1
00:00:01,462 --> 00:00:02,463
PREVIOUSLY ON "CASTLE"...

2
00:00:02,463 --> 00:00:03,464
I CAN'T PROVE IT,
BUT MY GUT SAYS

3
00:00:03,464 --> 00:00:05,005
THIS IS
KELLY NIEMAN'S WORK.

4
00:00:05,005 --> 00:00:07,298
Beckett:
LAST TIME, SHE GOT AWAY WITH IT
BECAUSE SHE HAD AN ACCOMPLICE.

5
00:00:07,298 --> 00:00:09,630
OH, MY GOD.
THAT'S JERRY TYSON.

6
00:00:09,630 --> 00:00:11,892
3XK -- HE'S ALIVE.

7
00:00:11,892 --> 00:00:14,055
NIEMAN AND TYSON
ARE IN THIS TOGETHER.

8
00:00:14,055 --> 00:00:16,397
EXCEPT JERRY TYSON IS DEAD.
THEREFORE, THAT CAN'T BE HIM.

9
00:00:16,397 --> 00:00:17,848
I'M MICHAEL BOUDREAU.

10
00:00:17,848 --> 00:00:20,691
YOU HAD COSMETIC SURGERY
TO LOOK LIKE A SERIAL KILLER.

11
00:00:20,691 --> 00:00:22,983
SO HERE WE ARE, NOT BEING ABLE
TO PROVE THAT TYSON IS TYSON

12
00:00:22,983 --> 00:00:24,985
BECAUSE WE DON'T HAVE
HIS DNA SAMPLE THAT HE STOLE.

13
00:00:24,985 --> 00:00:27,027
Ryan: TYSON'S LATEST GIRLFRIEND,
AMY BARRETT.

14
00:00:27,027 --> 00:00:29,070
QUESTION IS, WHERE IS SHE NOW?
WHAT DID TYSON DO TO HER?

15
00:00:29,070 --> 00:00:29,990
[ CELLPHONE RINGS ]
BECKETT.

16
00:00:29,990 --> 00:00:31,532
IT'S AMY BARRETT.
I'M AFRAID.

17
00:00:31,532 --> 00:00:34,034
DON'T MOVE.
I'LL BE THERE, OKAY?

18
00:00:34,034 --> 00:00:37,037
Gates:
UNLESS WE CAN SHOW THAT HE'S
TYSON, WE HAVE TO RELEASE HIM.

19
00:00:37,037 --> 00:00:38,499
Castle: HE WANTED TO BE HERE,
AND SO DID SHE.

20
00:00:38,499 --> 00:00:39,420
Esposito: WHY?

21
00:00:39,920 --> 00:00:41,082
AAH!

22
00:00:41,082 --> 00:00:42,253
BECKETT.

23
00:00:42,253 --> 00:00:43,544
VOICE: [ Distorted ]
It's done.

24
00:00:45,166 --> 00:00:47,218
[ SIRENS WAIL, TIRES SCREECH ]

25
00:00:47,218 --> 00:00:49,009
YOU SURE THIS IS WHERE
SHE SAID SHE WAS GOING?

26
00:00:49,009 --> 00:00:50,671
YEAH, YEAH --
9th AND JANE.

27
00:00:50,671 --> 00:00:53,844
Ryan:
TORY SAID SHE STILL CAN'T GET
A TRACE ON BECKETT'S PHONE.

28
00:00:53,844 --> 00:00:56,307
SAYS IT'S EITHER BEEN
TURNED OFF OR DISABLED.

29
00:00:58,849 --> 00:01:01,102
THERE.
THERE'S HER CAR.

30
00:01:08,109 --> 00:01:09,190
"HELP HER!"

31
00:01:11,782 --> 00:01:13,614
THEY WANT US TO KNOW
THEY HAVE HER.

32
00:01:13,614 --> 00:01:15,156
ALL RIGHT,
LET'S GET CSU DOWN HERE!

33
00:01:15,156 --> 00:01:18,119
Esposito:
CALL IN A 10-45! I WANT
EVERY AVAILABLE UNIT CANVASSING!

34
00:01:18,119 --> 00:01:19,200
ASK EVERYONE QUESTIONS!

35
00:01:19,200 --> 00:01:20,701
SOMEBODY HAD TO HAVE SEEN HER!
LET'S GO!

36
00:01:20,701 --> 00:01:21,962
WE'RE GONNA DIG INTO

37
00:01:21,962 --> 00:01:23,464
ALL THE SECURITY AND TRAFFIC
CAMS IN THE AREA --

38
00:01:23,464 --> 00:01:26,006
ANY ATMs, BUSINESSES, ANYTHING
WITH EYES ON THE STREETS.

39
00:01:26,006 --> 00:01:27,418
GO, GO, GO!

40
00:01:27,418 --> 00:01:28,759
CASTLE?

41
00:01:28,759 --> 00:01:30,010
IT'S HIM.

42
00:01:30,010 --> 00:01:31,712
BOUDREAU, TYSON,
WHATEVER HE'S CALLING HIMSELF --

43
00:01:31,712 --> 00:01:33,053
IT'S HIM, AND IT'S NIEMAN.

44
00:01:33,053 --> 00:01:34,595
BUT THEY WERE
IN THE PRECINCT WITH US.

45
00:01:34,595 --> 00:01:36,056
GIVING THEM
THE PERFECT ALIBI.

46
00:01:36,056 --> 00:01:39,019
MEANWHILE, THEY USE AMY BARRETT
AS BAIT TO DRAW BECKETT OUT.

47
00:01:39,019 --> 00:01:40,181
YOU THINK BARRETT
WAS INVOLVED WITH THIS?

48
00:01:40,181 --> 00:01:41,222
OR SHE'S A VICTIM, TOO.

49
00:01:41,222 --> 00:01:45,025
WE NEED TO FIND NIEMAN,
AND WE NEED TO FIND BOUDREAU.

50
00:01:45,025 --> 00:01:47,107
[ POUNDING ON DOOR ]

51
00:01:47,107 --> 00:01:49,109
Ryan:
MR. BOUDREAU, OPEN UP!

52
00:01:49,990 --> 00:01:51,532
MR. BOUDREAU,
SHORTLY AFTER LEAVING

53
00:01:51,532 --> 00:01:52,993
TO MEET WITH YOUR FRIEND
AMY BARRETT,

54
00:01:52,993 --> 00:01:54,615
ONE OF OUR DETECTIVES
WENT MISSING.

55
00:01:54,615 --> 00:01:55,736
SO?

56
00:01:55,736 --> 00:01:57,618
SO, WHERE IS SHE?
I DON'T KNOW.

57
00:01:57,618 --> 00:02:00,241
I'VE BEEN IN POLICE CUSTODY
UNTIL AN HOUR AGO.

58
00:02:00,241 --> 00:02:01,872
GIVING YOU
THE PERFECT ALIBI.

59
00:02:01,872 --> 00:02:04,004
MAYBE I HAVE AN ALIBI 'CAUSE
I DIDN'T DO ANYTHING WRONG.

60
00:02:05,085 --> 00:02:08,048
THEN WHY DON'T YOU
LET US IN?

61
00:02:13,013 --> 00:02:14,555
FINE.

62
00:02:16,177 --> 00:02:18,219
BECKETT?

63
00:02:18,219 --> 00:02:19,019
BECKETT?!

64
00:02:19,019 --> 00:02:22,062
COME ON, MAN. NOBODY'S HERE.
IT'S JUST ME.

65
00:02:22,062 --> 00:02:23,814
WHAT'D YOU DO TO HER?
HUH, TYSON?

66
00:02:23,814 --> 00:02:25,025
WHERE ARE YOU
KEEPING HER?

67
00:02:25,025 --> 00:02:27,107
I'M NOT KEEPING HER ANYWHERE,
AND I'M NOT JERRY TYSON.

68
00:02:27,107 --> 00:02:29,069
NO, NO! COME ON!
YOU CAN'T DO THIS.

69
00:02:29,069 --> 00:02:31,192
YOU CAN'T JUST COME IN HERE
THREATENING ME.
I KNOW IT'S YOU!

70
00:02:31,192 --> 00:02:32,403
I KNOW IT'S YOU.

71
00:02:32,403 --> 00:02:33,574
[ DOOR SLAMS ]

72
00:02:33,574 --> 00:02:36,537
YOU'RE NOT HELPING HER --
NOT LIKE THAT.

73
00:02:36,537 --> 00:02:38,449
SO WHAT?
WE JUST LET HIM KILL HER?
NO.

74
00:02:38,449 --> 00:02:39,990
BUT, CASTLE,
WE CAN'T DO ANYTHING

75
00:02:39,990 --> 00:02:41,242
IF WE DON'T HAVE ANYTHING.

76
00:02:41,242 --> 00:02:44,665
IT'S HIM, KEVIN.
IT'S TYSON.

77
00:02:44,665 --> 00:02:46,667
WE NEED TO PROVE IT.

78
00:02:46,667 --> 00:02:49,290
WE'LL PUT UNITS ON HIM,
PUT HIM UNDER THE MICROSCOPE.

79
00:02:49,290 --> 00:02:50,751
IF IT'S HIM,

80
00:02:50,751 --> 00:02:54,134
HE WON'T BE ABLE TO MAKE A MOVE
WITHOUT US KNOWING IT.

81
00:02:54,134 --> 00:02:55,926
WE'LL FIND HER.

82
00:02:59,059 --> 00:03:00,140
[ SIGHS ]

83
00:03:00,140 --> 00:03:02,102
[ POLICE RADIO CHATTER ]

84
00:03:02,102 --> 00:03:05,145
[ SCOFFS ]
OKAY, LOOK ALL YOU WANT,
DETECTIVE ESPOSITO,

85
00:03:05,145 --> 00:03:07,358
SHE'S NOT HERE,
AND I HAVE NO IDEA WHERE SHE IS.

86
00:03:07,358 --> 00:03:09,069
WHAT ABOUT YOUR CLIENT
AMY BARRETT?

87
00:03:09,069 --> 00:03:11,151
MY OFFICE GAVE YOU
OUR INFORMATION ON AMY BARRETT.

88
00:03:11,151 --> 00:03:13,364
I CAN'T HELP IT IF HER CONTACT
INFORMATION IS OUT OF DATE.

89
00:03:13,364 --> 00:03:15,696
YEAH, I BET YOU CAN'T --
JUST LIKE YOU HAVE
NOTHING TO DO WITH

90
00:03:15,696 --> 00:03:17,117
DETECTIVE BECKETT'S
DISAPPEARANCE.

91
00:03:17,117 --> 00:03:19,700
YOU SEEM TO THINK
THAT I'M SOMETHING THAT I'M NOT.

92
00:03:19,700 --> 00:03:23,534
AND HOW COULD I BE INVOLVED?
I WAS WITH YOU AT THE TIME.

93
00:03:24,535 --> 00:03:26,126
Ryan: I GOT A UNIT
ON BOUDREAU'S PLACE

94
00:03:26,126 --> 00:03:27,458
AND A FOLLOW CAR
STANDING BY.

95
00:03:27,458 --> 00:03:29,750
ESPO, PUT UNITS ON NIEMAN,
AS WELL.

96
00:03:29,750 --> 00:03:31,171
ANYTHING
ON THE CANVASS?

97
00:03:31,171 --> 00:03:33,384
WE'VE PULLED OFFICERS FROM THE
3rd AND 8th PRECINCTS TO HELP.

98
00:03:33,384 --> 00:03:35,175
IF THERE'S A WITNESS OUT THERE,
WE'LL FIND THEM.

99
00:03:35,175 --> 00:03:36,136
HOW ABOUT VIDEO?

100
00:03:36,136 --> 00:03:37,928
THE IMMEDIATE AREA
WHERE YOU FOUND HER CAR

101
00:03:37,928 --> 00:03:39,680
DIDN'T HAVE ANY STREET-CAM
OR SECURITY COVERAGE.

102
00:03:39,680 --> 00:03:41,342
MAKING IT THE PERFECT PLACE
FOR AN ABDUCTION.

103
00:03:41,342 --> 00:03:43,434
I HAVE TEAMS FROM FOUR PRECINCTS
PULLING ALL VIDEO

104
00:03:43,434 --> 00:03:45,556
IN A 10-BLOCK RADIUS
FROM WHERE BECKETT WAS TAKEN.

105
00:03:45,556 --> 00:03:46,767
IT'S A LONG SHOT,
BUT --

106
00:03:46,767 --> 00:03:47,808
WHAT ABOUT AMY BARRETT --

107
00:03:47,808 --> 00:03:49,189
THE PHONE CALL
SHE MADE TO BECKETT?

108
00:03:49,189 --> 00:03:50,401
CAN WE TRACE THAT?

109
00:03:50,401 --> 00:03:52,192
WE DID -- TO A CELLPHONE.
IT'S NO LONGER ACTIVE.

110
00:03:52,192 --> 00:03:54,114
BUT WE'VE GOT AMY'S PICTURE OUT
TO EVERY COP

111
00:03:54,114 --> 00:03:55,946
AND EVERY TRANSIT WORKER
IN THE CITY.

112
00:03:55,946 --> 00:03:57,858
AMY'S NOT GONNA BE IN PUBLIC --
NOT IF SHE'S WORKING WITH TYSON.

113
00:03:57,858 --> 00:04:01,241
Gates: AND WE'RE ASSUMING
BOUDREAU IS TYSON.

114
00:04:01,241 --> 00:04:06,827
BUT WHAT IF MIKE BOUDREAU
IS REALLY MIKE BOUDREAU?

115
00:04:06,827 --> 00:04:09,169
WHAT IF NIEMAN ACTUALLY CUT HIM
TO LOOK LIKE TYSON

116
00:04:09,169 --> 00:04:11,081
JUST TO GIVE US
SOMEONE TO CHASE?

117
00:04:11,081 --> 00:04:16,216
WHAT IF THE REAL JERRY TYSON
IS STILL OUT THERE?

118
00:04:16,216 --> 00:04:17,798
NO.

119
00:04:17,798 --> 00:04:19,470
HE'S JUST MESSING
WITH OUR HEADS.

120
00:04:19,470 --> 00:04:21,472
BOUDREAU IS TYSON.

121
00:04:21,472 --> 00:04:23,884
IT DOESN'T MAKE
ANY SENSE.

122
00:04:23,884 --> 00:04:25,886
WHY WOULD HE LET HIMSELF
GET ARRESTED?

123
00:04:25,886 --> 00:04:28,228
WHY WOULD HE RISK
RETURNING TO HIS APARTMENT?

124
00:04:30,230 --> 00:04:31,812
IT'S PART OF THE THRILL.

125
00:04:33,604 --> 00:04:37,488
TO BE HERE --
A-AMONG US, WITHIN OUR GRASP.

126
00:04:37,488 --> 00:04:41,492
HE WANTS TO SEE HOW CLOSE
HE CAN GET TO THE FLAME.

127
00:04:41,492 --> 00:04:43,404
THAT'S WHAT EXCITES HIM.

128
00:04:43,404 --> 00:04:46,206
IT'S NOT JUST THE MURDER
HE LIKES -- IT'S THE GAME.

129
00:04:46,206 --> 00:04:48,669
WE HAD HIM,
AND WE LET OUR GUARD DOWN.

130
00:04:48,669 --> 00:04:50,331
THAT WAS HIS PLAN.

131
00:04:50,331 --> 00:04:51,672
[ CELLPHONE VIBRATES ]

132
00:04:51,672 --> 00:04:52,963
[ CELLPHONE BEEPS ]
HELLO?

133
00:04:52,963 --> 00:04:54,375
BECKETT:
Castle, can you hear me?

134
00:04:54,375 --> 00:04:55,676
BECKETT!

135
00:04:55,676 --> 00:04:57,217
Please, Castle,
I need your help.

136
00:04:57,217 --> 00:04:58,218
WHERE ARE YOU?

137
00:04:58,218 --> 00:04:59,129
Oh, God.

138
00:04:59,129 --> 00:05:00,881
Castle, please!

139
00:05:00,881 --> 00:05:01,922
You have to help me!

140
00:05:01,922 --> 00:05:03,724
Castle!! Help me!!

141
00:05:12,022 --> 00:05:13,063
WHAT WAS THE NUMBER?

142
00:05:13,063 --> 00:05:14,024
212-555-0147.

143
00:05:14,024 --> 00:05:15,195
[ COMPUTER BEEPING ]

144
00:05:15,195 --> 00:05:16,697
Ryan: HOW LONG TO TRACE?
DON'T KNOW.

145
00:05:16,697 --> 00:05:18,278
IT SOUNDED LIKE
SHE WAS, UH, STRUGGLING.

146
00:05:18,278 --> 00:05:20,150
SHE WAS TRYING TO GET
AWAY FROM SOMEONE.
SHE COULD STILL BE THERE.

147
00:05:20,150 --> 00:05:21,321
[ COMPUTER BEEPS ]

148
00:05:21,321 --> 00:05:23,073
IT'S A PAYPHONE --
OPERATED BY CENTI-COM.

149
00:05:23,073 --> 00:05:24,705
Ryan: WHERE?
TRACING IT NOW.

150
00:05:28,829 --> 00:05:30,160
COME ON, COME ON.

151
00:05:31,502 --> 00:05:32,913
GOT IT.

152
00:05:32,913 --> 00:05:34,835
UPPER WEST SIDE -- PARKING LOT
BY THE WEST SIDE HIGHWAY.

153
00:05:34,835 --> 00:05:37,087
[ ENGINE REVS, TIRES SQUEAL ]

154
00:05:37,087 --> 00:05:39,049
[ SIRENS CHIRP, WAIL ]

155
00:05:42,342 --> 00:05:45,135
Esposito: FAN OUT.
SECURE THE AREA.

156
00:05:48,969 --> 00:05:49,930
THERE'S SOMETHING HERE.

157
00:05:51,602 --> 00:05:53,103
LOOK AT THAT.
YEAH.

158
00:05:54,354 --> 00:05:56,106
CAREFUL. EASY.

159
00:05:56,106 --> 00:05:57,398
MIGHT BE RIGGED.

160
00:06:12,793 --> 00:06:13,874
[ SCOFFS ]

161
00:06:13,874 --> 00:06:15,165
IT'S A VOICE RECORDER.

162
00:06:15,165 --> 00:06:16,166
[ Beeping ]

163
00:06:16,166 --> 00:06:17,918
Beckett:
CASTLE, CAN YOU HEAR ME?

164
00:06:17,918 --> 00:06:19,920
PLEASE, CASTLE,
I NEED YOUR HELP.

165
00:06:19,920 --> 00:06:20,921
OH, GOD.

166
00:06:20,921 --> 00:06:23,173
CASTLE, PLEASE!

167
00:06:23,173 --> 00:06:24,425
YOU HAVE TO HELP ME!

168
00:06:24,425 --> 00:06:27,217
CASTLE!! HELP ME!!

169
00:06:27,217 --> 00:06:28,509
SHE WAS NEVER HERE.

170
00:06:28,509 --> 00:06:29,810
HE'S PLAYING US.

171
00:06:29,810 --> 00:06:31,181
HE'S PROBABLY WATCHING US
RIGHT NOW.

172
00:06:31,181 --> 00:06:32,473
I NEED A CHOPPER!

173
00:06:32,473 --> 00:06:34,725
I NEED SEARCH TEAMS
ON EVERY ROOF! LET'S GO!

174
00:06:35,856 --> 00:06:37,187
I DON'T UNDERSTAND.

175
00:06:37,187 --> 00:06:39,780
IF THIS IS A RECORDING, WHEN DID
THEY GET HER TO SAY THIS?

176
00:06:39,780 --> 00:06:41,862
THEY DIDN'T --
THE RECORDING WAS MANUFACTURED,

177
00:06:41,862 --> 00:06:43,784
DIGITALLY SPLICED
FROM WHAT APPEAR TO BE

178
00:06:43,784 --> 00:06:45,075
SEVERAL DIFFERENT SOURCES.
WHAT SOURCES?

179
00:06:45,075 --> 00:06:46,196
THIS, FOR ONE.

180
00:06:46,196 --> 00:06:47,618
IT'S AN INTERVIEW
BECKETT GAVE

181
00:06:47,618 --> 00:06:49,830
TO THE LOCAL NEWS
JUST AFTER YOU DISAPPEARED.

182
00:06:49,830 --> 00:06:52,122
Beckett: PLEASE,
IF YOU HAVE ANY INFORMATION

183
00:06:52,122 --> 00:06:54,414
OR KNOW ANYTHING
ABOUT THE DISAPPEARANCE

184
00:06:54,414 --> 00:06:57,037
OF RICHARD CASTLE,
I NEED YOUR HELP.

185
00:06:57,037 --> 00:06:58,629
AND HERE'S
THE RECORDING.

186
00:06:58,629 --> 00:07:00,040
CASTLE, CAN YOU HEAR ME?

187
00:07:00,040 --> 00:07:03,003
PLEASE, CASTLE,
I NEED YOUR HELP.

188
00:07:03,003 --> 00:07:05,045
GIVEN THE BACKGROUND NOISE
ON SOME OF THESE OTHER WORDS,

189
00:07:05,045 --> 00:07:07,548
I'M GUESSING PARTS OF THIS
WERE RECORDED IN PUBLIC

190
00:07:07,548 --> 00:07:09,389
USING A PARABOLIC MIKE
ON THE STREET,

191
00:07:09,389 --> 00:07:10,721
MAYBE EVEN
AT CRIME SCENES.

192
00:07:10,721 --> 00:07:13,223
THIS WAS PLANNED. THEY'VE BEEN
PREPARING THIS FOR MONTHS.

193
00:07:13,223 --> 00:07:14,475
LOOKS THAT WAY.

194
00:07:14,475 --> 00:07:15,646
THIS WAS
ABOUT BECKETT.

195
00:07:15,646 --> 00:07:17,357
NO.

196
00:07:17,357 --> 00:07:19,900
THAT INTERVIEW,
THAT WAS MEANT AS A --

197
00:07:19,900 --> 00:07:21,111
AS A MESSAGE TO ME.

198
00:07:21,111 --> 00:07:23,774
HE WANTS ME TO SUFFER.

199
00:07:23,774 --> 00:07:24,775
WHY?

200
00:07:25,906 --> 00:07:28,448
WHY IS TYSON
FIXATED ON YOU?

201
00:07:28,448 --> 00:07:31,532
IF HE'S DIRECTING THIS AT YOU,
HE MAY TRY TO COMMUNICATE.

202
00:07:31,532 --> 00:07:34,074
WE SHOULD PUT A TAP AND A TRACE
ON ALL YOUR PHONES.

203
00:07:34,074 --> 00:07:35,285
Tori: I'LL SET IT UP.

204
00:07:35,285 --> 00:07:37,668
CAPTAIN,
HE'S ALREADY COMMUNICATING.

205
00:07:37,668 --> 00:07:39,670
HE'S OUT THERE,
SITTING IN BOUDREAU'S APARTMENT.

206
00:07:39,670 --> 00:07:40,961
AND HE KNOWS
WHERE SHE IS.

207
00:07:40,961 --> 00:07:43,043
AND WE CAN'T TOUCH HIM
UNTIL WE HAVE PROOF.

208
00:07:43,043 --> 00:07:45,005
BY THEN, SHE'LL BE DEAD!

209
00:07:45,005 --> 00:07:47,638
PLEASE, CAPTAIN. THIS IS --
SHE'S MY WIFE.

210
00:07:47,638 --> 00:07:50,470
MR. CASTLE, I KNOW
YOU'RE HURTING. WE ALL ARE.

211
00:07:50,470 --> 00:07:52,222
BUT WE HAVE TO KEEP OUR WITS
ABOUT US.

212
00:07:52,222 --> 00:07:54,054
WE HAVE TO WORK
THE EVIDENCE.

213
00:07:54,054 --> 00:07:56,146
IT'S THE ONLY WAY
WE CAN GET HER BACK.

214
00:07:56,146 --> 00:07:57,187
Esposito: CAPTAIN.

215
00:07:57,187 --> 00:07:58,769
THE CANVASS
AT THE ABDUCTION SITE

216
00:07:58,769 --> 00:08:00,521
FOUND A WITNESS
WHO SAID THAT SHE SAW SOMEONE

217
00:08:00,521 --> 00:08:02,102
MATCHING
BECKETT'S DESCRIPTION.

218
00:08:02,102 --> 00:08:04,655
SAID SHE WAS IN A WHEELCHAIR
BEING PUSHED TOWARDS A RED VAN,

219
00:08:04,655 --> 00:08:08,198
AND, UH, THE WITNESS ALSO SAID
SHE APPEARED UNCONSCIOUS.

220
00:08:08,198 --> 00:08:09,700
SHE MUST'VE BEEN DRUGGED.

221
00:08:09,700 --> 00:08:11,161
DID THEY SEE
WHO WAS WITH HER?

222
00:08:11,161 --> 00:08:13,373
NO. THE PERSON PUSHING THE
WHEELCHAIR WAS WEARING A HOODIE.

223
00:08:13,373 --> 00:08:14,995
WELL, WHAT ABOUT
A LICENSE PLATE?

224
00:08:14,995 --> 00:08:16,326
NO.

225
00:08:16,326 --> 00:08:17,457
BUT THAT'S A START.

226
00:08:17,457 --> 00:08:20,120
GET TEAMS SCRUBBING
ALL STREET-CAM FOOTAGE

227
00:08:20,120 --> 00:08:21,041
FROM BLOCKS NEARBY.

228
00:08:21,041 --> 00:08:22,082
FIND THAT VAN.

229
00:08:22,082 --> 00:08:25,085
WE ARE GONNA
GET HER BACK.

230
00:09:07,838 --> 00:09:09,299
[ KNOCK ON DOOR ]

231
00:09:11,091 --> 00:09:13,473
NO. NO, NO, NO, NO.
I TOLD YOU THAT I'M NOT --

232
00:09:15,175 --> 00:09:16,727
OH, GOD!

233
00:09:16,727 --> 00:09:19,059
[ GROANING ]

234
00:09:25,606 --> 00:09:26,857
Tori: GUYS!

235
00:09:26,857 --> 00:09:28,819
THIS IS FROM A TRAFFIC CAMERA
TWO BLOCKS AWAY

236
00:09:28,819 --> 00:09:30,110
FROM WHERE
BECKETT WAS TAKEN.

237
00:09:30,110 --> 00:09:31,451
Esposito:
THAT'S A RED VAN.

238
00:09:31,451 --> 00:09:32,993
HEADING AWAY
FROM THE ABDUCTION AREA.

239
00:09:32,993 --> 00:09:34,074
YOU RUN THE PLATE?

240
00:09:34,074 --> 00:09:35,195
BELONGS TO A PLUMBER
IN QUEENS.

241
00:09:35,195 --> 00:09:37,037
HE REPORTED IT STOLEN
THREE DAYS AGO.

242
00:09:37,037 --> 00:09:38,038
THAT'S GOT TO BE IT.

243
00:09:38,038 --> 00:09:39,079
ALL RIGHT.
I'LL RUN AN APB.

244
00:09:39,079 --> 00:09:40,410
MAKE SURE
YOU LET CASTLE KNOW.

245
00:09:40,410 --> 00:09:41,792
YEAH,
WHERE IS CASTLE?

246
00:09:41,792 --> 00:09:43,203
[ GROANS ]
WHERE IS SHE?

247
00:09:43,203 --> 00:09:44,755
GET OUT OF HERE.

248
00:09:44,755 --> 00:09:46,206
IS SHE ALIVE?

249
00:09:46,206 --> 00:09:47,668
HELP! I NEED HELP!

250
00:09:47,668 --> 00:09:49,049
GET OFF ME!
GET OFF ME!

251
00:09:51,802 --> 00:09:52,923
WHERE IS SHE?!

252
00:09:52,923 --> 00:09:55,555
I TOLD YOU!
I DON'T KNOW!
HUH?!

253
00:09:55,555 --> 00:09:58,348
WHY'D YOU DO IT, TYSON?
FOR REVENGE?

254
00:09:58,348 --> 00:10:00,270
BECAUSE WE WERE HAPPY?

255
00:10:00,270 --> 00:10:02,182
YOU HAVE GOT
THE WRONG GUY.

256
00:10:02,182 --> 00:10:04,604
THE HELL I DO.

257
00:10:04,604 --> 00:10:06,106
WHERE IS SHE?
I DON'T KNOW!

258
00:10:06,106 --> 00:10:07,067
[ GRUNTS ]

259
00:10:10,110 --> 00:10:11,031
[ GROANS ]

260
00:10:11,031 --> 00:10:13,073
YOU PLANNED THIS.

261
00:10:13,073 --> 00:10:15,155
YOU AND NIEMAN.

262
00:10:15,155 --> 00:10:16,496
BUT IT ENDS TONIGHT.

263
00:10:17,287 --> 00:10:19,039
GO TO HELL.

264
00:10:21,792 --> 00:10:24,164
[ BREATHING SHAKILY ]

265
00:10:24,164 --> 00:10:26,006
WHERE IS SHE?
HEY.

266
00:10:26,006 --> 00:10:27,087
NO.

267
00:10:27,087 --> 00:10:28,669
HEY, HEY, M-MAN.

268
00:10:28,669 --> 00:10:29,880
NO, NO, NO, NO,
WAIT A MINUTE.

269
00:10:29,880 --> 00:10:32,052
TELL ME WHERE SHE IS, TYSON,
OR SO HELP ME, GOD...

270
00:10:32,052 --> 00:10:33,383
I DON'T KNOW.

271
00:10:33,383 --> 00:10:35,806
AND I'M NOT TYSON.

272
00:10:35,806 --> 00:10:38,598
HE JUST WANTS YOU
TO THINK I AM.

273
00:10:38,598 --> 00:10:40,100
WHERE IS SHE?
BUT I DIDN'T DO THIS.

274
00:10:40,100 --> 00:10:42,022
I DIDN'T DO ANY OF THIS.
WHERE IS SHE?

275
00:10:42,022 --> 00:10:45,185
I-I'M NOT HIM!

276
00:10:45,185 --> 00:10:48,108
DR. NIEMAN JUST MADE ME
LOOK LIKE HIM, BUT I'M NOT HIM.

277
00:10:48,108 --> 00:10:50,070
WHERE IS SHE?

278
00:10:50,070 --> 00:10:53,073
MY NAME IS MICHAEL BOUDREAU.
I SWEAR.

279
00:10:53,073 --> 00:10:55,365
I WAS --
I WAS BORN IN IOWA.

280
00:10:55,365 --> 00:10:57,738
I WAS RAISED
ON 11725 NORTH GENOA STREET.

281
00:10:57,738 --> 00:11:00,120
MY PARENTS' NAMES
ARE MICHAEL AND LAUREN.

282
00:11:00,120 --> 00:11:02,662
I'M -- I'M NOT JERRY TYSON.
I'M NOT.

283
00:11:02,662 --> 00:11:05,085
[ Voice breaking ]
I SWEAR.

284
00:11:05,085 --> 00:11:06,837
I DON'T BELIEVE YOU.

285
00:11:06,837 --> 00:11:08,088
[ SOBS ]

286
00:11:08,088 --> 00:11:09,089
NOW...

287
00:11:09,089 --> 00:11:10,170
[ GUN COCKS ]

288
00:11:10,170 --> 00:11:11,501
...LAST CHANCE.

289
00:11:11,501 --> 00:11:13,633
[ Crying ] NO, NO. PLEASE.
DON'T. DON'T. PLEASE.

290
00:11:13,633 --> 00:11:15,175
WHERE IS SHE?

291
00:11:17,467 --> 00:11:18,468
[ DOOR BURSTS OPEN ]

292
00:11:18,468 --> 00:11:19,890
NYPD! POLICE!

293
00:11:19,890 --> 00:11:22,182
Officer: DROP THE GUN!
DROP IT!

294
00:11:22,182 --> 00:11:23,223
DROP YOUR WEAPON!

295
00:11:23,223 --> 00:11:25,515
DROP IT!

296
00:11:25,515 --> 00:11:29,269
YOU HEARD ME!
DROP THE GUN NOW!

297
00:11:35,155 --> 00:11:36,947
LET'S SEE YOUR HANDS!

298
00:11:49,379 --> 00:11:50,831
[ HANDCUFFS CLICK ]

299
00:11:58,598 --> 00:12:01,301
[ Echoing ] COME ON, CASTLE.
ASSAULT WITH A DEADLY WEAPON?

300
00:12:01,301 --> 00:12:03,513
DO YOU HAVE ANY IDEA WHAT
THIS DOES TO THE INVESTIGATION?

301
00:12:03,513 --> 00:12:05,145
YOU DON'T THINK
I WANTED TO GO OVER THERE

302
00:12:05,145 --> 00:12:08,608
AND BEAT THE HELL OUT OF HIM --
AND NIEMAN?

303
00:12:08,608 --> 00:12:10,400
THAT'S NOT
GONNA GET HER BACK.

304
00:12:13,733 --> 00:12:15,735
HE'S PRESSING CHARGES.

305
00:12:17,818 --> 00:12:19,239
WE'RE GONNA
HAVE TO BOOK YOU.

306
00:12:19,239 --> 00:12:20,660
ME?

307
00:12:20,660 --> 00:12:21,952
WHAT ABOUT HIM?

308
00:12:21,952 --> 00:12:24,204
WE DON'T HAVE ANYTHING
TO HOLD HIM ON.

309
00:12:44,014 --> 00:12:46,346
YOU WERE NEVER GONNA WIN
GOING STRAIGHT AT HIM.

310
00:12:46,346 --> 00:12:48,438
IF HE THOUGHT
THERE WAS ANY CHANCE OF THAT,

311
00:12:48,438 --> 00:12:50,770
THEN HE WOULDN'T HAVE STAYED
IN THAT APARTMENT.

312
00:12:52,442 --> 00:12:56,106
WE'LL TAKE CARE OF THE REST
OF THE BOOKING DETAILS LATER.

313
00:12:56,106 --> 00:12:57,818
ANYTHING ON THE VAN?
NO, NOT YET.

314
00:12:59,399 --> 00:13:00,610
[ SIGHS ]

315
00:13:00,610 --> 00:13:03,163
YOU KNOW,
WHEN I FIRST GOT HERE,

316
00:13:03,163 --> 00:13:06,957
I COULDN'T FIGURE OUT
WHAT BECKETT SAW IN YOU.

317
00:13:06,957 --> 00:13:09,039
BUT YOU KNOW
WHAT SHE SAID?

318
00:13:10,790 --> 00:13:12,963
"HE SEES THE STORY.

319
00:13:12,963 --> 00:13:14,965
"I SEE THE EVIDENCE,
WHERE IT LEADS,

320
00:13:14,965 --> 00:13:18,919
BUT HE SEES THE STORY."

321
00:13:21,051 --> 00:13:24,764
THAT MAN GOT INSIDE YOUR HEAD,
AND YOU LET HIM.

322
00:13:24,764 --> 00:13:30,770
YOU WANT TO HELP HER,
YOU GOT TO GET INSIDE HIS.

323
00:13:30,770 --> 00:13:33,143
WHAT'S HIS STORY?

324
00:13:33,143 --> 00:13:36,937
WHAT'S HIS NEXT MOVE
GOING TO BE?

325
00:13:36,937 --> 00:13:40,360
NOW, YOU FIGURE THAT OUT,
AND WE'LL FIND HER.

326
00:13:40,360 --> 00:13:42,903
[ GATE OPENS ]

327
00:13:42,903 --> 00:13:43,703
SIR.

328
00:13:43,703 --> 00:13:44,744
WHAT'S WRONG?

329
00:13:44,744 --> 00:13:46,206
IT'S BOUDREAU -- TYSON.

330
00:13:46,206 --> 00:13:47,617
ON THE WAY BACK
TO HIS APARTMENT,

331
00:13:47,617 --> 00:13:49,499
HE BOLTED ON THE SUBWAY PLATFORM
AND JUMPED ONTO THE TRACKS.

332
00:13:49,499 --> 00:13:51,081
OUR GUYS TRIED TO FOLLOW,
BUT THEY LOST HIM.

333
00:13:52,122 --> 00:13:54,624
I WANT TRANSIT AUTHORITY
ON FULL ALERT!

334
00:13:54,624 --> 00:13:57,047
PUT EVERY UNIT IN THE AREA
ON THE LOOKOUT

335
00:13:57,047 --> 00:13:59,009
AND GET HIS PICTURE
ON THE WIRE!

336
00:13:59,009 --> 00:14:00,300
I WANT HIM FOUND!

337
00:14:00,300 --> 00:14:01,631
CAPTAIN, I JUST SENT TEAMS
TO KELLY NIEMAN'S APARTMENT

338
00:14:01,631 --> 00:14:02,722
TO CHECK ON HER.

339
00:14:02,722 --> 00:14:04,134
SHE'S GONE.

340
00:14:04,134 --> 00:14:05,765
HOW CAN SHE BE GONE? WE'VE BEEN
ON HER PLACE THE WHOLE TIME.

341
00:14:05,765 --> 00:14:08,178
[ CELLPHONE RINGING ]
THEY FOUND AN ACCESS DOOR
TO THE ROOF OPEN.

342
00:14:08,178 --> 00:14:09,269
SHE MUST HAVE
WENT OUT OF IT

343
00:14:09,269 --> 00:14:10,891
AND CLIMBED ACROSS THE ROOF
TO ANOTHER BUILDING.

344
00:14:10,891 --> 00:14:13,523
GET AN APB OUT ON HER AND GET
TEAMS DOWN TO THE HOSPITAL...

345
00:14:13,523 --> 00:14:14,564
HELLO?

346
00:14:14,564 --> 00:14:17,477
TYSON: How did it feel
to be that close?

347
00:14:17,477 --> 00:14:18,858
[ RATTLING ]

348
00:14:18,858 --> 00:14:19,980
TYSON.

349
00:14:19,980 --> 00:14:21,571
TRACE -- GO.

350
00:14:23,783 --> 00:14:26,616
You know the part
I liked best?

351
00:14:26,616 --> 00:14:28,828
The pain in your eyes.

352
00:14:28,828 --> 00:14:31,251
The suffering.

353
00:14:31,251 --> 00:14:34,624
And all that fear,
knowing that I have her.

354
00:14:34,624 --> 00:14:37,167
WELL, IF THIS IS ABOUT ME,
THEN TAKE ME.

355
00:14:37,167 --> 00:14:38,959
TAKE ME AND LET HER GO.

356
00:14:38,959 --> 00:14:40,460
No.

357
00:14:40,460 --> 00:14:43,803
No, if I took you,
I'd only get to kill you once.

358
00:14:43,803 --> 00:14:48,468
See, this way, I get to kill you
over and over again.

359
00:14:48,468 --> 00:14:51,061
TYSON.

360
00:14:51,061 --> 00:14:52,062
TYSON?

361
00:14:52,062 --> 00:14:53,813
RYAN?

362
00:14:53,813 --> 00:14:55,145
DID YOU GET HIM?
STAND BY.

363
00:14:57,567 --> 00:14:58,858
WAIT. WAIT.

364
00:14:58,858 --> 00:15:00,650
[ COMPUTER CHIRPING ]

365
00:15:00,650 --> 00:15:02,282
GOT IT! NUMBER'S COMING THROUGH
RIGHT NOW!

366
00:15:02,282 --> 00:15:03,483
WHERE'S HE CALLING FROM?

367
00:15:03,483 --> 00:15:04,444
[ CHIRPING CONTINUES ]

368
00:15:04,444 --> 00:15:05,445
OH, GOD.

369
00:15:05,445 --> 00:15:07,077
CASTLE?

370
00:15:07,077 --> 00:15:09,409
HE'S CALLING
FROM YOUR HOUSE.

371
00:15:16,166 --> 00:15:18,378
[ MARTHA SCREAMS ]

372
00:15:18,378 --> 00:15:19,960
WHERE'S ALEXIS?

373
00:15:19,960 --> 00:15:21,631
[ ALEXIS SCREAMS ]

374
00:15:22,963 --> 00:15:25,175
DAD, WHAT THE HELL?!

375
00:15:25,175 --> 00:15:27,257
[ PANTING ]

376
00:15:31,601 --> 00:15:32,812
YOU HAVE YOUR PASSPORT?

377
00:15:32,812 --> 00:15:35,015
YES, YES, YES.
BUT, RICHARD, EUROPE?

378
00:15:35,015 --> 00:15:36,856
NO "BUTS."
I NEED TO KNOW THAT YOU'RE SAFE.

379
00:15:36,856 --> 00:15:39,019
NOW, THE -- THE POLICE ARE GONNA
TAKE YOU TO THE AIRPORT.

380
00:15:39,019 --> 00:15:41,151
I HAVE FRIENDS WAITING FOR YOU
ON THE OTHER SIDE.

381
00:15:41,151 --> 00:15:42,112
OKAY.

382
00:15:42,112 --> 00:15:44,524
[ SIGHS ]

383
00:15:44,524 --> 00:15:46,366
DAD, PLEASE BE SAFE.

384
00:15:46,366 --> 00:15:48,028
I WILL.
BUT I NEED YOU TO GO.

385
00:15:48,028 --> 00:15:50,780
OKAY.
TAKE CARE, BABY.

386
00:15:50,780 --> 00:15:51,911
[ SMOOCHES ]
BE CAREFUL.

387
00:15:51,911 --> 00:15:52,912
I LOVE YOU.

388
00:15:52,912 --> 00:15:55,075
I...

389
00:16:02,082 --> 00:16:04,844
WE JUST HEARD
FROM TECH.

390
00:16:04,844 --> 00:16:07,427
NO EVIDENCE OF ANYONE
TAMPERING WITH YOUR PHONE.

391
00:16:07,427 --> 00:16:09,849
THEY THINK THAT TYSON
MUST HAVE FIGURED OUT A WAY

392
00:16:09,849 --> 00:16:11,471
TO SPOOF YOUR NUMBER
FROM THE OUTSIDE.

393
00:16:11,471 --> 00:16:15,095
INSIDE, OUTSIDE --
DOESN'T MATTER.

394
00:16:15,095 --> 00:16:18,058
HE WANTS ME TO KNOW
HE CAN GET TO ME ANYTIME.

395
00:16:19,059 --> 00:16:20,100
I'M SORRY.

396
00:16:21,981 --> 00:16:24,864
I HAD HIM
THE NIGHT AT THE MOTEL.

397
00:16:24,864 --> 00:16:28,698
I-IF I COULD HAVE FOUND A WAY
TO MOVE A LITTLE FASTER,

398
00:16:28,698 --> 00:16:30,030
REACT A SECOND SOONER...

399
00:16:30,030 --> 00:16:32,072
IT'S NOT YOUR FAULT.

400
00:16:32,072 --> 00:16:33,533
IT'S NOT MY FAULT.

401
00:16:33,533 --> 00:16:35,375
IT'S HIS FAULT.

402
00:16:35,375 --> 00:16:36,916
Esposito: YO.

403
00:16:36,916 --> 00:16:38,998
UNIFORM IN QUEENS JUST SPOTTED
THAT STOLEN RED VAN OFF THE APB.

404
00:16:38,998 --> 00:16:40,380
WHERE?

405
00:16:40,380 --> 00:16:42,252
PARKED OUTSIDE OF AN ABANDONED
INDUSTRIAL PROPERTY.

406
00:16:42,252 --> 00:16:43,923
IS SHE THERE?
WE DON'T KNOW.

407
00:16:43,923 --> 00:16:45,425
BUT AN E.S.U. TEAM'S
ON ITS WAY.

408
00:16:55,805 --> 00:16:57,807
Team leader:
I GOT SOMETHING -- THIRD FLOOR.

409
00:16:57,807 --> 00:16:59,059
IT'S HER.

410
00:16:59,059 --> 00:17:02,272
WE HAVE A POSITIVE I.D. --
THIRD FLOOR, NORTHEAST CORNER.

411
00:17:02,272 --> 00:17:04,023
HOW MANY OTHERS?
UNKNOWN.
WE DON'T HAVE A VISUAL.

412
00:17:04,023 --> 00:17:06,526
STAY BEHIND US. IF HE'S
IN THERE, HE'S GONNA
GUN FOR YOU FIRST.

413
00:17:06,526 --> 00:17:07,527
[ SHOTGUN COCKS ]

414
00:17:24,164 --> 00:17:26,586
Beckett: CASTLE! WAIT!
GET BACK! IT'S A TRAP!

415
00:17:26,586 --> 00:17:28,468
[ GUNSHOTS ]
[ INDISTINCT SHOUTING ]

416
00:17:30,009 --> 00:17:31,091
[ GUNSHOTS STOP ]

417
00:17:32,342 --> 00:17:33,303
BECKETT!! NO!!

418
00:17:42,482 --> 00:17:43,773
[ Voice breaking ] GOD!

419
00:17:47,527 --> 00:17:48,948
[ Sobbing ]
KATE, I'M SO SORRY.

420
00:17:48,948 --> 00:17:50,069
I'M SORRY.

421
00:17:55,115 --> 00:17:57,617
I'M SORRY.

422
00:17:57,617 --> 00:17:58,748
I'M SO--

423
00:18:02,332 --> 00:18:04,334
IT'S NOT HER!

424
00:18:04,334 --> 00:18:06,256
IT'S NOT HER!

425
00:18:24,314 --> 00:18:25,685
WHO WAS THE GIRL?

426
00:18:25,685 --> 00:18:28,688
Ryan: FORMER DRUG ADDICT,
JUST LIKE THE OTHERS.

427
00:18:28,688 --> 00:18:30,860
SHE WAS REPORTED MISSING
LAST WEEK.

428
00:18:30,860 --> 00:18:33,783
THEY FOUND A SPEAKER
UNDERNEATH THE CHAIR.

429
00:18:33,783 --> 00:18:36,786
IT'S HOW HE WAS ABLE
TO BROADCAST BECKETT'S VOICE.

430
00:18:36,786 --> 00:18:37,947
AND THE WEAPON?

431
00:18:37,947 --> 00:18:41,911
PRE-AIMED AT THE VICTIM,
TRIGGERED REMOTELY.

432
00:18:41,911 --> 00:18:45,004
HE WANTED US TO WATCH.

433
00:18:45,004 --> 00:18:47,046
HE WANTED US TO WATCH.

434
00:18:47,046 --> 00:18:49,339
YOU THINK
SHE'S STILL ALIVE?

435
00:18:50,840 --> 00:18:52,462
SHE'S ALIVE.

436
00:18:52,462 --> 00:18:54,093
HOW DO YOU KNOW?

437
00:18:54,093 --> 00:18:56,466
BECAUSE HE'S NOT DONE
WITH ME YET.

438
00:19:04,894 --> 00:19:06,686
[ MUFFLED MOANING ]

439
00:19:12,732 --> 00:19:13,733
[ LIGHTS BUZZING ]

440
00:19:13,733 --> 00:19:15,195
[ ROPES CREAK ]

441
00:19:15,195 --> 00:19:16,115
[ DOOR OPENS ]

442
00:19:18,448 --> 00:19:19,779
GOOD.

443
00:19:19,779 --> 00:19:21,040
YOU'RE AWAKE.

444
00:19:21,040 --> 00:19:24,163
WE CAN GET STARTED.

445
00:19:24,163 --> 00:19:26,336
OUR NEW VICTIM'S NAME
IS SYDNEY NOVAK,

446
00:19:26,336 --> 00:19:28,208
FROM BROWARD COUNTY,
FLORIDA.

447
00:19:28,208 --> 00:19:31,381
WE BELIEVE SHE MAY HAVE BEEN
TARGETED BY TYSON AND NIEMAN

448
00:19:31,381 --> 00:19:33,843
DUE TO FACIAL SIMILARITIES

449
00:19:33,843 --> 00:19:36,756
BETWEEN HER
AND DETECTIVE BECKETT.

450
00:19:36,756 --> 00:19:38,718
GIVEN THE NATURE
OF THESE MURDERS...

451
00:19:38,718 --> 00:19:40,930
We're not gonna find her.

452
00:19:40,930 --> 00:19:42,101
Not like this.

453
00:19:43,763 --> 00:19:46,766
Not by chasing him,
not by playing his game.

454
00:19:49,148 --> 00:19:51,231
We need
to take the game to him.

455
00:20:01,371 --> 00:20:03,703
[ DOOR CLOSES ]

456
00:20:03,703 --> 00:20:06,376
[ SCOFFS ]

457
00:20:06,376 --> 00:20:08,207
I KNOW YOU.

458
00:20:08,207 --> 00:20:11,090
YOU'RE THE WRITER.

459
00:20:11,090 --> 00:20:13,503
YOU AND YOUR COP FRIEND
PUT ME IN HERE.

460
00:20:13,503 --> 00:20:16,215
FOR MURDERS
THAT YOUR CELLMATE JERRY TYSON

461
00:20:16,215 --> 00:20:17,837
CONVINCED YOU TO COMMIT

462
00:20:17,837 --> 00:20:20,099
SO THE WORLD WOULD THINK
YOU WERE 3XK

463
00:20:20,099 --> 00:20:22,101
AND HE WOULD GET AWAY
SCOT-FREE.

464
00:20:22,101 --> 00:20:24,554
WHY ARE YOU HERE?

465
00:20:24,554 --> 00:20:28,438
YOU SHARED A CELL WITH HIM
FOR FOUR YEARS.

466
00:20:28,438 --> 00:20:30,019
TIME I'D RATHER FORGET.

467
00:20:30,019 --> 00:20:31,110
WHY?

468
00:20:31,110 --> 00:20:35,355
YOU LOOK AT HIM,
YOU THINK..."HE'S SO WEAK."

469
00:20:35,355 --> 00:20:36,816
[ CHUCKLES ]

470
00:20:36,816 --> 00:20:38,197
THERE'S NOTHING TO HIM.

471
00:20:40,069 --> 00:20:41,621
BUT THE GUY --

472
00:20:41,621 --> 00:20:43,993
HE KNEW
HOW TO GET IN YOUR HEAD.

473
00:20:43,993 --> 00:20:46,666
HE KNEW HOW
TO MAKE YOU DO THINGS

474
00:20:46,666 --> 00:20:48,788
YOU NEVER THOUGHT
CAPABLE OF.

475
00:20:48,788 --> 00:20:50,630
LIKE KILLING FOR HIM?

476
00:20:51,921 --> 00:20:54,213
LET'S JUST SAY
I SLEPT A LOT BETTER

477
00:20:54,213 --> 00:20:57,216
ONCE I KNEW HE WAS DEAD.

478
00:20:57,216 --> 00:20:58,428
HE'S NOT.

479
00:20:59,589 --> 00:21:01,431
JUST ANOTHER WAY
FOR HIM TO DISAPPEAR

480
00:21:01,431 --> 00:21:02,972
SO HE COULD MAKE
HIS PLANS.

481
00:21:02,972 --> 00:21:04,384
HE'S ALIVE?

482
00:21:04,384 --> 00:21:06,686
AND HE HAS MY WIFE.

483
00:21:06,686 --> 00:21:09,148
YOU SHARED A CELL WITH HIM
FOR FOUR YEARS.

484
00:21:09,148 --> 00:21:11,651
NO ONE KNOWS HIM
BETTER THAN YOU.

485
00:21:11,651 --> 00:21:12,942
IN ALL THAT TIME,

486
00:21:12,942 --> 00:21:16,776
DID HE EVER MENTION
A PLACE SOMEWHERE IN THE CITY,

487
00:21:16,776 --> 00:21:19,449
A PLACE HE WOULD GO
TO FEEL SAFE?

488
00:21:19,449 --> 00:21:21,781
[ CHUCKLES ]
YOU NEED MY HELP.

489
00:21:22,862 --> 00:21:24,324
YES, I NEED YOUR HELP.

490
00:21:24,324 --> 00:21:25,495
YOU PUT ME IN HERE.

491
00:21:25,495 --> 00:21:27,206
HE PUT YOU IN HERE.

492
00:21:27,206 --> 00:21:30,540
HE GOT YOU
TO DO THOSE THINGS.

493
00:21:30,540 --> 00:21:35,875
HE GOT INSIDE YOUR HEAD,
CONTROLLED YOU LIKE A PUPPET.

494
00:21:35,875 --> 00:21:40,760
YOU'D DONE YOUR TIME,
BUT HE NEEDED YOU TO GET CAUGHT.

495
00:21:40,760 --> 00:21:42,342
YOU SACRIFICED YOURSELF.

496
00:21:42,342 --> 00:21:44,474
AND I BET NOT A NIGHT GOES BY
YOU DON'T SEE HIS FACE

497
00:21:44,474 --> 00:21:47,637
AND WONDER,
"HOW DID HE DO THAT?

498
00:21:47,637 --> 00:21:50,850
HOW DID HE GET ME
TO THROW MY LIFE AWAY?"

499
00:21:53,643 --> 00:21:56,025
THERE WAS SOMEPLACE
HE TALKED ABOUT --

500
00:21:56,025 --> 00:21:57,647
A PLACE HE LIKED TO GO.

501
00:21:57,647 --> 00:21:58,858
WHERE?

502
00:22:00,570 --> 00:22:02,612
WHAT'S IN IT FOR ME?

503
00:22:02,612 --> 00:22:03,573
WHAT DO YOU WANT?

504
00:22:03,573 --> 00:22:04,994
OUT.

505
00:22:04,994 --> 00:22:06,205
YOU KNOW I DON'T HAVE
THE AUTHORITY --

506
00:22:06,205 --> 00:22:07,707
I'M SURE
WITH ALL YOUR CONNECTIONS,

507
00:22:07,707 --> 00:22:09,038
YOU CAN FIND
SOMEONE WHO DOES.

508
00:22:09,038 --> 00:22:10,119
THEY'LL NEVER GO FOR IT.

509
00:22:10,119 --> 00:22:13,162
NOT GONNA RELEASE A MURDERER.
THEY'LL LET HER DIE FIRST.

510
00:22:13,162 --> 00:22:15,915
THAT'S NOT MY PROBLEM.

511
00:22:15,915 --> 00:22:17,547
PLEASE.

512
00:22:19,799 --> 00:22:21,631
SOMETHING ELSE.

513
00:22:21,631 --> 00:22:22,842
MONEY FOR YOUR FAMILY.

514
00:22:22,842 --> 00:22:24,384
GIVE ME SOMETHING
I CAN GIVE YOU.

515
00:22:24,384 --> 00:22:26,225
I DON'T HAVE A FAMILY,
MR. CASTLE.

516
00:22:26,225 --> 00:22:28,307
AND I AM STUCK IN HERE
FOR LIFE

517
00:22:28,307 --> 00:22:30,179
WITHOUT THE POSSIBILITY
OF PAROLE,

518
00:22:30,179 --> 00:22:32,432
SO WHAT THE HELL
DO YOU THINK YOU COULD GIVE ME

519
00:22:32,432 --> 00:22:35,895
THAT WOULD BE
WORTH A DAMN?

520
00:22:38,107 --> 00:22:39,899
REVENGE.

521
00:22:41,611 --> 00:22:45,194
HE'S OUT THERE, WALKING AROUND,
AND YOU'RE IN HERE.

522
00:22:45,194 --> 00:22:47,617
DON'T YOU WANT
TO SETTLE THE SCORE?

523
00:22:48,948 --> 00:22:50,119
FINE.

524
00:22:50,119 --> 00:22:52,251
GUESS I JUST DIDN'T THINK,
AFTER ALL THESE YEARS,

525
00:22:52,251 --> 00:22:53,873
YOU'D STILL LET HIM
CONTROL YOU.

526
00:23:00,500 --> 00:23:02,131
WHAT KIND OF REVENGE?

527
00:23:07,927 --> 00:23:10,139
Marcus: THERE WAS A PLACE
HE TALKED ABOUT --

528
00:23:10,139 --> 00:23:11,681
A HOUSE IN THE WOODS.

529
00:23:11,681 --> 00:23:13,062
WHERE?

530
00:23:13,062 --> 00:23:16,065
A LITTLE WAYS UP THE HUDSON,
OWNED BY A FAMILY FRIEND.

531
00:23:16,065 --> 00:23:18,187
WHEN HE WAS A KID,
HE'D GO THERE IN THE SUMMERS

532
00:23:18,187 --> 00:23:21,110
WHEN THINGS GOT TOO INTENSE
WITH HIS MOTHER.

533
00:23:21,110 --> 00:23:23,573
Castle: HELLO.
ARE YOUR ARCHIVES DIGITIZED?

534
00:23:23,573 --> 00:23:25,024
I WAS WONDERING
IF YOU COULD E-MAIL ME

535
00:23:25,024 --> 00:23:27,286
A SET OF THE BUILDING PLANS
FOR THE FOLLOWING ADDRESS.

536
00:23:27,286 --> 00:23:29,408
YOU KNOW,
YOU CAN'T SAVE HER.

537
00:23:29,408 --> 00:23:32,622
WHEN HE SEES THE COPS
COMING --

538
00:23:32,622 --> 00:23:35,745
AND, TRUST ME,
HE WILL SEE THE COPS COMING --

539
00:23:35,745 --> 00:23:36,956
HE WON'T BARGAIN.

540
00:23:36,956 --> 00:23:38,538
HE WON'T BE
REASONED WITH.

541
00:23:38,538 --> 00:23:40,169
HE WILL JUST...

542
00:23:40,169 --> 00:23:42,882
KILL HER.

543
00:23:42,882 --> 00:23:44,844
IT WON'T BE THE COPS.

544
00:23:50,930 --> 00:23:52,351
IT'LL BE ME.

545
00:24:46,866 --> 00:24:49,028
[ DOOR OPENS ]

546
00:24:51,070 --> 00:24:53,663
AMY BARRETT.

547
00:24:53,663 --> 00:24:55,615
YOU THINK BARRETT WAS
INVOLVED IN THIS?

548
00:24:55,615 --> 00:24:57,246
OR SHE'S A VICTIM, TOO.

549
00:24:59,168 --> 00:25:02,041
SO SHE WAS
WORKING WITH THEM.

550
00:26:03,733 --> 00:26:04,734
[ GUN COCKS ]

551
00:26:04,734 --> 00:26:07,146
DON'T SCREAM,
OR I WILL SHOOT YOU.

552
00:26:07,146 --> 00:26:09,108
WHERE'S BECKETT?
IS SHE INSIDE THE HOUSE?

553
00:26:10,820 --> 00:26:12,652
WHERE IS SHE?

554
00:26:12,652 --> 00:26:14,744
NOT HERE.

555
00:26:14,744 --> 00:26:16,365
WHERE?

556
00:26:16,365 --> 00:26:18,698
I DON'T KNOW.
THEY WOULDN'T TELL ME.

557
00:26:18,698 --> 00:26:21,040
NOT UNTIL IT'S OVER.

558
00:26:21,040 --> 00:26:22,581
THEY SENT ME HERE
TO WAIT.

559
00:26:24,083 --> 00:26:25,124
I DON'T BELIEVE YOU.

560
00:26:25,124 --> 00:26:27,006
WHO'S DOWN THERE?
WHO'S IN THE HOUSE?

561
00:26:28,467 --> 00:26:29,468
JUST ME.

562
00:26:29,468 --> 00:26:30,630
YOU'RE LYING.

563
00:26:30,630 --> 00:26:32,211
THEY'RE IN THERE,
AREN'T THEY?

564
00:26:32,211 --> 00:26:33,422
NO.

565
00:26:33,422 --> 00:26:36,345
IF YOU BRING ME BACK THERE,
I'LL SHOW YOU.

566
00:26:39,639 --> 00:26:40,640
WHAT ARE YOU DOING?

567
00:26:40,640 --> 00:26:42,431
MAKING SURE
YOU STAY OUT OF MY WAY.

568
00:26:42,431 --> 00:26:44,353
YOU KNOW WHAT I LOVE
ABOUT THIS CAR?

569
00:26:44,353 --> 00:26:45,224
[ BEEP ]

570
00:26:47,186 --> 00:26:48,648
ALL THE TRUNK SPACE.

571
00:26:48,648 --> 00:26:49,649
GET IN.

572
00:26:53,653 --> 00:26:55,695
IF I'M LYING
AND THEY ARE DOWN THERE,

573
00:26:55,695 --> 00:26:57,116
THEY'RE GONNA MISS ME SOON.

574
00:26:57,116 --> 00:26:59,408
THEY'LL KNOW YOU'RE OUT HERE.
THEY'LL KILL YOU BOTH.

575
00:27:19,518 --> 00:27:24,974
DESPITE THE SITUATION,
I WANT YOU TO KNOW I ADMIRE YOU.

576
00:27:24,974 --> 00:27:27,817
I ALWAYS HAVE.

577
00:27:29,608 --> 00:27:32,902
THERE'S NO POINT
IN RESISTING, DETECTIVE.

578
00:27:32,902 --> 00:27:36,946
IF FACT, IF YOU ACCEPT THAT,
I CAN REMOVE THE GAG.

579
00:27:40,119 --> 00:27:41,200
GOOD.

580
00:27:42,161 --> 00:27:44,123
AND PLEASE DON'T SCREAM.
IT'S TEDIOUS.

581
00:27:44,123 --> 00:27:46,125
AND NO ONE CAN HEAR YOU.

582
00:27:49,749 --> 00:27:51,170
MUCH BETTER.

583
00:27:55,845 --> 00:27:58,177
IT'S A CRIME TO COVER UP
SUCH A LOVELY FACE.

584
00:28:00,139 --> 00:28:02,852
KIDNAPPING AND MURDER
ARE CRIMES.

585
00:28:02,852 --> 00:28:05,144
YOU CAN STILL
SAVE YOURSELF.

586
00:28:05,144 --> 00:28:07,807
[ CHUCKLES SOFTLY ]

587
00:28:07,807 --> 00:28:09,939
I'VE ALREADY BEEN SAVED.

588
00:28:09,939 --> 00:28:12,361
[ WHIRRING ]

589
00:28:12,361 --> 00:28:15,364
I USED TO FEEL ASHAMED
OF WHO I WAS INSIDE,

590
00:28:15,364 --> 00:28:17,737
THE THINGS
I DREAMT ABOUT DOING.

591
00:28:17,737 --> 00:28:19,909
AND THEN I MET JERRY,

592
00:28:19,909 --> 00:28:22,992
AND IT WAS LIKE...
COMING HOME.

593
00:28:22,992 --> 00:28:26,415
SO IF YOU THINK
THAT I WOULD EVER TURN ON HIM,

594
00:28:26,415 --> 00:28:28,457
YOU DON'T UNDERSTAND ME
AT ALL.

595
00:28:32,331 --> 00:28:33,793
WHAT DO YOU THINK
HE'S GONNA DO

596
00:28:33,793 --> 00:28:35,254
WHEN YOU'RE NO LONGER USEFUL
TO HIM?

597
00:28:35,254 --> 00:28:37,046
HE WILL KILL YOU.

598
00:28:38,507 --> 00:28:41,180
I AM YOUR ONLY CHANCE, KELLY.
I CAN HELP YOU.

599
00:28:42,802 --> 00:28:45,474
AND YOU'RE GOING TO.

600
00:28:45,474 --> 00:28:46,685
[ DEVICE BEEPING ]

601
00:28:46,685 --> 00:28:48,477
WHAT ARE YOU DOING?

602
00:28:48,477 --> 00:28:50,980
WITH ALL THE POLICE ATTENTION,
I'LL NEED A NEW FACE.

603
00:28:52,481 --> 00:28:54,193
[ BEEP ]

604
00:29:00,319 --> 00:29:02,071
AND I'VE CHOSEN YOURS.

605
00:29:02,071 --> 00:29:03,823
NO.

606
00:29:03,823 --> 00:29:04,914
NO.

607
00:29:04,914 --> 00:29:06,125
NO! PLEASE!

608
00:29:06,125 --> 00:29:07,166
PLEASE.

609
00:29:07,166 --> 00:29:08,167
THIS IS GOING BACK ON.

610
00:29:08,167 --> 00:29:09,328
NO! OW!

611
00:29:09,328 --> 00:29:10,329
[ GRUNTS ]
Shh.

612
00:29:10,329 --> 00:29:12,041
[ MUFFLED MOANING ]

613
00:31:09,038 --> 00:31:10,789
SHE'S NOT HERE.

614
00:31:14,493 --> 00:31:16,625
Tyson: BUT YOU ARE.

615
00:31:22,881 --> 00:31:24,463
[ CRACKLING ]

616
00:31:24,463 --> 00:31:26,885
[ GROANING ]

617
00:31:28,137 --> 00:31:29,808
[ CRACKLING STOPS ]

618
00:31:31,890 --> 00:31:34,183
SO GLAD
YOU COULD JOIN ME.

619
00:31:43,943 --> 00:31:46,445
FACES FASCINATE ME.

620
00:31:50,369 --> 00:31:52,371
[ BEEP ]

621
00:31:52,371 --> 00:31:53,993
THE MASK WE SHOW TO THE WORLD.

622
00:31:53,993 --> 00:31:56,125
I FIND
THAT CLIENTS INVARIABLY HOPE

623
00:31:56,125 --> 00:31:58,587
A PROCEDURE
WON'T JUST CHANGE THEIR LOOKS,

624
00:31:58,587 --> 00:32:03,342
BUT CHANGE WHO THEY ARE
IN SOME DEEPER WAY.

625
00:32:03,342 --> 00:32:05,004
NEVER DOES.

626
00:32:07,676 --> 00:32:09,678
ANY MORE THAN PAINTING A HOUSE

627
00:32:09,678 --> 00:32:12,391
CAN CHANGE THE THINGS
THAT HAPPEN INSIDE OF IT.

628
00:32:21,360 --> 00:32:23,022
[ CELLPHONE RINGS ]

629
00:32:23,022 --> 00:32:24,153
YES?

630
00:32:24,153 --> 00:32:25,904
DO YOU HAVE HIM?

631
00:32:27,196 --> 00:32:29,658
YEAH, I'VE GOT HIM.

632
00:32:29,658 --> 00:32:31,410
DID YOU GET
WHAT YOU NEED FROM HER?

633
00:32:31,410 --> 00:32:32,411
ENOUGH.

634
00:32:32,411 --> 00:32:34,873
I CAN DO THE REST AFTER.

635
00:32:34,873 --> 00:32:37,076
GET HER READY.

636
00:32:37,076 --> 00:32:39,168
WAIT FOR MY CALL.

637
00:32:39,168 --> 00:32:41,040
[ CELLPHONE BEEPS ]

638
00:32:51,260 --> 00:32:54,553
IT'LL ALL BE OVER SOON.

639
00:32:54,553 --> 00:32:57,596
BUT I'VE SO ENJOYED
OUR TIME TOGETHER.

640
00:33:06,155 --> 00:33:07,446
TAKE A SEAT.

641
00:33:16,205 --> 00:33:17,876
PLEASE.

642
00:33:17,876 --> 00:33:20,039
YOU HAVE ME NOW.
JUST LET HER GO.

643
00:33:20,039 --> 00:33:22,291
OH, NO, NO, NO.
I CAN'T.

644
00:33:22,291 --> 00:33:24,833
SHE'S PART OF THE PLAN.

645
00:33:26,545 --> 00:33:28,047
WHY I BROUGHT YOU HERE.

646
00:33:28,047 --> 00:33:29,128
BROUGHT ME?

647
00:33:29,128 --> 00:33:31,130
YOU KNOW WHAT I LOVE
ABOUT HUMAN BEINGS?

648
00:33:31,130 --> 00:33:33,892
IS THEY'RE SO PREDICTABLE.
THEY'RE LIKE MICE.

649
00:33:33,892 --> 00:33:35,844
YOU CAN GET THEM
TO DO ANYTHING.

650
00:33:35,844 --> 00:33:37,096
ALL YOU HAVE TO DO

651
00:33:37,096 --> 00:33:40,689
IS PUT A LITTLE CHEESE
AT THE END OF THE MAZE

652
00:33:40,689 --> 00:33:43,021
AND KNOW EXACTLY
WHEN TO SHOCK THEM.

653
00:33:43,021 --> 00:33:44,853
YOU KNEW I WAS COMING.

654
00:33:44,853 --> 00:33:47,406
DANGLING BOUDREAU
IN FRONT OF YOU,

655
00:33:47,406 --> 00:33:50,359
WATCHING BECKETT DIE
BEFORE YOUR EYES --

656
00:33:50,359 --> 00:33:52,861
ONCE I HAD THE COPS
CHASING THEIR TAILS,

657
00:33:52,861 --> 00:33:54,743
I KNEW IT'D BE
ONLY A MATTER OF TIME

658
00:33:54,743 --> 00:33:56,655
BEFORE YOU DID SOMETHING
ON YOUR OWN.

659
00:33:56,655 --> 00:33:58,247
VISITING MY OLD CELLIE
WAS A --

660
00:33:58,247 --> 00:34:00,999
WELL, THAT WAS
A NATURAL CHOICE.

661
00:34:02,081 --> 00:34:04,042
THIS WAS A SETUP.

662
00:34:04,042 --> 00:34:07,626
WHAT BETTER WAY
TO GET YOU HERE ALONE

663
00:34:07,626 --> 00:34:10,048
THAN TO MAKE YOU THINK
IT WAS YOUR IDEA?

664
00:34:11,510 --> 00:34:12,801
WHY?

665
00:34:12,801 --> 00:34:14,473
WHY ARE YOU DOING THIS
TO ME?

666
00:34:14,473 --> 00:34:16,305
BECAUSE I WANT
TO SEE YOUR FACE.

667
00:34:16,305 --> 00:34:19,558
IT'S WHY
I LURED YOU HERE --

668
00:34:19,558 --> 00:34:22,101
SO I COULD
SEE YOUR FACE...

669
00:34:22,101 --> 00:34:24,943
WHILE YOU WATCHED HER DIE.

670
00:34:24,943 --> 00:34:26,605
NO.

671
00:34:28,107 --> 00:34:30,149
THAT'S NOT IT.

672
00:34:30,149 --> 00:34:31,530
OH?

673
00:34:34,693 --> 00:34:37,035
THIS ISN'T ABOUT ME,
IS IT?

674
00:34:37,035 --> 00:34:40,999
OH, IT'S ABOUT
SO MUCH MORE THAN THAT.

675
00:34:40,999 --> 00:34:44,082
THIS IS ABOUT YOU.

676
00:34:44,082 --> 00:34:46,165
YOUR INADEQUACY.

677
00:34:46,165 --> 00:34:50,339
ALL THE GAMES,
ALL THE MANIPULATION...

678
00:34:50,339 --> 00:34:53,262
AFTER I SCREWED UP
YOUR PLANS,

679
00:34:53,262 --> 00:34:57,346
YOU NEEDED TO PROVE
YOU WERE SMARTER THAN ME.

680
00:34:57,346 --> 00:35:00,219
YOU NEEDED TO KNOW
YOU COULD CONTROL ME.

681
00:35:00,219 --> 00:35:02,521
MM.

682
00:35:05,144 --> 00:35:07,486
WELL, YOU'RE HERE.

683
00:35:07,486 --> 00:35:10,068
YOU KNOW, I'VE WRITTEN
CHARACTERS LIKE YOU.

684
00:35:10,068 --> 00:35:11,900
CUNNING PSYCHOPATHS
SO NARCISSISTIC,

685
00:35:11,900 --> 00:35:13,652
THEY BELIEVE
THEY CAN'T BE CAUGHT -

686
00:35:13,652 --> 00:35:16,995
BECAUSE THEY'RE SMARTER
THAN EVERYONE

687
00:35:16,995 --> 00:35:20,159
AND THEY NEED TO PROVE IT.

688
00:35:20,159 --> 00:35:22,951
THAT'S YOUR STORY, JERRY.

689
00:35:24,002 --> 00:35:26,415
WHY YOU DID EVERYTHING.

690
00:35:26,415 --> 00:35:29,168
YOU NEEDED TO PROVE IT.

691
00:35:29,168 --> 00:35:31,170
SO I LET YOU.

692
00:35:36,805 --> 00:35:38,016
WHAT DO YOU MEAN?

693
00:35:38,016 --> 00:35:40,929
I LET YOU BRING ME HERE.

694
00:35:40,929 --> 00:35:43,141
IT'S THE ONLY WAY
TO FIND YOU.

695
00:35:43,141 --> 00:35:47,356
I NEEDED TO FIND YOU
SO I COULD FIND HER.

696
00:35:47,356 --> 00:35:49,528
BUT THE TRUTH, JERRY...

697
00:35:49,528 --> 00:35:54,152
We're not gonna find her --
not like this.

698
00:35:54,152 --> 00:35:57,366
Not by chasing him,
not by playing his game.

699
00:35:57,366 --> 00:36:00,158
We need
to take the game to him.

700
00:36:06,044 --> 00:36:07,996
PUT THIS
DEEP IN YOUR EAR.

701
00:36:07,996 --> 00:36:10,629
ALL RIGHT?
ALL THE WAY IN.

702
00:36:10,629 --> 00:36:13,422
THE TRUTH IS...

703
00:36:13,422 --> 00:36:16,134
I LURED YOU HERE...

704
00:36:16,134 --> 00:36:18,257
TO WATCH YOU DIE.

705
00:36:20,138 --> 00:36:21,350
ARE WE CLEAR?

706
00:36:21,350 --> 00:36:24,182
CLEAR ABOUT WHAT?

707
00:36:26,144 --> 00:36:28,106
THEN TAKE THE SHOT.

708
00:36:59,047 --> 00:37:00,839
RYAN, HE'S DOWN.

709
00:37:02,511 --> 00:37:03,802
YOU HAVE HER LOCATION?

710
00:37:03,802 --> 00:37:04,803
YEAH.

711
00:37:04,803 --> 00:37:06,475
HERE.

712
00:37:06,475 --> 00:37:08,437
THIS IS
THE LAST NUMBER HE CALLED.

713
00:37:08,437 --> 00:37:09,848
BECKETT'S WITH NIEMAN.

714
00:37:09,848 --> 00:37:12,060
I NEED AN EMERGENCY TRACE
ON THE FOLLOWING NUMBER...

715
00:37:16,315 --> 00:37:17,986
SOMETHING'S WRONG.

716
00:37:17,986 --> 00:37:19,488
HE SHOULD HAVE CALLED BY NOW.

717
00:37:21,029 --> 00:37:22,531
[ CELLPHONE BEEPS ]

718
00:37:32,421 --> 00:37:34,212
[ CELLPHONE BEEPS ]

719
00:37:55,193 --> 00:37:58,066
I'M AFRAID IT'S TIME,
DETECTIVE.

720
00:38:11,830 --> 00:38:13,752
THERE!

721
00:38:27,886 --> 00:38:29,097
BECKETT?

722
00:38:50,078 --> 00:38:52,330
[ SIGHS DEEPLY ]

723
00:39:29,197 --> 00:39:30,038
I WAS SO SCARED.

724
00:39:35,203 --> 00:39:36,204
YOU OKAY?
Beckett: YEAH.

725
00:39:38,667 --> 00:39:41,259
THAT WAS THE STUPIDEST,
MOST RECKLESS,

726
00:39:41,259 --> 00:39:44,262
IRRESPONSIBLE STUNT
YOU'VE EVER PULLED, MR. CASTLE.

727
00:39:47,005 --> 00:39:48,677
THANK YOU.

728
00:39:51,269 --> 00:39:52,350
[ LAUGHS ]

729
00:39:52,350 --> 00:39:53,512
OKAY. ALL RIGHT,
ALL RIGHT, ALL RIGHT.

730
00:39:53,512 --> 00:39:55,474
[ LAUGHS ] OKAY!

731
00:39:55,474 --> 00:39:57,776
THERE'S STILL THE MATTER
OF THE ASSAULT CHARGES.

732
00:39:59,067 --> 00:40:00,068
ASSAULT CHARGES?

733
00:40:00,068 --> 00:40:01,229
UH, IT'S A --
IT'S A LONG STORY.

734
00:40:01,229 --> 00:40:03,612
BUT, C-CAPTAIN [CHUCKLES]
YOU CAN'T BE SERIOUS.

735
00:40:03,612 --> 00:40:05,153
SERIAL KILLER OR NO,

736
00:40:05,153 --> 00:40:07,486
YOU THREATENED AN UNARMED MAN
WITH A GUN.

737
00:40:07,486 --> 00:40:10,078
THE D.A. TAKES THAT
VERY SERIOUSLY.

738
00:40:10,078 --> 00:40:11,119
BUT...

739
00:40:11,119 --> 00:40:13,121
IN LIGHT OF YOUR OUTSTANDING
WORK ON THIS CASE,

740
00:40:13,121 --> 00:40:14,703
HE'S WILLING
TO DROP THE CHARGES

741
00:40:14,703 --> 00:40:18,376
IF YOU AGREE TO 1,000 HOURS
OF COMMUNITY SERVICE.

742
00:40:18,376 --> 00:40:20,499
1,000 HOURS?!

743
00:40:20,499 --> 00:40:21,960
YES.

744
00:40:21,960 --> 00:40:24,923
AS A CONSULTANT
TO DETECTIVE BECKETT

745
00:40:24,923 --> 00:40:26,595
AND THE 12th PRECINCT.

746
00:40:26,595 --> 00:40:28,507
I'M -- I'M -- I'M --

747
00:40:28,507 --> 00:40:30,348
I'M BEING UN-BANNED?

748
00:40:30,348 --> 00:40:32,761
MR. CASTLE,
WELCOME BACK.

749
00:40:32,761 --> 00:40:34,052
[ LAUGHTER ]
OKAY!

750
00:40:34,052 --> 00:40:36,104
[ LAUGHS ]

751
00:40:36,104 --> 00:40:38,396
[ CASTLE AND BECKETT LAUGH ]

752
00:40:46,364 --> 00:40:48,116
THAT WAS
MY MOTHER AND ALEXIS.

753
00:40:48,116 --> 00:40:49,778
THEY SAID
THEY'RE ON THEIR WAY HOME,

754
00:40:49,778 --> 00:40:52,160
JUST AS SOON AS
THEY DO SOME SHOPPING.

755
00:40:53,451 --> 00:40:55,123
[ GROANS ]

756
00:40:58,497 --> 00:41:01,880
I DON'T KNOW
HOW YOU DID IT.

757
00:41:01,880 --> 00:41:03,381
WHAT?

758
00:41:03,381 --> 00:41:07,045
KEPT IT TOGETHER
THE TWO MONTHS I WAS MISSING.

759
00:41:07,045 --> 00:41:09,217
TWO DAYS, I DIDN'T KNOW
WHERE YOU WERE,

760
00:41:09,217 --> 00:41:11,179
AND IT NEARLY KILLED ME.

761
00:41:18,226 --> 00:41:21,399
YOU EVER THINK
ABOUT WHAT HAPPENED...

762
00:41:21,399 --> 00:41:23,982
WHEN YOU WERE GONE?

763
00:41:23,982 --> 00:41:26,064
ALL THE TIME.

764
00:41:28,236 --> 00:41:31,409
EVERY TIME I CLOSE MY EYES,
I SEE HER FACE.

765
00:41:31,409 --> 00:41:33,371
[ SIGHS ]

766
00:41:35,243 --> 00:41:37,666
I SEE HIS, TOO.

767
00:41:37,666 --> 00:41:40,038
SINCE THAT NIGHT
ON THE BRIDGE.

768
00:41:42,040 --> 00:41:44,212
YOU KNOW
HOW I DEAL WITH IT?

769
00:41:44,212 --> 00:41:45,333
NO.

770
00:41:45,333 --> 00:41:49,257
I OPEN MY EYES
AND LOOK AT YOU.

771
00:41:54,512 --> 00:41:56,304
THANKS
FOR COMING TO GET ME.

772
00:41:59,137 --> 00:42:00,188
ALWAYS.

773
00:42:06,524 --> 00:42:08,907
[ SIGHS ]