1 00:00:01,572 --> 00:00:04,004 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,004 --> 00:00:05,706 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:05,706 --> 00:00:08,139 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,139 --> 00:00:10,041 CASTLE. CASTLE. 5 00:00:10,041 --> 00:00:13,084 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,084 --> 00:00:14,515 AND I'VE FOUND MINE. I'M DETECTIVE KATE BECKETT. 7 00:00:14,515 --> 00:00:16,087 BECKETT. AAH! 8 00:00:16,087 --> 00:00:18,349 BECKETT? COULD YOU GET SOME BACKUP, PLEASE? 9 00:00:18,349 --> 00:00:20,351 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:20,351 --> 00:00:22,053 I GET TO BE ON HER CASE. OH! 11 00:00:22,053 --> 00:00:24,655 DO I LOOK LIKE A KILLER TO YOU? YES, YOU KILL MY PATIENCE. 12 00:00:24,655 --> 00:00:27,798 AND TOGETHER, WE CATCH KILLERS. 13 00:00:27,798 --> 00:00:30,131 I HATE THIS CASE. I KNOW. ISN'T IT GREAT? 14 00:00:33,804 --> 00:00:36,207 MOM. 15 00:00:36,207 --> 00:00:39,540 MOM. 16 00:00:39,540 --> 00:00:42,343 MOM, ARE YOU HERE? 17 00:00:58,629 --> 00:01:01,192 (keypad beeping) 18 00:01:01,192 --> 00:01:03,194 COME ON. 19 00:01:03,194 --> 00:01:05,336 COME ON, MOM. ANSWER. 20 00:01:05,336 --> 00:01:09,100 (cell phone rings) 21 00:01:09,100 --> 00:01:13,104 (ring) 22 00:01:13,104 --> 00:01:17,378 (ring) 23 00:01:17,378 --> 00:01:19,580 (ring) 24 00:01:19,580 --> 00:01:21,152 (gasps) 25 00:01:21,152 --> 00:01:23,754 (ring) 26 00:01:23,754 --> 00:01:26,457 (grunts) OH! 27 00:01:26,457 --> 00:01:28,819 AAH! 28 00:01:33,424 --> 00:01:34,865 (Martha) OH, HELLO. 29 00:01:34,865 --> 00:01:37,528 SHOULDN'T YOU BE IN SCHOOL ALREADY? 30 00:01:37,528 --> 00:01:39,770 SCHOOL DOESN'T START FOR ANOTHER HOUR. 31 00:01:39,770 --> 00:01:42,433 YEAH. IF YOU WERE HOPING TO DO THE WALK OF SHAME IN PRIVATE, 32 00:01:42,433 --> 00:01:44,135 YOU'RE OUTTA LUCK. 33 00:01:44,135 --> 00:01:47,208 OH, DON'T BE SILLY. I JUST DIDN'T REALIZE HOW EARLY IT WAS. 34 00:01:47,208 --> 00:01:50,341 I HAVE BEEN A BIT DISTRACTED THIS MORNING. 35 00:01:50,341 --> 00:01:52,883 DO YOU MEAN DISTRACTED, OR HYPNOTIZED BY THAT GIANT ROCK 36 00:01:52,883 --> 00:01:54,715 ON YOUR FINGER?! (laughs) 37 00:01:54,715 --> 00:01:56,887 WOW. DID CHET PALABURN PROPOSE? 38 00:01:56,887 --> 00:01:59,690 UH, ALEXIS, I THINK IT'S ABOUT TIME WE START 39 00:01:59,690 --> 00:02:02,423 CALLING HIM UNCLE CHET. OH, NOW WAIT A MINUTE. WAIT A MINUTE, YOU TWO. 40 00:02:02,423 --> 00:02:04,425 I AM NOT ENGAGED, ALL RIGHT? 41 00:02:04,425 --> 00:02:06,797 YES, CHET DID PROPOSE LAST NIGHT, 42 00:02:06,797 --> 00:02:08,899 AND I TOLD HIM, YOU KNOW, I NEEDED TIME TO THINK ABOUT IT, 43 00:02:08,899 --> 00:02:11,902 AND HE INSISTED I KEEP THE RING WHILE I MAKE UP MY MIND, SO... 44 00:02:11,902 --> 00:02:13,604 MM. SMART MAN. MM. 45 00:02:13,604 --> 00:02:15,806 DIAMONDS CAN BE VERY PERSUASIVE. 46 00:02:15,806 --> 00:02:18,809 I CAN HEAR IT NOW, WHISPERING... (whispers) "KEEP ME. KEEP ME." 47 00:02:18,809 --> 00:02:21,812 (laughs) UNFORTUNATELY, NOW THAT CHET HAS UPPED THE ANTE, 48 00:02:21,812 --> 00:02:24,875 AS THEY SAY, I'M GOING TO HAVE TO DECIDE 49 00:02:24,875 --> 00:02:27,618 WHETHER I'M IN OR I'M OUT. 50 00:02:27,618 --> 00:02:30,181 I THOUGHT YOU LOVED CHET. 51 00:02:30,181 --> 00:02:32,653 OH, I DO LOVE HIM, DARLING. I REALLY DO. I J--I... 52 00:02:32,653 --> 00:02:34,755 WELL, YOU KNOW, IT'S JUST THAT FOR ME, IT'S, UH-- 53 00:02:34,755 --> 00:02:36,457 THE THRILL IS GONE. 54 00:02:36,457 --> 00:02:37,788 YES, 55 00:02:37,788 --> 00:02:40,931 AND IT'S BEEN GONE FOR QUITE A WHILE. 56 00:02:40,931 --> 00:02:43,163 ALTHOUGH THIS LITTLE FELLA DID BRING IT BACK 57 00:02:43,163 --> 00:02:45,196 FOR ABOUT TEN MINUTES. (chuckles) (laughs) 58 00:02:45,196 --> 00:02:48,539 IF HE'S NOT THE ONE, THEN I GUESS YOU SHOULDN'T MARRY HIM. THAT'S NEVER STOPPED HER BEFORE. 59 00:02:48,539 --> 00:02:51,472 AND WE MISS HAVING YOU HERE ALL THE TIME. AW. 60 00:02:51,472 --> 00:02:53,604 DON'T WE, DAD? 61 00:02:53,604 --> 00:02:55,876 (Martha and Alexis) DAD? (cell phone rings) 62 00:02:55,876 --> 00:02:57,708 MM. SAVED BY THE BELL. 63 00:02:57,708 --> 00:02:58,879 (beeps) 64 00:02:58,879 --> 00:03:01,352 AH, IT'S BECKETT. CASTLE. 65 00:03:01,352 --> 00:03:02,883 HEY, DID I HEAR YOU RIGHT? 66 00:03:02,883 --> 00:03:06,757 OUR VICTIM IS VIVIEN MARCHAND, THE PSYCHIC MEDIUM? 67 00:03:06,757 --> 00:03:08,259 YOU'VE HEARD OF HER? 68 00:03:08,259 --> 00:03:10,721 YEAH. SHE WAS VERY POPULAR IN CERTAIN MANHATTAN CIRCLES. 69 00:03:10,721 --> 00:03:13,224 HUH. MATTER OF FACT, SHE DID A READING FOR ME 70 00:03:13,224 --> 00:03:15,226 AT A SOCIETY PARTY ABOUT EIGHT YEARS AGO. 71 00:03:15,226 --> 00:03:16,827 IT WAS PRETTY EXTRAORDINARY. 72 00:03:16,827 --> 00:03:18,369 "EXTRAORDINARY"? 73 00:03:18,369 --> 00:03:19,870 SHE GOT EVERYTHING RIGHT. 74 00:03:19,870 --> 00:03:21,872 YOU KNOW WHAT? COME TO THINK OF IT, 75 00:03:21,872 --> 00:03:24,235 SHE TOLD ME THAT A BEAUTIFUL WOMAN 76 00:03:24,235 --> 00:03:27,738 WOULD ONE DAY MOVE INTO MY LOFT AND STAY WITH ME FOREVER. 77 00:03:27,738 --> 00:03:30,741 SHE NEGLECTED TO MENTION IT WAS MY MOTHER. 78 00:03:30,741 --> 00:03:33,414 (Ryan chuckles) HOW DID SHE DIE? 79 00:03:33,414 --> 00:03:35,916 STABBED IN THE BACK OF THE NECK WITH AN ICE PICK, 80 00:03:35,916 --> 00:03:38,549 AND THEN STUFFED INTO THE SOFA. SO SHE DIDN'T SEE THAT COMING. 81 00:03:38,549 --> 00:03:39,920 (Beckett) WHEN DID SHE DIE? 82 00:03:39,920 --> 00:03:43,354 SHE'S IN FULL RIGOR. I'D SAY YESTERDAY AFTERNOON 83 00:03:43,354 --> 00:03:45,796 IS THE APPROXIMATE TIME OF DEATH. (Esposito) I GOT A MAINTENANCE WORKER 84 00:03:45,796 --> 00:03:47,798 SAID HE SAW A MAN LEAVING THE BACK DOOR 85 00:03:47,798 --> 00:03:50,861 OF VIVIEN'S OFFICE AROUND 2:30 YESTERDAY AFTERNOON. DESCRIPTION? 86 00:03:50,861 --> 00:03:53,003 TALL, CAUCASIAN AND TOUGH LOOKING. ALL RIGHT, RYAN, CHECK VIVIEN'S CALENDAR, 87 00:03:53,003 --> 00:03:55,005 AND LET'S INTERVIEW HER CLIENTS FROM YESTERDAY. 88 00:03:55,005 --> 00:03:57,368 MAYBE ONE OF THEM SAW THE GUY. 89 00:03:57,368 --> 00:03:59,910 WHAT I DON'T GET IS, WHY PUT HER IN THE COUCH? 90 00:03:59,910 --> 00:04:02,673 (Lanie) SHE WAS ALIVE WHEN SHE WENT IN. 91 00:04:02,673 --> 00:04:04,915 THESE SCRATCHES ON HER FACE INDICATE THAT SHE TRIED TO MOVE. 92 00:04:04,915 --> 00:04:08,018 I'M GONNA GET HER BACK TO THE LAB. 93 00:04:08,018 --> 00:04:10,321 SHE'S GOT A NOTATION HERE FOR 3:00 P.M. YESTERDAY. 94 00:04:10,321 --> 00:04:12,823 IT JUST SAYS "T.J." 95 00:04:12,823 --> 00:04:14,485 AND NOTHING ELSE? 96 00:04:14,485 --> 00:04:17,428 NOPE. MAYBE T.J. WAS A GHOST COMING TO VISIT. 97 00:04:17,428 --> 00:04:19,960 MEDIUMS ARE THE ONES THAT CAN SEE GHOSTS, RIGHT, CASTLE? YES, PSYCHICS CAN TELL THE FUTURE. 98 00:04:19,960 --> 00:04:22,933 MEDIUMS CAN TELL THE FUTURE AND TALK TO THE DEAD. 99 00:04:22,933 --> 00:04:24,965 THAT'S LIKE SAYING THAT PSYCHICS ARE CON ARTISTS, 100 00:04:24,965 --> 00:04:26,997 AND MEDIUMS ARE CON ARTISTS AND CHARLATANS. 101 00:04:26,997 --> 00:04:29,340 I MEAN, IN THE END, THEY'RE ALL JUST FAKES. 102 00:04:29,340 --> 00:04:31,672 YOU SOUND PRETTY CERTAIN OF YOURSELF. 103 00:04:31,672 --> 00:04:34,445 THAT'S BECAUSE WHEN I STARTED AS A COP, 104 00:04:34,445 --> 00:04:37,608 I WASTED A LOT OF TIME ON CLAIRVOYANTS CALLING TIP LINES 105 00:04:37,608 --> 00:04:39,610 WITH INFORMATION THAT NEVER LED TO ANYTHING. 106 00:04:39,610 --> 00:04:41,782 I MEAN, I'M SURPRISED YOU'RE SO GULLIBLE. 107 00:04:41,782 --> 00:04:43,784 I'M NOT SAYING I CAN SPEAK WITH THE DEAD. 108 00:04:43,784 --> 00:04:46,517 I'M JUST WILLING TO ADMIT THAT THERE ARE PEOPLE IN THIS WORLD 109 00:04:46,517 --> 00:04:49,920 WHO ARE MORE SENSITIVE THAN ME. NOW THAT'S NOT HARD TO BELIEVE. 110 00:04:49,920 --> 00:04:52,363 WALKED RIGHT INTO THAT ONE. MM-HMM. 111 00:04:52,363 --> 00:04:54,365 (Beckett) MS. MARCHAND, DO YOU KNOW OF ANYONE 112 00:04:54,365 --> 00:04:56,497 THAT MIGHT HAVE WANTED TO HARM YOUR MOTHER? 113 00:04:56,497 --> 00:04:58,929 (sniffles) SHE WAS A VERY SPIRITUAL PERSON. 114 00:04:58,929 --> 00:05:00,501 SHE DIDN'T HAVE ANY ENEMIES. 115 00:05:00,501 --> 00:05:02,833 A WITNESS SAW A TALL, DARK-HAIRED MAN 116 00:05:02,833 --> 00:05:05,436 LEAVING HERE AROUND 2:30 YESTERDAY. 117 00:05:05,436 --> 00:05:07,838 DOES THAT SOUND LIKE ANYONE YOUR MOTHER KNOWS? 118 00:05:07,838 --> 00:05:10,040 WHEN WAS THE LAST TIME YOU TWO TALKED? 119 00:05:10,040 --> 00:05:11,742 AROUND 1:00. 120 00:05:11,742 --> 00:05:13,884 SHE SAID SHE HAD HER LAST CLIENT OF THE DAY, 121 00:05:13,884 --> 00:05:17,718 AND THEN SHE WAS GONNA SPEND THE AFTERNOON IN MEDITATION. 122 00:05:17,718 --> 00:05:19,990 DO YOU KNOW THE CLIENT'S NAME? 123 00:05:19,990 --> 00:05:21,992 NO. IT WAS A MOTHER AND A DAUGHTER. 124 00:05:21,992 --> 00:05:23,894 THEIR NAMES SHOULD BE IN HER BOOK. 125 00:05:23,894 --> 00:05:26,957 WELL, THERE WAS A NOTATION IN HER CALENDAR 126 00:05:26,957 --> 00:05:29,860 AT 3:00-- THE INITIALS "T.J." 127 00:05:29,860 --> 00:05:32,332 DOES THAT MEAN ANYTHING TO YOU? 128 00:05:32,332 --> 00:05:34,905 NO. I'M SORRY I CAN'T BE MORE HELPFUL. 129 00:05:34,905 --> 00:05:37,938 HEY, I REMEMBER THIS CASE. 130 00:05:37,938 --> 00:05:39,770 A GUY'S WIFE GOES MISSING, 131 00:05:39,770 --> 00:05:41,572 HE SEEMS GENUINELY DISTRAUGHT, 132 00:05:41,572 --> 00:05:43,574 AND THEN THE COPS FIND OUT HE HAD A GIRLFRIEND 133 00:05:43,574 --> 00:05:45,846 AND THAT HIS MARRIAGE WAS ON THE ROCKS. YEAH. 134 00:05:45,846 --> 00:05:47,848 DID YOUR MOTHER HELP ON THAT CASE? 135 00:05:47,848 --> 00:05:49,980 YEAH, SHE HAD A VISION OF HIM AT A LOCAL BAR 136 00:05:49,980 --> 00:05:51,982 WITH THIS PRETTY BLONDE NAMED AMBER, 137 00:05:51,982 --> 00:05:53,984 SO SHE WENT TO THE POLICE WITH THE INFORMATION. 138 00:05:53,984 --> 00:05:56,857 THAT'S WHEN THEY STARTED LOOKING AT HIM AS A SUSPECT. 139 00:05:56,857 --> 00:05:58,859 AND THEN WHAT HAPPENED? HE WENT TO PRISON. 140 00:05:58,859 --> 00:06:01,392 THAT CASE REALLY PUT MY MOM ON THE MAP. 141 00:06:01,392 --> 00:06:02,863 DID YOUR MOTHER CONTINUE 142 00:06:02,863 --> 00:06:05,496 OFFERING THE POLICE HELP AFTER THAT? YES, ALL OVER THE COUNTRY. 143 00:06:05,496 --> 00:06:07,768 MY MOTHER HELPED PUT AWAY OVER A DOZEN PEOPLE 144 00:06:07,768 --> 00:06:10,471 IN THE LAST TEN YEARS. 145 00:06:10,471 --> 00:06:12,903 SO HERE'S THE LIST OF ALL THE PEOPLE THAT PENNY MARCHAND 146 00:06:12,903 --> 00:06:14,845 CLAIMS HER MOM HELPED TO CONVICT. 147 00:06:14,845 --> 00:06:16,847 LET'S SEE IF ANY OF THEM ARE OUT OF JAIL 148 00:06:16,847 --> 00:06:18,849 AND STILL HOLDING A GRUDGE. ON IT. 149 00:06:18,849 --> 00:06:20,851 VIVIEN'S 1:00 MONDAY CLIENTS ARE HERE. 150 00:06:20,851 --> 00:06:22,853 THEY SAY THEY GOT A GOOD LOOK 151 00:06:22,853 --> 00:06:24,855 AT THE DARK-HAIRED GUY WHO WAS IN HER OFFICE. 152 00:06:24,855 --> 00:06:26,857 NAMES ARE PAULA AND MARINA CASILLAS. 153 00:06:26,857 --> 00:06:29,159 "CASILLAS"? THAT'S A GOOD NAME. 154 00:06:29,159 --> 00:06:30,821 HARD TO POSSESSIVE PLURALIZE, THOUGH. 155 00:06:30,821 --> 00:06:32,663 (imitates Ricardo Montalban) THE CASILLASES' CAR 156 00:06:32,663 --> 00:06:34,064 HAS BROKEN DOWN, 157 00:06:34,064 --> 00:06:36,597 SO THEY WILL BE LATE FOR THE SYMPHONY. 158 00:06:36,597 --> 00:06:38,929 THE CASILLAS--S-- CASILLASES-ES... 159 00:06:38,929 --> 00:06:40,901 THEY'RE WAITING FOR YOU IN THE LOUNGE. 160 00:06:40,901 --> 00:06:42,603 ALL RIGHT. THANKS. 161 00:06:42,603 --> 00:06:45,506 USUALLY, WE'RE HER LAST CLIENTS ON MONDAY, 162 00:06:45,506 --> 00:06:47,007 BUT WHEN WE LEFT, 163 00:06:47,007 --> 00:06:49,009 THERE WAS A MAN THERE WAITING FOR VIVIEN. 164 00:06:49,009 --> 00:06:52,142 SHE SEEMED SURPRISED TO SEE HIM, LIKE HE WASN'T EXPECTED. 165 00:06:52,142 --> 00:06:54,485 OH, AND HE SEEMED UPSET. I COULD TELL. 166 00:06:54,485 --> 00:06:57,648 COULD YOU DESCRIBE HIM? HE WAS WEARING DARK CLOTHES. 167 00:06:57,648 --> 00:07:00,020 HE HAD BLACK HAIR, GOING GRAY AT THE TEMPLES. 168 00:07:00,020 --> 00:07:02,893 OH, AND HE HAD A SCAR ON HIS FACE. 169 00:07:02,893 --> 00:07:04,895 I THINK SHE CALLED HIM ALFRED. 170 00:07:04,895 --> 00:07:06,597 OR WAS IT ALBERT? 171 00:07:06,597 --> 00:07:09,159 OKAY. WELL, THANK YOU, BOTH. YOU'VE BEEN VERY HELPFUL. 172 00:07:09,159 --> 00:07:11,902 HOW LONG HAD YOU BEEN GOING TO SEE VIVIEN? FOUR MONTHS. 173 00:07:11,902 --> 00:07:14,605 MY HUSBAND EMILIO PASSED AWAY IN APRIL. 174 00:07:14,605 --> 00:07:16,907 WE BOTH MISS HIM SO MUCH. 175 00:07:16,907 --> 00:07:19,069 SO SHE WAS HELPING YOU GET CLOSURE. 176 00:07:19,069 --> 00:07:21,041 YES. 177 00:07:21,041 --> 00:07:23,744 EVEN AT OUR FIRST SESSION, VIVIEN... 178 00:07:23,744 --> 00:07:26,547 ALREADY KNEW SO MUCH ABOUT MY EMILIO. 179 00:07:26,547 --> 00:07:27,878 LIKE WHAT? 180 00:07:27,878 --> 00:07:30,721 WELL, SHE KNEW HE MADE VITAMINS FOR A LIVING. 181 00:07:30,721 --> 00:07:33,584 SHE KNEW HE LOVED ARROZ CON POLLO. 182 00:07:33,584 --> 00:07:36,056 SHE ALSO KNEW HE WAS A WORKAHOLIC. 183 00:07:36,056 --> 00:07:38,559 AND THAT HE EVEN DIED AT THE OFFICE. 184 00:07:38,559 --> 00:07:39,990 VIVIEN SAID SHE THOUGHT DADDY 185 00:07:39,990 --> 00:07:42,663 HAD SOMETHING VERY IMPORTANT TO TELL US. 186 00:07:42,663 --> 00:07:46,497 SHE WAS GOING TO COMMUNE WITH HIS SPIRIT LAST NIGHT. 187 00:07:47,938 --> 00:07:50,871 NOW WE'LL NEVER KNOW. 188 00:07:50,871 --> 00:07:54,044 YOU'RE NOT GONNA BELIEVE THIS. 189 00:07:54,044 --> 00:07:57,908 VIVIEN'S DAUGHTER IS PRETTY SURE THAT "ALBERT" IS ALBERT MORENO. 190 00:07:57,908 --> 00:08:00,050 ALBERT "THE BLADE" MORENO? 191 00:08:00,050 --> 00:08:02,052 FORMER MUSCLE FOR THE SPOLANO CRIME FAMILY. 192 00:08:02,052 --> 00:08:04,955 SO VIVIEN HELPED PUT HIM AWAY. MNH-MNH. HE'S HER CLIENT. 193 00:08:04,955 --> 00:08:07,588 VIVIEN TOLD ALBERT THAT IF HE INVESTED IN 194 00:08:07,588 --> 00:08:10,120 A NEW JERSEY REAL ESTATE DEAL, TRUE HAPPINESS WOULD BE HIS. 195 00:08:10,120 --> 00:08:12,963 THE DEAL FELL THROUGH A MONTH AGO. HE LOST EVERYTHING. 196 00:08:12,963 --> 00:08:16,096 OUCH. YOU GIVE A GUY LIKE THAT BAD ADVICE, 197 00:08:16,096 --> 00:08:18,799 HE'LL SEE TO IT YOU ARE SLEEPING WITH THE FISHES. 198 00:08:18,799 --> 00:08:21,602 OR YOU GET STABBED IN THE NECK WITH AN ICE PICK... 199 00:08:21,602 --> 00:08:24,605 AND STUFFED IN A COUCH. 200 00:08:36,787 --> 00:08:39,249 (Castle) WHOA. 201 00:08:39,249 --> 00:08:41,251 ALBERT MORENO IS SURE LIVING LARGE 202 00:08:41,251 --> 00:08:43,594 FOR A LOW-LEVEL MOBSTER. 203 00:08:43,594 --> 00:08:45,596 WELL, I GUESS MOB MONEY GOES A LITTLE FARTHER 204 00:08:45,596 --> 00:08:47,297 WHEN YOU DON'T PAY TAXES ON IT. 205 00:08:47,297 --> 00:08:50,230 AND YET, FOR ALBERT, NOT QUITE FAR ENOUGH. 206 00:08:50,230 --> 00:08:52,733 LOREEN CARTER FROM REAL SMART REAL ESTATE. 207 00:08:52,733 --> 00:08:55,706 THIS HOUSE IS A TUSCAN JEWEL, 208 00:08:55,706 --> 00:08:57,237 AND IT'S PERFECT FOR A YOUNG COUPLE. 209 00:08:57,237 --> 00:08:59,009 WE'RE HERE FOR MR. MORENO. 210 00:08:59,009 --> 00:09:01,912 YES. I WENT TO SEE HER. 211 00:09:01,912 --> 00:09:03,213 THREE MONTHS AGO, 212 00:09:03,213 --> 00:09:06,577 VIVIEN TOLD ME I SHOULD INVEST IN SOME REAL ESTATE DEAL. 213 00:09:06,577 --> 00:09:09,650 SHE KNEW THAT I HAD... 214 00:09:09,650 --> 00:09:10,951 QUIT MY DAY JOB. 215 00:09:10,951 --> 00:09:13,123 I WAS LOOKING TO SET MYSELF UP FOR RETIREMENT. 216 00:09:13,123 --> 00:09:15,826 SHE TOLD YOU THE INVESTMENT WOULD BRING YOU TRUE HAPPINESS, 217 00:09:15,826 --> 00:09:18,188 BUT INSTEAD, YOU LOST IT ALL. 218 00:09:18,188 --> 00:09:21,061 I WAS... 219 00:09:21,061 --> 00:09:22,593 UPSET. 220 00:09:22,593 --> 00:09:25,736 AND THEN SHE CANCELED OUR LAST APPOINTMENT 221 00:09:25,736 --> 00:09:27,698 AND STOPPED RETURNING MY PHONE CALLS. 222 00:09:27,698 --> 00:09:29,700 AND THEN YOU DECIDED TO PAY HER A VISIT 223 00:09:29,700 --> 00:09:30,971 YESTERDAY AROUND 2:00? 224 00:09:30,971 --> 00:09:32,973 I TOLD HER, I'M ON MY WAY TO MEET MY BROKER. 225 00:09:32,973 --> 00:09:35,305 I'M SELLING MY HOME BECAUSE I CAN'T PAY MY MORTGAGE NO MORE. 226 00:09:35,305 --> 00:09:37,307 AND THEN WHAT HAPPENED, MR. MORENO? DID YOU GET ANGRY? 227 00:09:37,307 --> 00:09:38,979 DID THINGS GET PHYSICAL? 228 00:09:38,979 --> 00:09:42,182 NO. BUT I WAS MAD. 229 00:09:42,182 --> 00:09:46,056 AND WHEN I'M MAD, SOMETIMES PEOPLE GET NERVOUS. 230 00:09:46,056 --> 00:09:47,017 (gulps) 231 00:09:47,017 --> 00:09:49,219 SHE BEGGED ME TO LET THE UNIVERSE 232 00:09:49,219 --> 00:09:50,921 SORT ITSELF OUT, 233 00:09:50,921 --> 00:09:54,064 AND SHE SAID SHE WAS LATE FOR AN APPOINTMENT UPTOWN. 234 00:09:54,064 --> 00:09:55,966 DID SHE SAY WITH WHOM? 235 00:09:55,966 --> 00:09:59,029 NO. BY THEN, I WAS LATE TO MEET MY BROKER, 236 00:09:59,029 --> 00:10:01,031 SO I LEFT, ABOUT 2:30. 237 00:10:01,031 --> 00:10:02,903 AND JUST LIKE THAT... 238 00:10:05,976 --> 00:10:07,607 THE UNIVERSE? 239 00:10:07,607 --> 00:10:10,841 IT SORTED ITSELF OUT. 240 00:10:10,841 --> 00:10:14,214 I'M--I'M SORRY. I DON'T UNDERSTAND. 241 00:10:14,214 --> 00:10:16,747 TURNS OUT, MY, UH, BROKER'S PARTNER 242 00:10:16,747 --> 00:10:20,891 IS, UH, LOREEN HERE, MY HIGH SCHOOL SWEETHEART. 243 00:10:20,891 --> 00:10:22,192 (kisses) (Loreen chuckles) 244 00:10:22,192 --> 00:10:25,195 WE BROKE UP IN '82, BUT WE NEVER GOT OVER EACH OTHER. 245 00:10:25,195 --> 00:10:27,197 THE MINUTE I LAID EYES ON HER AGAIN, 246 00:10:27,197 --> 00:10:29,199 I HAVEN'T LEFT HER SIDE, 247 00:10:29,199 --> 00:10:31,932 AND I NEVER BEEN SO HAPPY. 248 00:10:31,932 --> 00:10:33,864 (Castle) SO... VIVIEN WAS RIGHT. 249 00:10:33,864 --> 00:10:35,866 INVESTING IN THE REAL ESTATE DEAL 250 00:10:35,866 --> 00:10:37,237 BROUGHT YOU TO BANKRUPTCY, 251 00:10:37,237 --> 00:10:39,940 WHICH, IN TURN, BROUGHT YOU TO LOREEN 252 00:10:39,940 --> 00:10:42,713 AND TRUE HAPPINESS. 253 00:10:42,713 --> 00:10:44,915 EXTRAORDINARY. 254 00:10:44,915 --> 00:10:46,076 (sighs) 255 00:10:46,076 --> 00:10:48,078 (Castle) SO WHAT DO YOU THINK? 256 00:10:48,078 --> 00:10:51,081 WELL, I THINK IT'S POSSIBLE HE MIGHT HAVE KILLED VIVIEN 257 00:10:51,081 --> 00:10:53,053 BEFORE THE UNIVERSE RIGHTED ITSELF. 258 00:10:53,053 --> 00:10:55,055 NOT ABOUT THAT. ABOUT THEM--ALBERT AND LOREEN. 259 00:10:55,055 --> 00:10:57,657 I MEAN, STAR-CROSSED LOVERS REUNITED BY FATE. 260 00:10:57,657 --> 00:10:59,930 YOU MEAN REUNITED BY COINCIDENCE. 261 00:10:59,930 --> 00:11:01,932 OH, LET ME GUESS. YOU DON'T BELIEVE IN FATE. 262 00:11:01,932 --> 00:11:03,233 SOUL MATES? 263 00:11:03,233 --> 00:11:04,765 NO. 264 00:11:04,765 --> 00:11:07,898 UNICORNS, FAIRIES, DOUBLE RAINBOWS? 265 00:11:07,898 --> 00:11:10,901 DIDN'T YOU EVER THINK YOUR DOLLS USED TO GET UP AT NIGHT 266 00:11:10,901 --> 00:11:12,973 AND PLAY WITH YOUR TOYS? SORRY. 267 00:11:12,973 --> 00:11:14,274 MM. LET ME GUESS. 268 00:11:14,274 --> 00:11:16,276 YOU WERE ONE OF THOSE ANNOYING 6 YEAR OLDS 269 00:11:16,276 --> 00:11:18,278 WHO STOPPED BELIEVING IN SANTA CLAUS 270 00:11:18,278 --> 00:11:20,310 BECAUSE YOU FIGURED OUT HE COULDN'T TRAVEL 271 00:11:20,310 --> 00:11:22,312 FASTER THAN THE SPEED OF LIGHT. 272 00:11:22,312 --> 00:11:24,955 I WAS 3, AND WE DIDN'T HAVE A CHIMNEY. 273 00:11:29,689 --> 00:11:31,762 (Esposito) HOW'D IT GO WITH MORENO? 274 00:11:31,762 --> 00:11:34,094 MY GUT SAYS IT'S NOT HIM. 275 00:11:34,094 --> 00:11:36,396 BUT WE STILL HAVE TO LOOK INTO HIS ALIBI. 276 00:11:36,396 --> 00:11:38,999 OH, SO YOU DON'T BELIEVE IN FATE, 277 00:11:38,999 --> 00:11:41,271 YET YOUR "GUT" HAS MAGICAL PROPERTIES. 278 00:11:41,271 --> 00:11:44,004 THAT'S COOL, SCULLY. 279 00:11:44,004 --> 00:11:46,076 WE GOT CALLS OUT ON MOST OF VIVIEN'S DIRTY DOZEN. 280 00:11:46,076 --> 00:11:49,309 WE SHOULD HEAR BACK TOMORROW. MEANWHILE, WE'VE BEEN 281 00:11:49,309 --> 00:11:51,782 GOING THROUGH HER CLIENT FILES-- TRIPS TO THE HALL OF RECORDS, 282 00:11:51,782 --> 00:11:54,384 INTERNET SEARCHES, EVEN GOT AHOLD OF SOME AUTOPSY FILES. 283 00:11:54,384 --> 00:11:56,386 PRETTY INTIMATE STUFF, TOO. YOU SEE, CASTLE? 284 00:11:56,386 --> 00:11:58,388 RESEARCH--THAT'S HOW SHE MADE PEOPLE BELIEVE 285 00:11:58,388 --> 00:11:59,950 THAT SHE HAS A GIFT. 286 00:11:59,950 --> 00:12:02,993 AND I BET THAT SHE EVEN LOOKED INTO YOU EIGHT YEARS AGO 287 00:12:02,993 --> 00:12:04,995 WHEN SHE WENT TO THAT PARTY. 288 00:12:04,995 --> 00:12:07,127 AND I BET SHE LOOKED UP PAULA CASILLAS AS WELL. 289 00:12:07,127 --> 00:12:09,129 THAT'S HOW SHE KNEW THAT HER HUSBAND EMILIO 290 00:12:09,129 --> 00:12:11,131 HAD A VITAMIN BUSINESS. IS THAT ALSO HOW SHE KNEW 291 00:12:11,131 --> 00:12:13,834 THAT ALBERT MORENO WOULD FIND TRUE LOVE THROUGH BANKRUPTCY? 292 00:12:13,834 --> 00:12:15,365 SHE GOT LUCKY. 293 00:12:15,365 --> 00:12:17,337 OH. OR MAYBE IT'S JUST THAT SHE COULDN'T GET 294 00:12:17,337 --> 00:12:19,739 EVERYTHING SHE NEEDED FROM HER ABILITIES ALONE 295 00:12:19,739 --> 00:12:22,342 AND NEEDED TO DO A LITTLE EXTRA DIGGING. 296 00:12:22,342 --> 00:12:24,815 I HAVE A FANTASTIC IMAGINATION, 297 00:12:24,815 --> 00:12:26,817 YET I STILL DO A TON OF RESEARCH 298 00:12:26,817 --> 00:12:29,119 WHEN I WRITE A BOOK. 299 00:12:32,152 --> 00:12:34,224 SURROUNDED BY SKEPTICS. 300 00:12:34,224 --> 00:12:36,987 IT'S CALLED BEING A COP, BRO. 301 00:12:36,987 --> 00:12:40,330 (Alexis) OH, GREAT AND POWERFUL SPIRITS, 302 00:12:40,330 --> 00:12:43,133 TELL US, SHOULD GRAM BREAK UP WITH CHET PALABURN? 303 00:12:45,465 --> 00:12:48,338 UGH! THIS THING MUST BE BROKEN. 304 00:12:48,338 --> 00:12:51,501 WELL, LUCKILY, I DON'T NEED THE SPIRITS TO TELL ME 305 00:12:51,501 --> 00:12:54,004 WHEN IT'S TIME TO SAY GOOD-BYE. 306 00:12:54,004 --> 00:12:57,077 GOOD-BYE, MY LOVE. WHAT IF YOU'RE BEING TOO HASTY? 307 00:12:57,077 --> 00:12:59,009 RELATIONSHIPS TAKE WORK, RIGHT? 308 00:12:59,009 --> 00:13:01,081 NO, NO, NO, LOVE IS NOT ABOUT WORK. TRUST ME. 309 00:13:01,081 --> 00:13:03,914 IT'S ABOUT PASSION. IT'S ABOUT CHEMISTRY, ROMANCE. 310 00:13:03,914 --> 00:13:05,986 IT'S ABOUT YOUR HEART POUNDING FASTER 311 00:13:05,986 --> 00:13:09,419 BECAUSE YOU CAN'T WAIT TO SEE HER. CAN EITHER OF YOU LOOK BACK ON A RELATIONSHIP 312 00:13:09,419 --> 00:13:11,191 THAT ENDED BECAUSE THE THRILL WAS GONE, 313 00:13:11,191 --> 00:13:14,064 AND ADMIT THAT MAYBE, YOU GAVE UP ON LOVE TOO SOON? 314 00:13:14,064 --> 00:13:16,466 DAD, YOU'RE BACK WITH YOUR EX-WIFE. 315 00:13:16,466 --> 00:13:18,268 OOH. NO, SHE'S RIGHT. YEAH, WITH GINA. 316 00:13:18,268 --> 00:13:20,470 THE THRILL WAS LONG, LONG GONE. 317 00:13:20,470 --> 00:13:23,133 NOW... IT IS BACK WITH A VENGEANCE. 318 00:13:23,133 --> 00:13:25,235 OF COURSE, IT BROUGHT ALONG ITS FRIENDS, 319 00:13:25,235 --> 00:13:28,078 HIGH MAINTENANCE AND SHOPAHOLIC. 320 00:13:28,078 --> 00:13:31,111 NO, I'M SORRY, HONEY. I'M SORRY. 321 00:13:31,111 --> 00:13:33,113 BUT IT'S JUST--IT'S OVER. 322 00:13:33,113 --> 00:13:35,115 I KNOW IT. 323 00:13:45,956 --> 00:13:47,827 (Castle) HEY. 324 00:13:47,827 --> 00:13:49,960 ANY NEWS ON THE DIRTY DOZEN? 325 00:13:49,960 --> 00:13:51,962 OH, MOST ARE STILL IN PRISON, 326 00:13:51,962 --> 00:13:55,265 BUT WE'RE THINKING THIS LINE OF INVESTIGATION 327 00:13:55,265 --> 00:13:58,138 MAY NOT GET US ANYWHERE. WHY NOT? 328 00:13:58,138 --> 00:14:00,510 I CALLED AROUND TO A COUPLE OF LEAD DETECTIVES, 329 00:14:00,510 --> 00:14:02,512 JUST TO CHECK OUT THE LEVEL OF VIVIEN'S INVOLVEMENT. 330 00:14:02,512 --> 00:14:05,145 THEY SAY, THEY'VE NEVER EVEN HEARD OF HER. 331 00:14:05,145 --> 00:14:07,918 SHE EXAGGERATED HER INVOLVEMENT IN THESE CASES 332 00:14:07,918 --> 00:14:10,050 IN ORDER TO BUILD HER REPUTATION BACK UP. 333 00:14:10,050 --> 00:14:12,052 OR MAYBE THE COPS DIDN'T WANT TO ADMIT 334 00:14:12,052 --> 00:14:15,986 THAT THEY HAD... A PSYCHIC ACTUALLY HELPING THEM. 335 00:14:15,986 --> 00:14:19,129 I MEAN, WHAT POLICE DETECTIVE WOULD WILLINGLY ACKNOWLEDGE 336 00:14:19,129 --> 00:14:22,562 THAT A LAYPERSON IS AS TALENTED AT SOLVING CRIMES 337 00:14:22,562 --> 00:14:24,234 AS SHE IS? 338 00:14:26,997 --> 00:14:29,139 VIVIEN MARCHAND... 339 00:14:29,139 --> 00:14:30,440 IS NOT A PSYCHIC. 340 00:14:30,440 --> 00:14:32,342 I'D BET MY BADGE ON IT. 341 00:14:32,342 --> 00:14:35,145 DON'T THROW THOSE DICE UNTIL YOU TAKE A LOOK AT THIS. 342 00:14:35,145 --> 00:14:37,177 "NEW YORK HOMICIDE DIVISION DETECTIVE SQUAD." 343 00:14:37,177 --> 00:14:39,479 IT'S FROM VIVIEN MARCHAND. 344 00:14:39,479 --> 00:14:41,611 YEAH, IT ARRIVED THIS MORNING, 345 00:14:41,611 --> 00:14:44,084 POSTMARKED MONDAY, THE DAY SHE DIED. 346 00:14:44,084 --> 00:14:45,986 THAT IS HER LETTERHEAD. 347 00:14:45,986 --> 00:14:49,159 "TO WHOM IT MAY CONCERN, I FEEL THAT MY MURDER IS IMMINENT." (squeals) 348 00:14:52,462 --> 00:14:54,464 "AND ALTHOUGH I HAVE NO IDEA YET 349 00:14:54,464 --> 00:14:56,466 "WHERE OR WHEN THIS EVENT WILL OCCUR, 350 00:14:56,466 --> 00:14:58,668 "I HAVE HAD A VISION OF MY DEATH. 351 00:14:58,668 --> 00:15:01,131 "IN THE VISION, I COULD NOT BREATHE. 352 00:15:01,131 --> 00:15:04,134 "I SAW A MAN DRESSED IN BLACK, THE NUMBER 7-5-1-8, 353 00:15:04,134 --> 00:15:06,136 "AND I COULD HEAR A FURIOUS POUNDING 354 00:15:06,136 --> 00:15:08,538 "FROM WHAT SEEMED TO BE FAR AWAY. 355 00:15:08,538 --> 00:15:10,540 I'M SORRY I CANNOT BE MORE SPECIFIC"-- 356 00:15:10,540 --> 00:15:14,144 THE PSYCHIC PREDICTED HER OWN MURDER! 357 00:15:15,445 --> 00:15:18,388 OR THE KILLER WROTE THIS IN ORDER TO THROW US OFF. 358 00:15:18,388 --> 00:15:21,191 RUN IT. MAYBE WE'LL GET LUCKY WITH THE PRINTS. 359 00:15:21,191 --> 00:15:23,193 DO YOU THINK SHE REALLY-- NO. 360 00:15:23,193 --> 00:15:24,694 YEAH, ME NEITHER. 361 00:15:24,694 --> 00:15:26,696 HEY, LANIE. WHAT DO WE GOT? 362 00:15:26,696 --> 00:15:29,599 WE'VE GOT CAUSE OF DEATH-- BLOOD LOSS AND ASPHYXIATION. 363 00:15:29,599 --> 00:15:31,601 AND I'M OFFICIALLY PUTTING THE TIME OF DEATH 364 00:15:31,601 --> 00:15:34,464 BETWEEN 5:00 AND 7:00 P.M. ON MONDAY EVENING. 365 00:15:34,464 --> 00:15:37,937 SO THAT RULES OUT ALBERT MORENO. WHAT ELSE? 366 00:15:37,937 --> 00:15:40,610 THERE WERE NO SCRATCHES ON THE ICE PICK BLADE. 367 00:15:40,610 --> 00:15:42,612 IT WAS BRAND-NEW, 368 00:15:42,612 --> 00:15:44,644 PROBABLY BOUGHT SPECIAL JUST FOR THE OCCASION. 369 00:15:44,644 --> 00:15:48,048 AND HER CELL PHONE WAS IN HER HAND. 370 00:15:48,048 --> 00:15:50,050 SHE MAY HAVE TRIED TO DIAL FOR HELP BEFORE SHE EXPIRED. 371 00:15:50,050 --> 00:15:52,983 THE DIGITS MATCH THE BEGINNING OF HER DAUGHTER'S PHONE NUMBER. 372 00:15:52,983 --> 00:15:55,955 1-718-55-- 373 00:15:55,955 --> 00:15:57,587 7-1-8-5? 374 00:15:57,587 --> 00:16:00,160 THOSE ARE THE NUMBERS FROM THE LETTER. 375 00:16:00,160 --> 00:16:04,534 THEY'RE IN A DIFFERENT ORDER, BUT THOSE ARE THE SAME NUMBERS. 376 00:16:04,534 --> 00:16:07,467 OH, GO ON. GO ON. SAY "COINCIDENCE." 377 00:16:07,467 --> 00:16:09,169 COINCIDENCE. 378 00:16:09,169 --> 00:16:11,171 I'M JUST SAYING, IT'S IRREFUTABLE, THAT'S ALL. 379 00:16:11,171 --> 00:16:13,443 IT IS NOT IRREFUTABLE, CASTLE. 380 00:16:13,443 --> 00:16:16,076 AS A MATTER OF FACT, IT IS COMPLETELY REFUTABLE. 381 00:16:16,076 --> 00:16:18,148 OKAY, GO ON. REFUTE ME. 382 00:16:18,148 --> 00:16:19,649 OKAY, HOW ABOUT THIS? 383 00:16:19,649 --> 00:16:22,082 VIVIEN IS DIALING HER DAUGHTER'S NUMBER. 384 00:16:22,082 --> 00:16:24,084 OUR KILLER COMES IN, STABS HER IN THE NECK, 385 00:16:24,084 --> 00:16:25,485 PICKS UP THE PHONE, 386 00:16:25,485 --> 00:16:27,457 DROPS IT INTO THE SOFA AFTER HER, 387 00:16:27,457 --> 00:16:29,359 AND THEN PUTS THE NUMBERS INTO THE LETTER 388 00:16:29,359 --> 00:16:31,361 ALONG WITH THE REST OF THE FAKE PREDICTIONS. 389 00:16:31,361 --> 00:16:32,992 REFUTED. 390 00:16:32,992 --> 00:16:37,027 NO ONE TYPES A NUMBER INTO A CELL PHONE ANYMORE. 391 00:16:37,027 --> 00:16:39,099 PRELIMINARIES ON THE LETTER AREN'T GIVING US MUCH. 392 00:16:39,099 --> 00:16:41,471 THERE ARE NO USABLE PRINTS AND NO D.N.A. 393 00:16:41,471 --> 00:16:44,003 AND THE PICK UP AT THE MAIL DROP IN VIVIEN'S BUILDING 394 00:16:44,003 --> 00:16:45,305 IS 6:00 P.M. 395 00:16:45,305 --> 00:16:47,307 TIME ENOUGH FOR THE KILLER TO HAVE WRITTEN IT 396 00:16:47,307 --> 00:16:49,609 AND MAILED IT AFTER SHE WAS DEAD. 397 00:16:49,609 --> 00:16:52,011 BUT WHY? WHY GO THROUGH ALL THAT TROUBLE? 398 00:16:52,011 --> 00:16:54,013 TO KEEP US SPINNING WILD THEORIES 399 00:16:54,013 --> 00:16:56,015 AND CHASING AFTER MEN DRESSED IN BLACK 400 00:16:56,015 --> 00:16:58,017 INSTEAD OF FOLLOWING HARD EVIDENCE. 401 00:16:58,017 --> 00:17:00,720 I MEAN, COME ON, CASTLE. THE LETTER'S NOT EVEN SIGNED. 402 00:17:00,720 --> 00:17:03,693 ACTUALLY, I TALKED TO PENNY MARCHAND ABOUT THAT. 403 00:17:03,693 --> 00:17:05,755 SHE SAYS IT'S POSSIBLE HER MOTHER 404 00:17:05,755 --> 00:17:08,158 WOULD TYPE A LETTER AND NOT SIGN IT 405 00:17:08,158 --> 00:17:09,599 IN CASE HER PREDICTION WAS WRONG. 406 00:17:09,599 --> 00:17:12,031 SHE WOULDN'T WANT ANYBODY SELLING HER MISTAKES 407 00:17:12,031 --> 00:17:14,404 ON THE INTERNET. (laughs) BUT WE STILL CAN'T PROVE 408 00:17:14,404 --> 00:17:17,407 THAT VIVIEN ACTUALLY WROTE THE LETTER. UNTIL HER OTHER PREDICTIONS COME TRUE. 409 00:17:17,407 --> 00:17:19,169 YOU KNOW, I'M JUST... 410 00:17:19,169 --> 00:17:22,041 GOOD. YOU'RE BACK. I THINK I GOT SOMETHING. 411 00:17:22,041 --> 00:17:24,114 REMEMBER VIVIEN'S FIRST BIG CASE? 412 00:17:24,114 --> 00:17:26,116 YEAH, THE GUY WITH THE MISSING WIFE 413 00:17:26,116 --> 00:17:28,218 AND THE BLONDE GIRLFRIEND NAMED AMBER. HIS NAME IS STEVE ADAMS. 414 00:17:28,218 --> 00:17:30,280 UNIs ARE BRINGING HIM UP RIGHT NOW. 415 00:17:30,280 --> 00:17:31,781 THEY NEVER FOUND HIS WIFE'S BODY. 416 00:17:31,781 --> 00:17:33,553 HE DID SEVEN YEARS FOR SECOND DEGREE. 417 00:17:33,553 --> 00:17:35,385 THEY RELEASED HIM TWO MONTHS AGO ON PAROLE, 418 00:17:35,385 --> 00:17:37,227 ONLY AFTER HE AGREED TO WEAR 419 00:17:37,227 --> 00:17:39,459 AN ANKLET WITH A TRACKING DEVICE. 420 00:17:39,459 --> 00:17:42,061 SO I CALLED HIS P.O., AND HE SENT OVER THIS. 421 00:17:44,134 --> 00:17:47,367 THE GPS READOUT PUTS STEVE AT VIVIEN'S ADDRESS 422 00:17:47,367 --> 00:17:49,139 MONDAY AFTERNOON. 423 00:17:49,139 --> 00:17:52,802 SO VIVIEN FINISHES WITH PAULA AND MARINA CASILLAS AT 2:00, 424 00:17:52,802 --> 00:17:56,106 ALBERT MORENO EXISTS OUT THE BACK DOOR AT 2:30, 425 00:17:56,106 --> 00:17:58,778 AND NOW IT'S TIME FOR HER 3:00 P.M. WITH T.J. 426 00:17:58,778 --> 00:18:02,752 STEVE ADAMS WAS THERE FROM 1:36 TO 2:48, 427 00:18:02,752 --> 00:18:05,455 WAITING FOR HIS OPPORTUNITY. 428 00:18:05,455 --> 00:18:07,457 SO HE WAITS THERE UNTIL SHE'S ALONE, 429 00:18:07,457 --> 00:18:11,121 JUMPS HER, STABS HER, AND THEN STUFFS HER IN THE COUCH. 430 00:18:11,121 --> 00:18:12,822 (man) THIS IS HARASSMENT! (man) TAKE IT EASY. 431 00:18:12,822 --> 00:18:15,525 I HAVEN'T DONE ANYTHING WRONG! 432 00:18:15,525 --> 00:18:18,268 (man) RIGHT THROUGH HERE. CALM DOWN. 433 00:18:18,268 --> 00:18:20,230 AH. HE'S WEARING ALL BLACK. 434 00:18:20,230 --> 00:18:23,273 IT'S GOTTA BE A COINCIDENCE. 435 00:18:23,273 --> 00:18:25,535 OR BLACK IS THE NEW GUILTY. 436 00:18:38,188 --> 00:18:39,489 I DIDN'T KILL HER. 437 00:18:39,489 --> 00:18:42,492 YOU WERE THE LAST ONE TO SEE HER ALIVE. 438 00:18:42,492 --> 00:18:45,855 THE GPS ON YOUR ANKLET INDICATES THAT YOU WERE AT VIVIEN'S OFFICE 439 00:18:45,855 --> 00:18:47,857 FOR OVER AN HOUR THE DAY THAT SHE WAS KILLED. 440 00:18:47,857 --> 00:18:49,859 YEAH, BUT IT'S NOT WHAT YOU THINK. 441 00:18:49,859 --> 00:18:52,762 LAST WEEK, I GOT A CALL FROM A GUY NAMED CODY DONNELLY. 442 00:18:52,762 --> 00:18:54,364 HE'S A REALITY TV PRODUCER. 443 00:18:54,364 --> 00:18:57,837 HE SAID HE COULD HELP ME CLEAR MY NAME. HOW WAS HE GONNA DO THAT? 444 00:18:57,837 --> 00:18:59,909 THE DAY AFTER MY WIFE DISAPPEARED, 445 00:18:59,909 --> 00:19:02,872 VIVIEN MARCHAND TOLD THE COPS SHE HAD A VISION OF ME IN A BAR 446 00:19:02,872 --> 00:19:05,275 WITH MY GIRLFRIEND AMBER. WHICH WAS TRUE. 447 00:19:05,275 --> 00:19:07,377 THAT I WAS THERE? YEAH. 448 00:19:07,377 --> 00:19:09,379 BUT THEN SHE STARTED SAYING SHE HAD OTHER VISIONS-- 449 00:19:09,379 --> 00:19:11,881 VISIONS THAT I MURDERED MY WIFE, WHICH I DID NOT DO-- 450 00:19:11,881 --> 00:19:13,723 BUT SHE WAS RIGHT ONCE, ABOUT AMBER, 451 00:19:13,723 --> 00:19:15,225 SO EVERYONE BELIEVED HER. 452 00:19:15,225 --> 00:19:16,856 ONLY VIVIEN HAD LIED ABOUT THAT, TOO. 453 00:19:16,856 --> 00:19:19,229 WHAT DO YOU MEAN? 454 00:19:19,229 --> 00:19:21,891 CODY DONNELLY TOLD ME HE HAD PROOF THAT VIVIEN 455 00:19:21,891 --> 00:19:24,494 WAS A CUSTOMER IN THE SAME BAR WHERE I TOOK AMBER THAT DAY. 456 00:19:24,494 --> 00:19:26,496 SO SHE SAW ME, ALL RIGHT, WITH HER OWN EYES. 457 00:19:26,496 --> 00:19:28,938 THERE WAS NOTHING PSYCHIC ABOUT IT, NOTHING. 458 00:19:28,938 --> 00:19:31,441 SO YOU FIGURED IF YOU COULD PROVE THAT VIVIEN WAS A FRAUD, 459 00:19:31,441 --> 00:19:32,942 THAT MAYBE PEOPLE WOULD BELIEVE 460 00:19:32,942 --> 00:19:34,944 THAT YOU HADN'T KILLED YOUR WIFE AS WELL. 461 00:19:34,944 --> 00:19:36,876 I'M AN INNOCENT MAN, BUT THANKS TO VIVIEN, 462 00:19:36,876 --> 00:19:40,750 EVERYONE IN THE STATE BELIEVED THAT I KILLED MY WIFE. 463 00:19:40,750 --> 00:19:42,812 SHE GOT A BOOK DEAL. 464 00:19:42,812 --> 00:19:44,554 I GOT 7 TO 10. 465 00:19:44,554 --> 00:19:46,856 AND WHAT WAS IN IT FOR CODY DONNELLY? 466 00:19:46,856 --> 00:19:49,419 HE WANTED ME AND VIVIEN TO BE IN HIS REALITY SHOW, 467 00:19:49,419 --> 00:19:52,191 "YOU'VE RUINED MY LIFE." OH, I LOVE THAT SHOW. 468 00:19:52,191 --> 00:19:54,794 I-IT'S WHERE PEOPLE UNLEASH THEIR RIGHTEOUS FURY 469 00:19:54,794 --> 00:19:56,796 AGAINST THOSE WHO HAVE WRONGED THEM. 470 00:19:56,796 --> 00:19:59,569 USUALLY ENDS IN TEARS AND A HUG. CODY AND ME, 471 00:19:59,569 --> 00:20:01,571 WE WENT TO HER OFFICE WITH A CAMERA CREW. 472 00:20:01,571 --> 00:20:03,773 WE SAT OUTSIDE IN THE VAN FOR ALMOST AN HOUR. 473 00:20:03,773 --> 00:20:05,975 WHEN SHE FINALLY CAME OUT, I CONFRONTED HER. 474 00:20:05,975 --> 00:20:08,878 I CALLED HER A FAKE. CODY TOLD ME TO MAKE IT BIG, SO I DID. 475 00:20:08,878 --> 00:20:10,580 AND WHAT DID VIVIEN DO? 476 00:20:10,580 --> 00:20:11,881 MOSTLY SHE FREAKED. 477 00:20:11,881 --> 00:20:13,883 THEN SHE GOT IN A CAB AND TOOK OFF. 478 00:20:13,883 --> 00:20:17,417 CODY DROPPED ME AT MY APARTMENT ON SECOND AND 45th, 479 00:20:17,417 --> 00:20:19,289 AND I NEVER SAW HER AGAIN. 480 00:20:19,289 --> 00:20:22,452 GPS PUTS ADAMS AT HIS APARTMENT 481 00:20:22,452 --> 00:20:24,624 AT THE TIME THAT VIVIEN WAS MURDERED. 482 00:20:24,624 --> 00:20:26,626 FIND ME SOME WITNESSES THAT CAN VERIFY THAT. 483 00:20:26,626 --> 00:20:27,997 YOU DON'T TRUST THE GPS? 484 00:20:27,997 --> 00:20:30,960 NO, THOSE THINGS CAN BE TAMPERED WITH. 485 00:20:30,960 --> 00:20:33,603 SO VIVIEN TOLD HER DAUGHTER 486 00:20:33,603 --> 00:20:36,906 THAT SHE WAS GONNA BE AT THE OFFICE ALL AFTERNOON, 487 00:20:36,906 --> 00:20:39,369 AND THEN AT 2:45, SHE TAKES A CAB AND LEAVES 488 00:20:39,369 --> 00:20:41,571 TO SEE T.J., WHOEVER THAT IS. 489 00:20:41,571 --> 00:20:44,574 LET'S GET AHOLD OF STEVE ADAMS' PRODUCER, CODY DONNELLY. 490 00:20:44,574 --> 00:20:46,876 I WANT TO SEE HIM AND HIS FOOTAGE OF VIVIEN 491 00:20:46,876 --> 00:20:48,848 FIRST THING IN THE MORNING. 492 00:20:48,848 --> 00:20:50,850 YOU GOT IT. 493 00:20:56,626 --> 00:20:58,288 (door opens) 494 00:20:58,288 --> 00:21:00,330 (door closes) 495 00:21:00,330 --> 00:21:02,632 I AM SO GLAD THAT YOU ARE HOME. 496 00:21:02,632 --> 00:21:04,634 YOU WOULD NOT BELIEVE THE DAY I HAD. 497 00:21:04,634 --> 00:21:06,636 OH, I THINK I GOT YOU BEAT. 498 00:21:06,636 --> 00:21:08,638 MOTHER, WHAT'S WRONG? 499 00:21:08,638 --> 00:21:11,501 AND WHY ARE YOU STILL ENGAGED TO UNCLE CHET? 500 00:21:11,501 --> 00:21:13,042 OH, RICHARD. 501 00:21:14,974 --> 00:21:15,905 (exhales) 502 00:21:15,905 --> 00:21:17,777 CHET IS DEAD. 503 00:21:17,777 --> 00:21:19,809 WHAT? 504 00:21:19,809 --> 00:21:22,682 HOW? 505 00:21:22,682 --> 00:21:24,884 I WENT TO HIS APARTMENT THIS MORNING, 506 00:21:24,884 --> 00:21:28,287 AND HIS KIDS ARE THERE-- BOOMER AND LOTTE. 507 00:21:28,287 --> 00:21:29,789 THEY SAID... 508 00:21:29,789 --> 00:21:32,291 HE'D HAD A STROKE IN HIS SLEEP. 509 00:21:32,291 --> 00:21:34,794 (voice breaking) I MEAN, GOD, I... 510 00:21:34,794 --> 00:21:37,767 HE WAS SO YOUNG, AND... 511 00:21:37,767 --> 00:21:39,829 MOTHER, I AM SO SORRY. 512 00:21:39,829 --> 00:21:41,371 MM. 513 00:21:41,371 --> 00:21:43,933 SO... (inhales and exhales deeply) 514 00:21:43,933 --> 00:21:45,935 BOOMER AND LOTTE SEE THE RING. 515 00:21:45,935 --> 00:21:48,938 NATURALLY THEY ASSUME THAT THEIR FATHER AND I ARE ENGAGED, 516 00:21:48,938 --> 00:21:51,941 AND NOW THEY'RE WORRIED ABOUT HOW I'LL HANDLE THE NEWS. 517 00:21:51,941 --> 00:21:53,843 AND, UH, 518 00:21:53,843 --> 00:21:55,845 SO I SPENT THE WHOLE DAY WITH THEM, 519 00:21:55,845 --> 00:21:57,987 RECEIVING VISITORS. 520 00:21:57,987 --> 00:22:00,720 AND THEY KEPT TELLING ME... 521 00:22:00,720 --> 00:22:03,823 HOW HAPPY THEIR FATHER HAD BEEN SINCE WE'D BEEN TOGETHER, 522 00:22:03,823 --> 00:22:06,095 AND HOW I WAS... 523 00:22:09,328 --> 00:22:12,962 THE LOVE OF HIS LIFE. 524 00:22:12,962 --> 00:22:16,936 AND THERE I WAS, ABOUT TO BREAK HIS HEART. 525 00:22:16,936 --> 00:22:18,668 MM. 526 00:22:18,668 --> 00:22:21,771 AND NOW THEY WANT ME TO GIVE THE EULOGY. 527 00:22:21,771 --> 00:22:23,573 I DON'T THINK I CAN. 528 00:22:23,573 --> 00:22:25,044 OH, RICHARD. 529 00:22:25,044 --> 00:22:27,046 MOM, I'M SORRY. I KNOW. 530 00:22:27,046 --> 00:22:29,719 I'M SORRY. IT'S JUST SO... (sniffles) 531 00:22:31,781 --> 00:22:34,053 (man) GO, GO, GO, GO. THERE SHE IS. 532 00:22:34,053 --> 00:22:36,786 ALL RIGHT. I SEE HER. GO GET HER. LET'S DO THIS. VIVIEN MARCHAND. YOU REMEMBER ME? 533 00:22:36,786 --> 00:22:39,058 YOU TOLD THE COPS THAT YOU HAD A VISION OF ME IN A BAR. 534 00:22:39,058 --> 00:22:41,891 IS THAT THE FOOTAGE FROM CODY DONNELLY? WE HAVE EVIDENCE THAT YOU WERE IN THE SAME BAR THAT DAY. 535 00:22:41,891 --> 00:22:44,564 YEP. HE'S WAITING FOR YOU IN INTERROGATION. (Vivien) NO, I DON'T KNOW YOU... 536 00:22:44,564 --> 00:22:46,936 WHERE'S CASTLE? OH, HE HAD SOME PERSONAL ISSUES HE HAD TO DEAL WITH. 537 00:22:46,936 --> 00:22:49,869 WHAT DO WE GOT? SO FAR, IT'S GOING JUST LIKE STEVE ADAMS SAYS. 538 00:22:49,869 --> 00:22:51,871 VIVIEN COMES OUT, HE GETS IN HER FACE. 539 00:22:51,871 --> 00:22:53,943 AND I CAN PROVE IT... GET HIM OUTTA HERE... 540 00:22:53,943 --> 00:22:56,406 SHE GETS IN THE CAB. AND WE GET A PARTIAL ON THE LICENSE PLATE. 541 00:22:56,406 --> 00:22:59,409 I'LL RUN IT DOWN. SEE IF I CAN FIND OUT 542 00:22:59,409 --> 00:23:01,651 WHERE THE TAXI DROPPED HER OFF. TURN IT OFF. TURN IT OFF. 543 00:23:01,651 --> 00:23:02,952 DETECTIVE BECKETT. (clicks key, video stops) 544 00:23:02,952 --> 00:23:05,114 HI, PENNY. WHAT ARE YOU DOING HERE? 545 00:23:05,114 --> 00:23:07,417 IS THERE SOMEWHERE WE COULD TALK PRIVATELY? 546 00:23:07,417 --> 00:23:09,919 WHAT'S WRONG? DID YOU REMEMBER SOMETHING? 547 00:23:09,919 --> 00:23:11,120 NO. 548 00:23:11,120 --> 00:23:13,893 IT'S NOT THAT. 549 00:23:13,893 --> 00:23:17,026 I'M AFRAID I WASN'T COMPLETELY HONEST WITH YOU 550 00:23:17,026 --> 00:23:18,528 THE OTHER DAY. 551 00:23:18,528 --> 00:23:20,530 THE FACT IS, 552 00:23:20,530 --> 00:23:23,002 I HAVE A LITTLE BIT OF WHAT MY MOTHER DID. 553 00:23:23,002 --> 00:23:26,035 SOMETIMES I HAVE DREAMS THAT ARE MEANINGFUL. 554 00:23:26,035 --> 00:23:28,478 LAST NIGHT, I HAD A DREAM ABOUT YOU. 555 00:23:28,478 --> 00:23:30,039 OKAY. 556 00:23:30,039 --> 00:23:32,742 AND I CAN'T REALLY EXPLAIN WHY, BUT I FEEL VERY STRONGLY 557 00:23:32,742 --> 00:23:34,744 THAT I'M SUPPOSED TO TELL YOU SOMETHING, 558 00:23:34,744 --> 00:23:37,146 SOMETHING IMPORTANT. ARE YOU READY? I'M READY. 559 00:23:37,146 --> 00:23:39,619 ALEXANDER. ALEXANDER? 560 00:23:39,619 --> 00:23:41,891 ALEXANDER. I DON'T KNOW WHO HE IS OR WHAT HE MEANS TO YOU. 561 00:23:41,891 --> 00:23:45,024 I DON'T KNOW ANY ALEXANDER. YOU WILL. YOU WILL MEET AN ALEXANDER. 562 00:23:45,024 --> 00:23:48,097 AND HE WILL BE EXTREMELY IMPORTANT TO YOU. 563 00:23:48,097 --> 00:23:50,960 AT SOME FUTURE DATE, HE MAY SAVE YOUR LIFE. 564 00:23:50,960 --> 00:23:52,502 OKAY. 565 00:23:52,502 --> 00:23:54,504 UM, GOOD TO KNOW. 566 00:23:54,504 --> 00:23:56,806 THANK YOU, DETECTIVE. 567 00:23:56,806 --> 00:23:58,868 THANK YOU, PENNY. 568 00:24:04,443 --> 00:24:06,876 CANDID REALITY GOLD, MATE. 569 00:24:06,876 --> 00:24:09,018 CODY DONNELLY PRESENTS-- FAMOUS MYSTERY WRITER 570 00:24:09,018 --> 00:24:11,521 FOLLOWS A TOUGH BUT BEAUTIFUL NEW YORK COP AROUND 571 00:24:11,521 --> 00:24:13,523 "FOR RESEARCH." 572 00:24:13,523 --> 00:24:16,025 AH, SHE'D NEVER GO FOR IT. SHE'S A REAL B-- 573 00:24:16,025 --> 00:24:18,027 MR. DONNELLY, I APPRECIATE YOU COMING... 574 00:24:18,027 --> 00:24:20,029 WHAT ARE YOU DOING HERE? 575 00:24:20,029 --> 00:24:22,832 UH, FOR THE RECORD, I WAS GONNA SAY "BIG RULE FOLLOWER." 576 00:24:22,832 --> 00:24:26,065 I WAS NOT DISCUSSING THE CASE. I SWEAR TO GOD. 577 00:24:26,065 --> 00:24:27,867 UH, "NAKED HEAT" COMES OUT TOMORROW, 578 00:24:27,867 --> 00:24:29,869 AND CODY HERE WAS ADMIRING THE BILLBOARDS. 579 00:24:29,869 --> 00:24:33,072 IS THAT YOUR SMOKING-HOT SILHOUETTE ON THE POSTERS THEN? NO. 580 00:24:33,072 --> 00:24:35,945 SO, MR. DONNELLY, WHERE DID YOU GO 581 00:24:35,945 --> 00:24:37,246 AFTER YOU LEFT VIVIEN'S OFFICE? 582 00:24:37,246 --> 00:24:39,248 AFTER WE GOT ALL THAT GREAT FOOTAGE, 583 00:24:39,248 --> 00:24:41,250 I DROPPED STEVE OFF AT HIS PLACE 584 00:24:41,250 --> 00:24:43,082 AROUND, UH, WELL, 3:30 OR SO. 585 00:24:43,082 --> 00:24:45,855 THAT WAS JUST BEFORE VIVIEN MARCHAND CALLED ME. 586 00:24:45,855 --> 00:24:47,617 REALLY? AND WHAT DID SHE WANT? 587 00:24:47,617 --> 00:24:49,619 TO SAVE WHAT WAS LEFT OF HER CAREER. 588 00:24:49,619 --> 00:24:51,591 I MEAN, SHE KNEW THE FILM I HAD ON HER WAS DAMAGING. 589 00:24:51,591 --> 00:24:53,663 SHE SAID IF I BURIED IT, SHE'D GIVE ME SOMETHING BETTER. 590 00:24:53,663 --> 00:24:55,064 BETTER LIKE WHAT? 591 00:24:55,064 --> 00:24:57,226 BETTER LIKE MURDER. 592 00:24:57,226 --> 00:24:59,629 YOU SEE, VIVIEN SAID SHE WAS HOT ON A KILLER. 593 00:24:59,629 --> 00:25:01,731 SHE SAID IT WAS BIGGER THAN STEVE ADAMS. 594 00:25:01,731 --> 00:25:03,773 THIS TIME, THERE WAS A BODY. 595 00:25:03,773 --> 00:25:05,835 SHE WAS GONNA LET ME FILM THE MOMENT THAT SHE CONFRONTED 596 00:25:05,835 --> 00:25:07,807 THE SOON-TO-BE ACCUSED. 597 00:25:07,807 --> 00:25:10,079 SHE SAID THAT SHE HAD TO CONFIRM ONE LAST SUSPICION, 598 00:25:10,079 --> 00:25:13,082 AND THAT I HAD TO BE READY TO GO AT A MOMENT'S NOTICE 599 00:25:13,082 --> 00:25:15,915 'CAUSE WE WERE GONNA CATCH A KILLER. AND WHEN WAS THIS CONFRONTATION GONNA TAKE PLACE? 600 00:25:15,915 --> 00:25:18,918 STRAIGHTAWAY. I GOT AN URGENT TEXT ABOUT TWO HOURS LATER. 601 00:25:18,918 --> 00:25:20,920 I-I GATHERED UP MY CREW, INCLUDING SECURITY, 602 00:25:20,920 --> 00:25:22,622 THINKING THIS WAS IT. 603 00:25:22,622 --> 00:25:24,624 AND THEN WHEN I CALLED HER BACK, NO ANSWER. 604 00:25:24,624 --> 00:25:26,726 I'M GUESSING SHE WAS ALREADY DEAD. 605 00:25:37,807 --> 00:25:40,069 ANY NEWS ON VIVIEN'S HUNT FOR A MURDERER? 606 00:25:40,069 --> 00:25:42,071 WELL, SHE HAD SEVERAL CLIENTS WHO CAME TO HER 607 00:25:42,071 --> 00:25:43,973 BECAUSE OF UNSOLVED CRIMES IN THE FAMILY, 608 00:25:43,973 --> 00:25:45,945 BUT THE ONES THAT WE TALKED TO 609 00:25:45,945 --> 00:25:47,947 SAID THAT THEIR CASES ARE JUST AS COLD NOW 610 00:25:47,947 --> 00:25:50,920 AS WHEN THEY FIRST CAME TO HER. (Ryan) HEY, I FOUND THE CAB. 611 00:25:50,920 --> 00:25:52,922 THE DRIVER SAYS HE TOOK VIVIEN TO A RESIDENCE 612 00:25:52,922 --> 00:25:54,984 AT 112th AND RIVERSIDE. 613 00:25:54,984 --> 00:25:57,957 THE DOORMAN SAYS HE REMEMBERS VIVIEN GOING UP TO APARTMENT 2C. 614 00:25:57,957 --> 00:26:00,029 IT'S RENTED TO NICK AND TONI JOHNSTON. 615 00:26:00,029 --> 00:26:02,862 TONI JOHNSTON. T.J. 616 00:26:05,595 --> 00:26:09,769 IF VIVIEN CAME TO SEE TONI JOHNSTON THE DAY SHE DIED, 617 00:26:09,769 --> 00:26:12,071 IT HAD TO HAVE BEEN ABOUT SOMETHING IMPORTANT, 618 00:26:12,071 --> 00:26:14,073 LIKE THIS KILLER SHE WAS CHASING. 619 00:26:14,073 --> 00:26:16,676 BUT YOU'LL PROBABLY SAY IT WAS JUST A COINCIDENCE. 620 00:26:16,676 --> 00:26:18,678 CASTLE, WHY IS IT SO IMPORTANT TO YOU 621 00:26:18,678 --> 00:26:20,680 THAT I BELIEVE ALL THIS STUFF 622 00:26:20,680 --> 00:26:23,152 ABOUT FATES AND PSYCHICS AND SANTA CLAUS? 623 00:26:23,152 --> 00:26:25,715 (rings doorbell) 624 00:26:25,715 --> 00:26:27,016 BECAUSE... 625 00:26:27,016 --> 00:26:30,089 IF YOU DON'T BELIEVE IN EVEN THE POSSIBILITY OF MAGIC, 626 00:26:30,089 --> 00:26:32,091 YOU'LL NEVER, EVER FIND IT. 627 00:26:34,794 --> 00:26:37,196 CAN I HELP YOU? TONI? 628 00:26:37,196 --> 00:26:40,730 I'M DETECTIVE KATE BECKETT, AND THIS IS RICHARD CASTLE. 629 00:26:40,730 --> 00:26:43,633 OH, MY GOD. OH, MY GOD. OH, MY GOD. OH, MY GOD. 630 00:26:43,633 --> 00:26:45,835 OH, MY GOD. 631 00:26:45,835 --> 00:26:47,136 I'M SO STRESSED OUT. 632 00:26:47,136 --> 00:26:49,839 I CAN'T BELIEVE THIS IS HAPPENING. 633 00:26:49,839 --> 00:26:52,081 SO YOU KNOW THAT VIVIEN WAS MURDERED? 634 00:26:52,081 --> 00:26:55,344 WHEN I SAW THE PAPER YESTERDAY, I NEARLY PUKED UP MY OATMEAL. 635 00:26:55,344 --> 00:26:59,689 WHY DID VIVIEN COME TO VISIT YOU ON MONDAY? 636 00:26:59,689 --> 00:27:02,351 LOOK, THIS IS ALL VERY PERSONAL AND PRIVATE, 637 00:27:02,351 --> 00:27:05,054 AND IT INVOLVES MY SEX LIFE. 638 00:27:05,054 --> 00:27:07,056 WILL YOU PROMISE TO KEEP IT CONFIDENT? 639 00:27:07,056 --> 00:27:08,357 I-- ABSOLUTELY. 640 00:27:08,357 --> 00:27:12,201 OKAY, EARLIER THIS YEAR, I DID A TERRIBLE THING. 641 00:27:12,201 --> 00:27:14,633 I HAD AN AFFAIR WITH MY HUSBAND'S BOSS. 642 00:27:14,633 --> 00:27:17,636 VERY DISCREET-- NO ONE EVER KNEW ABOUT IT. 643 00:27:17,636 --> 00:27:19,108 THAT'S WHY VIVIEN CALLED ME. 644 00:27:19,108 --> 00:27:22,071 SHE KNEW ABOUT THE AFFAIR? SHE CALLED ME OUT OF THE BLUE. 645 00:27:22,071 --> 00:27:24,043 SHE KNEW WE MET AT THE COMPANY CHRISTMAS PARTY, 646 00:27:24,043 --> 00:27:27,176 THAT WE USED TO RENDEZVOUS AT THE STARBURST HOTEL, 647 00:27:27,176 --> 00:27:28,878 EVERYTHING. 648 00:27:28,878 --> 00:27:30,649 EXTRAORDINARY. 649 00:27:30,649 --> 00:27:31,951 I KNOW, RIGHT? 650 00:27:31,951 --> 00:27:33,953 I MEAN, MY MIND WAS TOTALLY BLOWN. 651 00:27:33,953 --> 00:27:35,654 AN AFFAIR? 652 00:27:35,654 --> 00:27:38,027 MRS. JOHNSTON, DID VIVIEN EVER TALK TO YOU ABOUT MURDER? 653 00:27:38,027 --> 00:27:39,989 NO. SHE JUST TOLD ME SHE KNEW 654 00:27:39,989 --> 00:27:43,062 HOW I HAD CHEATED ON NICK, MY HUSBAND, 655 00:27:43,062 --> 00:27:45,394 AND THEN SHE ASKED ME A LOT OF QUESTIONS ABOUT HIM. 656 00:27:45,394 --> 00:27:47,196 WHAT KIND OF QUESTIONS? 657 00:27:47,196 --> 00:27:50,199 SHE ASKED IF HE HAD A TEMPER, AND IF I FELT SAFE. 658 00:27:50,199 --> 00:27:52,902 SHE WAS SURE NICK DID KNOW ABOUT THE AFFAIR. 659 00:27:52,902 --> 00:27:55,244 VIVIEN SAID THE SPOUSE ALWAYS KNOWS. 660 00:27:55,244 --> 00:27:58,247 DID SHE EVER SAY HOW SHE KNEW ALL OF THIS, 661 00:27:58,247 --> 00:28:00,980 ALL OF THIS INCREDIBLY PERSONAL INFORMATION, 662 00:28:00,980 --> 00:28:03,312 THE DETAILS OF WHICH COULD NOT BE READILY FOUND 663 00:28:03,312 --> 00:28:05,885 AT A HALL OF RECORDS OR THROUGH AN INTERNET SEARCH? 664 00:28:05,885 --> 00:28:07,186 OH, YEAH. 665 00:28:07,186 --> 00:28:09,819 THE GUY I WAS CHEATING WITH? HE TOLD HER EVERYTHING. 666 00:28:09,819 --> 00:28:12,762 YOU KNOW, I'M GONNA HAVE TO SPEAK WITH HIM. 667 00:28:12,762 --> 00:28:15,024 OH, OH, YOU CAN'T. I MEAN, YOU CAN'T. 668 00:28:15,024 --> 00:28:18,227 HE'S DEAD. THAT'S WHY WE STOPPED SEEING EACH OTHER. 669 00:28:18,227 --> 00:28:20,229 HE DIED LAST APRIL. HEART ATTACK. 670 00:28:20,229 --> 00:28:22,201 YOU'RE TELLING ME THAT YOUR DEAD LOVER 671 00:28:22,201 --> 00:28:24,103 TOLD VIVIEN ABOUT YOUR AFFAIR? 672 00:28:24,103 --> 00:28:25,805 THAT'S RIGHT. 673 00:28:25,805 --> 00:28:27,937 SHE SAID EMILIO CAME TO HER IN A DREAM. 674 00:28:27,937 --> 00:28:29,338 EMILIO? 675 00:28:29,338 --> 00:28:30,910 EMILIO CASILLAS. 676 00:28:30,910 --> 00:28:34,043 YOUR LOVER WAS EMILIO CASILLAS? 677 00:28:34,043 --> 00:28:37,216 (slurping) 678 00:28:37,216 --> 00:28:38,748 WELL? 679 00:28:38,748 --> 00:28:40,890 (straw squeaks) 680 00:28:40,890 --> 00:28:41,951 (sighs) 681 00:28:41,951 --> 00:28:44,223 EMILIO CASILLAS' AUTOPSY FILE 682 00:28:44,223 --> 00:28:48,057 MAKES FOR SOME VERY INTERESTING READING. 683 00:28:48,057 --> 00:28:50,199 BUT DO YOU THINK HE WAS MURDERED? 684 00:28:50,199 --> 00:28:52,201 ACCORDING TO THE M.E.'s NOTES, IN ADDITION TO 685 00:28:52,201 --> 00:28:55,204 THE CAUSE OF DEATH, WHICH WAS MASSIVE HEART FAILURE... MM-HMM. 686 00:28:55,204 --> 00:28:57,066 CASILLAS SHOWED SIGNS OF ALOPECIA, 687 00:28:57,066 --> 00:28:59,238 AND HIS FINGERNAILS WERE THINNING. 688 00:28:59,238 --> 00:29:01,070 WHICH MEANS WHAT, EXACTLY? 689 00:29:01,070 --> 00:29:03,742 I'D HAVE TO EXHUME THE BODY AND RUN SOME TESTS, 690 00:29:03,742 --> 00:29:05,945 BUT IT COULD BE TOXIC OVERDOSE OF SELENIUM. 691 00:29:05,945 --> 00:29:07,216 AND WHAT'S SELENIUM? 692 00:29:07,216 --> 00:29:09,919 IT'S A MINERAL THAT'S NATURALLY FOUND IN THE BODY, 693 00:29:09,919 --> 00:29:11,921 AND IN SMALL AMOUNTS, IS GOOD FOR YOU. 694 00:29:11,921 --> 00:29:15,224 THEY EVEN SOMETIMES ADD IT TO DIET PILLS, HEALTH DRINKS. 695 00:29:15,224 --> 00:29:18,087 BUT TOO MUCH OF IT CAN BE POISONOUS. 696 00:29:18,087 --> 00:29:20,159 HEALTH DRINKS. 697 00:29:20,159 --> 00:29:22,161 MAYBE IT WAS ALSO IN THE VITAMINS 698 00:29:22,161 --> 00:29:23,863 THAT THE CASILLASES MADE. 699 00:29:23,863 --> 00:29:26,365 SO THAT WOULD MEAN IT WOULD BE AT THE FACTORY. 700 00:29:26,365 --> 00:29:28,968 VIVIEN TOLD TONI THAT HER HUSBAND KNEW 701 00:29:28,968 --> 00:29:30,970 ABOUT THE AFFAIR WITH EMILIO CASILLAS. 702 00:29:30,970 --> 00:29:33,472 SO TONI'S HUSBAND NICK WORKS AT THE CASILLASES' COMPANY. 703 00:29:33,472 --> 00:29:36,275 HE WOULD HAVE EASY ACCESS TO THE SELENIUM AND TO EMILIO. 704 00:29:36,275 --> 00:29:37,977 AND DIDN'T THE CASILLASES' DAUGHTER 705 00:29:37,977 --> 00:29:39,979 SAY THAT HER FATHER DIED IN THE OFFICE? 706 00:29:39,979 --> 00:29:42,411 THAT'S PROBABLY WHERE HE RECEIVED THE FATAL DOSE. SO NICK JOHNSTON 707 00:29:42,411 --> 00:29:44,413 FIGURES OUT HIS WIFE IS SLEEPING WITH HIS BOSS... 708 00:29:44,413 --> 00:29:46,085 MM-HMM. AND HE POISONS HIM. 709 00:29:46,085 --> 00:29:48,117 AND THEN NICK DISCOVERS THAT VIVIEN'S ON TO HIM, 710 00:29:48,117 --> 00:29:50,489 AND KILLS HER, TOO. 711 00:29:58,567 --> 00:30:01,570 HEY. SO I JUST SPOKE TO, UH, NICK JOHNSTON'S FOREMAN. 712 00:30:01,570 --> 00:30:03,802 HE SAID THAT NICK CLOCKED OUT EARLY 713 00:30:03,802 --> 00:30:06,375 THE DAY THAT VIVIEN DIED, AT 5:00. 714 00:30:06,375 --> 00:30:09,238 BUT HIS WIFE SAID HE DIDN'T GET HOME TILL AT LEAST 7:00. 715 00:30:09,238 --> 00:30:11,240 WELL, THAT WOULD'VE BEEN PLENTY OF TIME FOR HIM 716 00:30:11,240 --> 00:30:14,243 TO GET TO VIVIEN'S OFFICE, MURDER HER, WRITE THE LETTER, 717 00:30:14,243 --> 00:30:16,245 ALL BEFORE THE MAIL WAS PICKED UP. 718 00:30:16,245 --> 00:30:19,218 BUT HOW DID HE FIND OUT THAT VIVIEN TALKED TO TONI? 719 00:30:19,218 --> 00:30:21,220 TONI WOULDN'T HAVE TOLD HIM. OH, TONI DIDN'T. 720 00:30:21,220 --> 00:30:22,922 BUT VIVIEN DID. 721 00:30:22,922 --> 00:30:24,924 THE FOREMAN SAID THAT NICK ASKED FOR THE TIME OFF 722 00:30:24,924 --> 00:30:28,257 AFTER HE WAS VISITED BY A WOMAN, A WOMAN WHO LOOKED 723 00:30:28,257 --> 00:30:30,129 A LOT LIKE VIVIEN MARCHAND. 724 00:30:30,129 --> 00:30:31,901 SO VIVIEN WAS PUTTING HER PLAN INTO ACTION. 725 00:30:31,901 --> 00:30:33,832 SHE'D BRING NICK DOWN TO HER OFFICE, 726 00:30:33,832 --> 00:30:37,136 THEN SHE'D CALL CODY DONNELLY, HAVE HIM BRING HIS CAMERA CREW. 727 00:30:37,136 --> 00:30:40,609 SHE WOULD CONFRONT NICK ABOUT EMILIO CASILLAS' MURDER, 728 00:30:40,609 --> 00:30:43,072 CAPTURE IT ALL ON FILM. 729 00:30:43,072 --> 00:30:46,375 VIVIEN WAS ABOUT TO SOLVE EMILIO'S MURDER, 730 00:30:46,375 --> 00:30:48,377 AND THEN BE RETURNED TO HER FORMER GLORY 731 00:30:48,377 --> 00:30:50,279 AS NEW YORK'S MOST FAMOUS PSYCHIC MEDIUM. 732 00:30:50,279 --> 00:30:52,451 IT'S A PRETTY BOLD MOVE. 733 00:30:52,451 --> 00:30:55,154 BUT HOW DID SHE GET ON TO EMILIO'S MURDER 734 00:30:55,154 --> 00:30:57,856 IN THE FIRST PLACE? HOW MANY TIMES DO I HAVE TO SAY IT? 735 00:30:57,856 --> 00:30:59,858 SHE WAS A... (whispers) PSYCHIC. 736 00:30:59,858 --> 00:31:04,163 I'M SORRY. WHAT? (normal voice) PSYCHIC. 737 00:31:04,163 --> 00:31:06,896 OR... 738 00:31:06,896 --> 00:31:08,337 MAYBE JUST VERY INTUITIVE. 739 00:31:08,337 --> 00:31:09,969 ACCORDING TO VIVIEN'S NOTES, 740 00:31:09,969 --> 00:31:12,541 PAULA SAID EMILIO HAD BEEN WORKING LONGER HOURS 741 00:31:12,541 --> 00:31:15,144 IN THE MONTHS BEFORE HIS DEATH. 742 00:31:15,144 --> 00:31:17,306 SHE WROTE "AFFAIR?" 743 00:31:17,306 --> 00:31:18,978 SHE ALSO WROTE THIS. 744 00:31:18,978 --> 00:31:20,579 STARBURST HOTEL. 745 00:31:20,579 --> 00:31:23,612 THAT'S THE CLOSEST PLACE TO EMILIO'S OFFICE 746 00:31:23,612 --> 00:31:27,286 THAT RENTS BY THE HOUR. THE MANAGER THERE SAID VIVIEN CAME BY LAST WEEK. 747 00:31:27,286 --> 00:31:29,318 HE CONFIRMED TO VIVIEN 748 00:31:29,318 --> 00:31:31,921 THAT THE LOVEBIRDS HAD BEEN REGULARS EARLY THIS YEAR, 749 00:31:31,921 --> 00:31:36,065 AND SHE GAVE HIM 200 BUCKS FOR HIS TROUBLE. 750 00:31:36,065 --> 00:31:40,069 OKAY, BUT HOW DOES VIVIEN GO FROM "AFFAIR" IN GENERAL 751 00:31:40,069 --> 00:31:42,932 TO "AFFAIR WITH TONI JOHNSTON"? 752 00:31:42,932 --> 00:31:44,934 THAT, MY FRIENDS, IS A PRETTY BIG LEAP. 753 00:31:44,934 --> 00:31:47,306 YEAH, UH, THAT IS 754 00:31:47,306 --> 00:31:49,078 UNTIL YOU SEE THE PICTURE. 755 00:31:49,078 --> 00:31:50,509 THIS IS FROM VIVIEN'S RESEARCH. 756 00:31:50,509 --> 00:31:54,013 THIS IS TONI IN THE RED DRESS, AND EMILIO NEXT TO HER, 757 00:31:54,013 --> 00:31:56,185 AT THE COMPANY'S LAST CHRISTMAS PARTY. 758 00:31:56,185 --> 00:31:58,447 PRETTY COZY, HUH? 759 00:31:58,447 --> 00:32:00,219 WHERE DID SHE GET THIS? 760 00:32:00,219 --> 00:32:02,221 OH, THERE'S A BULLETIN BOARD 761 00:32:02,221 --> 00:32:04,423 AT THE CASILLASES' VITAMIN FACTORY 762 00:32:04,423 --> 00:32:06,455 WHERE EMPLOYEES POST PICTURES. 763 00:32:06,455 --> 00:32:08,457 SHE COULD'VE TAKEN IT FROM THERE. 764 00:32:08,457 --> 00:32:11,000 SO VIVIEN SUSPECTS THAT EMILIO IS A CHEATER. 765 00:32:11,000 --> 00:32:13,302 SHE GETS AHOLD OF HIS AUTOPSY FILE, 766 00:32:13,302 --> 00:32:16,365 STARTS THINKING THAT MAYBE HIS CHEATING GOT HIM KILLED, 767 00:32:16,365 --> 00:32:19,408 AND SHE STARTS DOING HER USUAL RESEARCH 768 00:32:19,408 --> 00:32:21,110 TO PROVE HER THEORY. 769 00:32:21,110 --> 00:32:24,073 AND ALL OF THIS INVESTIGATION LEADS HER RIGHT BACK 770 00:32:24,073 --> 00:32:25,644 TO NICK JOHNSTON. 771 00:32:25,644 --> 00:32:27,646 SHE HAD IT ALL WORKED OUT... 772 00:32:27,646 --> 00:32:29,648 RIGHT UP UNTIL THAT AWKWARD MOMENT 773 00:32:29,648 --> 00:32:32,151 WHERE NICK JOHNSTON STABBED HER IN THE NECK WITH AN ICE PICK 774 00:32:32,151 --> 00:32:35,084 AND FED HER TO THE COUCH. 775 00:32:35,084 --> 00:32:37,186 YOU GOT THE WRONG GUY. I DIDN'T KILL THAT PSYCHIC. 776 00:32:37,186 --> 00:32:40,229 WE KNOW SHE CAME TO SEE YOU. YEAH, SHE SAID SHE NEEDED TO TALK TO ME IN PRIVATE, 777 00:32:40,229 --> 00:32:43,132 SAID IT WAS URGENT, HAD SOMETHING TO DO WITH MY WIFE, 778 00:32:43,132 --> 00:32:45,564 SO I PUNCHED OUT EARLY AND WENT UPTOWN TO HER OFFICE. 779 00:32:45,564 --> 00:32:47,596 AND WHAT DID YOU DO WHEN YOU GOT THERE? 780 00:32:47,596 --> 00:32:49,598 NOTHING. THE DOOR WAS LOCKED. 781 00:32:49,598 --> 00:32:52,741 I POUNDED ON IT FOR TEN MINUTES. NOBODY ANSWERED. 782 00:32:52,741 --> 00:32:55,744 I FIGURED SHE WAS BLOWING ME OFF, SO I WENT HOME. 783 00:32:55,744 --> 00:32:57,606 THAT'S A PRETTY CONVENIENT STORY. 784 00:32:57,606 --> 00:32:59,708 IT'S THE TRUTH. 785 00:32:59,708 --> 00:33:03,112 OKAY. WHY DON'T WE START TALKING ABOUT EMILIO CASILLAS? 786 00:33:03,112 --> 00:33:06,115 WHAT ABOUT HIM? YOU KNEW THAT HE WAS SLEEPING WITH YOUR WIFE. 787 00:33:06,115 --> 00:33:09,018 THEY THOUGHT THEY WERE BEING SO CAREFUL, BUT YEAH, I KNEW. 788 00:33:09,018 --> 00:33:12,021 SO WHAT DID YOU DO? NOTHING. 789 00:33:12,021 --> 00:33:13,322 SERIOUSLY, NICK? 790 00:33:13,322 --> 00:33:15,294 DO YOU ACTUALLY EXPECT ME TO BELIEVE 791 00:33:15,294 --> 00:33:17,266 THAT YOU JUST SAT BY AND LET YOUR BOSS 792 00:33:17,266 --> 00:33:19,528 TAKE YOUR WIFE AWAY FROM YOU? 793 00:33:19,528 --> 00:33:22,201 DO YOU THINK I'M THAT DUMB? (lowered voice) SHE'S NOT THAT DUMB. 794 00:33:22,201 --> 00:33:24,703 (sighs) I GUESS IT DOESN'T MATTER NOW. 795 00:33:24,703 --> 00:33:26,335 I... 796 00:33:26,335 --> 00:33:28,337 WHEN I FOUND OUT, I WENT TO EMILIO 797 00:33:28,337 --> 00:33:30,339 AND I ASKED HIM TO STOP SEEING HER. 798 00:33:30,339 --> 00:33:32,541 (normal voice) AND WHAT HAPPENED? HE SAID NO. 799 00:33:32,541 --> 00:33:35,544 HE WAS IN LOVE WITH HER. I THREATENED TO TELL HIS WIFE, 800 00:33:35,544 --> 00:33:38,047 AND HE JUST SAID, "DO WHAT YOU GOTTA DO." 801 00:33:38,047 --> 00:33:41,050 SO I DECIDED THAT I WASN'T GONNA DO HIS DIRTY WORK FOR HIM. 802 00:33:41,050 --> 00:33:43,722 IF HE WANTED TO LEAVE HIS WIFE OF 30 YEARS, 803 00:33:43,722 --> 00:33:46,725 THEN HE SHOULD JUST BE A MAN AND DO IT HIMSELF. 804 00:33:46,725 --> 00:33:49,058 BUT I WANTED TO SAVE MY MARRIAGE, 805 00:33:49,058 --> 00:33:51,100 SO I KEPT MY MOUTH SHUT. 806 00:33:51,100 --> 00:33:53,031 TWO WEEKS LATER, EMILIO WAS DEAD. 807 00:33:53,031 --> 00:33:55,033 AND YOU DID NOTHING TO HELP THAT ALONG, 808 00:33:55,033 --> 00:33:57,206 IS THAT WHAT YOU'RE SAYING? 809 00:33:57,206 --> 00:33:59,608 HELP WHAT ALONG? HE HAD A HEART ATTACK. 810 00:33:59,608 --> 00:34:03,142 THE STRESS OF BEING A LYING, CHEATING ASSHAT 811 00:34:03,142 --> 00:34:05,144 FINALLY DID HIM IN. 812 00:34:05,144 --> 00:34:06,815 PENNY MARCHAND IS HERE. SHE SAYS IT'S URGENT. 813 00:34:09,148 --> 00:34:10,579 (Beckett) PENNY, WHAT IS IT? 814 00:34:10,579 --> 00:34:13,682 DETECTIVE, I HAVE SOMETHING IMPORTANT TO TELL YOU. 815 00:34:13,682 --> 00:34:15,684 OH, PENNY, IS THIS ABOUT THE MYSTERY MAN? 816 00:34:15,684 --> 00:34:17,826 BECAUSE I REALLY DON'T KNOW ANY ALEXANDER. 817 00:34:17,826 --> 00:34:20,229 ALEXANDER? YEAH, I'LL TELL YOU ABOUT IT LATER. 818 00:34:20,229 --> 00:34:23,232 PENNY, I'M IN THE MIDDLE OF A VERY IMPORTANT-- 819 00:34:23,232 --> 00:34:25,364 DETECTIVE, YOU HAVE TO LISTEN TO ME. 820 00:34:25,364 --> 00:34:28,367 I KNOW WHO MURDERED MY MOTHER. 821 00:34:35,844 --> 00:34:38,147 SO LET ME JUST... 822 00:34:38,147 --> 00:34:41,150 GET THIS STRAIGHT. 823 00:34:41,150 --> 00:34:43,382 YOU'RE TELLING ME THAT YOU HAD A DREAM 824 00:34:43,382 --> 00:34:46,215 THAT YOUR MOTHER WAS MURDERED BY THE FREEMASONS. 825 00:34:46,215 --> 00:34:49,518 IN THE DREAM, I WAS HAVING DINNER WITH MY MOTHER 826 00:34:49,518 --> 00:34:51,190 IN A MASONIC HALL. 827 00:34:51,190 --> 00:34:52,821 SHE WAS VERY CONCERNED. 828 00:34:52,821 --> 00:34:55,524 SHE KEPT POINTING TO MEN AROUND THE ROOM 829 00:34:55,524 --> 00:34:59,168 AND SAYING, "ASK THE MASONS WHAT HAPPENED. 830 00:34:59,168 --> 00:35:01,770 THAT'S THE ONLY WAY YOU'LL GET CLOSURE." 831 00:35:04,633 --> 00:35:07,676 WHERE ARE WE? STEVE ADAMS ALIBI CHECKED OUT. 832 00:35:07,676 --> 00:35:10,209 WHAT ABOUT NICK JOHNSTON? WELL, I TOLD HIM NOT TO TAKE ANY TRIPS OUT OF TOWN 833 00:35:10,209 --> 00:35:12,211 UNTIL WE GET THIS SORTED OUT. 834 00:35:12,211 --> 00:35:14,613 WELL, THE GOOD NEWS IS, WITH THIS FREEMASONS LEAD, 835 00:35:14,613 --> 00:35:17,286 WE HAVE A WHOLE NEW CROP OF SUSPECTS. (Esposito and Ryan) FREEMASONS? 836 00:35:17,286 --> 00:35:19,148 (Beckett) IGNORE HIM. 837 00:35:19,148 --> 00:35:21,190 SO PAULA AND MARINA CASILLAS... IF THEY KNEW 838 00:35:21,190 --> 00:35:23,622 THAT EMILIO WAS CHEATING, THAT WOULD BE MOTIVE. 839 00:35:23,622 --> 00:35:25,824 MAYBE THEY FOUND OUT THAT VIVIEN WAS INVESTIGATING HIS DEATH. 840 00:35:25,824 --> 00:35:27,826 BUT THEY WERE VIVIEN'S CLIENTS. 841 00:35:27,826 --> 00:35:30,529 WHY WOULD MURDERERS GO TO A PSYCHIC FOR CLOSURE? 842 00:35:30,529 --> 00:35:33,432 THEY ALSO HAVE AN ALIBI FOR THE EVENING VIVIEN WAS KILLED. 843 00:35:33,432 --> 00:35:35,133 UNIFORMS CANVASSED THE RESTAURANT 844 00:35:35,133 --> 00:35:37,135 WHERE THEY WERE DINING WITH FRIENDS. 845 00:35:37,135 --> 00:35:38,907 THEY WERE THERE FROM 5:00 P.M. TILL AFTER 7:00. 846 00:35:38,907 --> 00:35:41,840 WAS THIS RESTAURANT ANYWHERE NEAR VIVIEN'S OFFICE? 847 00:35:41,840 --> 00:35:45,474 YEAH, AROUND THE CORNER. NEW PLACE. UH, MASON'S. 848 00:35:45,474 --> 00:35:49,218 "ASK THE MASONS, AND THEY WILL GIVE YOU CLOSURE." 849 00:35:49,218 --> 00:35:50,879 LET'S NOT GET CARRIED AWAY. 850 00:35:50,879 --> 00:35:54,353 ASK THE MASONS, PLEASE. 851 00:35:54,353 --> 00:35:56,825 JUST THIS ONCE. 852 00:35:56,825 --> 00:35:58,357 (whispers) BELIEVE. 853 00:35:58,357 --> 00:36:01,260 YOU KNOW WHAT'S GOING ON HERE? NO, NOT REALLY. 854 00:36:01,260 --> 00:36:02,761 ME NEITHER. 855 00:36:02,761 --> 00:36:04,263 NO MATTER WHAT HAPPENS, 856 00:36:04,263 --> 00:36:06,895 WE WILL NEVER SPEAK OF THIS AGAIN. 857 00:36:09,167 --> 00:36:11,440 (clicks cell phone open) 858 00:36:11,440 --> 00:36:14,172 (keypad beeping) 859 00:36:14,172 --> 00:36:15,404 HELLO. 860 00:36:15,404 --> 00:36:17,406 THIS IS DETECTIVE KATE BECKETT WITH THE NYPD. 861 00:36:17,406 --> 00:36:19,708 COULD I SPEAK WITH THE OWNER, PLEASE? 862 00:36:19,708 --> 00:36:21,610 HELLO, MR. MASON? 863 00:36:21,610 --> 00:36:24,383 I HAVE A COUPLE OF QUESTIONS TO ASK YOU. 864 00:36:24,383 --> 00:36:26,855 MRS. CASILLAS, WHOSE IDEA WAS IT TO GO 865 00:36:26,855 --> 00:36:29,858 AND VISIT VIVIEN MARCHAND IN THE FIRST PLACE? 866 00:36:29,858 --> 00:36:32,861 WE HAVE HAD A VERY LONG DAY. PLEASE ANSWER THE QUESTION. 867 00:36:32,861 --> 00:36:34,363 IT WAS MY IDEA. 868 00:36:34,363 --> 00:36:36,365 MOTHER THOUGHT IT COST TOO MUCH, 869 00:36:36,365 --> 00:36:39,398 BUT I MISSED DADDY SO MUCH THAT I WAS WILLING TO TRY ANYTHING. 870 00:36:39,398 --> 00:36:40,899 AND WHEN SHE KNEW 871 00:36:40,899 --> 00:36:42,901 SO MANY PRIVATE THINGS ABOUT YOUR FATHER? 872 00:36:42,901 --> 00:36:44,733 IT WAS ALMOST LIKE BEING WITH HIM, 873 00:36:44,733 --> 00:36:47,976 LIKE HE WAS IN THE ROOM WITH US. THE NIGHT THAT VIVIEN MARCHAND WAS MURDERED, 874 00:36:47,976 --> 00:36:50,679 THE TWO OF YOU WENT TO DINNER WITH FRIENDS AT MASON'S. 875 00:36:50,679 --> 00:36:52,681 THAT'S RIGHT. IT'S A NEW PLACE. 876 00:36:52,681 --> 00:36:54,613 MY MOTHER WANTED TO TRY IT. 877 00:36:54,613 --> 00:36:56,615 THE WAITER CONFIRMED THAT YOU WERE THERE 878 00:36:56,615 --> 00:36:58,617 FROM 5:00 UNTIL 7:30. 879 00:36:58,617 --> 00:37:01,620 HOW WAS YOUR MEAL? DID YOU ORDER WINE WITH DINNER? 880 00:37:01,620 --> 00:37:02,951 YES. 881 00:37:02,951 --> 00:37:05,454 NO, I MEAN, THEY DON'T HAVE A LIQUOR LICENSE YET, 882 00:37:05,454 --> 00:37:06,955 SO YOU BRING YOUR OWN. 883 00:37:06,955 --> 00:37:09,858 SO YOU BROUGHT YOUR OWN BOTTLE OF WINE WITH YOU, THEN? NO. 884 00:37:09,858 --> 00:37:13,001 MOTHER WENT OUT TO THE LIQUOR STORE AND BROUGHT US A BOTTLE. 885 00:37:13,001 --> 00:37:15,003 SHE WAS GONE ABOUT 20 MINUTES. AND WHAT TIME WAS THAT? 886 00:37:15,003 --> 00:37:17,366 5:15 MAYBE. WHAT'S THIS ALL ABOUT? 887 00:37:17,366 --> 00:37:19,838 PAULA, WE WENT TO THE LIQUOR STORE. 888 00:37:19,838 --> 00:37:22,341 YOU DIDN'T BUY THAT BOTTLE OF WINE AT 5:15. 889 00:37:22,341 --> 00:37:26,315 ACCORDING TO THIS RECEIPT, YOU BOUGHT IT AT 3:12. 890 00:37:26,315 --> 00:37:29,648 AND AT THE SAME TIME, YOU BOUGHT AN ICE PICK. 891 00:37:29,648 --> 00:37:30,949 I DON'T UNDERSTAND. 892 00:37:30,949 --> 00:37:34,583 YOU BOUGHT THAT BOTTLE OF WINE, AND THEN YOU PUT IT ASIDE, 893 00:37:34,583 --> 00:37:36,325 AND THEN AT 5:15, 894 00:37:36,325 --> 00:37:39,458 YOU LEFT THE RESTAURANT AND WENT STRAIGHT TO VIVIEN'S OFFICE 895 00:37:39,458 --> 00:37:40,989 AND MURDERED HER. 896 00:37:40,989 --> 00:37:43,692 THEN YOU WENT AND YOU RETRIEVED THE BOTTLE OF WINE. 897 00:37:43,692 --> 00:37:45,494 YOU RETURNED TO THE RESTAURANT. 898 00:37:45,494 --> 00:37:47,996 YOU HAD DINNER WITH YOUR DAUGHTER AND YOUR FRIENDS. 899 00:37:47,996 --> 00:37:50,769 (Marina) THAT'S CRAZY. MOM, TELL THEM. 900 00:37:50,769 --> 00:37:53,602 WHY WOULD SHE DO SOMETHING LIKE THAT? (Castle) TO COVER UP ANOTHER MURDER. 901 00:37:53,602 --> 00:37:55,974 YOUR FATHER'S. 902 00:37:55,974 --> 00:37:57,976 DID YOU FIGURE OUT THAT EMILIO WAS CHEATING 903 00:37:57,976 --> 00:38:00,879 OR DID HE TELL YOU? 904 00:38:00,879 --> 00:38:03,882 HE TOLD ME... 905 00:38:03,882 --> 00:38:07,285 THAT HE HAD MET SOMEONE... 906 00:38:07,285 --> 00:38:10,919 THAT SHE WAS YOUNG AND BEAUTIFUL... 907 00:38:10,919 --> 00:38:14,623 AND THAT I WAS JUST A BORING OLD LADY. 908 00:38:17,666 --> 00:38:20,599 I TOOK SOME SELENIUM FROM THE FACTORY, 909 00:38:20,599 --> 00:38:23,872 AND... EVERY MORNING, 910 00:38:23,872 --> 00:38:25,874 I PUT A LITTLE BIT IN HIS COFFEE. 911 00:38:25,874 --> 00:38:27,976 OH, MY GOD. MOM... 912 00:38:27,976 --> 00:38:30,479 WHEN YOU WANTED TO GO SEE VIVIEN, 913 00:38:30,479 --> 00:38:33,011 I WENT ALONG TO HUMOR YOU, 914 00:38:33,011 --> 00:38:35,013 BUT... SHE KNEW THINGS 915 00:38:35,013 --> 00:38:38,447 THAT SHE SHOULDN'T HAVE KNOWN. 916 00:38:38,447 --> 00:38:40,449 AND THEN WHEN SHE TOLD YOU THAT EMILIO WANTED 917 00:38:40,449 --> 00:38:42,591 TO TELL YOU SOMETHING IMPORTANT... 918 00:38:42,591 --> 00:38:44,923 AND SHE SAID SHE WAS GOING TO SPEND THE EVENING 919 00:38:44,923 --> 00:38:46,925 COMMUNING WITH HIS SPIRIT... 920 00:38:46,925 --> 00:38:50,699 THE CHEATING SON OF A BITCH WAS GONNA TELL ON ME. 921 00:38:50,699 --> 00:38:52,961 AFTER EVERYTHING THAT HE HAD DONE, 922 00:38:52,961 --> 00:38:55,804 I COULDN'T LET THAT HAPPEN. 923 00:38:55,804 --> 00:38:58,867 I HAD TO KILL HER TO STOP HIM. (pounds table) 924 00:38:58,867 --> 00:39:00,669 MOTHER, STOP TALKING. 925 00:39:00,669 --> 00:39:01,970 WE WANT A LAWYER. 926 00:39:06,344 --> 00:39:08,076 PAULA CASILLAS HAS LAWYERED UP. 927 00:39:08,076 --> 00:39:10,078 HE'S ALREADY TRYING TO SUPPRESS HER CONFESSION. 928 00:39:10,078 --> 00:39:11,780 WILL THAT WORK? 929 00:39:11,780 --> 00:39:14,352 YOU KNOW, I DOUBT IT, BUT PAULA'S DONE TALKING. 930 00:39:14,352 --> 00:39:16,354 DID YOU ASK HER WHO WROTE THE LETTER? 931 00:39:16,354 --> 00:39:18,356 YOU KNOW, I DIDN'T GET A CHANCE, 932 00:39:18,356 --> 00:39:20,358 SO I GUESS IT'LL HAVE TO REMAIN A MYSTERY. 933 00:39:20,358 --> 00:39:22,591 UH, ACTUALLY, NOT QUITE. 934 00:39:22,591 --> 00:39:24,593 DO YOU REMEMBER THE LAST CLUE, 935 00:39:24,593 --> 00:39:27,365 THE SOUND OF KNOCKING FROM FAR AWAY? MM-HMM. 936 00:39:27,365 --> 00:39:29,498 THAT WOULD'VE BEEN NICK JOHNSTON. 937 00:39:29,498 --> 00:39:31,800 HE SAID HE POUNDED ON THAT DOOR FOR QUITE SOME TIME 938 00:39:31,800 --> 00:39:33,772 BEFORE HE FINALLY GAVE UP AND WENT AWAY. 939 00:39:33,772 --> 00:39:36,074 VIVIEN WAS ALREADY DEAD. YEAH, BUT PAULA COULD'VE STILL BEEN IN THE OFFICE 940 00:39:36,074 --> 00:39:38,577 WAITING FOR HIM TO LEAVE, SHE WOULD'VE HEARD THE KNOCKING 941 00:39:38,577 --> 00:39:41,480 JUST LIKE SHE SAW THE PHONE, JUST LIKE SHE SAW ALBERT MORENO, 942 00:39:41,480 --> 00:39:43,482 WHO WAS PROBABLY DRESSED IN BLACK, 943 00:39:43,482 --> 00:39:46,485 SO SHE JUST PUT IT INTO THE LETTER TO THROW US OFF. HMM. 944 00:39:46,485 --> 00:39:48,987 ONLY ACCORDING TO YOUR TIMELINE ON THE MURDER BOARD, 945 00:39:48,987 --> 00:39:51,790 BY THE TIME NICK GOT TO THE OFFICE AT 5:45, 946 00:39:51,790 --> 00:39:53,792 PAULA WAS BACK AT THE RESTAURANT, 947 00:39:53,792 --> 00:39:55,924 SO THE OFFICE WAS EMPTY, 948 00:39:55,924 --> 00:39:58,467 EXCEPT, OF COURSE, FOR VIVIEN. 949 00:39:58,467 --> 00:40:00,128 ♪♪♪ 950 00:40:00,128 --> 00:40:02,471 OH, BEFORE I FORGET... 951 00:40:02,471 --> 00:40:04,873 WHAT DID PENNY SAY ABOUT ALEXANDER? 952 00:40:04,873 --> 00:40:06,174 OH, NOTHING. 953 00:40:06,174 --> 00:40:09,938 JUST SOME SILLY STUFF THAT DIDN'T REALLY MAKE ANY SENSE. 954 00:40:09,938 --> 00:40:12,010 WHY? 955 00:40:12,010 --> 00:40:13,882 BECAUSE MY MIDDLE NAME IS ALEXANDER. 956 00:40:13,882 --> 00:40:15,814 I THOUGHT YOUR MIDDLE NAME WAS EDGAR. 957 00:40:15,814 --> 00:40:17,616 BEEN PERUSING THE PERSONAL SECTION 958 00:40:17,616 --> 00:40:19,618 OF THE RICHARD CASTLE WEBSITE AGAIN, HAVE WE? 959 00:40:19,618 --> 00:40:22,951 NO, I CHANGED MY MIDDLE NAME TO EDGAR FOR EDGAR ALLAN POE 960 00:40:22,951 --> 00:40:24,953 BACK WHEN I CHANGED MY LAST NAME TO CASTLE. 961 00:40:24,953 --> 00:40:28,126 MY GIVEN NAME IS RICHARD ALEXANDER RODGERS. 962 00:40:28,126 --> 00:40:30,128 WHAT A COINCIDENCE, HUH? 963 00:40:30,128 --> 00:40:31,930 ♪♪♪ 964 00:40:31,930 --> 00:40:35,734 (woman) ♪ IT'S NO SURPRISE ♪ 965 00:40:35,734 --> 00:40:37,536 ♪ I'M HERE TONIGHT ♪ 966 00:40:37,536 --> 00:40:40,939 I THINK THAT WAS A LOVELY SERVICE. 967 00:40:40,939 --> 00:40:42,440 AND IF I MAY SAY, 968 00:40:42,440 --> 00:40:45,043 YOUR SPEECH WAS THE BEST. 969 00:40:45,043 --> 00:40:47,045 OH, WELL, THANK YOU FOR WRITING IT. PFFT. 970 00:40:47,045 --> 00:40:49,678 AND I THINK, YOU KNOW, BETWEEN THE TWO OF US, 971 00:40:49,678 --> 00:40:51,850 WE MANAGED TO CAPTURE THE ESSENCE OF CHET. 972 00:40:51,850 --> 00:40:52,981 YES. 973 00:40:52,981 --> 00:40:54,483 AND BOOMER AND LOTTE-- 974 00:40:54,483 --> 00:40:56,925 VERY, VERY GRACIOUS ABOUT TAKING THE RING BACK 975 00:40:56,925 --> 00:41:01,059 AND THE WHOLE... OH. 976 00:41:01,059 --> 00:41:03,992 OH, GOD. I FEEL TERRIBLE. 977 00:41:03,992 --> 00:41:06,034 YOU KNOW... 978 00:41:06,034 --> 00:41:08,036 YOU REALLY HAVE NOTHING TO FEEL GUILTY ABOUT. 979 00:41:08,036 --> 00:41:10,699 OH, RICHARD, PLEASE. NO, IF ANYTHING, 980 00:41:10,699 --> 00:41:13,071 BY TELLING CHET YOU WANTED TO THINK ABOUT GETTING ENGAGED, 981 00:41:13,071 --> 00:41:15,073 YOU GAVE HIM ONE MORE DAY OF HOPE. 982 00:41:15,073 --> 00:41:17,606 BUT NOW HE KNOWS. 983 00:41:17,606 --> 00:41:20,048 HE'S UP THERE, I ASSUME, 984 00:41:20,048 --> 00:41:21,910 AND HE KNOWS EVERYTHING. 985 00:41:21,910 --> 00:41:24,913 HE KNOWS HE GAVE HIS HEART TO A WOMAN WHO IS SHALLOW 986 00:41:24,913 --> 00:41:27,015 AND A LITTLE COWARDLY AND... 987 00:41:27,015 --> 00:41:29,758 DIDN'T REALLY DESERVE HIM. 988 00:41:29,758 --> 00:41:31,560 ♪ LIKE ALL THE COLORS ♪ 989 00:41:31,560 --> 00:41:33,792 ♪ TO THE CITY DOWN... ♪ 990 00:41:33,792 --> 00:41:35,193 MOVE OVER. 991 00:41:35,193 --> 00:41:36,925 WHAT? COME HERE. 992 00:41:36,925 --> 00:41:38,767 OH, HONEY. I-I DON'T HAVE-- NO, GO. 993 00:41:38,767 --> 00:41:41,530 NOW YOU CAN ASK CHET ANYTHING YOU WANT TO KNOW. 994 00:41:41,530 --> 00:41:44,172 ♪ TO PLUNGE DOWN IN PAIN ♪ 995 00:41:44,172 --> 00:41:46,775 ♪ IS MORE THAN POSSIBLE ♪ 996 00:41:46,775 --> 00:41:49,237 CHET... 997 00:41:49,237 --> 00:41:51,680 DARLING, DO YOU FORGIVE ME? 998 00:41:51,680 --> 00:41:54,012 ♪♪♪ 999 00:41:54,012 --> 00:41:55,513 THERE. "YES." 1000 00:41:55,513 --> 00:41:56,945 NOW YOU KNOW. OH! 1001 00:41:56,945 --> 00:41:59,017 YOU MOVED IT. YES, I DID. 1002 00:41:59,017 --> 00:42:00,589 (exhales) 1003 00:42:00,589 --> 00:42:02,591 AND LET ME TELL YOU SOMETHING ELSE. 1004 00:42:02,591 --> 00:42:04,222 CHET WAS NOBODY'S FOOL. 1005 00:42:04,222 --> 00:42:06,925 HE KNEW YOU, ALL OF YOU. 1006 00:42:06,925 --> 00:42:09,828 AND HE LOVED YOU. 1007 00:42:09,828 --> 00:42:12,831 I AM SURE WHEREVER HE IS NOW, HE STILL DOES. 1008 00:42:12,831 --> 00:42:16,004 ♪♪♪ 1009 00:42:16,004 --> 00:42:17,706 (blows air) 1010 00:42:17,706 --> 00:42:19,007 COME ON. 1011 00:42:19,007 --> 00:42:21,810 GET SOME SLEEP. 1012 00:42:21,810 --> 00:42:23,071 OKAY. 1013 00:42:23,071 --> 00:42:26,675 ♪♪♪ 1014 00:42:26,675 --> 00:42:27,976 RICHARD. 1015 00:42:27,976 --> 00:42:29,948 ♪♪♪ 1016 00:42:29,948 --> 00:42:32,881 WHATEVER MISTAKES I'VE MADE IN MY LIFE, 1017 00:42:32,881 --> 00:42:35,123 I RAISED A GOOD MAN. 1018 00:42:35,123 --> 00:42:41,129 ♪♪♪