1 00:00:16,097 --> 00:00:17,268 [ CLANG ] 2 00:00:26,147 --> 00:00:27,648 [ CLATTERING ] 3 00:00:41,832 --> 00:00:45,836 OH, MY GOD. IT'S LANCE DeLORCA. 4 00:00:45,836 --> 00:00:47,047 Castle: REALLY? 5 00:00:47,047 --> 00:00:48,669 THIS WAS IN FASHION IN THE '90s? 6 00:00:48,669 --> 00:00:51,672 YEAH, I USED TO ROCK THAT IN SCHOOL WITH MY DOC MARTENS. 7 00:00:51,672 --> 00:00:54,635 YOU DO REALIZE WE HAVE A FULL RANGE OF ALL-CLAD AT HOME. 8 00:00:54,635 --> 00:00:55,886 EXCEPT THIS ONE'S MY FAVORITE. 9 00:00:55,886 --> 00:00:57,057 MY NONA USED TO MAKE ME SCRAMBLED EGGS IN IT 10 00:00:57,057 --> 00:00:58,679 WHEN I WAS LITTLE. GOTCHA. 11 00:00:58,679 --> 00:01:00,771 OKAY, SO, I'M GONNA LEAVE THE REST OF THIS KITCHEN STUFF HERE 12 00:01:00,771 --> 00:01:04,145 FOR WHEN MY COUSIN SOFIA MOVES IN. 13 00:01:04,145 --> 00:01:05,946 YOU KNOW, I DON'T THINK I'M GONNA MISS THIS PLACE. 14 00:01:05,946 --> 00:01:09,190 WHAT DO YOU MEAN? WELL, THE FLOORS CREAK, 15 00:01:09,190 --> 00:01:11,902 AND WE CAN HEAR EVERYTHING MR. KUBIAK DOES IN HIS BATHROOM. 16 00:01:11,902 --> 00:01:14,695 YOU NEVER SAID ANYTHING ABOUT IT BEFORE. 17 00:01:14,695 --> 00:01:17,198 IT DOESN'T MATTER NOW. YOU'RE MOVING OUT. 18 00:01:17,198 --> 00:01:19,910 [ CELLPHONE RINGS ] 19 00:01:19,910 --> 00:01:21,081 [ BEEP ] 20 00:01:21,081 --> 00:01:22,082 BECKETT. 21 00:01:24,705 --> 00:01:27,508 THANKS. 22 00:01:27,508 --> 00:01:29,130 YOU OKAY? 23 00:01:29,130 --> 00:01:30,211 YEAH, SURE. I'M FINE. 24 00:01:30,211 --> 00:01:32,843 Esposito: WHICH CAN'T BE SAID FOR OUR DEAD GUY. 25 00:01:32,843 --> 00:01:35,216 USHER WAS CLOSING UP LAST NIGHT AROUND 11:30, 26 00:01:35,216 --> 00:01:37,057 SAW SOMEONE FLEEING THE SCENE. 27 00:01:37,057 --> 00:01:38,559 THAT'S WHEN HE FOUND THE BODY. 28 00:01:38,559 --> 00:01:40,060 DID HE SAY WHAT THAT SOMEONE LOOKED LIKE? 29 00:01:40,060 --> 00:01:41,142 JUST A FIGURE IN A DARK COAT. 30 00:01:41,142 --> 00:01:42,223 AS FAR AS OUR VIC GOES, 31 00:01:42,223 --> 00:01:45,065 THERE'S NO WALLET, NO I.D., NO CELL. 32 00:01:45,065 --> 00:01:46,147 BUT THE USHER THINKS THAT HE MIGHT BE -- 33 00:01:46,147 --> 00:01:47,318 LANCE DeLORCA. 34 00:01:47,318 --> 00:01:49,150 WHO'S LANCE DeLORCA? 35 00:01:49,150 --> 00:01:50,321 HE'S THAT GUY! 36 00:01:50,321 --> 00:01:52,943 HE'S ONE OF THE BIGGEST ACTION HEROES OF THE 1980s 37 00:01:52,943 --> 00:01:55,326 AND A HUGE ROLE MODEL FROM MY YOUTH. 38 00:01:55,326 --> 00:01:57,948 OKAY, WELL, HE DOES LOOK A LITTLE FAMILIAR. 39 00:01:57,948 --> 00:02:00,411 "A LITTLE"? HE'S THE STAR OF ALL THE "HARD KILL" MOVIES. 40 00:02:00,411 --> 00:02:02,623 EX-NAVY SEAL, ZEN MASTER RICO CRUZ 41 00:02:02,623 --> 00:02:04,835 WITH THE CATCHPHRASE "TIME TO HIT CRUZ CONTROL"? 42 00:02:04,835 --> 00:02:06,507 YEAH, I WAS NEVER A FAN. 43 00:02:06,507 --> 00:02:08,169 ME, NEITHER. WHAT'S HE DONE LATELY, ANYWAY? 44 00:02:08,169 --> 00:02:09,510 YEAH, RIGHT? BEAT LEUKEMIA. 45 00:02:11,802 --> 00:02:13,514 YEAH, HE HADN'T ACTED IN YEARS. 46 00:02:13,514 --> 00:02:15,015 SUFFERED A COUPLE SETBACKS 47 00:02:15,015 --> 00:02:16,927 DUE TO DRUGS, ALCOHOL, AND SOME BOX-OFFICE FLOPS. 48 00:02:16,927 --> 00:02:18,849 BUT -- BUT LANCE LIVED IN L.A. 49 00:02:18,849 --> 00:02:21,061 I WONDER WHAT HE WAS DOING IN TOWN. 50 00:02:21,061 --> 00:02:22,062 AND AT THIS THEATER. 51 00:02:22,062 --> 00:02:23,894 DID HE COME HERE TO WATCH ONE OF HIS OWN MOVIES? 52 00:02:23,894 --> 00:02:25,266 THE USHER SAID NO. 53 00:02:25,266 --> 00:02:27,147 AND THERE WAS NO TICKET STUB FOUND ON THE BODY. 54 00:02:27,147 --> 00:02:30,150 THERE IS PERIMORTEM BRUISING ON HIS HANDS AND TORSO. 55 00:02:30,150 --> 00:02:32,363 CASTLE'S IDOL MUST HAVE GOTTEN INTO A FIGHT 56 00:02:32,363 --> 00:02:34,074 NOT TOO LONG BEFORE HE DIED. 57 00:02:34,074 --> 00:02:37,488 CAUSE OF DEATH IS CLEARLY STRANGULATION BY LIGATURE. 58 00:02:37,488 --> 00:02:39,780 A NARROW LIGATURE, FROM THE LOOKS OF IT. 59 00:02:39,780 --> 00:02:42,873 Ryan: MADE BY A THIN WIRE TIED TO TWO WOODEN DOWELS? 60 00:02:42,873 --> 00:02:43,914 C.S.U. FOUND THIS IN THE DUMPSTER. 61 00:02:43,914 --> 00:02:45,916 A GARROTE. WHO WOULD USE ONE OF THOSE? 62 00:02:45,916 --> 00:02:48,419 SPECIAL FORCES WILL SOMETIMES WHEN YOU WANT TO KILL QUIETLY. 63 00:02:48,419 --> 00:02:49,550 WELL, THE BIGGER QUESTION IS 64 00:02:49,550 --> 00:02:50,751 HOW'D THEY GET THE DROP ON LANCE DeLORCA? 65 00:02:50,751 --> 00:02:52,213 Ryan: UH, LANCE PLAYED AN ACTION HERO, CASTLE. 66 00:02:52,213 --> 00:02:53,844 IT DOESN'T MEAN HE WAS ONE. 67 00:02:53,844 --> 00:02:56,096 AU CONTRAIRE, MON FRèRE. 68 00:02:56,096 --> 00:02:58,008 LANCE WAS BORN IN SPAIN, WHERE, BEFORE HE BECAME AN ACTOR, 69 00:02:58,008 --> 00:03:02,763 HE WAS A MEMBER OF THE CNI, THE SPANISH INTELLIGENCE AGENCY. 70 00:03:02,763 --> 00:03:06,146 HE WAS BLACK OPS. THIS MAN WAS A LETHAL WEAPON. 71 00:03:06,146 --> 00:03:08,269 YEAH, WELL, NOT LETHAL ENOUGH. 72 00:03:08,269 --> 00:03:10,441 HAVE C.S.U. TAKE A LOOK AT THE MURDER WEAPON FOR PRINTS. 73 00:03:10,441 --> 00:03:11,942 I'LL GET AHOLD OF HIS NEXT OF KIN. 74 00:03:11,942 --> 00:03:13,153 WE'LL SEE IF THEY KNOW WHO MIGHT HAVE DONE THIS TO HIM. 75 00:03:13,153 --> 00:03:14,945 [ CAMERA SHUTTER CLICKS ] 76 00:03:14,945 --> 00:03:16,947 Cruz: EVERY MAN HAS HIS PRICE, EL JéFE. 77 00:03:16,947 --> 00:03:19,490 NAME YOURS, AND WE CAN END THIS. 78 00:03:19,490 --> 00:03:20,911 THERE HE IS -- 79 00:03:20,911 --> 00:03:23,914 LANCE DeLORCA AS RICO CRUZ SQUARING OFF WITH EL JéFE, 80 00:03:23,914 --> 00:03:25,746 THE RUTHLESS DRUG LORD, PLAYED BY HENRY BOOTHE. 81 00:03:25,746 --> 00:03:28,329 SEE, IN THIS SCENE, EL JéFE HAS JUST ABDUCTED 82 00:03:28,329 --> 00:03:30,090 A BRILLIANT BUT BUXOM ARCHAEOLOGIST 83 00:03:30,090 --> 00:03:31,712 FROM A DIG IN CARTAGENA. 84 00:03:31,712 --> 00:03:33,924 NOW RICO IS TRYING TO PAY HIM RANSOM 85 00:03:33,924 --> 00:03:35,336 TO GET HER RELEASED. 86 00:03:35,336 --> 00:03:37,047 El Jéfe: ...DANGEROUS GAME, SEÑOR. "I GOT YOUR ZERO." 87 00:03:37,047 --> 00:03:39,340 I GOT YOUR ZERO, RICO. 88 00:03:39,340 --> 00:03:41,262 "YOU NEED BACKUP, JUST SAY THE WORD." YOU NEED BACKUP, JUST SAY THE WORD. 89 00:03:41,262 --> 00:03:43,684 AND I'LL TAKE 'EM ALL OUT. [ LAUGHS ] 90 00:03:43,684 --> 00:03:45,055 I WAS RAISED BY A SINGLE MOTHER. 91 00:03:45,055 --> 00:03:47,688 "HARD KILL" WAS HOW I GOT MY BRO TIME. 92 00:03:47,688 --> 00:03:49,900 THAT EXPLAINS SO MUCH. MM-HMM. 93 00:03:49,900 --> 00:03:52,733 THAT'S RICO'S PARTNER IN ALL THE "HARD KILL" MOVIES, 94 00:03:52,733 --> 00:03:55,235 BOOKER DANE, PLAYED BY BROCK HARMON. 95 00:03:55,235 --> 00:03:57,067 YEAH, THE GUY FROM "THE INDESTRUCTIBLES" MOVIES, 96 00:03:57,067 --> 00:03:58,779 WHERE ALL THE BADASS ACTION HEROES 97 00:03:58,779 --> 00:04:01,161 BAND TOGETHER FOR ONE LAST MISSION. BEFORE THEY DIE OF OLD AGE. 98 00:04:01,161 --> 00:04:04,034 HEY. IT'S A GREAT FILM. AND SO IS THE SEQUEL. 99 00:04:04,034 --> 00:04:06,747 EL JéFE'S HENCHWOMAN, PLAYED BY BROCK'S WIFE, 100 00:04:06,747 --> 00:04:08,959 NAOMI DUVRAY, THE ONE IN THE BLACK. 101 00:04:08,959 --> 00:04:11,081 GET YOUR HANDS OFF ME. SHUT UP! 102 00:04:11,081 --> 00:04:12,423 El Jéfe: THERE SHE IS, MR. CRUZ. 103 00:04:12,423 --> 00:04:15,215 YOUR PRECIOUS ARCHAEOLOGIST. THE REDHEAD? 104 00:04:15,215 --> 00:04:17,137 SHE'S AN ARCHAEOLOGIST? THAT STRAINS CREDIBILITY. 105 00:04:17,137 --> 00:04:19,760 YEAH, IN A GOOD WAY. 106 00:04:19,760 --> 00:04:21,181 HARD AT WORK INVESTIGATING, I SEE. [ VIDEO PAUSES ] 107 00:04:23,974 --> 00:04:25,646 UH, ACTUALLY, I JUST CALLED TSA, 108 00:04:25,646 --> 00:04:27,097 AND LANCE FLEW INTO TOWN TWO WEEKS AGO. 109 00:04:27,097 --> 00:04:28,769 WE'RE STILL TRYING TO RUN DOWN WHERE HE WAS STAYING. 110 00:04:28,769 --> 00:04:30,060 Esposito: AND I HAD C.S.U. TAKE A LOOK AT THAT GARROTE. 111 00:04:30,060 --> 00:04:31,392 THERE'S NO PRINTS OR DNA, 112 00:04:31,392 --> 00:04:33,023 BUT IT'S MADE OUT OF A HIGH-STRENGTH MONOFILAMENT. 113 00:04:33,023 --> 00:04:35,856 AND I... FOUND THE NEXT OF KIN. 114 00:04:37,107 --> 00:04:38,989 THE ARCHAEOLOGIST? YEAH. LANCE MARRIED THE ACTRESS. 115 00:04:38,989 --> 00:04:40,321 HER NAME'S KAT KINGSLEY. 116 00:04:40,321 --> 00:04:41,402 I KNOW WHAT HER NAME IS. 117 00:04:41,402 --> 00:04:43,203 WHILE YOU WERE HAVING YOUR B-MOVIE FESTIVAL, 118 00:04:43,203 --> 00:04:45,205 I TRACKED HER DOWN. 119 00:04:45,205 --> 00:04:46,537 SHE'S IN NEW YORK, SHE'S SHOOTING A FILM, 120 00:04:46,537 --> 00:04:47,538 AND SHE'S ON HER WAY IN NOW. 121 00:04:47,538 --> 00:04:49,370 SHE'S COMING HERE?! 122 00:04:49,370 --> 00:04:52,333 I HAD HER POSTER ON MY WALL FOR LIKE... 123 00:04:53,624 --> 00:04:56,086 ...FOR ABOUT A MINUTE. HMM. 124 00:04:57,177 --> 00:04:59,179 YOU KNOW, MAYBE YOU SHOULD SIT THIS ONE OUT, CASTLE. 125 00:05:05,976 --> 00:05:10,351 THIS DOESN'T SEEM REAL, LIKE IT'S JUST A... 126 00:05:10,351 --> 00:05:12,312 A BAD DREAM. 127 00:05:12,312 --> 00:05:13,694 MS. KINGSLEY, DO YOU KNOW OF ANYONE 128 00:05:13,694 --> 00:05:15,195 THAT WOULD HAVE WANTED TO HARM YOUR HUSBAND? 129 00:05:15,195 --> 00:05:17,027 NO. OF COURSE NOT. 130 00:05:17,027 --> 00:05:19,109 AND WHEN WAS THE LAST TIME YOU TALKED TO HIM? 131 00:05:19,109 --> 00:05:20,531 IT WAS A WEEK AGO. 132 00:05:20,531 --> 00:05:23,033 WE TRIED TO MEET FOR LUNCH, BUT IT NEVER WORKED OUT. A WEEK AGO? 133 00:05:23,033 --> 00:05:24,865 THE TWO OF YOU WEREN'T STAYING TOGETHER? 134 00:05:24,865 --> 00:05:27,117 WE WERE GETTING A DIVORCE. 135 00:05:27,117 --> 00:05:28,409 I SAW LANCE THROUGH HIS CANCER TREATMENT, 136 00:05:28,409 --> 00:05:33,043 BUT AFTER ALL THE YEARS, THE HIGH, THE LOWS, 137 00:05:33,043 --> 00:05:34,214 NEITHER OF US HAD ANYTHING LEFT. 138 00:05:34,214 --> 00:05:35,085 I MEAN, IT WAS ALL AMICABLE. 139 00:05:35,085 --> 00:05:37,087 DO YOU KNOW WHAT HE WAS DOING IN TOWN? 140 00:05:37,087 --> 00:05:39,049 HE WAS SHOOTING A FILM 141 00:05:39,049 --> 00:05:41,051 WITH HIS OLD PARTNER, BROCK HARMON. 142 00:05:41,051 --> 00:05:42,673 WHAT FILM? 143 00:05:42,673 --> 00:05:44,094 THE NEXT "INDESTRUCTIBLES" MOVIE. 144 00:05:44,094 --> 00:05:45,345 BROCK'S DIRECTING. 145 00:05:45,345 --> 00:05:47,888 IN FACT, LANCE WAS STAYING WITH HIM. 146 00:05:47,888 --> 00:05:50,471 SO IF THERE WAS TROUBLE, BROCK WOULD KNOW ABOUT IT. 147 00:05:50,471 --> 00:05:52,232 Man: GO, GO, GO! 148 00:05:52,232 --> 00:05:55,065 [ INDISTINCT SHOUTING ] 149 00:06:00,781 --> 00:06:02,362 [ SCOFFS ] THIS IS SO CHEESY. 150 00:06:02,362 --> 00:06:03,984 AH, SHH! 151 00:06:03,984 --> 00:06:06,827 AND BY "CHEESY," SHE MEANS "AMAZING." 152 00:06:08,989 --> 00:06:10,831 COME ON. BEHOLD THE MIRACLE OF CINEMA. 153 00:06:10,831 --> 00:06:12,703 THE REAL MIRACLE IS HOW A GIRL LIKE THAT 154 00:06:12,703 --> 00:06:14,044 IS HANGING OUT WITH A BUNCH OF GUYS 155 00:06:14,044 --> 00:06:15,626 WHO ARE OLD ENOUGH TO BE HER GRANDFATHER. 156 00:06:15,626 --> 00:06:18,168 THAT'S SERAFINA, THE MIXED MARTIAL ARTS STAR. 157 00:06:18,168 --> 00:06:20,380 SHE COULD BEAT ALL THOSE GUYS TO A PULP. 158 00:06:20,380 --> 00:06:21,762 WHO'S THAT GUY? 159 00:06:21,762 --> 00:06:24,344 DIDN'T YOU MAKE ME WATCH A MOVIE WITH HIM IN IT? 160 00:06:24,344 --> 00:06:25,926 ROLF MAGNUS. 161 00:06:25,926 --> 00:06:29,179 HE'S A NORDIC BODYBUILDER, CARD-CARRYING MEMBER OF MENSA. 162 00:06:29,179 --> 00:06:31,181 I DON'T KNOW, CASTLE. MAYBE I JUST LIKE THE OLD-SCHOOL GUYS, YOU KNOW? 163 00:06:31,181 --> 00:06:34,224 LIKE EASTWOOD, BRONSON, McQUEEN -- 164 00:06:34,224 --> 00:06:35,185 REAL ACTORS. 165 00:06:35,185 --> 00:06:36,937 WELL, THEN CHECK OUT CLAY BIGGS. 166 00:06:36,937 --> 00:06:38,979 GRADUATED TOP OF HIS CLASS AT JUILLIARD, 167 00:06:38,979 --> 00:06:40,521 IN CONTRAST TO BROCK HARMON, 168 00:06:40,521 --> 00:06:42,693 WHO MADE HIS ON-SCREEN DEBUT 169 00:06:42,693 --> 00:06:45,075 AS A PORN STAR KNOWN AS "BROCK THE --" CUT! THAT'S A CUT! 170 00:06:45,075 --> 00:06:46,487 [ BELL RINGS ] 171 00:06:46,487 --> 00:06:50,701 STEVE, GET ME SOMETHING THAT WORKS OR GET A NEW JOB. 172 00:06:50,701 --> 00:06:52,623 [ INDISTINCT CONVERSATIONS ] 173 00:06:54,795 --> 00:06:58,208 THANK YOU. [ SIGHS ] 174 00:06:58,208 --> 00:06:59,339 Beckett: MR. HARMON. 175 00:06:59,339 --> 00:07:02,132 DETECTIVE BECKETT. THIS IS MR. CASTLE. HI. 176 00:07:02,132 --> 00:07:03,093 MR. HARMON -- HUGE FAN, HUGE FAN. 177 00:07:03,093 --> 00:07:04,254 [ STAMMERING ] 178 00:07:04,254 --> 00:07:06,046 I'M -- IT'S A HON-- HONOR TO MEET YOU. 179 00:07:06,046 --> 00:07:07,387 THE HONOR IS MINE. 180 00:07:07,387 --> 00:07:09,810 I'VE PASSED MANY AN HOUR IN THE JOHN READING YOUR BOOKS. 181 00:07:11,391 --> 00:07:13,103 WE'RE HERE ABOUT LANCE DeLORCA. 182 00:07:13,103 --> 00:07:15,476 AH. SAD DAY FOR ME. AND MY FAMILY. 183 00:07:15,476 --> 00:07:18,228 HERE YOU GO, DARLING. OH, THANKS, BABE. 184 00:07:18,228 --> 00:07:19,229 WELL, IF YOU'RE A FAN OF MINE, 185 00:07:19,229 --> 00:07:21,612 YOU KNOW MY WIFE, NAOMI DUVRAY. 186 00:07:21,612 --> 00:07:23,443 [ LAUGHS ] AND HER JEWELRY LINE, TOO, I HOPE. 187 00:07:23,443 --> 00:07:26,026 SHE JUST LAUNCHED A SPRING COLLECTION -- NICE. 188 00:07:26,026 --> 00:07:28,448 YOU WERE JUST OUTSTANDING AS EL JéFE'S HENCHWOMAN 189 00:07:28,448 --> 00:07:30,240 IN "HARD KILL." THAT WAS -- OOH. 190 00:07:30,240 --> 00:07:33,033 OH, THAT IS SO SWEET. [ LAUGHS ] 191 00:07:33,033 --> 00:07:35,205 I HAD A MEAN ROUNDHOUSE KICK, BUT I WASN'T MUCH OF AN ACTOR. 192 00:07:35,205 --> 00:07:37,127 WELL, IT NEVER STOPPED ME. 193 00:07:37,127 --> 00:07:38,128 [ LAUGHTER ] 194 00:07:38,128 --> 00:07:39,630 OH, UH, THIS IS MY SON, TREY. 195 00:07:39,630 --> 00:07:41,381 GOOD TO MEET YOU. 196 00:07:41,381 --> 00:07:43,584 UH, MR. HARMON, COULD WE SPEAK PRIVATELY? 197 00:07:43,584 --> 00:07:45,636 OH. SURE. 198 00:07:45,636 --> 00:07:47,217 [ KNIFE CLICKS ] [ GRUNTS ] 199 00:07:47,217 --> 00:07:49,850 TRANSPLANT FROM A BONE-MARROW DONOR, 200 00:07:49,850 --> 00:07:52,052 THAT'S WHAT PUT LANCE IN REMISSION, SAVED HIS LIFE. 201 00:07:52,052 --> 00:07:54,184 HE KNEW HE'D BEEN GIVEN A SECOND CHANCE. 202 00:07:54,184 --> 00:07:56,597 HE GOT SOBER, CLEANED UP HIS ACT. 203 00:07:56,597 --> 00:07:58,228 THAT'S WHY I GAVE HIM A PART IN THE MOVIE. 204 00:07:58,228 --> 00:08:00,651 THIS COULD HAVE BEEN HIS BIG COMEBACK. 205 00:08:00,651 --> 00:08:04,064 SO, WE UNDERSTAND THAT HE WAS STAYING WITH YOU. 206 00:08:04,064 --> 00:08:05,195 HOW DID HE SEEM? 207 00:08:05,195 --> 00:08:07,948 QUIET. SECRETIVE, I'D EVEN SAY. 208 00:08:07,948 --> 00:08:10,531 LANCE WAS ALWAYS A MAN OF FEW WORDS, 209 00:08:10,531 --> 00:08:13,163 BUT EVEN FEWER THIS TIME OUT. 210 00:08:13,163 --> 00:08:14,745 ANY IDEA WHAT HE WAS DOING ON THE LOWER EAST SIDE 211 00:08:14,745 --> 00:08:16,747 LAST NIGHT AT 11:30? 212 00:08:16,747 --> 00:08:18,078 I DIDN'T EVEN KNOW HE WAS IN TOWN. 213 00:08:18,078 --> 00:08:19,750 YOU SAID HE WAS STAYING WITH YOU. 214 00:08:19,750 --> 00:08:22,172 RIGHT. LANCE WRAPPED LAST WEEK. 215 00:08:22,172 --> 00:08:24,294 I WAS TOLD TRANSPORTATION TOOK HIM 216 00:08:24,294 --> 00:08:25,886 STRAIGHT FROM THE SET TO THE AIRPORT. 217 00:08:25,886 --> 00:08:27,678 OKAY, WELL, MY DETECTIVES WILL NEED TO SPEAK WITH THE DRIVER, 218 00:08:27,678 --> 00:08:29,590 ALONG WITH ANYONE ELSE THAT LANCE KNEW. 219 00:08:29,590 --> 00:08:30,721 OF COURSE. UM... 220 00:08:30,721 --> 00:08:34,134 WHAT EXACTLY HAPPENED? HOW DID HE DIE? 221 00:08:34,134 --> 00:08:37,267 UM, HE WAS STRANGLED... 222 00:08:38,308 --> 00:08:40,731 ...WITH A GARROTE. 223 00:08:40,731 --> 00:08:43,193 DOES THAT MEAN SOMETHING TO YOU? 224 00:08:43,193 --> 00:08:46,066 YOU KNOW LANCE WAS CNI, RIGHT? 225 00:08:46,066 --> 00:08:48,108 SPANISH INTELLIGENCE. 226 00:08:48,108 --> 00:08:49,950 WHAT DOES THAT HAVE TO DO WITH HIS MURDER? 227 00:08:49,950 --> 00:08:51,912 EVERYTHING. 228 00:08:51,912 --> 00:08:54,655 HE WAS A CNI ASSASSIN. THAT WAS HIS SIGNATURE. 229 00:08:54,655 --> 00:08:56,286 HE KILLED PEOPLE WITH A GARROTE. 230 00:08:56,286 --> 00:08:57,788 [ ELEVATOR BELL DINGS ] 231 00:08:57,788 --> 00:08:59,830 WHICH IS WHY IT WAS USED TO KILL HIM. 232 00:08:59,830 --> 00:09:02,793 LANCE WAS MURDERED BECAUSE HE'S THE SPANISH JASON BOURNE. 233 00:09:02,793 --> 00:09:04,214 WHY, CASTLE? 234 00:09:04,214 --> 00:09:06,216 BECAUSE A "B" ACTION-MOVIE STAR IN A KIMONO SAID SO? 235 00:09:06,216 --> 00:09:07,588 BECAUSE IT MAKES SENSE. 236 00:09:07,588 --> 00:09:09,379 LANCE WAS DRAWING ON HIS EXPERIENCE 237 00:09:09,379 --> 00:09:13,013 AS A RUTHLESS CNI OPERATIVE TO PLAY ACTION HEROES. 238 00:09:13,013 --> 00:09:14,224 BUT HIS SHADOWY PAST CAUGHT UP WITH HIM. 239 00:09:14,224 --> 00:09:15,305 MAYBE IT WAS REVENGE 240 00:09:15,305 --> 00:09:17,728 FOR A-A HIT HE DID BACK IN THE DAY -- 241 00:09:17,728 --> 00:09:20,310 KILL HIM THE WAY HE KILLED. 242 00:09:20,310 --> 00:09:22,272 CASTLE, HE LEFT CNI 30 YEARS AGO. 243 00:09:22,272 --> 00:09:25,525 WHY WOULD HIS PAST CATCH UP TO HIM NOW? 244 00:09:25,525 --> 00:09:28,148 MR. CASTLE MIGHT JUST BE RIGHT ABOUT CNI. 245 00:09:28,148 --> 00:09:30,150 AHA. HOW -- HOW AM I RIGHT. 246 00:09:30,150 --> 00:09:33,113 ESPOSITO AND RYAN ARE OFF INTERVIEWING FOLKS ON THE SET. 247 00:09:33,113 --> 00:09:35,115 BUT BEFORE THEY LEFT, THEY GOT ONTO SOMETHING. 248 00:09:35,115 --> 00:09:38,038 THEY PULLED LANCE'S PHONE RECORDS, AND THE DAY HE DIED, 249 00:09:38,038 --> 00:09:40,831 HE MADE A PHONE CALL TO INTERPOL IN SPAIN, 250 00:09:40,831 --> 00:09:43,624 TO THE OFFICE OF ONE ENRIQUE GOMEZ. 251 00:09:43,624 --> 00:09:45,375 WHAT DOES GOMEZ HAVE TO DO WITH CNI? 252 00:09:45,375 --> 00:09:48,669 ACCORDING TO HIS BIO, GOMEZ USED TO WORK THERE 253 00:09:48,669 --> 00:09:50,550 AT THE SAME TIME LANCE DeLORCA DID. 254 00:09:50,550 --> 00:09:53,553 SO LANCE REACHES OUT TO ANOTHER EX-AGENT, 255 00:09:53,553 --> 00:09:55,135 AND HE'S KILLED WITH A GARROTE? 256 00:09:56,056 --> 00:09:57,477 MARK MY WORDS... [ SIGHS ] 257 00:09:57,477 --> 00:10:00,060 ...THIS CASE IS GONNA LEAD US INTO A LABYRINTHIAN WORLD 258 00:10:00,060 --> 00:10:03,433 OF DECEIT, VILLAINY, AND INTERNATIONAL ESPIONAGE. 259 00:10:03,433 --> 00:10:05,355 THIS IS BETTER THAN ONE OF HIS MOVIES. 260 00:10:05,355 --> 00:10:07,107 AFTER WHAT I SAW, IT'D HAVE TO BE. 261 00:10:18,238 --> 00:10:19,239 YEAH. THANKS. 262 00:10:19,239 --> 00:10:21,081 [ RECEIVER CLICKS ] UPDATE. 263 00:10:21,081 --> 00:10:22,242 I CONTACTED INTERPOL TO TRACK DOWN 264 00:10:22,242 --> 00:10:24,004 THAT GUY LANCE CALLED, ENRIQUE GOMEZ. 265 00:10:24,004 --> 00:10:26,206 WELL, IT TURNS OUT GOMEZ IS HERE IN NEW YORK 266 00:10:26,206 --> 00:10:27,958 FOR A MEETING AT THE U.N. 267 00:10:27,958 --> 00:10:30,050 WHERE WAS HE LAST NIGHT AT 11:30? 268 00:10:30,050 --> 00:10:31,461 ON A RED-EYE IN FROM MADRID. 269 00:10:31,461 --> 00:10:33,013 HE ARRIVED EARLY THIS MORNING, 270 00:10:33,013 --> 00:10:34,054 SO HE'S NOT OUR KILLER. 271 00:10:34,054 --> 00:10:36,016 BUT INTERPOL WILL SEND HIM OVER HERE FOR AN INTERVIEW. 272 00:10:36,016 --> 00:10:38,468 HE MIGHT HAVE INSIGHT ON THE MURDER. 273 00:10:38,468 --> 00:10:39,599 WELL, I TALKED TO CNI 274 00:10:39,599 --> 00:10:41,021 TO ASK THEM ABOUT LANCE'S TIME THERE, 275 00:10:41,021 --> 00:10:42,562 ABOUT MISSIONS THAT HE WAS INVOLVED IN, 276 00:10:42,562 --> 00:10:45,185 ENEMIES THAT HE MIGHT HAVE HAD, AND THEY ARE STONE-WALLING ME. 277 00:10:45,185 --> 00:10:47,107 INTELLIGENCE AGENCIES LIKE CNI 278 00:10:47,107 --> 00:10:49,649 AVOID DISCLOSING INFORMATION ON THEIR EMPLOYEES. 279 00:10:49,649 --> 00:10:52,152 BUT I DO HAVE CONTACTS IN THE STATE DEPARTMENT. 280 00:10:52,152 --> 00:10:53,944 LET ME JUST ASK AROUND. GREAT. 281 00:10:53,944 --> 00:10:57,197 I'VE REACHED OUT TO MY GUYS IN WASHINGTON, AS WELL. 282 00:10:57,197 --> 00:10:59,870 HEY, BECKETT. I THINK WE GOT SOMETHING FROM THAT MOVIE SET. 283 00:10:59,870 --> 00:11:02,332 WE TALKED TO THE DRIVER WHO TOOK LANCE TO THE AIRPORT. 284 00:11:02,332 --> 00:11:03,954 ONLY, THAT'S NOT WHAT HE DID. 285 00:11:03,954 --> 00:11:05,455 LANCE ASKED THE DRIVER TO DROP HIM OFF 286 00:11:05,455 --> 00:11:07,417 AT SOME SEEDY HOTEL ON BROOME STREET. 287 00:11:07,417 --> 00:11:09,339 AND HE DIDN'T WANT ANYBODY TO KNOW ABOUT IT. 288 00:11:09,339 --> 00:11:10,791 HE PAID THE DRIVER 100 BUCKS TO LIE 289 00:11:10,791 --> 00:11:12,052 AND SAY HE DROPPED LANCE OFF AT JFK. 290 00:11:12,052 --> 00:11:14,094 WHY WOULD HE GO TO THIS HOTEL? 291 00:11:14,094 --> 00:11:15,716 WELL, THAT'S WHERE IT GETS WEIRD. 292 00:11:15,716 --> 00:11:17,057 THE UNIs WE SENT TO CANVASS 293 00:11:17,057 --> 00:11:19,469 SAID THAT LANCE HAD RENTED A ROOM THERE FOR THE PAST WEEK. 294 00:11:19,469 --> 00:11:22,062 UNDER THE NAME RICO CRUZ, HIS CHARACTER FROM "HARD KILL." 295 00:11:22,062 --> 00:11:23,303 UM...OKAY. 296 00:11:23,303 --> 00:11:24,975 HAVE UNIs CHECK FOR SECURITY VIDEO AT THE HOTEL, 297 00:11:24,975 --> 00:11:27,067 AND, UH, LET'S ROUND UP 298 00:11:27,067 --> 00:11:28,438 ANY OF LANCE'S PERSONAL EFFECTS FROM HIS ROOM. 299 00:11:28,438 --> 00:11:29,439 YEAH. 300 00:11:30,901 --> 00:11:31,902 THANKS, L.T. YEAH. 301 00:11:31,902 --> 00:11:33,023 I-I DON'T UNDERSTAND. 302 00:11:33,023 --> 00:11:35,075 WHY WOULD LANCE LEAVE BROCK HARMON'S FIFTH AVENUE DIGS 303 00:11:35,075 --> 00:11:37,818 TO GO STAY IN A FLOPHOUSE? 304 00:11:37,818 --> 00:11:39,029 AND WITHOUT TELLING ANYONE. 305 00:11:39,029 --> 00:11:40,700 HE'S DEFINITELY UP TO SOMETHING. 306 00:11:40,700 --> 00:11:42,032 YEAH. 307 00:11:42,032 --> 00:11:44,204 HEY! A "HARD KILL" DVD. 308 00:11:44,204 --> 00:11:46,416 LOOKS LIKE LANCE WAS TRYING TO RELIVE THE OLD DAYS. 309 00:11:46,416 --> 00:11:49,169 "TIME TO HIT CRUZ CONTROL." 310 00:11:49,169 --> 00:11:50,130 YOU KNOW, MAYBE THAT'S WHAT I NEED -- 311 00:11:50,130 --> 00:11:51,541 A CATCHPHRASE. 312 00:11:51,541 --> 00:11:53,173 "TIME TO METE OUT JUSTICE." 313 00:11:54,424 --> 00:11:56,466 "TIME... FOR PRISON TIME." 314 00:11:56,466 --> 00:11:58,258 YEAH, YOU KEEP WORKING ON THAT, BRO. 315 00:11:58,258 --> 00:12:00,761 "TIME TO PAY THE BILL FOR DOING THE KILL." 316 00:12:00,761 --> 00:12:02,182 OKAY, ON SECOND THOUGHT, DON'T. 317 00:12:03,103 --> 00:12:05,555 HEY. BUILDING SCHEMATICS? 318 00:12:05,555 --> 00:12:07,017 THERE'S A BUNCH OF WEIRD STUFF IN THIS BOX. 319 00:12:07,017 --> 00:12:12,402 SOLDERING IRON, BLUE CRAFT PAINT, 320 00:12:12,402 --> 00:12:15,275 A MICROPHONE, A USB DRIVE -- BOTH EMPTY CASES. 321 00:12:15,275 --> 00:12:17,117 LOOKS LIKE HE WAS BUILDING SOMETHING, 322 00:12:17,117 --> 00:12:18,408 LIKE A RECORDING DEVICE. 323 00:12:18,408 --> 00:12:20,991 AND THEN HE ADDED STICKERS TO IT? 324 00:12:20,991 --> 00:12:22,532 STICKERS? WHAT THE HELL IS THAT ABOUT? 325 00:12:22,532 --> 00:12:24,324 I DON'T KNOW, BUT THE "2" AND "5" ARE MISSING. 326 00:12:24,324 --> 00:12:26,626 HMM. 327 00:12:27,497 --> 00:12:29,369 "TREY." 328 00:12:29,369 --> 00:12:31,041 HEY, THIS MUST BE TREY HARMON, BROCK HARMON'S KID. 329 00:12:31,041 --> 00:12:33,293 WHY WOULD LANCE CALL HIM? 330 00:12:33,293 --> 00:12:36,086 HE WANTED TO ASK ME ABOUT THE NEW YORK CLUB SCENE. 331 00:12:36,086 --> 00:12:38,048 THAT'S MY THING. I'M A CLUB PROMOTER. 332 00:12:38,048 --> 00:12:39,639 BUT I KIND OF SHUT HIM DOWN, TO BE HONEST. 333 00:12:39,639 --> 00:12:40,640 WHY IS THAT? 334 00:12:40,640 --> 00:12:43,223 AFTER THE CANCER, HE GOT SOBER. 335 00:12:43,223 --> 00:12:44,975 NO WAY I WAS GONNA HELP HIM FALL OFF THE WAGON 336 00:12:44,975 --> 00:12:47,347 AND START PARTYING AGAIN. HUH. 337 00:12:47,347 --> 00:12:49,349 DO YOU RECOGNIZE THIS? 338 00:12:49,349 --> 00:12:51,351 I THINK IT MIGHT BE THE FLOOR PLAN TO A CLUB. 339 00:12:51,351 --> 00:12:53,193 [ GROANING ] 340 00:12:53,193 --> 00:12:54,734 Brock: I BARELY TOUCHED YOU. 341 00:12:54,734 --> 00:12:56,276 I DON'T KNOW. I CAN'T REALLY TELL WHAT THAT IS. 342 00:12:56,276 --> 00:12:57,447 DID LANCE HAVE THIS? 343 00:12:57,447 --> 00:13:01,111 YEAH, AND WE DON'T THINK THAT HE WANTED TO PARTY. 344 00:13:01,111 --> 00:13:03,743 DID HE EXPLAIN TO YOU WHY HE WAS INTERESTED IN CLUBS? 345 00:13:03,743 --> 00:13:04,784 NOT REALLY. 346 00:13:04,784 --> 00:13:06,036 HE JUST SAID THAT THERE WAS SOMETHING 347 00:13:06,036 --> 00:13:07,117 THAT HE NEEDED TO TAKE CARE OF. 348 00:13:08,578 --> 00:13:10,670 THERE WAS SOMETHING HE NEEDED TO TAKE CARE OF. 349 00:13:10,670 --> 00:13:12,042 I HAVE A THEORY. 350 00:13:12,042 --> 00:13:14,254 GREAT, 'CAUSE, RIGHT NOW, I COULD USE ONE. 351 00:13:14,254 --> 00:13:16,837 IT'S A CLASSIC ACTION-MOVIE PLOT DEVICE. 352 00:13:16,837 --> 00:13:18,418 LANCE, HIS BLACK-OP DAYS LONG BEHIND HIM, 353 00:13:18,418 --> 00:13:21,301 DECIDES TO GO ON ONE FINAL MISSION 354 00:13:21,301 --> 00:13:23,593 TO VANQUISH HIS OLD NEMESIS. 355 00:13:23,593 --> 00:13:25,015 WHICH WOULD BE? 356 00:13:25,015 --> 00:13:27,517 UH, IT'S A RIVAL ASSASSIN WHO WAS ONCE HIS BEST FRIEND 357 00:13:27,517 --> 00:13:29,019 BUT THEN BETRAYED HIM. 358 00:13:29,019 --> 00:13:31,061 OR, ACTUALLY, UH, A BLOFELD-STYLE SUPERVILLAIN 359 00:13:31,061 --> 00:13:32,602 WHO KILLED LANCE'S WIFE AND THEN DISAPPEARED. 360 00:13:32,602 --> 00:13:35,025 YEAH, BUT KAT KINGSLEY IS STILL ALIVE. 361 00:13:35,025 --> 00:13:36,816 NO, LANCE'S OTHER WIFE 362 00:13:36,816 --> 00:13:38,568 FROM HIS TRAGIC BUT SECRET CNI PAST. 363 00:13:38,568 --> 00:13:40,150 NOW, I ADMIT I'M A LITTLE SKETCHY ON THE DETAILS 364 00:13:40,150 --> 00:13:41,361 OF THE MISSION AND THE NEMESIS, 365 00:13:41,361 --> 00:13:45,906 BUT BOTTOM LINE IS LANCE EMBARKED ON A MISSION. 366 00:13:45,906 --> 00:13:49,209 THE YEARS HAD CAUGHT UP WITH HIM. HE HAD LOST A STEP. 367 00:13:49,209 --> 00:13:50,790 SO HE WAS DISPATCHED BY ANOTHER OPERATIVE 368 00:13:50,790 --> 00:13:53,213 WHO WAS YOUNGER, QUICKER... AND DEADLIER. 369 00:13:53,213 --> 00:13:54,794 AND...POSSIBLY FEMALE. 370 00:13:54,794 --> 00:13:57,007 TORY SCREENED THAT SECURITY-CAM VIDEO 371 00:13:57,007 --> 00:13:59,259 FROM THE HOTEL AND FOUND THIS. 372 00:13:59,259 --> 00:14:01,301 THAT'S LANCE LEAVING THROUGH THE HOTEL LOBBY 373 00:14:01,301 --> 00:14:03,133 ON HIS LAST DAY ON EARTH. 374 00:14:03,133 --> 00:14:06,596 AND 10 SECONDS LATER, THIS WOMAN GOES AFTER HIM. 375 00:14:06,596 --> 00:14:08,929 THAT'S HER. THAT'S THE OPERATIVE. 376 00:14:08,929 --> 00:14:10,060 SHE'S WEARING A DARK COAT, 377 00:14:10,060 --> 00:14:11,141 JUST LIKE THE PERSON WHO LEFT THE CRIME SCENE. 378 00:14:11,141 --> 00:14:13,143 SHE MUST HAVE TRAILED LANCE FROM THE HOTEL, 379 00:14:13,143 --> 00:14:15,105 THEN MOVED IN FOR THE KILL. 380 00:14:15,105 --> 00:14:17,107 SHE'S BLOND, BUT SHE MIGHT BE WEARING A WIG. 381 00:14:17,107 --> 00:14:18,858 TAKE A LOOK AT HER SUNGLASSES 382 00:14:18,858 --> 00:14:21,151 AND THE WAY THAT SHE'S ANGLED HER FACE AWAY FROM THE CAMERA. 383 00:14:21,151 --> 00:14:22,282 SHE DIDN'T WANT TO BE I.D.'d. 384 00:14:22,282 --> 00:14:23,863 SHE MAY HAVE GOTTEN HER WISH. [ CELLPHONE CHIMES ] 385 00:14:23,863 --> 00:14:25,535 TORY SAID THERE'S NOT ENOUGH HERE TO RUN FACIAL RECOGNITION. 386 00:14:25,535 --> 00:14:26,696 YOU KNOW, SHE'S WEARING AN EARRING. 387 00:14:26,696 --> 00:14:29,699 SEE IF TORY CAN DO SOMETHING WITH THAT. 388 00:14:29,699 --> 00:14:31,371 ENRIQUE GOMEZ IS ON HIS WAY UP. 389 00:14:31,371 --> 00:14:33,293 MAYBE HE KNOWS WHO SHE IS. 390 00:14:33,293 --> 00:14:35,045 Gomez: NOPE. I DON'T RECOGNIZE HER. 391 00:14:35,045 --> 00:14:38,458 I'M SAD TO LEARN OF LANCE'S DEATH. 392 00:14:38,458 --> 00:14:40,880 WHAT WAS YOUR RELATIONSHIP WITH HIM, MR. GOMEZ? 393 00:14:40,880 --> 00:14:44,884 WE WERE CLOSE AS YOUNG MEN. LESS SO RECENTLY. 394 00:14:44,884 --> 00:14:47,267 YET, HE CALLED YOU JUST BEFORE HE DIED? WHY? 395 00:14:47,267 --> 00:14:50,010 HE NEEDED A BODYGUARD, SOMEBODY HE COULD TRUST. 396 00:14:50,010 --> 00:14:51,221 AND I KNOW SUCH PEOPLE. 397 00:14:51,221 --> 00:14:54,064 BUT NONE OF THEM WERE AVAILABLE ON SUCH SHORT NOTICE, 398 00:14:54,064 --> 00:14:55,315 SO I COULDN'T HELP HIM. 399 00:14:55,315 --> 00:14:57,477 WHY WOULD LANCE NEED A BODYGUARD? 400 00:14:57,477 --> 00:14:59,069 HE DIDN'T TELL ME. I DIDN'T ASK. 401 00:14:59,069 --> 00:15:02,192 YOU THINK MAYBE HE WAS GOING ON ONE LAST MISSION? 402 00:15:02,192 --> 00:15:04,985 OR PERHAPS HIS CNI PAST WAS COMING BACK TO HAUNT HIM. 403 00:15:04,985 --> 00:15:06,987 WELL, THAT WOULD BE RATHER UNLIKELY. 404 00:15:06,987 --> 00:15:10,120 YOU SEE, LANCE DIDN'T HAVE A CNI PAST. 405 00:15:12,032 --> 00:15:14,084 WHY IS EVERYONE SAYING THAT HE DID? 406 00:15:14,084 --> 00:15:15,205 WELL, WE GREW UP TOGETHER, 407 00:15:15,205 --> 00:15:17,037 BUT I WAS THE ONE WHO WENT INTO CNI. 408 00:15:17,037 --> 00:15:18,418 AND WHEN LANCE CAME TO AMERICA, 409 00:15:18,418 --> 00:15:20,340 HE ASKED ME TO USE MY BACKSTORY 410 00:15:20,340 --> 00:15:22,802 TO MAKE HIMSELF MORE MYSTERIOUS AND INTERESTING. 411 00:15:22,802 --> 00:15:25,595 [ STAMMERS ] UH, I'M S-- I'M SO-- I'M SORRY. 412 00:15:25,595 --> 00:15:27,217 ARE YOU -- ARE YOU SAYING LANCE DeLORCA 413 00:15:27,217 --> 00:15:29,389 WASN'T A CNI OPERATIVE? 414 00:15:29,389 --> 00:15:31,011 BEFORE HE STARTED ACTING, 415 00:15:31,011 --> 00:15:34,144 HE WAS A GOAT HERDER IN THE PYRENEES. 416 00:15:40,650 --> 00:15:43,153 HEY. 417 00:15:43,153 --> 00:15:45,195 SO, ENRIQUE GOMEZ'S STORY CHECKS OUT. 418 00:15:45,195 --> 00:15:46,566 AND, WITH HIS AUTHORIZATION, 419 00:15:46,566 --> 00:15:50,950 CNI CONFIRMS THAT LANCE DeLORCA WAS...NEVER AN AGENT. 420 00:15:50,950 --> 00:15:54,334 MY HERO WAS A LIAR... AND A GOAT HERDER. 421 00:15:54,334 --> 00:15:57,167 YES, WELL, DESPITE THIS DEEPLY PERSONAL BETRAYAL, 422 00:15:57,167 --> 00:15:58,999 WE STILL HAVE A MURDER TO SOLVE. 423 00:15:58,999 --> 00:16:01,251 HOW? WE'RE BACK TO SQUARE ONE. NOT NECESSARILY. 424 00:16:01,251 --> 00:16:02,542 I MEAN, THERE'S STILL THAT MYSTERY WOMAN 425 00:16:02,542 --> 00:16:03,713 THAT FOLLOWED LANCE FROM THE S.R.O. 426 00:16:03,713 --> 00:16:07,137 SHE MAY NOT BE A MYSTERY ANYMORE. 427 00:16:07,137 --> 00:16:08,468 SHE A GOAT HERDER? 428 00:16:08,468 --> 00:16:10,300 OH, MY GOD. 429 00:16:10,300 --> 00:16:12,012 I DIDN'T GET ANYWHERE WITH THE EARRINGS. 430 00:16:12,012 --> 00:16:15,015 THEY'RE TOO COMMON, BUT THAT GOT ME FOCUSED ON HER EAR. 431 00:16:15,015 --> 00:16:17,187 OKAY. WHAT ABOUT IT? IT LOOKS NORMAL. 432 00:16:17,187 --> 00:16:18,978 IT IS, BUT EAR BIOMETRICS -- 433 00:16:18,978 --> 00:16:20,690 SIZE, SHAPE, CONFIGURATION -- 434 00:16:20,690 --> 00:16:22,862 ARE ALMOST AS UNIQUE AS FINGERPRINTS. 435 00:16:22,862 --> 00:16:24,984 AN ENTIRE FIELD OF STUDY IS DEVOTED TO THE SUBJECT. 436 00:16:24,984 --> 00:16:26,906 EAROLOGY. EAROLOGY. 437 00:16:26,906 --> 00:16:27,987 HOW DID YOU KNOW THAT? 438 00:16:27,987 --> 00:16:30,410 FBI SEMINAR. 439 00:16:30,410 --> 00:16:32,072 SO, YOU USED HER EAR TO IDENTIFY THIS WOMAN? 440 00:16:32,072 --> 00:16:33,873 YES, BY ISOLATING THE EAR 441 00:16:33,873 --> 00:16:36,246 AND RUNNING IT AGAINST THE MUG-SHOT DATABASE. 442 00:16:36,246 --> 00:16:39,039 WHEN NOTHING POPPED, I RAN IT AGAINST PHOTOS OF WOMEN 443 00:16:39,039 --> 00:16:41,421 WHO HAD ANY CONNECTION WITH LANCE DeLORCA. 444 00:16:41,421 --> 00:16:43,123 THE COMPUTER ANALYZED THOUSANDS OF IMAGES 445 00:16:43,123 --> 00:16:44,674 AND FINALLY FOUND A MATCH 446 00:16:44,674 --> 00:16:47,627 WITH A 99.2% PROBABILITY THAT IT'S THIS WOMAN. 447 00:16:47,627 --> 00:16:50,840 THAT'S KAT KINGSLEY. 448 00:16:50,840 --> 00:16:53,393 LANCE WAS KILLED BY HIS SOON-TO-BE EX-WIFE? 449 00:17:02,522 --> 00:17:05,355 HEY. SO, WE HEARD KAT KINGSLEY WAS HERE. WHOA! 450 00:17:05,355 --> 00:17:08,698 AND THAT IS A SEXY OUTFIT FOR AN INTERROGATION. 451 00:17:08,698 --> 00:17:09,819 IT'S HER COSTUME. 452 00:17:09,819 --> 00:17:12,152 THEY TOOK HER RIGHT FROM THE SET OF HER MOVIE. 453 00:17:12,152 --> 00:17:14,074 Ryan: MAN, SHE IS REALLY -- 454 00:17:14,074 --> 00:17:16,076 HOT? ...HOLDING UP WELL. 455 00:17:16,076 --> 00:17:17,867 WHAT'S THE MOVIE? IT'S DIRECT-TO-VIDEO. 456 00:17:17,867 --> 00:17:19,499 SHE PLAYS A FEMALE INDIANA JONES. 457 00:17:19,499 --> 00:17:21,461 SHE'S AN ARCHAEOLOGIST AGAIN? 458 00:17:21,461 --> 00:17:22,962 SO, DO YOU THINK IT WOULD BE WEIRD 459 00:17:22,962 --> 00:17:24,214 IF I ASKED HER TO SIGN THIS? 460 00:17:24,214 --> 00:17:26,546 WHEN? ON HER WAY TO JAIL? 461 00:17:26,546 --> 00:17:28,548 IT WOULD MEAN SO MUCH TO ME. 462 00:17:28,548 --> 00:17:30,380 WHAT WOULD HER MOTIVATION BE FOR KILLING LANCE? 463 00:17:30,380 --> 00:17:32,051 WELL, IT SEEMS HER DIVORCE WAS A TAD MESSIER 464 00:17:32,051 --> 00:17:33,933 THAN SHE LED US TO BELIEVE. 465 00:17:33,933 --> 00:17:37,677 SO, WHAT ROLE ARE YOU PLAYING NOW, MS. KINGSLEY? 466 00:17:37,677 --> 00:17:39,099 NOT THE GRIEVING WIDOW. 467 00:17:39,099 --> 00:17:41,851 I NEED TO GET BACK TO SET, 468 00:17:41,851 --> 00:17:43,022 OR THEY'RE GONNA SHUT DOWN PRODUCTION 469 00:17:43,022 --> 00:17:45,024 ON "RAIDERS OF THE NUBIAN TEMPLE." 470 00:17:45,024 --> 00:17:48,148 YEAH, WELL, YOU'VE GOT BIGGER PROBLEMS THAN THAT. 471 00:17:48,148 --> 00:17:50,110 SO, I TALKED TO LANCE'S LAWYER, 472 00:17:50,110 --> 00:17:53,573 AND HE SAID THAT YOUR DIVORCE WAS ANYTHING BUT AMICABLE. 473 00:17:53,573 --> 00:17:56,576 WE'RE ACTORS. WE'RE PASSIONATE PEOPLE. 474 00:17:56,576 --> 00:17:58,328 THINGS GOT STORMY AT TIMES. 475 00:17:58,328 --> 00:17:59,749 BECAUSE YOU WANTED THE MALIBU HOUSE, 476 00:17:59,749 --> 00:18:01,000 AND HE DIDN'T WANT TO GIVE IT TO YOU. 477 00:18:01,000 --> 00:18:03,373 THAT HOME HAS SENTIMENTAL VALUE TO ME. 478 00:18:03,373 --> 00:18:04,584 ALONG WITH MONETARY VALUE. 479 00:18:04,584 --> 00:18:06,376 I MEAN, AFTER 20 YEARS, IT'S WORTH... 480 00:18:06,376 --> 00:18:07,417 $8 MILLION. 481 00:18:07,417 --> 00:18:09,169 AND WITH LANCE OUT OF THE PICTURE, 482 00:18:09,169 --> 00:18:10,630 IT WAS ALL YOURS. 483 00:18:10,630 --> 00:18:13,423 YOU THINK I KILLED MY HUSBAND? 484 00:18:13,423 --> 00:18:15,054 YOU TRIED TO BEFORE. 485 00:18:15,054 --> 00:18:16,055 REMEMBER THE INCIDENT 486 00:18:16,055 --> 00:18:18,978 WHERE YOU DISCHARGED A FIREARM...AT HIM? 487 00:18:18,978 --> 00:18:21,271 I WAS CLEANING IT. 488 00:18:21,271 --> 00:18:24,394 I KNOW BAD ACTING WHEN I SEE IT. 489 00:18:24,394 --> 00:18:26,436 Beckett: THIS IS YOU, MS. KINGSLEY, 490 00:18:26,436 --> 00:18:31,070 FOLLOWING LANCE HOURS BEFORE HE WAS KILLED. 491 00:18:31,070 --> 00:18:32,152 I WAS NOT FOLLOWING HIM. 492 00:18:33,653 --> 00:18:35,615 HE ASKED ME TO MEET WITH HIM. 493 00:18:35,615 --> 00:18:37,197 AND HE TOLD YOU TO WEAR A DISGUISE? 494 00:18:37,197 --> 00:18:39,449 I COULDN'T BE SEEN WITH HIM AFTER THE GUN THING. 495 00:18:39,449 --> 00:18:41,661 WE WERE TOLD TO AVOID CONTACT. 496 00:18:41,661 --> 00:18:43,663 BUT LANCE BEGGED ME. 497 00:18:43,663 --> 00:18:46,125 HE NEEDED CASH -- $200,000. 498 00:18:46,125 --> 00:18:48,958 HE ASKED YOU FOR A LOAN? 499 00:18:48,958 --> 00:18:50,210 HIS ASSETS WERE ALL TIED UP WITH THE DIVORCE. 500 00:18:50,210 --> 00:18:52,962 I INHERITED SOME MONEY. HE KNEW I HAD ACCESS TO IT. 501 00:18:52,962 --> 00:18:55,054 IT WASN'T A LOAN. 502 00:18:55,054 --> 00:18:56,966 HE SOLD ME HIS HALF OF THE MALIBU HOUSE. 503 00:18:56,966 --> 00:18:58,758 ARE YOU TELLING ME 504 00:18:58,758 --> 00:19:02,852 THAT HE TRADED YOU $4 MILLION FOR $200,000? 505 00:19:02,852 --> 00:19:04,314 HOW COULD I PASS UP A DEAL LIKE THAT? 506 00:19:04,314 --> 00:19:07,187 I HAVE THE PROMISSORY NOTE TO PROVE IT. 507 00:19:07,187 --> 00:19:08,818 WHY DID HE NEED THE MONEY? 508 00:19:08,818 --> 00:19:11,070 HE SAID HE NEEDED TO SET SOMETHING RIGHT, 509 00:19:11,070 --> 00:19:13,653 THAT HE WANTED TO LIVE UP TO THE CHARACTERS HE PLAYED, 510 00:19:13,653 --> 00:19:14,864 I THINK. 511 00:19:14,864 --> 00:19:17,617 I WASN'T REALLY LISTENING. 512 00:19:17,617 --> 00:19:20,079 I JUST WANTED HIM TO SIGN OVER THE HOUSE. 513 00:19:20,079 --> 00:19:21,160 I'M JUST BEING HONEST. 514 00:19:21,160 --> 00:19:22,332 OKAY, FINE, IF YOU'RE BEING HONEST, 515 00:19:22,332 --> 00:19:23,543 THEN WHY DON'T YOU TELL ME THIS -- 516 00:19:23,543 --> 00:19:24,664 WE HAVE A WITNESS 517 00:19:24,664 --> 00:19:27,667 THAT SAW A DARK FIGURE FLEEING THE CRIME SCENE. 518 00:19:27,667 --> 00:19:29,669 WAS THAT YOU? 519 00:19:29,669 --> 00:19:31,050 YES. 520 00:19:32,091 --> 00:19:33,713 DO YOU WANT TO ELABORATE ON THAT? 521 00:19:33,713 --> 00:19:34,964 [ SIGHS ] 522 00:19:34,964 --> 00:19:38,558 LANCE CALLED ME THAT NIGHT FROM A PAY PHONE. 523 00:19:38,558 --> 00:19:40,009 I THINK HE SAID HE WAS IN TROUBLE 524 00:19:40,009 --> 00:19:41,641 AND THAT PEOPLE WERE AFTER HIM. 525 00:19:41,641 --> 00:19:42,642 WHAT PEOPLE? 526 00:19:42,642 --> 00:19:44,063 HE DIDN'T SAY. 527 00:19:44,063 --> 00:19:45,435 BUT HE ASKED ME TO PICK HIM UP 528 00:19:45,435 --> 00:19:47,016 AT THIS THEATER PLAYING "HARD KILL," 529 00:19:47,016 --> 00:19:48,648 THAT IT WOULD BE EASY TO FIND. 530 00:19:48,648 --> 00:19:50,860 H-HE SOUNDED SO DESPERATE. 531 00:19:50,860 --> 00:19:52,232 BUT WHEN I GOT THERE... 532 00:19:54,193 --> 00:19:56,195 [ Voice breaking ] ...HE WAS DEAD. 533 00:19:57,277 --> 00:19:59,279 WHY DIDN'T YOU TELL US THIS BEFORE? 534 00:19:59,279 --> 00:20:01,701 I PANICKED. [ BREATHES DEEPLY ] 535 00:20:01,701 --> 00:20:03,493 I'M TRYING TO RESTART MY CAREER. 536 00:20:03,493 --> 00:20:05,455 I JUST KNEW HOW IT MIGHT LOOK. 537 00:20:05,455 --> 00:20:08,248 WELL, THAT'S BECAUSE IT'S EXACTLY HOW IT DOES LOOK. 538 00:20:08,248 --> 00:20:09,249 [ GROANS ] 539 00:20:09,249 --> 00:20:10,670 Castle: WELL, NOT TO ME IT DOESN'T. 540 00:20:10,670 --> 00:20:12,091 [ SIGHS ] I DON'T THINK SHE'S OUR KILLER. 541 00:20:12,091 --> 00:20:14,254 YEAH, SHE'S JUST AN INNOCENT ARCHAEOLOGIST. 542 00:20:14,254 --> 00:20:16,466 MY OPINION IS NOT AFFECTED BY HER SKIMPY OUTFIT. 543 00:20:16,466 --> 00:20:19,048 I'M SPEAKING AS AN OBJECTIVE INVESTIGATOR, 544 00:20:19,048 --> 00:20:20,840 SOMEONE WHO HAS SET THEIR PERSONAL FEELINGS ASIDE. 545 00:20:20,840 --> 00:20:23,433 ALONG WITH YOUR POSTER? WHO TOLD YOU? 546 00:20:23,433 --> 00:20:24,974 IT WAS RYAN, WASN'T IT? 547 00:20:24,974 --> 00:20:27,226 CASTLE, KAT KINGSLEY ADMITTED TO BEING AT THE CRIME SCENE. 548 00:20:27,226 --> 00:20:28,348 YEAH, WHEN SHE DIDN'T HAVE TO. 549 00:20:28,348 --> 00:20:29,609 WHY ADMIT TO THAT IF YOU'RE ACTUALLY GUILTY? 550 00:20:29,609 --> 00:20:30,980 TO MAKE HERSELF LOOK NOT GUILTY. 551 00:20:30,980 --> 00:20:32,982 LOOK, SHE HAD MOTIVE. 552 00:20:32,982 --> 00:20:35,024 BUT PARTS OF HER STORY STILL CHECK OUT -- 553 00:20:35,024 --> 00:20:36,065 THE PROMISSORY NOTE, 554 00:20:36,065 --> 00:20:38,027 THE WITHDRAWAL FROM HER BANK FOR $200,000. 555 00:20:38,027 --> 00:20:41,030 LANCE SAID HE NEEDED THE MONEY TO SET SOMETHING RIGHT. 556 00:20:41,030 --> 00:20:43,122 HE NEEDED TO LIVE UP TO HIS ON-SCREEN PERSONA. 557 00:20:43,122 --> 00:20:46,205 YES, ACCORDING TO OUR MURDER SUSPECT. 558 00:20:46,205 --> 00:20:49,999 SO, HERE'S LANCE MEETING HIS BONE-MARROW DONOR. 559 00:20:49,999 --> 00:20:53,212 PERHAPS SURVIVING LEUKEMIA CHANGED HIM, 560 00:20:53,212 --> 00:20:54,834 DROVE HIM TO BECOME A BETTER MAN, 561 00:20:54,834 --> 00:20:57,136 A MAN MORE LIKE THE HERO HE PORTRAYED. 562 00:20:57,136 --> 00:20:58,508 THAT'S WHY, WHEN HE REGISTERED AT THE HOTEL, 563 00:20:58,508 --> 00:21:03,052 HE DID SO AS RICO CRUZ, BECAUSE HE BECAME RICO CRUZ. 564 00:21:03,052 --> 00:21:04,804 WHAT DOES THAT EVEN MEAN? 565 00:21:04,804 --> 00:21:06,766 THAT, DESPITE BEING AN EX-GOAT HERDER 566 00:21:06,766 --> 00:21:08,598 WITH NO FORMAL BLACK-OPS TRAINING, 567 00:21:08,598 --> 00:21:09,979 LANCE TOOK ON A MISSION. 568 00:21:09,979 --> 00:21:11,601 OH, OKAY, SO WE'RE BACK TO "ONE LAST MISSION" NOW. 569 00:21:11,601 --> 00:21:12,982 WHY ELSE WOULD HE HAVE THE SCHEMATIC 570 00:21:12,982 --> 00:21:14,153 OR THE LISTENING DEVICE? 571 00:21:14,153 --> 00:21:16,606 OR WHY WOULD HE NEED A BODYGUARD? 572 00:21:16,606 --> 00:21:18,568 TO PROTECT HIMSELF FROM KAT KINGSLEY. 573 00:21:18,568 --> 00:21:20,990 YEAH, EXCEPT FOR HER STORY IS STILL HOLDING UP. 574 00:21:20,990 --> 00:21:22,572 THAT CALL SHE SAYS WAS FROM LANCE 575 00:21:22,572 --> 00:21:25,074 CAME FROM A PAY PHONE SIX BLOCKS FROM THE MOVIE THEATER. 576 00:21:25,074 --> 00:21:26,406 ALL RIGHT, CANVASS FOR WITNESSES 577 00:21:26,406 --> 00:21:28,708 THAT SAW LANCE OR ANYONE ELSE BY THAT PAY PHONE. 578 00:21:28,708 --> 00:21:31,751 AND IF HE WAS IN TROUBLE, AS KAT SAID, 579 00:21:31,751 --> 00:21:33,172 THEN LET'S FIND OUT WHERE HE WAS COMING FROM. 580 00:21:33,172 --> 00:21:34,173 WE'LL GET INTO IT, 581 00:21:34,173 --> 00:21:35,625 BUT WE MIGHT NOT HAVE ANYTHING TILL THE MORNING. 582 00:21:35,625 --> 00:21:36,916 OKAY. 583 00:21:36,916 --> 00:21:39,088 You told her about the poster. 584 00:21:39,088 --> 00:21:41,260 I DIDN'T KNOW IT WAS A SE-- [ GROANS ] [ SIGHS ] 585 00:21:43,423 --> 00:21:44,474 I DON'T KNOW. 586 00:21:44,474 --> 00:21:45,885 MAYBE IT'S THE WAY THAT HE SAID IT 587 00:21:45,885 --> 00:21:47,477 THAT STRUCK A NERVE. 588 00:21:47,477 --> 00:21:50,890 WELL, TACT ISN'T EXACTLY THE MAN'S MIDDLE NAME. 589 00:21:50,890 --> 00:21:53,353 OKAY, BUT IT'S MY PLACE, YOU KNOW? IT'S NOT CASTLE'S. 590 00:21:53,353 --> 00:21:55,985 WHO CARES IF HE NEVER LIKED IT? 591 00:21:55,985 --> 00:21:58,358 I MEAN, I DON'T KNOW WHY I GOT SO UPSET. 592 00:21:58,358 --> 00:22:02,031 BECAUSE, TO HIM, THIS IS JUST AN APARTMENT WITH CREAKY FLOORS. 593 00:22:02,031 --> 00:22:05,865 BUT TO YOU, THIS IS WHERE YOU REBUILT YOUR LIFE, 594 00:22:05,865 --> 00:22:07,286 WHERE YOU SOLVED YOUR MOTHER'S MURDER, 595 00:22:07,286 --> 00:22:10,410 WHERE YOU FELL IN LOVE. 596 00:22:15,044 --> 00:22:17,216 WELL... 597 00:22:17,216 --> 00:22:19,218 TO THE BEST APARTMENT EVER. 598 00:22:19,218 --> 00:22:23,132 TO THE BEST APARTMENT EVER. 599 00:22:24,594 --> 00:22:27,016 SO, WE STRUCK GOLD ON THAT CANVASS. 600 00:22:27,016 --> 00:22:28,388 SOMEONE SAW LANCE USING THE PAY PHONE? 601 00:22:28,388 --> 00:22:30,229 NO, BUT THEY SAW HIM BEFORE THAT 602 00:22:30,229 --> 00:22:31,561 RUNNING LIKE HELL FROM AN ALLEY. 603 00:22:31,561 --> 00:22:33,773 WHICH LEADS US TO THIS SECURITY-CAM VIDEO RIGHT HERE. 604 00:22:33,773 --> 00:22:35,274 [ MOUSE CLICKS ] YOU GOT TO SEE IT TO BELIEVE IT. 605 00:22:35,274 --> 00:22:39,479 THESE FOUR GUYS HAVE GOT LANCE CORNERED. 606 00:22:39,479 --> 00:22:40,650 OH, THIS CAN'T BE GOOD. 607 00:22:40,650 --> 00:22:42,191 WHO ARE THOSE GUYS? 608 00:22:42,191 --> 00:22:43,072 I DON'T KNOW, BUT MAKES YOU WONDER 609 00:22:43,072 --> 00:22:44,283 WHAT LANCE DID TO HAVE THEM COME AFTER HIM. 610 00:22:44,283 --> 00:22:48,408 FOUR THUGS AGAINST A-AN AGING LANCE DeLORCA? 611 00:22:48,408 --> 00:22:49,829 I DON'T KNOW THAT I CAN WATCH. 612 00:23:04,554 --> 00:23:06,055 DID YOU SEE THAT?! 613 00:23:06,806 --> 00:23:09,218 WHAT LANCE JUST DID... 614 00:23:09,218 --> 00:23:11,220 THAT BELONGS IN ONE OF HIS MOVIES. 615 00:23:11,220 --> 00:23:12,472 HE ANNIHILATED THEM. 616 00:23:12,472 --> 00:23:13,643 YEAH, BUT NOT FOR LONG. 617 00:23:13,643 --> 00:23:15,014 HALF AN HOUR LATER, SOMEONE ANNIHILATED HIM. 618 00:23:15,014 --> 00:23:16,476 AH, WELL, RIGHT. 619 00:23:17,356 --> 00:23:19,148 BUT AT LEAST THIS EXPLAINS THE PHONE CALL. 620 00:23:19,148 --> 00:23:20,650 WHEN LANCE CALLED KAT KINGSLEY 621 00:23:20,650 --> 00:23:22,191 AND SAID, "I'M IN TROUBLE AND PEOPLE ARE AFTER ME," 622 00:23:22,191 --> 00:23:23,903 THIS IS WHAT HE WAS TALKING ABOUT. 623 00:23:23,903 --> 00:23:26,486 AND WHOEVER THESE GUYS ARE, THEY MUST HAVE CAUGHT UP TO HIM. 624 00:23:26,486 --> 00:23:28,788 WE FIND THESE GUYS, WE'LL FIND OUR KILLER. 625 00:23:35,244 --> 00:23:37,957 WE CAN'T I.D. ANY OF THESE GUYS OFF OF THE SURVEILLANCE VIDEO. 626 00:23:37,957 --> 00:23:39,208 [ KEYBOARD CLACKS ] 627 00:23:39,208 --> 00:23:41,170 TORY SAYS THAT THE IMAGE QUALITY IS TOO POOR 628 00:23:41,170 --> 00:23:44,464 TO RUN FACIAL RECOGNITION, OR EAR RECOGNITION. 629 00:23:44,464 --> 00:23:47,096 THE KEY IS FINDING OUT WHAT HAPPENED TO LANCE 630 00:23:47,096 --> 00:23:48,888 BEFORE HE WOUND UP IN THAT ALLEY -- 631 00:23:48,888 --> 00:23:53,763 SOMETHING THAT REQUIRED $200,000 AND A LISTENING DEVICE. 632 00:23:53,763 --> 00:23:54,854 BUT WHOMEVER HE WENT UP AGAINST 633 00:23:54,854 --> 00:23:57,056 SENT THOSE FOUR SIDES OF BEEF AFTER HIM. 634 00:23:57,056 --> 00:23:59,188 AND, AFTER SEEING THE ASS-WHUPPING THEY GOT, 635 00:23:59,188 --> 00:24:00,650 I CHECKED NEARBY HOSPITALS. 636 00:24:00,650 --> 00:24:02,652 TURNS OUT THAT AN AMBULANCE WAS CALLED TO THAT AREA 637 00:24:02,652 --> 00:24:04,023 DURING OUR TIME WINDOW. 638 00:24:04,023 --> 00:24:06,195 THEY BROUGHT IN A HEAVY-SET DUDE TO THE E.R. 639 00:24:06,195 --> 00:24:09,068 HE WAS UNCONSCIOUS, BRUISED, AND HAD A POSSIBLE BROKEN JAW. 640 00:24:09,068 --> 00:24:11,030 ALL RIGHT, LET'S GO TALK TO HIM. WE CAN'T. 641 00:24:11,030 --> 00:24:12,281 HE WOKE UP AND CHECKED HIMSELF OUT OF THE E.R. 642 00:24:12,281 --> 00:24:13,452 BEFORE THEY COULD EVEN GET HIS NAME. 643 00:24:13,452 --> 00:24:14,784 DOES THE HOSPITAL HAVE CAMERAS? 644 00:24:14,784 --> 00:24:16,165 I'M GLAD YOU ASKED THAT. 645 00:24:16,165 --> 00:24:20,540 THIS GUY DEFINITELY LOOKS LIKE ONE OF THE GUYS FROM THE VIDEO. 646 00:24:20,540 --> 00:24:21,541 WAIT A SECOND. I KNOW THAT GUY. 647 00:24:22,421 --> 00:24:25,214 YEAH, FROM THE FILM SET. HE WAS DRESSED IN AFGHAN GARB. 648 00:24:25,214 --> 00:24:27,426 BROCK HARMON BARELY TAPPED HIM IN THE FACE, 649 00:24:27,426 --> 00:24:28,968 AND HE SCREAMED LIKE A BABY. 650 00:24:28,968 --> 00:24:32,091 PERHAPS BECAUSE HE HAS A BROKEN JAW. 651 00:24:32,091 --> 00:24:34,053 Man: THAT'S NOT THE ONE I SAID I WANTED. 652 00:24:34,053 --> 00:24:36,435 A.D. SAYS HIS NAME IS ERNEST HOWE. 653 00:24:36,435 --> 00:24:38,187 AND HE'S PLAYING ISIS MILITANT NUMBER 12. 654 00:24:38,187 --> 00:24:39,519 NOT FOR LONG. 655 00:24:39,519 --> 00:24:41,941 YOU KNOW WHAT TIME IT IS? IT'S RYAN TIME. 656 00:24:41,941 --> 00:24:43,943 PLEASE. JUST STOP. 657 00:24:43,943 --> 00:24:46,155 MY NAME'S RYAN, AND I HATE LYIN'. 658 00:24:46,155 --> 00:24:48,988 ERNEST HOWE. NYPD. 659 00:24:48,988 --> 00:24:50,530 WE'RE HERE TO TALK TO YOU ABOUT LANCE DeLORCA. 660 00:24:50,530 --> 00:24:52,111 YEAH, IT'S A BUMMER THAT HE DIED. 661 00:24:52,111 --> 00:24:53,873 GOT A LITTLE PROBLEM WITH YOUR JAW THERE, ERNEST? 662 00:24:53,873 --> 00:24:55,034 LITTLE TMJ. 663 00:24:55,034 --> 00:24:57,076 YOU SURE IT'S NOT FROM THAT LITTLE ALTERCATION 664 00:24:57,076 --> 00:24:58,167 YOU GOT INTO THE OTHER NIGHT? 665 00:24:58,167 --> 00:24:59,789 LOOK, I DON'T WANT ANY MORE TROUBLE. 666 00:24:59,789 --> 00:25:01,961 WELL, YOU GOT TROUBLE -- RYAN TROUBLE. 667 00:25:02,882 --> 00:25:05,124 I DON'T KNOW WHAT THAT MEANS. WE HAVE YOU ON VIDEO. 668 00:25:05,124 --> 00:25:06,716 YOU AND THOSE THREE MOOKS ATTACKED LANCE, 669 00:25:06,716 --> 00:25:08,007 AND HE PUT THE HURT ON ALL OF YOU. 670 00:25:08,007 --> 00:25:09,719 BUT NOT ENOUGH HURT, BECAUSE ONE OF THEM KILLED HIM. 671 00:25:09,719 --> 00:25:12,181 JUDGING BY YOUR LITTLE TRIP TO THE E.R., IT WASN'T YOU. 672 00:25:12,181 --> 00:25:14,053 SO WHY DON'T YOU GIVE US THE NAME OF YOUR BUDDIES, ERNEST, 673 00:25:14,053 --> 00:25:16,686 AND WHOEVER PUT THEM UP TO THIS. YOU GOT IT ALL WRONG. 674 00:25:16,686 --> 00:25:18,938 THOSE GUYS DID THIS TO ME. 675 00:25:18,938 --> 00:25:21,230 I WAS ON LANCE'S SIDE. HE HIRED ME TO BE HIS BODYGUARD. 676 00:25:21,230 --> 00:25:23,062 WHY WOULD LANCE NEED A BODYGUARD? 677 00:25:23,062 --> 00:25:26,105 HE HAD A MEETING AT CLUB DRIFT. HE WANTED BACKUP. 678 00:25:26,105 --> 00:25:27,236 HE BROUGHT A BRIEFCASE. I THINK IT HAD MONEY ON IT. 679 00:25:27,236 --> 00:25:29,448 WHO DID HE MEET THERE AND WHAT WAS THE MONEY FOR? 680 00:25:29,448 --> 00:25:32,031 I DON'T KNOW. THEY MADE ME WAIT DOWNSTAIRS. 681 00:25:32,031 --> 00:25:34,073 BUT THE MEETING ENDED QUICK. 682 00:25:34,073 --> 00:25:37,076 ALL OF A SUDDEN, FOUR SECURITY DUDES HUSTLED US OUT 683 00:25:37,076 --> 00:25:39,038 AND ACCUSED LANCE OF WEARING A WIRE. 684 00:25:39,038 --> 00:25:41,921 A WIRE? WHY WOULD HE BE WEARING A WIRE? 685 00:25:41,921 --> 00:25:43,583 WELL, I DIDN'T EXACTLY GET A CHANCE TO ASK. 686 00:25:43,583 --> 00:25:44,874 THE LAST THING I REMEMBER WAS 687 00:25:44,874 --> 00:25:46,215 A GUY'S FOOT FLYING ACROSS MY FACE. 688 00:25:46,215 --> 00:25:49,008 MAYBE LANCE WAS WEARING A WIRE. 689 00:25:49,008 --> 00:25:51,470 THAT WOULD EXPLAIN THE MICROPHONE AND THE USB DRIVE. 690 00:25:51,470 --> 00:25:53,723 NAH, ERNEST SAID THAT SECURITY DIDN'T FIND A WIRE, 691 00:25:53,723 --> 00:25:54,974 AND THERE WASN'T ONE ON LANCE'S BODY. 692 00:25:54,974 --> 00:25:56,886 BUT LET'S SAY HE WAS ALL WIRED UP 693 00:25:56,886 --> 00:25:57,887 WITH A BRIEFCASE OF MONEY. 694 00:25:57,887 --> 00:25:59,438 WHAT THE HELL WAS HE DOING? 695 00:25:59,438 --> 00:26:01,601 Esposito: IT'S LIKE LANCE IS RUNNING 696 00:26:01,601 --> 00:26:02,812 SOME KIND OF HALF-ASSED STING OPERATION. 697 00:26:02,812 --> 00:26:04,393 MAYBE HE WAS. I SPOKE TO NARCOTICS. 698 00:26:04,393 --> 00:26:07,396 THE CLUB THAT LANCE WENT TO IS A MAJOR HUB FOR DRUG SALES, 699 00:26:07,396 --> 00:26:09,528 RUN BY A GUY THAT YOU'RE FAMILIAR WITH, CASTLE. 700 00:26:09,528 --> 00:26:11,951 IS... 701 00:26:11,951 --> 00:26:12,992 IS THAT HENRY ALLEN BOOTHE? 702 00:26:14,153 --> 00:26:15,995 EL JéFE FROM "HARD KILL"? 703 00:26:15,995 --> 00:26:17,366 HE MADE A CAREER OUT OF PLAYING DRUG DEALERS 704 00:26:17,366 --> 00:26:18,407 AND THEN HE QUIT ACTING. 705 00:26:18,407 --> 00:26:20,159 AND THEN HE BEGAN LIVING THE PART. 706 00:26:20,159 --> 00:26:23,292 APPARENTLY, HE SPENT SO MUCH TIME WITH DRUG DEALERS 707 00:26:23,292 --> 00:26:25,965 RESEARCHING HIS ROLES THAT HE ACTUALLY BECAME ONE. 708 00:26:25,965 --> 00:26:27,376 NARCOTICS HASN'T BEEN ABLE TO 709 00:26:27,376 --> 00:26:29,168 MAKE A CASE AGAINST HIM, THOUGH. 710 00:26:29,168 --> 00:26:30,549 THIS IS JUST LIKE "HARD KILL," 711 00:26:30,549 --> 00:26:33,212 WHERE RICO CRUZ TOOK DOWN EL JéFE. 712 00:26:33,212 --> 00:26:35,214 ONLY, NOW IT'S ONE ACTOR TAKING ON THE OTHER ACTOR, 713 00:26:35,214 --> 00:26:37,176 BUT THE OTHER ACTOR ACTUALLY HAPPENS TO BE A DRUG DEALER. 714 00:26:37,176 --> 00:26:38,177 [ BREATHES DEEPLY ] 715 00:26:38,177 --> 00:26:40,519 BUT, A-AGAIN, WHY WOULD LANCE DO THIS? 716 00:26:40,519 --> 00:26:41,931 WHY WOULD HE GO AFTER BOOTHE? 717 00:26:41,931 --> 00:26:43,272 I DON'T KNOW, BUT IT'S SO META! 718 00:26:43,272 --> 00:26:44,724 WE SHOULD REALLY TALK TO EL JéFE. 719 00:26:44,724 --> 00:26:46,185 OH, BELIEVE ME -- WE WILL. 720 00:26:46,185 --> 00:26:48,818 YEAH, SURE, I MET WITH LANCE. 721 00:26:48,818 --> 00:26:50,820 WHAT ABOUT? 722 00:26:50,820 --> 00:26:52,281 MM, OLD TIMES. 723 00:26:52,281 --> 00:26:55,114 HE WANTED TO SHARE A DRINK, RELIVE THE GLORY DAYS. 724 00:26:55,114 --> 00:26:56,035 JUST OUT OF THE BLUE? 725 00:26:56,035 --> 00:26:58,157 WHY NOT? "HARD KILL" DID A SOLID FOR BOTH OF US. 726 00:26:58,157 --> 00:27:00,199 EVEN AFTER ALL THESE YEARS, NOT A DAY GOES BY 727 00:27:00,199 --> 00:27:02,241 WHERE SOME MIDDLE-AGED DUDE DOESN'T SEE ME 728 00:27:02,241 --> 00:27:03,833 AND SHOUT, "EL JéFE!" 729 00:27:03,833 --> 00:27:06,005 I SUPPOSE I SHOULDN'T COMPLAIN. 730 00:27:06,005 --> 00:27:08,207 THAT ROLE BOUGHT ME THIS CLUB. 731 00:27:08,207 --> 00:27:10,379 WE HEAR THAT IT DID MORE THAN THAT, MR. BOOTHE. 732 00:27:12,301 --> 00:27:13,923 [ LAUGHS ] 733 00:27:13,923 --> 00:27:18,678 SO THE MOVIE DRUG DEALER BECOMES A DRUG DEALER, HUH? 734 00:27:18,678 --> 00:27:19,679 [ CHUCKLES ] 735 00:27:19,679 --> 00:27:22,261 IT'D BE A GOOD STORY IF IT WERE TRUE. 736 00:27:22,261 --> 00:27:24,433 THAT BEING SAID, I DON'T DISCOURAGE IT. 737 00:27:24,433 --> 00:27:27,026 A GOOD FICTION CAN DO WONDERS FOR ONE'S REPUTATION. 738 00:27:27,026 --> 00:27:29,438 I'VE LEARNED THAT EVERY GOOD FICTION 739 00:27:29,438 --> 00:27:30,860 CONTAINS A KERNEL OF TRUTH. 740 00:27:30,860 --> 00:27:32,822 WHAT HAPPENED TO THE BRIEFCASE THAT LANCE BROUGHT 741 00:27:32,822 --> 00:27:35,534 TO THE MEETING, THE ONE WITH $200,000 IN IT? 742 00:27:37,576 --> 00:27:39,198 LANCE HAD NO BRIEFCASE. 743 00:27:39,198 --> 00:27:40,579 AND I SUPPOSE YOUR GUYS DIDN'T CHASE HIM OUT OF HERE 744 00:27:40,579 --> 00:27:41,660 AND THEN ATTACK HIM? 745 00:27:41,660 --> 00:27:43,162 DOESN'T RING A BELL. 746 00:27:43,162 --> 00:27:45,915 WE HAVE A VIDEO. NOT OF MY GUYS. 747 00:27:45,915 --> 00:27:47,046 YOU'RE WELCOME TO CHECK. 748 00:27:47,046 --> 00:27:48,457 I DOUBT YOU'LL FIND ANY OF THEM HERE. 749 00:27:48,457 --> 00:27:50,089 AND SINCE YOUR NEXT QUESTION WILL BE, 750 00:27:50,089 --> 00:27:52,882 "WHERE WAS I THAT NIGHT?" I'LL SAVE YOU THE OXYGEN. 751 00:27:52,882 --> 00:27:54,133 THERE ARE ABOUT 20 PEOPLE DOWNSTAIRS 752 00:27:54,133 --> 00:27:56,255 WHO CAN ATTEST THAT I NEVER LEFT THE BUILDING 753 00:27:56,255 --> 00:27:58,798 AFTER LANCE LEFT. 754 00:27:58,798 --> 00:28:01,180 I DIDN'T KILL HIM. 755 00:28:01,180 --> 00:28:04,643 OKAY. THANKS FOR YOUR TIME. 756 00:28:08,898 --> 00:28:10,730 Castle: "THANKS FOR YOUR TIME"? 757 00:28:10,730 --> 00:28:12,191 BECKETT, HE WAS LYING ABOUT THE MONEY, 758 00:28:12,191 --> 00:28:13,312 ABOUT THE MEETING, ABOUT EVERYTHING. 759 00:28:13,312 --> 00:28:15,234 OF COURSE HE WAS LYING. 760 00:28:15,234 --> 00:28:18,077 SO WHY DIDN'T YOU PUSH HARDER? WHY DIDN'T WE CHECK HIS ALIBI? 761 00:28:18,077 --> 00:28:19,989 BECAUSE WE DIDN'T NEED TO. 762 00:28:19,989 --> 00:28:22,161 SINCE WHEN? 763 00:28:22,161 --> 00:28:24,083 SINCE I FIGURED OUT WHAT THE NUMBERS 5 AND 2 MEANT. 764 00:28:24,083 --> 00:28:26,535 THE MISSING NUMBERS FROM THE STICKER SHEET. 765 00:28:26,535 --> 00:28:29,749 THE NUMBER 52 WAS ON A SLOT CAR IN BOOTHE'S COLLECTION -- 766 00:28:29,749 --> 00:28:31,791 A BLUE SHELBY COBRA TO BE EXACT. 767 00:28:31,791 --> 00:28:33,793 THAT'S WHAT LANCE WAS BUILDING. 768 00:28:33,793 --> 00:28:35,044 HE PUT A LISTENING DEVICE 769 00:28:35,044 --> 00:28:37,046 INSIDE A REPLICA OF ONE OF BOOTHE'S CARS. 770 00:28:37,046 --> 00:28:39,678 HE MUST HAVE SWITCHED THEM OUT WHEN THEY HAD THAT MEETING. 771 00:28:39,678 --> 00:28:42,681 WHICH MEANS THAT CAR WAS RECORDING EVERYTHING 772 00:28:42,681 --> 00:28:45,104 THAT HAPPENED IN THAT OFFICE, INCLUDING WHY LANCE WAS THERE. 773 00:28:45,104 --> 00:28:47,436 AND WHY BOOTHE HAD HIM KILLED. 774 00:28:47,436 --> 00:28:49,228 WE NEED TO GET THAT SLOT CAR. 775 00:28:49,228 --> 00:28:52,151 WE WILL. WE JUST NEED A WARRANT FIRST. 776 00:28:55,564 --> 00:28:56,856 I DON'T UNDERSTAND. 777 00:28:56,856 --> 00:28:58,157 YOU'RE TELLING ME YOU CAN'T GET A SEARCH WARRANT, 778 00:28:58,157 --> 00:29:00,159 EVEN THOUGH THAT SON OF A BITCH BOOTHE IS BEHIND THIS? 779 00:29:00,159 --> 00:29:01,120 NOT UNLESS WE CAN PROVIDE EVIDENCE 780 00:29:01,120 --> 00:29:03,322 THAT TIES BOOTHE TO LANCE'S DEATH. 781 00:29:03,322 --> 00:29:05,955 AND, RIGHT NOW, WE CAN'T EVEN PROVE THAT THE TWO OF THEM MET. 782 00:29:05,955 --> 00:29:07,126 LOOK, MR. HARMON, 783 00:29:07,126 --> 00:29:08,207 WE WERE HOPING THAT YOU COULD HELP US WITH THIS. 784 00:29:08,207 --> 00:29:09,789 DID LANCE TELL YOU THAT HE WAS GOING TO THE CLUB, 785 00:29:09,789 --> 00:29:12,371 THAT HE WAS GONNA TALK TO BOOTHE? 786 00:29:12,371 --> 00:29:14,543 LANCE NEVER SAID A WORD TO ME 787 00:29:14,543 --> 00:29:16,255 ABOUT BOOTHE OR THE CLUB, NOTHING. 788 00:29:16,255 --> 00:29:18,177 HELL, I THOUGHT HE WAS IN L.A. 789 00:29:18,177 --> 00:29:20,549 I WISH I COULD HELP YOU. 790 00:29:20,549 --> 00:29:22,091 WELL, YOU KNOW WHAT? 791 00:29:22,091 --> 00:29:23,762 WE'LL KEEP LOOKING FOR THE MEN THAT ATTACKED LANCE. 792 00:29:23,762 --> 00:29:25,474 WE'RE NOT GIVING UP. 793 00:29:27,016 --> 00:29:30,189 CASTLE. 794 00:29:30,189 --> 00:29:32,812 HOW DID LANCE KNOW TO BUG A SLOT CAR? 795 00:29:32,812 --> 00:29:33,983 OH. 796 00:29:33,983 --> 00:29:36,065 BOOTHE AND HIS COLLECTION 797 00:29:36,065 --> 00:29:38,657 WERE FEATURED IN SlotZone MAGAZINE. 798 00:29:38,657 --> 00:29:39,989 HMM. 799 00:29:39,989 --> 00:29:41,861 SO YOU REALLY THINK THE PROOF OF WHO KILLED LANCE 800 00:29:41,861 --> 00:29:43,572 IS SITTING IN THAT LITTLE BLUE SHELBY COBRA? 801 00:29:43,572 --> 00:29:46,035 WELL, DOESN'T MATTER IF WE CAN'T GET A WARRANT. 802 00:29:48,167 --> 00:29:49,408 TOO BAD RICO CRUZ ISN'T AROUND. 803 00:29:49,408 --> 00:29:50,789 I BET HE'D FIND A WAY, RIGHT? 804 00:29:53,082 --> 00:29:56,045 SO, YOU, UH -- YOU'RE A PRETTY BIG FAN, HUH? 805 00:29:56,045 --> 00:29:57,256 OF "HARD KILL"? 806 00:29:57,256 --> 00:30:00,259 NO, I WAS AN AVERAGE, ORDINARY FAN. 807 00:30:00,259 --> 00:30:02,471 NOT LIKE I HAD THE "HARD KILL" PAJAMAS. 808 00:30:03,973 --> 00:30:06,265 SAY, THE, UH, GANG AND I 809 00:30:06,265 --> 00:30:09,058 ARE GOING OUT FOR DRINKS LATER TONIGHT. 810 00:30:09,058 --> 00:30:11,100 HOW WOULD YOU LIKE TO COME WITH US? 811 00:30:14,143 --> 00:30:16,105 CASTLE? 812 00:30:16,105 --> 00:30:17,987 HEY. 813 00:30:19,778 --> 00:30:21,780 YOU ARE NEVER GONNA BELIEVE WHAT JUST HAPPENED. 814 00:30:21,780 --> 00:30:24,033 BROCK INVITED ME TO GO DRINKING WITH THE INDESTRUCTIBLES. 815 00:30:24,033 --> 00:30:26,655 ME WITH THEM. 816 00:30:26,655 --> 00:30:27,867 BUT YOU TOLD HIM THAT YOU COULDN'T 817 00:30:27,867 --> 00:30:29,158 BECAUSE YOU'RE IN THE MIDDLE OF A CASE, RIGHT? 818 00:30:29,158 --> 00:30:32,831 NO. WHAT? NO. I JUST -- WHAT -- ISN'T IT OKAY IF I -- 819 00:30:32,831 --> 00:30:35,044 CASTLE, YOU REALLY THINK THAT I COULD STAND BETWEEN 820 00:30:35,044 --> 00:30:36,085 YOU AND YOUR BOYHOOD DREAM? 821 00:30:36,085 --> 00:30:39,008 YOU ARE MY BOYHOOD DREAM. 822 00:30:39,008 --> 00:30:40,549 AWW. [ LAUGHS ] 823 00:30:40,549 --> 00:30:42,011 WELL, YOU AND DRINKING WITH THE INDESTRUCTIBLES. 824 00:30:42,011 --> 00:30:43,883 YOU DON'T ALWAYS HAVE TO KEEP TALKING. 825 00:30:43,883 --> 00:30:44,884 RIGHT. YEAH. 826 00:30:44,884 --> 00:30:46,095 I'M GONNA -- I'M GONNA GO. 827 00:30:46,095 --> 00:30:47,056 I DON'T KNOW WHAT I'M GONNA WEAR. 828 00:30:47,056 --> 00:30:49,138 [ CHUCKLES ] I GOT TO GET READY. 829 00:30:53,562 --> 00:30:55,184 [ CHUCKLES ] ALL RIGHT. 830 00:30:55,184 --> 00:30:56,775 [ LAUGHS ] OKAY. 831 00:30:56,775 --> 00:31:01,820 WELL, YOU GUYS -- YOU HAVE NO IDEA HOW EXCITED I AM TO... 832 00:31:03,402 --> 00:31:05,985 YOU GUYS JUST COME FROM SET OR SOMETHING? 833 00:31:05,985 --> 00:31:08,327 SON, WE CAME STRAIGHT FROM HELL. [ ENGINE TURNS OVER ] 834 00:31:08,327 --> 00:31:10,409 LET'S ROLL. 835 00:31:10,409 --> 00:31:12,912 [ TIRES SQUEAL ] 836 00:31:12,912 --> 00:31:16,085 SO, UM... WHAT'S GOING ON? 837 00:31:16,085 --> 00:31:18,998 NO WARRANT IS GONNA STOP US FROM GETTING OUR HANDS ON EVIDENCE 838 00:31:18,998 --> 00:31:21,170 TO PUT AWAY LANCE'S KILLER. 839 00:31:21,170 --> 00:31:22,501 SOMEBODY TAKES OUT ONE OF OUR OWN, 840 00:31:22,501 --> 00:31:23,672 WE TAKE HIM OUT. 841 00:31:23,672 --> 00:31:25,965 OH, GUYS, HEY, 842 00:31:25,965 --> 00:31:27,506 LISTEN, IF YOUR PLAN IS TO GO TO THE CLUB 843 00:31:27,506 --> 00:31:28,887 AND STEAL THAT SLOT CAR, 844 00:31:28,887 --> 00:31:31,010 N-NO. THAT WOULD -- THAT WOULD TAINT THE EVIDENCE. 845 00:31:31,010 --> 00:31:33,973 ACTUALLY, WE CAN COMPEL THE D.A. TO CONSIDER IT 846 00:31:33,973 --> 00:31:37,186 SINCE THE CAR TECHNICALLY BELONGED TO THE VICTIM, LANCE. 847 00:31:37,186 --> 00:31:40,019 YOU REALLY ARE A GENIUS, AREN'T YOU? 848 00:31:40,019 --> 00:31:41,480 ALSO, NONE OF US IS AN AGENT OF THE LAW. 849 00:31:41,480 --> 00:31:43,152 IT'S ONE OF THE REASONS I CHOSE YOU. 850 00:31:43,152 --> 00:31:45,024 AND BECAUSE YOU HAVE BEEN IN BOOTHE'S OFFICE. 851 00:31:45,024 --> 00:31:47,696 YOU'RE GONNA HELP US FIND THAT SLOT CAR. 852 00:31:47,696 --> 00:31:51,030 NO. NO. NO. NO, NO, NO, NO, NO, NO. 853 00:31:51,030 --> 00:31:55,204 GUYS, MY WIFE IS A COP. IF I DO THIS, SHE'LL KILL ME. 854 00:31:55,204 --> 00:31:57,036 [ Mockingly ] "OH, MY WIFE'S GONNA KILL ME." 855 00:31:57,036 --> 00:31:58,207 IS THAT WHAT RICO CRUZ WOULD SAY? 856 00:31:58,207 --> 00:31:59,878 NO. 857 00:31:59,878 --> 00:32:02,301 BUT WHAT IF WE GET CAUGHT? WE'RE NOT GONNA GET CAUGHT. 858 00:32:02,301 --> 00:32:04,213 WE'RE THE INDESTRUCTIBLES. 859 00:32:04,213 --> 00:32:07,386 TENSE UP, GUYS. IT'S SHOWTIME. 860 00:32:07,386 --> 00:32:09,388 [ DRAMATIC MUSIC PLAYING ] 861 00:32:23,822 --> 00:32:25,614 Harmon: THE PLAN IS SIMPLE. 862 00:32:25,614 --> 00:32:29,158 ONCE WE GET TO THE CLUB, SERAFINA, CLAY, ROLF, 863 00:32:29,158 --> 00:32:31,160 GO IN THROUGH THE MAIN ENTRANCE AND TAKE YOUR POSITIONS. 864 00:32:31,160 --> 00:32:32,621 ♪ AND TURN UP THAT JUICE ♪ 865 00:32:32,621 --> 00:32:34,623 ♪ I KNOW YOU'RE TRYING TO BE GOOD TONIGHT ♪ 866 00:32:34,623 --> 00:32:36,205 ♪ BUT COME ON, WHAT'S UP WITH ALL THAT? ♪ 867 00:32:36,205 --> 00:32:39,918 SERAFINA, ALERT US WHEN YOU HAVE EYES ON THE REAR DOOR. 868 00:32:39,918 --> 00:32:42,171 [ BEEP ] FALCON IS IN THE NEST. 869 00:32:42,171 --> 00:32:44,963 CLAY, YOU AND ROLF CREATE A DIVERSION 870 00:32:44,963 --> 00:32:47,926 TO DRAW BOOTHE DOWN TO THE BAR. YOUNG FELLA, YOUNG FELLA. 871 00:32:47,926 --> 00:32:49,848 WE'RE DOING BOTTLE SERVICE. YOU GOT SOME OF THAT ANGEL? 872 00:32:49,848 --> 00:32:51,180 YOU KNOW, THE CHAMPAGNE? 873 00:32:51,180 --> 00:32:53,182 SURE DO. JUST GONNA NEED YOUR CREDIT CARD, MR. BIGGS. 874 00:32:53,182 --> 00:32:54,223 IF YOU KNOW WHO WE ARE, 875 00:32:54,223 --> 00:32:56,265 THEN YOU KNOW WE HAVEN'T PAID FOR A DRINK SINCE REAGAN. 876 00:32:56,265 --> 00:32:58,267 SIR, ANGEL IS A GRAND A BOTTLE. 877 00:32:58,267 --> 00:33:00,149 YOU UNDERSTAND. 878 00:33:00,149 --> 00:33:02,401 SON, WE'RE HERE TO TOAST A FALLEN COMRADE. 879 00:33:02,401 --> 00:33:04,403 THAT HAS-BEEN BOOTHE TOO CHEAP TO PAY RESPECTS? 880 00:33:04,403 --> 00:33:06,815 ♪ IN THE GROUND ♪ 881 00:33:06,815 --> 00:33:10,199 ♪ WHEN THE LIGHTS GO OUT, AND WE DANCE ♪ 882 00:33:10,199 --> 00:33:11,370 Mr. Boothe? YEAH? 883 00:33:11,370 --> 00:33:13,282 Got some old friends of yours at the bar. 884 00:33:13,282 --> 00:33:14,703 YOU SHOULD COME DOWN. 885 00:33:14,703 --> 00:33:17,786 ALL RIGHT, I'M COMING DOWN. YEAH. 886 00:33:17,786 --> 00:33:19,208 ♪ WE GONNA MAKE THE PARTY JUMP ♪ 887 00:33:19,208 --> 00:33:22,211 ♪ JUMP ♪ 888 00:33:22,211 --> 00:33:23,832 ♪ JUMP ♪ 889 00:33:23,832 --> 00:33:25,794 ♪ JUMP ♪ 890 00:33:25,794 --> 00:33:27,046 ♪ JUMP ♪ 891 00:33:27,046 --> 00:33:29,088 Harmon: ONCE EL JéFE'S ON THE MOVE, SERAFINA, 892 00:33:29,088 --> 00:33:31,090 YOU'LL UNLOCK THE VILLA GATES. 893 00:33:31,090 --> 00:33:34,683 PRAIRIE DOG IS ON THE PLAIN. 894 00:33:34,683 --> 00:33:38,897 AND CASTLE AND I WILL GO FOR THE GOODS... 895 00:33:38,897 --> 00:33:41,100 "HARD KILL" STYLE. 896 00:33:43,062 --> 00:33:45,274 Okay. 897 00:33:49,488 --> 00:33:51,780 Always check. 898 00:33:56,655 --> 00:33:58,537 Okay, okay. 899 00:33:59,828 --> 00:34:01,120 I GOT TO GET GOING. GREAT SEEING YOU, MAN. 900 00:34:01,120 --> 00:34:02,711 WHOA, WHOA. WHERE YOU GOING? NO. 901 00:34:02,711 --> 00:34:04,663 HEY, HEY. YOU KNOW WHAT? COME ON. HANG OUT. 902 00:34:04,663 --> 00:34:06,755 COME ON, MAN. HANG OUT. ANYTHING YOU WANT, ANYTHING YOU WANT ON ME. ENJOY. 903 00:34:06,755 --> 00:34:09,128 [ SIGHS ] ABORT. ABORT. 904 00:34:09,128 --> 00:34:10,299 PRAIRIE DOG PULLED A BOOMERANG. 905 00:34:14,133 --> 00:34:15,974 I GOT IT! BOOTHE'S ON HIS WAY BACK UP. 906 00:34:15,974 --> 00:34:17,436 WHAT?! NO! YEAH. 907 00:34:21,059 --> 00:34:22,771 ♪ JUMP ♪ 908 00:34:22,771 --> 00:34:24,523 ♪ JUMP ♪ 909 00:34:24,523 --> 00:34:26,024 The prairie dog is in the burrow. 910 00:34:26,024 --> 00:34:27,646 Prairie dog's gonna kill us. 911 00:34:27,646 --> 00:34:29,067 We're gonna be killed by a prairie dog! 912 00:34:29,067 --> 00:34:30,649 ♪ JUMP ♪ 913 00:34:30,649 --> 00:34:33,071 ♪ JUMP ♪ [ ALARM BLARING ] 914 00:34:33,071 --> 00:34:35,114 ♪ JUMP, WE GONNA MAKE THE PARTY JUMP ♪ 915 00:34:35,114 --> 00:34:36,285 [ SIGHS ] 916 00:34:36,285 --> 00:34:37,496 ♪ JUMP ♪ 917 00:34:40,078 --> 00:34:43,372 ♪ JUMP, JUMP, WE GONNA MAKE THE PARTY JUMP ♪ 918 00:34:47,126 --> 00:34:50,919 I'M STARRING IN MY OWN ACTION MOVIE. 919 00:34:50,919 --> 00:34:52,090 THIS IS THE BEST NIGHT EVER. 920 00:34:52,090 --> 00:34:53,302 GO! 921 00:34:55,344 --> 00:34:57,556 YOU'RE TELLING ME THAT THIS WAS HANDED TO YOU 922 00:34:57,556 --> 00:34:59,598 BY A "CONCERNED CITIZEN"? 923 00:34:59,598 --> 00:35:01,600 UM... 924 00:35:01,600 --> 00:35:04,643 YES. 925 00:35:04,643 --> 00:35:05,934 CASTLE? 926 00:35:05,934 --> 00:35:07,105 THIS IS PROBABLY ONE OF THOSE TIMES 927 00:35:07,105 --> 00:35:10,149 WHERE I SHOULDN'T KEEP TALKING, FOR BOTH OUR SAKES. 928 00:35:11,150 --> 00:35:13,862 THE RECORDING YOU ARE ABOUT TO HEAR 929 00:35:13,862 --> 00:35:16,195 WILL PROVIDE INCONTROVERTIBLE PROOF 930 00:35:16,195 --> 00:35:20,199 THAT HENRY ALLEN BOOTHE ORDERED THE MURDER OF LANCE DeLORCA. 931 00:35:20,829 --> 00:35:25,123 [ SIGHS ] SOUND'S NOT WORKING. 932 00:35:25,123 --> 00:35:26,295 HANG ON A SECOND. THIS WAS... 933 00:35:30,209 --> 00:35:31,960 HEADPHONES? AREN'T YOU GONNA LET ME HEAR IT? 934 00:35:31,960 --> 00:35:34,052 AND REWARD YOU FOR YOUR SEMI-ILLEGAL BEHAVIOR? 935 00:35:34,052 --> 00:35:35,344 I THINK NOT. 936 00:35:35,344 --> 00:35:37,135 I... 937 00:35:37,135 --> 00:35:39,057 FINE, I'LL PUT IT ON SPEAKER. 938 00:35:39,057 --> 00:35:40,219 SERIOUSLY? 939 00:35:40,219 --> 00:35:41,600 BECAUSE IF IT WASN'T FOR ME, WE WOULDN'T EVEN... 940 00:35:41,600 --> 00:35:42,811 WHAT? 941 00:35:42,811 --> 00:35:44,523 LANCE JUST WALKED IN TO BOOTHE'S OFFICE. 942 00:35:44,523 --> 00:35:46,315 THEY'RE EXCHANGING PLEASANTRIES. 943 00:35:46,315 --> 00:35:48,066 AND THEY'RE GETTING DOWN TO BUSINESS. 944 00:35:50,068 --> 00:35:51,860 OH, MY GOD. 945 00:35:51,860 --> 00:35:53,111 WHAT IS IT? 946 00:35:53,111 --> 00:35:54,943 OH, MY GOD. WHAT IS HE SAYING? 947 00:35:54,943 --> 00:35:56,034 PLEASE, JUST TELL ME WHAT THEY'RE SAYING. 948 00:35:56,034 --> 00:35:58,447 THIS IS SO NOT WHAT I EXPECTED. 949 00:35:58,447 --> 00:36:00,579 OH, MY GOD. 950 00:36:03,832 --> 00:36:05,043 SO, WHAT'S THIS ABOUT? 951 00:36:05,043 --> 00:36:07,416 TREY, HOW WELL DO YOU KNOW HENRY ALLEN BOOTHE? 952 00:36:07,416 --> 00:36:10,499 WELL, IF SOMEONE OWNS A CLUB, IT'S MY JOB TO KNOW THEM. 953 00:36:10,499 --> 00:36:12,921 I MET HIM THROUGH MY DAD. THEY DID A FEW MOVIES TOGETHER. 954 00:36:12,921 --> 00:36:15,133 IN FACT, BOOTHE INVESTED SOME SEED MONEY 955 00:36:15,133 --> 00:36:16,465 SO YOU COULD BECOME A CLUB PROMOTER. 956 00:36:16,465 --> 00:36:17,716 THEN, AS A PROMOTER, 957 00:36:17,716 --> 00:36:19,638 YOU HAD ACCESS TO ALL THE CLUBS IN THE CITY. 958 00:36:19,638 --> 00:36:21,430 BOOTHE USED THAT ACCESS 959 00:36:21,430 --> 00:36:25,764 TO SELL DRUGS IN THOSE CLUBS, OR SO WE'RE TOLD BY NARCOTICS. 960 00:36:27,105 --> 00:36:28,807 I DON'T HEAR YOU DENYING THIS, TREY. 961 00:36:30,649 --> 00:36:32,651 I DIDN'T KNOW ABOUT THE DRUGS AT FIRST, 962 00:36:32,651 --> 00:36:35,193 AND ONCE I DID, IT WAS TOO LATE. 963 00:36:35,193 --> 00:36:37,195 HE OWNED ME. LET ME GUESS -- 964 00:36:37,195 --> 00:36:39,908 BOOTHE SAID YOU COULD BUY HIM OUT, 965 00:36:39,908 --> 00:36:41,910 BUT AT A PRICE HE KNEW YOU COULD NEVER AFFORD. 966 00:36:41,910 --> 00:36:43,622 WHAT WAS IT? $200,000? 967 00:36:43,622 --> 00:36:46,955 YOU DIDN'T TELL YOUR PARENTS ABOUT ANY OF THIS, DID YOU? 968 00:36:46,955 --> 00:36:49,328 I WANTED TO MAKE MY OWN WAY, 969 00:36:49,328 --> 00:36:52,291 NOT HAVE BROCK HARMON COME TO THE RESCUE. 970 00:36:52,291 --> 00:36:53,752 BUT LANCE FOUND OUT. 971 00:36:53,752 --> 00:36:57,175 HE TRIED TO BUY OUT BOOTHE, PAY YOUR RANSOM, 972 00:36:57,175 --> 00:36:58,757 JUST LIKE RICO CRUZ DID IN "HARD KILL." 973 00:36:58,757 --> 00:37:02,140 YEAH, AND I BEGGED HIM NOT TO. 974 00:37:02,140 --> 00:37:03,722 THIS WASN'T SOME MOVIE. 975 00:37:03,722 --> 00:37:05,304 I KNEW THAT BOOTHE WASN'T GONNA LET ME GO, 976 00:37:05,304 --> 00:37:07,896 AND LANCE COULDN'T JUST WALK IN THERE WITH A BAG OF MONEY 977 00:37:07,896 --> 00:37:09,107 AND FIX THINGS. 978 00:37:09,107 --> 00:37:10,899 BUT, SUDDENLY, HE WANTED TO BE A HERO. 979 00:37:10,899 --> 00:37:12,901 I TOLD HIM HE WAS GONNA GET US BOTH KILLED. 980 00:37:12,901 --> 00:37:15,614 BUT HE ONLY GOT HIMSELF KILLED TRYING TO SAVE YOU. 981 00:37:17,065 --> 00:37:19,818 WE HAVE AN AUDIO RECORDING OF BOOTHE FROM THAT NIGHT. 982 00:37:19,818 --> 00:37:21,199 HOW? 983 00:37:21,199 --> 00:37:22,821 LANCE BUGGED HIS OFFICE. 984 00:37:22,821 --> 00:37:25,123 AFTER BOOTHE KICKED LANCE OUT OF HIS OFFICE, 985 00:37:25,123 --> 00:37:26,495 HE SENT HIS MEN AFTER HIM. 986 00:37:26,495 --> 00:37:29,498 LANCE GAVE THEM A BEATDOWN WORTHY OF AN ACTION HERO. 987 00:37:29,498 --> 00:37:32,210 THAT'S WHEN BOOTHE MADE THIS PHONE CALL. 988 00:37:32,210 --> 00:37:33,832 [ KEYBOARD CLACKS ] 989 00:37:33,832 --> 00:37:36,004 Booth: TREY, YOUR PAL LANCE WAS HERE. 990 00:37:36,004 --> 00:37:37,966 I THINK YOU KNOW WHY. 991 00:37:37,966 --> 00:37:39,007 HE'S ON THE RUN SOMEWHERE 992 00:37:39,007 --> 00:37:40,839 NEAR THAT THEATER PLAYING "HARD KILL." 993 00:37:40,839 --> 00:37:42,971 HE'S YOUR PROBLEM NOW. 994 00:37:42,971 --> 00:37:44,643 YOU NEED TO TAKE CARE OF HIM TO MAKE THIS RIGHT, 995 00:37:44,643 --> 00:37:46,845 OR I'LL TAKE CARE OF YOU. 996 00:37:46,845 --> 00:37:50,058 YOU DO THAT, TREY. GET IT...DONE. 997 00:37:50,058 --> 00:37:51,810 [ KEYBOARD CLACKS ] 998 00:37:51,810 --> 00:37:55,193 YOU WERE SO AFRAID OF BOOTHE THAT YOU KILLED LANCE 999 00:37:55,193 --> 00:37:56,945 IN ORDER TO SAVE YOUR OWN SKIN. 1000 00:37:56,945 --> 00:37:58,156 I WOULD NEVER DO THAT. 1001 00:37:58,156 --> 00:38:00,399 IT SOUNDS LIKE THAT'S EXACTLY WHAT YOU DID DO. 1002 00:38:00,399 --> 00:38:01,990 NOW, WHAT HAPPENED AFTER YOU HUNG UP? 1003 00:38:01,990 --> 00:38:04,823 I FREAKED. 1004 00:38:04,823 --> 00:38:07,666 I CALLED MY MOM, TOLD HER EVERYTHING, 1005 00:38:07,666 --> 00:38:10,118 THE WHOLE STORY. 1006 00:38:10,118 --> 00:38:12,120 SHE SAID TO LAY LOW, THAT SHE'D CALL A LAWYER. 1007 00:38:12,120 --> 00:38:15,293 AND THEN, THE NEXT MORNING, LANCE WAS DEAD. 1008 00:38:15,293 --> 00:38:17,836 I FIGURED BOOTHE'S GUYS GOT TO HIM. 1009 00:38:17,836 --> 00:38:20,218 LOOK, I WAS AT MY OFFICE ALL NIGHT. 1010 00:38:20,218 --> 00:38:23,091 I SLEPT THERE. THE CLEANING CREW SAW ME. 1011 00:38:23,091 --> 00:38:25,384 I SWEAR TO YOU I DID NOT KILL LANCE. 1012 00:38:26,845 --> 00:38:27,976 AND I DON'T KNOW WHO DID. 1013 00:38:30,769 --> 00:38:33,191 TELL ME, TREY -- 1014 00:38:33,191 --> 00:38:34,983 WHY WOULD LANCE GO THROUGH ALL THIS TROUBLE TO HELP YOU? 1015 00:38:34,983 --> 00:38:37,396 I DON'T KNOW. 1016 00:38:37,396 --> 00:38:40,989 HE JUST SAID THAT THE CANCER REALLY WOKE HIM UP 1017 00:38:40,989 --> 00:38:43,992 AND THAT, UH, AFTER ALL THIS WAS OVER, 1018 00:38:43,992 --> 00:38:46,825 THERE WERE SOME THINGS THAT HE WANTED TO TELL ME. 1019 00:38:50,158 --> 00:38:51,870 SO, THE CLEANING CREW CONFIRMED TREY'S STORY. 1020 00:38:51,870 --> 00:38:54,453 HE IS NOT OUR KILLER. 1021 00:38:54,453 --> 00:38:55,954 MAYBE IT WAS ONE OF BOOTHE'S MEN. 1022 00:38:55,954 --> 00:38:57,165 WE STILL HAVEN'T RULED THEM OUT. 1023 00:38:57,165 --> 00:38:58,256 Ryan: HEY, GUYS. 1024 00:38:58,256 --> 00:38:59,838 I JUST FOUND SOMETHING VERY INTERESTING. 1025 00:38:59,838 --> 00:39:01,009 THE IDENTITY OF THE KILLER. 1026 00:39:01,009 --> 00:39:02,090 NO, NOT THAT. 1027 00:39:02,090 --> 00:39:04,342 YOU KNOW HOW TREY SAID THAT LANCE'S CANCER WOKE HIM UP? 1028 00:39:04,342 --> 00:39:06,304 WELL, I JUST SPOKE TO HIS DOCTOR. 1029 00:39:06,304 --> 00:39:08,136 WHEN LANCE GOT THE NAME OF HIS BONE-MARROW DONOR 1030 00:39:08,136 --> 00:39:10,519 TO THANK HIM, HE FOUND OUT THERE WAS A SECOND DONOR 1031 00:39:10,519 --> 00:39:12,100 WHO WAS A VERY CLOSE MATCH. 1032 00:39:12,100 --> 00:39:13,602 TAKE A LOOK AT THAT NAME. 1033 00:39:16,685 --> 00:39:18,026 [ INDISTINCT CONVERSATIONS ] 1034 00:39:22,901 --> 00:39:24,112 HAVE YOU RELEASED TREY YET? 1035 00:39:24,112 --> 00:39:25,824 HE HAD NOTHING TO DO WITH THIS. 1036 00:39:25,824 --> 00:39:28,156 ACTUALLY, TREY HAS EVERYTHING TO DO WITH THIS. 1037 00:39:28,156 --> 00:39:29,908 I'M NOT SURE I UNDERSTAND. 1038 00:39:29,908 --> 00:39:32,290 WHEN LANCE NEEDED A BONE-MARROW TRANSPLANT, 1039 00:39:32,290 --> 00:39:34,252 TREY GAVE A SAMPLE TO SEE IF HE COULD DONATE. 1040 00:39:34,252 --> 00:39:36,044 WE ALL DID. IT WAS THE LEAST WE COULD DO. 1041 00:39:36,044 --> 00:39:39,047 EXCEPT TREY'S SAMPLE WAS NEARLY A MATCH. 1042 00:39:39,047 --> 00:39:40,378 LANCE MUST HAVE HAD HIS SUSPICIONS 1043 00:39:40,378 --> 00:39:44,212 BECAUSE HE RAN A PATERNITY TEST ON THAT SAMPLE. 1044 00:39:44,212 --> 00:39:45,674 TREY WAS HIS SON. 1045 00:39:45,674 --> 00:39:47,506 NO. 1046 00:39:47,506 --> 00:39:48,717 HE WOULD HAVE BEEN CONCEIVED 1047 00:39:48,717 --> 00:39:50,058 DURING THE FILMING OF "HARD KILL," 1048 00:39:50,058 --> 00:39:51,139 WHICH IS INCONVENIENT, 1049 00:39:51,139 --> 00:39:52,140 SINCE YOU WERE ALREADY MARRIED TO BROCK. 1050 00:39:52,140 --> 00:39:53,852 WE SPOKE TO YOUR DOORMAN, NAOMI. 1051 00:39:53,852 --> 00:39:55,434 HE SAID THAT YOU DIDN'T COME HOME 1052 00:39:55,434 --> 00:39:58,186 UNTIL WELL AFTER MIDNIGHT THE NIGHT THAT LANCE WAS KILLED, 1053 00:39:58,186 --> 00:39:59,568 SO WHERE WERE YOU? 1054 00:39:59,568 --> 00:40:02,070 I DIDN'T KILL LANCE, IF THAT'S WHAT YOU'RE SUGGESTING. 1055 00:40:02,070 --> 00:40:03,942 YOU'RE MORE THAN CAPABLE OF IT. 1056 00:40:03,942 --> 00:40:05,524 YOU DON'T JUST HAVE A MEAN ROUNDHOUSE. 1057 00:40:05,524 --> 00:40:07,195 YOU HOLD TWO BLACK BELTS. 1058 00:40:07,195 --> 00:40:08,236 OKAY, YOU NEED TO LEAVE. 1059 00:40:08,236 --> 00:40:10,989 WE MATCHED THE WIRE. 1060 00:40:10,989 --> 00:40:12,911 THE WIRE THAT YOU USE FOR YOUR JEWELRY LINE, 1061 00:40:12,911 --> 00:40:15,123 LIKE THE NECKLACE THAT YOU'RE WEARING RIGHT NOW -- 1062 00:40:15,123 --> 00:40:16,244 IT'S AN EXACT MATCH TO OUR MURDER WEAPON. 1063 00:40:16,244 --> 00:40:17,456 TREY TOLD YOU 1064 00:40:17,456 --> 00:40:19,337 THAT LANCE HAD SOMETHING IMPORTANT TO TELL HIM. 1065 00:40:19,337 --> 00:40:21,299 YOU KNEW THE TRUTH WOULD COME OUT. 1066 00:40:24,503 --> 00:40:27,095 LANCE WOULD HAVE DESTROYED EVERYTHING -- 1067 00:40:27,095 --> 00:40:28,967 MY MARRIAGE, MY FAMILY, 1068 00:40:28,967 --> 00:40:33,141 EVERYTHING THAT I SPENT ALMOST 30 YEARS TRYING TO BUILD. 1069 00:40:33,141 --> 00:40:35,433 I COULDN'T LET HIM DO THAT. 1070 00:40:39,518 --> 00:40:41,940 WHAT'S GOING ON? 1071 00:40:41,940 --> 00:40:44,693 YOU MIGHT BE INTERESTED TO KNOW THAT HENRY ALLEN BOOTHE 1072 00:40:44,693 --> 00:40:46,364 WAS JUST ARRESTED BY NARCOTICS. 1073 00:40:46,364 --> 00:40:48,987 I THOUGHT THEY COULDN'T MAKE A CASE. 1074 00:40:48,987 --> 00:40:51,369 WELL, THEY COULDN'T, BUT WHEN TREY LEARNED THE TRUTH 1075 00:40:51,369 --> 00:40:53,201 ABOUT WHY LANCE REALLY DID ALL THIS, 1076 00:40:53,201 --> 00:40:56,284 HE STEPPED UP AND DECIDED TO TESTIFY AGAINST BOOTHE. 1077 00:40:56,284 --> 00:40:59,998 SO GOOD WORK, DETECTIVE BECKETT, MR. CASTLE. 1078 00:40:59,998 --> 00:41:01,249 DON'T STAY LATE. 1079 00:41:01,249 --> 00:41:02,881 YOU CAN FINISH THE PAPERWORK IN THE MORNING. 1080 00:41:02,881 --> 00:41:04,212 THANK YOU, SIR. 1081 00:41:04,212 --> 00:41:05,383 WOW. 1082 00:41:05,383 --> 00:41:08,216 LOOKS LIKE LANCE MANAGED TO VANQUISH HIS NEMESIS AFTER ALL. 1083 00:41:08,216 --> 00:41:10,348 AN ENDING WORTHY OF ONE OF HIS MOVIES. 1084 00:41:10,348 --> 00:41:12,140 YOU KNOW... 1085 00:41:12,140 --> 00:41:14,222 MAYBE WE SHOULD WATCH "HARD KILL" TONIGHT... 1086 00:41:14,222 --> 00:41:15,934 IN HIS HONOR. 1087 00:41:15,934 --> 00:41:17,516 I WAS JUST GONNA SUGGEST THE EXACT SAME THING. 1088 00:41:17,516 --> 00:41:19,728 WE'RE STARTING TO THINK ALIKE NOW. 1089 00:41:19,728 --> 00:41:22,150 THAT IS HORRIFYING. OKAY, UH, GO CUE UP THE MOVIE. 1090 00:41:22,150 --> 00:41:24,442 OPEN UP A BOTTLE OF WINE. I'LL BE HOME IN A BIT. 1091 00:41:24,442 --> 00:41:26,314 I'VE JUST GOT A STOP TO MAKE FIRST. 1092 00:41:26,314 --> 00:41:28,106 WELL, IF I'M THINKING WHAT YOU'RE THINKING -- 1093 00:41:28,106 --> 00:41:30,158 AND IT'S TO PICK UP A SEXY ARCHAEOLOGIST COSTUME -- 1094 00:41:30,158 --> 00:41:31,159 DON'T WORRY. 1095 00:41:31,159 --> 00:41:32,991 I've already got the whip. 1096 00:41:36,825 --> 00:41:37,826 THANK YOU. 1097 00:41:37,826 --> 00:41:39,618 MM-HMM.