1 00:00:19,019 --> 00:00:20,020 [ ELEVATOR BELL DINGS ] 2 00:00:20,020 --> 00:00:22,022 OKAY, THAT WAS INTERMINABLE. 3 00:00:22,022 --> 00:00:24,315 HOW ARE 15 PowerPoint PRESENTATIONS 4 00:00:24,315 --> 00:00:26,487 A "UNIQUE RESEARCH OPPORTUNITY"? 5 00:00:26,487 --> 00:00:29,490 YOU GUYS SAID CRIME-STAT BRIEFINGS WERE "FASCINATING." 6 00:00:29,490 --> 00:00:31,612 WAIT A MINUTE. YOU GUYS TOLD HIM THAT? 7 00:00:31,612 --> 00:00:33,824 WELL, I'M -- I'M SURE THEY'RE FASCINATING TO SOMEONE. 8 00:00:33,824 --> 00:00:36,287 OH, MY -- YOU LIED TO ME. 9 00:00:36,287 --> 00:00:38,329 I JUST SQUANDERED THREE HOURS OF MY LIFE. 10 00:00:38,329 --> 00:00:40,961 SO DID WE. 11 00:00:40,961 --> 00:00:42,333 OH, COME ON, CASTLE. NO HARD FEELINGS. 12 00:00:42,333 --> 00:00:45,926 I'LL TELL YOU WHAT -- I WILL BUY THE FIRST ROUND 13 00:00:45,926 --> 00:00:47,128 AT THE OLD HAUNT. SORRY, GUYS. 14 00:00:47,128 --> 00:00:48,469 I CAN'T TONIGHT. 15 00:00:48,469 --> 00:00:50,091 I HAVE ANOTHER SECURITY GIG WITH MY BROTHER-IN-LAW. 16 00:00:50,091 --> 00:00:52,843 REALLY? AGAIN? 17 00:00:52,843 --> 00:00:54,175 YEAH, THE GOOD NEWS IS 18 00:00:54,175 --> 00:00:55,556 SARAH GRACE WILL HAVE ENOUGH MONEY FOR COLLEGE. 19 00:00:55,556 --> 00:00:57,768 THE BAD NEWS IS SHE'LL HAVE NO IDEA WHO I AM. 20 00:00:57,768 --> 00:00:59,940 SO, WHO ARE YOU GUARDING THIS TIME? UH... 21 00:00:59,940 --> 00:01:02,603 THE TRUTH IS, I'M NOT ALLOWED TO SAY. 22 00:01:02,603 --> 00:01:05,146 WHAT YOU MEAN, YOU'RE NOT ALLOWED TO SAY? 23 00:01:05,146 --> 00:01:07,318 IT'S US. WHO IS IT? 24 00:01:07,318 --> 00:01:10,111 SERIOUSLY, MAN. I CAN'T. 25 00:01:10,111 --> 00:01:12,072 THAT MEANS THIS GOES BEYOND THE USUAL PRO ATHLETE OR REALITY STAR. 26 00:01:12,072 --> 00:01:15,696 THIS IS SOMEONE IMPORTANT, SOMEONE REVERED. 27 00:01:15,696 --> 00:01:17,958 PERHAPS THE POPE? 28 00:01:17,958 --> 00:01:20,331 THE DALAI LAMA? ANGELA MERKEL? 29 00:01:20,331 --> 00:01:22,163 MY LIPS ARE SEALED. 30 00:01:22,163 --> 00:01:25,206 [ GASPS ] RYAN! IS IT ONE DIRECTION?! 31 00:01:25,206 --> 00:01:27,798 YOU'D TELL ME, RIGHT? ARE THEY IN TOWN? 32 00:01:27,798 --> 00:01:30,301 NO, THEY'RE IN HONG KONG. RIGHT. 33 00:01:32,133 --> 00:01:33,554 HEY, HOW'S MY SISTER DOING? 34 00:01:33,554 --> 00:01:36,427 SLEEPING EASIER NOW THAT I RETIRED FROM THE FORCE. 35 00:01:36,427 --> 00:01:39,019 YOU DON'T MISS THE JOB AT ALL, WORKING VICE? 36 00:01:39,019 --> 00:01:40,351 NAH. 37 00:01:40,351 --> 00:01:42,353 I WAS DEALING WITH LOWLIFES EVERY WAKING MINUTE. 38 00:01:42,353 --> 00:01:44,605 NOW I'M MY OWN BOSS. I'M TELLING YOU, KEV. 39 00:01:44,605 --> 00:01:47,898 SECURITY IS A BETTER WAY OF LIFE. 40 00:01:47,898 --> 00:01:50,491 I HAVE TO SAY, A -- A LOT OF GUYS WHEN THEY RETIRE, 41 00:01:50,491 --> 00:01:51,692 THEY JUST DRIFT, 42 00:01:51,692 --> 00:01:55,115 BUT YOU'RE REALLY MAKING THIS WORK. 43 00:01:55,115 --> 00:01:57,288 YOU COULD MAKE IT WORK FOR YOU, TOO. 44 00:01:57,288 --> 00:01:59,370 WELL... ANYHOW, THERE'S A PERMANENT SPOT FOR YOU 45 00:01:59,370 --> 00:02:02,122 WITH ME THE MINUTE YOU MAKE THE CALL. 46 00:02:02,122 --> 00:02:03,704 WOW, FRANK. 47 00:02:03,704 --> 00:02:06,297 [ SIGHS ] THAT'S A HELL OF AN OFFER. 48 00:02:06,297 --> 00:02:08,128 WELL, WITH YOUR BACKGROUND, I'D BE LUCKY TO HAVE YOU. 49 00:02:08,128 --> 00:02:09,920 NOW TELL ME, DID YOU MEMORIZE THE ROGUE'S GALLERY? 50 00:02:09,920 --> 00:02:11,212 YEAH, YEAH, YEAH. EVERY FACE. 51 00:02:11,212 --> 00:02:14,054 [ BEEP ] 52 00:02:14,054 --> 00:02:15,426 SO, WHAT'S THE THREAT LEVEL HERE? LOW. 53 00:02:15,426 --> 00:02:18,219 HUH. IT'S A CHARITY EVENT FOR PURE WATER NOW. 54 00:02:18,219 --> 00:02:19,810 IT'S NOT A MIDDLE EAST PEACE CONFERENCE. 55 00:02:19,810 --> 00:02:22,022 THERE'S GONNA BE PROTESTERS WHO WANT TO BOTHER CONGRESSMAN LOPEZ. 56 00:02:22,022 --> 00:02:24,225 YOU'VE HEARD OF HIM, RIGHT? YEAH, YEAH. WHO HASN'T? 57 00:02:24,225 --> 00:02:26,026 HE'S A RISING MEMBER OF THE HOUSE, 58 00:02:26,026 --> 00:02:27,188 SUPER-CHARISMATIC, BUT LET'S FACE IT, 59 00:02:27,188 --> 00:02:29,360 THERE'S NOT A HELL OF A LOT OF COMPETITION IN THAT. 60 00:02:29,360 --> 00:02:30,441 HE'S STILL A STAND-UP GUY. 61 00:02:30,441 --> 00:02:32,233 EVERY TIME HE COMES TO THE CITY, HE HIRES ME, 62 00:02:32,233 --> 00:02:34,365 SO TREAT HIM RIGHT. ALL RIGHT. 63 00:02:34,365 --> 00:02:36,076 HE'S GOING PLACES. [ BEEPING ] 64 00:02:37,448 --> 00:02:39,039 [ WHIRRING ] 65 00:02:39,870 --> 00:02:42,663 WHAT'S OUR E.T.A., FRANK? JUST A FEW MORE MINUTES, SIR. 66 00:02:42,663 --> 00:02:46,126 DETECTIVE KEVIN RYAN, CONGRESSMAN ALEX LOPEZ. 67 00:02:46,126 --> 00:02:47,418 FRANK SPEAKS VERY HIGHLY OF YOU. 68 00:02:47,418 --> 00:02:50,211 AS HE DOES OF YOU, SIR. OH, PLEASE. 69 00:02:50,211 --> 00:02:52,383 CALL ME ALEX. OR MR. LOPEZ, IF YOU WANT. 70 00:02:52,383 --> 00:02:53,634 MY WIFE, MIA. 71 00:02:53,634 --> 00:02:57,258 YOU'VE MET MY CHIEF OF STAFF, MEGAN BROOKS. 72 00:02:57,258 --> 00:02:59,139 KEVIN, WHAT DO YOU THINK YOUR JOB IS TONIGHT? 73 00:02:59,139 --> 00:03:01,141 TO PROTECT YOU, SIR. 74 00:03:01,141 --> 00:03:03,103 MOSTLY IT'S MY REPUTATION YOU NEED TO PROTECT. 75 00:03:03,103 --> 00:03:06,066 THESE DAYS, A SINGLE PHOTO CAN CAUSE MAJOR DAMAGE 76 00:03:06,066 --> 00:03:08,479 IF SOME IDIOT APPROACHES, TRIES TO CREATE A SCENE. 77 00:03:08,479 --> 00:03:10,441 WE'LL MAKE SURE THAT DOESN'T HAPPEN, SIR. 78 00:03:10,441 --> 00:03:12,983 GOOD, BECAUSE COME CAMPAIGN SEASON, 79 00:03:12,983 --> 00:03:15,075 I MAY NEED SOME MEN I CAN RELY ON. 80 00:03:16,697 --> 00:03:18,699 Brooks: SIR, ABOUT TONIGHT'S SCHEDULE. 81 00:03:18,699 --> 00:03:21,532 IT'S THE RED CARPET AND THEN MINGLING OVER COCKTAILS. 82 00:03:21,532 --> 00:03:23,203 UH, THESE ARE THE PEOPLE 83 00:03:23,203 --> 00:03:24,375 THAT YOU'RE GONNA WANT TO CONNECT WITH. 84 00:03:24,375 --> 00:03:26,206 SOME OF THEM YOU KNOW. 85 00:03:26,206 --> 00:03:27,788 ALL OF THEM ARE MAJOR DONORS WITH THEIR OWN SUPER PACs, 86 00:03:27,788 --> 00:03:28,999 WHO ARE STILL LOOKING 87 00:03:28,999 --> 00:03:30,751 FOR A CANDIDATE THAT THEY CAN BELIEVE IN. 88 00:03:30,751 --> 00:03:33,464 I'VE BROKEN DOWN ALL OF THEIR PAST CAMPAIGN CONTRIBUTIONS 89 00:03:33,464 --> 00:03:35,095 AND NET WORTH. I HOPE ALL THESE RICH GUYS 90 00:03:35,095 --> 00:03:36,677 ARE READY TO FORK OVER SOME OF THEIR MONEY 91 00:03:36,677 --> 00:03:38,929 TO CAROLYN AND HER PURE WATER PROJECT. 92 00:03:38,929 --> 00:03:40,220 OH, THEY ARE, DARLING. 93 00:03:40,220 --> 00:03:42,933 BUT THE REAL REASON THEY'RE COMING IS TO SEE YOU. 94 00:03:42,933 --> 00:03:44,935 [ CHUCKLES ] OKAY, AFTER MEET-AND-GREETS, 95 00:03:44,935 --> 00:03:47,107 YOU'RE GONNA TAKE THE STAGE AND INTRODUCE CAROLYN, 96 00:03:47,107 --> 00:03:48,309 AND HERE IS YOUR SPEECH. 97 00:03:48,309 --> 00:03:51,812 EXCUSE ME, FOLKS. WE'RE PULLING IN NOW. 98 00:03:53,524 --> 00:03:54,985 [ CAMERA SHUTTERS CLICKING ] 99 00:03:54,985 --> 00:03:56,357 [ INDISTINCT CONVERSATIONS ] 100 00:03:56,357 --> 00:03:59,199 Woman: CONGRESSMAN, HOW'S YOUR FUNDRAISING? 101 00:03:59,199 --> 00:04:00,120 MISS, ARE YOU GOING TO STAND BY YOUR HUSBAND? 102 00:04:00,120 --> 00:04:02,032 THANK YOU SO MUCH FOR COMING. 103 00:04:02,032 --> 00:04:03,704 [ INDISTINCT CONVERSATIONS CONTINUE ] 104 00:04:15,175 --> 00:04:17,588 Colton: CONGRESSMAN LOPEZ, ANY TRUTH TO THE RUMORS 105 00:04:17,588 --> 00:04:19,259 THAT YOU'RE LAUNCHING A PRESIDENTIAL CAMPAIGN? 106 00:04:19,259 --> 00:04:20,591 Alex: NOW, BREE, TONIGHT IS ALL ABOUT 107 00:04:20,591 --> 00:04:22,182 MY VERY GOOD FRIEND CAROLYN DECKER 108 00:04:22,182 --> 00:04:23,594 AND HER PURE WATER PROJECT. 109 00:04:23,594 --> 00:04:25,225 SHE'S GONNA BE PROVIDING CLEAN WATER 110 00:04:25,225 --> 00:04:26,597 FOR FAMILIES ALL OVER THE GLOBE. 111 00:04:26,597 --> 00:04:29,189 WORK THAT IS ONLY POSSIBLE BECAUSE OF THE SUPPORT 112 00:04:29,189 --> 00:04:32,062 AND GENEROSITY OF PEOPLE LIKE ALEX LOPEZ. 113 00:04:32,062 --> 00:04:34,064 [ INDISTINCT CONVERSATIONS CONTINUE ] 114 00:05:07,558 --> 00:05:10,270 WHAT IS THIS, BLOOD? WHAT, WERE YOU GONNA SPRAY HIM WITH IT? 115 00:05:10,270 --> 00:05:12,353 THE DRONE STRIKES THAT HE SUPPORTS KILL INNOCENT CHILDREN. 116 00:05:12,353 --> 00:05:16,397 DETAIN HIM AND GET HIM OUT OF HERE. 117 00:05:16,397 --> 00:05:20,200 [ INDISTINCT CONVERSATIONS CONTINUE ] 118 00:05:27,498 --> 00:05:28,709 NICE WORK. 119 00:05:28,709 --> 00:05:30,290 YOU MIGHT FIND YOURSELF PROTECTING 120 00:05:30,290 --> 00:05:32,122 THE FIRST LATINO PRESIDENT OF THE UNITED STATES. 121 00:05:35,716 --> 00:05:37,718 [ SIGHS ] 122 00:05:37,718 --> 00:05:40,300 [ CLASSICAL MUSIC PLAYS ] 123 00:05:40,300 --> 00:05:42,923 [ LAUGHS ] THERE HE IS. 124 00:05:42,923 --> 00:05:44,425 CONGRATULATIONS, JIM. 125 00:05:44,425 --> 00:05:47,177 STATE PARTY CHAIRMAN -- IT'S A GREAT FIT FOR YOU. 126 00:05:47,177 --> 00:05:48,429 WELL, THANK YOU FOR ALL YOUR SUPPORT, ALEX. 127 00:05:48,429 --> 00:05:49,930 YOU KNOW I'LL HAVE YOUR BACK 128 00:05:49,930 --> 00:05:52,102 WHEN YOU MAKE A RUN FOR THAT WHITE HOUSE. 129 00:05:52,102 --> 00:05:53,934 A LITTLE TOO SOON FOR THAT KIND OF TALK, 130 00:05:53,934 --> 00:05:55,606 BUT I APPRECIATE THE THOUGHT. ENJOY YOUR EVENING. 131 00:05:55,606 --> 00:05:58,188 LIKEWISE. ALL RIGHT. 132 00:06:00,240 --> 00:06:04,194 MR. SHELTON, IT'S A PLEASURE TO SEE YOU. 133 00:06:04,194 --> 00:06:06,076 YOU'RE BEING VERY COY ABOUT YOUR ASPIRATIONS, ALEX. 134 00:06:06,076 --> 00:06:08,158 BUT YOU OBVIOUSLY HAVE SOME, OR YOU WOULDN'T BE HERE. WELL, FOR NOW, 135 00:06:08,158 --> 00:06:10,120 I'M JUST HAPPY TO SERVE THE PEOPLE OF MY DISTRICT. 136 00:06:10,120 --> 00:06:12,162 BEING COY ISN'T IN MY NATURE. 137 00:06:12,162 --> 00:06:15,125 YOU AND YOUR IDEAS AREN'T WHAT THIS COUNTRY NEEDS, 138 00:06:15,125 --> 00:06:17,458 AND I'LL SEE TO IT THAT YOU NEVER BECOME PRESIDENT. 139 00:06:17,458 --> 00:06:19,259 Brooks: SIR. [ CHUCKLES ] 140 00:06:19,259 --> 00:06:20,380 NICE TALKING TO YOU. 141 00:06:22,262 --> 00:06:26,346 OH, ARYANA JONES, THIS IS ALEX LOPEZ. Jones: HI. 142 00:06:26,346 --> 00:06:28,058 ARYANA, MY WIFE AND I ARE HUGE FANS. 143 00:06:28,058 --> 00:06:30,140 CAN'T WAIT TO SEE THE PERFORMANCE TONIGHT. 144 00:06:30,140 --> 00:06:32,012 YOU ARE TOO SWEET, ALEX. PLEASE COME SAY HI AFTER THE SHOW. 145 00:06:32,012 --> 00:06:33,564 YEAH. UH, SIR. 146 00:06:33,564 --> 00:06:35,566 FIVE MINUTES UNTIL YOU'RE ON. YOU BETTER GET BACKSTAGE. 147 00:06:35,566 --> 00:06:37,397 OKAY. OKAY. BYE. 148 00:06:37,397 --> 00:06:39,069 [ CLEARS THROAT ] 149 00:06:43,984 --> 00:06:46,236 GIVE ME SOME ROOM, FELLAS. I'D LIKE A WORD WITH CAROLYN. 150 00:06:49,119 --> 00:06:51,241 Ryan: MAN, LOPEZ IS A ROCK STAR. 151 00:06:51,241 --> 00:06:53,243 YEAH, YOU'RE TELLING ME. 152 00:06:53,243 --> 00:06:55,536 ALL RIGHT, I'LL KEEP EYES ON HIM ONSTAGE. 153 00:06:55,536 --> 00:06:57,918 YOU COVER HIM BACK HERE? YEAH, COPY THAT. 154 00:07:02,132 --> 00:07:05,215 [ INDISTINCT CONVERSATION ] 155 00:07:09,890 --> 00:07:12,312 [ GUNSHOTS ] 156 00:07:14,264 --> 00:07:16,226 [ GROANS ] 157 00:07:16,226 --> 00:07:19,109 OH, GOD, I THINK I'VE BEEN HIT. 158 00:07:19,109 --> 00:07:21,021 SIR, STAY RIGHT WHERE YOU ARE. HELP'S ON THE WAY, OKAY? 159 00:07:21,021 --> 00:07:23,443 CAROLYN... 160 00:07:23,443 --> 00:07:27,237 CAROLYN, YOU'RE GONNA BE ALL RIGHT. 161 00:07:27,237 --> 00:07:28,779 Frank: KEV! 162 00:07:28,779 --> 00:07:30,370 KEV, WHAT THE HELL HAPPENED? 163 00:07:30,370 --> 00:07:32,783 CALL 911. WE NEED A DOCTOR IN HERE RIGHT NOW. 164 00:07:32,783 --> 00:07:35,035 GOD. WHO DID THIS? DID YOU SEE WHO DID THIS? NO. 165 00:07:35,035 --> 00:07:36,747 NO, NO, NO, NO. 166 00:07:36,747 --> 00:07:39,209 STOP! GRAY SUIT! STAY RIGHT WHERE YOU ARE! GO, GO, GO, GO, GO! 167 00:07:58,649 --> 00:08:00,230 [ INDISTINCT SHOUTING ] 168 00:08:03,193 --> 00:08:05,526 NYPD! STOP THAT MAN! 169 00:08:05,526 --> 00:08:08,158 POLICE! CLEAR OUT OF THE WAY! MOVE OUT OF THE AWAY! 170 00:08:08,158 --> 00:08:09,870 [ SIREN WAILS ] FREEZE! DROP THE WEAPON! STAY WHERE YOU ARE! 171 00:08:09,870 --> 00:08:11,111 DROP THE WEAPON! PUT THE WEAPON DOWN! 172 00:08:11,111 --> 00:08:12,953 THE SHOOTER'S GETTING AWAY! 173 00:08:12,953 --> 00:08:14,114 PUT THE GUN DOWN NOW, OR I'LL SHOOT! 174 00:08:14,114 --> 00:08:16,246 [ SIRENS WAILING ] 175 00:08:19,750 --> 00:08:22,212 [ TIRES SCREECH ] [ BREATHING HEAVILY ] 176 00:08:45,065 --> 00:08:46,486 Ryan: HEY, HOW'S LOPEZ? 177 00:08:46,486 --> 00:08:47,908 [ CAMERA SHUTTER CLICKS ] LUCKY. 178 00:08:47,908 --> 00:08:49,319 THE ROUND HIT HIS COLLARBONE, BUT MISSED HIS HEART. 179 00:08:49,319 --> 00:08:51,451 HOW ABOUT CAROLYN DECKER? 180 00:08:51,451 --> 00:08:53,744 STILL IN SURGERY. 181 00:08:53,744 --> 00:08:55,746 [ SIGHS ] 182 00:08:55,746 --> 00:08:58,078 I TOOK MY EYES OFF HIM FOR ONE SECOND. 183 00:08:58,078 --> 00:08:59,249 NO, NO, NO, KEV. WE ARE GONNA FIND THIS SHOOTER. 184 00:08:59,249 --> 00:09:01,001 NYPD SEALED OFF 10 SQUARE BLOCKS FROM THIS PLACE. 185 00:09:01,001 --> 00:09:03,333 DID WE GET A DESCRIPTION? ONLY THE ONE YOU GAVE US -- 186 00:09:03,333 --> 00:09:05,045 SIX FEET, MEDIUM BUILD, BROWN HAIR. 187 00:09:05,045 --> 00:09:06,296 COME ON. NO ONE SAW HIS FACE? 188 00:09:06,296 --> 00:09:08,468 YEAH, THEY DID, BUT THEY WERE TOO BUSY PANICKING TO REMEMBER. 189 00:09:11,221 --> 00:09:13,133 LOOK, WHY DON'T WE WALK THROUGH WHAT HAPPENED? 190 00:09:13,133 --> 00:09:14,554 NO, FRANK. I ALREADY DID THAT. 191 00:09:14,554 --> 00:09:16,937 AND WHAT'S THE HARM IN DOING IT AGAIN? 192 00:09:16,937 --> 00:09:19,770 YEAH. 193 00:09:19,770 --> 00:09:21,772 OKAY. 194 00:09:21,772 --> 00:09:24,815 SHOTS RANG OUT, THREE OF 'EM. 195 00:09:24,815 --> 00:09:28,278 I-I-I DOVE ONTO LOPEZ, TOOK CAROLYN DOWN, TOO. 196 00:09:28,278 --> 00:09:31,151 I SAW THEY WERE HIT. THAT'S WHEN YOU CAME IN. ALL RIGHT. 197 00:09:31,151 --> 00:09:34,034 AND THEN I SPOTTED THE SHOOTER. AND I ONLY EVER SAW THE BACK. 198 00:09:35,035 --> 00:09:36,697 ALL RIGHT, THINK ABOUT HIS HANDS. 199 00:09:36,697 --> 00:09:37,908 UH, RINGS ON HIS FINGERS, A WATCH? 200 00:09:37,908 --> 00:09:40,621 NAH, NAH, NAH, NAH, NAH. NOTHING LIKE THAT. 201 00:09:40,621 --> 00:09:42,332 WAIT. 202 00:09:42,332 --> 00:09:45,706 UH...BLUE CARD. 203 00:09:45,706 --> 00:09:47,708 YEAH, HE HAD A PALE-BLUE I.D. CARD 204 00:09:47,708 --> 00:09:49,009 HANGING FROM HIS NECK. 205 00:09:49,009 --> 00:09:51,712 THIS GUY HAD A PRESS PASS. 206 00:09:51,712 --> 00:09:53,513 KEV, THAT'S GOOD. YEAH. 207 00:09:53,513 --> 00:09:56,136 I'M GONNA BRIEF THE NYPD. OKAY. 208 00:09:56,136 --> 00:09:58,138 [ CELLPHONE RINGING ] [ SIGHING ] 209 00:10:00,140 --> 00:10:02,222 [ BEEP ] BAD NEWS TRAVELS FAST. 210 00:10:02,222 --> 00:10:04,604 ARE YOU OKAY? No, not really. 211 00:10:04,604 --> 00:10:05,605 CAN WE TALK LATER? 212 00:10:05,605 --> 00:10:07,818 Uh, no. Kev, this can't wait. 213 00:10:07,818 --> 00:10:09,359 BECKETT, I HAVE TO WORK THIS CASE. 214 00:10:09,359 --> 00:10:12,112 LOOK, IT'S A HOMICIDE NOW. 215 00:10:12,112 --> 00:10:14,945 I'm at the hospital. 216 00:10:14,945 --> 00:10:17,738 Carolyn Decker just died in surgery. 217 00:10:17,738 --> 00:10:20,160 Kev? Are you there? 218 00:10:20,160 --> 00:10:22,202 YEAH, I'M HERE. 219 00:10:22,202 --> 00:10:26,206 I READ YOUR STATEMENT. WE SHOULD TALK ABOUT IT. 220 00:10:26,206 --> 00:10:29,209 No, no. There's no point. I never saw the shooter's face. 221 00:10:29,209 --> 00:10:30,300 But -- Hey. 222 00:10:30,300 --> 00:10:32,132 HAVE YOU TALKED TO LOPEZ YET? 223 00:10:32,132 --> 00:10:34,554 NO, WHY? The shooter was in his line of sight. 224 00:10:34,554 --> 00:10:36,967 IF ANYONE SAW HIM, IT WAS LOPEZ. Okay. 225 00:10:36,967 --> 00:10:39,139 I'M ON IT. I'LL CALL YOU AS SOON AS I KNOW SOMETHING. 226 00:10:39,139 --> 00:10:40,350 [ SIREN WAILING IN DISTANCE ] 227 00:10:40,350 --> 00:10:42,182 [ BEEP ] 228 00:10:44,975 --> 00:10:46,977 [ CAMERA SHUTTERS CLICKING ] 229 00:10:52,943 --> 00:10:55,035 [ SIGHS ] 230 00:10:55,035 --> 00:10:58,038 [ NO AUDIO ] 231 00:10:58,038 --> 00:11:00,280 [ FOOTSTEPS APPROACH ] 232 00:11:03,203 --> 00:11:06,206 I'M SORRY, SIR. UM, THIS AREA'S OFF-LIMITS. 233 00:11:06,206 --> 00:11:08,128 CAROLYN IS MY DAUGHTER. 234 00:11:12,092 --> 00:11:14,715 I'M VERY SORRY, SIR. 235 00:11:14,715 --> 00:11:18,719 ALL SHE EVER TRIED TO DO WAS HELP PEOPLE. 236 00:11:18,719 --> 00:11:20,300 WHY HER? 237 00:11:24,144 --> 00:11:25,806 Frank: KEV. 238 00:11:25,806 --> 00:11:27,397 YEAH. A-ANY LUCK ON THAT PRESS PASS? 239 00:11:27,397 --> 00:11:30,150 WHO DID IT BELONG TO? NO ONE. 240 00:11:30,150 --> 00:11:31,311 WHAT DO YOU MEAN, "NO ONE"? 241 00:11:31,311 --> 00:11:33,904 EVENT SECURITY KEPT EXTRA PASSES ON HOLD 242 00:11:33,904 --> 00:11:36,076 FOR LAST-MINUTE ATTENDEES. 243 00:11:36,076 --> 00:11:38,158 SO SOMEHOW OUR SHOOTER GOT AHOLD OF ONE. 244 00:11:38,158 --> 00:11:40,911 DAMN IT. YEAH. 245 00:11:40,911 --> 00:11:42,082 SO, HOW'S RYAN DOING? 246 00:11:42,082 --> 00:11:43,914 HE KNOWS IT'S NOT HIS FAULT, RIGHT? 247 00:11:43,914 --> 00:11:45,705 [ SIGHS ] WELL, IT HAPPENED ON HIS WATCH. 248 00:11:45,705 --> 00:11:47,707 SO FOR RYAN, IT MEANS IT'S ALL ON HIM 249 00:11:47,707 --> 00:11:49,709 UNTIL HE FINDS THIS GUY. 250 00:11:49,709 --> 00:11:52,422 DETECTIVE BECKETT, JIM BOYCE, STATE PARTY CHAIR. 251 00:11:52,422 --> 00:11:54,254 THIS WHOLE THING IS JUST TERRIBLE. 252 00:11:54,254 --> 00:11:55,715 IS...THERE ANY NEWS? 253 00:11:55,715 --> 00:11:57,137 JUST THAT WE'RE DOING EVERYTHING WE CAN 254 00:11:57,137 --> 00:11:58,889 TO APPREHEND THE SUSPECT. 255 00:11:58,889 --> 00:12:01,511 WELL, I'M GLAD THAT YOU'RE THE ONE HANDLING THE CASE. 256 00:12:01,511 --> 00:12:03,603 I'M SORRY, MR. BOYCE. DO WE KNOW EACH OTHER? 257 00:12:03,603 --> 00:12:05,725 NO, BUT YOU HAVE AN OUTSTANDING REPUTATION, 258 00:12:05,725 --> 00:12:07,687 AND IT'S GOTTEN THE ATTENTION OF THE PEOPLE IN MY WORLD. 259 00:12:07,687 --> 00:12:09,479 I WON'T HOLD YOU, DETECTIVE. 260 00:12:09,479 --> 00:12:11,611 PLEASURE TO MEET YOU. YEAH, LIKEWISE. 261 00:12:11,611 --> 00:12:14,234 WHAT WAS THAT ABOUT? 262 00:12:14,234 --> 00:12:16,356 I HAVE NO IDEA. 263 00:12:16,356 --> 00:12:19,199 MAYBE WE CAN SET UP A FOUNDATION IN CAROLYN'S NAME. 264 00:12:19,199 --> 00:12:22,162 YES, LET'S DO THAT. LIKE A-A SCHOLARSHIP FUND. 265 00:12:22,162 --> 00:12:25,035 Brooks: WHY DON'T I LOOK INTO THAT AND GET BACK TO YOU 266 00:12:25,035 --> 00:12:26,787 WITH OPTIONS. THAT WOULD BE GREAT, MEGAN. 267 00:12:26,787 --> 00:12:29,129 [ KNOCK ON DOOR ] 268 00:12:29,129 --> 00:12:31,872 CONGRESSMAN LOPEZ, I'M DETECTIVE BECKETT. THIS IS MR. CASTLE. 269 00:12:31,872 --> 00:12:33,253 WE'RE INVESTIGATING THE SHOOTING. 270 00:12:33,253 --> 00:12:36,086 YOU KNOW, AS A POLITICIAN... [ SIGHS ] 271 00:12:36,086 --> 00:12:38,468 ...YOU KNOW IN THE BACK OF YOUR MIND THAT HARM MAY COME TO YOU, 272 00:12:38,468 --> 00:12:40,680 BUT IT SHOULD NEVER COME TO AN INNOCENT BYSTANDER. 273 00:12:40,680 --> 00:12:42,592 CONGRESSMAN, DID YOU NOTICE ANYTHING 274 00:12:42,592 --> 00:12:45,385 OR ANYONE SUSPICIOUS PRIOR TO THE SHOOTING? 275 00:12:45,385 --> 00:12:47,517 EVERYTHING SEEMED NORMAL. 276 00:12:48,768 --> 00:12:50,520 [ NO AUDIO ] 277 00:12:52,062 --> 00:12:55,105 UNTIL IT WASN'T. WELL, WE BELIEVE THAT THE SHOTS ORIGINATED 278 00:12:55,105 --> 00:12:57,027 FROM THE NORTH END OF THE BACKSTAGE AREA. 279 00:12:57,027 --> 00:12:58,859 Castle: THAT'S THE DIRECTION YOU WERE FACING 280 00:12:58,859 --> 00:13:00,320 WHEN YOU WERE SPEAKING WITH CAROLYN DECKER. 281 00:13:00,320 --> 00:13:02,072 DID YOU NOTICE ANYONE IN THE BACKGROUND? 282 00:13:02,072 --> 00:13:08,038 I SAW...STAGEHANDS, PRODUCTION CREW... 283 00:13:08,038 --> 00:13:10,210 THERE WAS THIS ONE GUY. 284 00:13:10,210 --> 00:13:11,791 WHAT WAS HE WEARING? 285 00:13:11,791 --> 00:13:13,213 A GRAY SUIT. 286 00:13:13,213 --> 00:13:15,255 IS THAT HIM? 287 00:13:15,255 --> 00:13:18,008 IS THAT THE MAN THAT KILLED CAROLYN? 288 00:13:18,008 --> 00:13:19,880 DID YOU SEE HIS FACE? CAN YOU DESCRIBE HIM? 289 00:13:25,475 --> 00:13:30,060 I CAN MOST DEFINITELY DESCRIBE HIM. 290 00:13:30,060 --> 00:13:32,482 THIS IS OUR GUY, ERIC CHAMBERS -- 291 00:13:32,482 --> 00:13:33,643 FRINGE BLOGGER AND POLITICAL ACTIVIST 292 00:13:33,643 --> 00:13:35,605 WITH SOME PRETTY EXTREME IDEAS. 293 00:13:35,605 --> 00:13:37,197 OKAY, HE LOOKS LIKE THE SKETCH, 294 00:13:37,197 --> 00:13:39,649 BUT CAN WE PLACE HIM AT THE CRIME SCENE? 295 00:13:39,649 --> 00:13:41,151 CSU PULLED CHAMBERS' PRINT OFF THE WALL, SO HE WAS THERE. 296 00:13:41,151 --> 00:13:42,152 IT'S DEFINITELY HIM. 297 00:13:42,152 --> 00:13:44,534 I'M GUESSING HE'S NOT A BIG SUPPORTER OF LOPEZ? 298 00:13:44,534 --> 00:13:45,655 THAT'S AN UNDERSTATEMENT. 299 00:13:45,655 --> 00:13:48,208 TWO WEEKS AGO, CHAMBERS RANTED ON HIS BLOG 300 00:13:48,208 --> 00:13:50,410 ABOUT HOW LOPEZ POSED A THREAT TO THE AMERICAN WAY OF LIFE 301 00:13:50,410 --> 00:13:53,413 AND THAT HE WOULD GET WHAT ALL TRAITORS DESERVE. 302 00:13:53,413 --> 00:13:55,545 WHERE IS CHAMBERS NOW? HIS LAST KNOWN ADDRESS WAS IN THE BOWERY. 303 00:13:55,545 --> 00:13:57,587 TACTICAL'S GEARING UP. TAKE RYAN. 304 00:13:57,587 --> 00:14:00,090 HE SHOULD BE THERE WHEN YOU PICK CHAMBERS UP. 305 00:14:13,683 --> 00:14:15,315 [ SIGHS ] 306 00:14:15,315 --> 00:14:17,317 Esposito: TACTICAL'S ABOUT THREE MINUTES OUT. 307 00:14:17,317 --> 00:14:19,319 HOW DO WE KNOW CHAMBERS IS AT HOME? 308 00:14:19,319 --> 00:14:23,113 TORY PINGED HIS CELL. HE'S IN THERE. 309 00:14:23,113 --> 00:14:24,744 [ SIGHS ] 310 00:14:26,326 --> 00:14:29,119 HEY, BRO. WE'RE GONNA GET THIS GUY. 311 00:14:29,119 --> 00:14:31,451 YEAH. 312 00:14:36,046 --> 00:14:38,208 THERE HE IS. 313 00:14:52,012 --> 00:14:53,273 HE'S ON THE MOVE! 314 00:14:53,273 --> 00:14:55,145 CHAMBERS, FREEZE! 315 00:14:55,145 --> 00:14:57,147 CHAMBERS! 316 00:15:04,484 --> 00:15:07,157 GET THE HELL OFF ME! 317 00:15:07,157 --> 00:15:08,908 [ GRUNTING ] YOU CAN'T DO THIS! 318 00:15:08,908 --> 00:15:10,830 [ GUN COCKS ] GIVE ME A REASON! 319 00:15:11,992 --> 00:15:15,125 ERIC CHAMBERS, YOU'RE UNDER ARREST. 320 00:15:15,125 --> 00:15:17,377 WE GOT HIM, RYAN. WE'RE GOOD. 321 00:15:21,381 --> 00:15:23,173 MR. CHAMBERS, YOU ARE FACING CHARGES FOR MURDER 322 00:15:23,173 --> 00:15:25,175 AND THE ATTEMPTED ASSASSINATION OF A CONGRESSMAN. 323 00:15:25,175 --> 00:15:27,637 YOUR BEST HOPE FOR LENIENCY IS TO CONFESS. 324 00:15:27,637 --> 00:15:31,641 I'LL NEVER CONFESS. I WON'T GIVE YOU THE SATISFACTION. 325 00:15:31,641 --> 00:15:34,054 OKAY, WHY DON'T YOU CONSIDER THIS A CHANCE 326 00:15:34,054 --> 00:15:35,976 TO TELL YOUR SIDE OF THE STORY? 327 00:15:35,976 --> 00:15:37,767 MY SIDE OF THE STORY IS THAT I'M INNOCENT. 328 00:15:37,767 --> 00:15:38,979 THIS IS ALL A CHARADE. 329 00:15:38,979 --> 00:15:40,610 THE EVIDENCE WOULD SUGGEST OTHERWISE. 330 00:15:40,610 --> 00:15:43,653 WE FOUND THIS STOLEN PRESS PASS AT YOUR APARTMENT 331 00:15:43,653 --> 00:15:46,826 ALONG WITH A FLOOR PLAN OF THE BALLROOM. 332 00:15:46,826 --> 00:15:48,778 THEN THERE'S THE PESKY ISSUE 333 00:15:48,778 --> 00:15:51,031 OF YOU FLEEING AFTER FIRING THE SHOTS. 334 00:15:51,031 --> 00:15:54,494 A TRUE PATRIOT, BY DEFINITION, IS AN ENEMY OF THE STATE. 335 00:15:54,494 --> 00:15:57,917 OUR GOVERNMENT HAS A LONG AND SORRY HISTORY 336 00:15:57,917 --> 00:15:59,379 OF PERSECUTING PEOPLE LIKE ME. 337 00:15:59,379 --> 00:16:02,132 SO, YOU ARE THE VICTIM HERE? 338 00:16:02,132 --> 00:16:03,673 AND YOU'RE THE INSTRUMENT THEY'RE USING 339 00:16:03,673 --> 00:16:04,794 TO TRY TO DESTROY ME. 340 00:16:04,794 --> 00:16:08,088 YOU'RE TOO BLIND TO SEE THAT THIS IS A SCRIPT. 341 00:16:08,088 --> 00:16:09,719 YOU'RE JUST PLAYING YOUR PART. 342 00:16:09,719 --> 00:16:12,142 UM, OKAY, HERE'S THE PART THAT FASCINATES ME. 343 00:16:12,142 --> 00:16:14,144 YOU HATED LOPEZ. YOU WANTED HIM DEAD. 344 00:16:14,144 --> 00:16:15,145 SO YOU SHOT HIM. 345 00:16:15,145 --> 00:16:17,097 NOT FATALLY, IT TURNS OUT. 346 00:16:17,097 --> 00:16:19,229 BUT STILL, YOU STRUCK A BLOW 347 00:16:19,229 --> 00:16:21,861 FOR "TRUE PATRIOTS" EVERYWHERE. 348 00:16:21,861 --> 00:16:24,314 ISN'T THIS THE PROUDEST MOMENT OF YOUR LIFE, ERIC? 349 00:16:24,314 --> 00:16:26,196 I MEAN, WHY NOT OWN IT? 350 00:16:26,196 --> 00:16:28,818 WHY NOT TAKE CREDIT FOR WHAT YOU'VE ACCOMPLISHED? 351 00:16:30,910 --> 00:16:35,495 YOU WANT YOUR DAY IN COURT SO YOU CAN HAVE A PUBLIC FORUM. 352 00:16:35,495 --> 00:16:37,077 I'M DONE HERE. 353 00:16:39,619 --> 00:16:42,382 CHAMBERS ISN'T TALKING. 354 00:16:42,382 --> 00:16:43,793 WELL, THAT MAY NOT MATTER. 355 00:16:43,793 --> 00:16:46,046 I THINK WE LITERALLY JUST FOUND THE SMOKING GUN. 356 00:16:46,046 --> 00:16:47,467 Esposito: GET THIS -- UNIs FOUND 357 00:16:47,467 --> 00:16:49,049 A .38-CALIBER PISTOL IN A STORM DRAIN 358 00:16:49,049 --> 00:16:51,301 ABOUT A BLOCK AWAY FROM THE HOTEL, RECENTLY FIRED. 359 00:16:51,301 --> 00:16:54,224 WEREN'T THERE METAL DETECTORS AT THE VENUE? YEAH. 360 00:16:54,224 --> 00:16:55,595 WHICH MEANS THAT THE GUN MIGHT HAVE BEEN WAITING FOR HIM, 361 00:16:55,595 --> 00:16:57,597 STASHED AT THE HOTEL. ALONG WITH THE PRESS PASS. 362 00:16:57,597 --> 00:16:59,689 SO, THAT SUGGESTS HE WASN'T ACTING ALONE. 363 00:16:59,689 --> 00:17:01,981 AND LOPEZ MIGHT STILL BE A TARGET. 364 00:17:01,981 --> 00:17:04,104 I'LL CALL DOWN TO THE HOSPITAL AND BEEF UP SECURITY. 365 00:17:04,104 --> 00:17:07,107 IF WE CAN RECONSTRUCT CHAMBERS' MOVEMENTS FROM THE VENUE, 366 00:17:07,107 --> 00:17:09,149 WE MIGHT BE ABLE TO FIGURE OUT HOW HE GOT THAT GUN. 367 00:17:09,149 --> 00:17:11,151 AND WHO HE WAS WORKING WITH. 368 00:17:11,151 --> 00:17:12,322 YOU KNOW, WHEN WE WERE TRYING TO I.D. CHAMBERS, 369 00:17:12,322 --> 00:17:14,534 WE ROUNDED UP HUNDREDS OF PHOTOS FROM THAT EVENT. 370 00:17:14,534 --> 00:17:16,156 I THINK I KNOW WHERE TO START. 371 00:17:16,156 --> 00:17:18,158 [ BEEPING ] Ellis: SOME WERE TAKEN BY PHOTOGRAPHERS, 372 00:17:18,158 --> 00:17:19,789 OTHERS BY GUESTS ON THEIR CELLPHONES. 373 00:17:19,789 --> 00:17:22,872 I USED FACIAL RECOGNITION TO TRY AND SEARCH FOR CHAMBERS. 374 00:17:22,872 --> 00:17:24,124 DID YOU FIND HIM? 375 00:17:24,124 --> 00:17:26,126 HE APPEARS IN 14 PICTURES, MOSTLY IN THE BACKGROUND. 376 00:17:26,126 --> 00:17:27,967 SINCE EACH PHOTO IS TIME-STAMPED, 377 00:17:27,967 --> 00:17:30,260 I WAS ABLE TO PLOT HIS MOVEMENT AT THE VENUE. 378 00:17:30,260 --> 00:17:34,304 EACH DOT REPRESENTS WHERE CHAMBERS WAS PHOTOGRAPHED. 379 00:17:34,304 --> 00:17:36,096 DOES ANYONE IN THE PHOTOS EVER HAND HIM SOMETHING? 380 00:17:36,096 --> 00:17:39,229 DOES HE EVER RETRIEVE AN OBJECT THE SIZE OF A GUN? 381 00:17:39,229 --> 00:17:41,231 I'M AFRAID NOT, BUT THERE IS A FIVE-MINUTE GAP 382 00:17:41,231 --> 00:17:43,103 WHEN CHAMBERS IS UNACCOUNTED FOR. 383 00:17:43,103 --> 00:17:44,314 [ KEYBOARD CLACKING ] 384 00:17:44,314 --> 00:17:47,607 THIS IS THE LAST PHOTO BEFORE THE MISSING TIME. 385 00:17:47,607 --> 00:17:49,819 THAT DOOR LEADS TO A STORAGE AREA. 386 00:17:49,819 --> 00:17:52,362 THEN MAYBE THAT'S WHERE THE GUN WAS STASHED. NO. NO, NO. 387 00:17:52,362 --> 00:17:54,364 SECURITY PROTOCOL WOULD HAVE HAD THAT DOOR LOCKED 388 00:17:54,364 --> 00:17:56,366 FOR THE EVENING. WELL, THIS ROOM WASN'T LOCKED. 389 00:17:56,366 --> 00:17:59,078 HERE'S ANOTHER PICTURE OF IT TAKEN AROUND THE SAME TIME. 390 00:17:59,078 --> 00:18:02,162 [ BEEPING ] 391 00:18:02,162 --> 00:18:05,084 THAT GUY WORKS FOR THE HOTEL. 392 00:18:05,084 --> 00:18:06,876 IF THAT DOOR WAS SUPPOSED TO BE LOCKED, 393 00:18:06,876 --> 00:18:08,758 WHAT WAS HE DOING IN THERE? 394 00:18:10,210 --> 00:18:12,212 JULIAN BAILEY? 395 00:18:12,212 --> 00:18:14,264 YES? 396 00:18:14,264 --> 00:18:15,675 DO YOU MIND TELLING US 397 00:18:15,675 --> 00:18:18,097 WHAT YOU WERE DOING IN THE STORAGE ROOM LAST NIGHT? 398 00:18:18,097 --> 00:18:20,770 I WASN'T IN ANY STORAGE ROOM. 399 00:18:20,770 --> 00:18:23,643 OH, THEN WHO'S THIS? YOUR EVIL TWIN? 400 00:18:23,643 --> 00:18:25,645 OKAY, YEAH. 401 00:18:25,645 --> 00:18:29,229 I SNUCK IN THERE FOR A GIRL, YOU KNOW? 402 00:18:29,229 --> 00:18:30,690 WE WERE GONNA MEET UP, BUT SHE NEVER SHOWED. 403 00:18:30,690 --> 00:18:34,033 ALL RIGHT. HAVE YOU SEEN THIS GUY? 404 00:18:34,033 --> 00:18:36,035 YEAH, HE CAME IN THE ROOM. 405 00:18:36,035 --> 00:18:39,239 I WASN'T SUPPOSED TO BE THERE, SO I HID. WHAT WAS HE DOING IN THE ROOM? 406 00:18:39,239 --> 00:18:41,201 WAS HE LOOKING FOR SOMETHING? DID HE HAVE A GUN? 407 00:18:41,201 --> 00:18:43,042 A GUN? NO, HE WAS WITH ANOTHER DUDE. 408 00:18:43,042 --> 00:18:45,004 THEY WERE TALKING ALL INTENSE. 409 00:18:45,004 --> 00:18:46,166 WE HAVE TO BE SMART 410 00:18:46,166 --> 00:18:48,418 ABOUT WHEN AND WHERE WE BRING MR. LOPEZ DOWN. 411 00:18:48,418 --> 00:18:50,170 Chambers: I'VE GOT IT COVERED, OKAY? 412 00:18:50,170 --> 00:18:52,462 LOPEZ IS GONNA GET WHAT'S COMING TO HIM. 413 00:18:52,462 --> 00:18:54,554 AND YOU DIDN'T THINK TO MENTION THIS BEFORE? 414 00:18:54,554 --> 00:18:55,965 I WAS AFRAID I'D GET FIRED. 415 00:18:55,965 --> 00:18:57,557 PLUS, BY THE TIME I REALIZED HE WAS THE ONE 416 00:18:57,557 --> 00:18:59,559 WHO SHOT THE CONGRESSMAN, YOU GUYS HAD ALREADY CAUGHT HIM. 417 00:18:59,559 --> 00:19:01,851 ALL RIGHT, THIS OTHER DUDE THAT HE WAS TALKING TO, 418 00:19:01,851 --> 00:19:03,183 DID YOU SEE HIS FACE? 419 00:19:03,183 --> 00:19:04,974 JUST FOR A SECOND 420 00:19:04,974 --> 00:19:06,646 AS THE TWO OF THEM WERE WALKING OUT. 421 00:19:12,071 --> 00:19:13,483 Castle: CARL SHELTON? 422 00:19:13,483 --> 00:19:16,406 AS IN BILLIONAIRE INDUSTRIALIST CARL SHELTON? 423 00:19:16,406 --> 00:19:17,697 YEAH, AND HE'S NO FAN OF LOPEZ. 424 00:19:17,697 --> 00:19:19,199 I SAW SHELTON TELL LOPEZ TO HIS FACE 425 00:19:19,199 --> 00:19:20,450 THAT HE WOULD NEVER BECOME PRESIDENT. 426 00:19:20,450 --> 00:19:21,871 Maybe Shelton wanted to make sure, 427 00:19:21,871 --> 00:19:23,993 SO HE COLLUDED WITH CHAMBERS. 428 00:19:23,993 --> 00:19:25,205 ESPOSITO: It's starting to look that way, 429 00:19:25,205 --> 00:19:27,207 especially since Shelton is co-owner of this hotel. 430 00:19:27,207 --> 00:19:29,839 WHICH MEANS HE WOULD HAVE ACCESS TO A PRESS PASS 431 00:19:29,839 --> 00:19:32,131 AND KNOW HOW TO GET A GUN PAST SECURITY. 432 00:19:32,131 --> 00:19:34,754 IT'S MONEY VERSUS POWER, TYCOON VERSUS POLITICIAN -- 433 00:19:34,754 --> 00:19:36,926 A STORY AS OLD AS AMERICA ITSELF. 434 00:19:36,926 --> 00:19:39,098 All right, let's try and find out what the connection is 435 00:19:39,098 --> 00:19:41,681 BETWEEN ERIC CHAMBERS AND CARL SHELTON. 436 00:19:41,681 --> 00:19:44,063 I'M AFRAID MR. SHELTON DOES NOT KNOW ANYONE 437 00:19:44,063 --> 00:19:46,226 NAMED ERIC CHAMBERS. WELL, WE HAVE A WITNESS 438 00:19:46,226 --> 00:19:48,147 THAT SAW THE TWO OF YOU TALKING TO EACH OTHER. 439 00:19:48,147 --> 00:19:49,729 THAT WITNESS IS MISTAKEN. 440 00:19:49,729 --> 00:19:53,192 [ SIGHS ] MR. SHELTON, YOU FINANCED 441 00:19:53,192 --> 00:19:55,695 A GROUP CALLED AMERICA FOR AMERICANS. 442 00:19:55,695 --> 00:19:57,657 IT'S CO-FOUNDED BY ERIC CHAMBERS. 443 00:19:57,657 --> 00:19:59,659 MY CLIENT -- I... 444 00:19:59,659 --> 00:20:02,242 I FUND MANY GRASSROOTS ORGANIZATIONS 445 00:20:02,242 --> 00:20:04,914 WHO SHARE MY CONCERN ABOUT THE DECLINE 446 00:20:04,914 --> 00:20:07,917 OF THIS GREAT NATION, BUT I'M NOT ACQUAINTED 447 00:20:07,917 --> 00:20:09,709 WITH EVERY PERSON IN EVERY GROUP. 448 00:20:09,709 --> 00:20:12,542 ERIC CHAMBERS' VIEWS ARE HARD TO MISS. 449 00:20:12,542 --> 00:20:14,544 HE ADVOCATES ARMED RESISTANCE 450 00:20:14,544 --> 00:20:17,046 AGAINST WHAT HE CALLS "THE U.S. POLICE STATE." 451 00:20:17,046 --> 00:20:19,048 WELL, THERE'S NOTHING WRONG WITH ORDINARY AMERICANS 452 00:20:19,048 --> 00:20:21,681 DEFENDING THEMSELVES AGAINST GOVERNMENT OVERREACH. 453 00:20:21,681 --> 00:20:23,102 Castle: WELL, THIS ISN'T ABOUT OVERREACH, 454 00:20:23,102 --> 00:20:25,104 THIS IS ABOUT YOU GETTING RID OF A POLITICIAN 455 00:20:25,104 --> 00:20:26,105 WHO STOOD AGAINST YOU. 456 00:20:26,105 --> 00:20:29,188 W-WHAT IS THAT, MR. CASTLE? 457 00:20:29,188 --> 00:20:31,481 YOUR LATEST WORK OF FICTION? 458 00:20:31,481 --> 00:20:32,522 [ CHUCKLES ] 459 00:20:32,522 --> 00:20:34,904 I BELIEVE THAT CONCLUDES OUR INTERVIEW. 460 00:20:34,904 --> 00:20:38,067 IF YOU HAVE MORE QUESTIONS, GET A SUBPOENA. 461 00:20:38,067 --> 00:20:39,819 MR. SHELTON, YOU PUT CHAMBERS UP TO THIS 462 00:20:39,819 --> 00:20:41,281 AND I INTEND TO PROVE IT. 463 00:20:41,281 --> 00:20:45,074 GOOD LUCK WITH THAT. 464 00:20:46,245 --> 00:20:48,868 [ DOOR OPENS ] 465 00:20:56,756 --> 00:20:58,338 Esposito: WHAT'S UP, BRO? 466 00:20:58,338 --> 00:21:01,220 EVERYONE'S GONE. WHAT YOU STILL DOING HERE? 467 00:21:01,220 --> 00:21:02,802 [ SIGHS ] 468 00:21:02,802 --> 00:21:05,014 THINKING. 469 00:21:05,014 --> 00:21:08,308 COME ON. THIS IS A WIN. WE GOT THE SHOOTER. 470 00:21:08,308 --> 00:21:09,809 WHAT ABOUT SHELTON? 471 00:21:09,809 --> 00:21:11,811 WE'LL BUILD A CASE AGAINST HIM. 472 00:21:11,811 --> 00:21:14,814 AND I BET THAT CHAMBERS WILL HELP US OUT AND ROLL ON SHELTON. 473 00:21:14,814 --> 00:21:16,816 WHY HASN'T HE DONE THAT ALREADY? 474 00:21:16,816 --> 00:21:19,609 MAYBE SHELTON MADE CHAMBERS SOME PROMISES 475 00:21:19,609 --> 00:21:21,611 IN RETURN FOR HIM KEEPING HIS MOUTH SHUT. 476 00:21:21,611 --> 00:21:23,162 WHY WOULD A MAN IN SHELTON'S SITUATION 477 00:21:23,162 --> 00:21:24,113 RISK BEING SEEN WITH CHAMBERS? 478 00:21:24,113 --> 00:21:26,115 BECAUSE HE'S LIKE ALL THESE OTHER 479 00:21:26,115 --> 00:21:29,168 RICH SONS OF BITCHES WHO THINK THEY CAN GET AWAY WITH ANYTHING. 480 00:21:29,168 --> 00:21:30,330 [ SIGHS ] I DON'T KNOW. 481 00:21:30,330 --> 00:21:33,042 SOMETHING ABOUT THIS JUST ISN'T SITTING RIGHT, JAVI. 482 00:21:34,674 --> 00:21:36,045 YOU'RE SPINNING. 483 00:21:36,045 --> 00:21:38,087 YOU JUST NEED A GOOD NIGHT'S SLEEP. 484 00:21:38,087 --> 00:21:40,259 IN THE MORNING, EVERYTHING WILL BE CLEAR TO YOU. 485 00:21:40,259 --> 00:21:41,471 ALL RIGHT? 486 00:21:45,224 --> 00:21:48,097 [ CELLPHONE RINGING ] 487 00:21:51,981 --> 00:21:53,983 [ BEEP ] 488 00:21:53,983 --> 00:21:55,775 HELLO. 489 00:21:59,028 --> 00:22:00,700 WHAT?! 490 00:22:00,700 --> 00:22:02,492 Ryan: RIGHT. HOW ABOUT NOW? 491 00:22:02,492 --> 00:22:03,903 Castle: THAT LOOKS GOOD. OKAY. 492 00:22:03,903 --> 00:22:06,706 OH! GOOD, YOU'RE HERE. 493 00:22:06,706 --> 00:22:09,659 WHAT IS THIS? WHAT ARE YOU GUYS DOING? 494 00:22:09,659 --> 00:22:12,792 AH, WELL, RYAN WAS WORKING ALL NIGHT, AND HE TEXTED ME. 495 00:22:12,792 --> 00:22:15,214 YOU TEXTED CASTLE AND NOT ME? 496 00:22:15,214 --> 00:22:16,416 WELL, WHEN YOU HAVE A CRAZY THEORY, 497 00:22:16,416 --> 00:22:18,127 YOU DON'T CALL THE VOICE OF REASON. 498 00:22:18,127 --> 00:22:19,048 WHAT -- WHAT THEORY? 499 00:22:19,048 --> 00:22:20,670 ERIC CHAMBERS IS NOT OUR SHOOTER. 500 00:22:20,670 --> 00:22:22,802 WE GOT THE WRONG GUY. 501 00:22:28,017 --> 00:22:29,599 YOU'RE TELLING ME ERIC CHAMBERS IS NOT OUR SHOOTER? 502 00:22:29,599 --> 00:22:30,640 BASED ON WHAT? 503 00:22:30,640 --> 00:22:32,021 PHYSICS, SIR. 504 00:22:32,021 --> 00:22:33,062 Beckett: CONGRESSMAN LOPEZ SAID 505 00:22:33,062 --> 00:22:34,684 THAT WHEN HE TALKED TO CAROLYN DECKER, 506 00:22:34,684 --> 00:22:37,106 HE SAW CHAMBERS BY THE FAR WALL. 507 00:22:37,106 --> 00:22:39,108 WHICH IS WHERE CSU FOUND HIS PRINTS. 508 00:22:39,108 --> 00:22:41,280 Castle: BUT SECONDS LATER, OUR ASSASSIN OPENS FIRE -- 509 00:22:41,280 --> 00:22:42,742 THREE SHOTS. 510 00:22:42,742 --> 00:22:44,654 THE FIRST ONE STRIKES LOPEZ BENEATH THE LEFT CLAVICLE. 511 00:22:44,654 --> 00:22:47,196 THE SECOND ONE GRAZES CAROLYN DECKER'S SHOULDER, 512 00:22:47,196 --> 00:22:49,038 AND THE THIRD ONE STRIKES HER IN THE UPPER BACK. 513 00:22:49,038 --> 00:22:51,541 THAT SHOT SEVERS HER PULMONARY ARTERY. 514 00:22:51,541 --> 00:22:53,082 SHE NEVER HAS A CHANCE. 515 00:22:53,082 --> 00:22:54,454 HOW DOES ANY OF THIS LEAD YOU TO THINK 516 00:22:54,454 --> 00:22:56,375 THAT CHAMBERS IS NOT THE ASSASSIN. 517 00:22:56,375 --> 00:22:57,797 CHAMBERS' VANTAGE POINT. 518 00:22:57,797 --> 00:23:00,299 HE HAD A SIDE-ANGLE VIEW OF LOPEZ AND CAROLYN DECKER. 519 00:23:00,299 --> 00:23:03,052 SO HOW DID CHAMBERS MANAGE TO SHOOT CAROLYN IN THE BACK? 520 00:23:03,052 --> 00:23:05,465 THE ANSWER IS THAT HE COULDN'T HAVE, 521 00:23:05,465 --> 00:23:07,346 NOT UNLESS THAT BULLET MAGICALLY TOOK 522 00:23:07,346 --> 00:23:08,768 A HARD RIGHT TURN IN MIDAIR. 523 00:23:08,768 --> 00:23:11,771 WHICH MEANS THE SHOTS WERE FIRED FROM THE GRASSY KNOLL, 524 00:23:11,771 --> 00:23:14,013 METAPHORICALLY SPEAKING. Gates: DETECTIVE BECKETT, 525 00:23:14,013 --> 00:23:16,145 DO YOU ACTUALLY FIND ANY OF THIS PLAUSIBLE? 526 00:23:16,145 --> 00:23:19,519 YES, SIR, PLAUSIBLE ENOUGH THAT I'M GETTING BALLISTICS 527 00:23:19,519 --> 00:23:21,360 TO REEVALUATE THE CRIME SCENE. 528 00:23:21,360 --> 00:23:23,783 CHAMBERS HAD MOTIVE, 529 00:23:23,783 --> 00:23:26,986 HE STOLE A PRESS PASS, HE FLED THE SHOOTING. 530 00:23:26,986 --> 00:23:29,078 HOW DO YOU EXPLAIN ALL THAT? I THINK CHAMBERS 531 00:23:29,078 --> 00:23:31,701 WAS SET UP TO BE THE FALL GUY. PROBABLY BY CARL SHELTON. 532 00:23:31,701 --> 00:23:34,744 THEN WHY ISN'T HE VIGOROUSLY PROTESTING HIS INNOCENCE? 533 00:23:34,744 --> 00:23:37,126 CHAMBERS DISTRUSTS AUTHORITY. 534 00:23:37,126 --> 00:23:39,128 AND HE BELIEVES THAT WE'RE PART OF A PLOT AGAINST HIM. 535 00:23:39,128 --> 00:23:41,250 NONETHELESS, ERIC CHAMBERS REMAINS OUR PRIME SUSPECT 536 00:23:41,250 --> 00:23:42,962 UNLESS PROOF COMES IN THAT HE ISN'T. 537 00:23:42,962 --> 00:23:44,093 IN THE MEANTIME, SIR, 538 00:23:44,093 --> 00:23:46,425 I'D LIKE TO TAKE ANOTHER RUN AT HIM. 539 00:23:51,220 --> 00:23:53,182 YOU'RE WASTING YOUR TIME. 540 00:23:53,182 --> 00:23:55,394 I'M NOT TALKING. 541 00:23:55,394 --> 00:23:59,188 [ SIGHS ] WELL, THAT'S OKAY. 542 00:23:59,188 --> 00:24:03,693 YOU DON'T HAVE TO TALK. YOU CAN JUST LISTEN. 543 00:24:03,693 --> 00:24:05,485 [ SCOFFS ] 544 00:24:05,485 --> 00:24:09,569 YEAH, WE KNOW THAT... YOU'RE NOT THE SHOOTER. 545 00:24:09,569 --> 00:24:10,870 OF COURSE YOU DO. 546 00:24:10,870 --> 00:24:13,623 YOU PEOPLE ORCHESTRATED THE WHOLE THING. 547 00:24:13,623 --> 00:24:15,034 YOU KNOW, ERIC, I GOT A NEWS FLASH FOR YOU. 548 00:24:15,034 --> 00:24:18,207 YOU'RE NOT THE FOCUS OF SOME BIG GOVERNMENTAL CONSPIRACY. 549 00:24:18,207 --> 00:24:20,880 NO ONE HAS THE... LEAST BIT OF INTEREST IN YOU. 550 00:24:20,880 --> 00:24:23,422 [ SIGHS ] 551 00:24:23,422 --> 00:24:28,007 ACTUALLY, I TAKE THAT BACK. 552 00:24:28,007 --> 00:24:30,890 SOMEONE IS VERY INTERESTED IN YOU -- 553 00:24:30,890 --> 00:24:34,684 WHOEVER SET YOU UP. 554 00:24:34,684 --> 00:24:39,478 SOMEBODY WENT TO A SIGNIFICANT AMOUNT OF TROUBLE TO FRAME YOU, 555 00:24:39,478 --> 00:24:41,270 AND NOW... 556 00:24:44,904 --> 00:24:47,486 ...NOW YOU KNOW TOO MUCH. 557 00:24:47,486 --> 00:24:51,450 YOU'RE A LOOSE END. 558 00:24:51,450 --> 00:24:54,874 I DON'T SEE A VERY BRIGHT FUTURE FOR YOU. 559 00:25:00,540 --> 00:25:03,543 YOU HONESTLY EXPECT ME TO BELIEVE A WORD YOU SAY? 560 00:25:03,543 --> 00:25:06,546 EH, THAT'S UP TO YOU. IT'S YOUR LIFE. 561 00:25:08,888 --> 00:25:11,470 JUST TELL ME EVERYTHING ABOUT HOW YOU GOT BACKSTAGE, 562 00:25:11,470 --> 00:25:14,343 AND I'LL KEEP YOU SAFE. 563 00:25:14,343 --> 00:25:17,557 IF NOT, I CAN'T HELP YOU. 564 00:25:17,557 --> 00:25:19,769 NOBODY CAN. 565 00:25:22,481 --> 00:25:26,105 [ SIGHS ] JUST THINK ABOUT IT. 566 00:25:26,105 --> 00:25:27,697 UM... 567 00:25:27,697 --> 00:25:29,569 BUT DON'T THINK TOO LONG. 568 00:25:32,361 --> 00:25:34,994 WAIT. 569 00:25:37,707 --> 00:25:40,289 SO, IF CHAMBERS ISN'T OUR SHOOTER, 570 00:25:40,289 --> 00:25:41,711 THEN WHAT WAS HE DOING BACKSTAGE? 571 00:25:41,711 --> 00:25:44,253 HE WANTED TO MAKE A POLITICAL STATEMENT BY CONFRONTING LOPEZ 572 00:25:44,253 --> 00:25:46,756 DURING HIS SPEECH IN FRONT OF THE CAMERAS. 573 00:25:46,756 --> 00:25:48,127 THAT WAY, HE KNEW THAT IT WOULD BLOW UP 574 00:25:48,127 --> 00:25:49,629 ON THE 24-HOUR NEWS CYCLE. 575 00:25:49,629 --> 00:25:51,050 ALL RIGHT, WHAT ABOUT CARL SHELTON? 576 00:25:51,050 --> 00:25:53,633 CASTLE, IT'S LOOKING LIKE SHELTON MAY NOT BE INVOLVED. 577 00:25:53,633 --> 00:25:55,054 THE BILLIONAIRE INDUSTRIALIST 578 00:25:55,054 --> 00:25:57,096 WITH HIS GRUBBY HANDS ON THE LEVERS OF POWER? 579 00:25:57,096 --> 00:25:58,638 OF COURSE HE'S INVOLVED. 580 00:25:58,638 --> 00:26:00,099 THEY WERE SEEN IN THE STORAGE ROOM. 581 00:26:00,099 --> 00:26:03,062 THAT'S BECAUSE SHELTON REALIZED THAT CHAMBERS HAD CRASHED THE EVENT. 582 00:26:03,062 --> 00:26:05,735 SO, HE TRIED TO TALK HIM OUT OF MAKING A SCENE. 583 00:26:05,735 --> 00:26:07,396 SO, WHERE DID CHAMBERS GET THE PRESS PASS FROM? 584 00:26:07,396 --> 00:26:09,238 IT WAS LEFT FOR HIM IN HIS MAILBOX. 585 00:26:09,238 --> 00:26:10,740 IN HIS MAILBOX? 586 00:26:10,740 --> 00:26:12,451 BY WHOM? AN ANONYMOUS SYMPATHIZER 587 00:26:12,451 --> 00:26:14,824 CONTACTED HIM THROUGH HIS WEBSITE, 588 00:26:14,824 --> 00:26:16,906 LEFT HIM THE PASS, AND INSTRUCTIONS 589 00:26:16,906 --> 00:26:18,788 ABOUT WHERE TO WAIT BACKSTAGE. 590 00:26:18,788 --> 00:26:22,001 [ CHUCKLES ] OKAY, CAN I -- CAN I JUST SAY... 591 00:26:22,001 --> 00:26:25,004 I KNOW I HAVE OCCASIONALLY THEORIZED 592 00:26:25,004 --> 00:26:26,505 THAT A CONSPIRACY WAS AFOOT. 593 00:26:26,505 --> 00:26:28,207 "OCCASIONALLY"? 594 00:26:28,207 --> 00:26:30,209 BUT THIS TIME, A CONSPIRACY REALLY IS AFOOT. 595 00:26:30,209 --> 00:26:32,131 GUYS, CHAMBERS WAS CLEARLY BEING MANIPULATED 596 00:26:32,131 --> 00:26:35,174 BY PERSON OR PERSONS UNKNOWN INTO BEING BACKSTAGE 597 00:26:35,174 --> 00:26:36,766 SO HE'D BE THE PERFECT PATSY. 598 00:26:36,766 --> 00:26:39,138 WHY WOULD SOMEONE GO TO ALL THAT TROUBLE 599 00:26:39,138 --> 00:26:41,220 TO SET HIM UP AS LOPEZ'S SHOOTER? 600 00:26:41,220 --> 00:26:42,812 Esposito: I MAY HAVE AN ANSWER FOR THAT. 601 00:26:42,812 --> 00:26:46,185 PRELIM BALLISTICS REPORT. YOU WERE RIGHT. 602 00:26:46,185 --> 00:26:48,067 THE SHOTS DID NOT COME FROM WHERE CHAMBERS WAS STANDING. 603 00:26:48,067 --> 00:26:50,609 SO WHERE DID THE SHOTS COME FROM? WELL, BASED ON TRAJECTORIES, 604 00:26:50,609 --> 00:26:52,531 THE SHOTS WERE FIRED FROM THIS POSITION RIGHT HERE. 605 00:26:52,531 --> 00:26:54,113 THE SHOOTER WAS BEHIND THE LIGHTING STANCHION. 606 00:26:54,113 --> 00:26:55,945 THAT'S WHY NO ONE SAW HIM. 607 00:26:55,945 --> 00:26:57,787 HE TOOK A SHOT AND THEN HE SLIPPED OUT THE BACK. 608 00:26:57,787 --> 00:26:59,618 YEAH, IT'S GOOD CONCEALMENT. 609 00:26:59,618 --> 00:27:01,701 NOBODY WOULD BE ABLE TO SPOT HIM, 610 00:27:01,701 --> 00:27:04,083 BUT CHECK OUT THIS ANGLE. 611 00:27:04,083 --> 00:27:05,835 CAROLYN DECKER'S BLOCKING LOPEZ. 612 00:27:05,835 --> 00:27:08,207 THAT WOULD EXPLAIN WHY THE ASSASSIN MISSED LOPEZ. 613 00:27:08,207 --> 00:27:10,209 UNLESS HE DIDN'T MISS HIM. 614 00:27:10,209 --> 00:27:13,012 EXACTLY, CAROLYN DECKER WAS ALMOST SQUARE TO THE SHOOTER 615 00:27:13,012 --> 00:27:15,845 AND SHE'S THE ONE WHO GOT HIT CENTER-MASS. 616 00:27:15,845 --> 00:27:19,178 YOU GUYS, WHAT IF WE'RE LOOKING AT THIS THE WRONG WAY? AND CAROLYN DECKER'S THE REAL TARGET. 617 00:27:19,178 --> 00:27:21,020 ALL RIGHT, WE'LL DIG THROUGH HER LIFE. 618 00:27:21,020 --> 00:27:22,391 SEE IF ANYONE HAD MOTIVE TO DO THIS. 619 00:27:22,391 --> 00:27:25,024 THERE'S SOMETHING YOU SHOULD SEE FIRST. 620 00:27:27,226 --> 00:27:29,228 THIS IS FROM ERIC CHAMBERS' BUILDING. 621 00:27:29,228 --> 00:27:31,110 I WAS REVIEWING IT TO PASTE TOGETHER HIS TIMELINE 622 00:27:31,110 --> 00:27:32,481 WHEN I SAW THIS. 623 00:27:32,481 --> 00:27:35,114 HE GOES STRAIGHT TO CHAMBERS' MAILBOX. 624 00:27:35,114 --> 00:27:37,276 OKAY, THAT IS DEFINITELY NOT THE MAILMAN. 625 00:27:37,276 --> 00:27:40,079 HE MUST BE LEAVING THE PRESS PASS FOR CHAMBERS. WHEN WAS THIS? 626 00:27:40,079 --> 00:27:42,041 THREE HOURS BEFORE THE SHOOTING. 627 00:27:42,041 --> 00:27:43,452 CAN WE GET A LOOK AT THIS DUDE'S FACE? 628 00:27:43,452 --> 00:27:45,705 NOT A GOOD ONE. 629 00:27:45,705 --> 00:27:49,208 [ BEEP ] 630 00:27:49,208 --> 00:27:52,211 OH, MY GOD. 631 00:27:52,211 --> 00:27:54,844 WHAT IS IT? 632 00:27:54,844 --> 00:27:58,217 THAT'S MY BROTHER-IN-LAW. THAT'S FRANK. 633 00:28:03,803 --> 00:28:05,394 ARE YOU SURE THAT'S FRANK KELLY? 634 00:28:05,394 --> 00:28:08,227 YEAH. NO QUESTION. 635 00:28:08,227 --> 00:28:12,021 RYAN, I KNOW THIS IS HARD, BUT... 636 00:28:12,021 --> 00:28:14,613 WHERE WAS FRANK DURING THOSE SHOTS? 637 00:28:14,613 --> 00:28:16,025 ALL RIGHT, I'LL KEEP EYES ON HIM ONSTAGE. 638 00:28:16,025 --> 00:28:17,076 YOU COVER HIM BACK HERE? YEAH. 639 00:28:19,078 --> 00:28:21,080 HE WAS ON THE OTHER SIDE OF THE CURTAIN. 640 00:28:21,080 --> 00:28:23,452 HE WENT INTO THE BALLROOM TO COVER LOPEZ. 641 00:28:23,452 --> 00:28:26,245 DID YOU SEE HIM OUT THERE? 642 00:28:26,245 --> 00:28:27,456 NO. 643 00:28:27,456 --> 00:28:30,880 SO, YOU DON'T REALLY KNOW WHERE HE WAS. 644 00:28:30,880 --> 00:28:33,252 AFTER THE SHOTS, HOW SOON DID HE ARRIVE? 645 00:28:35,044 --> 00:28:37,466 10 SECONDS, MAYBE. 646 00:28:37,466 --> 00:28:38,888 LONG ENOUGH FOR HIM TO GET 647 00:28:38,888 --> 00:28:42,681 FROM THE LIGHT STANCHION TO WHERE YOU SAW HIM. 648 00:28:42,681 --> 00:28:44,103 SO, WHAT ARE YOU SAYING HERE, 649 00:28:44,103 --> 00:28:47,686 THAT FRANK KILLED CAROLYN DECKER? 650 00:28:47,686 --> 00:28:48,898 WHY WOULD HE? 651 00:28:48,898 --> 00:28:49,979 I DON'T KNOW, 652 00:28:49,979 --> 00:28:51,310 BUT WE NEED TO CONSIDER THE POSSIBILITY. 653 00:28:51,310 --> 00:28:53,022 AT THE VERY LEAST, HE WAS INVOLVED, 654 00:28:53,022 --> 00:28:55,905 SO WE'RE BRINGING HIM IN. 655 00:28:55,905 --> 00:28:58,487 GOOD. BECAUSE YOU KNOW WHAT? 656 00:28:58,487 --> 00:29:00,409 HE'LL TELL HIS SIDE OF THE STORY. THERE'S AN EXPLANATION FOR THIS. 657 00:29:00,409 --> 00:29:03,783 I-I'M SURE THERE IS, RYAN. A-AND NOTHING WOULD MAKE US HAPPIER. 658 00:29:03,783 --> 00:29:05,664 GUYS, THIS IS MY BROTHER-IN-LAW. 659 00:29:05,664 --> 00:29:08,367 THERE'S NO WAY HE CAN BE MIXED UP IN SOMETHING LIKE THIS. 660 00:29:08,367 --> 00:29:10,249 HEY, BRO. 661 00:29:10,249 --> 00:29:11,871 I'M SORRY TO SAY THAT, UH, 662 00:29:11,871 --> 00:29:13,672 UNIs JUST TRIED TO PICK UP FRANK. 663 00:29:13,672 --> 00:29:15,464 AS SOON AS HE SAW THE PATROL CAR, HE BOLTED. 664 00:29:15,464 --> 00:29:18,087 THEY LOST HIM. 665 00:29:18,087 --> 00:29:20,259 Gates: ISSUE AN A.P.B. SEE IF THERE'S ANY CONNECTION 666 00:29:20,259 --> 00:29:22,882 BETWEEN FRANK KELLY AND CAROLYN DECKER. 667 00:29:22,882 --> 00:29:24,093 I'M ON IT. 668 00:29:25,094 --> 00:29:28,017 UH, WHERE ARE YOU GOING? 669 00:29:28,017 --> 00:29:30,769 I'M GONNA GO FIND FRANK. 670 00:29:30,769 --> 00:29:34,353 I'LL GO WITH YOU. 671 00:29:34,353 --> 00:29:37,776 THANKS, JAVI, BUT... THIS IS FAMILY HERE. 672 00:29:37,776 --> 00:29:41,360 I GOT TO DO THIS ONE ALONE. 673 00:29:41,360 --> 00:29:43,572 OKAY. 674 00:29:43,572 --> 00:29:46,075 [ KNOCK ON DOOR ] 675 00:29:48,247 --> 00:29:51,040 I NEED TO TALK TO FRANK, GWEN. 676 00:29:51,040 --> 00:29:52,121 HE'S NOT HERE. 677 00:29:52,121 --> 00:29:53,833 WHERE IS HE, THEN? 678 00:29:53,833 --> 00:29:55,835 KEVIN, DON'T YOU WALK IN HERE 679 00:29:55,835 --> 00:29:58,007 AND START POINTING FINGERS AT YOUR OWN FAMILY. 680 00:29:58,007 --> 00:30:01,420 HE RAN! WHY WOULD HE DO THAT, GWEN?! 681 00:30:01,420 --> 00:30:02,882 WHAT'S HE INTO? 682 00:30:02,882 --> 00:30:05,684 NOTHING! 683 00:30:05,684 --> 00:30:07,977 I KNOW THAT LOOK. 684 00:30:07,977 --> 00:30:10,189 YEAH, THAT'S THE LOOK THAT YOU USED TO GET 685 00:30:10,189 --> 00:30:11,350 WHEN YOU'D SNEAK A CIGARETTE 686 00:30:11,350 --> 00:30:12,771 AND THEN YOU'D LIE TO MOM ABOUT IT. 687 00:30:12,771 --> 00:30:16,775 LOOK, GWEN, I'M HERE FOR YOU, BUT I NEED TO KNOW THE TRUTH. 688 00:30:16,775 --> 00:30:18,277 WHAT'S HE INTO? 689 00:30:22,781 --> 00:30:26,155 THINGS WERE TIGHT LAST YEAR. 690 00:30:26,155 --> 00:30:29,158 YOU KNOW, BOTH KIDS ARE AT ST. MARGARET'S NOW, 691 00:30:29,158 --> 00:30:31,160 AND THAT COSTS AN ARM AND A LEG. 692 00:30:31,160 --> 00:30:33,332 BUT THEN SOME MONEY STARTED COMING IN. 693 00:30:33,332 --> 00:30:35,214 FROM WHERE? 694 00:30:35,214 --> 00:30:38,167 FRANK SAID THAT HE WAS PICKING UP EXTRA WORK, AND... 695 00:30:38,167 --> 00:30:40,169 BUT HE NEVER RAN IT THROUGH THE COMPANY. 696 00:30:40,169 --> 00:30:41,760 IT WAS ALWAYS CASH. 697 00:30:41,760 --> 00:30:43,222 HOW MUCH CASH? 698 00:30:43,222 --> 00:30:45,674 OVER TIME... CLOSE TO 50 GRAND. 699 00:30:45,674 --> 00:30:47,806 KEVIN! YOU KNOW FRANK. 700 00:30:47,806 --> 00:30:51,230 YOU KNOW HE WOULD NEVER HURT A SOUL. OKAY. 701 00:30:51,230 --> 00:30:53,182 THEN TELL ME WHERE HE IS BEFORE HE'S THE ONE WHO GETS HURT. 702 00:30:58,187 --> 00:30:59,608 ANY WORD FROM RYAN? 703 00:30:59,608 --> 00:31:03,072 UH, NO. NOT YET. IT'S GOT TO BE TOUGH. 704 00:31:03,072 --> 00:31:05,484 FRANK IS LIKE A BROTHER TO HIM. 705 00:31:05,484 --> 00:31:08,537 WELL, MAYBE FRANK ISN'T IN THIS AS DEEP AS WE THINK. 706 00:31:08,537 --> 00:31:10,249 ESPOSITO STILL HASN'T FOUND 707 00:31:10,249 --> 00:31:12,041 ANYTHING CONNECTING HIM TO CAROLYN DECKER. 708 00:31:12,041 --> 00:31:14,453 YEAH, WELL, NEITHER HAVE I. 709 00:31:14,453 --> 00:31:17,086 [ SIGHS ] I HATE THIS PART. 710 00:31:17,086 --> 00:31:18,457 GOING THROUGH A VICTIM'S EFFECTS? 711 00:31:18,457 --> 00:31:20,960 YEAH, ESPECIALLY A PURSE. 712 00:31:20,960 --> 00:31:23,842 EVERYTHING IN IT IS JUST SO INTIMATE. 713 00:31:23,842 --> 00:31:26,425 [ ZIPPER OPENS ] IT'S LIKE YOU GET A CHANCE TO REALLY SEE 714 00:31:26,425 --> 00:31:29,848 WHO A PERSON IS... 715 00:31:29,848 --> 00:31:31,350 OR WAS. 716 00:31:31,350 --> 00:31:34,773 AND WHO WAS CAROLYN DECKER? 717 00:31:34,773 --> 00:31:39,568 UH, SHE WAS, UM... A WORKAHOLIC. 718 00:31:39,568 --> 00:31:42,781 THE DAILY ALARM ON HER PHONE IS SET FOR 4:00 A.M. 719 00:31:42,781 --> 00:31:44,023 AND HER CALENDAR SHOWS 720 00:31:44,023 --> 00:31:47,156 THAT SHE WAS COMPLETELY DEDICATED TO PURE WATER NOW. 721 00:31:47,156 --> 00:31:50,909 SHE HAS THAT HANDWRITTEN LETTER FROM A LITTLE BOY IN AFRICA 722 00:31:50,909 --> 00:31:52,661 IN HER WALLET THANKING HER. 723 00:31:52,661 --> 00:31:56,035 HIS VILLAGE WAS ALMOST COMPLETELY WIPED OUT BY CHOLERA. 724 00:31:56,035 --> 00:31:57,836 AND THEN ONCE THEY SET UP THE WATER-FILTRATION SYSTEM 725 00:31:57,836 --> 00:32:00,169 IN THE VILLAGE, NOBODY DIED. 726 00:32:00,169 --> 00:32:02,801 SHE WAS ACTUALLY MAKING A DIFFERENCE. 727 00:32:02,801 --> 00:32:05,424 YOU KNOW, YOU MAKE A DIFFERENCE, TOO. 728 00:32:05,424 --> 00:32:08,847 [ CHUCKLES ] YEAH, NOT LIKE HER. 729 00:32:10,389 --> 00:32:12,311 OKAY. 730 00:32:12,311 --> 00:32:14,143 WHAT? 731 00:32:15,434 --> 00:32:17,936 SHE'S GOT A SECOND PHONE. 732 00:32:17,936 --> 00:32:19,858 ANYTHING ON IT? 733 00:32:19,858 --> 00:32:23,152 YEAH. MOTIVE FOR MURDER. 734 00:32:47,136 --> 00:32:49,138 WHAT DID YOU DO, FRANK? 735 00:32:49,138 --> 00:32:51,510 NOT WHAT YOU'RE THINKING, MAN. 736 00:32:51,510 --> 00:32:53,512 THAT'S A NICE TOUCH, 737 00:32:53,512 --> 00:32:56,145 THE WAY YOU ACTED ALL SURPRISED WHEN I REMEMBERED 738 00:32:56,145 --> 00:32:58,057 THAT CHAMBERS WAS WEARING A PRESS PASS. 739 00:32:58,057 --> 00:33:00,099 [ CHUCKLES ] WELL, YOU WEREN'T SURPRISED FRANK, 740 00:33:00,099 --> 00:33:02,061 BECAUSE ALL ALONG IT WAS YOU THAT GAVE IT TO HIM. 741 00:33:02,061 --> 00:33:05,274 YOU HIRED ME FOR THIS JOB 742 00:33:05,274 --> 00:33:08,027 BECAUSE YOU KNEW THAT I WOULD NEVER SUSPECT YOU. 743 00:33:08,027 --> 00:33:10,529 YOU KNEW THAT YOU COULD STEER THE INVESTIGATION. 744 00:33:10,529 --> 00:33:11,740 NO. NO, IT WASN'T LIKE THAT. 745 00:33:11,740 --> 00:33:14,113 AND NOBODY WAS EVER SUPPOSED TO GET HURT. 746 00:33:14,113 --> 00:33:16,665 WHAT THE HELL DOES THAT EVEN MEAN? 747 00:33:16,665 --> 00:33:18,247 CAROLYN DECKER, SHE'S DEAD. 748 00:33:18,247 --> 00:33:20,249 I BLAMED MYSELF. ALL ALONG IT WAS YOU. 749 00:33:20,249 --> 00:33:22,211 KEV, I GOT MYSELF INTO SOMETHING 750 00:33:22,211 --> 00:33:25,044 AND I-I CAN'T GET MYSELF OUT. 751 00:33:25,044 --> 00:33:26,675 HOW... HOW COULD YOU DO THIS? 752 00:33:26,675 --> 00:33:30,049 HOW -- HOW COULD YOU DO THIS TO GWEN AND THE KIDS? 753 00:33:30,049 --> 00:33:33,302 LOOK ME IN THE EYES AND TELL ME... 754 00:33:33,302 --> 00:33:35,224 THAT YOU KILLED CAROLYN. 755 00:33:35,224 --> 00:33:37,396 DID YOU KNOW HER? 756 00:33:37,396 --> 00:33:39,808 DID YOU DO IT FOR THE MONEY? 757 00:33:39,808 --> 00:33:44,143 I DIDN'T KILL NOBODY. 758 00:33:45,984 --> 00:33:47,986 WELL, YOU HAD TO HAVE DONE SOMETHING, FRANK. 759 00:33:47,986 --> 00:33:49,568 WHERE DID YOU GET ALL THAT CASH? 760 00:33:52,241 --> 00:33:55,454 THE SECURITY THING... 761 00:33:55,454 --> 00:33:57,996 AIN'T GOING AS GOOD AS I SAID. 762 00:33:57,996 --> 00:33:59,208 [ SIGHS ] 763 00:33:59,208 --> 00:34:02,661 TIMES ARE TOUGH, YOU KNOW? I NEEDED MONEY. 764 00:34:02,661 --> 00:34:07,216 SO I MADE SOME CASH ON THE SIDE BY SELLING ACCESS. 765 00:34:07,216 --> 00:34:08,167 WHAT KIND OF ACCESS? 766 00:34:08,167 --> 00:34:10,379 SLIPPING PEOPLE IN BACKSTAGE AT A CONCERT, 767 00:34:10,379 --> 00:34:13,172 PASSES TO FRINGE JOURNALISTS, 768 00:34:13,172 --> 00:34:14,593 YOU KNOW, WHO CAN'T GET IN THE FRONT DOOR. 769 00:34:14,593 --> 00:34:16,135 I SWEAR TO YOU, I DIDN'T KNOW THAT PRESS PASS 770 00:34:16,135 --> 00:34:17,676 WAS GOING TO CHAMBERS. 771 00:34:17,676 --> 00:34:20,349 I'M JUST TRYING TO PROVIDE FOR MY FAMILY, FOR YOUR SISTER. 772 00:34:20,349 --> 00:34:22,391 I THOUGHT, OF ALL PEOPLE, YOU'D UNDERSTAND THAT. 773 00:34:24,353 --> 00:34:26,985 WHO PAID YOU FOR THAT PASS? 774 00:34:26,985 --> 00:34:28,357 NAH. 775 00:34:28,357 --> 00:34:31,150 I'VE TOLD YOU EVERYTHING I KNOW. 776 00:34:31,150 --> 00:34:34,153 AND THAT'S ALL YOU'RE GONNA GET 'CAUSE... 777 00:34:34,153 --> 00:34:38,537 WE BOTH KNOW WHAT HAPPENS TO COPS IN PRISON. 778 00:34:38,537 --> 00:34:42,701 AND I AIN'T TURNING MYSELF IN. 779 00:34:42,701 --> 00:34:44,913 FRANK. 780 00:34:46,795 --> 00:34:49,208 FRANK! [ GUN COCKS ] 781 00:35:06,985 --> 00:35:09,188 RYAN, I'M SO SORRY. 782 00:35:09,188 --> 00:35:13,282 WELL, IT'S GONNA BE A LOT HARDER ON MY SISTER. 783 00:35:13,282 --> 00:35:14,903 [ SIGHS ] 784 00:35:14,903 --> 00:35:17,656 BUT AT LEAST FRANK ISN'T OUR SHOOTER. 785 00:35:17,656 --> 00:35:19,037 DOES HE KNOW WHO IS? 786 00:35:19,037 --> 00:35:21,580 NO, HE RECEIVED $5,000 IN AN ENVELOPE 787 00:35:21,580 --> 00:35:24,002 ALONG WITH AN ADDRESS OF WHERE TO LEAVE TO PRESS PASS. 788 00:35:24,002 --> 00:35:25,504 AND WHO PAID HIM? 789 00:35:25,504 --> 00:35:28,126 HE WAS CONTACTED BY AN OUTFIT CALLED MANHATTAN POLITICS. 790 00:35:28,126 --> 00:35:30,459 TURNS OUT IT'S A FRONT WITH A DEAD E-MAIL ADDRESS. 791 00:35:30,459 --> 00:35:33,172 SO, WHOEVER'S BEHIND THIS SET UP ERIC CHAMBERS 792 00:35:33,172 --> 00:35:34,173 AND USED FRANK TO DO IT. 793 00:35:34,173 --> 00:35:35,804 CAN WE TRACE THE MONEY? 794 00:35:35,804 --> 00:35:38,597 NO LUCK SO FAR. THOUGH THE BILLS ARE SEQUENTIAL. 795 00:35:38,597 --> 00:35:40,469 SO IT PROBABLY CAME FROM A BANK WITHDRAWAL. 796 00:35:40,469 --> 00:35:41,680 WHAT ABOUT THE ENVELOPE? 797 00:35:41,680 --> 00:35:43,602 CSU PULLED OFF A PARTIAL PRINT, 798 00:35:43,602 --> 00:35:45,604 BUT IT'S NOT ENOUGH TO RUN AGAINST THE DATABASE. 799 00:35:45,604 --> 00:35:47,856 MAYBE WE DON'T HAVE TO. 800 00:35:47,856 --> 00:35:49,648 WHAT DO YOU MEAN? 801 00:35:49,648 --> 00:35:52,231 WELL, GIVEN THE TEXTS WE FOUND ON CAROLYN DECKER'S PHONE, 802 00:35:52,231 --> 00:35:55,153 WE MAY ONLY HAVE TO CHECK ONE NAME. 803 00:35:55,153 --> 00:35:57,366 ALEX WILL BE DISCHARGED LATER TODAY, 804 00:35:57,366 --> 00:36:00,659 AND WE ARE SO GRATEFUL AND HUMBLED 805 00:36:00,659 --> 00:36:04,953 BY THE OUTPOURING OF SUPPORT FROM ALL OVER THE WORLD. 806 00:36:04,953 --> 00:36:07,336 BUT IT'S ALSO A TIME OF MOURNING 807 00:36:07,336 --> 00:36:11,049 FOR THE TRAGIC DEATH OF CAROLYN DECKER. 808 00:36:11,049 --> 00:36:15,003 MY HUSBAND WILL HONOR HER NAME BY CONTINUING TO FIGHT 809 00:36:15,003 --> 00:36:17,055 FOR THE PEOPLE OF THIS COUNTRY 810 00:36:17,055 --> 00:36:20,559 AND FOR THOSE WHO VOICES AREN'T ALWAYS HEARD. 811 00:36:20,559 --> 00:36:23,061 THANK YOU. 812 00:36:23,061 --> 00:36:26,014 EXCUSE ME. 813 00:36:26,014 --> 00:36:29,187 DETECTIVE BECKETT, MR. CASTLE, WHAT BRINGS YOU HERE? 814 00:36:29,187 --> 00:36:30,229 THIS. 815 00:36:30,229 --> 00:36:32,231 IT CONTAINED CASH USED TO BUY A PRESS PASS 816 00:36:32,231 --> 00:36:33,862 FOR ERIC CHAMBERS. 817 00:36:33,862 --> 00:36:36,275 A PRESS PASS? THAT'S HOW THE ASSASSIN GOT IN? 818 00:36:36,275 --> 00:36:37,696 Castle: WELL, YOU SHOULD KNOW. 819 00:36:37,696 --> 00:36:39,077 YOU'RE FINGERPRINT IS ON THE ENVELOPE. 820 00:36:39,077 --> 00:36:41,450 WHERE WERE YOU DURING THE SHOOTING MRS. LOPEZ? 821 00:36:41,450 --> 00:36:43,322 BECAUSE WE CAN'T ACCOUNT FOR YOU. 822 00:36:43,322 --> 00:36:48,086 YOU CAN'T BE SUGGESTING THAT I TRIED TO KILL MY HUSBAND. 823 00:36:48,086 --> 00:36:50,419 OH, NO. NO, NO, NOT AT ALL. 824 00:36:50,419 --> 00:36:53,041 WE'RE SUGGESTING YOU TRIED TO KILL CAROLYN DECKER 825 00:36:53,041 --> 00:36:54,092 AND SUCCEEDED. 826 00:36:54,092 --> 00:36:57,256 THAT'S RIDICULOUS AND DESPICABLE. 827 00:36:57,256 --> 00:37:00,509 THESE ARE TEXTS BETWEEN YOUR HUSBAND AND CAROLYN. 828 00:37:00,509 --> 00:37:03,302 GOING BACK THREE YEARS, WHEN THEIR AFFAIR FIRST STARTED. 829 00:37:03,302 --> 00:37:05,223 THAT'S MOTIVE FOR MURDER, MRS. LOPEZ. 830 00:37:05,223 --> 00:37:08,186 NOW, MAYBE IT WAS PURELY PERSONAL, 831 00:37:08,186 --> 00:37:09,438 OR MAYBE YOU SAW HER AS A LIABILITY 832 00:37:09,438 --> 00:37:11,229 TO YOUR HUSBAND'S CHANCES OF BECOMING PRESIDENT. 833 00:37:11,229 --> 00:37:13,852 EITHER WAY, CAROLYN DECKER HAD TO GO. 834 00:37:13,852 --> 00:37:17,065 BUT YOU HAD TO MAKE SURE THAT IT DIDN'T LEAD BACK TO YOU. 835 00:37:17,065 --> 00:37:18,817 SO, YOU CREATED A NARRATIVE 836 00:37:18,817 --> 00:37:21,239 WHERE MR. LOPEZ WAS BEING TARGETED BY AN ASSASSIN, 837 00:37:21,239 --> 00:37:23,742 AND ERIC CHAMBERS WAS THE PATSY. 838 00:37:23,742 --> 00:37:25,954 A PLAN WHICH HAPPENED TO RAISE YOUR HUSBAND'S PROFILE 839 00:37:25,954 --> 00:37:27,916 ON THE NATIONAL STAGE, AS WE JUST SAW. 840 00:37:27,916 --> 00:37:31,079 WELL DONE. YOU DON'T THINK I KNEW ABOUT THE AFFAIR? 841 00:37:31,079 --> 00:37:35,173 I UNDERSTOOD THE DEAL I WAS MAKING WHEN I MARRIED ALEX. 842 00:37:35,173 --> 00:37:37,336 AND FAR FROM A LIABILITY, 843 00:37:37,336 --> 00:37:40,178 CAROLYN WAS HIS BEHIND-THE-SCENES ADVISOR. 844 00:37:40,178 --> 00:37:42,381 SHE WAS A CONDUIT TO MAJOR DONORS 845 00:37:42,381 --> 00:37:45,223 WHO BACKED HIM -- WHERE WERE YOU DURING THE SHOOTING MRS. LOPEZ? 846 00:37:49,388 --> 00:37:53,812 ALEX AND I HAVE AN AGREEMENT. 847 00:37:53,812 --> 00:37:56,815 [ INHALES DEEPLY ] I WAS AT THE HOTEL. 848 00:37:56,815 --> 00:37:58,987 ROOM 717. 849 00:38:00,659 --> 00:38:06,365 I CAN GIVE YOU HER NAME IF IT'S ABSOLUTELY NECESSARY. 850 00:38:06,365 --> 00:38:07,746 IT WILL BE. 851 00:38:07,746 --> 00:38:10,409 BUT IT STILL DOESN'T EXPLAIN AWAY YOUR FINGERPRINT. 852 00:38:10,409 --> 00:38:14,122 THIS ENVELOPE IS FROM ALEX'S OFFICE. 853 00:38:14,122 --> 00:38:17,756 I KNOW THAT BECAUSE I ORDERED THE STATIONARY. 854 00:38:17,756 --> 00:38:19,418 I HELP OUT THERE SOMETIMES. 855 00:38:19,418 --> 00:38:21,009 I SEND LETTERS TO HIS CONSTITUENTS. 856 00:38:21,009 --> 00:38:23,221 I MUST HAVE TOUCHED IT AT SOME POINT. 857 00:38:23,221 --> 00:38:25,183 WHO ELSE HAS ACCESS TO HIS ENVELOPES? 858 00:38:29,057 --> 00:38:31,019 I'M AFRAID I DON'T UNDERSTAND. 859 00:38:31,019 --> 00:38:32,811 SO, YOU THINK THAT ONE OF MY PEOPLE PLAYED A PART IN THIS? 860 00:38:32,811 --> 00:38:36,605 WELL, THAT'S IMPOSSIBLE. I-I PERSONALLY VETTED EVERYONE. 861 00:38:36,605 --> 00:38:37,816 ONCE WE KNEW WHERE TO LOOK, 862 00:38:37,816 --> 00:38:39,608 WE MATCHED THE SERIAL NUMBERS FROM THOSE BILLS 863 00:38:39,608 --> 00:38:41,700 TO A WITHDRAWAL FROM YOUR BANK ACCOUNT. 864 00:38:41,700 --> 00:38:44,653 MY BANK? SPECIFICALLY, YOUR CAMPAIGN TRAVEL ACCOUNT. 865 00:38:44,653 --> 00:38:46,074 THAT CAN'T BE. 866 00:38:46,074 --> 00:38:48,076 I'M THE ONLY ONE AUTHORIZED TO ACCESS THE ACCOUNT -- 867 00:38:48,076 --> 00:38:49,157 JUST ME. 868 00:38:49,157 --> 00:38:52,210 AND MEGAN. Castle: WHO IS, ODDLY ENOUGH, 869 00:38:52,210 --> 00:38:54,122 WHO SHOWED UP ON THE BANK SECURITY VIDEO 870 00:38:54,122 --> 00:38:55,213 MAKING THE WITHDRAWAL. 871 00:38:55,213 --> 00:38:58,166 ALEX, THIS IS A MISTAKE. 872 00:38:58,166 --> 00:39:00,959 I WOULD NEVER DO THIS. I HAVE NO REASON TO. 873 00:39:00,959 --> 00:39:02,961 THAT'S NOT EXACTLY TRUE. 874 00:39:02,961 --> 00:39:05,173 WE LOOKED INTO CAROLYN'S TEXTS AGAIN. 875 00:39:05,173 --> 00:39:06,965 SHE HAD MISGIVINGS ABOUT YOU. 876 00:39:06,965 --> 00:39:08,967 CAROLYN BELIEVED THAT YOU COULD MAKE IT 877 00:39:08,967 --> 00:39:12,180 ALL THE WAY TO THE PRESIDENCY WITH THE RIGHT TEAM IN PLACE, 878 00:39:12,180 --> 00:39:13,682 BUT SHE DIDN'T THINK THAT MEGAN BELONGED ON THAT TEAM. 879 00:39:13,682 --> 00:39:16,184 Castle: THE THOUGHT OF BEING CAST ASIDE 880 00:39:16,184 --> 00:39:18,356 WAS MORE THAN YOU COULD BEAR. SO YOU CAME UP WITH A PLAN 881 00:39:18,356 --> 00:39:19,778 THAT WOULD ELIMINATE YOUR PROBLEM 882 00:39:19,778 --> 00:39:21,570 AND WIN YOUR BOSS THE SYMPATHY OF A NATION -- 883 00:39:21,570 --> 00:39:22,981 TWO BIRDS WITH ONE STONE. 884 00:39:22,981 --> 00:39:24,242 Beckett: WE GOT A SEARCH WARRANT 885 00:39:24,242 --> 00:39:25,864 TO LOOK INTO YOUR APARTMENT, MEGAN. 886 00:39:25,864 --> 00:39:27,746 THE COAT THAT YOU WERE WEARING 887 00:39:27,746 --> 00:39:29,948 TESTED POSITIVE FOR GUNSHOT RESIDUE. 888 00:39:29,948 --> 00:39:33,912 YOU KILLED CAROLYN. 889 00:39:33,912 --> 00:39:37,085 MEGAN, HOW -- HOW COULD YOU DO THAT? 890 00:39:37,085 --> 00:39:38,667 HOW COULD I? 891 00:39:40,338 --> 00:39:42,090 HOW COULD YOU? 892 00:39:42,090 --> 00:39:44,763 WHEN YOU STARTED AT CITY COUNCIL, 893 00:39:44,763 --> 00:39:46,264 I WAS PUTTING SIGNS ON PEOPLE'S LAWNS, 894 00:39:46,264 --> 00:39:49,217 I WAS PASSING OUT PAMPHLETS IN THE FREEZING COLD. 895 00:39:49,217 --> 00:39:52,140 I WRITE YOUR SPEECHES. I CRAFT YOUR BILLS. 896 00:39:52,140 --> 00:39:54,102 I HAVE INVESTED MY ENTIRE LIFE IN YOU, 897 00:39:54,102 --> 00:39:57,145 IN DOING WHATEVER IT IS YOU NEED ME TO DO. 898 00:39:57,145 --> 00:40:00,148 AND I'VE DONE IT WELL. 899 00:40:00,148 --> 00:40:02,320 THAT SHOULD COUNT FOR SOMETHING. 900 00:40:02,320 --> 00:40:04,112 MEGAN BROOKS, YOU'RE UNDER ARREST 901 00:40:04,112 --> 00:40:05,233 FOR THE MURDER OF CAROLYN DECKER. 902 00:40:05,233 --> 00:40:08,156 [ HANDCUFFS CLICK ] 903 00:40:08,156 --> 00:40:11,790 Beckett: BACKSTABBING, ADULTERY, AND BETRAYAL -- 904 00:40:11,790 --> 00:40:14,162 THAT IS WHY I HATE POLITICS. 905 00:40:14,162 --> 00:40:16,665 REPRESENTATIVES OF THE PEOPLE SHOULD BE HONORABLE. 906 00:40:16,665 --> 00:40:18,126 THEY SHOULD BE TRUSTWORTHY. 907 00:40:18,126 --> 00:40:19,458 WELL, I'M SURE SOME OF THEM ARE, 908 00:40:19,458 --> 00:40:21,039 BUT WASHINGTON COULD PROBABLY USE 909 00:40:21,039 --> 00:40:24,753 A FEW MORE PEOPLE THAT THINK THE WAY YOU DO. 910 00:40:24,753 --> 00:40:26,845 WHAT'S THIS? 911 00:40:27,886 --> 00:40:30,098 OH, STUDY MATERIALS. 912 00:40:30,098 --> 00:40:31,680 FOR THE CAPTAIN'S EXAM. 913 00:40:31,680 --> 00:40:34,182 SO YOU'RE GONNA GO FOR IT? WELL, IT'S THE NEXT STEP. 914 00:40:34,182 --> 00:40:35,764 I'M NOT SURE IF IT'S THE RIGHT ONE YET, 915 00:40:35,764 --> 00:40:37,936 BUT I FIGURED I'D TAKE THE TEST, SEE HOW I DO. 916 00:40:37,936 --> 00:40:39,317 AND IF YOU DO WELL? 917 00:40:39,317 --> 00:40:41,319 THEN MAYBE THAT'LL MAKE MY DECISION FOR ME. 918 00:40:41,319 --> 00:40:42,981 YOU READY TO GO HOME? YEAH. 919 00:40:47,445 --> 00:40:50,659 [ SIGHS ] WHAT AM I GONNA TELL HER? 920 00:40:50,659 --> 00:40:54,162 THE ONLY THING YOU CAN -- THE TRUTH. 921 00:40:54,162 --> 00:40:55,413 I MESSED EVERYTHING UP. 922 00:40:55,413 --> 00:40:57,576 EVEN WITH A PLEA DEAL, I'M GOING TO JAIL. 923 00:40:57,576 --> 00:40:59,788 NO, YOU DON'T KNOW THAT. 924 00:40:59,788 --> 00:41:01,459 [ SIGHING ] 925 00:41:03,632 --> 00:41:06,384 GWEN'S GONNA HATE ME... 926 00:41:06,384 --> 00:41:09,758 FOR LYING... 927 00:41:09,758 --> 00:41:12,220 AND FOR NOT BEING THE MAN I SAID I WAS. 928 00:41:12,220 --> 00:41:17,095 SHE'S STRONG, FRANK. STRONGER THAN YOU THINK. 929 00:41:21,770 --> 00:41:25,153 I DON'T KNOW IF I SHOULD KNOCK OR JUST OPEN THE DOOR. 930 00:41:32,741 --> 00:41:35,534 I'M SORRY, GWENNIE. 931 00:41:35,534 --> 00:41:38,537 [ Voice breaking ] I'M SO SORRY. 932 00:41:38,537 --> 00:41:42,120 [ SIGHS ] WE'LL GET THROUGH IT, BABY. 933 00:41:42,120 --> 00:41:44,332 WE'LL FIGURE IT OUT. 934 00:41:54,633 --> 00:41:57,636 [ DOOR CLOSES ]