:17:43,833 HE MAY BE ARMED. WE TAKE HIM QUICK. 409 00:17:43,833 --> 00:17:46,796 DON'T GIVE HIM A CHANCE TO TAKE ANY HOSTAGES. IT'S HIM! 410 00:17:46,796 --> 00:17:49,299 LET ME SEE YOUR HANDS! (Ryan) LET ME SEE YOUR HANDS RIGHT NOW! 411 00:17:49,299 --> 00:17:51,801 LET'S SEE YOUR HANDS RIGHT NOW! RIGHT NOW, LET'S SEE YOUR HANDS! NYPD! 412 00:17:51,801 --> 00:17:53,843 (Montgomery) HANDS UP! PUT YOUR HANDS UP! (Ryan) NYPD! HANDS IN THE AIR RIGHT NOW! 413 00:17:53,843 --> 00:17:56,246 YOU HEARD THE MAN! PUT YOUR HANDS IN THE AIR 414 00:17:56,246 --> 00:17:58,508 AND GET ON YOUR KNEES WHILE YOU'RE AT IT! 415 00:17:58,508 --> 00:18:01,611 WOW. YOU BROUGHT OUT THE OLD GUY, HUH? 416 00:18:01,611 --> 00:18:05,255 THAT CAN ONLY MEAN ONE THING. YOU WANT ME IN A BAD WAY, RIGHT? 417 00:18:05,255 --> 00:18:07,757 SHUT UP. HEY, DON'T FORGET TO READ ME MY RIGHTS. 418 00:18:07,757 --> 00:18:11,321 (handcuffs clicking) BE A SHAME TO GET TURNED LOOSE ON A TECHNICALITY. 419 00:18:11,321 --> 00:18:13,263 LET'S GO. 420 00:18:13,263 --> 00:18:16,726 YOU HAVE THE RIGHT TO REMAIN SILENT. ANYTHING YOU SAY... 421 00:18:23,833 --> 00:18:25,675 (Castle) COLD, IMPLACABLE... 422 00:18:25,675 --> 00:18:28,308 THE TRIPLE KILLER REMAINS AT EASE, 423 00:18:28,308 --> 00:18:30,310 CALM IN THE LAIR OF HIS ENEMY, 424 00:18:30,310 --> 00:18:32,412 WITH A RESTING HEART RATE OF 50, 425 00:18:32,412 --> 00:18:35,785 SET TO MATCH WITS WITH HIS INTERROGATORS. 426 00:18:35,785 --> 00:18:38,117 I... JUST WANTED TO BRING 427 00:18:38,117 --> 00:18:41,151 A LITERARY FLAIR TO THE MOMENT, YOU KNOW. 428 00:18:41,151 --> 00:18:44,154 (door closes) THE BARTENDER TOLD US WHERE GATES LIVES. 429 00:18:44,154 --> 00:18:46,656 HE'S HAD TO PUT HIM IN A CAB ON MORE THAN ONE OCCASION. 430 00:18:46,656 --> 00:18:49,159 RYAN'S GOT A WARRANT, AND HE'S SEARCHING HIS PLACE RIGHT NOW. 431 00:18:49,159 --> 00:18:51,501 WE CAN'T COUNT ON CIRCUMSTANTIAL EVIDENCE TO CARRY THIS CASE. 432 00:18:51,501 --> 00:18:54,534 WE NEED TO GET THIS GUY TO RUN HIS MOUTH. 433 00:18:54,534 --> 00:18:56,766 THE ONLY HARD EVIDENCE WE HAVE ON HIM IS KIM FOSTER'S MURDER. 434 00:18:56,766 --> 00:18:59,909 PIN HIM DOWN ON WHERE HE WAS WHEN SHE DIED. 435 00:18:59,909 --> 00:19:03,273 CASTLE... 436 00:19:03,273 --> 00:19:05,575 NOT THIS TIME. 437 00:19:07,917 --> 00:19:11,351 MR. GATES, I'M DETECTIVE BECKETT. 438 00:19:12,922 --> 00:19:14,784 NOT MY TYPE. 439 00:19:14,784 --> 00:19:16,726 BUT... 440 00:19:16,726 --> 00:19:18,528 I WOULD MAKE AN EXCEPTION. 441 00:19:20,360 --> 00:19:21,931 DO YOU KNOW KIM FOSTER? 442 00:19:26,296 --> 00:19:28,568 DOESN'T RING A BELL. 443 00:19:28,568 --> 00:19:31,401 HAVE YOU EVER SEEN THIS WOMAN BEFORE? 444 00:19:31,401 --> 00:19:33,943 MM. 445 00:19:33,943 --> 00:19:35,705 SHE HAS NICE HAIR. 446 00:19:35,705 --> 00:19:38,708 HAVE YOU OR HAVEN'T YOU SEEN HER? 447 00:19:38,708 --> 00:19:40,880 (blows air) UH, NEW YORK CITY 448 00:19:40,880 --> 00:19:42,582 IS A BIG PLACE. 449 00:19:42,582 --> 00:19:45,585 I MEAN, I COULD'VE PASSED HER ON THE STREET, I GUESS. 450 00:19:45,585 --> 00:19:47,887 I'M ACTUALLY TALKING ABOUT A MORE INTIMATE INTERACTION. 451 00:19:47,887 --> 00:19:50,890 HAVE YOU EVER BEEN IN HER APARTMENT? I'VE BEEN TO A LOT OF APARTMENTS. 452 00:19:50,890 --> 00:19:55,365 THIS BUILDING IS AT 35th AND 8th. 453 00:19:55,365 --> 00:19:57,927 SHE LIVED IN 301. 454 00:19:57,927 --> 00:20:00,500 WERE YOU EVER IN THAT PARTICULAR UNIT? 455 00:20:00,500 --> 00:20:03,503 NO. WELL, THEN PERHAPS YOU CAN EXPLAIN TO ME 456 00:20:03,503 --> 00:20:05,575 HOW WE FOUND THIS NAMETAG 457 00:20:05,575 --> 00:20:09,339 WITH YOUR FINGERPRINT ON IT LYING NEXT TO HER BODY. 458 00:20:09,339 --> 00:20:11,711 (chuckles) AS A MATTER OF FACT, I CAN. 459 00:20:11,711 --> 00:20:13,783 CAN'T WAIT TO HEAR THIS. 460 00:20:13,783 --> 00:20:16,916 I WORK AT THE EMPIRE PROP HOUSE. AND? 461 00:20:16,916 --> 00:20:19,989 AND THEY RENT PROPS FOR MOVIES AND TV SHOWS. 462 00:20:19,989 --> 00:20:23,222 I KNOW WHAT A PROP HOUSE IS. 463 00:20:23,222 --> 00:20:24,924 SO THAT'S MY JOB. I STOCK PROPS. 464 00:20:24,924 --> 00:20:27,727 THERE'S TONS OF NAMETAGS JUST LIKE THIS ONE, 465 00:20:27,727 --> 00:20:29,759 AND I BET I'VE TOUCHED A HUNDRED OF 'EM. 466 00:20:29,759 --> 00:20:31,861 RUN THAT DOWN. SEE IF HE'S FOR REAL. ON IT. 467 00:20:31,861 --> 00:20:33,863 THERE'S NO RECORD OF YOU HAVING THIS JOB. 468 00:20:33,863 --> 00:20:35,735 (door opens and closes) 469 00:20:35,735 --> 00:20:38,237 THEY PAY ME UNDER THE TABLE. 470 00:20:38,237 --> 00:20:39,539 (snaps fingers) 471 00:20:39,539 --> 00:20:42,772 OH. MAYBE YOU CAN GET ME FOR TAX EVASION. 472 00:20:42,772 --> 00:20:44,774 THIS PROP HOUSE WHERE YOU SAY YOU WORK, 473 00:20:44,774 --> 00:20:46,976 DO THEY HAVE UNIFORMS THERE? 474 00:20:46,976 --> 00:20:49,349 SURE. LIKE GAS COMPANY UNIFORMS? 475 00:20:49,349 --> 00:20:52,852 ANY KIND OF UNIFORM YOU CAN THINK OF, THEY GOT IT. 476 00:20:52,852 --> 00:20:55,725 AND HAVE YOU EVER TAKEN ANY OF THESE UNIFORMS HOME? 477 00:20:55,725 --> 00:20:58,988 DO YOU HAVE ANY IN YOUR POSSESSION? 478 00:20:58,988 --> 00:21:00,990 ARE YOU GUYS SEARCHING MY PLACE? 479 00:21:00,990 --> 00:21:03,262 YES, SO IF THERE ARE ANY UNIFORMS THERE, 480 00:21:03,262 --> 00:21:05,264 YOU MAY AS WELL TELL ME. 481 00:21:05,264 --> 00:21:08,868 WOW. I'M GONNA WANT TO SEE THE SEARCH WARRANT. 482 00:21:08,868 --> 00:21:11,341 WHAT FOR? 483 00:21:11,341 --> 00:21:12,972 IT'S MY LEGAL RIGHT. 484 00:21:12,972 --> 00:21:15,845 AND I'M DONE TALKING TILL YOU SHOW IT TO ME. 485 00:21:15,845 --> 00:21:18,348 SO YOU BETTER GET WITH AFFIRMATIVE ACTION BACK THERE 486 00:21:18,348 --> 00:21:20,980 AND COME UP WITH A NEW GAME PLAN. 487 00:21:20,980 --> 00:21:22,982 (Beckett) HE WANTS THE SEARCH WARRANT 488 00:21:22,982 --> 00:21:24,914 TO GET A PEEK AT OUR CARDS. 489 00:21:24,914 --> 00:21:27,987 HOW IS THAT GIVING HIM A PEEK? THE WARRANT LISTS ROPES, 490 00:21:27,987 --> 00:21:30,320 UNIFORMS, AND OTHER PERSONAL EFFECTS BELONGING TO KIM FOSTER, 491 00:21:30,320 --> 00:21:32,662 LINDA RUSSO, AND THE OTHER SIX TRIPLE KILLER VICTIMS. 492 00:21:32,662 --> 00:21:34,494 BY LOOKING AT THE WARRANT, 493 00:21:34,494 --> 00:21:36,826 HE CAN GAUGE WHERE WE ARE IN OUR INVESTIGATION. THAT'S NOT GIVING HIM A PEEK. 494 00:21:36,826 --> 00:21:38,868 THAT'S SHOWING HIM OUR WHOLE HAND. 495 00:21:38,868 --> 00:21:41,000 HE'LL KNOW WE THINK HE'S THE TRIPLE KILLER. HE ALREADY KNOWS. 496 00:21:41,000 --> 00:21:42,672 (door opens) (Esposito) YO. 497 00:21:42,672 --> 00:21:45,675 EMPIRE PROP CONFIRMED THAT GATES WORKS IN THEIR WAREHOUSE 498 00:21:45,675 --> 00:21:47,607 AND HAD ACCESS TO THOSE TAGS. 499 00:21:47,607 --> 00:21:50,440 HE CLOCKED OUT AT 7:02 THE NIGHT OF KIM FOSTER'S MURDER. 500 00:21:50,440 --> 00:21:52,942 NOW EMPIRE IS IN LINCOLN SQUARE, WHICH MEANS 501 00:21:52,942 --> 00:21:55,445 THAT HE HAD ENOUGH TIME TO GET TO HER APARTMENT 502 00:21:55,445 --> 00:21:58,648 AND PUSH THE INTERCOM BUTTON BY 7:35. 503 00:21:58,648 --> 00:22:00,550 SHOW HIM THE WARRANT. 504 00:22:00,550 --> 00:22:04,454 ODDS ARE HE WILL LAWYER UP, BUT TRY TO STOP HIM. 505 00:22:07,557 --> 00:22:08,858 (door opens) 506 00:22:08,858 --> 00:22:11,561 HOW IS SHE SUPPOSED TO DO THAT? (door closes) 507 00:22:11,561 --> 00:22:13,503 I DON'T THINK SHE CAN. 508 00:22:24,414 --> 00:22:27,817 TURNS OUT YOU GOT A LOT MORE ON YOUR MIND 509 00:22:27,817 --> 00:22:29,479 THAN JUST KIM FOSTER. 510 00:22:29,479 --> 00:22:32,552 I SEE THE NAMES OF SEVEN OTHER WOMEN HERE. 511 00:22:32,552 --> 00:22:34,384 (chuckles) 512 00:22:34,384 --> 00:22:35,885 (cell phone rings and beeps) 513 00:22:35,885 --> 00:22:36,886 RYAN. 514 00:22:36,886 --> 00:22:39,389 TELL ME YOU GOT SOMETHING. Not so far. 515 00:22:39,389 --> 00:22:40,960 NO ROPE, NO UNIFORM, 516 00:22:40,960 --> 00:22:43,993 NOTHING THAT TIES HIM TO ANY OF THE VICTIMS. Keep looking. 517 00:22:43,993 --> 00:22:46,936 THE THING IS, THIS NAMETAG 518 00:22:46,936 --> 00:22:48,868 IS THE PROBABLE CAUSE FOR BRINGING ME IN. 519 00:22:48,868 --> 00:22:50,740 BUT I'VE EXPLAINED THE FINGERPRINT 520 00:22:50,740 --> 00:22:53,372 AND BY NOW, I'M SURE YOU'VE CHECKED OUT MY STORY. 521 00:22:53,372 --> 00:22:55,374 ACTUALLY, WE'RE STILL VERIFYING THAT. 522 00:22:55,374 --> 00:22:57,376 I KNOW HOW THIS WORKS. 523 00:22:57,376 --> 00:22:59,949 YOU DO NOT HAVE PROBABLE CAUSE TO HOLD ME. 524 00:22:59,949 --> 00:23:02,952 IS THAT RIGHT? CAN'T WE HOLD HIM? ONLY IN THE MOVIES. 525 00:23:02,952 --> 00:23:05,455 SO HE CAN JUST WALK OUTTA HERE? UNLESS SHE CATCHES HIM IN A LIE 526 00:23:05,455 --> 00:23:07,957 AND GIVES HER CAUSE TO KEEP HIM. 527 00:23:09,619 --> 00:23:11,160 I WANT TO LEAVE NOW. 528 00:23:11,160 --> 00:23:12,892 OKAY. FINE. 529 00:23:12,892 --> 00:23:14,824 YOU CAN DO THAT. 530 00:23:14,824 --> 00:23:16,926 THE SECOND THAT YOU LAWYER UP AND LEAVE, 531 00:23:16,926 --> 00:23:19,929 YOU BECOME THE FOCUS OF A MAJOR INVESTIGATION. 532 00:23:19,929 --> 00:23:23,433 IT WILL DISRUPT YOUR LIFE IN WAYS YOU CAN'T EVEN IMAGINE. I'M ALREADY THE FOCUS. 533 00:23:23,433 --> 00:23:26,876 YEAH? WELL, YOU DON'T HAVE TO BE. 534 00:23:26,876 --> 00:23:29,839 LOOK, THE TRUTH IS, WE DON'T HAVE ANY EVIDENCE 535 00:23:29,839 --> 00:23:31,681 THAT CONNECTS YOU TO THOSE MURDERS. 536 00:23:31,681 --> 00:23:33,683 IT ALL BOILS DOWN TO KIM FOSTER. 537 00:23:33,683 --> 00:23:36,786 EVEN IF YOUR FINGERPRINTS GOT ON THIS NAMETAG BY ACCIDENT, 538 00:23:36,786 --> 00:23:39,789 WITH YOUR RECORD, YOU STILL LOOK LIKE A SUSPECT TO US. 539 00:23:39,789 --> 00:23:41,951 SO KIM FOSTER'S A PROBLEM FOR YOU. 540 00:23:41,951 --> 00:23:44,023 BUT YOU CAN GET THAT PROBLEM OUT OF YOUR WAY. 541 00:23:44,023 --> 00:23:46,526 YOU SAID YOU'VE NEVER BEEN TO HER APARTMENT. 542 00:23:46,526 --> 00:23:49,859 WHERE WERE YOU AT 7:35 LAST NIGHT? 543 00:23:51,931 --> 00:23:53,763 WHAT'S IN THAT FOR ME? 544 00:23:53,763 --> 00:23:57,206 IF YOUR ALIBI CHECKS OUT, THEN WE MOVE ON. 545 00:23:57,206 --> 00:23:59,438 WE GO AFTER THE REAL KILLER. 546 00:24:01,110 --> 00:24:04,113 I LEFT WORK AT 7:00. I WALKED HOME LIKE I ALWAYS DO. 547 00:24:04,113 --> 00:24:07,446 I GOT HOME, MAYBE 7:30, AND I STAYED IN ALL NIGHT. 548 00:24:07,446 --> 00:24:09,749 AND YOU'RE SURE ABOUT THAT? 549 00:24:09,749 --> 00:24:12,051 ABSOLUTELY. 550 00:24:12,051 --> 00:24:13,523 (beeping) 551 00:24:13,523 --> 00:24:15,825 THIS IS OFF OF A TRAFFIC CAM ACROSS FROM GATES' APARTMENT. 552 00:24:15,825 --> 00:24:17,957 WELL, THIS IS IT. THIS WILL PROVE THAT HE WAS LYING. 553 00:24:17,957 --> 00:24:20,660 AT 7:35, HE WAS ON HIS WAY TO KIM FOSTER'S APARTMENT. 554 00:24:20,660 --> 00:24:23,062 (beeping) WAIT. WHOA. WHOA. 555 00:24:23,062 --> 00:24:25,965 BACK--STOP. STOP. STOP THERE. (beeping) 556 00:24:25,965 --> 00:24:28,568 THAT'S HIM. 7:31. 557 00:24:28,568 --> 00:24:30,169 NO, THAT CAN'T BE. 558 00:24:30,169 --> 00:24:31,941 IT IS. LOOK. SAME SIDEBURNS... 559 00:24:31,941 --> 00:24:33,703 (beeping) 560 00:24:33,703 --> 00:24:35,144 AND THERE'S HIS SNAKE TATTOO. 561 00:24:35,144 --> 00:24:37,707 WELL, THEN HE SLIPPED OUT THE BACK AND WENT TO KIM'S. 562 00:24:37,707 --> 00:24:40,249 HOW WOULD HE GET FROM 101st TO MIDTOWN 563 00:24:40,249 --> 00:24:43,753 AND CHANGE CLOTHES IN... FOUR MINUTES? 564 00:24:43,753 --> 00:24:46,556 I DON'T KNOW, BUT HE DID IT. CAN WE ENHANCE THIS VIDEO? 565 00:24:46,556 --> 00:24:48,558 YOU CAN ENHANCE IT ALL YOU WANT. 566 00:24:48,558 --> 00:24:51,060 DOESN'T CHANGE THE FACTS. WE GOTTA CUT HIM LOOSE. SIR, I JUST-- 567 00:24:51,060 --> 00:24:53,523 I DON'T LIKE THIS ANY MORE THAN YOU, DETECTIVE, 568 00:24:53,523 --> 00:24:56,125 BUT HE ALIBIS OUT. 569 00:24:56,125 --> 00:24:58,227 WELL, LOOKS LIKE WE HAD IT ALL WRONG. 570 00:24:58,227 --> 00:24:59,929 YOU'RE FREE TO GO. 571 00:24:59,929 --> 00:25:01,931 WITH THIS TRIPLE KILLER FELLA RUNNING AROUND, 572 00:25:01,931 --> 00:25:06,035 YOU ALL BETTER KEEP YOUR LOVED ONES CLOSE. 573 00:25:08,007 --> 00:25:10,009 I SURE HOPE YOU CATCH HIM. 574 00:25:10,009 --> 00:25:11,681 (laughs) 575 00:25:11,681 --> 00:25:14,113 PUT A SURVEILLANCE DETAIL ON HIM. 576 00:25:14,113 --> 00:25:16,115 I DON'T WANT THAT SON OF A BITCH 577 00:25:16,115 --> 00:25:18,147 OUT OF OUR SIGHT. 578 00:25:29,659 --> 00:25:32,531 OH, DON'T YOU LOOK ADORABLE THIS MORNING? 579 00:25:32,531 --> 00:25:34,533 I MEET MY SECRET ADMIRER TODAY. 580 00:25:34,533 --> 00:25:37,567 OH, I CAN JUST PICTURE THE SCENE. 581 00:25:37,567 --> 00:25:41,010 YOU AND YOUR SECRET ADMIRER AGREE TO MEET IN THE CAFETERIA. 582 00:25:41,010 --> 00:25:44,043 YOU SCAN THE ARRAY OF PIMPLY FACES. WHICH ONE IS HIS? 583 00:25:44,043 --> 00:25:46,045 YOUR SECRET ADMIRER USES THE PREARRANGED SIGNAL 584 00:25:46,045 --> 00:25:48,918 OF A DOUBLE HELPING OF MASHED POTATOES ON HIS PLATE. 585 00:25:48,918 --> 00:25:50,780 HE'S... HANDSOME, 586 00:25:50,780 --> 00:25:53,783 CHARMING IN AN ASEXUAL, NONTHREATENING KIND OF WAY. 587 00:25:53,783 --> 00:25:57,326 NICE TRY, BUT IT'LL BE SO MUCH MORE MYSTERIOUS. 588 00:25:57,326 --> 00:25:58,988 LISTEN TO THIS. 589 00:26:01,891 --> 00:26:05,134 "IF YOU WANT TO MEET, I'LL BE AT STRAWBERRY FIELDS AT 5:00." 590 00:26:05,134 --> 00:26:07,036 (chokes and coughs) "I HOPE YOU'LL BE THERE, TOO." 591 00:26:07,036 --> 00:26:09,739 NO. NO, NO, NO. NO, YOU'RE NOT GOING. 592 00:26:09,739 --> 00:26:12,171 BEFORE YOU WERE PRACTICALLY FORCING ME 593 00:26:12,171 --> 00:26:14,874 TO FIND OUT WHO HE IS. NOT IN THE PARK. NOT BY YOURSELF. 594 00:26:14,874 --> 00:26:17,877 BUT I'VE BEEN THERE A MILLION TIMES-- WELL, WAIT, WAIT, WAIT, WAIT, WAIT. 595 00:26:17,877 --> 00:26:19,879 THE FIRST NOTE YOU GOT-- 596 00:26:19,879 --> 00:26:21,210 "ROPE OF FLAXEN HAIR." 597 00:26:21,210 --> 00:26:23,913 "ROPE"? "FLAXEN"? FLAXEN IS BLONDE. 598 00:26:23,913 --> 00:26:26,115 I'M A REDHEAD. YOU'RE TOTALLY OVERREACTING. 599 00:26:26,115 --> 00:26:29,158 I'M MEETING MY SECRET ADMIRER, AND THAT'S ALL THERE IS TO IT. 600 00:26:31,661 --> 00:26:33,663 (door opens) RICHARD, DARLING, SHE'S RIGHT. 601 00:26:33,663 --> 00:26:35,594 YOU ARE BEING UTTERLY IRRATIONAL. 602 00:26:35,594 --> 00:26:37,326 (door closes) IT'S LIKE WHEN I WAS DOING, 603 00:26:37,326 --> 00:26:39,028 UH, "WHO'S AFRAID OF VIRGINIA WOOLF?" 604 00:26:39,028 --> 00:26:40,970 AND I THOUGHT MY UNDERSTUDY WAS TRYING TO POISON ME. 605 00:26:40,970 --> 00:26:43,733 OH, YEAH. THE DAILY BLOOD TESTS I PAID FOR. 606 00:26:43,733 --> 00:26:45,875 WAIT. SHE DID POISON YOU. 607 00:26:45,875 --> 00:26:48,207 THE SWISS CHOCOLATE SHE GAVE YOU WAS A LAXATIVE. (mutters) 608 00:26:48,207 --> 00:26:50,910 IT ADDED A CERTAIN URGENCY TO MY PERFORMANCE. 609 00:26:50,910 --> 00:26:53,212 BUT THE POINT IS, YOU INDULGED MY PARANOIA. 610 00:26:53,212 --> 00:26:55,915 SO THEREFORE, I AM GOING TO BE IN THE PARK, 5:00, 611 00:26:55,915 --> 00:26:57,747 AT A DISCREET DISTANCE TO MAKE SURE 612 00:26:57,747 --> 00:27:00,890 THAT ALEXIS' SECRET ADMIRER IS NOT AN AX MURDERER. 613 00:27:00,890 --> 00:27:03,222 THANK YOU. (whispers) YOU'RE WELCOME. 614 00:27:03,222 --> 00:27:04,924 (cell phone rings) 615 00:27:04,924 --> 00:27:06,225 (rings and beeps) 616 00:27:06,225 --> 00:27:08,958 TELL ME YOU'VE ARRESTED GATES. (Beckett) Not even close. 617 00:27:08,958 --> 00:27:10,960 I MEAN, I DON'T KNOW HOW, CASTLE, 618 00:27:10,960 --> 00:27:14,633 BUT HE KILLED KIM FOSTER, AND HE'S GONNA DO IT AGAIN. 619 00:27:14,633 --> 00:27:18,037 THERE'S BEEN NO DEVELOPMENTS? USUALLY YOU CALL ME WITH NEWS. 620 00:27:19,238 --> 00:27:21,841 YOU CALLED TO SEEK MY COUNSEL. 621 00:27:21,841 --> 00:27:24,043 I WOULDN'T SAY IT EXACTLY LIKE THAT. 622 00:27:24,043 --> 00:27:25,745 No, no, no. 623 00:27:25,745 --> 00:27:28,047 YOU WERE HOPING I HAD SOME WILD THEORY, 624 00:27:28,047 --> 00:27:30,279 SOME SORT OF PENETRATING INSIGHT 625 00:27:30,279 --> 00:27:32,281 THAT WOULD LEAD US TO A BREAKTHROUGH. 626 00:27:32,281 --> 00:27:35,384 WELL... DO YOU? 627 00:27:37,356 --> 00:27:39,989 NAH! I GOT NOTHIN'. 628 00:27:39,989 --> 00:27:41,961 I JUST NEED SOME PIECE OF EVIDENCE. 629 00:27:41,961 --> 00:27:43,933 I MEAN, SOMEONE THAT HE TALKED TO, ANYTHING. 630 00:27:43,933 --> 00:27:47,066 WHAT IF GATES CONFIDED IN JERRY ABOUT THE PREVIOUS MURDERS? 631 00:27:47,066 --> 00:27:49,068 Yeah, well, Jerry's not gonna talk to us. 632 00:27:49,068 --> 00:27:51,200 HE GOT BEATEN UP IN THE PRISON YARD THIS MORNING, 633 00:27:51,200 --> 00:27:53,903 AND HE THINKS THAT GATES HAD SOMETHING TO DO WITH IT. 634 00:27:53,903 --> 00:27:56,806 SOUNDS LIKE GATES IS AFRAID OF WHAT JERRY TYSON KNOWS. 635 00:27:56,806 --> 00:27:58,908 GET THE HELL AWAY FROM ME. 636 00:27:58,908 --> 00:28:00,980 LISTEN, JERRY, WE JUST NEED A LITTLE MORE INFORMATION 637 00:28:00,980 --> 00:28:02,451 ON MARCUS GATES. 638 00:28:02,451 --> 00:28:03,953 DON'T YOU GUYS GET IT? 639 00:28:03,953 --> 00:28:07,186 I'M A DEAD MAN THANKS TO YOU. NOT IF WE GET YOU OUT. 640 00:28:07,186 --> 00:28:09,859 THE D.A. HAS AGREED TO GET YOU AN EARLY RELEASE 641 00:28:09,859 --> 00:28:11,861 AND POLICE PROTECTION. GATES KNOWS ABOUT MY GIRLFRIEND-- 642 00:28:11,861 --> 00:28:14,223 DONNA GALLAGHER. HE COULD GET TO HER, TOO. 643 00:28:14,223 --> 00:28:17,927 WELL, THEN WE'LL MAKE SURE HE DOESN'T. 644 00:28:17,927 --> 00:28:20,029 WE GOTTA MOVE ON THIS, JERRY. 645 00:28:20,029 --> 00:28:21,030 (sighs) 646 00:28:21,030 --> 00:28:22,932 LAST CHANCE. 647 00:28:22,932 --> 00:28:25,434 OKAY. 648 00:28:25,434 --> 00:28:27,436 I'LL DO IT. I'LL TAKE THE DEAL. 649 00:28:27,436 --> 00:28:28,938 WE NEED TO KNOW-- 650 00:28:28,938 --> 00:28:32,111 DID GATES EVER TALK TO YOU ABOUT ATTACKING WOMEN? 651 00:28:32,111 --> 00:28:33,983 THERE WAS THIS ONE TIME. 652 00:28:33,983 --> 00:28:38,017 HE TOLD ME ABOUT THIS CHICK, UM, SARA--DOWN IN SOHO. 653 00:28:38,017 --> 00:28:41,020 (Castle) THAT COULD BE SARA TOWNSEND. HE TOLD ME ABOUT HOW HE BUSTED INTO HER PLACE 654 00:28:41,020 --> 00:28:43,452 AND THINGS GOT OUTTA CONTROL, BUT IT MUSTA BEEN PRETTY BAD, 655 00:28:43,452 --> 00:28:46,055 'CAUSE GATES SAID HE WAS WORRIED THAT THE COPS WERE AFTER HIM, 656 00:28:46,055 --> 00:28:48,057 SO HE BUSTS A BOTTLE OVER THIS GUY'S HEAD 657 00:28:48,057 --> 00:28:49,859 TO GET HIMSELF LOCKED UP. 658 00:28:49,859 --> 00:28:52,731 THAT WAY, HE'D BE UNDER THE RADAR FOR A WHILE. 659 00:28:52,731 --> 00:28:54,233 THAT'S A GOOD START. 660 00:28:54,233 --> 00:28:57,006 MY NAME'S DETECTIVE RYAN. 661 00:28:57,006 --> 00:28:59,138 I'M YOUR NEW BEST FRIEND. 662 00:28:59,138 --> 00:29:00,509 THIS MOTEL'S UNDER SURVEILLANCE. 663 00:29:00,509 --> 00:29:03,272 FOR YOUR OWN SAFETY, YOU CANNOT LEAVE OR USE THE PHONE. 664 00:29:03,272 --> 00:29:05,144 RIGHT NOW, YOU AND I 665 00:29:05,144 --> 00:29:07,947 NEED TO GO OVER EVERYTHING GATES EVER SAID TO YOU, 666 00:29:07,947 --> 00:29:10,379 EVEN IF IT SEEMS STUPID OR UNIMPORTANT. 667 00:29:10,379 --> 00:29:12,381 JERRY'S STORY SQUARES WITH THE FACTS. 668 00:29:12,381 --> 00:29:14,383 SARA TOWNSEND WAS GATES' SIXTH VICTIM, 669 00:29:14,383 --> 00:29:17,086 AND SHE LIVED IN SOHO. WHAT ABOUT ASSAULT WITH A DEADLY BOTTLE? 670 00:29:17,086 --> 00:29:19,228 THAT FITS, TOO. IT CAME A WEEK AFTER SARA'S DEATH. 671 00:29:19,228 --> 00:29:22,231 LOOKS LIKE GATES SENT HIMSELF UP THE RIVER ON PURPOSE. IT'S STILL NOT ENOUGH TO ARREST HIM, IS IT? 672 00:29:22,231 --> 00:29:24,233 NO, BUT IF JERRY HAS MORE TIDBITS LIKE THAT, 673 00:29:24,233 --> 00:29:26,395 IT MAY HELP US GET THERE. YO, WE CAN'T LOCATE DONNA GALLAGHER, 674 00:29:26,395 --> 00:29:29,368 AND SHE'S NOT PICKING UP HER CELL. SIR, WHERE IS GATES NOW? 675 00:29:29,368 --> 00:29:31,270 AT HIS APARTMENT. SURVEILLANCE SAYS 676 00:29:31,270 --> 00:29:33,442 HE HASN'T LEFT THE BUILDING. CONTACT DONNA'S FRIENDS AND FAMILY. 677 00:29:33,442 --> 00:29:38,007 FIND OUT WHERE SHE IS. I TOLD JERRY WE'D KEEP HER SAFE. ALL RIGHT. 678 00:29:38,007 --> 00:29:40,079 (Jerry) CAN'T YOU JUST ARREST THIS GUY? 679 00:29:40,079 --> 00:29:42,781 I MEAN, YOU KNOW HE DID THESE THINGS. 680 00:29:42,781 --> 00:29:45,784 HE HAS AN ALIBI. WE CAN'T PUT HIM AT THE MURDER SCENE. 681 00:29:45,784 --> 00:29:49,118 HE USED PARTNERS SOMETIMES. YOU KNOW THAT, RIGHT? 682 00:29:49,118 --> 00:29:51,060 PARTNER? 683 00:29:51,060 --> 00:29:53,062 WE NEVER RAN ACROSS ANYTHING ABOUT A PARTNER. 684 00:29:53,062 --> 00:29:56,265 OH, YEAH. HE SAID A-A PARTNER HELPS HIM GET AWAY WITH THINGS. 685 00:29:56,265 --> 00:29:58,127 THOUGH I-I GET THE IDEA 686 00:29:58,127 --> 00:30:00,129 HE NEVER USED THE SAME PARTNER TWICE. 687 00:30:00,129 --> 00:30:03,032 JERRY SAID THAT GATES USED A PARTNER. 688 00:30:04,403 --> 00:30:07,136 A PARTNER. THAT'S WHY HE HAS AN ALIBI. 689 00:30:07,136 --> 00:30:09,078 TELL YOUR GUYS TO ARREST GATES. 690 00:30:09,078 --> 00:30:12,081 I KNOW HOW HE KILLED KIM FOSTER. OKAY. 691 00:30:12,081 --> 00:30:13,542 (Castle) GATES SAID 692 00:30:13,542 --> 00:30:16,115 HE WALKS HOME EVERY NIGHT AT THE SAME TIME, RIGHT? 693 00:30:16,115 --> 00:30:18,447 SO THIS TRAFFIC CAM FOOTAGE FROM THE DAY BE-- 694 00:30:18,447 --> 00:30:20,149 WAIT. THERE HE IS. 695 00:30:20,149 --> 00:30:22,421 THERE HE IS. OKAY. THAT'S GATES ON THE RIGHT 696 00:30:22,421 --> 00:30:24,423 THE NIGHT OF KIM FOSTER'S MURDER. 697 00:30:24,423 --> 00:30:27,826 ON THE LEFT, GATES FROM A NIGHT EARLIER. 698 00:30:27,826 --> 00:30:30,099 WHAT'S WRONG WITH THIS PICTURE? (Beckett and Esposito) HE'S TOO SHORT. 699 00:30:30,099 --> 00:30:32,261 SO EITHER GATES SHRANK... 700 00:30:32,261 --> 00:30:34,233 OR THIS IS HIS PARTNER. HE WORE GATES' CLOTHING. 701 00:30:34,233 --> 00:30:37,236 GATES WOULD'VE HAD ACCESS TO WIGS AND DISGUISES 702 00:30:37,236 --> 00:30:38,938 FROM THE PROP HOUSE. 703 00:30:38,938 --> 00:30:41,240 THAT'S HOW GATES CAN BE AT TWO PLACES AT ONCE. WAIT. 704 00:30:41,240 --> 00:30:43,072 WHAT'S THAT? 705 00:30:43,072 --> 00:30:45,014 UH, IT'S A REFLECTION 706 00:30:45,014 --> 00:30:47,016 FROM... FROM S--FROM SWEAT! FROM SWEAT! (slaps arm) 707 00:30:47,016 --> 00:30:49,018 THAT'S SWEATY VON SWEATS-A-LOT! 708 00:30:49,018 --> 00:30:52,021 THAT'S PAUL McCARDLE. THAT'S WHY HE WAS WATCHING LINDA RUSSO. 709 00:30:52,021 --> 00:30:54,984 HE'S THE PARTNER. HE WAS WORKING WITH GATES. 710 00:30:54,984 --> 00:30:57,987 I'M GONNA PUT AN A.P.B. OUT ON McCARDLE. YOU BETTER ADD MARCUS GATES TO THAT LIST. 711 00:30:57,987 --> 00:31:00,229 SIR? WHEN OFFICERS BUSTED IN TO HIS PLACE, 712 00:31:00,229 --> 00:31:02,932 ALL THEY FOUND WAS A ROPE LADDER GOING DOWN TO THE ROOFTOP 713 00:31:02,932 --> 00:31:05,164 OF THE BUILDING NEXT DOOR. GATES IS GONE. 714 00:31:12,101 --> 00:31:13,943 GOT UNIFORMS SEARCHING THE AREA. 715 00:31:13,943 --> 00:31:16,906 NO SIGN OF GATES. MAYBE HE'S GOING AFTER DONNA. 716 00:31:16,906 --> 00:31:19,148 THAT WAY HE COULD PUNISH JERRY, TOO. WE GOT ANY LEADS ON HER WHEREABOUTS? 717 00:31:19,148 --> 00:31:21,150 ESPOSITO'S TALKING TO HER FRIENDS RIGHT NOW, 718 00:31:21,150 --> 00:31:22,982 BUT SHE'S STILL IN THE WIND. 719 00:31:22,982 --> 00:31:25,985 SO IS PAUL McCARDLE. HIS CAR IS GONE, AND HE IS, TOO. 720 00:31:25,985 --> 00:31:28,657 EX-WIFE HAS NO IDEA WHERE HE IS EITHER. 721 00:31:28,657 --> 00:31:31,490 BUT I DID FIND OUT HOW HE AND GATES ARE CONNECTED. 722 00:31:31,490 --> 00:31:34,493 THEY WERE IN A FOSTER HOME TOGETHER. SO McCARDLE COULD BE WITH GATES. 723 00:31:34,493 --> 00:31:36,395 GET PHOTOS OF GATES AND McCARDLE 724 00:31:36,395 --> 00:31:38,297 TO AIRPORT, BUS, AND TRAIN STATIONS. YEAH. 725 00:31:38,297 --> 00:31:40,669 (telephone rings) BECKETT. 726 00:31:40,669 --> 00:31:42,231 ONE OF DONNA'S NEIGHBORS JUST TOLD ME 727 00:31:42,231 --> 00:31:44,403 SHE'S HOUSE-SITTING AT HER COUSIN'S. DO YOU HAVE AN ADDRESS? 728 00:31:44,403 --> 00:31:47,306 YEAH, BUT SO DOES GATES. SOME GUY DRESSED AS A MESSENGER 729 00:31:47,306 --> 00:31:50,179 SAID HE HAD A DELIVERY FOR DONNA. GET THERE NOW. 730 00:31:50,179 --> 00:31:51,941 NYPD! 731 00:31:51,941 --> 00:31:53,212 (grunts) (whimpers) 732 00:31:53,212 --> 00:31:56,045 GET OFF! GET OFF HER! AAH! 733 00:31:56,045 --> 00:31:57,346 (gun clicks) 734 00:31:57,346 --> 00:32:00,449 I'D LIKE TO SEE YOU TALK YOUR WAY OUT OF THIS ONE. 735 00:32:00,449 --> 00:32:02,451 I'LL TRY NOT TO DISAPPOINT YOU. 736 00:32:02,451 --> 00:32:05,454 WE FOUND THE SAME KIND OF ROPE IN YOUR POCKET 737 00:32:05,454 --> 00:32:07,656 AS WAS USED BY THE TRIPLE KILLER. 738 00:32:10,129 --> 00:32:14,303 LAST I CHECKED, A MAN'S ALLOWED TO CARRY ROPE. 739 00:32:14,303 --> 00:32:19,068 I THINK YOU WANTED TO GET CAUGHT, MARCUS. 740 00:32:19,068 --> 00:32:21,440 THERE'S NOTHING LEFT FOR YOU OUT HERE, 741 00:32:21,440 --> 00:32:24,573 BUT IN PRISON, PEOPLE FEAR YOU. 742 00:32:24,573 --> 00:32:26,575 YOU'RE A SHOT CALLER. 743 00:32:26,575 --> 00:32:30,119 AND YOU WANTED TO BE KING AGAIN. 744 00:32:30,119 --> 00:32:32,121 ALL'S THAT LEFT FOR YOU TO DO 745 00:32:32,121 --> 00:32:35,124 IS TO CLEAR THE AIR OF ALL THESE MURDERS 746 00:32:35,124 --> 00:32:37,156 AND BE DONE WITH IT ALL. 747 00:32:44,633 --> 00:32:46,295 NICE TRY. 748 00:32:48,367 --> 00:32:53,072 THIS GUY IS NEVER GONNA GIVE IT UP. SIR, I NEED LEVERAGE AND I DON'T HAVE ANY. 749 00:32:53,072 --> 00:32:54,373 THERE'S NO WITNESSES. 750 00:32:54,373 --> 00:32:57,146 THERE'S NO PROOF THAT CONNECTS HIM TO ANY OF THE MURDERS. 751 00:32:57,146 --> 00:33:00,209 THE ONLY THING THAT I'VE GOT HIM ON IS AN ASSAULT CHARGE. HEY, WE JUST GOT A HIT ON McCARDLE'S A.P.B. 752 00:33:00,209 --> 00:33:03,152 HE'S AT ST. BENJAMIN'S HOSPITAL. MAYBE GATES GOT TO HIM. 753 00:33:03,152 --> 00:33:05,184 SIR, IF I CAN GET McCARDLE TO ROLL-- GO! 754 00:33:05,184 --> 00:33:07,056 YEAH. UH, HEY, UM-- 755 00:33:07,056 --> 00:33:10,089 OKAY, FINE, CASTLE, GO. JUST STAY OUT OF HIS WAY. 756 00:33:10,089 --> 00:33:11,290 AND, RYAN... 757 00:33:11,290 --> 00:33:13,622 GET ME SOMETHING I CAN BREAK HIM WITH. 758 00:33:16,065 --> 00:33:18,127 (Ryan) EXCUSE ME. 759 00:33:18,127 --> 00:33:20,999 I'M DETECTIVE RYAN. WE'D LIKE A WORD WITH MR. McCARDLE. 760 00:33:20,999 --> 00:33:24,273 YOU CAN'T HAVE ONE. HE JUST GOT OUT OF HEART SURGERY. WHAT FOR? 761 00:33:24,273 --> 00:33:26,275 A CONGENITAL VALVE DEFECT. 762 00:33:26,275 --> 00:33:28,707 WOULD THAT CAUSE EXCESSIVE SWEATING, BY ANY CHANCE? 763 00:33:28,707 --> 00:33:30,709 WELL, AMONG OTHER, MORE SERIOUS SYMPTOMS. 764 00:33:30,709 --> 00:33:33,082 HE'S BEEN IN DIRE NEED OF SURGERY FOR OVER A YEAR. 765 00:33:33,082 --> 00:33:35,314 SO WHY GET IT NOW? WELL, HE FINALLY CAME UP WITH THE MONEY. 766 00:33:35,314 --> 00:33:37,386 IT'S KIND OF A COSTLY PROCEDURE. 767 00:33:37,386 --> 00:33:39,188 HOW COSTLY? ABOUT $100,000. 768 00:33:39,188 --> 00:33:42,151 UH... WHO FOOTED THE BILL? 769 00:33:42,151 --> 00:33:44,153 (sighs) THAT'S CONFIDENTIAL INFORMATION. 770 00:33:44,153 --> 00:33:46,795 YOU SPOKE TO HIS EX-WIFE. SHE DIDN'T EVEN KNOW HE WAS HERE. 771 00:33:46,795 --> 00:33:50,059 SHE HATED THE GUY. SO WHO SENT THE FLOWERS? 772 00:33:50,059 --> 00:33:51,460 Beckett. 773 00:33:51,460 --> 00:33:54,163 McCARDLE'S SURGERY HAD NOTHING TO DO WITH GATES. 774 00:33:54,163 --> 00:33:56,735 IN FACT, GATES SENT HIM GET-WELL FLOWERS. 775 00:33:56,735 --> 00:33:58,737 WHICH MEANS HE CARES ABOUT HIS FOSTER BROTHER. 776 00:33:58,737 --> 00:34:01,110 THAT'S YOUR LEVERAGE. 777 00:34:01,110 --> 00:34:03,372 You still need us to wait and talk to McCardle? 778 00:34:03,372 --> 00:34:06,175 NO. TELL JERRY HIS GIRLFRIEND'S FINE, 779 00:34:06,175 --> 00:34:08,677 AND HE DOESN'T HAVE TO WORRY ABOUT GATES ANYMORE. 780 00:34:08,677 --> 00:34:11,780 YOU KEEP COMING BACK FOR MORE. 781 00:34:11,780 --> 00:34:14,183 I LOOK FOR THAT IN A WOMAN. 782 00:34:14,183 --> 00:34:15,684 (folder thuds) 783 00:34:15,684 --> 00:34:17,826 WE FOUND PAUL. HE'S AT ST. BENJAMIN'S. 784 00:34:17,826 --> 00:34:19,828 WE KNOW THAT HE PRETENDED TO BE YOU 785 00:34:19,828 --> 00:34:21,830 THE NIGHT OF KIM FOSTER'S MURDER, 786 00:34:21,830 --> 00:34:24,533 AND I'M GONNA GET HIM TO TESTIFY AGAINST YOU. 787 00:34:24,533 --> 00:34:26,765 YOU DON'T KNOW PAUL. 788 00:34:26,765 --> 00:34:28,767 WELL, THEN WE'LL GO ANOTHER WAY. 789 00:34:28,767 --> 00:34:31,240 I'LL CHARGE HIM WITH ACCESSORY TO MURDER. (laughs) YOU CAN'T DO THAT. 790 00:34:31,240 --> 00:34:33,142 ACTUALLY, WE CAN. 791 00:34:33,142 --> 00:34:35,444 SING SING MIGHT HAVE BEEN A PICNIC FOR YOU, 792 00:34:35,444 --> 00:34:38,577 BUT HOW LONG DO YOU THINK PAUL IS GONNA SURVIVE IN THERE? 793 00:34:44,383 --> 00:34:48,086 PAUL DIDN'T KNOW WHAT WAS GOING ON. 794 00:34:48,086 --> 00:34:50,289 HE ONLY DID WHAT I TOLD HIM. 795 00:34:50,289 --> 00:34:52,291 THE ONLY WAY TO PROVE THAT 796 00:34:52,291 --> 00:34:54,293 IS BY TELLING ME THE WHOLE STORY. 797 00:34:54,293 --> 00:34:58,727 ONLY IF PAUL GETS IMMUNITY. 798 00:34:58,727 --> 00:35:01,700 (sighs) AND I WANT THAT IN WRITING. 799 00:35:13,442 --> 00:35:16,515 IS THAT HIM? 800 00:35:16,515 --> 00:35:19,218 THAT'S HIM. 801 00:35:19,218 --> 00:35:20,519 (clatters) 802 00:35:20,519 --> 00:35:23,352 MR. GATES, DID YOU KILL KIM FOSTER? 803 00:35:24,853 --> 00:35:28,257 YES. I KILLED ALL OF THEM. 804 00:35:28,257 --> 00:35:30,128 I WANT THEIR NAMES. 805 00:35:30,128 --> 00:35:31,630 LINDA RUSSO, 806 00:35:31,630 --> 00:35:34,303 BEFORE THAT, IT WAS SARA TOWNSEND, 807 00:35:34,303 --> 00:35:36,505 AND FIVE OTHERS. 808 00:35:40,209 --> 00:35:43,342 (Ryan) GATES CONFESSED TO EVERYTHING. 809 00:35:43,342 --> 00:35:45,844 WE GET TO CHALK ONE UP FOR THE GOOD GUYS. 810 00:35:45,844 --> 00:35:48,177 WHY THE LONG FACE? BECAUSE IF THIS WERE A BOOK, 811 00:35:48,177 --> 00:35:50,719 I STILL WOULDN'T UNDERSTAND THE OPERATION. 812 00:35:50,719 --> 00:35:53,722 VALVE REPLACEMENT. IT'S NO BIG DEAL. MY DAD HAD ONE. 813 00:35:53,722 --> 00:35:57,155 YEAH, IT IS IF YOU DON'T HAVE THE MONEY. WHO PAID FOR IT? I'M GUESSING GATES DID. 814 00:35:57,155 --> 00:35:59,458 MAYBE HE STASHED AWAY SOME MONEY FROM BEFORE PRISON. 815 00:35:59,458 --> 00:36:01,890 YEAH, BUT HE WAS OUT OF PRISON FOR A MONTH. 816 00:36:01,890 --> 00:36:04,393 WHY WAIT TILL NOW TO DO McCARDLE'S OPERATION? 817 00:36:04,393 --> 00:36:07,366 WELL, HE NEEDED McCARDLE TO HELP HIM WITH LINDA RUSSO 818 00:36:07,366 --> 00:36:09,498 AND KIM FOSTER. YEAH, I GUESS. 819 00:36:11,570 --> 00:36:12,871 (Ryan) PACKING UP? 820 00:36:12,871 --> 00:36:15,244 OH, JUST GETTING MY STUFF TOGETHER. 821 00:36:15,244 --> 00:36:17,906 ALL THAT STUFF FROM PRISON? WELL, YOU ACCUMULATE A LOT OF STUFF, 822 00:36:17,906 --> 00:36:19,908 YOU KNOW, EVEN IN THE SLAMMER. 823 00:36:19,908 --> 00:36:22,851 YOU WERE RIGHT ABOUT GATES. HE DID TRY TO GO AFTER DONNA. 824 00:36:22,851 --> 00:36:25,183 BUT SHE'S OKAY. AND GATES? 825 00:36:25,183 --> 00:36:27,286 HE CONFESSED. IT'S ALL OVER. 826 00:36:27,286 --> 00:36:29,458 THANK GOD. 827 00:36:29,458 --> 00:36:30,959 (zips zipper) 828 00:36:30,959 --> 00:36:33,962 AREN'T YOU GONNA ASK WHAT HAPPENED? 829 00:36:33,962 --> 00:36:36,865 TO YOUR GIRLFRIEND DONNA-- YOU DIDN'T ASK ABOUT HER. 830 00:36:36,865 --> 00:36:39,368 YOU JUST ASKED ABOUT GATES. DOESN'T MAKE ANY SENSE, 831 00:36:39,368 --> 00:36:40,929 UNLESS... 832 00:36:40,929 --> 00:36:43,902 SHE WAS SUPPOSED TO DIE. 833 00:36:43,902 --> 00:36:47,936 I-I DON'T KNOW WHAT Y-- AND McCARDLE DIDN'T GET THE MONEY FOR THE SURGERY 834 00:36:47,936 --> 00:36:49,908 UNTIL AFTER YOU GOT OUT OF PRISON. 835 00:36:49,908 --> 00:36:52,441 HE'S REMOVING ALL EVIDENCE HE WAS EVEN THERE. 836 00:36:52,441 --> 00:36:55,384 IT WAS HIM ALL ALONG. HE'S THE REAL TRIPLE KILLER. 837 00:36:55,384 --> 00:36:57,246 (grunts) OHH! 838 00:36:57,246 --> 00:36:58,587 OH! 839 00:36:58,587 --> 00:37:00,689 (clicks) 840 00:37:00,689 --> 00:37:02,451 GUILTY AS CHARGED. 841 00:37:02,451 --> 00:37:04,853 (breathes heavily) 842 00:37:12,301 --> 00:37:13,962 EXCELLENT WORK, DETECTIVE. THANK YOU, SIR. 843 00:37:13,962 --> 00:37:16,965 I HOPE YOU SAY THE SAME TO CASTLE. WHERE IS HE, BY THE WAY? 844 00:37:16,965 --> 00:37:19,968 I THOUGHT THAT THEY WOULD BE BACK BY NOW. MAYBE HE AND RYAN WENT OUT FOR A COLD ONE. 845 00:37:19,968 --> 00:37:22,711 AFTER A DAY LIKE TODAY. THAT'S WHAT I'M DOING. 846 00:37:22,711 --> 00:37:25,274 YOU CARE TO JOIN ME? YEAH. YEAH, I'D LOVE TO. 847 00:37:25,274 --> 00:37:26,975 THEN LET'S HIT IT. (laughs) 848 00:37:26,975 --> 00:37:28,647 (semi truck horn blows) 849 00:37:28,647 --> 00:37:30,919 THAT STORY ABOUT GATES GETTING ARRESTED, 850 00:37:30,919 --> 00:37:32,921 THAT WAS YOUR STORY, WASN'T IT? 851 00:37:32,921 --> 00:37:34,923 YOU WERE AFRAID YOU WERE GONNA GET CAUGHT, 852 00:37:34,923 --> 00:37:37,856 SO YOU HID IN PRISON. TOO BAD YOU DIDN'T FIGURE THAT OUT SOONER. 853 00:37:37,856 --> 00:37:39,858 TOO BAD YOU DIDN'T LEAVE SOONER. 854 00:37:39,858 --> 00:37:42,260 THE COPS WILL BE HERE ANY MINUTE. LOOKS LIKE DETECTIVE RYAN 855 00:37:42,260 --> 00:37:44,262 CALLED THE PRECINCT JUST BEFORE HE GOT HERE. 856 00:37:44,262 --> 00:37:46,264 THERE WON'T BE ANYBODY MISSING ME FOR A WHILE, 857 00:37:46,264 --> 00:37:48,837 AND BY THE TIME THEY DO, I'LL BE LONG GONE. YOU WON'T GET FAR. 858 00:37:48,837 --> 00:37:51,840 THEY ALREADY HAVE YOUR NAME, KNOW YOUR FACE. I'LL CHANGE THOSE. DONE THAT BEFORE. 859 00:37:51,840 --> 00:37:54,272 THAT'S PART OF THE FUN OF IT. 860 00:37:54,272 --> 00:37:56,044 FUN LIKE SETTING UP GATES? 861 00:37:56,044 --> 00:37:58,046 PAUL McCARDLE WAS THE ONLY PERSON IN THE WORLD 862 00:37:58,046 --> 00:37:59,548 THAT HE CARED ABOUT. 863 00:37:59,548 --> 00:38:01,610 ONCE I LEARNED THAT, THE REST WAS EASY. 864 00:38:01,610 --> 00:38:03,982 YOU NEVER KNOW WHEN YOU'LL NEED ONE OF THESE. 865 00:38:03,982 --> 00:38:07,015 BESIDES, GATES LIKED PRISON. YOU TAUGHT GATES EVERYTHING HE NEEDED TO KNOW 866 00:38:07,015 --> 00:38:09,017 TO TAKE THE FALL FOR THE TRIPLE KILLER MURDERS. 867 00:38:09,017 --> 00:38:12,290 AFTER THAT, ALL YOU HAD TO DO WAS PAY FOR PAUL'S SURGERY, 868 00:38:12,290 --> 00:38:13,992 AND YOU COULD WALK AWAY SCOT-FREE. 869 00:38:13,992 --> 00:38:16,695 THAT'S A BEAUTIFUL PLAN... UNDONE BY A DUFFEL BAG. 870 00:38:16,695 --> 00:38:18,667 I'M NOT UNDONE. I'M RIGHT HERE. 871 00:38:18,667 --> 00:38:20,669 I'LL RELOCATE. I'LL START OVER. 872 00:38:20,669 --> 00:38:22,671 IT MUST EAT YOU ALIVE, 873 00:38:22,671 --> 00:38:24,973 KNOWING THAT YOU CAME SO CLOSE TO CATCHING ME. 874 00:38:24,973 --> 00:38:27,736 BUT THIS IS A WINNER-TAKE-ALL TYPE OF GAME. 875 00:38:27,736 --> 00:38:29,538 OH, JERRY. 876 00:38:29,538 --> 00:38:30,709 (clicks) 877 00:38:30,709 --> 00:38:31,910 SHOOTING? 878 00:38:31,910 --> 00:38:34,042 IT'S NOT YOUR STYLE. 879 00:38:34,042 --> 00:38:37,416 OH, YOU REALLY DON'T KNOW ME AT ALL, DO YOU? 880 00:38:37,416 --> 00:38:40,449 OH, IT'S NOT COMPLICATED. 881 00:38:40,449 --> 00:38:43,091 YOU WERE RAISED BY A SINGLE MOTHER. 882 00:38:43,091 --> 00:38:45,654 SHE WAS BLONDE. OH, SHE WAS BEAUTIFUL. 883 00:38:45,654 --> 00:38:48,897 BUT... SHE NEVER WANTED YOU. 884 00:38:48,897 --> 00:38:51,059 WHEN YOU WERE, WHAT, 885 00:38:51,059 --> 00:38:54,433 12 I'M GUESSING, SHE DIED SUDDENLY. 886 00:38:54,433 --> 00:38:56,905 LET'S SAY DRUG OVERDOSE. 887 00:38:56,905 --> 00:38:59,838 YOU GO INTO FOSTER CARE, THE BAD KIND. 888 00:38:59,838 --> 00:39:02,941 YOU HAVE SO MUCH HATE... 889 00:39:02,941 --> 00:39:04,913 SO MUCH HATE TOWARDS YOUR MOTHER 890 00:39:04,913 --> 00:39:06,775 FOR ABANDONING YOU... 891 00:39:06,775 --> 00:39:09,778 THAT YOU KILL THESE WOMEN TO GET BACK AT HER. 892 00:39:09,778 --> 00:39:11,780 BUT YOU LEAVE THEM LOOKING PEACEFUL, 893 00:39:11,780 --> 00:39:13,952 BECAUSE AS MUCH AS YOU HATED YOUR MOTHER... 894 00:39:13,952 --> 00:39:16,084 YOU LOVED YOUR MOTHER. 895 00:39:16,084 --> 00:39:18,787 AM I GETTING WARM? 896 00:39:18,787 --> 00:39:23,432 YOU'RE DRAWN TO DEATH. 897 00:39:23,432 --> 00:39:26,364 YOU LIKE TO BE AROUND IT 'CAUSE IT THRILLS YOU. 898 00:39:26,364 --> 00:39:28,867 NOW WHERE DOES THAT COME FROM? 899 00:39:28,867 --> 00:39:33,371 YOUR OWN SUPPRESSED IMPULSES? 900 00:39:36,445 --> 00:39:39,077 HOW CLOSE... 901 00:39:39,077 --> 00:39:41,049 TO DEATH... 902 00:39:41,049 --> 00:39:43,111 DO YOU WANT TO GET? 903 00:39:43,111 --> 00:39:45,814 HUH? 904 00:39:45,814 --> 00:39:47,816 (cell phone buzzes) 905 00:39:47,816 --> 00:39:49,958 (buzz) 906 00:39:49,958 --> 00:39:51,990 (buzz) 907 00:39:51,990 --> 00:39:53,622 (buzz) 908 00:39:53,622 --> 00:39:55,163 (buzz) 909 00:39:55,163 --> 00:39:57,766 DON'T SAY ANYTHING YOU SHOULDN'T. 910 00:39:57,766 --> 00:39:59,768 (buzzes and beeps) 911 00:39:59,768 --> 00:40:00,929 HELLO. 912 00:40:00,929 --> 00:40:02,971 Darling, I just wanted you to know, 913 00:40:02,971 --> 00:40:05,974 YOUR CONSPIRACY THEORIES ARE COMPLETELY UNFOUNDED. 914 00:40:05,974 --> 00:40:08,136 MY CONSPIRACY THEORIES? 915 00:40:08,136 --> 00:40:09,508 Uh-huh. 916 00:40:09,508 --> 00:40:11,079 Alexis' secret admirer 917 00:40:11,079 --> 00:40:13,682 IS ASHLEY, HER BOYFRIEND. 918 00:40:13,682 --> 00:40:14,983 OH, THAT'S GREAT. THANKS. 919 00:40:14,983 --> 00:40:17,916 Yeah, and he's a very charming young man. 920 00:40:17,916 --> 00:40:21,049 So anyway, no need to worry. All's well that ends well. 921 00:40:21,049 --> 00:40:22,521 Richard? 922 00:40:24,422 --> 00:40:26,795 I LOVE YOU. 923 00:40:26,795 --> 00:40:28,457 (beep) 924 00:40:28,457 --> 00:40:31,860 I DON'T THINK THERE'S ANYTHING MORE TO SAY. 925 00:40:31,860 --> 00:40:33,201 (gun action clicks) 926 00:40:47,476 --> 00:40:49,918 (gate squeaks) 927 00:40:49,918 --> 00:40:52,050 (engines revving) 928 00:40:52,050 --> 00:40:55,153 (tires screeching) 929 00:40:55,153 --> 00:40:58,527 (sirens wailing) 930 00:40:58,527 --> 00:41:01,730 (man) LET'S GO. BRAD, TAKE THE BACK! 931 00:41:01,730 --> 00:41:03,992 (man) ON IT! (man) Units, switch over to Tac-2. 932 00:41:03,992 --> 00:41:05,864 (man) CLEAR THE ALLEY! (shouts indistinctly) 933 00:41:05,864 --> 00:41:08,166 (man) Switch Tac-2. Copy. (pounding on door) 934 00:41:08,166 --> 00:41:11,840 (man) MA'AM, STAY IN YOUR ROOM. (man) EVERYBODY, GO BACK! 935 00:41:11,840 --> 00:41:13,872 CASTLE?! CLEAR. HE'S GONE. 936 00:41:13,872 --> 00:41:16,605 I'M FINE. RYAN NEEDS AN AMBULANCE. 937 00:41:16,605 --> 00:41:19,177 NO, I DON'T. (Esposito) HEY, WHAT THE HELL HAPPENED HERE? 938 00:41:19,177 --> 00:41:20,979 I'M SO GLAD THAT YOU'RE OKAY. 939 00:41:20,979 --> 00:41:24,012 HE'S THE TRIPLE KILLER. HE SET GATES UP TO BE A COPYCAT. 940 00:41:24,012 --> 00:41:26,014 I KNOW. I DID THE MATH 941 00:41:26,014 --> 00:41:28,186 WHEN YOU AND RYAN DIDN'T COME BACK FROM TALKING TO JERRY. 942 00:41:28,186 --> 00:41:29,988 HOW DID YOU KNOW TO COME HERE? 943 00:41:29,988 --> 00:41:31,990 (exhales deeply) YOUR MOM CALLED. 944 00:41:31,990 --> 00:41:34,693 SHE SAID THAT YOU TOLD HER THAT YOU LOVED HER, 945 00:41:34,693 --> 00:41:37,065 AND SHE FIGURED SOMETHING MUST BE TERRIBLY WRONG. 946 00:41:37,065 --> 00:41:39,728 I FIGURED SHE MIGHT. 947 00:41:39,728 --> 00:41:42,100 GOOD GIRL. 948 00:41:42,100 --> 00:41:45,073 (emergency radio chatter) 949 00:41:45,073 --> 00:41:48,877 (officers speaking indistinctly) 950 00:41:48,877 --> 00:41:52,911 (radio chatter continues) 951 00:41:52,911 --> 00:41:54,743 HERE YOU GO. 952 00:41:54,743 --> 00:41:56,044 (man speaks indistinctly) 953 00:41:56,044 --> 00:41:57,686 THANKS. 954 00:41:57,686 --> 00:41:59,247 MM-HMM. 955 00:41:59,247 --> 00:42:01,049 (radio chatter continues) 956 00:42:01,049 --> 00:42:02,991 TELL ME SOMETHING, CASTLE. 957 00:42:02,991 --> 00:42:05,994 WHY DID HE LET YOU LIVE? 958 00:42:07,756 --> 00:42:09,858 TO PUNISH ME. 959 00:42:09,858 --> 00:42:13,061 TO MAKE ME PAY FOR RUINING HIS PLAN. 960 00:42:15,634 --> 00:42:17,105 NOW HE'S GONNA KILL AGAIN, 961 00:42:17,105 --> 00:42:19,237 ALL BECAUSE I COULDN'T STOP HIM. 962 00:42:19,237 --> 00:42:24,042 AND I FEEL SO... 963 00:42:31,119 --> 00:42:34,653 I KNOW THE FEELING. 964 00:42:34,653 --> 00:42:36,955 I KNOW YOU DO. 965 00:42:36,955 --> 00:42:39,958 (radio chatter continues)