1 00:00:01,832 --> 00:00:05,336 [ JAZZY THEME MUSIC PLAYING ] 2 00:00:05,336 --> 00:00:08,049 ♪♪♪ 3 00:00:08,049 --> 00:00:09,680 [ THEME MUSIC ENDS ] 4 00:00:09,680 --> 00:00:11,052 Woman: WAIT. 5 00:00:11,052 --> 00:00:12,633 WE DIDN'T APPROVE THIS POSTER. NO. 6 00:00:12,633 --> 00:00:15,226 SID ROSS DID. AND WHAT SID WANTS, SID GETS. 7 00:00:15,226 --> 00:00:17,268 [ ELEVATOR BELL DINGS ] HE DOESN'T CARE WHAT THE NETWORK THINKS. 8 00:00:17,268 --> 00:00:19,060 [ GROANS ] THEN WHAT'S THE POINT 9 00:00:19,060 --> 00:00:20,771 OF DISCUSSING CAST CHANGES WITH HIM? 10 00:00:20,771 --> 00:00:23,274 HE'S JUST GONNA DO WHAT HE WANTS REGARDLESS. [ PRESSES BUTTON ] 11 00:00:23,274 --> 00:00:25,316 [ Mouth full ] AS ALWAYS. 12 00:00:30,071 --> 00:00:31,992 [ CREAKING, RUMBLING ] 13 00:00:31,992 --> 00:00:35,206 [ GASPS ] AAH! AAH! 14 00:00:35,206 --> 00:00:36,617 IS HE DEAD?! 15 00:00:36,617 --> 00:00:38,249 IS HE DEAD? 16 00:00:38,249 --> 00:00:40,040 [ SIGHS ] 17 00:00:40,040 --> 00:00:41,832 [ Flatter voice ] IS HE DEAD? 18 00:00:41,832 --> 00:00:43,664 [ Normal voice ] IS HE DEAD? 19 00:00:43,664 --> 00:00:45,466 HEY, GOOD MORNING, MARTHA. 20 00:00:45,466 --> 00:00:48,089 IS HE DEAD? IS WHO DEAD? 21 00:00:48,089 --> 00:00:50,010 NO, I'M JUST... 22 00:00:50,010 --> 00:00:51,882 IS HE DEAD? 23 00:00:51,882 --> 00:00:53,554 IS HE DEAD? 24 00:00:53,554 --> 00:00:56,347 IS HE DEAD? 25 00:00:56,347 --> 00:00:57,638 [ Lowered voice ] CASTLE, 26 00:00:57,638 --> 00:00:58,679 SOMETHING'S WRONG WITH YOUR MOTHER. 27 00:00:58,679 --> 00:01:00,020 YOU'RE JUST REALIZING THIS NOW? 28 00:01:00,020 --> 00:01:01,182 NO, NO. SHH. LISTEN. Martha: IS HE DEAD? 29 00:01:01,182 --> 00:01:03,104 IS HE DEAD?! 30 00:01:03,104 --> 00:01:06,357 OH! SHE'S DOING 48-HOUR FIRST LINE. 31 00:01:06,357 --> 00:01:09,029 OH, THAT'S RIGHT. YOU HAVEN'T LIVED HERE 32 00:01:09,029 --> 00:01:11,192 WHILE MOTHER IS PREPARING TO OPEN IN A PLAY. 33 00:01:11,192 --> 00:01:13,194 THIS, BELIEVE IT OR NOT, IS HER LITTLE RITUAL 34 00:01:13,194 --> 00:01:14,785 FOR GETTING INTO CHARACTER. 35 00:01:14,785 --> 00:01:17,077 IS HE DEAD? [ LAUGHS ] 36 00:01:17,077 --> 00:01:19,160 OKAY, SO, THIS IS NORMAL? 37 00:01:19,160 --> 00:01:21,202 SHE'S AN ACTOR. WHAT'S NORMAL? 38 00:01:21,202 --> 00:01:23,204 I CALL IT "48-HOUR FIRST LINE" 39 00:01:23,204 --> 00:01:25,506 BECAUSE FOR THE TWO DAYS PRIOR TO OPENING NIGHT, 40 00:01:25,506 --> 00:01:27,047 SHE WILL SAY NOTHING 41 00:01:27,047 --> 00:01:28,919 BUT HER CHARACTER'S FIRST LINE OF THE PLAY. 42 00:01:28,919 --> 00:01:30,801 OKAY, THAT'S UNIQUE. 43 00:01:30,801 --> 00:01:32,052 MM. IS HE DEAD? 44 00:01:32,052 --> 00:01:34,385 BUT DOESN'T HER PLAY OPEN NEXT MONTH? 45 00:01:34,385 --> 00:01:35,976 THAT'S RIGHT. 46 00:01:35,976 --> 00:01:37,558 IT'S PREVIEWS THAT ARE TWO DAYS AWAY. 47 00:01:37,558 --> 00:01:39,220 OH, NO, THAT IS ODD. 48 00:01:39,220 --> 00:01:41,021 [ CELL PHONE VIBRATES ] 49 00:01:41,021 --> 00:01:43,063 OH, CASTLE, THERE'S BEEN A HOMICIDE. 50 00:01:43,063 --> 00:01:45,486 IS HE DEAD? YES, UNFORTUNATELY, MARTHA -- 51 00:01:46,647 --> 00:01:48,729 RIGHT. NEVER MIND. 52 00:01:48,729 --> 00:01:51,192 BE HONEST. WHEN YOU VOWED "FOR BETTER OR FOR WORSE," 53 00:01:51,192 --> 00:01:53,154 YOU REALLY HAD NO IDEA WHAT YOU WERE GETTING INTO, DID YOU? 54 00:01:53,154 --> 00:01:54,615 HMM. [ CHUCKLES ] 55 00:01:54,615 --> 00:01:56,287 ♪ IS HE DEAD? IS HE DEAD? ♪ SEE YOU, MOTHER. 56 00:01:56,287 --> 00:01:57,448 ♪ IS HE DEAD? ♪ 57 00:01:57,448 --> 00:01:58,499 IS HE DEAD? 58 00:01:58,499 --> 00:02:00,831 ♪ IS... ♪ [ DOOR OPENS ] 59 00:02:00,831 --> 00:02:02,163 WE CAN STAY AT A HOTEL. 60 00:02:02,163 --> 00:02:03,794 THAT WAY, YOU DON'T HAVE TO LISTEN TO HER SAY THAT LINE 61 00:02:03,794 --> 00:02:05,206 OVER AND OVER AGAIN. NO, IT'S OKAY. 62 00:02:05,206 --> 00:02:08,048 I MEAN, WE'RE GONNA MANAGE. IT'S JUST, YOUR MOM'S KIND OF -- 63 00:02:08,048 --> 00:02:09,250 ANNOYING? YEAH, I KNOW. 64 00:02:09,250 --> 00:02:10,801 TRUST ME, WE'RE GETTING OFF EASY. 65 00:02:10,801 --> 00:02:12,963 ONE TIME HER OPENING LINE WAS, 66 00:02:12,963 --> 00:02:15,055 "COME ON, BABY. I'LL MAKE IT WORTH YOUR WHILE." 67 00:02:15,055 --> 00:02:17,057 [ LAUGHS ] OOH, I SEE WHAT YOU MEAN. YEAH. 68 00:02:17,057 --> 00:02:20,391 MOST AWKWARD PARENT-TEACHER CONFERENCE EVER. 69 00:02:20,391 --> 00:02:22,683 HEY, LANIE. GOOD MORNING, YOU TWO. 70 00:02:22,683 --> 00:02:25,646 THIS IS -- SID ROSS! 71 00:02:25,646 --> 00:02:27,728 THE CREATOR OF "SATURDAY NIGHT TONIGHT." 72 00:02:27,728 --> 00:02:29,400 YEAH, NOT TO MENTION ALL THE MOVIES HE PRODUCED. 73 00:02:29,400 --> 00:02:31,442 THE MAN'S A MOGUL. SO, WHAT HAPPENED? 74 00:02:31,442 --> 00:02:32,943 HE WAS STRANGLED WITH HIS OWN TIE 75 00:02:32,943 --> 00:02:35,276 AND THEN THROWN DOWN THAT ELEVATOR SHAFT 76 00:02:35,276 --> 00:02:37,448 FROM THE "S.N.T." STUDIOS ON THE SEVENTH FLOOR. [ CAMERA SHUTTER CLICKS ] 77 00:02:37,448 --> 00:02:39,370 HIS BODY WAS ON THE ROOF OF THAT ELEVATOR FOR HOURS 78 00:02:39,370 --> 00:02:42,243 BEFORE THE PANEL GAVE WAY AND SID POPPED OUT. 79 00:02:42,243 --> 00:02:44,995 LIKE SOME JACK-IN-THE-BOX FROM HELL. 80 00:02:44,995 --> 00:02:47,047 TIME OF DEATH? BASED ON LIVIDITY, 81 00:02:47,047 --> 00:02:48,459 BETWEEN 11:00 P.M. AND 2:00 A.M. [ CELL PHONE VIBRATING ] 82 00:02:48,459 --> 00:02:50,291 LOOKS LIKE SID WAS BURNING THE MIDNIGHT OIL. 83 00:02:50,291 --> 00:02:52,132 LET'S CHECK WITH SECURITY, SEE IF THEY KNOW 84 00:02:52,132 --> 00:02:54,004 IF ANYONE ELSE WAS IN THE BUILDING WITH HIM. [ CELL PHONE BEEPS ] 85 00:02:56,096 --> 00:02:57,598 CONSIDERING WHERE WE ARE, 86 00:02:57,598 --> 00:02:59,009 MAYBE ONE OF SID'S EMPLOYEES KILLED HIM. 87 00:02:59,009 --> 00:03:02,182 YEAH, WELL, RYAN AND ESPOSITO ARE BRINGING HIS WIFE IN NOW. 88 00:03:02,182 --> 00:03:04,265 MAYBE SHE KNOWS WHO WOULD HAVE DONE THIS TO HIM. 89 00:03:04,265 --> 00:03:07,147 EVERYONE WAS SCARED OF SID, 90 00:03:07,147 --> 00:03:10,231 BUT THEY DIDN'T KNOW HIM LIKE I DID. 91 00:03:10,231 --> 00:03:14,114 THEY THOUGHT HE WAS JUST A COLD, TYRANNICAL DICTATOR. 92 00:03:14,114 --> 00:03:15,576 SOUNDS LIKE HE HAD ENEMIES. 93 00:03:15,576 --> 00:03:17,778 OHH. AFTER 35 YEARS 94 00:03:17,778 --> 00:03:21,081 OF MAKING AND BREAKING CAREERS, YOU... 95 00:03:21,081 --> 00:03:23,123 YOU'RE BOUND TO PISS OFF A FEW PEOPLE. 96 00:03:23,123 --> 00:03:25,536 ANYONE AT "SATURDAY NIGHT TONIGHT" STUDIO? 97 00:03:25,536 --> 00:03:28,038 YEAH, WAS HE HAVING TROUBLE WITH ANY OF HIS EMPLOYEES THERE? 98 00:03:28,038 --> 00:03:29,380 I DON'T KNOW. 99 00:03:29,380 --> 00:03:31,542 MAYBE. UH... 100 00:03:31,542 --> 00:03:34,795 EH, SID CALLED ME LAST NIGHT. IT WAS ODD. 101 00:03:34,795 --> 00:03:37,007 UH, HE SAID HE WAS GOING TO BE WORKING LATE. 102 00:03:37,007 --> 00:03:39,049 AND THAT'S UNUSUAL? NO. 103 00:03:39,049 --> 00:03:41,141 HE WAS A WORKAHOLIC. 104 00:03:41,141 --> 00:03:44,184 THE ODD PART WAS HIS TONE. IT WAS ANXIOUS. 105 00:03:44,184 --> 00:03:46,146 HE SAID SOMEONE WAS OUT TO GET HIM, 106 00:03:46,146 --> 00:03:47,768 AND HE NEEDED TO HANDLE IT. 107 00:03:47,768 --> 00:03:49,690 ANY IDEA WHO THAT SOMEONE MIGHT BE? 108 00:03:49,690 --> 00:03:52,313 WELL, I JUST ASSUMED IT WAS ONE OF HIS BIG BUSINESS DEALS. 109 00:03:52,313 --> 00:03:55,025 IS THERE ANYONE ELSE WHO MIGHT KNOW WHAT SID WAS INVOLVED IN? 110 00:03:55,025 --> 00:03:58,659 YES. THE HEAD OF HIS PRODUCTION COMPANY, GENE VOGEL. 111 00:03:58,659 --> 00:04:00,701 MR. VOGEL IS RIGHT OVER HERE. 112 00:04:00,701 --> 00:04:02,122 CHAD -- IT'S CHAD, RIGHT? MM-HMM. 113 00:04:02,122 --> 00:04:05,286 ARE THESE CAST PHOTOS FROM ALL 35 SEASONS OF THE SHOW? 114 00:04:05,286 --> 00:04:08,208 YEP. EVERY PERFORMER WHO HAS EVER BEEN ON "S.N.T." 115 00:04:08,208 --> 00:04:10,371 OH, I LIKED HIM. HE PLAYED FLUFFY THE SPACE PUPPY. 116 00:04:10,371 --> 00:04:11,922 THAT WAS MY FAVORITE. 117 00:04:11,922 --> 00:04:13,794 YOU KNOW, A MAJORITY OF THIS NATION'S COMEDY 118 00:04:13,794 --> 00:04:16,086 WAS BORN IN THE MINDS OF THESE GENIUSES. 119 00:04:16,086 --> 00:04:17,878 EXCEPT FOR THIS SEASON. THOSE GUYS SUCKED. 120 00:04:17,878 --> 00:04:19,470 YEAH, THEY WERE TERRIBLE. OH, THIS GUY! 121 00:04:19,470 --> 00:04:22,052 UH, NED WHAT'S-HIS-NAME? HE PLAYED, UH, DOCTOR FINGER. 122 00:04:22,052 --> 00:04:23,474 [ German accent ] I'M SORRY, SIR. 123 00:04:23,474 --> 00:04:25,766 IT'S NECESSARY I MUST PROBE YOU. 124 00:04:25,766 --> 00:04:27,187 [ Normal voice ] HOW CAN YOU NOT LIKE DOCTOR FINGER? 125 00:04:27,187 --> 00:04:30,190 BECAUSE, CASTLE, I WASN'T A 13-YEAR-OLD BOY. 126 00:04:30,190 --> 00:04:32,192 [ German accent ] PROBE... 127 00:04:35,316 --> 00:04:37,107 THAT'S MR. VOGEL. 128 00:04:37,107 --> 00:04:39,990 HE'S THE PRESIDENT OF MR. ROSS' PRODUCTION COMPANY. 129 00:04:39,990 --> 00:04:42,323 GATHER 'ROUND, PLEASE. 130 00:04:42,323 --> 00:04:44,495 THANK YOU, EVERYBODY. 131 00:04:44,495 --> 00:04:47,408 AS TRAGIC AS SID'S DEATH IS, 132 00:04:47,408 --> 00:04:50,080 THE NETWORK HAS ASKED US TO GO ON 133 00:04:50,080 --> 00:04:53,213 WITH TOMORROW NIGHT'S SHOW -- AS A TRIBUTE. 134 00:04:53,213 --> 00:04:55,756 WOULD YOU CARE TO SAY A FEW WORDS? 135 00:04:59,179 --> 00:05:00,260 CHECK IT OUT. THAT'S DAN-- 136 00:05:00,260 --> 00:05:01,632 DANNY VALENTINE! DANNY VALENTINE! 137 00:05:01,632 --> 00:05:02,973 HE'S OUR GUEST HOST THIS WEEK. 138 00:05:02,973 --> 00:05:05,686 I REMEMBER WHEN SID ASKED ME TO HOST THE PILOT 139 00:05:05,686 --> 00:05:08,479 OF THIS...CRAZY SHOW. [ CHUCKLES ] 140 00:05:08,479 --> 00:05:10,771 EVERYBODY SAID, "TURN HIM DOWN. SHOW'S A DUD." 141 00:05:10,771 --> 00:05:14,314 WELL, 35 YEARS LATER, IT'S STILL GOING STRONG. 142 00:05:14,314 --> 00:05:18,489 WE HONOR SID BY HONORING HIS CREATION. 143 00:05:18,489 --> 00:05:21,111 SO...LET'S PUT ON A SHOW. 144 00:05:21,111 --> 00:05:24,114 Man: YEAH. [ APPLAUSE, MURMURING ] 145 00:05:24,114 --> 00:05:27,708 MR. VOGEL, EXCUSE ME. I'M -- 146 00:05:27,708 --> 00:05:30,000 DETECTIVE KATE BECKETT. AND YOU'RE RICHARD CASTLE. 147 00:05:30,000 --> 00:05:32,413 HI, I'M LIZ BELL. I'M THE HEAD WRITER FOR "S.N.T." 148 00:05:32,413 --> 00:05:34,214 AND I ABSOLUTELY ADORE YOU. [ LAUGHS ] 149 00:05:34,214 --> 00:05:36,917 AND YOU. ESPECIALLY YOU. 150 00:05:36,917 --> 00:05:39,510 ME? REALLY? UH -- OH, OF COURSE. 151 00:05:39,510 --> 00:05:41,462 I FOLLOWED YOUR CAREER. I WANTED TO BE A COP, 152 00:05:41,462 --> 00:05:42,883 BUT ENDED UP A WRITER. 153 00:05:42,883 --> 00:05:45,265 I KNOW. IT'S PATHETIC. [ CHUCKLES ] 154 00:05:45,265 --> 00:05:47,428 EXCUSE ME? SO I'VE SEEN FOOTAGE 155 00:05:47,428 --> 00:05:49,099 OF YOUR CRIME SCENES, AND I HAVE TO ASK -- 156 00:05:49,099 --> 00:05:52,142 HOW DO YOU FIGHT CRIME AND KEEP YOUR HAIR LIKE THAT? 157 00:05:52,142 --> 00:05:54,184 AND DO IT IN HIGH HEELS! 158 00:05:54,184 --> 00:05:55,355 [ CLEARS THROAT ] DETECTIVE, 159 00:05:55,355 --> 00:05:56,977 I ASSUME YOU'RE HERE ABOUT SID'S DEATH. 160 00:05:56,977 --> 00:05:59,780 HOW CAN I HELP? WELL, UH, WE CHECKED WITH SECURITY, 161 00:05:59,780 --> 00:06:02,443 AND I UNDERSTAND THAT MOST EMPLOYEES ENTER AND EXIT 162 00:06:02,443 --> 00:06:04,615 THROUGH THE FRONT DOOR, BUT APPARENTLY THERE'S ALSO 163 00:06:04,615 --> 00:06:06,156 A PRIVATE V.I.P ENTRANCE? THAT'S RIGHT. 164 00:06:06,156 --> 00:06:07,988 SID HAD IT INSTALLED FOR THE ACTORS 165 00:06:07,988 --> 00:06:10,290 SO THEY COULD COME AND GO WITH MORE PRIVACY. 166 00:06:10,290 --> 00:06:12,292 ARE THERE ANY SECURITY CAMERAS ON THAT PRIVATE ENTRANCE? 167 00:06:12,292 --> 00:06:13,624 [ CHUCKLES ] THEY'RE ACTORS, 168 00:06:13,624 --> 00:06:16,417 SO THEY ALSO USE IT TO DO OTHER THINGS, LIKE -- 169 00:06:16,417 --> 00:06:18,168 SID OPTED NOT TO HAVE SURVEILLANCE. 170 00:06:18,168 --> 00:06:21,001 SO THERE'S NO WAY OF TELLING WHO CAME IN OR OUT 171 00:06:21,001 --> 00:06:22,923 OF THE PRIVATE ENTRANCE? I'M AFRAID NOT. 172 00:06:22,923 --> 00:06:24,425 WAS ANYONE WORKING HERE LAST NIGHT 173 00:06:24,425 --> 00:06:26,346 BETWEEN 11:00 P.M. AND 2:00 A.M.? 174 00:06:26,346 --> 00:06:28,639 [ CHUCKLES ] OH... YES. ALL THE WRITERS AND ACTORS. 175 00:06:28,639 --> 00:06:30,010 THURSDAY IS REWRITE NIGHT. 176 00:06:30,010 --> 00:06:32,723 SO MOST OF THEM WERE HERE UNTIL SUNUP. 177 00:06:32,723 --> 00:06:35,516 OF THOSE PEOPLE, DID ANYONE HAVE A PROBLEM WITH SID? 178 00:06:38,188 --> 00:06:40,611 WHO? 179 00:06:40,611 --> 00:06:42,192 [ WHISTLING ] 180 00:06:42,192 --> 00:06:44,154 SORRY, SIR, WE'RE NOT QUITE OPEN YET. 181 00:06:44,154 --> 00:06:46,116 UH, I RECORD ALL OF OUR REHEARSALS. 182 00:06:46,116 --> 00:06:47,868 THIS TOOK PLACE YESTERDAY EVENING. 183 00:06:47,868 --> 00:06:49,950 DUDE, WHY ARE YOU WEARING ARMOR? 184 00:06:49,950 --> 00:06:52,533 BECAUSE THE SKETCH SUCKS, AND I'M TRYING TO SAVE IT! 185 00:06:52,533 --> 00:06:54,625 [ LAUGHS ] MICKEY FRANKS IS HILARIOUS. 186 00:06:54,625 --> 00:06:56,376 YES, WELL, JUST WATCH. 187 00:06:56,376 --> 00:06:58,298 MICKEY, YOU CAN'T DO THIS! 188 00:06:58,298 --> 00:06:59,920 SID ALREADY APPROVED THE SKETCH. 189 00:06:59,920 --> 00:07:02,002 YOU KNOW, SCREW SID. 190 00:07:02,002 --> 00:07:03,714 SCREW SID! YOU WANT TO KNOW WHAT I THINK OF SID? 191 00:07:03,714 --> 00:07:05,636 THAT'S WHAT I THINK OF SID! 192 00:07:05,636 --> 00:07:08,218 SID'S DEAD, THAT'S WHAT HE IS! HE'S DEAD TO ME! [ CLATTER ] 193 00:07:08,218 --> 00:07:10,260 I'LL KILL HIM! HE'S DEAD! [ SHRIEKS ] 194 00:07:10,260 --> 00:07:14,144 HE'S DEAD! HE'S DEAD! HE'S DEAD! HE'S DEAD! HE'S... [ VIDEO STOPS ] 195 00:07:14,144 --> 00:07:17,688 OVER THIS SEASON, MICKEY'S BECOME MORE AND MORE UNSTABLE. 196 00:07:17,688 --> 00:07:21,021 MOOD SWINGS, OUTBURSTS, TALKS TO HIMSELF -- 197 00:07:21,021 --> 00:07:23,273 AND TO PEOPLE WHO AREN'T THERE. 198 00:07:23,273 --> 00:07:25,065 BUT THAT WAS THE FIRST TIME HE EVER WENT THIS FAR. 199 00:07:25,065 --> 00:07:27,067 WELL, DID HE HAVE A REASON TO BE ANGRY WITH SID? 200 00:07:27,067 --> 00:07:28,739 ASIDE FROM THE LAME SKETCH? 201 00:07:28,739 --> 00:07:32,162 ACTUALLY, YES. I TALKED TO SID YESTERDAY MORNING. 202 00:07:32,162 --> 00:07:34,284 HE SAID HE WAS PLANNING TO FIRE MICKEY. 203 00:07:34,284 --> 00:07:36,667 HOW CAN HE FIRE HIS STAR? 204 00:07:36,667 --> 00:07:39,540 AH...HE'S VOLATILE, UNPREDICTABLE. 205 00:07:39,540 --> 00:07:41,712 HE'S BECOME MORE AND MORE OF A LIABILITY. 206 00:07:41,712 --> 00:07:45,005 MR. VOGEL, DID SID BREAK THE NEWS TO MICKEY LAST NIGHT? 207 00:07:45,005 --> 00:07:46,927 I DON'T KNOW, BUT HE MIGHT HAVE. 208 00:07:46,927 --> 00:07:49,139 WELL, MICKEY WASN'T AT THE GATHERING FOR SID. 209 00:07:49,139 --> 00:07:50,931 IS HE IN THE BUILDING? IF HE IS, 210 00:07:50,931 --> 00:07:52,352 HE'LL BE IN THE WARDROBE AND PROPS ROOM. 211 00:07:52,352 --> 00:07:54,224 HE HANGS OUT THERE TO DEVELOP NEW CHARACTERS. 212 00:07:56,647 --> 00:07:59,059 HELLO? ANYBODY THERE? 213 00:07:59,059 --> 00:08:01,562 I'M REALLY HOPING MICKEY'S NOT THE ONE BEHIND THIS. 214 00:08:01,562 --> 00:08:04,064 I MEAN, THE MAN IS JUST SO DAMN FUNNY ON THE SHOW, 215 00:08:04,064 --> 00:08:05,485 EVEN THE CRAPPY EPISODES. [ FLICKS METAL ] 216 00:08:05,485 --> 00:08:07,107 GUY'S HYSTERICAL. 217 00:08:07,107 --> 00:08:09,199 AND QUITE POSSIBLY SUFFERING A PSYCHOTIC BREAK. 218 00:08:09,199 --> 00:08:12,993 YES. THE FINE LINE BETWEEN GENIUS AND MADNESS. 219 00:08:12,993 --> 00:08:17,497 [ CLATTERING, RUSTLING ] 220 00:08:21,211 --> 00:08:24,464 MICKEY FRANKS, IS THAT YOU? 221 00:08:25,546 --> 00:08:26,927 I'M SORRY. 222 00:08:26,927 --> 00:08:29,129 YOU MUST HAVE MISTAKEN ME FOR ANOTHER SUIT OF ARMOR. 223 00:08:29,129 --> 00:08:30,761 NOW IF YOU'LL EXCUSE ME. 224 00:08:30,761 --> 00:08:33,594 N.Y.P.D. WE NEED TO TALK. 225 00:08:35,135 --> 00:08:38,098 YOU'LL NEVER TAKE ME ALIVE, COPPER! 226 00:08:38,098 --> 00:08:40,731 [ GRUNTING ] 227 00:08:40,731 --> 00:08:42,482 OH! MY PANCREAS! 228 00:08:42,482 --> 00:08:45,105 [ LAUGHING ] 229 00:08:45,105 --> 00:08:48,909 YOU SEE WHAT I'M SAYING? EVEN ARRESTED, HE'S HILARIOUS! 230 00:08:48,909 --> 00:08:51,031 [ LAUGHING ] MR. FRANKS. 231 00:08:51,031 --> 00:08:54,034 YOU'RE A COMEDIC GENIUS. I'M A HUGE FAN. 232 00:08:54,034 --> 00:08:55,996 [ CONTINUES LAUGHING ] 233 00:09:06,426 --> 00:09:08,008 MR. FRANKS. 234 00:09:08,008 --> 00:09:09,970 PLEASE DIRECT ALL YOUR QUESTIONS TO MY PERSONAL ATTORNEY. 235 00:09:11,221 --> 00:09:12,342 [ High-pitched voice ] MICKEY, 236 00:09:12,342 --> 00:09:14,054 DON'T SAY ANOTHER WORD. 237 00:09:14,054 --> 00:09:17,097 I'M LEAD COUNSEL FOR MR. FRANKS. 238 00:09:21,441 --> 00:09:25,736 UH, MR. FRANKS, YOU MADE SOME THREATS 239 00:09:25,736 --> 00:09:27,608 AGAINST SID ROSS LAST NIGHT. 240 00:09:27,608 --> 00:09:29,149 YOU'RE DAMN RIGHT I -- DON'T ANSWER THAT! 241 00:09:30,360 --> 00:09:34,574 DETECTIVE, ADDRESS YOUR QUESTIONS TO ME, PLEASE. 242 00:09:34,574 --> 00:09:36,156 THANK YOU. 243 00:09:36,156 --> 00:09:37,197 UH... 244 00:09:38,869 --> 00:09:40,460 UH, WHERE WERE -- 245 00:09:42,162 --> 00:09:44,544 WHERE...WAS YOUR CLIENT 246 00:09:44,544 --> 00:09:47,167 BETWEEN 11:00 P.M. AND 2:00 A.M. LAST NIGHT? 247 00:09:47,167 --> 00:09:49,379 HE WAS MINDING HIS OWN DAMN BUSINESS! 248 00:09:49,379 --> 00:09:51,341 MY CLIENT IS AN UPSTANDING CITIZEN 249 00:09:51,341 --> 00:09:52,713 AND A PILLAR OF THE COMMUNITY. 250 00:09:52,713 --> 00:09:55,766 NOT TO MENTION, HE'S ALSO ONE FUNNY MOTHER-FUDGESICLE. 251 00:09:55,766 --> 00:09:57,978 [ Normal voice ] HEY, WATCH YOUR LANGUAGE. 252 00:09:57,978 --> 00:10:00,060 WHAT HAPPENED, MICKEY? 253 00:10:00,060 --> 00:10:01,852 DID SID TELL YOU YOU WERE FIRED, 254 00:10:01,852 --> 00:10:03,063 SO YOU SNAPPED AND KILLED HIM? 255 00:10:03,063 --> 00:10:05,816 HOLD ON, WHAT? 256 00:10:05,816 --> 00:10:07,607 SID -- SID'S DEAD? 257 00:10:10,070 --> 00:10:12,402 WHOA, HEY, OH -- OH, WHOA, I -- 258 00:10:12,402 --> 00:10:14,574 I DIDN'T KILL HIM. 259 00:10:14,574 --> 00:10:16,616 I NOTICED YOU'RE NO LONG SEEKING COUNSEL FROM YOUR ATTORNEY. 260 00:10:16,616 --> 00:10:19,079 YEAH, NO, THAT'S -- THAT'S JUST AN ACT. 261 00:10:19,079 --> 00:10:21,041 I MEAN...I'M NOT CRAZY. 262 00:10:21,041 --> 00:10:24,004 JUST SPENT A YEAR OF MY LIFE CONVINCING PEOPLE THAT I WAS. 263 00:10:24,004 --> 00:10:25,666 YEAH, AND YOU'VE DONE A PRETTY GOOD JOB OF IT. 264 00:10:25,666 --> 00:10:27,377 I'M AN ACTOR, OKAY? [ CHUCKLES NERVOUSLY ] 265 00:10:27,377 --> 00:10:29,880 I AM AN ACTOR THAT'S TIED TO A LONG-TERM CONTRACT 266 00:10:29,880 --> 00:10:33,463 THAT'S, UH...NOT EXACTLY COVERING HIS EXPENSES. 267 00:10:33,463 --> 00:10:35,425 ARE YOU SAYING YOU WERE TRYING TO GET FIRED? 268 00:10:35,425 --> 00:10:37,637 I MEAN, SID CONTROLS MY CAREER. 269 00:10:37,637 --> 00:10:39,890 BECAUSE OF HIM, I'M MISSING OUT ON MAJOR MOVIE ROLES. 270 00:10:39,890 --> 00:10:42,102 THAT'S WHY I ATTACKED YOU GUYS. 271 00:10:42,102 --> 00:10:45,185 I FIGURED MAYBE IF YOU 5150 ME ON A BELLEVUE PSYCH HOLD, 272 00:10:45,185 --> 00:10:46,857 HE WOULD FINALLY CUT ME LOOSE. 273 00:10:46,857 --> 00:10:48,438 OKAY, LOOK, CRAZY OR NOT, 274 00:10:48,438 --> 00:10:50,901 YOU STILL MADE SOME PRETTY SERIOUS THREATS AGAINST SID, 275 00:10:50,901 --> 00:10:52,362 AND HOURS LATER HE ENDED UP DEAD. 276 00:10:52,362 --> 00:10:54,775 OKAY -- YOU'RE ASKING MY WHEREABOUTS, RIGHT? MM. 277 00:10:54,775 --> 00:10:57,077 OKAY, I WAS UPSTAIRS AT THE ROOFTOP BAR 278 00:10:57,077 --> 00:10:58,699 GETTING WASTED ALL NIGHT. 279 00:10:58,699 --> 00:11:01,541 AND THEN I STUMBLED DOWN TO THE WARDROBE AND PROPS ROOM 280 00:11:01,541 --> 00:11:03,663 AT ABOUT 3:00 A.M. AND PASSED OUT. 281 00:11:03,663 --> 00:11:06,046 I HAD JUST WOKEN UP WHEN YOU GUYS CAME IN. 282 00:11:06,046 --> 00:11:08,208 PLUS, I HAD NO IDEA SID WAS EVEN DEAD, 283 00:11:08,208 --> 00:11:10,550 SO HOW COULD I HAVE HAD ANYTHING TO DO WITH IT? OKAY. 284 00:11:12,963 --> 00:11:14,054 LOOK, I MIGHT KNOW WHO DID! 285 00:11:14,054 --> 00:11:16,176 OKAY. 286 00:11:16,176 --> 00:11:18,098 WE'RE LISTENING. 287 00:11:18,098 --> 00:11:20,010 LOOK, AT AROUND 9:00 P.M. LAST NIGHT, 288 00:11:20,010 --> 00:11:22,763 I...DID GO TO SID'S OFFICE 289 00:11:22,763 --> 00:11:24,895 TO BEG TO BE LET OUT OF MY CONTRACT. 290 00:11:24,895 --> 00:11:28,108 BUT I NEVER WENT IN BECAUSE I HEARD HIM ON THE PHONE. 291 00:11:28,108 --> 00:11:29,860 HE WAS YELLING AT SOMEONE. 292 00:11:29,860 --> 00:11:32,192 WHO WAS HE YELLING AT? I DON'T KNOW. 293 00:11:32,192 --> 00:11:33,233 BUT IT HAD SOMETHING TO DO WITH A DEAL 294 00:11:33,233 --> 00:11:34,614 THAT WAS GOING DOWN AROUND MIDNIGHT. 295 00:11:34,614 --> 00:11:36,656 MIDNIGHT? DID HE SAY WHAT THE DEAL WAS? 296 00:11:36,656 --> 00:11:38,779 NO. BUT SID TOLD THAT PERSON ON THE PHONE 297 00:11:38,779 --> 00:11:40,821 THEY BETTER STICK TO THE AGREEMENT, OR ELSE. 298 00:11:43,994 --> 00:11:46,246 CAN I CALL MY REAL ATTORNEY? 299 00:11:46,246 --> 00:11:48,088 THE BARTENDER CONFIRMED MICKEY'S ALIBI. 300 00:11:48,088 --> 00:11:49,709 HE'S NOT OUR KILLER. 301 00:11:49,709 --> 00:11:51,331 WELL, THEN WE CAN ASSUME MICKEY WAS TELLING THE TRUTH 302 00:11:51,331 --> 00:11:53,423 ABOUT THE PHONE CALL HE OVERHEARD SID MAKING. 303 00:11:53,423 --> 00:11:55,966 YEAH, BUT WHAT KIND OF DEAL WOULD SID BE MAKING AT MIDNIGHT? 304 00:11:55,966 --> 00:11:57,838 WHATEVER IT WAS, IT WENT DOWN IN THE MIDDLE 305 00:11:57,838 --> 00:11:59,099 OF HIS TIME OF DEATH WINDOW. 306 00:11:59,099 --> 00:12:00,720 SO THIS DEAL COULD BE CONNECTED TO HIS DEATH. 307 00:12:00,720 --> 00:12:03,263 WE NEED TO FIGURE OUT WHO SID WAS TALKING ON THE PHONE WITH. 308 00:12:03,263 --> 00:12:04,845 WELL, THAT'S EASIER SAID THAN DONE. 309 00:12:04,845 --> 00:12:06,146 I JUST GOT SID'S PHONE DUMP. 310 00:12:06,146 --> 00:12:07,768 THAT 9:00 P.M. PHONE CALL 311 00:12:07,768 --> 00:12:09,229 CAME FROM AN UNTRACEABLE BURNER PHONE. 312 00:12:09,229 --> 00:12:11,351 YOU KNOW WHAT? WHY DON'T WE GET AHOLD OF SID'S ASSOCIATES, 313 00:12:11,351 --> 00:12:13,023 SEE IF ANY OF THEM KNOW WHAT THIS DEAL WAS. 314 00:12:13,023 --> 00:12:14,564 I KNOW WHO EXACTLY WHO TO START WITH. 315 00:12:14,564 --> 00:12:16,156 RIGHT AFTER THAT MYSTERY CALL, 316 00:12:16,156 --> 00:12:18,198 SID PHONED NONE OTHER THAN DANNY VALENTINE. 317 00:12:18,198 --> 00:12:21,161 IF ANYONE KNOWS ABOUT THAT DEAL, IT'S VALENTINE. 318 00:12:21,161 --> 00:12:24,284 DETECTIVE, I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 319 00:12:24,284 --> 00:12:26,957 LOOK, BUDDY, I'M A COP AND A MODEL, 320 00:12:26,957 --> 00:12:29,039 SO I KNOW WHEN SOMEONE'S LYING TO ME. 321 00:12:29,039 --> 00:12:31,421 AND WHEN THEIR OUTFIT IS CLASHING. 322 00:12:31,421 --> 00:12:33,924 NOW STAND BACK! THIS COULD BE DANGEROUS! 323 00:12:33,924 --> 00:12:36,136 DON'T WORRY. MY EXPERIENCE WRITING CRIME NOVELS 324 00:12:36,136 --> 00:12:38,178 HAS PREPARED ME FOR DANGER. 325 00:12:38,178 --> 00:12:41,011 PLUS, I HAVE MY VEST. 326 00:12:43,303 --> 00:12:47,808 LOOK OUT, BAD GUYS, HERE WE COME! 327 00:12:47,808 --> 00:12:50,190 UHH! OH, MODEL COP DOWN! 328 00:12:50,190 --> 00:12:51,601 I BROKE A HEEL! 329 00:12:51,601 --> 00:12:52,853 OHH! Man: SCENE! 330 00:12:52,853 --> 00:12:54,564 AND SCENE! GREAT JOB, GUYS. 331 00:12:54,564 --> 00:12:56,026 OKAY, WELL, I DON'T KNOW WHETHER WE SHOULD BE 332 00:12:56,026 --> 00:12:57,607 FLATTERED OR OFFENDED. 333 00:12:57,607 --> 00:13:00,160 WHO CARES? DANNY VALENTINE'S PLAYING ME! 334 00:13:00,160 --> 00:13:02,662 WELL, WHAT DO YOU THINK? 335 00:13:02,662 --> 00:13:04,955 UM, ABOUT THE SKETCH? IT'S...UH, CUTE. 336 00:13:04,955 --> 00:13:06,496 DANNY VALENTINE'S PLAYING ME. 337 00:13:06,496 --> 00:13:07,577 YEAH. [ LAUGHS ] 338 00:13:07,577 --> 00:13:09,209 SPEAKING OF MR. VALENTINE, 339 00:13:09,209 --> 00:13:10,250 WE NEED TO TALK TO HIM. 340 00:13:10,250 --> 00:13:11,791 OH. UH, DANNY? 341 00:13:12,792 --> 00:13:15,085 Danny: AHA! THE REAL POLICE. 342 00:13:15,085 --> 00:13:17,007 HERE TO GIVE US SOME POINTERS? 343 00:13:17,007 --> 00:13:19,840 MR. VALENTINE, RICHARD CASTLE. I'M A BIG FAN OF -- 344 00:13:19,840 --> 00:13:22,722 YEAH. WHAT ABOUT YOU, DETECTIVE? 345 00:13:22,722 --> 00:13:24,224 ARE YOU A FAN? 346 00:13:24,224 --> 00:13:26,186 [ CHUCKLES NERVOUSLY ] YEAH... 347 00:13:26,186 --> 00:13:29,189 UH, MR. VALENTINE, WE NEED TO...TALK. 348 00:13:29,189 --> 00:13:32,312 SURE. LET'S GO TO MY DRESSING ROOM. 349 00:13:37,898 --> 00:13:40,400 SURELY YOU'VE SEEN SOME OF MY WORK -- 350 00:13:40,400 --> 00:13:42,903 "STAR FLEET"? "FAMILY PRACTICE"? 351 00:13:42,903 --> 00:13:44,784 MY, UH, MY CAR RENTAL COMMERCIALS? 352 00:13:44,784 --> 00:13:47,998 UH, YEAH, WELL, I-I DID CATCH MY FAIR SHARE 353 00:13:47,998 --> 00:13:50,160 OF "HOT SUSPECT" RERUNS IN COLLEGE. OH! [ LAUGHS ] 354 00:13:50,160 --> 00:13:52,712 I KNEW IT! THE COP WATCHED THE COP SHOW. 355 00:13:52,712 --> 00:13:54,414 COME ON, I INSPIRED YOU 356 00:13:54,414 --> 00:13:57,217 TO BECOME A DETECTIVE, DIDN'T I? HUH? 357 00:13:57,217 --> 00:13:59,219 MAYBE A LITTLE BIT. [ LAUGHS ] 358 00:13:59,219 --> 00:14:03,133 WE'RE INVESTIGATING A MURDER, RIGHT? 359 00:14:03,133 --> 00:14:07,888 RIGHT. YEAH. UH, SO... WE CHECKED SID'S PHONE RECORDS, 360 00:14:07,888 --> 00:14:10,180 AND APPARENTLY HE CALLED YOU AT 9:03 LAST NIGHT. 361 00:14:10,180 --> 00:14:11,521 CAN YOU TELL US WHY? 362 00:14:11,521 --> 00:14:13,233 YEAH, I WAS SUPPOSED TO HAVE DRINKS 363 00:14:13,233 --> 00:14:15,105 WITH SID AND HIS EX, EVELYN. 364 00:14:15,105 --> 00:14:16,897 BUT SID CALLED LAST MINUTE TO CANCEL. 365 00:14:16,897 --> 00:14:19,319 YOU AND SID WERE GOING OUT WITH HIS EX-WIFE? 366 00:14:19,319 --> 00:14:22,152 ISN'T THAT A LITTLE ODD? NOT FOR US. 367 00:14:22,152 --> 00:14:24,114 SID AND EVELYN SPLIT 20 YEARS AGO, 368 00:14:24,114 --> 00:14:26,156 BUT WE WERE ALL STILL CLOSE FRIENDS. 369 00:14:26,156 --> 00:14:27,327 DID HE SAY WHY HE WAS CANCELING? 370 00:14:27,327 --> 00:14:30,160 AFRAID NOT. 371 00:14:30,160 --> 00:14:33,163 ANYTHING ABOUT A DEAL AT MIDNIGHT? 372 00:14:33,163 --> 00:14:34,874 NO, BUT HE WAS GOING SOMEWHERE, 373 00:14:34,874 --> 00:14:36,626 BECAUSE WHILE WE WERE ON THE PHONE, 374 00:14:36,626 --> 00:14:38,708 I LITERALLY BUMPED INTO HIM LEAVING THE BUILDING 375 00:14:38,708 --> 00:14:40,590 FROM THE PRIVATE ENTRANCE. 376 00:14:40,590 --> 00:14:42,172 WAIT, SID WAS LEAVING THE BUILDING 377 00:14:42,172 --> 00:14:43,924 THE NIGHT OF HIS MURDER? MM-HMM. 378 00:14:43,924 --> 00:14:47,557 UH, MR. VALENTINE, DID HE MENTION MEETING WITH SOMEONE? 379 00:14:47,557 --> 00:14:51,011 PLEASE. CALL ME DANNY. 380 00:14:51,011 --> 00:14:52,642 AND, NO, SID DIDN'T SAY WHERE HE WAS GOING. 381 00:14:54,814 --> 00:14:57,397 BUT I DID SEE SOMETHING STRANGE. 382 00:14:57,397 --> 00:14:59,519 HE WENT INTO THE SUBWAY ON THE CORNER. 383 00:14:59,519 --> 00:15:02,112 AND WHY WAS THAT STRANGE, DANNY? 384 00:15:02,112 --> 00:15:04,444 WELL, HE HAD AN AROUND-THE-CLOCK DRIVER, 385 00:15:04,444 --> 00:15:07,617 SO WHY WOULD HE TAKE MASS TRANSIT? 386 00:15:07,617 --> 00:15:11,081 UNLESS IT WAS A SECRET RENDEZVOUS? 387 00:15:14,034 --> 00:15:14,995 [ ELEVATOR BELL DINGS ] 388 00:15:14,995 --> 00:15:17,127 WELL, WHEREVER SID WENT, 389 00:15:17,127 --> 00:15:19,459 HE OBVIOUSLY DIDN'T WANT ANYONE TO KNOW ABOUT IT. 390 00:15:20,750 --> 00:15:22,592 OH, COME ON, CASTLE. 391 00:15:22,592 --> 00:15:25,175 HE WAS FLIRTING WITH ME. I CAN'T CONTROL THAT. 392 00:15:25,175 --> 00:15:26,386 BUT YOU WERE FLIRTING RIGHT BACK. 393 00:15:26,386 --> 00:15:28,008 YEAH, BUT WHAT WAS I SUPPOSED TO DO? 394 00:15:28,008 --> 00:15:30,600 HE'S DANNY FRICKIN' VALENTINE. [ GASPS ] 395 00:15:30,600 --> 00:15:32,552 ESPO, HEY. 396 00:15:32,552 --> 00:15:34,264 YOU FIND OUT WHERE SID WENT ON THAT SUBWAY RIDE? 397 00:15:34,264 --> 00:15:37,227 NOT YET, BUT I SPOKE TO GENE VOGEL FROM SID'S COMPANY. 398 00:15:37,227 --> 00:15:38,858 THE ONLY DEAL THAT HE KNEW ABOUT WAS ONE 399 00:15:38,858 --> 00:15:40,230 THAT HASN'T BEEN OFFICIALLY ANNOUNCED YET. 400 00:15:40,230 --> 00:15:41,771 APPARENTLY SID WAS GONNA SELL 401 00:15:41,771 --> 00:15:43,563 49% OF HIS COMPANY TO AN EQUITY FIRM. 402 00:15:43,563 --> 00:15:45,195 COULD THAT BE THE DEAL SID WAS TALKING ABOUT? 403 00:15:45,195 --> 00:15:46,366 DOESN'T LOOK LIKE IT. THE TERMS OF THE SALE 404 00:15:46,366 --> 00:15:47,907 WOULD HAVE BEEN SETTLED WEEKS AGO. 405 00:15:47,907 --> 00:15:49,029 THERE WAS NOTHING LEFT TO NEGOTIATE. 406 00:15:49,029 --> 00:15:51,451 HEY, GUYS, YOU'RE GONNA WANNA SEE THIS. 407 00:15:53,663 --> 00:15:56,746 SO, SID PAID FOR HIS METRO CARD IN CASH, 408 00:15:56,746 --> 00:15:59,579 BUT I WAS ABLE TO USE SECURITY CAMS TO TRACK HIM 409 00:15:59,579 --> 00:16:02,082 ALL THE WAY TO GRAND ARMY PLAZA SUBWAY STATION. 410 00:16:02,082 --> 00:16:04,424 HE GOT OFF THERE AT 11:30 P.M. 411 00:16:04,424 --> 00:16:06,046 IN BROOKLYN. WHAT WAS HE DOING IN BROOKLYN? 412 00:16:06,046 --> 00:16:07,637 YOU KNOW, I WONDERED THE SAME THING, 413 00:16:07,637 --> 00:16:09,679 SO I CHECKED WITH THE 87th PRECINCT. 414 00:16:09,679 --> 00:16:12,472 APPARENTLY THEY RESPONDED TO A 9-1-1 CALL IN THAT AREA. 415 00:16:12,472 --> 00:16:14,304 ABOUT WHAT? WELL, CHECK IT OUT. 416 00:16:14,304 --> 00:16:16,226 OFFICERS USED TRAFFIC CAM FOOTAGE, 417 00:16:16,226 --> 00:16:18,058 AND THEY CAUGHT THE TAIL END OF IT. 418 00:16:18,058 --> 00:16:21,481 THIS IS ABOUT A BLOCK AWAY FROM WHERE SID GOT OFF THE SUBWAY. 419 00:16:21,481 --> 00:16:23,103 NOW KEEP YOUR EYE ON THAT ALLEY RIGHT THERE. 420 00:16:27,697 --> 00:16:30,530 WERE THOSE GUNSHOTS? FITS WITH THE 9-1-1 CALL. 421 00:16:30,530 --> 00:16:31,991 THERE WAS A REPORT OF SHOTS FIRED. 422 00:16:31,991 --> 00:16:34,494 NOW WATCH WHAT HAPPENS NEXT. 423 00:16:34,494 --> 00:16:37,117 [ COMPUTER BEEPS ] 424 00:16:37,117 --> 00:16:39,079 Beckett: THAT'S SID. 425 00:16:39,079 --> 00:16:40,880 YOU GUYS, LOOK AT THE TIMESTAMP. 426 00:16:40,880 --> 00:16:42,542 IT'S FROM JUST AFTER MIDNIGHT. 427 00:16:42,542 --> 00:16:44,624 THIS MUST BE THE DEAL HE WAS TALKING ABOUT. 428 00:16:44,624 --> 00:16:47,047 AND JUDGING BY THE SPEED HIS 60-YEAR-OLD LEGS ARE MOVING, 429 00:16:47,047 --> 00:16:48,928 I WOULD SAY HE'S IN DANGER. 430 00:16:52,052 --> 00:16:53,053 WHO'S THAT? 431 00:16:53,053 --> 00:16:54,304 I DON'T KNOW, BUT HE'S GOT A GUN 432 00:16:54,304 --> 00:16:56,056 AND HE'S WEARING A MASK. 433 00:16:56,056 --> 00:16:59,599 AND HOURS LATER, SID GETS THROWN DOWN AN ELEVATOR SHAFT. 434 00:16:59,599 --> 00:17:02,232 WHAT THE HELL WAS SID MIXED UP IN? 435 00:17:05,355 --> 00:17:06,526 YOU GUYS, IS IT JUST ME, 436 00:17:06,526 --> 00:17:07,987 OR DOES NONE OF THIS MAKE SENSE? 437 00:17:07,987 --> 00:17:09,529 I MEAN, SID WAS A MULTIMILLIONAIRE. 438 00:17:09,529 --> 00:17:11,030 GUYS LIKE THAT DON'T MAKE SHADY DEALS 439 00:17:11,030 --> 00:17:12,202 IN THE MIDDLE OF DARK ALLEYS. 440 00:17:12,202 --> 00:17:14,284 OR IF YOU DO, YOU HAVE SOMEONE ELSE DO IT FOR YOU. 441 00:17:14,284 --> 00:17:16,076 YEAH, AND TAKE A LOOK AT OUR SUSPECT THERE. 442 00:17:16,076 --> 00:17:20,039 I MEAN, WHAT IS THIS, A DEAL GONE WRONG OR A FAILED HIT? 443 00:17:20,039 --> 00:17:22,001 SO WHAT ARE WE SAYING HERE, THAT THE MASKED MAN 444 00:17:22,001 --> 00:17:24,043 FOLLOWED SID BACK TO THE "S.N.T." BUILDING 445 00:17:24,043 --> 00:17:26,586 AND KILLED HIM? WELL, WITH A PRIVATE ENTRANCE WITH NO SURVEILLANCE CAMERAS, 446 00:17:26,586 --> 00:17:28,007 IT'S POSSIBLE, RIGHT? 447 00:17:28,007 --> 00:17:29,549 BUT AFTER AN APPARENT ATTEMPT ON HIS LIFE, 448 00:17:29,549 --> 00:17:31,931 WHY WOULD SID JUST GO BACK TO THE OFFICE? 449 00:17:31,931 --> 00:17:34,013 AND IF SID REALLY WAS IN DANGER, WHY DIDN'T HE CALL SECURITY? 450 00:17:34,013 --> 00:17:36,136 WELL, WE MAY FIND SOME ANSWERS IN THAT ALLEY. 451 00:17:36,136 --> 00:17:37,517 LET'S GO CHECK IT OUT. 452 00:17:37,517 --> 00:17:39,139 OKAY, CASTLE AND I ARE GONNA SCRUB TRAFFIC CAMS. 453 00:17:39,139 --> 00:17:40,520 MAYBE WE'LL FIND THE SHOOTER THERE. 454 00:17:45,605 --> 00:17:47,857 [ SIREN WAILING IN DISTANCE ] ANYTHING YET? 455 00:17:47,857 --> 00:17:49,449 NO. 456 00:17:49,449 --> 00:17:53,613 NO BLOOD, NO SHELL CASINGS, NO NOTHING. 457 00:17:53,613 --> 00:17:55,995 HEY, DOESN'T THIS REMIND YOU OF, UH, THAT SKETCH 458 00:17:55,995 --> 00:17:59,038 FROM "SATURDAY NIGHT TONIGHT" WHERE, UH, MICKEY FRANKS 459 00:17:59,038 --> 00:18:01,000 PLAYS SHERLOCK HOLMES' WACKY COUSIN? 460 00:18:01,000 --> 00:18:03,413 NO, I DON'T WATCH THAT STUPID SHOW, BRO. 461 00:18:03,413 --> 00:18:05,205 YOU DON'T? 462 00:18:05,205 --> 00:18:06,626 NO. 463 00:18:06,626 --> 00:18:08,298 HELL, NO. THE SKETCHES NEVER HAVE ANY ENDINGS. 464 00:18:08,298 --> 00:18:09,509 IT'S A BIG WASTE OF TIME, 465 00:18:09,509 --> 00:18:11,050 JUST LIKE SEARCHING THIS ALLEY IS. 466 00:18:11,050 --> 00:18:13,012 YOU KNOW, JAVI, I THINK THAT YOU NEED 467 00:18:13,012 --> 00:18:14,514 TO FIND A WAY TO BE MORE POSITIVE. 468 00:18:14,514 --> 00:18:15,975 NO, I DON'T. 469 00:18:15,975 --> 00:18:18,097 AND YOU NEED TO STOP SAYING "NO" ALL THE TIME. 470 00:18:18,097 --> 00:18:21,601 INSTEAD, WHY DON'T YOU TRY SAYING "YES, AND..."? 471 00:18:21,601 --> 00:18:23,313 WHAT THE HELL ARE YOU TALKING ABOUT? 472 00:18:23,313 --> 00:18:26,065 OH, I LEARNED IT IN A "S.N.T."-SPONSORED 473 00:18:26,065 --> 00:18:28,438 IMPROVISATION CLASS I TOOK IN COLLEGE. 474 00:18:28,438 --> 00:18:31,651 SEE, BY SIMPLY SUBSTITUTING "NO" WITH "YES, AND..." 475 00:18:31,651 --> 00:18:34,364 PARTNERS CAN'T DENY ONE ANOTHER'S PROGRESS 476 00:18:34,364 --> 00:18:37,116 MOVING FORWARD IN A SCENE AND ACCOMPLISHING GOALS. 477 00:18:37,116 --> 00:18:38,698 [ WHEELS RATTLING ] 478 00:18:38,698 --> 00:18:42,582 YO. THAT GUY MIGHT HAVE BEEN HERE LAST NIGHT. 479 00:18:42,582 --> 00:18:44,544 YES, AND HE MIGHT HAVE SEEN THE EXCHANGE 480 00:18:44,544 --> 00:18:46,045 BETWEEN SID AND THE GUNMAN. 481 00:18:46,045 --> 00:18:48,708 SEE WHAT YOU CAN ACCOMPLISH BY SAYING "YES, AND..."? HMM? 482 00:18:48,708 --> 00:18:51,090 YES, AND YOU NEED TO SHUT THE HELL UP. 483 00:18:51,090 --> 00:18:52,172 HEY! 484 00:18:58,928 --> 00:19:01,100 MARTHA, YOU OKAY? 485 00:19:01,100 --> 00:19:05,315 OH, YEAH. YEAH. JUST A... LITTLE TIRED, THAT'S ALL. 486 00:19:05,315 --> 00:19:06,726 SHALL WE? 487 00:19:06,726 --> 00:19:08,568 HEY... 488 00:19:08,568 --> 00:19:10,320 [ Whispering ] SOMETHING'S WRONG WITH YOUR MOM. 489 00:19:10,320 --> 00:19:12,192 [ Whispering ] I THOUGHT WE ALREADY COVERED THAT. 490 00:19:12,192 --> 00:19:13,363 NO, NO, NO. SHE'S NOT REPEATING THE LINES. 491 00:19:13,363 --> 00:19:15,034 SOMETHING ELSE IS GOING ON. 492 00:19:15,034 --> 00:19:17,827 CAN'T WE JUST BE HAPPY THAT SHE STOPPED? 493 00:19:17,827 --> 00:19:19,829 CASTLE, I HAVE TO GO TO THE PRECINCT. 494 00:19:19,829 --> 00:19:22,242 WILL YOU JUST TALK TO HER AND MEET ME OVER THERE? 495 00:19:22,242 --> 00:19:24,544 YEAH. OKAY. BYE. 496 00:19:24,544 --> 00:19:27,126 [ Loud voice ] BYE, MARTHA. BYE, HONEY. 497 00:19:29,589 --> 00:19:31,090 [ Normal voice ] SO... 498 00:19:31,090 --> 00:19:32,552 PREVIEWS TONIGHT. [ DOOR CLOSES ] 499 00:19:32,552 --> 00:19:33,923 PRETTY EXCITING, HUH? 500 00:19:33,923 --> 00:19:36,175 COME ON. "IS HE DEAD?" 501 00:19:36,175 --> 00:19:38,348 [ CHUCKLES ] WRONG QUESTION. 502 00:19:38,348 --> 00:19:39,679 AM I DEAD? 503 00:19:41,511 --> 00:19:43,853 YOU KNOW, I DON'T KNOW WHAT I'M THINKING. 504 00:19:43,853 --> 00:19:45,225 EIGHT PERFORMANCES A WEEK, 505 00:19:45,225 --> 00:19:48,187 MAJOR PLAY ON BROADWAY. 506 00:19:48,187 --> 00:19:49,519 YOU'VE BEEN ON BROADWAY BEFORE. 507 00:19:49,519 --> 00:19:50,860 WELL... [ SCOFFS ] 508 00:19:50,860 --> 00:19:52,692 NOT SINCE THE CLINTON ADMINISTRATION. 509 00:19:52,692 --> 00:19:55,235 AND NOW IT'S ALL VIRAL. 510 00:19:55,235 --> 00:19:57,116 BLOGGERS, TWEETERS. 511 00:19:57,116 --> 00:19:59,279 YOU KNOW, PEOPLE ACTUALLY COME TO THE PREVIEWS, 512 00:19:59,279 --> 00:20:01,080 RECORD THE SHOW ON THEIR PHONE, 513 00:20:01,080 --> 00:20:03,873 PUT IT ONLINE, AND MAKE COMMENTS. 514 00:20:03,873 --> 00:20:06,916 AND YOU DON'T FEEL YOUR PERFORMANCE IS READY? 515 00:20:06,916 --> 00:20:07,957 WELL, I JUST -- I -- 516 00:20:07,957 --> 00:20:09,709 I'M STILL HONING MY PERFORMANCE. 517 00:20:09,709 --> 00:20:11,461 THAT'S WHAT A -- THAT'S WHAT PREVIEWS ARE FOR, 518 00:20:11,461 --> 00:20:14,754 AND I JUST... 519 00:20:14,754 --> 00:20:16,296 [ EXHALES ] 520 00:20:16,296 --> 00:20:18,338 I JUST DON'T WANT TO BE HUMILIATED. 521 00:20:18,338 --> 00:20:22,221 WHEN I GOT THIS PART, I THOUGHT, WELL, HEY, 522 00:20:22,221 --> 00:20:24,103 THERE'S A CHANCE, YOU KNOW? 523 00:20:24,103 --> 00:20:26,266 THIS COULD BE MY SECOND ACT. 524 00:20:26,266 --> 00:20:28,227 IT IS. NO, IT ISN'T. 525 00:20:28,227 --> 00:20:31,110 IT ISN'T. I'M NOT GONNA HAVE A SECOND ACT. 526 00:20:31,110 --> 00:20:32,982 I... [ SIGHS ] 527 00:20:32,982 --> 00:20:36,155 I THINK WHAT I NEED TO DO IS JUST DROP OUT, 528 00:20:36,155 --> 00:20:40,950 LET MY UNDERSTUDY TAKE OVER. SHE'S VERY -- OH, ABSOLUTELY NOT. 529 00:20:40,950 --> 00:20:43,743 YOU WILL NOT, AND DO YOU KNOW WHY? 530 00:20:43,743 --> 00:20:46,576 BECAUSE YOU'RE A FIGHTER. WHAT HAVE YOU ALWAYS TOLD ME? 531 00:20:46,576 --> 00:20:49,999 NO ONE WILL GIVE YOU ANYTHING IN THIS LIFE. 532 00:20:49,999 --> 00:20:51,871 YOU MUST EARN IT. 533 00:20:51,871 --> 00:20:53,583 AND LOOK AT YOU. ALMOST 20 YEARS LATER, 534 00:20:53,583 --> 00:20:55,545 AND YOU'RE BACK ON BROADWAY? 535 00:20:55,545 --> 00:20:57,377 YOU HAVE EARNED THIS. 536 00:20:59,879 --> 00:21:02,051 I HAVE, HAVEN'T I? 537 00:21:02,051 --> 00:21:03,683 YOU HAVE. 538 00:21:03,683 --> 00:21:06,055 PLEASE DON'T LET SOME IDIOT WITH A CELL PHONE 539 00:21:06,055 --> 00:21:08,808 TAKE THAT AWAY FROM YOU. 540 00:21:08,808 --> 00:21:10,269 DO YOU WANT ME TO COME TO TONIGHT'S SHOW, 541 00:21:10,269 --> 00:21:12,191 JUST FOR MORAL SUPPORT? 542 00:21:12,191 --> 00:21:15,735 I WANT YOU TO COME TO THE OPENING, KIDDO, 543 00:21:15,735 --> 00:21:18,067 JUST LIKE YOU ALWAYS DO. 544 00:21:18,067 --> 00:21:19,319 ALL RIGHT. 545 00:21:19,319 --> 00:21:21,200 BUT IF I HAVE TO WAIT, AT LEAST LET ME HEAR 546 00:21:21,200 --> 00:21:22,281 THAT SWEET FIRST LINE ONE MORE TIME. 547 00:21:22,281 --> 00:21:25,114 OKAY, UM... 548 00:21:25,114 --> 00:21:27,116 IS HE DEAD? 549 00:21:27,116 --> 00:21:29,369 BUT WITH FEELING! [ GROANS ] 550 00:21:29,369 --> 00:21:31,000 [ EXHALES ] IS HE DEAD? 551 00:21:31,000 --> 00:21:32,962 ONE MORE FOR THE CHEAP SEATS! 552 00:21:32,962 --> 00:21:34,464 IS HE DEAD?! 553 00:21:34,464 --> 00:21:36,546 HE'S SO DEAD! 554 00:21:36,546 --> 00:21:38,177 AHH... 555 00:21:38,177 --> 00:21:40,380 AND BOW... 556 00:21:40,380 --> 00:21:41,881 [ ELEVATOR BELL DINGS, TELEPHONE RINGING ] 557 00:21:41,881 --> 00:21:43,883 HEY. SO WHAT'D YOU GUYS GET FROM THE HOMELESS MAN? 558 00:21:43,883 --> 00:21:45,475 WELL, HE DIDN'T WITNESS THE EXCHANGE BETWEEN SID 559 00:21:45,475 --> 00:21:46,846 AND OUR MASKED GUNMAN. 560 00:21:46,846 --> 00:21:48,518 HOWEVER, HE DID HEAR THE GUNSHOTS 561 00:21:48,518 --> 00:21:51,190 AND A FEW MINUTES LATER HE SAW A BLACK EXPLORER SPEEDING AWAY. 562 00:21:51,190 --> 00:21:53,733 DID HE GET A PLATE? YEAH, THE LAST FOUR NUMBERS, 563 00:21:53,733 --> 00:21:55,314 WHICH GOT US A MATCH TO AN S.U.V. 564 00:21:55,314 --> 00:21:58,237 RENTED BY THIS GUY -- 565 00:21:58,237 --> 00:21:59,899 KURT VAN ZANT. 566 00:21:59,899 --> 00:22:02,402 JUST DID A 35-YEAR STRETCH IN FOLSOM FOR DRUG TRAFFICKING, 567 00:22:02,402 --> 00:22:04,033 BUT HE WAS JUST RELEASED. 568 00:22:04,033 --> 00:22:06,366 IS THERE A CONNECTION BETWEEN SID AND THIS EX-CON? 569 00:22:06,366 --> 00:22:08,207 OH, YEAH. UH, WHILE HE WAS IN PRISON, 570 00:22:08,207 --> 00:22:10,790 VAN ZANT FILED A LAWSUIT CLAIMING THAT HE FINANCED 571 00:22:10,790 --> 00:22:12,211 THE PILOT FOR "SATURDAY NIGHT TONIGHT" 572 00:22:12,211 --> 00:22:14,083 AND THAT SID SCREWED HIM OUT OF ALL THE PROFITS. 573 00:22:14,083 --> 00:22:16,045 WAIT A MINUTE. YOU'RE TELLING ME 574 00:22:16,045 --> 00:22:19,088 THAT A DRUG KINGPIN BANKROLLED THAT COMEDY SHOW? 575 00:22:19,088 --> 00:22:20,089 YEAH, I KNOW. IT SOUNDS LIKE 576 00:22:20,089 --> 00:22:21,461 ONE OF THEIR COMEDY SKETCHES, RIGHT? 577 00:22:21,461 --> 00:22:23,673 SO A SHOW THAT BROUGHT JOY, LAUGHTER, AND "JUDGE BOOTY" 578 00:22:23,673 --> 00:22:26,766 TO PEOPLE EVERYWHERE MAY HAVE BEEN BUILT ON DRUG MONEY. 579 00:22:26,766 --> 00:22:28,267 YEAH, BUT THE LAWSUIT WAS THROWN OUT, 580 00:22:28,267 --> 00:22:30,680 SO WHILE SID WAS GETTING RICH, VAN ZANT WAS ROTTING IN PRISON. 581 00:22:30,680 --> 00:22:32,932 YOU KNOW, MAYBE VAN ZANT WAS WHO SID WAS TALKING ABOUT 582 00:22:32,932 --> 00:22:34,313 WHEN HE TOLD HIS WIFE SOMEONE WAS AFTER HIM. 583 00:22:34,313 --> 00:22:36,235 MAKES SENSE, RIGHT? 584 00:22:36,235 --> 00:22:38,027 IF VAN ZANT FELT THAT SID OWED HIM A SHARE 585 00:22:38,027 --> 00:22:39,779 OF THE PROFITS FROM THE SHOW, MAYBE HE CAME TO COLLECT. 586 00:22:39,779 --> 00:22:41,441 AND WHEN SID DIDN'T WANT TO GO ALONG, 587 00:22:41,441 --> 00:22:44,153 VAN ZANT OPTED FOR REVENGE INSTEAD. 588 00:22:44,153 --> 00:22:45,745 WHERE IS VAN ZANT NOW? 589 00:22:45,745 --> 00:22:47,076 HE'S REGISTERED AT A HOTEL UP IN QUEENS. 590 00:22:47,076 --> 00:22:50,369 YO. I SENT VAN ZANT'S PHOTO TO SECURITY 591 00:22:50,369 --> 00:22:52,492 AT "S.N.T.," ASKED IF ANYBODY SAW HIM LAST NIGHT. 592 00:22:52,492 --> 00:22:54,794 NO ONE DID. HOWEVER, 30 MINUTES AGO, 593 00:22:54,794 --> 00:22:56,125 VAN ZANT ENTERED THE BUILDING 594 00:22:56,125 --> 00:22:57,797 ON A DAY PASS CALLED IN FROM SOMEONE AT THE SHOW. 595 00:22:59,168 --> 00:23:02,211 KURT VAN ZANT? YOU GOT TO BE KIDDING ME. 596 00:23:02,211 --> 00:23:03,633 YEAH. DO YOU KNOW HIM? 597 00:23:03,633 --> 00:23:05,805 NO, BUT SID TOLD ME ALL ABOUT HIM. 598 00:23:05,805 --> 00:23:07,176 HE'S DANGEROUS. 599 00:23:07,176 --> 00:23:09,098 YOU'RE TELLING ME HE'S HERE IN THE STUDIO? 600 00:23:09,098 --> 00:23:11,310 DO YOU KNOW WHO CALLED IN HIS PASS? 601 00:23:11,310 --> 00:23:13,773 NO, BUT I CAN FIND OUT. 602 00:23:13,773 --> 00:23:14,894 FOLLOW ME. 603 00:23:22,151 --> 00:23:24,654 UM, UM, CAN I HELP YOU? 604 00:23:24,654 --> 00:23:26,115 OH, NO, IT'S FINE. 605 00:23:26,115 --> 00:23:28,948 YOU JUST HAVE A VERY BIZARRE GAIT. 606 00:23:28,948 --> 00:23:30,239 I'M -- I'M SORRY, WHAT? 607 00:23:30,239 --> 00:23:31,531 I'M SORRY, WHAT? 608 00:23:31,531 --> 00:23:33,082 [ Whispers ] NAILED IT. 609 00:23:33,082 --> 00:23:35,374 [ HUFFS ] 610 00:23:35,374 --> 00:23:36,876 [ HUFFS ] 611 00:23:36,876 --> 00:23:38,668 CASTLE, PLEASE TELL ME I DON'T MOVE LIKE THAT. 612 00:23:38,668 --> 00:23:41,090 I MEAN...DO I? 613 00:23:44,213 --> 00:23:45,635 IS THIS A TRICK QUESTION? 614 00:23:45,635 --> 00:23:48,758 WHAT ANSWER IS NOT GONNA HAVE ME SLEEPING ON THE COUCH TONIGHT? 615 00:23:51,761 --> 00:23:56,015 CHAD, FIND OUT WHO CALLED IN A DAY PASS FOR A KURT VAN ZANT. 616 00:23:56,015 --> 00:23:58,187 YOU'RE LOOKING AT HIM, SIR. 617 00:23:58,187 --> 00:24:00,770 WAIT A MINUTE. YOU CALLED IN THE PASS? WHY? 618 00:24:00,770 --> 00:24:03,232 I WAS TOLD TO BY MR. VALENTINE. 619 00:24:03,232 --> 00:24:05,024 DANNY VALENTINE? DANNY VALENTINE! 620 00:24:07,026 --> 00:24:10,570 OH, I KNEW IT. THAT SMUG, NO-TALENT PLAYBOY -- 621 00:24:10,570 --> 00:24:12,622 HE'S UP TO HIS NECK IN THIS! 622 00:24:12,622 --> 00:24:15,284 Danny: HEY, HEY! HEY! HELP! HELP! [ MAN GRUNTING ] 623 00:24:15,284 --> 00:24:17,036 HELP! HE'S GONNA KILL ME! [ CRASHING ] 624 00:24:17,036 --> 00:24:19,959 WAIT, NO! HELP! N.Y.P.D.! 625 00:24:19,959 --> 00:24:21,841 HELP! AAH! 626 00:24:21,841 --> 00:24:23,042 LET HIM GO! 627 00:24:23,042 --> 00:24:24,213 WHAT?! NO! 628 00:24:28,467 --> 00:24:29,849 PULL HIM IN, VAN ZANT, NOW! 629 00:24:29,849 --> 00:24:32,261 HEY, LADY, RELAX! [ SIREN WAILING IN DISTANCE ] 630 00:24:32,261 --> 00:24:35,014 [ GROANS ] COME ON, LET ME SEE YOUR HANDS. 631 00:24:35,014 --> 00:24:39,599 [ HORNS HONK ] 632 00:24:39,599 --> 00:24:41,020 [ SIGHS ] THANKS. 633 00:24:41,020 --> 00:24:42,812 [ HANDCUFFS CLINKING ] GUY'S A PSYCHOPATH. 634 00:24:42,812 --> 00:24:44,564 THEN WHY DID YOU GIVE HIM A PASS TO GET ON? [ HANDCUFFS CLICKING ] 635 00:24:44,564 --> 00:24:46,065 HE LEFT A NOTE AT MY HOTEL. 636 00:24:46,065 --> 00:24:47,907 HE SAID HE HAD INFORMATION ABOUT SID'S MURDER. 637 00:24:47,907 --> 00:24:49,318 ARE YOU SAYING YOU DON'T KNOW THIS MAN? 638 00:24:49,318 --> 00:24:51,240 I NEVER HIM BEFORE TODAY. 639 00:24:51,240 --> 00:24:53,202 LISTEN, THIS WHOLE THING IS A BIG MISUNDERSTANDING. 640 00:24:53,202 --> 00:24:55,164 I'M SURE IT IS. COME ON. 641 00:24:57,206 --> 00:24:59,208 SO WHAT INFORMATION DID HE HAVE ABOUT SID'S MURDER? 642 00:24:59,208 --> 00:25:01,120 NOTHING. I MEAN, THIS WAS A SHAKEDOWN. 643 00:25:01,120 --> 00:25:03,923 HE CLAIMED SID OWED HIM MONEY FOR "SATURDAY NIGHT TONIGHT," 644 00:25:03,923 --> 00:25:05,384 BUT SINCE SID DIDN'T PAY, HE WANTED ME 645 00:25:05,384 --> 00:25:07,216 TO SIGN OVER MY SHARES OF THE SHOW. 646 00:25:07,216 --> 00:25:10,129 YOU OWN A PIECE OF THE SHOW? MM, 5%. 647 00:25:10,129 --> 00:25:13,432 SID NEEDED A -- A CELEBRITY GET FOR THE PILOT, 648 00:25:13,432 --> 00:25:15,224 SO HE GAVE ME A PIECE OF THE BACK END. 649 00:25:15,224 --> 00:25:17,096 IT WAS THE DEAL OF MY LIFE. 650 00:25:17,096 --> 00:25:19,639 SO VAN ZANT WANTED HIS CUT, BUT WITH SID DEAD, 651 00:25:19,639 --> 00:25:21,480 HIS ONLY OPTION WAS TO COME AFTER YOURS. 652 00:25:21,480 --> 00:25:23,983 I REFUSED. I-I SAID, "HEY, THAT'S SHOW BUSINESS, BABY," 653 00:25:23,983 --> 00:25:27,697 BUT THAT'S WHEN HE STARTED SHOVING ME OUT THE WINDOW. 654 00:25:27,697 --> 00:25:29,909 35 YEARS IN FOLSOM. 655 00:25:29,909 --> 00:25:32,531 THAT'S A LONG TIME TO HOLD A GRUDGE, MR. VAN ZANT. 656 00:25:32,531 --> 00:25:35,034 LADY, I DIDN'T KILL SID. 657 00:25:35,034 --> 00:25:37,456 AND YET YOU WERE SEEN FLEEING THE ALLEY 658 00:25:37,456 --> 00:25:39,078 WHERE THOSE SHOTS WERE FIRED. 659 00:25:39,078 --> 00:25:42,121 IT'S NOT HARD TO IMAGINE THAT YOU WOULD FOLLOW SID 660 00:25:42,121 --> 00:25:43,292 AND FINISH OFF THE JOB. 661 00:25:43,292 --> 00:25:47,046 LOOK. YOU GOT THIS ALL WRONG! 662 00:25:47,046 --> 00:25:49,589 WHEN I GOT PAROLED, I WENT STRAIGHT TO SID. 663 00:25:49,589 --> 00:25:51,631 WE HAD IT OUT, AND HE APOLOGIZED. 664 00:25:51,631 --> 00:25:53,172 EXCEPT NOW HE'S DEAD. 665 00:25:53,172 --> 00:25:54,553 WHY WOULD I MOVE ON HIM? 666 00:25:54,553 --> 00:25:57,176 HE AGREED TO GIVE ME A MAJOR CHUNK OF CHANGE 667 00:25:57,176 --> 00:26:00,479 OF AN UPCOMING SALE OF SHARES TO SOME EQUITY GROUP. 668 00:26:00,479 --> 00:26:01,941 SO WE WERE GOOD. 669 00:26:01,941 --> 00:26:04,063 THAT DOESN'T SQUARE WITH YOU SHOOTING AT HIM IN THE ALLEY. 670 00:26:04,063 --> 00:26:05,735 THAT WASN'T ME. I SWEAR! 671 00:26:05,735 --> 00:26:08,988 IF IT WASN'T YOU, THEN WHO WAS IT? 672 00:26:08,988 --> 00:26:10,780 I DON'T KNOW. 673 00:26:10,780 --> 00:26:12,902 SID CALLED ME AND TOLD ME 674 00:26:12,902 --> 00:26:15,284 THE PAPERWORK FOR MY STAKE IN THE SHOW WAS READY. 675 00:26:15,284 --> 00:26:17,617 BUT HE WOULDN'T SIGN OFF 676 00:26:17,617 --> 00:26:19,869 UNLESS I BROUGHT HIM SOMETHING. 677 00:26:19,869 --> 00:26:21,871 OKAY, FINE. 678 00:26:21,871 --> 00:26:24,043 I'LL PLAY ALONG. 679 00:26:24,043 --> 00:26:26,626 WHAT DID SID WANT YOU TO BRING? 680 00:26:26,626 --> 00:26:29,168 AN UNREGISTERED GUN. 681 00:26:29,168 --> 00:26:31,170 WHY WOULD SID WANT A GUN? 682 00:26:31,170 --> 00:26:33,382 WAIT, NO. LET ME GUESS. HE DIDN'T TELL YOU. 683 00:26:33,382 --> 00:26:35,054 IT'S TRUE! 684 00:26:35,054 --> 00:26:37,096 HE JUST TOLD ME TO MEET HIM NEAR THAT ALLEY 685 00:26:37,096 --> 00:26:39,018 AT 11:30, SO I DID. 686 00:26:39,018 --> 00:26:40,770 I GAVE HIM A .38 SPECIAL, 687 00:26:40,770 --> 00:26:42,311 AND HE TOLD ME I COULD PICK UP 688 00:26:42,311 --> 00:26:44,393 THE SIGNED PAPERS IN THE MORNING. 689 00:26:44,393 --> 00:26:45,935 AND THEN HE TOLD ME I SHOULD TAKE A HIKE. 690 00:26:45,935 --> 00:26:47,106 BUT YOU DIDN'T. 691 00:26:47,106 --> 00:26:49,438 WELL... A MAN ASKS FOR A GUN, 692 00:26:49,438 --> 00:26:51,490 HE'S LOOKING TO DANCE WITH DANGER. 693 00:26:51,490 --> 00:26:54,193 I THOUGHT IT WISE TO PROTECT MY INVESTMENT. 694 00:26:54,193 --> 00:26:56,035 SO YOU'RE SAYING THAT YOU STUCK AROUND 695 00:26:56,035 --> 00:26:58,658 JUST TO SEE WHAT WOULD HAPPEN. YEP. 696 00:26:58,658 --> 00:27:01,540 SAW SID GO DOWN THE ALLEY AND HIDE IN A DOORWAY. 697 00:27:01,540 --> 00:27:03,042 20 MINUTES GO BY, 698 00:27:03,042 --> 00:27:05,204 AND SOME DUDE IN A MASK SHOWS UP. 699 00:27:05,204 --> 00:27:08,297 OPENS THE DUMPSTER, PULLS OUT A GREEN DUFFEL BAG. 700 00:27:08,297 --> 00:27:10,129 AND WHAT WAS IN THE DUFFEL BAG? 701 00:27:10,129 --> 00:27:11,460 HELL IF I KNOW. 702 00:27:11,460 --> 00:27:14,213 BUT THAT'S WHEN SID JUMPS OUT WITH THE GUN, SCREAMING, 703 00:27:14,213 --> 00:27:17,216 "YOU GOT WHAT YOU WANTED! NOW WHERE IS SHE?" 704 00:27:17,216 --> 00:27:18,758 WHO IS "SHE"? 705 00:27:18,758 --> 00:27:20,219 I HAVE NO IDEA. 706 00:27:20,219 --> 00:27:22,351 BUT THE MASKED MAN GOT THE DROP ON SID. 707 00:27:22,351 --> 00:27:25,144 THEY WRESTLED FOR THE GUN, AND THEN, POP, POP, POP! 708 00:27:25,144 --> 00:27:27,106 SHOTS GO OFF IN THE AIR! 709 00:27:27,106 --> 00:27:29,188 YOU KNOW WHAT? IF YOU WERE PROTECTING YOUR INVESTMENT, 710 00:27:29,188 --> 00:27:31,270 THEN WHY DIDN'T YOU HELP HIM OUT? 711 00:27:31,270 --> 00:27:32,692 WELL, SID RAN OFF. 712 00:27:32,692 --> 00:27:34,533 AND THE GUY IN THE MASK WASN'T GIVING CHASE, 713 00:27:34,533 --> 00:27:36,575 SO I FIGURED, WELL, I'M ON PAROLE. 714 00:27:36,575 --> 00:27:39,278 I NEED TO BUG OUT BEFORE THE COPS SHOW UP. 715 00:27:39,278 --> 00:27:41,490 AND THAT'S ALL YOU DID? 716 00:27:41,490 --> 00:27:43,743 I DROVE TO SID'S BUILDING TO SEE IF I COULD CATCH HIM 717 00:27:43,743 --> 00:27:46,085 AND ASK HIM WHAT THE HELL HE GOT ME INTO. 718 00:27:46,085 --> 00:27:47,957 BUT HE NEVER SHOWED UP. 719 00:27:47,957 --> 00:27:50,339 NEXT THING I KNOW, HE'S DEAD. 720 00:27:50,339 --> 00:27:52,171 Esposito: I THINK HE'S TELLING THE TRUTH. 721 00:27:52,171 --> 00:27:53,713 SECURITY VIDEO OUTSIDE OF SID'S APARTMENT 722 00:27:53,713 --> 00:27:55,554 SHOWS VAN ZANT WAITING OUT FRONT 723 00:27:55,554 --> 00:27:58,097 IN HIS CAR FROM 12:30 A.M. TO 3:30 IN THE MORNING. 724 00:27:58,097 --> 00:28:00,139 THAT'S ON THE OTHER SIDE OF TOWN FROM THE STUDIO. 725 00:28:00,139 --> 00:28:01,560 YEAH, VAN ZANT COULDN'T HAVE DONE IT. 726 00:28:01,560 --> 00:28:03,302 OKAY, THAT DUMPSTER THAT YOU SEARCHED -- 727 00:28:03,302 --> 00:28:04,683 THERE WAS NO DUFFEL BAG? 728 00:28:04,683 --> 00:28:06,305 THE GUY IN THE MASK MUST HAVE TAKEN IT, 729 00:28:06,305 --> 00:28:07,727 WHICH MEANS THAT SID MUST HAVE BEEN THE GUY 730 00:28:07,727 --> 00:28:09,068 WHO DROPPED IT OFF. 731 00:28:09,068 --> 00:28:10,519 THIS HAS TO BE THE DEAL THAT SID WAS TALKING ABOUT, 732 00:28:10,519 --> 00:28:12,311 AND THAT DUFFEL BAG WAS THE PAYOFF. 733 00:28:12,311 --> 00:28:13,773 YEAH, IT SURE WAS. 734 00:28:13,773 --> 00:28:15,444 I SPOKE WITH THE BUSINESS MANAGER. 735 00:28:15,444 --> 00:28:17,867 HE JUST DISCOVERED THAT ON THE DAY HE WAS MURDERED, 736 00:28:17,867 --> 00:28:20,529 SID MADE A HUGE BANK WITHDRAWAL. HOW HUGE? 737 00:28:20,529 --> 00:28:22,161 $4 MILLION IN NONSEQUENTIAL BILLS. 738 00:28:22,161 --> 00:28:23,322 NONSEQUENTIAL BILLS? 739 00:28:23,322 --> 00:28:25,204 YOU GUYS, THIS WAS A RANSOM GONE WRONG. 740 00:28:25,204 --> 00:28:27,376 THAT'S WHY SID ASKED, "WHERE IS SHE?" 741 00:28:27,376 --> 00:28:30,129 SOME WOMAN IS HIS LIFE WAS KIDNAPPED. YEAH, BUT WHO? 742 00:28:30,129 --> 00:28:31,500 THAT'S WHAT WE GOT TO FIND OUT. 743 00:28:31,500 --> 00:28:33,963 'CAUSE WHOEVER TOOK HER MIGHT BE OUR KILLER. 744 00:28:37,676 --> 00:28:39,048 THE CAST AND THE CREW OF "SATURDAY NIGHT TONIGHT" 745 00:28:39,048 --> 00:28:40,049 ARE ALL AT THE STUDIO. 746 00:28:40,049 --> 00:28:41,600 NO ONE IS MISSING. 747 00:28:41,600 --> 00:28:43,052 SO WE'VE COVERED SID'S WIFE, HIS FAMILY, 748 00:28:43,052 --> 00:28:44,974 HIS FRIENDS, AND NOW HIS JOB. 749 00:28:44,974 --> 00:28:45,975 EVERYONE'S ACCOUNTED FOR. 750 00:28:45,975 --> 00:28:47,937 UH, ACTUALLY, NOT EVERYONE. 751 00:28:47,937 --> 00:28:50,399 EVELYN ROSS, SID'S FIRST WIFE. 752 00:28:50,399 --> 00:28:51,981 SHE'S MISSING? 753 00:28:51,981 --> 00:28:53,152 WELL, I FOLLOWED UP WITH SID'S SON, 754 00:28:53,152 --> 00:28:54,563 AND HE SAID THAT SHE HADN'T RETURNED 755 00:28:54,563 --> 00:28:57,616 ANY OF HIS PHONE CALLS, SO I SPOKE WITH HER DOORMAN. 756 00:28:57,616 --> 00:28:59,278 SAID THAT EVELYN WENT ON HER USUAL 6:00 A.M. RUN 757 00:28:59,278 --> 00:29:01,160 TWO DAYS AGO, AND HE HASN'T SEEN HER SINCE. 758 00:29:01,160 --> 00:29:02,701 SHE'S GOT TO BE OUR KIDNAP VIC. 759 00:29:02,701 --> 00:29:04,073 YES, AND I WAS ABLE TO PING HER CELL PHONE. 760 00:29:04,073 --> 00:29:05,624 "YES, AND..." I WASN'T DOING THAT. 761 00:29:05,624 --> 00:29:07,706 NO, YOU DID IT JUST NOW. ANYWAY, UNIFORMS FOUND THE PHONE 762 00:29:07,706 --> 00:29:10,459 DUMPED IN A TRASH CAN NEAR A BODEGA IN THE BRONX, 763 00:29:10,459 --> 00:29:12,251 PROBABLY TOSSED THERE BY HER KIDNAPPER. 764 00:29:12,251 --> 00:29:13,793 SOMETHING'S NOT RIGHT HERE. 765 00:29:13,793 --> 00:29:15,634 STARTING WITH OUR VICTIM'S BEHAVIOR. 766 00:29:15,634 --> 00:29:17,426 YOU'RE SID. YOUR EX-WIFE GETS KIDNAPPED. 767 00:29:17,426 --> 00:29:19,548 [ CELL PHONE CHIMES ] THE DEAL IN THE ALLEY TO GET HER BACK GOES SOUTH. 768 00:29:19,548 --> 00:29:21,430 AT THAT POINT, WHY WOULDN'T YOU GO TO THE POLICE? 769 00:29:21,430 --> 00:29:23,142 WHY DO YOU GO BACK TO YOUR OFFICE? 770 00:29:23,142 --> 00:29:25,094 I'LL CIRCLE BACK WITH SID'S OFFICE, SEE WHAT I CAN FIND OUT. 771 00:29:25,094 --> 00:29:27,726 YO, UNIS JUST ARRIVED WITH EVELYN'S PHONE. 772 00:29:27,726 --> 00:29:29,598 [ BEEP ] Woman: THIS IS EVELYN'S CLOUD ACCOUNT. 773 00:29:29,598 --> 00:29:31,440 IT'S SYNCHED TO HER CELL PHONE. 774 00:29:31,440 --> 00:29:33,392 MAP MY JOG. THAT'S A FITNESS APP. 775 00:29:33,392 --> 00:29:34,854 CAN YOU CLICK ON IT? MM-HMM. 776 00:29:34,854 --> 00:29:36,816 Esposito: LOOKS LIKE IT'S BEEN RUNNING THIS WHOLE TIME. 777 00:29:36,816 --> 00:29:38,357 I'VE SEEN THIS APP BEFORE. 778 00:29:38,357 --> 00:29:40,069 THEY USE G.P.S. TO CALCULATE 779 00:29:40,069 --> 00:29:42,281 A JOGGER'S DISTANCE AND PACE 780 00:29:42,281 --> 00:29:43,702 AND MOST IMPORTANTLY, THEIR ROUTE. 781 00:29:43,702 --> 00:29:46,075 CAN YOU REPLAY EVELYN'S LAST PATH? 782 00:29:46,075 --> 00:29:47,286 [ KEY CLICKS, BEEP ] 783 00:29:47,286 --> 00:29:49,078 THAT'S HER LEAVING HER BUILDING. [ BEEPING ] 784 00:29:49,078 --> 00:29:51,871 OKAY, SO SHE JOGGED TO THE PARK. 785 00:29:51,871 --> 00:29:54,583 WAIT. IS THIS WHEN SHE GOT KIDNAPPED? 786 00:29:54,583 --> 00:29:56,876 IT'S GOT TO BE. SHE'S MOVING AT 30 MILES AN HOUR. 787 00:29:56,876 --> 00:29:58,377 SHE HAD TO HAVE BEEN IN A VEHICLE. YEAH. 788 00:29:58,377 --> 00:30:01,010 CAN YOU FAST-FORWARD SO THAT WE CAN SEE WHERE SHE ENDED UP? 789 00:30:01,010 --> 00:30:04,303 [ TYPES ] SO SHE WAS TAKEN UP TO THE BRONX. 790 00:30:04,303 --> 00:30:06,095 [ BEEP ] 791 00:30:07,516 --> 00:30:10,229 OKAY, LOOKS LIKE SHE STOPPED AT THIS BUILDING. 792 00:30:10,229 --> 00:30:12,191 EVELYN MIGHT STILL BE IN THAT BUILDING. 793 00:30:12,191 --> 00:30:13,642 WHAT DO WE KNOW ABOUT THAT PLACE? 794 00:30:13,642 --> 00:30:15,064 I DON'T KNOW. WE'LL FIND OUT. OKAY. 795 00:30:15,064 --> 00:30:16,105 [ CELL PHONE VIBRATES, BEEPS ] 796 00:30:16,105 --> 00:30:18,567 HEY, RYAN, YOU FIND ANYTHING IN SID'S OFFICE? 797 00:30:18,567 --> 00:30:20,649 NO, JUST PAPERWORK AND SPREADSHEETS. 798 00:30:20,649 --> 00:30:23,242 SO NOTHING THAT SPEAKS TO A POSSIBLE KIDNAPPING? 799 00:30:23,242 --> 00:30:25,324 PRETTY STRAIGHTFORWARD STUFF, BUT I'LL BRING IT IN 800 00:30:25,324 --> 00:30:27,116 SO WE CAN GO THROUGH IT WITH A FINE-TOOTH COMB. 801 00:30:27,116 --> 00:30:29,208 [ COMPUTER BEEPS ] BECKETT, WE GOT SOMETHING. 802 00:30:29,208 --> 00:30:30,950 [ TYPING ] OKAY, RYAN, I GOT TO GO. 803 00:30:30,950 --> 00:30:32,121 THAT BUILDING WHERE EVELYN WAS TAKEN 804 00:30:32,121 --> 00:30:33,452 IS AN ABANDONED WAREHOUSE. 805 00:30:33,452 --> 00:30:35,714 IT'S THE IDEAL LOCATION TO HOLD SOMEONE HOSTAGE. 806 00:30:36,835 --> 00:30:39,628 N.Y.P.D.! 807 00:30:39,628 --> 00:30:41,550 GO, GO, GO! 808 00:30:43,842 --> 00:30:45,224 THERE. OVER THERE. 809 00:30:45,224 --> 00:30:47,016 OVER HERE! KICK IT. 810 00:30:47,016 --> 00:30:49,348 [ CLANK ] 811 00:30:50,809 --> 00:30:53,022 EVELYN? [ WHIMPERS ] 812 00:30:53,022 --> 00:30:54,773 WE'RE THE POLICE. YOU'RE SAFE NOW. 813 00:30:54,773 --> 00:30:56,475 [ WHIMPERS ] 814 00:30:56,475 --> 00:30:59,148 [ GASPS ] OH, GOD... 815 00:31:00,319 --> 00:31:03,402 I JUST HAD STOPPED TO STRETCH, 816 00:31:03,402 --> 00:31:05,985 AND THE NEXT THING I KNEW, THERE WAS A RAG 817 00:31:05,985 --> 00:31:08,487 OVER MY MOUTH, AND... 818 00:31:08,487 --> 00:31:13,332 UH, WHEN I CAME TO, I WAS IN THAT WAREHOUSE. 819 00:31:13,332 --> 00:31:15,664 AT ANY POINT IN TIME, DID YOU GET A LOOK 820 00:31:15,664 --> 00:31:17,706 AT YOUR KIDNAPPER'S FACE? 821 00:31:17,706 --> 00:31:19,378 HE ALWAYS WORE A MASK. 822 00:31:19,378 --> 00:31:22,341 IT WAS LIKE A SKI MASK, BUT SHINY, 823 00:31:22,341 --> 00:31:25,424 WITH A SILVER ZIGZAG UP THE MIDDLE 824 00:31:25,424 --> 00:31:28,177 AND...A GOLD HEADBAND. 825 00:31:28,177 --> 00:31:30,809 A GOLD HEADBAND? ARE YOU SURE ABOUT THAT? 826 00:31:30,809 --> 00:31:32,721 I'M PRETTY SURE THAT'S WHAT IT WAS. 827 00:31:32,721 --> 00:31:35,104 AND, UH, HOW ABOUT HIS CLOTHES? 828 00:31:35,104 --> 00:31:37,476 DO YOU REMEMBER ANYTHING DISTINCTIVE ABOUT THEM? 829 00:31:37,476 --> 00:31:39,358 NO. 830 00:31:39,358 --> 00:31:43,612 BUT...HE WORE A RING. 831 00:31:43,612 --> 00:31:47,906 A RED AND SILVER SIGNET RING ON HIS RIGHT HAND. 832 00:31:47,906 --> 00:31:49,118 I REMEMBER THAT. 833 00:31:49,118 --> 00:31:50,659 EVELYN, BACK TO THE MASK -- 834 00:31:50,659 --> 00:31:53,582 DID IT LOOK ANYTHING LIKE THIS? 835 00:31:53,582 --> 00:31:57,496 YES, EXACTLY LIKE THAT. 836 00:31:57,496 --> 00:31:59,918 IS THAT FROM "SATURDAY NIGHT TONIGHT"? 837 00:31:59,918 --> 00:32:01,630 IT'S FROM AN OBSCURE SKETCH THEY DID TWO YEARS AGO 838 00:32:01,630 --> 00:32:04,043 CALLED "LUCHA LIBRE BRUNCH BUFFET." 839 00:32:04,043 --> 00:32:05,464 SO OUR KIDNAPPER HAD ACCESS 840 00:32:05,464 --> 00:32:07,546 TO THE PROPS AND WARDROBE ROOM AT THE STUDIO. 841 00:32:07,546 --> 00:32:09,218 THIS WAS AN INSIDE JOB. 842 00:32:09,218 --> 00:32:11,350 Man on monitor: WHAT DO YOU MEAN, A BANANA SANDWICH? 843 00:32:11,350 --> 00:32:14,013 [ AUDIENCE LAUGHING ] CARLY! CARLY RAE -- 844 00:32:14,013 --> 00:32:16,015 CARLY RAE JEPSEN! I'M RICK. I'M RICK. 845 00:32:16,015 --> 00:32:17,606 I'M -- UH, THIS IS KATE. WE'RE HUGE FANS. 846 00:32:17,606 --> 00:32:19,558 OH, THANKS. THAT MEANS A LOT TO ME. 847 00:32:19,558 --> 00:32:21,650 SO NICE TO MEET YOU. UM, CASTLE, WE REALLY NEED TO -- 848 00:32:21,650 --> 00:32:23,692 YEAH, CARLY, QUICK QUESTION -- THAT ONE SONG, 849 00:32:23,692 --> 00:32:26,025 UM, "CALL ME MAYBE," WHAT DID YOU MEAN BY THE LYRIC -- 850 00:32:26,025 --> 00:32:27,566 IT'S IN THE FIRST -- CARLY, TWO MINUTES. 851 00:32:27,566 --> 00:32:30,069 OH, I'M SO SORRY. I HAVE TO GO PERFORM THIS SONG. 852 00:32:30,069 --> 00:32:31,200 OH, THAT -- THAT'S COOL. 853 00:32:31,200 --> 00:32:32,491 WE GOTTA GO SOLVE A MURDER, SO... 854 00:32:32,491 --> 00:32:35,244 OKAY. OKAY -- NICE TO MEET YOU. BYE. 855 00:32:37,166 --> 00:32:38,837 EXCUSE ME. 856 00:32:38,837 --> 00:32:41,210 SOMEONE RECENTLY CHECKED OUT ONE OF THESE MASKS, 857 00:32:41,210 --> 00:32:43,582 AND WE NEED TO KNOW WHO. NOW? 858 00:32:43,582 --> 00:32:45,044 WE'RE IN THE MIDDLE OF A LIVE SHOW. 859 00:32:45,044 --> 00:32:47,466 IT WAS FROM THE "LUCHA LIBRE BRUNCH BUFFET" SKETCH. 860 00:32:47,466 --> 00:32:49,388 YEAH, THAT SKETCH SUCKED. 861 00:32:49,388 --> 00:32:50,799 WE HAVEN'T USED THOSE MASKS IN YEARS. 862 00:32:50,799 --> 00:32:52,181 WELL, IS THERE A RECORD OF SOMEONE SIGNING IT OUT? 863 00:32:52,181 --> 00:32:54,183 PROBABLY NOT, BUT I CAN CHECK. 864 00:32:54,183 --> 00:32:56,055 CAN YOU GIVE ME LIKE FIVE MINUTES? OKAY. WE'LL BE BACK. 865 00:32:56,055 --> 00:32:57,186 [ AUDIENCE CHEERING ] 866 00:32:57,186 --> 00:33:00,559 WE ARE SO CLOSE. [ SIGHS ] 867 00:33:00,559 --> 00:33:02,311 YEAH, BUT WHO WOULD BE SO BRAZEN -- 868 00:33:02,311 --> 00:33:06,235 OR SO NAIVE -- AS TO USE A MASK FROM THE SHOW 869 00:33:06,235 --> 00:33:08,237 TO PERPETRATE A KIDNAPPING? [ LAUGHTER ] 870 00:33:08,237 --> 00:33:09,278 Danny: [ Amplified voice ] LADIES AND GENTLEMEN, 871 00:33:09,278 --> 00:33:10,319 PERFORMING HER HIT SINGLE, 872 00:33:10,319 --> 00:33:13,032 "I REALLY LIKE YOU," CARLY RAE JEPSEN. 873 00:33:13,032 --> 00:33:14,283 [ CHEERS AND APPLAUSE ] 874 00:33:14,283 --> 00:33:17,206 ♪♪♪ 875 00:33:17,206 --> 00:33:18,787 THIS IS FOR YOU, SID. 876 00:33:18,787 --> 00:33:20,079 [ CHEERS AND APPLAUSE CONTINUE ] 877 00:33:20,079 --> 00:33:21,540 ♪ I REALLY WANNA STOP ♪ 878 00:33:21,540 --> 00:33:24,423 ♪ BUT I JUST GOT THE TASTE FOR IT ♪ 879 00:33:24,423 --> 00:33:28,047 ♪ I FEEL LIKE I COULD FLY WITH THE BOY ON THE MOON ♪ 880 00:33:28,047 --> 00:33:29,758 ♪ SO, HONEY, HOLD MY HAND ♪ 881 00:33:29,758 --> 00:33:32,091 ♪ YOU LIKE MAKING ME WAIT FOR IT ♪ 882 00:33:32,091 --> 00:33:35,684 ♪ I FEEL I COULD DIE WALKING UP TO THE ROOM ♪ 883 00:33:35,684 --> 00:33:37,056 ♪ OH, YEAH ♪ 884 00:33:37,056 --> 00:33:41,060 ♪ LATE NIGHT, WATCHING TELEVISION ♪ 885 00:33:41,060 --> 00:33:44,523 ♪ BUT HOW'D WE GET IN THIS POSITION? ♪ 886 00:33:44,523 --> 00:33:51,110 ♪ IT'S WAY TOO SOON, I KNOW THIS ISN'T LOVE ♪ 887 00:33:51,110 --> 00:33:53,112 ♪ BUT I NEED TO TELL YOU SOMETHING ♪ 888 00:33:53,112 --> 00:33:56,034 ♪ I REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, 889 00:33:56,034 --> 00:33:57,496 ♪ LIKE YOU ♪ 890 00:33:57,496 --> 00:33:59,328 ♪ AND I WANT YOU, DO YOU WANT ME? ♪ 891 00:33:59,328 --> 00:34:01,120 ♪ DO YOU WANT ME, TOO? ♪ 892 00:34:01,120 --> 00:34:03,872 ♪ I REALLY, REALLY, REALLY, REALLY, REALLY, REALLY ♪ 893 00:34:03,872 --> 00:34:05,504 ♪ LIKE YOU ♪ 894 00:34:05,504 --> 00:34:07,256 ♪ AND I WANT YOU, DO YOU WANT ME? ♪ 895 00:34:07,256 --> 00:34:08,927 ♪ DO YOU WANT ME, TOO? ♪ 896 00:34:08,927 --> 00:34:11,590 ♪ OH, DID I SAY TOO MUCH? ♪ 897 00:34:11,590 --> 00:34:13,762 ♪ I'M SO IN MY HEAD ♪ 898 00:34:13,762 --> 00:34:16,475 ♪ WHEN WE'RE OUT OF TOUCH ♪ 899 00:34:16,475 --> 00:34:19,138 ♪ I REALLY, REALLY, REALLY, REALLY, REALLY, REALLY♪ 900 00:34:19,138 --> 00:34:21,180 ♪ LIKE YOU ♪ 901 00:34:21,180 --> 00:34:22,681 [ LAUGHING ] ♪ AND I WANT YOU TO WANT ME ♪ 902 00:34:22,681 --> 00:34:24,983 NICE MOVES. 903 00:34:24,983 --> 00:34:26,185 HEY, YOU GUYS WANT A BETTER SEAT? 904 00:34:26,185 --> 00:34:28,187 THERE'S NOTHING LIKE WATCHING THE SHOW FROM HOUSE SEATS. 905 00:34:28,187 --> 00:34:30,068 HEY, IT'S COOL. 906 00:34:30,068 --> 00:34:31,860 YOU CAN STAY HERE IF YOU LIKE. 907 00:34:31,860 --> 00:34:33,742 BECKETT, CHECK OUT HIS RING. 908 00:34:35,324 --> 00:34:37,826 JUST LIKE EVELYN DESCRIBED. 909 00:34:37,826 --> 00:34:39,998 HEY, CHAD, WE'VE GOT A HOUSE SEAT FOR YOU -- 910 00:34:39,998 --> 00:34:42,080 DOWN AT THE 12th PRECINCT. LET'S GO. 911 00:34:47,085 --> 00:34:48,086 SO, CHAD, TELL US, 912 00:34:48,086 --> 00:34:49,468 HOW LONG HAVE YOU BEEN A PAGE WITH "S.N.T."? 913 00:34:49,468 --> 00:34:51,710 UH, FIVE INCREDIBLE YEARS. WHY? 914 00:34:51,710 --> 00:34:53,802 DON'T MOST PAGES QUIT IF THEY DON'T GET PROMOTED 915 00:34:53,802 --> 00:34:55,053 AFTER A YEAR OR TWO? 916 00:34:55,053 --> 00:34:57,426 UH, FOR ME, IT'S WORTH THE WAIT. 917 00:34:57,426 --> 00:34:59,138 ANY DAY NOW. 918 00:34:59,138 --> 00:35:00,719 YEAH, SORRY. I DON'T BUY IT. 919 00:35:00,719 --> 00:35:03,222 I THINK YOU GOT TIRED OF WAITING, 920 00:35:03,222 --> 00:35:05,894 AND AFTER SO MANY YEARS, YOU WANTED PAYBACK. 921 00:35:05,894 --> 00:35:08,106 PAYBACK? WHAT DO YOU MEAN, PAYBACK? 922 00:35:08,106 --> 00:35:10,939 I'M TALKING ABOUT THE $4 MILLION KIND. 923 00:35:10,939 --> 00:35:13,232 YOU KIDNAPPED SID'S EX-WIFE. 924 00:35:13,232 --> 00:35:15,284 WAIT, WHAT? 925 00:35:15,284 --> 00:35:17,196 Castle: IT WAS A PRETTY CLEVER PLAN. 926 00:35:17,196 --> 00:35:19,037 ALL EXCEPT FOR THAT ONE TINY DETAIL 927 00:35:19,037 --> 00:35:20,659 THAT YOU COULD NOT HAVE FORESEEN -- 928 00:35:20,659 --> 00:35:23,502 SID CONFRONTING YOU AT THE MONEY DROP. 929 00:35:23,502 --> 00:35:27,085 HE RECOGNIZED YOUR RING, DIDN'T HE? 930 00:35:27,085 --> 00:35:29,838 THAT WAS WHEN YOU REALIZED YOUR ONLY WAY OUT 931 00:35:29,838 --> 00:35:31,510 WAS TO KILL HIM. 932 00:35:32,591 --> 00:35:34,843 YOU THINK I KILLED MR. ROSS? 933 00:35:34,843 --> 00:35:37,095 YOU CAN DROP THE ACT. WE KNOW WHAT YOU DID. 934 00:35:37,095 --> 00:35:38,717 EVEN EVELYN SAW YOUR RING. 935 00:35:38,717 --> 00:35:42,351 [ STAMMERS ] I-I BOUGHT THIS RING AT THE "S.N.T." GIFT SHOP. 936 00:35:42,351 --> 00:35:44,022 LOTS OF PEOPLE HAVE IT. 937 00:35:44,022 --> 00:35:46,104 YEAH, EXCEPT LOTS OF PEOPLE DON'T HAVE EVIDENCE 938 00:35:46,104 --> 00:35:47,105 IN THEIR APARTMENTS. 939 00:35:47,105 --> 00:35:49,768 WHAT ARE YOU TALKING ABOUT? 940 00:35:49,768 --> 00:35:51,069 I DIDN'T DO ANYTHING! 941 00:35:51,069 --> 00:35:53,232 SO THEN WHY DON'T YOU EXPLAIN HOW DETECTIVES FOUND 942 00:35:53,232 --> 00:35:55,864 A .38 REVOLVER AND A LUCHA LIBRE MASK 943 00:35:55,864 --> 00:35:57,236 UNDER YOUR BED? 944 00:35:57,236 --> 00:36:01,039 [ EXHALES NERVOUSLY ] UM... 945 00:36:01,039 --> 00:36:03,041 MUST HAVE BEEN AN EVIL TOOTH FAIRY WHO PUT IT THERE, 946 00:36:03,041 --> 00:36:06,164 'CAUSE IT WASN'T ME. [ CHUCKLES NERVOUSLY ] 947 00:36:06,164 --> 00:36:09,047 PLEASE, I-I-I DIDN'T DO THIS. 948 00:36:09,047 --> 00:36:11,880 ALL RIGHT, THEN WHERE WERE YOU THE NIGHT THAT SID WAS MURDERED? 949 00:36:11,880 --> 00:36:14,172 AT HOME. CAN ANYONE VERIFY THAT? 950 00:36:16,004 --> 00:36:19,298 NO. 951 00:36:21,350 --> 00:36:25,103 SID WAS A TOUGH S.O.B., BUT HE LOVED HIS JOB, 952 00:36:25,103 --> 00:36:27,686 AND HIS JOB WAS TO GET US TO MAKE AMERICA LAUGH. 953 00:36:27,686 --> 00:36:30,479 AND TONIGHT WE HONOR HIM BY DOING JUST THAT. 954 00:36:30,479 --> 00:36:32,190 CHAD CAN'T BE THE KILLER, CAN HE? 955 00:36:32,190 --> 00:36:34,192 WELL, IT DOESN'T FEEL RIGHT, 956 00:36:34,192 --> 00:36:35,524 BUT THERE IS AN ABUNDANCE OF EVIDENCE. 957 00:36:35,524 --> 00:36:38,026 YEAH, IT'S TOO ABUNDANT -- THE MASK, THE GUN, THE RING? 958 00:36:38,026 --> 00:36:40,239 IT'S JUST TOO...PERFECT. 959 00:36:40,239 --> 00:36:41,580 SO, WHAT, YOU THINK HE WAS FRAMED? 960 00:36:41,580 --> 00:36:43,822 I THINK THERE'S MORE TO THIS STORY. 961 00:36:43,822 --> 00:36:46,034 YOU KNOW, IT'S POSSIBLE THAT THE KILLER WANTED 962 00:36:46,034 --> 00:36:47,996 EVELYN TO SEE THE MASK AND THE RING. 963 00:36:47,996 --> 00:36:49,668 CHAD IS THE PERFECT FALL GUY. 964 00:36:49,668 --> 00:36:52,461 OKAY, BUT IF CHAD DIDN'T DO IT, THEN WHO DID? 965 00:36:52,461 --> 00:36:54,713 I...MAY HAVE A LINE ON THAT. 966 00:36:54,713 --> 00:36:56,925 I FIGURED OUT WHAT SID WAS DOING IN HIS OFFICE 967 00:36:56,925 --> 00:36:58,427 WITH THOSE SPREADSHEETS. 968 00:36:58,427 --> 00:37:00,549 HE WAS GOING OVER HIS CORPORATE BANK ACCOUNTS. 969 00:37:00,549 --> 00:37:03,101 SID WENT FROM PAYING A KIDNAPPER AT GUNPOINT 970 00:37:03,101 --> 00:37:05,013 TO CHECKING HIS CORPORATE FINANCIALS? 971 00:37:05,013 --> 00:37:06,605 THAT'S...WEIRD. 972 00:37:06,605 --> 00:37:09,227 THAT'S NOT THE ONLY THING THAT'S WEIRD. 973 00:37:09,227 --> 00:37:12,190 CHECK OUT THOSE EXPENSES HE HIGHLIGHTED. 974 00:37:12,190 --> 00:37:13,061 [ TELEPHONE RINGING IN DISTANCE ] 975 00:37:13,061 --> 00:37:15,904 OH, THESE ARE WEIRD, BECAUSE... 976 00:37:15,904 --> 00:37:18,066 BECAUSE I CALLED THE BANK IN THE CAYMAN ISLANDS. 977 00:37:18,066 --> 00:37:20,068 ALL OF THOSE EXPENSES ARE BOGUS. 978 00:37:20,068 --> 00:37:22,240 SO SOMEONE WITH ACCESS AT SID'S COMPANY 979 00:37:22,240 --> 00:37:23,912 WAS EMBEZZLING MONEY. 980 00:37:23,912 --> 00:37:25,864 ALMOST $4 MILLION, 981 00:37:25,864 --> 00:37:27,245 THE EXACT AMOUNT OF THE RANSOM. 982 00:37:27,245 --> 00:37:28,867 WAIT, THAT'S IT. 983 00:37:28,867 --> 00:37:30,919 THE EMBEZZLER WAS TRYING TO REPLACE THE MONEY 984 00:37:30,919 --> 00:37:32,210 HE HAD STOLEN FROM SID. 985 00:37:32,210 --> 00:37:34,373 I KNOW WHO THE KILLER IS. I KNOW WHO THE KILLER IS. 986 00:37:34,373 --> 00:37:37,296 NICE. IN FAIRNESS, THOUGH, I WALKED YOU RIGHT THROUGH THAT. 987 00:37:40,138 --> 00:37:42,260 Woman: PLACES FOR THE FINAL SKETCH! 988 00:37:42,260 --> 00:37:44,933 PLACES FOR THE FINAL SKETCH. 989 00:37:46,475 --> 00:37:49,147 [ AUDIENCE LAUGHING ] 990 00:37:49,147 --> 00:37:50,148 [ SNAPS FINGERS ] 991 00:37:56,605 --> 00:37:59,027 OH. HI. I-IS EVERYTHING ALL RIGHT? 992 00:37:59,027 --> 00:38:01,860 YES. IN FACT, WE HAVE SOME GOOD NEWS. 993 00:38:01,860 --> 00:38:03,862 GREAT. LET'S TALK AFTER THE SHOW. 994 00:38:03,862 --> 00:38:07,115 ACTUALLY, SHOW IS ALREADY OVER -- AT LEAST FOR YOU. 995 00:38:07,115 --> 00:38:09,328 EXCUSE ME? DROP THE ACT, MR. VOGEL. 996 00:38:09,328 --> 00:38:11,960 WE KNOW THAT YOU KILLED SID. 997 00:38:11,960 --> 00:38:14,172 THAT'S INSANE. NOT REALLY. 998 00:38:14,172 --> 00:38:16,465 NOT CONSIDERING THE PARTIAL SALE OF SID'S COMPANY 999 00:38:16,465 --> 00:38:18,587 WAS ON THE HORIZON, A SALE THAT WOULD MEAN 1000 00:38:18,587 --> 00:38:20,178 A REVIEW OF THE COMPANY'S BOOKS. 1001 00:38:20,178 --> 00:38:21,840 WHICH WOULD EXPOSE THE $4 MILLION 1002 00:38:21,840 --> 00:38:23,131 THAT YOU EMBEZZLED. 1003 00:38:23,131 --> 00:38:25,263 WHAT?! ARE YOU OUT OF YOUR MIND? 1004 00:38:25,263 --> 00:38:27,135 NO, BUT YOU MUST HAVE BEEN. 1005 00:38:27,135 --> 00:38:29,348 FACED WITH THE INEVITABILITY OF BEING CAUGHT, 1006 00:38:29,348 --> 00:38:31,019 YOU HAD TO DO SOMETHING, 1007 00:38:31,019 --> 00:38:33,392 SO YOU KIDNAPPED AND RANSOMED EVELYN 1008 00:38:33,392 --> 00:38:36,144 IN ORDER TO "REIMBURSE" THE MONEY YOU'D STOLEN. 1009 00:38:36,144 --> 00:38:38,397 A DUFFEL BAG FULL OF CASH WOULD BE EASY TO DEPOSIT 1010 00:38:38,397 --> 00:38:40,819 IN THE COMPANY'S CAYMAN ISLAND BANK, 1011 00:38:40,819 --> 00:38:42,941 WHERE NO QUESTIONS ARE ASKED. 1012 00:38:42,941 --> 00:38:44,322 AND AFTER THAT, ALL YOU'D HAVE TO DO 1013 00:38:44,322 --> 00:38:46,114 IS FALSIFY A FEW BANK STATEMENTS, 1014 00:38:46,114 --> 00:38:47,786 AND YOU'D BE IN THE CLEAR. 1015 00:38:47,786 --> 00:38:50,038 HOW DARE YOU. THIS IS ABSURD! 1016 00:38:50,038 --> 00:38:52,120 WE FOLLOWED THE MONEY, GENE. 1017 00:38:52,120 --> 00:38:56,084 YOU SIPHONED THE $4 MILLION TO INVEST IN A STARTUP COMPANY. 1018 00:38:56,084 --> 00:38:57,295 AND WHEN THAT COMPANY WENT BELLY-UP, 1019 00:38:57,295 --> 00:38:58,917 YOU COULD NOT GET YOUR MONEY BACK. 1020 00:38:58,917 --> 00:39:00,919 SID MUST HAVE RECOGNIZED YOU AT THE DROP, 1021 00:39:00,919 --> 00:39:03,462 BUT HE DIDN'T CONFRONT YOU UNTIL AFTER HE DISCOVERED 1022 00:39:03,462 --> 00:39:04,633 THE FAKED EXPENSES. 1023 00:39:04,633 --> 00:39:06,845 SO YOU KILLED HIM? 1024 00:39:06,845 --> 00:39:08,226 GENE, HOW COULD YOU? 1025 00:39:08,226 --> 00:39:11,179 NO! THESE ARE -- THESE ARE BASELESS ACCUSATIONS. 1026 00:39:11,179 --> 00:39:13,392 THEY CAN'T PROVE ANYTHING. ACTUALLY, WE CAN. 1027 00:39:13,392 --> 00:39:15,103 WE WENT THROUGH YOUR FINANCIALS AND FOUND 1028 00:39:15,103 --> 00:39:17,686 MILLIONS IN UNDECLARED DEPOSITS FROM SID'S COMPANY. 1029 00:39:17,686 --> 00:39:19,478 OH, BY THE WAY, NICE TOUCH 1030 00:39:19,478 --> 00:39:22,901 WEARING THE MASK AND "S.N.T." RING THAT CHAD HAS. 1031 00:39:22,901 --> 00:39:24,823 ONLY PROBLEM WITH YOUR FRAME JOB -- 1032 00:39:24,823 --> 00:39:26,154 YOU WERE WITNESSED HANGING AROUND 1033 00:39:26,154 --> 00:39:27,946 OUTSIDE HIS APARTMENT THIS AFTERNOON 1034 00:39:27,946 --> 00:39:29,247 WHEN YOU PLANTED THEM. 1035 00:39:29,247 --> 00:39:30,699 OOPS. 1036 00:39:30,699 --> 00:39:32,040 GENE VOGEL, YOU'RE UNDER ARREST FOR -- 1037 00:39:32,040 --> 00:39:36,254 MODEL COP DOWN! I BROKE A HEEL! 1038 00:39:36,254 --> 00:39:37,876 [ AUDIENCE LAUGHING ] [ GRUNTING ] 1039 00:39:37,876 --> 00:39:39,167 [ AUDIENCE CHEERING ] 1040 00:39:39,167 --> 00:39:41,129 GENE VOGEL, YOU'RE UNDER ARREST FOR KIDNAPPING 1041 00:39:41,129 --> 00:39:42,551 AND MURDER! 1042 00:39:42,551 --> 00:39:46,264 [ CHEERS AND APPLAUSE ] 1043 00:39:46,264 --> 00:39:49,428 ♪♪♪ 1044 00:39:49,428 --> 00:39:53,061 [ CHEERING CONTINUES ] 1045 00:40:03,021 --> 00:40:05,824 BECKETT, THAT WAS A BADASS TAKEDOWN TONIGHT ON THAT SHOW. 1046 00:40:05,824 --> 00:40:08,286 IT WAS STRONG, YET...SEXY. 1047 00:40:08,286 --> 00:40:10,198 YEAH, BECKETT, THE CAMERA REALLY LOVES YOU. 1048 00:40:10,198 --> 00:40:12,240 YOU GUYS, SHUT UP, BOTH OF YOU. 1049 00:40:12,240 --> 00:40:14,793 WHAT ABOUT ME, GUYS? HOW DID I LOOK? 1050 00:40:14,793 --> 00:40:16,164 LIKE YOU SHOULD STICK TO WRITING. 1051 00:40:16,164 --> 00:40:18,296 YEAH, I THINK SO. 1052 00:40:18,296 --> 00:40:21,419 THERE'S ONLY ONE STAR IN THIS FAMILY, KIDDO. 1053 00:40:21,419 --> 00:40:24,042 MOTHER, HOW WAS YOUR PREVIEW PERFORMANCE? 1054 00:40:24,042 --> 00:40:25,303 WELL, CHECK OUT, THE, UH, 1055 00:40:25,303 --> 00:40:27,425 THE TWITTERVESE, AS THEY SAY. ALL RIGHTY. 1056 00:40:28,597 --> 00:40:31,309 "MARTHA RODGERS IS A REVELATION." 1057 00:40:31,309 --> 00:40:35,764 "MARTHA RODGERS GIVES A MASTERFUL PERFORMANCE." 1058 00:40:35,764 --> 00:40:39,227 "A DISPLAY OF WHY THEATER IS STILL A RELEVANT ART FORM." 1059 00:40:39,227 --> 00:40:41,860 "MARTHA RODGERS IS AMAZE-BALLS." 1060 00:40:41,860 --> 00:40:43,021 YEAH, THAT -- ABOUT THAT -- 1061 00:40:43,021 --> 00:40:44,653 IS THAT "AMAZE-BALLS" A GOOD THING, BECAUSE... 1062 00:40:44,653 --> 00:40:46,525 IT SURE IS. CONGRATULATIONS. [ LAUGHTER ] 1063 00:40:46,525 --> 00:40:48,697 CONGRATULATIONS. OKAY, OH, GREAT. THEN WE CAN CELEBRATE. 1064 00:40:48,697 --> 00:40:51,990 I BROUGHT SOME CHAMPAGNE FOR EVERYBODY! 1065 00:40:51,990 --> 00:40:53,872 IF YOU'LL OPEN IT. DO WE HAVE SOME GLASSES? 1066 00:40:53,872 --> 00:40:56,124 WELL, WE DON'T DO A LOT OF ENTERTAINING HERE, MARTHA, 1067 00:40:56,124 --> 00:40:58,837 BUT TA-DA! AHA! 1068 00:40:58,837 --> 00:41:00,709 HERE YOU GO. THAT'LL WORK. THANK YOU. 1069 00:41:00,709 --> 00:41:03,842 THANK YOU. MAY I? 1070 00:41:03,842 --> 00:41:08,046 PERFECT. THANK YOU, DETECTIVE RYAN. [ CHAMPAGNE POURING ] 1071 00:41:08,046 --> 00:41:11,139 THANK YOU. LADIES AND GENTLEMEN, TO MY AMAZE-BALLS MOTHER. 1072 00:41:11,139 --> 00:41:12,390 [ CHUCKLES ] 1073 00:41:12,390 --> 00:41:15,303 THE BEST SECOND ACT ON BROADWAY. 1074 00:41:15,303 --> 00:41:16,895 CHEERS. 1075 00:41:16,895 --> 00:41:19,017 CHEERS. CHEERS. 1076 00:41:19,017 --> 00:41:21,359 Amy Stroup: ♪ JUST TAKES A LITTLE, DARLING ♪ HEAR, HEAR. 1077 00:41:21,359 --> 00:41:26,104 ♪ IT JUST TAKES A LITTLE OF YOU TO MAKE IT GOOD ♪